History of Art, Architecture and Design - Publications

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• 1494 Publication References

Author	Title	Date	Place of Publication	Research Group	Co-Authors
Yorke J M	Mervyn Peake: His Life and Reputation	2000	University of Northumbria at Newcastle
Yarrington A W	Anglo-Italian Attitudes: Chantrey and Canova	2000	University of Leicester
YOUNG C	The Role of Attachments in the Degradation and Strain Distribution of Canvas Paintings, in Tradition and Innovation Advances in Conservation	2000	Courtauld Institute of Art		R. Hibberd
Wright A.J.	'The Memory of Faces: Representational Choices in Fifteenth-Century Florentine Portraiture'	2000	University College London
Wood P	Art in Theory 1648-1815	2000	Open University		C. Harrison J.Gaiger
Wood P	'The Ends of the Earth' in A.Patrizio ed., Essays in Visual Culture	2000	Open University
Wood M		2000	Birkbeck College
Wood J	Taste and Connoisseurship at the Court of Charles I: Inigo Jones and the Work of Giulio Romano	2000	University of Nottingham
Wilson S	Consuming Empire? The South Kensington Museum and its spectacles	2000	University of Northumbria at Newcastle		Barlow, P
Wilson S	'The highest art for the lowest people': The Whitechapel and other philanthropic art galleries, 1877-1901	2000	University of Northumbria at Newcastle
Wilson C.	'Note sur la redecouverte des colonnettes du jube de Sainte-Waudru a Mons'	2000	University College London
Williamson BA	Art, Politics and Civic Religion in Central Italy, c.1261-c.1352	2000	University of Bristol		Cannon,J
Williamson BA	The Cloisters Double Intercession: The Virgin as Co-Redemptrix	2000	University of Bristol
Williams RJ	After Modern Sculpture: Art in the United States and Europe, 1965-70.	2000	University of Edinburgh
Whitfield R	Cave Temples of Mogao	2000	School of Oriental and African Studies
Weston H.D.	'The Corday-Marat Affair: No Place for a Woman'	2000	University College London
Weston H.D.	'The Cook, The Thief, His Wife, and Her Lover: LaVille-Leroulx's Portrait of a Negress and the Signs of Misrecognition'	2000	University College London
West SC	The Visual Arts in Germany 1890-1937: Utopia and despair.	2000	University of Birmingham
Welter VM	The City after Patrick Geddes	2000	University of Reading		Lawson, J
Welch E	New, Old and Second Hand Culture: The Case of the Renaissance Sleeve	2000	University of Sussex
Watkins N G G	Pierre Bonnard in the Light of Remembrance	2000	University of Leicester
Watkin D J	William Wilkins and the Architecture of Improvement	2000	University of Cambridge
Walker DM	William Burn	2000	University of St Andrews
WOODALL J	'Patronage and Portrayal: Antoine Perrenot de Granvelle's relationship with Anthonis Mor', in ed. K. De Jonge + G. Janssens, Le Granvelle et les anciens Pays-Bas	2000	Courtauld Institute of Art
WOODALL J	Wtewael's Perseus and Andromeda. Looking for love in seventeenth- century Dutch painting' in ed. C. Arscott and K. Scott, Manifestations of Venus	2000	Courtauld Institute of Art
WILLSDON CAP	Mural Painting in Britain 1840-1940: Image and Meaning	2000	University of Glasgow
WALKER RJ	'The wall-paintings of the Pante	2000	Courtauld Institute of Art
Vergo PJ	Ein moderner Nachmittag. Margaret Macdonald Mackintosh und der Salon Waerndorfer in Wien	2000	University of Essex		Hanna Egger Pamela Robertston Manfred Trummer
VILLERS C	The Fabric of Images: European paintings on textile supports in the fourteenth and fifteenth centuries	2000	Courtauld Institute of Art
VILLERS C	Simone de Crocefissi's 'Dream of the Virgin'	2000	Courtauld Institute of Art		Robert Gibbs Rebecca Hellen Annette King
Usherwood P L	Public Sculpture of North East England	2000	University of Northumbria at Newcastle		Beach, J Morris, C
Tribe T	Candomble Shrines	2000	School of Oriental and African Studies
Tolley T	Jan van Eyck and the English.	2000	University of Edinburgh
Tinagli P	Womanly Virtues in Quattrocento Florentine Marriage Furnishings.	2000	University of Edinburgh
Tinagli P	The Identity of the Prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti.	2000	University of Edinburgh
Tillotson GH	The Artificial Empire:The Indian Landscapes of William Hodges	2000	School of Oriental and African Studies
Thomson D	Arikha	2000	University of Edinburgh
Thomson D	Port Glasgow and Stanley Spencer.	2000	University of Edinburgh
Thomas J	Death, identity and the body in Neolithic Britain	2000	University of Manchester
Thomas BDH	`Artefici' and `huomini intendenti': questions of artistic value in sixteenth-century Italy	2000	University of Kent at Canterbury
Taylor J	Problems in Photojournalism: Realism, the Nature of News and the Humanitarian Narrative	2000	Manchester Metropolitan University
Taylor C A	Inside Cover	2000	University of Leeds	Fine Art: Theory, Criticism and Practice
Taylor B	History Painting West and East	2000	University of Southampton
Taylor B	Photo-Painting and Avant-Garde in Soviet Russia	2000	University of Southampton
Tarr RP	Ecce virgo concipiet: The Iconography and Context of Duccio's London Annunciation.	2000	University of Edinburgh
TICKNER L	ENGLISH MODERNISM IN THE CULTURAL FIELD	2000	Middlesex University
TICKNER L	MODERN LIFE + MODERN SUBJECTS: BRITISH ART IN THE EARLY TWENTIETH CENTURY	2000	Middlesex University
Styles J	Product Innovation in Early Modern London	2000	Royal College of Art	History of Design
String TC	Politics and Polemics in English and German Bible illustrations	2000	University of Bristol
String TC	Problems of identity in an age of change: the viewer of art in Renaissance England	2000	University of Bristol
Steward J R	The Spa Towns of the Austrian Hungarian Empire and the Growth of Tourist Culture 1860-1914	2000	University of Northumbria at Newcastle
Stevenson CM	Medicine and Magnificence: British hospital and asylum architecture 1660-1815	2000	University of Reading
Stevenson CM	Hogarth's mad king and his audiences	2000	University of Reading
Spencer-Longhurst PS	The Blue Bower: Rossetti in the 1860s.	2000	University of Birmingham
Spencer RA	Eduardo Paolozzi: Writings and Interviews	2000	University of St Andrews
Sparke P	From Cookware to Cocktail Shakers: The Domestication of the Aluminum Object in the United States, 1900-1939	2000	Kingston University
Smith PG	C	2000	University of Bristol
Smith G	The Stone of Dante and Later Florentine Celebrations of the Poet	2000	University of St Andrews
Smith G	Gaetano Baccani's 'Systematization' of the Piazza del Duomo in Florence	2000	University of St Andrews
Smiles SA	Eye Witness: Artists and Visual Documentation in Britain, 1770-1830	2000	University of Plymouth
Skeates RG	Debating the Archaeological Heritage	2000	University of East Anglia
Skeates RG	The Collecting of Origins: Collectors and Collections of Italian Prehistory and the Cultural Transformation of Value (1550-1999)	2000	University of East Anglia
Siegfried S L	Ingres' Reading - The Undoing of Narrative	2000	University of Leeds	History and Theory of Art
Siegfried S L	Engaging the Audience: Sexual Economies of Vision in Joseph Wright.	2000	University of Leeds	History and Theory of Art
Siegfried S L	The Policy Landscape	2000	University of Leeds	History and Theory of Art
Sheldon E.S.	'Methods and Materials of David's 'Marat	2000	University College London
Shaw-Miller S	'Skriabin and Obukhov: Mysterium + La Livre de Vie The Concept of the Total Work of Art'	2000	Birkbeck College
Screech TB	The Shogun's Painted Culture: Fear and Creativity in the Japanese States, 1760 - 1829	2000	School of Oriental and African Studies
Schwartz F.J.	'Ornament and Spirit, Ornament and Class: A Short History of a Troubled Trope'	2000	University College London
Schmitz E	London Dossier: The Greenhouse Effect/Because a fire was in my head/Beck's futures.	2000	Goldsmiths College
Schmitz E	London Dossier: Intelligence: New British Art/New York Projects/A Shot in the Head.	2000	Goldsmiths College
Schmitz E	London Dossier: Protest and Survive/Apocalypse. Beauty and Horror in Contemporary Art/Turner Prize 2000 Exhibition.	2000	Goldsmiths College
Schmitz E	Kulturindustrie ist gar kein Ausdruck.	2000	Goldsmiths College
Sargeant A	Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde	2000	Birkbeck College
Sargeant A	'Darwin Duchenne Delsarte	2000	Birkbeck College
Sargeant A	'On Receiving Letters from Despised Lovers'	2000	Birkbeck College
Sargeant A	'Making and Selling Heritage Culture: style and authenticity in historical fictions on film and television'	2000	Birkbeck College
Salmon FE	Building on Ruins: The Rediscovery of Rome and English Architecture	2000	University of Manchester
STIRTON PA	Bourdieu and the art historians	2000	University of Glasgow		Richard Hooker Dominic Paterson
STIRTON PA	A newly identified portrait of W. B. Yeats by William Strang	2000	University of Glasgow
SOLKIN DH	Gainsborough's Classically Virtuous Wife	2000	Courtauld Institute of Art
SOLKIN DH	The Fetish over the Fireplace: Disease as 'Genius loci' in Hogarth's 'Marriage A-la-mode'.	2000	Courtauld Institute of Art
SCOTT KH	Art and Industry - a contradictory union: authors' rights and copyrights during the consulat	2000	Courtauld Institute of Art
SCOTT KH	Chardin Multiplied	2000	Courtauld Institute of Art
SCOTT KH	Under the sign of Venus: the making and meaning of Bouchardon's L'Amour in the age of the French rococo' in eds. C. Arscott and K. Scott, Manifestations of Venus: Art and Sexuality	2000	Courtauld Institute of Art
SCHAAF L	The Photographic Art of William Henry Fox Talbot	2000	University of Glasgow
Rowan A	The Evolution of Osterley in the Eighteenth Century	2000	Edinburgh College of Art
Rosenthal M J	Decapitating the Swells	2000	University of Warwick
Rogoff I	Terra Infirma - Geography's Visual Culture.	2000	Goldsmiths College
Rogers MR	Evaluating textiles in Renaissance Venice	2000	University of Bristol
Rogers MR	Fashioning Identities in Renaissance Art	2000	University of Bristol
Roberts J	The Gardens of the Gentry in the Late Tudor Period	2000	De Montfort University
Roberts J	Hydraulics and Waterfeatures	2000	De Montfort University
Richards S	New Material Culture - Transfer Printed Ceramics	2000	Manchester Metropolitan University
Richards S	A Magazine for the Friends of Good Taste: Sensibility and Rationality in Garden Design in Late Eighteenth-Century Germany	2000	Manchester Metropolitan University
Rhodes CD	Through the Looking-glass darkly: Gendering the Primitive and the Significance of Constructed Space in the Practice of the Br	2000	Loughborough University
Rhodes CD	Outsider Art: Spontaneous Alternatives	2000	Loughborough University
Reid S	The Exhibition 'Art of Socialist Countries' Moscow, 1958-9, and the Contemporary Style	2000	University of Northumbria at Newcastle
Read B W	The Sculpture	2000	University of Leeds	Sculpture Studies
Rea W R	Masks and Styles: Yoruba Masquerade in Comparative Perspective	2000	University of Leeds	Sculpture Studies
RUSH SJ	The Cathedral as Art Gallery	2000	University of Glasgow
RUBIN PR	Art, Memory, and Family in Renaissance Florence	2000	Courtauld Institute of Art		G. Ciappelli
RUBIN PR	Bernard Berenson and the Visualization of the Italian Renaissance, in ed. M. Fantoni, Gli Anglo-Americani a Firenze. Idea e costruzione del Rinascimento	2000	Courtauld Institute of Art
ROBERTSON PB	Margaret Macdonald Mackintosh: The Seven Princesses	2000	University of Glasgow
ROBERTSON PB	Mackintosh, Glasgow and The Glasgow Style	2000	University of Glasgow
RIFKIN A	INGRES, THEN AND NOW	2000	Middlesex University
RICHARDS J	Altichiero: an Artist and his Patrons in the Italian Trecento	2000	University of Glasgow
RICHARDS J	Early Christian Art	2000	University of Glasgow
RIBEIRO AE	A Gallery of Fashion	2000	Courtauld Institute of Art
Quilley G	Duty and Mutiny: the image of the sailor in British art c.1789-1800	2000	University of Leicester
Quilley G	Missing the boat: the place of the maritime in the history of British visual culture	2000	University of Leicester
Puttfarken T	The Discovery of Pictorial Composition. Theories of Visual Order in Painting 1400-1800	2000	University of Essex
Prettejohn EF	The Art of the Pre-Raphaelites	2000	University of Plymouth
Prendeville B	Realism in 20th Century Painting.	2000	Goldsmiths College
Pratt SR	National Identity on Display: the 1888 Italian Exhibition in London and its Critical Reception	2000	University of Plymouth
Potts A	Pungent Prophesies of Art; Symonds, Pater and Michelangelo	2000	University of Reading
Potts A	The Sculptural Imagination: Figurative, Modernist, Minimalist	2000	University of Reading
Pointon MR	Hogarth's Sigismunda in focus	2000	University of Manchester
Perry LA	The National Portrait Gallery in London 1858-1896	2000	University of Southampton
Perry LA	Looking like a woman: modernity in the National Portrait Gallery before 1900	2000	University of Southampton
Perry G	Women, Scholarship and Criticism 1780-1900	2000	Open University		A. Laurence J. Bellamy
Pak Y	The Korea Foundation Gallery at the Mus	2000	School of Oriental and African Studies
PARK WD	Post-medieval wall painting and plasterwork' in eds. H. Summerson and S. Harrison, Lanercost Priory, Cumbria. A Survey and Documentary History	2000	Courtauld Institute of Art
PAJACZKOWSKA C	PERVERSION	2000	Middlesex University
PAJACZKOWSKA C	FEMINIST VISUAL CULTURE	2000	Middlesex University		F Carson
PAJACZKOWSKA C	PSYCHOANALYSIS, GENDER AND ART	2000	Middlesex University
PACE KC	Introduction	2000	University of Glasgow
OVERY P	BUILDING SIGHT: HOUSE [ARCHITECT BRIAN HOUSDEN]. LONDON NW3	2000	Middlesex University
O'Sullivan S D	In Violence: Three Cases against the Stratum	2000	University of Leeds	History and Theory of Art
O'Mahony MJ	The International Style	2000	University of Bristol
O'Loughlin NE	Novejsa glasba v Sloveniji: osebnosti in razvoj (New Music in Slovenia: its character and development)	2000	Loughborough University
O Sullivan S	In Violence: Three Case Studies Against the Stratum.	2000	Goldsmiths College
Normand TA	The Modern Scot: Modernism and Nationalism in Scottish Art 1928-1955	2000	University of St Andrews
Norman D	An Abbess and a Painter: Emilia Pannocchieschi d'Elci and a Fresco from the Circle of Simone Martini	2000	Open University
Nichols T R	The cultural dynamics of representational space in Venetian Renaissance painting	2000	University of Aberdeen
Neher G	Revaluing Renaissance Art	2000	University of Nottingham		Shepherd, Rupert
Neher G	'Moretto and the Congregation of S. Giorgio in Alga: fashioning a visual identity of a religious congregation'	2000	University of Nottingham
Nead L	Victorian Babylon: People, Streets and Images in Nineteenth Century London	2000	Birkbeck College
Naylor G	Munich: Secession and Jugendstil and Secession in Vienna	2000	Royal College of Art	History of Design
NIXON M	Posing the Phallus'	2000	Courtauld Institute of Art
NEWMAN JA	The Buildings of Wales: Gwent/Monmouthshire	2000	Courtauld Institute of Art
NASH S	The Parement de Narbonnne: Context and Technique	2000	Courtauld Institute of Art
Muthesius S	New International forms or traditionalist Polish styles? Aspects of Warsaw architecture in the early twentieth century	2000	University of East Anglia
Muthesius S	The Postwar University. Utopianist Campus and College	2000	University of East Anglia
Muthesius S	Parliamentarianism, Giganticism, Style and Criticism: The Architecture of Parliaments in the Later 19th Century	2000	University of East Anglia
Mulvey L		2000	Birkbeck College
Mulvey L		2000	Birkbeck College
Mulvey L		2000	Birkbeck College
Mount H	Reynolds, chiaroscuro and composition	2000	Oxford Brookes University
Morris R K	Architectural Terracotta Decoration in Tudor England	2000	University of Warwick
Morris R K	The Architectural History of the Medieval Cathedral Church	2000	University of Warwick
Mitter P	Hotentot Venus and the Western Man	2000	University of Sussex
Mitchell JB	Painting in East Anglia around 1500: the Continental Connection	2000	University of East Anglia
Milner J	Art, War and Revolution: France 1870-71. Myth, Reportage and Reality	2000	University of Newcastle
Miller S	Sculpture and Art History	2000	Southampton Institute
Miller S	Parody, pastiche or purloining? The uses and abuses of artistic imagery in media representations	2000	Southampton Institute
Meskimmon MG	Das Atelier: Spatiality and self-portraiture in the work of Grethe J	2000	Loughborough University
Mellor DA	Works on Paper Attributed to Francis Bacon from The Barry Joule Archive	2000	University of Sussex
Mcquillan M G	Aporias of Writing: Narrative and Subjectivity	2000	University of Leeds	Cultural Studies
McWilliam N F	Monumental Intolerance. Jean Baffier, A Nationalist Sculptor in Fin-de-Si	2000	University of Warwick
McWilliam N F	Peripheral Visions: Class, Cultural Aspiration and the Artisan Community in Mid-Nineteenth-Century France	2000	University of Warwick
McConkey K	A Walk in the Park	2000	University of Northumbria at Newcastle
Mazierska E	Life and Work in Silesia According to Kazimierz Kutz	2000	Manchester Metropolitan University
Mazierska E	Non-Jewish Jews, Good Poles and Historical Truth in the Films of Andrzej Wajda	2000	Manchester Metropolitan University
Maycroft N	Re-valorising Rubbish: Some Critical Reflections on the Political Economy of 'Green' Product Strategies	2000	De Montfort University
Massey A	Hollywood Beyond the Screen : Design and Material Culture	2000	Southampton Institute
Marner D S J	St Cuthbert, his Life and Cult in Medieval Durham	2000	University of Cambridge
Mannings D M	Sir Joshua Reynolds: a complete catalogue of his paintings	2000	University of Aberdeen
Malvern SB	Memorizing the Great War: Stanley Spencer at Burghclere	2000	University of Reading
Malvern SB	War, Memory and Museums: Art and artefact in the Imperial War Museum	2000	University of Reading
Malvern SB	Witnessing, testimony and remembrance	2000	University of Reading
Malvern SB	Hidden spaces and public places: women, memory and contemporary monuments in the work of Jenny Holzer and Rachel Whiteread	2000	University of Reading
Mainz V S	Aux Armes et aux Arts! Blacksmiths at the National Convention.	2000	University of Leeds	History and Theory of Art
Maharaj SC	Dislocutions: Interim Entries for a Dictionnaire Elementaire on Cultural Translation	2000	Goldsmiths College
Macmillan JD	Scottish Art 1460-2000.	2000	University of Edinburgh
MERCER K	A SOCIOGRAPHY OF DIASPORA	2000	Middlesex University
MCTIGHE S	The Academy, Limited: review of Paul Duro, The Academy and the Limits of Painting in Seventeenth-Century France	2000	Courtauld Institute of Art
Lomas DC	The Haunted Self: Surrealism, Psychoanalysis, Subjectivity	2000	University of Manchester
Lokko L	White Papers, Black Masks: Architecture, Race, Culture	2000	Kingston University
Lodder CA	Constructing Modernity: The Art and Career of Naum Gabo	2000	University of St Andrews		Hammer, M
Lodder CA	Gabo on Gabo: Texts and Interviews	2000	University of St Andrews		Hammer, M
Lloyd F	Making Spaces Visible: Alison Wilding's Early Sculpture	2000	Kingston University
Lloyd F	Feminism and Painting in the 1990s	2000	Kingston University
Lloyd F	'Re-Making Ourselves: Art, Materialities and Memories', 'Introduction: Images, Diasporas and Difference'	2000	Kingston University
Llewellyn NG	Funeral Monuments in Post-Reformation England	2000	University of Sussex
Liversidge MJH	'A Few Foreign Airs and Graces': William Marlow's Grand Tour Landscapes	2000	University of Bristol
Lister A	Hidden Meanings: the revelations of conservation	2000	University of Southampton		Lister, A Rowe, A J
Lister A	Indeterminate problems: exploring the potential of problem based learning on conservation education	2000	University of Southampton
Ling RJ	Making Classical Art: Process and Practice	2000	University of Manchester
Lilley ED	Lost Works of Art: the problem and a case study	2000	University of Bristol
Lichtenberg-Ettinger B	Artworking 1985-1999	2000	University of Leeds	History and Theory of Art
Lewis A M	Degas at the Races	2000	De Montfort University
Levy S	Andre Breton and the Belgian Connection	2000	Keele University
Ledbury AM	Vous av	2000	University of Manchester
Ledbury AM	Greuze, Sedaine and the Boundaries of Genre	2000	University of Manchester
LOWDEN J	The Making of the Bibles Moralis	2000	Courtauld Institute of Art
LOWDEN J	The Making of the Bibles Moralis	2000	Courtauld Institute of Art
LEBAS E	RECOVERY AND RE-APPROPRIATION IN LEFEBVRE AND CONSTANT	2000	Middlesex University		E Kofman
Klonk C	Mounting Vision: Charles Eastlake and the National Gallery of London	2000	University of Warwick
Kirkham P	Women Designers in the USA, 1900-2000: Diversity and Difference	2000	Southampton Institute
Kavanagh G.E.	Dream Spaces: Memory and the Museum	2000	Falmouth College of Arts
Julien I	Fanon as Film.	2000	Goldsmiths College		Nash, M.
Julien I	The Film Art of Isaac Julien.	2000	Goldsmiths College
Jordanova L	History in Practice	2000	University of East Anglia
Jordanova L	Defining Features: Scientific and Medical Portraits 1660-2000	2000	University of East Anglia
Jones DB	The Edinburgh Cabinet and Chair Makers' Books of Prices 1805-25	2000	University of St Andrews
Joannides P E A	L'Adolescente dell'Ermitage e la Sagrestia Nuova di Michelangelo	2000	University of Cambridge
Joannides P E A	Raphael and His Circle	2000	University of Cambridge
Jeremiah D	Architecture and Design for the Family in Britain, 1900-1970.	2000	University of Plymouth
Jacques DL	Modern Needs, Art and Instincts	2000	De Montfort University
Jacques DL	Memory and Value	2000	De Montfort University
Jacques DL	The Formal Garden	2000	De Montfort University
Jacobus L		2000	Birkbeck College
Jackson N	Christ Church, Streatham and the Rise of Constructional Polychromy	2000	University of Leeds	Architecture and Material Culture
Jackson D	Seeing Red: Soviet Art through Western eyes.	2000	University of Leeds	History and Theory of Art
Jackson D	Garshin and Repin: Writer and Artist in a Creative Relationship.	2000	University of Leeds	History and Theory of Art
Jachec N	The Philosophy and Politics of Abstract Expressionism, 1940-1960	2000	Oxford Brookes University
Hutchings P W	Authorship and British Cinema: the Case of Roy Ward Baker	2000	University of Northumbria at Newcastle
Hunt L A	Byzantium, Eastern Christendom and Islam: Art at the Crossroads of the Medieval Mediterranean	2000	Manchester Metropolitan University
Hunt L A	Christian Art in Greater Syria and Egypt: A Triptych of the Ascension with Military Saints Reattributed	2000	Manchester Metropolitan University
Hughes A	Gloriana's Gaze: Sculpture and Literature in Henry James's 'Roderick Hudson' and 'The Ambassadors'	2000	University of Leeds	History and Theory of Art
Hopkins DJ	After Modern Art (Oxford History of Art series)	2000	University of St Andrews
Holt Y H	London Types	2000	University of Northumbria at Newcastle
Holt Y H	Munnings and the Painting of 'Gypsy Life'	2000	University of Northumbria at Newcastle
Hodges RA	Visions of Rome. The Life and Times of Thomas Ashby	2000	University of East Anglia
Hodges RA	Towns and Trade in the Age of Charlemagne	2000	University of East Anglia
Hills HM	Architecture as Metaphor for the Body: The Case of Female Convents in Early Modern Italy	2000	University of Manchester
Hillenbrand R	Structure, Style and Context in the Monuments of Ottoman Jerusalem.	2000	University of Edinburgh
Hillenbrand R	Islamic Architecture. Form, function and meaning.	2000	University of Edinburgh
Higgitt JC	The Murthly Hours: Devotion, Literacy and Luxury in Paris, England and the Gaelic West.	2000	University of Edinburgh
Hewitt JH	Posters of Distinction: Art, Advertising and the London, Midland and Scottish Railways	2000	Manchester Metropolitan University
Hewitt JH	Poster Nasties: Censorship and the Victorian Theatre Poster	2000	Manchester Metropolitan University
Heslop TA	Art, Nature and St Hugh's Choir at Lincoln	2000	University of East Anglia
Heslop TA	Weeting 'Castle', A Twelfth-Century Hall House in Norfolk	2000	University of East Anglia
Hayward M	Flags	2000	University of Southampton		Wilson, T Hayward, M
Hayward M	Seat Furniture at the Court of Henry VIII: a study of the evidence	2000	University of Southampton
Hammer M	Gabo on Gabo: Texts and Interviews	2000	University of Edinburgh
Hammer M	Constructing Modernity: the Art and Career of Naum Gabo.	2000	University of Edinburgh		Professor C Lodder
Hammer M	Stanley Spencer: The Bigger Picture	2000	University of Edinburgh
Hamilton J	Davy, Faraday and Turner.	2000	University of Birmingham
Halliday AS	Facing the Public: Portraiture in the Aftermath of the French Revolution	2000	University of Newcastle
HOPKINS D	After Modern Art 1945-2000	2000	University of Glasgow
HOLDING E	STAGED ARCHITECTURE - MARK FISHER	2000	Middlesex University
HARRIES D	FILM PARODY	2000	Middlesex University
Gruetzner Robins AE	Gendering Landscape Art	2000	University of Reading		Adams, S
Gruetzner Robins AE	Walter Sickert. The Complete Writings on Art	2000	University of Reading
Gronberg T		2000	Birkbeck College
Grieve AI	Whistler's Venice	2000	University of East Anglia
Gretton T.H.	'Marat, l'ami du peuple, David: love and discipline in the summer of '93,'	2000	University College London
Gretton T.H.	'The cityscape and the 'People' in the prints of Jose Guadalupe Posada (Aguascalientes 1852 - Mexico 1913)'	2000	University College London
Gretton T.H.	'Difference and competition: the imitation and reproduction of fine art in a 19th-century illustrated weekly news magazine'	2000	University College London
Gray RP	Questions of identity at Abramtsevo	2000	University of Kent at Canterbury
Gray RP	Russian Genre Painting in the Nineteenth Century	2000	University of Kent at Canterbury
Gray R P	Russian Genre Painting in the Nineteenth Century	2000	University of Newcastle
Goubert JS	The Spanish Diary of Enid Layard	2000	University of Essex
Gill K	Upholstery Conservation: Principles and Practice	2000	University of Southampton		Gill, K Eastop, D
Giebelhausen M	Academic orthodoxy versus Pre-Raphaelite heresy: debating religious painting at the Royal Academy, 1840-1850	2000	University of Essex
Gere C		2000	Birkbeck College
Gere C		2000	Birkbeck College
Gere C		2000	Birkbeck College
Gee M C	Surrealist Blasphemy	2000	University of Northumbria at Newcastle
Gee M C	Le Reseau Economique	2000	University of Northumbria at Newcastle
Geddes J	King's College Chapel, Aberdeen, 1500-2000	2000	University of Aberdeen
Gardner J R	Legates, Cardinals and Kings: England and Italy in the 13th Century	2000	University of Warwick
Garb T.	'Framing Femininity in Manet's Portrait of Mlle E. G.'	2000	University College London
Gaiger J	The True Judge of Beauty and the Paradox of Taste	2000	Open University
Gaiger J	Art in Theory 1648-1815	2000	Open University		C.Harrison P.Wood
Gaiger J	Schiller's Theory of Landscape Depiction	2000	Open University
GREEN CK	Art in France, 1900-1940	2000	Courtauld Institute of Art
GIBBS RJ	In Search of Ambrogio Lorenzetti's Allegory in the Good Commune	2000	University of Glasgow
GIBBS RJ	Simone dei Crocefissi's Dream of the Virgin' in the Society of Antiquaries, London	2000	University of Glasgow		C. Villers R. Gibbs R. Hellen
Fyfe G	Art, Power and Modernity	2000	Keele University
Fyfe G	Auditing the Royal Academy	2000	Keele University
Frojmovic E	Jewish Ways of Reading the Illuminated Bible	2000	University of Leeds	Jewish Studies
Frew JM	Towards a municipal housing blueprint: the Architects' Panel competition and its aftermath	2000	University of St Andrews
Fraser V	Cannibalizing Le Corbusier: The MES Gardens of Roberto Burle Marx	2000	University of Essex
Fraser V	Building the New World: Modern Architecture and Urbanism in Latin America	2000	University of Essex
Frangenberg T	King and Empire in German Civic Sculpture	2000	University of Leicester
Foster SA	The Ascendancy of Presentation: the Experience of the Unique in a Globalised World	2000	University of Southampton
Flynn N	Seers and Seers Not: John Martin's 'Belshazzar's Feast' and the Sublimation of Self	2000	Manchester Metropolitan University
Florence P	Differential Aesthetics	2000	Falmouth College of Arts		Co-editor Nicola Foster
Florence P	Un coup de d	2000	Falmouth College of Arts		Jason Whittaker
Finneran N	The antecedents of Aksum	2000	School of Oriental and African Studies
Fer B.A.	'Some Translucent Substance, Or the Trouble with Time'	2000	University College London
Faulkner T E	From Grainger to Grainger Town: Visions and Visionaries of Newcastle upon Tyne	2000	University of Northumbria at Newcastle
Faulkner T E	The Industrial Age and Functionalism in Newcastle upon Tyne	2000	University of Northumbria at Newcastle		Ayris, I Greg, A
Faulkner S	The History Behind the Surface: RB Kitaj and the Spanish Civil War	2000	Manchester Metropolitan University
Faulkner S	Art, Cigarettes and Visual Culture in the Sixties: The Peter Stuyvesant Foundation and the 'New Generation' Exhibitions, 1964-66	2000	Manchester Metropolitan University
FISHER J	INTRODUCTION	2000	Middlesex University
FERNIE EC	The Architecture of Norman England	2000	Courtauld Institute of Art
FERNIE EC	Saint Vincent de Cardona et sa dimension m	2000	Courtauld Institute of Art
Edwards CD	Encyclopedia of Furniture Materials, Trades and Techniques	2000	Loughborough University
Edwards B W	University Architecture	2000	University of Huddersfield
Eastop DD	Textiles as multiple and competing histories	2000	University of Southampton
Draper P		2000	Birkbeck College
Doy M G	Black Visual Culture: Modernity and Postmodernity	2000	De Montfort University
Dowson TA	Painting as Politics: exposing historical processes in hunter-gatherer rock art	2000	University of Manchester
Dowson TA	Queer Archaeologies	2000	University of Manchester
Donald D	What is a Popular Print? An Essay Prompted by the Exhibition 'Tabloid Culture: The Popular Print in England 1500-1850'	2000	Manchester Metropolitan University
Dimitrakaki A	Space, Gender, Art: Redressing Private Views	2000	University of Southampton
Dell S	Festival and Revolution: the Popular Front in France and the Press Coverage of the Strikes of 1936	2000	University of East Anglia
Dell S		2000	University of East Anglia
Davies JP	Sanmicheli's architecture and literary theory	2000	University of Reading		Hemsoll, D
Davies JP	I portali rinascimentali dei palazzi veronesi	2000	University of Reading		Hemsoll, D
Curtis P	Sculpting in Patois: Emile-Antoine Bourdelle and the Language of Regionalism	2000	University of Leeds	Sculpture Studies
Curtis P	The Interior is Always More Difficult	2000	University of Leeds	Sculpture Studies
Cunningham C.J.K	'Hints on Household Decoration and The Art of Decoration', in G.Perry, A. Laurence and J. Bellamy, eds., Women, Scholarship and Criticism	2000	Open University
Cunningham C.J.K	The Terracotta Designs of Alfred Waterhouse	2000	Open University
Cunningham C.J.K	'Iconography and Victorian Values', in C.Brooks, ed., The Albert Memorial	2000	Open University
Cullen F	Sources in Irish Art: A Reader	2000	University of Nottingham
Cullen F	'Radicals and Reactionaries: portraits of the 1790s in Ireland'	2000	University of Nottingham
Crowley D	Style and Socialism: Modernity and Material Culture in Post War Eastern Europe	2000	Royal College of Art	History of Design	Reid, S E
Craske M	William Hogarth	2000	Oxford Brookes University
Cox NA	Cubism	2000	University of Essex
Cox NA	La Mort Posthume: Maurice Heine and the Poetics of Decay	2000	University of Essex
Cowling E	Metaphor in Picasso's Sculpture.	2000	University of Edinburgh
Cooper T.H.	' See here thyself frail flesh as in a glass, Vanitas and the immortality of Portraiture in Early Modern England'	2000	University College London
Cooper T.H.	Drawing Practices, Mediums and Methods	2000	University College London
Coombes A E		2000	Birkbeck College
Coombes A E	'Translating the Past: Apartheid Monuments in Post-Apartheid South Africa	2000	Birkbeck College
Coatsworth E	The 'Robed Christ' in Pre-Conquest Sculptures of the Crucifixion	2000	Manchester Metropolitan University
Clunas AC	Artist and Subject in Ming Dynasty China	2000	University of Sussex
Clarke GNG	A Visual Autobiography: the Digital Image and Self-Identity	2000	University of Kent at Canterbury
Clarke A	As Seen on TV: Design and Domestic Economy	2000	Royal College of Art	History of Design
Clarke A	Mother Swapping: the Trafficking of Second Hand Baby Wear in North London	2000	Royal College of Art	History of Design
Christie I	'As Others See Us: British Film-making and Europe in the 90s'	2000	Birkbeck College
Christie I	A Matter of Life and Death	2000	Birkbeck College
Cherry D	Reconceptualising Vorticism	2000	University of Sussex		J. Beckett
Cherry D	Beyond the Frame: Feminism and Visual Culture	2000	University of Sussex
Cheddie J.M.	A Note: Yinka Shonibare: Dress Tells the Woman's Story.	2000	Goldsmiths College
Chaney E	1900-2000 : A Century of British and American Books on the Evolution of the Grand Tour	2000	Southampton Institute
Chambers E.S.	'The Cultivation of Mind and Hand: Teaching Art at the Slade School of Fine Art 1871-1892'	2000	University College London
Causey AG	Herbert Read and Contemporary Art	2000	University of Manchester
Causey AG	Wyndham Lewis and History Painting in the later 1930s	2000	University of Manchester
Causey AG	Paul Nash. Writings on Art	2000	University of Manchester
Cassidy BF	Politics and Civic Ideals in Trecento Sculpture	2000	University of St Andrews
Casella EC	Doing Trade: a Sexual Economy of the 19th Century Australian Female Convict Prisons	2000	University of Manchester
Casella EC	Bulldaggers and Gentle Ladies: Archaeological Approaches to Female Sexuality in Convict-Era Australia	2000	University of Manchester
Carruthers VA	Two Holiday Houses in North Britain: Melsetter and the Old Place of Mochrum	2000	University of St Andrews
Carpenter J	Jewels of Japanese Printmaking: Surimono of the Bunka-Bunsei Era (1804-1830)	2000	School of Oriental and African Studies		J Mirviss
Cardinal RT	Henry Moore: In the Light of Greece	2000	University of Kent at Canterbury
Cardinal RT	Approximating Giacometti: Notes on Jacques Dupin's Textes pour une approche	2000	University of Kent at Canterbury
Campbell S	The Burnt House at Arpachiyah: A Reexamination	2000	University of Manchester
Campbell L E M	Twentieth-Century Architecture and Its Histories	2000	University of Warwick
Campbell L E M	Against the Grain: The Domestic Architecture of Robert Harvey	2000	University of Warwick
Campbell I	Bishop Elphinstone's Tomb	2000	Edinburgh College of Art
Callen AE	The Art of Impressionism. Painting technique + the making of modernity	2000	University of Nottingham
Callen A E	Technique and Gender: Landscape, Ideology and the Art of Monet's Series Paintings	2000	De Montfort University
CURTIS B	THE HEART OF THE CITY	2000	Middlesex University
CURTIS B	A MESSAGE OF HOPE FROM ANOTHER PLANET	2000	Middlesex University
CURTIS B	THAT PLACE WHERE: ARCHITECTURE, MEMORY AND NARRATIVE	2000	Middlesex University
CROSSLEY BP	The Politics of Presentation. The Architecture of Charles IV of Bohemia' in eds. S. Rees Jones, A. J. Minnis and R. Marks, Courts and Regions in Medieval Europe	2000	Courtauld Institute of Art
CORMACK RS	Byzantine Art	2000	Courtauld Institute of Art
CATHER S	'Henry III's wall paintings at Chester Castle' in ed. A. Thacker, Chester: Medieval Archaeology, Art and Architecture	2000	Courtauld Institute of Art
CANNON JL	Popular Saints and Private Chantries: the Sienese Tomb-Altar of Margherita of Cortona and Questions of Liturgical Use, in eds. N. Bock, S. de Blaauw, C.H. Frommel and H. Kessler, Kunst und Liturgie im Mittelalter, Akten des internationalen Kongresses der	2000	Courtauld Institute of Art
Butters SB	'Magnifico, non senza eccesso: riflessioni sul mecenatismo del Cardinale Ferdinando de' Medici' + 'Arte coloniale messicana'	2000	University of Manchester
Butters SB	Una pietra eppure non una pietra. Pietra dure e botteghe medicee nella Firenze del Cinquecento	2000	University of Manchester
Butt G	Steve Reinke's Archival Imaginary.	2000	Goldsmiths College		Cairns, J.
Buckley C	Quietly Fine, Quietly Subversive: Women Ceramic Designers	2000	University of Northumbria at Newcastle
Buckley C	Ceramics	2000	University of Northumbria at Newcastle
Brunskill RW	Vernacular Architecture: An Illustrated Handbook	2000	De Montfort University
Brooks MM	Chippendale Concealed: A Chintz covered bed cornice from Harewood House, Yorkshire	2000	University of Southampton
Brooks MM	Textiles Revealed: Object Lessons in Historic Textile and Costume Research.	2000	University of Southampton
Bristol K A C	The Painted Rooms of Athenian Stuart	2000	University of Leeds	Architecture and Material Culture
Bristol K A C	The Patronage Circle of James Athenian Stuart	2000	University of Leeds	Architecture and Material Culture
Bown NJ	A case of such familiars at home: Natural and Supernatural in the Work of John Anster Fitzgerald.	2000	University of Birmingham
Boucher B.A.	'Nature and the Antique in the Work of Andrea Palladio'	2000	University College London
Barlow P J	Fear and Loathing of the Academic, or Just What is it that Makes the Avant-garde so Different, so Appealing?	2000	University of Northumbria at Newcastle
Barlow P J	Millais, Manet, Modernity	2000	University of Northumbria at Newcastle
Bailey C A	Compare and Contrast: measuring the impact of digital imaging on the discipline of art history	2000	University of Northumbria at Newcastle		Graham, M E
Bailey C A	Festivals and Cultural Development: Reflecting on the Experience of Visual Arts UK	2000	University of Northumbria at Newcastle
BURNSTOCK A	Three paintings by Honor	2000	Courtauld Institute of Art		M. Evans
BURNSTOCK A	A study of the blackening of vermilion pigment'	2000	Courtauld Institute of Art		R. Grout
BURNSTOCK A	A review of techniques of electron microscopy for the study of paintings' in ed. D. Creagh, Radiation in Art and Archaeometry	2000	Courtauld Institute of Art		C. Jones
BIRD J	MEMORY'S TOUCH: THE ART OF LOUISE BOURGEOIS	2000	Middlesex University
BIRD J	LEON GOLUB RETROSPECTIVE - CURATOR	2000	Middlesex University
BIRD J	LEON GOLUB: ECHOES OF THE REAL	2000	Middlesex University
BEHR S	'Veiling Venus: Gender and Painterly Abstraction in Early German Modernism, in eds. Arscott and Scott, Manifestations of Venus: Art and Sexuality	2000	Courtauld Institute of Art
BAXTER R	Learning from Nature: Lessons in Virtue and Vice in the Physiologus and Bestiaries' in ed. Colum Hourihane, Virtue and Vice. The Personifications in the Index of Christian Art	2000	Courtauld Institute of Art
Aynsley J	Graphic Design in Germany 1890-1945	2000	Royal College of Art	History of Design
Aynsley J	Print, Power and Persuasion: Graphic Design in Germany 1890-1945	2000	Royal College of Art	History of Design
Aulich J	'Introduction' and 'Kitaj: History and Tradition'	2000	Manchester Metropolitan University		Lynch J
Aulich J	Western Views on Communist Perspectives	2000	Manchester Metropolitan University
Attfield J	Wild Things: the Material Culture of Everyday Life	2000	University of Southampton
Atkinson T H	Live in Your Head: Concept and Experiment in Britain: 1965-1975	2000	University of Leeds	Fine Art: Theory, Criticism and Practice
Atkinson T H	Cultural Instrument	2000	University of Leeds	Fine Art: Theory, Criticism and Practice
Atkinson T H	Fragments of a Career: Terry Atkinson, Selected Retrospective Work: 1966-1999.	2000	University of Leeds	Fine Art: Theory, Criticism and Practice
Atkinson T H	Cultural Implement	2000	University of Leeds	Fine Art: Theory, Criticism and Practice
Andrews J	Easels and Amazons ('Amazons of the Avant-Garde').	2000	Goldsmiths College
Ames-Lewis F	The Intellectual Life of the Early Renaissance Artist	2000	Birkbeck College
Ades JD	Dali's Optical Illusions	2000	University of Essex
Ades JD	'Toledo' in Francisco Toledo	2000	University of Essex
ARSCOTT C	Manifestations of Venus: Art and Sexuality	2000	Courtauld Institute of Art		Katie Scott
ARSCOTT C	Convict Labour: Masking and Interchangeability in Victorian Prison Scenes'	2000	Courtauld Institute of Art
YOUNG C	Biaxial Tensile Testing of Paintings on Canvas	1999	Courtauld Institute of Art		R. Hibberd
YOUNG C	Measurement of the Biaxial Properties of Nineteenth Century Canvas Primings using Electronic Speckle Pattern Interferometry	1999	Courtauld Institute of Art
YOUNG C	A Comparison of the Physical Properties of Nineteenth Century Canvas Linings with Acid Aged Canvas	1999	Courtauld Institute of Art		R. Hibberd
Wright A.J.	Renaissance Florence: The Art of the 1470s	1999	University College London		P. L. Rubin
Woods K	Some sixteenth-century Antwerp carved wooden altar-pieces in England	1999	Open University
Woods K	Newly discovered works in England by the Master of Hankendover	1999	Open University
Wilson S	Monsters and Monstrosities: Grotesque Taste and Victorian Design	1999	University of Northumbria at Newcastle
Wilde C	'Theory in the Education of the Fine Artist'	1999	University of Bristol
Whitfield R	Hejiacun and other discoveries at Xi'an, Shaanxi Province and Discoveries from the Famen Monastery at Fufeng and the Qingshan Monastery at Lintong, Shaanxi Province	1999	School of Oriental and African Studies
West SC	Italian Culture in Northern Europe in the Eighteenth Century.	1999	University of Birmingham
West SC	Wilkes's Squint: Synedochic Physiognomy and Political Identity in Eighteenth-Century Print Culture.	1999	University of Birmingham
West SC	The Public and Private Roles of Sarah Siddons.	1999	University of Birmingham
Welter VM	Arcades for Lucknow - Patrick Geddes, Charles Rennie Mackintosh and the Reconstruction of the City	1999	University of Reading
Welch E	Women as Patrons and Clients in the Courts of Renaissance Italy	1999	University of Sussex
Weingrad M	The Jewish Context of Larry Kramer's Faggots	1999	University of Leeds	Jewish Studies
Weingrad M	Celan, the Jew	1999	University of Leeds	Jewish Studies
Weingrad M	The Exodus of Benjamin Fondane	1999	University of Leeds	Jewish Studies
Wang T	A City with Many Faces: Urban development in pre-modern China	1999	School of Oriental and African Studies
Walker DM	Building the Royal College	1999	University of St Andrews
Wakeling C	Rolling in the Aisles	1999	Keele University
WILSON SG	Erro, l'extase mat	1999	Courtauld Institute of Art
WILLIAMS R	Masks for Menander: imaging and imagining Greek Comedy	1999	University of Glasgow		C. Vervain, External
WARWICK G	Commemorating Poussin. Reception and Interpretation of the Artist	1999	University of Glasgow		Katie Scott
WARWICK G	The Arts of Collecting: Padre Sebastiano Resta and the Market for Drawings in Early Modern Europe	1999	University of Glasgow
Vergo PJ	Pechstein en Nidden, 1909	1999	University of Essex		Tomas Llorens Magadelena Moeller
Verdi R	Mathias Stom: Isaac Blessing Jacob.	1999	University of Birmingham
Verdi R	The Modernity of 'The Holy Family on the Steps'.	1999	University of Birmingham
Verdi R	Poussin's Giants: From Romanticism to Surrealism.	1999	University of Birmingham
Vaughan W	Models and Muses, (Section 3), pp. 79 to 86The Naked and the Nude (Section 4), pp. 109 to 117.	1999	Birkbeck College
Vaughan W	`Turnabouts in taste: the case of late Turner	1999	Birkbeck College
Usherwood P L	Monumental or Modernist? Categorising Gormley's Angel	1999	University of Northumbria at Newcastle
Tribe T	Memory and Wonder: Our Lady Mary in Ethiopian Painting, 15th - 18th Centuries	1999	School of Oriental and African Studies
Tombs S	Stone and Steel	1999	Keele University
Thomson RI	Theo van Gogh: the Honest Broker.	1999	University of Edinburgh		Chris Stolwijk Sjraar van Heughten
Thomas J	Understanding the Neolithic	1999	University of Manchester
Thomas BDH	Hercules and the Hydra. C.D.E. Fortnum, Arthur Evans and the Ashmolean Museum	1999	University of Kent at Canterbury
Thomas BDH	C.D.E. Fortnum and the collecting and study of applied arts and sculpture in Victorian England	1999	University of Kent at Canterbury
Thomas BDH	The Fortnum Archive in the Ashmolean Museum	1999	University of Kent at Canterbury
Thofner M	Marrying the City, Mothering the Country: Gender and Visual Conventions in Johannes Bochius's Account of the Joyous Entry of the Archduke Albert and the Infanta Isabella into Antwerp.	1999	University of Bristol
Th M	Marrying the City, Mothering the Country: Gender and Visual Conventions in Johannes Bochius's account of the Joyous Entry of the Archduke Albert and the Infanta Isabella into Antwerp	1999	University of East Anglia
Taylor B	Art for the Nation: Exhibitions and the London Public 1747-2001	1999	University of Southampton
TULLOCH C	THAT LITTLE MAGIC TOUCH: THE HEADTIE AND ISSUES AROUND BLACK BRITISH WOMEN'S IDENTITY	1999	Middlesex University
TULLOCH C	THERE'S NO PLACE LIKE HOME: DRESSMAKING AND CREATIVITY IN THE JAMAICAN COMMUNITY 1940-1960s	1999	Middlesex University
TICKNER L	OLYMPIAS TOCHTER [OLYMPIA'S DAUGHTER]	1999	Middlesex University
THORP NR	Whistler and his Students at the Academie Carmen	1999	University of Glasgow
THORP NR	The Whistler Review	1999	University of Glasgow		Patricia De Montfort
Stone R	Snakes and Latitude.	1999	Goldsmiths College
Stone R	Low Fidelity.	1999	Goldsmiths College
Steward J R	The Adventures of Miss Brown, Miss Jones and Miss Robinson: tourist writing and tourist performance from 1860 to 1914	1999	University of Northumbria at Newcastle
Steward J R	The Potemkin City: Tourist Images of Late-Imperial Vienna	1999	University of Northumbria at Newcastle
Spencer-Longhurst PS	Handbook of the Barber Institute of Fine Arts (Second edition).	1999	University of Birmingham
Spencer RA	Whistler, Swinburne and art for art's sake	1999	University of St Andrews
Spalding F	Bridget Riley: The Poetics of Instability	1999	University of Newcastle
Smiles SA	British Antiquity and Antiquarian Illustration	1999	University of Plymouth
Singer B W	The Effect of Aging on Paper Irradiated by Laser as a Conservation Technique	1999	University of Northumbria at Newcastle		Stanley, J Caverhill, J Latimer, I
Singer B W	Analysis of Pigments in Indian Miniature Paintings Using Non-Destructive Methods	1999	University of Northumbria at Newcastle		Cahanar, N
Siegfried S L	Ingres and the Theatrics of History Painting	1999	University of Leeds	History and Theory of Art
Shaw-Miller S	'The Limits of Art: Post-Cagian Performance, Politics, Aesthetics and Nature'	1999	Birkbeck College
Schwartz F.J.	'Cathedrals and Shoes: Concepts of Style in Wolfflin and Adorno'	1999	University College London
STIRTON PA	The Szechenyi Chain Bridge : The British Engineering Tradition in Hungary	1999	University of Glasgow
STEWART P	'The Destruction of Statues in Late Antiquity', in ed. R. Miles, Constructing Identities in Late Antiquity	1999	Courtauld Institute of Art
STALLABRASS J	High Art Lite: British Art in the 1990s	1999	Courtauld Institute of Art
STALLABRASS J	Locus Solus: Technology, Identity and Site in Contemporary Art, incl. 'Memories of Art Unseen'	1999	Courtauld Institute of Art		D. McCorquodale
Rowley A	An introduction to Bracha Lichtenberg Ettinger's Traumatic Wit(h)nessing and Matrixial Co/inhabiting(u)ating'.	1999	University of Leeds	History and Theory of Art
Rosenthal M J	The Art of Thomas Gainsborough. 'A Little Business for the Eye'	1999	University of Warwick
Robertson EC	Two Farnese Cardinals and the Question of Jesuit Taste	1999	University of Reading
Roberts J	Cusworth Park: The Making of an 18th Century Landscape	1999	De Montfort University
Riding C J L	Ground Point Zero	1999	Keele University
Richards S	Eighteenth-Century Ceramics: Products for a Civilised Society	1999	Manchester Metropolitan University
Rees HBL	Art Exports and the Construction of National Heritage in Late Victorian and Edwardian Britain	1999	University of Manchester
Ratnam N	Chris Ofili and the limits of hybridity	1999	Open University
Ratnam N	'Seeking redress: identity and the visual arts' in J Stallabrass, P.van Mourik Broekman, N.Ratnam eds., Locus Solus: Site, Identity, Technology in Contemporary Art	1999	Open University
Radford R	Aurel Kolnai's Disgust: an overlooked source in the art and writing of Salvador Dali	1999	University of Southampton
RUBIN PR	Renaissance Florence. The Art of the 1470s	1999	Courtauld Institute of Art		Alison Wright
RIFKIN A	BENJAMIN'S PARIS, FREUD'S ROME, WHOSE LONDON?	1999	Middlesex University
RIFKIN A	PUTTING OFF; THE PAINTER'S TENSE AND SOME REFLECTIONS ON GAY TIME	1999	Middlesex University
RIFKIN A	A SPACE BETWEEN: ON GERARD FROMANGER, GILLES DELEUZE, MICHEL FOUCAULT AND SOME OTHERS	1999	Middlesex University
RIBEIRO AE	Ingres in Fashion: Representations of Dress and Appearance in Ingres' Images of Women	1999	Courtauld Institute of Art
RIBEIRO AE	Muses and Mythology' in eds. A. de la Haye and E. Wilson, Defining Dress. Dress as object, meaning and identity	1999	Courtauld Institute of Art
Puttfarken T	Poussin's Thoughts on Painting	1999	University of Essex
Prettejohn EF	After the Pre-Raphaelites: Art + Aestheticism in Victorian England	1999	University of Plymouth
Prettejohn EF	Frederic Leighton: Antiquity, Renaissance, Modernity	1999	University of Plymouth		Tim Barringer
Prendeville B	Merleau-Ponty, Realism and Painting; Psychophysical Space and the Space of Exchange.	1999	Goldsmiths College
Potts A	Michael Baxandall and the Shadows in Plato's Cave	1999	University of Reading
Poppi C	Silvano Optimo Maximo: Continuit	1999	University of East Anglia
Pollock G F S	Differencing the Canon: Feminist Desire and the Writing of Art's Histories	1999	University of Leeds	History and Theory of Art
Pollock G F S	Old Bones and Cocktail Dresses: Louise Bourgeois and the Question of Age	1999	University of Leeds	History and Theory of Art
Pointon MR	Wearing Memory: Mourning, Jewellery and the Body	1999	University of Manchester
Pointon MR	Jewellery in eighteenth-century England	1999	University of Manchester
Picton JW	Technology, Tradition and Lurex: the art of textiles in Africa	1999	School of Oriental and African Studies
Picton JW	West Africa and the Guinea Coast	1999	School of Oriental and African Studies
Perry G	Gender and Art	1999	Open University		Gill Perry C. King E. Barker
Pak Y	Grundz	1999	School of Oriental and African Studies
PEARCE NJ	The Chinese Folding Chair, Mortimer Menpes and an Aesthetic Interior	1999	University of Glasgow
PACE KC	Un monument si beau et si rare: Drawings of the Tomb of the Nasonii formerly in the Collection of Colbert	1999	University of Glasgow
PACE KC	Nicolas Poussin:Peintre-poete?	1999	University of Glasgow
Orton L F	Northumbrian Sculpture (the Ruthwell and Bewcastle Monuments): Questions of Difference	1999	University of Leeds	History and Theory of Art
Onians JB	Classical Art and the Cultures of Greece and Rome	1999	University of East Anglia
O'Sullivan S D	Guy Debord	1999	University of Leeds	History and Theory of Art
O'Mahony MJ	Introduction	1999	University of Bristol
O'Loughlin NE	The Rondo in Mahler's Middle Period Symphonies: Valid Model or Useful Abstraction?	1999	Loughborough University
O Sullivan S	Guy DeBord	1999	Goldsmiths College
Normand TA	J.D. Fergusson and the Culture of Nationalism in Scotland	1999	University of St Andrews
Norman D	Siena and the Virgin: Art and Politics in a Late Medieval City State	1999	Open University
Nichols T R	Jacopo Tintoretto: Tradition and Identity	1999	University of Aberdeen
Nead L	`Bodies of Judgement: Art, Obscenity and the Connoisseur'	1999	Birkbeck College
Nead L	`From Alleys to Courts: Obscenity and the Mapping of Mid-Victorian London	1999	Birkbeck College
NIXON M	Louise Bourgeois	1999	Courtauld Institute of Art
NASH S	Between France and Flanders: Manuscript Illumination in Amiens in the Fifteenth Century	1999	Courtauld Institute of Art
Myles J	Influences on the American Gothic Revival	1999	De Montfort University
Muir Wright RE	The Challenge from the Margins	1999	University of St Andrews
Mowl TW	An Insular Rococo: Architecture, Politics and Society in Ireland and England 1710-1770	1999	University of Bristol		Earnshaw,B
Moore E	Shwedagon: Golden Pagoda of Myanmar	1999	School of Oriental and African Studies		H Mayer U Win Pe
Mitter P	Decadent art of South Indian Temples	1999	University of Sussex
Miller LE	Innovation and industrial espionage in eighteenth century France: an investigation of the selling of silks through samples	1999	University of Southampton
Meskimmon MG	We Weren't Modern Enough: Women Artists and the Limits of German Modernism	1999	Loughborough University
Mcquillan M G	Deconstructing Disney	1999	University of Leeds	Cultural Studies	Byrne, E
McWilliam N F	'Mythologising Millet'	1999	University of Warwick
McKellar E	The Birth of Modern London: the development and design of the city, 1660-1720	1999	Birkbeck College
McKellar E		1999	Birkbeck College
McConkey K	Some Men and a Picture	1999	University of Northumbria at Newcastle
Mazierska E	Czlowiek wobec kultury. James Ivory i jego filmy	1999	Manchester Metropolitan University
Mazierska E	Any Town? Post-communist Warsaw in Juliusz Machulski's 'Girl Guide' (1995) and 'Kiler' (1997)	1999	Manchester Metropolitan University
Maycroft N	Herbert Marcuse and the Politics of Practical Utopias	1999	De Montfort University
Massey A	...It Was True/How Can You Laugh? : History and Memory in the Reception of Titanic in Britain and Southampton	1999	Southampton Institute		M. Hammond
Mainz V S	L'Image du Travail et la R	1999	University of Leeds	History and Theory of Art
Mahon A	Twist the Body Red: The Art and Lifewriting of Unica Z	1999	University of Cambridge
Mahon A	Twist the Body Red: The Art and Lifewriting of Unica Zurn	1999	University of Southampton
Maharaj SC	Sketch-Score for Clitorality.	1999	Goldsmiths College
Maharaj SC	Fatal Natalities: The Algebra of diaspora and difference after apartheid.	1999	Goldsmiths College
Maggi A	Poetic stones: Roslin Chapel in Gandy's Sketchbook and Daguerre's Diorama	1999	Edinburgh College of Art
Maggi A	Caledoniae furor hortensis. L'arte dei giardini in Scozia tra formalita e artificio pittoresco	1999	Edinburgh College of Art
Maggi A	Daguere e le suggestioni della Rosslyn Chapel	1999	Edinburgh College of Art
Macmillan JD	The Iconography of Moral Sense: Gavin Hamilton's Sentimental Heroines.	1999	University of Edinburgh
Macmillan JD	Elizabeth Blackadder	1999	University of Edinburgh
Maccoby H	Ritual and Morality: The Ritual Purity System and its Place in Judaism	1999	University of Leeds	Jewish Studies
MERCER K	MORTAL COIL: EROS AND DIASPORA IN THE PHOTOGRAPHS OF ROTIMI FANI-KAYODE	1999	Middlesex University
MERCER K	DECENTERING AND RECENTERING: ADRIAN PIPER'S SPHERES OF INFLUENCE	1999	Middlesex University
M P	Az	1999	Goldsmiths College
M P	Architektur, die in Erscheinung Tritt	1999	Goldsmiths College		Institut f
Lomas DC	Staging Sacrifice: Munch, Picasso, and Marat	1999	University of Manchester
Lomas DC	Time and Repetition in the Work of Andr	1999	University of Manchester
Lloyd F	Cross-Cultural Dialogues: Identities, Contexts and Meanings	1999	Kingston University
Llewellyn NG	Those loose and immodest Pieces.... Italian Art and the British Point of View	1999	University of Sussex
Linkman A	The Stigma of Instability: The Carbon Process and Commercial Photography in Britain, 1864-1880	1999	Open University
Lichtenberg-Ettinger B	Transgressing with-in-to-the Feminine	1999	University of Leeds	History and Theory of Art
Lichtenberg-Ettinger B	Matrixial Gaze and Screen: Other than Phallic, Merleau-Ponty and the Late Lacan	1999	University of Leeds	History and Theory of Art
Levy S	Desmond Morris: Naked Surrealism	1999	Keele University
Lee S	David	1999	University of Reading
Ledbury AM	Sedaine and the Question of Genre	1999	University of Manchester
LOWDEN J	'The Beginnings of Biblical Illustration' in ed. John Williams, Imaging the Early Medieval Bible	1999	Courtauld Institute of Art
LEBAS E	THE CLINIC, THE STREET AND THE GARDEN: MUNICIPAL FILM-MAKING IN BRITAIN BETWEEN THE WARS	1999	Middlesex University
LEBAS E	THE MAKING OF A SOCIALIST ARCADIA: ARBORICULTURE AND HORTICULTURE IN THE LONDON BOROUGH OF BERMONDSEY AFTER THE GREAT WAR	1999	Middlesex University
Klonk C	The National Gallery in London and Its Public	1999	University of Warwick
Kear J	Sunless. Sans Soleil	1999	University of Kent at Canterbury
Kear J	Manet's Modernism or, The Face of Painting in the 1860s	1999	University of Kent at Canterbury
Julien I	The Long Road to Mazatlan.	1999	Goldsmiths College
Jordanova L	Nature Displayed: Gender, Science and Medicine 1760-1820	1999	University of East Anglia
Jones S	Peopling the Past: approaches to race and ethnicity in archaeology	1999	University of Manchester
Jones S	Historical Categories and the Praxis of Identity:The Interpretation of Ethnicity in Historical Archaeology	1999	University of Manchester
Jobling PJ	Fashion Spreads: word and image in fashion phototgraphy since 1960	1999	University of Southampton
Jeremiah D	Craft and the Motor-Car Aesthetic: The British Response.	1999	University of Plymouth
Jacobus L		1999	Birkbeck College
Jacobus L		1999	Birkbeck College
Insoll TA	Case Studies in Archaeology and World Religion. The Proceedings of the Cambridge Conference	1999	University of Manchester
Insoll TA	The Archaeology of Islam	1999	University of Manchester
Hutchings P W	We're The Martians Now British sf invasion fantasies of the 1950s and 1960s	1999	University of Northumbria at Newcastle
Hutchings P W	Satan Bugs in the Hot Zone: Microbial Pathogens as Alien Invaders	1999	University of Northumbria at Newcastle
Howarth DJ	Mr Morrilt's Venus: Richard Ford, Sir William Stirling-Maxwell and the 'cosas de Espana'.	1999	University of Edinburgh
Howard JC	Style and Patronage in Latvian Architecture and design of the debut-de-siecle period	1999	University of St Andrews
Hills P	'Venetian Colour: Marble, Mosaic, Painting and Glass, 1250-1550'	1999	University College London
Hills HM	Cities and Virgins: Female Aristocratic Convents in Early Modern Naples and Palermo	1999	University of Manchester
Hills HM	Marmi Mischi Siciliani: Invenzione e Identit	1999	University of Manchester
Hillenbrand R	Islamic Art and Architecture	1999	University of Edinburgh
Hillenbrand R	'Anjar and Early Islamic Urbanisation.	1999	University of Edinburgh
Higgitt JC	Epigraphic lettering and book script in the British Isles.	1999	University of Edinburgh
Hemingway A.F.	'Middlebrow: For and Against'	1999	University College London
Hemingway A.F.	'The Debate on Art and the State in Postwar America'	1999	University College London
Hay K G	Exhibition of New Digital Work, The Living Art Museum, Reykjav	1999	University of Leeds	Fine Art: Theory, Criticism and Practice
Hay K G	Generic Specificity and the Problem of Translation in Della Volpe: with an Afterword on John Huston's 'The Dead'.	1999	University of Leeds	Fine Art: Theory, Criticism and Practice
Hatt M	'Physical Culture: The Male Nude and Sculpture in Late Victorian Britain'	1999	University of Nottingham
Hatt M	'Race, Ritual and Responsibility: Performativity and the Southern Lynching'	1999	University of Nottingham
Hatt M	'Eakins' Arcadia: Sculpture, Photography and the Redefinition of the Classical Body,'	1999	University of Nottingham
Hassig D	The Iconography of Rejection: Jews and Other Monstrous Races.	1999	University of Edinburgh
Hassig D	Sex in the Bestiaries.	1999	University of Edinburgh
Harrod T	The Crafts in Britain in the Twentieth Century	1999	Royal College of Art	History of Design
Harrod T	The Pleasures of Peace: Mid Century Craft and Art in Britain	1999	Royal College of Art	History of Design
Harrison C	Art + Language in Practice: Vol. 1, Illustrated Handbook, Vol. 2, Critical Symposium	1999	Open University		M.Baldwin M.Ramsden
Harrison C	Degas' Bathers and Other People	1999	Open University
Hammer M	The Irony of Egotism.	1999	University of Edinburgh
Halliday AS	David's 'Marat' as posthumous portrait.	1999	University of Newcastle
HOPKINSON M	California, Scotland and Paris: The Prints of Leslie Hunter	1999	University of Glasgow
HOPKINSON M	Nathaniel Sparks's Printing of Whistler's Etchings	1999	University of Glasgow
HOPKINSON M	No Day without a Line: The History of the Royal Society of Painter-Printmakers, 1880-1999	1999	University of Glasgow
Gruetzner Robins AE	Leighton: A Promoter of New Painting	1999	University of Reading
Gronberg T		1999	Birkbeck College
Grieve AI	Rossetti and the Scandal of Art for Art's Sake in the early 1860's	1999	University of East Anglia
Goubert JS	British Writers and the Art of Goya	1999	University of Essex
Glanville H.K.A.	'Victorian Painting Technique: A Craft Reinvented'	1999	University College London
Glanville H.K.A.	'Les Goya au Musee des B. A. d'Agen'	1999	University College London		Yannick Lintz
Gere C		1999	Birkbeck College
Gee M C	The Berlin Art World 1918-1933	1999	University of Northumbria at Newcastle
Geddes J	Medieval Decorative Ironwork in England	1999	University of Aberdeen
Gaiger J	'Constraints and Conventions: Kant and Greenberg on Aesthetic Judgement'	1999	Open University
Gage J S	Colour and Meaning: Art, Science and Symbolism	1999	University of Cambridge
GREEN CK	Art Made Modern: Roger Fry's Vision of Art	1999	Courtauld Institute of Art
GRANT L	Building a church in Early Gothic Normandy', in ed. F. Joubert and D. Sandron, Pierre, lumiere, couleurs: Etudes d'histoire de l'art du Moyen Age: hommage offert a Anne Prache	1999	Courtauld Institute of Art
GIBBS RJ	Antifonarion : a Bolognese Choir Book in the Context of Genoese Illumination between 1285 + 1385	1999	University of Glasgow
Foster SA	Inside Out: House, Body, Heart: Image, Identity and the Sense of Self	1999	University of Southampton
Foster SA	Lie of the Land: Earth, Body, Material (with Antonia Payne)	1999	University of Southampton
Florence P	Barbara Hepworth. The word, the image and the tactile	1999	Falmouth College of Arts
Fer B.A.	'Objects Beyond Objecthood'	1999	University College London
Fellows R A	Edwardian Civic Buildings and their Details	1999	University of Huddersfield
Faulkner S	Hockney '	1999	Manchester Metropolitan University
FERNIE EC	Continental Affiliations of the Major Anglo-Saxon Measures of Length	1999	Courtauld Institute of Art
Engh B	Of Music and Mimesis	1999	University of Leeds	Cultural Studies
Engh B	After 'His Master's Voice'	1999	University of Leeds	Cultural Studies
Edwards S	Art + Language's doubt, in C Harrison, ed., Art + Language in Practice, Vol. 2: Critical Symposium	1999	Open University
Edwards S	Art and Its Histories	1999	Open University
Eastop DD	The application of cross-sections in the analysis of historic textiles	1999	University of Southampton		Rogerson, C Eastop, D
Eastop DD	A sprang cap preserved on a naturally dried human head	1999	University of Southampton		Javer, A Eastop, D Janssen, R
Eastmond A D	Narratives of the Fall: Structure and Meaning in the Genesis Frieze at Hagia Sophia, Trebizond	1999	University of Warwick
Eastmond A D	'Body versus column': the Cults of St Simeon Stylites	1999	University of Warwick
Donald D	Gillray Observed: The Earliest Account of his Caricatures in 'London und Paris'	1999	Manchester Metropolitan University		Banerji C
Donald D	'Beastly Sights': The Treatment of Animals as a Moral Theme in Representations of London, c1820-1850	1999	Manchester Metropolitan University
Dimitrakaki A	Mythoplasia and Feminist Intent: Painting as Sub-culture	1999	University of Southampton
Denwood PT	Tibetan	1999	School of Oriental and African Studies
Dell S	The Consumer and the Making of the Exposition Internationale des Arts D	1999	University of East Anglia
Dell S	Production, Consumption and Purism: Juan Gris between Nord-Sud and L'Esprit Nouveau	1999	University of East Anglia
De Jong F	The Production of Translocality: Initiation in the Sacred Grove in Southern Senegal	1999	University of East Anglia
De Jong F	Trajectories of a Mask Performance: The Case of the Senegalese Kumpo	1999	University of East Anglia
Davies D.B.	'The Ascent of the Mind to God: El Greco's Religious Imagery and Spiritual Reform in Spain'	1999	University College London
Daniel M	Massons's Myths of Spain	1999	University of Southampton
Daniel M	The Nostalgia of Depero's Bolt. Zang Tumb Tumb at the Estorik Collection, London	1999	University of Southampton
Daniel M	What is Different about Spanish Pop?	1999	University of Southampton
Curtis P	Sculpture 1900-1945	1999	University of Leeds	Sculpture Studies
Crowley D	Castles, Cabarets and Cartoons: Claims on Polishness in Krak	1999	Royal College of Art	History of Design
Crinson MW	Imperial Story-lands: Architecture and Display at the Imperial and Commonwealth Institutes	1999	University of Manchester
Craske M	Plan and control: design and the competitive spirit in early and mid-eighteenth-century England	1999	Oxford Brookes University
Craske M	Richard Jago's Edge-Hill revisited: a traveller's prospect of the health and disease of a succession of national landscapes	1999	Oxford Brookes University
Cox NA	Marcel Duchamp	1999	University of Essex		JD Ades D Hopkins
Corris M	We Have Submerged Victoriously	1999	Kingston University
Cooper T.H.	'Forgetting Rome + the Voice of Piranesi's Speaking Ruins'	1999	University College London
Coombes A E		1999	Birkbeck College
Contadini A	Artistic Contacts: Present scholarship and future tasks	1999	School of Oriental and African Studies
Contadini A	The Decorated Word: Qu'rans from the 17th to the 20th centuries in the Nasser D.Khalili Collection of Islamic Art	1999	School of Oriental and African Studies		M Bayani T Stanley
Coatsworth E	East Riddlesden Hall	1999	Manchester Metropolitan University
Clifford H	Eighteenth Century Markets and Manufacturers in England and France	1999	Royal College of Art	History of Design
Clifford H	Commerce and Commodity. Graphic Display and Selling New Consumer Goods in Eighteenth Century England	1999	Royal College of Art	History of Design
Clifford H	Consumption and Luxury: Consumer Culture in Europe 1650-1850	1999	Royal College of Art	History of Design
Clarke JT	The Landscape Archaeological Project at Dor (LAPD)	1999	University of East Anglia		Gibson S. Kingley S.
Clarke JT	Prastio-Agios Sawas tis Karonis Monastery (Pafor District, Cyprus): 1994-1995 Field Season and 1992-1995 Artifact Analyses	1999	University of East Anglia
Clarke JT	Demographic Patterns and Differential Settlement in the Bronze Age Landscape of Palestine	1999	University of East Anglia		Steel, L
Clarke A	Tupperware: the Promise of Plastic in 1950s America	1999	Royal College of Art	History of Design
Christie I	'Celluloid Apocalypse'	1999	Birkbeck College
Cheddie J.M.	From Slaveship to Mothership: Thoughts on a Digital Diaspora	1999	Goldsmiths College
Chambers E.S.	'Etching from Nature: Images of the Urban and Rural Thames in The Work of Whistler and Haden'	1999	University College London
Chambers E.S.	An Indolent and Blundering Art: The Etching Revival and the Redefinition of Etching in England 1838-1892	1999	University College London
Carruthers VA	Simplicity or Splendour: Arts and Crafts Living: Objects from the Cheltenham Collections	1999	University of St Andrews
Carradice IA	Roman Provincial Coinage, Vol II From Vespasian to Domitian	1999	University of St Andrews		Burnett, M Amandry, M
Cardinal RT	Art spirite, m	1999	University of Kent at Canterbury		M. Lusardy
Campbell S	Emerging Complexity on the Kahramanmaras Plain, Turkey: the Domuztepe Project 1995-1999	1999	University of Manchester		E Carter E Healey S Anderson
Campbell L E M	Decoration, Display, Disguise: Leighton House Reconsidered	1999	University of Warwick
CROSSLEY BP	Architecture and Language. Constructing identity in European architecture c.1000-c.1650	1999	Courtauld Institute of Art		G. Clarke
CLARKE G	'Magnificence and the City: Giovanni II Bentivoglio and Architecture in Fifteenth-Century Bologna'	1999	Courtauld Institute of Art
CATHER S	Costing graphic documentation: how much money and whose time?, in Graphic Documentation Systems in Mural Painting Conservation	1999	Courtauld Institute of Art
CANNON JL	Margherita of Cortona and the Lorenzetti: Sienese Art and the Cult of a Holy Woman in Medieval Tuscany	1999	Courtauld Institute of Art		A. Vauchez
Butt G	The Art of Trailing: Work-Seth/Tallentire's Dublin.	1999	Goldsmiths College		Cairns, J.
Butt G	The Greatest Homosexual? Camp Pleasure and the Performing Body of Larry Rivers	1999	Goldsmiths College
Bucklow S L	The Description and Classification of Craquelure	1999	University of Cambridge
Bucklow S L	Representations of a Class of Visual Textures	1999	University of Cambridge
Buckley C	Made in Patriarchy: Theories of Women and Design - A Re-Working	1999	University of Northumbria at Newcastle
Brunskill RW	Traditional Farm Buildings of Britain and their Conservation	1999	De Montfort University
Brooks MM	Patterns of Choice: Women's and Children's Clothing in the Wallis Archive, York Castle Museum	1999	University of Southampton
Bown NJ	The Enchantments of Tradition: Men, Women and Fairies in the Late Eighteenth Century.	1999	University of Birmingham
Boucher B.A.	'Between Painting and Sculpture: Jacopo Sansovino and The Paragone'	1999	University College London
Binski P	The English Parish Church and its Art in the Later Middle Ages: A Review of the Problem	1999	University of Cambridge
Benton T.J	'From the arengario to the lictor's axe:memories of Italian Fascism', in M. Kwint, C. Breward, and J.Aynsley eds., Material Memories	1999	Open University
Behrens-Abouseif D	Beauty in Arabic Culture	1999	School of Oriental and African Studies
Barlow P J	Transparent Bodies and Opaque Indentities	1999	University of Northumbria at Newcastle
Bailey C A	Making and Meaning in the English Countryside	1999	University of Northumbria at Newcastle
BLACK P	Julian Trevelyan: Catalogue Raisonne of Prints by Turner S	1999	University of Glasgow
BIRD J	INTRODUCTION; (+) MINDING THE BODY: ROBERT MORRIS'S 1971 TATE GALLERY RETROSPECTIVE	1999	Middlesex University
BEHR S	Expressionism	1999	Courtauld Institute of Art
Avery V J	Alessandro Vittoria collezionista	1999	University of Cambridge
Avery V J	Documenti sulla Vita e le Opere di Alessandro Vittoria (c. 1525-1608)	1999	University of Cambridge
Avery V J	La bottega di Alessandro Vittoria	1999	University of Cambridge
Aulich J	Political Posters in Central and Eastern Europe 1945-95: Signs of the Times	1999	Manchester Metropolitan University		Sylvestrova M
Attfield J	'Utility Reassessed', 'Freedom of Design' and 'Fascinating Fitness'	1999	University of Southampton
Arnold DR	Re-presenting the Metropolis: Urban Experience and Social Life in London 1800-1840	1999	University of Southampton
Arnold DR	'Editor's introduction' and 'London Bridge and its Symbolic Identity in the Regency Metropolis: the dialectic of civic and national pride'	1999	University of Southampton
Allen M		1999	Birkbeck College
Allen M	Family Secrets: The Feature Films of D W Griffith	1999	Birkbeck College
Ajmar M	Toys for Girls: Objects, Women and Memory in the Renaissance Household	1999	Royal College of Art	History of Design
Ades JD	Marcel Duchamp	1999	University of Essex		N A Cox D Hopkins
ARSCOTT C	Leighton: the Artist as Artificer', in ed. E. Prettejohn, Frederic Leighton: Antiquity, Renaissance, Modernity	1999	Courtauld Institute of Art
ARSCOTT C	Poynter and the arty', in ed. E. Prettejohn, After the Pre-Raphaelites: Art and Aestheticism in Victorian England	1999	Courtauld Institute of Art
Wrigley R	Between the street and the salon: Parisian shop signs and the spaces of professionalism in the eighteenth and early nineteenth centuries	1998	Oxford Brookes University
Wright A.J.	'Dancing Nudes in the Lanfredini Villa at Arcetri'	1998	University College London
Woudhuysen R	Thoughts on the Use of the Green Glaze called 'Copper resinate' and its Colour-changes	1998	University of Cambridge		P Woudhuysen
Wood P	Art in Theory 1815-1900	1998	Open University		C. Harrison J.Gaiger
Wood M		1998	Birkbeck College
Wood J	Peter Oliver at the Court of Charles I: New Drawings and Documents	1998	University of Nottingham
Wilson C.	'The Stellar Vaults of Glasgow Cathedral's Inner Crypt and Villard de Honnecourt's Chapter House Plan: A Conundrum Revisited'	1998	University College London
Williamson BA	The Virgin Lactans as Second Eve: Image of the Salvatrix	1998	University of Bristol
Whitfield R	Material culture in the Northern Song Dynasty: the world of Zhang Zeduan	1998	School of Oriental and African Studies
Weston H.D.	'Working for a bourgeois republic: Prud'hon, patronage and the distribution of wealth under the Directoire and Consulate'	1998	University College London
Watkins N G G	Bonnard, Colour and Light	1998	University of Leicester
Wang T	Yinren de yanse guannian yu wuxing shuo de xingcheng ji fazhan (Shang colour symbolism and the development of the wuxing theory)	1998	School of Oriental and African Studies
WILSON SG	Jean-Francois Lyotard: The Assassination of Experience by Painting - Monory	1998	Courtauld Institute of Art
WILLIAMS R	Women at Work, Men in Labour: Work and Image in the French Revolution	1998	University of Glasgow
WALKER RJ	Views of Transition: Liturgy and Illumination in Medieval Spain	1998	Courtauld Institute of Art
WALKER RJ	Sancha, Urraca and Elvira: the Virtues and Vices of Spanish Royal Women	1998	Courtauld Institute of Art
Vaughan W	`Correcting Friderich (Friedrich)'	1998	Birkbeck College
Tillotson GH	Painting and Understanding Mughal Architecture	1998	School of Oriental and African Studies
Thomson RI	Introduction; Henri Martin at Toulouse: terre natale and juste milieu.	1998	University of Edinburgh
Thofner M	The Court in the City, the City in the Court. Denis van Alsloot's depictions of the 1615 Brussels 'ommegang'.	1998	University of Bristol
Th M	The Court in the City, the City in the Court. Denis van Alsloot's depictions of the 1615 Brussels ommegang	1998	University of East Anglia
Taylor S	Sound Development	1998	University of Leeds	Fine Art: Theory, Criticism and Practice
Taylor J	Body Horror: Photojournalism, Catastrophe and War	1998	Manchester Metropolitan University
Taylor C A	Itin	1998	University of Leeds	Fine Art: Theory, Criticism and Practice
Taylor C A	Red Herrings	1998	University of Leeds	Fine Art: Theory, Criticism and Practice
TULLOCH C	OUT OF MANY, ONE PEOPLE? THE RELATIVITY OF DRESS, RACE AND ETHNICITY TO JAMAICA 1880-1907	1998	Middlesex University
Styles J	Dress in History: Reflections on a Contested Terrain	1998	Royal College of Art	History of Design
Steward J R	The Travel Romance and the Emergence of the Female Tourist	1998	University of Northumbria at Newcastle
Spencer-Longhurst PS	Nost's Equestrian George I restored.	1998	University of Birmingham		A Naylor
Spencer RA	Whistler's 'The White Girl': Painting, Poetry and Meaning	1998	University of St Andrews
Sparke P	The Straw Donkey: Tourist Kitsch or Proto-Design? Craft and Design in Italy 1945-60	1998	Kingston University
Spalding F	The Tate: A History	1998	University of Newcastle
Spalding F	A True Statement of a Real Thing: Nicolete Gray's promotion of modern art	1998	University of Newcastle
Spalding F	Duncan Grant. A Biography	1998	University of Newcastle
Smith PG	'Le Peintre de la vie moderne' and 'La Peinture de la vie ancienne'	1998	University of Bristol
Smith PG	Joachim Gasquet, Virgil and C	1998	University of Bristol
Singer B W	The Development and Preliminary Application of a Gas Chromatographic Method for the Characteristion of Gum Media	1998	University of Northumbria at Newcastle		Vallance, S Hitchen, S Townsend, J
Sheldon E.S.	'Methods + Materials of the Pre-Raphaelite Circle, in the 1850s'	1998	University College London
Screech TB	Sex and the Floating World: Erotic Imagery in Japan, 1720-1810	1998	School of Oriental and African Studies
Schwartz F.J.	'Form Follows Fetish: Adolf Behne and the Problem of Sachlichkeit'	1998	University College London
Schmetterling AC	Life? Or Theatre? The 'wildly unusual' work of Charlotte Salomon.	1998	Goldsmiths College
Salmon FE	Charles Heathcote Tatham and the Accademia di S.Luca, Rome	1998	University of Manchester
STIRTON PA	The Society of Three : Alphonse Legros, Henri Fantin-Latour and James McNeill Whistler	1998	University of Glasgow		Jane Munro
STALLABRASS J	Occupational Hazard: Critical Writing about Recent British Art	1998	Courtauld Institute of Art		D. McCorquodale N. Siderfin
Rowan A	The Regency House in Scotland: the Adam aftermath	1998	Edinburgh College of Art
Rowan A	The Duke of Northumberland's Garden House at Hulne Priory	1998	Edinburgh College of Art
Rosenthal M J	Thomas Gainsborough's 'Ann Ford'	1998	University of Warwick
Rogoff I	How to Dress for an Exhibition	1998	Goldsmiths College
Rogoff I	Studying Visual Culture	1998	Goldsmiths College
Rogoff I	From Ruins to Debris - The Feminisation of Fascism in German History Museums	1998	Goldsmiths College
Rogers MR	Concepts of Beauty in Renaissance Art	1998	University of Bristol		Ames-Lewis,F
Rogers JM	Seton Lloyd's and D.S. Rice's survey of Alanya	1998	School of Oriental and African Studies
Riding C J L	Lascaux 2000	1998	Keele University
Riding C J L	Landing Field	1998	Keele University
Riding C J L	Vanishing Ground	1998	Keele University
Richards S	'A True Siberia': Art in Service to Commerce in the Dresden Academy and the Meissen Drawing School, 1764-1836	1998	Manchester Metropolitan University
Richards CC	Henges and Water:towards an elemental archaeology of the Neolithic	1998	University of Manchester
Rhodes CD	Fauvisme en expressionisme, and Cobra en abstract expressionisme, in Martis, A. and Rijnders M. (Eds), Expressionisme en primitivisme in de beeldende kunst van de twintigste eeuw	1998	Loughborough University
Reid S	All Stalin's Women: Gender and Power in Soviet Art of the 1930s	1998	University of Northumbria at Newcastle
Read B W	Introduction: Bayes and his Context	1998	University of Leeds	Sculpture Studies
Rea W R	Rationalising Culture: Youth, Elites and Masquerade Politics	1998	University of Leeds	Sculpture Studies
Rasmussen TCB	The Etruscans	1998	University of Manchester		Barker, G
Radford R	Dangerous Liaisons: Art, Fashion and Individuality	1998	University of Southampton
Radford R	To Disable the Enemy: the Graphic Art of the Three Jameses	1998	University of Southampton
Quilley G	All Ocean is her own: the image of the sea and the identity of the maritime nation in eighteenth-century British art	1998	University of Leicester
Puttfarken T	Caravaggio's 'Story of Matthew': A challenge to the conventions of painting	1998	University of Essex
Pratt SR	Reynolds' King of the Cherokees and other mistaken identities in the portraiture of Native American delegations, 1710-1762	1998	University of Plymouth
Poppi C	Was Frazer Right? Cultural Ecology, Knowledge and Masks in West African and Alpine Cross-cultural Perspective	1998	University of East Anglia
Poppi C	Santi, Spiriti e Re: Mascherate invernali nel Trentino fra tradizione, declino e riscoperta	1998	University of East Anglia		Morelli, R
Pollock G F S	Mary Cassatt: Painter of Modern Women	1998	University of Leeds	History and Theory of Art
Payne C	Rustic Simplicity: Scenes of Cottage Life in Nineteenth-Century British Art	1998	Oxford Brookes University
Payne C	Rural virtues for urban consumption: cottage scenes in early Victorian painting	1998	Oxford Brookes University
Pak Y	Serenity and Composure: The Art of Korea at the Metropolitan Museum of Art	1998	School of Oriental and African Studies
Pak Y	The Korean Art Collection in the Metropolitan Museum of Art	1998	School of Oriental and African Studies
PHENIX A	Solvent-induced swelling of paint films: preliminary results	1998	Courtauld Institute of Art
PEARCE NJ	Photographs of Beijing in the Oriental Museum, Durham	1998	University of Glasgow
PARK WD	Late twelfth-century polychromy from Glasgow Cathedral, in ed. R. Fawcett, Medieval Art and Architecture in the Diocese of Glasgow	1998	Courtauld Institute of Art
Orton L F	Rethinking the Ruthwell Monument: Fragments and Critique, Tradition and History, Tongues and Sockets	1998	University of Leeds	History and Theory of Art
Onians JB	The Biological Basis of Renaissance Aesthetics	1998	University of East Anglia
Onians JB	Leon Battista Alberti, The Problem of Personal and Urban Identity	1998	University of East Anglia
OVERY P	COLOUR IN THE WORK OF NORMAN FOSTER	1998	Middlesex University
O'Loughlin NE	Crossing the Language Barrier: Hidden Meanings in Early 20th-Century European Opera in Andraschke P. and Spaude, E. (eds) Kunst-gespr	1998	Loughborough University
Normand TA	Wyndham Lewis, the Anti-War War Artist	1998	University of St Andrews
Normand TA	A Realist View of a Victorian Childhood: Re-reading James Guthrie's 'A Hind's Daughter'	1998	University of St Andrews
Naylor G	Leaving Traces	1998	Royal College of Art	History of Design
NIXON M	'Louise Bourgeois' in Encyclopaedia of Aesthetics	1998	Courtauld Institute of Art
NASH S	Creation, Imitation or Good Business Sense: the use of Drawings in some fifteenth-century French manuscripts, in ed. S. Currie, Drawing, 1400-1600: invention and innovation	1998	Courtauld Institute of Art
Myles J	Cottingham and the American Gothic Revival	1998	De Montfort University
Myles J	Organiser and Curator: Travelling Exhibition: 'LN Cottingham, 1787-1847; architect of the Gothic Revival'	1998	De Montfort University
Muthesius S	Handwerk/Kunsthandwerk	1998	University of East Anglia
Muir Wright RE	Satan and Antichrist - Necessary Symbols?	1998	University of St Andrews
Mowl TW	William Beckford: Composing for Mozart	1998	University of Bristol
Mount H	Morality, microscopy and the moderns: the meaning of minuteness in Shaftesbury's theory of painting	1998	Oxford Brookes University
Morris R K	The Architecture of Arthurian Enthusiasm: Castle Symbolism in the Reigns of Edward I and His Successors	1998	University of Warwick
Moore E	Religious Architecture	1998	School of Oriental and African Studies
Moore E	The Prehistoric Habitation of Angkor	1998	School of Oriental and African Studies
Mitter P	Arts of Mankind, 1600 - 1800	1998	University of Sussex
Mitchell S	'Leaning to the Left'	1998	University College London
Mitchell S	'Chagall talks to Bakhtin, Fantasy with Slides in Four Scenes'	1998	University College London
Miller S	A Painted Tragic-Comedy of Internal Narrative	1998	Southampton Institute
Miller LE	Paris-Lyons-Paris: Dialogue in the Design and Distribution of Patterned Silks in the Eighteenth Century	1998	University of Southampton
Miller LE	Manufactures and the Man: A Reassessment of the Place of Jacques-Charles Dutillieu in the Silk Industry of Eighteenth Century Lyons	1998	University of Southampton
Mellor DA	Chemical Traces / Photography and Conceptual Art, 1968 - 1998	1998	University of Sussex
McClure I P	The Framing of Wooden Panels	1998	University of Cambridge
McClure I P	The History of Painting Conservation and the Royal Collection	1998	University of Cambridge
McClure I P	History of Structural Conservation of Panel Paintings in Great Britain	1998	University of Cambridge
McARTHUR C	THE EXQUISITE CORPSE OF RAB C NESBITT	1998	Middlesex University
McARTHUR C	SCOTLAND AND THE BRAVEHEART EFFECT	1998	Middlesex University
McARTHUR C	BRAVEHEART AND THE SCOTTISH AESTHETIC DEMENTIA	1998	Middlesex University
Maycroft N	Marxism, Communism and Utopia	1998	De Montfort University
Massing A	Restoration Policy in France in the Eighteenth Century	1998	University of Cambridge
Mahon A	Outrage aux bonnes moeurs: Jean-Jacques Lebel and the Marquis de Sade	1998	University of Cambridge
Mahon A	Outrage aux bonnes moeurs: Jean-Jacques Lebel and the Marquis de Sade	1998	University of Southampton
Maccoby H	Talmudic Light on the New Testament	1998	University of Leeds	Jewish Studies
Maccoby H	Corpse and Leper	1998	University of Leeds	Jewish Studies
MURDOCH J	The Courtauld Gallery at Somerset House	1998	Courtauld Institute of Art
MERRILL L	The Peacock Room: A Cultural Biography	1998	University of Glasgow		L Merrill
MCTIGHE S	Abraham Bosse and the Language of Artisans: Genre and Perspective in the Academie Royale de Peinture et de Sculpture, 1648-1670'	1998	Courtauld Institute of Art
M P	Virtuelle Aquarien	1998	Goldsmiths College		Institut f
Lomas DC	The Metamorphosis of Narcissus: Dal	1998	University of Manchester
Lokko L	ResponseAbility	1998	Kingston University
Llewellyn NG	Hungry and Desperate for Knowledge: Diego de Sagredo's Spanish Point of View	1998	University of Sussex
Lister A	Necessary compromise: treatment strategies of composite objects	1998	University of Southampton		Lister, A Fairbrass, S
Linkman A	Passing Trade: Death and the Family Album in Britain 1860-1900	1998	Open University
Ling RJ	Ancient Mosaics	1998	University of Manchester
Lewis A M	The Place de l'Europe and the Privledging of Site	1998	De Montfort University
Koerner J.L.	'L'image dans le Reforme et les pratiques de la croyance moderne'	1998	University College London
Koerner J.L.	'Bosch's Contingency'	1998	University College London
Koerner J.L.	'Caspar David Friedrich. Landschaft und Subjekt'	1998	University College London
King GR	The Traditional Architecture of Saudi Arabia	1998	School of Oriental and African Studies
King C	Italian Self-Portraits and the Reward of Virtue, in G.Schweikhart, ed., Autobiographie und Selbstportrait in der Renaissance	1998	Open University
King C	Renaissance Women Patrons: Wives and Widows in Italy c.1300-c.1550	1998	Open University
Jordanova L	Science and Nationhood: Cultures of Imagined Communities	1998	University of East Anglia
Jones S	Identities in Practice: Towards an Archaeological Perspective on Jewish Identity in Antiquity	1998	University of Manchester
Jones DB	Gillow in Scotland	1998	University of St Andrews		Urquhart, J
Jeremiah D	The formation and legacy of Britain's first motor museum.	1998	University of Plymouth
Jeremiah D	Dartington: A Modern Adventure	1998	University of Plymouth
Jacobus L		1998	Birkbeck College
Jackson D	Western and Russian Ethics: Repin in Paris 1873 - 76	1998	University of Leeds	History and Theory of Art
Jachec N	Modernism, enlightenment values, and Clement Greenberg	1998	Oxford Brookes University
Iversen MD	In the Blind Field: Hopper and the Uncanny	1998	University of Essex
Hunt L A	Byzantium, Eastern Christendom and Islam: Art at the Crossroads of the Medieval Mediterranean	1998	Manchester Metropolitan University
Humfrey PB	Dosso Dossi: Court Painter in Renaissance Ferrara	1998	University of St Andrews		Lucco, M
Howarth DJ	Bernini and Britain.	1998	University of Edinburgh
Howarth DJ	The Patronage and Collecting of Aletheia, Countess of Arundel 1606-54.	1998	University of Edinburgh
Howard M	The Vyne	1998	University of Sussex
Howard M	Inventories, Surveys and the History of Great Houses 1480 - 1640	1998	University of Sussex
Howard JC	Latvian National Romanticism and Art Nouveau: Origins and Synthesis Latvian National Romanticism and Art Nouveau: Origins and Synthesis	1998	University of St Andrews
Hopkins DJ	Marcel Duchamp and Max Ernst: The Bride Shared	1998	University of St Andrews
Hills P	'Venetian Glass and Renaissance Self-fashioning'	1998	University College London
Higgitt JC	Decoration and illustration.	1998	University of Edinburgh
Heslop TA	The Production and Artistry of the Bury Bible	1998	University of East Anglia
Henry T	Signorelli in British Collections	1998	Oxford Brookes University
Hemsoll DE	Beauty as an aesthetic and artistic ideal in late fifteenth-century Florence.	1998	University of Birmingham
Hemingway A.F.	Art in Bourgeois Society 1790-1850	1998	University College London
Hayward M	Repositories of Splendour: Henry VIII's wardrobes of the Robe and Beds	1998	University of Southampton
Hamilton J	Turner and the Scientists (Exhibition Catalogue).	1998	University of Birmingham
Halliday AS	Academic Outsiders at the Paris Salons of the Revolution: the case of drawings	1998	University of Newcastle
HOUSE JP	'Curiosit	1998	Courtauld Institute of Art
HOPKINSON M	Whistler's Mezzotints	1998	University of Glasgow
HOPKINS D	Marcel Duchamp and Max Ernst: The Bride Shared	1998	University of Glasgow
Gronberg T	Designs on Modernity: Exhibiting the City in 1920s Paris	1998	Birkbeck College
Gray R P	Muscovite Patrons of European Painting: the Collections of Vasily Kokorev, Dmitry Botkin and Sergei Tretyakov	1998	University of Newcastle
Gr C	The Unicorn on English Misericords	1998	University of Manchester
Goubert JS	Art and Ideas: Goya	1998	University of Essex
Gee M C	Raoul La Roche und das Sammeln moderner Kunst in Paris (1918-1930)	1998	University of Northumbria at Newcastle
Geddes J	Observations on the Aberdeen Bestiary	1998	University of Aberdeen
Geddes J	The Art of the Book of Deer	1998	University of Aberdeen
Gash J M	Caravaggio's Maltese Inspiration	1998	University of Aberdeen
Gash J M	The Cain and Abel in the National Museum: the case for Giuseppe Vermiglio	1998	University of Aberdeen
Gardner J R	Seated Kings, Sea-Faring Saints and Heraldry: Some Themes in Angevin Iconography	1998	University of Warwick
Garb T.	'Tomb of the Unknown Bather'	1998	University College London
Garb T.	Bodies of Modernity, Figure and Flesh in Fin-de-Siecle France	1998	University College London
Gage J S	Colour as Subject	1998	University of Cambridge
GREEN CK	The Infant in the Adult: Joan Mir	1998	Courtauld Institute of Art
GRANT L	Abbot Suger of St Denis: Church and State in Early Twelfth Century France	1998	Courtauld Institute of Art
GIBBS RJ	Landscape as Property : Bolognese Law Manuscripts and the Development of Landscape Painting	1998	University of Glasgow
Fermor S E	Re-examining the Raphael Tapestry Cartoons	1998	University of Warwick		A. Derbyshire
Fermor S E	Poetry in Motion. Renaissance Concepts of Leggiadra	1998	University of Warwick
FISHER J	GABRIEL OROZCO: THE PLAY OF THE WORLD	1998	Middlesex University
FERNIE EC	'The Romanesque church of Bury St Edmunds Abbey' in Medieval Art and Architecture at Bury St Edmunds	1998	Courtauld Institute of Art
Edwards CD	The Mechanization of Carving: The Development of the Carving Machine especially in relation to the Manufacture of Furniture and the Working of Wood	1998	Loughborough University
Edwards CD	Reclining Chairs Surveyed: Health, Comfort and Fashion in Evolving Markets	1998	Loughborough University
Edwards B W	The Modern Terminal: New approaches to airport architecture	1998	University of Huddersfield
Eastmond A D	Royal Imagery in Medieval Georgia	1998	University of Warwick
Doy M G	Women and Visual Culture in Nineteenth Century France 1800-1852	1998	De Montfort University
Doy M G	Materializing Art History	1998	De Montfort University
Doy M G	More Than Meets the Eye ... Representations of Black Women in mid-19th Century French Photography	1998	De Montfort University
De Jong F	De verbeelding van volkscultuur: Maskers, maskerades, en hun representatie in musea en folklore	1998	University of East Anglia
De Jong F	Ritual and Masking Traditions in Jola Men's Initiation	1998	University of East Anglia		Mark, P Chupin, C
Davies D.B.	The Anatomy of Spanish Habsburg Portraits	1998	University College London
Curtis P	The Landscape of Barbara Hepworth	1998	University of Leeds	Sculpture Studies
Crinson MW	Sonia Boyce - Performance	1998	University of Manchester
Cowling E	The passage of time in Picasso's 'neo-classical' paintings. Permanence, transience and continuity.	1998	University of Edinburgh
Cottington D	Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905-1914	1998	Falmouth College of Arts
Cottington D	Cubism	1998	Falmouth College of Arts
Cottington D	Ce Beau Pays de l'Avenir: Cubism, Nationalism and the Landscape of Modernity in France	1998	Falmouth College of Arts
Cottington D	The Maison cubiste and the Meaning of Modernism	1998	Falmouth College of Arts
Cooper T.H.	'Early Modern Collecting in Northern Europe: Copied Drawings and Printed Prototypes'	1998	University College London
Contadini A	Fatimid Art at the Victoria and Albert Museum	1998	School of Oriental and African Studies
Coatsworth E	Cloth-making and the Virgin Mary in Anglo-Saxon Literature and Art	1998	Manchester Metropolitan University
Clarke A	Window Shopping at Home': Catalogues, Classifieds and New Consumer Skills	1998	Royal College of Art	History of Design
Cheddie J.M.	Rita Kegan: Document of Memory.	1998	Goldsmiths College
Chaney E	The Evolution of the Grand Tour (Anglo-Italian Cultural Relations since the Renaissance)	1998	Southampton Institute
Causey AG	Sculpture since 1945	1998	University of Manchester
Carradice IA	Two Achaemenid Hoards	1998	University of St Andrews
Carradice IA	Towards a New Introduction to the Flavian Coinage	1998	University of St Andrews
Carpenter J	The Human Figure in the Playground of Edo Artistic Imagination	1998	School of Oriental and African Studies
Campbell S	Problems of definition: the origins of the Halaf in north Iraq	1998	University of Manchester
CURTIS B	ARCHIGRAM A NECESSARY IRRITANT	1998	Middlesex University
CROSSLEY BP	'The man from inner space: Meditation and Monument in the Choir of St Laurence in Nuremberg' in eds. G. Owen-Crocker and T. Graham, Medieval art : recent perspectives. A memorial tribute to C.R. Dodwell	1998	Courtauld Institute of Art
CORMACK RS	Painting the Soul. Icons, Death Masks, Shrouds	1998	Courtauld Institute of Art
CLARKE G	'La pi bella e meglio lavorata opera: Beauty and Good Design in Italian Renaiissance Architecture' in ed. F. Ames-Lewis and M. Rogers, Concepts of Beauty in Renaissance Art,	1998	Courtauld Institute of Art
CATHER S	Wall Paintings' in W.J. Rodwell, Holy Trinity Church, Bradwell-juxta-Coggeshall: a survey of the fabric and appraisal of the Norman brickwork	1998	Courtauld Institute of Art		D. Park
CANNON JL	Dominic alter Christus? Representations of the Founder in and after the Arca di San Domenico in ed. K. Emery Jr. and J. Wawrykow 'Christ Among the Medieval Dominicans: Representations of Christ in the Texts and Images of the Order of Preachers'	1998	Courtauld Institute of Art
Bury KM	Antonio Tempesta as printmaker: invention, drawing and technique.	1998	University of Edinburgh
Bury KM	The fifteenth- and early sixteenth-century gonfaloni of Perugia.	1998	University of Edinburgh
Bucklow S L	A Stylometric Analysis of Craquelure	1998	University of Cambridge
Buckley C	On the Margins: Theorising the History and Significance of Making and Designing Clothes at Home	1998	University of Northumbria at Newcastle
Brown A J E	Student profiling, graduate profiling, practitioner profiling	1998	University of Northumbria at Newcastle		A. Bacon
Bristol K A C	James Athenian Stuart	1998	University of Leeds	Architecture and Material Culture
Benton T.J	'La Rocca: Maison La Roche as the Opus 1 of Le Corbusier's architectural career' in K.Schmidt, H.Fischer and G.Hatje, eds., Ein Haus fur den Kubismus, Die Sammlung Raoul la Roche	1998	Open University
Behrens-Abouseif D	Sultan Qaytbay's Foundation in Medina: the Madrasah, the Ribat and the Dashishah	1998	School of Oriental and African Studies
Behrens-Abouseif D	Notes sur l'Architecture Musulmane d'Alexandrie	1998	School of Oriental and African Studies
BURNSTOCK A	An Examination of the Relationship Between the Materials and Techniques used for Works on Paper, Canvas and Panel by Honor	1998	Courtauld Institute of Art
BEHR S	'Dr Rosa Schapire: Art Historian and Critic in Exile', in Keine Klage	1998	Courtauld Institute of Art
BAXTER R	Bestiaries and their Users in the Middle Ages	1998	Courtauld Institute of Art
BAXTER R	'Bestiaries' and 'Medieval Manuscripts and Herbals' in eds. P.E. Szarmach, M.T. Tavormina and J.T. Rosenthal, Medieval England: An Encyclopaedia	1998	Courtauld Institute of Art
Arnold DR	The Georgian Country House: Architecture, Landscape and Society	1998	University of Southampton
Arnold DR	'Introduction' and 'A Family Affair: Decimus Burton's Villa Designs for the Regent's Park'	1998	University of Southampton
Andrews J	Cutting the Line: The Late Works of Matisse discussed from a Merleau-Pontean Perspective.	1998	Goldsmiths College
Andrews J	Telling Tales: Five Contemporary Women Arts from India.	1998	Goldsmiths College
Allen M		1998	Birkbeck College
Ajmar M	When is a Portrait not a Portrait?	1998	Royal College of Art	History of Design	Thornton, D
ARMES R	OMAR GATLATO	1998	Middlesex University
Yorke J M	Matthew Smith: His Life and Reputation	1997	University of Northumbria at Newcastle
Yarrington A W	The Female Pygmalion: Anne Seymour Damer, Allan Cunningham and the Writing of a female Sculptor's Life	1997	University of Leicester
Wrigley R	Transformations of a revolutionary emblem: the liberty cap in the French Revolution	1997	Oxford Brookes University
Wright A.J.	'Antonio del Pollaiuolo's 'Elevation of the Magdalen' in Staggia and an Early Patron'	1997	University College London
Wilson C.	'Rulers, Artificers and Shoppers: Richard II's Remodelling of Westminster Hall, 1393 - 1399'	1997	University College London
Williams RJ	The Krazy Kat Problem.	1997	University of Edinburgh
Wilde C	On Style: Wittgenstein's Writing and the Art of Painting	1997	University of Bristol
Welch E	Art and Society in Italy, 1350 - 1500	1997	University of Sussex
Wang T	Su Bingqui and contemporary Chinese Archaeology	1997	School of Oriental and African Studies
Wakeling C	'The Religious Society of Friends (Quakers)' and The 'Non-Conformist Chapel'	1997	Keele University
WOODALL J	Portraiture: Facing the Subject	1997	Courtauld Institute of Art
WILSON SG	Feminities/Mascarades, Rrose is a Rrose is Rrose: Gender Performance in Photography'	1997	Courtauld Institute of Art
WILSON SG	Rembrandt, Genet, Derrida' in ed.J. Woodall, 'Critical Introductions to Art: Portraiture	1997	Courtauld Institute of Art
WILLSDON CAP	The Mural Decoration at the Royal Exchange	1997	University of Glasgow
WARWICK G	Gift Exchange and Art Collecting: Padre Sebastiono Resta's Drawing Albums	1997	University of Glasgow
Vergo PJ	Kokoschka and Greece	1997	University of Essex
VILLERS C	A Fourteenth-century German Triptych in the Courtauld Collection'	1997	Courtauld Institute of Art
Usherwood P L	Landmark Sculpture in the Age of Publicity	1997	University of Northumbria at Newcastle
Tribe T	The Word in the Desert: the wall-paintings of Debra Maryam Korkor (Ger'alta, Tigray)	1997	School of Oriental and African Studies
Topp L	An architecture for modern nerves: Josef Hoffmann's 'Purkersdorf Sanatorium'	1997	Oxford Brookes University
Tombs S	Recent Sculpture	1997	Keele University
Tombs S	Commissioned Sculpture: The Meeting	1997	Keele University
Tinagli P	Women in Italian Renaissance Art.	1997	University of Edinburgh
Tillotson GH	Svastika Mansion: A Silpa-Sastra in the 1930s	1997	School of Oriental and African Studies
Tillotson GH	A Visible Monument: Architectural Policies and the Victoria Memorial	1997	School of Oriental and African Studies
Thomson RI	Seurat and the Bathers.	1997	University of Edinburgh		John Leighton David Bomford Ashok Roy
Thomson D	Raeburn: The Art of Sir Henry Raeburn 1756-1823.	1997	University of Edinburgh
Taylor S	Cultural Memory	1997	University of Leeds	Fine Art: Theory, Criticism and Practice
Tarr RP	Visibile parlare: The Spoken Word in Fourteenth-Century Central Italian Painting.	1997	University of Edinburgh
TULLOCH C	FASHIONS IN BLACK + WHITE: WOMEN'S DRESS IN JAMAICA 1880-1907	1997	Middlesex University
TICKNER L	THE POPULAR CULTURE OF KERMESSE	1997	Middlesex University
String TC	Henry VIII's Illuminated 'Great Bible'	1997	University of Bristol
Stone R	Tight shoes and the jump-cut (Walter's embrace).	1997	Goldsmiths College
Smith PG	Seurat and the Avant-Garde	1997	University of Bristol
Smith G	Thomas Cole at Volterra and Colle di Val d'Elsa	1997	University of St Andrews
Smiles SA	Dressed to Till: Representational Strategies in the Depiction of Rural Labor, c. 1790-1830	1997	University of Plymouth
Shaw-Miller S	'Sounding Out'	1997	Birkbeck College
Screech TB	Edo no jintai o hiraku (Opening the Edo Body)	1997	School of Oriental and African Studies
Schmetterling AC	Tracing the Life (or Theatre?) of Charlotte Salomon.	1997	Goldsmiths College
Salmon FE	Eighteenth-Century Alterations to Palladio's Villa Rotonda	1997	University of Manchester
STEWART P	'Fine Art and Coarse Art: The Image of Roman Priapus'	1997	Courtauld Institute of Art
SCHAAF L	Invention and Discovery: first images	1997	University of Glasgow
Rosenthal M J	The Penetentiary as Paradise	1997	University of Warwick
Rogers JM	Islamic Seals. Part 2	1997	School of Oriental and African Studies
Robertson EC	Annibale Carracci and Invenzione: Mediumand Function in the Early Drawings	1997	University of Reading
Rhodes CD	Le Primitivisme et l'art moderne	1997	Loughborough University
Rees HBL	The Significance of the Settled Land Act 1882 on the Dispersal of the Great Collections	1997	University of Manchester
Rees HBL	Patterns of making: thinking and making in Industrial Design	1997	University of Manchester
Rasmussen TCB	Metodologie di survey e G.I.S.: il progetto Tuscania rivisitato	1997	University of Manchester		N.Vullo G.Barker A.Grant
Rasmussen TCB	The Tarquins and Etruscan Rome	1997	University of Manchester
Radford R	Dali (Art and Ideas)	1997	University of Southampton
Poppi C	Wider Horizons with Larger Details: Subjectivity, Ethnicity and Globalization	1997	University of East Anglia
Pointon MR	Strategies for Showing: Women Possession and Representation in English Visual Culture 1665-1800	1997	University of Manchester
Pillsbury J	Mesoamerica	1997	University of East Anglia		Leyenaar, TJJ
Pillsbury J	Catalogue of Objects	1997	University of East Anglia		Benson, E Bergh, S Burger, R
Picton JW	On (Men?) Placing Women in Ebira	1997	School of Oriental and African Studies
Payne C	Calculated to gratify the patriot: rustic figure studies in early-nineteenth-century Britain	1997	Oxford Brookes University
PHENIX A	The composition and chemistry of eggs and egg tempera; in eds. T. Bakkenist, R. Hoppenbrouwers + H.Dubois, Early Italian Paintings: Techniques + Analysis	1997	Courtauld Institute of Art
OVERY P	THE CELL IN THE CITY: PAINTING INTO ARCHITECHTURE	1997	Middlesex University
O'Loughlin NE	Expressionist Opera and Painting: Schoenberg's Erwartung and Die Gluckliche Hand in Kuret P. (ed), Glasba in likovna umetnost, Musik und Bildende Kunst	1997	Loughborough University
Norman D	Pisa, Siena and the Maremma: A Neglected Aspect of Ambrogio Lorenzetti's Paintings in the Sala dei Nove.	1997	Open University
Naylor G	Theory and Design: the Banham Factor	1997	Royal College of Art	History of Design
Naylor G	Design and Reform in the European Context	1997	Royal College of Art	History of Design
NEWMAN JA	The Architectural Setting' in ed. N. Tyacke, The History of the University of Oxford, vol.IV Seventeenth-century Oxford	1997	Courtauld Institute of Art
Muir Wright RE	The Great Whore in the illustrated Apocalypse cycles	1997	University of St Andrews
Morris R K	European Prodigy or Regional Eccentric? The Rebuilding of St Augustine's Abbey Church, Bristol	1997	University of Warwick
Mitchell S	'Mikhail Alexandrovich Lifshits'	1997	University College London
Mitchell S	'Alexander Pushkin, Eugene Onegin'	1997	University College London
Meskimmon MG	Engendering the City: Women Artists and Urban Space	1997	Loughborough University
McConkey K	Truth and Falsehood in Portrait Painting	1997	University of Northumbria at Newcastle
McARTHUR C	CHINESE BOXES AND RUSSIAN DOLLS: TRACKING THE ELUSIVE CINEMATIC CITY	1997	Middlesex University
Massing A	French Painting Technique in the Seventeenth and Early Eighteenth Centuries and De La Fontaine's Acad	1997	University of Cambridge
Mannings D M	Reynolds and the Shaftos: three letters and a deposition	1997	University of Aberdeen
MURDOCH J	Seventeenth Century Portrait Miniatures in the Collection of the Victoria and Albert Museum	1997	Courtauld Institute of Art
MERCER K	AN ARTIST'S JOURNEY THROUGH POST-COLONIAL SPACE	1997	Middlesex University
MACDONALD MF	Whistler and Holland	1997	University of Glasgow		JF Heijbroek
MACDONALD MF	Beatrice Whistler, Artist and Designer	1997	University of Glasgow
Lodder CA	The Press for a New Art in Russia, 1917-1921	1997	University of St Andrews
Llewellyn NG	Une science du regard: les connaisseurs	1997	University of Sussex
Liversidge MJH	Virgil in Art	1997	University of Bristol
Lister A	Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles	1997	University of Southampton
Linkman A	Flashed, Pot and Porcelain: The Opalotype of Victorian Britain	1997	Open University
Ling RJ	Mosaics in Roman Britain: discoveries and research since 1945	1997	University of Manchester
Ling RJ	1997 A The Insula of the Menander at Pompeii, I. The Structures	1997	University of Manchester
Lindley P G	Absolutism and Regal Image in Ricardian Sculpture	1997	University of Leicester
Lindley P G	Innovations, Tradition and Disruption in Tomb-Sculpture	1997	University of Leicester
Lindley P G	Introduction	1997	University of Leicester
Lewis A M	On Not Explaining Late Degas	1997	De Montfort University
Lee S	Puvis de Chavannes	1997	University of Reading		Petrie, B
Ledbury AM	Intimate Dramas: Genre Painting and New Drama in Eighteenth-Century France	1997	University of Manchester
LOWDEN J	Early Christian and Byzantine Art	1997	Courtauld Institute of Art
Koerner J.L.	'Unheimliche Heimat - Henry Koerner 1915-1991'	1997	University College London
Klonk C	From Picturesque Travel to Scientific Observation. Artists' and Geologists' Voyages to Staffa	1997	University of Warwick
King GR	The History of the UAE: The Eve of Islam of the Islamic Period	1997	School of Oriental and African Studies
King GR	Abu Dhabi Islands Archaeological Survey, Season 1: An Archaeological Survey of Sir Bani Yas, Dalma and Marawah.	1997	School of Oriental and African Studies
Jones S	The Archaeology of Ethnicity: Constructing Identities in the Past and Present	1997	University of Manchester
Jones DB	William Trotter's Furniture for the Chinese Rooms at Kinfauns Castle	1997	University of St Andrews
James EA	Goddess, whore, wife or slave? Will the real Byzantine empress please stand up?	1997	University of Sussex
James EA	Women, men and eunuchs: gender in Bynatium	1997	University of Sussex
Jackson D	A Newly Discovered Portrait of Tsar Nicholas II by Ilya Repin	1997	University of Leeds	History and Theory of Art
Iversen MD	Mary Kelly	1997	University of Essex		Homi Bhabha Douglas Crimp
Irwin D G	Neoclassicism	1997	University of Aberdeen
Hunt L A	The Mingana and Related Collections: A Survey of Illustrated Arabic, Greek, Eastern Christian, Persian and Turkish Manuscripts in the Selly Oak Colleges, Birmingham	1997	Manchester Metropolitan University
Humfrey PB	Lorenzo Lotto: Rediscovered Master of the Renaissance	1997	University of St Andrews		Brown,DA Lucco, M
Humfrey PB	Lorenzo Lotto	1997	University of St Andrews
Hughes A	Michelangelo: Life; Drawings; Painting; Sculpture; Character and Personality; Critical Receptionand Posthumous Reputation	1997	University of Leeds	History and Theory of Art
Hughes A	Sculpture and its Reproductions	1997	University of Leeds	History and Theory of Art
Hughes A	Michelangelo	1997	University of Leeds	History and Theory of Art
Howarth DJ	Images of Rule.	1997	University of Edinburgh
Howard M	Civil Building and Courtier Houses: new techniques and materials for architectural oranment	1997	University of Sussex
Howard JC	The Scottish Kremlin Builder, Christopher Galloway: Clockmaker, Architect and Engineer to Tsar Mikhail, the First Romanov	1997	University of St Andrews
Hooper SJP	Introduction: a History of the Collection	1997	University of East Anglia
Hooper SJP	The Pacific; North America	1997	University of East Anglia
Holt Y H	The Poetry of the Peasant Lies in the Eye that Sees	1997	University of Northumbria at Newcastle
Holder J	Arts and Crafts Movement	1997	Edinburgh College of Art
Hodges RA	Light in the Dark Ages. The Rise and Fall of San Vincenzo al Volturno	1997	University of East Anglia
Hills P	'David Jones, Artist and Poet'	1997	University College London
Higgitt JC	Legentes quoque uel audientes: early medieval inscriptions in Britain and Ireland and their audiences.	1997	University of Edinburgh
Hemsoll DE	Sanmicheli's Palazzo Pompei: Site, Dating and Design.	1997	University of Birmingham		P Davies
Hemingway A.F.	'Constituents of Romantic Genius: John Sell Cotman's Greta Drawings'	1997	University College London
Hayward M	The packing and transportation of the possessions of Henry VIII, with particular reference to the 1547 inventory.	1997	University of Southampton
Hatt M	'Le Peau-Rouge comme signe de l'identit	1997	University of Nottingham
Hassig D	Marginal Bestiaries.	1997	University of Edinburgh
Harrod T	Obscure Objects of Desire: Reviewing the Crafts in the 20th Century	1997	Royal College of Art	History of Design
Harrod T	Craft, Culture and Identity	1997	Royal College of Art	History of Design
Harrison C	Modernism (Movements in Modern Art Series)	1997	Open University
Hamilton J	Turner: A Life.	1997	University of Birmingham
Halliday AS	The Literary Sources of Mantegna's 'Triumphs of Caesar'	1997	University of Newcastle
HOUSE JP	Pierre-Auguste Renoir: La promenade	1997	Courtauld Institute of Art
HOLDING E	ADDRESSING THE POST-URBAN	1997	Middlesex University		S Chaplin
HARRIES D	SEMIOTICS, DISCOURSE AND PARODIC SPECTATORSHIP	1997	Middlesex University
Gruetzner Robins AE	Modern Art in Britain 1910-1914	1997	University of Reading
Gr C	The World Upside-down: English Misericords	1997	University of Manchester
Gr C	Picturing Women in Late Medieval and Renaissance Art	1997	University of Manchester
Gr C	The Bristol Misericords and their Sources	1997	University of Manchester
Goubert JS	A Feast for the Eye: Banquets, Picnics and Cafes and the Romantic art of Spain	1997	University of Essex
Gill K	Solvent re-activation of hydroxypropyl cellulose (Klucel G) in textile conservation: recent developments	1997	University of Southampton		Gill, K Boersma, F
Gill K	Conservation at Hampton Court	1997	University of Southampton		Bennett, T Gill, K
Gill K	Two contrasting minimally-interventive upholstery treatments: different roles, different treatments	1997	University of Southampton		Gill, K Eastop, D
Gash J M	The Identity of Caravaggio's Knight of Malta	1997	University of Aberdeen
Gardner J R	The Altarpiece by Meo da Siena for San Petro at Perugia. Tradition versus Innovation	1997	University of Warwick
Gage J S	Photographic Likeness	1997	University of Cambridge
GRANT L	'Suger and the Anglo-Norman World' in ed. C. Harper-Bill, Anglo-Norman Studies	1997	Courtauld Institute of Art
GRANT L	La choeur de la cathedrale de Coutances et sa place dans l'architecture gothique du sud-ouest de la normandie' in ed. M. Bayle, L'Architecture Normande au Moyen Age	1997	Courtauld Institute of Art
Frojmovic E	Hebraica and Judaica from the Cecil Roth Collection	1997	University of Leeds	Jewish Studies	Felsenstein, F.A.
Frew JM	Cottages, Tenements and 'Practical Idealism': James Thomson at Logie, 1917-1923	1997	University of St Andrews
Flynn N	The Last Modern Painting	1997	Manchester Metropolitan University
Flynn N	Sublime Visibility in Ann Radcliffe's 'The Mysteries of Udolpho'	1997	Manchester Metropolitan University
Florence P	Innovation, sex and spatial structure in visual and aural semiosis	1997	Falmouth College of Arts
Field J	The Invention of Infinity: Mathematics and Art in the Renaissance	1997	Birkbeck College
Field J		1997	Birkbeck College
Field J		1997	Birkbeck College
Fer B.A.	'Treading Blindly, or the Excessive Presence of the Object'	1997	University College London
Fer B.A.	On Abstract Art	1997	University College London
FISHER J	ART'S CARESS: SOME THOUGHTS ON ETHICS AND AESTHETICS	1997	Middlesex University
Edwards B W	The Modern Station: New approaches to railway architecture	1997	University of Huddersfield
Draper P		1997	Birkbeck College
Denwood PT	Architectural Style at Shalu	1997	School of Oriental and African Studies
Cullen F	'The Cloak of Charity': The politics of representation in late eighteenth-century Ireland	1997	University of Nottingham
Cullen F	Visual Politics: The Representation of Ireland 1750-1930	1997	University of Nottingham
Crowley D	People's Warsaw / Popular Warsaw	1997	Royal College of Art	History of Design
Crinson MW	Abadan: Planning and Architecture Under the Anglo-Iranian Oil Company	1997	University of Manchester
Craske M	Art in Europe 1720-1830: A History of the Visual Arts in an Era of Unprecedented Economic Growth	1997	Oxford Brookes University
Cowling E	Surrealism and After. The Gabrielle Keiller Collection.	1997	University of Edinburgh		Richard Calvocoressi Patrick Elliott Ann Simpson
Clunas AC	Pictures and Visuality in Early Modern China	1997	University of Sussex
Clunas AC	Art in China	1997	University of Sussex
Clarke JT	The National Museums of Scotland Saggara Survey Project 1993-1995	1997	University of East Anglia		Mathieson, I Bettles, E Duhig, C
Clarke GNG	The Photograph	1997	University of Kent at Canterbury
Clarke GNG	The American City: Literary Sources and Documents	1997	University of Kent at Canterbury
Cherry D	Autorschaft und signatur	1997	University of Sussex
Chambers E.S.	'From chemical process to the Aesthetics of Omission: Etching and the Languages of Art Criticism in Nineteenth-Century Britain'	1997	University College London
Casella EC	To enshrine their spirits in the world: Heritage and Grief at Port Arthur, Tasmania	1997	University of Manchester
Casella EC	...a large and efficient Establishment: Preliminary Report of Fieldwork at the Ross Female Factory	1997	University of Manchester
Carruthers VA	Edward Barnsley	1997	University of St Andrews
Campbell I	James IV and Edinburgh's first triumphal arches	1997	Edinburgh College of Art
Callen AE	'The Body and Difference: Anatomy training at the Ecole des Beaux-Arts in Paris in the later nineteenth century'	1997	University of Nottingham
CROSSLEY BP	The Architecture of Queenship. Royal Saints, Female Dynasties and the Spread of Gothic Architecture in Central Europe' in ed. A. Duggan, Queens and Queenship in Medieval Europe	1997	Courtauld Institute of Art
CORMACK RS		1997	Courtauld Institute of Art
CORMACK RS	Women and Icons, and Women in Icons', in ed. L. James, Women, Men and Eunuchs. Gender in Byzantium	1997	Courtauld Institute of Art
CLARKE G	Ambrogio Traversari: Artistic Adviser in Early Fifteeth-Century Florence?'	1997	Courtauld Institute of Art
CATHER S	Complexity and communication: principles of in situ conservation' in ed. N. Agnew, Conservation of Ancient Sites on the Silk Road	1997	Courtauld Institute of Art
Butt G	Avant-Garde and Swish.	1997	Goldsmiths College
Bucklow S L	The Description of Craquelure Patterns	1997	University of Cambridge
Brunskill RW	Houses and Cottages of Britian	1997	De Montfort University
Brunskill RW	Brick Building in Britain	1997	De Montfort University
Boucher B.A.	Italian Baroque Sculpture	1997	University College London
Binski P	The Angel Choir at Lincoln and the Poetics of the Gothic Smile	1997	University of Cambridge
Binski P	The Liber Regalis: its Date and European Context	1997	University of Cambridge
Bindman D.	'Hogarth and his Times: Serious Comedy'	1997	University College London
Bindman D.	'Blake's Vision of Slavery Revisited	1997	University College London
Behrens-Abouseif D	The Lion-Gazelle Mosaic at Khirbat al-Mafjar	1997	School of Oriental and African Studies
Barlow P J	Facing the Past and Present	1997	University of Northumbria at Newcastle
Bann S	Paul Delaroche: History Painted	1997	University of Bristol
Bann S	Paul Delaroche. History Painted	1997	University of Kent at Canterbury
BLACK P	Geoffrey Clarke: Sculpture, Constructions and Works on Paper 1949-2000	1997	University of Glasgow
BLACK P	Marie-Louise von Motesiczky	1997	University of Glasgow
BEHR S	'Supporters and Collectors of Expressionism', in eds. S. Barron and W.D. Dube, German Expressionism: Art and Society 1909-1923	1997	Courtauld Institute of Art
Aynsley J	Signs of Art and Commerce: Graphic Design in the German Language, 1900-1950	1997	Royal College of Art	History of Design
Avery C	Bernini: Genius of the Baroque	1997	Southampton Institute
Attfield J	Design as the Practice of Modernity: the case for the study of the coffee table in the mid-centry domestic interior	1997	University of Southampton
Andrews J	Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur	1997	Goldsmiths College
Ames-Lewis F		1997	Birkbeck College
Ames-Lewis F	Tuscan Marble Carving, 1250-1350. Sculpture and Civic Pride	1997	Birkbeck College
Ades JD	Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago	1997	University of Essex
ARMES R	ADATTAMENTO E CREATIVITA IN OSSESSIONE E LA TERRA TREMA	1997	Middlesex University
Yarrington A W	Under the Spell of Madame Tussaud: Aspects of 'high' and 'low' in nineteenth-century polychromed sculpture	1996	University of Leicester
Wrigley R	From Ancien Regime fall-guy to revolutionary hero: changing interpretations of Janot and Dorvigny's Les Battus qui paient l'amende in later eighteenth-century France	1996	Oxford Brookes University
Wrigley R	Infectious enthusiasms: influence, contagion, and the experience of Rome	1996	Oxford Brookes University
Woods K	Five Netherlandish carved altar-pieces in England and the Brussels School of Carving c.1470-1520	1996	Open University
Wood P	'Commodity' in R.Nelson and R.Shiff, eds., Contemporary Critical Terms in Art History	1996	Open University
Wood J	Padre Resta as a Collector of Carracci Drawings	1996	University of Nottingham
Weston H.D.	'Jacques-Louis David's La Mort de Joseph Bara: a tale of revolutionary myths and modern fantasies'	1996	University College London
Weingrad M	Jews(in Theory): Representations of Judaism, Antisemitism and the Holocaust in Postmodern French Thought.	1996	University of Leeds	Jewish Studies
Watkins N G G	Matisse	1996	University of Leicester
Watkin D J	Monuments and Mausolea in the Age of Enlightenment	1996	University of Cambridge
Watkin D J	Sir John Soane: Enlightenment Thought and the Royal Academy Lectures	1996	University of Cambridge
Wang T	Colour Terms in Shang oracle-bone inscriptions	1996	School of Oriental and African Studies
Walker DM	The Glasgow Years	1996	University of St Andrews
Wakeling C	Post-Renaissance Europe	1996	Keele University
WOODALL J	Love is in the air. Amor as motivation and message in Dutch and Flemish painting before and after the Iconoclasm'	1996	Courtauld Institute of Art
WILLSDON CAP	Dictionary of Art	1996	University of Glasgow
WILLSDON CAP	Klimt's Beethoven Frieze: Goethe, Tempelkunst and the Fulfilment of Wishes	1996	University of Glasgow
WILLIAMS R	The Virtual Salon: Towards a Computer Reconstruction of the Louis XVI Exhibitions	1996	University of Glasgow
WARWICK G	The Formation and Early Provenance of Padre Sebastiono Resta's Drawing Albums	1996	University of Glasgow
Vergo PJ	Emil Nolde	1996	University of Essex		Felicity Lunn
Usherwood P L	Hadrian's Wall and the New Romans	1996	University of Northumbria at Newcastle
Tribe T	The Mulatto as Artist and Image in Colonial Brazil	1996	School of Oriental and African Studies
Tombs S	Commissioned Sculpture: Beth's Arch	1996	Keele University
Tolley T	States of Independence: Women Regents as Patrons of the Visual Arts in Renaissance France.	1996	University of Edinburgh
Tolley T	Crivelli, [Carlo and Vittore].	1996	University of Edinburgh
Taylor C A	Lavashak and Other Stories	1996	University of Leeds	Fine Art: Theory, Criticism and Practice
Tarr RP	Giovanni Rucellai's Comments on Art and Architecture	1996	University of Edinburgh
Styles J	Clothes and the Non-Elite Consumer in the North of England, 1660-1800	1996	Royal College of Art	History of Design
String TC	A Neglected Henrician Decorative Ceiling	1996	University of Bristol
Stone R	The Burden of Lot's Wife.	1996	Goldsmiths College
Stevenson CM	Aesculapius Scoticus	1996	University of Reading
Stevenson CM	Robert Hooke's Bethlem	1996	University of Reading
Sparke P	Convenience and Pleasantness: Josef Frank and the Swedish Modern Movement in Design	1996	Kingston University
Smith G	Calvert Jones in Florence	1996	University of St Andrews
Singer B W	An Investigation Into The Removal Of Modern Ink Marks From Paper	1996	University of Northumbria at Newcastle		Caverhill, J Latimer, I
Shaw-Miller S	'Concerts of everyday living': Cage, Barthes and Fluxus: interdisciplinarity and inter-media events'	1996	Birkbeck College
Screech TB	The Western Scientific Gaze and Popular Imagery in Later Edo Japan	1996	School of Oriental and African Studies
Scrase D E	The Golden Century, Dutch Master Drawings from the Fitzwilliam Museum, Cambridge	1996	University of Cambridge
Schwartz F.J.	The Werkbund: Design Theory and Mass Culture before the First World War.	1996	University College London
Salmon FE	British Architects, Italian Fine Arts Academies and the Foundation of the RIBA, 1816-43	1996	University of Manchester
STALLABRASS J	Gargantua: Manufactured Mass Culture	1996	Courtauld Institute of Art
SOLKIN DH	Samaritan or Scrooge? The Contested Image of Thomas Guy in Eighteenth-century England	1996	Courtauld Institute of Art
SCHAAF L	The Records of the Dawn of Photography: Talbot's Notebooks P + Q	1996	University of Glasgow
Rowley A	On Viewing Three Paintings by Jenny Saville: Rethinking a Feminist Practice of Painting	1996	University of Leeds	History and Theory of Art
Rowan A	Villa Variants	1996	Edinburgh College of Art
Rogers JM	Architectural decoration in the age of Sinan	1996	School of Oriental and African Studies
Rogers JM	Furniture in Islam	1996	School of Oriental and African Studies
Robertson EC	Drawings by the Carracci from British Collections	1996	University of Reading		Whistler, C
Roberts J	Researching Vernacular Gardens	1996	De Montfort University
Read B W	Leighton and Sculpture	1996	University of Leeds	Sculpture Studies
Rasmussen TCB	Archaeology in Etruria 1985-95	1996	University of Manchester
ROBERTSON PB	Charles Rennie Mackintosh: The Making of a Painter	1996	University of Glasgow
RICHARDS J	The Dictionary of Art	1996	University of Glasgow
Quilley G	The sphere of contemplation: the imagery of global navigation in eighteenth-century England	1996	University of Leicester
Puttfarken T	Roger de Piles, une litt	1996	University of Essex
Prettejohn EF	Sir Lawrence Alma-Tadema. Eds: Edwin Becker, Edward Morris, Elizabeth Prettejohn + Julian Treuherz	1996	University of Plymouth
Prendeville B	Night Geography	1996	Goldsmiths College
Pratt SR	From the Margins: the Native American personage in the cartouche and decorative borders of maps.	1996	University of Plymouth
Pratt SR	Two Way Traffic: British and Italian Art, 1880-1980	1996	University of Plymouth		S. Smiles
Pollock G F S	Killing Men and Dying Women: A Woman's Touch in the Cold Zone of 1950s American Painting	1996	University of Leeds	History and Theory of Art
Pillsbury J	The Thorny Oyster and the Origins of Empire: Implications of Recently Uncovered Spondylus Imagery from Chan Chan, Peru	1996	University of East Anglia
Payne C	Sermons in stones: John Brett's The Stonebreaker reconsidered	1996	Oxford Brookes University		Hickox, M
PEARCE NJ	Harmony and Contrast: A Journey Through East Asian Art	1996	University of Glasgow		J Wilkinson
PARK WD	The medieval polychromy of Norwich Cathedral' in eds. I. Atherton, E. Fernie, C. Harper-Bill and H. Smith, Norwich Cathedral: Church, City and Diocese, 1096-1996	1996	Courtauld Institute of Art
PARK WD	Anglo-Saxon wall painting' and 'Romanesque wall painting' in ed. J. Turner, The Dictionary of Art	1996	Courtauld Institute of Art
PAJACZKOWSKA C	THE ECSTATIC SOLACE OF CULTURE: SELF, NOT SELF AND OTHER	1996	Middlesex University
Orton L F	Jasper Johns: The Sculptures	1996	University of Leeds	History and Theory of Art
Orton L F	(Painting) Out of Time	1996	University of Leeds	History and Theory of Art
OVERY P	DESIGNING FOR THE MODERN WORLD: DE STIJL	1996	Middlesex University
Nichols T R	Tintoretto, prestezza, and the poligrafi: a study of the literary and visual culture of Cinquecento Venice	1996	University of Aberdeen
Nichols T R	Price and production in Jacopo Tintoretto's Business Strategy	1996	University of Aberdeen
Nead L		1996	Birkbeck College
NEWMAN JA	Somerset House and other public buildings' in eds. J. Harris and M. Snodin, Sir William Chambers, Architect to George III	1996	Courtauld Institute of Art
NASH S	Robert Campin, New Directions in Scholarship	1996	Courtauld Institute of Art
Myles J	L N Cottingham 1787-1847: Architect of the Gothic Revival	1996	De Montfort University
Mulvey L	Fetishism and Curiosity	1996	Birkbeck College
Mowl TW	Horace Walpole: The Great Outsider	1996	University of Bristol
Mount H	'A Journey to Flanders and Holland' (by Sir Joshua Reynolds). A Scholarly Critical Edition	1996	Oxford Brookes University
Moore E	Ancient Capitals of Thailand	1996	School of Oriental and African Studies		P Stott S Suriyavudh
Mitchell JB	The Basilica of Abbot Joshua at San Vincenzo al Volturno	1996	University of East Anglia		Hodges, R
Milner J	Kazimir Malevich and the Art of Geometry	1996	University of Newcastle
Milner J	Agitprop, Lissitzky, Rodchenko, Suprematism, Tatlin, Unovis, World of Art	1996	University of Newcastle
Miller LE	Between Engraving and Silk Design in Late Eighteenth Century Lyons: Marie-Anne Brenier and Other Point Papermakers	1996	University of Southampton
Meskimmon MG	The Art of Reflection: Women Artists' Self-Portraiture in the Twentieth Century	1996	Loughborough University
Mellor DA	Les Sixties: Annees Utopies 1962 - 1973	1996	University of Sussex		L. Gevereau
Mellor DA	Jeux Funebres: L'imagerie des Medias dans L'art d'Avant-Garde, 1962 - 1982	1996	University of Sussex
McKellar E		1996	Birkbeck College
McKellar E		1996	Birkbeck College
Maycroft N	Marxism and Everyday Life	1996	De Montfort University
Mainz V S	The Picturing of Jews in History (From Napoleon to Poussin, but then not back again)	1996	University of Leeds	History and Theory of Art
Mainz V S	David's 'Les Sabines' and the Colouring of History Painting, post-Thermidor.	1996	University of Leeds	History and Theory of Art
Maharaj SC	A Monster of Veracity, a Crystalline Transubstantiation Typotranslating Marcel Duchamp's Green Box	1996	Goldsmiths College
Macmillan JD	Carmi.	1996	University of Edinburgh		Umberto Eco
Maccoby H	A Pariah People: The Anthropology of Anti-Semitism	1996	University of Leeds	Jewish Studies
MURDOCH J	Towards a Museum without Walls', in ed. I. Wolfenden, Museums and Late Twentieth Century Culture	1996	Courtauld Institute of Art
MERRILL L	Whistler and the 'Lange Lijzen'	1996	University of Glasgow		L Merrill
MCTIGHE S	Nicolas Poussin's Landscape Allegories	1996	Courtauld Institute of Art
M P	Ver	1996	Goldsmiths College
Lokko L	Calm My Blood: Race, Difference, Form	1996	Kingston University
Lodder CA	The Transrational in Painting: Kazimir Malevich, Alogism and zaum	1996	University of St Andrews
Liversidge MJH	Imagining Rome. British Artists and Rome in the Nineteenth Century.	1996	University of Bristol		Edwards,CH
Lichtenberg-Ettinger B	The With-in-Visible Screen	1996	University of Leeds	History and Theory of Art
Lewis A M	The Last Days of Hilton	1996	De Montfort University
Levy S	Surrealism:Surrealist Visuality	1996	Keele University
Lee S	Bachelier, Beaufort, Bergeret, Boze, David, Demarne, Drouais, France, Painting and Graphic Arts c1715-c1814, Franque, Garneray, Jollain, Laneuville, Lef	1996	University of Reading
LEBAS E	LOST IN TRANSLATION - TIME, SPACE AND THE CITY	1996	Middlesex University		E Kofman
Klonk C	Science and the Perception of Nature. British Landscape Art in the Late Eighteenth and Early Nineteenth Centuries	1996	University of Warwick
Kirkham P	Cosmetics: A Clinique Case Study	1996	Southampton Institute		A. Weller
King GR	Reconnaissance Survey of Islamic Sites near Aden and in the Abyan District of Yemen	1996	School of Oriental and African Studies		C Tonghini
King C	Looking a sight: sixteenth-century portraits of women artists in Western Europe	1996	Open University
King C	Margarita Pellegrini and the Pellegrini Chapel at San Bernardino, Verona, 1528-1557	1996	Open University
Kear J	V	1996	University of Kent at Canterbury
Kear J	Modernism Revisited	1996	University of Kent at Canterbury
Julien I	Frantz Fanon Black Skin White Mask.	1996	Goldsmiths College
Jones DB	Living in One or Two Rooms in the Country	1996	University of St Andrews
Jobling PJ	Graphic Design: Reproduction and Representation since 1800 (with D Crowley)	1996	University of Southampton
Joannides P E A	Michelangelo and His Influence	1996	University of Cambridge
James EA	Light and Colour in Byzantine Art	1996	University of Sussex
James EA	Pray not to fall into temptation and be on your guard Antique Statues in Byzantine Constantinople	1996	University of Sussex
Jackson N	The Modern Steel House	1996	University of Leeds	Architecture and Material Culture
Jachec N	'International modernism versus totalitarianism': the spread of American internationalism in Europe in the 1950s	1996	Oxford Brookes University
Jachec N	Adorno, Greenberg and modernist politics	1996	Oxford Brookes University
Insoll TA	Islam, Archaeology and History. Gao Region (Mali) ca.AD 900-1250	1996	University of Manchester
Insoll TA	The Archaeology of Islam in Sub-Saharan Africa: A Review	1996	University of Manchester
Hutchings P W	Tearing your Soul Apart: Horror's New Monsters	1996	University of Northumbria at Newcastle
Humfrey PB	Altarpieces and altar dedications in Counter-Reformation Venice and the Veneto	1996	University of St Andrews
Howard M	Ornament. A Social History since 1450	1996	University of Sussex		Michael Snodin
Howard JC	Art Nouveau: International and National Styles in Europe	1996	University of St Andrews
Hooper SJP	Who are the Chiefs? Chiefship in Lau, Eastern Fiji	1996	University of East Anglia
Holt Y H	Nature and Nostalgia: Philip Wilson Steer and Edwardian Landscapes	1996	University of Northumbria at Newcastle
Hills P	'Tintoretto's Fire'	1996	University College London
Hills HM	Mapping the Early Modern City	1996	University of Manchester
Hewitt JH	The Commercial Art of Tom Purvis	1996	Manchester Metropolitan University
Hemsoll DE	The Villa Zani at Villimpenta: a palace fit for a prince.	1996	University of Birmingham		P Davies
Hay K G	Picturing Readings: Della Volpe and Lessing	1996	University of Leeds	Fine Art: Theory, Criticism and Practice
Hay K G	Blowing Up the Bard - Public Digital Murals, Glasgow and Kilmarnock.	1996	University of Leeds	Fine Art: Theory, Criticism and Practice
HARRIES D	FILM AND VIDEO ON THE INTERNET	1996	Middlesex University		B Deivert
Grieve AI	Ruskin and Millais at Glenfinlas	1996	University of East Anglia
Gretton T.H.	'De como fueron hechos los grabados de Posada'	1996	University College London
Giebelhausen M	More terrors than reason could justify/Zur Bedeutung der Fassade in der Gefangnisarchitektur um 1800	1996	University of Essex
Gash J M	Caravaggio	1996	University of Aberdeen
Fyfe G	Art and Reproduction: some aspects of the relations between painters and engravers in London, 1760-1850	1996	Keele University
Fyfe G	Decoding the Visitor's Gaze: rethinking museum visiting	1996	Keele University		Max Ross
Frojmovic E	From Naples to Constantinople: The Aesop Workshop's Woodcuts in the Earliest Illustrated Printed Haggadah.	1996	University of Leeds	Jewish Studies
Frojmovic E	Giotto's Allegories of Justice and the Commune in the Palazzo della Ragione in Padua: a Reconstruction	1996	University of Leeds	History and Theory of Art
Frew JM	Scottish Architects and Holland 1919-39	1996	University of St Andrews
Fraser V	Sobre el mundo de los libros en el Peru colonial: a proposito del ejemplar del Symbolo Catholico Indiano de Luis Jeronimo de Ore en la Biblioteca Nacional de Lima	1996	University of Essex
Fraser V	The Artistry of Guaman Poma	1996	University of Essex
Frangenberg T	A Private Homage to Galileo. Anton Domenico Gabbiani's Ceilings in the Pitti Palace	1996	University of Leicester
Frangenberg T	Piero della Francesca's De prospectiva pingendi in the sixteenth century	1996	University of Leicester
Foster SA	Small Truths: Repetition and the Obsessional in Contemporary Art (with Nicholas de Ville)	1996	University of Southampton
Finneran N	Survey	1996	School of Oriental and African Studies
Field J		1996	Birkbeck College
Fermor S E	The Raphael Tapestry Cartoons	1996	University of Warwick
Fermor S E	The Raphael Tapestry Cartoons. Narrative, Decoration and Design	1996	University of Warwick
Faulkner T E	Northumbrian Panorama: Studies in the History and Culture of North East England	1996	University of Northumbria at Newcastle
Faulkner T E	Lost Houses of Newcastle and Northumberland	1996	University of Northumbria at Newcastle		Lowery, P
FISHER J	THE ECHOES OF ENCHANTMENT; SUSAN HILLER: ELAN AND OTHER EVOCATIONS; REVERIES ON LYNN SILVERMAN'S 1:1	1996	Middlesex University
Edwards CD	Eighteenth-century Furniture	1996	Loughborough University
Edwards S	Photography, Allegory and Labor	1996	Open University
Eastop DD	To clean or not to clean: the value of soils and creases	1996	University of Southampton		Eastop, D Brooks, M
Draper P		1996	Birkbeck College
Donald D	The Age of Caricature: Satirical Prints in the Reign of George III	1996	Manchester Metropolitan University
Denwood PT	The Artist's Treatise of sMan-bla Don-grub	1996	School of Oriental and African Studies
Denwood PT	William Moorcroft: an assessment	1996	School of Oriental and African Studies
Davies JP	Architecture in Italy 1400-1500	1996	University of Reading		L.H. Heydenreich
Davies JP	Michele Sanmicheli and the facade of SS. Biagio e Cataldo in Venice	1996	University of Reading		Hemsoll, D
Davies D.B.	'Unravelling the meaning of El Greco's 'Laocoon''	1996	University College London
Davies D.B.	Velazquez in Seville	1996	University College London		Enriqueta Harris
Crowley D	Graphic Design: Reproduction and Representation since 1800	1996	Royal College of Art	History of Design	Jobling, P
Crinson MW	Empire Building: Orientalism and Victorian Architecture	1996	University of Manchester
Coombes A E		1996	Birkbeck College
Coatsworth E	Anglo-Saxon Textiles from Cleatham, Humberside	1996	Manchester Metropolitan University		Fitzgerald M Leahy K Owen-Crocker G
Clunas AC	Fruitful Sites: Garden Culture in Ming Dynasty China	1996	University of Sussex
Cherry D	Shuttling and Soul-making; Tracing the Links between British Feminism and Algeria in the 1850s and 1860s	1996	University of Sussex
Chaney E		1996	Southampton Institute
Chaney E	Thomas Howard, 14th Earl of Arundel by Francois Dieussart	1996	Southampton Institute
Cassidy BF	The Dream of St Joseph on the Anglo-Saxon Cross from Rothbury	1996	University of St Andrews
Carruthers VA	The Scottish Home	1996	University of St Andrews
Cardinal RT	The Hanover Merzbau: Tracing a Lost Masterwork	1996	University of Kent at Canterbury
Campbell L E M	Coventry Cathedral: Art and Architecture in Post-War Britain	1996	University of Warwick
Cameron N	The Church in Scotland in the later 11th and 12th Centuries	1996	Edinburgh College of Art
Cameron N	Tolbooths and Town Houses: Civic Architecture in Scotland to 1833	1996	Edinburgh College of Art		Fisher, I
CLARKE G		1996	Courtauld Institute of Art
Butters SB	The Triumph of Vulcan: Sculptors' Tools, Porphyry, and the Prince in Ducal Florence	1996	University of Manchester
Bury KM	Beatrizet and the Reproduction of Antique Relief Sculpture.	1996	University of Edinburgh
Bury KM	A Newly-Discovered Architectural Treatise of the Early Cinquecento: the Codex of Antonio da Faenza.	1996	University of Edinburgh
Brown A J E	1920s German Film Posters	1996	University of Northumbria at Newcastle
Brown A J E	The Development of International Conservation Training Programmes	1996	University of Northumbria at Newcastle		Bacon, A
Brooks MM	The application of low energy x-radiography in the examination and investigation of degraded historic silk textiles	1996	University of Southampton		Brooks, MM O'Connor, S M McDonnell, J G
Boydell C E	The Architect of Floors: Modernism, Art + Marion Dorn Designs	1996	De Montfort University
Boydell C E	Textiles in the Modern House	1996	De Montfort University
Boydell C E	The Training Shoe: 'Pump Up the Power'	1996	De Montfort University
Bindman D.	'Text as Design in Gillray's Caricature'	1996	University College London
Benton T.J	Multiple Media and Multimedia:Some Possible Options for the History of Art and Design	1996	Open University
Bailey C A	England, whose England? The Fashioning of a Countryside Fit for Tourists	1996	University of Northumbria at Newcastle
Avery C	David le Marchand 1674-1726: An Ingenious Man for Carving in Ivory	1996	Southampton Institute
Ames-Lewis F		1996	Birkbeck College
Allen M		1996	Birkbeck College
ARMES R	THE CONTEXT OF THE AFRICAN FILM MAKER	1996	Middlesex University
ARMES R	DICTIONARY OF NORTH AFRICAN FILM MAKERS/DICTIONNAIRE DES CIN	1996	Middlesex University
Wilson S	Art and Industry: Birmingham Jewellery or `Brummagen'?	1995	University of Northumbria at Newcastle
Wilson C.	'The Medieval Monuments'	1995	University College London
Whitfield R	Dunhuang, Caves of the Singing Sands: Buddhist Art from the Silk Road, 2 volumes	1995	School of Oriental and African Studies
Welch E	Art and Authority in Renaissance Milan	1995	University of Sussex
Watkin D J	Freemasonry and Sir John Soane	1995	University of Cambridge
Walker DM	The Country Houses and Larger Villas of Sir John James Burnet	1995	University of St Andrews
Wakeling C	Chapels, Change and Continuity	1995	Keele University
Verdi R	Nicolas Poussin 1594-1665.	1995	University of Birmingham
VILLERS C	Painting on Canvas in Fourteenth-century Italy'	1995	Courtauld Institute of Art
Tolley T	Anglo-Spanish Contacts in the Visual Arts in the Later Middle Ages.	1995	University of Edinburgh
Taylor B	The Art of Today	1995	University of Southampton
Tarr RP	Brunelleschi and Donatello: Placement and Meaning in Sculpture.	1995	University of Edinburgh
Spencer-Longhurst PS	Thomas Gainsborough: The Harvest Wagon.	1995	University of Birmingham		JM Brooke
Sparke P	As Long as it's Pink: The Sexual Politics of Taste	1995	Kingston University
STEWART P	'Inventing Britain: The Roman Creation and Adaptation of an Image'	1995	Courtauld Institute of Art
SCOTT KH	The Rococo Interior	1995	Courtauld Institute of Art
SCHAAF L	The Correspondence of William Henry Fox Talbot: a Draft Calendar	1995	University of Glasgow
Robertson EC	Osservazioni sul mecenatismo del cardinale Odoardo Farnese	1995	University of Reading
RUSH SJ	Decorative Glass in the Glasgow School of Art	1995	University of Glasgow
RUBIN PR	Giorgio Vasari. Art and History	1995	Courtauld Institute of Art
ROBERTSON PB	Charles Rennie Mackintosh: Art is the Flower	1995	University of Glasgow
RICHARDS J	A Re-used Altarpiece by Altichiero	1995	University of Glasgow
RIBEIRO AE	The Art of Dress. Fashion in England and France 1750-1820	1995	Courtauld Institute of Art
Prendeville B	The Features of Insanity, as seen by G	1995	Goldsmiths College
Poole J E	Catalogue of Italian Maiolica and Incised Slipware in the Fitzwilliam Museum, Cambridge	1995	University of Cambridge
Pillsbury J	Los Relieves de Chan Chan: Nuevos datos para el estudio de la sequencia y occupaci	1995	University of East Anglia
Picton JW	Islam, artifact and identity in south-west Nigeria	1995	School of Oriental and African Studies
Perry G	Women Artists and the Parisian Avant-garde: Modernism and Feminine Art, 1900 to the late 1920s	1995	Open University
PEARCE NJ	A Group of Chinese Stoneware Buddhist Sculptures Reunited	1995	University of Glasgow
PACE KC	'Heros de Legende: Achille et Enee	1995	University of Glasgow
Norman D	In the Beginning was the Word: An Altarpiece by Ambrogio Lorenzetti for the Augustinian Hermits of Massa Marittima	1995	Open University
NIXON M	'Bad enough Mother'	1995	Courtauld Institute of Art
NEWMAN JA	The Buildings of Wales: Glamorgan	1995	Courtauld Institute of Art
Muir Wright RE	Art and Antichrist in medieval Europe	1995	University of St Andrews
Mowl TW	Architecture without Kings. The rise of Puritan Classicism under Cromwell	1995	University of Bristol		Earnshaw,B
Miller S	Constantin Brancusi: A Survey of His Work	1995	Southampton Institute
McConkey K	Impressionism in Britain	1995	University of Northumbria at Newcastle
Massing J M	Erasmian Wit and Proverbial Wisdom. An Illustrated Moral Compendium for Francois I	1995	University of Cambridge
Massing J M	Hans Burgkmair's depiction of native Africans	1995	University of Cambridge
Massing J M	From Greek Proverb to Soap Advert: Washing the Ethiopian	1995	University of Cambridge
Massing A	From Books of Secrets to Encyclopedias: Painting Techniques in France between 1600 and 1800	1995	University of Cambridge
Massey A	The Independent Group: Modernism and Mass Culture in Britain 1945-59	1995	Southampton Institute
MERRILL L	With Kindest Regards: The Correspondence of Charles Lang Freer and James McNeil Whistler, 1890-1903	1995	University of Glasgow		L Merrill
MACDONALD MF	James McNeill Whistler. Drawings, Pastels and Watercolours. A Catalogue Raisonne	1995	University of Glasgow
MACDONALD MF	James McNeill Whistler	1995	University of Glasgow		R Dorment
Lubbock JA	The Tyranny of Taste: the Politics of Architecture and Design in Britain 1550-1960	1995	University of Essex
Liversidge MJH	Two ceiling fragments from the Painted Chamber at Westminster Palace	1995	University of Bristol		Binski,P
Lindley P G	Gothic to Renaissance: Essays on Sculpture in England	1995	University of Leicester
Kirkham P	Charles and Ray Eames: Designers of the Twentieth Century	1995	Southampton Institute
Kirkham P	Loving Men: Frank Borzage, Charles Farrell and the Reconstruction of Masculinity in 1920s Hollywood Cinema	1995	Southampton Institute		J. Thumim
Jacques DL	The King's Privy Garden	1995	De Montfort University
Hooper SJP	Gatu Vakaviti: the Great Barkcloths of Southern Lau, Fiji	1995	University of East Anglia
Hodges RA	San Vincenzo al Volturno 2	1995	University of East Anglia
Hewitt JH	East Coast Joys: Tom Purvis and the LNER	1995	Manchester Metropolitan University
Henry T	Arezzo's Sistine ceiling: Guillaume de Marcillat and the frescoes in the Cathedral at Arezzo	1995	Oxford Brookes University
Hemsoll DE	Le ville di Sanmicheli.	1995	University of Birmingham
Hassig D	Medieval Bestiaries: Text, Image, Ideology.	1995	University of Edinburgh
HOUSE JP	Landscapes of France	1995	Courtauld Institute of Art
HARRIES D	THE SEMI-SEMIOTICS OF FILM	1995	Middlesex University
Glanville H.K.A.	Varnish grounds and viewing distance: some notes on 17th century Painting Techniques in Italy'	1995	University College London
Gardner J R	Nuns and Altarpieces: Agendas for Research	1995	University of Warwick
Garb T.	'Modernity, Identity, Textuality'	1995	University College London
GREEN CK	The European Avant-gardes: Twentieth Century Art in France and Western Europe from the Thyssen-Bornemisza Collection	1995	Courtauld Institute of Art
Frew JM	Concrete, Cosmopolitanism and Low-cost House Design: The Architectural Career of A.H. Campbell	1995	University of St Andrews
Fellows R A	Edwardian Architecture: Style and Technology	1995	University of Huddersfield
Faulkner S	Dealing with Hockney	1995	Manchester Metropolitan University
Edwards B W	Basil Spence 1907-1976	1995	University of Huddersfield
Draper P		1995	Birkbeck College
Daniel M	'Chronology' and 'Spain: Culture at War'	1995	University of Southampton
Contadini A	Islamic Ivory Chess Pieces, Draughtsmen and Dice in the Ashmolean Museum	1995	School of Oriental and African Studies
Clifford H	The King's Arms and Feathers: A Case Study Exploring Networks of Manufacture Operating in the London Goldsmiths' Trade in the Eighteenth Century	1995	Royal College of Art	History of Design
Cheddie J.M.	Transcoding the Journey	1995	Goldsmiths College
Cassidy BF	A Byzantine Saint in Tuscany: A Proposal for the Solution of a Trecento Enigma	1995	University of St Andrews
Cassidy BF	Ghibelline Propaganda at the Cathedral of Citta di Castello	1995	University of St Andrews
Carradice IA	Greek Coins	1995	University of St Andrews
Carpenter J	The Frank Lloyd Wright Collection of Surimono	1995	School of Oriental and African Studies		JB Mirviss
Campbell S	Death for the Living in the late Neolithic in north Mesopotamia	1995	University of Manchester
Campbell I	Linlithgow's 'Princely Palace' and its influence in Europe	1995	Edinburgh College of Art
Campbell I	A Romanesque revival and the Early Renaissance in Scotland, c.1380-1513	1995	Edinburgh College of Art
Callen A E	The Spectacular Body: Science, Method and Meaning in the Work of Degas	1995	De Montfort University
Butters SB	Il Palazzo dei Tribunali e via Giulia a Roma. The Palazzo dei Tribunali and via Giulia in Rome	1995	University of Manchester		P.N. Pagliara
Binski P	Westminster Abbey and the Plantagenets: Kingship and the Representation of Power 1200-1400.	1995	University of Cambridge
Bindman D.	'Roubiliac and the Eighteenth-Century Monument: Sculpture as Theatre'	1995	University College London		M. Baker
Benton T.J	'Speaking without adjectives:architecture in the service of totalitarianism' and 'Rome refinds its Empire' in D.Britt ed., Art and Power (catalogue of Council of Europe/South Bank Centre exhibition Hayward Gallery)	1995	Open University
Aynsley J	Modern Commercial Typography 1936 - an Archive of Jobbing Printing at the Victoria and Albert Museum	1995	Royal College of Art	History of Design
Avery C	The Bronze Statuette in the Renaissance	1995	Southampton Institute
Aulich J	Monuments and Memorials	1995	Manchester Metropolitan University
Attfield J	'Introduction' and 'Inside Pram Town: A Case Study of Harlow House Interiors'	1995	University of Southampton
Yarrington A W	An Edition of the Ledger of Sir Francis Chantrey, R.A. at the Royal Academy 1809-1841	1994	University of Leicester		A W Yarrington I Lieberman A Potts, M Baker
Woudhuysen R	The History of Eggwhite Varnishes	1994	University of Cambridge		P Woudhuysen
Wood M		1994	Birkbeck College
Wood M		1994	Birkbeck College
Wood J	Van Dyck and the Earl of Northumberland: Taste and Collecting in Stuart England	1994	University of Nottingham
Wilde C	Art and Technology: the End and the Future	1994	University of Bristol
Wilde C	Painting, Alberti and the Wisdom of Minerva	1994	University of Bristol
Watkins N G G	Bonnard	1994	University of Leicester
Vaughan W	'Constable	1994	Birkbeck College
Thomson RI	Monet to Matisse: Landscape Painting in France, 1874-1914.	1994	University of Edinburgh
Thomson D	Sir Henry Raeburn 1756-1823.	1994	University of Edinburgh
Taylor J	Kodak and the 'English' Market Between the Wars	1994	Manchester Metropolitan University
Taylor J	A Dream of England: Landscape, Photography and the Tourist's Imagination	1994	Manchester Metropolitan University
THORP NR	Whistler on Art: Selected Letters and Writings, 1849-1903, of James McNeill Whistler	1994	University of Glasgow
THORP NR	The Butterfly takes Flight. A Whistler Revival is Launched	1994	University of Glasgow
Spencer RA	Whistler's early relations with Britain and the significance of industry and commerce for his art	1994	University of St Andrews
Smiles SA	The Image of Antiquity: Ancient Britain and the Romantic Imagination	1994	University of Plymouth
Sheldon E.S.	'Science Illuminating Art'	1994	University College London
SOLKIN DH	Isaac Fuller's Escape of Charles II: A Restoration Tragicomedy'	1994	Courtauld Institute of Art
Rogers MR	Reading the female body in Venetian Renaissance art	1994	University of Bristol
Richards CC	'Ordering the World: perceptions of architecture, space and time' + 'Architecture and Order: spatial representation and archaeology'	1994	University of Manchester		M Parker Pearson
Read B W	L'Affaire Rodin de 1886	1994	University of Leeds	Sculpture Studies
RUSH SJ	Alexander Thomson, Daniel Cottier and the Interior of Queen's Park Church, Glasgow, Greek Thomson	1994	University of Glasgow
Potts A	Flesh and the Ideal: Winckelmann and the Origins of Art History	1994	University of Reading
Perry G	Femininity and Masculinity in Eighteenth Century Art and Culture	1994	Open University		M. Rossington
Onians JB	I Wonder .... A Short History of Amazement	1994	University of East Anglia
Mitter P	Art and Nationalism in Colonial India 1850 - 1922	1994	University of Sussex
Mitchell JB	The Display of Script and the Uses of Painting in Longobard Italy	1994	University of East Anglia
Mitchell JB	Fashion in Metal: a Set of Sword-belt Mounts and Bridle Furniture from San Vincenzo al Volturno	1994	University of East Anglia
McWilliam N F	Life and Afterlife: Jacques-Louis David, Nineteenth Century Criticism and the Construction of the Biographical Subject	1994	University of Warwick
Massing J M	Sicut erat in diebus Antonii: The Devils under the Bridge in the Tribulations of St Anthony by Hieronymus Bosch in Lisbon	1994	University of Cambridge
Massey A	Blue Guide: Berlin and Eastern Germany	1994	Southampton Institute
Mannings D M	Jonathan Richardson, Thomas Gray, and the Genealogy of Art	1994	University of Aberdeen
Mannings D M	Reynolds's portrait of the Earl of Huntingdon: two unpublished letters	1994	University of Aberdeen
MURDOCH J	The Courtauld Family and its Money, 1594-1947', in ed. J. House, Impressionism for England, Samuel Courtauld as Patron and Collector	1994	Courtauld Institute of Art
Lubbock JA	Architecture: an Art or Profession. 300 years of Architectural Education in Britain	1994	University of Essex		M Crinson
Linkman A	Cheap Tin Trade:the Ferrotype Portrait in Victorian Britain	1994	Open University
Lilley ED	How far can you go? Manet's use of titles	1994	University of Bristol
Lilley ED	The Name of the Boudoir	1994	University of Bristol
Levy S	Paul Noug	1994	Keele University
Lee S	Napoleonic religion and conquest: J.C.N. Perrin's altarpiece for the Tuileries Chapel	1994	University of Reading
Kavanagh G.E.	Museums and the First World War	1994	Falmouth College of Arts
Joannides P E A	A propos d'une sanguine nouvellement attribu	1994	University of Cambridge
Iversen MD	What is a photograph?	1994	University of Essex
Iversen MD	Monuments, Maidens and Memory. Der Fall der Freiheitsstatue	1994	University of Essex
Holder J	Reflecting change: Pilkington as a patron of Modern Architecture and Design	1994	Edinburgh College of Art
Heslop TA	Norwich Castle Keep	1994	University of East Anglia
Harrison C	'The Effects of Landscape', in W.J.T. Mitchell, ed., Landscape and Power	1994	Open University
Hamilton J	Wood Engraving and the Woodcut in Britain c. 1890-1990.	1994	University of Birmingham
HOUSE JP	Impressionism for England: Samuel Courtauld as Patron and Collector	1994	Courtauld Institute of Art
Gronberg T		1994	Birkbeck College
Grieve AI	'This is Tomorrow', a Remarkable Exhibition Born from Contention	1994	University of East Anglia
Glanville H.K.A.	'Vandals or Saviours?' Are sciences and scientists helping to destroy the world's art?'	1994	University College London
Frangenberg T	The Geometry of a Dome. Ludovico David's Dichiarazione della Pittura della Capella del Collegio Clementino di Roma	1994	University of Leicester
Engh B	Adorno and the Sirens: Telephono-graphic Bodies	1994	University of Leeds	Cultural Studies
Eastmond A D	An Intentional Error? Imperial Art and 'Mis'-interpretation under Andronikos I Komnenos	1994	University of Warwick
Cunningham C.J.K	Practicalities versus Preservation: Alfred Waterhouse and the Cambridge Colleges	1994	Open University
Cox NA	Marat/Sade/Picasso	1994	University of Essex
Cowling E	Picasso: Sculptor/Painter.	1994	University of Edinburgh		John Golding
Corris M	The Difficult Freedom of Ad Reinhardt	1994	Kingston University
Clarke GNG	An American Photographer in Europe: Alfred Stieglitz's Continental Images	1994	University of Kent at Canterbury
Christie I	The Last Machine: Early Cinema and the Birth of the Modern World	1994	Birkbeck College
Carpenter J	Hokusai and Kyoden: Portrayals of Courtesans in Painting and Poetry	1994	School of Oriental and African Studies
Cameron N	'The Romanesque Sculpture of Dunfermline Abbey: Durham versus the Vicinal'	1994	Edinburgh College of Art
Cameron N	St Rule's Church, St Andrews, and early stone-built churches in Scotland	1994	Edinburgh College of Art
CANNON JL	The Creation, Meaning, and Audience of the Early Sienese Polyptych: Evidence from the Friars', in ed. E. Borsook and F. Superbi, Italian Alterpieces 1250-1550: Function and Design	1994	Courtauld Institute of Art
Brown A J E	The Use of Basic Dyes in Lithographic Inks and their Influence on Conservation Treatments	1994	University of Northumbria at Newcastle
Boydell C E	Freelance Textile Design: An Improving Prospect?	1994	De Montfort University
Boucher B.A.	Andrea Palladio: The Architect in his Time	1994	University College London
Bann S	Under the Sign: John Bargrave as Collector, Traveler and Witness	1994	University of Bristol
Bann S	Under the Sign. John Bargrave as Collector, Traveler, and Witness	1994	University of Kent at Canterbury
BLACK P	Geoffrey Clarke - Symbols for Man: Sculpture and Graphic Work 1949-1994	1994	University of Glasgow
Avery C	Donatello: an Introduction	1994	Southampton Institute
Ajmar M	Exemplary Women in Renaissance Italy: Ambivalent Models of Behaviour?	1994	Royal College of Art	History of Design
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