History of Art, Architecture and Design - Publications
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Author Title Date Place of Publication Research Group Co-Authors
Jackson N Christ Church, Streatham and the Rise of Constructional Polychromy 2000 University of Leeds Architecture and Material Culture  
Jackson N The Modern Steel House 1996 University of Leeds Architecture and Material Culture  
Bristol K A C The Painted Rooms of Athenian Stuart 2000 University of Leeds Architecture and Material Culture  
Bristol K A C The Patronage Circle of James Athenian Stuart 2000 University of Leeds Architecture and Material Culture  
Bristol K A C James Athenian Stuart 1998 University of Leeds Architecture and Material Culture  
Mcquillan M G Aporias of Writing: Narrative and Subjectivity 2000 University of Leeds Cultural Studies  
Mcquillan M G Deconstructing Disney 1999 University of Leeds Cultural Studies Byrne, E
Engh B Of Music and Mimesis 1999 University of Leeds Cultural Studies  
Engh B After 'His Master's Voice' 1999 University of Leeds Cultural Studies  
Engh B Adorno and the Sirens: Telephono-graphic Bodies 1994 University of Leeds Cultural Studies  
Taylor S Cultural Memory 1997 University of Leeds Fine Art: Theory, Criticism and Practice  
Taylor S Sound Development 1998 University of Leeds Fine Art: Theory, Criticism and Practice  
Taylor C A Itin 1998 University of Leeds Fine Art: Theory, Criticism and Practice  
Taylor C A Inside Cover 2000 University of Leeds Fine Art: Theory, Criticism and Practice  
Taylor C A Red Herrings 1998 University of Leeds Fine Art: Theory, Criticism and Practice  
Taylor C A Lavashak and Other Stories 1996 University of Leeds Fine Art: Theory, Criticism and Practice  
Hay K G Picturing Readings: Della Volpe and Lessing 1996 University of Leeds Fine Art: Theory, Criticism and Practice  
Hay K G Exhibition of New Digital Work, The Living Art Museum, Reykjav 1999 University of Leeds Fine Art: Theory, Criticism and Practice  
Hay K G Generic Specificity and the Problem of Translation in Della Volpe: with an Afterword on John Huston's 'The Dead'. 1999 University of Leeds Fine Art: Theory, Criticism and Practice  
Hay K G Blowing Up the Bard - Public Digital Murals, Glasgow and Kilmarnock. 1996 University of Leeds Fine Art: Theory, Criticism and Practice  
Atkinson T H Live in Your Head: Concept and Experiment in Britain: 1965-1975 2000 University of Leeds Fine Art: Theory, Criticism and Practice  
Atkinson T H Cultural Instrument 2000 University of Leeds Fine Art: Theory, Criticism and Practice  
Atkinson T H Fragments of a Career: Terry Atkinson, Selected Retrospective Work: 1966-1999. 2000 University of Leeds Fine Art: Theory, Criticism and Practice  
Atkinson T H Cultural Implement 2000 University of Leeds Fine Art: Theory, Criticism and Practice  
Siegfried S L Ingres' Reading - The Undoing of Narrative 2000 University of Leeds History and Theory of Art  
Siegfried S L Ingres and the Theatrics of History Painting 1999 University of Leeds History and Theory of Art  
Siegfried S L Engaging the Audience: Sexual Economies of Vision in Joseph Wright. 2000 University of Leeds History and Theory of Art  
Siegfried S L The Policy Landscape 2000 University of Leeds History and Theory of Art  
Rowley A On Viewing Three Paintings by Jenny Saville: Rethinking a Feminist Practice of Painting 1996 University of Leeds History and Theory of Art  
Rowley A An introduction to Bracha Lichtenberg Ettinger's Traumatic Wit(h)nessing and Matrixial Co/inhabiting(u)ating'. 1999 University of Leeds History and Theory of Art  
Pollock G F S Differencing the Canon: Feminist Desire and the Writing of Art's Histories 1999 University of Leeds History and Theory of Art  
Pollock G F S Mary Cassatt: Painter of Modern Women 1998 University of Leeds History and Theory of Art  
Pollock G F S Killing Men and Dying Women: A Woman's Touch in the Cold Zone of 1950s American Painting 1996 University of Leeds History and Theory of Art  
Pollock G F S Old Bones and Cocktail Dresses: Louise Bourgeois and the Question of Age 1999 University of Leeds History and Theory of Art  
Orton L F Northumbrian Sculpture (the Ruthwell and Bewcastle Monuments): Questions of Difference 1999 University of Leeds History and Theory of Art  
Orton L F Jasper Johns: The Sculptures 1996 University of Leeds History and Theory of Art  
Orton L F (Painting) Out of Time 1996 University of Leeds History and Theory of Art  
Orton L F Rethinking the Ruthwell Monument: Fragments and Critique, Tradition and History, Tongues and Sockets 1998 University of Leeds History and Theory of Art  
O'Sullivan S D In Violence: Three Cases against the Stratum 2000 University of Leeds History and Theory of Art  
O'Sullivan S D Guy Debord 1999 University of Leeds History and Theory of Art  
Mainz V S L'Image du Travail et la R 1999 University of Leeds History and Theory of Art  
Mainz V S The Picturing of Jews in History (From Napoleon to Poussin, but then not back again) 1996 University of Leeds History and Theory of Art  
Mainz V S David's 'Les Sabines' and the Colouring of History Painting, post-Thermidor. 1996 University of Leeds History and Theory of Art  
Mainz V S Aux Armes et aux Arts! Blacksmiths at the National Convention. 2000 University of Leeds History and Theory of Art  
Lichtenberg-Ettinger B Transgressing with-in-to-the Feminine 1999 University of Leeds History and Theory of Art  
Lichtenberg-Ettinger B Artworking 1985-1999 2000 University of Leeds History and Theory of Art  
Lichtenberg-Ettinger B The With-in-Visible Screen 1996 University of Leeds History and Theory of Art  
Lichtenberg-Ettinger B Matrixial Gaze and Screen: Other than Phallic, Merleau-Ponty and the Late Lacan 1999 University of Leeds History and Theory of Art  
Jackson D Seeing Red: Soviet Art through Western eyes. 2000 University of Leeds History and Theory of Art  
Jackson D Western and Russian Ethics: Repin in Paris 1873 - 76 1998 University of Leeds History and Theory of Art  
Jackson D A Newly Discovered Portrait of Tsar Nicholas II by Ilya Repin 1997 University of Leeds History and Theory of Art  
Jackson D Garshin and Repin: Writer and Artist in a Creative Relationship. 2000 University of Leeds History and Theory of Art  
Hughes A Gloriana's Gaze: Sculpture and Literature in Henry James's 'Roderick Hudson' and 'The Ambassadors' 2000 University of Leeds History and Theory of Art  
Hughes A Michelangelo: Life; Drawings; Painting; Sculpture; Character and Personality; Critical Receptionand Posthumous Reputation 1997 University of Leeds History and Theory of Art  
Hughes A Sculpture and its Reproductions 1997 University of Leeds History and Theory of Art  
Hughes A Michelangelo 1997 University of Leeds History and Theory of Art  
Frojmovic E Giotto's Allegories of Justice and the Commune in the Palazzo della Ragione in Padua: a Reconstruction 1996 University of Leeds History and Theory of Art  
Styles J Product Innovation in Early Modern London 2000 Royal College of Art History of Design  
Styles J Clothes and the Non-Elite Consumer in the North of England, 1660-1800 1996 Royal College of Art History of Design  
Styles J Dress in History: Reflections on a Contested Terrain 1998 Royal College of Art History of Design  
Naylor G Theory and Design: the Banham Factor 1997 Royal College of Art History of Design  
Naylor G Design and Reform in the European Context 1997 Royal College of Art History of Design  
Naylor G Leaving Traces 1998 Royal College of Art History of Design  
Naylor G Munich: Secession and Jugendstil and Secession in Vienna 2000 Royal College of Art History of Design  
Harrod T The Crafts in Britain in the Twentieth Century 1999 Royal College of Art History of Design  
Harrod T Obscure Objects of Desire: Reviewing the Crafts in the 20th Century 1997 Royal College of Art History of Design  
Harrod T Craft, Culture and Identity 1997 Royal College of Art History of Design  
Harrod T The Pleasures of Peace: Mid Century Craft and Art in Britain 1999 Royal College of Art History of Design  
Crowley D Graphic Design: Reproduction and Representation since 1800 1996 Royal College of Art History of Design Jobling, P
Crowley D Castles, Cabarets and Cartoons: Claims on Polishness in Krak 1999 Royal College of Art History of Design  
Crowley D People's Warsaw / Popular Warsaw 1997 Royal College of Art History of Design  
Crowley D Style and Socialism: Modernity and Material Culture in Post War Eastern Europe 2000 Royal College of Art History of Design Reid, S E
Clifford H The King's Arms and Feathers: A Case Study Exploring Networks of Manufacture Operating in the London Goldsmiths' Trade in the Eighteenth Century 1995 Royal College of Art History of Design  
Clifford H Eighteenth Century Markets and Manufacturers in England and France 1999 Royal College of Art History of Design  
Clifford H Commerce and Commodity. Graphic Display and Selling New Consumer Goods in Eighteenth Century England 1999 Royal College of Art History of Design  
Clifford H Consumption and Luxury: Consumer Culture in Europe 1650-1850 1999 Royal College of Art History of Design  
Clarke A Window Shopping at Home': Catalogues, Classifieds and New Consumer Skills 1998 Royal College of Art History of Design  
Clarke A As Seen on TV: Design and Domestic Economy 2000 Royal College of Art History of Design  
Clarke A Mother Swapping: the Trafficking of Second Hand Baby Wear in North London 2000 Royal College of Art History of Design  
Clarke A Tupperware: the Promise of Plastic in 1950s America 1999 Royal College of Art History of Design  
Aynsley J Modern Commercial Typography 1936 - an Archive of Jobbing Printing at the Victoria and Albert Museum 1995 Royal College of Art History of Design  
Aynsley J Graphic Design in Germany 1890-1945 2000 Royal College of Art History of Design  
Aynsley J Print, Power and Persuasion: Graphic Design in Germany 1890-1945 2000 Royal College of Art History of Design  
Aynsley J Signs of Art and Commerce: Graphic Design in the German Language, 1900-1950 1997 Royal College of Art History of Design  
Ajmar M Toys for Girls: Objects, Women and Memory in the Renaissance Household 1999 Royal College of Art History of Design  
Ajmar M When is a Portrait not a Portrait? 1998 Royal College of Art History of Design Thornton, D
Ajmar M Exemplary Women in Renaissance Italy: Ambivalent Models of Behaviour? 1994 Royal College of Art History of Design  
Weingrad M Jews(in Theory): Representations of Judaism, Antisemitism and the Holocaust in Postmodern French Thought. 1996 University of Leeds Jewish Studies  
Weingrad M The Jewish Context of Larry Kramer's Faggots 1999 University of Leeds Jewish Studies  
Weingrad M Celan, the Jew 1999 University of Leeds Jewish Studies  
Weingrad M The Exodus of Benjamin Fondane 1999 University of Leeds Jewish Studies  
Maccoby H Ritual and Morality: The Ritual Purity System and its Place in Judaism 1999 University of Leeds Jewish Studies  
Maccoby H A Pariah People: The Anthropology of Anti-Semitism 1996 University of Leeds Jewish Studies  
Maccoby H Talmudic Light on the New Testament 1998 University of Leeds Jewish Studies  
Maccoby H Corpse and Leper 1998 University of Leeds Jewish Studies  
Frojmovic E Hebraica and Judaica from the Cecil Roth Collection 1997 University of Leeds Jewish Studies Felsenstein, F.A.
Frojmovic E Jewish Ways of Reading the Illuminated Bible 2000 University of Leeds Jewish Studies  
Frojmovic E From Naples to Constantinople: The Aesop Workshop's Woodcuts in the Earliest Illustrated Printed Haggadah. 1996 University of Leeds Jewish Studies  
Read B W The Sculpture 2000 University of Leeds Sculpture Studies  
Read B W L'Affaire Rodin de 1886 1994 University of Leeds Sculpture Studies  
Read B W Leighton and Sculpture 1996 University of Leeds Sculpture Studies  
Read B W Introduction: Bayes and his Context 1998 University of Leeds Sculpture Studies  
Rea W R Rationalising Culture: Youth, Elites and Masquerade Politics 1998 University of Leeds Sculpture Studies  
Rea W R Masks and Styles: Yoruba Masquerade in Comparative Perspective 2000 University of Leeds Sculpture Studies  
Curtis P The Landscape of Barbara Hepworth 1998 University of Leeds Sculpture Studies  
Curtis P Sculpture 1900-1945 1999 University of Leeds Sculpture Studies  
Curtis P Sculpting in Patois: Emile-Antoine Bourdelle and the Language of Regionalism 2000 University of Leeds Sculpture Studies  
Curtis P The Interior is Always More Difficult 2000 University of Leeds Sculpture Studies  
Yorke J M Matthew Smith: His Life and Reputation 1997 University of Northumbria at Newcastle    
Yorke J M Mervyn Peake: His Life and Reputation 2000 University of Northumbria at Newcastle    
Yarrington A W An Edition of the Ledger of Sir Francis Chantrey, R.A. at the Royal Academy 1809-1841 1994 University of Leicester   A W Yarrington
I Lieberman
A Potts, M Baker
Yarrington A W Under the Spell of Madame Tussaud: Aspects of 'high' and 'low' in nineteenth-century polychromed sculpture 1996 University of Leicester    
Yarrington A W The Female Pygmalion: Anne Seymour Damer, Allan Cunningham and the Writing of a female Sculptor's Life 1997 University of Leicester    
Yarrington A W Anglo-Italian Attitudes: Chantrey and Canova 2000 University of Leicester  
 
YOUNG C Biaxial Tensile Testing of Paintings on Canvas 1999 Courtauld Institute of Art   R. Hibberd
YOUNG C Measurement of the Biaxial Properties of Nineteenth Century Canvas Primings using Electronic Speckle Pattern Interferometry 1999 Courtauld Institute of Art    
YOUNG C A Comparison of the Physical Properties of Nineteenth Century Canvas Linings with Acid Aged Canvas 1999 Courtauld Institute of Art   R. Hibberd
YOUNG C The Role of Attachments in the Degradation and Strain Distribution of Canvas Paintings, in Tradition and Innovation Advances in Conservation 2000 Courtauld Institute of Art   R. Hibberd
Wrigley R Transformations of a revolutionary emblem: the liberty cap in the French Revolution 1997 Oxford Brookes University    
Wrigley R From Ancien Regime fall-guy to revolutionary hero: changing interpretations of Janot and Dorvigny's Les Battus qui paient l'amende in later eighteenth-century France 1996 Oxford Brookes University    
Wrigley R Infectious enthusiasms: influence, contagion, and the experience of Rome 1996 Oxford Brookes University    
Wrigley R Between the street and the salon: Parisian shop signs and the spaces of professionalism in the eighteenth and early nineteenth centuries 1998 Oxford Brookes University    
Wright A.J. 'The Memory of Faces: Representational Choices in Fifteenth-Century Florentine Portraiture' 2000 University College London    
Wright A.J. 'Dancing Nudes in the Lanfredini Villa at Arcetri' 1998 University College London    
Wright A.J. Renaissance Florence: The Art of the 1470s 1999 University College London   P. L. Rubin
Wright A.J. 'Antonio del Pollaiuolo's 'Elevation of the Magdalen' in Staggia and an Early Patron' 1997 University College London    
Woudhuysen R The History of Eggwhite Varnishes 1994 University of Cambridge   P Woudhuysen
Woudhuysen R Thoughts on the Use of the Green Glaze called 'Copper resinate' and its Colour-changes 1998 University of Cambridge   P Woudhuysen
Woods K Some sixteenth-century Antwerp carved wooden altar-pieces in England 1999 Open University    
Woods K Newly discovered works in England by the Master of Hankendover 1999 Open University    
Woods K Five Netherlandish carved altar-pieces in England and the Brussels School of Carving c.1470-1520 1996 Open University    
Wood P Art in Theory 1648-1815 2000 Open University   C. Harrison
J.Gaiger
Wood P 'The Ends of the Earth' in A.Patrizio ed., Essays in Visual Culture 2000 Open University    
Wood P 'Commodity' in R.Nelson and R.Shiff, eds., Contemporary Critical Terms in Art History 1996 Open University    
Wood P Art in Theory 1815-1900 1998 Open University   C. Harrison
J.Gaiger
Wood M   1998 Birkbeck College    
Wood M   2000 Birkbeck College    
Wood M   1994 Birkbeck College    
Wood M   1994 Birkbeck College    
Wood J Padre Resta as a Collector of Carracci Drawings 1996 University of Nottingham    
Wood J Peter Oliver at the Court of Charles I: New Drawings and Documents 1998 University of Nottingham    
Wood J Taste and Connoisseurship at the Court of Charles I: Inigo Jones and the Work of Giulio Romano 2000 University of Nottingham    
Wood J Van Dyck and the Earl of Northumberland: Taste and Collecting in Stuart England 1994 University of Nottingham    
Wilson S Consuming Empire? The South Kensington Museum and its spectacles 2000 University of Northumbria at Newcastle   Barlow, P
Wilson S 'The highest art for the lowest people': The Whitechapel and other philanthropic art galleries, 1877-1901 2000 University of Northumbria at Newcastle    
Wilson S Art and Industry: Birmingham Jewellery or `Brummagen'? 1995 University of Northumbria at Newcastle    
Wilson S Monsters and Monstrosities: Grotesque Taste and Victorian Design 1999 University of Northumbria at Newcastle    
Wilson C. 'Rulers, Artificers and Shoppers: Richard II's Remodelling of Westminster Hall, 1393 - 1399' 1997 University College London    
Wilson C. 'The Medieval Monuments' 1995 University College London    
Wilson C. 'The Stellar Vaults of Glasgow Cathedral's Inner Crypt and Villard de Honnecourt's Chapter House Plan: A Conundrum Revisited' 1998 University College London    
Wilson C. 'Note sur la redecouverte des colonnettes du jube de Sainte-Waudru a Mons' 2000 University College London    
Williamson BA Art, Politics and Civic Religion in Central Italy, c.1261-c.1352 2000 University of Bristol   Cannon,J
Williamson BA The Cloisters Double Intercession: The Virgin as Co-Redemptrix 2000 University of Bristol    
Williamson BA The Virgin Lactans as Second Eve: Image of the Salvatrix 1998 University of Bristol    
Williams RJ After Modern Sculpture: Art in the United States and Europe, 1965-70. 2000 University of Edinburgh    
Williams RJ The Krazy Kat Problem. 1997 University of Edinburgh    
Wilde C Art and Technology: the End and the Future 1994 University of Bristol    
Wilde C 'Theory in the Education of the Fine Artist' 1999 University of Bristol    
Wilde C On Style: Wittgenstein's Writing and the Art of Painting 1997 University of Bristol    
Wilde C Painting, Alberti and the Wisdom of Minerva 1994 University of Bristol    
Whitfield R Cave Temples of Mogao 2000 School of Oriental and African Studies    
Whitfield R Dunhuang, Caves of the Singing Sands: Buddhist Art from the Silk Road, 2 volumes 1995 School of Oriental and African Studies    
Whitfield R Hejiacun and other discoveries at Xi'an, Shaanxi Province and Discoveries from the Famen Monastery at Fufeng and the Qingshan Monastery at Lintong, Shaanxi Province 1999 School of Oriental and African Studies    
Whitfield R Material culture in the Northern Song Dynasty: the world of Zhang Zeduan 1998 School of Oriental and African Studies    
Weston H.D. 'Jacques-Louis David's La Mort de Joseph Bara: a tale of revolutionary myths and modern fantasies' 1996 University College London    
Weston H.D. 'The Corday-Marat Affair: No Place for a Woman' 2000 University College London    
Weston H.D. 'The Cook, The Thief, His Wife, and Her Lover: LaVille-Leroulx's Portrait of a Negress and the Signs of Misrecognition' 2000 University College London    
Weston H.D. 'Working for a bourgeois republic: Prud'hon, patronage and the distribution of wealth under the Directoire and Consulate' 1998 University College London    
West SC The Visual Arts in Germany 1890-1937: Utopia and despair. 2000 University of Birmingham    
West SC Italian Culture in Northern Europe in the Eighteenth Century. 1999 University of Birmingham    
West SC Wilkes's Squint: Synedochic Physiognomy and Political Identity in Eighteenth-Century Print Culture. 1999 University of Birmingham    
West SC The Public and Private Roles of Sarah Siddons. 1999 University of Birmingham    
Welter VM The City after Patrick Geddes 2000 University of Reading   Lawson, J
Welter VM Arcades for Lucknow - Patrick Geddes, Charles Rennie Mackintosh and the Reconstruction of the City 1999 University of Reading    
Welch E New, Old and Second Hand Culture: The Case of the Renaissance Sleeve 2000 University of Sussex    
Welch E Women as Patrons and Clients in the Courts of Renaissance Italy 1999 University of Sussex    
Welch E Art and Society in Italy, 1350 - 1500 1997 University of Sussex    
Welch E Art and Authority in Renaissance Milan 1995 University of Sussex    
Watkins N G G Bonnard, Colour and Light 1998 University of Leicester    
Watkins N G G Pierre Bonnard in the Light of Remembrance 2000 University of Leicester    
Watkins N G G Matisse 1996 University of Leicester    
Watkins N G G Bonnard 1994 University of Leicester    
Watkin D J William Wilkins and the Architecture of Improvement 2000 University of Cambridge    
Watkin D J Monuments and Mausolea in the Age of Enlightenment 1996 University of Cambridge    
Watkin D J Freemasonry and Sir John Soane 1995 University of Cambridge    
Watkin D J Sir John Soane: Enlightenment Thought and the Royal Academy Lectures 1996 University of Cambridge    
Wang T Su Bingqui and contemporary Chinese Archaeology 1997 School of Oriental and African Studies    
Wang T A City with Many Faces: Urban development in pre-modern China 1999 School of Oriental and African Studies    
Wang T Yinren de yanse guannian yu wuxing shuo de xingcheng ji fazhan (Shang colour symbolism and the development of the wuxing theory) 1998 School of Oriental and African Studies    
Wang T Colour Terms in Shang oracle-bone inscriptions 1996 School of Oriental and African Studies    
Walker DM William Burn 2000 University of St Andrews    
Walker DM The Country Houses and Larger Villas of Sir John James Burnet 1995 University of St Andrews    
Walker DM Building the Royal College 1999 University of St Andrews    
Walker DM The Glasgow Years 1996 University of St Andrews    
Wakeling C Rolling in the Aisles 1999 Keele University    
Wakeling C 'The Religious Society of Friends (Quakers)' and The 'Non-Conformist Chapel' 1997 Keele University    
Wakeling C Post-Renaissance Europe 1996 Keele University    
Wakeling C Chapels, Change and Continuity 1995 Keele University    
WOODALL J 'Patronage and Portrayal: Antoine Perrenot de Granvelle's relationship with Anthonis Mor', in ed. K. De Jonge + G. Janssens, Le Granvelle et les anciens Pays-Bas 2000 Courtauld Institute of Art    
WOODALL J Portraiture: Facing the Subject 1997 Courtauld Institute of Art    
WOODALL J Love is in the air. Amor as motivation and message in Dutch and Flemish painting before and after the Iconoclasm' 1996 Courtauld Institute of Art    
WOODALL J Wtewael's Perseus and Andromeda. Looking for love in seventeenth- century Dutch painting' in ed. C. Arscott and K. Scott, Manifestations of Venus 2000 Courtauld Institute of Art    
WILSON SG Jean-Francois Lyotard: The Assassination of Experience by Painting - Monory 1998 Courtauld Institute of Art    
WILSON SG Feminities/Mascarades, Rrose is a Rrose is Rrose: Gender Performance in Photography' 1997 Courtauld Institute of Art    
WILSON SG Erro, l'extase mat 1999 Courtauld Institute of Art    
WILSON SG Rembrandt, Genet, Derrida' in ed.J. Woodall, 'Critical Introductions to Art: Portraiture 1997 Courtauld Institute of Art    
WILLSDON CAP The Mural Decoration at the Royal Exchange 1997 University of Glasgow    
WILLSDON CAP Mural Painting in Britain 1840-1940: Image and Meaning 2000 University of Glasgow    
WILLSDON CAP Dictionary of Art 1996 University of Glasgow    
WILLSDON CAP Klimt's Beethoven Frieze: Goethe, Tempelkunst and the Fulfilment of Wishes 1996 University of Glasgow    
WILLIAMS R The Virtual Salon: Towards a Computer Reconstruction of the Louis XVI Exhibitions 1996 University of Glasgow    
WILLIAMS R Women at Work, Men in Labour: Work and Image in the French Revolution 1998 University of Glasgow    
WILLIAMS R Masks for Menander: imaging and imagining Greek Comedy 1999 University of Glasgow   C. Vervain, External
WARWICK G Commemorating Poussin. Reception and Interpretation of the Artist 1999 University of Glasgow   Katie Scott
WARWICK G The Arts of Collecting: Padre Sebastiano Resta and the Market for Drawings in Early Modern Europe 1999 University of Glasgow    
WARWICK G Gift Exchange and Art Collecting: Padre Sebastiono Resta's Drawing Albums 1997 University of Glasgow    
WARWICK G The Formation and Early Provenance of Padre Sebastiono Resta's Drawing Albums 1996 University of Glasgow    
WALKER RJ 'The wall-paintings of the Pante 2000 Courtauld Institute of Art    
WALKER RJ Views of Transition: Liturgy and Illumination in Medieval Spain 1998 Courtauld Institute of Art    
WALKER RJ Sancha, Urraca and Elvira: the Virtues and Vices of Spanish Royal Women 1998 Courtauld Institute of Art    
Vergo PJ Ein moderner Nachmittag. Margaret Macdonald Mackintosh und der Salon Waerndorfer in Wien 2000 University of Essex   Hanna Egger
Pamela Robertston
Manfred Trummer
Vergo PJ Kokoschka and Greece 1997 University of Essex    
Vergo PJ Pechstein en Nidden, 1909 1999 University of Essex   Tomas Llorens
Magadelena Moeller
Vergo PJ Emil Nolde 1996 University of Essex   Felicity Lunn
Verdi R Nicolas Poussin 1594-1665. 1995 University of Birmingham    
Verdi R Mathias Stom: Isaac Blessing Jacob. 1999 University of Birmingham    
Verdi R The Modernity of 'The Holy Family on the Steps'. 1999 University of Birmingham    
Verdi R Poussin's Giants: From Romanticism to Surrealism. 1999 University of Birmingham    
Vaughan W Models and Muses, (Section 3), pp. 79 to 86The Naked and the Nude (Section 4), pp. 109 to 117. 1999 Birkbeck College    
Vaughan W 'Constable 1994 Birkbeck College    
Vaughan W `Turnabouts in taste: the case of late Turner 1999 Birkbeck College    
Vaughan W `Correcting Friderich (Friedrich)' 1998 Birkbeck College    
VILLERS C Painting on Canvas in Fourteenth-century Italy' 1995 Courtauld Institute of Art    
VILLERS C A Fourteenth-century German Triptych in the Courtauld Collection' 1997 Courtauld Institute of Art    
VILLERS C The Fabric of Images: European paintings on textile supports in the fourteenth and fifteenth centuries 2000 Courtauld Institute of Art    
VILLERS C Simone de Crocefissi's 'Dream of the Virgin' 2000 Courtauld Institute of Art   Robert Gibbs
Rebecca Hellen
Annette King
Usherwood P L Monumental or Modernist? Categorising Gormley's Angel 1999 University of Northumbria at Newcastle    
Usherwood P L Landmark Sculpture in the Age of Publicity 1997 University of Northumbria at Newcastle    
Usherwood P L Hadrian's Wall and the New Romans 1996 University of Northumbria at Newcastle    
Usherwood P L Public Sculpture of North East England 2000 University of Northumbria at Newcastle   Beach, J
Morris, C
Tribe T Candomble Shrines 2000 School of Oriental and African Studies    
Tribe T The Mulatto as Artist and Image in Colonial Brazil 1996 School of Oriental and African Studies    
Tribe T The Word in the Desert: the wall-paintings of Debra Maryam Korkor (Ger'alta, Tigray) 1997 School of Oriental and African Studies    
Tribe T Memory and Wonder: Our Lady Mary in Ethiopian Painting, 15th - 18th Centuries 1999 School of Oriental and African Studies    
Topp L An architecture for modern nerves: Josef Hoffmann's 'Purkersdorf Sanatorium' 1997 Oxford Brookes University    
Tombs S Stone and Steel 1999 Keele University    
Tombs S Recent Sculpture 1997 Keele University    
Tombs S Commissioned Sculpture: Beth's Arch 1996 Keele University    
Tombs S Commissioned Sculpture: The Meeting 1997 Keele University    
Tolley T States of Independence: Women Regents as Patrons of the Visual Arts in Renaissance France. 1996 University of Edinburgh    
Tolley T Crivelli, [Carlo and Vittore]. 1996 University of Edinburgh    
Tolley T Jan van Eyck and the English. 2000 University of Edinburgh    
Tolley T Anglo-Spanish Contacts in the Visual Arts in the Later Middle Ages. 1995 University of Edinburgh    
Tinagli P Womanly Virtues in Quattrocento Florentine Marriage Furnishings. 2000 University of Edinburgh    
Tinagli P The Identity of the Prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti. 2000 University of Edinburgh    
Tinagli P Women in Italian Renaissance Art. 1997 University of Edinburgh    
Tillotson GH Svastika Mansion: A Silpa-Sastra in the 1930s 1997 School of Oriental and African Studies    
Tillotson GH A Visible Monument: Architectural Policies and the Victoria Memorial 1997 School of Oriental and African Studies    
Tillotson GH Painting and Understanding Mughal Architecture 1998 School of Oriental and African Studies    
Tillotson GH The Artificial Empire:The Indian Landscapes of William Hodges 2000 School of Oriental and African Studies    
Thomson RI Introduction; Henri Martin at Toulouse: terre natale and juste milieu. 1998 University of Edinburgh    
Thomson RI Theo van Gogh: the Honest Broker. 1999 University of Edinburgh   Chris Stolwijk
Sjraar van Heughten
Thomson RI Seurat and the Bathers. 1997 University of Edinburgh   John Leighton
David Bomford
Ashok Roy
Thomson RI Monet to Matisse: Landscape Painting in France, 1874-1914. 1994 University of Edinburgh    
Thomson D Sir Henry Raeburn 1756-1823. 1994 University of Edinburgh    
Thomson D Arikha 2000 University of Edinburgh    
Thomson D Raeburn: The Art of Sir Henry Raeburn 1756-1823. 1997 University of Edinburgh    
Thomson D Port Glasgow and Stanley Spencer. 2000 University of Edinburgh    
Thomas J Death, identity and the body in Neolithic Britain 2000 University of Manchester    
Thomas J Understanding the Neolithic 1999 University of Manchester    
Thomas BDH `Artefici' and `huomini intendenti': questions of artistic value in sixteenth-century Italy 2000 University of Kent at Canterbury    
Thomas BDH Hercules and the Hydra. C.D.E. Fortnum, Arthur Evans and the Ashmolean Museum 1999 University of Kent at Canterbury    
Thomas BDH C.D.E. Fortnum and the collecting and study of applied arts and sculpture in Victorian England 1999 University of Kent at Canterbury    
Thomas BDH The Fortnum Archive in the Ashmolean Museum 1999 University of Kent at Canterbury    
Thofner M The Court in the City, the City in the Court. Denis van Alsloot's depictions of the 1615 Brussels 'ommegang'. 1998 University of Bristol    
Thofner M Marrying the City, Mothering the Country: Gender and Visual Conventions in Johannes Bochius's Account of the Joyous Entry of the Archduke Albert and the Infanta Isabella into Antwerp. 1999 University of Bristol    
Th M The Court in the City, the City in the Court. Denis van Alsloot's depictions of the 1615 Brussels ommegang 1998 University of East Anglia    
Th M Marrying the City, Mothering the Country: Gender and Visual Conventions in Johannes Bochius's account of the Joyous Entry of the Archduke Albert and the Infanta Isabella into Antwerp 1999 University of East Anglia    
Taylor J Kodak and the 'English' Market Between the Wars 1994 Manchester Metropolitan University    
Taylor J Body Horror: Photojournalism, Catastrophe and War 1998 Manchester Metropolitan University    
Taylor J Problems in Photojournalism: Realism, the Nature of News and the Humanitarian Narrative 2000 Manchester Metropolitan University    
Taylor J A Dream of England: Landscape, Photography and the Tourist's Imagination 1994 Manchester Metropolitan University    
Taylor B The Art of Today 1995 University of Southampton    
Taylor B Art for the Nation: Exhibitions and the London Public 1747-2001 1999 University of Southampton    
Taylor B History Painting West and East 2000 University of Southampton    
Taylor B Photo-Painting and Avant-Garde in Soviet Russia 2000 University of Southampton    
Tarr RP Visibile parlare: The Spoken Word in Fourteenth-Century Central Italian Painting. 1997 University of Edinburgh    
Tarr RP Brunelleschi and Donatello: Placement and Meaning in Sculpture. 1995 University of Edinburgh    
Tarr RP Giovanni Rucellai's Comments on Art and Architecture 1996 University of Edinburgh    
Tarr RP Ecce virgo concipiet: The Iconography and Context of Duccio's London Annunciation. 2000 University of Edinburgh    
TULLOCH C FASHIONS IN BLACK + WHITE: WOMEN'S DRESS IN JAMAICA 1880-1907 1997 Middlesex University    
TULLOCH C THAT LITTLE MAGIC TOUCH: THE HEADTIE AND ISSUES AROUND BLACK BRITISH WOMEN'S IDENTITY 1999 Middlesex University    
TULLOCH C THERE'S NO PLACE LIKE HOME: DRESSMAKING AND CREATIVITY IN THE JAMAICAN COMMUNITY 1940-1960s 1999 Middlesex University    
TULLOCH C OUT OF MANY, ONE PEOPLE? THE RELATIVITY OF DRESS, RACE AND ETHNICITY TO JAMAICA 1880-1907 1998 Middlesex University    
TICKNER L ENGLISH MODERNISM IN THE CULTURAL FIELD 2000 Middlesex University    
TICKNER L MODERN LIFE + MODERN SUBJECTS: BRITISH ART IN THE EARLY TWENTIETH CENTURY 2000 Middlesex University    
TICKNER L OLYMPIAS TOCHTER [OLYMPIA'S DAUGHTER] 1999 Middlesex University    
TICKNER L THE POPULAR CULTURE OF KERMESSE 1997 Middlesex University    
THORP NR Whistler and his Students at the Academie Carmen 1999 University of Glasgow    
THORP NR Whistler on Art: Selected Letters and Writings, 1849-1903, of James McNeill Whistler 1994 University of Glasgow    
THORP NR The Whistler Review 1999 University of Glasgow   Patricia De Montfort
THORP NR The Butterfly takes Flight. A Whistler Revival is Launched 1994 University of Glasgow    
String TC Politics and Polemics in English and German Bible illustrations 2000 University of Bristol    
String TC A Neglected Henrician Decorative Ceiling 1996 University of Bristol    
String TC Problems of identity in an age of change: the viewer of art in Renaissance England 2000 University of Bristol    
String TC Henry VIII's Illuminated 'Great Bible' 1997 University of Bristol    
Stone R The Burden of Lot's Wife. 1996 Goldsmiths College    
Stone R Tight shoes and the jump-cut (Walter's embrace). 1997 Goldsmiths College    
Stone R Snakes and Latitude. 1999 Goldsmiths College    
Stone R Low Fidelity. 1999 Goldsmiths College    
Steward J R The Adventures of Miss Brown, Miss Jones and Miss Robinson: tourist writing and tourist performance from 1860 to 1914 1999 University of Northumbria at Newcastle    
Steward J R The Spa Towns of the Austrian Hungarian Empire and the Growth of Tourist Culture 1860-1914 2000 University of Northumbria at Newcastle    
Steward J R The Potemkin City: Tourist Images of Late-Imperial Vienna 1999 University of Northumbria at Newcastle    
Steward J R The Travel Romance and the Emergence of the Female Tourist 1998 University of Northumbria at Newcastle    
Stevenson CM Aesculapius Scoticus 1996 University of Reading    
Stevenson CM Medicine and Magnificence: British hospital and asylum architecture 1660-1815 2000 University of Reading    
Stevenson CM Hogarth's mad king and his audiences 2000 University of Reading    
Stevenson CM Robert Hooke's Bethlem 1996 University of Reading    
Spencer-Longhurst PS Thomas Gainsborough: The Harvest Wagon. 1995 University of Birmingham   JM Brooke
Spencer-Longhurst PS Nost's Equestrian George I restored. 1998 University of Birmingham   A Naylor
Spencer-Longhurst PS Handbook of the Barber Institute of Fine Arts (Second edition). 1999 University of Birmingham    
Spencer-Longhurst PS The Blue Bower: Rossetti in the 1860s. 2000 University of Birmingham    
Spencer RA Eduardo Paolozzi: Writings and Interviews 2000 University of St Andrews    
Spencer RA Whistler's early relations with Britain and the significance of industry and commerce for his art 1994 University of St Andrews    
Spencer RA Whistler, Swinburne and art for art's sake 1999 University of St Andrews    
Spencer RA Whistler's 'The White Girl': Painting, Poetry and Meaning 1998 University of St Andrews    
Sparke P As Long as it's Pink: The Sexual Politics of Taste 1995 Kingston University    
Sparke P Convenience and Pleasantness: Josef Frank and the Swedish Modern Movement in Design 1996 Kingston University    
Sparke P The Straw Donkey: Tourist Kitsch or Proto-Design? Craft and Design in Italy 1945-60 1998 Kingston University    
Sparke P From Cookware to Cocktail Shakers: The Domestication of the Aluminum Object in the United States, 1900-1939 2000 Kingston University    
Spalding F The Tate: A History 1998 University of Newcastle    
Spalding F Bridget Riley: The Poetics of Instability 1999 University of Newcastle    
Spalding F A True Statement of a Real Thing: Nicolete Gray's promotion of modern art 1998 University of Newcastle    
Spalding F Duncan Grant. A Biography 1998 University of Newcastle    
Smith PG C 2000 University of Bristol    
Smith PG Seurat and the Avant-Garde 1997 University of Bristol    
Smith PG 'Le Peintre de la vie moderne' and 'La Peinture de la vie ancienne' 1998 University of Bristol    
Smith PG Joachim Gasquet, Virgil and C 1998 University of Bristol    
Smith G Thomas Cole at Volterra and Colle di Val d'Elsa 1997 University of St Andrews    
Smith G The Stone of Dante and Later Florentine Celebrations of the Poet 2000 University of St Andrews    
Smith G Calvert Jones in Florence 1996 University of St Andrews    
Smith G Gaetano Baccani's 'Systematization' of the Piazza del Duomo in Florence 2000 University of St Andrews    
Smiles SA Eye Witness: Artists and Visual Documentation in Britain, 1770-1830 2000 University of Plymouth    
Smiles SA The Image of Antiquity: Ancient Britain and the Romantic Imagination 1994 University of Plymouth    
Smiles SA British Antiquity and Antiquarian Illustration 1999 University of Plymouth    
Smiles SA Dressed to Till: Representational Strategies in the Depiction of Rural Labor, c. 1790-1830 1997 University of Plymouth    
Skeates RG Debating the Archaeological Heritage 2000 University of East Anglia    
Skeates RG The Collecting of Origins: Collectors and Collections of Italian Prehistory and the Cultural Transformation of Value (1550-1999) 2000 University of East Anglia    
Singer B W The Effect of Aging on Paper Irradiated by Laser as a Conservation Technique 1999 University of Northumbria at Newcastle   Stanley, J
Caverhill, J
Latimer, I
Singer B W The Development and Preliminary Application of a Gas Chromatographic Method for the Characteristion of Gum Media 1998 University of Northumbria at Newcastle   Vallance, S
Hitchen, S
Townsend, J
Singer B W An Investigation Into The Removal Of Modern Ink Marks From Paper 1996 University of Northumbria at Newcastle   Caverhill, J
Latimer, I
Singer B W Analysis of Pigments in Indian Miniature Paintings Using Non-Destructive Methods 1999 University of Northumbria at Newcastle   Cahanar, N
Sheldon E.S. 'Methods + Materials of the Pre-Raphaelite Circle, in the 1850s' 1998 University College London    
Sheldon E.S. 'Science Illuminating Art' 1994 University College London    
Sheldon E.S. 'Methods and Materials of David's 'Marat 2000 University College London    
Shaw-Miller S 'Sounding Out' 1997 Birkbeck College    
Shaw-Miller S 'The Limits of Art: Post-Cagian Performance, Politics, Aesthetics and Nature' 1999 Birkbeck College    
Shaw-Miller S 'Skriabin and Obukhov: Mysterium + La Livre de Vie The Concept of the Total Work of Art' 2000 Birkbeck College    
Shaw-Miller S 'Concerts of everyday living': Cage, Barthes and Fluxus: interdisciplinarity and inter-media events' 1996 Birkbeck College    
Screech TB The Shogun's Painted Culture: Fear and Creativity in the Japanese States, 1760 - 1829 2000 School of Oriental and African Studies    
Screech TB The Western Scientific Gaze and Popular Imagery in Later Edo Japan 1996 School of Oriental and African Studies    
Screech TB Sex and the Floating World: Erotic Imagery in Japan, 1720-1810 1998 School of Oriental and African Studies    
Screech TB Edo no jintai o hiraku (Opening the Edo Body) 1997 School of Oriental and African Studies    
Scrase D E The Golden Century, Dutch Master Drawings from the Fitzwilliam Museum, Cambridge 1996 University of Cambridge    
Schwartz F.J. 'Cathedrals and Shoes: Concepts of Style in Wolfflin and Adorno' 1999 University College London    
Schwartz F.J. 'Ornament and Spirit, Ornament and Class: A Short History of a Troubled Trope' 2000 University College London    
Schwartz F.J. The Werkbund: Design Theory and Mass Culture before the First World War. 1996 University College London    
Schwartz F.J. 'Form Follows Fetish: Adolf Behne and the Problem of Sachlichkeit' 1998 University College London    
Schmitz E London Dossier: The Greenhouse Effect/Because a fire was in my head/Beck's futures. 2000 Goldsmiths College    
Schmitz E London Dossier: Intelligence: New British Art/New York Projects/A Shot in the Head. 2000 Goldsmiths College    
Schmitz E London Dossier: Protest and Survive/Apocalypse. Beauty and Horror in Contemporary Art/Turner Prize 2000 Exhibition. 2000 Goldsmiths College    
Schmitz E Kulturindustrie ist gar kein Ausdruck. 2000 Goldsmiths College    
Schmetterling AC Life? Or Theatre? The 'wildly unusual' work of Charlotte Salomon. 1998 Goldsmiths College    
Schmetterling AC Tracing the Life (or Theatre?) of Charlotte Salomon. 1997 Goldsmiths College    
Sargeant A Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde 2000 Birkbeck College    
Sargeant A 'Darwin Duchenne Delsarte 2000 Birkbeck College    
Sargeant A 'On Receiving Letters from Despised Lovers' 2000 Birkbeck College    
Sargeant A 'Making and Selling Heritage Culture: style and authenticity in historical fictions on film and television' 2000 Birkbeck College    
Salmon FE Eighteenth-Century Alterations to Palladio's Villa Rotonda 1997 University of Manchester    
Salmon FE Building on Ruins: The Rediscovery of Rome and English Architecture 2000 University of Manchester    
Salmon FE British Architects, Italian Fine Arts Academies and the Foundation of the RIBA, 1816-43 1996 University of Manchester    
Salmon FE Charles Heathcote Tatham and the Accademia di S.Luca, Rome 1998 University of Manchester    
STIRTON PA The Society of Three : Alphonse Legros, Henri Fantin-Latour and James McNeill Whistler 1998 University of Glasgow   Jane Munro
STIRTON PA Bourdieu and the art historians 2000 University of Glasgow   Richard Hooker
Dominic Paterson
STIRTON PA The Szechenyi Chain Bridge : The British Engineering Tradition in Hungary 1999 University of Glasgow    
STIRTON PA A newly identified portrait of W. B. Yeats by William Strang 2000 University of Glasgow    
STEWART P 'Fine Art and Coarse Art: The Image of Roman Priapus' 1997 Courtauld Institute of Art    
STEWART P 'Inventing Britain: The Roman Creation and Adaptation of an Image' 1995 Courtauld Institute of Art    
STEWART P 'The Destruction of Statues in Late Antiquity', in ed. R. Miles, Constructing Identities in Late Antiquity 1999 Courtauld Institute of Art    
STALLABRASS J Occupational Hazard: Critical Writing about Recent British Art 1998 Courtauld Institute of Art   D. McCorquodale
N. Siderfin
STALLABRASS J Gargantua: Manufactured Mass Culture 1996 Courtauld Institute of Art    
STALLABRASS J High Art Lite: British Art in the 1990s 1999 Courtauld Institute of Art    
STALLABRASS J Locus Solus: Technology, Identity and Site in Contemporary Art, incl. 'Memories of Art Unseen' 1999 Courtauld Institute of Art   D. McCorquodale
SOLKIN DH Gainsborough's Classically Virtuous Wife 2000 Courtauld Institute of Art    
SOLKIN DH Isaac Fuller's Escape of Charles II: A Restoration Tragicomedy' 1994 Courtauld Institute of Art    
SOLKIN DH Samaritan or Scrooge? The Contested Image of Thomas Guy in Eighteenth-century England 1996 Courtauld Institute of Art    
SOLKIN DH The Fetish over the Fireplace: Disease as 'Genius loci' in Hogarth's 'Marriage A-la-mode'. 2000 Courtauld Institute of Art    
SCOTT KH Art and Industry - a contradictory union: authors' rights and copyrights during the consulat 2000 Courtauld Institute of Art    
SCOTT KH The Rococo Interior 1995 Courtauld Institute of Art    
SCOTT KH Chardin Multiplied 2000 Courtauld Institute of Art    
SCOTT KH Under the sign of Venus: the making and meaning of Bouchardon's L'Amour in the age of the French rococo' in eds. C. Arscott and K. Scott, Manifestations of Venus: Art and Sexuality 2000 Courtauld Institute of Art    
SCHAAF L The Photographic Art of William Henry Fox Talbot 2000 University of Glasgow    
SCHAAF L The Records of the Dawn of Photography: Talbot's Notebooks P + Q 1996 University of Glasgow    
SCHAAF L The Correspondence of William Henry Fox Talbot: a Draft Calendar 1995 University of Glasgow    
SCHAAF L Invention and Discovery: first images 1997 University of Glasgow    
Rowan A The Regency House in Scotland: the Adam aftermath 1998 Edinburgh College of Art    
Rowan A The Duke of Northumberland's Garden House at Hulne Priory 1998 Edinburgh College of Art    
Rowan A Villa Variants 1996 Edinburgh College of Art    
Rowan A The Evolution of Osterley in the Eighteenth Century 2000 Edinburgh College of Art    
Rosenthal M J The Art of Thomas Gainsborough. 'A Little Business for the Eye' 1999 University of Warwick    
Rosenthal M J Decapitating the Swells 2000 University of Warwick    
Rosenthal M J Thomas Gainsborough's 'Ann Ford' 1998 University of Warwick    
Rosenthal M J The Penetentiary as Paradise 1997 University of Warwick    
Rogoff I How to Dress for an Exhibition 1998 Goldsmiths College    
Rogoff I Terra Infirma - Geography's Visual Culture. 2000 Goldsmiths College    
Rogoff I Studying Visual Culture 1998 Goldsmiths College    
Rogoff I From Ruins to Debris - The Feminisation of Fascism in German History Museums 1998 Goldsmiths College    
Rogers MR Reading the female body in Venetian Renaissance art 1994 University of Bristol    
Rogers MR Evaluating textiles in Renaissance Venice 2000 University of Bristol    
Rogers MR Concepts of Beauty in Renaissance Art 1998 University of Bristol   Ames-Lewis,F
Rogers MR Fashioning Identities in Renaissance Art 2000 University of Bristol    
Rogers JM Islamic Seals. Part 2 1997 School of Oriental and African Studies    
Rogers JM Architectural decoration in the age of Sinan 1996 School of Oriental and African Studies    
Rogers JM Seton Lloyd's and D.S. Rice's survey of Alanya 1998 School of Oriental and African Studies    
Rogers JM Furniture in Islam 1996 School of Oriental and African Studies    
Robertson EC Annibale Carracci and Invenzione: Mediumand Function in the Early Drawings 1997 University of Reading    
Robertson EC Osservazioni sul mecenatismo del cardinale Odoardo Farnese 1995 University of Reading    
Robertson EC Drawings by the Carracci from British Collections 1996 University of Reading   Whistler, C
Robertson EC Two Farnese Cardinals and the Question of Jesuit Taste 1999 University of Reading    
Roberts J Researching Vernacular Gardens 1996 De Montfort University    
Roberts J The Gardens of the Gentry in the Late Tudor Period 2000 De Montfort University    
Roberts J Hydraulics and Waterfeatures 2000 De Montfort University    
Roberts J Cusworth Park: The Making of an 18th Century Landscape 1999 De Montfort University    
Riding C J L Lascaux 2000 1998 Keele University    
Riding C J L Landing Field 1998 Keele University    
Riding C J L Ground Point Zero 1999 Keele University    
Riding C J L Vanishing Ground 1998 Keele University    
Richards S Eighteenth-Century Ceramics: Products for a Civilised Society 1999 Manchester Metropolitan University    
Richards S New Material Culture - Transfer Printed Ceramics 2000 Manchester Metropolitan University    
Richards S 'A True Siberia': Art in Service to Commerce in the Dresden Academy and the Meissen Drawing School, 1764-1836 1998 Manchester Metropolitan University    
Richards S A Magazine for the Friends of Good Taste: Sensibility and Rationality in Garden Design in Late Eighteenth-Century Germany 2000 Manchester Metropolitan University    
Richards CC 'Ordering the World: perceptions of architecture, space and time' + 'Architecture and Order: spatial representation and archaeology' 1994 University of Manchester   M Parker Pearson
Richards CC Henges and Water:towards an elemental archaeology of the Neolithic 1998 University of Manchester    
Rhodes CD Le Primitivisme et l'art moderne 1997 Loughborough University    
Rhodes CD Fauvisme en expressionisme, and Cobra en abstract expressionisme, in Martis, A. and Rijnders M. (Eds), Expressionisme en primitivisme in de beeldende kunst van de twintigste eeuw 1998 Loughborough University    
Rhodes CD Through the Looking-glass darkly: Gendering the Primitive and the Significance of Constructed Space in the Practice of the Br 2000 Loughborough University    
Rhodes CD Outsider Art: Spontaneous Alternatives 2000 Loughborough University    
Reid S All Stalin's Women: Gender and Power in Soviet Art of the 1930s 1998 University of Northumbria at Newcastle    
Reid S The Exhibition 'Art of Socialist Countries' Moscow, 1958-9, and the Contemporary Style 2000 University of Northumbria at Newcastle    
Rees HBL The Significance of the Settled Land Act 1882 on the Dispersal of the Great Collections 1997 University of Manchester    
Rees HBL Patterns of making: thinking and making in Industrial Design 1997 University of Manchester    
Rees HBL Art Exports and the Construction of National Heritage in Late Victorian and Edwardian Britain 1999 University of Manchester    
Ratnam N Chris Ofili and the limits of hybridity 1999 Open University    
Ratnam N 'Seeking redress: identity and the visual arts' in J Stallabrass, P.van Mourik Broekman, N.Ratnam eds., Locus Solus: Site, Identity, Technology in Contemporary Art 1999 Open University    
Rasmussen TCB Archaeology in Etruria 1985-95 1996 University of Manchester    
Rasmussen TCB Metodologie di survey e G.I.S.: il progetto Tuscania rivisitato 1997 University of Manchester   N.Vullo
G.Barker
A.Grant
Rasmussen TCB The Etruscans 1998 University of Manchester   Barker, G
Rasmussen TCB The Tarquins and Etruscan Rome 1997 University of Manchester    
Radford R Dangerous Liaisons: Art, Fashion and Individuality 1998 University of Southampton    
Radford R Dali (Art and Ideas) 1997 University of Southampton    
Radford R To Disable the Enemy: the Graphic Art of the Three Jameses 1998 University of Southampton    
Radford R Aurel Kolnai's Disgust: an overlooked source in the art and writing of Salvador Dali 1999 University of Southampton    
RUSH SJ The Cathedral as Art Gallery 2000 University of Glasgow    
RUSH SJ Alexander Thomson, Daniel Cottier and the Interior of Queen's Park Church, Glasgow, Greek Thomson 1994 University of Glasgow    
RUSH SJ Decorative Glass in the Glasgow School of Art 1995 University of Glasgow    
RUBIN PR Renaissance Florence. The Art of the 1470s 1999 Courtauld Institute of Art   Alison Wright
RUBIN PR Art, Memory, and Family in Renaissance Florence 2000 Courtauld Institute of Art   G. Ciappelli
RUBIN PR Bernard Berenson and the Visualization of the Italian Renaissance, in ed. M. Fantoni, Gli Anglo-Americani a Firenze. Idea e costruzione del Rinascimento 2000 Courtauld Institute of Art    
RUBIN PR Giorgio Vasari. Art and History 1995 Courtauld Institute of Art    
ROBERTSON PB Margaret Macdonald Mackintosh: The Seven Princesses 2000 University of Glasgow    
ROBERTSON PB Charles Rennie Mackintosh: The Making of a Painter 1996 University of Glasgow    
ROBERTSON PB Charles Rennie Mackintosh: Art is the Flower 1995 University of Glasgow    
ROBERTSON PB Mackintosh, Glasgow and The Glasgow Style 2000 University of Glasgow    
RIFKIN A BENJAMIN'S PARIS, FREUD'S ROME, WHOSE LONDON? 1999 Middlesex University    
RIFKIN A PUTTING OFF; THE PAINTER'S TENSE AND SOME REFLECTIONS ON GAY TIME 1999 Middlesex University    
RIFKIN A INGRES, THEN AND NOW 2000 Middlesex University    
RIFKIN A A SPACE BETWEEN: ON GERARD FROMANGER, GILLES DELEUZE, MICHEL FOUCAULT AND SOME OTHERS 1999 Middlesex University    
RICHARDS J The Dictionary of Art 1996 University of Glasgow    
RICHARDS J A Re-used Altarpiece by Altichiero 1995 University of Glasgow    
RICHARDS J Altichiero: an Artist and his Patrons in the Italian Trecento 2000 University of Glasgow    
RICHARDS J Early Christian Art 2000 University of Glasgow    
RIBEIRO AE The Art of Dress. Fashion in England and France 1750-1820 1995 Courtauld Institute of Art    
RIBEIRO AE Ingres in Fashion: Representations of Dress and Appearance in Ingres' Images of Women 1999 Courtauld Institute of Art    
RIBEIRO AE Muses and Mythology' in eds. A. de la Haye and E. Wilson, Defining Dress. Dress as object, meaning and identity 1999 Courtauld Institute of Art    
RIBEIRO AE A Gallery of Fashion 2000 Courtauld Institute of Art    
Quilley G Duty and Mutiny: the image of the sailor in British art c.1789-1800 2000 University of Leicester    
Quilley G The sphere of contemplation: the imagery of global navigation in eighteenth-century England 1996 University of Leicester    
Quilley G Missing the boat: the place of the maritime in the history of British visual culture 2000 University of Leicester    
Quilley G All Ocean is her own: the image of the sea and the identity of the maritime nation in eighteenth-century British art 1998 University of Leicester    
Puttfarken T Caravaggio's 'Story of Matthew': A challenge to the conventions of painting 1998 University of Essex    
Puttfarken T Roger de Piles, une litt 1996 University of Essex    
Puttfarken T The Discovery of Pictorial Composition. Theories of Visual Order in Painting 1400-1800 2000 University of Essex    
Puttfarken T Poussin's Thoughts on Painting 1999 University of Essex    
Prettejohn EF The Art of the Pre-Raphaelites 2000 University of Plymouth    
Prettejohn EF After the Pre-Raphaelites: Art + Aestheticism in Victorian England 1999 University of Plymouth    
Prettejohn EF Frederic Leighton: Antiquity, Renaissance, Modernity 1999 University of Plymouth   Tim Barringer
Prettejohn EF Sir Lawrence Alma-Tadema. Eds: Edwin Becker, Edward Morris, Elizabeth Prettejohn + Julian Treuherz 1996 University of Plymouth    
Prendeville B Realism in 20th Century Painting. 2000 Goldsmiths College    
Prendeville B Merleau-Ponty, Realism and Painting; Psychophysical Space and the Space of Exchange. 1999 Goldsmiths College    
Prendeville B The Features of Insanity, as seen by G 1995 Goldsmiths College    
Prendeville B Night Geography 1996 Goldsmiths College    
Pratt SR From the Margins: the Native American personage in the cartouche and decorative borders of maps. 1996 University of Plymouth    
Pratt SR National Identity on Display: the 1888 Italian Exhibition in London and its Critical Reception 2000 University of Plymouth    
Pratt SR Reynolds' King of the Cherokees and other mistaken identities in the portraiture of Native American delegations, 1710-1762 1998 University of Plymouth    
Pratt SR Two Way Traffic: British and Italian Art, 1880-1980 1996 University of Plymouth   S. Smiles
Potts A Flesh and the Ideal: Winckelmann and the Origins of Art History 1994 University of Reading    
Potts A Pungent Prophesies of Art; Symonds, Pater and Michelangelo 2000 University of Reading    
Potts A The Sculptural Imagination: Figurative, Modernist, Minimalist 2000 University of Reading    
Potts A Michael Baxandall and the Shadows in Plato's Cave 1999 University of Reading    
Poppi C Wider Horizons with Larger Details: Subjectivity, Ethnicity and Globalization 1997 University of East Anglia    
Poppi C Silvano Optimo Maximo: Continuit 1999 University of East Anglia    
Poppi C Was Frazer Right? Cultural Ecology, Knowledge and Masks in West African and Alpine Cross-cultural Perspective 1998 University of East Anglia    
Poppi C Santi, Spiriti e Re: Mascherate invernali nel Trentino fra tradizione, declino e riscoperta 1998 University of East Anglia   Morelli, R
Poole J E Catalogue of Italian Maiolica and Incised Slipware in the Fitzwilliam Museum, Cambridge 1995 University of Cambridge    
Pointon MR Wearing Memory: Mourning, Jewellery and the Body 1999 University of Manchester    
Pointon MR Strategies for Showing: Women Possession and Representation in English Visual Culture 1665-1800 1997 University of Manchester    
Pointon MR Jewellery in eighteenth-century England 1999 University of Manchester    
Pointon MR Hogarth's Sigismunda in focus 2000 University of Manchester    
Pillsbury J Mesoamerica 1997 University of East Anglia   Leyenaar, TJJ
Pillsbury J The Thorny Oyster and the Origins of Empire: Implications of Recently Uncovered Spondylus Imagery from Chan Chan, Peru 1996 University of East Anglia    
Pillsbury J Los Relieves de Chan Chan: Nuevos datos para el estudio de la sequencia y occupaci 1995 University of East Anglia    
Pillsbury J Catalogue of Objects 1997 University of East Anglia   Benson, E
Bergh, S
Burger, R
Picton JW Islam, artifact and identity in south-west Nigeria 1995 School of Oriental and African Studies    
Picton JW On (Men?) Placing Women in Ebira 1997 School of Oriental and African Studies    
Picton JW Technology, Tradition and Lurex: the art of textiles in Africa 1999 School of Oriental and African Studies    
Picton JW West Africa and the Guinea Coast 1999 School of Oriental and African Studies    
Perry LA The National Portrait Gallery in London 1858-1896 2000 University of Southampton    
Perry LA Looking like a woman: modernity in the National Portrait Gallery before 1900 2000 University of Southampton    
Perry G Women Artists and the Parisian Avant-garde: Modernism and Feminine Art, 1900 to the late 1920s 1995 Open University    
Perry G Gender and Art 1999 Open University   Gill Perry
C. King
E. Barker
Perry G Women, Scholarship and Criticism 1780-1900 2000 Open University   A. Laurence
J. Bellamy
Perry G Femininity and Masculinity in Eighteenth Century Art and Culture 1994 Open University   M. Rossington
Payne C Rustic Simplicity: Scenes of Cottage Life in Nineteenth-Century British Art 1998 Oxford Brookes University    
Payne C Rural virtues for urban consumption: cottage scenes in early Victorian painting 1998 Oxford Brookes University    
Payne C Sermons in stones: John Brett's The Stonebreaker reconsidered 1996 Oxford Brookes University   Hickox, M
Payne C Calculated to gratify the patriot: rustic figure studies in early-nineteenth-century Britain 1997 Oxford Brookes University    
Pak Y Serenity and Composure: The Art of Korea at the Metropolitan Museum of Art 1998 School of Oriental and African Studies    
Pak Y The Korea Foundation Gallery at the Mus 2000 School of Oriental and African Studies    
Pak Y The Korean Art Collection in the Metropolitan Museum of Art 1998 School of Oriental and African Studies    
Pak Y Grundz 1999 School of Oriental and African Studies    
PHENIX A Solvent-induced swelling of paint films: preliminary results 1998 Courtauld Institute of Art    
PHENIX A The composition and chemistry of eggs and egg tempera; in eds. T. Bakkenist, R. Hoppenbrouwers + H.Dubois, Early Italian Paintings: Techniques + Analysis 1997 Courtauld Institute of Art    
PEARCE NJ The Chinese Folding Chair, Mortimer Menpes and an Aesthetic Interior 1999 University of Glasgow    
PEARCE NJ Photographs of Beijing in the Oriental Museum, Durham 1998 University of Glasgow    
PEARCE NJ A Group of Chinese Stoneware Buddhist Sculptures Reunited 1995 University of Glasgow    
PEARCE NJ Harmony and Contrast: A Journey Through East Asian Art 1996 University of Glasgow   J Wilkinson
PARK WD The medieval polychromy of Norwich Cathedral' in eds. I. Atherton, E. Fernie, C. Harper-Bill and H. Smith, Norwich Cathedral: Church, City and Diocese, 1096-1996 1996 Courtauld Institute of Art    
PARK WD Anglo-Saxon wall painting' and 'Romanesque wall painting' in ed. J. Turner, The Dictionary of Art 1996 Courtauld Institute of Art    
PARK WD Post-medieval wall painting and plasterwork' in eds. H. Summerson and S. Harrison, Lanercost Priory, Cumbria. A Survey and Documentary History 2000 Courtauld Institute of Art    
PARK WD Late twelfth-century polychromy from Glasgow Cathedral, in ed. R. Fawcett, Medieval Art and Architecture in the Diocese of Glasgow 1998 Courtauld Institute of Art    
PAJACZKOWSKA C PERVERSION 2000 Middlesex University    
PAJACZKOWSKA C THE ECSTATIC SOLACE OF CULTURE: SELF, NOT SELF AND OTHER 1996 Middlesex University    
PAJACZKOWSKA C FEMINIST VISUAL CULTURE 2000 Middlesex University   F Carson
PAJACZKOWSKA C PSYCHOANALYSIS, GENDER AND ART 2000 Middlesex University    
PACE KC Un monument si beau et si rare: Drawings of the Tomb of the Nasonii formerly in the Collection of Colbert 1999 University of Glasgow    
PACE KC Introduction 2000 University of Glasgow    
PACE KC Nicolas Poussin:Peintre-poete? 1999 University of Glasgow    
PACE KC 'Heros de Legende: Achille et Enee 1995 University of Glasgow    
Onians JB The Biological Basis of Renaissance Aesthetics 1998 University of East Anglia    
Onians JB Leon Battista Alberti, The Problem of Personal and Urban Identity 1998 University of East Anglia    
Onians JB Classical Art and the Cultures of Greece and Rome 1999 University of East Anglia    
Onians JB I Wonder .... A Short History of Amazement 1994 University of East Anglia    
OVERY P THE CELL IN THE CITY: PAINTING INTO ARCHITECHTURE 1997 Middlesex University    
OVERY P BUILDING SIGHT: HOUSE [ARCHITECT BRIAN HOUSDEN]. LONDON NW3 2000 Middlesex University    
OVERY P COLOUR IN THE WORK OF NORMAN FOSTER 1998 Middlesex University    
OVERY P DESIGNING FOR THE MODERN WORLD: DE STIJL 1996 Middlesex University    
O'Mahony MJ The International Style 2000 University of Bristol    
O'Mahony MJ Introduction 1999 University of Bristol    
O'Loughlin NE The Rondo in Mahler's Middle Period Symphonies: Valid Model or Useful Abstraction? 1999 Loughborough University    
O'Loughlin NE Novejsa glasba v Sloveniji: osebnosti in razvoj (New Music in Slovenia: its character and development) 2000 Loughborough University    
O'Loughlin NE Expressionist Opera and Painting: Schoenberg's Erwartung and Die Gluckliche Hand in Kuret P. (ed), Glasba in likovna umetnost, Musik und Bildende Kunst 1997 Loughborough University    
O'Loughlin NE Crossing the Language Barrier: Hidden Meanings in Early 20th-Century European Opera in Andraschke P. and Spaude, E. (eds) Kunst-gespr 1998 Loughborough University    
O Sullivan S In Violence: Three Case Studies Against the Stratum. 2000 Goldsmiths College    
O Sullivan S Guy DeBord 1999 Goldsmiths College    
Normand TA J.D. Fergusson and the Culture of Nationalism in Scotland 1999 University of St Andrews    
Normand TA The Modern Scot: Modernism and Nationalism in Scottish Art 1928-1955 2000 University of St Andrews    
Normand TA Wyndham Lewis, the Anti-War War Artist 1998 University of St Andrews    
Normand TA A Realist View of a Victorian Childhood: Re-reading James Guthrie's 'A Hind's Daughter' 1998 University of St Andrews    
Norman D Siena and the Virgin: Art and Politics in a Late Medieval City State 1999 Open University    
Norman D Pisa, Siena and the Maremma: A Neglected Aspect of Ambrogio Lorenzetti's Paintings in the Sala dei Nove. 1997 Open University    
Norman D In the Beginning was the Word: An Altarpiece by Ambrogio Lorenzetti for the Augustinian Hermits of Massa Marittima 1995 Open University    
Norman D An Abbess and a Painter: Emilia Pannocchieschi d'Elci and a Fresco from the Circle of Simone Martini 2000 Open University    
Nichols T R Jacopo Tintoretto: Tradition and Identity 1999 University of Aberdeen    
Nichols T R Tintoretto, prestezza, and the poligrafi: a study of the literary and visual culture of Cinquecento Venice 1996 University of Aberdeen    
Nichols T R The cultural dynamics of representational space in Venetian Renaissance painting 2000 University of Aberdeen    
Nichols T R Price and production in Jacopo Tintoretto's Business Strategy 1996 University of Aberdeen    
Neher G Revaluing Renaissance Art 2000 University of Nottingham   Shepherd, Rupert
Neher G 'Moretto and the Congregation of S. Giorgio in Alga: fashioning a visual identity of a religious congregation' 2000 University of Nottingham    
Nead L `Bodies of Judgement: Art, Obscenity and the Connoisseur' 1999 Birkbeck College    
Nead L   1996 Birkbeck College    
Nead L Victorian Babylon: People, Streets and Images in Nineteenth Century London 2000 Birkbeck College    
Nead L `From Alleys to Courts: Obscenity and the Mapping of Mid-Victorian London 1999 Birkbeck College    
NIXON M 'Bad enough Mother' 1995 Courtauld Institute of Art    
NIXON M Louise Bourgeois 1999 Courtauld Institute of Art    
NIXON M 'Louise Bourgeois' in Encyclopaedia of Aesthetics 1998 Courtauld Institute of Art    
NIXON M Posing the Phallus' 2000 Courtauld Institute of Art    
NEWMAN JA The Buildings of Wales: Gwent/Monmouthshire 2000 Courtauld Institute of Art    
NEWMAN JA The Architectural Setting' in ed. N. Tyacke, The History of the University of Oxford, vol.IV Seventeenth-century Oxford 1997 Courtauld Institute of Art    
NEWMAN JA The Buildings of Wales: Glamorgan 1995 Courtauld Institute of Art    
NEWMAN JA Somerset House and other public buildings' in eds. J. Harris and M. Snodin, Sir William Chambers, Architect to George III 1996 Courtauld Institute of Art    
NASH S Robert Campin, New Directions in Scholarship 1996 Courtauld Institute of Art    
NASH S Between France and Flanders: Manuscript Illumination in Amiens in the Fifteenth Century 1999 Courtauld Institute of Art    
NASH S The Parement de Narbonnne: Context and Technique 2000 Courtauld Institute of Art    
NASH S Creation, Imitation or Good Business Sense: the use of Drawings in some fifteenth-century French manuscripts, in ed. S. Currie, Drawing, 1400-1600: invention and innovation 1998 Courtauld Institute of Art    
Myles J Influences on the American Gothic Revival 1999 De Montfort University    
Myles J Cottingham and the American Gothic Revival 1998 De Montfort University    
Myles J L N Cottingham 1787-1847: Architect of the Gothic Revival 1996 De Montfort University    
Myles J Organiser and Curator: Travelling Exhibition: 'LN Cottingham, 1787-1847; architect of the Gothic Revival' 1998 De Montfort University    
Muthesius S New International forms or traditionalist Polish styles? Aspects of Warsaw architecture in the early twentieth century 2000 University of East Anglia    
Muthesius S Handwerk/Kunsthandwerk 1998 University of East Anglia    
Muthesius S The Postwar University. Utopianist Campus and College 2000 University of East Anglia    
Muthesius S Parliamentarianism, Giganticism, Style and Criticism: The Architecture of Parliaments in the Later 19th Century 2000 University of East Anglia    
Mulvey L Fetishism and Curiosity 1996 Birkbeck College    
Mulvey L   2000 Birkbeck College    
Mulvey L   2000 Birkbeck College    
Mulvey L   2000 Birkbeck College    
Muir Wright RE The Great Whore in the illustrated Apocalypse cycles 1997 University of St Andrews    
Muir Wright RE Satan and Antichrist - Necessary Symbols? 1998 University of St Andrews    
Muir Wright RE The Challenge from the Margins 1999 University of St Andrews    
Muir Wright RE Art and Antichrist in medieval Europe 1995 University of St Andrews    
Mowl TW Horace Walpole: The Great Outsider 1996 University of Bristol    
Mowl TW Architecture without Kings. The rise of Puritan Classicism under Cromwell 1995 University of Bristol   Earnshaw,B
Mowl TW William Beckford: Composing for Mozart 1998 University of Bristol    
Mowl TW An Insular Rococo: Architecture, Politics and Society in Ireland and England 1710-1770 1999 University of Bristol   Earnshaw,B
Mount H 'A Journey to Flanders and Holland' (by Sir Joshua Reynolds). A Scholarly Critical Edition 1996 Oxford Brookes University    
Mount H Morality, microscopy and the moderns: the meaning of minuteness in Shaftesbury's theory of painting 1998 Oxford Brookes University    
Mount H Reynolds, chiaroscuro and composition 2000 Oxford Brookes University    
Morris R K European Prodigy or Regional Eccentric? The Rebuilding of St Augustine's Abbey Church, Bristol 1997 University of Warwick    
Morris R K Architectural Terracotta Decoration in Tudor England 2000 University of Warwick    
Morris R K The Architecture of Arthurian Enthusiasm: Castle Symbolism in the Reigns of Edward I and His Successors 1998 University of Warwick    
Morris R K The Architectural History of the Medieval Cathedral Church 2000 University of Warwick    
Moore E Religious Architecture 1998 School of Oriental and African Studies    
Moore E The Prehistoric Habitation of Angkor 1998 School of Oriental and African Studies    
Moore E Shwedagon: Golden Pagoda of Myanmar 1999 School of Oriental and African Studies   H Mayer
U Win Pe
Moore E Ancient Capitals of Thailand 1996 School of Oriental and African Studies   P Stott
S Suriyavudh
Mitter P Decadent art of South Indian Temples 1999 University of Sussex    
Mitter P Art and Nationalism in Colonial India 1850 - 1922 1994 University of Sussex    
Mitter P Arts of Mankind, 1600 - 1800 1998 University of Sussex    
Mitter P Hotentot Venus and the Western Man 2000 University of Sussex    
Mitchell S 'Leaning to the Left' 1998 University College London    
Mitchell S 'Chagall talks to Bakhtin, Fantasy with Slides in Four Scenes' 1998 University College London    
Mitchell S 'Mikhail Alexandrovich Lifshits' 1997 University College London    
Mitchell S 'Alexander Pushkin, Eugene Onegin' 1997 University College London    
Mitchell JB The Basilica of Abbot Joshua at San Vincenzo al Volturno 1996 University of East Anglia   Hodges, R
Mitchell JB The Display of Script and the Uses of Painting in Longobard Italy 1994 University of East Anglia    
Mitchell JB Fashion in Metal: a Set of Sword-belt Mounts and Bridle Furniture from San Vincenzo al Volturno 1994 University of East Anglia    
Mitchell JB Painting in East Anglia around 1500: the Continental Connection 2000 University of East Anglia    
Milner J Kazimir Malevich and the Art of Geometry 1996 University of Newcastle    
Milner J Agitprop, Lissitzky, Rodchenko, Suprematism, Tatlin, Unovis, World of Art 1996 University of Newcastle    
Milner J Art, War and Revolution: France 1870-71. Myth, Reportage and Reality 2000 University of Newcastle    
Miller S Constantin Brancusi: A Survey of His Work 1995 Southampton Institute    
Miller S A Painted Tragic-Comedy of Internal Narrative 1998 Southampton Institute    
Miller S Sculpture and Art History 2000 Southampton Institute    
Miller S Parody, pastiche or purloining? The uses and abuses of artistic imagery in media representations 2000 Southampton Institute    
Miller LE Between Engraving and Silk Design in Late Eighteenth Century Lyons: Marie-Anne Brenier and Other Point Papermakers 1996 University of Southampton    
Miller LE Paris-Lyons-Paris: Dialogue in the Design and Distribution of Patterned Silks in the Eighteenth Century 1998 University of Southampton    
Miller LE Manufactures and the Man: A Reassessment of the Place of Jacques-Charles Dutillieu in the Silk Industry of Eighteenth Century Lyons 1998 University of Southampton    
Miller LE Innovation and industrial espionage in eighteenth century France: an investigation of the selling of silks through samples 1999 University of Southampton    
Meskimmon MG The Art of Reflection: Women Artists' Self-Portraiture in the Twentieth Century 1996 Loughborough University    
Meskimmon MG Engendering the City: Women Artists and Urban Space 1997 Loughborough University    
Meskimmon MG We Weren't Modern Enough: Women Artists and the Limits of German Modernism 1999 Loughborough University    
Meskimmon MG Das Atelier: Spatiality and self-portraiture in the work of Grethe J 2000 Loughborough University    
Mellor DA Les Sixties: Annees Utopies 1962 - 1973 1996 University of Sussex   L. Gevereau
Mellor DA Chemical Traces / Photography and Conceptual Art, 1968 - 1998 1998 University of Sussex    
Mellor DA Works on Paper Attributed to Francis Bacon from The Barry Joule Archive 2000 University of Sussex    
Mellor DA Jeux Funebres: L'imagerie des Medias dans L'art d'Avant-Garde, 1962 - 1982 1996 University of Sussex    
McWilliam N F Life and Afterlife: Jacques-Louis David, Nineteenth Century Criticism and the Construction of the Biographical Subject 1994 University of Warwick    
McWilliam N F 'Mythologising Millet' 1999 University of Warwick    
McWilliam N F Monumental Intolerance. Jean Baffier, A Nationalist Sculptor in Fin-de-Si 2000 University of Warwick    
McWilliam N F Peripheral Visions: Class, Cultural Aspiration and the Artisan Community in Mid-Nineteenth-Century France 2000 University of Warwick    
McKellar E The Birth of Modern London: the development and design of the city, 1660-1720 1999 Birkbeck College    
McKellar E   1996 Birkbeck College    
McKellar E   1999 Birkbeck College    
McKellar E   1996 Birkbeck College    
McConkey K Some Men and a Picture 1999 University of Northumbria at Newcastle    
McConkey K A Walk in the Park 2000 University of Northumbria at Newcastle    
McConkey K Impressionism in Britain 1995 University of Northumbria at Newcastle    
McConkey K Truth and Falsehood in Portrait Painting 1997 University of Northumbria at Newcastle    
McClure I P The Framing of Wooden Panels 1998 University of Cambridge    
McClure I P The History of Painting Conservation and the Royal Collection 1998 University of Cambridge    
McClure I P History of Structural Conservation of Panel Paintings in Great Britain 1998 University of Cambridge    
McARTHUR C THE EXQUISITE CORPSE OF RAB C NESBITT 1998 Middlesex University    
McARTHUR C SCOTLAND AND THE BRAVEHEART EFFECT 1998 Middlesex University    
McARTHUR C BRAVEHEART AND THE SCOTTISH AESTHETIC DEMENTIA 1998 Middlesex University    
McARTHUR C CHINESE BOXES AND RUSSIAN DOLLS: TRACKING THE ELUSIVE CINEMATIC CITY 1997 Middlesex University    
Mazierska E Life and Work in Silesia According to Kazimierz Kutz 2000 Manchester Metropolitan University    
Mazierska E Non-Jewish Jews, Good Poles and Historical Truth in the Films of Andrzej Wajda 2000 Manchester Metropolitan University    
Mazierska E Czlowiek wobec kultury. James Ivory i jego filmy 1999 Manchester Metropolitan University    
Mazierska E Any Town? Post-communist Warsaw in Juliusz Machulski's 'Girl Guide' (1995) and 'Kiler' (1997) 1999 Manchester Metropolitan University    
Maycroft N Marxism and Everyday Life 1996 De Montfort University    
Maycroft N Re-valorising Rubbish: Some Critical Reflections on the Political Economy of 'Green' Product Strategies 2000 De Montfort University    
Maycroft N Marxism, Communism and Utopia 1998 De Montfort University    
Maycroft N Herbert Marcuse and the Politics of Practical Utopias 1999 De Montfort University    
Massing J M Erasmian Wit and Proverbial Wisdom. An Illustrated Moral Compendium for Francois I 1995 University of Cambridge    
Massing J M Sicut erat in diebus Antonii: The Devils under the Bridge in the Tribulations of St Anthony by Hieronymus Bosch in Lisbon 1994 University of Cambridge    
Massing J M Hans Burgkmair's depiction of native Africans 1995 University of Cambridge    
Massing J M From Greek Proverb to Soap Advert: Washing the Ethiopian 1995 University of Cambridge    
Massing A French Painting Technique in the Seventeenth and Early Eighteenth Centuries and De La Fontaine's Acad 1997 University of Cambridge    
Massing A Restoration Policy in France in the Eighteenth Century 1998 University of Cambridge    
Massing A From Books of Secrets to Encyclopedias: Painting Techniques in France between 1600 and 1800 1995 University of Cambridge    
Massey A Hollywood Beyond the Screen : Design and Material Culture 2000 Southampton Institute    
Massey A ...It Was True/How Can You Laugh? : History and Memory in the Reception of Titanic in Britain and Southampton 1999 Southampton Institute   M. Hammond
Massey A The Independent Group: Modernism and Mass Culture in Britain 1945-59 1995 Southampton Institute    
Massey A Blue Guide: Berlin and Eastern Germany 1994 Southampton Institute    
Marner D S J St Cuthbert, his Life and Cult in Medieval Durham 2000 University of Cambridge    
Mannings D M Sir Joshua Reynolds: a complete catalogue of his paintings 2000 University of Aberdeen    
Mannings D M Jonathan Richardson, Thomas Gray, and the Genealogy of Art 1994 University of Aberdeen    
Mannings D M Reynolds and the Shaftos: three letters and a deposition 1997 University of Aberdeen    
Mannings D M Reynolds's portrait of the Earl of Huntingdon: two unpublished letters 1994 University of Aberdeen    
Malvern SB Memorizing the Great War: Stanley Spencer at Burghclere 2000 University of Reading    
Malvern SB War, Memory and Museums: Art and artefact in the Imperial War Museum 2000 University of Reading    
Malvern SB Witnessing, testimony and remembrance 2000 University of Reading    
Malvern SB Hidden spaces and public places: women, memory and contemporary monuments in the work of Jenny Holzer and Rachel Whiteread 2000 University of Reading    
Mahon A Outrage aux bonnes moeurs: Jean-Jacques Lebel and the Marquis de Sade 1998 University of Cambridge    
Mahon A Twist the Body Red: The Art and Lifewriting of Unica Z 1999 University of Cambridge    
Mahon A Twist the Body Red: The Art and Lifewriting of Unica Zurn 1999 University of Southampton    
Mahon A Outrage aux bonnes moeurs: Jean-Jacques Lebel and the Marquis de Sade 1998 University of Southampton    
Maharaj SC Sketch-Score for Clitorality. 1999 Goldsmiths College    
Maharaj SC Fatal Natalities: The Algebra of diaspora and difference after apartheid. 1999 Goldsmiths College    
Maharaj SC Dislocutions: Interim Entries for a Dictionnaire Elementaire on Cultural Translation 2000 Goldsmiths College    
Maharaj SC A Monster of Veracity, a Crystalline Transubstantiation Typotranslating Marcel Duchamp's Green Box 1996 Goldsmiths College    
Maggi A Poetic stones: Roslin Chapel in Gandy's Sketchbook and Daguerre's Diorama 1999 Edinburgh College of Art    
Maggi A Caledoniae furor hortensis. L'arte dei giardini in Scozia tra formalita e artificio pittoresco 1999 Edinburgh College of Art    
Maggi A Daguere e le suggestioni della Rosslyn Chapel 1999 Edinburgh College of Art    
Macmillan JD The Iconography of Moral Sense: Gavin Hamilton's Sentimental Heroines. 1999 University of Edinburgh    
Macmillan JD Scottish Art 1460-2000. 2000 University of Edinburgh    
Macmillan JD Elizabeth Blackadder 1999 University of Edinburgh    
Macmillan JD Carmi. 1996 University of Edinburgh   Umberto Eco
MURDOCH J Seventeenth Century Portrait Miniatures in the Collection of the Victoria and Albert Museum 1997 Courtauld Institute of Art    
MURDOCH J The Courtauld Gallery at Somerset House 1998 Courtauld Institute of Art    
MURDOCH J The Courtauld Family and its Money, 1594-1947', in ed. J. House, Impressionism for England, Samuel Courtauld as Patron and Collector 1994 Courtauld Institute of Art    
MURDOCH J Towards a Museum without Walls', in ed. I. Wolfenden, Museums and Late Twentieth Century Culture 1996 Courtauld Institute of Art    
MERRILL L Whistler and the 'Lange Lijzen' 1996 University of Glasgow   L Merrill
MERRILL L With Kindest Regards: The Correspondence of Charles Lang Freer and James McNeil Whistler, 1890-1903 1995 University of Glasgow   L Merrill
MERRILL L The Peacock Room: A Cultural Biography 1998 University of Glasgow   L Merrill
MERCER K MORTAL COIL: EROS AND DIASPORA IN THE PHOTOGRAPHS OF ROTIMI FANI-KAYODE 1999 Middlesex University    
MERCER K AN ARTIST'S JOURNEY THROUGH POST-COLONIAL SPACE 1997 Middlesex University    
MERCER K A SOCIOGRAPHY OF DIASPORA 2000 Middlesex University    
MERCER K DECENTERING AND RECENTERING: ADRIAN PIPER'S SPHERES OF INFLUENCE 1999 Middlesex University    
MCTIGHE S The Academy, Limited: review of Paul Duro, The Academy and the Limits of Painting in Seventeenth-Century France 2000 Courtauld Institute of Art    
MCTIGHE S Nicolas Poussin's Landscape Allegories 1996 Courtauld Institute of Art    
MCTIGHE S Abraham Bosse and the Language of Artisans: Genre and Perspective in the Academie Royale de Peinture et de Sculpture, 1648-1670' 1998 Courtauld Institute of Art    
MACDONALD MF James McNeill Whistler. Drawings, Pastels and Watercolours. A Catalogue Raisonne 1995 University of Glasgow    
MACDONALD MF Whistler and Holland 1997 University of Glasgow   JF Heijbroek
MACDONALD MF Beatrice Whistler, Artist and Designer 1997 University of Glasgow    
MACDONALD MF James McNeill Whistler 1995 University of Glasgow   R Dorment
M P Az 1999 Goldsmiths College    
M P Virtuelle Aquarien 1998 Goldsmiths College   Institut f
M P Ver 1996 Goldsmiths College    
M P Architektur, die in Erscheinung Tritt 1999 Goldsmiths College   Institut f
Lubbock JA The Tyranny of Taste: the Politics of Architecture and Design in Britain 1550-1960 1995 University of Essex    
Lubbock JA Architecture: an Art or Profession. 300 years of Architectural Education in Britain 1994 University of Essex   M Crinson
Lomas DC Staging Sacrifice: Munch, Picasso, and Marat 1999 University of Manchester    
Lomas DC The Haunted Self: Surrealism, Psychoanalysis, Subjectivity 2000 University of Manchester    
Lomas DC Time and Repetition in the Work of Andr 1999 University of Manchester    
Lomas DC The Metamorphosis of Narcissus: Dal 1998 University of Manchester    
Lokko L White Papers, Black Masks: Architecture, Race, Culture 2000 Kingston University    
Lokko L Calm My Blood: Race, Difference, Form 1996 Kingston University    
Lokko L ResponseAbility 1998 Kingston University    
Lodder CA The Transrational in Painting: Kazimir Malevich, Alogism and zaum 1996 University of St Andrews    
Lodder CA The Press for a New Art in Russia, 1917-1921 1997 University of St Andrews    
Lodder CA Constructing Modernity: The Art and Career of Naum Gabo 2000 University of St Andrews   Hammer, M
Lodder CA Gabo on Gabo: Texts and Interviews 2000 University of St Andrews   Hammer, M
Lloyd F Cross-Cultural Dialogues: Identities, Contexts and Meanings 1999 Kingston University    
Lloyd F Making Spaces Visible: Alison Wilding's Early Sculpture 2000 Kingston University    
Lloyd F Feminism and Painting in the 1990s 2000 Kingston University    
Lloyd F 'Re-Making Ourselves: Art, Materialities and Memories', 'Introduction: Images, Diasporas and Difference' 2000 Kingston University    
Llewellyn NG Those loose and immodest Pieces.... Italian Art and the British Point of View 1999 University of Sussex    
Llewellyn NG Hungry and Desperate for Knowledge: Diego de Sagredo's Spanish Point of View 1998 University of Sussex    
Llewellyn NG Funeral Monuments in Post-Reformation England 2000 University of Sussex    
Llewellyn NG Une science du regard: les connaisseurs 1997 University of Sussex    
Liversidge MJH 'A Few Foreign Airs and Graces': William Marlow's Grand Tour Landscapes 2000 University of Bristol    
Liversidge MJH Two ceiling fragments from the Painted Chamber at Westminster Palace 1995 University of Bristol   Binski,P
Liversidge MJH Virgil in Art 1997 University of Bristol    
Liversidge MJH Imagining Rome. British Artists and Rome in the Nineteenth Century. 1996 University of Bristol   Edwards,CH
Lister A Hidden Meanings: the revelations of conservation 2000 University of Southampton   Lister, A
Rowe, A J
Lister A Necessary compromise: treatment strategies of composite objects 1998 University of Southampton   Lister, A
Fairbrass, S
Lister A Indeterminate problems: exploring the potential of problem based learning on conservation education 2000 University of Southampton    
Lister A Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles 1997 University of Southampton    
Linkman A Cheap Tin Trade:the Ferrotype Portrait in Victorian Britain 1994 Open University    
Linkman A Passing Trade: Death and the Family Album in Britain 1860-1900 1998 Open University    
Linkman A The Stigma of Instability: The Carbon Process and Commercial Photography in Britain, 1864-1880 1999 Open University    
Linkman A Flashed, Pot and Porcelain: The Opalotype of Victorian Britain 1997 Open University    
Ling RJ Mosaics in Roman Britain: discoveries and research since 1945 1997 University of Manchester    
Ling RJ Making Classical Art: Process and Practice 2000 University of Manchester    
Ling RJ Ancient Mosaics 1998 University of Manchester    
Ling RJ 1997 A The Insula of the Menander at Pompeii, I. The Structures 1997 University of Manchester    
Lindley P G Absolutism and Regal Image in Ricardian Sculpture 1997 University of Leicester    
Lindley P G Gothic to Renaissance: Essays on Sculpture in England 1995 University of Leicester    
Lindley P G Innovations, Tradition and Disruption in Tomb-Sculpture 1997 University of Leicester    
Lindley P G Introduction 1997 University of Leicester    
Lilley ED How far can you go? Manet's use of titles 1994 University of Bristol    
Lilley ED Lost Works of Art: the problem and a case study 2000 University of Bristol    
Lilley ED The Name of the Boudoir 1994 University of Bristol    
Lewis A M The Last Days of Hilton 1996 De Montfort University    
Lewis A M Degas at the Races 2000 De Montfort University    
Lewis A M The Place de l'Europe and the Privledging of Site 1998 De Montfort University    
Lewis A M On Not Explaining Late Degas 1997 De Montfort University    
Levy S Paul Noug 1994 Keele University    
Levy S Desmond Morris: Naked Surrealism 1999 Keele University    
Levy S Surrealism:Surrealist Visuality 1996 Keele University    
Levy S Andre Breton and the Belgian Connection 2000 Keele University    
Lee S Bachelier, Beaufort, Bergeret, Boze, David, Demarne, Drouais, France, Painting and Graphic Arts c1715-c1814, Franque, Garneray, Jollain, Laneuville, Lef 1996 University of Reading    
Lee S David 1999 University of Reading    
Lee S Puvis de Chavannes 1997 University of Reading   Petrie, B
Lee S Napoleonic religion and conquest: J.C.N. Perrin's altarpiece for the Tuileries Chapel 1994 University of Reading    
Ledbury AM Sedaine and the Question of Genre 1999 University of Manchester    
Ledbury AM Intimate Dramas: Genre Painting and New Drama in Eighteenth-Century France 1997 University of Manchester    
Ledbury AM Vous av 2000 University of Manchester    
Ledbury AM Greuze, Sedaine and the Boundaries of Genre 2000 University of Manchester    
LOWDEN J 'The Beginnings of Biblical Illustration' in ed. John Williams, Imaging the Early Medieval Bible 1999 Courtauld Institute of Art    
LOWDEN J The Making of the Bibles Moralis 2000 Courtauld Institute of Art    
LOWDEN J Early Christian and Byzantine Art 1997 Courtauld Institute of Art    
LOWDEN J The Making of the Bibles Moralis 2000 Courtauld Institute of Art    
LEBAS E RECOVERY AND RE-APPROPRIATION IN LEFEBVRE AND CONSTANT 2000 Middlesex University   E Kofman
LEBAS E THE CLINIC, THE STREET AND THE GARDEN: MUNICIPAL FILM-MAKING IN BRITAIN BETWEEN THE WARS 1999 Middlesex University    
LEBAS E LOST IN TRANSLATION - TIME, SPACE AND THE CITY 1996 Middlesex University   E Kofman
LEBAS E THE MAKING OF A SOCIALIST ARCADIA: ARBORICULTURE AND HORTICULTURE IN THE LONDON BOROUGH OF BERMONDSEY AFTER THE GREAT WAR 1999 Middlesex University    
Koerner J.L. 'L'image dans le Reforme et les pratiques de la croyance moderne' 1998 University College London    
Koerner J.L. 'Unheimliche Heimat - Henry Koerner 1915-1991' 1997 University College London    
Koerner J.L. 'Bosch's Contingency' 1998 University College London    
Koerner J.L. 'Caspar David Friedrich. Landschaft und Subjekt' 1998 University College London    
Klonk C The National Gallery in London and Its Public 1999 University of Warwick    
Klonk C Mounting Vision: Charles Eastlake and the National Gallery of London 2000 University of Warwick    
Klonk C From Picturesque Travel to Scientific Observation. Artists' and Geologists' Voyages to Staffa 1997 University of Warwick    
Klonk C Science and the Perception of Nature. British Landscape Art in the Late Eighteenth and Early Nineteenth Centuries 1996 University of Warwick    
Kirkham P Charles and Ray Eames: Designers of the Twentieth Century 1995 Southampton Institute    
Kirkham P Loving Men: Frank Borzage, Charles Farrell and the Reconstruction of Masculinity in 1920s Hollywood Cinema 1995 Southampton Institute   J. Thumim
Kirkham P Women Designers in the USA, 1900-2000: Diversity and Difference 2000 Southampton Institute    
Kirkham P Cosmetics: A Clinique Case Study 1996 Southampton Institute   A. Weller
King GR The Traditional Architecture of Saudi Arabia 1998 School of Oriental and African Studies    
King GR The History of the UAE: The Eve of Islam of the Islamic Period 1997 School of Oriental and African Studies    
King GR Abu Dhabi Islands Archaeological Survey, Season 1: An Archaeological Survey of Sir Bani Yas, Dalma and Marawah. 1997 School of Oriental and African Studies    
King GR Reconnaissance Survey of Islamic Sites near Aden and in the Abyan District of Yemen 1996 School of Oriental and African Studies   C Tonghini
King C Looking a sight: sixteenth-century portraits of women artists in Western Europe 1996 Open University    
King C Margarita Pellegrini and the Pellegrini Chapel at San Bernardino, Verona, 1528-1557 1996 Open University    
King C Italian Self-Portraits and the Reward of Virtue, in G.Schweikhart, ed., Autobiographie und Selbstportrait in der Renaissance 1998 Open University    
King C Renaissance Women Patrons: Wives and Widows in Italy c.1300-c.1550 1998 Open University    
Kear J V 1996 University of Kent at Canterbury    
Kear J Sunless. Sans Soleil 1999 University of Kent at Canterbury    
Kear J Manet's Modernism or, The Face of Painting in the 1860s 1999 University of Kent at Canterbury    
Kear J Modernism Revisited 1996 University of Kent at Canterbury    
Kavanagh G.E. Museums and the First World War 1994 Falmouth College of Arts    
Kavanagh G.E. Dream Spaces: Memory and the Museum 2000 Falmouth College of Arts    
Julien I Fanon as Film. 2000 Goldsmiths College   Nash, M.
Julien I The Long Road to Mazatlan. 1999 Goldsmiths College    
Julien I Frantz Fanon Black Skin White Mask. 1996 Goldsmiths College    
Julien I The Film Art of Isaac Julien. 2000 Goldsmiths College    
Jordanova L History in Practice 2000 University of East Anglia    
Jordanova L Nature Displayed: Gender, Science and Medicine 1760-1820 1999 University of East Anglia    
Jordanova L Defining Features: Scientific and Medical Portraits 1660-2000 2000 University of East Anglia    
Jordanova L Science and Nationhood: Cultures of Imagined Communities 1998 University of East Anglia    
Jones S Peopling the Past: approaches to race and ethnicity in archaeology 1999 University of Manchester    
Jones S Historical Categories and the Praxis of Identity:The Interpretation of Ethnicity in Historical Archaeology 1999 University of Manchester    
Jones S Identities in Practice: Towards an Archaeological Perspective on Jewish Identity in Antiquity 1998 University of Manchester    
Jones S The Archaeology of Ethnicity: Constructing Identities in the Past and Present 1997 University of Manchester    
Jones DB Living in One or Two Rooms in the Country 1996 University of St Andrews    
Jones DB William Trotter's Furniture for the Chinese Rooms at Kinfauns Castle 1997 University of St Andrews    
Jones DB The Edinburgh Cabinet and Chair Makers' Books of Prices 1805-25 2000 University of St Andrews    
Jones DB Gillow in Scotland 1998 University of St Andrews   Urquhart, J
Jobling PJ Fashion Spreads: word and image in fashion phototgraphy since 1960 1999 University of Southampton    
Jobling PJ Graphic Design: Reproduction and Representation since 1800 (with D Crowley) 1996 University of Southampton    
Joannides P E A L'Adolescente dell'Ermitage e la Sagrestia Nuova di Michelangelo 2000 University of Cambridge    
Joannides P E A Michelangelo and His Influence 1996 University of Cambridge    
Joannides P E A Raphael and His Circle 2000 University of Cambridge    
Joannides P E A A propos d'une sanguine nouvellement attribu 1994 University of Cambridge    
Jeremiah D Craft and the Motor-Car Aesthetic: The British Response. 1999 University of Plymouth    
Jeremiah D Architecture and Design for the Family in Britain, 1900-1970. 2000 University of Plymouth    
Jeremiah D The formation and legacy of Britain's first motor museum. 1998 University of Plymouth    
Jeremiah D Dartington: A Modern Adventure 1998 University of Plymouth    
James EA Light and Colour in Byzantine Art 1996 University of Sussex    
James EA Pray not to fall into temptation and be on your guard Antique Statues in Byzantine Constantinople 1996 University of Sussex    
James EA Goddess, whore, wife or slave? Will the real Byzantine empress please stand up? 1997 University of Sussex    
James EA Women, men and eunuchs: gender in Bynatium 1997 University of Sussex    
Jacques DL Modern Needs, Art and Instincts 2000 De Montfort University    
Jacques DL The King's Privy Garden 1995 De Montfort University    
Jacques DL Memory and Value 2000 De Montfort University    
Jacques DL The Formal Garden 2000 De Montfort University    
Jacobus L   1999 Birkbeck College    
Jacobus L   1999 Birkbeck College    
Jacobus L   2000 Birkbeck College    
Jacobus L   1998 Birkbeck College    
Jachec N 'International modernism versus totalitarianism': the spread of American internationalism in Europe in the 1950s 1996 Oxford Brookes University    
Jachec N Adorno, Greenberg and modernist politics 1996 Oxford Brookes University    
Jachec N Modernism, enlightenment values, and Clement Greenberg 1998 Oxford Brookes University    
Jachec N The Philosophy and Politics of Abstract Expressionism, 1940-1960 2000 Oxford Brookes University    
Iversen MD In the Blind Field: Hopper and the Uncanny 1998 University of Essex    
Iversen MD What is a photograph? 1994 University of Essex    
Iversen MD Monuments, Maidens and Memory. Der Fall der Freiheitsstatue 1994 University of Essex    
Iversen MD Mary Kelly 1997 University of Essex   Homi Bhabha
Douglas Crimp
Irwin D G Neoclassicism 1997 University of Aberdeen    
Insoll TA Islam, Archaeology and History. Gao Region (Mali) ca.AD 900-1250 1996 University of Manchester    
Insoll TA The Archaeology of Islam in Sub-Saharan Africa: A Review 1996 University of Manchester    
Insoll TA Case Studies in Archaeology and World Religion. The Proceedings of the Cambridge Conference 1999 University of Manchester    
Insoll TA The Archaeology of Islam 1999 University of Manchester    
Hutchings P W Tearing your Soul Apart: Horror's New Monsters 1996 University of Northumbria at Newcastle    
Hutchings P W Authorship and British Cinema: the Case of Roy Ward Baker 2000 University of Northumbria at Newcastle    
Hutchings P W We're The Martians Now British sf invasion fantasies of the 1950s and 1960s 1999 University of Northumbria at Newcastle    
Hutchings P W Satan Bugs in the Hot Zone: Microbial Pathogens as Alien Invaders 1999 University of Northumbria at Newcastle    
Hunt L A Byzantium, Eastern Christendom and Islam: Art at the Crossroads of the Medieval Mediterranean 2000 Manchester Metropolitan University    
Hunt L A Byzantium, Eastern Christendom and Islam: Art at the Crossroads of the Medieval Mediterranean 1998 Manchester Metropolitan University    
Hunt L A Christian Art in Greater Syria and Egypt: A Triptych of the Ascension with Military Saints Reattributed 2000 Manchester Metropolitan University    
Hunt L A The Mingana and Related Collections: A Survey of Illustrated Arabic, Greek, Eastern Christian, Persian and Turkish Manuscripts in the Selly Oak Colleges, Birmingham 1997 Manchester Metropolitan University    
Humfrey PB Altarpieces and altar dedications in Counter-Reformation Venice and the Veneto 1996 University of St Andrews    
Humfrey PB Lorenzo Lotto: Rediscovered Master of the Renaissance 1997 University of St Andrews   Brown,DA
Lucco, M
Humfrey PB Lorenzo Lotto 1997 University of St Andrews    
Humfrey PB Dosso Dossi: Court Painter in Renaissance Ferrara 1998 University of St Andrews   Lucco, M
Howarth DJ Bernini and Britain. 1998 University of Edinburgh    
Howarth DJ Mr Morrilt's Venus: Richard Ford, Sir William Stirling-Maxwell and the 'cosas de Espana'. 1999 University of Edinburgh    
Howarth DJ The Patronage and Collecting of Aletheia, Countess of Arundel 1606-54. 1998 University of Edinburgh    
Howarth DJ Images of Rule. 1997 University of Edinburgh    
Howard M Ornament. A Social History since 1450 1996 University of Sussex   Michael Snodin
Howard M The Vyne 1998 University of Sussex    
Howard M Civil Building and Courtier Houses: new techniques and materials for architectural oranment 1997 University of Sussex    
Howard M Inventories, Surveys and the History of Great Houses 1480 - 1640 1998 University of Sussex    
Howard JC Style and Patronage in Latvian Architecture and design of the debut-de-siecle period 1999 University of St Andrews    
Howard JC The Scottish Kremlin Builder, Christopher Galloway: Clockmaker, Architect and Engineer to Tsar Mikhail, the First Romanov 1997 University of St Andrews    
Howard JC Art Nouveau: International and National Styles in Europe 1996 University of St Andrews    
Howard JC Latvian National Romanticism and Art Nouveau: Origins and Synthesis Latvian National Romanticism and Art Nouveau: Origins and Synthesis 1998 University of St Andrews    
Hopkins DJ After Modern Art (Oxford History of Art series) 2000 University of St Andrews    
Hopkins DJ Marcel Duchamp and Max Ernst: The Bride Shared 1998 University of St Andrews    
Hooper SJP Who are the Chiefs? Chiefship in Lau, Eastern Fiji 1996 University of East Anglia    
Hooper SJP Introduction: a History of the Collection 1997 University of East Anglia    
Hooper SJP The Pacific; North America 1997 University of East Anglia    
Hooper SJP Gatu Vakaviti: the Great Barkcloths of Southern Lau, Fiji 1995 University of East Anglia    
Holt Y H The Poetry of the Peasant Lies in the Eye that Sees 1997 University of Northumbria at Newcastle    
Holt Y H London Types 2000 University of Northumbria at Newcastle    
Holt Y H Nature and Nostalgia: Philip Wilson Steer and Edwardian Landscapes 1996 University of Northumbria at Newcastle    
Holt Y H Munnings and the Painting of 'Gypsy Life' 2000 University of Northumbria at Newcastle    
Holder J Reflecting change: Pilkington as a patron of Modern Architecture and Design 1994 Edinburgh College of Art    
Holder J Arts and Crafts Movement 1997 Edinburgh College of Art    
Hodges RA San Vincenzo al Volturno 2 1995 University of East Anglia    
Hodges RA Light in the Dark Ages. The Rise and Fall of San Vincenzo al Volturno 1997 University of East Anglia    
Hodges RA Visions of Rome. The Life and Times of Thomas Ashby 2000 University of East Anglia    
Hodges RA Towns and Trade in the Age of Charlemagne 2000 University of East Anglia    
Hills P 'Venetian Colour: Marble, Mosaic, Painting and Glass, 1250-1550' 1999 University College London    
Hills P 'Venetian Glass and Renaissance Self-fashioning' 1998 University College London    
Hills P 'Tintoretto's Fire' 1996 University College London    
Hills P 'David Jones, Artist and Poet' 1997 University College London    
Hills HM Mapping the Early Modern City 1996 University of Manchester    
Hills HM Cities and Virgins: Female Aristocratic Convents in Early Modern Naples and Palermo 1999 University of Manchester    
Hills HM Architecture as Metaphor for the Body: The Case of Female Convents in Early Modern Italy 2000 University of Manchester    
Hills HM Marmi Mischi Siciliani: Invenzione e Identit 1999 University of Manchester    
Hillenbrand R Islamic Art and Architecture 1999 University of Edinburgh    
Hillenbrand R Structure, Style and Context in the Monuments of Ottoman Jerusalem. 2000 University of Edinburgh    
Hillenbrand R 'Anjar and Early Islamic Urbanisation. 1999 University of Edinburgh    
Hillenbrand R Islamic Architecture. Form, function and meaning. 2000 University of Edinburgh    
Higgitt JC Decoration and illustration. 1998 University of Edinburgh    
Higgitt JC Epigraphic lettering and book script in the British Isles. 1999 University of Edinburgh    
Higgitt JC The Murthly Hours: Devotion, Literacy and Luxury in Paris, England and the Gaelic West. 2000 University of Edinburgh    
Higgitt JC Legentes quoque uel audientes: early medieval inscriptions in Britain and Ireland and their audiences. 1997 University of Edinburgh    
Hewitt JH Posters of Distinction: Art, Advertising and the London, Midland and Scottish Railways 2000 Manchester Metropolitan University    
Hewitt JH East Coast Joys: Tom Purvis and the LNER 1995 Manchester Metropolitan University    
Hewitt JH The Commercial Art of Tom Purvis 1996 Manchester Metropolitan University    
Hewitt JH Poster Nasties: Censorship and the Victorian Theatre Poster 2000 Manchester Metropolitan University    
Heslop TA Art, Nature and St Hugh's Choir at Lincoln 2000 University of East Anglia    
Heslop TA The Production and Artistry of the Bury Bible 1998 University of East Anglia    
Heslop TA Norwich Castle Keep 1994 University of East Anglia    
Heslop TA Weeting 'Castle', A Twelfth-Century Hall House in Norfolk 2000 University of East Anglia    
Henry T Arezzo's Sistine ceiling: Guillaume de Marcillat and the frescoes in the Cathedral at Arezzo 1995 Oxford Brookes University    
Henry T Signorelli in British Collections 1998 Oxford Brookes University    
Hemsoll DE Beauty as an aesthetic and artistic ideal in late fifteenth-century Florence. 1998 University of Birmingham    
Hemsoll DE Sanmicheli's Palazzo Pompei: Site, Dating and Design. 1997 University of Birmingham   P Davies
Hemsoll DE The Villa Zani at Villimpenta: a palace fit for a prince. 1996 University of Birmingham   P Davies
Hemsoll DE Le ville di Sanmicheli. 1995 University of Birmingham    
Hemingway A.F. 'Middlebrow: For and Against' 1999 University College London    
Hemingway A.F. 'The Debate on Art and the State in Postwar America' 1999 University College London    
Hemingway A.F. 'Constituents of Romantic Genius: John Sell Cotman's Greta Drawings' 1997 University College London    
Hemingway A.F. Art in Bourgeois Society 1790-1850 1998 University College London    
Hayward M Flags 2000 University of Southampton   Wilson, T
Hayward, M
Hayward M Repositories of Splendour: Henry VIII's wardrobes of the Robe and Beds 1998 University of Southampton    
Hayward M The packing and transportation of the possessions of Henry VIII, with particular reference to the 1547 inventory. 1997 University of Southampton    
Hayward M Seat Furniture at the Court of Henry VIII: a study of the evidence 2000 University of Southampton    
Hatt M 'Physical Culture: The Male Nude and Sculpture in Late Victorian Britain' 1999 University of Nottingham    
Hatt M 'Race, Ritual and Responsibility: Performativity and the Southern Lynching' 1999 University of Nottingham    
Hatt M 'Le Peau-Rouge comme signe de l'identit 1997 University of Nottingham    
Hatt M 'Eakins' Arcadia: Sculpture, Photography and the Redefinition of the Classical Body,' 1999 University of Nottingham    
Hassig D The Iconography of Rejection: Jews and Other Monstrous Races. 1999 University of Edinburgh    
Hassig D Sex in the Bestiaries. 1999 University of Edinburgh    
Hassig D Medieval Bestiaries: Text, Image, Ideology. 1995 University of Edinburgh    
Hassig D Marginal Bestiaries. 1997 University of Edinburgh    
Harrison C Modernism (Movements in Modern Art Series) 1997 Open University    
Harrison C Art + Language in Practice: Vol. 1, Illustrated Handbook, Vol. 2, Critical Symposium 1999 Open University   M.Baldwin
M.Ramsden
Harrison C Degas' Bathers and Other People 1999 Open University    
Harrison C 'The Effects of Landscape', in W.J.T. Mitchell, ed., Landscape and Power 1994 Open University    
Hammer M Gabo on Gabo: Texts and Interviews 2000 University of Edinburgh    
Hammer M Constructing Modernity: the Art and Career of Naum Gabo. 2000 University of Edinburgh   Professor C Lodder
Hammer M The Irony of Egotism. 1999 University of Edinburgh    
Hammer M Stanley Spencer: The Bigger Picture 2000 University of Edinburgh    
Hamilton J Turner and the Scientists (Exhibition Catalogue). 1998 University of Birmingham    
Hamilton J Wood Engraving and the Woodcut in Britain c. 1890-1990. 1994 University of Birmingham    
Hamilton J Davy, Faraday and Turner. 2000 University of Birmingham    
Hamilton J Turner: A Life. 1997 University of Birmingham    
Halliday AS Facing the Public: Portraiture in the Aftermath of the French Revolution 2000 University of Newcastle    
Halliday AS David's 'Marat' as posthumous portrait. 1999 University of Newcastle    
Halliday AS The Literary Sources of Mantegna's 'Triumphs of Caesar' 1997 University of Newcastle    
Halliday AS Academic Outsiders at the Paris Salons of the Revolution: the case of drawings 1998 University of Newcastle    
HOUSE JP Pierre-Auguste Renoir: La promenade 1997 Courtauld Institute of Art    
HOUSE JP Impressionism for England: Samuel Courtauld as Patron and Collector 1994 Courtauld Institute of Art    
HOUSE JP Landscapes of France 1995 Courtauld Institute of Art    
HOUSE JP 'Curiosit 1998 Courtauld Institute of Art    
HOPKINSON M Whistler's Mezzotints 1998 University of Glasgow    
HOPKINSON M California, Scotland and Paris: The Prints of Leslie Hunter 1999 University of Glasgow    
HOPKINSON M Nathaniel Sparks's Printing of Whistler's Etchings 1999 University of Glasgow    
HOPKINSON M No Day without a Line: The History of the Royal Society of Painter-Printmakers, 1880-1999 1999 University of Glasgow    
HOPKINS D After Modern Art 1945-2000 2000 University of Glasgow    
HOPKINS D Marcel Duchamp and Max Ernst: The Bride Shared 1998 University of Glasgow    
HOLDING E ADDRESSING THE POST-URBAN 1997 Middlesex University   S Chaplin
HOLDING E STAGED ARCHITECTURE - MARK FISHER 2000 Middlesex University    
HARRIES D SEMIOTICS, DISCOURSE AND PARODIC SPECTATORSHIP 1997 Middlesex University    
HARRIES D FILM PARODY 2000 Middlesex University    
HARRIES D THE SEMI-SEMIOTICS OF FILM 1995 Middlesex University    
HARRIES D FILM AND VIDEO ON THE INTERNET 1996 Middlesex University   B Deivert
Gruetzner Robins AE Gendering Landscape Art 2000 University of Reading   Adams, S
Gruetzner Robins AE Walter Sickert. The Complete Writings on Art 2000 University of Reading    
Gruetzner Robins AE Modern Art in Britain 1910-1914 1997 University of Reading    
Gruetzner Robins AE Leighton: A Promoter of New Painting 1999 University of Reading    
Gronberg T   2000 Birkbeck College    
Gronberg T   1994 Birkbeck College    
Gronberg T   1999 Birkbeck College    
Gronberg T Designs on Modernity: Exhibiting the City in 1920s Paris 1998 Birkbeck College    
Grieve AI Whistler's Venice 2000 University of East Anglia    
Grieve AI Rossetti and the Scandal of Art for Art's Sake in the early 1860's 1999 University of East Anglia    
Grieve AI 'This is Tomorrow', a Remarkable Exhibition Born from Contention 1994 University of East Anglia    
Grieve AI Ruskin and Millais at Glenfinlas 1996 University of East Anglia    
Gretton T.H. 'De como fueron hechos los grabados de Posada' 1996 University College London    
Gretton T.H. 'Marat, l'ami du peuple, David: love and discipline in the summer of '93,' 2000 University College London    
Gretton T.H. 'The cityscape and the 'People' in the prints of Jose Guadalupe Posada (Aguascalientes 1852 - Mexico 1913)' 2000 University College London    
Gretton T.H. 'Difference and competition: the imitation and reproduction of fine art in a 19th-century illustrated weekly news magazine' 2000 University College London    
Gray RP Questions of identity at Abramtsevo 2000 University of Kent at Canterbury    
Gray RP Russian Genre Painting in the Nineteenth Century 2000 University of Kent at Canterbury    
Gray R P Russian Genre Painting in the Nineteenth Century 2000 University of Newcastle    
Gray R P Muscovite Patrons of European Painting: the Collections of Vasily Kokorev, Dmitry Botkin and Sergei Tretyakov 1998 University of Newcastle    
Gr C The World Upside-down: English Misericords 1997 University of Manchester    
Gr C The Unicorn on English Misericords 1998 University of Manchester    
Gr C Picturing Women in Late Medieval and Renaissance Art 1997 University of Manchester    
Gr C The Bristol Misericords and their Sources 1997 University of Manchester    
Goubert JS A Feast for the Eye: Banquets, Picnics and Cafes and the Romantic art of Spain 1997 University of Essex    
Goubert JS British Writers and the Art of Goya 1999 University of Essex    
Goubert JS Art and Ideas: Goya 1998 University of Essex    
Goubert JS The Spanish Diary of Enid Layard 2000 University of Essex    
Glanville H.K.A. 'Vandals or Saviours?' Are sciences and scientists helping to destroy the world's art?' 1994 University College London    
Glanville H.K.A. 'Victorian Painting Technique: A Craft Reinvented' 1999 University College London    
Glanville H.K.A. 'Les Goya au Musee des B. A. d'Agen' 1999 University College London   Yannick Lintz
Glanville H.K.A. Varnish grounds and viewing distance: some notes on 17th century Painting Techniques in Italy' 1995 University College London    
Gill K Upholstery Conservation: Principles and Practice 2000 University of Southampton   Gill, K
Eastop, D
Gill K Solvent re-activation of hydroxypropyl cellulose (Klucel G) in textile conservation: recent developments 1997 University of Southampton   Gill, K
Boersma, F
Gill K Conservation at Hampton Court 1997 University of Southampton   Bennett, T
Gill, K
Gill K Two contrasting minimally-interventive upholstery treatments: different roles, different treatments 1997 University of Southampton   Gill, K
Eastop, D
Giebelhausen M More terrors than reason could justify/Zur Bedeutung der Fassade in der Gefangnisarchitektur um 1800 1996 University of Essex    
Giebelhausen M Academic orthodoxy versus Pre-Raphaelite heresy: debating religious painting at the Royal Academy, 1840-1850 2000 University of Essex    
Gere C   2000 Birkbeck College    
Gere C   2000 Birkbeck College    
Gere C   2000 Birkbeck College    
Gere C   1999 Birkbeck College    
Gee M C Surrealist Blasphemy 2000 University of Northumbria at Newcastle    
Gee M C Le Reseau Economique 2000 University of Northumbria at Newcastle    
Gee M C Raoul La Roche und das Sammeln moderner Kunst in Paris (1918-1930) 1998 University of Northumbria at Newcastle    
Gee M C The Berlin Art World 1918-1933 1999 University of Northumbria at Newcastle    
Geddes J Observations on the Aberdeen Bestiary 1998 University of Aberdeen    
Geddes J The Art of the Book of Deer 1998 University of Aberdeen    
Geddes J King's College Chapel, Aberdeen, 1500-2000 2000 University of Aberdeen    
Geddes J Medieval Decorative Ironwork in England 1999 University of Aberdeen    
Gash J M Caravaggio's Maltese Inspiration 1998 University of Aberdeen    
Gash J M The Cain and Abel in the National Museum: the case for Giuseppe Vermiglio 1998 University of Aberdeen    
Gash J M The Identity of Caravaggio's Knight of Malta 1997 University of Aberdeen    
Gash J M Caravaggio 1996 University of Aberdeen    
Gardner J R The Altarpiece by Meo da Siena for San Petro at Perugia. Tradition versus Innovation 1997 University of Warwick    
Gardner J R Legates, Cardinals and Kings: England and Italy in the 13th Century 2000 University of Warwick    
Gardner J R Seated Kings, Sea-Faring Saints and Heraldry: Some Themes in Angevin Iconography 1998 University of Warwick    
Gardner J R Nuns and Altarpieces: Agendas for Research 1995 University of Warwick    
Garb T. 'Modernity, Identity, Textuality' 1995 University College London    
Garb T. 'Tomb of the Unknown Bather' 1998 University College London    
Garb T. 'Framing Femininity in Manet's Portrait of Mlle E. G.' 2000 University College London    
Garb T. Bodies of Modernity, Figure and Flesh in Fin-de-Siecle France 1998 University College London    
Gaiger J The True Judge of Beauty and the Paradox of Taste 2000 Open University    
Gaiger J Art in Theory 1648-1815 2000 Open University   C.Harrison
P.Wood
Gaiger J Schiller's Theory of Landscape Depiction 2000 Open University    
Gaiger J 'Constraints and Conventions: Kant and Greenberg on Aesthetic Judgement' 1999 Open University    
Gage J S Photographic Likeness 1997 University of Cambridge    
Gage J S Colour as Subject 1998 University of Cambridge    
Gage J S Colour and Meaning: Art, Science and Symbolism 1999 University of Cambridge    
GREEN CK Art Made Modern: Roger Fry's Vision of Art 1999 Courtauld Institute of Art    
GREEN CK Art in France, 1900-1940 2000 Courtauld Institute of Art    
GREEN CK The European Avant-gardes: Twentieth Century Art in France and Western Europe from the Thyssen-Bornemisza Collection 1995 Courtauld Institute of Art    
GREEN CK The Infant in the Adult: Joan Mir 1998 Courtauld Institute of Art    
GRANT L 'Suger and the Anglo-Norman World' in ed. C. Harper-Bill, Anglo-Norman Studies 1997 Courtauld Institute of Art    
GRANT L La choeur de la cathedrale de Coutances et sa place dans l'architecture gothique du sud-ouest de la normandie' in ed. M. Bayle, L'Architecture Normande au Moyen Age 1997 Courtauld Institute of Art    
GRANT L Building a church in Early Gothic Normandy', in ed. F. Joubert and D. Sandron, Pierre, lumiere, couleurs: Etudes d'histoire de l'art du Moyen Age: hommage offert a Anne Prache 1999 Courtauld Institute of Art    
GRANT L Abbot Suger of St Denis: Church and State in Early Twelfth Century France 1998 Courtauld Institute of Art    
GIBBS RJ Antifonarion : a Bolognese Choir Book in the Context of Genoese Illumination between 1285 + 1385 1999 University of Glasgow    
GIBBS RJ In Search of Ambrogio Lorenzetti's Allegory in the Good Commune 2000 University of Glasgow    
GIBBS RJ Simone dei Crocefissi's Dream of the Virgin' in the Society of Antiquaries, London 2000 University of Glasgow   C. Villers
R. Gibbs
R. Hellen
GIBBS RJ Landscape as Property : Bolognese Law Manuscripts and the Development of Landscape Painting 1998 University of Glasgow    
Fyfe G Art and Reproduction: some aspects of the relations between painters and engravers in London, 1760-1850 1996 Keele University    
Fyfe G Art, Power and Modernity 2000 Keele University    
Fyfe G Auditing the Royal Academy 2000 Keele University    
Fyfe G Decoding the Visitor's Gaze: rethinking museum visiting 1996 Keele University   Max Ross
Frew JM Towards a municipal housing blueprint: the Architects' Panel competition and its aftermath 2000 University of St Andrews    
Frew JM Cottages, Tenements and 'Practical Idealism': James Thomson at Logie, 1917-1923 1997 University of St Andrews    
Frew JM Concrete, Cosmopolitanism and Low-cost House Design: The Architectural Career of A.H. Campbell 1995 University of St Andrews    
Frew JM Scottish Architects and Holland 1919-39 1996 University of St Andrews    
Fraser V Cannibalizing Le Corbusier: The MES Gardens of Roberto Burle Marx 2000 University of Essex    
Fraser V Building the New World: Modern Architecture and Urbanism in Latin America 2000 University of Essex    
Fraser V Sobre el mundo de los libros en el Peru colonial: a proposito del ejemplar del Symbolo Catholico Indiano de Luis Jeronimo de Ore en la Biblioteca Nacional de Lima 1996 University of Essex    
Fraser V The Artistry of Guaman Poma 1996 University of Essex    
Frangenberg T King and Empire in German Civic Sculpture 2000 University of Leicester    
Frangenberg T A Private Homage to Galileo. Anton Domenico Gabbiani's Ceilings in the Pitti Palace 1996 University of Leicester    
Frangenberg T The Geometry of a Dome. Ludovico David's Dichiarazione della Pittura della Capella del Collegio Clementino di Roma 1994 University of Leicester    
Frangenberg T Piero della Francesca's De prospectiva pingendi in the sixteenth century 1996 University of Leicester    
Foster SA Inside Out: House, Body, Heart: Image, Identity and the Sense of Self 1999 University of Southampton    
Foster SA Lie of the Land: Earth, Body, Material (with Antonia Payne) 1999 University of Southampton    
Foster SA Small Truths: Repetition and the Obsessional in Contemporary Art (with Nicholas de Ville) 1996 University of Southampton    
Foster SA The Ascendancy of Presentation: the Experience of the Unique in a Globalised World 2000 University of Southampton    
Flynn N The Last Modern Painting 1997 Manchester Metropolitan University    
Flynn N Seers and Seers Not: John Martin's 'Belshazzar's Feast' and the Sublimation of Self 2000 Manchester Metropolitan University    
Flynn N Sublime Visibility in Ann Radcliffe's 'The Mysteries of Udolpho' 1997 Manchester Metropolitan University    
Florence P Innovation, sex and spatial structure in visual and aural semiosis 1997 Falmouth College of Arts    
Florence P Differential Aesthetics 2000 Falmouth College of Arts   Co-editor Nicola Foster
Florence P Barbara Hepworth. The word, the image and the tactile 1999 Falmouth College of Arts    
Florence P Un coup de d 2000 Falmouth College of Arts   Jason Whittaker
Finneran N The antecedents of Aksum 2000 School of Oriental and African Studies    
Finneran N Survey 1996 School of Oriental and African Studies    
Field J The Invention of Infinity: Mathematics and Art in the Renaissance 1997 Birkbeck College    
Field J   1997 Birkbeck College    
Field J   1996 Birkbeck College    
Field J   1997 Birkbeck College    
Fermor S E Re-examining the Raphael Tapestry Cartoons 1998 University of Warwick   A. Derbyshire
Fermor S E The Raphael Tapestry Cartoons 1996 University of Warwick    
Fermor S E Poetry in Motion. Renaissance Concepts of Leggiadra 1998 University of Warwick    
Fermor S E The Raphael Tapestry Cartoons. Narrative, Decoration and Design 1996 University of Warwick    
Fer B.A. 'Treading Blindly, or the Excessive Presence of the Object' 1997 University College London    
Fer B.A. On Abstract Art 1997 University College London    
Fer B.A. 'Some Translucent Substance, Or the Trouble with Time' 2000 University College London    
Fer B.A. 'Objects Beyond Objecthood' 1999 University College London    
Fellows R A Edwardian Architecture: Style and Technology 1995 University of Huddersfield    
Fellows R A Edwardian Civic Buildings and their Details 1999 University of Huddersfield    
Faulkner T E From Grainger to Grainger Town: Visions and Visionaries of Newcastle upon Tyne 2000 University of Northumbria at Newcastle    
Faulkner T E Northumbrian Panorama: Studies in the History and Culture of North East England 1996 University of Northumbria at Newcastle    
Faulkner T E Lost Houses of Newcastle and Northumberland 1996 University of Northumbria at Newcastle   Lowery, P
Faulkner T E The Industrial Age and Functionalism in Newcastle upon Tyne 2000 University of Northumbria at Newcastle   Ayris, I
Greg, A
Faulkner S The History Behind the Surface: RB Kitaj and the Spanish Civil War 2000 Manchester Metropolitan University    
Faulkner S Hockney ' 1999 Manchester Metropolitan University    
Faulkner S Dealing with Hockney 1995 Manchester Metropolitan University    
Faulkner S Art, Cigarettes and Visual Culture in the Sixties: The Peter Stuyvesant Foundation and the 'New Generation' Exhibitions, 1964-66 2000 Manchester Metropolitan University    
FISHER J THE ECHOES OF ENCHANTMENT; SUSAN HILLER: ELAN AND OTHER EVOCATIONS; REVERIES ON LYNN SILVERMAN'S 1:1 1996 Middlesex University    
FISHER J GABRIEL OROZCO: THE PLAY OF THE WORLD 1998 Middlesex University    
FISHER J ART'S CARESS: SOME THOUGHTS ON ETHICS AND AESTHETICS 1997 Middlesex University    
FISHER J INTRODUCTION 2000 Middlesex University    
FERNIE EC 'The Romanesque church of Bury St Edmunds Abbey' in Medieval Art and Architecture at Bury St Edmunds 1998 Courtauld Institute of Art    
FERNIE EC The Architecture of Norman England 2000 Courtauld Institute of Art    
FERNIE EC Saint Vincent de Cardona et sa dimension m 2000 Courtauld Institute of Art    
FERNIE EC Continental Affiliations of the Major Anglo-Saxon Measures of Length 1999 Courtauld Institute of Art    
Edwards CD Eighteenth-century Furniture 1996 Loughborough University    
Edwards CD The Mechanization of Carving: The Development of the Carving Machine especially in relation to the Manufacture of Furniture and the Working of Wood 1998 Loughborough University    
Edwards CD Encyclopedia of Furniture Materials, Trades and Techniques 2000 Loughborough University    
Edwards CD Reclining Chairs Surveyed: Health, Comfort and Fashion in Evolving Markets 1998 Loughborough University    
Edwards B W Basil Spence 1907-1976 1995 University of Huddersfield    
Edwards B W The Modern Station: New approaches to railway architecture 1997 University of Huddersfield    
Edwards B W The Modern Terminal: New approaches to airport architecture 1998 University of Huddersfield    
Edwards B W University Architecture 2000 University of Huddersfield    
Edwards S Art + Language's doubt, in C Harrison, ed., Art + Language in Practice, Vol. 2: Critical Symposium 1999 Open University    
Edwards S Photography, Allegory and Labor 1996 Open University    
Edwards S Art and Its Histories 1999 Open University    
Eastop DD Textiles as multiple and competing histories 2000 University of Southampton    
Eastop DD The application of cross-sections in the analysis of historic textiles 1999 University of Southampton   Rogerson, C
Eastop, D
Eastop DD To clean or not to clean: the value of soils and creases 1996 University of Southampton   Eastop, D
Brooks, M
Eastop DD A sprang cap preserved on a naturally dried human head 1999 University of Southampton   Javer, A
Eastop, D
Janssen, R
Eastmond A D Narratives of the Fall: Structure and Meaning in the Genesis Frieze at Hagia Sophia, Trebizond 1999 University of Warwick    
Eastmond A D 'Body versus column': the Cults of St Simeon Stylites 1999 University of Warwick    
Eastmond A D An Intentional Error? Imperial Art and 'Mis'-interpretation under Andronikos I Komnenos 1994 University of Warwick    
Eastmond A D Royal Imagery in Medieval Georgia 1998 University of Warwick    
Draper P   1997 Birkbeck College    
Draper P   2000 Birkbeck College    
Draper P   1995 Birkbeck College    
Draper P   1996 Birkbeck College    
Doy M G Women and Visual Culture in Nineteenth Century France 1800-1852 1998 De Montfort University    
Doy M G Materializing Art History 1998 De Montfort University    
Doy M G Black Visual Culture: Modernity and Postmodernity 2000 De Montfort University    
Doy M G More Than Meets the Eye ... Representations of Black Women in mid-19th Century French Photography 1998 De Montfort University    
Dowson TA Painting as Politics: exposing historical processes in hunter-gatherer rock art 2000 University of Manchester    
Dowson TA Queer Archaeologies 2000 University of Manchester    
Donald D The Age of Caricature: Satirical Prints in the Reign of George III 1996 Manchester Metropolitan University    
Donald D Gillray Observed: The Earliest Account of his Caricatures in 'London und Paris' 1999 Manchester Metropolitan University   Banerji C
Donald D 'Beastly Sights': The Treatment of Animals as a Moral Theme in Representations of London, c1820-1850 1999 Manchester Metropolitan University    
Donald D What is a Popular Print? An Essay Prompted by the Exhibition 'Tabloid Culture: The Popular Print in England 1500-1850' 2000 Manchester Metropolitan University    
Dimitrakaki A Space, Gender, Art: Redressing Private Views 2000 University of Southampton    
Dimitrakaki A Mythoplasia and Feminist Intent: Painting as Sub-culture 1999 University of Southampton    
Denwood PT The Artist's Treatise of sMan-bla Don-grub 1996 School of Oriental and African Studies    
Denwood PT Tibetan 1999 School of Oriental and African Studies    
Denwood PT Architectural Style at Shalu 1997 School of Oriental and African Studies    
Denwood PT William Moorcroft: an assessment 1996 School of Oriental and African Studies    
Dell S Festival and Revolution: the Popular Front in France and the Press Coverage of the Strikes of 1936 2000 University of East Anglia    
Dell S   2000 University of East Anglia    
Dell S The Consumer and the Making of the Exposition Internationale des Arts D 1999 University of East Anglia    
Dell S Production, Consumption and Purism: Juan Gris between Nord-Sud and L'Esprit Nouveau 1999 University of East Anglia    
De Jong F The Production of Translocality: Initiation in the Sacred Grove in Southern Senegal 1999 University of East Anglia    
De Jong F De verbeelding van volkscultuur: Maskers, maskerades, en hun representatie in musea en folklore 1998 University of East Anglia    
De Jong F Ritual and Masking Traditions in Jola Men's Initiation 1998 University of East Anglia   Mark, P
Chupin, C
De Jong F Trajectories of a Mask Performance: The Case of the Senegalese Kumpo 1999 University of East Anglia    
Davies JP Architecture in Italy 1400-1500 1996 University of Reading   L.H. Heydenreich
Davies JP Michele Sanmicheli and the facade of SS. Biagio e Cataldo in Venice 1996 University of Reading   Hemsoll, D
Davies JP Sanmicheli's architecture and literary theory 2000 University of Reading   Hemsoll, D
Davies JP I portali rinascimentali dei palazzi veronesi 2000 University of Reading   Hemsoll, D
Davies D.B. The Anatomy of Spanish Habsburg Portraits 1998 University College London    
Davies D.B. 'Unravelling the meaning of El Greco's 'Laocoon'' 1996 University College London    
Davies D.B. 'The Ascent of the Mind to God: El Greco's Religious Imagery and Spiritual Reform in Spain' 1999 University College London    
Davies D.B. Velazquez in Seville 1996 University College London   Enriqueta Harris
Daniel M 'Chronology' and 'Spain: Culture at War' 1995 University of Southampton    
Daniel M Massons's Myths of Spain 1999 University of Southampton    
Daniel M The Nostalgia of Depero's Bolt. Zang Tumb Tumb at the Estorik Collection, London 1999 University of Southampton    
Daniel M What is Different about Spanish Pop? 1999 University of Southampton    
Cunningham C.J.K 'Hints on Household Decoration and The Art of Decoration', in G.Perry, A. Laurence and J. Bellamy, eds., Women, Scholarship and Criticism 2000 Open University    
Cunningham C.J.K The Terracotta Designs of Alfred Waterhouse 2000 Open University    
Cunningham C.J.K Practicalities versus Preservation: Alfred Waterhouse and the Cambridge Colleges 1994 Open University    
Cunningham C.J.K 'Iconography and Victorian Values', in C.Brooks, ed., The Albert Memorial 2000 Open University    
Cullen F Sources in Irish Art: A Reader 2000 University of Nottingham    
Cullen F 'Radicals and Reactionaries: portraits of the 1790s in Ireland' 2000 University of Nottingham    
Cullen F 'The Cloak of Charity': The politics of representation in late eighteenth-century Ireland 1997 University of Nottingham    
Cullen F Visual Politics: The Representation of Ireland 1750-1930 1997 University of Nottingham    
Crinson MW Sonia Boyce - Performance 1998 University of Manchester    
Crinson MW Imperial Story-lands: Architecture and Display at the Imperial and Commonwealth Institutes 1999 University of Manchester    
Crinson MW Abadan: Planning and Architecture Under the Anglo-Iranian Oil Company 1997 University of Manchester    
Crinson MW Empire Building: Orientalism and Victorian Architecture 1996 University of Manchester    
Craske M William Hogarth 2000 Oxford Brookes University    
Craske M Plan and control: design and the competitive spirit in early and mid-eighteenth-century England 1999 Oxford Brookes University    
Craske M Art in Europe 1720-1830: A History of the Visual Arts in an Era of Unprecedented Economic Growth 1997 Oxford Brookes University    
Craske M Richard Jago's Edge-Hill revisited: a traveller's prospect of the health and disease of a succession of national landscapes 1999 Oxford Brookes University    
Cox NA Marat/Sade/Picasso 1994 University of Essex    
Cox NA Cubism 2000 University of Essex    
Cox NA Marcel Duchamp 1999 University of Essex   JD Ades
D Hopkins
Cox NA La Mort Posthume: Maurice Heine and the Poetics of Decay 2000 University of Essex    
Cowling E Surrealism and After. The Gabrielle Keiller Collection. 1997 University of Edinburgh   Richard Calvocoressi
Patrick Elliott
Ann Simpson
Cowling E Metaphor in Picasso's Sculpture. 2000 University of Edinburgh    
Cowling E Picasso: Sculptor/Painter. 1994 University of Edinburgh   John Golding
Cowling E The passage of time in Picasso's 'neo-classical' paintings. Permanence, transience and continuity. 1998 University of Edinburgh    
Cottington D Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905-1914 1998 Falmouth College of Arts    
Cottington D Cubism 1998 Falmouth College of Arts    
Cottington D Ce Beau Pays de l'Avenir: Cubism, Nationalism and the Landscape of Modernity in France 1998 Falmouth College of Arts    
Cottington D The Maison cubiste and the Meaning of Modernism 1998 Falmouth College of Arts    
Corris M The Difficult Freedom of Ad Reinhardt 1994 Kingston University    
Corris M We Have Submerged Victoriously 1999 Kingston University    
Cooper T.H. 'Early Modern Collecting in Northern Europe: Copied Drawings and Printed Prototypes' 1998 University College London    
Cooper T.H. 'Forgetting Rome + the Voice of Piranesi's Speaking Ruins' 1999 University College London    
Cooper T.H. ' See here thyself frail flesh as in a glass, Vanitas and the immortality of Portraiture in Early Modern England' 2000 University College London    
Cooper T.H. Drawing Practices, Mediums and Methods 2000 University College London    
Coombes A E   2000 Birkbeck College    
Coombes A E   1996 Birkbeck College    
Coombes A E   1999 Birkbeck College    
Coombes A E 'Translating the Past: Apartheid Monuments in Post-Apartheid South Africa 2000 Birkbeck College    
Contadini A Artistic Contacts: Present scholarship and future tasks 1999 School of Oriental and African Studies    
Contadini A Fatimid Art at the Victoria and Albert Museum 1998 School of Oriental and African Studies    
Contadini A The Decorated Word: Qu'rans from the 17th to the 20th centuries in the Nasser D.Khalili Collection of Islamic Art 1999 School of Oriental and African Studies   M Bayani
T Stanley
Contadini A Islamic Ivory Chess Pieces, Draughtsmen and Dice in the Ashmolean Museum 1995 School of Oriental and African Studies    
Coatsworth E East Riddlesden Hall 1999 Manchester Metropolitan University    
Coatsworth E Anglo-Saxon Textiles from Cleatham, Humberside 1996 Manchester Metropolitan University   Fitzgerald M
Leahy K
Owen-Crocker G
Coatsworth E The 'Robed Christ' in Pre-Conquest Sculptures of the Crucifixion 2000 Manchester Metropolitan University    
Coatsworth E Cloth-making and the Virgin Mary in Anglo-Saxon Literature and Art 1998 Manchester Metropolitan University    
Clunas AC Pictures and Visuality in Early Modern China 1997 University of Sussex    
Clunas AC Artist and Subject in Ming Dynasty China 2000 University of Sussex    
Clunas AC Fruitful Sites: Garden Culture in Ming Dynasty China 1996 University of Sussex    
Clunas AC Art in China 1997 University of Sussex    
Clarke JT The Landscape Archaeological Project at Dor (LAPD) 1999 University of East Anglia   Gibson S.
Kingley S.
Clarke JT Prastio-Agios Sawas tis Karonis Monastery (Pafor District, Cyprus): 1994-1995 Field Season and 1992-1995 Artifact Analyses 1999 University of East Anglia    
Clarke JT The National Museums of Scotland Saggara Survey Project 1993-1995 1997 University of East Anglia   Mathieson, I
Bettles, E
Duhig, C
Clarke JT Demographic Patterns and Differential Settlement in the Bronze Age Landscape of Palestine 1999 University of East Anglia   Steel, L
Clarke GNG A Visual Autobiography: the Digital Image and Self-Identity 2000 University of Kent at Canterbury    
Clarke GNG An American Photographer in Europe: Alfred Stieglitz's Continental Images 1994 University of Kent at Canterbury    
Clarke GNG The Photograph 1997 University of Kent at Canterbury    
Clarke GNG The American City: Literary Sources and Documents 1997 University of Kent at Canterbury    
Christie I 'As Others See Us: British Film-making and Europe in the 90s' 2000 Birkbeck College    
Christie I A Matter of Life and Death 2000 Birkbeck College    
Christie I 'Celluloid Apocalypse' 1999 Birkbeck College    
Christie I The Last Machine: Early Cinema and the Birth of the Modern World 1994 Birkbeck College    
Cherry D Reconceptualising Vorticism 2000 University of Sussex   J. Beckett
Cherry D Shuttling and Soul-making; Tracing the Links between British Feminism and Algeria in the 1850s and 1860s 1996 University of Sussex    
Cherry D Beyond the Frame: Feminism and Visual Culture 2000 University of Sussex    
Cherry D Autorschaft und signatur 1997 University of Sussex    
Cheddie J.M. A Note: Yinka Shonibare: Dress Tells the Woman's Story. 2000 Goldsmiths College    
Cheddie J.M. Transcoding the Journey 1995 Goldsmiths College    
Cheddie J.M. From Slaveship to Mothership: Thoughts on a Digital Diaspora 1999 Goldsmiths College    
Cheddie J.M. Rita Kegan: Document of Memory. 1998 Goldsmiths College    
Chaney E 1900-2000 : A Century of British and American Books on the Evolution of the Grand Tour 2000 Southampton Institute    
Chaney E   1996 Southampton Institute    
Chaney E Thomas Howard, 14th Earl of Arundel by Francois Dieussart 1996 Southampton Institute    
Chaney E The Evolution of the Grand Tour (Anglo-Italian Cultural Relations since the Renaissance) 1998 Southampton Institute    
Chambers E.S. 'The Cultivation of Mind and Hand: Teaching Art at the Slade School of Fine Art 1871-1892' 2000 University College London    
Chambers E.S. 'Etching from Nature: Images of the Urban and Rural Thames in The Work of Whistler and Haden' 1999 University College London    
Chambers E.S. An Indolent and Blundering Art: The Etching Revival and the Redefinition of Etching in England 1838-1892 1999 University College London    
Chambers E.S. 'From chemical process to the Aesthetics of Omission: Etching and the Languages of Art Criticism in Nineteenth-Century Britain' 1997 University College London    
Causey AG Sculpture since 1945 1998 University of Manchester    
Causey AG Herbert Read and Contemporary Art 2000 University of Manchester    
Causey AG Wyndham Lewis and History Painting in the later 1930s 2000 University of Manchester    
Causey AG Paul Nash. Writings on Art 2000 University of Manchester    
Cassidy BF Politics and Civic Ideals in Trecento Sculpture 2000 University of St Andrews    
Cassidy BF A Byzantine Saint in Tuscany: A Proposal for the Solution of a Trecento Enigma 1995 University of St Andrews    
Cassidy BF The Dream of St Joseph on the Anglo-Saxon Cross from Rothbury 1996 University of St Andrews    
Cassidy BF Ghibelline Propaganda at the Cathedral of Citta di Castello 1995 University of St Andrews    
Casella EC Doing Trade: a Sexual Economy of the 19th Century Australian Female Convict Prisons 2000 University of Manchester    
Casella EC Bulldaggers and Gentle Ladies: Archaeological Approaches to Female Sexuality in Convict-Era Australia 2000 University of Manchester    
Casella EC To enshrine their spirits in the world: Heritage and Grief at Port Arthur, Tasmania 1997 University of Manchester    
Casella EC ...a large and efficient Establishment: Preliminary Report of Fieldwork at the Ross Female Factory 1997 University of Manchester    
Carruthers VA Two Holiday Houses in North Britain: Melsetter and the Old Place of Mochrum 2000 University of St Andrews    
Carruthers VA The Scottish Home 1996 University of St Andrews    
Carruthers VA Edward Barnsley 1997 University of St Andrews    
Carruthers VA Simplicity or Splendour: Arts and Crafts Living: Objects from the Cheltenham Collections 1999 University of St Andrews    
Carradice IA Two Achaemenid Hoards 1998 University of St Andrews    
Carradice IA Greek Coins 1995 University of St Andrews    
Carradice IA Towards a New Introduction to the Flavian Coinage 1998 University of St Andrews    
Carradice IA Roman Provincial Coinage, Vol II From Vespasian to Domitian 1999 University of St Andrews   Burnett, M
Amandry, M
Carpenter J The Human Figure in the Playground of Edo Artistic Imagination 1998 School of Oriental and African Studies    
Carpenter J Jewels of Japanese Printmaking: Surimono of the Bunka-Bunsei Era (1804-1830) 2000 School of Oriental and African Studies   J Mirviss
Carpenter J The Frank Lloyd Wright Collection of Surimono 1995 School of Oriental and African Studies   JB Mirviss
Carpenter J Hokusai and Kyoden: Portrayals of Courtesans in Painting and Poetry 1994 School of Oriental and African Studies    
Cardinal RT Henry Moore: In the Light of Greece 2000 University of Kent at Canterbury    
Cardinal RT Art spirite, m 1999 University of Kent at Canterbury   M. Lusardy
Cardinal RT The Hanover Merzbau: Tracing a Lost Masterwork 1996 University of Kent at Canterbury    
Cardinal RT Approximating Giacometti: Notes on Jacques Dupin's Textes pour une approche 2000 University of Kent at Canterbury    
Campbell S Death for the Living in the late Neolithic in north Mesopotamia 1995 University of Manchester    
Campbell S The Burnt House at Arpachiyah: A Reexamination 2000 University of Manchester    
Campbell S Problems of definition: the origins of the Halaf in north Iraq 1998 University of Manchester    
Campbell S Emerging Complexity on the Kahramanmaras Plain, Turkey: the Domuztepe Project 1995-1999 1999 University of Manchester   E Carter
E Healey
S Anderson
Campbell L E M Twentieth-Century Architecture and Its Histories 2000 University of Warwick    
Campbell L E M Decoration, Display, Disguise: Leighton House Reconsidered 1999 University of Warwick    
Campbell L E M Against the Grain: The Domestic Architecture of Robert Harvey 2000 University of Warwick    
Campbell L E M Coventry Cathedral: Art and Architecture in Post-War Britain 1996 University of Warwick    
Campbell I Linlithgow's 'Princely Palace' and its influence in Europe 1995 Edinburgh College of Art    
Campbell I A Romanesque revival and the Early Renaissance in Scotland, c.1380-1513 1995 Edinburgh College of Art    
Campbell I James IV and Edinburgh's first triumphal arches 1997 Edinburgh College of Art    
Campbell I Bishop Elphinstone's Tomb 2000 Edinburgh College of Art    
Cameron N The Church in Scotland in the later 11th and 12th Centuries 1996 Edinburgh College of Art    
Cameron N Tolbooths and Town Houses: Civic Architecture in Scotland to 1833 1996 Edinburgh College of Art   Fisher, I
Cameron N 'The Romanesque Sculpture of Dunfermline Abbey: Durham versus the Vicinal' 1994 Edinburgh College of Art    
Cameron N St Rule's Church, St Andrews, and early stone-built churches in Scotland 1994 Edinburgh College of Art    
Callen AE The Art of Impressionism. Painting technique + the making of modernity 2000 University of Nottingham    
Callen AE 'The Body and Difference: Anatomy training at the Ecole des Beaux-Arts in Paris in the later nineteenth century' 1997 University of Nottingham    
Callen A E Technique and Gender: Landscape, Ideology and the Art of Monet's Series Paintings 2000 De Montfort University    
Callen A E The Spectacular Body: Science, Method and Meaning in the Work of Degas 1995 De Montfort University    
CURTIS B THE HEART OF THE CITY 2000 Middlesex University    
CURTIS B A MESSAGE OF HOPE FROM ANOTHER PLANET 2000 Middlesex University    
CURTIS B ARCHIGRAM A NECESSARY IRRITANT 1998 Middlesex University    
CURTIS B THAT PLACE WHERE: ARCHITECTURE, MEMORY AND NARRATIVE 2000 Middlesex University    
CROSSLEY BP The Architecture of Queenship. Royal Saints, Female Dynasties and the Spread of Gothic Architecture in Central Europe' in ed. A. Duggan, Queens and Queenship in Medieval Europe 1997 Courtauld Institute of Art    
CROSSLEY BP The Politics of Presentation. The Architecture of Charles IV of Bohemia' in eds. S. Rees Jones, A. J. Minnis and R. Marks, Courts and Regions in Medieval Europe 2000 Courtauld Institute of Art    
CROSSLEY BP 'The man from inner space: Meditation and Monument in the Choir of St Laurence in Nuremberg' in eds. G. Owen-Crocker and T. Graham, Medieval art : recent perspectives. A memorial tribute to C.R. Dodwell 1998 Courtauld Institute of Art    
CROSSLEY BP Architecture and Language. Constructing identity in European architecture c.1000-c.1650 1999 Courtauld Institute of Art   G. Clarke
CORMACK RS   1997 Courtauld Institute of Art    
CORMACK RS Byzantine Art 2000 Courtauld Institute of Art    
CORMACK RS Women and Icons, and Women in Icons', in ed. L. James, Women, Men and Eunuchs. Gender in Byzantium 1997 Courtauld Institute of Art    
CORMACK RS Painting the Soul. Icons, Death Masks, Shrouds 1998 Courtauld Institute of Art    
CLARKE G 'Magnificence and the City: Giovanni II Bentivoglio and Architecture in Fifteenth-Century Bologna' 1999 Courtauld Institute of Art    
CLARKE G 'La pi bella e meglio lavorata opera: Beauty and Good Design in Italian Renaiissance Architecture' in ed. F. Ames-Lewis and M. Rogers, Concepts of Beauty in Renaissance Art, 1998 Courtauld Institute of Art    
CLARKE G Ambrogio Traversari: Artistic Adviser in Early Fifteeth-Century Florence?' 1997 Courtauld Institute of Art    
CLARKE G   1996 Courtauld Institute of Art    
CATHER S Wall Paintings' in W.J. Rodwell, Holy Trinity Church, Bradwell-juxta-Coggeshall: a survey of the fabric and appraisal of the Norman brickwork 1998 Courtauld Institute of Art   D. Park
CATHER S 'Henry III's wall paintings at Chester Castle' in ed. A. Thacker, Chester: Medieval Archaeology, Art and Architecture 2000 Courtauld Institute of Art    
CATHER S Costing graphic documentation: how much money and whose time?, in Graphic Documentation Systems in Mural Painting Conservation 1999 Courtauld Institute of Art    
CATHER S Complexity and communication: principles of in situ conservation' in ed. N. Agnew, Conservation of Ancient Sites on the Silk Road 1997 Courtauld Institute of Art    
CANNON JL Dominic alter Christus? Representations of the Founder in and after the Arca di San Domenico in ed. K. Emery Jr. and J. Wawrykow 'Christ Among the Medieval Dominicans: Representations of Christ in the Texts and Images of the Order of Preachers' 1998 Courtauld Institute of Art    
CANNON JL Margherita of Cortona and the Lorenzetti: Sienese Art and the Cult of a Holy Woman in Medieval Tuscany 1999 Courtauld Institute of Art   A. Vauchez
CANNON JL Popular Saints and Private Chantries: the Sienese Tomb-Altar of Margherita of Cortona and Questions of Liturgical Use, in eds. N. Bock, S. de Blaauw, C.H. Frommel and H. Kessler, Kunst und Liturgie im Mittelalter, Akten des internationalen Kongresses der 2000 Courtauld Institute of Art    
CANNON JL The Creation, Meaning, and Audience of the Early Sienese Polyptych: Evidence from the Friars', in ed. E. Borsook and F. Superbi, Italian Alterpieces 1250-1550: Function and Design 1994 Courtauld Institute of Art    
Butters SB Il Palazzo dei Tribunali e via Giulia a Roma. The Palazzo dei Tribunali and via Giulia in Rome 1995 University of Manchester   P.N. Pagliara
Butters SB 'Magnifico, non senza eccesso: riflessioni sul mecenatismo del Cardinale Ferdinando de' Medici' + 'Arte coloniale messicana' 2000 University of Manchester    
Butters SB Una pietra eppure non una pietra. Pietra dure e botteghe medicee nella Firenze del Cinquecento 2000 University of Manchester    
Butters SB The Triumph of Vulcan: Sculptors' Tools, Porphyry, and the Prince in Ducal Florence 1996 University of Manchester    
Butt G Steve Reinke's Archival Imaginary. 2000 Goldsmiths College   Cairns, J.
Butt G The Art of Trailing: Work-Seth/Tallentire's Dublin. 1999 Goldsmiths College   Cairns, J.
Butt G Avant-Garde and Swish. 1997 Goldsmiths College    
Butt G The Greatest Homosexual? Camp Pleasure and the Performing Body of Larry Rivers 1999 Goldsmiths College    
Bury KM Beatrizet and the Reproduction of Antique Relief Sculpture. 1996 University of Edinburgh    
Bury KM A Newly-Discovered Architectural Treatise of the Early Cinquecento: the Codex of Antonio da Faenza. 1996 University of Edinburgh    
Bury KM Antonio Tempesta as printmaker: invention, drawing and technique. 1998 University of Edinburgh    
Bury KM The fifteenth- and early sixteenth-century gonfaloni of Perugia. 1998 University of Edinburgh    
Bucklow S L The Description of Craquelure Patterns 1997 University of Cambridge    
Bucklow S L The Description and Classification of Craquelure 1999 University of Cambridge    
Bucklow S L A Stylometric Analysis of Craquelure 1998 University of Cambridge    
Bucklow S L Representations of a Class of Visual Textures 1999 University of Cambridge    
Buckley C Quietly Fine, Quietly Subversive: Women Ceramic Designers 2000 University of Northumbria at Newcastle    
Buckley C Made in Patriarchy: Theories of Women and Design - A Re-Working 1999 University of Northumbria at Newcastle    
Buckley C On the Margins: Theorising the History and Significance of Making and Designing Clothes at Home 1998 University of Northumbria at Newcastle    
Buckley C Ceramics 2000 University of Northumbria at Newcastle    
Brunskill RW Traditional Farm Buildings of Britain and their Conservation 1999 De Montfort University    
Brunskill RW Vernacular Architecture: An Illustrated Handbook 2000 De Montfort University    
Brunskill RW Houses and Cottages of Britian 1997 De Montfort University    
Brunskill RW Brick Building in Britain 1997 De Montfort University    
Brown A J E The Use of Basic Dyes in Lithographic Inks and their Influence on Conservation Treatments 1994 University of Northumbria at Newcastle    
Brown A J E 1920s German Film Posters 1996 University of Northumbria at Newcastle    
Brown A J E Student profiling, graduate profiling, practitioner profiling 1998 University of Northumbria at Newcastle   A. Bacon
Brown A J E The Development of International Conservation Training Programmes 1996 University of Northumbria at Newcastle   Bacon, A
Brooks MM Chippendale Concealed: A Chintz covered bed cornice from Harewood House, Yorkshire 2000 University of Southampton    
Brooks MM Textiles Revealed: Object Lessons in Historic Textile and Costume Research. 2000 University of Southampton    
Brooks MM Patterns of Choice: Women's and Children's Clothing in the Wallis Archive, York Castle Museum 1999 University of Southampton    
Brooks MM The application of low energy x-radiography in the examination and investigation of degraded historic silk textiles 1996 University of Southampton   Brooks, MM
O'Connor, S M
McDonnell, J G
Boydell C E The Architect of Floors: Modernism, Art + Marion Dorn Designs 1996 De Montfort University    
Boydell C E Freelance Textile Design: An Improving Prospect? 1994 De Montfort University    
Boydell C E Textiles in the Modern House 1996 De Montfort University    
Boydell C E The Training Shoe: 'Pump Up the Power' 1996 De Montfort University    
Bown NJ The Enchantments of Tradition: Men, Women and Fairies in the Late Eighteenth Century. 1999 University of Birmingham    
Bown NJ A case of such familiars at home: Natural and Supernatural in the Work of John Anster Fitzgerald. 2000 University of Birmingham    
Boucher B.A. Italian Baroque Sculpture 1997 University College London    
Boucher B.A. 'Between Painting and Sculpture: Jacopo Sansovino and The Paragone' 1999 University College London    
Boucher B.A. Andrea Palladio: The Architect in his Time 1994 University College London    
Boucher B.A. 'Nature and the Antique in the Work of Andrea Palladio' 2000 University College London    
Binski P The Angel Choir at Lincoln and the Poetics of the Gothic Smile 1997 University of Cambridge    
Binski P The Liber Regalis: its Date and European Context 1997 University of Cambridge    
Binski P Westminster Abbey and the Plantagenets: Kingship and the Representation of Power 1200-1400. 1995 University of Cambridge    
Binski P The English Parish Church and its Art in the Later Middle Ages: A Review of the Problem 1999 University of Cambridge    
Bindman D. 'Hogarth and his Times: Serious Comedy' 1997 University College London    
Bindman D. 'Blake's Vision of Slavery Revisited 1997 University College London    
Bindman D. 'Roubiliac and the Eighteenth-Century Monument: Sculpture as Theatre' 1995 University College London   M. Baker
Bindman D. 'Text as Design in Gillray's Caricature' 1996 University College London    
Benton T.J 'From the arengario to the lictor's axe:memories of Italian Fascism', in M. Kwint, C. Breward, and J.Aynsley eds., Material Memories 1999 Open University    
Benton T.J 'Speaking without adjectives:architecture in the service of totalitarianism' and 'Rome refinds its Empire' in D.Britt ed., Art and Power (catalogue of Council of Europe/South Bank Centre exhibition Hayward Gallery) 1995 Open University    
Benton T.J Multiple Media and Multimedia:Some Possible Options for the History of Art and Design 1996 Open University    
Benton T.J 'La Rocca: Maison La Roche as the Opus 1 of Le Corbusier's architectural career' in K.Schmidt, H.Fischer and G.Hatje, eds., Ein Haus fur den Kubismus, Die Sammlung Raoul la Roche 1998 Open University    
Behrens-Abouseif D Beauty in Arabic Culture 1999 School of Oriental and African Studies    
Behrens-Abouseif D The Lion-Gazelle Mosaic at Khirbat al-Mafjar 1997 School of Oriental and African Studies    
Behrens-Abouseif D Sultan Qaytbay's Foundation in Medina: the Madrasah, the Ribat and the Dashishah 1998 School of Oriental and African Studies    
Behrens-Abouseif D Notes sur l'Architecture Musulmane d'Alexandrie 1998 School of Oriental and African Studies    
Barlow P J Facing the Past and Present 1997 University of Northumbria at Newcastle    
Barlow P J Transparent Bodies and Opaque Indentities 1999 University of Northumbria at Newcastle    
Barlow P J Fear and Loathing of the Academic, or Just What is it that Makes the Avant-garde so Different, so Appealing? 2000 University of Northumbria at Newcastle    
Barlow P J Millais, Manet, Modernity 2000 University of Northumbria at Newcastle    
Bann S Under the Sign: John Bargrave as Collector, Traveler and Witness 1994 University of Bristol    
Bann S Paul Delaroche: History Painted 1997 University of Bristol    
Bann S Paul Delaroche. History Painted 1997 University of Kent at Canterbury    
Bann S Under the Sign. John Bargrave as Collector, Traveler, and Witness 1994 University of Kent at Canterbury    
Bailey C A Making and Meaning in the English Countryside 1999 University of Northumbria at Newcastle    
Bailey C A England, whose England? The Fashioning of a Countryside Fit for Tourists 1996 University of Northumbria at Newcastle    
Bailey C A Compare and Contrast: measuring the impact of digital imaging on the discipline of art history 2000 University of Northumbria at Newcastle   Graham, M E
Bailey C A Festivals and Cultural Development: Reflecting on the Experience of Visual Arts UK 2000 University of Northumbria at Newcastle    
BURNSTOCK A An Examination of the Relationship Between the Materials and Techniques used for Works on Paper, Canvas and Panel by Honor 1998 Courtauld Institute of Art    
BURNSTOCK A Three paintings by Honor 2000 Courtauld Institute of Art   M. Evans
BURNSTOCK A A study of the blackening of vermilion pigment' 2000 Courtauld Institute of Art   R. Grout
BURNSTOCK A A review of techniques of electron microscopy for the study of paintings' in ed. D. Creagh, Radiation in Art and Archaeometry 2000 Courtauld Institute of Art   C. Jones
BLACK P Geoffrey Clarke: Sculpture, Constructions and Works on Paper 1949-2000 1997 University of Glasgow    
BLACK P Marie-Louise von Motesiczky 1997 University of Glasgow    
BLACK P Geoffrey Clarke - Symbols for Man: Sculpture and Graphic Work 1949-1994 1994 University of Glasgow    
BLACK P Julian Trevelyan: Catalogue Raisonne of Prints by Turner S 1999 University of Glasgow    
BIRD J INTRODUCTION; (+) MINDING THE BODY: ROBERT MORRIS'S 1971 TATE GALLERY RETROSPECTIVE 1999 Middlesex University    
BIRD J MEMORY'S TOUCH: THE ART OF LOUISE BOURGEOIS 2000 Middlesex University    
BIRD J LEON GOLUB RETROSPECTIVE - CURATOR 2000 Middlesex University    
BIRD J LEON GOLUB: ECHOES OF THE REAL 2000 Middlesex University    
BEHR S Expressionism 1999 Courtauld Institute of Art    
BEHR S 'Supporters and Collectors of Expressionism', in eds. S. Barron and W.D. Dube, German Expressionism: Art and Society 1909-1923 1997 Courtauld Institute of Art    
BEHR S 'Dr Rosa Schapire: Art Historian and Critic in Exile', in Keine Klage 1998 Courtauld Institute of Art    
BEHR S 'Veiling Venus: Gender and Painterly Abstraction in Early German Modernism, in eds. Arscott and Scott, Manifestations of Venus: Art and Sexuality 2000 Courtauld Institute of Art    
BAXTER R Bestiaries and their Users in the Middle Ages 1998 Courtauld Institute of Art    
BAXTER R Learning from Nature: Lessons in Virtue and Vice in the Physiologus and Bestiaries' in ed. Colum Hourihane, Virtue and Vice. The Personifications in the Index of Christian Art 2000 Courtauld Institute of Art    
BAXTER R 'Bestiaries' and 'Medieval Manuscripts and Herbals' in eds. P.E. Szarmach, M.T. Tavormina and J.T. Rosenthal, Medieval England: An Encyclopaedia 1998 Courtauld Institute of Art    
Avery V J Alessandro Vittoria collezionista 1999 University of Cambridge    
Avery V J Documenti sulla Vita e le Opere di Alessandro Vittoria (c. 1525-1608) 1999 University of Cambridge    
Avery V J La bottega di Alessandro Vittoria 1999 University of Cambridge    
Avery C Bernini: Genius of the Baroque 1997 Southampton Institute    
Avery C The Bronze Statuette in the Renaissance 1995 Southampton Institute    
Avery C Donatello: an Introduction 1994 Southampton Institute    
Avery C David le Marchand 1674-1726: An Ingenious Man for Carving in Ivory 1996 Southampton Institute    
Aulich J 'Introduction' and 'Kitaj: History and Tradition' 2000 Manchester Metropolitan University   Lynch J
Aulich J Western Views on Communist Perspectives 2000 Manchester Metropolitan University    
Aulich J Political Posters in Central and Eastern Europe 1945-95: Signs of the Times 1999 Manchester Metropolitan University   Sylvestrova M
Aulich J Monuments and Memorials 1995 Manchester Metropolitan University    
Attfield J Wild Things: the Material Culture of Everyday Life 2000 University of Southampton    
Attfield J 'Utility Reassessed', 'Freedom of Design' and 'Fascinating Fitness' 1999 University of Southampton    
Attfield J 'Introduction' and 'Inside Pram Town: A Case Study of Harlow House Interiors' 1995 University of Southampton    
Attfield J Design as the Practice of Modernity: the case for the study of the coffee table in the mid-centry domestic interior 1997 University of Southampton    
Arnold DR Re-presenting the Metropolis: Urban Experience and Social Life in London 1800-1840 1999 University of Southampton    
Arnold DR The Georgian Country House: Architecture, Landscape and Society 1998 University of Southampton    
Arnold DR 'Introduction' and 'A Family Affair: Decimus Burton's Villa Designs for the Regent's Park' 1998 University of Southampton    
Arnold DR 'Editor's introduction' and 'London Bridge and its Symbolic Identity in the Regency Metropolis: the dialectic of civic and national pride' 1999 University of Southampton    
Andrews J Cutting the Line: The Late Works of Matisse discussed from a Merleau-Pontean Perspective. 1998 Goldsmiths College    
Andrews J Easels and Amazons ('Amazons of the Avant-Garde'). 2000 Goldsmiths College    
Andrews J Telling Tales: Five Contemporary Women Arts from India. 1998 Goldsmiths College    
Andrews J Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur 1997 Goldsmiths College    
Ames-Lewis F   1996 Birkbeck College    
Ames-Lewis F   1997 Birkbeck College    
Ames-Lewis F Tuscan Marble Carving, 1250-1350. Sculpture and Civic Pride 1997 Birkbeck College    
Ames-Lewis F The Intellectual Life of the Early Renaissance Artist 2000 Birkbeck College    
Allen M   1996 Birkbeck College    
Allen M   1998 Birkbeck College    
Allen M   1999 Birkbeck College    
Allen M Family Secrets: The Feature Films of D W Griffith 1999 Birkbeck College    
Ades JD Marcel Duchamp 1999 University of Essex   N A Cox
D Hopkins
Ades JD Dali's Optical Illusions 2000 University of Essex    
Ades JD 'Toledo' in Francisco Toledo 2000 University of Essex    
Ades JD Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago 1997 University of Essex    
ARSCOTT C Manifestations of Venus: Art and Sexuality 2000 Courtauld Institute of Art   Katie Scott
ARSCOTT C Convict Labour: Masking and Interchangeability in Victorian Prison Scenes' 2000 Courtauld Institute of Art    
ARSCOTT C Leighton: the Artist as Artificer', in ed. E. Prettejohn, Frederic Leighton: Antiquity, Renaissance, Modernity 1999 Courtauld Institute of Art    
ARSCOTT C Poynter and the arty', in ed. E. Prettejohn, After the Pre-Raphaelites: Art and Aestheticism in Victorian England 1999 Courtauld Institute of Art    
ARMES R ADATTAMENTO E CREATIVITA IN OSSESSIONE E LA TERRA TREMA 1997 Middlesex University    
ARMES R THE CONTEXT OF THE AFRICAN FILM MAKER 1996 Middlesex University    
ARMES R DICTIONARY OF NORTH AFRICAN FILM MAKERS/DICTIONNAIRE DES CIN 1996 Middlesex University    
ARMES R OMAR GATLATO 1998 Middlesex University    
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