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| Art and Design - Publications | ||||
| Art and Design RDF, 6.7mb <RDF Zip, 391kb> | |||
| People, 884kb | Publications, 3.7mb | Groups, 49kb | Institutions, 28kb |
| BOTTOM |
| Author | Title | Date | Place of Publication | Research Group | Co-Authors |
| ANDERSON M | Materia: A Digital Media Collaborative Research Project | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| ANDERSON M | A pictorial investigation of the work for organ by Oliver Messiaen: La Nativite du Seigneur | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| ANDERSON M | Back From The Digital | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| ANDERSON M | Uncertain Objects | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| ANDERTON R | Flexo and Helio: innovative methods of printing | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| ANDERTON R | World Etching | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| ANDERTON R | WO 9855327 Novel Methods of Water-based Screenprinted Ceramic Transfers | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| ANDERTON R | Think it-Ink it: water-based screenprinting: a visual demonstration | 1997 | University of West of England, Bristol | Centre for Fine Print Research | |
| ARCHER MG | Mona Hatoum | 1997 | University of Oxford | Guy Brett Catherine de Zegher |
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| ARCHER MG | Art since 1960 | 1997 | University of Oxford | ||
| ARUNDELL C | Design of Leisure Games Software - SIM City UK Edition | 2000 | Kent Institute of Art + Design | Peter Robertson University of Central Lancashire | |
| ASHCROFT R J | Galleries for Millennium Corridor | 1999 | University of Dundee | Industry and the Public Sector | Gareth Fisher |
| ASHCROFT R J | Near and Far | 1998 | University of Dundee | Industry and the Public Sector | Nikolai Korobov Colin Wishart Dimitri Davidov |
| ASHCROFT R J | The Visual Questionnaire: an Innovation in Design Research | 1998 | University of Dundee | Industry and the Public Sector | Jeanette Paul Dr Nomana Anjum |
| ASHCROFT R J | Scottish Artist Book Archive Unit | 1999 | University of Dundee | Industry and the Public Sector | Jeanette Paul |
| ASTBURY P | CONTEMPORARY BRITISH CERAMICS - GROUP EXHIBITION | 2000 | Middlesex University | ||
| ASTBURY P | DOCUMENT; PART OF 'PULSE' | 1999 | Middlesex University | ||
| ASTBURY P | SKINS | 1997 | Middlesex University | ||
| ASTBURY P | OFF THE WALL AND ON THE FLOOR [RECENT STAND ALONE WORKS BY EIGHT EMINENT CERAMICISTS] | 1998 | Middlesex University | ||
| Aarons A | Umschlagplatz | 2000 | Anglia Polytechnic University | ||
| Aarons A | Kettle's Yard Open | 1998 | Anglia Polytechnic University | ||
| Aarons A | Is this Art? | 1996 | Anglia Polytechnic University | ||
| Aarons A | Interior of Princes Street Synagogue | 1998 | Anglia Polytechnic University | ||
| Ackling RW | For Masahiro Toda | 1996 | The London Institute | Fine Art | |
| Ackling RW | Workhand: Roger Ackling | 1998 | The London Institute | Fine Art | |
| Ackling RW | Roger Ackling: Walking From Wakayama in the KII Peninsula May 1996 | 1996 | The London Institute | Fine Art | |
| Ackling RW | One to another | 1999 | The London Institute | Fine Art | |
| Adam J | Jane Adam | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Adam J | Jerwood Applied Arts Prize 2000 (Jewellery) | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Adam J | 'Hand, Head and Heart, The Process of Making' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Adam J | 'Aluminium by Design: Jewellery to Jets' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Adams BC | Intersculpt 99 - the CALM Project | 1999 | University of Plymouth | Centre for Visual Computing | |
| Adams BC | Principles of Modelling + Rendering with 3D Studio | 1998 | University of Plymouth | Centre for Visual Computing | Mealing, S. Woolner, M. |
| Adams BC | Computer Technology in Designer Maker Practice | 1996 | University of Plymouth | Centre for Visual Computing | Woolner, M. Polletti, H. |
| Adams BC | The use of computer technology in craft practice. | 1996 | University of Plymouth | Centre for Visual Computing | Woolner, M. |
| Adams CG | The Heart of the Matter: Recent work by Jinmo Kang | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Adams CG | Beyond the Borders | 1995 | University of Plymouth | Site, Space, Location, Place | |
| Adams CG | Hwang Young-Sung. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Adams CG | Information and Reality: Korean Contemporary Art. | 1995 | University of Plymouth | Site, Space, Location, Place | |
| Adams H | Relicta - The Image of the Heavenly - Conventions of 'framing' in relation to cultural distance | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Adams H | ...if it ain't broken ... A critique of inadequate public statistics relating to the artist profession | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Adams H | The Greatest Sculptor in the World - Jose dos Santos - Artist, Visionary and Outsider | 2000 | University of Wales Institute, Cardiff | Fine Art | R Vallejo |
| Adams H | Falls the Shadow - Disjunctions between artists practice and systems of public arts support in the UK | 1999 | University of Wales Institute, Cardiff | Fine Art | J Summerton |
| Adams S R | Stonewalling criticism: the morphology of nature and Andy Goldsworthy's Sheepfolds. | 1996 | University of Hertfordshire | ||
| Adams S R | Signs of recovery: Landscape painting and masculinity in nineteenth-century France. | 2000 | University of Hertfordshire | ||
| Adams S R | Gendering Landscape Art | 2000 | University of Hertfordshire | ||
| Adams S R | Introduction to Gendering Landscape Art | 2000 | University of Hertfordshire | Dr A. Greutzner-Robins | |
| Adamson E | Liz Adamson + Marianne Kohler | 1999 | Edinburgh College of Art | Fine Art | |
| Adamson E | Landscapes | 2000 | Edinburgh College of Art | Fine Art | |
| Adamson E | C A Exposicion | 1995 | Edinburgh College of Art | Fine Art | |
| Adamson E | Ideas Are Insects | 1999 | Edinburgh College of Art | Fine Art | |
| Adjaye D | Chris Ofili House and Studio | 1999 | Royal College of Art | Architectural Design | |
| Adjaye D | SHAD, A Reading Pavilion | 2000 | Royal College of Art | Architectural Design | |
| Adjaye D | Social | 1999 | Royal College of Art | Architectural Design | |
| Adjaye D | Elektra House | 2000 | Royal College of Art | Architectural Design | |
| Adzhiev V. | Multidimensional Shape Modeling in Multimedia Applications | 1999 | Bournemouth University | Ossipov, A Pasko, A. |
|
| Adzhiev V. | Hybrid Systems of Architecture for Volume Modeling. | 2000 | Bournemouth University | Kazakov, M. Pasko, A. Savchenko, V. |
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| Adzhiev V. | Space-Time and Higher Dimensional Modeling for Animation. | 2000 | Bournemouth University | Fausett, E. Pasko, A. |
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| Adzhiev V. | Function Representation in Geometric Modeling: Concepts, Implementation and Applications. | 1995 | Bournemouth University | Pasko, A. Sourin, A. Savchenko, V. |
|
| Aggiss E | Beethoven in Love | 1994 | University of Brighton | Visual and Performing Arts | W Cowie - Composer B Bentley - Director |
| Aggiss E | Absurditties | 1994 | University of Brighton | Visual and Performing Arts | W Cowie |
| Aggiss E | Grotesque Dancer | 1998 | University of Brighton | Visual and Performing Arts | W Cowie |
| Aggiss E | Falling Apart at the Seams (so it seems) | 1994 | University of Brighton | Visual and Performing Arts | W Cowie |
| Aggs C | 'Royal Academy Summer Exhibition' - (Edition of 50) 'Welsh Black Bull - Ashington Falcon' Edition of 50 printed in warm black ink on conservation paper, 11x12 ins. | 1997 | University College Chichester | Printmaking | |
| Aggs C | 'Christopher Aggs Recent Paintings' - 20 Oil on Canvas and Oil on Board. Various dimensions. | 2000 | University College Chichester | Painting | |
| Aggs C | 'Sunrise - West Sussex' Commissioned painting. Oil on canvas. (200cmx175cms) | 1996 | University College Chichester | Painting | |
| Aggs C | 'The Otter Memorial Paper' - Art Editor and essay contribution to Otter Memorial Papers. 1800 word critical essay on ceramicist and printmaker Eric James Mellon. | 2000 | University College Chichester | Painting | |
| Aiken J.C. | Public Sculpture Commission | 2000 | University College London | Sculpture | |
| Aiken J.C. | EV+A Exhibition of Visual Art (International Invited Section) | 1998 | University College London | Sculpture | |
| Aiken J.C. | City as Shape | 1999 | University College London | Sculpture | |
| Aiken J.C. | L'Imaginaire Irlandais | 1996 | University College London | Sculpture | |
| Ainsley S | Mapping the Difference, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Ainsley S | Art Outside The Gallery | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Ainsley S | Step it Up and Go | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Ainsley S | The Red Space, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Ainsworth MD | The Repeated Disappearance of Painting | 2000 | University of Ulster | ||
| Ainsworth MD | Emerging Art II | 2000 | University of Ulster | ||
| Ainsworth MD | John Moores Liverpool Exhibition | 1995 | University of Ulster | ||
| Ainsworth MD | Arts Fest '96 | 1996 | University of Ulster | ||
| Alaka A | Soft Drinks | 1997 | Brunel University | Design Process | |
| Alaka A | Baked Goods | 1997 | Brunel University | Design Process | |
| Alaka A | Dairy | 1998 | Brunel University | Design Process | |
| Alaka A | Frozen Foods | 1997 | Brunel University | Design Process | |
| Aldrich W | Metric Pattern Cutting for Children's Wear and Baby Wear: From Birth To 14 Years | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Aldrich W | Metric Pattern Cutting for Menswear: Including Unisex Clothes and Computer Aided Design | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Aldrich W | Fabric, Form and Flat Pattern Cutting | 1996 | Nottingham Trent University | Fashion and Textiles | |
| Aldrich W | Tailor's Cutting Manuals And the Growing Provision of popular Clothing | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Alexander G | Cabaret Mechanical Movement - Understanding Movement and Making Automata. | 1998 | Wimbledon School of Art | Theatre technical arts | Aidan Lawrence Onn |
| Alexander G | Global Virtual Exhibition | 1999 | Wimbledon School of Art | Theatre technical arts | Carlos Zapata John Lumbus Aidan Lawrence Onn |
| Alexander G | The Human Factor | 1999 | Wimbledon School of Art | Theatre technical arts | Tim Hunkin |
| Alexander G | Machinations | 1995 | Wimbledon School of Art | Theatre technical arts | Tim Hunkin Paul Spooner Elizabeth Queenan |
| Alexander I | The Jaspan House | 2000 | Glasgow School of Art | Design | McKeown, H |
| Alexander I | The Glasgow Collection | 1999 | Glasgow School of Art | Design | McKeown, H |
| Alexander I | Graham Square, Glasgow | 1998 | Glasgow School of Art | Cities and Environments | McKeown, H |
| Alexander I | Homes for the future | 1999 | Glasgow School of Art | Cities and Environments | McKeown, H |
| Ali-MacLachlan I | PCT/GB95/01327. UK Design 2044278. STS Modular utility belt for Armourshield Ltd, Manchester | 1995 | Glasgow School of Art | Design | Michael Sacks David Clark |
| Ali-MacLachlan I | Institutional Collaboration Over Networks ICON 2: A Remote Design Project | 1999 | Glasgow School of Art | Educational Theory and Practice | A. Thomson L. M. Campbell |
| Ali-MacLachlan I | A Synchronous Feedback System for Distance Collaborative Projects. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Ali-MacLachlan I | Disrupting Isolation: Exposing Distance Learning Students to Cultural Differences. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Allan J | Closing the Loop: Some Proposals for Effective Delivery of History and Theory to Studio Students | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Allan J | (I) Exploring Common Ground: Artists Working with Elderly People (ii) Creating Common Ground: Art with the Elderly in Residential Care | 1996 | Glasgow School of Art | Design | Sarah Hall Jenny Kerwood Deirdre Nelson |
| Allan J | The Sows Ear, the Ivory Tower and the Enlightened Benefactor | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Allan J | Students Residencies in Education: The Acquisition of Key Skills Through Practice | 2000 | Glasgow School of Art | Educational Theory and Practice | Alastair Laing |
| Allen K.F | 'Exorcising the Flesh' | 1998 | Wimbledon School of Art | Painting | Richard Wentworth Alex Hartley Ming de Nasty |
| Allen K.F | 'Having your Cake and Eating it' | 1997 | Wimbledon School of Art | Painting | |
| Allen K.F | Case Histories | 2000 | Wimbledon School of Art | Painting | Kei Ito Jenny Meredeth Marcus Rowlands |
| Allen K.F | Rebel Angels | 1997 | Wimbledon School of Art | Painting | Hermione Wilshire Laura Ford Alison Jones |
| Allen L | The Lesbian Idol: Martina, kd and the Consumption of Lesbian Masculinity | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen L | Colonial Fantasies: Virtual Spaces and Digital Femininities | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen L | Salmonberries: consuming kd lang | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen L | Natural Bodies and Screen Culture: Nation, Race and Embodiment in Utu | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen T | Tim Allen | 1999 | Kingston University | ||
| Allen T | Ghost Train | 2000 | Kingston University | ||
| Allen T | Fact + Value: New Positions in Sculpture and Painting | 2000 | Kingston University | ||
| Allen T | Tim Allen Recent Paintings | 1999 | Kingston University | ||
| Allington E. | Tilted Vase | 1998 | University College London | Sculpture | |
| Allington E. | A Method for Sorting Cows, Essays 1993-97 | 1997 | University College London | Sculpture | |
| Allington E. | Den Haag Sculptuur 1999 | 1999 | University College London | Sculpture | |
| Allington E. | Edward Allington: Pictured Bronzes | 1997 | University College London | Sculpture | |
| Allsop D | Zeit R | 2000 | Royal College of Art | Fine Art | |
| Allsop D | Positionen - Reisen an die Grenzen der Malerei | 1996 | Royal College of Art | Fine Art | |
| Allsop D | Douglas Allsop | 1999 | Royal College of Art | Fine Art | |
| Allsop D | Lacunae | 1995 | Royal College of Art | Fine Art | |
| Amado I | Bread Matters | 2000 | University of Southampton | ||
| Amado I | Time and Moments | 2000 | University of Southampton | ||
| Amado I | Atlantic Fusion | 1997 | University of Southampton | ||
| Amado I | Of Bread and Water | 1999 | University of Southampton | ||
| Anderson F | Museums as Fashion Media | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Anderson F | Fashioning the Gentleman: A Study of Henry Poole and Co., Savile Row Tailors 1861-1900 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Anderson J | Sculpture and Drawings. | 1996 | Goldsmiths College | ||
| Anderson J | Icons. | 1997 | Goldsmiths College | ||
| Anderson J | A Thousand Prayers. | 1997 | Goldsmiths College | ||
| Anderson J | A Thousand Prayers an Empty Vessel. | 1996 | Goldsmiths College | ||
| Anderson P | Boy | 1996 | Kingston University | ||
| Anderson P | Waiting Game | 1997 | Kingston University | ||
| Anderson P | Infanta | 1998 | Kingston University | ||
| Anderson P | Greenman | 1998 | Kingston University | ||
| Anderson P | An Islands Language | 1998 | The London Institute | Media and Communication | |
| Anderson P | Ultravision | 1999 | The London Institute | Media and Communication | |
| Anderson P | Gravitaz | 1996 | The London Institute | Media and Communication | |
| Anderson P | On a Clear Day | 1996 | The London Institute | Media and Communication | |
| Anderson P | Virtual Design Manufacturing | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | Dr Chris Slinger |
| Anderson P | Managing Digital Design Research | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Anderson P | A Multidisciplinary Approach to Masters Education in Digital Research | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Anderson P | Concept Investigation Into Head-Mounted Displays. Confidential Report | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Anderson W | Is Art Beneath You | 1998 | The London Institute | Fine Art | Alice Evans |
| Anderson W | Shaking and Stirring | 1997 | The London Institute | Fine Art | |
| Anderson W | Six British Artists in Asmara | 1997 | The London Institute | Fine Art | |
| Anderson W | Joseph Beuys Drawings | 1999 | The London Institute | Fine Art | |
| Andrews M J | Review of Newman, L.M. (ed). The correspondence of Edward Gordon Craig and Count Kessler, MHRA Texts and Dissertations, vol. 43, Bithell Series of Dissertations, vol. 21, London, W.S. Maney + Sons Ltd for the Modern Humanities Research Association and t | 1997 | University of Reading | ||
| Andrews M J | The voyage of HMS Beagle: a collaboration between Robert Gibbings, John Dreyfus and George Macy | 1999 | University of Reading | ||
| Andrews M J | Sweet Cork of Thee, and the popular books of Robert Gibbings | 1995 | University of Reading | ||
| Andrews M J | Hare + Co., commercial wood-engravers: Jabez Hare, founder of the firm, and his letters 1846 to 1847 | 1996 | University of Reading | ||
| Angus J | Research, Design + Prototype Fabric Developments. | 1999 | University of Derby | ||
| Angus J | Research, Design + Development Consultancy to Studio Sabbatini, Italy. | 1995 | University of Derby | ||
| Angus J | 'Future Fashions + Fabrics: Courtaulds History of Dress Association', Annual Conference. Keynote Speech: The Future for Fashion + Textiles Manufacture in the U.K. | 2000 | University of Derby | ||
| Angus J | Design Residency (for prototype evaluation of Shima Seiki 'First' Whole garment equipment). | 2000 | University of Derby | ||
| Arad R | Before and After Now | 2000 | Royal College of Art | Design for Manufacture | |
| Arad R | Not Made by Hand Not Made in China | 2000 | Royal College of Art | Design for Manufacture | |
| Arad R | Bookworm | 1996 | Royal College of Art | Design for Manufacture | |
| Arad R | WindWand and Big Blue | 1999 | Royal College of Art | Design for Manufacture | |
| Archer M | Interface (15 ton granite sculpture) | 1999 | Loughborough University | Fine and Applied Arts | |
| Archer M | Passing Through | 2000 | Loughborough University | Fine and Applied Arts | |
| Archer M | Penarth Obelisk (8.5 metre granite sculpture commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Archer M | Oggelshausen International Sculpture Symposium (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Archer MG | Installation Art | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Archer MG | Art since 1960 | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Archer MG | Voice Over: Sound and Vision in Current Art | 1998 | The London Institute | Fine Art | Greg Hilty |
| Archer MG | Material Culture: The Object in British Art of the 1980s and 90s | 1997 | The London Institute | Fine Art | Greg Hilty |
| Arney V | Scents + Ciphers | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Arney V | Neither here nor There | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Arney V | Remarkable Phenomena | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Arney V | Preface : International Biennial for Emerging Artists | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Arnold E.M. | Liz Arnold | 1999 | University College London | Painting | |
| Arnold E.M. | Liz Arnold | 1999 | University College London | Painting | |
| Arnold E.M. | Beck's Futures | 2000 | University College London | Painting | |
| Arnold E.M. | Liz Arnold | 2000 | University College London | Painting | |
| Arnold RL | Luxury and Restraint: Minimalism in 1990s Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Arnold RL | The Brutalised Body | 1999 | The London Institute | Fashion and Textiles | |
| Arnold RL | Heroin Chic | 1999 | The London Institute | Fashion and Textiles | |
| Arnold RL | A Modern System of Dressing | 1999 | The London Institute | Fashion and Textiles | |
| Arthur E | Entertaining Royalty: British Needlework in the Burrell Collection | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Arthur E | Uncut Cloth: Saris, Shawls and Sashes | 1999 | Glasgow School of Art | Historical and Critical Enquiry | N. Askari |
| Arthur E | Seventeenth Century Embroideries in the Burrell Collection | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Arthur E | Embroidery 1600 - 1700 at the Burrell Collection | 1995 | Glasgow School of Art | The Decorative Arts | |
| Ascott R | Art-ID/Cyb-ID: Identities in Cyberspace. | 1999 | University of Wales College, Newport | CAiiA | Josep Giribet |
| Ascott R | Reframing Consciousness:art, mind and technology | 1999 | University of Wales College, Newport | CAiiA | |
| Ascott R | Art + Telematics: toward the Construction of a New Aesthetics. | 1998 | University of Wales College, Newport | CAiiA | |
| Ascott R | The Technoetic Dimension of Art | 1998 | University of Wales College, Newport | CAiiA | |
| Ashley M | Dutch global investment bank - commissioned redesign of brand identity | 2000 | The London Institute | Media and Communication | |
| Ashley M | German global investment bank - commissioned visual audit | 1998 | The London Institute | Media and Communication | |
| Ashley M | From Cuneiform to DTP: Is there a pattern? | 1994 | The London Institute | Media and Communication | |
| Ashley M | Merger of 20 European investment banks - commissioned design of visual merger | 1998 | The London Institute | Media and Communication | |
| Ashley-Smith J | Risk Analysis | 1997 | Royal College of Art | Conservation | |
| Ashley-Smith J | Risk Assessment for Object Conservation | 1999 | Royal College of Art | Conservation | |
| Ashley-Smith J | Can high productivity be productive? | 1997 | Royal College of Art | Conservation | Hillyer, L |
| Ashley-Smith J | Let's be Honest: Realistic Environmental Parameters for Loaned Objects | 1994 | Royal College of Art | Conservation | |
| Ashton P C | The Social Aspects of Design Learning - Assessing the Value of the Studio in Undergraduate Design Education. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Ashton P C | Collective Action for Design Learning. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Ashton P C | Learning Theory Through Practice. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Ashton P C | Doing the Right Thing. Social Processes in Design Learning. | 2000 | Staffordshire University | ARi, School of Art + Design | D Durling |
| Ashton RG | The development and application of real-time kinematic GPS surveying methods for the recording of site detail at the Ford Halewood plant. | 1999 | De Montfort University | ||
| Ashton RG | The application of commercial visualisation software for communicating large-scale civil engineering projects. | 1998 | De Montfort University | ||
| Ashton RG | The integration of differential RTK GPS, terrain modelling software and a geographic information system to facilitate earthworks optimisation and the communication of associated data. | 1999 | De Montfort University | ||
| Ashton RG | The application of digital modelling and visualisation methods in communicating proposed infrastructure developments for the motor vehicle logistics sector. | 2000 | De Montfort University | ||
| Ashworth J | Christmas on BBC1 Campaign | 1996 | Royal College of Art | Animation | |
| Ashworth J | Ceremony of Innocence | 1997 | Royal College of Art | Animation | |
| Ashworth J | Eggs, Fish and Blood | 1999 | Royal College of Art | Animation | |
| Ashworth J | Representations of Water in Model Animation, or: How Mermaids Breed | 2000 | Royal College of Art | Animation | |
| Astfalck J | Semaphore | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Astfalck J | Tacita Dentata | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Astfalck J | Be.twikst | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Astfalck J | Making Connections | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Astles CA | Tristan + Isolde | 1998 | University of Plymouth | Theatre + Performance | |
| Astles CA | Lorca, Don Cristobal and the Carnivalesque. 100 Years of Lorca. | 1999 | University of Plymouth | Theatre + Performance | |
| Astles CA | Beyond the Mask | 1998 | University of Plymouth | Theatre + Performance | |
| Astles CA | Eva Luna | 1995 | University of Plymouth | Theatre + Performance | |
| Atherton B | Barry Atherton Gicl | 1997 | Glasgow School of Art | Fine Art | |
| Atherton B | Recent Paintings, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Atherton B | Archaeology + Reconstruction, solo exhibition | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Atherton B | Suite de Vases, solo exhibition | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Atkin J | A series of twelve plaster reliefs | 2000 | Loughborough University | Fine and Applied Arts | |
| Atkin J | Cut (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Atkin J | Distant Voices (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Atkin J | Scorched Earth (exhibition) | 2000 | Loughborough University | Drawing | |
| Atkinson A | Wave (ceramic tableware) | 1999 | Loughborough University | Fine and Applied Arts | |
| Atkinson A | Carribbean (ceramic tableware) | 1997 | Loughborough University | Fine and Applied Arts | |
| Atkinson A | Gardeners Journal (ceramic tableware) | 1998 | Loughborough University | Fine and Applied Arts | |
| Attenburrow D H | Design research and the Educational Interface (Get your research to work for you) | 1995 | University College Northampton | Design for Industry and Commerce | |
| Attenburrow D H | Recycling and the integration of CAD and computer modelling in product design management education | 1999 | University College Northampton | Design for Industry and Commerce | |
| Attenburrow D H | Recycling and secondary use in Pallet Timber Furniture Design | 1996 | University College Northampton | Design for Industry and Commerce | |
| Attenburrow D H | Sketchbook: Fact or Fallacy (The sketchbook as a realistic tool for product designers) | 1996 | University College Northampton | Design for Industry and Commerce | |
| Attridge GG | Assessment of a CRT Display System | 1996 | University of Westminster | Imaging Technology | Ford AM Jacobson RE |
| Attridge GG | A Summary of Applications of Colour Reproduction: Indices to Imaging Systems | 1996 | University of Westminster | Imaging Technology | Pointer MR Jacobson RE |
| Attridge GG | Some Aspects of the Visual Scaling of Large Colour Differences II | 2000 | University of Westminster | Imaging Technology | Pointer MR |
| Attridge GG | Characteristics of CRT Monitors for the Display of Still Images | 1996 | University of Westminster | Imaging Technology | Ford AM Jacobson RE |
| Aubrey K | Spring Open - Millenium Surroundings | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Aubrey K | Public Arts Laboratory | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Aubrey K | Lednicke - Rovne Glass Symposium | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Aubrey K | Light | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Aust R | Objects of Our Time. | 1998 | Goldsmiths College | ||
| Aust R | Lucy Casson and Rushton Aust. | 1999 | Goldsmiths College | ||
| Aust R | Installation. | 2000 | Goldsmiths College | ||
| Aust R | 6 pieces. | 1997 | Goldsmiths College | ||
| Austin N | Flexible Furniture | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Austin N | Spheres | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Austin N | Mobilly | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Austin N | Mobilly | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Averill S. | Solo Exhibition: Recent Paintings | 1996 | Falmouth College of Arts | ||
| Averill S. | Solo Exhibition: Recent Paintings | 1998 | Falmouth College of Arts | ||
| Averill S. | New Works | 1999 | Falmouth College of Arts | ||
| Averill S. | Panel Paintings | 2000 | Falmouth College of Arts | ||
| Axford NR | The Aliasing Phenomenon | 1996 | University of Westminster | Imaging Technology | Sharma A Tong B |
| Axford NR | Fourier Theory Explanation for a Sampling Theorem demonstrated by a Laboratory Experiment | 1996 | University of Westminster | Imaging Technology | Sharma A Tong B |
| Axford NR | Theory of Image Formation | 2000 | University of Westminster | Imaging Technology | |
| Axford NR | A Novel Approach to the Derivation of Expressions for the Geometrical MTF in Sampled Systems | 1999 | University of Westminster | Imaging Technology | Fagard-Jenkin RB Jacobson RE |
| Ayers A R | Sustrans, National Cycle Network + Nottinghamshire Contemporary Sittings | 2000 | Nottingham Trent University | Visual Arts | |
| Ayers A R | Shifting Ground | 1995 | Nottingham Trent University | Visual Arts | |
| Ayers A R | Axes Maceration - Perfect Impossible | 1999 | Nottingham Trent University | Visual Arts | Clare Roudenko-Bertin Materia Prima Paul-Armand Gette |
| Ayers A R | Pupabine | 1998 | Nottingham Trent University | Visual Arts | |
| Aylieff F | Felicity Aylieff: new work, an evolution | 2000 | Bath Spa University College | ||
| Aylieff F | The Elusive Body | 1997 | Bath Spa University College | ||
| Aylieff F | Dashed, Speckled + Brushed | 1998 | Bath Spa University College | ||
| Aylieff F | Frauen in Europa 5 Sept-7 Oct | 1998 | Bath Spa University College | Britton, A. Lowndes, G. Manz, B. |
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| Aylin KL | Graphic design of a series of interactive effects | 2000 | Glasgow School of Art | Design | |
| Aylin KL | Charles Rennie Mackintosh: Art, Architecture and Design | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Aylin KL | Graphic design of programme of wire interactive effects | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Aytoun Ellis M | Earth, Mountains, Rivers | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aytoun Ellis M | BP Portrait Award | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aytoun Ellis M | Visions of a Legend | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aytoun Ellis M | The Discerning Eye | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| BAKER R | GirM Video, Liquid Hacking(www.obn.de) | 2000 | University of Lincoln | ||
| BAKER R | Net Audio workshop and Irational's Online Toolkit, Site Gallery(http:www.site-map-u-net.com) | 2000 | University of Lincoln | ||
| BALCIOGLU T | Goodbye the Old Duality: Theory + Practice, Welcome the New Triumvirate: Theory, Practice + Communication | 1999 | Kent Institute of Art + Design | ||
| BALCIOGLU T | The Role of Product Design in Post Industrial Society | 1998 | Kent Institute of Art + Design | Victor Margolin Dieter Rams Ezio Mansini |
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| BALCIOGLU T | Problematic of Local + Global - Design Identity in New Industrialised Countries | 1999 | Kent Institute of Art + Design | ||
| BALCIOGLU T | Observations on theRise of Design Historiography in the UK | 1999 | Kent Institute of Art + Design | ||
| BANCROFT HUNT N | Warriors: Warfare and the Native Americans | 1996 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BANCROFT HUNT N | Encyclopaedia of the Native Americans | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BANCROFT HUNT N | Native American Tribes | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BANCROFT HUNT N | Gods + Myths of the Aztecs | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BARR S | Contemplation | 2000 | University of Dundee | Contemporary Practice | Teena Ramsay |
| BARR S | Fired with Colour | 2000 | University of Dundee | Contemporary Practice | Ros Conway Jane Short Georgina Follett |
| BARR S | Alloy V | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay David Swift |
| BARR S | Alloy IV | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay Ann-Marie Shillito |
| BASEMAN J | Some people believe... | 1997 | University of Oxford | ||
| BASEMAN J | SHUP | 1998 | University of Oxford | ||
| BASEMAN J | The Comedians | 2000 | University of Oxford | ||
| BASEMAN J | The History of Existentialism | 1999 | University of Oxford | ||
| BEDWELL S | Press Release | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| BEDWELL S | If Hope was a Time Machine | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| BEHRENS R H H | 25 years of expeditions into Naboland | 2000 | University of Dundee | Contemporary Practice | Martin Kemp Tony Jones Murdo Macdonald |
| BEHRENS R H H | A Voyage to Naboland | 1996 | University of Dundee | Contemporary Practice | |
| BEHRENS R H H | Scottish Spirit (21 artists from the Society of Scottish Artists) | 1998 | University of Dundee | Coastal/Indigenous Cultures | Joanne Soroka Ian McCulloch Philip Reeves |
| BEHRENS R H H | 'Celtic connections | 1998 | University of Dundee | Contemporary Practice | Andy Goldsworthy Iduardo Paolozzi Adrian Wisniewski |
| BELL R | Three British Ceramists: Richard Bell, Tracey Heyes, Jim Robison | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BELL R | Artist as Teacher | 1994 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BELL R | Selected Artists | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BELL R | Ceramics Monthly International Competition | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BELL S. | Care and repair of antiques and collectables | 1997 | Coventry University | Design | WAINWRIGHT, J. MILLER, J. ALLEN, G.E. |
| BELL S. | Looking at landscape | 1996 | Coventry University | Design | DAVIDSON, R. GREEN, J. |
| BELL S. | Degas calendar | 1997 | Coventry University | Design | |
| BELL S. | The South Seas and a box of paints | 1996 | Coventry University | Design | BEWICK, P. MUSCAT, C. BORLENGHI, P. |
| BIGGS I | Ken Kiff | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| BIGGS I | Wild conversations/peripheral visions: towards another education | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| BIGGS I | Ken Kiff: Prints | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| BIGGS I | The State of the Art: Art Education and Radical Imagination | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| BIRCH A.R. | Nudge bars for an off-road vehicle (USA) | 2000 | Coventry University | Design | |
| BIRCH A.R. | Rigid inner core plastic moulding | 1995 | Coventry University | Design | |
| BIRCH A.R. | Gamebird shooting stick | 1996 | Coventry University | Design | |
| BIRCH A.R. | Nudge bars for an off-road vehicle | 1998 | Coventry University | Design | |
| BLOUNT G.N. | Computerised blank shape prediction for sheet metal components having doubly-curved surfaces | 1995 | Coventry University | The Design Institute | FISHER, B. |
| BLOUNT G.N. | Business model approach: design 'versus' economic considerations for automotive recycling | 2000 | Coventry University | The Design Institute | HARRISON, L.A.J. |
| BLOUNT G.N. | Case-based prosthetic socket design | 2000 | Coventry University | The Design Institute | VINNEY, J. .E. NOROOZI, S. SEWELL, P. |
| BLOUNT G.N. | Automotive body panel surface classification | 1998 | Coventry University | The Design Institute | WAGIMIN, D. JONES, R.M. |
| BODMAN S | Bound to Happen | 1996 | University of West of England, Bristol | Centre for Fine Print Research | |
| BODMAN S | Books by Artists | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| BODMAN S | GM Future | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| BODMAN S | A Case of Discovery | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| BONAVENTURA P | Intensities | 1997 | University of Oxford | Edward King | |
| BONAVENTURA P | A matter of life and death | 2000 | University of Oxford | Nikos Papastergiadis John Berger Don Miller |
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| BONAVENTURA P | Even: Dorothy Cross | 1996 | University of Oxford | Tessa Jackson James Conway Marian Dunlea |
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| BONAVENTURA P | A Day at the Races | 2000 | University of Oxford | Julian Stallabrass Pauline van Mourik Broeckman Niru Ratnam |
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| BOWSHER G. | Steam powered car | 2000 | Coventry University | Design | CANDY, P. WHITE, P.R. |
| BOWSHER G. | Rear wheel steering and suspension for Thrust SSC | 1997 | Coventry University | Design | |
| BOWSHER G. | Engineering design of Thrust SSC | 1997 | Coventry University | Design | AYERS, R. ROWBOTTOM, T. NOBLE, R. |
| BOWSHER G. | Space frame for Thrust SSC | 1997 | Coventry University | Design | |
| BOYD-DAVIS S | Authoring and Design for the World Wide Web | 1998 | Middlesex University | M Tessier | |
| BOYD-DAVIS S | Design of Virtual Environments | 1998 | Middlesex University | A Huxor J Lansdown |
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| BOYD-DAVIS S | Educating the Multimedia Designer | 2000 | Middlesex University | ||
| BOYD-DAVIS S | VRML: A Designer's View | 1999 | Middlesex University | ||
| BOYLAN P.J. | Universities and Museums: Past, present and future | 2000 | City University | ||
| BOYLAN P.J. | Museums and Insurance | 1999 | City University | Sarafopolous J | |
| BOYLAN P.J. | William Buckland (1784-1856) and the foundations of taphonomy and palaeo-ecology | 1997 | City University | ||
| BOYLAN P.J. | World Bank: Global Development Gateway: Culture + Development (plus sub-topics Arts Crafts + Media,Cultural Management, Cultural Policy, Cultural Tourism, Documentation Standards + Heritage Preservation) | 2000 | City University | ||
| BRADLEY P | Our Seats Are Almost Touching | 2000 | University of Lincoln | ||
| BRADLEY P | Our Seats Are Almost Touching | 2000 | University of Lincoln | ||
| BRADLEY P | Don Hans Van Der Laan | 2000 | University of Lincoln | ||
| BRADLEY P | An Urban Game for City Dwellers | 1998 | University of Lincoln | ||
| BRADLEY P | A Temporary World: A Commentary on Some Urban Games and City Dwellers | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | An Urban Game for City Dwellers | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | Tomorrow, Forever and Never | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | The Space Here is EVERYWHERE: Art with Architecture | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BROADHEAD C | STEPPENWOLF + THREE | 1997 | Middlesex University | ||
| BROADHEAD C | BODYSCAPE - SOLO RETROSPECTIVE [25 YEARS] EXHIBITION | 1999 | Middlesex University | ||
| BROADHEAD C | SEAMS + WOBBLY DRESS II | 1997 | Middlesex University | ||
| BROADHEAD C | DRESS WITH BLACK HOLES | 2000 | Middlesex University | ||
| BULL MG | Poussin and Nonnos | 1998 | University of Oxford | ||
| BULL MG | Poussin and the Antique | 1997 | University of Oxford | ||
| BULL MG | The Ecstasy of Philistinism | 1996 | University of Oxford | ||
| BULL MG | Seeing Things Hidden: Apocalypse, Vision and Totality | 2000 | University of Oxford | ||
| BULLEY E | 'Earthed' Paintings | 1996 | University of Lincoln | ||
| BULLEY E | 'CEDE' Painting | 1997 | University of Lincoln | ||
| BULLEY E | 'Ceaselessly' Painting | 1996 | University of Lincoln | ||
| BULLEY E | 'CEDE' Paintings | 1996 | University of Lincoln | ||
| BURFORD N | Developing a new military shelter system - a case study in innovation | 1999 | University of Dundee | Industry and the Public Sector | Smith, F W |
| BURFORD N | Supporting Truss for Example a Shelter Structure | 1996 | University of Dundee | Industry and the Public Sector | Fish, D C E Smith, F W |
| BURFORD N | The Development of a Lightweight Military Structure | 1998 | University of Dundee | Industry and the Public Sector | Fish, D C E Smith, F W |
| BURFORD N | Cantilever Support and Erectable Structures | 2000 | University of Dundee | Industry and the Public Sector | Smith, F W |
| BURNS J. | Unilever Multimedia Products | 1996 | Coventry University | Design | |
| BURNS J. | Tramadol | 1996 | Coventry University | Design | |
| BURNS J. | UK interactive exhibition stand | 1998 | Coventry University | Design | |
| BURNS J. | Rationale for the local treatment of traveller's food poisoning | 1997 | Coventry University | Design | |
| BUSS D | The use of colour names in idiomatic and colloquial language | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by L Sivik |
| BUSS D | A Tale of Two Cities: Complementary Colour in the Environments of Two Moroccan Imperial Cities | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BUSS D | Poetry or Prism | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by E Wessel |
| BUSS D | Richard of York Gained Battles in Vain | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Baddeley O | The Death of History or a History of Death | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Baddeley O | Other Modernities | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Michael Asbury |
| Baddeley O | The Monastery of Saint Catherine | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Earleen Brunner |
| Baddeley O | Sinai, Byzantium and Russia: Orthodox Art from the Sixth to the Twentieth Century | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Earleen Brunner Marlia Mundell Mango Yuri Piatnitsky |
| Bailey DA | Rhapsodies in Black: Art of Harlem Renaissance | 1997 | University of East London | ||
| Bailey DA | Rhapsodizing Black: Harlem in London, 1977 | 1998 | University of East London | ||
| Bailey DA | Black Photography und Europa: Black Photographic Practices and Europe | 1997 | University of East London | ||
| Bailey DA | In Visible Light: Photography and Classification in Art, Science and the Everyday | 1997 | University of East London | ||
| Bailey M | The Tourer for the Next Millennium | 1998 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey M | The Challenge of | 2000 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | |
| Bailey M | Getting it Right for Passengers | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey M | Radio/cassette player for the Rolls-Royce Silver Seraph | 1997 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey S | Powertrak - Underfloor power distribution system | 1999 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey S | The Enclosed Plain | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | Mosley and Gillat |
| Bailey S | Microsource - X Ray Emittor and Control Panel | 1994 | University of Northumbria at Newcastle | Automotive Design (4a) | Siodmok, P Cooper, A |
| Bailey S | Challenger range of floodlighting AL 5700 and AL 5900 | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bain L | Michael Wilford and Partners | 1999 | Glasgow School of Art | Design | Michael Wilford and Partners |
| Bain L | 5-7 Carleton Gardens | 1999 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Bain L | The British Embassy Berlin | 1999 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Bain L | Lowry Centre, Salford | 2000 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Bainbridge C | Towards a Feminine Cinematics: Using Irigaray for Film Theory | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bainbridge C | The Death Drive, Gender and History in Orlando and The Piano | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bainbridge C | Unspeakable Moments of Feminine Cinema | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bainbridge C | Textual transformations: space, time and cinema | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bainbridge E | Material Culture | 1997 | University of Sunderland | Fine Art | |
| Bainbridge E | The Heaven and Earth Roundabout | 1999 | University of Sunderland | Fine Art | |
| Bainbridge E | Eric Bainbridge Works 1991-97 | 1997 | University of Sunderland | Fine Art | |
| Bainbridge E | British Art from the 1980s and 1990s from the Weltkunst Collection. | 1995 | University of Sunderland | Fine Art | |
| Bainbridge E | Sculpture | 1999 | Royal College of Art | Fine Art | |
| Bainbridge E | Eric Bainbridge: Works 1991-1997 | 1997 | Royal College of Art | Fine Art | |
| Baines M | Restoration and renovation of 25a Mansionhouse Road - Alexander Thomson, Grade A listed building | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Page, A |
| Baines M | Themes and Variations - An exhibition of some buildings by Gillespie Kidd and Coia | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Baines M | 'Through the Mac' Exhibition and Catalogue | 1999 | Glasgow School of Art | Educational Theory and Practice | T. Barber |
| Baines M | Propositions: Thinking through drawing | 2000 | Glasgow School of Art | Principles of Drawing | G. Barrett |
| Baines P | Sculptured letters and public poetry | 2000 | The London Institute | Media and Communication | |
| Baines P | Letterforms Surround Us | 1999 | The London Institute | Media and Communication | |
| Baines P | A Design (to sign roads by) | 1999 | The London Institute | Media and Communication | |
| Baines P | Raw Creation | 1996 | The London Institute | Media and Communication | |
| Baker A. | O PETROLEO | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baker A. | DESIGNER LABELS | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baker A. | LEADING LIGHTS | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baker A. | WHO OWNS WHOM ? | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baker S C | Sloughing the Human | 2000 | University of Central Lancashire | ||
| Baker S C | The refusal of sentimentality in postmodern animal art | 2000 | University of Central Lancashire | ||
| Baker S C | The Postmodern Animal | 2000 | University of Central Lancashire | ||
| Baker S C | Flying, stealing:Design's improper criticism | 1997 | University of Central Lancashire | ||
| Baker Alder H A | VANE 99 (Visual Arts North East) | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker Alder H A | 'Ship' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker Alder H A | 'Strands 2: Contemporary British Art' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker Alder H A | New Images: Britain and Australia into the 21st Century | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker C | 'Puppy Love'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'Pets - The Animal Inside', Solo Exhibition. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'New Natural History'. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'A Thousand Hounds'. | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'Puppy Love' | 1998 | Napier University | Photographic Practice | |
| Baker C | 'A Thousand Hounds- The Presence of the Dog in the History of Photography' | 2000 | Napier University | Photographic Practice | Raymond Merritt Miles Barth |
| Baker C | 'Pets - the Animal Inside' | 1999 | Napier University | Photographic Practice | |
| Baker C | 'New Natural History' | 1999 | Napier University | Photographic Practice | Curated by Val Williams |
| Baker D | Gaze: The Anxious Sign | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker D | 'Construction Sights: the Millenium Intervention Group' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker D | Stilled Moments | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker D | 'Gaze' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker P.H. | Advanced Envelopes, IEA Annex 32, Volume III | 2000 | Glasgow School of Art | Cities and Environments | Saelens, D. Grace, M. Inoue, T. |
| Baker P.H. | Risks, durability + performance of advanced glazing systems - thermal performance of window systems | 1997 | Glasgow School of Art | Cities and Environments | |
| Baker P.H. | Photovoltaics: integration into buildings Digest 438 | 1999 | Glasgow School of Art | Cities and Environments | Stirling, C. |
| Baker P.H. | An investigation into the use of a supply air window as a heat reclaim device | 1999 | Glasgow School of Art | Cities and Environments | McEvoy, M.E. |
| Baker-Brown D | Norfolk Park Housing Regeneration | 1998 | University of Brighton | Natural and Constructed Environments | I McKay |
| Baker-Brown D | CityVision | 1994 | University of Brighton | Natural and Constructed Environments | I McKay |
| Baker-Brown D | Greenwich Millennium Village | 1997 | University of Brighton | Natural and Constructed Environments | I McKay R Erskine |
| Baker-Brown D | FutureHouse | 1994 | University of Brighton | Materials Practices and Processes | I McKay |
| Bal Y | Director for Young Filmmakers, The Eclectix Project, 30 min. BBC TV documentary (Betacam/D3), + project design as founding member of Eclectix Project Management Committee. | 1998 | London Guildhall University | ||
| Bal Y | Writer/director/producer/cinematographer for The Overcoat 2000, 7min. live action (16mm/DV) experimental fictional adaptation of Gogol | 2000 | London Guildhall University | ||
| Bal Y | Executive producer + artistic adviser for A Day, A Year | 1997 | London Guildhall University | ||
| Bal Y | Executive producer and artistic adviser for Doina and Nicolo, 21 min. video (Betacam) documentary which explores personal relationships in the context of disability. | 1996 | London Guildhall University | ||
| Baldacchino J | Easels of Utopia: Art's Fact Returned | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Baldacchino J | Post-Marxist Marxism: Questioning The Answer: Difference and Realism after Lukacs and Adorno | 1996 | Robert Gordon University | Culturally Responsive Practices | |
| Balfour D | 'The first non-intrusive upholstery treatment at the Victoria and Albert Museum' | 1999 | Royal College of Art | Conservation | Metcalf, S Collard, F |
| Ball L M | Rethinking Business Start-Up - a new model for success in art and design | 1999 | University of Brighton | Pedagogic Research | E Price |
| Ball L M | Encouraging Graduate Business Start Up in Art and DesignA Framework for Personal and Professional Development | 2000 | University of Brighton | Pedagogic Research | |
| Ball L M | New collaborative partnerships: education, crafts practitioners and industryGraduate destination surveys: an overview | 1998 | University of Brighton | Pedagogic Research | |
| Ball L M | Helping Students to Learn Independently in the Crafts | 1996 | University of Brighton | Pedagogic Research | |
| Ball R | Red Sky at Night | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball R | 100 Light Years is a Long Way | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball R | One Table and Two Lamps | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball R | Golden Delicious | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Ballantyne T | The Environs of Dymock | 1997 | University of Gloucestershire | ||
| Ballantyne T | The Sound of Trees | 1997 | University of Gloucestershire | ||
| Ballantyne T | Art for Youth | 2000 | University of Gloucestershire | ||
| Ballantyne T | Lightworks | 2000 | University of Gloucestershire | ||
| Banks G | Design of Infra-red Remote Control Drive Controllers | 1998 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of a Family of Motor Housings | 1996 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of a Thermal Imaging Unit | 1997 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of a Drive Control Unit | 1997 | University of Wales Institute, Cardiff | PDR | |
| Banner F | Spellbound: Art and Film | 1996 | The London Institute | Fine Art | |
| Banner F | Love Double | 1998 | The London Institute | Fine Art | |
| Banner F | Stop | 1998 | The London Institute | Fine Art | |
| Banner F | Don't Look Back | 1999 | The London Institute | Fine Art | |
| Bannister A G | One-video based work (untitled) | 1996 | Nottingham Trent University | Visual Arts | |
| Bannister A G | Station To Station | 1999 | Nottingham Trent University | Visual Arts | Sharon Kiviland Nicholas Rieben |
| Bannister A G | Anchor | 1996 | Nottingham Trent University | Visual Arts | |
| Bannister A G | Stagger | 1999 | Nottingham Trent University | Visual Arts | Lindsay Seers Keith Tyson David Burrows |
| Barber J. G. | VIDEO POSITIVE 2000 | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Barber J. G. | REMOTE SENSING: OUTLOOK AND OBSERVATION | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Barber J. G. | A RETROSPECTIVE (INCL. THE WEATHER/THE KITE/ANSAPHONE) | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Barber J. G. | GEORGE BARBER: A LONDON ELECTRONIC ARTS ANTHOLOGY | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Barber AJ | Appraisal of Design Studio Methodologies | 1998 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Barber AJ | Computers as the Sole Design Tool | 1997 | Glasgow School of Art | Educational Theory and Practice | R. Hanna, R. Qaqish |
| Barber AJ | 'Through the Mac' | 1998 | Glasgow School of Art | Educational Theory and Practice | Baines, M |
| Barber AJ | 'Conversation for possibilities' | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Barbrook RA | The Californian Ideology | 1996 | University of Westminster | Hypermedia | Cameron A |
| Barbrook RA | Digital Artisan's Manifesto | 1997 | University of Westminster | Hypermedia | |
| Barbrook RA | Cyber-communism: how the Americans are superseding capitalism in cyberspace | 2000 | University of Westminster | Hypermedia | |
| Barbrook RA | The Hi-Tech Gift Economy | 1998 | University of Westminster | Hypermedia | |
| Barclay C | Out of the Woods, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Barclay C | Homemaking, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Barclay C | Millenium Park Project, solo permanent publicly sited commission | 1999 | Glasgow School of Art | Cities and Environments | Stephen Bridge Chris Platt |
| Barclay C | Take to the Ground, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Barfield N | Computers and Printmaking | 1999 | Wimbledon School of Art | Richard Hamilton Kathy Prendergast Grenville Davey |
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| Barfield N | 16 Cycladic Heads | 1998 | Wimbledon School of Art | George Whale | |
| Barfield N | Autographic Halftoning for Artist-Printmakers | 1996 | Wimbledon School of Art | George Whale | |
| Barfield N | Transformations - The Fine Art Print and the Computer | 1996 | Wimbledon School of Art | Paul Coldwell Jeffrey Edwards Professor Eileen Hogan |
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| Barker DS | Rediscovered Creativity, The History, Tools and Techniques of Contemporary Chinese Relief Prints | 1999 | University of Ulster | ||
| Barker DS | Zheng Shuang Woodcuts 1980-1996 | 1999 | University of Ulster | ||
| Barker DS | An Exhibition of Works by David Barker and Kate Barker | 1998 | University of Ulster | ||
| Barker DS | They Think of China as Cups | 1996 | University of Ulster | ||
| Barker I | The Royal Watercolour Society: The Last 10 Years | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker I | Society of Graphic Fine Art 75th Annual Exhibition | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker I | A modification to the Codman Microsensor Skull Bolt Kit | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker I | Society of Graphic Fine Art 78th Annual Exhibition | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker J | Threads: Fibre Art in the 90s: group exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| Barker J | Current Context: New Ways of Seeing: group exhibiton | 1999 | Glasgow School of Art | The Decorative Arts | |
| Barker J | Woven Image: Contemporary British Tapestry: group exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| Barker J | Tapestry for Scottish Office | 1996 | Glasgow School of Art | The Decorative Arts | |
| Barlow P. | Out of Place | 1998 | University College London | Sculpture | |
| Barlow P. | The British Art Show | 2000 | University College London | Sculpture | |
| Barlow P. | O Pas La, Surprising Spaces | 1999 | University College London | Sculpture | |
| Barlow P. | Not Nothing Nowhere | 1998 | University College London | Sculpture | |
| Barnard M | 'Approaches to Understanding Visual Culture' | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barnard M | 'Fashion as Communication.' | 1996 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barnard M | 'Art, Design and Visual Culture'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barnard M | 'Advertising: The Rhetorical Imperative' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barnbrook J | I want to spend the rest of my life everywhere, with everyone, one to one, always, forever now. | 1997 | Kingston University | ||
| Barnbrook J | Why2K?: Anthology for a New Era | 2000 | Kingston University | ||
| Barnbrook J | The Wilde Years: Oscar Wilde and the Art of his Time | 2000 | Kingston University | ||
| Barnbrook J | 'Virus Foundry' Experimental Typefaces | 1997 | Kingston University | ||
| Barnes RAM | Knit Collection for Autumn/Winter 2001/2002. | 2000 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Spring/Summer 2001. | 2000 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Spring/Summer 2000. | 2000 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Fall/Winter 98/99. | 1997 | Goldsmiths College | ||
| Barnett P | Under Construction: Exploring Process in Contemporary Textiles. | 1996 | Goldsmiths College | ||
| Barnett P | Curator - Textures of Memory: The Poetics Cloth. | 1999 | Goldsmiths College | ||
| Barnett P | Exhibition catalogue essay | 1998 | Goldsmiths College | ||
| Barnett P | Chohreh Feyzdjou | 1998 | Goldsmiths College | ||
| Barraclough J | Scrawl : Dirty Graphics and Strange Characters | 1999 | Liverpool John Moores University | Graphic Arts | Blackshaw,R Farrelly,E Dorian,M |
| Barraclough J | Virtual Revolutions | 2000 | Liverpool John Moores University | Audio-visual | Nedkova, I |
| Barraclough J | Lines of Desire | 1998 | Liverpool John Moores University | Centre for Art International Research | |
| Barraclough J | The Right One | 2000 | Liverpool John Moores University | Audio-visual | Nedkova, I |
| Batchelor D | The British Art Show 5 | 2000 | Royal College of Art | Critical Practice | |
| Batchelor D | Minimalism | 1997 | Royal College of Art | Critical Practice | |
| Batchelor D | Chromophobia | 2000 | Royal College of Art | Critical Practice | |
| Batchelor D | Electric Colour Tower | 2000 | Royal College of Art | Critical Practice | |
| Batchelor R | Makers of the Mirror? Designers in the Twentieth Century | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Batchelor R | Henry Ford - Mass Production, Modernism and Design | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Batchelor R | Mass Production, Design and Us | 1996 | Buckinghamshire Chilterns University College | Design Culture | |
| Batchelor R | 'Not Looking at Kettles' | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Bate DH | Notes on Beauty and Landscape | 2000 | University of Westminster | Visual Media | |
| Bate DH | Zero Culture | 2000 | University of Westminster | Visual Media | |
| Bate DH | Picture Shock | 1996 | University of Westminster | Visual Media | |
| Bate DH | Mise-en-Scene of Desire | 1994 | University of Westminster | Visual Media | |
| Batey J C | Children's Rights Visualised, website | 1999 | University of Portsmouth | Centre for Images in Practice | Maureen O'Neill |
| Batey J C | Images in Practice collaborative net research centre | 1997 | University of Portsmouth | Centre for Images in Practice | Chris Mullen Maureen O'Neill |
| Batey J C | Visual Language of Number web gallery and research space | 1998 | University of Portsmouth | Centre for Images in Practice | Maureen O'Neill |
| Batey J C | Confidence, Artist's Book | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Baurley SL | What Future for Textiles? | 2000 | The London Institute | Fashion and Textiles | |
| Baurley SL | Aspects of Contemporary Japanese Textiles | 1997 | The London Institute | Fashion and Textiles | |
| Baurley SL | Perceptions of Materials | 1999 | The London Institute | Fashion and Textiles | |
| Baurley SL | Design Against Crime | 2000 | The London Institute | Fashion and Textiles | |
| Baxter H | Dr Faustus by Christopher Marlowe | 1997 | Wimbledon School of Art | Theatre costume | Jonathon Best |
| Baxter H | Red Dwarf Series 8 | 1998 | Wimbledon School of Art | Theatre costume | Howard Burden |
| Baxter H | Torquatto Tasso by Goethe | 1994 | Wimbledon School of Art | Theatre costume | Robert David Macdonald Julian McGowan |
| Baxter H | The Lost Vegas Series | 1998 | Wimbledon School of Art | Theatre costume | Julie Jensen Dawn Lintern Christian Ruland |
| Baynes K | Design Works (Exhibition design) | 1994 | Loughborough University | Design Education | |
| Baynes K | Animal Magic (Exhibition design) | 1997 | Loughborough University | Design Education | Brochocka, K. Patterson, D. Meechan, C. |
| Baynes K | Education on the natural heritage for pre-school children | 1995 | Loughborough University | Design Education | Brochocka, K. |
| Baynes K | Under Construction (Exhibition design) | 1998 | Loughborough University | Design Research | |
| Beale J | Indian Exchange | 2000 | University of Gloucestershire | ||
| Beale J | The Power of Print | 1998 | University of Gloucestershire | ||
| Beale J | Royal Society of Painter-Printmakers Annual Exhibition | 2000 | University of Gloucestershire | ||
| Beale J | RWA 148th Autumn Exhibition | 2000 | University of Gloucestershire | ||
| Beardon CE | The Visual Assistant | 2000 | University of Plymouth | Centre for Visual Computing | Gollifer, C. Rose, C. Worden, S. |
| Beardon CE | What does it mean to be virtual? | 1997 | University of Plymouth | Centre for Visual Computing | |
| Beardon CE | Computer use by artists and designers: some perspectives on two design traditions. | 1997 | University of Plymouth | Centre for Visual Computing | Gollifer, S. Rose, C. Worden, S. |
| Beardon CE | Computers and networks in the age of globalisation. | 2000 | University of Plymouth | Centre for Visual Computing | Rasmussen, L B Munari, S |
| Beauchamp PM | Clean Slate | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Beauchamp PM | Educating Barbie | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Beauchamp PM | The Welsh Lens - An exploration of photovisual media in Wales | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Beauchamp PM | Borders - An exploration of the cultural territories of Croatia and Wales | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Beavan J | Bewegung Europaische Keramik (Movement European Ceramics) | 1996 | Falmouth College of Arts | ||
| Beavan J | The Takeo Region International Art and Culture Exchange Program 1999 | 1999 | Falmouth College of Arts | ||
| Beavan J | Westerwaldpreis Europaische Keramik '99 (Westerwald Prize European Ceramics '99) | 1999 | Falmouth College of Arts | ||
| Beavan J | Seoul Ceramic Art Biennale | 1997 | Falmouth College of Arts | ||
| Beazley S | Bonded interior fabrics for Christian Fischbacher | 1999 | University of Southampton | ||
| Beazley S | Embroidered fabrics for Weisbrod Zurrer. | 2000 | University of Southampton | ||
| Beazley S | Laser cut interior fabrics for Christian Fischbacher | 2000 | University of Southampton | ||
| Beazley S | Designs for 'Creation Bauman', Germany | 2000 | University of Southampton | ||
| Beban B | Still | 2000 | Sheffield Hallam University | Fine Art | |
| Beban B | Breda Beban + Hrvoje Horvatic (1958-1997) - retrospective | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Beban B | Hand on the Shoulder | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Beban B | Jason's Dream | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Bedwell S | If Hope was a Time Machine. | 1999 | Goldsmiths College | ||
| Bedwell S | Press Release. | 1999 | Goldsmiths College | ||
| Beech D | Watch Out For The Agoraphobic Saviours of Mankind | 2000 | University of Wolverhampton | Fine Art | |
| Beech D | Public Art After Virtue | 2000 | University of Wolverhampton | Fine Art | |
| Beech D | Spectres of the Aesthetic | 1996 | University of Wolverhampton | Fine Art | John Roberts |
| Beech D | Francis Picabia: Another Failure to Interpret the Work | 1994 | University of Wolverhampton | Fine Art | Mark Hutchinson |
| Beech W K | School - Discipline and Confinment | 1999 | University of Brighton | Fine Art Practices | |
| Beech W K | Three Ways - Works on Paper | 1999 | University of Brighton | Fine Art Practices | |
| Beech W K | Works made for film | 1999 | University of Brighton | Fine Art Practices | L Winters |
| Beech W K | Art Bypass - A Road Work | 1996 | University of Brighton | Natural and Constructed Environments | C Secrett - Co-Producer C Patey - Artistic Director R Lamb - Creative Consultant |
| Beggs G | Modern Drawings 8 landscape drawings of East Sussex scenes av. 76x54 cms. | 1995 | London Guildhall University | ||
| Beggs G | Guy Beggs: 8 oil paintings 102 x 117cms to 117 x 117cms | 2000 | London Guildhall University | ||
| Beggs G | Guy Beggs: 37 paintings (av. 22x33 cms. - 153x153 cms.) + 11 drawings (av. 46x61 cms.- 153x63 cms.) of Australasian themes. | 1997 | London Guildhall University | ||
| Beggs G | Sussex Open Exh. 2 paintings (112x122 cms.), one drawing (153x85 cms.) | 1998 | London Guildhall University | ||
| Bell D | 'The Hard Road to Klondike'/ Rotha Mor an tSaoil | 1999 | Napier University | Documentary and Experimental Film | Roger Buck |
| Bell D | 'Modernising History: The Realpolitik of Heritage and Cultural Tradition in Northern Ireland' | 1998 | Napier University | Critical Theory of Practice | David Miller |
| Bell D | 'Multimedia and the Crisis Economy in Japan' | 2000 | Napier University | Critical Theory of Practice | David McNeil |
| Bell D | 'Picturing The Landscape: die Gruene Insel - Tourist Images Of Ireland' | 1995 | Napier University | Critical Theory of Practice | |
| Bell J | Donnelly Gallery Garden | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell J | Jonathan Bell's House and Garden | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell J | The successful hanging of a harp: a glance at willows | 1994 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell J | Gardens underneath which rivers flow | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bellingham DA | Copenhagen Sections | 2000 | Manchester Metropolitan University | ||
| Bellingham DA | Measures | 2000 | Manchester Metropolitan University | ||
| Bellingham DA | Evolution Isn't Over Yet | 1999 | Manchester Metropolitan University | ||
| Bellingham DA | Tarnung (Camouflage) | 2000 | Manchester Metropolitan University | ||
| Belton EK | British Airways Collection | 1999 | The London Institute | Fine Art | |
| Belton EK | Fantastic Overload | 1999 | The London Institute | Fine Art | |
| Belton EK | London Now | 1998 | The London Institute | Fine Art | |
| Belton EK | Displaced | 1998 | The London Institute | Fine Art | |
| Bender R | Glass work for Birmingham City Museum | 1996 | Swansea Institute of Higher Education | Design | |
| Bender R | Glass Block | 1999 | Swansea Institute of Higher Education | Design | |
| Bender R | Glass Design in Architecture | 1999 | Swansea Institute of Higher Education | Design | |
| Bender R | The Artist in Glass | 1997 | Swansea Institute of Higher Education | Design | |
| Bennett S | 21 | 1999 | University of Plymouth | Art Process | |
| Bennett S | Crossing the Line. | 2000 | University of Plymouth | Art Process | |
| Bennett S | Windowsills: Art of Locality. | 2000 | University of Plymouth | Art Process | |
| Bennett S | Traces | 1999 | University of Plymouth | Art Process | |
| Bennis EM | Garden Assessment, Classification and Funding | 1998 | Manchester Metropolitan University | ||
| Bennis EM | Promenades: Rediscovering and Reinterpreting | 1997 | Manchester Metropolitan University | ||
| Bennis EM | Assessment of Cultural Distinctiveness | 1997 | Manchester Metropolitan University | ||
| Bennis EM | (Paradisos): Deception and Authenticity in Restoration | 2000 | Manchester Metropolitan University | ||
| Benson SL | ARKIVE II ashes dances roses | 1998 | Sheffield Hallam University | Anne Grebby Helmut Lemke |
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| Benson SL | History - Image-based work in Britain in the late 20th century. | 1997 | Sheffield Hallam University | ||
| Benson SL | Sweetly Sloping Hills | 2000 | Sheffield Hallam University | ||
| Benson SL | Wales Drawing Biennale | 2000 | Sheffield Hallam University | Fine Art | |
| Bergmann G | History Lesson Again (Bloody) | 1995 | Brunel University | Polymedia Design | |
| Bergmann G | Stone, Wood, Brick | 2000 | Brunel University | Polymedia Design | S.O. Kirkhorn |
| Bergmann G | His story(s): Reference in the Work of Gordon Bennett | 2000 | Brunel University | Polymedia Design | |
| Bergmann G | Discussing History and Memory in the Art of Gordon Bennett | 2000 | Brunel University | Polymedia Design | V Strang |
| Bergne S | Street of Young Designers | 1994 | Royal College of Art | Design for Manufacture | |
| Bergne S | Mr Mause | 1996 | Royal College of Art | Design for Manufacture | |
| Bergne S | LID | 1996 | Royal College of Art | Design for Manufacture | |
| Bergne S | SIP | 1998 | Royal College of Art | Design for Manufacture | |
| Bessey P | Sheet Material Dispenser | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Bessey P | Infant Safety Carseat | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Bessey P | Digital Mechanical Lock Mechanism | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Bessey P | Wipes Dispensing Container | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Best A | The Wedding Project | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Best A | A Real Pony Race for a Bridle, '97 | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Best A | Texaco Love | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Best A | Error 404, 2000 e-2.org | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Bestley R | Carrion Culture - Consuming Cultures Carcass | 1997 | The London Institute | Media and Communication | |
| Bestley R | Document: We Interrupt the Programme | 2000 | The London Institute | Media and Communication | Ian Noble |
| Bestley R | Design, Intervention and the Situationist Movement | 1996 | The London Institute | Media and Communication | |
| Bestley R | Consultancy | 1998 | The London Institute | Media and Communication | |
| Bevan A | Soundings | 1996 | Edinburgh College of Art | Fine Art | |
| Bevan A | Lifting Light | 1997 | Edinburgh College of Art | Fine Art | |
| Bevan A | The Sum of All Parts | 1994 | Edinburgh College of Art | Fine Art | |
| Bevan A | Undercovered | 2000 | Edinburgh College of Art | Fine Art | |
| Bevan Baker R | The Green Man of Knowledge | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bevan Baker R | Selkie Dancing | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bevan Baker R | Beelines | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bevan P | Screening | 2000 | Southampton Institute | ||
| Bevan P | Vannkanten (at the water | 2000 | Southampton Institute | ||
| Bevan P | Interval | 1998 | Southampton Institute | ||
| Bevan P | Small World, Small Works | 1994 | Southampton Institute | ||
| Bevan P | Iwate Town 25th International Stone Sculpture Symposium, permanent publicly sited commission | 1998 | Glasgow School of Art | Fine Art | |
| Bevan P | Affinity, Iwate Arts Festival, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Bevan P | Socharske Leto: Jircany 99, group exhibition of publicly sited works. | 1999 | Glasgow School of Art | Fine Art | |
| Bevan P | Sculpture: 1989 - 1996. Between Visits to India - The Body as a Place, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Beverley A | The Postman | 1997 | Wimbledon School of Art | Theatre costume | John Bloomfield Kevin Costner |
| Beverley A | The Mummy | 1999 | Wimbledon School of Art | Theatre costume | John Bloomfield Stephen Sommers Brendan Fraser |
| Beverley A | The Hunchback | 1997 | Wimbledon School of Art | Theatre costume | John Bloomfield Peter Medak Mandy Pattinkin |
| Bewley DJ | Anya Gallaccio - Two Sisters | 1998 | Manchester Metropolitan University | Herbert S | |
| Bewley DJ | Laura Vickerson - Fairy Tales and Factories | 1999 | Manchester Metropolitan University | Herbert S | |
| Bewley DJ | Stefan Gec Buoy | 1996 | Manchester Metropolitan University | Herbert S | |
| Bewley DJ | Shane Cullen Fragmens sur les Institutions Republicaines (panels 1-48) | 1996 | Manchester Metropolitan University | Herbert S | |
| Bezencenet S | Frontier Dreams, Wilderness Dreams, Trespass | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bezencenet S | Another Frame | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bezencenet S | Frontier Dreams I | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bezencenet S | Wilderness Dreams | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Biagioli M. | MOTHERBOARD SERIES | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Biagioli M. | FORM FOLLOWS FUNCTION: TYPE DESIGN SINCE 1440 | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Biagioli M. | ZONE | 1998 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Biagioli M. | HUMBLE SERVANT OF THE PRINTED WORD: ANTJE LINGNER | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Bibb RJ | Development of a Rapid Prototyping Design Advice System | 1999 | University of Wales Institute, Cardiff | PDR | Z Taha D Wright R Brown |
| Bibb RJ | The Application of Computer Aided Product Development Techniques in Medical Modelling | 2000 | University of Wales Institute, Cardiff | PDR | R Brown |
| Bibb RJ | A Rapid Prototyping Design Advice System for SME's. | 2000 | University of Wales Institute, Cardiff | PDR | R Brown D Wright |
| Bibb RJ | An Investigation of three-dimensional scanning of human body parts and its use in the design and manufacture of prostheses. | 2000 | University of Wales Institute, Cardiff | PDR | P Freeman R Brown A Sugar |
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Bick A | Andrew Bick: Paintings | 1998 | Kingston University | ||
| Bick A | Andrew Bick: Paintings | 2000 | Kingston University | ||
| Bick A | Andrew Bick | 1998 | University of Gloucestershire | ||
| Bick A | The Palaver | 1998 | University of Gloucestershire | Gad Hollander | |
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bickers P | As Others See Us: towards a history of recent art from Britain | 1997 | University of Westminster | Visual Media | |
| Bickers P | With Intent - the Burden of Proof | 2000 | University of Westminster | Visual Media | |
| Bickers P | Reflections on Narrative in the Works of John Hilliard | 1999 | University of Westminster | Visual Media | |
| Bickers P | General Assembly: The Power of Association | 1998 | University of Westminster | Visual Media | |
| Bicknell J | Campi di Oscillazione | 2000 | Leeds Metropolitan University | Visual Arts | |
| Bicknell J | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Bicknell J | 1998 | Leeds Metropolitan University | Visual Arts | ||
| Bicknell J | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Biddulph JC | By The Way | 1998 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Biddulph JC | The Cut | 2000 | Manchester Metropolitan University | Hatton P Murray V Pilling L |
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| Biddulph JC | City Mapping: Hull | 2000 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Biddulph JC | Mapping Values | 1997 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Bielz G A | Rays, an additional catastrophe | 1996 | Wimbledon School of Art | Painting | Lucio Fontana Nam June Paik Piero Manzoni |
| Bielz G A | 'Kid-ding' | 1996 | Wimbledon School of Art | Painting | Arsenije Jovanovic Rainer Ganahl Gottfried Bechtold |
| Bielz G A | 'RAUEME' (Spaces) | 2000 | Wimbledon School of Art | Painting | |
| Bielz G A | 'Untitled', Three Drawings | 2000 | Wimbledon School of Art | Painting | Laurids Ortner Dominique Bejvl Heinz Baumueller |
| Biggs M A R | Ludwig Wittgenstein: A Visual Concordance to the Published Works | 1998 | University of Hertfordshire | ||
| Biggs M A R | Wittgenstein's Nachlass: The Bergen Electronic Edition | 2000 | University of Hertfordshire | ||
| Biggs M A R | Interpreting Wittgenstein's Graphics | 1999 | University of Hertfordshire | ||
| Biggs M A R | Philosophy and Electronic Publishing | 1997 | University of Hertfordshire | C. Huitfeldt | |
| Biggs S | Halo | 1998 | Sheffield Hallam University | ||
| Biggs S | Book of Shadows | 1996 | Sheffield Hallam University | ||
| Biggs S | Great Wall of China | 1999 | Sheffield Hallam University | ||
| Biggs S | Magnet | 1997 | Sheffield Hallam University | ||
| Bigwood DA | Loewe | 1998 | The London Institute | Fashion and Textiles | |
| Bigwood DA | Donna Karan | 1998 | The London Institute | Fashion and Textiles | |
| Bigwood DA | Gil Sander | 1998 | The London Institute | Fashion and Textiles | |
| Bigwood DA | Narcisco Rodriguez | 1998 | The London Institute | Fashion and Textiles | |
| Billett EH | Designing a better tomorrow today with self-disassembling electronics | 1999 | Brunel University | Environmentally Sensitive Design | J Chiodo |
| Billett EH | Eco-Design: Technological and materials implications | 1999 | Brunel University | Environmentally Sensitive Design | |
| Billett EH | Eco-Design:Practical Tools for Designers | 1996 | Brunel University | Environmentally Sensitive Design | |
| Billett EH | Wolflite Handlamp H-4DCE | 1997 | Brunel University | Environmentally Sensitive Design | |
| Binnion S | Cultivate | 2000 | University College Northampton | ||
| Binnion S | Hereford Photography Festival | 2000 | University College Northampton | ||
| Binnion S | subliminating | 2000 | University College Northampton | ||
| Binnion S | Switzerland 2000: Dialogue Between Cultures | 2000 | University College Northampton | ||
| Binns D S | Selected Makers | 1999 | University of Central Lancashire | ||
| Binns D S | Invited guest artist at an International Ceramics Symposium | 2000 | University of Central Lancashire | ||
| Binns D S | Craft and Design | 2000 | University of Central Lancashire | ||
| Binns D S | David Binns | 2000 | University of Central Lancashire | ||
| Binns P | Three Decades: objects selected from the Crafts Council Collection 1972-1999 | 2000 | Buckinghamshire Chilterns University College | Visual Arts | Emmanuel Cooper Ralph Turner |
| Binns P | A Personal Landscape' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Binns P | Textures of Memory, the poetics of cloth | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Binns P | Get Real, Romanticism and New Landscapes in Art | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bird N C | 'Vague But True' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Bird N C | 'Playing Detective' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Bird N C | The Fitting | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Bird N C | 'Tracing Echos' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Bird-Jones C | International Womens' Stained Glass | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Bird-Jones C | 6th International Shoebox Exhibition | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Bird-Jones C | Glass:Laboratory of the Spirit | 1999 | North East Wales Institute of Higher Education | Art and Design | |
| Bird-Jones C | Farmers daughters | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Birdsey CL | Camera Work | 1998 | University of Westminster | Imaging Technology | Triantaphillidou S Golding A Jacobson RE |
| Birdsey CL | The Suitability of Employing Digital Technology for Accessing Photographic Collections | 1999 | University of Westminster | Imaging Technology | Golding A Jacobson RE |
| Birdsey CL | The Effect of Digital Technology on the Control of and Access to a Photographic Collection | 1999 | University of Westminster | Imaging Technology | Golding A Jacobson RE |
| Birdsey CL | Creating Accessible Digital Imagery | 2000 | University of Westminster | Imaging Technology | |
| Birrell R | The Aesthetics of Disappearance: Performance and Auto-Destructive Art | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Birrell R | The Radical Negativity and Paradoxical Performativity of Postmodern Iconoclasm: Marcel Duchamp and Antonin Artaud | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Birrell R | The Second International Festival of Avant-Garde and Experimental Art, group exhibition | 1998 | Glasgow School of Art | Fine Art | Dominic Hislop |
| Birrell R | Absolut Open 1999, New Art from Scotland, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Bishop D | Walking Words | 2000 | Royal College of Art | Design for Manufacture | |
| Bishop D | Monitor as Material | 1996 | Royal College of Art | Design for Manufacture | |
| Bishop D | 9 things to make and do | 1995 | Royal College of Art | Design for Manufacture | |
| Biswas S | Scarred Surface | 1996 | University of Southampton | ||
| Biswas S | White Noise | 1996 | University of Southampton | ||
| Biswas S | Synapse 1 | 1997 | University of Southampton | ||
| Biswas S | Untitled video installation | 2000 | University of Southampton | ||
| Black S | Scanning the Inner Fabric | 1994 | The London Institute | Fashion and Textiles | |
| Black S | Primitive Streak Interview | 1997 | The London Institute | Fashion and Textiles | The Interalia Centre for Arts and Sciences, Bristol |
| Black S | The New Knitting | 1998 | The London Institute | Fashion and Textiles | |
| Black S | Simplicity, Comfort and Form - Contemporary Asian Textiles and Clothing | 2000 | The London Institute | Fashion and Textiles | |
| Black G | The Gladstone Pottery Museum | 2000 | Nottingham Trent University | Design | |
| Black G | The Thackray Medical Museum | 1997 | Nottingham Trent University | Design | |
| Black G | Quality Issues in Heritage Visitor Attractions | 2000 | Nottingham Trent University | Design | |
| Black G | The Galleries of Justice | 1999 | Nottingham Trent University | Design | |
| Black H | British Contemporary Sculpture, Drawings and Models | 1999 | Wimbledon School of Art | Sculpture | Peter Burke Michael Sandle Keir Smith |
| Black H | Afloat | 1998 | Wimbledon School of Art | Sculpture | |
| Black H | Labour of Love | 2000 | Wimbledon School of Art | Sculpture | Anthony Caro Stephen Cox Edward Allington |
| Black H | Solo exhibition | 1999 | Wimbledon School of Art | Sculpture | |
| Blackie SS | 'Year of the Artist 2000' - Residency. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blackie SS | 'Back From Japan'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blackie SS | 'Edge Identity and Change. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blackie SS | Principal Demonstrator, Speaker and Guest Exhibitor. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blacklock G. C. | One person exhibition | 1998 | Wimbledon School of Art | Painting | |
| Blacklock G. C. | 'Five British Abstract Artists' | 2000 | Wimbledon School of Art | Painting | Basil Beattie Albert Irvine Trevor Sutton |
| Blacklock G. C. | 'Cultural Ties' | 2000 | Wimbledon School of Art | Painting | Jeff Koons Alex Katz Louis Bourgois |
| Blacklock G. C. | 'Small Paintings - Narratives' 16 small paintings all titled Narrative with a Roman Numeral. | 2000 | Wimbledon School of Art | Painting | |
| Blair N S P | The New Business of Design | 1999 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blair N S P | Bang! Bang! Market Research: You're Dead | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blair N S P | Design in the UK Economy | 1997 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blair N S P | The Future of Design | 1997 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blake Q | Clown | 1995 | Royal College of Art | Communications | |
| Blake Q | Words and Pictures | 2000 | Royal College of Art | Communications | |
| Blake Q | Un Bateau Dans le Ciel | 2000 | Royal College of Art | Communications | |
| Blake Q | The Learning Journey | 2000 | Royal College of Art | Communications | |
| Blakemore J | The Photographs of John Blakemore | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Blakemore J | 'Tulipa'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Blakemore J | 'John Blakemore'. | 1995 | University of Derby | Centre for Research in Film and Photography | |
| Blamey D. | LOOKING AT WORDS: READING PICTURES | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blamey D. | THE MULE | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blamey D. | SELF TAUGHT | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blamey D. | MAKING SOMETHING OUT OF NOTHING. IN ADDITION TO THIS... | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Bloxam L | Lighting installation | 1998 | University of Hertfordshire | ||
| Bloxam L | Lighting installation | 2000 | University of Hertfordshire | ||
| Bloxam L | 'Myoglobin' Lighting Display | 2000 | University of Hertfordshire | ||
| Bloxam L | 'Lighting Up the Invisible' | 2000 | University of Hertfordshire | ||
| Blundell S | Making the Invisible Visible | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Blundell S | The Contribution of Art Professional Development to the Future Health of Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Blundell S | Should we always be promoting deep approaches to learning? An evaluation of the improving student learning questionnaire in practice | 1995 | University of Central England in Birmingham | Art Education Research Group | |
| Blundell S | Integrity of the Subject | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Boddington A D M | The Remaindered Landscape | 1998 | University of Brighton | Natural and Constructed Environments | |
| Boddington A D M | En Route: Airport as Cultural Landscape | 2000 | University of Brighton | Natural and Constructed Environments | |
| Boddington A D M | Architecture of the Borderlands | 1999 | University of Brighton | Natural and Constructed Environments | T Cruz |
| Bodimeade N | Lucio Fontana | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bodimeade N | Catchcrop | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bodimeade N | Skin and Air, Nick Bodimeade | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bodimeade N | Anatomising the Liferoom | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bodman V | Women on Men | 1997 | University of Sunderland | Fine Art | |
| Bodman V | Wordless | 1998 | University of Sunderland | Fine Art | |
| Bodman V | Magnetic | 1998 | University of Sunderland | Fine Art | |
| Bodman V | between | 2000 | University of Sunderland | Fine Art | |
| Boekhoudt O | Onno Boekhoudt - why not jewellery? | 1997 | Royal College of Art | Applied Art | |
| Boekhoudt O | Solo exhibition | 2000 | Royal College of Art | Applied Art | |
| Boekhoudt O | Jewels of Mind and Mentality 1950-2000 | 2000 | Royal College of Art | Applied Art | |
| Boekhoudt O | Design for the body | 1999 | Royal College of Art | Applied Art | |
| Bolton A | The Supermodern Wardrobe | 2000 | The London Institute | Fashion and Textiles | |
| Bolton A | The Great Mall of the People | 2000 | The London Institute | Fashion and Textiles | |
| Bolton A | Mao; From Icon to Irony + Fashioning Mao | 1999 | The London Institute | Fashion and Textiles | |
| Bolton A | Fashion In Motion | 1999 | The London Institute | Fashion and Textiles | |
| Bolton JS | Checkout Bag Dispensing System (Boxless Pinch Pull) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton JS | V-Bag Dispensing System (Modified Pinch Pull) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton JS | Pinch Pull Retailing Bag Dispensing System | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton JS | Slot and Go/Easy Load Retailing Bag Dispensing System | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Bonham Carter E | Alexandra Drysdale and Eliza Bonham Carter | 1997 | University of Reading | Alexandra Drysdale | |
| Bonham Carter E | The Whitechapel Open | 1999 | University of Reading | Simon Faithfull Melanie Manchot Elizabeth Price |
|
| Bonham Carter E | Andata e Ritorno | 1996 | University of Reading | Maria Chevska Stephen Farthing Hugie ODonoghue |
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| Bonham Carter E | A Question of Scale | 1995 | University of Reading | Rosa Lee Peter Doig Basil Beatie |
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| Bonnell M | Brought to Book | 1995 | Bath Spa University College | Jarman, D. Beattie, B. Hamilton-Finlay, I. |
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| Bonnell M | Graphics! British Art Now | 1999 | Bath Spa University College | Doig, P. O'Donoghue, H. Hume, G. |
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| Bonnell M | LAMU | 1995 | Bath Spa University College | ||
| Bonnell M | LAMU B | 1994 | Bath Spa University College | ||
| Boontje T | Transglass | 1997 | Royal College of Art | Design for Manufacture | |
| Boontje T | Wednesday | 2000 | Royal College of Art | Design for Manufacture | |
| Boontje T | No Picnic | 1998 | Royal College of Art | Design for Manufacture | |
| Boontje T | Rough and Ready | 1999 | Royal College of Art | Design for Manufacture | |
| Booth P.M. | Between East and West | 2000 | Falmouth College of Arts | ||
| Booth P.M. | Japanese Connections | 2000 | Falmouth College of Arts | ||
| Booth P.M. | Solo Exhibition - Medusa's Garden | 1997 | Falmouth College of Arts | ||
| Booth P.M. | Solo Exhibition | 1997 | Falmouth College of Arts | ||
| Booth R | Roberta Booth, Paintings from 1974 to 1989 | 1996 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth, Recent Paintings | 1998 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth New Work | 2000 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth, New Work | 2000 | Anglia Polytechnic University | ||
| Booth S | International Contemporary Furniture Fair | 1999 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Booth S | Highlights: Design from Great Britain: group exhibition | 1997 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Booth S | Fancy Goods: Exhibition of British Design: group exhibition | 1997 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Booth S | Interior design of The Lighthouse: Scotlands Centre for Architecture, Design and the City | 1999 | Glasgow School of Art | Cities and Environments | Javier Mariscal, Barcelona |
| Borland C | From Life, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Borland C | Christine Borland, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Borland C | Sculpture. Projects in M | 1997 | Glasgow School of Art | Fine Art | |
| Borland C | Spectacular Bodies: The Art and Science of the Human Body from Leonardo till Now, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Borrelli M | Last Dance | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Borrelli M | Abakus | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Borrelli M | Solo exhibition 1 | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| Borrelli M | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Boshier C | Christine Boshier | 1995 | University of Newcastle | ||
| Boshier C | The Space Between | 1998 | University of Newcastle | ||
| Boshier C | Luz y Fotographia | 1998 | University of Newcastle | ||
| Boshier C | Receptacle | 2000 | University of Newcastle | ||
| Bougourd J | Body Scanners in the Clothing Industry | 2000 | The London Institute | Fashion and Textiles | Ian Dewar, Managing Director, CAD for CAD |
| Bougourd J | A Comparison of Women's Sizing by 3D Electronic Scanning and Traditional Anthropometry | 2000 | The London Institute | Fashion and Textiles | Laura Dekker Peter Grant-Ross Janet Ward |
| Bougourd J | The Shape of Things to Come | 2000 | The London Institute | Fashion and Textiles | Pauline Frost Peter Grant-Ross Sue Thomson |
| Bould M | 'Preserving Machines: Recentering the Decentered Subject in Blade Runner and Johnny Mnemonic' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bould M | Anti-Bodies | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bould M | Wallflower Critical Guide to Contemporary North American Directors | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bould M | 'Whither our understanding of sf?' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Boult J | 1998 | Brunel University | Design Process | ||
| Boult J | The Electronic Home | 1996 | Brunel University | Design Process | |
| Boult J | Jordan Amigo Toothbrushes | 1995 | Brunel University | Design Process | |
| Boult J | Mastering the administration of Design in the CK Economy | 2000 | Brunel University | Design Process | |
| Bourke R | 'Apoteoza'/apotheosis | 2000 | Dartington College of Arts | ||
| Bourke R | 'Liquid Rapture: Brut' | 1998 | Dartington College of Arts | ||
| Bourke R | Liquid Rapture: 'Dark Bride' | 1998 | Dartington College of Arts | ||
| Bourke R | 'Spa: An Erasure' | 1996 | Dartington College of Arts | ||
| Bowen J.R. | Imprints | 1998 | University College London | Painting | |
| Bowen J.R. | Bestiary | 1999 | University College London | Painting | |
| Bowen J.R. | Mani/Mario | 1998 | University College London | Painting | |
| Bowen J.R. | Fountain of Love | 1999 | University College London | Painting | |
| Bowen S | Villa Romana, Florence, residency and exhibition | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Bowen S | Residency and exhibition based at Grizdale Sculpture Trail, Cumbria | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Bowen S | Double Summertime residency and exhibition | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| Bowen S | From Pools and Oceans, solo exhibition | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Bowett A | The Jamaica Trade: Gillow and the use of Mahogany in the Eighteenth Century | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowett A | The English Horsebone Chair, 1685-1710 | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowett A | The English Cross-frame Chair, 1694-1715 | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowett A | The Age of Snakewood | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowman J | Fabric designs 12.B.688, 2000 | 2000 | Loughborough University | Textiles | |
| Bowman J | Range of scarves and wraps (concept design, sampling and production management) | 1998 | Loughborough University | Textiles | |
| Bowman S | Global City | 2000 | University of East London | S. West | |
| Bowman S | Women and Indigenous Textiles - Aesthetics and Economic Enterprise | 1996 | University of East London | ||
| Bowman S | Traditional Crafts revival and technological change in the Highlands and Islands of Scotland | 2000 | University of East London | ||
| Bowman S | Australia Dreaming: Australia Out to Dry | 2000 | University of East London | ||
| Boyce-Kwok S | Motherlode; The other side of Zero | 2000 | University of East London | ||
| Boyce-Kwok S | The Unmapped Body | 1998 | University of East London | ||
| Boyce-Kwok S | Performance | 1998 | University of East London | ||
| Boyce-Kwok S | Interzones | 1996 | University of East London | ||
| Boyd S C | Beyond the WOW Factor. | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Boyd S C | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Boyd S C | European Rustic. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Boyd S C | Proximity. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Boylan A | One-off Jewellery Works | 1999 | University of Ulster | ||
| Boylan A | Brooch and Tie Pin | 1998 | University of Ulster | ||
| Boylan A | Cisti Nua: New Treasures | 1996 | University of Ulster | ||
| Boylan A | Precious Metal Jewellery | 2000 | University of Ulster | ||
| Boyle GA | Beyond Single Vision | 2000 | Open University | Design for sustainability | C Thomas D Wield |
| Boyle GA | Renewable Energy: Power for a Sustainable Future | 1996 | Open University | Design for sustainability | |
| Boyle GA | The Development and Application of an Urban Energy Model | 1996 | Open University | Design for sustainability | H Titheridge |
| Boyle GA | DREAM-World: a Simple Model of Energy-Related Carbon Emissions in the 20th and 21st Centuries | 2000 | Open University | Design for sustainability | |
| Boys J | Positions in the Landscape? Gender, Material and Virtual Space | 1998 | De Montfort University | ||
| Boys J | Beyond 'Point and Click': Making Teaching and Learning Really Interactive | 1999 | De Montfort University | ||
| Boys J | Windows on the World - Or why we might be using the wrong frames: (Re)viewing Architecture | 2000 | De Montfort University | ||
| Boys J | Beyond Maps and Metaphors: Re-thinking Architecture and Gender | 1998 | De Montfort University | ||
| Bracker A | Lost Property: Lisa Lyon in Artforum | 1998 | Royal College of Art | Conservation | |
| Bradac J | Parcels and Occasional Diaries | 1998 | The London Institute | Fine Art | |
| Bradac J | Artists' Book Fair | 1994 | The London Institute | Fine Art | |
| Bradac J | Artists Book Exhibition | 1994 | The London Institute | Fine Art | |
| Bradac J | Solo exhibition | 1994 | The London Institute | Fine Art | |
| Braddock SE | Fabric of Fashion. | 2000 | Goldsmiths College | ||
| Braddock SE | Fabric of Fashion. | 2000 | Goldsmiths College | O'Mahony, M. | |
| Braddock SE | Cross-Cultural Trends in Fiber Arts: A Global Horizon | 2000 | Goldsmiths College | ||
| Braddock SE | Techno Textiles: Revolutionary Fabrics for Fashion and Design. | 1998 | Goldsmiths College | O'Mahony, M. | |
| Bradley I | Six Lost Scientists CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | P. Kelly |
| Bradley I | Pathology CD-ROM | 1995 | Liverpool John Moores University | International Centre for Digital Content | P.Kelly |
| Bradley I | Liverpool Football Club Interactive CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | Steve Roberts |
| Bradley I | Audobon CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | Jason Taylor |
| Breen LV | The UN Convention against Torture | 2000 | Brunel University | Polymedia Design | |
| Breen LV | Power of the Poster | 1998 | Brunel University | Polymedia Design | |
| Breen LV | On Closer Inspection | 1999 | Brunel University | Polymedia Design | |
| Breen LV | Not Another Ism | 1999 | Brunel University | Polymedia Design | |
| Brennan G | Un Pas dans la Lune | 1999 | Edinburgh College of Art | Fine Art | |
| Brennan G | Hitec - Lotec | 2000 | Edinburgh College of Art | Fine Art | |
| Brennan G | 13th International Miniature Biennale | 2000 | Edinburgh College of Art | Fine Art | |
| Brennan G | Collectanea (a collection of passages) | 1998 | Edinburgh College of Art | Fine Art | |
| Brennand-Wood M | Weaving the World, Contemporary Art of Linear Construction | 1999 | University of Ulster | ||
| Brennand-Wood M | Jerwood Prize for Applied Arts - Textiles | 1997 | University of Ulster | ||
| Brennand-Wood M | You are here | 1999 | University of Ulster | ||
| Brennand-Wood M | Material Evidence : Improvisations on a Historical Theme | 1996 | University of Ulster | ||
| Brett DB | The Management of Colour:The Kashmir Shawl in a 19th Century Debate | 1998 | University of Ulster | ||
| Brett DB | Art Nouveau | 1997 | University of Ulster | ||
| Brett DB | The Construction of Heritage | 1996 | University of Ulster | ||
| Brett DB | The Plain Style: The Reformation, Culture and the Crisis in Protestant Identity | 1999 | University of Ulster | ||
| Brett G | Mona Hatoum | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Michael Archer Catherine de Zegher |
| Brett G | Force Fields: Phases of the Kinetic | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brett G | Susan Hiller | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brett G | Exploding Galleries: The Art of David Medalla | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brettle J | LUMINOUS: Northern Gallery for Contemporary Art, Sunderland. Visual Arts UK | 1996 | Edinburgh College of Art | Fine Art | |
| Brettle J | HISTORY: Image Based Art in Britain in the Late 20th Century | 1994 | Edinburgh College of Art | Fine Art | |
| Brettle J | Public Bodies - Private States: New Views on Photography Representation and Gender | 1994 | Edinburgh College of Art | Fine Art | |
| Brettle J | Shadows in the Water: Contemporary Photography from Scotland | 1996 | Edinburgh College of Art | Fine Art | |
| Brettle J L | Public Bodies, Private States - New Views on Photography, Representation and Gender | 1994 | University of Northumbria at Newcastle | Photography (1b) | Rice, S |
| Brettle J L | History: Image Based Art in Britain in the Late 20th Century, survey of 101 artists. | 1997 | University of Northumbria at Newcastle | Photography (1b) | |
| Brettle J L | Shadows in the Water - New Photographic Works from Scotland | 1997 | University of Northumbria at Newcastle | Photography (1b) | |
| Brettle J L | Il Camino Astratto | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Breward C J | Masculinity, Fashion and the Body, 1870 - 1915 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Breward C J | In the Eye of the Storm: Oxford Circus + the Fashioning of Modernity | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Breward C J | The Hidden Consumer: Masculinities, Fashion and City Life 1860-1914 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Breward C J | Fashion + the Man: From Suburb to Street. The Spaces of Masculine Consumption 1870-1914 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brewill PJ | Tube Doggy | 2000 | University of Southampton | ||
| Brewill PJ | Red October | 1999 | University of Southampton | ||
| Brewill PJ | Luxury Liner | 1995 | University of Southampton | ||
| Brewill PJ | Windpowered Tanker | 1997 | University of Southampton | ||
| Brierley ES | The Significance of Memorable Urban Spaces for the Sustainable Development of Dwellings | 1999 | De Montfort University | ||
| Brierley ES | The Boundaries of Architectural Research | 1994 | De Montfort University | ||
| Brierley ES | The Influence of the Research Process upon Design Decisions | 1998 | De Montfort University | ||
| Brierley ES | The Social Impact of a Deck Housing Project: Park Hill, Sheffield | 1997 | De Montfort University | ||
| Brigdale S | 12 Again | 1999 | Southampton Institute | ||
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Brigdale S | Another Place | 1996 | Southampton Institute | ||
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Briggs P M | 5 Ships | 1995 | Nottingham Trent University | Design | |
| Briggs P M | The Golden Hind | 1994 | Nottingham Trent University | Design | |
| Briggs P M | Venetian Ship | 1995 | Nottingham Trent University | Design | |
| Briggs P M | The Life Cycle off the Salmon: from egg to smolt | 1998 | Nottingham Trent University | Design | |
| Bright A | Beyond Material: The New Crafts of the 90s | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Bright A | Sensor, Body, Sensor | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Bright A | Steekje Los! (Slipstich: New Concepts in Knitting) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bright A | Metalmorphosis - Tradition and Innovation in British Silver and Metalwork 1880-1998 | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Brill P | I Believe in Durer. | 2000 | Goldsmiths College | ||
| Brill P | Peace: 40 rubber aeroplanes to be thrown around the space by the public | 1999 | London Guildhall University | ||
| Brill P | Stop it write now! (installation), Make Your Own Damn Art | 2000 | London Guildhall University | ||
| Brill P | Landscape. Landscape in a non-traditional manner; video and 'text paintings' | 2000 | London Guildhall University | ||
| Brill P | I believe in D | 2000 | London Guildhall University | ||
| Brill P | Stop it Write Now. | 2000 | Goldsmiths College | ||
| Brill P | 40 Rubber Planes. | 2000 | Goldsmiths College | ||
| Brill P | Flawed. | 2000 | Goldsmiths College | ||
| Brind S | Private Views, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Brind S | Sehst | 2000 | Glasgow School of Art | Fine Art | |
| Brind S | Mysteries of the Heart, solo exhibition | 1994 | Glasgow School of Art | Fine Art | Jim Harold |
| Brind S | Individuals In Foreign Lands | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Brindley TS | Community Roles in Urban Regeneration: New Partnerships on London's South Bank | 2000 | De Montfort University | ||
| Brindley TS | Introducing Alternative Formats for the Design Project Review | 2000 | De Montfort University | Doidge, C.W. Willmott, R. |
|
| Brindley TS | The Modern House in England | 1999 | De Montfort University | ||
| Brindley TS | Remaking Planning | 1996 | De Montfort University | Rydin, Y. Stoker, G. |
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| Brisley S.J. | Black | 1996 | University College London | Fine Art Media | |
| Brisley S.J. | Out of Actions: Between Performance and the Object, 1949-1979. | 1998 | University College London | Fine Art Media | |
| Brisley S.J. | Body Performance | 1995 | University College London | Fine Art Media | |
| Brisley S.J. | Live in Your Head: Concept and Experiment in Britain, 1965-1975 | 2000 | University College London | Fine Art Media | |
| Bristow M | Flexible 2 Pan European Art | 1996 | Chester College of HE | ||
| Bristow M | (Un) Limited. Diversity and Change in International Contemporary Craft | 1999 | Chester College of HE | ||
| Bristow M | Textures of Memory: The Poetics of Cloth | 1999 | Chester College of HE | ||
| Bristow M | The 6th Intertnational Textile Competition '99 - Kyoto | 1999 | Chester College of HE | ||
| Britton A | Alison Britton | 2000 | Royal College of Art | Applied Art | |
| Britton A | Alison Britton | 1996 | Royal College of Art | Applied Art | |
| Britton A | Form and Fiction | 1995 | Royal College of Art | Applied Art | |
| Britton A | The Raw and the Cooked - New Work in Clay in Britain | 1994 | Royal College of Art | Applied Art | |
| Broadway G | The Glass | 1997 | University of Sunderland | Photography | |
| Broadway G | The Salt Passages | 1999 | University of Sunderland | Photography | |
| Broadway G | Flow | 2000 | University of Sunderland | Photography | Clark S |
| Broadway G | Birmingham Frequencies | 1999 | University of Sunderland | Photography | Clark S Parkin M |
| Brock PM | Research for the Taiwan Textile Federation | 2000 | The London Institute | Fashion and Textiles | |
| Brock PM | Expofil | 1994 | The London Institute | Fashion and Textiles | |
| Brock PM | Heimtextil | 2000 | The London Institute | Fashion and Textiles | |
| Brock PM | Indigo/Decosit | 1998 | The London Institute | Fashion and Textiles | |
| Brooks J | Near | 1998 | University of Gloucestershire | ||
| Brooks J | The Nat West Art Prize | 1999 | University of Gloucestershire | ||
| Brooks J | John Moores Liverpool Exhibition 20 | 1997 | University of Gloucestershire | ||
| Brooks J | Jason Brooks | 1997 | University of Gloucestershire | ||
| Brooks PR | A Plague on Both Your Houses | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks PR | Peepshow | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks PR | L'Ascensore | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks PR | Naturaleza Muerta Con Insectos | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Broom K | Lightworks Two Dialogues of Narrative and Perception | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Broom K | Art Practice Within The Probation Service | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Broom K | Playing with Emergency A Case Study Of Reversal Theory in Artrwork. | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Broom K | Taking the Sheet; an exploration of a contemporary art practice and its relevance to counselling, psychotherapy and identity | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Brotherston W | Scandex: Exhibition of Contemporary Scottish Sculpture | 1995 | Edinburgh College of Art | Fine Art | |
| Brotherston W | Edinburgh College of Art in Krefeld: Aspects of Contemporary Art in Scotland | 2000 | Edinburgh College of Art | Fine Art | |
| Brotherston W | Transistors: Small Sculptures from Scotland | 1999 | Edinburgh College of Art | Fine Art | |
| Brotherston W | Commissioned sculptures | 2000 | Edinburgh College of Art | Fine Art | |
| Brown B | Graphic Memory | 2000 | University of Brighton | Memory, Identity and History | |
| Brown B | Memory Maps and the Nasca | 1999 | University of Brighton | Memory, Identity and History | |
| Brown B | Objekte der Erinnerung | 1998 | University of Brighton | Memory, Identity and History | |
| Brown B | Memory is the Message | 1997 | University of Brighton | Memory, Identity and History | |
| Brown C | Complete W Somerset Maugham | 1998 | Liverpool John Moores University | Graphic Arts | |
| Brown C | An Anamorphic Alphabet | 1999 | Liverpool John Moores University | Graphic Arts | |
| Brown C | What If - How to start a Creative Revolution at Work | 1999 | Liverpool John Moores University | Graphic Arts | Dave Allen Matt Kingdon Kris Murrin |
| Brown C | Economist - Books and Multimedia supplement. | 2000 | Liverpool John Moores University | Graphic Arts | |
| Brown C | Group Exhibition in Public Gallery | 1998 | University of Derby | Research Group for Artists Publications | |
| Brown C | 'Acoustic Shadows' | 1999 | University of Derby | Research Group for Artists Publications | |
| Brown C | 'The Waters', Solo Exhibition | 1997 | University of Derby | Research Group for Artists Publications | |
| Brown C | 'Coming Ready or Not' - a permanment sound piece sited on the Chiltern Sculpture Trail.'Coming Ready or Not and Other Tales' - Solo Exhibition of Drawings, Museum of Modern Art, Oxford. | 2000 | University of Derby | Research Group for Artists Publications | |
| Brown C | Crafts Council Showcase | 1997 | University of Westminster | Ceramics | |
| Brown C | The Jerwood Prize for Applied Arts: Ceramics | 1996 | University of Westminster | Ceramics | |
| Brown C | The Nude in Clay 2 | 1998 | University of Westminster | Ceramics | |
| Brown C | Fragments of Narrative | 2000 | University of Westminster | Ceramics | |
| Brown JK | Time-Forms | 1998 | Manchester Metropolitan University | ||
| Brown JK | Fine Art Sculpture and Computing Technology | 1999 | Manchester Metropolitan University | ||
| Brown JK | Not Touched by Human Hand: The CALM Project | 1999 | Manchester Metropolitan University | ||
| Brown JK | Without Touch | 2000 | Manchester Metropolitan University | ||
| Brown M | Community Voices | 1995 | University of Ulster | Kesang Penchen Kumari Sanden |
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| Brown M | Real Lives Magazine | 1997 | University of Ulster | ||
| Brown M | Voices from the Field | 1998 | University of Ulster | ||
| Brown M | Challenging Homelessness; a participatory media project | 2000 | University of Ulster | ||
| Brown R | Biotica | 1999 | Royal College of Art | Computer Related Design | |
| Brown R | Alembic | 1997 | Royal College of Art | Computer Related Design | |
| Brown R | Neural Net Starfish | 2000 | Royal College of Art | Computer Related Design | |
| Brown R | Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy | 2000 | Royal College of Art | Computer Related Design | |
| Brown R | Ergonomic data fro elderly people and their application in rehablitation design | 1997 | University of Wales Institute, Cardiff | PDR | N Rogers J Ward DK Wright |
| Brown R | Direct rapid tooling techniques and their impact on product design | 1999 | University of Wales Institute, Cardiff | PDR | C Adams |
| Brown R | Realistic animation of human figures using artificial neural networks | 1996 | University of Wales Institute, Cardiff | PDR | Z Taha D Wright |
| Brown R | Enhancing design effectiveness in very small companies | 1996 | University of Wales Institute, Cardiff | PDR | A Mumby A Lewis |
| Brown SC | Re-inventing the University | 1998 | De Montfort University | ||
| Brown SC | Open and Distance Learning: Case Studies from Industry and Education | 1997 | De Montfort University | ||
| Brown SC | Campus Re-engineering | 2000 | De Montfort University | ||
| Brown SC | Challenge and Change in a Traditional Setting | 2000 | De Montfort University | ||
| Brown V | 'Cloths of Gold.' 1 exhibit: Hand-rolled felt with gold leaf banner 30 x 200cms | 1998 | University College Chichester | Textiles | |
| Brown V | 'Satellites of Fashion.' Four hand-rolled felt hats, various dimensions | 1999 | University College Chichester | Textiles | |
| Brown V | 'The Waves at Goldsmiths' - A major retrospective charting great art from the textiles course 1947 - 2000. A hand rolled felt and silk coat | 2000 | University College Chichester | Textiles | |
| Brown V | 'Core - Contemporary Regional Textiles'. 12 hand-rolled felt wall hangings. Varying dimensions. | 2000 | University College Chichester | Textiles | |
| Brown W | The Plate Show: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | I. McCulloch |
| Brown W | Neolithic Pottery-Making in Orkney: A New Look | 2000 | Glasgow School of Art | Historical and Critical Enquiry | R. Jones |
| Brown W | Solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Brown W | Permanence - Potters Have The Last Laugh | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Brownsword N | Close - Last in the 3Up Series | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brownsword N | Fletcher Challenge Ceramics Award | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brownsword N | British Ceramics DK 2000 | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brownsword N | Hoogrood | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bruce HJ | Out of the Garden | 2000 | University of Ulster | ||
| Bruce HJ | H.R.Lilley Artist and Designer 1886-1970 | 1997 | University of Ulster | ||
| Bruce HJ | This Mortal Coil: Art of Awareness | 1998 | University of Ulster | ||
| Bruce HJ | Beyond Boundaries: Contemporary Textiles by Ten Members of the '62 Group | 1998 | University of Ulster | ||
| Bruton J | The Question of Scale | 1996 | University of Southampton | ||
| Bruton J | Please | 2000 | University of Southampton | ||
| Bruton J | Images from Birmingham: Contemporary Painting | 1994 | University of Southampton | ||
| Bruton J | Domino | 1999 | University of Southampton | ||
| Bruton J | Images from Birmingham: Contemporary Painting | 1994 | The London Institute | Fine Art | |
| Bruton J | A Question of Scale | 1995 | The London Institute | Fine Art | |
| Bruton J | Please | 2000 | The London Institute | Fine Art | |
| Bruton J | In Front | 1999 | The London Institute | Fine Art | |
| Bryson D | 'Personal Injury Photography - The Case for a Professional Specialisation' May 8-12 1999. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bryson D | 'Performance Sportswear Design' Leonardo Multiplier Project. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bryson D | 'Operating Theatre for Personal Injury Cases'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bryson D | Acromegaly, Mr Punch and Caricature. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bryson W.N. | Semiotics and Art History: A Discussion of Contexts and Senders | 1998 | University College London | Art History and Theoretical Studies | Mieke Bal |
| Bryson W.N. | Philostratus and the Imaginary Museum | 1995 | University College London | Art History and Theoretical Studies | |
| Bryson W.N. | Everything We Look At Is A Kind Of Troy | 2000 | University College London | Art History and Theoretical Studies | |
| Bryson W.N. | The Natural Attitude | 1999 | University College London | Art History and Theoretical Studies | |
| Buchan S. H. | THE THIRD FANTOCHE INTERNATIONAL ANIMATION FILM FESTIVAL | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Buchan S. H. | THE QUAY BROTHERS: CHOREOGRAPHED CHIAROSCURO, ENIGMATIC AND SUBLIME | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Buchan S. H. | GRAPHIC AND LITERARY METAMORPHOSIS: ANIMATION TECHNIQUE AND JAMES JOYCE'S ULYSSES | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Buchan S. H. | FANTAZJE FILMOWE. WARIACJE NA TEMAT ULISSESA (LITERARY CINEMATICS: CINEMATIC METAMORPHOSIS IN JAMES JOYCE'S ULYSSES) | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Buchler P | Ghost Stories: Stray Thoughts on Photography and Film | 1999 | Manchester Metropolitan University | ||
| Buchler P | LIVE | 1999 | Manchester Metropolitan University | ||
| Buchler P | Red Flag/Marx Angels | 1997 | Manchester Metropolitan University | ||
| Buchler P | Blind Spot | 1998 | Manchester Metropolitan University | ||
| Buck J | Contemporary British Sculpture | 2000 | Southampton Institute | ||
| Buck J | Goodwood Goddess | 2000 | Southampton Institute | ||
| Buck J | The Shape of the Century - 100 years of sculpture in Britain | 1999 | Southampton Institute | ||
| Buck J | Embracing the Sea | 1998 | Southampton Institute | ||
| Buck L | Getting a Grip: Abandoning Tyres Could Give Motorcycle Wheels the Edge | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | Steve Dixon |
| Buck L | Conservation of Modern Materials in Twentieth Century Furniture | 1998 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Buck L | Furniture Design with Composite Materials | 2000 | Buckinghamshire Chilterns University College | Furniture Technology | Prof Reid |
| Buck R | 'The Hard Road to Klondike' | 1999 | Napier University | Documentary and Experimental Film | Desmond Bell |
| Buck R | 'Wazungu Kids' | 1995 | Napier University | Documentary and Experimental Film | Wendy McEvoy David Eadington |
| Buck R | 'Sleep' | 1998 | Napier University | Documentary and Experimental Film | Ian Cottage |
| Buck R | 'John Heliker - the Inner Compass of Certainty' | 1998 | Napier University | Documentary and Experimental Film | Derek Smith |
| Buckley J | Transistors: New Small Sculpture from Scotland | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Buckley J | Blue Velvet | 1998 | Robert Gordon University | Practices enabled through New Media Technology | Hamlyn, J. |
| Buckley J | Fold | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Buckley J | Flow | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Buckley S | Stephen Buckley - Flower Paintings | 1999 | University of Reading | ||
| Buckley S | Stephen Buckley, Centenary Display | 1997 | University of Reading | ||
| Buckley S | Excursions: Small Paintings by Stephen Buckley | 1994 | University of Reading | ||
| Buckley S | The Janet Wolfson de Botton Gift | 1998 | University of Reading | Carl Andre Cindy Scherman Julian Schnabel |
|
| Buckley T | 5th World Biennial of the Art of Bookbinding | 1999 | The London Institute | Media and Communication | |
| Buckley T | How Books Should Open and Feel | 2000 | The London Institute | Media and Communication | |
| Buckley T | Leather Staining, Dyeing and Decorating | 1996 | The London Institute | Media and Communication | |
| Buckley T | The Progress of the Book | 1997 | The London Institute | Media and Communication | |
| Bugg R | Kunst RAI | 1999 | Wimbledon School of Art | Sculpture | Theo Philips Jeff Haines |
| Bugg R | Solo exhibition | 1997 | Wimbledon School of Art | Sculpture | |
| Bugg R | Conundrum, | 2000 | Wimbledon School of Art | Sculpture | Jude Kerr |
| Bugg R | Ceramic Millenium, Amsterdam Galleries Exhibitions. | 1999 | Wimbledon School of Art | Sculpture | Nick Renshaw Irene Vonk Netty Van Den Heuval |
| Bullen DW | Hermetica | 1999 | University of Brighton | Fine Art Practices | |
| Bullen DW | Isola | 1997 | University of Brighton | Fine Art Practices | |
| Bullen DW | Lumen - Paintings and Photographs | 1998 | University of Brighton | Fine Art Practices | |
| Bullen DW | Paintings and Prints | 1998 | University of Brighton | Fine Art Practices | |
| Bunnell K | Hot off the Press: Ceramics and Print | 1996 | Falmouth College of Arts | ||
| Bunnell K | Ceramic Designer/Maker: Ceramic Design Innovation Through New Technology. | 1996 | Falmouth College of Arts | ||
| Bunnell K | Objects of our Time | 1996 | Falmouth College of Arts | ||
| Bunnell K | A New Agenda for Creative Enterprise | 2000 | Falmouth College of Arts | ||
| Burgin V | Lichtung. | 1999 | Goldsmiths College | ||
| Burgin V | In/Different Spaces: Place and Memory in Visual Culture. | 1996 | Goldsmiths College | ||
| Burgin V | Some Cities, London. | 1996 | Goldsmiths College | ||
| Burgin V | Nietzsche's Paris. | 2000 | Goldsmiths College | ||
| Burke C P | German hybrid typefaces of the early twentieth century | 1998 | University of Reading | ||
| Burke C P | Luxury and austerity: Willy Wiegand and the Bremer Presse | 1997 | University of Reading | ||
| Burke C P | From functionalism to information design | 1998 | University of Reading | ||
| Burke C P | Paul Renner: the art of typography | 1998 | University of Reading | ||
| Burnett G | Craft Culture and Technology | 1996 | Robert Gordon University | Making and Contemporary Culture | |
| Burnett G | Metalmorphosis | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Burnett G | Objects of Our Time | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Burnett G | Australian Cultural Issues Redefined by Digitally Crafted Domestic Objects | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Burrows D | 'Who's afraid of Red, White and Blue' | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Burrows D | I Hate You In June | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Burrows D | David Burrows Solo Show at Praz-Delavallade | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Burrows D | David Burrows solo show and It boy ontology Audio CD | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Burrows D | 'Tartuffe' | 1997 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Barry Wickens Brian Betts |
| Burrows D | 'A Summer's Day' | 2000 | Wimbledon School of Art | Theatre technical arts | David Graham-Young |
| Burrows D | 'The Passing of the Years' | 1999 | Wimbledon School of Art | Theatre technical arts | Stephanos Lazarides Richard Hudson Paul Brown |
| Burrows D | 'All Cloned Up' | 2000 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Mike Bennett |
| Burrows M W | A Divine Comedy | 2000 | University of Huddersfield | ||
| Burrows M W | Matt Burrows | 1994 | University of Huddersfield | ||
| Burrows M W | Undercurrents | 2000 | University of Huddersfield | ||
| Burrows M W | Matthew Burrows | 1994 | University of Huddersfield | ||
| Burstow R | 'Participation and Pageant: The Miralda Honeymoon Project'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burstow R | 'The Limits of Modernist Art as a Weapon of the Cold War: Re-assessing the unknown patron of the Monument to the Unknown Political Prisoner'. | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burstow R | 'Materialising Memory : Mementoes, Memorials and Modernism'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burstow R | 'Symbols for '51: The Royal Festival Hall, Skylon and Sculptures for the Festival of Britain' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burton A | Walls, Mountains, Millstones | 1994 | University of Newcastle | ||
| Burton A | Bronze | 2000 | University of Newcastle | ||
| Burton A | All Afloat | 1996 | University of Newcastle | ||
| Burton A | Durham Cow | 1997 | University of Newcastle | ||
| Burton R | Agricultural/Rural Exhibition Consultation | 2000 | University of Sunderland | Design | |
| Burton R | French Rural Life and Agricultural Exhibition | 1998 | University of Sunderland | Design | |
| Burton R | National Political Conferences | 1999 | University of Sunderland | Design | |
| Burton R | Regional Political Conferences | 2000 | University of Sunderland | Design | |
| Bush P | 'Still Life with Small Cup'. | 1998 | Goldsmiths College | ||
| Bush P | 'The Rumour of True Things'. | 1998 | Goldsmiths College | ||
| Bush P | 'The Albatross' - short Animation film. | 1998 | Goldsmiths College | ||
| Bush P | 'His Comedy'. | 1998 | Goldsmiths College | ||
| Bushe R | 'Robbie Bushe - New Pictures' - 60 oils, acrylics, watercolours, drawings and prints. Dimension between 18x14 ins and 60x60 ins. | 1994 | University College Chichester | Painting | |
| Bushe R | 'Robbie Bushe' - 12 acrylics, watercolours, drawongs and prints. Various dimensions. | 1998 | University College Chichester | Painting | |
| Bushe R | 'HINTERland' - 3 acrylics, digital/mixed media prints. Dimensions?? | 1999 | University College Chichester | Digital / Mixed media prints | |
| Bushe R | 'Robbie Bushe' Solo exhibition. 20 acrylics, watercolours, drawings and prints. Various dimensions. Photographic record of works available. | 1995 | University College Chichester | Painting | |
| Butler J | Window Sills | 2000 | University of Plymouth | Art Process | |
| Butler J | Justin Knowles Beyond Systems Artform Concepts 1967-98. | 1998 | University of Plymouth | Art Process | |
| Butler J | John Virtue: Exe Estuary Paintings 1997/8 | 1998 | University of Plymouth | Art Process | |
| Butler J | West by South West | 1999 | University of Plymouth | Art Process | Worts, M. |
| Butler P. | PAUL BUTLER: NEW PAINTINGS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler P. | PAUL BUTLER: OIL PAINTINGS | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler P. | JOHN MOORES LIVERPOOL EXHIBITION 19 | 1995 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler P. | EAST INTERNATIONAL | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler K | Encampment - The development of temporary site based work | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler K | Abstraction and Blind Sitings - A collaboration between two artists geographically displaced from the sites | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler K | Siteworks - Examining the relationship of site based work on four different sites in London | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler K | Live on Ice | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Butler S | Aurum | 2000 | Royal College of Art | Critical Practice | |
| Butler S | Phantasias | 1997 | Royal College of Art | Critical Practice | |
| Butler SK | Aurum - A series of site specific works responding to the history of Harewood House | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Butler SK | Between Frames | 1996 | University of Wales Institute, Cardiff | Fine Art | S Sontag L Lippard L Mulvey |
| Butler SK | Revising Femininity - Creative Camera: Thirty Years of Writing | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Butler SK | Phantasias | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butterworth E | Elizabeth Butterworth - Solo Show | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butterworth E | Macaws - limited edition prints | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butterworth E | Elizabeth Butterworth New Work | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butterworth E | Elizabeth Butterworth Paintings, Drawings and Prints | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Byrne JM | Modernism and Meaning : Some Problems with Reading the Intervention of British Video Art into the Gallery Space | 1996 | Liverpool John Moores University | Art and Design History | |
| Byrne JM | Cybersublime : Representing the Unrepresentable in Digital Art and Politics | 1999 | Liverpool John Moores University | Art and Design History | |
| Byrne JM | Re-Mapping Modernity : From Analogic Image to Digital Dream | 1997 | Liverpool John Moores University | Art and Design History | |
| Byrne JM | 'Mediated Nations' and 'Virtual Interventions : Digital Avant-Gardes' | 1998 | Liverpool John Moores University | Art and Design History | |
| CAIRNS B | Producer of three programmes in the Insights series, documentaries by first time directors. Short Stories (27mins), In the Midst of Life (27mins) Women and Racing (15mins) | 1997 | University of Lincoln | ||
| CAIRNS B | Shortland Street: production Text and Audience | 1996 | University of Lincoln | Helen Martin | |
| CARR R J M B | Catching up with Sottsass | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | |
| CARR R J M B | The Myths of Scottish Design | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| CARR R J M B | Inuit Printmaking | 1995 | University of Dundee | Coastal/Indigenous Cultures | |
| CARR R J M B | Architecture + Planning in Scotland | 1999 | University of Dundee | Contemporary Practice | |
| CATLING BD | Nordic Cyclops | 1997 | University of Oxford | ||
| CATLING BD | Were | 1998 | University of Oxford | ||
| CATLING BD | Vanished! | 1998 | University of Oxford | Tony Grisoni | |
| CATLING BD | Were - The Chamber Works | 2000 | University of Oxford | ||
| CATTRELL A | Psycho | 2000 | University of Oxford | ||
| CATTRELL A | New Anatomists | 1999 | University of Oxford | ||
| CATTRELL A | Blue Chamber | 2000 | University of Oxford | ||
| CATTRELL A | Scandex | 1995 | University of Oxford | ||
| CHAPLIN S | Report to Virtual HQ: The Distributed City | 1997 | Middlesex University | ||
| CHAPLIN S | Heterotopia Deserta: Las Vegas and Other Spaces | 2000 | Middlesex University | ||
| CHAPLIN S | Visual Culture: An Introduction | 1997 | Middlesex University | J WALKER | |
| CHAPLIN S | Edo's Endgame: Real or Virtual? | 1997 | Middlesex University | ||
| CHARNLEY C | Muscles (part of Photo 98) | 1998 | University of Lincoln | ||
| CHARNLEY C | Horticulture1 and Horticulture 2 | 1997 | University of Lincoln | ||
| CHARNLEY C | Petrikapille beim dom Brandenburg | 1998 | University of Lincoln | ||
| CHARNLEY C | Cement Mixer with Roses | 1998 | University of Lincoln | ||
| CHELL E | Edward Chell Paintings | 1997 | Kent Institute of Art + Design | ||
| CHELL E | CHORA | 1999 | Kent Institute of Art + Design | ||
| CHELL E | Vanishing Point | 2000 | Kent Institute of Art + Design | ||
| CHELL E | Tech | 1998 | Kent Institute of Art + Design | ||
| CHEVSKA ME | Maria Chevska | 2000 | University of Oxford | ||
| CHEVSKA ME | Maria Chevska | 1997 | University of Oxford | ||
| CHEVSKA ME | Company: Maria Chevska | 1999 | University of Oxford | ||
| CHEVSKA ME | Spoken Image: Maria Chevska | 1997 | University of Oxford | ||
| CHISHOLM R G | A study of the dynamics, image and function of objects and the space they occupy | 1999 | University of Dundee | Industry and the Public Sector | |
| CHISHOLM R G | A preproduction prototype for a yacht | 1994 | University of Dundee | Industry and the Public Sector | W A Simpson Marine, Dundee |
| CHISHOLM R G | Innovative composite furniture | 1998 | University of Dundee | Industry and the Public Sector | Helen McCoig |
| CHISHOLM R G | A Portfolio of Street Furniture Products | 1999 | University of Dundee | Industry and the Public Sector | Gary Carling |
| CLAMP RS | Public Art Project: Ann Christopher, Sculptor | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CLAMP RS | Portishead Quays: Public Arts Strategy | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CLAMP RS | Public Art Project: Cheltenham | 1999 | University of West of England, Bristol |