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| Art and Design - Publications | ||||
| Art and Design RDF, 6.7mb <RDF Zip, 391kb> | |||
| People, 884kb | Publications, 3.7mb | Groups, 49kb | Institutions, 28kb |
| BOTTOM |
| Author | Title | Date | Place of Publication | Research Group | Co-Authors |
| Butler J | Window Sills | 2000 | University of Plymouth | Art Process | |
| Brotherston W | Transistors: Small Sculptures from Scotland | 1999 | Edinburgh College of Art | Fine Art | |
| Brettle J | Public Bodies - Private States: New Views on Photography Representation and Gender | 1994 | Edinburgh College of Art | Fine Art | |
| Hutchinson S | Walking the Downs | 1998 | University of Brighton | Fine Art Practices | A Campbell C Whistler J Dove |
| Turnock P | Exploring Design and Innovation | 2000 | Brunel University | Design Pedagogy | A Chappell E TAbor P Isherwood |
| Tabor EC | Exploring Design and Innovation | 2000 | Brunel University | Design Pedagogy | A Chappell P Isherwood N Stanton |
| Isherwood P | Exploring Design and Innovation - fresh ideas for creative curriculum development | 2000 | Brunel University | Design Pedagogy | A Chappell E Tabor N Stanton |
| Cross NG | Expert Designers | 1998 | Open University | Design thinking and communication | A Clayburn Cross |
| ROBINSON M | sub.merge | 2000 | Middlesex University | A Deakin C Bassett V Spong |
|
| ROBINSON M | Glitches in the Fake Plastic | 1999 | Middlesex University | A Deakin S King |
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| ROBINSON M | Building | 1998 | Middlesex University | A Deakin A Fifield |
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| Hodgson J | The Text Garden | 1998 | Liverpool John Moores University | Painting and Sculpture | A Douglas |
| Khan T | Transient liquid phase diffusion bonding of oxide dispersion strengthened nickel alloy MA758 | 1999 | Brunel University | Environmentally Sensitive Design | A Ekrami |
| Gray W F | West Sussex Cinema | 1996 | University of Brighton | 20th Century Design and Film Archives | A Eyles A Readman |
| Phillips WE | Cultural issues in implementing concurrent engineering in an SME: A case study | 2000 | University of Wales Institute, Cardiff | PDR | A Filson A Lewis |
| Phillips WE | Managing innovation in new product development: Reviewing the performance of small and medium-sized enterprises | 2000 | University of Wales Institute, Cardiff | PDR | A Filson R Brown |
| Lewis A | Cultural issues in implementing changes to new product development process in a small to medium sized enterprise (SME) | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Lewis A | Barriers between design and business strategy | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Lewis A | Innovation from a small company perspective - An emprical investigation of new product development strategies in SME's | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Lowe J | Federation Square, International Architectural Design Competition | 1997 | University of Brighton | Natural and Constructed Environments | A Hawker J Wernick Lyon Architects |
| BOYD-DAVIS S | Design of Virtual Environments | 1998 | Middlesex University | A Huxor J Lansdown |
|
| McCartney K E | Three Dimensional CAAD Modelling ... for Conceptual Design : Technical constraints and local planning attributes as parameters for conceptual design support and evaluation | 1997 | University of Portsmouth | Centre for New Media Research | A Ismail |
| McCartney K E | Testing the Benefits of Animation | 1997 | University of Portsmouth | Centre for New Media Research | A Jacobs |
| Southee DJ | Low Cost Logic Analyser Implementing FPGA Technology | 2000 | Brunel University | A Jones | |
| Brown R | Enhancing design effectiveness in very small companies | 1996 | University of Wales Institute, Cardiff | PDR | A Mumby A Lewis |
| Robson D G | Homes for the Third Age - a design guide for sheltered housing | 1997 | University of Brighton | Natural and Constructed Environments | A Nicholson N Barker - (Supervised author) |
| Swallow SS | A Soft Touch | 2000 | Brunel University | Design for Inclusion | A P Thompson |
| Stewart S | Contemporary Barrier Free Living in Scotland | 1996 | Glasgow School of Art | Design | A Page |
| Crawford A | Images from the Past: the archaeology of Sardinia at the end of the 19th century in the unpublished photographs of the Dominican Father Peter Paul Mackay | 2000 | University of Wales, Aberystwyth | A Romagnino R Zucca |
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| JONES H | Modelling of Growing Biological Processes using Parametric L-Systems | 1997 | Middlesex University | A Tunbridge P Briggs |
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| Hanna R | Appraisal of Design Studio Methodologies | 1998 | Glasgow School of Art | Educational Theory and Practice | A. Barber |
| Elliott DA | Developing criteria for sustainable energy technology | 1997 | Open University | Design for sustainability | A. Clarke |
| Salter P | 4 + 1 Peter Salter: Building Projects | 2000 | University of East London | A. Higgott R. Harbison P. Beardsell |
|
| Gillham W | The Role of Research in Schools of Art and Design: The Implications from Practice | 1996 | Glasgow School of Art | Educational Theory and Practice | A. MacDonald |
| Herrmann M. | SUSTAINABLE LANDSCAPE DESIGN IN PRACTICE | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | A. Millard C. Royffe |
| Ali-MacLachlan I | Institutional Collaboration Over Networks ICON 2: A Remote Design Project | 1999 | Glasgow School of Art | Educational Theory and Practice | A. Thomson L. M. Campbell |
| THOMPSON K. | Chelsea craft fair | 2000 | Coventry University | Visual Arts | ADAM, J. STOYEL, J. WILDING, J.D. |
| TRUSSELLE K.L. | Falsework | 2000 | Coventry University | Visual Arts | ALLEN, T. CRUTCHLEY, R.H. CHORLTON, G. |
| WRIGHT I. | The utilisation of product development methods: a survey of UK industry | 1996 | Coventry University | The Design Institute | ARAUJO JNR, C.S. BENEDETTO NETO, H. CAMPELLO, A. .C. |
| BOWSHER G. | Engineering design of Thrust SSC | 1997 | Coventry University | Design | AYERS, R. ROWBOTTOM, T. NOBLE, R. |
| Nicolle CA | The Use of USERfit Methodology to Teach Usability Guidelines in Vanderdonckt, J and Farenc, C. (eds) Tools for Working with Guidelines | 2000 | Loughborough University | Design Ergonomics | Abascal, J. |
| Crumplin C | Chance Choice and Irony | 1994 | Bath Spa University College | Adams, M. Frize, B. Lasker, J. |
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| McComish L | Communication | 1998 | University of Ulster | Adele Crothers | |
| McComish L | Staff Development + Performance Review (SDPR) | 1998 | University of Ulster | Adele Crothers Alan Nesbitt |
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| Moon M | Royal Academy Summer Exhibition | 1998 | University of Reading | Adrian Berg Mary Fedden Allen Jones |
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| Rust CM | First Make Something - principled, creative design as a tool for multi-disciplinary research in clinical engineering | 1999 | Sheffield Hallam University | Adrian Wilson Graham Whiteley |
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| Rust CM | Using practice-led design research to develop an articulated mechanical analogy of the human hand | 1998 | Sheffield Hallam University | Industrial Design | Adrian Wilson Graham Whiteley |
| Robinson P I | Adapt Alumnus UfI | 2000 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | Agnelli, P Young, R |
| Kovats T | Lost | 2000 | Wimbledon School of Art | Sculpture | Agnes Martin Louise Bourgeois Le Corbusier |
| Alexander G | Cabaret Mechanical Movement - Understanding Movement and Making Automata. | 1998 | Wimbledon School of Art | Theatre technical arts | Aidan Lawrence Onn |
| Grossman A | 'Silent Song' | 2000 | Napier University | Documentary and Experimental Film | Aine O'Brien |
| Landrum A | Moby Dick | 1995 | Bath Spa University College | Airo, M. Banner, F. Bartolini, M. |
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| Pirie I | The Integration of New Media Technology in Craft Practice: Taking Crafts into the Millennium | 1999 | Robert Gordon University | Making and Contemporary Culture | Aitken, P. Bunnell, K. |
| Pirie I | The Global Gallery - from studio to cyberspace | 2000 | Robert Gordon University | Making and Contemporary Culture | Aitken, P. Malins, J. |
| Forresta D | The New Space of Communication, the Interface with Culture and Artistic Creativity. | 1995 | Wimbledon School of Art | Research Centre | Alain Mergier Bernhard Serexhe |
| Melia P D | Peter Greenaway: Artworks 63-98. | 1998 | Staffordshire University | ARi, School of Art + Design | Alan Woods |
| Allan J | Students Residencies in Education: The Acquisition of Key Skills Through Practice | 2000 | Glasgow School of Art | Educational Theory and Practice | Alastair Laing |
| Lalic M | Blue | 2000 | Bath Spa University College | Albers, J. Hirst, D. Picasso, P. |
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| Gillanders R | 'Imagined Lands' | 1996 | Napier University | Photographic Practice | Alec Finlay Ian Hamilton Finlay |
| Young A.N.J. | INTEGRATED PRODUCT POLICY (IPP) AND ECO-PRODUCT DEVELOPMENT (EPD) IN THE ELECTRONICS SECTOR | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | Alesksandra Kielkiewicz-Young |
| Bonham Carter E | Alexandra Drysdale and Eliza Bonham Carter | 1997 | University of Reading | Alexandra Drysdale | |
| Anderson W | Is Art Beneath You | 1998 | The London Institute | Fine Art | Alice Evans |
| Press MPO | New lives in the making: the value of craft education in the information age | 1998 | Sheffield Hallam University | Alison Cusworth | |
| Pierse S J | A Sunburnt Country, Australian Landscapes | 1997 | University of Wales, Aberystwyth | Alison Hall | |
| Taylor LA | Creation of wall panels from interpretations of original drawings by C R Mackintosh for the Music Room of House for an Art Lover. | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Alison Harley |
| Gunn J | Burning Bright | 2000 | Wimbledon School of Art | Theatre Design | Alison Peebles Andrew Poppy |
| GUY A | The Power of Images - Die Kraft der Bilder | 1996 | University of Dundee | Contemporary Practice | Alison Watt Ken Currie Jock McFadyen |
| Gorlizki A | Triennial Sculpture Exhibition | 1999 | Wimbledon School of Art | Sculpture | Alison Wilding Philip King Eric Bainbridge |
| Burrows D | 'All Cloned Up' | 2000 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Mike Bennett |
| Burrows D | 'Tartuffe' | 1997 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Barry Wickens Brian Betts |
| Lindsay W | A New Specimen of Ankarapithecus meteai from the Sinap Formation of Central Anatolia | 1996 | Royal College of Art | Conservation | Alpagut, B Andrews, P Fortelius, M |
| Stephenson AP | Performing the Body: Performing the Text | 1999 | University of East London | Amelia Jones | |
| Cheeseman D | Craft | 1997 | University of Reading | Amikam Toren Tracey Emin Richard Wentworth |
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| Phillpot C | Live in Your Head: Concept and Experiment in Britain 1965-75 | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Andrea Tarsia |
| Kandhola M P | The Dead | 1996 | Nottingham Trent University | Visual Arts | Andres Serrano Nobuyoshi Araki Nick Wapplington |
| Hatt CAE | 'Being There' | 1994 | Wimbledon School of Art | Painting | Andrew Bick Jane Wilbraham Paola Pezzi |
| Ryan A | Where Do You Want To Go Today? # 1 | 1999 | University of Reading | Andrew Child | |
| McKenzie R | Dangerous Ground: Sculpture in the City | 1999 | Glasgow School of Art | Cities and Environments | Andrew Guest |
| Kappenberg C | Passe and Further | 1998 | The London Institute | Fine Art | Andrew James |
| Stephens J | Print Production | 1998 | The London Institute | Media and Communication | Andrew Oldfield Stuart Tokerman Francis Cave |
| Hegarty FT | Orienteer (A-Z, Dawn to Dusk) | 2000 | Sheffield Hallam University | Andrew Stones | |
| Hegarty FT | For Dublin | 1997 | Sheffield Hallam University | Andrew Stones | |
| BEHRENS R H H | 'Celtic connections | 1998 | University of Dundee | Contemporary Practice | Andy Goldsworthy Iduardo Paolozzi Adrian Wisniewski |
| GOWANS G M | Storyland Productions/Polygram International (UK) presentation to Polygram International Worldwide Executive Board | 1997 | University of Dundee | Digital Technology | Andy Rice Brian Taylor |
| GOWANS G M | Illustrations for Print + Electronic Publication | 1999 | University of Dundee | Digital Technology | Andy Rice Georg J Krinke |
| GOWANS G M | Millennium Corridor Project, British Forces Falkland Islands | 1998 | University of Dundee | Industry and the Public Sector | Andy Rice Roland Ashcroft Gary Fisher |
| FOLLETT G L P | IDEAS (Industry Design Education Action Scotland) | 1996 | University of Dundee | Industry and the Public Sector | Andy Rice Julian Malins Tony Franks |
| FOLLETT G L P | IDEAS (Industry Design Education Action Scotland) | 1997 | University of Dundee | Industry and the Public Sector | Andy Rice Julian Malins Tony Franks |
| Painter C | At Home with Art | 1999 | Wimbledon School of Art | Research Centre | Angela Bulloch Tony Cragg Richard Deacon |
| Williams V | Warworks:Women, Photography and the Art of War | 1995 | The London Institute | Media and Communication | Anna Fox |
| SCHAFER S | Pietro da Cortona e il Pigneto Sacchetti: fasi, construttive, committenza progetto | 1998 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Annarosa Cerutti Fusco Edited by C L Frommel Edited by S Schultze |
| Benson SL | ARKIVE II ashes dances roses | 1998 | Sheffield Hallam University | Anne Grebby Helmut Lemke |
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| TAYLOR A | Value Added | 1996 | University of Dundee | Contemporary Practice | Anne Marie Shillito Teena Ramsay John Maguire |
| Rodriguez J | The Visit: Cross Channel Photographic Mission | 1996 | The London Institute | Media and Communication | Anne McNeil |
| McKeag D | The Development of Design Guidelines for Large Oil Tankers which will encompass a Knowledge Based Computer System | 1999 | University of Ulster | Anne Sanlon | |
| Press MPO | Design through making: crafts knowledge as facilitator to collaborative new product development. | 1999 | Sheffield Hallam University | Anne Tomes Karen Yair |
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| Phillips MR | Working Together: product development through university-SME collaboration | 2000 | Sheffield Hallam University | Anne Tomes | |
| Swan A | Surtex | 1999 | The London Institute | Fashion and Textiles | Annette Poulton |
| Swan A | Collection of fabrics | 2000 | The London Institute | Fashion and Textiles | Annette Poulton |
| Galloway L | 'Pace' | 1998 | Wimbledon School of Art | Sculpture | Annie Cattrell |
| Black H | Labour of Love | 2000 | Wimbledon School of Art | Sculpture | Anthony Caro Stephen Cox Edward Allington |
| Sanderson L V | Marking Presence | 1997 | Wimbledon School of Art | Painting | Anthony Gormley Bill Woodrow Ana Maria Pacheco |
| de Cordova D | British Figurative Art- Part Two: Sculpture | 1998 | Wimbledon School of Art | Sculpture | Anthony Green Anthony Caro Eduardo Paolozzi |
| Green P | Digital Photography | 1999 | The London Institute | Media and Communication | Anthony Hamber |
| Howard J | Decentricity | 1995 | Oxford Brookes University | Curatorial Projects | Anthony Howell |
| Waugh A | Cantaloupe Bar and Grill | 1997 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Waugh A | The Light | 1999 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Waugh A | Anya Hindmarch | 2000 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Toren A | The Pleasure of Aesthetic Life | 1996 | University of Reading | Anya Gallaccio Daniel Spoerri John Wilkins |
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| Davies H | 'Silver to Silicon' | 1996 | Napier University | Photographic Practice | Arabella Plouviez Martin Lister editor Andrew Dewdney editor |
| Davies H | 'A Perfect Society' | 1995 | Napier University | Photographic Practice | Arabella Plouviez |
| Singh G | Post Conference Report | 1995 | University of Sunderland | Design | Arganbright Barrientos Beck |
| Harold J M | 'The Sea of Possibilities, After Viewing the Morgue Series by Andres Serrano' | 1997 | University of Northumbria at Newcastle | Photography (1b) | Armstrong, Dr R |
| Bielz G A | 'Kid-ding' | 1996 | Wimbledon School of Art | Painting | Arsenije Jovanovic Rainer Ganahl Gottfried Bechtold |
| Whitaker D | Grassroots No. 18 | 2000 | Wimbledon School of Art | Painting | Arthur Morgan Alan Hepburn Noel Haring |
| Poulson DF | USERfit. A practical handbook on user-centred design for Assistive Technology | 1996 | Loughborough University | Design Ergonomics | Ashby, M. Richardson, S.J. |
| Willemen P | 'The Encyclopaedia of Indian Cinema' | 1998 | Napier University | Critical Theory of Practice | Ashish Rajadhyaksha |
| Fearns R | Perfect Worlds (third version) | 1997 | Bath Spa University College | Atkinson, N. | |
| Fearns R | Perfect Worlds | 1995 | Bath Spa University College | Atkinson, N. | |
| Fearns R | Perfect Worlds (second version) | 1996 | Bath Spa University College | Atkinson, N. | |
| Mottram JA | Sky, Water and Leaf (fabric designs) | 2000 | Loughborough University | Textiles | Atkinson, P. |
| Pointer MR | Large Colour Differences in Colour Reproduction - The Relationship Between Print Acceptability and Colour Difference | 1996 | University of Westminster | Imaging Technology | Attridge GG |
| Pointer MR | Measured Colour Difference and the Acceptability of Colour Prints | 1996 | University of Westminster | Imaging Technology | Attridge GG Leverton C Jacobson RE |
| Pointer MR | Some Aspects of the Visual Scaling of Large Colour Differences | 1997 | University of Westminster | Imaging Technology | Attridge GG |
| Jacobson R | Light Stability of Colour Hardcopy Materials | 1996 | University of Westminster | Imaging Technology | Attridge GG McDermott D Mitchell C |
| Kandhola M P | Virtual Gallery 1 | 1999 | Nottingham Trent University | Visual Arts | Autograph Association of Black Photographers |
| Lees N | Not Just Pots:New Directions in Contmporary Ceramics | 2000 | Bath Spa University College | Aylieff, F. Bryars, J. Smith, H. |
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| Hitchen J | Live from the Vinyl Junkyard - the Ultimate Mix | 1998 | Liverpool John Moores University | Graphic Arts | B Biggs C Fallows |
| MALLINDER H | Lightning Strikes: An Installation | 2000 | Middlesex University | B Evans H Jones |
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| Maguire P J | Towards the Co-operative Commonwealth | 1996 | University of Brighton | Design History, Criticism and Theory | B Lancaster |
| Lochun D | An initial investigation into the Low Cost Manufacture of Diffraction Objects | 2000 | Brunel University | B Ramsey D Harrison |
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| Harrison DJ | Conductive Lithographic Films | 1996 | Brunel University | Environmentally Sensitive Design | B Ramsey P Evans |
| Evans P | Characterisation of Offset Lithographic Films using Micro-electronic Test Structures | 1999 | Brunel University | Environmentally Sensitive Design | B Ramsey Walton A J D Harrison |
| Evans P | Lithographic Technology for Microwave Integrated Circuits | 1997 | Brunel University | Environmentally Sensitive Design | B Ramsey Shepherd P R DJ Harrison |
| Evans P | Printed Analogue Filter Structures | 1999 | Brunel University | Environmentally Sensitive Design | B Ramsey Harrison D J PM Harrey |
| Evans P | R F Circular Structures Via Offset Lithography | 1999 | Brunel University | Environmentally Sensitive Design | B Ramsey D Harrison PM Harrey |
| Rooney J | Innovative deployable antenna developments using tensegrity design | 2000 | Open University | Design for advanced products | B. Knight J. Duffy CD Crane |
| SCRIVENER S. | Uncertainty and sketching behaviour | 2000 | Coventry University | The Design Institute | BALL, L.J. TSENG, S.W. |
| TRUSSELLE K.L. | Displaced | 1998 | Coventry University | Visual Arts | BELTON, K. PRINCE, N. WADE, G. |
| BELL S. | The South Seas and a box of paints | 1996 | Coventry University | Design | BEWICK, P. MUSCAT, C. BORLENGHI, P. |
| Soden JA | An Integrated Computer System for the Design and Analysis of 3D Woven Engineering Composites | 1998 | University of Ulster | BJ Hill R McIlhagger L Miller |
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| Soden JA | The Assessment of Multi-layer Integrated 3D Woven Composite Reinforcements | 1996 | University of Ulster | BJ Hill R McIlhagger G Weissenbach |
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| Lochun D | Handbook of Conductive Lithographic Films | 2000 | Brunel University | BJ Ramsey Evans P S A DJ Harrison |
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| GERZ J. | Premises: invested spaces in visual arts, architecture, and design from France, 1958-1998 | 1998 | Coventry University | Visual Arts | BOURGEOIS, L. STARCK, P. BOLTANSKI, C. |
| SCRIVENER S. | Meaning, the central issue in cross-cultural HCI design | 1998 | Coventry University | The Design Institute | BOURGES-WALDEGG, P. |
| YEADON J.D. | Jemima Brown + John Yeadon | 1999 | Coventry University | Visual Arts | BROWN, J. |
| Clare DJ | Information and communications technology: teachers' and students' perceptions and implications for teacher education. | 2000 | Goldsmiths College | Backwell, J. | |
| Dale J K | The Eye Clinic New Generation Customer Interface and Retail Interior Design | 1998 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Bailey, M Hastie, J |
| Siodmok P M | Sterilox Sterilisation System | 1997 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Bailey, S Trevellyn, J Cooper, A |
| Siodmok P M | Moss Miami Orthopaedic Spinal Instrumentation. | 1994 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Bailey, S Cooper, A Rutherford, S |
| Cooper A M | ZXA Fire Control Panel, Morley Electronic Fire Systems | 1996 | University of Northumbria at Newcastle | Photography (1b) | Bailey, S |
| Cooper A M | Personal Financial Planning, a Multimedia Guide | 1997 | University of Northumbria at Newcastle | Photography (1b) | Bailey, S Siodmok, P |
| Macmillan A | Scotland: The Firth of Clyde | 1997 | Glasgow School of Art | Cities and Environments | Baines, M Page. A |
| Barber AJ | 'Through the Mac' | 1998 | Glasgow School of Art | Educational Theory and Practice | Baines, M |
| Fox A | Zwarte Piet | 1999 | Royal College of Art | Fine Art | Bal, M |
| Zheng J. J. | Control Point Surfaces over Non-Four-Sided Areas. | 1997 | Bournemouth University | Ball, A.A. | |
| Zheng J. J. | Pattern of Control Points over N-Sided Areas. | 1998 | Bournemouth University | Ball, A.A. | |
| Robertson C | Barbara Rae Interactive Online Portfolio | 2000 | Wimbledon School of Art | Barbara Rae CBE DLitt RA Napier University, Edinburgh |
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| Cameron AJ | The Californian Ideology | 1996 | University of Westminster | Hypermedia | Barbrook R |
| Jones D | Raku:Investigations into Fire | 2000 | University of Wolverhampton | Ceramics | Barry Wilson |
| Blacklock G. C. | 'Five British Abstract Artists' | 2000 | Wimbledon School of Art | Painting | Basil Beattie Albert Irvine Trevor Sutton |
| Landrum A | East International 97 | 1997 | Bath Spa University College | Batchelor, D. Barlow, P. Hosking, M. |
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| Hodgson AR | Developments in the teaching of 3D computer aided design and manufacture, Smith J.S. and Norman E.W.L., (eds) | 1998 | Loughborough University | Design Education | Bates, D.J. King, M.R. |
| Hodgson AR | CAD/CAM Accelerator | 1999 | Loughborough University | Design Education | Bates, D.J. |
| Hodgson AR | CAD/CAM Achiever | 2000 | Loughborough University | Design Education | Bates, D.J. |
| Roberts PH | Learning through making | 1998 | Loughborough University | Design Education | Baynes, K. Tyers, J. Zanker, F.O. |
| Seden MR | Using Computer Imagery and Visualisation in Construction Education | 2000 | De Montfort University | Beacham, N. Bouchlaghem, N. Sher, W. |
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| Julien I | Three | 1999 | Oxford Brookes University | Creative Practice | Bebe Miller (choreographer) Ralph Lemon (choreographer) Cleo Sylvestre (actress) |
| MCMURDO W A | Unheimlich | 1999 | University of Dundee | Digital Technology | Beecroft, V Gaskell, A Hoey, D |
| Dixon S | Up the Tories: A Year of Politics in Britain | 1998 | Manchester Metropolitan University | Bell S | |
| West N F | Komunikachie photography | 1995 | University of Northumbria at Newcastle | Photography (1b) | Benicka, L |
| Scott PC | Hot off the Press, Ceramics and Print | 1996 | University of Newcastle | Bennett T | |
| Campbell RI | Creating a Database of Rapid Prototyping System Capabilities | 1996 | Loughborough University | Design Research | Bernie, M.R.N |
| Fortnum R | Rhizome | 1999 | Wimbledon School of Art | Painting | Beth Harland Jim Mooney Sean Cummins |
| SUMMERTON E | Footsteps | 1998 | University of Dundee | Contemporary Practice | Bettina Schiling Eva Kohler Christine Koch |
| Higgett N P | An Investigation into the Application of a Virtual Environment for Fire Evacuation Mission Rehearsal Training | 1998 | De Montfort University | Bhuller, S. | |
| Reid C | In the Place of an Object | 2000 | Wimbledon School of Art | Painting | Bice Benvenuto Darian Leader Parveen Adams |
| HERBERT D J | Corporate Identity for the University of Dundee | 1999 | University of Dundee | Industry and the Public Sector | Bill Barr Gary Gowans Jim Campbell |
| Davis K | Pour Nous Irriter | 1998 | Wimbledon School of Art | Sculpture | Bill Viola Bruce Nauman Gerhard Richter |
| Smith K | 'Stefano' | 1997 | Wimbledon School of Art | Sculpture | Bill Woodrow Michael Sandle Philip King |
| Chuhan J | Inside Out | 1998 | Liverpool John Moores University | Painting and Sculpture | Billingham,R Bevan,T Boyce,S |
| Watson L | Ozzy Clarke Retrospective Exhibition | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Birtwell, C |
| Midgley J | Year of the Artist. Artist in Residence | 2000 | Liverpool John Moores University | Graphic Arts | Blackpool Press Office -Sarah Dornford May |
| Barraclough J | Scrawl : Dirty Graphics and Strange Characters | 1999 | Liverpool John Moores University | Graphic Arts | Blackshaw,R Farrelly,E Dorian,M |
| Downes G H | Connections: Drawing in Art and Design | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Boorman, H. Rohr, D. Smith, K. |
| Kerr J | The Unknown City: Contesting Architecture and Social Space | 2000 | Royal College of Art | Architectural Design | Borden, I Rendell, J |
| Creed R | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | Borrelli,M Holt,R Mackinnon-Day,P |
| Linklater R | Orfeo by Rossi | 1997 | Nottingham Trent University | Design | Boston Early Music Festival Drottingholm Slottsteater Stockholm |
| Linklater R | Ercole Amante by Cavalli | 1999 | Nottingham Trent University | Design | Boston Early Music Festival |
| Henderson D | Crossing the Abyss: Identifying Career Ambiguities Within Art and Design Studies in Higher Education | 2000 | Robert Gordon University | Learning Strategies | Bouette, M. |
| Henderson D | Reflective Futures: using graduates' career experiences in the development of vocationally based curriculum | 2000 | Robert Gordon University | Learning Strategies | Bouette, M. |
| Culbert W F | TOI TOI TOI (Three Generations of Artists from New Zealand) | 1999 | University of Reading | Boyd Webb Len Lye Billy Apple |
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| Freeman H | The Innominate University | 1999 | De Montfort University | Boys, J | |
| Leighton TM | Vivre sa Vie: Contemporary Art from France | 2000 | Manchester Metropolitan University | Bradley W Webster T |
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| Kelly P | Pathology | 1995 | Liverpool John Moores University | International Centre for Digital Content | Bradley,I |
| Kelly P | Six Lost Scientists | 1998 | Liverpool John Moores University | International Centre for Digital Content | Bradley,I |
| Cox GF | Manifest | 1999 | University of Plymouth | Centre for Visual Computing | Brennan, T. |
| Williams V | Look At Me: Fashion and Photography in Britain 1960 - 1998 | 1998 | The London Institute | Media and Communication | Brett Rogers |
| Taylor F | 'Seventy one hours and forty minutes' | 1997 | Wimbledon School of Art | Brian Chadwick John Miller Nigel Rolfe |
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| GOWANS G M | 'Consult' - a two minute running presentation profiling the work of TPS Consult Architecture and Interior Design | 1997 | University of Dundee | Digital Technology | Brian Taylor |
| SHEMILT E | Falkland Islands/Project Atlantis | 1999 | University of Dundee | Industry and the Public Sector | Brig Nicolls Andy Rice Gary Fisher |
| Strowbridge B | Macbeth | 1997 | The London Institute | 3-Dimensional and Environmental Design | Brigette Reiffensteul |
| Wayman M | The Effects of Modularisation and Credit Accumulation and Transfer on Fashion and Textiles Courses | 1995 | Manchester Metropolitan University | Brindle G | |
| Doidge CW | Introducing Alternative Formats for the Design Project Review | 2000 | De Montfort University | Brindley, T. Willmott, R |
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| Aylieff F | Frauen in Europa 5 Sept-7 Oct | 1998 | Bath Spa University College | Britton, A. Lowndes, G. Manz, B. |
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| Baynes K | Education on the natural heritage for pre-school children | 1995 | Loughborough University | Design Education | Brochocka, K. |
| Baynes K | Animal Magic (Exhibition design) | 1997 | Loughborough University | Design Education | Brochocka, K. Patterson, D. Meechan, C. |
| Higgett N P | Royal Designers for Industry CD-ROM | 1998 | De Montfort University | Brown, S. Fozzard, G. Myerson, J. |
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| Hardaker CH | Designs on the Web: A Case Study of Online Learning for Design Students | 2000 | De Montfort University | Brown, S.C. Higgett, N.P. |
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| Draycott PA | Policy, Practice and Paradigm: How to Develop a Virtual University Without Losing your Shirt | 1999 | De Montfort University | Brown, S.C. Boys, J Freeman, H |
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| Cruickshank IMM | Now You See Me: Video as a tool for teaching and assessment | 1997 | De Montfort University | Brown, S.C. | |
| Cruickshank IMM | New Lamps for Old: The Application of Digital Technologies to Photography | 1999 | De Montfort University | Brown, S.C. | |
| Jensen SA | Divided by Resistance | 1996 | The London Institute | 3-Dimensional and Environmental Design | Bruce Gilchrist Jonny Bradley Graham Russell |
| Wilson A | Life Span | 2000 | University of Brighton | Materials Practices and Processes | Bruce Williams |
| Wood M H | Visions Norway: A Norwegian British Partnership at the Millennium | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Brun, H J Koefoed, H Varley, W |
| Morris N | Eight Days A Week : Cologne in Liverpool 2000 | 2000 | Liverpool John Moores University | Graphic Arts | Bryan Biggs |
| Hardstaff S | Thirty Years Ago Today | 1997 | Liverpool John Moores University | Audio-visual | Bryan Biggs Rick Walker |
| Frampton RJ | Case reports of possible noise trauma after inflation of air bags in low speed car crashes | 1999 | Loughborough University | Design Ergonomics | Buckley, G. Setchfield, N. |
| Steed J | Old Dogs and New Tricks | 1999 | Robert Gordon University | Practices enabled through New Media Technology | Bunnell, K. |
| COLVIN C M | Photography after Photography (Memory and Representation in the Digital Age) | 1995 | University of Dundee | Digital Technology | Burgin, V Burson, N van Lansweerde, I |
| Nicolle CA | TELSCAN Handbook of Design Guidelines for Usability of Systems by Elderly and Disabled Drivers and Travellers | 2000 | Loughborough University | Design Ergonomics | Burnett, G.E. |
| Freeman P | Design cycle compression via laser clad rapid tooling | 2000 | University of Wales Institute, Cardiff | PDR | C Adams R Brown A Lewis |
| Brown R | Direct rapid tooling techniques and their impact on product design | 1999 | University of Wales Institute, Cardiff | PDR | C Adams |
| Robertson P | Design of Leisure Games Software - SIM City 2000 UK Edition | 2000 | University of Central Lancashire | C Arundell, Kent Institute of Art and Design | |
| Holland R | Total School Design | 1997 | Brunel University | Design Pedagogy | C Baker U Khalid E Marsham |
| Rose C J | Computer Use by Artists and Designers: Some perspectives on two design traditions | 1997 | University of Brighton | Pedagogic Research | C Beardon S Gollifer S Worden |
| Gollifer S C | Computer Use by Artists and Designers: Some perspectives on two design traditions | 1997 | University of Brighton | Pedagogic Research | C Beardon C Rose S Worden |
| Isherwood P | Research Direction and Development Electro-Sensory Textiles Technology | 2000 | Brunel University | Design Pedagogy | C Chapman |
| Fowler P | Cytofocus | 1995 | Liverpool John Moores University | International Centre for Digital Content | C Corke |
| Fowler P | NOW programme | 2000 | Liverpool John Moores University | International Centre for Digital Content | C Corke |
| Sharpe T | Integrated solar thermal upgrading of multi-storey housing blocks in Glasgow | 1998 | Glasgow School of Art | Cities and Environments | C D A Porteous K MacGregor |
| Robson D G | Serendib Serendipity: A tribute to Geoffrey Bawa | 1998 | University of Brighton | Natural and Constructed Environments | C Dawatte |
| PHILLIPSON M | TECHNO-OPTICS, CORK STREET AND A POWER STATION: DILEMMAS OF ART PRACTICE AND RECUPERATION | 1995 | Middlesex University | C FISHER | |
| PHILLIPSON M | SEING BECOMING DRAWING: THE INTERPLAY OF EYES, HANDS AND SURFACES IN THE DRAWINGS OF PIERRE BONNARD | 1998 | Middlesex University | C FISHER | |
| Simpson GB | Development of a finite element model of a transtibial socket with polyurethane liner | 1999 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Simpson GB | Development of a three-dimensional non-linear finite element model of a transtibial socket | 1999 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Simpson GB | Modelling the Interaction between a Polyurethane Liner and the Residual Limb in Transtibial Amputees Using Non-Linear Element Analysis | 2000 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Simpson GB | Modelling the Interaction Between Liners, Sockets and the Residual Limb in Transtibial Amputees Using Non-Linear Finite Element Analysis | 2000 | Brunel University | Interaction Design | C Fisher D Reynolds |
| ROBERTSON P | Improved Technology Adoption by Small Groups of Manufacturing Enterprises | 1997 | Kent Institute of Art + Design | C M Kirk Massey University C M Gomes Massey University |
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| Beech W K | Art Bypass - A Road Work | 1996 | University of Brighton | Natural and Constructed Environments | C Secrett - Co-Producer C Patey - Artistic Director R Lamb - Creative Consultant |
| Boyle GA | Beyond Single Vision | 2000 | Open University | Design for sustainability | C Thomas D Wield |
| Price M L | Creating and using a 'Virtual Base Room'. | 2000 | Staffordshire University | ARi, School of Art + Design | C. Chambers |
| Johnson JH | Intelligent support for communication in design teams: garment shape specifications in the knitwear industry | 2000 | Open University | Design for advanced products | C. Eckert N.G. Cross |
| Demaid APA | Concurrent design | 1997 | Open University | Design and innovation management | C. Eckert |
| Biggs M A R | Philosophy and Electronic Publishing | 1997 | University of Hertfordshire | C. Huitfeldt | |
| Reynolds L J | NATS standard for the use of colour on air traffic control displays. R+D Report 9834 | 1998 | University of Reading | C. Metcalfe | |
| Sharpe T | Experimental hybrid PV dynamic insulation wall in Scotland | 2000 | Glasgow School of Art | Cities and Environments | C. Porteous |
| Sharpe T | A proposal for an Air and Water Preheating Solar Attic in Glasgow | 1996 | Glasgow School of Art | Cities and Environments | C. Porteous D. McDonald |
| Saunders S | Computer Aided Design and Styling Tools in Automotive Design | 1996 | University of Plymouth | Design + Innovation | C.S. Porter |
| BOWSHER G. | Steam powered car | 2000 | Coventry University | Design | CANDY, P. WHITE, P.R. |
| HOLLAND C.C. | @ Work opening exhibition and @ home | 1998 | Coventry University | Visual Arts | CARCASS, J. ELLUL, L. FILMER, N. |
| KING D.A. | British Figurative Art | 1998 | Coventry University | Visual Arts | CARO, A. KING, P. PAOLOZZI, E. |
| WALLER R. | Thematic NIV study Bible CD-ROM design | 1999 | Coventry University | The Design Institute | CHAPMAN, A. |
| TRUSSELLE K.L. | Re-Visions | 1996 | Coventry University | Visual Arts | CHURCHOUSE, C. MCDONALD, B. TAYLOR, K. |
| SCRIVENER S. | The Lookingglass distributed shared workspace | 1994 | Coventry University | The Design Institute | CLARK, S.M. KEEN, N. |
| Robertson P | Improved Technology Adoption by Small Groups of Manufacturing Enterprises | 1997 | University of Central Lancashire | CM Kirk, Massey University CM Gomes, Massey University |
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| JOSTINS J.E. | Vehicles for Cold Lazarus | 1996 | Coventry University | Design | COATES, F. |
| OLIVER J. | Handbag | 2000 | Coventry University | Visual Arts | CRAWFORD, S. GIBBS, J. |
| THOMPSON K. | Wrapping up the year | 1999 | Coventry University | Visual Arts | CRAXFORD, TAYLOR, |
| DEVANE J. | The Hunting art prizes | 1999 | Coventry University | Visual Arts | CUMMINGS, G. KRUT, A. OLIVER, K. |
| Rodgers P | 'Writing and Sharing Rule-Text Heuristics Supporting Dispersed Design Communities' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell, N.H.M. Huxor, A.P. |
| Rodgers P | 'Managing Knowledge in Dispersed Design Companies' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell,N.H.M. Clarkson,P.J. Huxor,A.P. |
| ROBB A M | Four Scottish Artists | 1996 | University of Dundee | Contemporary Practice | Calum Colvin Grant Clifford Elaine Shemilt |
| Barbrook RA | The Californian Ideology | 1996 | University of Westminster | Hypermedia | Cameron A |
| Cowan ER | By Design: Urban Design in the Planning System: Towards Better Practice | 2000 | De Montfort University | Campbell, K. | |
| Buckley S | The Janet Wolfson de Botton Gift | 1998 | University of Reading | Carl Andre Cindy Scherman Julian Schnabel |
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| Gschwedtner G | Re-modelling of the Peugeot 206 | 1998 | Buckinghamshire Chilterns University College | Furniture Design | Carl Clerkin |
| Alexander G | Global Virtual Exhibition | 1999 | Wimbledon School of Art | Theatre technical arts | Carlos Zapata John Lumbus Aidan Lawrence Onn |
| MORTON V E | Intelligible Lies | 1997 | University of Dundee | Contemporary Practice | Carol Rhodes Graeme Todd |
| JOHNSON N M | Starman | 1997 | University of Dundee | Digital Technology | Carole Gray |
| RAMSAY T K | The International Exposition of Sculpture, Objects + Functional Art, SoFA 2000 | 2000 | University of Dundee | Contemporary Practice | Caroline Broadhead David Shaner Anna Skibska |
| Tomes AE | Talking Design: Negotiating the Verbal-Visual Translation | 1998 | Sheffield Hallam University | Caroline Oates Peter Armstrong |
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| Dinan Spencer C | Donkey Magic | 1994 | The London Institute | Media and Communication | Caroline Sutherland |
| Swallow PG | Lime and Lime Mortars Part 2 | 1996 | De Montfort University | Carrington, D. | |
| Warren-Fisher R | Work from London (Graphics, Visual Languages and Culture) | 1997 | Bath Spa University College | Cartlidge Levine Pentagram CDT Design |
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| Porter JM | Computer aided design and human models, in: Karwowski, W. and Marras, W. (eds), Handbook of Occupational Ergonomics | 1999 | Loughborough University | Design Ergonomics | Case, K. Freer, M. |
| Porter JM | SAMMIE: a 3D human modelling computer aided ergonomics design system | 1996 | Loughborough University | Design Ergonomics | Case, K. Freer, M.T. |
| PAYNE M S | Black and White | 1999 | University of Dundee | Coastal/Indigenous Cultures | Casey Ginther Dawn Gavin |
| SPENCE P J | SINK | 1998 | University of Dundee | Digital Technology | Catalyst Arts Riot Space Hideo Furuta |
| Newton J K | I Spy - Representations of Childhood. | 2000 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily Jane Fletcher |
| Newton J K | The Future Looms | 1999 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily |
| Newton J K | Shifting Horizons - Women's Landscape Photography Now. | 2000 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily Liz Wells |
| Newton J K | In Spite of Appearances. | 1997 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily |
| INNS T G | Optimising product development in SMEs through process mapping workshops | 1999 | University of Dundee | Industry and the Public Sector | Cathy Baxter |
| MORTON V E | Touring Solo Exhibition | 1996 | University of Dundee | Contemporary Practice | Cathy Wilkes |
| Klimowski A | Walter Benjamin for Beginners | 1998 | Royal College of Art | Communications | Caygill, H Coles, A Appignanesi, R |
| COLVIN C M | On the Bright Side of Life Zeitgenossiche Britische Fotografie | 1997 | University of Dundee | Contemporary Practice | Chadwick, H Webb, B Parr, M |
| Snell R | The NatWest Art Prize | 1997 | Bath Spa University College | Chambers, S. Francis, M. Martin, J. |
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| JONES P S | Hong Kong: A visual diary by Peter Simon Jones | 1996 | University of Dundee | Contemporary Practice | Chan, B De Brackhinge, N Mandarin Publishers |
| Dodds R | Playback | 1996 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Chandler, R original writer |
| Wood M H | Norman Cornish | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Chaplin, M |
| Chapman J | Digital Multimedia | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Chapman, N |
| James S | Biennial Outdoor Exhibition of Sculpture | 1997 | Wimbledon School of Art | Sculpture | Charles Hadcock John Maine Ed Allington |
| HUTTON G | Linear Link | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | Charles Rattray |
| HUTTON G | Concepts and Material Associations in the Work of Gigon Guyer | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Charles Rattray |
| Robson E H N | Site Lines | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | Charlotte van der Geest Simon Kemp Ben Ratcliffe |
| O'Neill A | East End | 1998 | The London Institute | Fashion and Textiles | Chris Clunn |
| Rosser E | Divers memories at MOST (New Territories, China) | 1998 | Wimbledon School of Art | Sculpture | Chris Dorsett Siu King Chung David Dye |
| TAYLOR B | 'Serious Fun' TV commercial | 2000 | University of Dundee | Contemporary Practice | Chris Gallagher |
| TAYLOR B | Spin | 1998 | University of Dundee | Contemporary Practice | Chris Gallagher |
| Swales V | The Team in the Stand building new community heritage sites through interactive multi media | 1999 | University of Portsmouth | Centre for Creative Empowerment | Chris Golya |
| Batey J C | Images in Practice collaborative net research centre | 1997 | University of Portsmouth | Centre for Images in Practice | Chris Mullen Maureen O'Neill |
| Robertson GD | Strathclyde University Principals residence | 1997 | Glasgow School of Art | Design | Chris Platt Colin McNeish |
| Whiteley G | Using practice-led design research to develop an articulated mechanical analogy of the human hand | 1998 | Sheffield Hallam University | Industrial Design | Chris Rust Adrian Wilson |
| Whiteley G | Analogy, Complexity and Holism - Drawing as 3-D Modelling | 1998 | Sheffield Hallam University | Chris Rust | |
| Geesin R | The Singing Bridge | 1997 | University of Portsmouth | Centre for Sound and Experimental Environments | Chris Wilkinson Brian Johnson |
| McKenzie R | Brave New Worlds, archival exhibition | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Christian Hermansen |
| IVEY M J | The House of Discourse | 1998 | University of Dundee | Contemporary Practice | Christine Atha Laura Hamilton |
| Perkins G | 'Warning Shots!' Contemporary Art Exploring Themes of Conflict + Violence | 2000 | Wimbledon School of Art | Sculpture | Christine Borland Fiona Banner Willie Doherty |
| WALKER D B | The Hebridean Blackhouse: A Guide to materials, construction and maintenance | 1996 | University of Dundee | Coastal/Indigenous Cultures | Christopher McGregor |
| WALKER D B | Earth Structures and Construction in Scotland: A Guide to the recognition and conservation of earth technology in Scottish buildings | 1996 | University of Dundee | Coastal/Indigenous Cultures | Christopher McGregor Rebecca Little |
| WALKER D B | Thatch and Thatching Techniques: A Guide to Conserving Scottish Thatching Traditions | 1996 | University of Dundee | Coastal/Indigenous Cultures | Christopher McGregor Gregor Stark |
| Rihl LF | Biennale Internationale Design 1998 | 1998 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Rihl LF | Design Union of Britain | 1999 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Rihl LF | International Contemporary Furniture Fair | 1996 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Rihl LF | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Taylor D | Designer Drugs: the art and design of selling drugs awareness | 1998 | Buckinghamshire Chilterns University College | Design Culture | Ciaran O'Hagan |
| O'Neill A | Powerhouse UK | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | Claire Catterall |
| Ayers A R | Axes Maceration - Perfect Impossible | 1999 | Nottingham Trent University | Visual Arts | Clare Roudenko-Bertin Materia Prima Paul-Armand Gette |
| Broadway G | Birmingham Frequencies | 1999 | University of Sunderland | Photography | Clark S Parkin M |
| Broadway G | Flow | 2000 | University of Sunderland | Photography | Clark S |
| Lebbon C | i-Design project - inclusive design for the whole population | 2000 | Royal College of Art | Inclusive Design | Clarkson, P Dr Keates, S Coleman, R |
| GUILD D | Food for Thought | 1999 | University of Dundee | Contemporary Practice | Claus Oldenburg Nan Goldin Tom Sachs |
| Mayfield W | 1999 | Leeds Metropolitan University | Design | Clegg, S | |
| Mayfield W | 1999 | Leeds Metropolitan University | Design | Clegg, S Trayhurn, D |
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| Rowe M | Metalmorphosis, Tradition and Innovation in British Silver and Metalwork 1880 - 1998 | 1998 | Royal College of Art | Applied Art | Clifford, H Goldscheider, I Naylor, G |
| ROBERTSON P | Design of Leisure Games Software - SIM City UK Edition | 2000 | Kent Institute of Art + Design | Clive Arundell | |
| GATES-STUART E | The Virtual Umbrella | 1996 | University of Lincoln | Clive Barstow | |
| DIGNAN P | Distilled | 1999 | University of Dundee | Contemporary Practice | Cluett, C |
| SETH J | Trailer | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| SETH J | HOME 2 | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| SETH J | Dispersal | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| SETH J | Itinerary | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| Esche C | Video Positive 97: Escaping Gravity | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curator Steven Bode |
| Esche C | Intelligence: New British Art 2000 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curator Virginia Button |
| Esche C | Amateur / Eldsjal - Variable research initiatives 1900 + 2000 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curators Mark Kremer Adam Szymczyk |
| Patrizio A | Art Unlimited. Multiples in the 1960s and 1990s from the Arts Council Collection | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curators Lane, H Martin, P Johnstone, I White, N |
| Macbeth P A | Bank Holiday | 2000 | University of Huddersfield | Colin Higgins Samantha Kauffmann |
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| Pardey J G | Grande Arcade | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | Colin Stansfield Smith |
| Colson R | Mindtracker | 2000 | Thames Valley University | Colson R | |
| Colson R | Interactive Guide to Joyce's Ulysses. Dyson Gallery, Design Museum | 1999 | Thames Valley University | Colson R | |
| Colson R | INTER-AKT | 2000 | Thames Valley University | Colson R | |
| Colson R | Cityscapes: A one man exhibition at the Solomon Gallery, Dublin, containing a survey of his paintings of Paris, New York, Dublin and London | 1997 | Thames Valley University | Colson R | |
| Watt DS | Investigating the Effects of Humidity and Salt Crystallisation on Medieval Masonry | 2000 | De Montfort University | Colston, B.J. | |
| Rosenberg T | Near and Far. | 2000 | Goldsmiths College | Conreen, M. | |
| Hill PJ | Dialogue with Photography | 1998 | De Montfort University | Cooper, T. | |
| Campbell RI | Long-Fibre Reinforced Composite Material Models using a Deposition-based RP Process | 1998 | Loughborough University | Design Research | Cordon, T.J. Novara, A. |
| Phillpot C | Artist/Author: Contemporary Artists Books | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | Cornelia Lauf |
| Kovats T | 'New Art from Britain' | 1998 | Wimbledon School of Art | Sculpture | Cornelia Parker Sarah Lucas Willie Doherty |
| MACLEAN W J | Worlds in a Box | 1995 | University of Dundee | Coastal/Indigenous Cultures | Cornell, J Duchamp, M Rauschenberg, R |
| Phillips ML | Donald Rodney: Autoicon | 2000 | University of Plymouth | STAR | Cox G |
| Rodrigues CA | Agent Provocateur: Questions of human machine agency and online ethnography. | 1999 | University of Plymouth | Centre for Visual Computing | Cox, G. |
| Rodrigues CA | The Work of Art in the Age of Mechanical Reproduction | 2000 | University of Plymouth | Centre for Visual Computing | Cox, G. Stancer, P. |
| Durden M | 'Face-on', Exhibition, Curated with Craig Richardson. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | Craig Richardson |
| Evans Milne R | Your Place or Mine | 1998 | Bath Spa University College | Craig, S. Lewis, S. Pimlott, M. |
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| Siodmok P M | MHe 900 Motorbike | 1998 | University of Northumbria at Newcastle | Automotive Design (4a) | Critchley, P Museio, P Hooper, B |
| Landrum A | Recent Painting | 1994 | Bath Spa University College | Crosby, C. Joseph, P. Martin, J. |
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| Rawlinson IJ | Two Speakers | 1999 | Manchester Metropolitan University | Crowe N | |
| Rawlinson IJ | Project for the River Medlock | 1998 | Manchester Metropolitan University | Crowe N Parker G |
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| Rawlinson IJ | The Last Resting Place of an Anonymous Citizen | 2000 | Manchester Metropolitan University | Crowe N | |
| Rawlinson IJ | Mugger Music | 1996 | Manchester Metropolitan University | Crowe N Parker G |
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| Simpson M | On the Threshold | 2000 | Bath Spa University College | Crozier, A. Tyson, I. |
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| HEYWOOD A | ECCE HOMO | 1997 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Curated by Ali van der Berg |
| Baker C | 'New Natural History' | 1999 | Napier University | Photographic Practice | Curated by Val Williams |
| Tillers I | Imant Tillers and the Book of Power | 1998 | Southampton Institute | Curnow, W. | |
| Eastley M | Day For Night | 2000 | Liverpool John Moores University | Audio-visual | Cusack,P. |
| Turnock P | Fibreglass Sculpture | 1997 | Brunel University | Design Pedagogy | Cyclops P Hines |
| Mitchell I | Realm of Fear | 2000 | Liverpool John Moores University | Graphic Arts | D Crow J Young M O'shaughnessy |
| Taylor E P | The Lost Arts of Europe: The Haslemere Collection of European Peasant Art | 2000 | University of Brighton | Memory, Identity and History | D Crowley |
| Jobling P | Graphic Design - reproduction and representation since 1800 | 1996 | University of Brighton | Design History, Criticism and Theory | D Crowley |
| Griffiths B L | From formgiving to braingiving. | 2000 | Staffordshire University | ARi, School of Art + Design | D Durling |
| Ashton P C | Doing the Right Thing. Social Processes in Design Learning. | 2000 | Staffordshire University | ARi, School of Art + Design | D Durling |
| Summers A | Showdiary | 2000 | North East Wales Institute of Higher Education | Art and Design | D Gill |
| Summers A | LEAPs | 1999 | North East Wales Institute of Higher Education | Art and Design | D Gill |
| Seddon P J | Circumstantial Evidence | 1996 | University of Brighton | Memory, Identity and History | D Green |
| Seddon P J | History Painting Reassessed The representation of history in contemporary art | 2000 | University of Brighton | Memory, Identity and History | D Green |
| LOWRY J | Splitting the Index - Time Object and Photography in the work of Beuys and Klein | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | D Green |
| LOWRY J | History, Allegory, Technologies of Vision | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | D Green P Sneddon |
| McLaren JH | Forecasting Future Sustainable Telecommunication Services - a Life Cycle Approach | 1999 | Brunel University | D Harrison Jones Elies |
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| Robertson S | European Investment Bank | 1995 | University of Brighton | Natural and Constructed Environments | D Lasdun |
| Roy I B | Blue Horizons: Images from a Golden Age of Travel | 1999 | University of Brighton | Natural and Constructed Environments | D Patterson M McQueen |
| Stroud RR | The classification of metal transfer mode using neural networks | 1995 | Brunel University | Environmentally Sensitive Design | D Vincent JR McCardle |
| Rooney P | Common Culture: Counter Culture | 1999 | Staffordshire University | ARi, School of Art + Design | D. Campbell M. Durden |
| Elliott DA | Renewable energy for cities: dreams and realities | 2000 | Open University | Design for sustainability | D. Taylor |
| Davison M A | The Mule. | 1997 | Staffordshire University | ARi, School of Art + Design | D. Tyman E. Rushton |
| Cleverly J G | Crafting Participation: Interaction With and Around, Aesthetic, Tangible Artefacts. | 1999 | Staffordshire University | ARi, School of Art + Design | D. vom Lehn C. Heath P. Luff |
| Tamburic S | A comparison of different in vitro methods for measuring mucoadhesive performance | 1997 | The London Institute | Fashion and Textiles | D.Q.M. Craig, University of London |
| BELL S. | Looking at landscape | 1996 | Coventry University | Design | DAVIDSON, R. GREEN, J. |
| JOURNEAUX J. | States of grace | 2000 | Coventry University | Visual Arts | DEVANE, J. HAYS, I.V. SHERLOCK, G.D. |
| HOLLAND C.C. | Casket | 2000 | Coventry University | Visual Arts | DUNCAN, T. |
| THOMPSON K. | The paired horsemen | 2000 | Coventry University | Visual Arts | DUPREE, WALLER, |
| Robson E H N | Intaglio | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Dale Thompson Vicki Feaver Ross Cameron |
| Lievesley M A | Novel Step in Multistage Investment Casting Process | 1999 | University of Northumbria at Newcastle | Product Design (4b) | Dale, J |
| Crumplin C | Remaking Reality | 1996 | Bath Spa University College | Dalwood, D. Hoberman, N. Kirk, J. |
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| SCULLION L | The Gifted Child | 1995 | University of Dundee | Coastal/Indigenous Cultures | Dalziel, M |
| SCULLION L | Sargassum | 1995 | University of Dundee | Coastal/Indigenous Cultures | Dalziel, M |
| SCULLION L | The Pressure of Spring | 1999 | University of Dundee | Coastal/Indigenous Cultures | Dalziel, M |
| SCULLION L | The Horn | 1994 | University of Dundee | Industry and the Public Sector | Dalziel, M |
| Kovats T | 'Picturia Britannica' | 1997 | Wimbledon School of Art | Sculpture | Damien Hirst Rachel Whiteread Douglas Gordon |
| Young A.N.J. | REDUCING THE USE OF HAZARDOUS SUBSTANCES IN PERSONAL COMPUTERS | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | Daniel Johansson Antonia Simon |
| Simpson M | Perfidy | 2000 | The London Institute | Fine Art | Daniel Sturgis |
| Thomson A | General Review of Gain and Loss | 1997 | University of Newcastle | Daniel von St Leslie Eastman |
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| Thomson A | Cube | 1998 | University of Newcastle | Daniel von Sturmer Leslie Eastman |
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| Stanford P | 'Jazz Revelations' | 1999 | Wimbledon School of Art | Danny Corr | |
| MEY K | Sculpture | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | Danto, A C Kelly, M de Duve, T |
| Morris S | Experience: 4 Essays On Experience | 2000 | The London Institute | Fine Art | Darian Leader Kate Love Anthony Neaton-Armstrong |
| Hall R | 'What makes you switch on? Young People, the Internet and Cultural Participation' | 1999 | University of Central England in Birmingham | Visual Communication Research Group | Darren Newbury |
| Hodgkinson M | 'Emanations' | 1995 | Wimbledon School of Art | Sculpture | Daryl Viner Alison Wilding Jo Stockham |
| Brown C | What If - How to start a Creative Revolution at Work | 1999 | Liverpool John Moores University | Graphic Arts | Dave Allen Matt Kingdon Kris Murrin |
| Giggle P | The Digital Arts Forum | 1999 | Buckinghamshire Chilterns University College | Visual Communication | Dave Morris |
| Lawrence CN | System 3: Screenprinting with water-soluble inks | 1996 | University of Ulster | David Barker | |
| Hamlyn J | New British Photography, group exhibition | 1998 | Glasgow School of Art | Fine Art | David Bellingham |
| Durden M | 'Common Culture'. Solo Exhibition. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | David Campbell Paul Rooney |
| Durden M | 'Common Culture' Solo Exhibition. | 1999 | University of Derby | Centre for Cultural History and Critical Theory | David Campbell. Paul Rooney |
| Woodfine S | Cheltenham Open Drawing | 1998 | Wimbledon School of Art | Sculpture | David Connearn Judy Inglis Alison Harper |
| Cornford M R | Childhood's End | 2000 | University of Wolverhampton | Fine Art | David Cross |
| Cornford M R | Cosmopolitan | 1998 | University of Wolverhampton | Fine Art | David Cross |
| Cornford M R | Utopia (Wishful Thinking) | 1999 | University of Wolverhampton | Fine Art | David Cross |
| Cornford M R | 10 | 1998 | University of Wolverhampton | Fine Art | David Cross |
| PARTRIDGE S | This is a Sentence | 1998 | University of Dundee | Digital Technology | David Cunningham |
| Richards M | National Identity, Cyprus and Global Contexts | 2000 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Richards M | Everyday Television: Studies of British Television | 1996 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Richards M | Contemporary Television: Eastern Perspectives | 1996 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Norman-Smith C | Furniture Restoration and Conservation Practices | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | David Gillet |
| Burrows D | 'A Summer's Day' | 2000 | Wimbledon School of Art | Theatre technical arts | David Graham-Young |
| Law J | Developing New Markets: a role for interactive design tools | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | David Hands |
| INNS T G | Design In-house: 12 case studies describing how the TCS (Teaching Company Scheme) has improved design capability | 1998 | University of Dundee | Industry and the Public Sector | David Hands |
| Quemby S | Royal Academy of Arts - Summer Exhibition | 1999 | Wimbledon School of Art | David Hockney Albert Irvin Patrick Proctor |
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| Bell D | 'Multimedia and the Crisis Economy in Japan' | 2000 | Napier University | Critical Theory of Practice | David McNeil |
| Bell D | 'Modernising History: The Realpolitik of Heritage and Cultural Tradition in Northern Ireland' | 1998 | Napier University | Critical Theory of Practice | David Miller |
| Giggle P | Public Service Advertising - Domestic Violence | 1996 | Buckinghamshire Chilterns University College | Visual Communication | David Morris |
| Kelly W | Miquel Navarro | 1996 | University of Ulster | David Perez | |
| RAMSAY T K | Alloy V | 1999 | University of Dundee | Contemporary Practice | David Swift Roger Morris Susan Barr |
| Thomson A | Deferred/Differed Presence | 1998 | University of Newcastle | David Thomas | |
| MORRIS R C | Acrylic Sculptural Jewellery | 2000 | University of Dundee | Contemporary Practice | David Watkins Otto Kunzli Gijs Bakker |
| Plouviez A | Silver to Silicon, interactive CD ROM | 1996 | University of Sunderland | Photography | Davies H |
| Plouviez A | A Perfect Society | 1995 | University of Sunderland | Photography | Davies H |
| Rogers ME | 'Prospective Primary Teacher's Planning For Science + Technology Activities: Influences of background and World View. | 1999 | Goldsmiths College | Davies, D. | |
| Rogers ME | Pre-service primary teachers planning for science and technology activities: influences and constraints. | 2000 | Goldsmiths College | Davies, D. | |
| Wright JM | Surface Tension (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | Davies, R |
| LAMB E P | Nagasawa Art Park Project Exhibition 2000 | 2000 | University of Dundee | Contemporary Practice | Dean Bowen Peter Lazarov Hiroki Satake |
| Gilmour S | The Woman who Swallowed a Pin | 2000 | Wimbledon School of Art | Theatre Design | Deborah Bruce The Lab Performance group |
| MCCONNELL-WOOD T | Two Sides to Darnley | 1997 | University of Dundee | Digital Technology | Deborah John |
| Pilgrim G | Villette | 1997 | Wimbledon School of Art | Theatre Design | Deborah Paige Judith Adam Chahine Yauroyan |
| MACDONALD M J S | Proposal for an Institute of Learning | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | Deliss, C Johnston, A Esche, C |
| Wynne J | Grasping and Clinging | 2000 | The London Institute | Fine Art | Denise Hawrysio |
| Heeney G | Shaping Earth | 2000 | University of Wolverhampton | Ceramics | Dennis Farrell |
| Minott P | PSP, PSS, ESOS, ESAS, Sharesave 9 | 1999 | Bath Spa University College | Dennis, P. | |
| McDonagh-Philp DC | Using Focus Groups to Support the Designer in the Evaluation of Existing Products: A Case Study | 1999 | Loughborough University | Design Research | Denton, H. |
| McDonagh-Philp DC | Use and Evaluation of Focus Group Technique: the Undergraduate Industrial Designer Experience | 2000 | Loughborough University | Design Research | Denton, H. Bruseberg, A. |
| Zanker NP | Design and Technology Teacher Training at Loughborough University: Principles and Practice, Theverkauf, W.E. and Graube, G (eds) | 2000 | Loughborough University | Design Education | Denton, H.G. |
| Buck R | 'John Heliker - the Inner Compass of Certainty' | 1998 | Napier University | Documentary and Experimental Film | Derek Smith |
| Rushton E | The Mule | 1997 | Falmouth College of Arts | Derek Tyman Roman Vasseur |
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| Cook CP | West by South West | 1999 | University of Plymouth | Art Process | Derges, S. Porter, M. Virtue, J. |
| INNS T G | Design Atlas: an audit process for assessing the capability of an organisation for managing design activity | 1999 | University of Dundee | Industry and the Public Sector | Design Council Scottish Design Northern Ireland Design Directorate |
| Buck R | 'The Hard Road to Klondike' | 1999 | Napier University | Documentary and Experimental Film | Desmond Bell |
| Webb G | Heart and Soul | 2000 | University of Reading | Dexter Dallwood Michael Raedecker David Thorpe |
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| Ganz A J | Unsuitable Girls screenplay | 1997 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Dhingra, Dolly |
| STEEL E R | Elements of Desire | 1999 | University of Dundee | Contemporary Practice | Diane Barrie |
| Price-Owen A L | David Jones: Diversity in Unity | 2000 | Swansea Institute of Higher Education | Image and Text | Dilworth, T Humfrey, B Thomas, R S |
| DIGNAN P | Tik Tak Tok | 2000 | University of Dundee | Digital Technology | Dimitrova, I Spasovic, D Musovik, O |
| Woudhuysen J | Design in Britain 2000: Facts, Figures and Quotable Quotes | 1999 | De Montfort University | Docherty, C. | |
| Lyons AR | Integration of Computing and Architectural Design | 1994 | De Montfort University | Doidge, C.W. | |
| Brindley TS | Introducing Alternative Formats for the Design Project Review | 2000 | De Montfort University | Doidge, C.W. Willmott, R. |
|
| Bonnell M | Graphics! British Art Now | 1999 | Bath Spa University College | Doig, P. O'Donoghue, H. Hume, G. |
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| FAGEN G R | Black Box Recorder | 2000 | University of Dundee | Digital Technology | Doiuglas Gordon Graham Gussin Rachel Lowe |
| Birrell R | The Second International Festival of Avant-Garde and Experimental Art, group exhibition | 1998 | Glasgow School of Art | Fine Art | Dominic Hislop |
| Chuhan J | Lines of Desire : International Drawing Exhibition | 1998 | Liverpool John Moores University | Centre for Art International Research | Donagh,R Kazi,D Rego,P |
| COLLINS B C | The Therapeutic Garden | 2000 | University of Dundee | Contemporary Practice | Donald Norfolk |
| Carson JE | You Don't Say | 1997 | The London Institute | Fine Art | Donna Rutherford and director Deborah May |
| MEY K | Bodies of Substance | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | Doris Berger Val Welsh Sarah Wilson |
| RAMSAY T K | 'Source', Scottish Applied Arts inspired by Museum Artefacts | 2000 | University of Dundee | Contemporary Practice | Dorothy Hogg Simon Ward Sam Wade |
| PROUD P T | Source | 1999 | University of Dundee | Contemporary Practice | Dorothy Hogg Deborah Fladgate Rebecca Halstead |
| Cheeseman D | Pictura Britannica (Art from Britain) | 1997 | University of Reading | Douglas Gordon Richard Hamilton Chris Ofili |
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| Grover nee Rooke S | 'The transfer of clean thermoplastic composites technology from the areospace, defence and automotive industries to the furniture, marine and general mouldings' | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Dowell M |
| Adams S R | Introduction to Gendering Landscape Art | 2000 | University of Hertfordshire | Dr A. Greutzner-Robins | |
| Thompson R | The Development of an Automated System for the Analysis of Print Quality Variables | 1998 | The London Institute | Media and Communication | Dr Andrew Manning Dr Jack Tchan |
| Thompson R | The Use of Neural Networks in an Image Analysis System to Distinguish Between Laser Prints and their Photocopies | 2000 | The London Institute | Media and Communication | Dr Andrew Manning Dr Jack Tchan |
| Meanley P | Something in the Air/Chlorine Emissions in Saltglazing | 1996 | University of Ulster | Dr B Byers | |
| Anderson P | Virtual Design Manufacturing | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | Dr Chris Slinger |
| STEVENSON F | Structuring sustainability | 1996 | University of Dundee | Industry and the Public Sector | Dr Faozi Ujam |
| Geesin R | Tri-Aura | 1996 | University of Portsmouth | Centre for Sound and Experimental Environments | Dr Frances Geesin |
| Chapman R | No Harmful Side-Effects | 2000 | University of Huddersfield | Dr Jane Nicklin, Biologist, Birkbeck College Dr David Guest, Mycolgist, University of Melbourne other staff at both above institutions |
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| Chapman R | Aurifiction and Aurifaction | 1999 | University of Huddersfield | Dr Jane Nicklin, Biologist, Birkbeck College Other staff at same institution |
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| Storey H | Mental (Women in Mind) | 2000 | The London Institute | Fashion and Textiles | Dr John McLachlan, University of St Andrews |
| Storey H | Primitive Streak | 1997 | The London Institute | Fashion and Textiles | Dr Kate Storey, Oxford University |
| Johnston ID | Scotlands Last Great Artefact | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Dr Lewis Johnman |
| Morris D | Paesaggio | 1997 | Liverpool John Moores University | Painting and Sculpture | Dr Murdoch Lothian |
| PAUL J M | Interior Design Research: A Challenge for the Future | 1997 | University of Dundee | Industry and the Public Sector | Dr Nomana Anjum Roland Ashcroft |
| PAUL J M | The Visual Questionnaire: an Innovation in Design Research | 1998 | University of Dundee | Industry and the Public Sector | Dr Nomana Anjum Roland Ashcroft |
| Creed C | Cardiology Across Europe, | 1996 | University of Portsmouth | Centre for New Media Research | Dr P Newland C Golya |
| Manning A | A Computational Model of Print Quality Perception | 1999 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Manning A | The Use of Neural Networks in an Image Analysis System to Distinguish Between Laser Prints and their Photocopies | 2000 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Manning A | The Development of an Automated System for the Analysis of Print Quality Variables | 1998 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Geesin R | Sound A-Maze | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | Dr. C Creed |
| Milne J | Pianola | 2000 | University of Southampton | Drew Milne | |
| Cooper E | Meeting Midnight | 1999 | Royal College of Art | Fine Art | Duffy, C A |
| Thomas J | 'Maldoror' | 2000 | Wimbledon School of Art | Painting | Duncan Reekie - producer Paul Tarrago Caroline Kennedy |
| Finnemore P | New British Photography | 1998 | Swansea Institute of Higher Education | Photography | Durden, M Palmer, R |
| Swindells S P | KAYAK | 2000 | University of Huddersfield | Dutton + Peacock S.o.D. |
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| Vyner T | From Beirut to Baalbek | 2000 | Bath Spa University College | Dyson, J. | |
| Krysa J | New media: Watching the novelty wear off. From tape to virtual installation. | 1999 | University of Plymouth | STAR | Dzuverovic-Russell L |
| Cowie W S | Divagate | 1998 | University of Brighton | Visual and Performing Arts | E Aggiss |
| Cowie W S | Hi Jinx The Fetching Bride | 1994 | University of Brighton | Visual and Performing Arts | E Aggiss |
| Cowie W S | Beethoven in Love | 1994 | University of Brighton | Visual and Performing Arts | E Aggiss E Bentley |
| Chiodo JD | Active Disassembly | 1998 | Brunel University | E Billett D Harrison |
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| Roberts E | The Liverpool Academy and Other exhibitions of Contemporary Art in Liverpool 1774-1867. A History and Index of Artists and Works exhibited | 1998 | Liverpool John Moores University | Art and Design History | E Morris |
| Ball L M | Rethinking Business Start-Up - a new model for success in art and design | 1999 | University of Brighton | Pedagogic Research | E Price |
| Chappell A | Exploring Design and Innovation - fresh ideas for creative curriculum development | 2000 | Brunel University | Design Pedagogy | E Tabor P Isherwood N Stanton |
| Stubbs N | La Mere Sauvage (drama, 30 mins, 16mm film, 1997) | 1997 | Staffordshire University | ARi, School of Art + Design | E. Wass |
| Davey G | Commission by Public Art Development Trust for the Newcastle Drawdock, Isle of Dogs, London | 1996 | University of East London | EDAW | |
| Chiodo JD | Designing a better tomorrow today with self-disassembling electronics | 1999 | Brunel University | EH Billett | |
| Chiodo JD | Smart Disassembly | 1999 | Brunel University | EH Billett | |
| Baddeley O | Sinai, Byzantium and Russia: Orthodox Art from the Sixth to the Twentieth Century | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Earleen Brunner Marlia Mundell Mango Yuri Piatnitsky |
| Baddeley O | The Monastery of Saint Catherine | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Earleen Brunner |
| Vince J. | Digital Convergence: The Information Revolution. | 1999 | Bournemouth University | Earnshaw, R. | |
| Vince J. | Digital Media: The Future. | 2000 | Bournemouth University | Earnshaw, R. | |
| Vince J. | Virtual Worlds on the Internet. | 1998 | Bournemouth University | Earnshaw, R. | |
| Henderson DG | The Cultural Imperatives of Sustainable Development: The Case of Sub-Saharan Africa | 2000 | De Montfort University | Ebohon, O.J. Arimah, B.C. |
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| BUSS D | Poetry or Prism | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by E Wessel |
| GANGE J | Beyond Identity? - the Beyond in Beyond Japan | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by Juliet Steyn |
| BUSS D | The use of colour names in idiomatic and colloquial language | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by L Sivik |
| Pavelka M | Henry V by William Shakespeare | 1997 | Wimbledon School of Art | Theatre Design | Edward Hall Propellor Theatre Company Watermill Theatre |
| Richardson C | Put to Sleep | 1995 | Oxford Brookes University | Creative Practice | Edward Jessen (composer) |
| BONAVENTURA P | Intensities | 1997 | University of Oxford | Edward King | |
| Smith S | Smith/Stewart, solo exhibition | 2000 | Glasgow School of Art | Fine Art | Edward Stewart |
| Smith S | Seeing Time: Selections from the Pamela + Richard Kramlich Collection of Media Art, group exhibition | 1999 | Glasgow School of Art | Fine Art | Edward Stewart |
| Smith S | Hooded/Bared, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Edward Stewart |
| Smith S | Smith/Stewart, Videoarbeiten, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Edward Stewart |
| Taylor F | Forgeries, explosions and misrepresentations. | 1999 | Wimbledon School of Art | Edwin Aitken Kate Scrivener Michael Wilson |
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| Faiers J | Do You Really Want It That Much More? ...More! | 1999 | Goldsmiths College | Eichelmann, V. | |
| PARTRIDGE S | Chimera | 1998 | University of Dundee | Digital Technology | Elaine Shemilt |
| PROUD P T | Glasgow City of Architecture + Design Plate Show | 1999 | University of Dundee | Contemporary Practice | Elizabeth Blackadder Ian McCulloch Elspeth Lamb |
| IVEY M J | The Glasgow UK City of Architecture + Design Plate Show | 1999 | University of Dundee | Contemporary Practice | Elizabeth Blackadder Ian McCulloch Elspeth Lamb |
| Dinan Spencer C | The Angel Who Flew Backwards to Christmas | 1997 | The London Institute | Media and Communication | Elizabeth Joy |
| Robertson C | A Poetics of Water | 1999 | Wimbledon School of Art | Elizabeth Ogilivie | |
| Williams R | Herbert Hampton and the New Sculpture in Lancaster: The Victoria Monument and the Ashton Memorial | 1997 | Cumbria College of Art + Design | Elizabeth Roberts (editor) | |
| GODFREY-ISAACS L | HOME 3 | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Elizabeth Wright |
| Wallace-Jones H | 100% Design | 2000 | The London Institute | Fashion and Textiles | Emma Sewell |
| Wallace-Jones H | Objects of our Time | 1996 | The London Institute | Fashion and Textiles | Emma Sewell |
| Wallace-Jones H | Victoria and Albert Museum Showcase Exhibition | 1997 | The London Institute | Fashion and Textiles | Emma Sewell |
| Wallace-Jones H | New York Gift Fair | 1999 | The London Institute | Fashion and Textiles | Emma Sewell |
| Binns P | Three Decades: objects selected from the Crafts Council Collection 1972-1999 | 2000 | Buckinghamshire Chilterns University College | Visual Arts | Emmanuel Cooper Ralph Turner |
| Till N J T | Silent Movie Opera: Carmen (1910) | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | English National Opera Studio VOCEM electric voice theatre Kandis Cook |
| Till N J T | First Class Evening Entertainments (Part One) | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | English National Opera Studio VOCEM electric voice theatre Anthony Howell |
| Royffe C D | Research and Environmental Design Project. The Earth Centre | 1996 | Leeds Metropolitan University | Environmental Art and Design | Entwistle, T Herrmann, M |
| Gilmour S | Tear from a Glass Eye | 2000 | Wimbledon School of Art | Theatre Design | Erica Whyman |
| Mitchell I | Chinese Whispers | 2000 | Liverpool John Moores University | Graphic Arts | Erik van Blokland ,The Hague, Netherlands Tobias Frere-Jones ,Hoefler Type, USA Yaki Mokho, Vital, Tel Aviv, Israel |
| Zhang J. J. | Load Analysis with Varying Mesh Stiffness. | 1999 | Bournemouth University | Esat, I. Shi, Y. |
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| MOAR M | Walking with Avatars | 2000 | Middlesex University | F Bailey | |
| MOAR M | Children's Creation of Shared 3D Worlds | 2000 | Middlesex University | F Bailey | |
| Osfield R | The development of a new technique or automated 3D restoration for complex structural interpretations | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | F Schafer P A Griffiths A D Gibbs |
| Osfield R | 3D Restoration of Salt Structures - Case Study from the NW German Basin | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | F Schafer P A Griffiths |
| RICHARDS C.J. | The presentation of time in interactive animated systems diagrams | 1995 | Coventry University | The Design Institute | FISCHER, D.H. |
| BLOUNT G.N. | Computerised blank shape prediction for sheet metal components having doubly-curved surfaces | 1995 | Coventry University | The Design Institute | FISHER, B. |
| WOODCOCK A. | Supporting ergonomics in automotive design | 1998 | Coventry University | The Design Institute | FLYTE, M.G. |
| WOODCOCK A. | The development of computer-based tools to support ergonomics in design education and practice | 1997 | Coventry University | The Design Institute | FLYTE, M.G. |
| WALLER J.N. | Naked | 1996 | Coventry University | Visual Arts | FREUD, L. HERMAN, J. HOWSON, P. |
| Jacobson R | Applications of Imaging Science to Investigations of GRB Optical Counterpoints | 1999 | University of Westminster | Imaging Technology | Fagard-Jenkin RB Axford NR Hudec R |
| Axford NR | A Novel Approach to the Derivation of Expressions for the Geometrical MTF in Sampled Systems | 1999 | University of Westminster | Imaging Technology | Fagard-Jenkin RB Jacobson RE |
| WATSON A J | A History of Scottish Performance | 1998 | University of Dundee | Coastal/Indigenous Cultures | Fahrenholz, M Currie, A Woods, A |
| JOHNSTON K | Jasmine Satin | 1997 | University of Dundee | Contemporary Practice | Fanny Arowsen |
| Simpson J | Balzac and the Symbolist Cathedral | 1998 | Buckinghamshire Chilterns University College | Visual Arts | Farrant, Tim |
| Oliver V | Sound Design | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | Farrelly, L |
| Adzhiev V. | Space-Time and Higher Dimensional Modeling for Animation. | 2000 | Bournemouth University | Fausett, E. Pasko, A. |
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| Hurtado R | British Weather Attracts Strange Visitors. | 1999 | Goldsmiths College | Feo, R. Santos, F. |
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| Hurtado R | Lavazza Take-Away Coffee Place. | 2000 | Goldsmiths College | Feo, R. Santos, F. |
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| Hurtado R | Mind the Gap (table). | 2000 | Goldsmiths College | Feo, R. Santos, F. |
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| Hurtado R | Miss Ramirez (Chair). | 1999 | Goldsmiths College | Feo, R. Santos, F. |
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| WARREN RJ | Rebecca Warren and Fergal Stapleton | 1997 | University of Oxford | Fergal Stapleton | |
| Shankie J | Pleased To Meet You, two person exhibition | 1996 | Glasgow School of Art | Fine Art | Fernando Fereira |
| Lenard JA | Lower limb injuries to passenger car occupants | 1997 | Loughborough University | Design Ergonomics | Fildes, B. Lane, J. Vulcan, P. |
| Robson E H N | Quintet for Ten | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Fin Walker Transitions Dance Company Anthony Bowne |
| Gschwedtner G | 100% Design | 2000 | Buckinghamshire Chilterns University College | Furniture Design | Fiona Davidson |
| BURFORD N | The Development of a Lightweight Military Structure | 1998 | University of Dundee | Industry and the Public Sector | Fish, D C E Smith, F W |
| BURFORD N | Supporting Truss for Example a Shelter Structure | 1996 | University of Dundee | Industry and the Public Sector | Fish, D C E Smith, F W |
| FEIST A. | International data on public spending on the arts in eleven countries | 1998 | City University | Fisher R Gordon C Morgan C. |
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| MODEEN M | Continental Shift | 1998 | University of Dundee | Contemporary Practice | Fisher, P Cohen, D Garner, T |
| Jacobson R | Evaluation of the Effects of Compression on the Quality of Images on a Soft Display | 1997 | University of Westminster | Imaging Technology | Ford AM Attridge GG |
| Attridge GG | Characteristics of CRT Monitors for the Display of Still Images | 1996 | University of Westminster | Imaging Technology | Ford AM Jacobson RE |
| Attridge GG | Assessment of a CRT Display System | 1996 | University of Westminster | Imaging Technology | Ford AM Jacobson RE |
| Kelly P | SciNet | 1998 | Liverpool John Moores University | International Centre for Digital Content | Foster,N |
| Lees N | Fletcher Challenge Ceramics Award Exhibition | 1998 | Bath Spa University College | Fouilhoux, J.F. Troy, J. Bryars, J. |
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| Corke C | NOW Website | 2000 | Liverpool John Moores University | International Centre for Digital Content | Fowler,P. |
| Corke C | Cytofocus | 1995 | Liverpool John Moores University | International Centre for Digital Content | Fowler,P. |
| Tyler DJ | Simulation of Flow Lines in Clothing Manufacture (Part 1 + 2) | 1996 | Manchester Metropolitan University | Fozzard G Spragg JE |
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| Tyler DJ | FLEAS: A Flowline Environment for Automated Supervision | 1997 | Manchester Metropolitan University | Fozzard G Spragg JE |
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| Hardaker CH | The Bra Design Process: A Study of Professional Practice | 1997 | De Montfort University | Fozzard, G.J. | |
| Hardaker CH | Computer Aided Designers? A Study of Garment Designers' Attitudes Towards Computer Aided Design | 1995 | De Montfort University | Fozzard, G.J. | |
| Hardaker CH | Towards the Virtual Garment: Three Dimensional Computer Environments for Garment Design | 1998 | De Montfort University | Fozzard, G.J. | |
| Thomas PD | Injury patterns in side collisions - a new look with reference to current test methods and injury criteria | 1999 | Loughborough University | Design Ergonomics | Frampton, R.J. |
| Lenard JA | The influence of european air bags on crash injury outcomes | 1998 | Loughborough University | Design Ergonomics | Frampton, R.J. Thomas, P.D. |
| Joseph J E | Portrait of the Artist | 1995 | Wimbledon School of Art | Painting | Francis Dodd Max Lieberman Michael Ayrton |
| Gunn J | The Magic Toyshop | 1999 | Wimbledon School of Art | Theatre Design | Francis Goby |
| Conekin BE | Moments of Modernity - Reconstructing Britain 1945 - 1964 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Frank Mort Chris Waters |
| Farshad F | Multimedia Textile Database | 1997 | The London Institute | Fashion and Textiles | Frank Rickett Helen Anstey |
| Farshad F | Developing Online | 1997 | The London Institute | Fashion and Textiles | Frank Rickett |
| Farshad F | N-touch | 1995 | The London Institute | Fashion and Textiles | Frank Rickett |
| Farshad F | John Rocha | 1997 | The London Institute | Fashion and Textiles | Frank Rickett |
| Kerr J | Beyond the Empire of the Signs | 2000 | Royal College of Art | Architectural Design | Fraser, M |
| Mitchell J R. | '16 Gunmetal Frustums and Fillers: 4 Bronze Blocks with Conic Voids' | 2000 | Wimbledon School of Art | Painting | Fred Orton Malcolm Quinn |
| Ryan S | Culture Change in a Conventional University: Introducing Resource Based Learning | 1998 | De Montfort University | Freeman, H Scott, B |
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| Ryan S | Webmapping: Planning, Structuring and Delivering Courseware on the Internet | 1997 | De Montfort University | Freeman, H | |
| Wood ND | Early polychrome glazes on a Chinese ceramic bead of the Warring States period | 1999 | University of Westminster | Ceramics | Freestone I Stapleton C Gu Taoxi Kexue Jishu |
| Richards M | Television in Contemporary Asia | 2000 | University of Central England in Birmingham | Visual Communication Research Group | French D |
| Hollins WJ | Over the Horizon | 1999 | Brunel University | Design Pedagogy | G Hollins |
| Paul JS | Directory of Equipment and Services Making Disability Plain Sailing | 1999 | Brunel University | Design for Inclusion | G Kay M Elam |
| Spittler U | Memories of the Second World War and National Identity in Germany | 1997 | University of Brighton | Memory, Identity and History | G Knischewski |
| Spittler U | Redefining German Identity: Case Studies in Berlin | 1995 | University of Brighton | Memory, Identity and History | G Knischewski |
| Spittler U | German Attitudes towards Europe: Continuity and Change | 2000 | University of Brighton | Memory, Identity and History | G Knischewski |
| Spittler U | Coming to terms with the past: Reconstructing the Berlin Wall | 2000 | University of Brighton | Memory, Identity and History | G Knischewski |
| Turner J | BitBiz | 2000 | Liverpool John Moores University | International Centre for Digital Content | G Price |
| Roberts S | Dockers DVD | 2000 | Liverpool John Moores University | International Centre for Digital Content | G Price |
| Soden JA | The Design and Fabrication of 3D Multilayer Woven T-Section Reinforcements | 1999 | University of Ulster | G Weissenbach BJ Hill |
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| Pavitt J | Brand.New | 2000 | University of Brighton | Visual Communication Design | G Williams |
| Tamburic S | The Hydrating Potential of an O/W Emulsion in Comparison with the Potential of its Constituents | 1999 | The London Institute | Fashion and Textiles | G. Abamba |
| Baines M | Propositions: Thinking through drawing | 2000 | Glasgow School of Art | Principles of Drawing | G. Barrett |
| Johnson JH | Elicitation of rules for graphic design evaluation | 1996 | Open University | Design for advanced products | G. Glaze N.G. Cross |
| Dyson M C | The effects of line length and method of movement on patterns of reading from screen | 1998 | University of Reading | G. J. Kipping | |
| Dyson M C | Exploring the effect of layout on reading from screen | 1998 | University of Reading | G. J. Kipping | |
| Tamburic S | Rheological Evaluation of O/W Cream Bases Containing Polymeric Emulsifier | 1998 | The London Institute | Fashion and Textiles | G. Vuleta S.Simovic J.Milic |
| Magee JDM | Mercedes Benz 'M' Class Bumpers + Body Claddings | 1999 | University of Ulster | GE Polymer Design Assoc | |
| Magee JDM | Audi A2 Instrument Panel | 1999 | University of Ulster | GE Polymer Design Assoc | |
| Lochun D | Non-centrosymmetric Alignment of Optically Non-linear Materials | 1996 | Brunel University | GJ Ashwell IR Gentle CH. L Kennard |
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| Millward H | Oral PowderJect: a novel system for administering local anaesthetic to the oral mucosa | 1998 | University of Wales Institute, Cardiff | PDR | GM Duckworth CDO Potter G Hewson |
| MULHALL S. | Room for room | 1998 | Coventry University | Visual Arts | GROSSE, C. HEYNE, K. LEWONIG, K. |
| TRUSSELLE K.L. | 9 x 9 x 9 | 1996 | Coventry University | Visual Arts | GWYNNE, M.G. GRIFFIN, J. PRINCE, N. |
| Bick A | The Palaver | 1998 | University of Gloucestershire | Gad Hollander | |
| Page ME | Combining physical, physiological and subjective data in the evaluation of product usability, in: P.W.Jordan (ed), Usability Evaluation in Industry | 1996 | Loughborough University | Design Ergonomics | Galer, I.A. |
| Hand J | Anna O | 1996 | Goldsmiths College | Gange, J. | |
| Speed CJ | Space under stress: Spatial understanding in the new media technologies In: Spatial Cognition (Ed. S. O'Nuallain) | 1998 | University of Plymouth | STAR | Garcia-Tobin, D |
| Gardiner J | National Trust 'Coast Show ' Web Site | 2000 | Thames Valley University | Gardiner J | |
| Gardiner J | 1996-Isle of Purbeck CD Rom | 1996 | Thames Valley University | Gardiner J | |
| Gardiner J | Ballard Point Exhibition | 2000 | Thames Valley University | Gardiner J | |
| Gardiner J | The Duffield Foundation 'Artworks' Virtual Gallery | 2000 | Thames Valley University | Gardiner J | |
| Curtis D | A Brief History of Art and Experiment in Animation | 1999 | The London Institute | Media and Communication | Gareth Evans |
| Mitchell J | Binocular | 1997 | University of Reading | Gareth Fisher | |
| ASHCROFT R J | Galleries for Millennium Corridor | 1999 | University of Dundee | Industry and the Public Sector | Gareth Fisher |
| Hitchen J | The Realm of Fear | 2000 | Liverpool John Moores University | Graphic Arts | Garside,C Crow,D |
| CHISHOLM R G | A Portfolio of Street Furniture Products | 1999 | University of Dundee | Industry and the Public Sector | Gary Carling |
| TAYLOR B | 'Consult' a two-minute running presentation profiling the work of TPS Consult Architecture + Interior Design | 1997 | University of Dundee | Contemporary Practice | Gary Gowans |
| RICE A | Millenium Corridor Project, British Forces, Falkland Islands | 1999 | University of Dundee | Contemporary Practice | Gary Gowans Roland Ashcroft Gary Fisher |
| Cummings A | Topographical Studies in the Conservationof Statuary Materials | 2000 | Royal College of Art | Conservation | Gaspar, P McPhail, D Hubbard, C |
| Cairns J | The Art of Trailing: Work/Seth-Tallentire | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | Gavin Butt |
| Cairns J | Steve Reinke's Archival Imaginary | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Gavin Butt |
| Milne J | 3D video photographic mural. | 1999 | University of Southampton | Gemma Nogueroles Anna Bordonada |
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| Shanahan P.N. | The History of Photography special double issue on Italian Cultural Landscape and Vernacular Photographs. | 2000 | Falmouth College of Arts | Geoffrey Batchen | |
| Clarke P | Collaboration - a project by Pete Clarke + Georg Gartz | 2000 | University of Central Lancashire | Georg Gartz | |
| HERBERT D J | The Graphic Medium as a Creative and Economic Tool | 2000 | University of Dundee | Industry and the Public Sector | George Craigie David Faithfull Gary Gowans |
| Rawson G | Charles Heath Wilson, Missionary of Art | 2000 | Glasgow School of Art | Historical and Critical Enquiry | George Fairfull Smith Sally Rush |
| MAIR G | The Iron Way of the State | 1998 | University of Dundee | Digital Technology | George Snow Matt Hulse |
| Barfield N | Autographic Halftoning for Artist-Printmakers | 1996 | Wimbledon School of Art | George Whale | |
| Barfield N | 16 Cycladic Heads | 1998 | Wimbledon School of Art | George Whale | |
| Higgett N P | The Design of Web-based Hypermedia Courseware in Higher Education | 1998 | De Montfort University | Georgiadou, E. | |
| Higgett N P | Virtual Studies in Multimedia Design using the World Wide Web | 1997 | De Montfort University | Georgiadou, E. | |
| Woodfine S | 'Perfume' | 1999 | Wimbledon School of Art | Sculpture | Georgie Hopton Glauce Cerveira |
| RICE A | IDEAS (Industry + Design Education Action for Scotland) Part 1 | 1996 | University of Dundee | Contemporary Practice | Georgina Follett Julian Malins Tony Franks |
| HERBERT D J | Design Research Promotional Publication | 1998 | University of Dundee | Industry and the Public Sector | Georgina Follett Andy Rice |
| Dower S | Dick Donkeys Dawn | 1998 | The London Institute | Fine Art | Georgina Starr Oliver Hangl |
| Geroimenko V A | Visualising human consciousness context using java 3D/X3D and psychological techniques | 2000 | University of Plymouth | STAR | Geroimenko L |
| Gyi DE | The quality of accident and health data in the construction industry: interviews with senior managers | 1999 | Loughborough University | Design Ergonomics | Gibb, A.G. Haslam, R.A. |
| Fisher T | I Designer, You Nerd | 1997 | Sheffield Hallam University | Gill Chapman P Reavey Peter Ashworth |
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| Norman-Smith C | Artwood: an on-line multi-lingual glossary of art terms | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | Gillet D |
| Fortnum R | Abbey Award | 1997 | Wimbledon School of Art | Painting | Gillian Ayres Edward Allington Moyra Flanningan |
| GAWTHROP R | Toot_Pak#1 | 2000 | University of Lincoln | Gillian Dyson Chris Gladwin |
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| Whittaker E | London:Post Colonial City | 1999 | Bath Spa University College | Gilroy, P. Goty, W. Yokomitsu, M. |
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| GAWTHROP R | USEFUL IMAGES: MECHANICAL BIOLOGICAL CHEMICAL (included film - OPERATION) | 1998 | University of Lincoln | Gina Czarnecki,Duncan of Jordanston Collage of Art Mike Stubbs, Hull Time Based Arts |
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| Morris D | La Barca dei Folli | 1996 | Liverpool John Moores University | Painting and Sculpture | Gino Marotta |
| Earley RL | Duel: Autumn/Winter 1996 Collection | 1996 | The London Institute | Fashion and Textiles | Giovanna Palmiero |
| FISHER G R | Breath Poems | 1997 | University of Dundee | Contemporary Practice | Giovanni Tamburelli |
| Birdsey CL | The Effect of Digital Technology on the Control of and Access to a Photographic Collection | 1999 | University of Westminster | Imaging Technology | Golding A Jacobson RE |
| Birdsey CL | The Suitability of Employing Digital Technology for Accessing Photographic Collections | 1999 | University of Westminster | Imaging Technology | Golding A Jacobson RE |
| Beardon CE | The Visual Assistant | 2000 | University of Plymouth | Centre for Visual Computing | Gollifer, C. Rose, C. Worden, S. |
| Beardon CE | Computer use by artists and designers: some perspectives on two design traditions. | 1997 | University of Plymouth | Centre for Visual Computing | Gollifer, S. Rose, C. Worden, S. |
| Zhang J. J. | Precision Inspection of Deviations of Machined Surfaces. | 1997 | Bournemouth University | Gong, D. | |
| Oxley Nigel | 3 original etchings inspired by engravings of Rembrandt + Goya (15 x 22 | 2000 | London Guildhall University | Gordon House Eric Rimmington Humphrey Ocean |
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| Howard C J | JCB Cab Interior | 1997 | University of Huddersfield | Gordon McNaboe | |
| Rosella A | Sizing and Shaping | 2000 | Nottingham Trent University | Fashion and Textiles | Graham Hutton |
| Jensen SA | Elemental | 1998 | The London Institute | 3-Dimensional and Environmental Design | Graham Russell Geoff Stewart David Germond |
| Jensen SA | Vivienne Westwood - retail units and limited edition interior fitting for world wide concessions | 1998 | The London Institute | 3-Dimensional and Environmental Design | Graham Russell Geoff Stewart David Germond |
| Rust CM | Experimental Making in Multi-Disciplinary Research | 2000 | Sheffield Hallam University | Graham Whiteley Adrian Wilson |
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| Watson L | Vogue Twentieth Century Fashion | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Graham, T |
| Smith N J | Digital Paint Drying Systems | 1999 | University of Northumbria at Newcastle | Graham, T | |
| Smith N J | Hydroquad | 1999 | University of Northumbria at Newcastle | Graham, T | |
| Pirie I | Artistic Research Procedure: Research at the Edge of Chaos? | 1995 | Robert Gordon University | Learning Strategies | Gray, C. |
| Malins J | Educating the practice based researcher: developing new environments for collaborative and constructive learning | 2000 | Robert Gordon University | Learning Strategies | Gray, C. |
| Malins J | From Image to Object: Old Signs, New Meanings | 1999 | Robert Gordon University | Making and Contemporary Culture | Gray, C. Ross, J. Burman, B. |
| Malins J | The Digital Thesis: Recent Developments in Practice-Based Ph.D Research in Art and Design | 1999 | Robert Gordon University | Learning Strategies | Gray, C. |
| Dunbar T | Trans-Dialogues - A Discussion Between the Artists Anne Grebby, Dunbar and Leif EC Liebenschutz | 1999 | Manchester Metropolitan University | Grebby A Liebenschutz LE |
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| Walsh BF | The Snake in the Grass/Raising Dirt | 1999 | Goldsmiths College | Greenhill, J. | |
| Archer MG | Material Culture: The Object in British Art of the 1980s and 90s | 1997 | The London Institute | Fine Art | Greg Hilty |
| Archer MG | Voice Over: Sound and Vision in Current Art | 1998 | The London Institute | Fine Art | Greg Hilty |
| Williams V | The Dead | 1996 | The London Institute | Media and Communication | Greg Hobson |
| Travers K | 'Tell Me' video sequence | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Gregory, R Dunstar, M Lydiard, A |
| Cassidy T | A Model of the Loop Formation Process on Knitting Machines using the Finite Automata Theory | 1997 | De Montfort University | Grishanov, S.A. Spencer, D. |
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| Cassidy T | The Simulation of the Geometry of Two-component Yarns. Part II: Fibre Distribution in the Yarn Cross-section | 1997 | De Montfort University | Grishanov, S.A. Lomov, S.V. Harwood, R.J. |
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| O'Brien A | 'Silent Song' | 2000 | Napier University | Documentary and Experimental Film | Grossman, A. |
| Lewis S E N | Exhibition-Small Works | 1999 | Nottingham Trent University | Visual Arts | Group Exhibition |
| Fallows C | Sound Drifting : I Silenzi Parlano Tra Loro | 1999 | Liverpool John Moores University | Audio-visual | Grundmann, H |
| Renshaw T | Lock-Up | 2000 | University of Reading | Guendalina Salini | |
| St George A | History's Turning Points | 1995 | De Montfort University | Guest, R. | |
| ARCHER MG | Mona Hatoum | 1997 | University of Oxford | Guy Brett Catherine de Zegher |
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| Porter JM | Exploring the optimum posture for driver comfort | 1998 | Loughborough University | Design Ergonomics | Gyi, D.E. |
| Gingell J | Art Schools: Art Education and the Artist in the New Century | 1998 | University of Wales Institute, Cardiff | Fine Art | H Adams |
| Perkins M | Finite Element Analysis as a Design tool for Circular Saw Blades | 1999 | Brunel University | Environmentally Sensitive Design | H Iroas T Nicholls |
| Perkins M | Parametric Modelling of Circular Saws with Uniform Thickness using Finite Element Analysis | 1999 | Brunel University | Environmentally Sensitive Design | H Iroas T Nicholls |
| MOAR M | Iterated Function Systems and Non-Affine Transformations: Examples in 2D and 3D | 1999 | Middlesex University | H Jones | |
| MOAR M | Rendering through Iterated Function Systems | 2000 | Middlesex University | H Jones | |
| MALLINDER H | The Mat as Non-Conventional Interface | 2000 | Middlesex University | H Jones | |
| MALLINDER H | A Three Dimensional Sketching Tool | 1995 | Middlesex University | H Jones J Jones-Morris H Polletti |
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| Boyle GA | The Development and Application of an Urban Energy Model | 1996 | Open University | Design for sustainability | H Titheridge |
| Herring H | Types, numbers, and floor areas of non-domestic premises in England and Wales, classified by activity | 2000 | Open University | Design for sustainability | H. Bruhns J.P. Steadman S. Moss |
| Raney K | 'Art Education and Talk: from modernist silence to post modern chatter' | 1999 | University of East London | H. Hollands | |
| Macklin P | Lapland @ The British Council. Exhibition design/curation | 1998 | Glasgow School of Art | Design | H. Pizey |
| Macklin P | Luna Rova: Exhibition design/curation | 1999 | Glasgow School of Art | Design | H. Pizey |
| Macklin P | Plaid: Exhibition design/curation | 1997 | Glasgow School of Art | Design | H. Pizey M. Beever |
| Herring H | A database for modelling energy use in the non-domestic building stock of England and Wales | 2000 | Open University | Design for sustainability | H.Bruhns J.P. Steadman |
| TOVEY M.J. | Concept design and sketch mapping | 1999 | Coventry University | The Design Institute | HARRIS, G.J. |
| BLOUNT G.N. | Business model approach: design 'versus' economic considerations for automotive recycling | 2000 | Coventry University | The Design Institute | HARRISON, L.A.J. |
| THOMPSON K. | Sister cities project | 1996 | Coventry University | Visual Arts | HARVEY, T. SMITH, A. |
| WILLIAMS M.D. | International doodlebug day exhibition | 2000 | Coventry University | Design | HIROSUKE, U.A. IBBOTSON, B. |
| JOSTINS J.E. | Virtual building site | 1997 | Coventry University | Design | HOARE, J. NEALE, S. DISTON, E. |
| MIDDLETON N. | Memories (history project) | 1996 | Coventry University | Design | HOLLOWAY, T. PARKER, M. PRENTICE, K. |
| SAUNDERS R. | Britax / contour business class seat | 1997 | Coventry University | Design | HORROCKS, L. GRANADAS, R. |
| WALLER J.N. | Modern portraits: expressions of intimacy | 1998 | Coventry University | Visual Arts | HOWSON, P. PAUL, C. FAULKNER, A. |
| Page ME | Consumers and self assembly products - problems and solutions | 1997 | Loughborough University | Design Ergonomics | Haines, V.J. Grant, R.H. Clift, L. |
| Whittaker E | Close to Home | 1998 | Bath Spa University College | Hale, M. Harloud, B. Muske, E. |
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| Chuhan J | In the Looking Glass : Contemporary Self Portraits by Women Artists | 1996 | Liverpool John Moores University | Centre for Art International Research | Hambling,M Jones,L Wilson,S |
| Law J | Licht + Visuelle Texte | 1999 | Bath Spa University College | Hamilton Finlay, I. Sedgeley, P. Gappmayer, H. |
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| Scott PC | The Plate Show | 1999 | University of Newcastle | Hamilton L | |
| McInnerney M | Les Sixties | 1996 | Bath Spa University College | Hamilton, R. Boyle, M. Henri, A. |
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| Buckley J | Blue Velvet | 1998 | Robert Gordon University | Practices enabled through New Media Technology | Hamlyn, J. |
| Stansfield Smith C | Portland Building, University of Portsmouth | 1996 | University of Portsmouth | Centre for Creative Empowerment | Hampshire County Council |
| Stansfield Smith C | Hackney Community College Building Design | 1998 | University of Portsmouth | Centre for Creative Empowerment | Hampshire County Council Architects |
| Torrens GE | Hand performance assessment of ten people with Rheumatoid Arthritis when using a range of specified saucepans | 2000 | Loughborough University | Design Ergonomics | Hann, J. Webley, M. Joy, J. |
| Wells K | The Dyers' Craft Resist Patterned Fabrics - An Explanatory Booklet | 2000 | De Montfort University | Hann, M. | |
| Docherty CA | Stylistic Change in Womenswear Products, Part II: An Exploration of the Relationship Between Hem Length and Various Economic Indicators | 1994 | De Montfort University | Hann, M.A. | |
| Hanna S J | Figured Bass | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Hanna, T. Winter, H. |
| Seawright P | Fragments of Documentary and Memory, The Third Tokyo International Photo-Biennale. April-May 1999 | 1999 | University of Wales College, Newport | Photography | Hannah Starkey Sarah Jones Joachim Schmid |
| O'Connell T | 0044 | 1999 | Bath Spa University College | Hapaska Seawright Francis |
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| Sewell E | 100% Design | 2000 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Sewell E | New York Gift Fair | 1999 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Sewell E | Victoria and Albert Museum Showcase Exhibition | 1997 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Sewell E | Objects of our Time | 1996 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Simpson M | Cheltenham Open Drawing Exhibition | 2000 | Bath Spa University College | Harris, J. Cooper, E. Connearn, D. |
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| Dahn J | Art in Theory 1648 | 2000 | Bath Spa University College | Harrison, C. Wood, P. Gaiger, J. |
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| Lee RA | Loud and Clear | 1997 | Oxford Brookes University | Creative Practice | Harry Dawes |
| Dale J K | SIEBE control interface demonstrator. | 1999 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Hastie, J Lievesley, M Muller, M |
| Kempadoo R | 'Virtual Exiles' | 2000 | Napier University | Photographic Practice | Hatice Abdullah |
| Biddulph JC | Mapping Values | 1997 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Biddulph JC | City Mapping: Hull | 2000 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Biddulph JC | The Cut | 2000 | Manchester Metropolitan University | Hatton P Murray V Pilling L |
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| Biddulph JC | By The Way | 1998 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| GAWTHROP R | ONE | 2000 | University of Lincoln | Hayley Newman, research assistant | |
| Rye C | 'Shattered Anatomies' | 1997 | Napier University | Critical Theory of Practice | Heathfield, Adrian Templeton, Fiona Quick, Andrew |
| Tyler DJ | A Cross-Sectoral Approach to New Product Development | 1998 | Manchester Metropolitan University | Heeley J Bhamra T |
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| Landen C | On the Bright Side of Life: Contemporary British Photography | 1997 | University of Wales College, Newport | Photography | Helen Chadwick Karen Knorr Boyd Web |
| CAIRNS B | Shortland Street: production Text and Audience | 1996 | University of Lincoln | Helen Martin | |
| CHISHOLM R G | Innovative composite furniture | 1998 | University of Dundee | Industry and the Public Sector | Helen McCoig |
| Doidge CW | Post-Occupancy Review of Buildings | 1994 | De Montfort University | Henderson, D.G. | |
| Bewley DJ | Shane Cullen Fragmens sur les Institutions Republicaines (panels 1-48) | 1996 | Manchester Metropolitan University | Herbert S | |
| Bewley DJ | Stefan Gec Buoy | 1996 | Manchester Metropolitan University | Herbert S | |
| Bewley DJ | Laura Vickerson - Fairy Tales and Factories | 1999 | Manchester Metropolitan University | Herbert S | |
| Bewley DJ | Anya Gallaccio - Two Sisters | 1998 | Manchester Metropolitan University | Herbert S | |
| Allen K.F | Rebel Angels | 1997 | Wimbledon School of Art | Painting | Hermione Wilshire Laura Ford Alison Jones |
| McGrath R | 'Rereading Edward Weston' | 1995 | Napier University | Critical Theory of Practice | Heron, L Williams, V |
| Docherty CA | Desire, Delight, Design: 78 Scottish Innovations | 2000 | De Montfort University | Hetherington, A | |
| Hartwell DW | Cultural Shifts in Higher Education | 1999 | De Montfort University | Hill, G. | |
| MCMURDO W A | ESP | 1999 | University of Dundee | Digital Technology | Hiller, S Catling, B |
| Ashley-Smith J | Can high productivity be productive? | 1997 | Royal College of Art | Conservation | Hillyer, L |
| Trowles P | Charles Rennie Mackintosh | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Hiroki Kimura |
| Hanna S J | Paganini's Dream | 1997 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Hogg, B. Aster, J. |
| Hartwell DW | New Directions in Design Management: The Development of Conceptual Models for Interior Designers | 1995 | De Montfort University | Holland, R.J. | |
| Cox GF | The Impossibility of Art Education | 1999 | University of Plymouth | Centre for Visual Computing | Hollands, H. de Rijke, V. |
| Shackleton J | Attention Points in Street Furniture Design | 2000 | Brunel University | Design Process | Hong Sang-Hee K Sugiyama M Watanbe |
| Siodmok P M | IQ Range Intelligent, Non Intrusive User Friendly, Electric Valve Actuators. | 1999 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Hooper, B |
| Roper G S | The Tallest Tree in the Karelian Forest | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Hoppa, H |
| Cruz J | Here and Now - Experiences in Sculpture. | 1999 | Goldsmiths College | Hopper, R. Worthington, G. |
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| Rieser M | A Consequential Coastline | 1996 | Bath Spa University College | Hoskins, S. Hasle, D. Hales, G. |
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| Day G | Traditions of Respect. British + Islamic Cultures | 1997 | Bath Spa University College | Houshiary, S. Ermes, A. O. Afnan, M. |
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| Baxter H | Red Dwarf Series 8 | 1998 | Wimbledon School of Art | Theatre costume | Howard Burden |
| Coles A. | WALTER BENJAMIN FOR BEGINNERS | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | Howard Caygill Andrzej Klimowski |
| Beban B | Jason's Dream | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Beban B | Hand on the Shoulder | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Beban B | Breda Beban + Hrvoje Horvatic (1958-1997) - retrospective | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Hill PJ | Approaching Photography | 1999 | De Montfort University | Hughes, C. | |
| Lewandowski S | The Rebabeliser | 1997 | Nottingham Trent University | Visual Arts | Hull-time based Arts and Yorkshire Arts |
| Tchalenko J | The Painter''s Eye | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Humphrey Ocean |
| Pryke S | Virgin Atlantic Upper Class in-flight and terminal lounges ceramics, tableware and accessories | 2000 | De Montfort University | Hunt, M Welch, R |
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| Leake P K | 'View of Views: People and the Changing Landscape' | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Hunter, D Growcott, C Jefferson, R |
| Lenard JA | The accuracy of CRASH3 for calculating collision severity in modern european cars | 1998 | Loughborough University | Design Ergonomics | Hurley, B. Thomas, P.D. |
| Thornhill PH | 'Mieeow! - Maisiemac Goes to Japan' and 'Maisiemac and the Loch Ness Monster' | 2000 | De Montfort University | Hurst, M | |
| Thornhill PH | 'Direct Action' - Television documentary | 1999 | De Montfort University | Hurst, M | |
| Thornhill PH | Leech Hill - 'May Pox' | 2000 | De Montfort University | Hurst, M | |
| Sutherland C | EMAP International Construction Tower | 1997 | Glasgow School of Art | Design | Hussey, C |
| Sutherland C | Art.tm Gallery renovation | 1998 | Glasgow School of Art | Design | Hussey, C |
| Sutherland C | The Barn House | 2000 | Glasgow School of Art | Design | Hussey, C |
| Sutherland C | 205 High Street Wood Green London | 2000 | Glasgow School of Art | Cities and Environments | Hussey, C |
| Rodgers P | 'The Role of Design in Artificial Intelligence as Authored Text' | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | Huxor,A.P. |
| Rodgers P | 'Designing over Networks: A Review and Example of Using Internet Collaboration and Communication Tools in Design' | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | Huxor,A.P. |
| Wilson R | The Light Rain is on the Light Dust New Landscapes | 2000 | Manchester Metropolitan University | Hyatt J | |
| Garcia D R | Net Congestion Reader | 2000 | University of Portsmouth | Centre for New Media Research | Hyde A Kluitenberge E Harger H |
| Roberts S | Liverpool Football Club Interactive CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | I Bradley |
| Baker-Brown D | FutureHouse | 1994 | University of Brighton | Materials Practices and Processes | I McKay |
| Baker-Brown D | Greenwich Millennium Village | 1997 | University of Brighton | Natural and Constructed Environments | I McKay R Erskine |
| Baker-Brown D | CityVision | 1994 | University of Brighton | Natural and Constructed Environments | I McKay |
| Baker-Brown D | Norfolk Park Housing Regeneration | 1998 | University of Brighton | Natural and Constructed Environments | I McKay |
| Carnduff T | An object versioning system to support collaborative design within a concurrent engineering context | 1997 | University of Wales Institute, Cardiff | PDR | I Santoyridis WA Gray JC Miles |
| Carnduff T | Assessing a versioning system for collaborative engineering design with a bridge design experiment | 1999 | University of Wales Institute, Cardiff | PDR | I Santoyridis WA Gray |
| Brown W | The Plate Show: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | I. McCulloch |
| Crisp A | Teaching Environmental Education Through Integrated Themes | 1997 | Nottingham Trent University | Design | I. Solomonides F.Laing Harrison |
| Crisp A | Environment in Engineering Education, New Approaches To Curricula Content | 1999 | Nottingham Trent University | Design | I.Solomonides |
| DEVANE J. | Cheltenham open drawing exhibition | 1998 | Coventry University | Visual Arts | INGLIS, J. ROSENBLOOM, P. JONES, W. |
| KING D.A. | Small is Beautiful | 2000 | Coventry University | Visual Arts | IRVIN, A. FROST, T. GIBBONS, J. |
| Chowdhary LC | Ceramic Frieze | 1998 | The London Institute | 3-Dimensional and Environmental Design | Ian Bilbey |
| VAN KOTEN H H | Quentin, paper pulp pendant lamp shade | 1998 | University of Dundee | Industry and the Public Sector | Ian Carnduff Mike Asassus Universal paper Pulp |
| VAN KOTEN H H | Ullapool High School, Concept and Entrance | 1999 | University of Dundee | Industry and the Public Sector | Ian Carnduff Craig MacKay Martin Capel |
| VAN KOTEN H H | Bop, halogen table lamp | 1997 | University of Dundee | Industry and the Public Sector | Ian Carnduff |
| VAN KOTEN H H | Plaswood, public seating system | 1999 | University of Dundee | Industry and the Public Sector | Ian Carnduff Craig Gamble Dumfries Plastics Recycling |
| Masi D | Berlin Suite: Ian Colverson and Denis Masi. | 1999 | Wimbledon School of Art | Ian Colverson | |
| Buck R | 'Sleep' | 1998 | Napier University | Documentary and Experimental Film | Ian Cottage |
| Bougourd J | Body Scanners in the Clothing Industry | 2000 | The London Institute | Fashion and Textiles | Ian Dewar, Managing Director, CAD for CAD |
| Gillanders R | 'Little Sparta: A portrait of a Garden' | 1998 | Napier University | Photographic Practice | Ian Hamilton Finlay |
| Gillanders R | 'Portrait of a Garden + Collaborations' | 1998 | Napier University | Photographic Practice | Ian Hamilton Finlay |
| ROBB A M | I Live Now | 1999 | University of Dundee | Contemporary Practice | Ian Howard Derrick Guild |
| Harley A | The Colour Theory package | 1999 | Glasgow School of Art | Educational Theory and Practice | Ian Johnstone |
| Catto MA | Elements of Irish Art | 1999 | University of Ulster | Ian Kirk-Smith, producer Bruce Arnold, script |
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| Bestley R | Document: We Interrupt the Programme | 2000 | The London Institute | Media and Communication | Ian Noble |
| Rosser E | 'Ants Growing Wings by the River' | 1997 | Wimbledon School of Art | Sculpture | Inghild Karlsen Kjell Sampkopf Per J Boym |
| STEWART C | Asylum | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | Inventories exhibition curated by Val Williams |
| Hardstaff S | Country Blues Hard Hitters Vol 1 + 2 | 1995 | Liverpool John Moores University | Audio-visual | Ioan Griffiths |
| Nash M | Dialogues with Stuart Hall | 1996 | University of East London | Isaac Julien | |
| Nash M | Only Angels Have Wings | 1998 | University of East London | Isaac Julien | |
| Van Dooren I | Ladies and Gentlemen, Hats off, Please! Dutch film lecturing and the case of Cor Schuring | 1996 | University of Brighton | 20th Century Design and Film Archives | Ivo Blom |
| Grover nee Rooke S | 'Development of a short-duration machining test to evaluate performance of steel and carbide and carbide tipped cutting tools' | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ivor Harris |
| Patten B | The Rediscovery of Ritual, Embroidery and Architecture in the 19th Century | 1996 | Bolton Institute of HE | J Barry | |
| Paul JS | AQUABAC Instruction Manual and Design Reports for BACKUP and National Lottery | 2000 | Brunel University | Design for Inclusion | J Burkitt P Isherwood |
| Harrison DJ | Active Disassembly | 1998 | Brunel University | Environmentally Sensitive Design | J Chiodo E Billett |
| Billett EH | Designing a better tomorrow today with self-disassembling electronics | 1999 | Brunel University | Environmentally Sensitive Design | J Chiodo |
| Kirby J | Pod | 1998 | University of Brighton | Natural and Constructed Environments | J Clarke |
| Porter LJ | A Review on STEP Design and Technology: Resistant Materials | 1996 | Brunel University | Design Pedagogy | J Davies A Goodlier |
| Lochun D | Orientation of Optically Nonlinear Chromophores at the Air-Water Interface | 1999 | Brunel University | J Geoffrey Ashwell AN Dyer |
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| Mitchell I | SquarePusher | 1999 | Liverpool John Moores University | Graphic Arts | J Hitchen J Young M O'Shaughnessy |
| Crow D | Campaign for Digital Disarmament | 2000 | Liverpool John Moores University | Graphic Arts | J Hitchen J Young M O'Shaugnessy |
| Holland R | Reflections on the Operation of Large Multidisciplinary Projects in Engineering, Design and Design Management | 1999 | Brunel University | Design Pedagogy | J Ivins |
| JONES H | Modelling of Growing Natural Forms | 2000 | Middlesex University | J Kaandorp | |
| Clarke J | Live/work: Green Environments | 2000 | University of Brighton | Natural and Constructed Environments | J Kirby |
| Green D | Splitting the Index: Time, Object and Photography in the work of Beuys and Klein | 1998 | University of Brighton | Fine Art Practices | J Lowry |
| Newland P M | Managing Scale, Complexity, Uncertainty and Chaos in the Context of an Emotionally Charged and Time Critical Event - ICCARUS and the Elements of (In)variance | 1995 | University of Portsmouth | Centre for New Media Research | J Powell |
| Newland P M | Informing Multimedia: a sensitive interface to data for construction design professionals. | 1994 | University of Portsmouth | Centre for New Media Research | J Powell |
| Perkins M | Furniture Industry - Regaining the Competitive Edge | 1997 | Brunel University | Environmentally Sensitive Design | J Ratnasingham HF Reid |
| Perkins M | The machine properties of Rubberwood Laminated Veneer Lumber (LVL) | 1997 | Brunel University | Environmentally Sensitive Design | J Ratnasingham HF Reid |
| Adams H | Falls the Shadow - Disjunctions between artists practice and systems of public arts support in the UK | 1999 | University of Wales Institute, Cardiff | Fine Art | J Summerton |
| SMITH K | LETTERS OF INDULGENCE | 1997 | Middlesex University | J Tankard | |
| Price G | Life Skills | 1999 | Liverpool John Moores University | International Centre for Digital Content | J Taylor |
| Foster N | Bubble Reef | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Taylor |
| Roberts S | Pixel | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Roberts S | Littlewoods Electronic Manual | 1999 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Price G | BitBiz | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Foster N | Knowsley Woods | 1999 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| CHAPLIN S | Visual Culture: An Introduction | 1997 | Middlesex University | J WALKER | |
| Maguire P J | Design and Cultural Politics in Post-War Britain | 1997 | University of Brighton | Design History, Criticism and Theory | J Woodham |
| Snell R | Design Direction for Vivendi restaurant seating | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | J. Coleman |
| Rooney J | A review of a family of self-deploying tensegrity structures with elastic ties. | 2000 | Open University | Design for advanced products | J. Duffy B Knight CD Crane |
| Rooney J | Tensegrity and compegrity configurations in anti-prism manipulator platforms | 1999 | Open University | Design for advanced products | J. Duffy J. Lee |
| Rooney J | An investigation of a special motion of an octahedron manipulator using screw theory. | 1998 | Open University | Design for advanced products | J. Duffy B. Knight CD. Crane |
| Hague J A | Competitiveness and Management Organisation in Textiles and Clothing SMEs: A Guide To Change | 1998 | Nottingham Trent University | Fashion and Textiles | J. McLellan |
| Demaid APA | Trans-organizational innovation: a framework for research | 1997 | Open University | Design and innovation management | J. Millar P. Quintas |
| Roy R | Design and innovation in successful product competition | 1997 | Open University | Design and innovation management | J. Riedel |
| Topping M J | The Development of handy 1. A robotic system to assist the severely disabled. | 1999 | Staffordshire University | ARi, School of Art + Design | J. Smith |
| Demaid APA | Composing and combining complex designs from different project perspectives | 1996 | Open University | Design and innovation management | J. Zucker |
| Garner SW | Using discourse analysis as an indicator of design progression. | 1995 | Open University | Design thinking and communication | J.H. Connolly A.A. Clarke |
| Tallentire A | Interruptions V (installation) and Anne Tallentire (monograph) | 1998 | The London Institute | Fine Art | J.S.Seth |
| Carnduff T | Versioning and configuration management in design using CAD and complex wrapped objects | 2000 | University of Wales Institute, Cardiff | PDR | JC Miles WA Gray I Santoyridis |
| Tabor EC | The Matrix of Confusion - A Classification of robot movement | 1996 | Brunel University | Design Pedagogy | JR Wilson |
| Green L | A Sense of Place: two-person exhibiton | 1997 | Glasgow School of Art | The Decorative Arts | Jack Cunningham |
| LAMB E P | Later Editions | 1998 | University of Dundee | Contemporary Practice | Jacki Parry Ken Curry Philip Reeves |
| Triantaphillidou S | Metric Approaches to Image Quality | 2000 | University of Westminster | Imaging Technology | Jacobson RE |
| Triantaphillidou S | A Simple Method for the Measurement of Modulation Transfer Functions of Displays | 2000 | University of Westminster | Imaging Technology | Jacobson RE |
| Triantaphillidou S | Preferred Tone Reproduction of Images on Soft Displays | 1998 | University of Westminster | Imaging Technology | Jacobson RE Ford AM |
| Triantaphillidou S | An Evaluation of MTF Determination Methods for 35mm Film Scanners | 1999 | University of Westminster | Imaging Technology | Jacobson RE Fagard-Jenkin R |
| Merrington K | Lines of Desire | 1998 | Wimbledon School of Art | Research Centre | Jagjit Chuhan Paula Rego Rekha Rodwittiya |
| Hardie A | ArCade II | 1997 | University of Reading | James Faure Walker Sue Gollifer Eva Sutton |
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| McComish L | Sport Interactive | 2000 | University of Ulster | James Ware | |
| Parris J | It Took Ages | 1998 | The London Institute | Fine Art | Jamima Stehli |
| McKee F | Kidnapping Douglas Gordon | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Jan Debbaut Douglas Gordon |
| Pavelka M | 'Maama Nalukalala Ne'zzadde Lye' (Mother Courage and her Children by Bertolt Brecht (Luganda translation by Joanitta Bewuliara-Wandera) | 1998 | Wimbledon School of Art | Theatre Design | Jane Collins Joanitta Bewuliara-Wandera Douglas Wilson |
| Farley P | Webster's Women | 1999 | Wimbledon School of Art | Theatre Design | Jane Collins |
| Farley P | No End of Blame | 1997 | Wimbledon School of Art | Theatre Design | Jane Collins |
| Escolme B | Websters Women | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Jane Collins Nicholas Ridout |
| Renshaw T | Eliminate the Negative | 1998 | University of Reading | Jane Harris Vanessa Jackson Rosa Lee |
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| Selley G | TechnoSphere | 1997 | The London Institute | Media and Communication | Jane Prophet Mark Hurry No |
| GUY A | Now Wash Your Hands | 1997 | University of Dundee | Contemporary Practice | Jane Simpson Hadrian Piggot Stephen Skidmore |
| SPENCE P J | STILL (Time Signatures) | 1999 | University of Dundee | Digital Technology | Janet Smith Caz McIntee |
| SWIFT D G | Designers Habitats | 1995 | University of Dundee | Contemporary Practice | Janice Kirkpatrick Crolyn Primett |
| MACKENNA T | I Believe in D | 2000 | University of Dundee | Contemporary Practice | Janssen, E Beuys, J Polke, S |
| MACKENNA T | Ed and Ellis in Schiedam, Tracy Mackenna and Edwin Janssen | 1998 | University of Dundee | Contemporary Practice | Janssen, E |
| MACKENNA T | Ed and Ellis in Tokyo, Tracy Mackenna and Edwin Janssen | 1998 | University of Dundee | Contemporary Practice | Janssen, E |
| Bonnell M | Brought to Book | 1995 | Bath Spa University College | Jarman, D. Beattie, B. Hamilton-Finlay, I. |
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| Hutchinson T | EIDOS Multimedia Symposium | 1998 | The London Institute | Media and Communication | Jason Edwards |
| Hutchinson T | UK/US Partners in Technology | 1996 | The London Institute | Media and Communication | Jason Edwards |
| Hutchinson T | MODE Contemporary Home Exhibition | 2000 | The London Institute | Media and Communication | Jason Edwards |
| Hutchinson T | Self Storage | 1995 | The London Institute | Media and Communication | Jason Edwards |
| Bradley I | Audobon CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | Jason Taylor |
| Booth S | Interior design of The Lighthouse: Scotlands Centre for Architecture, Design and the City | 1999 | Glasgow School of Art | Cities and Environments | Javier Mariscal, Barcelona |
| Julien I | The Long Road to Mazatlan | 2000 | Oxford Brookes University | Creative Practice | Javier de Frutos (choreographer) |
| Harris D. I. | Arte-Monaco | 1999 | Wimbledon School of Art | Painting | Jean Tinguely Peter Newman Vic Muniz |
| ASHCROFT R J | Scottish Artist Book Archive Unit | 1999 | University of Dundee | Industry and the Public Sector | Jeanette Paul |
| ASHCROFT R J | The Visual Questionnaire: an Innovation in Design Research | 1998 | University of Dundee | Industry and the Public Sector | Jeanette Paul Dr Nomana Anjum |
| Sharkya V | Matrix | 1999 | Liverpool John Moores University | Audio-visual | Jeck,P Willschutz,G |
| Toal D | Art War, series of TV programmes | 1995 | University of Portsmouth | Memory, Identity and Material Culture | Jeff Keen |
| Blacklock G. C. | 'Cultural Ties' | 2000 | Wimbledon School of Art | Painting | Jeff Koons Alex Katz Louis Bourgois |
| Leake P K | Bad Dolly | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Jefferson, R |
| Leake P K | 'Salt Blizzard' | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Jefferson, R |
| Penny S | Traces | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | Jeffrey Smith Andre Bernhardt |
| GATES-STUART E | Design, paraspace and the unreadablity of texts Sydney Design 99 | 1999 | University of Lincoln | Jenny Wolmark Jean Cherry |
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| Stevenson M | Controlling the Chaos. | 1996 | University of Plymouth | Design + Innovation | Jeremiah, D. |
| Machin D | The Anglo-American Media Connection | 1999 | The London Institute | Media and Communication | Jeremy Tunstall |
| Brind S | Mysteries of the Heart, solo exhibition | 1994 | Glasgow School of Art | Fine Art | Jim Harold |
| WILKES C | Lovecraft | 1994 | University of Dundee | Contemporary Practice | Jim Isermann Tom Friedmann Lily van der Stokker |
| SCOBIE L M | Ceramics Monthly International Competition | 1999 | University of Dundee | Contemporary Practice | Jim Koudelka Mikang im Jeanne Opgenhaffen |
| Gonet D A | Group Exhibition | 1998 | Nottingham Trent University | Fashion and Textiles | Jo Buckley |
| Gilchrist B | Syzygy | 1999 | Oxford Brookes University | Creative Practice | Jo Joelson Jonny Bradley Kaffe Matthews |
| Kingston A M | 'Girlish' | 2000 | Wimbledon School of Art | Research Centre | Jo Lansley Helen Bendon Kerry Stewart |
| Collins J | 'Maama Nalukalala Ne'zzadde Lye' a Luganda translation of 'Mother Courage and her Children' by Bertolt Brecht. | 1998 | Wimbledon School of Art | Theatre Design | Joanita Bewulira-Wandera Jessica Kaahwa Michael Pavelka |
| Fagence Cooper S | Ellen Mary Rope: The Poet Sculptor | 1997 | Buckinghamshire Chilterns University College | Design Culture | Joanna Barnes Leonie Haywood Martin Levy |
| Ryan A | Perspective 98 | 1998 | University of Reading | Joanne Berry Alexa Brunet Mark Dale |
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| BEHRENS R H H | Scottish Spirit (21 artists from the Society of Scottish Artists) | 1998 | University of Dundee | Coastal/Indigenous Cultures | Joanne Soroka Ian McCulloch Philip Reeves |
| Schmidt E | Baumkreutz | 1994 | Oxford Brookes University | Social Sculpture Research Unit | Johannes Stuttgen Walter Dahn Felix Droese |
| HENDERSON K | Between the Eyebrows Evil Shaved | 1999 | University of Dundee | Contemporary Practice | John Armleder Yan Duyvendak Swetlana Heger |
| TAYLOR B | Let's Go | 1998 | University of Dundee | Contemporary Practice | John Banks |
| Ramsay G | Evolution isn't Over Yet, group exhibition | 2000 | Glasgow School of Art | Fine Art | John Beagles |
| Ramsay G | Nerve, Glasgow Projects, group exhibition | 1997 | Glasgow School of Art | Fine Art | John Beagles |
| Beverley A | The Hunchback | 1997 | Wimbledon School of Art | Theatre costume | John Bloomfield Peter Medak Mandy Pattinkin |
| Beverley A | The Mummy | 1999 | Wimbledon School of Art | Theatre costume | John Bloomfield Stephen Sommers Brendan Fraser |
| Beverley A | The Postman | 1997 | Wimbledon School of Art | Theatre costume | John Bloomfield Kevin Costner |
| Mitchell J R. | 'Projected Piers' Series II | 1995 | Wimbledon School of Art | Painting | John Cobb Yuki Katayama Jane Dickson |
| GUY A | Pittura | 1997 | University of Dundee | Contemporary Practice | John Currin Cecilia Edefalk Bernard Frieze |
| GARDINER L | My First Oxford Book of Poems | 2000 | University of Dundee | Contemporary Practice | John Foster |
| PHOCA S | The Sphinx without the Riddle | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | John Gange |
| Delano A | British Journalists | 1998 | The London Institute | Media and Communication | John Henningham |
| Taylor F | Digital Portfolio Exhibition | 2000 | Wimbledon School of Art | John Hilliard Bruce McLean Denis Masi |
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| Morris D | John Holden - David Morris - Two Artists from Liverpool | 1998 | Liverpool John Moores University | Painting and Sculpture | John Holden Nicholas Usherwood |
| Rowland C | The Tail That Wagged the Dog, solo CD ROM | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | John Isbell |
| Muston D | Design Project Supervision and Assessment, Alternative Approaches for Developing Quality in the Learning Experience | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | John Law |
| FISHER G R | Binocular | 1997 | University of Dundee | Contemporary Practice | John Mitchell |
| Beech D | Spectres of the Aesthetic | 1996 | University of Wolverhampton | Fine Art | John Roberts |
| SPENCE P J | AN INVITATION TO KISS | 2000 | University of Dundee | Digital Technology | John Scott Daniel Reeves |
| Ocean H | The Painter's Eye | 1999 | The London Institute | Fine Art | John Tchalenko |
| Harrison P | Boat | 1998 | University of Wolverhampton | Fine Art | John Wood |
| Harrison P | Obstacle Course | 1999 | University of Wolverhampton | Fine Art | John Wood |
| Harrison P | Volunteer | 1999 | University of Wolverhampton | Fine Art | John Wood |
| Harrison P | 'Device'; 'Six Boxes (lifesize)'; 'Volunteer'; 'October 97' | 2000 | University of Wolverhampton | Fine Art | John Wood |
| MACDONALD M J S | The Visual Thinker: Patrick Geddes | 1995 | University of Dundee | Critical, Historical and Theoretical Debate | Johnston, A Macmillan, D Harada, M |
| DUPRAS M | Contes de la Memoire | 1996 | University of West of England, Bristol | Digital Media Research Centre | Jon Appleton |
| Hawley S | Stone Troupers | 1998 | Sheffield Hallam University | Jonathan Allen | |
| STEVENSON F | Sustainability and Materiality; the bioregional and cultural challenges to evaluation | 1998 | University of Dundee | Industry and the Public Sector | Jonathan Ball |
| PROUD P T | Charcoal Lattice | 2000 | University of Dundee | Contemporary Practice | Jonathan Robertson |
| de Cordova D | Model | 1999 | Wimbledon School of Art | Sculpture | Jonathan Wright Carmen Blanco Luna Jefford Horrigan |
| Baxter H | Dr Faustus by Christopher Marlowe | 1997 | Wimbledon School of Art | Theatre costume | Jonathon Best |
| Elliott T A | Machinations | 2000 | Wimbledon School of Art | Research Centre | Jonathon Jones-Morris Yinka Shonibare Anthony Gormley |
| Elliott T A | Tumble | 1998 | Wimbledon School of Art | Research Centre | Jonathon Jones-Morris Madelon Hooykaas Elsa Stansfield |
| Minott P | Citigroup | 2000 | Bath Spa University College | Jones, J. | |
| Gilchrist B | Divided by Resistance | 1996 | Oxford Brookes University | Creative Practice | Jonny Bradley (computer programmer) |
| DIGNAN P | Level | 2000 | University of Dundee | Digital Technology | Jordan, M France, J Fahrenholz, M |
| Ascott R | Art-ID/Cyb-ID: Identities in Cyberspace. | 1999 | University of Wales College, Newport | CAiiA | Josep Giribet |
| Toren A | Beeld + Basis | 1998 | University of Reading | Joseph Semah Till Velten Linda Cassens |
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| Jerrard R | Design and Ethnicity: the failure of West Midlands Clothing Enterprises to enter the Design Market | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | Joy Husband |
| Bugg R | Conundrum, | 2000 | Wimbledon School of Art | Sculpture | Jude Kerr |
| Catto MA | The Work of the Northern Ireland Film Commission | 1998 | University of Ulster | Judith Elliott, BBC | |
| Comber M | Nat West Art Prize 1997 | 1997 | Wimbledon School of Art | Painting | Judy Buxton Stephen Chambers Jane Dixon |
| Perkins G | 'The Dirt Under God's Fingernails' | 1999 | Wimbledon School of Art | Sculpture | Judy Darraghs |
| Webb W | Mass Customisation as Individualised Value Delivery System | 2000 | The London Institute | Fashion and Textiles | Julia Wolney |
| Olsen GR | Three Paintings, Three Sites | 2000 | Oxford Brookes University | Creative Practice | Julian Parsons |
| BONAVENTURA P | A Day at the Races | 2000 | University of Oxford | Julian Stallabrass Pauline van Mourik Broeckman Niru Ratnam |
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| MURPHY J | A Conversation Piece | 1998 | University of Oxford | Juliao Sarmento | |
| HENDERSON K | Between the Eyes Evil Shared | 1999 | University of Dundee | Contemporary Practice | Julie Henderson Alan Woods Christopher Chapman |
| Lintern D | The Lost Vegas Series | 1998 | Wimbledon School of Art | Theatre Design | Julie Jensen Hilary Baxter Christian Rutland |
| Baxter H | The Lost Vegas Series | 1998 | Wimbledon School of Art | Theatre costume | Julie Jensen Dawn Lintern Christian Ruland |
| Hoffman A S | 2000 | Leeds Metropolitan University | Design | Julier, G | |
| Melia P D | Peter Greenaway: The Framer Framed. | 1998 | Staffordshire University | ARi, School of Art + Design | K Griffiths D Pascoe M O'Pray |
| Fehily C | The Future Looms. | 1998 | Staffordshire University | ARi, School of Art + Design | K Newton |
| Fehily C | In Spite of Appearances. | 1997 | Staffordshire University | ARi, School of Art + Design | K Newton |
| Fehily C | I Spy - Representations of Childhood. | 2000 | Staffordshire University | ARi, School of Art + Design | K Newton J Fletcher |
| Fehily C | Shifting Horizons - Women's Landscape Photography Now. | 2000 | Staffordshire University | ARi, School of Art + Design | K Newton L Wells |
| Shackleton J | Cognitive categorisation in Japanese recreational vehicle design (3) | 1996 | Brunel University | Design Process | K Sugiyama M Watanbe |
| Trambusti B | Design of Sisley Spring - Summer collection, 1999 | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | K Trambusti as Addendum Design Consultancy |
| Trambusti B | Design of Sisley Spring and Summer collections 1998. | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | K Trambusti as Addendym Design Consultancy |
| Trambusti B | Design of Sisley Autumn - Winter collection, 1997/98 | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | K Trambusti as Addendym Design Consultancy |
| Stubbs N | Seavitamins (documentary, 10 mins, 16mm film, 1998) | 1998 | Staffordshire University | ARi, School of Art + Design | K. Chang |
| Durling D L | Doctoral Education in Design: Foundations for the Future. | 2000 | Staffordshire University | ARi, School of Art + Design | K. Friedman |
| Hermansen C | Evaluation of Gro Grant for owner occupation | 1996 | Glasgow School of Art | Cities and Environments | K. Gibb M. Keoghan K. Kintrea |
| Edge S | Cafe Ikon for Ikon Gallery | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | K. Singh for Deacon Edge |
| Edge S | Penthouse 6 | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | K. Singh for Deakon Edge |
| SCRIVENER S. | Structure in idea sketching behaviour | 1998 | Coventry University | The Design Institute | KAVAKLI, M. BALL, L.J. |
| KING D.A. | Lewes Sculpture Trail | 1997 | Coventry University | Visual Arts | KNEALE, B. UNSWORTH, J. HARRISON, T. |
| Leake P K | 'Fire' | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Kafi-Rezaee, R |
| Tyler DJ | A Decision Support System for Designing Assembly Cells in the Apparel Industry | 1997 | Manchester Metropolitan University | Kalta M Lowe T |
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| Proctor G | A Century of Style | 1998 | Nottingham Trent University | Fashion and Textiles | Karen W. Bressler Karoline Newman |
| de Cordova D | Girl | 2000 | Wimbledon School of Art | Sculpture | Kate Belton Mikey Cuddihy Jennet Thomas |
| Johanknecht S | Volumes of Vulnerability. | 2000 | The London Institute | Fine Art | Katharine Meynall |
| de Cordova D | Confluence | 1995 | Wimbledon School of Art | Sculpture | Katherine MacCarthy Anne Marie Watkins Brian McCann |
| Herbert A.T. | The Decorative Tile in Architecture and Interiors | 1995 | University of Wolverhampton | Ceramics | Kathryn Huggins |
| Pope M | 'Undressing Madame Moitessier' | 1999 | Wimbledon School of Art | Theatre costume | Kathy Adler |
| Adzhiev V. | Hybrid Systems of Architecture for Volume Modeling. | 2000 | Bournemouth University | Kazakov, M. Pasko, A. Savchenko, V. |
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| De Groot C | The Auto-Catalytic Web | 1999 | Robert Gordon University | Making and Contemporary Culture | Keane, J. F. |
| Lebbon C | Investigating Industry Attitudes to Universal Design | 2000 | Royal College of Art | Inclusive Design | Keates, S Clarkson, J |
| Lees N | Ceramics from Wales | 1998 | Bath Spa University College | Keeler, W. Curneen, C. Hall, M. |
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| Walker A J | Bridges | 1997 | Wimbledon School of Art | Kei Ito Seiji Okumiya Tokumi Ayzen |
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| Allen K.F | Case Histories | 2000 | Wimbledon School of Art | Painting | Kei Ito Jenny Meredeth Marcus Rowlands |
| Carlisle A | Distant Voices | 1994 | University of Wales College, Newport | Photography | Keith Arnatt Kieran Lyons Eileen Little |
| Hodgkinson M | Untitled | 1996 | Wimbledon School of Art | Sculpture | Keith Ball Richard Ducker Claire Robins |
| Nichols P | Switched On: Turned Off. Resistance and Seduction in Theorising Technology in Contemporary Arts Practices. (Sixth Biennial Symposium for Arts and Technology) | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | Keith Brown Dan Collins Oto Laske |
| Webb G | Nouveau Riche | 2000 | University of Reading | Keith Farquhar | |
| Sider L. | INSTITUTE BENJAMENTA | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | Keith Griffiths The Brothers Quay |
| Sider L. | LONDON | 1994 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | Keith Griffiths Patrick Keiller |
| Masi D | Partie 5, Brandenburgische Kunsttage 1997. Britain in Brandenburg Festival. | 1997 | Wimbledon School of Art | Ken Currie Bridget Riley Eva-Maria Schon |
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| Hardie A | Harlech Printmaking 2000 | 2000 | University of Reading | Ken Kiff Ana Maria Pacheco Andrew Smith |
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| Cox PRC | The Blue Angel | 1998 | The London Institute | Fashion and Textiles | Kenechi Nakayama Rie Watanabe |
| Cox PRC | An Englishman an Irishman and a Frenchman | 1995 | The London Institute | Fashion and Textiles | Kenechi Nakayama |
| Brown M | Community Voices | 1995 | University of Ulster | Kesang Penchen Kumari Sanden |
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| Warr TK | Twilight/Sutemos: European media art | 1998 | Oxford Brookes University | Curatorial Projects | Kestutis Kuizinas Evaldas Stankevicius Diemantas Narkevicius |
| COX L | Tik Tak Tok | 2000 | University of Dundee | Digital Technology | Kevin Henderson Iskra Dimitrova Stevan Saskov |
| Merrington K | 'The Thin Line' | 2000 | Wimbledon School of Art | Research Centre | Kevin Kaempf Marcelyn McNeil Charles Goldman |
| Orr C | The Small Titanic and Other Works | 1994 | Royal College of Art | Fine Art | Kevin Whately |
| Henderson DG | Habitat Global Urban Observatory Programme: The Role of Non-Governmental Organisations | 1998 | De Montfort University | Khambatta, R. | |
| Mavrogordato T | Truth or Consequences, Artists Book. | 1999 | Goldsmiths College | Kiendl, A. Dyer, R. |
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| Cooper TH | Prospects for Household Appliances | 2000 | Sheffield Hallam University | Kieren Mayers | |
| Thomson A | Deferred Authorship | 1999 | University of Newcastle | Kim Jin Hee | |
| Stables K | Understanding Practice in Design and Technology. | 1996 | Goldsmiths College | Kimbell, R. Green, R. |
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| Saxton J | Distinctive Skills and Implicit Practices | 2000 | Goldsmiths College | Kimbell, R. Miller, S. |
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| Saxton J | Decisions by Design. | 1997 | Goldsmiths College | Kimbell, R. Mahony, P. Miller, S. |
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| James S | 'Commune' | 1999 | Wimbledon School of Art | Sculpture | Klaus Osterwald |
| Springer P | 'La Card Oltre la Superficie' (Beneath the Card's Surface) | 2000 | Buckinghamshire Chilterns University College | Visual Communication | Kozak P Biagi B |
| Thompson GA | Krijn de Koning and Gladstone Thompson: A Collaborative Work | 1997 | The London Institute | Fine Art | Krijn de Koning |
| Ganz A J | Margaret Wilson Murder | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Kumar, S Scott, S |
| Gant R | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | L Biggs |
| Harris TJ | The Development of a Neural Network based Ambulatory ECG Monitor | 1999 | Brunel University | L Gamlyn P Needham M Sopher |
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| Harris TJ | Heart Monitoring Apparatus | 1998 | Brunel University | L Gamlyn P Needham O'Sullivan |
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| Swales V | Catherine Yass: Portraits, | 1996 | University of Portsmouth | Centre for Creative Empowerment | L Moran, Exhibitions Officer, Aspex VisualArts Tru |
| Putnam T J | Graduate Career Patterns in the Cultural Industries | 2000 | University of Portsmouth | Centre for Creative Empowerment | L Nolan S Lindsay J Ryan |
| MacDonald A | In Partnership with Industry: The Educational/Industrial Interface | 1997 | Glasgow School of Art | Educational Theory and Practice | L ONeil |
| Pattani S | Glass Education: A British Perspective. | 2000 | Staffordshire University | ARi, School of Art + Design | L Thompson |
| Osfield R | Modelling of Sub-Seismic Fracture Networks | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | L Thompson S Jones P A Griffiths |
| Beech W K | Works made for film | 1999 | University of Brighton | Fine Art Practices | L Winters |
| McLaren JH | A Dynamic Energy Model of Mobile Phone Takeback and Recycling | 1999 | Brunel University | L Wright S Parkinson T Jackson |
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| Harris TJ | Heart Monitoring Apparatus | 1999 | Brunel University | L gamlyn P Needham O'Sullivan |
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| Plunkett D | Living Room | 1999 | Glasgow School of Art | Historical and Critical Enquiry | L. Hamilton |
| Walker S F | Interactive multimedia in primary schools: children's use and understanding of information texts on CD-ROM, and implications for teachers and designers | 1999 | University of Reading | L. Reynolds V. Edwards |
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| YEADON J.D. | Small works | 1997 | Coventry University | Visual Arts | LATHAM, J. BELLAMY, J. FROST, T. |
| JOURNEAUX J. | The abstract image | 1994 | Coventry University | Visual Arts | LEWIS, S. |
| MULHALL S. | Dispatches | 1994 | Coventry University | LYNCH, K. PIERCY, S. O'SULLIVAN, O. |
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| FEIST A. | The Value of Music | 1996 | City University | Laing D. Dane C. |
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| Dorsett C J | 'Divers Memories/Hong Kong' | 1998 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Lam, A |
| Fleming M | Studiolo | 1999 | Leeds Metropolitan University | Visual Arts | Lapointe, L |
| Lindsay W | Displaying Dinosaurs at the Natural History Museum | 1996 | Royal College of Art | Conservation | Larkin, N Smith, N |
| Withers R | Joseph Beuys | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Lars Nittve Michael Craig-Martin David Batchelor |
| QUINE M | AIMAC CONFERENCE PAPERS. Contributing Editor | 1996 | City University | Laszlo, H. | |
| Bougourd J | A Comparison of Women's Sizing by 3D Electronic Scanning and Traditional Anthropometry | 2000 | The London Institute | Fashion and Textiles | Laura Dekker Peter Grant-Ross Janet Ward |
| Poncelet J | A Stranger Here Myself | 1997 | The London Institute | 3-Dimensional and Environmental Design | Laura Ford |
| Bielz G A | 'Untitled', Three Drawings | 2000 | Wimbledon School of Art | Painting | Laurids Ortner Dominique Bejvl Heinz Baumueller |
| Egan K | Handbag | 1998 | Manchester Metropolitan University | Lawty S Jaffries J |
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| McDonagh-Philp DC | The Emotional Domain in Product Design | 2000 | Loughborough University | Design Research | Lebbon, C. |
| IVEY M J | Shopping and More | 1996 | University of Dundee | Contemporary Practice | Lee Jong Soon Jurgen Baumann Lys Hansen |
| Leighton P | GSA Art in Architecture Commission - permanent public sculpture | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Lehman Smith McLeish |
| HENDERSON K | Water Clock | 2000 | University of Dundee | Contemporary Practice | Lei Cox Paul Dignan Steve Flack |
| Leslie J | Sordide Sentimental + Love, Speed, Thrills | 1999 | Manchester Metropolitan University | Leighton T | |
| Read SA | Thames River Crossings | 1998 | The London Institute | Fine Art | Leon Russell |
| Leighton TM | Sordide Sentimental + Love, Speed, Thrills | 1999 | Manchester Metropolitan University | Leslie J | |
| Cassidy T | The Effects of CAD Systems on the Idea Development Stage of Industrial Design | 1999 | De Montfort University | Liao, H.S. Chen, R. |
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| Clare DJ | Pupils' perceptions of technology. | 1997 | Goldsmiths College | Liddament, T. | |
| Diggle J | London Panorama 2000 | 2000 | Robert Gordon University | Practices enabled through New Media Technology | Liebens, D. |
| Diggle J | Panorama, Athens | 1997 | Robert Gordon University | Practices enabled through New Media Technology | Liebens, D. |
| Robinson P I | Berwick Retex | 2000 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | Lievesley, M Cornford, J |
| JONES P S | The Lighthouses of Scotland | 1998 | University of Dundee | Contemporary Practice | Lighthouse Board Lighthouse Museum, Fraserburgh |
| Zheng J. J. | Surface Modelling and Mesh Generation for Simulating Superplastic Forming. | 1998 | Bournemouth University | Lin, J. Ball, A.A. |
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| Cunningham JR | A Sense of Place: joint exhibition | 1997 | Glasgow School of Art | The Decorative Arts | Linda Green |
| Bannister A G | Stagger | 1999 | Nottingham Trent University | Visual Arts | Lindsay Seers Keith Tyson David Burrows |
| Harley A | Creation of wall panels from interpretations of original drawings by C R Mackintosh for the Music Room of House for an Art Lover. | 1999 | Glasgow School of Art | The Decorative Arts | Lindsay Taylor |
| Robinson P I | Tyne Tour CD-ROM | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Lindsay, P Jones, M Lievesley, M |
| Elwes C | UK/Canadian Video Exchange Festival | 2000 | The London Institute | Fine Art | Lisa Steele |
| Walker I | Desert Stories: Faith in Facts | 1995 | University of Wales College, Newport | Photography | Lister M (Ed) |
| Gibson L | 'n' . Site Specific Sculpture Installation, May 2000 | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | Little, M |
| MEY K | Sprachgesten und Spielraume | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Littler, M Dahlke, B Visser, A |
| Honeywill P W | Digital Design: Using QuarkXPress 4 | 1997 | University of Plymouth | Centre for Visual Computing | Lockhart, A. |
| Lyons AR | A Dynamic Lighting System Background and Prototype | 1997 | De Montfort University | Lomas, K. Cropper, P. Mardaljeviej, J. |
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| Taylor S | Somewhere Else. | 1998 | Goldsmiths College | Lomax, Y. Hopley, V. |
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| Law J | Neon Drawings | 1998 | Bath Spa University College | Lowe, P | |
| Morris N | Robert Horne Invitational Printmaking Exhibition | 1998 | Liverpool John Moores University | Graphic Arts | Lowick house Printmaking Workshop |
| Bielz G A | Rays, an additional catastrophe | 1996 | Wimbledon School of Art | Painting | Lucio Fontana Nam June Paik Piero Manzoni |
| Sinden AA | Conservatory | 1997 | University of East London | Lulu Quinn Ian Bourn George Saxon |
|
| Pryke S | '365+' - Dinnerware range with associated items | 1996 | De Montfort University | Lundstrom, M Spets, A |
|
| SPENCE P J | NaCl - Bitter Burial | 1996 | University of Dundee | Digital Technology | Lynn Hershman Forced Entertainment Tero Nauha |
| CZARNECKI G | Stages Elements Humans | 1998 | University of Dundee | Digital Technology | Lynn Hersmhan Kieth Piper Susan Treister |
| Shimshon O | 'The Shape of Light' Group Exhibition. | 1998 | University of Derby | Centre for Research in Film and Photography | Lynn Silverman |
| Davies D R | Screenplay | 1998 | University of Portsmouth | Centre for Images in Practice | M Buchanan-Dick |
| Starkey P | Catalogue for Exhibition 'Songs in Salt' | 1997 | University of Wales Institute, Cardiff | Ceramics | M Canon J Hamlyn P Meanley |
| Isherwood P | Nasal Respiratory Masks for pre-term babies | 2000 | Brunel University | Design Pedagogy | M Elam V Young |
| Smith J | A Study to Compare the Food Scooping Performance of the 'Handy 1' Robotic Aid to Eating, using Two Different Dish Designs. | 1996 | Staffordshire University | ARi, School of Art + Design | M J Topping J Makin |
| Smith J | The Development of Handy 1, a Rehabilitation Robotics System. | 1999 | Staffordshire University | ARi, School of Art + Design | M J Topping |
| Smith J | Study to Determine the main Factors Leading to the overall success of the Handy 1 Robotic System. | 1997 | Staffordshire University | ARi, School of Art + Design | M J Topping |
| Smith J | The Introduction of a Robotic Aid to Drawing into a School for Physically Handicapped Children: a Case Study. | 1996 | Staffordshire University | ARi, School of Art + Design | M J Topping |
| Harrison DJ | Experiments in Virtual Reality | 1996 | Brunel University | Environmentally Sensitive Design | M Jaques |
| Khan T | Mechanism of Surface Modification of the Ti-6Al-4V Alloy Using a Gas Tungsten Arc Heat Source | 1999 | Brunel University | Environmentally Sensitive Design | M Labudovic R Kovacevic I Kmecko |
| Stanton NA | Behavioural compensation by drivers of a simulator when using a vision enhancement system | 2000 | Brunel University | Interaction Design | M Pinto |
| Pepperell R | The Postdigital Membrane: Connecting magination, technology and desire | 2000 | University of Wales College, Newport | CAiiA | M Punt |
| BOYD-DAVIS S | Authoring and Design for the World Wide Web | 1998 | Middlesex University | M Tessier | |
| Stanton NA | What price Ergonomics? | 1999 | Brunel University | Interaction Design | M Young |
| Stanton NA | Vehicle Automation and Driving Performance | 1998 | Brunel University | Interaction Design | M Young |
| Dyson M C | Multimedia in museums: the need for a descriptive framework | 1995 | University of Reading | M. Andrews S. Leontopoulou |
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| Powell N A | An attempt at a Textual Analogue of a Possible Art and Language Exhibition. | 1999 | Staffordshire University | ARi, School of Art + Design | M. Corris |
| Dyson M C | The effects of reading speed and reading patterns on our understanding of text read from screen | 2000 | University of Reading | M. Haselgrove | |
| Hermansen C | Mac Journal 3 and 4 | 1997 | Glasgow School of Art | Cities and Environments | M. Hvattum |
| Johnson JH | Complexity Science for the Design of Swarm Robot Control Systems | 2000 | Open University | Design for advanced products | M. Sugisaka |
| Sale R | Beyond the Fridge: Collaboration as a Paradigm for Innovation | 1999 | University of East London | M. Wilkinson | |
| Sale R | The Continuum of Design Education | 1999 | University of East London | M. Wilkinson | |
| Knight L M | The Mare's Tale. | 2000 | Staffordshire University | ARi, School of Art + Design | M. Wouda A. Craddock M. de Vries |
| Garner SW | Communication in design | 1996 | Open University | Design thinking and communication | M.A. Evans |
| Royffe C D | 2000 | Leeds Metropolitan University | Environmental Art and Design | M.Herrmann A. Millard |
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| WALLER R. | The transformer revisited | 2000 | Coventry University | The Design Institute | MACDONALD-ROSS, M. |
| MACLEAN M. | Light sensitive | 1998 | Coventry University | Visual Arts | MANSCHOT, M. MURPHY, C. ODENSTRAND, M. |
| SCHEIN F. | The discoveries (Parque subway station) | 1995 | Coventry University | Visual Arts | MATTA, F. JORGE, C.S. |
| OWEN J.K. | 2096 concept car | 1996 | Coventry University | Design | MATTHEWS, G. NEWMAN, R.M. PORTER, C.S. |
| JOSTINS J.E. | Sources of faith | 1996 | Coventry University | Design | MCGUIRE, M. |
| JOURNEAUX J. | Peindre a Jersey | 1997 | Coventry University | Visual Arts | MILLAIS, J. BLAMPIED, E. TILLING, R. |
| McConnell A | POWERbreathe Inspiratory Muscle Trainer | 2000 | Brunel University | Design for Inclusion | MP Caine |
| Higgins D J | The Bigger Splash | 1997 | Nottingham Trent University | Visual Arts | Machiko Edmondson Melanie Comber |
| Krysa J | Magazyn Sztuki | 1998 | University of Plymouth | STAR | Maciejewska B Ziarkiewicz R |
| Hill JR | Seat belt limitations in collisions that involve no compromise of the passenger compartment | 1997 | Loughborough University | Design Ergonomics | Mackay, M. Henderson, S. |
| Hill JR | Current and future occupant restraint systems | 1998 | Loughborough University | Design Ergonomics | Mackay, M. Hassan, A.M. |
| Hill JR | The limitations of current seat belts in Europe. Some population considerations | 1995 | Loughborough University | Design Ergonomics | Mackay, M. |
| Reid C | Detail (For lack of an overview) | 1999 | Wimbledon School of Art | Painting | Madeline Strindberg Nicole Jolicoeur Roberto Martinez |
| Magee JP | Damage | 1997 | Manchester Metropolitan University | Magee J | |
| Mitchell V | Janis Jefferies, Selvedges | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Maharaj, S. Jefferies, J. |
| Creed R | Lines of Desire : International Drawing Exhibition | 1998 | Liverpool John Moores University | Painting and Sculpture | Maher,A Rego,P Sur,D |
| Machin D | It Helps People Make Their Decisions. Dating Games, Public Service Broadcasting and the Negotiating of Identity in Middle-Childhood | 2000 | The London Institute | Media and Communication | Maire Messenger Davies |
| Machin D | Children's Demon TV - Reality, Freedom, Panic: Children's Discussion of the Demon Headmaster | 1999 | The London Institute | Media and Communication | Maire Messenger Davies |
| Gray C | The Digital Thesis: Recent Developments in Practice-based PhD Research in Art + Design | 1999 | Robert Gordon University | Learning Strategies | Malins, J. |
| Cook CP | De Peus a Terra/Down to Earth | 1997 | University of Plymouth | Art Process | Manocci, L. Kiff, K. Cooper, E. |
| Toren A | LEmpreinte | 1997 | University of Reading | Marcel Duchamp Jasper Johns Pablo Picasso |
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| Sear H | Bewalse Einer Exisienz - Photographs | 1999 | University of Reading | Marcus Coates Anne Hardy Sophie Rickett |
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| Lewandowski S | Artist In Residence | 1999 | Nottingham Trent University | Visual Arts | Marcus Coates Calum Stirling |
| COLLINS B C | Illustration for European Commission Calendar | 1995 | University of Dundee | Contemporary Practice | Marcus Rasp |
| Johnson A | Guidelines for Choosing the Correct Viewing Conditions for Colour Publishing | 1998 | The London Institute | Media and Communication | Marcus Scott-Taggart |
| Conreen MJ | Dali Desk Video and Multimedia Conferencing System. | 1997 | Goldsmiths College | Marden, A. | |
| Conreen MJ | Dali Desk Video and Multimedia Conferencing System. | 1997 | Goldsmiths College | Marden, A. | |
| Bonham Carter E | Andata e Ritorno | 1996 | University of Reading | Maria Chevska Stephen Farthing Hugie ODonoghue |
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| Pilgrim G | Deep Blue Sea | 1997 | Wimbledon School of Art | Theatre Design | Marianne Elliott |
| Pavelka M | How Full is Empty ? 2 | 1999 | Wimbledon School of Art | Theatre Design | Marie Aggas Erofili Politopoulou Society of British Theatre Designers |
| Sprawson D H | Wall Drawing | 1997 | Nottingham Trent University | Visual Arts | Marina Abramovic David Shrigley Mariele Neudecker |
| Cusack P | Improvisations Various (Fluxus - Instant Soundtrack for a Silent Movie) | 1997 | The London Institute | Fine Art | Mario Schia Alquimia Pasquale Innarella |
| Landen C | New Natural History | 1999 | University of Wales College, Newport | Photography | Mark Dion Catherine Chalmers Keith Arnatt |
| Richardson C | Face On | 2000 | Oxford Brookes University | Curatorial Projects | Mark Durden |
| Carlisle A | 0044:Contemporary Irish Art From Britain | 1999 | University of Wales College, Newport | Photography | Mark Francis Kathy Prendergast Frances Hegarty |
| Selley G | MAID (Multimedia Assets for Industrial Design) | 1997 | The London Institute | Media and Communication | Mark Gaved Pat Batley R Popper |
| Selley G | Digitisation in Art and Design (DIAD) | 1999 | The London Institute | Media and Communication | Mark Gaved Pat Batley No |
| Booth S | Fancy Goods: Exhibition of British Design: group exhibition | 1997 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Booth S | Highlights: Design from Great Britain: group exhibition | 1997 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Booth S | International Contemporary Furniture Fair | 1999 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Beech D | Francis Picabia: Another Failure to Interpret the Work | 1994 | University of Wolverhampton | Fine Art | Mark Hutchinson |
| Morra G | The Limits of Death: Between Philosophy and Psychoanalysis | 2000 | Oxford Brookes University | Theory | Marquard Smith Mark Robson |
| Chapman J | Forever England | 1995 | The London Institute | Media and Communication | Martin Clarke |
| Chapman J | Maths Everywhere | 1994 | The London Institute | Media and Communication | Martin Clarke |
| Chapman J | Chaucer- Life and Times | 1996 | The London Institute | Media and Communication | Martin Clarke |
| Hatt CAE | East International 96 | 1996 | Wimbledon School of Art | Painting | Martin Creed Keith Wilson Leo de Goede |
| DERGES S | Liquid Form | 1999 | University of Oxford | Martin Kemp | |
| BEHRENS R H H | 25 years of expeditions into Naboland | 2000 | University of Dundee | Contemporary Practice | Martin Kemp Tony Jones Murdo Macdonald |
| Chatwin P | Soul's Spaces | 1995 | Manchester Metropolitan University | Martin P | |
| Chatwin P | Shifting Planes | 1996 | Manchester Metropolitan University | Martin P | |
| Chatwin P | Feed the Fury: Art Meets Science | 1998 | Manchester Metropolitan University | Martin P | |
| Chatwin P | Towards a New Century in European Design | 1994 | Manchester Metropolitan University | Martin P | |
| Coates-Smith W | Ronald Searle | 2000 | Anglia Polytechnic University | Martin Salisbury | |
| Devine K J | The Union Street Haphazard History Machine, interactive installation | 2000 | University of Portsmouth | Centre for Creative Empowerment | Martin Sumner |
| Gaver W | Beyond the Snapshot: From Speculation to Prototypes in Audiophotography | 2000 | Royal College of Art | Computer Related Design | Martin, H |
| Watson L | More Dash than Cash | 1996 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Martin, R |
| PAYNE M S | Rain Shadow, (Geographic Umbrella) | 1999 | University of Dundee | Coastal/Indigenous Cultures | Mary Sue Foster Marjorie Schick Elisa Stalker |
| Cummings N | Gesichter und Dinge - Zeitgen | 1998 | The London Institute | Fine Art | Marysia Lewandowska |
| Cummings N | The Value of Things | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Marysia Lewandowska |
| Cummings N | Documents: Adrift in Taste | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Marysia Lewandowska |
| Cummings N | Pour les curieux | 1998 | The London Institute | Fine Art | Marysia Lewandowska Claude Ritschard Adrien Beck |
| HEATHCOTE S C | 12th International Biennale of Miniature Textiles | 1998 | University of Dundee | Contemporary Practice | Masoa Yoshimura Charlotte de Loof Henryke Zaremba Jeppesen |
| HENDERSON K | The Hunters in the Snow | 1998 | University of Dundee | Contemporary Practice | Mateusz Fahrenholz Arthur Watson Alan Woods |
| MAIR G | Take Me Home | 1997 | University of Dundee | Digital Technology | Matt Hulse |
| MAIR G | Hotel Central | 2000 | University of Dundee | Digital Technology | Matt Hulse |
| MAIR G | Wee Three | 1998 | University of Dundee | Digital Technology | Matt Hulse |
| Cross D | Jerusalem | 2000 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Cross D | Utopia (wishful thinking) | 1999 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Cross D | 10 | 1998 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Cross D | Cosmopolitan | 2000 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Batey J C | Visual Language of Number web gallery and research space | 1998 | University of Portsmouth | Centre for Images in Practice | Maureen O'Neill |
| Batey J C | Children's Rights Visualised, website | 1999 | University of Portsmouth | Centre for Images in Practice | Maureen O'Neill |
| Muirhead TW | James Stirling, Michael Wilford and Associates: Buildings and Projects 1975-1992 | 1994 | De Montfort University | Maxwell, R. Wilford, M. Stirling, J. |
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| Krysa J | Sztuki 1. du Catalogue/Katalog dx 30'13 2. Art in search for identity/Sztuka w Poszukiwaniu Tozsamosci 21'30 3. Art ARchive/Kokumentacje Sztuki 21'56 | 1998 | University of Plymouth | STAR | Mazanek A Landsberg K |
| WATSON A J | Colour Printer's Hat | 1998 | University of Dundee | Contemporary Practice | McCulloch, I Daniels, H Howard, I |
| Lebbon C | Evidence based Design Methods Within a User-Centred Approach | 1999 | Royal College of Art | Inclusive Design | McDonagh-Philip Torrens, G |
| Lebbon C | The Emotional Domain in Product Design | 2000 | Royal College of Art | Inclusive Design | McDonagh-Philip, D |
| Wormald PW | Breaking Down Barriers to Undergraduate Design Students' Creativity and their Understanding of Product Meaning | 1999 | Loughborough University | Design Research | McDonagh-Philip, D.C. |
| Wormald PW | Design Competitions at Undergraduate level: Are there benefits to be gained? in Swann, C. and Young, E. (eds) | 2000 | Loughborough University | Design Research | McDonagh-Philp, D.C. |
| Jeff P A | Pop Icons | 1999 | Swansea Institute of Higher Education | Photography | McDonough, E |
| Jeff P A | The Mal Pope Show | 1994 | Swansea Institute of Higher Education | Design | McDonough, E |
| Baker P.H. | An investigation into the use of a supply air window as a heat reclaim device | 1999 | Glasgow School of Art | Cities and Environments | McEvoy, M.E. |
| Simpson M | East International | 1998 | Bath Spa University College | McGinn, M. Griffiths, C. Bohn, K. |
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| Munslow J | 'Fashion vs clothing - are they synonymous? | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | McKelvey, K |
| Alexander I | Homes for the future | 1999 | Glasgow School of Art | Cities and Environments | McKeown, H |
| Alexander I | Graham Square, Glasgow | 1998 | Glasgow School of Art | Cities and Environments | McKeown, H |
| Alexander I | The Glasgow Collection | 1999 | Glasgow School of Art | Design | McKeown, H |
| Alexander I | The Jaspan House | 2000 | Glasgow School of Art | Design | McKeown, H |
| McLaren I | Notgeld from Neustadt: Currency Design as Political Comment | 1999 | De Montfort University | McLaren, J. | |
| Mitchell L | Developing Technological Capability | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | McLaren, S |
| FINLAY A | Wish I was Here: A Scottish Multicultural Anthology | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | McNeil, K Grant, C Williams, D |
| Adams BC | Principles of Modelling + Rendering with 3D Studio | 1998 | University of Plymouth | Centre for Visual Computing | Mealing, S. Woolner, M. |
| Male A | Did Dinosaurs Live in Your Backyard? | 1998 | Falmouth College of Arts | Melvin Berger Gilda Berger |
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| STUBBS M D | GIFT | 2000 | University of Dundee | Digital Technology | Metamedia Production Ulf Langheinrich |
| Balfour D | 'The first non-intrusive upholstery treatment at the Victoria and Albert Museum' | 1999 | Royal College of Art | Conservation | Metcalf, S Collard, F |
| Brett G | Mona Hatoum | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Michael Archer Catherine de Zegher |
| Baddeley O | Other Modernities | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Michael Asbury |
| GUY A | 'Das Abenteur der Malerei ' The Adventure of Painting' - A Journey into the Art of the Nineties' | 1996 | University of Dundee | Contemporary Practice | Michael C Martin Jonathan Lasker Bernard Frieze |
| Hutton A | A Communications Robot | 1999 | University of Ulster | Michael Callaghan | |
| Machin D | From 'interpretative communities' to 'communities of improvisation' | 2000 | The London Institute | Media and Communication | Michael Carrithers |
| JONES P S | Illustrations for Every Living Thing by James Herriot | 1996 | University of Dundee | Contemporary Practice | Michael Joseph |
| Hutton A | VR Technology for Interactive Control of Robots on the Internet | 2000 | University of Ulster | Michael McNeill | |
| Ali-MacLachlan I | PCT/GB95/01327. UK Design 2044278. STS Modular utility belt for Armourshield Ltd, Manchester | 1995 | Glasgow School of Art | Design | Michael Sacks David Clark |
| Bain L | Lowry Centre, Salford | 2000 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Bain L | The British Embassy Berlin | 1999 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Bain L | 5-7 Carleton Gardens | 1999 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Bain L | Michael Wilford and Partners | 1999 | Glasgow School of Art | Design | Michael Wilford and Partners |
| SWIFT D G | Alloy V | 1998 | University of Dundee | Contemporary Practice | Michelle Lorrie Helen Bennett |
| Castle J | James Castle, Sculpture + Drawings: Mick Maslen, Painting + Drawings | 1997 | University of Gloucestershire | Mick Maslen | |
| Bryson W.N. | Semiotics and Art History: A Discussion of Contexts and Senders | 1998 | University College London | Art History and Theoretical Studies | Mieke Bal |
| Hardstaff S | Six works for Merseyside Music Development Agency | 1998 | Liverpool John Moores University | Audio-visual | Mike Badger Nonconform Design Ltd |
| Galloway L | 'Limbo 1997' | 1997 | Wimbledon School of Art | Sculpture | Mike Bode Ceal Floyer Bill Fontana |
| Stephens J | Using New Technology: Best Practice: American Style | 1998 | The London Institute | Media and Communication | Mike Hopkins John Ward Nick Chalk |
| Yair K | Look Who's Talking: Developing Communication and Negotiation Skills through Design Education | 2000 | Sheffield Hallam University | Mike Press | |
| Yair K | Design through making: crafts knowledge as facilitator to collaborative new product development | 1999 | Sheffield Hallam University | Mike Press Anne Tomes |
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| Yair K | Crafting Competitive Advantage: Crafts Knowledge as a Strategic Resource | 1999 | Sheffield Hallam University | Applied Design Policy | Mike Press Anne Tomes |
| Chamberlain PM | Pictures and conversations: A case study of design-led collaborative new product development in the field of vibro sound products. | 1999 | Sheffield Hallam University | Mike Press Jim Roddis |
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| Read SA | A Profile of the River Thames | 1996 | The London Institute | Fine Art | Mildenhall Monumentals |
| Macinnes R | Building A Nation. The Story of Scotland | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Miles Glendinning Angus MacKechnie |
| Macinnes R | A History of Scottish Architecture | 1997 | Glasgow School of Art | Historical and Critical Enquiry | Miles Glendinning Angus MacKechnie |
| Mitchell L | Millennium Cycleway | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Milligan, A |
| Mitchell L | Museum of Dentistry | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Milligan, A |
| Lindsay W | Postcranial Remains of Baphetes and their bearing on the Relationships of the Baphetidae (=Loxommatidea) | 1998 | Royal College of Art | Conservation | Milner, AC |
| Robinson P I | Virtual Reality Training Software for Engineering Operatives | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Misera, M Lindsay, P Carney, L |
| Hitchen J | Untiled 1 | 1999 | Liverpool John Moores University | Graphic Arts | Mitchell,I. |
| SUMMERTON E | Magnetic Landscape | 1998 | University of Dundee | Coastal/Indigenous Cultures | Moira Scott |
| GARDINER L | The Play | 2000 | University of Dundee | Contemporary Practice | Monica Hughs |
| Smith K | 'Care and Control' | 1995 | University of Northumbria at Newcastle | Installation (2b) | Montair, P |
| WATSON A J | 2 Seaport Songs | 1998 | University of Dundee | Coastal/Indigenous Cultures | Mooney, J D Howard, I Tolj, S |
| Fortnum R | Rhizome | 1999 | Bath Spa University College | Mooney, J. Cummins, S. Harland, B. |
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| Lea-Greenwood G | Maine New England at Debenhams: Developing a Range | 2000 | Manchester Metropolitan University | Moore CM Oldfield B |
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| FAITHFULL D R | Barox/Pieces of Silver | 2000 | University of Dundee | Contemporary Practice | Morning Star David Bellingham |
| Thomas PD | Mechanisms of ankle and hind foot injuries to drivers and passengers in frontal crashes as deduced from field studies | 1999 | Loughborough University | Design Ergonomics | Morris, A.P. Taylor, A.M. Wallace, W.A. |
| Hill JR | Head injuries in lateral impact collisions | 1995 | Loughborough University | Design Ergonomics | Morris, A.P. Hasson, A. Mackay, M. |
| Frampton RJ | An overview of upper extremity injuries to car occupants in UK vehicle crashes | 1997 | Loughborough University | Design Ergonomics | Morris, A.P. Thomas, P.D. Bodiwala, G.G. |
| Morten G | Despre Limite (Crossing Borders) | 1999 | University of Sunderland | Fine Art | Morten J |
| Bailey S | The Enclosed Plain | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | Mosley and Gillat |
| McInnerney M | I Want to Take You Higher | 1997 | Bath Spa University College | Mouse, S. Whitaker, B. Griffin, R. |
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| Cawthorne DA | The Strategic Implications for Large Dynamically Insulated Buildings in Cities | 1997 | De Montfort University | Mulligan, H. | |
| Simpson P | MATURE - Mission for Application of Technology to Urban Review and Engineering | 2000 | Glasgow School of Art | Cities and Environments | Muni Ganji Peter Siegenthlaer |
| McKelvey K A | Illustrating Fashion | 1997 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Munslow, J |
| Kirby J | Pathfinder | 1999 | University of Brighton | Natural and Constructed Environments | N Coley |
| Turner J | Knowsley Woods | 1999 | Liverpool John Moores University | International Centre for Digital Content | N Foster |
| Dean T | Metals TM | 1999 | University of Brighton | Materials Practices and Processes | N Gant |
| Dean T | Prismex Table | 1999 | University of Brighton | Materials Practices and Processes | N Gant |
| Dean T | Furniture Range | 1998 | University of Brighton | Materials Practices and Processes | N Gant |
| Dean T | Airshot Range | 1997 | University of Brighton | Materials Practices and Processes | N Gant |
| Brown R | Ergonomic data fro elderly people and their application in rehablitation design | 1997 | University of Wales Institute, Cardiff | PDR | N Rogers J Ward DK Wright |
| Young M | What Price Ergonomics? | 1999 | Brunel University | Interaction Design | N Stanton |
| Young M | Automobile Automation | 1997 | Brunel University | Interaction Design | N Stanton |
| Young M | Is Utility in the Mind of the Beholder? A review of Ergonomics Methods. | 1998 | Brunel University | Interaction Design | N Stanton |
| Young M | A guide to Methodology in Ergonomics - Designing for Human Use | 1999 | Brunel University | Interaction Design | N Stanton |
| Porter LJ | Sorting the Wheat from the Chaff: A study of the Detection of Alarms | 2000 | Brunel University | Design Pedagogy | N Stanton D Harrison K Taylor-Burge |
| Starkey P | Below the Salt - A critical discussion of the symposium on contemporary British saltglaze, 'Visions and Traditions,' Leeuwarden, Holland | 1997 | University of Wales Institute, Cardiff | Ceramics | N Upfold |
| Arthur E | Uncut Cloth: Saris, Shawls and Sashes | 1999 | Glasgow School of Art | Historical and Critical Enquiry | N. Askari |
| Durling D L | Personality and learning preferences of students in design and design-related disciplines | 1996 | Staffordshire University | ARi, School of Art + Design | N. Cross J. Johnson |
| Shaw R | The Rewards of Integration: two case studies of incorporating learning technologies into existing courses. | 1996 | Glasgow School of Art | Educational Theory and Practice | N. Tomes |
| PORTER C.S. | Designing small electronic products; is inclusive design possible? | 2000 | Coventry University | The Design Institute | NEWMAN, R.M. |
| INNS T G | Working Partnerships: Organisational Learning in Industry and Academia through Design Knowledge Initiatives | 2000 | University of Dundee | Industry and the Public Sector | Naomi Gornick |
| Smith N J | Centrum - Spinal Positioning System for Surgery | 1998 | University of Northumbria at Newcastle | Nassor, R | |
| Barraclough J | The Right One | 2000 | Liverpool John Moores University | Audio-visual | Nedkova, I |
| Barraclough J | Virtual Revolutions | 2000 | Liverpool John Moores University | Audio-visual | Nedkova, I |
| Ryan A | Ryan, Chapman and Claydon | 2000 | University of Reading | Neil Chapman Steve Claydon |
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| Sanderson LV | Fabrication | 2000 | Sheffield Hallam University | Neil Conroy | |
| Sanderson LV | Fabrication and Reality | 1998 | Sheffield Hallam University | Neil Conroy | |
| Sanderson L V | Lines of Desire; an International Drawing exhibition | 1998 | Wimbledon School of Art | Painting | Neil Conroy Paula Rego Ansuya Blom |
| Wells EY | Shifting Horizons. Women's Landscape Photography Now. | 2000 | University of Plymouth | Site, Space, Location, Place | Newton, K. Fehily, C. |
| Thapalyal RI | Talacchanda: solo exhibition | 2000 | Glasgow School of Art | Fine Art | Nibha Joshi Anjana Rajan G. S. Rajan |
| Kelly D | Inside Cover | 2000 | Wimbledon School of Art | Nick Austin Stephen Bury David Rees Davies |
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| Saunders C | A Book of Hours (30 min. feature film). | 2000 | London Guildhall University | Nick Bevan music Mikey Tomkins post production editing |
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| Shanahan P.N. | Proof Six | 1998 | Falmouth College of Arts | Nick Darke Paul Farmer Anna Maria Murphy |
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| Bugg R | Ceramic Millenium, Amsterdam Galleries Exhibitions. | 1999 | Wimbledon School of Art | Sculpture | Nick Renshaw Irene Vonk Netty Van Den Heuval |
| Farrelly L | Future Present | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Nick Skeens |
| STEVENSON F | Sustainable Housing Design Guide for Scotland | 2000 | University of Dundee | Industry and the Public Sector | Nick Williams |
| Kingston A M | 'Girl' | 2000 | Wimbledon School of Art | Research Centre | Nicky Hoberman Chantal Joffe Kerry Stewart |
| Simpson P | Captured Exhibition Installation | 1995 | Glasgow School of Art | Cities and Environments | Nicola Atkinson-Griffith |
| STUBBS M D | RIVER | 2000 | University of Dundee | Digital Technology | Nicola Stephenson Benedict Phillips Melanie Poole |
| Petry M | Installation Art | 1994 | University of Wolverhampton | Fine Art | Nicolas de Oliveira Nicola Oxley |
| Poulson DF | DISCUS - Using Internet Based Technology to Support the Practical Aspects of Care | 1999 | Loughborough University | Design Ergonomics | Nicolle, C.A. |
| Davies H | 'Strange Fruit' | 2000 | Napier University | Documentary and Experimental Film | Nigel Atkinson |
| Ginsborg M | Untitled 3-D Wall Relief | 1995 | Wimbledon School of Art | Painting | Nigel Hall Keith Milow Deanna Petherbridge |
| Wade G | In the Midst of Things | 1999 | University of Wolverhampton | Fine Art | Nigel Prince |
| ASHCROFT R J | Near and Far | 1998 | University of Dundee | Industry and the Public Sector | Nikolai Korobov Colin Wishart Dimitri Davidov |
| BONAVENTURA P | A matter of life and death | 2000 | University of Oxford | Nikos Papastergiadis John Berger Don Miller |
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| Guthrie K | Broadcast | 1999 | University of Central England in Birmingham | Fine Art Research Group | Nina Pope |
| Selley G | KAMP (Knowledge Assurance for Multimedia Publishing) | 1996 | The London Institute | Media and Communication | No No No |
| Howes A | Nuba Conversations | 2000 | The London Institute | Fine Art | No No No |
| Roberts PH | IDATER 99: International Conference on Design and Technology Educational Research and Curriculum Development | 1999 | Loughborough University | Design Education | Norman, E.W. |
| Stroud RR | Improved manufacturing in welding by innovative use of neural networks in real time | 1996 | Brunel University | Environmentally Sensitive Design | Not Given Not Given Not Given |
| Sandino L | The Use of Plastics in Craft | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Nuala Jamison |
| Grossman A | 'Notations: Framing the Kurdish Voice in Exile' | 2000 | Napier University | Critical Theory of Practice | O'Brien, A. |
| Torrens GE | Introducing User-Centred Factors Into A Value Analysis Methodology Approach To The Development Of A Health and Beauty Care Product | 1998 | Loughborough University | Design Research | O'Hare, F.P. |
| Braddock SE | Techno Textiles: Revolutionary Fabrics for Fashion and Design. | 1998 | Goldsmiths College | O'Mahony, M. | |
| Braddock SE | Fabric of Fashion. | 2000 | Goldsmiths College | O'Mahony, M. | |
| Topping M J | HATS: Development and Clinical Evaluation of a Computerised Hand-Assessment System | 1999 | Staffordshire University | ARi, School of Art + Design | O. Perlick H. Heck M. Fathmann |
| WRIGHT I. | The effect of distribution bar shape on yarn tension control when spinning conical packages | 1995 | Coventry University | The Design Institute | OKELLO, J. |
| RICHARDS C.J. | The design and evaluation of an interactive calculator for children | 2000 | Coventry University | The Design Institute | ORTON-FLYNN, S.J. |
| TOVEY M.J. | Sketching and direct CAD modelling in automotive design | 2000 | Coventry University | The Design Institute | OWEN, J.K. |
| JOSTINS J.E. | Microcab | 2000 | Coventry University | Design | OWEN, J.K. PIPER, J. |
| Smith D | Fast Forward | 1999 | The London Institute | Fine Art | Olaf Parker Sue Denny |
| Dewberry E | New Product Performance and Practice: An International Benchmarking study in the consumer electronics industry. | 1999 | Goldsmiths College | Oliver, N. Dostaler, I. |
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| Dewberry E | Product Development Processes in Companies with Class-Leading Products. | 1998 | Goldsmiths College | Oliver, N. Nilson, P. Shirmir, T. |
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| Punton L | Lapplands Konstnarskoloni, group exhibition | 1997 | Glasgow School of Art | Fine Art | Olle Magnusson |
| Lewis S E N | The Discerning Eye | 1996 | Nottingham Trent University | Visual Arts | One-person exhibition |
| GATT E E | Jewellery Moves | 1998 | University of Dundee | Contemporary Practice | Onno Boekhoudt Wendy Ramsaw Arlene Fisch |
| Linklater R | La Dirindina - Domencio Scarlatti | 1998 | Nottingham Trent University | Design | Opera Restor'd |
| Adzhiev V. | Multidimensional Shape Modeling in Multimedia Applications | 1999 | Bournemouth University | Ossipov, A Pasko, A. |
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| ROBERTSON J A | And we shall soon reach Heaven | 1998 | University of Dundee | Digital Technology | Owen Logan Philippa Hall |
| Hall M | Approaches to Re-inventing Studio Practice | 2000 | University of Wales Institute, Cardiff | Ceramics | P Castle |
| Tucker M E | Alan Davie Drawings | 1997 | University of Brighton | Fine Art Practices | P Elliott |
| Ramsey BJ | Electrical Circuit | 1994 | Brunel University | Environmentally Sensitive Design | P Evans D Harrison |
| Ramsey BJ | RF Circulator Structures via Offset Lithography | 1999 | Brunel University | Environmentally Sensitive Design | P Evans D Harrison |
| Ramsey BJ | A Novel Circuit Fabrication Technique using Offset Lithography | 1997 | Brunel University | Environmentally Sensitive Design | P Evans D harrison |
| Ramsey BJ | Frequency Selective Filter Structures | 1999 | Brunel University | Environmentally Sensitive Design | P Evans D Harrison |
| Harrison DJ | Frequency Selective Filter Structures | 1999 | Brunel University | Environmentally Sensitive Design | P Evans B Ramsey |
| Bibb RJ | An Investigation of three-dimensional scanning of human body parts and its use in the design and manufacture of prostheses. | 2000 | University of Wales Institute, Cardiff | PDR | P Freeman R Brown A Sugar |
| Robertson S | Anglo World Language School | 1998 | University of Brighton | Natural and Constructed Environments | P Gammon A Price |
| Turnock P | Mercedes Innovation | 1998 | Brunel University | Design Pedagogy | P Hines K Ulkann |
| Paul JS | KITE Design | 2000 | Brunel University | Design for Inclusion | P Isherwood |
| Foster N | Sci Net | 1998 | Liverpool John Moores University | International Centre for Digital Content | P Kelly |
| THOMPSON J | RICHARD DEACON | 1995 | Middlesex University | P L TAZZI P SCHJEDAHL |
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| Sheldon JL | E556 Working with Modern Art : Study Guide | 1996 | Liverpool John Moores University | Art and Design History | P Meecham |
| Sheldon JL | Modern Art : A Critical Introduction | 2000 | Liverpool John Moores University | Art and Design History | P Meecham |
| Creed C | Problems of Action and Observation in an Autistic Universe | 2000 | University of Portsmouth | Centre for Sound and Experimental Environments | P Newland R Geesin |
| Creed C | Medical Data in Drug Development | 1997 | University of Portsmouth | Centre for New Media Research | P Newland |
| HUXOR A | The Role of Artificial Intelligence as 'Text' within Design | 1998 | Middlesex University | P Rogers | |
| Griffiths B L | Developing complete MA courses within a VLE. | 2000 | Staffordshire University | ARi, School of Art + Design | P Russell P Lucking |
| Griffiths B L | Design Guidelines: a constraint on creativity or good practice? | 1999 | Staffordshire University | ARi, School of Art + Design | P Russell D Durling |
| Newport R | Human Powered Vehicles for Third-Agers as a Mode of Local Transport | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | P. Hwang L .Nayak |
| Bradley I | Six Lost Scientists CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | P. Kelly |
| Plunkett D | Interior Design: Airport International Arrivals Area | 1999 | Glasgow School of Art | Design | P. Macklin |
| Demaid APA | The design of a networked product by a network of designers | 1999 | Open University | Design and innovation management | P. Quintas |
| Kinchin J | (i) The Hungarian Folk Arts Debate in the British Press (ii) An Artist at Home: Philip de Laszlo in Budapest and London (iii) Hungary and Scotland: A Dialogue in the Decorative Arts | 1999 | Glasgow School of Art | Historical and Critical Enquiry | P. Stirton |
| Crabbe A | Micro Clens System (of microwave disinfecting for hydrogel contact lenses) | 1997 | Nottingham Trent University | Fashion and Textiles | P. Thompson |
| Bradley I | Pathology CD-ROM | 1995 | Liverpool John Moores University | International Centre for Digital Content | P.Kelly |
| Crabbe A | Design + Manufacture of contact Lens Disinfection Systems | 1997 | Nottingham Trent University | Fashion and Textiles | P.Thompson |
| Geesin F | Improved Fabric Antenna + Sliding Switch | 2000 | The London Institute | Fashion and Textiles | PJ Massey CR Van Heerden NA Tilbury |
| OWEN J.K. | Lightweight sports car (LSC) | 1996 | Coventry University | Design | PORTER, C.S. SAUNDERS, S.J. |
| PORTER C.S. | Turning automotive design 'inside-out' | 1998 | Coventry University | The Design Institute | PORTER, J.M. |
| PORTER C.S. | An 'inside - out' approach to automotive design | 1997 | Coventry University | The Design Institute | PORTER, J.M. |
| PORTER C.S. | Designing for usability; input of ergonomics information at an appropriate point, and appropriate form, in the design process | 1999 | Coventry University | The Design Institute | PORTER, J.M. |
| MIDDLETON N. | History Zone | 1999 | Coventry University | Design | PRENTICE, K. SHARPE, R. JACKSON, B. |
| Baines M | Restoration and renovation of 25a Mansionhouse Road - Alexander Thomson, Grade A listed building | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Page, A |
| Lievesley M A | Application publication date: GB2322299A (25/02/97). Fire Retardant Litter Bin | 1997 | University of Northumbria at Newcastle | Product Design (4b) | Palmer, T E Bray, D A |
| Dimitrakaki A | Private Views : Spaces and Gender in Contemporary Art from Britain and Estonia. | 2000 | Liverpool John Moores University | Art and Design History | Pam Skelton, The London Institute Mare Tralla,Estonian Academy of Arts, Tallinn |
| FORBES R | Rastava Sodobne Skotskf Grafike (Modern Scottish Graphics Exhibition) | 1997 | University of Dundee | Contemporary Practice | Paoulozzi, E McLean, B Mach, D |
| Wright A | New Library for the Royal College of Art, London | 1996 | Glasgow School of Art | Design | Partner, Wright and Wright Architects |
| Wright A | Varndal Street Housing | 1999 | Glasgow School of Art | Cities and Environments | Partner, Wright and Wright Architects |
| Wright A | Art Bar Terrace | 1997 | Glasgow School of Art | Design | Partner, Wright and Wright Architects |
| Adzhiev V. | Function Representation in Geometric Modeling: Concepts, Implementation and Applications. | 1995 | Bournemouth University | Pasko, A. Sourin, A. Savchenko, V. |
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| Moody W | Sensing the Fabric : To simulate sensation through sensory evaluation and in response to standard acceptable properties of specific materials when viewed as a digital image | 2000 | Liverpool John Moores University | Fashion and Textiles | Pat Dillon Roger Morgan Christopher James |
| Moody W | Sensing the Fabric : The development of a multi-modal device to investigate the potential for virtual sensory feedback aligned to textile image | 2000 | Liverpool John Moores University | Fashion and Textiles | Pat Dillon Roger Morgan Christopher James |
| Ryan S | Embedding and Evaluating CBL Materials in Science Education | 1997 | De Montfort University | Patel, D Scott, B |
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| Potter R | The Workmen's City | 1998 | Wimbledon School of Art | Photography | Patricia Ayre |
| Withers R | Gavin Turk | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Patricia Gronzka Jorg Helser Neal Brown |
| Griffiths K. | LONDON | 1994 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | Patrick Keiller Larry Sider |
| McIver L | 'Jesus, Mary and Joseph!' | 1994 | Napier University | Photographic Practice | Patrick Macklin |
| IVEY M J | L'Echasse | 1994 | University of Dundee | Contemporary Practice | Patrig Ar Goarnig Svend Christensen Heiki Kongi |
| Roddis JN | Good Vibrations: A case study of design-led collaborative new product development in the field of vibro sound therapy | 1999 | Sheffield Hallam University | Paul Chamberlain Mike Press |
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| Roddis JN | Furniture, Design and the Environment, Innovation and Legislation: A case study of a design-led research programme investigating the use of waste glass in open-loop solutions | 1999 | Sheffield Hallam University | Paul Chamberlain | |
| Barfield N | Transformations - The Fine Art Print and the Computer | 1996 | Wimbledon School of Art | Paul Coldwell Jeffrey Edwards Professor Eileen Hogan |
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| Davies G | Pastel Drawings | 1995 | Lancaster University | Paul Gladwyn | |
| Ginsborg M | Fusion | 2000 | Wimbledon School of Art | Painting | Paul Huxley Calum Colvin Kate Davis |
| Hardie A | Dialogues | 1999 | University of Reading | Paul Johnson Yumi Kabe Emmanuelle Waeckerle |
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| Campbell D | Common Culture: Counter Culture | 1999 | Staffordshire University | ARi, School of Art + Design | Paul Rooney Mark Durden |
| Campbell D | Common Culture | 2000 | Staffordshire University | ARi, School of Art + Design | Paul Rooney Mark Durden |
| GARDINER L | Snowball Fight | 2000 | University of Dundee | Contemporary Practice | Paul Shipton |
| Davies G | A Cloudburst of Material Possessions | 1997 | Lancaster University | Paula Rego Michael Sandle David Mach |
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| Bougourd J | The Shape of Things to Come | 2000 | The London Institute | Fashion and Textiles | Pauline Frost Peter Grant-Ross Sue Thomson |
| STEEL E R | To Boldly Sew - Textiles for the 21st Century | 2000 | University of Dundee | Contemporary Practice | Pauline Hann Hilda Peters |
| Harding D | DECADEnt: Public Art - Contentious Term and Contested Practice | 1996 | Glasgow School of Art | Educational Theory and Practice | Pavel Buchler |
| Fisher C | Seeing, Becoming, Drawing | 1999 | Goldsmiths College | Pearson, M. | |
| Tunstall D | 'Goose Nights' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Peepolykus Theatre Company |
| MEY K | Das Verbindende trennen und das Trennende verbinden? Kuenstlerinnen in Deutschland nach der Wiedervereinigung | 1995 | University of Dundee | Critical, Historical and Theoretical Debate | Peitsch, H Westphalen J V Kolbe, U |
| Poncelet J | Attending to the Barely Made | 2000 | The London Institute | 3-Dimensional and Environmental Design | Penelope Curtis |
| Fuyuan L | Integrating Interactive Visual and Auditory Feedback | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Peng Xiaoyuan Wang Xingren |
| Toren A | Art Focus 3 | 1999 | University of Reading | Per Kirkeby Ilya Kabakov Mark Wallinger |
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| Peacock JR | Kayakoy | 2000 | Sheffield Hallam University | Percy Peacock Steve Swindells |
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| Dutton S | Musee Imaginaire Part I + Box Project | 1997 | Sheffield Hallam University | Percy Peacock | |
| Dutton S | Mockapocalyptics | 1999 | Sheffield Hallam University | Percy Peacock | |
| Dutton S | Kayakoy | 2000 | Sheffield Hallam University | Percy Peacock Steve Swindells |
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| Dutton S | Plague-orgy-time | 1998 | Sheffield Hallam University | Fine Art | Percy Peacock |
| Evans Milne R | Nitty Gritty | 1997 | Bath Spa University College | Perkins, G. Pigott, H. |
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| McIver L | 'An Invitation to Kiss' | 2000 | Napier University | Documentary and Experimental Film | Pernille Spence Beverly Hood |
| CZARNECKI G | Versifier | 1998 | University of Dundee | Digital Technology | Perry Hoberman Christine Sommer Pierrick Sorin |
| FAITHFULL D R | Official Identity for the Opening Day of the New Scottish Parliament, Edinburgh 1/7/99 | 1999 | University of Dundee | Contemporary Practice | Pete Irvine The Scottish Office |
| Tomes AE | Managing Tensions in User Groups | 1998 | Sheffield Hallam University | Peter Armstrong | |
| Tomes AE | User Groups in Action: The Management of User Inputs in the NPD Process | 1996 | Sheffield Hallam University | Peter Armstrong Murray Clark |
|
| Black H | British Contemporary Sculpture, Drawings and Models | 1999 | Wimbledon School of Art | Sculpture | Peter Burke Michael Sandle Keir Smith |
| Quemby S | National Print Exhibition 2000 | 2000 | Wimbledon School of Art | Peter Daglish Peter Roach Trevor Frankland |
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| Webb G | Die Young Stay Pretty | 1998 | University of Reading | Peter Davies Martin Maloney Steven Gontarski |
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| Farley P | Design for Perofrmance: From Diaghilev to the Pet Shop Boys | 1996 | Wimbledon School of Art | Theatre Design | Peter Docherty and Tim White Sir John Drummond Pamela Howard |
| Kovats T | 'Landscape' | 2000 | Wimbledon School of Art | Sculpture | Peter Doig Julian Opie Tacita Dean |
| Collins J | 'Webster's Women' | 1999 | Wimbledon School of Art | Theatre Design | Peter Farley |
| Harris D. I. | The Vauxhall Gardens | 1998 | Wimbledon School of Art | Painting | Peter Fillingham Guy Brett Boijamans van Beunningen |
| Hatt CAE | 10 Jahre Kunstlerforderung der Stiftung Vordemberge-Gildewart | 1994 | Wimbledon School of Art | Painting | Peter Fischli Guido Geelen Maix Mayer |
| Mason R | Dem Tod Leben Einhauchen | 2000 | Wimbledon School of Art | Painting | Peter J.Bogner Esti S.Dunow Patrick Hirt |
| Harrison J P | A Sense of Place | 1994 | University of Portsmouth | Memory, Identity and Material Culture | Peter Mason |
| ARUNDELL C | Design of Leisure Games Software - SIM City UK Edition | 2000 | Kent Institute of Art + Design | Peter Robertson University of Central Lancashire | |
| Davies T | 'Cultural Identity, Digital Media and Art' | 2000 | University of Central England in Birmingham | Art Education Research Group | Peter Worrall |
| Davies T | 'Electric Studio - New Practice in ICT art and design' | 1999 | University of Central England in Birmingham | Art Education Research Group | Peter Worrall Lucia Pimentel |
| Nicolle CA | Elderly and Disabled Travelers: Intelligent Transport Systems Designed for the 3rd Millennium. With Reply to Comments. | 1999 | Loughborough University | Design Ergonomics | Peters, B. |
| Morris D | The Digital Arts Forum | 1999 | Buckinghamshire Chilterns University College | Visual Communication | Phil Giggle |
| Morris D | Health + Safety Awareness Campaign | 1994 | Buckinghamshire Chilterns University College | Visual Communication | Phil Giggle |
| Morris D | Exhibition of Public Service Issues - Domestic Violence | 1999 | Buckinghamshire Chilterns University College | Visual Communication | Phil Giggle |
| SCHAFER S | Reconstruction drawings of an Etruscan Farm at Podere Tartuchino | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Philip Perkins |
| SCHAFER S | The Excavation of the Villa Pigneto Sacchetti | 2000 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Philip Perkins |
| Myerson J | The Creative Office | 1999 | Royal College of Art | Inclusive Design | Philip Ross |
| PATTISON J | Scottish Spirit, S.S.A. in the U.S.A. | 1998 | University of Dundee | Contemporary Practice | Phillip Reeves Ian McCulloch Elaine Shemilt |
| Geroimenko V A | Multi-user VRML environment for teaching VRML: immersive collaborative learning | 1999 | University of Plymouth | STAR | Phillips M |
| Rosser E | 'Epiglottis' at 'The Ugly Edge' | 1998 | Wimbledon School of Art | Sculpture | Phyllida Barlow Mark Cousins Jon Thompson |
| Mitchell J | Box Project | 2000 | University of Reading | Phyllida Barlow Ron Haselden Richard Wentworth |
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| Galloway L | 'Between the Foot and the Breath' | 1999 | Wimbledon School of Art | Sculpture | Phyllida Barlow Susan Hiller Yinka Shonibare |
| Elwes C | Car Park | 1998 | The London Institute | Fine Art | Pierre d'Avoine |
| Hindle Y | Paint Theory Practice | 2000 | University of Central England in Birmingham | Fine Art Research Group | Pip Seymour |
| Chinneck J | '10th East International' and 'Riverside' | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | Piper, K Lopez, S |
| Poncelet J | British Art Now 5 | 1999 | The London Institute | 3-Dimensional and Environmental Design | Pippa Coles Matthew Higgs |
| Attridge GG | Some Aspects of the Visual Scaling of Large Colour Differences II | 2000 | University of Westminster | Imaging Technology | Pointer MR |
| Attridge GG | A Summary of Applications of Colour Reproduction: Indices to Imaging Systems | 1996 | University of Westminster | Imaging Technology | Pointer MR Jacobson RE |
| White K | Atlan : catalogue raisonn | 1996 | Edinburgh College of Art | Curatorial and Theoretical Research | Polieri, J |
| Godfrey A | Experimental Embroidery | 1998 | The London Institute | Fashion and Textiles | Polly Kenny |
| Godfrey A | Transcending Traditions | 2000 | The London Institute | Fashion and Textiles | Polly Kenny |
| Porter JM | Turning automotive design 'inside-out' | 1998 | Loughborough University | Design Ergonomics | Porter, C.S. |
| Gyi DE | Interface pressure and the prediction of car seat discomfort | 1999 | Loughborough University | Design Ergonomics | Porter, J.M. |
| Gyi DE | Musculoskeletal problems and driving in police officers | 1998 | Loughborough University | Design Ergonomics | Porter, J.M. |
| Gyi DE | Seat pressure measurement technologies: considerations for their evaluation | 1998 | Loughborough University | Design Ergonomics | Porter, J.M. Robertson, N.K.B. |
| De Groot C | The Hall of the Dead | 1999 | Robert Gordon University | Making and Contemporary Culture | Powell, G. |
| Oliver V | Vaughan Oliver: Visceral Pleasures | 1994 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | Poyner, Rick |
| Law J | Designing in Quality through Industrial Design | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | Prof John Humpherson |
| Montgomery JAI | Type and Identity:a scientific approach to graphic design research | 1998 | University of Ulster | Prof K Agnew Prof B McClelland |
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| Montgomery JAI | Measuring Appropriateness: Perceived Relationships between Typography and Form | 1999 | University of Ulster | Prof K Agnew Prof B McClelland |
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| Buck L | Furniture Design with Composite Materials | 2000 | Buckinghamshire Chilterns University College | Furniture Technology | Prof Reid |
| Hvattum M | Hva er god boligsak (Towards Good Housing) | 1996 | Glasgow School of Art | Design | Prof. S. E. Svendsun |
| Penney W | 25 April Project | 1999 | University of Ulster | Professor Bartolmeu dos Santos | |
| Devine K J | A Marriage of Images, (Group Exhibition) and Quantum Chess (Essay published in the Exhibition Catalogue) | 1998 | University of Portsmouth | Art and Science | Professor Bruce Russell Professor Reg Davies Robert Ruthven |
| de La Haye A | Defining Dress: Fashion as Image, Object + Identity | 1999 | The London Institute | Fashion and Textiles | Professor Elizabeth Wilson |
| HERBERT D J | Georgina Follett | 2000 | University of Dundee | Industry and the Public Sector | Professor Georgina Follett Shannon Tofts Andy Rice |
| Gibson PM | The Oxford Guide to Film Studies | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | Professor John Hill |
| Nichols P | The Currency of Belief | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Professor John Newling |
| Williams R | Disjacta Reliquae: The Tate Thames Dig | 1999 | Cumbria College of Art + Design | Professor Lord Colin Renfrew Alex Coles Emi Fontana |
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| TAYLOR A | Vision und Industrielle | 1997 | University of Dundee | Contemporary Practice | Professor Norma Starszakowna |
| TAYLOR A | Printbank Design Group | 1998 | University of Dundee | Contemporary Practice | Professor Norma Starszakowna Brian Bolger Frances Stevenson |
| Kikuchi Y | Ruskin in Japan 1890-1940; Nature for Art, Art for Life | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Professor Toshio Watanabe |
| HOSKINS S | Routes to Pollution Minimisation in the Ceramic Transfer Industry: synergy of art and Science | 1998 | University of West of England, Bristol | Centre for Fine Print Research | R Anderton A G W Hodson A M Logan |
| Emery S | Coil | 1998 | University of Brighton | Visual Communication Design | R B Morgan |
| Wright DK | Development of a rapid prototyping design advice system | 1999 | Brunel University | Interaction Design | R Bibb Z Taha R Brown |
| Williamson T | The Application of Product Development Technologies in Craniofacial Reconstruction | 2000 | University of Wales Institute, Cardiff | PDR | R Bibb R Brown A Sugar |
| Freeman P | An investigation of 3-dimensional scanning of human body parts and its use in the design and manufacture of protheses | 2000 | University of Wales Institute, Cardiff | PDR | R Bibb R Brown A Sugar |
| Macmillan A | House for an Art Lover. The Realisation | 1996 | Glasgow School of Art | Historical and Critical Enquiry | R Bilcliffe |
| Emery S | Branding for Alex Reece, Island Records/Polygram | 1996 | University of Brighton | Visual Communication Design | R Bonner Morgan |
| Williamson T | Digitised data integration issues in rapid prototyping and tooling | 2000 | University of Wales Institute, Cardiff | PDR | R Brown R Bibb |
| Lewis A | Key issues in managing the product development process in very small manufacturing companies | 1999 | University of Wales Institute, Cardiff | PDR | R Brown |
| Jordanov I | Optimal design of connectivity in neural network training | 2000 | University of Wales Institute, Cardiff | PDR | R Brown |
| Bibb RJ | A Rapid Prototyping Design Advice System for SME's. | 2000 | University of Wales Institute, Cardiff | PDR | R Brown D Wright |
| Bibb RJ | The Application of Computer Aided Product Development Techniques in Medical Modelling | 2000 | University of Wales Institute, Cardiff | PDR | R Brown |
| Prendiville AN | Trends in New Product Development in UK High Technology Industries | 1994 | University of East London | R Davis-Cooper T Jones |
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| Prendiville AN | The specification of revenue collection systems within UK and European light rail systems | 1996 | University of East London | R Davis-Cooper | |
| HEALEY P | NOW THAT'S WHAT I CALL URBAN MYTHS | 1996 | Middlesex University | R Glanvill | |
| Emery S | Camden Mix | 1997 | University of Brighton | Visual Communication Design | R Morgan I Wright |
| Chowles S M | A Dream of Passion | 1996 | University of Brighton | Materials Practices and Processes | R Munday |
| Chowles S M | Symbiosis | 1996 | University of Brighton | Materials Practices and Processes | R Munday |
| Chowles S M | Nightshade | 1997 | University of Brighton | Materials Practices and Processes | R Munday |
| CONWAY R | [LOOKOUT] GLASS INSTALLATION - PATE-DE-VERRE + STAINED GLASS | 1997 | Middlesex University | R Paley | |
| Punt M | The Postdigital membrane: connecting imagination, technology and desire. | 2000 | University of Wales College, Newport | CAiiA | R Pepperell |
| Stewart S | Case Study 1 Crosmyloof Resource Centre | 1999 | Glasgow School of Art | Design | R Pollock |
| Hanna R | The Impact of CAL Strategies on CAD | 1997 | Glasgow School of Art | Educational Theory and Practice | R Qaqish |
| Larsen P | Strategic leadership in super-growth companies - a reappraisal | 1998 | University of Wales Institute, Cardiff | PDR | R Tonge M Ito |
| Larsen P | Managing the strategic planning process: A comparative analysis between high-growth medium-sized enterprises and the general business population | 2000 | University of Wales Institute, Cardiff | PDR | R Tonge M Ito |
| Adams H | The Greatest Sculptor in the World - Jose dos Santos - Artist, Visionary and Outsider | 2000 | University of Wales Institute, Cardiff | Fine Art | R Vallejo |
| Hardstaff S | South Atlantic Souvenirs Political Postcards Series 2 | 1995 | Liverpool John Moores University | Audio-visual | R Walker |
| Hague J A | Time For A Change? A Survey of New Forms of Work Organisation in Greater Nottingham | 1999 | Nottingham Trent University | Fashion and Textiles | R. Aubrey |
| Snell R | Design direction for Air-O cafe seating | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Bennet |
| Rhodes EA | Emerging corporate strategies, teams and the changing role of design | 1995 | Open University | Design and innovation management | R. Carter |
| Rhodes EA | SME entrepreneurialism in the context of supply chain re-engineering driven by large companies | 2000 | Open University | Design and innovation management | R. Carter |
| Rhodes EA | SME Entrepreneurialism: Models for Sustained Competitiveness in the Internet Environment. | 2000 | Open University | Design and innovation management | R. Carter |
| Rhodes EA | Electronic commerce technologies and changing product distribution | 1998 | Open University | Design and innovation management | R. Carter |
| Ingram J | Developing Publishing Opportunities for Industrial Design Research | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Cooper |
| Ingram J | Inside Out or Outside In: Design management research, a comparison of two methods | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Davies-Cooper |
| Simpson P | Baghdad Courtyard House | 1996 | Glasgow School of Art | Cities and Environments | R. Hanna |
| Maccallum C | DEFLECT: A Computer Aided Learning Package for Teaching Structural Design - Phase 2, | 1997 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Maccallum C | Computers in Architecture at the Mackintosh School of Architecture | 1998 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Barber AJ | Appraisal of Design Studio Methodologies | 1998 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Barber AJ | Computers as the Sole Design Tool | 1997 | Glasgow School of Art | Educational Theory and Practice | R. Hanna, R. Qaqish |
| Davies J | Mr Betts + Mr Potts | 2000 | University of Plymouth | Design + Innovation | R. Hull |
| Brown W | Neolithic Pottery-Making in Orkney: A New Look | 2000 | Glasgow School of Art | Historical and Critical Enquiry | R. Jones |
| Earl CF | Densely packed rectangulations | 1998 | Open University | Design for advanced products | R. Krishnamurti |
| Potter S | Managing engineering design in complex supply chains | 1996 | Open University | Design and innovation management | R. Roy |
| Potter S | Using scenarios to identify innovation priorities in the UK railway industry | 2000 | Open University | Design and innovation management | R. Roy |
| Potter S | The commercial impacts of investment in design | 1997 | Open University | Design and innovation management | R. Roy |
| Stubbs N | The White Room (drama, 14 mins, 16mm film, 1995) | 1995 | Staffordshire University | ARi, School of Art + Design | R. Tillotson |
| Lawrence CN | The Development of a Remote Delivery Flexible Access Model for Teaching Introductory Studies in Design | 1999 | University of Ulster | R.G. Baird | |
| McClelland B | Teamwork at the Chalkface: An Integrative Approach to Technology and Design | 1999 | University of Ulster | RB Clarke | |
| HAVERS A.J. | Nicholas Treadwell Gallery artists | 1997 | Coventry University | Visual Arts | READ, S. JURY, A. ROBINSON, B. |
| MIDDLETON N. | Project plasma | 1999 | Coventry University | Design | REAKES, J. SHARPE, R. PARKER, M. |
| SCHEIN F. | Heinrich Heine at Westhafen: monsieur un rein | 2000 | Coventry University | Visual Arts | REITER, B. FONTAINE, C. |
| Lawrence CN | Development of a Flexible Access Model for Teaching Introductory Design Studies | 1997 | University of Ulster | RG Baird | |
| Lawrence CN | The Development of Design Intro | 2000 | University of Ulster | RG Baird | |
| Stansfield Smith C | Architecture Education for the 21st Century | 1999 | University of Portsmouth | Centre for Creative Empowerment | RIBA committee |
| HUTTON G | SELLIC Library International Competition | 1996 | University of Dundee | Critical, Historical and Theoretical Debate | RMJM Scotland Ltd |
| Swallow SS | 'Winner' Crosses the line | 1997 | Brunel University | Design for Inclusion | RR Stroud JR McCardle Vincent |
| Watson G | SM Art: More than a Matter of Taste in Body Probe | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | Rachel Armstrong Jake Chapman Robert Ayers |
| Keane T | Couch - as in Warhol | 2000 | The London Institute | Fine Art | Rachel Armstrong |
| Press MPO | The Design Agenda | 1995 | Sheffield Hallam University | Rachel Cooper | |
| Woropay V | Sacred Sites | 1995 | Wimbledon School of Art | Sculpture | Rachel Fenner David Mackie Dylan Wyn Jones |
| Mortimer R | Reform | 1999 | The London Institute | Media and Communication | Rachel Matthews Claire Robins |
| Cheesman D | 'Picture Britannica [Art from Britain]' | 1997 | Wimbledon School of Art | Sculpture | Rachel Whiteread Damien Hirst Chris Ofili |
| Forresta D | The Fractal Dimension of the Network | 1997 | Wimbledon School of Art | Research Centre | Ralph Abraham |
| Beardon CE | Computers and networks in the age of globalisation. | 2000 | University of Plymouth | Centre for Visual Computing | Rasmussen, L B Munari, S |
| Reid H F | The Machining Properties of Rubberwood Laminated Veneer Lumber (LVL) | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam J Perkins M |
| Reid H F | Fatigue: its relevance to furniture | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam J Perkins M |
| Reid H F | The Productivity Myth in Furniture Manufacturing | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam J |
| Reid H F | The productivity imperatives in coated abrasives application in furniture manufactuirng | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam, J. Perkins, M. C. |
| Hermansen C | Szep uj Vilag | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Ray McKenzie |
| Baker C | 'A Thousand Hounds- The Presence of the Dog in the History of Photography' | 2000 | Napier University | Photographic Practice | Raymond Merritt Miles Barth |
| Merrington K | 'Out of Body' | 1999 | Wimbledon School of Art | Research Centre | Rebecca Shaw |
| PHOCA S | Introducing Post Feminism | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | Rebecca Wright |
| Minott P | Smile As You Earn | 1999 | Bath Spa University College | Rebello, C. | |
| Lenard JA | Traffic accidents: investigation, analysis and reconstruction, Ian Freckelton and Hugh Selby (eds), Expert Evidence in Criminal Law | 1999 | Loughborough University | Design Ergonomics | Rechnitzer, G. Keramidas, W. |
| Toal D | Watercrossing, video/multimedia | 1998 | University of Portsmouth | Memory, Identity and Material Culture | Red Earth |
| Toal D | Dark Matter, video/multimedia | 1999 | University of Portsmouth | Memory, Identity and Material Culture | Red Earth |
| McIntyre K T | 'Premio Marco' | 1997 | University of Northumbria at Newcastle | Painting (1a) | Rego Innendort Lupertz Clementre |
| SCOBIE L M | Gold Coast Ceramic Award | 1999 | University of Dundee | Contemporary Practice | Renate Balda Gary Bish Dubhe Carreno |
| Hoek K. | The Mediated Image: Watching Kluge on TV | 1998 | University College London | Fine Art Media | Renee Turner |
| Seawright P | The Missing | 1997 | University of Wales College, Newport | Photography | Reneke Dijkstra (NL) Wendy Ewald (USA) |
| Snell R | Interaction: developing links between the furniture industry and H/FE in the areas of design, technology and manufacture | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | Rhonda Lane |
| Seden MR | Protocols for Pedagogy Transfer? | 1999 | De Montfort University | Rice, J.R. | |
| Brettle J L | Public Bodies, Private States - New Views on Photography, Representation and Gender | 1994 | University of Northumbria at Newcastle | Photography (1b) | Rice, S |
| Fox A | Cockroach Diary | 1999 | The London Institute | Fine Art | Richard Billingham |
| Barfield N | Computers and Printmaking | 1999 | Wimbledon School of Art | Richard Hamilton Kathy Prendergast Grenville Davey |
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| Pennell R. | Three engraved and painted panels | 2000 | University of Wolverhampton | Glass | Richard Slee James Campbell Cynthia Cousens |
| Watson G | 'The Value of Vision' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Richard Wentworth Christopher Frayling Ute Merta Banov |
| Allen K.F | 'Exorcising the Flesh' | 1998 | Wimbledon School of Art | Painting | Richard Wentworth Alex Hartley Ming de Nasty |
| Howes A | Kaddish | 1995 | The London Institute | Fine Art | Richard Wolfson Andy Saunders |
| Fijalkowski K M | Years of Long Days: Surrealism in Czechoslovakia | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Richardson, M. |
| Poulson DF | USERfit - A Framework for User Centred Design in Assistive Technology | 1998 | Loughborough University | Design Ergonomics | Richardson, S.J. |
| Farrelly L | Scrawl: dirty graphics and strange characters | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Rick Blackshaw |
| Phillips ML | The Spectactor Project: a multi-user narrative in 'Mediaspace'. | 2000 | University of Plymouth | STAR | Ride P Turley S Lavelle M |
| Johnston ID | The Battleships | 2000 | Glasgow School of Art | Historical and Critical Enquiry | Rob McAuley |
| Robertson C | Lascaux Acrylic Hard Resist | 1999 | Wimbledon School of Art | Robert Adam Lascaux Colours and Reestauro |
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| Baxter H | Torquatto Tasso by Goethe | 1994 | Wimbledon School of Art | Theatre costume | Robert David Macdonald Julian McGowan |
| WRIGHT M J | Surface Tension (Exhibition) | 2000 | Kent Institute of Art + Design | Robert Davies | |
| McKeag D | Successful Continuous Improvement through Valve Stream Mapping | 2000 | University of Ulster | Robert Graham Stephen McCormick |
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| Newport R | Managing New Product Innovation | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | Robert Jerrard M.Trueman |
| Lintern D | Carbon Miranda | 1996 | Wimbledon School of Art | Theatre Design | Robert Young Theatre Pod Mehmet Ergen |
| McKeown RA | Shading the Crime: Acting Hopelessness as an Act of Hope. | 1999 | University of Plymouth | Theatre + Performance | Roberts, C. |
| Mukherjee R | Carrier. | 2000 | Goldsmiths College | Roberts, M. | |
| Norman EW | IDATER 2000: International Conference on Design and Technology Educational Research and Curriculum Development | 2000 | Loughborough University | Design Education | Roberts, P.H. |
| Himid L | Memory Walking | 1998 | University of Central Lancashire | Robin Kahukiwa Maud Sulter Debra Priestly |
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| Young R A | Northumbria Close-up | 2000 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | Robinson, P Lievesley, M |
| Ray SF | Vision metrology with super wide angle and fish-eye optics | 1998 | University of Westminster | Imaging Technology | Robson S Shortis M |
| WILKES C | Becks Future | 1999 | University of Dundee | Contemporary Practice | Roderick Buchanan David Shrigley Martin Boyce |
| Smith N E | Digital Works Light Boxes and Pictures. Constructing A New Space. The New Art Gallery, Walsall | 2000 | Nottingham Trent University | Visual Arts | Roger Beecroft |
| Smith N E | Trainscapes + Digital Media Constructs | 2000 | Nottingham Trent University | Visual Arts | Roger Beecroft |
| Bell D | 'The Hard Road to Klondike'/ Rotha Mor an tSaoil | 1999 | Napier University | Documentary and Experimental Film | Roger Buck |
| Creed C | Sunlight in Dwelling Validation of Insolation | 1996 | University of Portsmouth | Centre for Sound and Experimental Environments | Roger Day |
| BARR S | Alloy IV | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay Ann-Marie Shillito |
| BARR S | Alloy V | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay David Swift |
| Woodman J | Spirit of Nature | 1994 | Cumbria College of Art + Design | Roger Polley (external) | |
| Clare DJ | Developing environmental understandings through design and technology education. | 1996 | Goldsmiths College | Rogers, M. | |
| ROBERTSON J A | Near + Far | 1999 | University of Dundee | Digital Technology | Roland Ashcroft Gerry Cruickshank Colin Wishart |
| PAUL J M | Scottish Artist Book Archive Unit | 1999 | University of Dundee | Industry and the Public Sector | Roland Ashcroft Bentley's Shopfitting Ltd |
| PAUL J M | Threshold | 1998 | University of Dundee | Industry and the Public Sector | Roland Ashcroft Andy Milligan Geri Cruickshank |
| STUBBS M D | RESISTOR | 2000 | University of Dundee | Digital Technology | Roland Denning Voortman DeJonge David Shea |
| Newland P M | A Web of Senses in an Autistic Universe | 1997 | University of Portsmouth | Centre for New Media Research | Ron Geesin |
| Geesin F | Tri-Aura | 1996 | The London Institute | Fashion and Textiles | Ron Geesin Spencer Child |
| Lee J | Echo | 1996 | Nottingham Trent University | Visual Arts | Ron Haselden Shelagh Wakely Sharon Kivland |
| Cusack P | Fr | 1997 | The London Institute | Fine Art | Ron Haselden |
| Griffiths M. A. N. | 'Tne Interrupted Journey' | 1999 | Wimbledon School of Art | Painting | Rona Lee Mattias Harenstam Geir Tore Holm |
| DIGNAN P | Infusion/Fix 2000/Millenium Review of Live Art | 2000 | University of Dundee | Digital Technology | Rooney, P Harahan, S Mass, T |
| Dahn J | The Cat Scratched Little Johnny (Contemporary Ceramics from Wales) | 1999 | Bath Spa University College | Ropek, E. | |
| BARR S | Fired with Colour | 2000 | University of Dundee | Contemporary Practice | Ros Conway Jane Short Georgina Follett |
| Bonham Carter E | A Question of Scale | 1995 | University of Reading | Rosa Lee Peter Doig Basil Beatie |
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| Lane C | Scan | 2000 | The London Institute | Fine Art | Rosemary Butcher Vong Phaopanit |
| Conreen MJ | Near and Far. | 2000 | Goldsmiths College | Rosenberg, T. | |
| Tomes AE | Technological Entrepreneurship: Integrating Technical + Product Innovation | 2000 | Sheffield Hallam University | Rosie Erol Peter Armstrong |
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| Nicolle CA | Design Guidelines for Route Guidance Systems: Development Process and an Empirical Example for Timing of Guidance Instructions in Noy, Y.I. (ed) Ergonomics and Safety of Intelligent Driver Interfaces | 1997 | Loughborough University | Design Ergonomics | Ross, T. Vaughan, G.M. |
| Snell R | UK Patent GB 2270467B Seating patent for Radius lecture theatre and auditorium seating | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | Rowe, D |
| Tunstall D | Luminescence | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Roxana Silbert |
| Collins J | The Knocky | 1994 | Wimbledon School of Art | Theatre Design | Roxana Silbert Dominic Tickell |
| Noble I | Document: We Interrupt the Programme | 2000 | The London Institute | Media and Communication | Russell Bestley |
| Williamson A | Sick and Twisted | 1999 | The London Institute | Media and Communication | Russell Murphy |
| Freeman H | The Virtual University: The Internet and Resource-Based Learning | 2000 | De Montfort University | Ryan, S Scott, B Patel, D |
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| Freeman H | Webmapping: Planning, Structuring and Delivering Courseware on the Internet | 1997 | De Montfort University | Ryan, S | |
| Freeman H | Supporting the Process of Courseware Development | 1995 | De Montfort University | Ryan, S | |
| Brindley TS | Remaking Planning | 1996 | De Montfort University | Rydin, Y. Stoker, G. |
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| Roper G S | 'The Moon Garden' a Japanese garden at Westlakes' | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Ryu Group School of Art Conte-Helm, M |
| Jain S | The EMMA Forum Information Exchange, collaboration and connectivity | 2000 | University of Portsmouth | Centre for Creative Empowerment | S Clarke |
| Clarke S R I | Carrion Culture Poster Set-1 | 1996 | University of Portsmouth | Centre for Images in Practice | S Cleaver R Simms T Credland |
| Clarke S R I | A Politics of Time, | 1999 | University of Portsmouth | Centre for Images in Practice | S Cleaver R Simms R Bestley |
| McLaren JH | Life Cycle Modelling of Consumer Electronic Products with Convergent Functionality | 1998 | Brunel University | S Cowell E Jones D Harrison |
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| Coward T | Designing a Learning Environment for Three Dimensional Thinkers | 2000 | University of Wales Institute, Cardiff | Ceramics | S Gill |
| Osfield R | A new technique for Integration of 3D Structural Modelling and Fracture Prediction - a Cast example from the East Brae Field | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | S J Kape P Allen W D de Boer |
| Clarke S R I | Creative Design Practices in Hypermedia | 1994 | University of Portsmouth | Centre for New Media Research | S Jain P Burrell |
| Shackleton J | Cognitive categorisation in Japanese recreational vehicle design (2) | 1996 | Brunel University | Design Process | S Kazou W Makoto |
| Press MPO | Design Against Crime | 2000 | Sheffield Hallam University | S Learmont R Cooper |
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| McLaren JH | Modelling Material Cascades | 2000 | Brunel University | S Parkinson T Jackson |
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| Spencer B | You think you've flown before | 1997 | Liverpool John Moores University | Painting and Sculpture | S Rendall |
| Turner J | Littlewoods Electronic Manual | 1999 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Turner J | Pixel | 2000 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Price G | Dockers DVD | 2000 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Coward T | The Role of Regional Characteristics in Industrial Design Education | 1997 | University of Wales Institute, Cardiff | Ceramics | S Ruano |
| Thompson A | A Soft Touch | 2000 | Brunel University | Design for Inclusion | S SWallow |
| Stroud RR | Winner crosses the line | 1997 | Brunel University | Environmentally Sensitive Design | S SWallow JR McCardle D Vincent |
| Butler SK | Between Frames | 1996 | University of Wales Institute, Cardiff | Fine Art | S Sontag L Lippard L Mulvey |
| Stanton NA | Learning to Predict Human Error: Issues of Reliability, Validity and Acceptability | 1998 | Brunel University | Interaction Design | S Stevenage |
| Thompson A | Conductive Textiles/Fabrics Pressure Sensor | 2000 | Brunel University | Design for Inclusion | S Swallow J Burkitt |
| Seddon J | Women Designers in Britain in the 1920s and 1930s: Defining the Professional and Redefining Design | 1995 | University of Brighton | Design History, Criticism and Theory | S Worden |
| Jerrard R | The Fashion Designer in the Technological Workplace | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | S. Bell |
| Lebbon C | Participant research in design education. | 1998 | Staffordshire University | ARi, School of Art + Design | S. Boess |
| Lebbon C | Wellbathing - attitudes and well-being of older consumers in relation to bathing. | 1998 | Staffordshire University | ARi, School of Art + Design | S. Boess |
| Reynolds L J | Screen design for childrens reading: some key issues | 2000 | University of Reading | S. F. Walker | |
| Stoddart A | 1999 | Glasgow School of Art | Fine Art | S. Kinstry | |
| Hands D | Manchester: a guide to recent architecture | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | S. Parker |
| Thompson L J | Glass Education: A British Perspective. | 2000 | Staffordshire University | ARi, School of Art + Design | S. Pattani |
| Roy R | The long-term benefits of investment in design and product development | 1998 | Open University | Design and innovation management | S. Potter J. Riedel |
| Sayers P C | Dragged. | 1998 | Staffordshire University | ARi, School of Art + Design | S. Pucill |
| Sayers P C | Warming Up. | 1996 | Staffordshire University | ARi, School of Art + Design | S. Schneider |
| Tamburic S | An investigation into interactions between polyacrylic polymers and non-ionic surfactant: an emulsion preformulation study | 1999 | The London Institute | Fashion and Textiles | S. Simovic J. Milic D. Rajic |
| Bowman S | Global City | 2000 | University of East London | S. West | |
| Crisp A | Towards Sustainability. Implications for Undergraduate Education in Occupational Health + Safety Management | 1997 | Nottingham Trent University | Design | S.M. Charyszyn I Solomonides |
| Bergmann G | Stone, Wood, Brick | 2000 | Brunel University | Polymedia Design | S.O. Kirkhorn |
| Khan T | The effect on wear behaviour of H13 tool steel surfaces modified using a tungsten arc heat source | 2000 | Brunel University | Environmentally Sensitive Design | SA Rizvi K Matsuura |
| Khan T | Investigating the change in wear behaviour of a tool steel after surface melting and gaseous alloying | 1999 | Brunel University | Environmentally Sensitive Design | SA Rizvi |
| WOODCOCK A. | Multimedia network applications in the fashion industry | 1998 | Coventry University | The Design Institute | SCRIVENER, S. |
| WOODCOCK A. | Developing practice with theory in HCI: applying models of spatial cognition for the design of pictorial databases | 1996 | Coventry University | The Design Institute | SCRIVENER, S. LANSDALE, M.W. |
| WALLER R. | Phone bill design | 2000 | Coventry University | The Design Institute | SEARLE JONES, A. LETHERLAND, S. MOATE, K. |
| Jordanov I | From on-line sketching to 2D and 3D geometry: A system based on fuzzy knowledge | 2000 | University of Wales Institute, Cardiff | PDR | SF Qin D Wright |
| DEVANE J. | Heart of England biennial exhibition | 1999 | Coventry University | Visual Arts | SHAW, G. YATES, C.A. HICKLING, J. |
| Millward H | The use of a shock tube for the delivery of powdered drugs into the oral mucosa | 1999 | University of Wales Institute, Cardiff | PDR | SM Nabulsi BJ Bellhouse |
| YEADON J.D. | Kaleidoscope | 1997 | Coventry University | Visual Arts | SUTHERLAND, G. PIPER, J. HATUM, M. |
| WRIGHT I. | New product engineering: the quality paradox | 1995 | Coventry University | The Design Institute | SWAIN, E. |
| Baker P.H. | Advanced Envelopes, IEA Annex 32, Volume III | 2000 | Glasgow School of Art | Cities and Environments | Saelens, D. Grace, M. Inoue, T. |
| Mee JM | Princess for a Day? | 1994 | De Montfort University | Safronova, Dr I | |
| Wilkinson M | Beyond the Fridge: Collaboration as a Paradigm for Innovation | 1999 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Wilkinson M | Beyond the fridge: a trans-sectoral collaborative partnership | 1999 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Wilkinson M | Inside out and outside in - taking product design education into the real world and bringing the real world into product design education | 2000 | University College Northampton | Design for Industry and Commerce | Sale, R Thomas, V |
| Wilkinson M | Collaborative Envisioning - A Strategy for Future Innovation | 2000 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Macinnes R | Scottish Power Centres: from the Middle Ages to the twentieth century | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Sally Foster Allan MacInnes |
| GATT E E | The Crafts Council Chelsea Crafts Fair | 2000 | University of Dundee | Contemporary Practice | Sally Macintyre Anna Gordon Anne Finlay |
| Hyatt J | Doria Hemming | 1999 | Manchester Metropolitan University | Sanders-Wood T Twigge S |
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| Hardie A | Graffik 97 | 1997 | University of Reading | Sandra Baxter Peter Ford Barry Lockwood |
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| Withers R | Chuck Close | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Sara Arrhenius John Peter Nilsson Lars Bang Larson |
| KEITH J M | Scottish Printed Textiles | 1999 | University of Dundee | Contemporary Practice | Sara Keith Jan Milne Frances Stevenson |
| Gillanders R | 'Photography in Scotland: the Human Face' | 1995 | Napier University | Photographic Practice | Sara Stevenson |
| Doidge CW | The Crit - An Architecture Student's Handbook | 2000 | De Montfort University | Sara, R. Parnell, R. Parsons, M. |
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| BOYLAN P.J. | Museums and Insurance | 1999 | City University | Sarafopolous J | |
| Kelly D | Books by Artists | 2000 | Wimbledon School of Art | Sarah Bodman | |
| Allan J | (I) Exploring Common Ground: Artists Working with Elderly People (ii) Creating Common Ground: Art with the Elderly in Residential Care | 1996 | Glasgow School of Art | Design | Sarah Hall Jenny Kerwood Deirdre Nelson |
| Griffith O | Kamel + Fisch: A Radio Play | 1998 | Edinburgh College of Art | Fine Art | Sauer, M |
| Senior DP | Research and Evaluation of the Exeter Health Care Arts Project | 2000 | Manchester Metropolitan University | Scher P | |
| Senior DP | Patient-focused Architecture for Healthcare | 1996 | Manchester Metropolitan University | Scher P | |
| Lea-Greenwood G | Deshopping: the Art of Illicit Consumption | 1999 | Manchester Metropolitan University | Schmidt R Sturrock F Ward P |
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| Male A | Along the Luangwa | 1999 | Falmouth College of Arts | Schuyler Bull | |
| Robertson DA | Multimedia Complexity: A Pathfinder Product Development Strategy | 1997 | De Montfort University | Schybergson, O. | |
| Douglas A | Research through Practice: Positioning the Practitioner as Researcher | 2000 | Robert Gordon University | Learning Strategies | Scopa, K. Gray, C. |
| Rust CM | Knowledge and the Artefact | 2000 | Sheffield Hallam University | Scott Hawkins Graham Whiteley Adrian Wilson |
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| Chamberlain PM | Q Chair | 2000 | Sheffield Hallam University | Industrial Design | Scott Hawkins |
| Ryan S | The Virtual University: The Internet and Resource-Based Learning | 2000 | De Montfort University | Scott, B Freeman, H Patel, D |
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| DALZIEL M N | Songs of the Sea | 1998 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Bryers, G Armstrong, C |
| DALZIEL M N | The Way Stations | 1997 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L |
| DALZIEL M N | Another Place | 2000 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Chaston, R |
| DALZIEL M N | Endlessly | 1997 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Chaston, R |
| Gunn J | How High is Up | 2000 | Wimbledon School of Art | Theatre Design | Sean McClevy |
| Lyons AR | Implementing Information Technology in Built Environment Courses | 1995 | De Montfort University | Seden, R. Ashton, R. |
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| Harding D | David Harding and Nicholas de Serra | 1997 | Bath Spa University College | Serra, N. | |
| Axford NR | Fourier Theory Explanation for a Sampling Theorem demonstrated by a Laboratory Experiment | 1996 | University of Westminster | Imaging Technology | Sharma A Tong B |
| Axford NR | The Aliasing Phenomenon | 1996 | University of Westminster | Imaging Technology | Sharma A Tong B |
| Bannister A G | Station To Station | 1999 | Nottingham Trent University | Visual Arts | Sharon Kiviland Nicholas Rieben |
| KEITH J M | Handmade | 2000 | University of Dundee | Contemporary Practice | Sharon Ting Jo Sheffield Janet Bolton |
| STEEL E R | The Working Countryside (CD-rom) | 2000 | University of Dundee | Contemporary Practice | Shaw Multimedia Services |
| Ginsborg M | Biennale Internazionale dell' Arte Contemporanea, Firenze. | 1997 | Wimbledon School of Art | Painting | Sheila Girling Pasquale Celona Yvonne Schultz |
| de La Haye A | Chanel: The Couturiere at Work | 1994 | The London Institute | Fashion and Textiles | Shelley Tobin |
| Wright DK | From On-line sketching to 2D and 3D geometry: a system based on fuzzy knowledge | 2000 | Brunel University | Interaction Design | Sheng-Feng Qin I N Jordanov |
| Milne L | 'Dreams and Bruegel's Dulle Griet' | 1996 | Napier University | Critical Theory of Practice | Shetter, W van der Crysee, I |
| MCCONNELL-WOOD T | How High the Castle Walls | 1997 | University of Dundee | Digital Technology | Shiona McCubbin |
| HEATHCOTE S C | Collaborative industrial product development for Shirin Guild, Fashion Designer, London | 2000 | University of Dundee | Contemporary Practice | Shirin Guild Esk Valley Knitwear Co Ltd |
| SWIFT D G | Zofias Dance | 2000 | University of Dundee | Contemporary Practice | Shona McInver Eiko Fan Richard Demaro |
| Fijalkowski K M | Things: Assemblage, Collage and Photography in Britain since 1935. Exhibition (curated by Fijalkowski), conference (organised by Fijalkowski) and publication (edited and main essay by Fijalkowski). | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Short, R. Massey, A. Mullen, C. |
| Stothart P | Wavefront/Alias Wavefront | 1996 | De Montfort University | Silicon Graphics | |
| Thompson A | Cool Tears: Life/Live | 1996 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Thompson A | Get Together | 1999 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Thompson A | Press Release (NY Faxbak) | 1999 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Thompson A | Field of Dreams | 2000 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Russell J | Cool Tears (Life/Live) | 1997 | The London Institute | Fine Art | Simon Bedwell Milly Thompson Simon Martin |
| Russell J | WHITE | 1998 | The London Institute | Fine Art | Simon Bedwell Milly Thompson |
| Russell J | Press Release | 1999 | The London Institute | Fine Art | Simon Bedwell Milly Thompson |
| Webb G | Abstract Art | 2000 | University of Reading | Simon Bill Keith Farquhar DJ Simpson |
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| Bonham Carter E | The Whitechapel Open | 1999 | University of Reading | Simon Faithfull Melanie Manchot Elizabeth Price |
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| Harris D. I. | The Wreck of Hope | 2000 | Wimbledon School of Art | Painting | Simon Morley Edward Chell Nick Wyatt |
| Rees DD | Addressing the Century - 100 Years of Art + Fashion | 1998 | The London Institute | Fashion and Textiles | Simon Munro |
| Rees DD | Ail | 1999 | The London Institute | Fashion and Textiles | Simon Munro |
| Rees DD | Satellites of Fashion | 1998 | The London Institute | Fashion and Textiles | Simon Munro |
| Rees DD | British Designers: From Monarchy to Anarchy | 2000 | The London Institute | Fashion and Textiles | Simon Munro |
| Kelly D | View + Re:view | 2000 | Wimbledon School of Art | Simon Patterson Susan Hiller Joseph Kosuth |
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| Hussey P | Sculptural Benches | 1996 | Buckinghamshire Chilterns University College | Furniture Design | Simon Thorne |
| RAMSAY T K | 'Craftscape', Contemporary British Crafts Alive + Kicking | 2000 | University of Dundee | Contemporary Practice | Simone ten Honpel Jane Wallace Elizabeth Callinicos |
| Ramsenthaler S | Made in Glasgow | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Sinclair, R |
| Keir S | Wild Air | 1999 | The London Institute | Fashion and Textiles | Siobhan Davies |
| Keir S | The Art of Touch | 1996 | The London Institute | Fashion and Textiles | Siobhan Davies |
| Keir S | A Strangers Taste | 1999 | The London Institute | Fashion and Textiles | Siobhan Davies |
| OConnell T | 0044- | 1999 | University of Reading | Siobhan Hapaska Paul Seawright Mark Francis |
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| Cooper A M | The Use of Alias in Industrial Design and the Benefits of an Integrated Solids/Surfacing Methodology | 2000 | University of Northumbria at Newcastle | Photography (1b) | Siodmok, P |
| Bailey S | Microsource - X Ray Emittor and Control Panel | 1994 | University of Northumbria at Newcastle | Automotive Design (4a) | Siodmok, P Cooper, A |
| Knight K | Truman Copote Talk Show and Dylan Thomas Return Journey | 1997 | The London Institute | 3-Dimensional and Environmental Design | Sir Anthony Hopkins |
| Landry CR | Innovative and Sustainable Cities | 1997 | The London Institute | Media and Communication | Sir Peter Hall |
| HOWARD I G | Sadastra | 1998 | University of Dundee | Contemporary Practice | Slaven Tolj Robyn Denny Giancarlo Venuti |
| Dixon S | The Roast Beef of Old England | 1997 | Manchester Metropolitan University | Slee R Yasuda T |
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| BURFORD N | Cantilever Support and Erectable Structures | 2000 | University of Dundee | Industry and the Public Sector | Smith, F W |
| BURFORD N | Developing a new military shelter system - a case study in innovation | 1999 | University of Dundee | Industry and the Public Sector | Smith, F W |
| Sanderson L V | Transforming the Crown; African, Asian, and Caribbean Artists in Britain 1966-96 | 1997 | Wimbledon School of Art | Painting | Sonia Boyce Yinka Shonibare Keith Piper |
| Cummins S | Close To Home | 1998 | Nottingham Trent University | Visual Arts | Sonia Boyce Rachael Evans Elisa Sighicelli |
| Fozzard GJ | Constraint Based Reactive Rescheduling in a Stochastic Enviroment | 1997 | De Montfort University | Spragg, J. Tyler, D. |
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| Fozzard GJ | FLEAS: A Flowline Environment for Automated Supervison | 1999 | De Montfort University | Spragg, J. Tyler, D. |
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| Fozzard GJ | Simulation of Flowlines in Clothing Manufacture. Part 2: Credibility Issues and Experimentation | 1996 | De Montfort University | Spragg, J. Tyler, D. |
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| Kemp SD | Feminisms | 1998 | University of Westminster | CARTE | Squires J |
| St George A | Clear English | 1996 | De Montfort University | St George, F. | |
| Lawler T | Designit Together. | 1998 | Goldsmiths College | Stables, K. | |
| Kimbell RA | An Evaluation of the Technology Education Project: South Africa, NW Province. | 1999 | Goldsmiths College | Stables, K. | |
| Dixon S | The Contemporary British Ceramic Figure: Narrative, Metaphor + Tradition | 2000 | Manchester Metropolitan University | Stair J | |
| Perkins G | 'Trace' - Liverpool Biennial of Contemporary Art | 1999 | Wimbledon School of Art | Sculpture | Stan Graham Pierrick Sorrin Carsten Nicolai |
| Rosenberg T | A Foundation Course in Drawing. | 1999 | Goldsmiths College | Stanyer, P.W. | |
| Shankland S | The C-Bin Project | 1999 | The London Institute | Fine Art | Stefan Shankland Richard Bradbury |
| Sabin AM | The C-Bin Project | 1999 | The London Institute | Fine Art | Stefan Shankland Richard Bradbury |
| Gibson PM | Fashion Cultures: Theories, Explorations and Analysis | 2000 | The London Institute | Fashion and Textiles | Stella Bruzzi |
| Stewart EP | Hooded/Bared, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Stephanie Smith |
| Stewart EP | Mixing Memory and Desire, group exhibition | 2000 | Glasgow School of Art | Fine Art | Stephanie Smith |
| Stewart EP | Smith/Stewart, Videoarbeiten, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Stephanie Smith |
| Sargeant J | Lost Highways: an Illustrated History of Road Movies | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Stephanie Watson |
| Burrows D | 'The Passing of the Years' | 1999 | Wimbledon School of Art | Theatre technical arts | Stephanos Lazarides Richard Hudson Paul Brown |
| Barclay C | Millenium Park Project, solo permanent publicly sited commission | 1999 | Glasgow School of Art | Cities and Environments | Stephen Bridge Chris Platt |
| Moon M | Royal Academy Summer Exhibition | 1999 | University of Reading | Stephen Buckley Tony Cragg Antoni Thapies |
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| WARD J | The Artists | 2000 | University of West of England, Bristol | Centre for Fine Print Research | Stephen Hoskins |
| Ellard GR | Holding Pattern | 2000 | The London Institute | Fine Art | Stephen Johnstone Tom de Paor |
| Ellard GR | Geneva Express | 1997 | The London Institute | Fine Art | Stephen Johnstone |
| Ellard GR | Wall of Death | 1999 | The London Institute | Fine Art | Stephen Johnstone |
| Ellard GR | Passagen | 1996 | The London Institute | Fine Art | Stephen Johnstone |
| SHEMILT E | Intangible Bodies | 1999 | University of Dundee | Contemporary Practice | Stephen Partridge |
| SHEMILT E | Chimera | 1998 | University of Dundee | Digital Technology | Stephen Partridge |
| McCaughey P | Borrowed Light, solo exhibition of publicly sited works | 1996 | Glasgow School of Art | Cities and Environments | Stephen Skrynka |
| FINLAY A | Green Waters | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | Stephen, I Finlay, I H Rich, G |
| Warwicker J | Process; a Tomato Project | 1996 | The London Institute | Media and Communication | Steve Baker Michael Horsham Jason Kedgley |
| Buck L | Getting a Grip: Abandoning Tyres Could Give Motorcycle Wheels the Edge | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | Steve Dixon |
| Peacock JR | Musee Imaginaire Part I and Box Project | 1999 | Sheffield Hallam University | Steve Dutton | |
| Peacock JR | Plague-orgy-time | 1998 | Sheffield Hallam University | Fine Art | Steve Dutton |
| Male A | Large as life: Startling Comparisons of Animals at Life Size | 2000 | Falmouth College of Arts | Steve Parker | |
| Bradley I | Liverpool Football Club Interactive CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | Steve Roberts |
| Esche C | Video Positive 97: Escaping Gravity | 1997 | The London Institute | Fine Art | Steven Bode |
| Chapman NS | Shrimp-ice Briefing | 1998 | The London Institute | Fine Art | Steven Claydon |
| Harrow D | Movement in the Millennium | 2000 | Royal College of Art | Design for Manufacture | Stevens, P |
| Crooks R | A range of one-off pieces and production items | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | Stewart Hearn |
| Crooks R | Twelve freeblown items and an oval hanging plate. | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | Stewart Hearn |
| Page A | Just Another Disability; making design dementia friendly - conference proceedings of a European conference held on 1 and 2 October 1999 | 1999 | Glasgow School of Art | Design | Stewart, S |
| Page A | Making design dementia friendly | 2000 | Glasgow School of Art | Design | Stewart, S |
| Page A | Making architectural design friendly to dementia patients | 1999 | Glasgow School of Art | Design | Stewart, S H Kotilainen |
| Page A | Housing the Third Age A study of Northern European housing models for an ageing population in the 1990 | 1996 | Glasgow School of Art | Design | Stewart, S |
| Baker P.H. | Photovoltaics: integration into buildings Digest 438 | 1999 | Glasgow School of Art | Cities and Environments | Stirling, C. |
| Rohr D | The Sleep of Reason | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | Stromberg, G. |
| Renshaw T | Incorporate 3 | 2000 | University of Reading | Sue Arrowsmith Jocelyn Clarke Stuart Cumberland |
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| Gunn J | Paper Chase | 2000 | Wimbledon School of Art | Theatre Design | Sue Buckmaster |
| Vaughan S | Colour palettes for Italian yarn company, Filpucci | 1997 | The London Institute | Fashion and Textiles | Suesan Faulkner Design studio |
| Vaughan S | Charactere womenswear collection | 1996 | The London Institute | Fashion and Textiles | Suesan Faulkner Design studio |
| MORRIS R C | Alloy Four | 1998 | University of Dundee | Contemporary Practice | Susan Barr Ann Marie Shillito Teena Ramsay |
| MORRIS R C | Alloy Five | 1998 | University of Dundee | Contemporary Practice | Susan Barr Teena Ramsay David Swift |
| CZARNECKI G | Arteries | 2000 | University of Dundee | Digital Technology | Susan Collins Suky Best Sophie Tennant |
| Rosser E | 'Sublime: The Darkness and the Light' | 1999 | Wimbledon School of Art | Sculpture | Susan Hiller Mark Wallinger Alison Wilding |
| Furlong W | 'Tholsel' | 2000 | Wimbledon School of Art | Research Centre | Susan Hiller Julian Opie Michael Craig-Martin |
| JOHNSTON K | Valencia | 2000 | University of Dundee | Contemporary Practice | Susan Thrower Yoka Stada |
| JOHNSTON K | Fabric Designs for Mode Druck Gera GmbH, Germany | 1996 | University of Dundee | Contemporary Practice | Susan Thrower |
| Higgins D J | Human | 1996 | Nottingham Trent University | Visual Arts | Susan Trangmar |
| Carson JE | Out of the Bubble | 1999 | The London Institute | Fine Art | Susannah Silver |
| Hutchinson J A | Shadowlands | 1996 | University of Sunderland | Fine Art | Swatton H |
| Rieser M | Castle Park: Public Art in Practice | 2000 | Napier University | Photographic Practice | Swingler, S Price, D |
| Coates-Smith W | Eric Fraser, Designer and Illustrator, ed Sylvia Backmeyer | 1998 | Anglia Polytechnic University | Sylvia Backemeyer | |
| Mladovsky J | Bad Boss (exhibition and publication). | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Szirtes, G. Miler, M. |
| Dawson G | The Politics of War Memory and Commemoration: Contexts, Structures and Dynamics | 2000 | University of Brighton | Memory, Identity and History | T Ashplant M Roper |
| Clarke S R I | Feeding Squirrels to the Nuts 11 | 1998 | University of Portsmouth | Centre for Images in Practice | T Credland Karen Eliot |
| Boddington A D M | Architecture of the Borderlands | 1999 | University of Brighton | Natural and Constructed Environments | T Cruz |
| Gant N | Bobo - Inspiration | 1999 | University of Brighton | Materials Practices and Processes | T Dean |
| Gant N | Airwave Table | 1997 | University of Brighton | Materials Practices and Processes | T Dean |
| Gant N | Prismex Stand | 1999 | University of Brighton | Materials Practices and Processes | T Dean |
| Gant N | Seats of Desire | 1996 | University of Brighton | Materials Practices and Processes | T Dean |
| Paul JS | Fish Buoyancy Aids | 1999 | Brunel University | Design for Inclusion | T Fish |
| Isherwood P | Thames Water District Metering | 2000 | Brunel University | Design Pedagogy | T Inns |
| Swales V | Defaire et faire les habitudes dans le demenagement | 1999 | University of Portsmouth | Memory, Identity and Material Culture | T Putnam |
| Robson D G | The Architecture of Karljosef Schattner | 1995 | University of Brighton | Natural and Constructed Environments | T Stelling |
| Shackleton J | Recommendation Models of Television Program Genre, Based on Survey and Analysis of Behaviour in Watching Television | 1999 | Brunel University | Design Process | T Yasushi |
| Baines M | 'Through the Mac' Exhibition and Catalogue | 1999 | Glasgow School of Art | Educational Theory and Practice | T. Barber |
| GEORGIOU D. | The t(oy)ime machine | 1998 | Coventry University | Visual Arts | TOMATO INTERACTIVE, ORANGE, SAATCHI AND SAATCHI, |
| OWEN J.K. | From imagine to image: an examination of visual realisation of 3D forms | 1998 | Coventry University | Design | TOVEY, M.J. DEKKER, K. |
| KING D.A. | Sculpture at Goodwood | 1999 | Coventry University | Visual Arts | TUCKER, W. CRAGG, T. RANDALL-PAGE, P. |
| GEORGIOU D. | Memoriam | 2000 | Coventry University | Visual Arts | TURK, G. GONZALEZ-TORRES, F. MACLENNAN, A. |
| Wood J | Optimising feelings of uncertainty to enhance public performance. | 1998 | Goldsmiths College | Taiwo, O. | |
| You L.H. | Numerical Analysis of Elastic-Plastic Rotating Disks with Arbitrary Variable Thickness and Density | 2000 | Bournemouth University | Tang, Y.Y. Zhang, J.J. Zheng, C.Y. |
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| Cassidy T | Symmetry in Thai Textile Patterns | 2000 | De Montfort University | Tantiwong, P. Hann, M.A. |
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| Roberts PH | Understanding person product relationships - A design perspective, Green, W.S. and Jordan, P.W. (eds), Human Factors in Product Design | 1999 | Loughborough University | Design Research | Taylor, A.J. Hall, M.J. |
| Cawthorne DA | Analytical Investigation of the Steady State Behaviour of Dynamic and Diffusive Insulation | 1994 | De Montfort University | Taylor, B.J. Imbabi, M.S. |
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| BARR S | Contemplation | 2000 | University of Dundee | Contemporary Practice | Teena Ramsay |
| Hinchliffe-McCutcheon J L | 'Schmuckpaket' ('Jewellery Parcel') | 1995 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | Teipel, M |
| Douglas H | Artist/Author Contemporary Artist Books | 1998 | The London Institute | Fine Art | Telfer Stokes |
| BONAVENTURA P | Even: Dorothy Cross | 1996 | University of Oxford | Tessa Jackson James Conway Marian Dunlea |
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| FAITHFULL D R | Identity for the Aviemore and Cairngorm Area | 1997 | University of Dundee | Contemporary Practice | The Aviemore Partnership Arron Lawton Associates Scottish Natural Heritage |
| Griffiths K. | INSTITUTE BENJAMENTA | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | The Brothers Quay Larry Sider |
| Forresta D | New Ideas in Science and Art, The Prague Conference | 1996 | Wimbledon School of Art | Research Centre | The Council of Europe The Czech Presidency |
| Forresta D | The Souillac Conferences | 1997 | Wimbledon School of Art | Research Centre | The Council of Europe The European Commission The International Telecommunication Union |
| Harding A | Stalking Memory. | 2000 | Goldsmiths College | The Desperate Optimists | |
| Black S | Primitive Streak Interview | 1997 | The London Institute | Fashion and Textiles | The Interalia Centre for Arts and Sciences, Bristol |
| Robson E H N | Dream, Dreamt, .....still Dreaming! | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Theatre Encorps Dr Ana Sanchez-Colberg Brudermann and Papp |
| Lintern D | The Pigeon Banquet | 1995 | Wimbledon School of Art | Theatre Design | Theatre Pod Waterman's Arts Centre Halldor Laxness |
| Pilgrim G | Dreamwork' | 1998 | Wimbledon School of Art | Theatre Design | Theatre de Complicite Black Theatre Co-op Moti-Roti |
| Bugg R | Kunst RAI | 1999 | Wimbledon School of Art | Sculpture | Theo Philips Jeff Haines |
| Riddy J | Life:Live | 1996 | The London Institute | Fine Art | Thomas A. Clark Shelagh Wakely Ian Whittlesea |
| Cheesman D | 'CRAFT' | 1997 | Wimbledon School of Art | Sculpture | Thomas Grunfeld Richard Wentworth Tracy Emin |
| Morris L E | International/Provincial: Every Art School Needs a Dealer | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Thompson, J. Wentworth, R. Harrison, C. |
| FAITHFULL D R | Tide/Edit | 1997 | University of Dundee | Contemporary Practice | Thorsten Stumpf Ottavio Giacomazzi |
| James S | Weather View | 1996 | Wimbledon School of Art | Sculpture | Tim Allen Rebecca Fortnum Simon Grainger |
| Alexander G | Machinations | 1995 | Wimbledon School of Art | Theatre technical arts | Tim Hunkin Paul Spooner Elizabeth Queenan |
| Alexander G | The Human Factor | 1999 | Wimbledon School of Art | Theatre technical arts | Tim Hunkin |
| Elliott T A | Elematrix | 2000 | Wimbledon School of Art | Research Centre | Tim Noble Sue Webster Willaim Pye |
| Escolme B | 'We are one tribe; the theatre company Blah Blah Blah and Eileen Pennington' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Tim Prentki Jan Salmon |
| Wood ND | Lead glazes in antiquity - methods of production and reasons for use | 1998 | University of Westminster | Ceramics | Tite MS Freeston IC Mason R |
| Tunstall D | 'I Weep at my Piano' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Told by an Idiot Theatre Company |
| Hands D | Design In-House: 12 Case Studies describing how the TCS has improved in-house design capability | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | Tom Inns |
| Thorpe A. | A MAP OF RECYCLED CONTENT BUILDINGS | 1998 | The Surrey Institute of Art + Design University College | Sustainable Design | Tom Paladino |
| SCOBIE L M | Triennale de La Porcelaine | 1995 | University of Dundee | Contemporary Practice | Tomoko Nishimura Peter Lane Vincent Kempenaers |
| Griffiths M. A. N. | 'The Probability Tree' | 2000 | Wimbledon School of Art | Painting | Tomoko Takahashi Mark Dean Roberta Smith |
| Griffiths M. A. N. | The Propietor's Daughter (Trojan Horse) | 2000 | Wimbledon School of Art | Painting | Tomoko Takahashi Julian Opie Simon Faithful |
| CATLING BD | Vanished! | 1998 | University of Oxford | Tony Grisoni | |
| Courtenay PJ | Home | 1994 | The London Institute | Fine Art | Tony Potts George McKane The Yellow House |
| Courtenay PJ | Families | 1999 | The London Institute | Fine Art | Tony Potts George McKane Teatru Wybrzeze |
| Courtenay PJ | Home and Away | 1997 | The London Institute | Fine Art | Tony Potts George McKane Teatru Wybrzeze |
| Eastley M | Dreaming of Inscriptions On and Through Skin | 2000 | Liverpool John Moores University | Audio-visual | Toop,D. |
| Davis K | Sweetie (Female identity in British Video) | 1999 | Wimbledon School of Art | Sculpture | Tracey Emin Sam Taylor-Wood Gillian Wearing |
| Perkins G | The Halo and Wings of a Fallen Angel (details) | 1999 | Wimbledon School of Art | Sculpture | Tracey Moffatt Richard Hamilton Julian Opie |
| FAGEN G R | The British Art Show 5 | 2000 | University of Dundee | Digital Technology | Tracy Emin Sarah Lucas Wolfgang Tillmans |
| Walker A J | Afternoon Tea and Chillies | 1998 | Wimbledon School of Art | Tran Van Thao | |
| West N F | Performing Daily an exhibition of West, Chandra, Grayson, Misenberger and Farley | 1994 | University of Northumbria at Newcastle | Photography (1b) | Tregaskis, K |
| PATTISON J | Project Keleia | 1997 | University of Dundee | Contemporary Practice | Trevor Bell Emerik Bernard Johanna Rodenberg |
| Hatt CAE | 'Hard Edge' | 1996 | Wimbledon School of Art | Painting | Trevor Sutton Simon Morley Trevor Clarke |
| Birdsey CL | Camera Work | 1998 | University of Westminster | Imaging Technology | Triantaphillidou S Golding A Jacobson RE |
| JONES P S | A Mandarin Oriental Hotel | 1997 | University of Dundee | Contemporary Practice | Tucker Design Associates Mandarin Oriental Hotels |
| Grover nee Rooke S | 'Development of a production process for the elimination of the wood veneer breaking in its use as a moulding cover, | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Txoperena M |
| Melia P D | David Hockney: A Drawing Retrospective | 1995 | Staffordshire University | ARi, School of Art + Design | Ulrich Luckhardt |
| Magee JP | On Dog Hair and Sand | 1995 | Manchester Metropolitan University | Umney D | |
| Malins J | The Gap: Addressing Practice-Based Research Training Requirements for Designers | 1999 | Robert Gordon University | Learning Strategies | Ure, J. Gray, C. |
| Higgins D J | Frame | 2000 | Nottingham Trent University | Visual Arts | Uta Barth Carl Potter |
| Bergmann G | Discussing History and Memory in the Art of Gordon Bennett | 2000 | Brunel University | Polymedia Design | V Strang |
| Walker S F | Building bridges: multilingual resources for children | 1995 | University of Reading | V. Edwards | |
| BLOUNT G.N. | Case-based prosthetic socket design | 2000 | Coventry University | The Design Institute | VINNEY, J. .E. NOROOZI, S. SEWELL, P. |
| de La Haye A | Twentieth Century Fashion | 1999 | The London Institute | Fashion and Textiles | Valerie Mendes |
| Warren-Fisher R | Global Exhibition | 1997 | Bath Spa University College | Valicenti, R. Vaughan, O. Why Not Associates |
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| Krysa J | Jeux D'Amour | 2000 | University of Plymouth | STAR | Vallet E Vlkova M |
| Young R A | Creating Enhanced User Experiences | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | Van der Veen, G J Illman, M E Rowley, F J B |
| Linklater R | Orfeo by Monteverdi | 2000 | Nottingham Trent University | Design | Vancouver Early Music Festival |
| Vargo A | Lightwaves | 1995 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Vargo, V. |
| Vargo A | Nordic Letters of the Modern Breakthrough 1870-1910 | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Vargo, V. |
| Vargo A | Benchmark Film Productions | 1997 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Vargo, V. |
| Lindsay W | An Evaluation of Geology and Weathering in the Preservation of Marl Objects | 2000 | Royal College of Art | Conservation | Ventikou, M Halls, C Batchelder, M |
| Haley DH | Species nova [to look anew] Part 1 - Seeking an Unacceptable Profile | 2000 | Manchester Metropolitan University | Verran J | |
| Ganz A J | Threesome | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Vicarage, L Laing, S Quarshie, H |
| BALCIOGLU T | The Role of Product Design in Post Industrial Society | 1998 | Kent Institute of Art + Design | Victor Margolin Dieter Rams Ezio Mansini |
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| Robertson C | Landscape with Figure and DogsJenny + Feeding | 2000 | Wimbledon School of Art | Victoria Crowe ARSA RSW | |
| Jones C | New Perspectives/Building Bridges | 1995 | University of Newcastle | Viktor Hulik | |
| James A | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | Vir, P | |
| Esche C | Intelligence - New British Art 2000 | 2000 | The London Institute | Fine Art | Virginia Button |
| HEATHCOTE S C | Satellites of Fashion - Crafts Council Touring Exhibition | 1998 | University of Dundee | Contemporary Practice | Vivienne Westward Philip Tracey Manolo Blahnik |
| McInnerney M | The Love and Worry Show | 1999 | Bath Spa University College | Vyner, T. Knight, L. Scheffler, A. |
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| CHISHOLM R G | A preproduction prototype for a yacht | 1994 | University of Dundee | Industry and the Public Sector | W A Simpson Marine, Dundee |
| Kaylan M | Bird in a Ribcage | 1994 | University of Brighton | Visual and Performing Arts | W Cowie E Aggiss |
| Aggiss E | Falling Apart at the Seams (so it seems) | 1994 | University of Brighton | Visual and Performing Arts | W Cowie |
| Aggiss E | Grotesque Dancer | 1998 | University of Brighton | Visual and Performing Arts | W Cowie |
| Aggiss E | Absurditties | 1994 | University of Brighton | Visual and Performing Arts | W Cowie |
| Aggiss E | Beethoven in Love | 1994 | University of Brighton | Visual and Performing Arts | W Cowie - Composer B Bentley - Director |
| Dillon P | Sensing the Fabric : To stimulate sensation through sensory evaluation and in response to standard acceptable properties of specific materials when viewed as a digital image | 2000 | Liverpool John Moores University | Fashion and Textiles | W Moody Rebecca Bartlett Patricia Scully |
| ORourke D | On Your Nerve: A Wake For Frank OHara, verse - play | 1997 | Glasgow School of Art | Historical and Critical Enquiry | W N Herbert David Kinloch |
| Carnduff T | An object-orientated database system to support concurrent design | 2000 | University of Wales Institute, Cardiff | PDR | WA Gray JC Miles A Al-Khudair |
| BLOUNT G.N. | Automotive body panel surface classification | 1998 | Coventry University | The Design Institute | WAGIMIN, D. JONES, R.M. |
| BELL S. | Care and repair of antiques and collectables | 1997 | Coventry University | Design | WAINWRIGHT, J. MILLER, J. ALLEN, G.E. |
| SCHEIN F. | Carl von Linne, or the art of looking (Universitet subway station) | 1998 | Coventry University | Visual Arts | WRETMAN, F. REITER, B. RIBEIRO, M.J. |
| Wood M H | Ducati 2000: an icon for the century | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Walker, M |
| Fuyuan L | A Real-time 3D Audio System for Virtual Cockpit | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Fuyuan L | Algorithm and Implementation of Sound Spatialisation via Loud-speaker array | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Fuyuan L | Sound Rendering in the Virtual Environment | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Young R A | Medis | 1996 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Warburton, N C Wilson, B Devitt, N |
| Swallow PG | Surveying Historic Buildings | 1996 | De Montfort University | Watt, D.S. | |
| ROBB A M | Talent | 1996 | University of Dundee | Contemporary Practice | Wayne Thiebaud Richard Estes John Chamberlain |
| Frampton RJ | Effectiveness of airbag restraints in frontal crashes - what European field studies tell us | 2000 | Loughborough University | Design Ergonomics | Welsh, R.H. Kirk, A.R. Fay, P. |
| Frampton RJ | The importance of non struck side occupants in side collisions | 2000 | Loughborough University | Design Ergonomics | Welsh, R.H. Thomas, P.D. Fay, P. |
| Buck R | 'Wazungu Kids' | 1995 | Napier University | Documentary and Experimental Film | Wendy McEvoy David Eadington |
| FOLLETT G L P | Fired with Colour | 2000 | University of Dundee | Industry and the Public Sector | Wendy Ramshaw Fred Rich Ros Conway |
| Mottram JA | New knowledge and new technology: Restructuring fine art education | 2000 | Loughborough University | Fine and Applied Arts | Whale, G. |
| MACDONALD M J S | The Patron, the Professor and the Painter: cultural activity in Dundee at the close of the nineteenth century. | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Whatley, C A Baillie, M McKean, C |
| Swallow PG | Site Investigations | 1997 | De Montfort University | Whyte, W.S. Paul, R.E. |
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| Sale R | Collaborative Envisioning - a strategy for future innovation | 2000 | University of East London | Wilkinson, M. | |
| Hutchinson S | Tales from the End of Northworld | 1999 | University of Brighton | Fine Art Practices | Will Todd - Composer Alister Campbell Clare Whistler - Choreographer |
| James S | 'Subway Special' | 2000 | Wimbledon School of Art | Sculpture | William Furlong Tim Lewis Susan Stockwell |
| IRVINE Z | Audio Arts Magazine | 1995 | University of Dundee | Digital Technology | William Furlong |
| Moore S | Spectraview (call centre console) | 1996 | University of Ulster | William Lee | |
| Moore S | Ramanspec (Laser-based Raman spectroscopy unit) | 1997 | University of Ulster | William Lee | |
| Moore S | Fixon (Innovative Tape Dispenser) | 1996 | University of Ulster | William Lee | |
| Moore S | The Symphony Range | 1995 | University of Ulster | William Lee | |
| McGrath R | 'Natural Magic and Science Fiction' | 1996 | Napier University | Critical Theory of Practice | Williams, C |
| Kingston A M | 'Freedom' | 1995 | Wimbledon School of Art | Research Centre | Willie Doherty Keith Piper Mona Hatoum |
| Hilton K H | International Patent numbers: Completed 9406880.6. Nu-Cidex Sterilising Mixing Container | 1996 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Wilson Warburton, N |
| Poston D | Factfile on Jewellery | 1995 | Loughborough University | Fine and Applied Arts | Wilson, M. |
| SWIFT D G | 2000 | University of Dundee | Contemporary Practice | Wolfgang Losche Marianne V Pasqualino Atsuhiko Musashi |
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| Adams BC | The use of computer technology in craft practice. | 1996 | University of Plymouth | Centre for Visual Computing | Woolner, M. |
| Adams BC | Computer Technology in Designer Maker Practice | 1996 | University of Plymouth | Centre for Visual Computing | Woolner, M. Polletti, H. |
| Butler J | West by South West | 1999 | University of Plymouth | Art Process | Worts, M. |
| Robertson DA | 4D Design: Applied Performance in the Experience Economy | 2000 | De Montfort University | Woudhuysen, J. | |
| Docherty CA | Design in Britain 2000 - Facts, Figures and Quotable Quotes | 1999 | De Montfort University | Woudhuysen, J. | |
| Crow D | Visual Language / Dialogue | 1997 | Liverpool John Moores University | Graphic Arts | Yaki Molcho |
| Woolley M | 'From Nature to Nurture - Towards a Theory of Materials Transformation'. | 1999 | Goldsmiths College | Yam, Y. | |
| WILKES C | 'Hammer-a Nail-In ,/Celtic Cross ' Collaboration with Yoko Ono | 1994 | University of Dundee | Contemporary Practice | Yoko Ono |
| Farley P | Rituals | 2000 | Wimbledon School of Art | Theatre Design | Yolanda Sonnabend |
| Laing DW | Nice Work - If You Can Get It! A survey of musicians' employment 1978-1998 | 2000 | University of Westminster | Sound Media | York N |
| Comninos P. | A Solid Volumetric Deformable Muscle Model for Computer Animation Using a Weighted Residual Method. | 2000 | Bournemouth University | You, L. H. Zhang, J.J. |
|
| Zhang J. J. | Perturbation Solution of Rotating Solid Disks with Nonlinear Strain-Hardening. | 1997 | Bournemouth University | You, L.H. Long, S.Y. |
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| Watanabe T | Ruskin in Japan 1890-1940: Nature for art, art for life | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Yuko Kikuchi. |
| Wright DK | Realistic animation of human figures using Artificial Neural Networks | 1996 | Brunel University | Interaction Design | Z Taha R Brown |
| Brown R | Realistic animation of human figures using artificial neural networks | 1996 | University of Wales Institute, Cardiff | PDR | Z Taha D Wright |
| Bibb RJ | Development of a Rapid Prototyping Design Advice System | 1999 | University of Wales Institute, Cardiff | PDR | Z Taha D Wright R Brown |
| You L.H. | Cloth Deformation Modelling Using a Plate Bending Model. | 1999 | Bournemouth University | Zhang, J.J. Comninos, P. |
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| You L.H. | Free Form Surface Generation Using an Analytical Solution to a Fourth Order Partial Differential Equation. | 2000 | Bournemouth University | Zhang, J.J. | |
| You L.H. | Elastic-Plastic Stresses in a Rotating Solid Disk. | 1999 | Bournemouth University | Zhang, J.J. | |
| Comninos P. | Geometric Modelling and Deformation of Sheet Materials. | 1998 | Bournemouth University | Zhang, J.J. | |
| Cook JH | Online Learning for Design Students | 1996 | De Montfort University | Zhao, Z Higgett, N |
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| Lalic M | Material, Konzept, Konstrukt | 1998 | Bath Spa University College | Zoderer, B. Pinelli , P. Castagno , L. |
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| Smith A | Thermal Stability of Ink Jet Prints | 2000 | The London Institute | Media and Communication | Zoitsa Gkinni |
| NEVIN P | Time, Myth; Phantom + Reality | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | co-author Lucy Harrison |
| HARRISON L | Time, Myth; Phantom and Reality | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | co-author Pete Nevin |
| Smith J | Blight | 1997 | The London Institute | Media and Communication | composer, Jocelyn Pook |
| Howard C J | 'Mars Attacks!' Alien Design | 1996 | University of Huddersfield | concept sketches by Tim Burton | |
| FINLAY A | Without Day | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | de Vries, H Frain, R Coley, N |
| von Weiler C | Carl von Weiler | 1998 | University of Gloucestershire | ||
| von Weiler C | Carl von Weiler | 2000 | University of Gloucestershire | ||
| von Weiler C | L'H du Siege, Acte de Naissance | 2000 | University of Gloucestershire | ||
| von Weiler C | Black Box recorder: Video Art from Britain | 2000 | University of Gloucestershire | ||
| van Dooren D | Radio to the Power of Four | 2000 | The London Institute | Media and Communication | |
| van Dooren D | Bareback | 1999 | The London Institute | Media and Communication | |
| van Dooren D | Sony Playstation 2 | 2000 | The London Institute | Media and Communication | |
| van Dooren D | Alberto Aspesi | 2000 | The London Institute | Media and Communication | |
| ten Hompel S | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| ten Hompel S | Metalmorphosis | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| ten Hompel S | Contemporary British Silver | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| ten Hompel S | A Feast of Silver: Marked for the Millennium | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| de La Haye A | Ethnic Minimalism: A contextual analysis of designs by Shirin Guild | 1999 | The London Institute | Fashion and Textiles | |
| de La Hamayde S | 'Office in a Box' | 2000 | De Montfort University | ||
| de La Hamayde S | Toilet Fish | 1999 | De Montfort University | ||
| de La Hamayde S | Toilet Syphon | 1999 | De Montfort University | ||
| de La Hamayde S | Blowtorch | 2000 | De Montfort University | ||
| de Caires D | The Guyana Pavillion Latin American Art | 1999 | De Montfort University | ||
| de Caires D | Out of the Island - One Person Exhibition | 1998 | De Montfort University | ||
| de Caires D | One Person Exhibition Shopping and Painting | 1998 | De Montfort University | ||
| de Caires D | Rasterizing Generics (Pictures for Eileen) | 2000 | De Montfort University | ||
| Zschenderlein H | Gourmand | 1996 | University of Brighton | Visual and Performing Arts | |
| Zschenderlein H | Silvering-Up | 1997 | University of Brighton | Visual and Performing Arts | |
| Zschenderlein H | The Walberswick Detectives | 1996 | University of Brighton | Visual and Performing Arts | |
| Zschenderlein H | Pieces of the Moon | 1995 | University of Brighton | Visual and Performing Arts | |
| Zimmerman AL | Science without Effect | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Zimmerman AL | Nothing exists in degrees of overexposure | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Zimmerman AL | Vision Machine | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Zimmerman AL | Six Ordinary Happenings | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Zheng J. J. | Patterns of Sampled Points for Reverse Engineering. | 1996 | Bournemouth University | ||
| Zhang J. J. | Least Distorted Bump Mapping onto Surface Patches. | 1998 | Bournemouth University | ||
| Zellweger C | Facts, fakes and beauty | 1999 | Sheffield Hallam University | ||
| Zellweger C | Jerwood Applied Arts Prize 2000 | 2000 | Sheffield Hallam University | ||
| Zellweger C | The ego adorned: 20th century artists | 2000 | Sheffield Hallam University | ||
| Zellweger C | 1st European Prize for Contemporary Art + Design-led Crafts 1998 | 1998 | Sheffield Hallam University | ||
| Zeegan L I | Brain Box | 2000 | University of Brighton | Visual Communication Design | |
| Zeegan L I | The....A Bird in the Hand is Worthless | 2000 | University of Brighton | Visual Communication Design | |
| Zeegan L I | The Journal - A Digital Domain | 2000 | University of Brighton | Visual Communication Design | |
| Zeegan L I | Design Week Magazine | 2000 | University of Brighton | Visual Communication Design | |
| Zanker NP | Effective Information and Communication Technology | 2000 | Loughborough University | Design Education | |
| Zanker NP | Levels of computer use and access, at home, by years 9 and 10 pupils: an initial comparison of the types of computer used in the home and school environments, Smith, J.S. (ed) | 1996 | Loughborough University | Design Education | |
| Zanker NP | Improving ICT Entitlement through a Multiple Capability Model, Kimbell, R. (ed) | 2000 | Loughborough University | Design Education | |
| Young R A | No Guru, No Method | 1996 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | |
| Young A.N.J. | ANALYSIS OF THE AEA CLAIMS THAT THE PROPOSED EUROPEAN DIRECTIVE ON WASTE FROM ELECTRICAL AND ELECTRONIC EQUIPMENT (WEEE DIRECTIVE) WILL CONFLICT WITH THE WTO TRADE RULES | 1999 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Young A.N.J. | LOST IN TRANSITION: LOCAL MARKETS AND SUSTAINABLE PRACTICES | 1998 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Yetton CCW | nnn nnnn nnnnnnn [sic] | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Yetton CCW | Monet in the Twentieth Century: An Introduction | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Yetton CCW | The Windows of the Brandon Estate: an elegy to tall buildings | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Yetton CCW | Souvenir d'horizons | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Yeo H | 20 pieces of jewellery in tantalum, stainless steel, platinum, 9 + 18 carat white gold, silver | 2000 | London Guildhall University | ||
| Yeo H | 3 pieces of photo-etched silver jewellery from Yeo | 1997 | London Guildhall University | ||
| Yeo H | A.M., P.M (collection of 17 reversible pieces of jewellery in silver, 18 ct. gold, diamonds) | 2000 | London Guildhall University | ||
| Yeo H | Stainless steel + glass gates (3 units = 7m. x 2m.) for Huyton Library, Liverpool | 1998 | London Guildhall University | ||
| Yates M | Collection of printed textile designs. | 1999 | University of Southampton | ||
| Yates M | Printed textile designs | 1998 | University of Southampton | ||
| Yates M | Printed textile designs | 2000 | University of Southampton | ||
| Yates M | Printed textile designs | 1999 | University of Southampton | ||
| Yasuda T | Reactivating the Senses | 1999 | University of Ulster | ||
| Yasuda T | Takeshi Yasuda | 1996 | University of Ulster | ||
| Yasuda T | Takeshi Yasuda: Collaboration in Mashiko | 1998 | University of Ulster | ||
| Yasuda T | Britisk Keramik : British Ceramics.2000.dk | 2000 | University of Ulster | ||
| Yass CM | Invisible City | 1998 | The London Institute | Fine Art | |
| Yass CM | Catherine Yass | 2000 | The London Institute | Fine Art | |
| Yass CM | Window Box | 2000 | The London Institute | Fine Art | |
| Yass CM | Cell | 1999 | The London Institute | Fine Art | |
| Yair K | Through the Glass Ceiling | 1998 | Sheffield Hallam University | Applied Design Policy | |
| YEADON J.D. | A tragical comedy or comical tragedy | 1997 | Coventry University | Visual Arts | |
| Wynne J | Out of Nowhere | 1997 | The London Institute | Fine Art | |
| Wynne J | James Kamotho Kimano | 1998 | The London Institute | Fine Art | |
| Wynne J | Soundtrack | 1999 | The London Institute | Fine Art | |
| Wyman A | Button Up | 2000 | Cumbria College of Art + Design | ||
| Wyman A | Pocket, Sleeve and Pintuck | 2000 | Cumbria College of Art + Design | ||
| Wyman A | Needlework Without Specimens | 1998 | Cumbria College of Art + Design | ||
| Wyman A | A Stitch in Time | 1997 | Cumbria College of Art + Design | ||
| Wright R | Pictura Britannica | 1997 | Edinburgh College of Art | Fine Art | |
| Wright R | Manifesta 2 | 1998 | Edinburgh College of Art | Fine Art | |
| Wright R | Intelligence | 2000 | Edinburgh College of Art | Fine Art | |
| Wright R | Life / Live | 1996 | Edinburgh College of Art | Fine Art | |
| Wright R | Sound Effects of Death and Disaster | 2000 | Sheffield Hallam University | ||
| Wright R | Bedhead | 1999 | Sheffield Hallam University | ||
| Wright R | Pufferfish | 1999 | Sheffield Hallam University | ||
| Wright R | Love Over Goldfish | 1998 | Sheffield Hallam University | ||
| Wright L. | Cheltenham Open Drawing Exhibition 2000 | 2000 | Falmouth College of Arts | ||
| Wright L. | Solo Exhibition: Recent Works 97-99 | 1999 | Falmouth College of Arts | ||
| Wright L. | The Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Wright L. | The Contemporary Art Society Art Market Exhibition | 1996 | Falmouth College of Arts | ||
| Wright JM | Paintings 1996-2000 (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Wright JM | Sky + Cloud Series (commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Wright JM | Tech (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Wright E | Project Space: Model Experience | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Wright E | Becks Futures | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Wright E | Showroom | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Wright E | General Release | 1995 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Wright DK | Freehand drawing system using a fuzzy logic concept | 1999 | Brunel University | Interaction Design | |
| Wright A | The Womens Library - National Library of Womens History | 1999 | Glasgow School of Art | Design | |
| Wright A | Face Value | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Wright A | I | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Wright A | After Image | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Wright A | After Image | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Wozencroft J | The Graphic Language of Neville Brody 2 | 1994 | Royal College of Art | Communications | |
| Wozencroft J | Seeing the future today | 1994 | Royal College of Art | Communications | |
| Wozencroft J | Joy Division 'Heart and Soul' box set | 1997 | Royal College of Art | Communications | |
| Wozencroft J | Touch and Fuse | 1999 | Royal College of Art | Communications | |
| Woudhuysen J | The Future of Older People in Western Europe 1995-2010 | 1995 | De Montfort University | ||
| Woudhuysen J | Modern Product Design and Development from a Global Perspective | 1997 | De Montfort University | ||
| Worthington C | All you can eat (video short, 17min.): director | 1998 | London Guildhall University | ||
| Worthington C | Baby Monthly | 1994 | London Guildhall University | ||
| Worthington C | Shelf Lives (video short, 17 mins.) | 1997 | London Guildhall University | ||
| Worthington C | `102 | 1999 | London Guildhall University | ||
| Worrall P | Namibia | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Worrall P | Collection of Fabrics for Focus | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Worrall P | Collection of Handstitched Fabrics | 1999 | Liverpool John Moores University | Fashion and Textiles | |
| Worrall P | Collaborative Textile Collection. Taiwan Textile Federation | 1995 | Liverpool John Moores University | Fashion and Textiles | |
| Woropay V | Tareitanga Sculpture Symposium 1997 | 1997 | Wimbledon School of Art | Sculpture | |
| Woropay V | Tareitanga Sculpture Symposium 1999 | 1999 | Wimbledon School of Art | Sculpture | |
| Woropay V | The Park of the Future | 1999 | Wimbledon School of Art | Sculpture | |
| Wormald PW | The Internet for Industrial Design Students: A Case Study in Nini, P.J. (ed), Natural Resources | 1995 | Loughborough University | Design Research | |
| Wormald PW | An Enquiry into the Present and Future Role of Three Dimensional Computer Modelling as the Primary Modelling Medium for Industrial Designers in Yu-Tung, L., Jin-Yeu, T. and June-Hao, H., (eds) | 1997 | Loughborough University | Design Research | |
| Wootton M A | Tenth International Triennale Tallin exhibition | 1996 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Wootton M A | 'Bookways - The British Version' exhibition | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Wootton M A | AgB International Graphic Fine Artists touring exhibition | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Wootton M A | 'Surface@Snap exhibition of books and prints | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Woolley M | 'Taking Stock - Product Responses to the Future Retail Environment'. | 1999 | Goldsmiths College | ||
| Woolley M | Putting Practice into Practice: Assimilating Design into the Corporate Culture | 1998 | Goldsmiths College | ||
| Woolley M | The Thoughtful Markmarker-Representational Design Skills in the Post Information Age. | 1999 | Goldsmiths College | ||
| Woods R | Ford Cargo | 1996 | University of Southampton | ||
| Woods R | 18 Choppers | 1997 | University of Southampton | ||
| Woods R | Renovated Carpet No 1 (Burgandy) | 1997 | University of Southampton | ||
| Woods R | Yellow Floor Board Repeat | 1999 | University of Southampton | ||
| Woodman J | Commission: Vision of Lincoln Exhibition: Poetry of Place | 1996 | Cumbria College of Art + Design | ||
| Woodman J | Sightlines | 1997 | Cumbria College of Art + Design | ||
| Woodman J | Revelation | 2000 | Cumbria College of Art + Design | ||
| Woodley G. | Yoko Terauchi and Gary Woodley | 1998 | University College London | Painting | |
| Woodley G. | Positionen der Konkreten und Konstructiven Kunst | 1999 | University College London | Painting | |
| Woodley G. | Impingement No. 33 | 1997 | University College London | Painting | |
| Woodley G. | Duodecahydron | 1998 | University College London | Painting | |
| Woodley G | Architectonic drawing | 1998 | The London Institute | Fine Art | |
| Woodley G | Impingement No.33 | 1997 | The London Institute | Fine Art | |
| Woodley G | Duodecahydron | 1998 | The London Institute | Fine Art | |
| Woodley G | Positionen der konkreten und konstruktiven kunst | 1999 | The London Institute | Fine Art | |
| Woodham J M | An Episode in Post-Utility Design Management: the Council of Industrial Design and the Co-operative Wholesale Society | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Woodham J M | Managing British Design Reform I: Fresh Perspectives on the Early Years of the Council of Industrial Design | 1996 | University of Brighton | 20th Century Design and Film Archives | |
| Woodham J M | Twentieth Century Design | 1997 | University of Brighton | 20th Century Design and Film Archives | |
| Woodham J M | Britain Can Make It and the History of DesignThe Politics of Persuasion: State Industry and Good Design at the Britain Can Make It ExhibitionPutting the Industrial into Design: Early Problems Facing the Council of Industrial Design | 1997 | University of Brighton | Design History, Criticism and Theory | |
| Woodfine S | 'Sarah Woodfine' | 1999 | Wimbledon School of Art | Sculpture | |
| Woodfine S | 'Sarah Woodfine' | 2000 | Wimbledon School of Art | Sculpture | |
| Woodfield R A | Framing Formalism: Riegl's Work | 2000 | Nottingham Trent University | Visual Arts | |
| Woodfield R A | Gombrich on Art and Psychology | 1996 | Nottingham Trent University | Visual Arts | |
| Woodfield R A | Ernst Gombrich, Dal mio temp: Citta maestri, incontri, a cura di Woodfield | 1999 | Nottingham Trent University | Visual Arts | |
| Woodfield R A | Art History as Cultural History: Warburg's Projects | 2000 | Nottingham Trent University | Visual Arts | |
| Wood R.M. | Solo Exhibition | 1999 | Falmouth College of Arts | ||
| Wood R.M. | Triennial Sculpture Exhibition | 1999 | Falmouth College of Arts | ||
| Wood R.M. | FIDEM 1999 | 1999 | Falmouth College of Arts | ||
| Wood R.M. | Solo Exhibition - Works on Paper | 1998 | Falmouth College of Arts | ||
| Wood M H | 'British Impressionism in Japan.' and' The Victorian Imagination' | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Wood J | Situated Criticism and the Experiential Present. | 1997 | Goldsmiths College | ||
| Wood J | Towards an Ethics of Flow; Design as an Anticipatory System. | 2000 | Goldsmiths College | ||
| Wood J | The Virtual Embodied. | 1998 | Goldsmiths College | ||
| Wood B | The Glasgow Collection at the International Contemporary Furniture Fair | 1999 | Glasgow School of Art | Design | |
| Wood ND | Chinese Glazes - Their Origins, Chemistry and Recreation | 1999 | University of Westminster | Ceramics | |
| Wood ND | Plate tectonics and Chinese ceramics - new insights into the origins of China's ceramic raw materials | 2000 | University of Westminster | Ceramics | |
| Wolff M | Citigroup Inc. - commissioned design and worldwide branding | 2000 | The London Institute | Media and Communication | |
| Wolff M | British Airways Plc - commissioned redesign of visual identity and marketing | 1997 | The London Institute | Media and Communication | |
| Wolff M | The Labour Party | 1996 | The London Institute | Media and Communication | |
| Wolff M | MFI Furniture Group Plc. | 2000 | The London Institute | Media and Communication | |
| Withnall M | Drinks carbonator | 1997 | Royal College of Art | Design for Manufacture | |
| Withnall M | Hospital drinks trolley | 1995 | Royal College of Art | Design for Manufacture | |
| Withnall M | Marine safety beacon | 1994 | Royal College of Art | Design for Manufacture | |
| Withnall M | Photographic Staging System | 1994 | Royal College of Art | Design for Manufacture | |
| Withers R | Patrick Caulfield, Hayward Gallery, London | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Winters EJ | Sacraria, Tragedy and the Interior Narrative | 2000 | University of Westminster | CARTE | |
| Winters EJ | Architecture and Human Purposes | 1999 | University of Westminster | CARTE | |
| Winters EJ | On Aesthetic Appreciation | 1998 | University of Westminster | CARTE | |
| Winters EJ | Pictorial Variations | 1998 | University of Westminster | CARTE | |
| Wiltshire H | Before I Arrived | 1999 | Royal College of Art | Fine Art | |
| Wiltshire H | The Object of our Affection | 1999 | Royal College of Art | Fine Art | |
| Wiltshire H | And When I Got There | 1999 | Royal College of Art | Fine Art | |
| Wiltshire H | Pictura Brittania: Art from Britain | 1997 | Royal College of Art | Fine Art | |
| Wilson R | The 'Studio' Cultures, Protocols and Plans | 1998 | Manchester Metropolitan University | ||
| Wilson R | INTERELIA issues 1, 2 + 3 | 1996 | Manchester Metropolitan University | ||
| Wilson R | POINT: Addressing the Boundaries | 2000 | Manchester Metropolitan University | ||
| Wilson M | Magnetic | 1998 | Cumbria College of Art + Design | ||
| Wilson M | If I Ruled the World | 2000 | Cumbria College of Art + Design | ||
| Wilson M | Littoral | 1999 | Cumbria College of Art + Design | ||
| Wilson M | home | 1999 | Cumbria College of Art + Design | ||
| Wilson LJ | Donna Karan Phase 1 | 1997 | The London Institute | Fashion and Textiles | |
| Wilson LJ | Donna Karan Phase 4 | 1999 | The London Institute | Fashion and Textiles | |
| Wilson LJ | Donna Karan Phase 2 | 1998 | The London Institute | Fashion and Textiles | |
| Wilson LJ | Donna Karan Phase 3 | 1998 | The London Institute | Fashion and Textiles | |
| Wilson K | New Work | 2000 | University of Westminster | Fine Art | |
| Wilson K | Bournville Lecture, Leaning Rail, Puddle | 1999 | University of Westminster | Fine Art | |
| Wilson K | Untitled '98, Untitled '00 and Untitled '00 | 2000 | University of Westminster | Fine Art | |
| Wilson K | Library and Puddle | 1999 | University of Westminster | Fine Art | |
| Wilson AJH | Transmitter/Receiver | 1997 | University of Ulster | ||
| Wilson AJH | Kunst aus Ireland, Nordireland, Schottland | 1997 | University of Ulster | ||
| Wilson AJH | No Trustpassing | 2000 | University of Ulster | ||
| Wilson AJH | Alistair Wilson | 1996 | University of Ulster | ||
| Wilson A | Changing Wind | 1995 | University of Brighton | Materials Practices and Processes | |
| Wilson A | Decadence? Views from the edge of the century | 1999 | University of Brighton | Materials Practices and Processes | |
| Wilson A | Access Ramp Railings and Gateway for Swindon Dance Studio | 1997 | University of Brighton | Materials Practices and Processes | |
| Wilson A | Third of MayPylon | 1996 | University of Brighton | Fine Art Practices | |
| Wilson A | Anglo-Korean Trio Exhibition: Paintings and Prints | 1995 | University of Brighton | Fine Art Practices | |
| Wilson A | Remembered Figures | 1999 | University of Brighton | Memory, Identity and History | |
| Wilson A | Iron Ladder series - painting and prints | 1997 | University of Brighton | Fine Art Practices | |
| Willmoth S P J | Things Not Worth Keeping: Millennium Collection | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Willmoth S P J | Circumnavigation: the poetics of exploration in the work of Ana Maria Pacheco. | 1994 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Willmoth S P J | Childhoods End - Cornford and Cross | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Willis J | From the Beginning | 1998 | Royal College of Art | Communications | |
| Willis J | Rhythms of Life | 1999 | Royal College of Art | Communications | |
| Williamson T | Development of a Virtual Product and Product Assembly | 2000 | University of Wales Institute, Cardiff | PDR | |
| Williamson T | Design of a Medical Pump | 1999 | University of Wales Institute, Cardiff | PDR | |
| Williamson R | Contemporary Applied Arts - 50 Years of Craft | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williamson R | Reception Desk and Benches | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williamson R | Two New Chairs | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williamson R | New Members Work | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williamson M | 20 black-and-white photographic prints (16 @ 12 | 1997 | London Guildhall University | ||
| Williamson M | 2 Black + White prints 16 | 1997 | London Guildhall University | ||
| Williamson M | Some Memorials | 1999 | London Guildhall University | ||
| Williamson M | 60 large format colour photographs | 1997 | London Guildhall University | ||
| Williamson A | Nineteen Eighty Four | 1999 | The London Institute | Media and Communication | |
| Williams V | Modern Times I and II | 1999 | The London Institute | Media and Communication | |
| Williams R | Pentadactyl | 2000 | Cumbria College of Art + Design | ||
| Williams R | The Tasting Garden | 1998 | Cumbria College of Art + Design | ||
| Williams R | The Krazy Kat Problem | 1997 | Liverpool John Moores University | Art and Design History | |
| Williams R | After Modern Sculpture : Art in the United States and Europe 1965 - 70 | 2000 | Liverpool John Moores University | Art and Design History | |
| Williams R | A Celebration of Craftsmanship | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams R | Designs on Environment | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams G | British Figurative Art: Part Two - Sculpture | 1998 | Royal College of Art | Fine Art | |
| Williams G | Bronze 2000 exhibitions | 2000 | Royal College of Art | Fine Art | |
| Williams G | Flowering of the English Baroque | 1995 | Royal College of Art | Fine Art | |
| Williams G | Glynn Williams new work: Still life with shadows and echo | 2000 | Royal College of Art | Fine Art | |
| Williams E V | Strange Territory (new installation version) | 1995 | University of Reading | ||
| Williams E V | Journey into Space | 1995 | University of Reading | ||
| Williams E V | The Ladder | 1997 | University of Reading | ||
| Williams E V | Inscriptions | 1996 | University of Reading | ||
| Williams D | Is: Ecstasies I - XXII | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Williams D | The European Face | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Williams D | Stillness and Occurrence | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Williams D | Findings...Bitter-Sweet | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Williams D | Illustrations | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Williams D | Illustrations | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Williams D | Set of 12 Greetings Cards: Here Comes the Bride; Bareback Birthday; Lion Tamer; L'amour Fort; Flown; Cattle Juggler; Circus Wedding; Stroll in the Park; Cake parade; Love is in the Air; Pantomime Foals; and Flying Lesson. | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Williams D | The Travel Show, John Brown Publishing | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Willey TV | 'Making it Green' | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Willey TV | '............of a River in Epirus' - Sculpture Exhibition. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Willey TV | 'Up North' - Jeremy James and Tim Willey | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Willemen P | 'Questions of Modernisation in Indian Cinema' | 1998 | Napier University | Critical Theory of Practice | |
| Willberg P | Tatsuo Miyajima: Big Time | 1997 | The London Institute | Media and Communication | |
| Willberg P | The Words of Gilbert and George | 1997 | The London Institute | Media and Communication | |
| Willberg P | Gary Hume: British Pavilion XLVIII Venice Biennale | 1999 | The London Institute | Media and Communication | |
| Willberg P | Abracadabra: International Contemporary Art | 1999 | The London Institute | Media and Communication | |
| Wilding A | Exposure | 1994 | Royal College of Art | Fine Art | |
| Wilding A | Desormais - Two Sculptures, at Transpennine '98 | 1998 | Royal College of Art | Fine Art | |
| Wilding A | Echo | 1995 | Royal College of Art | Fine Art | |
| Wilding A | Contract | 2000 | Royal College of Art | Fine Art | |
| Whitworth L K | How German is She? Postwar West German Reconstruction and the consuming woman | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Whitworth L K | Living in a Material World | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Whitworth L K | Shop/Shopfloor: Men's Sense of Belonging in 1930s Coventry | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Whittaker P | Sad | 1996 | University of Southampton | ||
| Whittaker P | Failure, Aporia and Death | 1999 | University of Southampton | ||
| Whittaker P | It Always Rains. | 1997 | University of Southampton | ||
| Whittaker P | Orpheus Looking Back; An Exhibition in Celebration of Maurice Blanchot' | 1997 | University of Southampton | ||
| Whittaker E | Edward Whittaker | 1999 | Bath Spa University College | ||
| Whittaker E | Correctional Facility Newark, New Jersey, USA | 2000 | Bath Spa University College | ||
| Whiting B.M. | The Dead | 1996 | Falmouth College of Arts | ||
| Whiting B.M. | Distance Yourself Young Man | 2000 | Falmouth College of Arts | ||
| Whiting B.M. | Vile Bodies | 1998 | Falmouth College of Arts | ||
| Whiting B.M. | Industria Art, Second Contemporary Art Show | 1999 | Falmouth College of Arts | ||
| Whiteman P | 'The Cholmondeleys' | 2000 | Wimbledon School of Art | Theatre costume | |
| Whiteman P | 'The Rites of Spring' | 1999 | Wimbledon School of Art | Theatre costume | |
| Whiteman P | Barry Humphries 'Dame Edna Dress' | 1999 | Wimbledon School of Art | Theatre costume | |
| Whiteman P | Gladiator | 1998 | Wimbledon School of Art | Theatre costume | |
| Whiteley NS | Olympus and the Market-Place: Reyner Banham's design criticism | 1997 | Lancaster University | ||
| Whiteley NS | Whitewash, Ripolin, Shop-Girls and Matiere: Modernist Design and Gender: in Lisa Rado (ed), Modernism, Gender, and Culture | 1997 | Lancaster University | ||
| Whiteley NS | Readers of the Lost Art: Visuality and Particularity in Art Criticism: in Ian Heywood and Barry Sandwell (eds), Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual | 1998 | Lancaster University | ||
| Whiteley NS | Five Artists' Valuation of the Visual | 1999 | Lancaster University | ||
| Whiteley G | Application no.9921374.6 for an Elbow Prosthesis | 1999 | Sheffield Hallam University | ||
| Whiteley G | Application no. 9925516.8 for Wrist Prosthesis | 1999 | Sheffield Hallam University | Industrial Design | |
| Whitehead B. S. | WRITE FOR US | 1994 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. S. | OCCASIONAL GUNFIRE | 1998 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. S. | DIRECT RESPONSE ADVERTISING CAMPAIGN | 1997 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. S. | ALFRED DUNHILL | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. | CHILDREN'S TOTAL CARE TOOTHPASTE | 1997 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. | SPECIALIST HAIRCARE RANGE | 1995 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. | OWN-BRAND VIDEOTAPES | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. | ADVANCE WHITE | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| White K | Latitude Atlantique | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| White K | Autour des Cahiers de Geopoetique | 1995 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| White K | Le chemin des cretes. Avec Robert Louis Stevenson a travers les Cevennes | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| White H | Kunst Hautnah | 2000 | Sheffield Hallam University | Metalwork + Jewellery | |
| White H | Size Immaterial | 1999 | Sheffield Hallam University | Metalwork + Jewellery | |
| White H | Objects of Our Time | 1997 | Sheffield Hallam University | Metalwork + Jewellery | |
| White H | Only Human | 1999 | Sheffield Hallam University | Metalwork + Jewellery | |
| Whitaker D | Time and Seasons | 1998 | Wimbledon School of Art | Painting | |
| Whitaker D | Homage to the Mountain No.3 | 2000 | Wimbledon School of Art | Painting | |
| Whistler D | In the Path of the Sun (directed and photographed). | 1996 | University of Central England in Birmingham | Visual Communication Research Group | |
| Whistler D | Illustrations for A Time of Gifts by Patrick Leigh Fermor | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Whistler D | Shadows on the Western Front (produced, directed and photographed). | 1994 | University of Central England in Birmingham | Visual Communication Research Group | |
| Whistler D | Crusader of the Ganges (produced, directed and photographed). | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Wheeler S | Promotional Information, Membrane Protein Group - Corporate Protein Group | 1996 | University of Sunderland | Design | |
| Wheeler S | Illustrations and Design for a European Union Report | 1996 | University of Sunderland | Design | |
| Wheeler S | Illustrations for the Royal Horticultural Societies Manual of Grasses | 1995 | University of Sunderland | Design | |
| Wheeler S | Illustration and Design for Promotional Folder for the Centre for Protein Engineering | 1997 | University of Sunderland | Design | |
| Whalley S | In Sickness and in Health | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Whalley S | Bodysnatchers | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Whalley S | Computers and Printmaking | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Whalley S | Works of Artifice: Make Up Uncovered | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Westwood M | Yesterday's Future | 1998 | The London Institute | Fine Art | |
| Westwood M | All the Details Differ | 1998 | The London Institute | Fine Art | |
| Westwood M | Limit Less | 1999 | The London Institute | Fine Art | |
| Westwood M | 6 min 3 sec | 1999 | The London Institute | Fine Art | |
| West N F | Down the Line Jatulintarha project | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| West N F | The Body and the Machine | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Welsford A | Connections | 1996 | De Montfort University | ||
| Welsford A | P.O.E.T. | 1995 | De Montfort University | ||
| Welsford A | Recent Paintings 1998-9 R42 (W series) | 1999 | De Montfort University | ||
| Welsford A | R42 Series Recent Paintings 1998-2000 | 2000 | De Montfort University | ||
| Wells K | Fabric Dyeing and Printing | 1997 | De Montfort University | ||
| Wells K | Metamorphosis | 1998 | De Montfort University | ||
| Wells K | New Textiles - An Exhibition of Contemporary Resist Work | 1998 | De Montfort University | ||
| Wells EY | Photography: A Critical Introduction. Second edition. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Weileder W | Bridges | 1998 | University of Newcastle | ||
| Weileder W | Staatspeistrager 1999 | 2000 | University of Newcastle | ||
| Weileder W | Jam | 2000 | University of Newcastle | ||
| Weileder W | Was geschied bestimmt der Ort | 2000 | University of Newcastle | ||
| Webster C P | Sleepwalkers | 2000 | University of Wales, Aberystwyth | ||
| Webster C P | Riemland's Edge | 2000 | University of Wales, Aberystwyth | ||
| Webster C P | Gnosis | 1999 | University of Wales, Aberystwyth | ||
| Webster C P | Memory of the Fall | 1998 | University of Wales, Aberystwyth | ||
| Webb W | Trends in UK Retailing | 1996 | The London Institute | Fashion and Textiles | |
| Webb W | New Marketing | 1998 | The London Institute | Fashion and Textiles | |
| Webb W | Satisfying Markets of One - Alternative Models of Mass Customization in the fashion industry: How Levi's 'Original Spin' Aims to Rejuvenate the Sector | 2000 | The London Institute | Fashion and Textiles | |
| Webb T | Six of One | 2000 | Royal College of Art | Animation | |
| Webb T | A is for Autism | 1994 | Royal College of Art | Animation | |
| Webb T | Silence | 1997 | Royal College of Art | Animation | |
| Webb T | 15th February | 1995 | Royal College of Art | Animation | |
| Weaver C | My Life is an Embroidery and Elizabeth Wardle and the Leek Embroidery Society | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Weaver C | Enid Marx: designing textiles for the utility furniture design advisory panel | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Weaver C | Marx, Enid (Crystal, Dorothy), British painter and designer, 1902 | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Weaver C | Enid Marx at the Central School in the 1920's | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Wayman M | 'Changing Needs' Project: Textile Design Education - What can a graduate do? | 2000 | Manchester Metropolitan University | ||
| Wayman M | UK Textiles Fashion Education: What Next? | 1996 | Manchester Metropolitan University | ||
| Wayman M | The Challenge of Change and Its Effects on UK Textiles and Fashion Education | 1995 | Manchester Metropolitan University | ||
| Waugh A | The Blue Note Club | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Watt JMA | The Penguin Book of 20th Century Fashion Writing | 1998 | The London Institute | Fashion and Textiles | |
| Watt JMA | Revenge of the Little | 1998 | The London Institute | Fashion and Textiles | |
| Watt JMA | Once Upon a Time | 1998 | The London Institute | Fashion and Textiles | |
| Watt JMA | The Fashion Book | 1997 | The London Institute | Fashion and Textiles | |
| Watt DS | Fakenham Gasworks: Over 150 years of History | 1999 | De Montfort University | ||
| Watt DS | Consolidation and Repair of Standing Ruins: Medieval Churches in Norfolk - Parts I + II | 1996 | De Montfort University | ||
| Watt DS | The Consolidation and Repair of St Mary's Church, Houghton-on-the-Hill, Norfolk | 1999 | De Montfort University | ||
| Watson LJ | Mens and Womens Jewellery for Wedgwood | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Watson LJ | Exhibition and Workshop | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Watson LJ | New Jewellery Collections | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Watson LJ | World Gold Council Commission | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Watson L | Speech Writing: Manifesto for Design | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Watson G | 'Derek Jarman: Der Schlussel ist die Kunst | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Watson G | Herman Nitsch, Chris Burden | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Watson A | Room With A View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Watson A | Scottish Sculpture Open 9 | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Watson A | Woodland | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Watson A | Wood '98 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Watkins P | 'Survey of the European Yarn and Fabric Fairs For Autumn/Winter 2001/2002' | 2000 | Royal College of Art | Design for Manufacture | |
| Watkins P | 'The Golden Road to Samarkand' | 1999 | Royal College of Art | Design for Manufacture | |
| Watkins P | World Markets for Silk | 1997 | Royal College of Art | Design for Manufacture | |
| Watkins P | 'Computing the Value of CAD' | 1995 | Royal College of Art | Design for Manufacture | |
| Watkins D | A New Century in European Design | 1994 | Royal College of Art | Applied Art | |
| Watkins D | The Best in Contemporary Jewellery | 1994 | Royal College of Art | Applied Art | |
| Watkins D | Voyager : K | 2000 | Royal College of Art | Applied Art | |
| Watkins D | A Design Sourcebook | 1999 | Royal College of Art | Applied Art | |
| Watanabe T | The Dawn of Architectural Education in Japan | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Watanabe T | Josiah Conder's Rokumeikan: Architecture and National Representation in Meiji Japan | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Watanabe T | Owen Jones: The Grammar of Ornament : 'Orientalism' Substituted? | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Warwicker J | Moderna Museet - commissioned redesign of visual identity and marketing | 1997 | The London Institute | Media and Communication | |
| Warwicker J | Volvo - commissioned design for worldwide marketing | 1999 | The London Institute | Media and Communication | |
| Warwicker J | Miramax Films - commissioned publicity campaign | 1996 | The London Institute | Media and Communication | |
| Warren-Fisher R | DNP Duo Dojima | 1997 | Bath Spa University College | ||
| Warren RJ | Material Culture: The Object in British Art of the 1980s and ''''90s | 1997 | The London Institute | Fine Art | |
| Warren RJ | Limit Less | 1999 | The London Institute | Fine Art | |
| Warren RJ | The Agony and the Ecstasy | 2000 | The London Institute | Fine Art | |
| Warren RJ | It's a curse, it's a burden | 1998 | The London Institute | Fine Art | |
| Warr TK | Sleeper | 1996 | Oxford Brookes University | Theory | |
| Warr TK | The Informe Body | 2000 | Oxford Brookes University | Theory | |
| Warr TK | The Artists Body: A Sourcebook 1945 - Present | 2000 | Oxford Brookes University | Theory | |
| Warnell P | 'Borborygmus' ('Gut Reaction') at Charge Festival of Live Art | 1998 | University of Gloucestershire | ||
| Warnell P | deeper, deeper + deeper | 1998 | University of Gloucestershire | ||
| Warnell P | Migrations | 2000 | University of Gloucestershire | ||
| Warnell P | Meanwhile, on the other side of town....something was going down | 2000 | University of Gloucestershire | ||
| Ward S | Secret Garden (40 ceramic multiples) | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Ward S | 1998 Saint Etienne International Design Biennale | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Ward S | Hybrid (solo exhibition), Shigaraki International Residency Japan | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Ward S | 5th International Ceramics Festival 1998 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Ward R | Almost True | 2000 | University of Sunderland | Fine Art | |
| Ward R | Bigg Market | 1997 | University of Sunderland | Fine Art | |
| Ward R | Visual Anecdotes | 1999 | University of Sunderland | Fine Art | |
| Ward R | Drawings | 1997 | University of Sunderland | Fine Art | |
| Walter J | 'Collecting, the Collection and the Collector, The Pinchen Collection of Studio Pottery.', article. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walter J | 'Brampton Pots in the Kitchen', curated exhibition with catalogue. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walter J | 'Contemporary Ceramics' Solo Exhibition. | 1994 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walter J | 'Below the Salt', exhibition with catalogue. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walsh R | Wish You Were Beautiful / Speak To You Later | 1996 | University of Newcastle | ||
| Walsh R | Well Pussy | 1998 | University of Newcastle | ||
| Walsh R | Better After Death | 1997 | University of Newcastle | ||
| Walsh R | Site Specific Painting in England and Italy 2000 | 2000 | University of Newcastle | ||
| Walsh BF | Take Place | 1999 | Goldsmiths College | ||
| Walsh BF | What Do You Do? | 1999 | Goldsmiths College | ||
| Walsh BF | Trafalgar Square. | 2000 | Goldsmiths College | ||
| Wallinger M | Mark Wallinger | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Wallinger M | Credo - solo show | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Wallinger M | Mark Wallinger is Innocent | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Wallinger M | Ecce Homo | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Wallace M | John Hilliard | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Wallace M | What's it called and what's it for: an etymology of objects. | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Wallace M | Project 8 | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Wallace M | Spectacular Bodies - The Art and Science of the Human Body from Leonardo to Now | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Walker Z | Somewhere Special | 2000 | Edinburgh College of Art | Fine Art | |
| Walker Z | Somewhere near Vada | 2000 | Edinburgh College of Art | Fine Art | |
| Walker Z | Somewhere Special | 1999 | Edinburgh College of Art | Fine Art | |
| Walker Z | My Island Home: part of an ideal home | 2000 | Edinburgh College of Art | Fine Art | |
| Walker S F | Typography and language in everyday life: prescriptions and practices | 2000 | University of Reading | ||
| Walker S F | Fabula project | 2000 | University of Reading | ||
| Walker P | Design of an Electronic Lift Controller | 1996 | University of Wales Institute, Cardiff | PDR | |
| Walker P | Design of a Safety Knife for use in Industrial Applications | 2000 | University of Wales Institute, Cardiff | PDR | |
| Walker I | Sambo and Freud | 1997 | University of Wales College, Newport | Photography | |
| Walker I | Caryatid | 1998 | University of Wales College, Newport | Photography | |
| Walker I | Phantom Africa | 1997 | University of Wales College, Newport | Photography | |
| Walker A J | Borderlands | 1999 | Wimbledon School of Art | ||
| Walker A J | The Garden Making Series | 1996 | Wimbledon School of Art | ||
| Walden J | The Trauma that is Art | 1998 | University of Portsmouth | Art and Philosophy | |
| Walden J | It's Extraordinary How Beautiful Your Skin Is | 2000 | University of Portsmouth | Art and Philosophy | |
| Walden J | A Telephonic Exchange, Uncommon Denominators | 1999 | University of Portsmouth | Art and Philosophy | |
| Walden J | Sensations in Differ-ance | 2000 | University of Portsmouth | Art and Philosophy | |
| Wainwright C | Solid State | 1996 | The London Institute | Fine Art | |
| Wainwright C | Gilt | 2000 | The London Institute | Fine Art | |
| Wainwright C | Quaterlight | 1997 | The London Institute | Fine Art | |
| Wainwright C | Throwing Caution and Other Walks | 1997 | The London Institute | Fine Art | |
| Waeckerle E. | LOOK OUT ART-SOCIETY-POLITICS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Waeckerle E. | I CONFESS | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Waeckerle E. | 4TH ST PETERSBURG BIENNALE | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Waeckerle E. | WHEN (EVERY SECOND COUNTS) | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Wade G | Curating in the 21st Century | 2000 | University of Wolverhampton | Fine Art | |
| Wade G | Kling Klang | 1998 | University of Wolverhampton | Fine Art | |
| Wade G | Low Maintenance/High Precision | 1997 | University of Wolverhampton | Fine Art | |
| Waddell G | Design of Linnaeus writing table, wardrobe, bedside table, mirror and bed. | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waddell G | CAD for Clothing and Textiles | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waddell G | Design of 'Sandemar' bed and wardrobe | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waddell G | Design of 'Gripsholm' breakfast table | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| WRIGHT M J | Tech | 1998 | Kent Institute of Art + Design | ||
| WRIGHT M J | One Person Exhibition | 2000 | Kent Institute of Art + Design | ||
| WRIGHT M J | Sky + Cloud Series | 1999 | Kent Institute of Art + Design | ||
| WRIGHT J | PYLON - SOLO SHOW | 2000 | Middlesex University | ||
| WRIGHT J | VESSEL | 1999 | Middlesex University | ||
| WRIGHT J | MODEL - GROUP EXHIBITION [CURATOR + EXHIBITOR] | 1998 | Middlesex University | ||
| WRIGHT J | CROCK | 1998 | Middlesex University | ||
| WRIGHT I. | A review of research into engineering change management: implications for product design | 1997 | Coventry University | The Design Institute | |
| WRIGHT A | After Image | 1998 | University of Lincoln | ||
| WRIGHT A | Contemporary Photographers | 1997 | University of Lincoln | ||
| WORDEN S | Postgraduate Research and Digital Media | 1998 | University of West of England, Bristol | Digital Media Research Centre | |
| WORDEN S | Thinking critically about virtual museums | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| WORDEN S | Design Research in New Media: Strength through Collaboration and Partnership | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| WORDEN S | From the exploratory to the declarative: Interpreting the World Wide Web | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| WOOD T | British Portraits | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| WOOD T | Tom Wood | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| WOOD T | Corpus; Paintings and Drawings by Tom Wood | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| WOOD T | The Spirit of Place | 1994 | Bretton Hall | FINE ART (PAINTING) | |
| WOLMARK J | Cyberpunk, Cyborgs and Feminist Science Fiction | 1997 | University of Lincoln | ||
| WOLMARK J | The Romance of Nanotechnology | 1996 | University of Lincoln | ||
| WOLMARK J | Cybersexualities: A Reader in Feminist Theory Cyborgs and Cyberspace | 1999 | University of Lincoln | ||
| WOLMARK J | Rethinking Bodies and Boundries: Science Fiction, Cyberpunk and Cyberspace | 1997 | University of Lincoln | ||
| WILLIAMS M.D. | The London subterranean | 1999 | Coventry University | Design | |
| WILLIAMS M.D. | Sala Goya | 1995 | Coventry University | Design | |
| WILLIAMS M.D. | Illustrations for Experiment Magazine | 1998 | Coventry University | Design | |
| WILKES C | Direcor Wilkes Gallery Projects | 1994 | University of Dundee | Contemporary Practice | |
| WENTWORTH R | Blue | 2000 | University of Oxford | ||
| WENTWORTH R | Little Differences: Richard Wentworth at Christ Church Picture Gallery | 1996 | University of Oxford | ||
| WENTWORTH R | Richard Wentworth | 1999 | University of Oxford | ||
| WENTWORTH R | Thinking Aloud | 1998 | University of Oxford | ||
| WATSON A J | Singing for Dead Singers, 5 Exhibitions By Arthur Watson | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| WARREN RJ | Material Culture | 1997 | University of Oxford | ||
| WARREN RJ | It's a curse, it's a burden | 1998 | University of Oxford | ||
| WARREN RJ | The Agony and the Ecstasy | 2000 | University of Oxford | ||
| WARD R | Songs - 14 Bronze Sculptures | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| WARD R | Conventions, Objects and Fields | 1995 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| WARD R | Six Memos for the Next Millennium | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| WARD R | Crimsworth | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| WARD J | Inside Cover | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| WARD J | Please Touch | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| WARD J | This is not a book | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| WALLINGER M | The Turner Prize | 1995 | University of Oxford | ||
| WALLINGER M | Mark Wallinger: Credo | 2000 | University of Oxford | ||
| WALLINGER M | Mark Wallinger | 1995 | University of Oxford | ||
| WALLINGER M | Ecce Homo | 1999 | University of Oxford | ||
| WALLER R. | Information design: how the disciplines work together | 1995 | Coventry University | The Design Institute | |
| WALLER J.N. | Birth | 1997 | Coventry University | Visual Arts | |
| WALLER J.N. | Birth | 1998 | Coventry University | Visual Arts | |
| WALKER-BARKER D | David Walker-Barker | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| WALKER-BARKER D | David Walker-Barker | 1994 | Bretton Hall | FINE ART (PAINTING) | |
| WALKER-BARKER D | Northern Light | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| WALKER-BARKER D | Migrations through Time | 1999 | Bretton Hall | FINE ART (PAINTING) | |
| WALKER D B | The Use of Shingles as a Roof Covering in Medieval Scotland | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| WADE E | PHRYNOCEPHALUS | 1999 | Middlesex University | ||
| WADE E | HERMIRHAGERRHIS KELLERI | 2000 | Middlesex University | ||
| WADE E | AMPHIBIA ANUDA RANIDAE | 2000 | Middlesex University | ||
| WADE E | TAKYDROMUS | 1997 | Middlesex University | ||
| Vyner T | Swallow Tale | 1999 | Bath Spa University College | ||
| Vyner T | Dragon Mountain | 1996 | Bath Spa University College | ||
| Vyner T | Illustrated Effort | 1996 | Bath Spa University College | ||
| Votolato G | American Design in the Twentieth Century | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Votolato G | My Own Private Chevrolet | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Votolato G | Work as Play: the Do-It-Yourself Movement and the American Home | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Votolato G | Making Buildings | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Virtue JA | John Virtue. Exe Estuary 1997-2000. | 1999 | University of Plymouth | Art Process | |
| Virtue JA | John Virtue - New Works | 1995 | University of Plymouth | Art Process | |
| Virtue JA | John Virtue New Paintings | 2000 | University of Plymouth | Art Process | |
| Virtue JA | John Virtue. New Paintings 1998-2000 | 2000 | University of Plymouth | Art Process | |
| Viner DJ | Vertellingen Met Water | 1995 | The London Institute | Fine Art | |
| Viner DJ | Is Tall Better Than Small? | 2000 | The London Institute | Fine Art | |
| Viner DJ | Air Moves | 1998 | The London Institute | Fine Art | |
| Viner DJ | Transformers: A Moving Experience | 1996 | The London Institute | Fine Art | |
| Vincentelli M M | Women and Ceramics Gendered Vessels | 2000 | University of Wales, Aberystwyth | ||
| Vincentelli M M | The Welsh Dresser: a case study | 2000 | University of Wales, Aberystwyth | ||
| Vincentelli M M | Embodiments: women's ceramic traditions and the work of Gabriele Koch and Vilma Henkelman | 2000 | University of Wales, Aberystwyth | ||
| Vincentelli M M | The Ceramic Collection and Archive, University of Wales, Aberystwyth | 2000 | University of Wales, Aberystwyth | ||
| Vince J. | Essential Computer Animation. | 2000 | Bournemouth University | ||
| Verran V | John Moore's 20 | 1997 | Falmouth College of Arts | ||
| Verran V | Recent Paintings | 1995 | Falmouth College of Arts | ||
| Verran V | Paintings 1995 to 2000 | 2000 | Falmouth College of Arts | ||
| Verran V | 10 Year Retrospective | 1999 | Falmouth College of Arts | ||
| Verran V | Paintings 1990-1999 | 1999 | The London Institute | Fine Art | |
| Verran V | At the edge: the new paintings of Virginia Verran | 1995 | The London Institute | Fine Art | |
| Verran V | John Moores Liverpool Exhibition | 1997 | The London Institute | Fine Art | |
| Verran V | In Transit: Some Contemporary Art British Art | 1997 | The London Institute | Fine Art | |
| Vernon SA | 'Hand to Mouth'. | 1998 | University of Derby | ||
| Vernon SA | 'Cutlery Art - Ancient and Modern.' | 1999 | University of Derby | ||
| Vernon S.A. | Hand to Mouth: The culture and form of eating implements | 1998 | Falmouth College of Arts | ||
| Vernon S.A. | The Art and Evolution of Cutlery | 1999 | Falmouth College of Arts | ||
| Verhoeven J | Open Sesame | 1999 | The London Institute | Fashion and Textiles | |
| Verhoeven J | Conversation Piece | 2000 | The London Institute | Fashion and Textiles | |
| Verhoeven J | Reinaldo Lourenco | 2000 | The London Institute | Fashion and Textiles | |
| Verhoeven J | Word Up by Mel B, CGI Music Video | 1999 | The London Institute | Fashion and Textiles | |
| Verdon A | Solo Exhibition | 2000 | Liverpool Hope | ||
| Verdon A | Papering | 1998 | Liverpool Hope | ||
| Verdon A | Solo Show - New Ceramics | 1997 | Liverpool Hope | ||
| Verdon A | Minimal | 2000 | Liverpool Hope | ||
| Veness AD | Peter's Court | 1995 | University of Southampton | ||
| Veness AD | We Are, Of Course, Free | 2000 | University of Southampton | ||
| Veness AD | Caf | 1995 | University of Southampton | ||
| Veness AD | Attendant | 1996 | University of Southampton | ||
| Vaughan S | Lerner womenswear collection autumn/winter 1994 | 1994 | The London Institute | Fashion and Textiles | |
| Vaughan S | Lerner womenswear collection spring/summer 1994 | 1994 | The London Institute | Fashion and Textiles | |
| Vargo A | Take 20 | 1998 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Vanke F | Risk Takers and Pioneers | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Vanke F | Arabesques: North Africa, Arabia and Europe | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Vanke F | The contribution of CDE Fortnum to the Historiography and Collecting of Islamic Ceramics | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Vanke F | Diverse Routes | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Van Liefferinge K | 1996 | Leeds Metropolitan University | Design | ||
| Van Liefferinge K | 1996 | Leeds Metropolitan University | Design | ||
| Van Liefferinge K | LUX | 1998 | Leeds Metropolitan University | Design | |
| Van Liefferinge K | Decorative Arts Today | 1996 | Leeds Metropolitan University | Design | |
| Van Dooren I | Charles Peace, der Fall und die Filme | 1997 | University of Brighton | 20th Century Design and Film Archives | |
| Van Dooren I | Travelling Times | 1996 | University of Brighton | 20th Century Design and Film Archives | |
| Van Dooren I | Leinwandreisen um die Welt | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| VOSS R | Furniture | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| VOSS R | Black and Blue | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| VOSS R | These Days: new work by Roy Voss | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| VOSS R | Craft | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| VOORSANGER J | Art Stars | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| VOORSANGER J | We Love You - Candy Records | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| VOORSANGER J | My Eye Hurts | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| VOORSANGER J | Networking - Art by Post + Fax | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| VAN DER LEM P | International co-operation and developing national and international standards of work and digital publishing and visual gallery systems | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| VAN DER LEM P | Search and research in Fine Print: creating practice based and theoretical research for the discipline of Fine Print | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| VAN DER LEM P | Reflections on the diversity of research ideas: impact and successes in research for Art, Media and Design | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| VAN DER LEM P | Development of the PhD for the Visual Arts | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Utting J.A. | International Small Engraving Salon | 2000 | Falmouth College of Arts | ||
| Utting J.A. | Graphic Art of Small Formats | 1998 | Falmouth College of Arts | ||
| Utting J.A. | Japanese Connections | 2000 | Falmouth College of Arts | ||
| Utting J.A. | +M2 (The Large Print Show) | 1997 | Falmouth College of Arts | ||
| Ursitti C | Habitat, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Ursitti C | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Ursitti C | If I Ruled The World, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Ursitti C | Evolution isnt Over Yet, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Ure J | Competitiveness Through Networked Collaboration (Competitividad a Taves de la Cooperacion Online) | 1999 | Robert Gordon University | Learning Strategies | |
| Ure J | Profiling Study and Communication Skills for Non-Traditional Students | 1998 | Robert Gordon University | Learning Strategies | |
| Unsworth J | Animal | 1998 | University of Southampton | ||
| Unsworth J | Sculpture at Goodwood | 1997 | University of Southampton | ||
| Unsworth J | The Delights of Eden | 1994 | University of Southampton | ||
| Unsworth J | Three Elephants | 1997 | University of Southampton | ||
| Unger G | ANWB typeface | 1996 | University of Reading | ||
| Unger G | Capitolium | 1998 | University of Reading | ||
| Unger G | Terwijl je leest [While you read] | 1997 | University of Reading | ||
| Unger G | Coranto | 1999 | University of Reading | ||
| URE A | Really out of Order | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| URE A | Three Scottish Artists | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| URE A | Royal Scottish Academy: Annual Exhibition | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| URE A | New Paintings by Simon Callery, Jane Harris, Mandy Ure, Roy Voss | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Tyrrell J | Exhibition of designs and models | 1994 | University of Sunderland | Design | |
| Tyrrell J | Cultural Exchange Programme. Habitation | 1998 | University of Sunderland | Design | |
| Tyrrell J | Isambard Kingdom Brunel:Recent Works | 2000 | University of Sunderland | Design | |
| Tyrrell J | 70s and 80s the High-Tech Age | 1999 | University of Sunderland | Design | |
| Twyman M L | Baron Taylors voyages pittoresques et romantiques dans lancienne France | 1998 | University of Reading | ||
| Twyman M L | Early lithographed music: a study based on the H. Baron collection | 1996 | University of Reading | ||
| Twyman M L | The encyclopedia of ephemera: a guide to the fragmentary documents of everyday life by Maurice Rickards, edited and completed by Michael Twyman with the assistance of S. du Boscq de Beaumont and Amoret Tanner | 2000 | University of Reading | ||
| Twyman M L | The British Library guide to printing: history and techniques | 1998 | University of Reading | ||
| Twomey C. | 4A BIENNAL EUROPEA DE CERAMICA | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Twomey C. | EDINBURGH MAKERS | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Twomey C. | 51 PREMIO FAENZA | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Twomey C. | EUROPAISCHE KERAMIK '99 | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Turnock P | (r)evolution Design Undergraduate Database | 2000 | Brunel University | Design Pedagogy | |
| Turner M | 'Home: Multi-Stories' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner M | 'Hong Kong Design and the Roots of Sino-American Trade Disputes' | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner M | 'Dissolving the People' | 1997 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner M | 'Originality, Imitation, and Hong Kong Registered Designs' | 1999 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner D | Ordinary People - 22 prints | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turner D | David Turner, Solo Exhibition | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turner D | Colour photographs | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turner D | Six Photos of Artists Studios | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turner A | Eye to I | 1998 | Southampton Institute | ||
| Turner A | Enigma of Arrival | 1996 | Southampton Institute | ||
| Turner A | The Boy in the Boat | 1997 | Southampton Institute | ||
| Turner A | Depths in Metres | 1999 | Southampton Institute | ||
| Turnbull A | Alison Turnbull | 1997 | Wimbledon School of Art | Painting | |
| Turnbull A | 'Houses into Flats' | 2000 | Wimbledon School of Art | Painting | |
| Turnbull A | 'Moon' | 1999 | Wimbledon School of Art | Painting | |
| Turnbull A | 'Alison Turnbull, New Paintings' | 2000 | Wimbledon School of Art | Painting | |
| Turk GJT | Sensation: Young British Artists from the Saatchi Collection | 1997 | The London Institute | Fine Art | |
| Turk GJT | Ant Noises at the Saatchi Gallery Part 1 and Part 2 | 2000 | The London Institute | Fine Art | |
| Turk GJT | Turkish | 1995 | The London Institute | Fine Art | |
| Turk GJT | The Importance of Being Ernesto | 1999 | The London Institute | Fine Art | |
| Tunstall D | 'When Suddenly' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Tuckett S M | Ariadne: Reading the Cloth | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Tuckett S M | Security | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Tuckett S M | Trace Elements (textile mixed media 3D) | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Tuckett S M | Fragile Futures | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Tucker M E | Jan Garbarek: Deep Song | 1998 | University of Brighton | Visual and Performing Arts | |
| Tucker M E | From Frans Widerberg: Bilder, En Reise | 1994 | University of Brighton | Fine Art Practices | |
| Tucker M E | Through a Glass, Deeply | 1998 | University of Brighton | Memory, Identity and History | |
| Trusselle K | 9 x 9 x 9 | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Trusselle K | Room for Room | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Trusselle K | States of Grace | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Trusselle K | Re-visions: Pictures at an Exhibition | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Trowles P | Great Building: Shame About the Students! C.R Mackintoshs Glasgow School of Art | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Trowles P | Charles Rennie Mackintosh: The Italian Connection | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Trowles P | C. R Mackintosh: The European Connection | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Trodd C | The Authority of Art: Cultural Criticism and the Idea of the Royal Academy in mid-Victorian Britian | 1997 | University of Sunderland | Fine Art | |
| Trodd C | Culture and Energy : Ford Madox Brown, Thomas Carlyle and the Cromwellian Grotesque | 2000 | University of Sunderland | Fine Art | |
| Trodd C | The Paths to the National Gallery | 2000 | University of Sunderland | Fine Art | |
| Trodd C | Academic Cultures: The Royal Academy and the Commerce of Discourse in Victorian London | 2000 | University of Sunderland | Fine Art | |
| Triggs T | Graphic Design | 2000 | Kingston University | ||
| Triggs T | Typo-Anarchy: A New Look at the Fanzine Revolution | 1998 | Kingston University | ||
| Treplin A | The Coronation of poppea | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Treplin A | The Three Sisters | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Treplin A | Eurydice | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Treplin A | Orpheus in the Underworld | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Treen C | 1995 | Leeds Metropolitan University | Environmental Art and Design | ||
| Treen C | 1996 | Leeds Metropolitan University | Environmental Art and Design | ||
| Treen C | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Treen C | 1995 | Leeds Metropolitan University | Environmental Art and Design | ||
| Tredre R | Is Big Better for Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Tredre R | Little by Little Designers take to Websales | 2000 | The London Institute | Fashion and Textiles | |
| Tredre R | The Age Agenda | 1999 | The London Institute | Fashion and Textiles | |
| Tredre R | Worth Global Style Network | 2000 | The London Institute | Fashion and Textiles | |
| Travers K | 'Donkey Work' | 1995 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Travers K | The Ramayana directed by Kath Travers | 1997 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Travers K | 'Sunny Havens' (a.k.a. 'Meat!') | 1995 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Trangmar SRA | Take Heart Roof Garden | 1998 | The London Institute | Fine Art | |
| Trangmar SRA | Ariadnes Dream and Double Duration | 2000 | The London Institute | Fine Art | |
| Trangmar SRA | Susan Trangmar | 1998 | The London Institute | Fine Art | |
| Trangmar SRA | European Photography Award Exhibition / Exposures | 1996 | The London Institute | Fine Art | |
| Trambusti B | Design for Puffa range of equestrian clothing | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Tozer J | High 'Art' - 'Low' Culture. | 1999 | Goldsmiths College | ||
| Tozer J | 2 Mins Charing Cross. | 2000 | Goldsmiths College | ||
| Tozer J | From Today Painting is Dead. | 1998 | Goldsmiths College | ||
| Tozer J | Based on a True Story. | 1996 | Goldsmiths College | ||
| Townsend S | Arts Editor: Visual Arts | 1995 | The London Institute | Fine Art | |
| Townsend S | Multiple Store: First Collection / Multiple Store Touring Exhibition | 1998 | The London Institute | Fine Art | |
| Townsend S | Women's Art Magazine | 1994 | The London Institute | Fine Art | |
| Townsend S | Multiple Store: Second Collection and touring exhibition | 1999 | The London Institute | Fine Art | |
| Torrens GE | Design for Ageing and Disability at Key Stage 4: An introduction to the nature of designing, available teaching materials and resources | 1998 | Loughborough University | Design Ergonomics | |
| Torrens GE | Understanding The Product User: The Implementation Of A User-Centred Design Approach By Student Industrial Designers When Designing For Elderly And Disabled People | 2000 | Loughborough University | Design Research | |
| Topping M J | Handy 1 - A Rehabilitation Robotics System for the Severely Disabled, keynote lecture. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Topping M J | HATS A High Technology Hand Assessment System | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Toop D | Exotica: Fabricated Soundscapes in a Real World | 1999 | The London Institute | Fine Art | |
| Toop D | Museum of Fruit: Arc | 1999 | The London Institute | Fine Art | |
| Toop D | Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds | 1996 | The London Institute | Fine Art | |
| Toop D | Sonic Boom | 2000 | The London Institute | Fine Art | |
| Todd G | Gallery SIDE 2 | 2000 | Edinburgh College of Art | Fine Art | |
| Todd G | Mount Hiddenabyss | 2000 | Edinburgh College of Art | Fine Art | |
| Todd G | Andrew Mummery Gallery, London | 1998 | Edinburgh College of Art | Fine Art | |
| Todd G | The Persistence of Painting | 1995 | Edinburgh College of Art | Fine Art | |
| Toal D | Journey's End, video | 2000 | University of Portsmouth | Memory, Identity and Material Culture | |
| Tisdall C | Maze for the Millenium: Footprint in Time | 2000 | Oxford Brookes University | Creative Practice | |
| Tisdall C | Joseph Beuys: We Go This Way | 1998 | Oxford Brookes University | Social Sculpture Research Unit | |
| Tisdall C | Beuys and the Celtic world | 1995 | Oxford Brookes University | Theory | |
| Tisdall C | Grist to the Mill: Selected Writings 1970-1995 | 1995 | Oxford Brookes University | Theory | |
| Ting P | Topiary | 1994 | University of Central Lancashire | ||
| Ting P | Peter Ting for Thomas Goode Collection | 1998 | University of Central Lancashire | ||
| Ting P | Nebula | 2000 | University of Central Lancashire | ||
| Ting P | place setTing | 2000 | University of Central Lancashire | ||
| Tillotson E | Eastwest Prints | 1998 | University of Sunderland | Fine Art | |
| Tillotson E | Friends From the North | 1997 | University of Sunderland | Fine Art | |
| Tillotson E | Sculpture - Drawings | 1994 | University of Sunderland | Fine Art | |
| Tillotson E | Border Axis | 2000 | University of Sunderland | Fine Art | |
| Tillers I | The World Over / Under Capricorn | 1996 | Southampton Institute | ||
| Tillers I | Towards Infinity | 2000 | Southampton Institute | ||
| Tillers I | Diaspora in Context | 1996 | Southampton Institute | ||
| Till N J T | The Ear of the Man Hath not Seen | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Till N J T | The Everyday Sublime in the Work of Station House Opera | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Tibbs B | Corporate Design for Royal British Legion Security | 1998 | Kingston University | ||
| Tibbs B | Young at Art Awards 2000 | 2000 | Kingston University | ||
| Tibbs B | Checklist | 1999 | Kingston University | ||
| Tibbs B | Tactical Caf | 1998 | Kingston University | ||
| Thrower S | Collection of printed textile designs for Stork, Netherlands | 1999 | University of Southampton | ||
| Thrower S | One of three printed textile design collections for KBC, Germany | 1997 | University of Southampton | ||
| Thrower S | Pieces'. Collection for winter 1999/2000 (London and India) | 1998 | University of Southampton | ||
| Thrower S | Designs for Traidcraft, Tyne and Wear, UK. | 1999 | University of Southampton | ||
| Throp M | Catalogue essay | 1999 | Goldsmiths College | ||
| Throp M | Bread Matters. | 2000 | Goldsmiths College | ||
| Throp M | Virtue and Vulgarity. | 1997 | Goldsmiths College | ||
| Throp M | Footnotes. | 1998 | Goldsmiths College | ||
| Thorpe A. | SALMON IN YOUR BUILDING | 1999 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Thorpe A. | ENCOMPASS. ACTUAL PRODUCTS, VIRTUAL TOURS | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Thorpe A. | ON THE GROUND | 1995 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Thornhill PH | Quatermass and the Pit | 1998 | De Montfort University | ||
| Thoquenne M | 'Sylvie', Documentary. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Thoquenne M | 'Sylvie', feature length documentary broadcast on Canal Plus Television, France. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Thoquenne M | 'Visions of Joan', Commission to write feature script drama. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Thoquenne M | 'Sylvie', Commission to write and direct feature documentary. | 1996 | University of Derby | Centre for Research in Film and Photography | |
| Thomson J.R. | Obituary | 1997 | University College London | Fine Art Media | |
| Thomson J.R. | Ground Control | 1997 | University College London | Fine Art Media | |
| Thomson J.R. | Pandaemonium '98 | 1998 | University College London | Fine Art Media | |
| Thomson J.R. | Artists Entertainment Network | 2000 | University College London | Fine Art Media | |
| Thomson J | The Hive | 1996 | Southampton Institute | ||
| Thomson J | Star Gazing | 2000 | Southampton Institute | ||
| Thomson J | Warmley Brook Bridge | 1998 | Southampton Institute | ||
| Thomson J | Animal + Vegetable = Mineral | 1999 | Southampton Institute | ||
| Thomson G | Computer Aided Calligraphy 1 | 2000 | Cumbria College of Art + Design | ||
| Thomson G | Computer aided calligraphy: Where write isn't wrong | 1999 | Cumbria College of Art + Design | ||
| Thomson G | L'art de la Lettre (Work of the Society of Calligraphers of Montreal and George Thomson) | 2000 | Cumbria College of Art + Design | ||
| Thomson G | Computer Aided Calligraphy 2 | 2000 | Cumbria College of Art + Design | ||
| Thompson V | British Airports Authority - commissioned design and build | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Thompson V | EMI Archive - commissioned interior design and fitting out | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Thompson V | Library for Centre for Language Teaching and Research - commissioned design and fitting out | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Thompson V | Caribbean Heritage Project Commission - commissioned project design and strategic plan | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Thompson R | The Technology of Paper Recycling | 1997 | The London Institute | Fine Art | |
| Thompson R | Printing Materials: Science and Technology | 1997 | The London Institute | Media and Communication | |
| Thompson L J | Exhibition of glass 'Vessels'. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Thompson L J | Pilchuck Glass Scholarship and Glass Auction, Seattle | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Thompson L J | Gallery refurbishment, Bluecoat Display Centre, Liverpool | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Thompson GR | New Designers | 2000 | Brunel University | Environmentally Sensitive Design | |
| Thompson GR | Designing Designers | 2000 | Brunel University | Environmentally Sensitive Design | |
| Thompson GR | Tomorrows World Live | 1999 | Brunel University | Environmentally Sensitive Design | |
| Thompson GR | Nissan Re-branding Concept | 2000 | Brunel University | Environmentally Sensitive Design | |
| Thompson GA | Gladstone Thompson | 1998 | The London Institute | Fine Art | |
| Thompson GA | Fall-Out | 1996 | The London Institute | Fine Art | |
| Thompson GA | Installation | 1999 | The London Institute | Fine Art | |
| Thompson E. | Estelle Thompson: Recent Paintings and Prints | 1999 | University College London | Painting | |
| Thompson E. | Milton Keynes Theatre Commission | 1999 | University College London | Painting | |
| Thompson E. | Estelle Thompson: Fuse Paintings | 1998 | University College London | Painting | |
| Thompson E. | Estelle Thompson: Recent Paintings 1999-2000 | 2000 | University College London | Painting | |
| Thompson E | Estelle Thompson '94-'96 | 1996 | De Montfort University | ||
| Thompson E | Paintings | 2000 | De Montfort University | ||
| Thompson E | Blue - Themed Inaugural Exhibition | 2000 | De Montfort University | ||
| Thompson E | Fuse Paintings | 1998 | De Montfort University | ||
| Thompson B | Magnetic | 1998 | University of Sunderland | Fine Art | |
| Thompson B | Artlanta | 1996 | University of Sunderland | Fine Art | |
| Thompson B | Border Axis | 2000 | University of Sunderland | Fine Art | |
| Thompson B | Socha A Objekt. | 1998 | University of Sunderland | Fine Art | |
| Thompson A | Bags O' Fun | 2000 | Brunel University | Design for Inclusion | |
| Thompson A | Multi-sensory wall | 2000 | Brunel University | Design for Inclusion | |
| Thomas PD | Strategies to optimise car safety for real world collisions | 1997 | Loughborough University | Design Ergonomics | |
| Thomas PD | The definition of crash parameters for an advanced frontal crash test based on real world crashes | 1995 | Loughborough University | Design Ergonomics | |
| Thomas P | The Trojan War Drawings | 1999 | University of Gloucestershire | ||
| Thomas P | Cheltenham Open Drawing Exhibition 2000 | 2000 | University of Gloucestershire | ||
| Thomas P | The Trojan War | 1998 | University of Gloucestershire | ||
| Thomas P | Histories: Four British Painters | 1997 | University of Gloucestershire | ||
| Thomas NG | Docking Station for housing various Ultrasonic Measuring Devices | 1998 | University of Wales Institute, Cardiff | PDR | |
| Thomas NG | Design and Testing of a Hip Fracture Protector | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas NG | Design of a Complex Gas Analysis Product | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas NG | Design of a Hospital Day Chair | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas KR | Vaccines: Monkey Business | 1997 | University of Westminster | Visual Media | |
| Thomas KR | From Despair to Where | 1995 | University of Westminster | Visual Media | |
| Thomas KR | To Hell and Back | 1996 | University of Westminster | Visual Media | |
| Thomas KR | Melodrama and the Negotiation of Morality | 1995 | University of Westminster | Visual Media | |
| Thomas J | '4 Ways He Tried to Tell You' | 1999 | Wimbledon School of Art | Painting | |
| Thomas J | 'The Film Couch' | 2000 | Wimbledon School of Art | Painting | |
| Thomas J | 'Important Toy' | 1997 | Wimbledon School of Art | Painting | |
| Thapalyal RI | Elements of change: group exhibition | 1994 | Glasgow School of Art | The Decorative Arts | |
| Thapalyal RI | A Gift for India: group exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| Thapalyal RI | Devi Prasad: The Culture of Making | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Terstappen C | Omens and Portents | 1999 | University of Southampton | ||
| Terstappen C | Places of Power - La terra sagrada dels indis Navajo. | 2000 | University of Southampton | ||
| Terstappen C | Women of the World - A Global Collection of Art | 2000 | University of Southampton | ||
| Terstappen C | Triennale of Sculpture | 1998 | University of Southampton | ||
| Ten Hompel S | 8 (table) spoons | 1999 | London Guildhall University | ||
| Ten Hompel S | Landscape in 3 parts | 2000 | London Guildhall University | ||
| Ten Hompel S | 30 pieces (concrete, found objects, gold, steel, glass etc.) varying in size 1m. 20cms x 10cm x 10cms. | 1995 | London Guildhall University | ||
| Ten Hompel S | Liebfraumilch | 1994 | London Guildhall University | ||
| Ten Brink J | The Man who Couldn't Feel and Other Tales | 1997 | University of Westminster | Visual Media | |
| Ten Brink J | Icarus | 2000 | University of Westminster | Visual Media | |
| Ten Brink J | Journey through the Night | 2000 | University of Westminster | Visual Media | |
| Telford SJ | Spring window display (commission) | 1999 | Loughborough University | Textiles | |
| Telford SJ | Spring window display (commission) | 1998 | Loughborough University | Textiles | |
| Telford SJ | Pre-Christmas window displays (commission) | 2000 | Loughborough University | Textiles | |
| Telford SJ | Addressing the Century - 'Dressing Room' Section (exhibition) | 1998 | Loughborough University | Textiles | |
| Tebby S | Hill, Beck + Marsh 1991-93: An environmental sculptural landscaping scheme with water features for two courtyards at Quarry House, Leeds: A Case Study | 1997 | De Montfort University | ||
| Tebby S | Geometric Mosaics of Roman Britain | 1994 | De Montfort University | ||
| Tebby S | Tidal Reach - water feature and surrounding paving, using blue and green Burlington slate | 1995 | De Montfort University | ||
| Tebby S | Comparative Analytical Drawings and Methods of Construction for some Circular Mosaics in the Roman Empire | 1997 | De Montfort University | ||
| Tchalenko J | Noise | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Tchalenko J | Bad at Writing, Good at Drawing | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Tchalenko J | Alexander Iyas | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Taylor S | Classifications I and II. | 1997 | Goldsmiths College | ||
| Taylor S | Dirty Knicker Girl | 1996 | Southampton Institute | ||
| Taylor S | Objects Flown | 1998 | Southampton Institute | ||
| Taylor S | Beware of the Dog | 1999 | Southampton Institute | ||
| Taylor S | Room | 1997 | Southampton Institute | ||
| Taylor S | SWUMMING. | 1999 | Goldsmiths College | ||
| Taylor S | Nevernover. | 1999 | Goldsmiths College | ||
| Taylor M | The Room of Answers | 2000 | The London Institute | Fine Art | |
| Taylor M | Grafica | 2000 | The London Institute | Fine Art | |
| Taylor M | Recent English Prints | 1999 | The London Institute | Fine Art | |
| Taylor M | Weatherview | 1996 | The London Institute | Fine Art | |
| Taylor M | Arts at the Turret | 2000 | Bolton Institute of HE | ||
| Taylor M | Votive | 1997 | Bolton Institute of HE | ||
| Taylor M | Outside the Box | 2000 | Bolton Institute of HE | ||
| Taylor M | Hayvend Box Project - Multiple | 2000 | Bolton Institute of HE | ||
| Taylor LA | Contemporary Decorative Arts: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Taylor LA | Themes and Perforations: one of four parallel solo exhibitions | 1996 | Glasgow School of Art | The Decorative Arts | |
| Taylor LA | Material Diversity | 2000 | Glasgow School of Art | The Decorative Arts | |
| Taylor F | Out of Place. | 1999 | Goldsmiths College | ||
| Taylor F | West Coast. | 2000 | Goldsmiths College | ||
| Taylor F | 'British Art Now 1998'. | 1998 | Goldsmiths College | ||
| Taylor F | 'Pillar to Post'. | 1998 | Goldsmiths College | ||
| Taylor F | Symptoms | 2000 | Wimbledon School of Art | ||
| Taylor F | Collaborations into the 21st Century - British Art Now x 2 | 1999 | The London Institute | Fine Art | |
| Taylor F | Out of Place | 1999 | The London Institute | Fine Art | |
| Taylor F | San Francisco Art Fair | 2000 | The London Institute | Fine Art | |
| Taylor F | Placed Apart | 2000 | The London Institute | Fine Art | |
| Taylor E P | Habillement, dissidence et consommation de masses en Grande-Bretagne | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Taylor E P | Doing the Laundry? An assessment of the past and present of Object-based Dress History | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Taylor E P | Dress, Etiquette and Colonialism: the clothing of British Women in Cyprus, 1878-1918 | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Taylor D | Tattooing and the Self: History of the Body | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Taylor D | Health Education, Club Culture and Modern Advertising Methods. | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Taylor D | The Word on the Street: Advertising, Youth Culture and Legitimate Speech in Drug Education | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Taylor A | Hunting Art Prizes 1999 | 1999 | University of Gloucestershire | ||
| Taylor A | Durham Cathedral Artists in Residence | 1996 | University of Gloucestershire | ||
| Taylor A | Hunting Art Prizes 2000 | 2000 | University of Gloucestershire | ||
| Taylor A | Furies | 1997 | University of Gloucestershire | ||
| Tangye HR | Keiichi Yoshida | 1999 | The London Institute | Fashion and Textiles | |
| Tangye HR | Galliano Book | 1997 | The London Institute | Fashion and Textiles | |
| Tangye HR | Christian Dior | 1998 | The London Institute | Fashion and Textiles | |
| Tangye HR | Tangye and Other Flavours | 1996 | The London Institute | Fashion and Textiles | |
| Tallentire A | From Where To Here | 1999 | The London Institute | Fine Art | |
| Tallentire A | Instances | 1999 | The London Institute | Fine Art | |
| Tallentire A | Trailer | 1999 | The London Institute | Fine Art | |
| Talbot E | Emma Talbot | 1998 | University of Gloucestershire | ||
| Talbot E | Flirt | 2000 | University of Gloucestershire | ||
| Talbot E | Something must be done | 1999 | University of Gloucestershire | ||
| Talbot E | The Italian Job: Artisti e Architetti Britannici | 1996 | University of Gloucestershire | ||
| Tait N | Ever get the feeling you''''ve been cheated | 2000 | The London Institute | Fine Art | |
| Tait N | Limit Less | 1999 | The London Institute | Fine Art | |
| Tait N | Salon | 2000 | The London Institute | Fine Art | |
| Tait N | Neal Tait: Recent Paintings | 2000 | The London Institute | Fine Art | |
| Tabrizian M | Surveillance plus Journey of No Return | 1996 | University of Westminster | Visual Media | |
| Tabrizian M | Beyond the Limits | 2000 | University of Westminster | Visual Media | |
| Tabrizian M | Minimal Utopia | 1997 | University of Westminster | Visual Media | |
| Tabrizian M | Minimal Utopia | 2000 | University of Westminster | Visual Media | |
| Tabor EC | Teaching cost awareness in design for manufacture of injection moulding | 1999 | Brunel University | Design Pedagogy | |
| Tabor EC | Teaching cost awareness in design for manufacture | 1998 | Brunel University | Design Pedagogy | |
| TURRELL E | Crossing Boundaries | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURRELL E | 18th New Millennium Korea Enamelling Artist Association Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURRELL E | Fired With Colour - Aspects of Enamelling in Britain | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURRELL E | Donors Recognition Panels | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURNER J | Back to Source | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| TURNER J | 'Crossing' | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| TURNER J | Triangle: An Exhibition by Fine Art Fellows | 1997 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| TURNER J | 'Art and Engineers' Contemporary Sculpture with Victorian Engineering | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| TOVEY M.J. | Styling and design: intuition and analysis in industrial design | 1997 | Coventry University | The Design Institute | |
| TOVEY M.J. | Form creation techniques for automotive CAD | 1994 | Coventry University | The Design Institute | |
| TIROHL B | The Photojournalist and the Changing News Image | 2000 | University of Lincoln | ||
| TIROHL B | The Impact of technology News Picture Production | 1999 | University of Lincoln | ||
| TIROHL B | We are the Dead....You are the Dead | 2000 | University of Lincoln | ||
| TIROHL B | Sexual Identity/Still Image | 2000 | University of Lincoln | ||
| THOMPSON J | PANAMARENKO | 2000 | Middlesex University | ||
| THOMPSON J | TOWARDS A THEORY OF THE IMAGE | 1996 | Middlesex University | ||
| THOMPSON J | PIERO MANZONI: OUT OF TIME, OUT OF PLACE | 1998 | Middlesex University | ||
| THOMA A | Andrea Thoma | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| THOMA A | Dialogue in Place | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| THOMA A | Der 23 Februar 1945 - 50 Jahre danach | 1995 | Bretton Hall | FINE ART (PAINTING) | |
| THOMA A | Andrea Thoma | 1995 | Bretton Hall | FINE ART (PAINTING) | |
| TCHERNAKOVA A | Virtues: The Family Affair | 2000 | University of Lincoln | ||
| TCHERNAKOVA A | Unless The Eye Catch Fire (title changed to 'Last Summer' for CBC broadcast) | 1999 | University of Lincoln | ||
| TCHERNAKOVA A | Sea and Stars | 1997 | University of Lincoln | ||
| TCHERNAKOVA A | The Cherry Orchard | 1995 | University of Lincoln | ||
| TAYLOR A | Arrow Textiles | 1997 | University of Dundee | Contemporary Practice | |
| Symons S | Behaviour Synthesis Architecture in Digital Installation | 1999 | Liverpool John Moores University | Audio-visual | |
| Symons S | Urban Genome | 2000 | Liverpool John Moores University | Audio-visual | |
| Sykes S | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Sykes S | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Sykes S | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Sykes S | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Sykas PA | Calico Catalogues: Nineteenth-Century Printed Dress Fabrics from Pattern Books | 1999 | Manchester Metropolitan University | ||
| Sykas PA | North West Pattern Book Survey: Curatorial Report | 1998 | Manchester Metropolitan University | ||
| Sykas PA | Re:threading: Towards a History of Sewing Thread in Britain | 2000 | Manchester Metropolitan University | ||
| Sykas PA | The Public Require Spots: Modernism and the 19th Century Calico Designer | 1998 | Manchester Metropolitan University | ||
| Syed T | 'Configuration 0' in Unbound Geographies/Fused Histories Exhibition | 1998 | Anglia Polytechnic University | ||
| Syed T | Delilah | 1998 | Anglia Polytechnic University | ||
| Swinson J | Architechs dream of nightmare cities - Cities on the Move at the Hayward. | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Swinson J | Wilson to Callaghan; Conceptual Art in the UK 1964 to 1979 | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Swinson J | The Flaneur and the Shaman | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Swinson J | Visual Art and the Moving Image | 1999 | The London Institute | Fine Art | |
| Swindells S P | Haeccietas Star | 1999 | University of Huddersfield | ||
| Swindells S P | Vesuvius (Exhibition Catalogue (see other relevant details)) | 1998 | University of Huddersfield | ||
| Swindells S P | A distributionce of memory on the acropolis | 1999 | University of Huddersfield | ||
| Swift J | Art Education: A Contested Field of Study | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Swift J | Directions: Towards a New Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Swift J | Changing Fortunes - The Birmingham School of Art Building 1880-1995 | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Swift J | Critical Studies: A Trojan Horse for an Alternative Cultural Agenda | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Swift E | The Faust Space | 1997 | University of Gloucestershire | ||
| Swift E | Treading Water | 1998 | University of Gloucestershire | ||
| Swift E | Spectator | 2000 | University of Gloucestershire | ||
| Swift E | 'A Reflection on the Performance of Treading Water directed by VOID: Performance' | 2000 | University of Gloucestershire | ||
| Sweet DF | Relevance, Purity and the Medium of Exhibition | 2000 | Manchester Metropolitan University | ||
| Sweet DF | Painting Over Art | 1996 | Manchester Metropolitan University | ||
| Sweet DF | Please, Please Me: Skcepticism and the Agreeable | 1998 | Manchester Metropolitan University | ||
| Sweet DF | Minding the Gap: The Social Space of Painting | 1999 | Manchester Metropolitan University | ||
| Swan A | Two woven dobby weave designs | 2000 | University of Southampton | ||
| Swan A | Design, black and white dobby weave | 2000 | University of Southampton | ||
| Swan A | Woven textile design for upholstery | 1998 | University of Southampton | ||
| Swan A | Woven Jacquard designs for upholstery | 1999 | University of Southampton | ||
| Swan A | Arkitex | 1999 | The London Institute | Fashion and Textiles | |
| Swan A | Collection of drapery fabrics | 1998 | The London Institute | Fashion and Textiles | |
| Swallow SS | Conductive Textile | 2000 | Brunel University | Design for Inclusion | |
| Swallow SS | Orange Millennium Landmark Commission Natural Highs | 1999 | Brunel University | Design for Inclusion | |
| Swallow PG | Managing Unoccupied Buildings and Sites | 1997 | De Montfort University | ||
| Swales V | Fostering Cultural Imagination in Design Research | 1999 | University of Portsmouth | Centre for Creative Empowerment | |
| Sutton T | Shaped Paintings - Painted Shapes | 1994 | The London Institute | Fine Art | |
| Sutton T | Recent Works | 1998 | The London Institute | Fine Art | |
| Sutton T | Trevor Sutton | 1998 | The London Institute | Fine Art | |
| Sutton T | Recent works | 1995 | The London Institute | Fine Art | |
| Sutherland P | Soundings: Cross Channel Photographic Mission | 1994 | The London Institute | Media and Communication | |
| Sutherland P | Spiti: the Forbidden Valley | 2000 | The London Institute | Media and Communication | |
| Sutherland P | Patrick Sutherland | 2000 | The London Institute | Media and Communication | |
| Sutherland P | Spiti: the Forbidden Valley | 2000 | The London Institute | Media and Communication | |
| Surridge M.S. | Solo Exhibition | 2000 | Falmouth College of Arts | ||
| Surridge M.S. | The Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Surridge M.S. | 3 Person Show | 2000 | Falmouth College of Arts | ||
| Surridge M.S. | The Royal Overseas League Annual Exhibition | 1998 | Falmouth College of Arts | ||
| Sturgis D | Villa Crispi. | 1999 | Goldsmiths College | ||
| Sturgis D | 'Close Up On Pattern'. | 1998 | Goldsmiths College | ||
| Sturgis D | 'Dumpop'. | 1998 | Goldsmiths College | ||
| Sturgis D | 'Same'. | 1998 | Goldsmiths College | ||
| Stubbs N | Matinee (drama, 3mins, 35mm film, 2000) | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Stuart A | The Black Film Bulletin | 1995 | The London Institute | Fashion and Textiles | |
| Stuart A | Empire Line Dress | 1998 | The London Institute | Fashion and Textiles | |
| Stuart A | The Harlem Renaissance | 1997 | The London Institute | Fashion and Textiles | |
| Stuart A | Showgirls | 1996 | The London Institute | Fashion and Textiles | |
| Strutton J | Father Son and Scary Ghost | 2000 | Royal College of Art | Fine Art | |
| Strutton J | It looks like rain | 1999 | Royal College of Art | Fine Art | |
| Strowbridge B | The Madness of King George | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Strowbridge B | Caucasian Chalk Circle | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Strowbridge B | Wallace and Gromit | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Stroud RR | Design of Electronic Hardware + Micro-controller software for Moo a childs toy | 1999 | Brunel University | Environmentally Sensitive Design | |
| Strindberg M | Limp | 2000 | University of Brighton | Fine Art Practices | |
| Strindberg M | Medulla (2)BruisedGlobe | 1998 | University of Brighton | Fine Art Practices | |
| Strindberg M | You and Me | 1999 | University of Brighton | Fine Art Practices | |
| Strindberg M | Tunnel Vision/Flightpath | 1998 | University of Brighton | Fine Art Practices | |
| Stothart P | 'Keylight' image processing software | 1996 | De Montfort University | ||
| Stothart P | Animated product information | 2000 | De Montfort University | ||
| Stothart P | 'Paulie' | 1997 | De Montfort University | ||
| Stonyer A | Soundproof | 1998 | University of Gloucestershire | ||
| Stonyer A | Andrew Stonyer | 1999 | University of Gloucestershire | ||
| Stonyer A | Coming to our Senses | 2000 | University of Gloucestershire | ||
| Stonyer A | Pulse | 1999 | University of Gloucestershire | ||
| Stofer H | Jewellery and Small Objects | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Stofer H | Brick | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Stofer H | Metalmorphosis - British Silver and Metalwork | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Stofer H | Shelf Life | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Stoddart A | David Hume Monument, Edinburgh | 1997 | Glasgow School of Art | Fine Art | |
| Stoddart A | Robert Burns / John Wilson monument, Kilmarnock | 1999 | Glasgow School of Art | Fine Art | |
| Stoddart A | Miltonic Herm, Millennium Sculpture Garden | 2000 | Glasgow School of Art | Fine Art | |
| Stockwell S. J. | ACCUMULATIONS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stockwell S. J. | PAPER SPACES | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stockwell S. J. | HERE: ARTISTS' INTERVENTIONS AT THE ALDRICH MUSEUM | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stockwell S. J. | SUSAN STOCKWELL - SITE SPECIFIC INSTALLATION | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stockham J | If Not Now When? | 1999 | Royal College of Art | Fine Art | |
| Stockham J | Working in the Dark/ No News | 2000 | Royal College of Art | Fine Art | |
| Stockham J | Experiment GB | 1997 | Royal College of Art | Fine Art | |
| Stockham J | TriplicateDifferent Seas | 1996 | Royal College of Art | Fine Art | |
| Stiven C | Young Work - New York | 1999 | Edinburgh College of Art | Fine Art | |
| Stiven C | Charles Stiven | 1999 | Edinburgh College of Art | Fine Art | |
| Stiven C | Witnesses of Existence - a British Affirmation | 1994 | Edinburgh College of Art | Fine Art | |
| Stiven C | Charles Stiven | 2000 | Edinburgh College of Art | Fine Art | |
| Stitt A | Asian Performance Series- Examination of emerging South East Asian Performance Art | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Stitt A | 0044 - Research into the assimilation of Irish artists working aborad | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Stitt A | Homework - An exploration of the process and documentation of performance art | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Stitt A | God is Sexy - An exploration of fundamentalism | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Stiff P | Information Design Journal | 2000 | University of Reading | ||
| Stiff P | A footnote kicks him: how books make readers work | 1997 | University of Reading | ||
| Stiff P | The end of the line: a survey of unjustified typography | 1996 | University of Reading | ||
| Stiff P | Instructing the printer: what specification tells about typographic designing | 1996 | University of Reading | ||
| Stickley P | South African Print Exchange | 1996 | University of Portsmouth | Centre for Images in Practice | |
| Stickley P | Open Event | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Stickley P | Indeterminate Immediate | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Stickley P | Secrets | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Stezaker J | Overworlds | 1997 | Royal College of Art | Fine Art | |
| Stezaker J | Garden | 1996 | Royal College of Art | Fine Art | |
| Stezaker J | Holy Land Series | 2000 | Royal College of Art | Fine Art | |
| Stezaker J | Angels | 1999 | Royal College of Art | Fine Art | |
| Stewart WR | Packaging as an Effective Marketing Tool | 1996 | Sheffield Hallam University | ||
| Stewart WR | Los Valores Del Diseno y la Communicacion | 1998 | Sheffield Hallam University | ||
| Stewart WR | Packaging Design Strategy (Korean translation) | 1997 | Sheffield Hallam University | ||
| Stewart WR | Packaging as a Marketing Tool | 1995 | Sheffield Hallam University | ||
| Stewart S | Arts and Crafts and the Purists; two contrasting approaches to design for the British fashion environment | 1998 | Glasgow School of Art | Design | |
| Stewart S | Scotland; new living forms in Europe | 1998 | Glasgow School of Art | Design | |
| Stewart N | Reflective Surface | 1997 | Sheffield Hallam University | ||
| Stewart N | Familiar Image | 1997 | Sheffield Hallam University | ||
| Stewart N | Stealing Light | 1998 | Sheffield Hallam University | ||
| Stewart N | Curtain Call | 2000 | Sheffield Hallam University | ||
| Stewart I | THIN AIR, Julie Saul Gallery, New York | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Stewart I | Tender | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Stewart I | Sea Change: The Seascape in Contemporary Photography | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Stewart I | Iain Stewart: Recent Works | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Stewart EP | NowHere, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Stewart C | An Ordinary God | 2000 | De Montfort University | ||
| Stewart C | 'The Mild Bunch' | 1999 | De Montfort University | ||
| Stewart C | Coil | 1999 | De Montfort University | ||
| Stewart C | 'Once Upon a Time' | 1999 | De Montfort University | ||
| Stevenson M | Product Design in the Public Domain: the paradox between intentions and perceptions. | 1996 | University of Plymouth | Design + Innovation | |
| Stevenson M | Longbow | 2000 | University of Plymouth | Design + Innovation | |
| Stevenson M | The Public Art Observatory: Designing in Public | 1998 | University of Plymouth | Design + Innovation | |
| Stevens P | F1 Supercar Derivatives | 1994 | Royal College of Art | Design for Manufacture | |
| Stevens P | GT One Road and Race Car Interior | 1998 | Royal College of Art | Design for Manufacture | |
| Stevens P | Le Mans Racing Car | 1999 | Royal College of Art | Design for Manufacture | |
| Stevens P | Subaru Impreza World Rally Car | 1997 | Royal College of Art | Design for Manufacture | |
| Stevens P | Model | 1999 | The London Institute | Fine Art | |
| Stevens P | Mirror | 1999 | The London Institute | Fine Art | |
| Stevens P | Starting a Collection: modern British and contemporary paintings, drawings, sculpture | 2000 | The London Institute | Fine Art | |
| Stevens P | Vessel | 1999 | The London Institute | Fine Art | |
| Stephenson AP | 'Refashioning modern masculinity: Whistler, aestheticism and national identity' | 2000 | University of East London | ||
| Stephenson AP | 'Anxious Performances: Aestheticism, The art gallery and the ambulatory geographies of late Nineteenth Century London | 2000 | University of East London | ||
| Stephenson AP | 'Frederic Leighton and the repertoires of 'masculine' artistic identity in the late Victorian Period | 1999 | University of East London | ||
| Stephens JR | Andrew Sneddon + John Stephens - Printmaking two-person exhibition | 2000 | Chester College of HE | ||
| Stephens JR | Cheltenham Open Drawing 1977 Group exhibition | 1997 | Chester College of HE | ||
| Stephens JR | Surfaced two-person exhibition | 1999 | Chester College of HE | ||
| Stephens JR | Core group exhibition | 1996 | Chester College of HE | ||
| Stephens J | Screen Printing in a Digital Age | 2000 | The London Institute | Media and Communication | |
| Stephens J | Screen Process Printing | 1996 | The London Institute | Media and Communication | |
| Stephen'Cran J | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | ||
| Stephen'Cran J | Textile Diversity | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Stephen'Cran J | Future fashions and fabrics - Invited lecturer | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Stephen'Cran J | Flower Power | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Steiner S | Towards a Spacious, Excitable Open: On Surveillance, Care and the Bliss of Tiny Creatures | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Steiner S | Consolation Prize; Mike Kelley: The Use-Value of Irony or Sexual Revoloution the Monkish Way' / John Miller: Game Show Pastoral | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Steiner S | Ear-Marked: Notes | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Steiner S | Aspects of the Rustic as Trope | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Stehli J | Strip Series 1999-2000. | 2000 | Goldsmiths College | ||
| Stehli J | Jemima Stehli. | 2000 | Goldsmiths College | ||
| Stehli J | Karen 2000. | 2000 | Goldsmiths College | ||
| Stehli J | It Took Ages | 1998 | University of Portsmouth | Art and Philosophy | |
| Stehli J | Strip Series in A Shot in the Head | 2000 | University of Portsmouth | Art and Philosophy | |
| Stehli J | Exposure | 2000 | University of Portsmouth | Art and Philosophy | |
| Stehli J | Table I, Table II, Chair | 1998 | University of Portsmouth | Art and Philosophy | |
| Stehli J | Chair 1999/8. | 2000 | Goldsmiths College | ||
| Steed J | '98 St Etienne International Design Bienniale | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Startup J | Contemporary Furniture: Design From the East End | 2000 | Kingston University | ||
| Startup J | Bell | 2000 | Kingston University | ||
| Startup J | Wind | 1999 | Kingston University | ||
| Startup J | Recycled Waste Paper Shelf Unit | 1996 | Kingston University | ||
| Startup J | Sinn and Form | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Startup J | Bell Lamp; Gervasoni Collection | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Startup J | Wind, Gervasoni Collection | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Startup J | International Design Resource Awards Exhibition | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Starszakowna N | New Textiles | 1999 | The London Institute | Fashion and Textiles | |
| Starszakowna N | International Exhibition + Symposium | 1997 | The London Institute | Fashion and Textiles | |
| Starszakowna N | The Jerwood Prize for Applied Arts | 1997 | The London Institute | Fashion and Textiles | |
| Starszakowna N | Printbank | 1998 | The London Institute | Fashion and Textiles | |
| Starr G | New Photography 12 | 1996 | The London Institute | Fine Art | |
| Starr G | Pictura Britannica: Art from Britain | 1997 | The London Institute | Fine Art | |
| Starr G | Hypnodreamdruff | 1996 | The London Institute | Fine Art | |
| Starr G | Visit to a Small Planet | 1995 | The London Institute | Fine Art | |
| Starkey P | The Cat Scratched Little Johnny - Ceramics in Wales | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Starkey P | Making Sense | 1995 | University of Wales Institute, Cardiff | Ceramics | |
| Stanton-Wilson J | National Print Exhibition 2000. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Stanton-Wilson J | 'The Complete Artist'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Stanton-Wilson J | Solo Exhibition. 'On Location'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Stanton-Wilson J | Solo Exhibition 17 October. 'On Location'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Stansfield Smith C | Dados, Dinosaurs or Doves? Architecture: Past, Present and Future | 1998 | University of Portsmouth | Centre for Creative Empowerment | |
| Stanley N | Souvenirs, ethics and aesthetics: some contemporary dilemmas in the South Pacific | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Stanley N | Moving People, Moving Experiences: Novel Strategies in Museum Practice | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Stanley N | The South-East Asian 'Living Museum' and its Antecedents | 1997 | University of Central England in Birmingham | Art Education Research Group | |
| Stanley N | Being Ourselves For You: the Global Display of Cultures | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Stanford P | 'Vision and Difference' | 1997 | Wimbledon School of Art | ||
| Stanford P | 'Seven Ages' | 2000 | Wimbledon School of Art | ||
| Stanford P | 'A Survey of Fine Art Printmaking Studios in the UK' | 2000 | Wimbledon School of Art | ||
| Stamp G | George Gilbert Scott, the Memorial Competition, and the Critics | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stamp G | At once classical and picturesque, Alexander Thomson's Holmwood | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stamp G | The Light and Truth of Beauty: the Lectures of Alexander Greek Thomson | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stamp G | Alexander Greek Thomson. (paperback title: Alexander Thomson. The Unknown Genius) | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stahl A. | 1st International Artists' Camp, Sri Lanka | 1997 | University College London | Painting | |
| Stahl A. | New Paintings | 1999 | University College London | Painting | |
| Stahl A. | Andrew Stahl, London UK, New Work | 2000 | University College London | Painting | |
| Stahl A. | Andrew Stahl | 1998 | University College London | Painting | |
| Stables K | Critical Issues To Consider When Introducing Technology Education into The Curriculum of Young Learners. | 1997 | Goldsmiths College | ||
| Stables K | Design Museum National Outreach Project: Evaluation Report. | 2000 | Goldsmiths College | ||
| Stables K | Out of the mouths of babes: young children and designing | 1998 | Goldsmiths College | ||
| St James M | Screens | 1997 | The London Institute | Fine Art | |
| St James M | Electronically Yours | 1998 | The London Institute | Fine Art | |
| St James M | Picture Yourself | 1999 | The London Institute | Fine Art | |
| St James M | Painting the Century: 101 portrait Masterpieces 1900-2000 | 2000 | The London Institute | Fine Art | |
| St George A | A History of Norton Rose | 1995 | De Montfort University | ||
| St George A | Crisis Management and Crisis Communications in the Digital Age | 2000 | De Montfort University | ||
| Sprung S | The Serpent | 1997 | Sheffield Hallam University | ||
| Sprung S | The Haircut | 1998 | Sheffield Hallam University | ||
| Sprung S | In Search of Da Cat | 1998 | Sheffield Hallam University | ||
| Sprung S | Journey Through the Night | 2000 | Sheffield Hallam University | ||
| Sprio M | Zero Time | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Sprio M | Frank Kapra and Anthony Minghella - comparative links through masculinity, family and community | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Springer P | Exploring Design - Concepts (Design Scenarios) | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Springer P | Re-Locating Britishness in Advertising | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Springer P | '!' (Advertising as Art) | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Sprawson D H | Derek Sprawson - Recent Paintings | 1997 | Nottingham Trent University | Visual Arts | |
| Sprawson D H | Pale Shadows | 2000 | Nottingham Trent University | Visual Arts | |
| Sprawson D H | Frank Stella 'Die Marquise Von O' | 1999 | Nottingham Trent University | Visual Arts | |
| Sprake J | Imagining London. | 2000 | Goldsmiths College | ||
| Sprake J | Space and the River project 1999. | 1999 | Goldsmiths College | ||
| Sprake J | The Curse of the Universal User. | 2000 | Goldsmiths College | ||
| Sprake J | Imagining London through non-idle pictures. | 2000 | Goldsmiths College | ||
| Spiller E. | Schmuchzene '97 | 1997 | Falmouth College of Arts | ||
| Spiller E. | Jewelry in Europe and America: New Times, New Thinking | 1996 | Falmouth College of Arts | ||
| Spencer B | Negative Exposure | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Spencer B | Heavens Above in John Moores 21 | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Spencer B | Londinium to London | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Speed S | The Ends of Postmodernism | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Speed S | The Travels of the Anatomist: Allegory, Discovery and William Harvey | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Speed S | Cartographic Arrest: Harvey, Raleigh, Drayton and the Mapping of Sense | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Speed S | Getting Real with the Body | 1996 | Buckinghamshire Chilterns University College | Design Culture | |
| Speed CJ | Raindance: Making visible the community of the Internet | 1999 | University of Plymouth | STAR | |
| Speed CJ | Norton Park, Interior Design Commission | 1998 | University of Plymouth | STAR | |
| Speed CJ | Temporal navigation | 2000 | University of Plymouth | STAR | |
| Spanyol J | White Lies | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Spanyol J | Photographic Works | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Spanyol J | Bookcase | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Spanyol J | Glow | 1994 | University of Central England in Birmingham | Visual Communication Research Group | |
| Southwell M | Participatory Research: a development model applied to design | 1997 | Goldsmiths College | ||
| Southwell M | Designers' perception of development - development's perception of design | 2000 | Goldsmiths College | ||
| Southwell M | Magic by Design: Technology Transformed. | 1997 | Goldsmiths College | ||
| Southwell M | Design for Sustainable Development: A gendered perspective. | 2000 | Goldsmiths College | ||
| Southee DJ | Curriculum Innovation - Technology Majors | 1999 | Brunel University | ||
| Southam JV | On the Bright Side of Life. Zeitgenossische Britische Photografie | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Southam JV | The Raft of Carrots | 1996 | University of Plymouth | Site, Space, Location, Place | |
| Southam JV | The Shape of Time. Rockfalls, Rivermouths + Ponds. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Southam JV | Speed - Visions of an Accelerated Age | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Souleles N | The Past, the Present and the Future | 1997 | Cumbria College of Art + Design | ||
| Souleles N | On-Line Education: some aspects of access and content | 1998 | Cumbria College of Art + Design | ||
| Souleles N | Multimedia and Graphic Design: cross-fertilisation or fusion? | 1998 | Cumbria College of Art + Design | ||
| Souleles N | Group Learning in Interactive Multimedia | 1998 | Cumbria College of Art + Design | ||
| Soteriou D | 'Passion for Colour' | 1999 | Liverpool Hope | ||
| Soroka J | Scottish Spirit | 1994 | Edinburgh College of Art | Fine Art | |
| Soroka J | Woven Image: Contemporary British Tapestry | 1996 | Edinburgh College of Art | Fine Art | |
| Soroka J | Unmarked lives | 1999 | Edinburgh College of Art | Fine Art | |
| Soroka J | Bronfman Award Recipients from BritishColumbia and their Commonwealth Colleagues | 1994 | Edinburgh College of Art | Fine Art | |
| Sonnabend Y. | Camino Real | 1997 | University College London | Theatre Design | |
| Sonnabend Y. | Cinderella | 1997 | University College London | Theatre Design | |
| Sonnabend Y. | Antony and Cleopatra | 1999 | University College London | Theatre Design | |
| Sonnabend Y. | The Rite of Spring | 1999 | University College London | Theatre Design | |
| Somerville P | Untitled | 1998 | North East Wales Institute of Higher Education | Art and Design | |
| Somerville P | Untitled | 1998 | North East Wales Institute of Higher Education | Art and Design | |
| Somerville P | Untitled commission | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Somerville P | Untitled | 1995 | North East Wales Institute of Higher Education | Art and Design | |
| Soden JA | Design and CAD Innovation in Woven Textile Research | 2000 | University of Ulster | ||
| Snell R | The Lie of the Land | 1997 | Bath Spa University College | ||
| Snell R | Landscapes from the Border | 1999 | Bath Spa University College | ||
| Snell R | The Promised Land | 1997 | Bath Spa University College | ||
| Sneddon S G | Printmaking | 2000 | Sheffield Hallam University | ||
| Sneddon S G | Children | 2000 | Sheffield Hallam University | ||
| Sneddon S G | Shadow Chasers | 2000 | Sheffield Hallam University | ||
| Sneddon S G | The Large Print Show | 1997 | Sheffield Hallam University | ||
| Snaebjornsdottir B | Trace, solo exhibition of publicly sited works | 1998 | Glasgow School of Art | Fine Art | |
| Snaebjornsdottir B | If I Ruled The World, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Snaebjornsdottir B | Quinate/Fimmt, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Snaebjornsdottir B | Building A Balcony, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Smy E | Artistic Application of Sol-Gel; Rapid Drying of Colloidal Alkali Silicate Gels with the use of a Domestic Pressure Cooker. | 2000 | University of Hertfordshire | ||
| Smy E | Sol-Gel: Potential Creative Applications for the Artist, focussing on the colloidal alkali silicate route | 1998 | University of Hertfordshire | ||
| Smy E | The Sol-Gel Process | 2000 | University of Hertfordshire | ||
| Smy E | Place ...replace | 2000 | University of Hertfordshire | ||
| Smith W | Sweetapple Farm | 1996 | University of Brighton | Visual Communication Design | |
| Smith W | Magic HotelMouse MagicCircle MagicCrazy Magic | 2000 | University of Brighton | Visual Communication Design | |
| Smith W | Billy the Conkeror | 1999 | University of Brighton | Visual Communication Design | |
| Smith W | The Giant Postman | 2000 | University of Brighton | Visual Communication Design | |
| Smith T | Contents | 1998 | University of Gloucestershire | ||
| Smith T | Marking Time | 2000 | University of Gloucestershire | ||
| Smith T | Fault Line | 1999 | University of Gloucestershire | ||
| Smith T | Capital | 1995 | University of Gloucestershire | ||
| Smith P M | The Citibank Photography Prize, 1999 | 1999 | Anglia Polytechnic University | ||
| Smith P M | Action (Solo exhibition) | 2000 | Anglia Polytechnic University | ||
| Smith P M | Neurotic Realism | 1999 | Anglia Polytechnic University | ||
| Smith N J | Audio Wireless Intercom Base Station | 1996 | University of Northumbria at Newcastle | ||
| Smith N E | Interior Landscapes | 1996 | Nottingham Trent University | Visual Arts | |
| Smith N E | Edges and Boundaries | 1997 | Nottingham Trent University | Visual Arts | |
| Smith MM | 70/2000 | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Smith MM | All in the Mind | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| Smith MM | Life as a Drawing | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Smith MM | The Cutty Stool | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Smith M M | The title-page: its early development, 1460-1510 | 2000 | University of Reading | ||
| Smith M M | The end-title, the early title-page and the wrapper: their interconnections | 1997 | University of Reading | ||
| Smith M M | Medieval roots of the Renaissance book | 2000 | University of Reading | ||
| Smith M M | Fragments used for servile purposes: the St Bride Library frisket for early red-printing | 2000 | University of Reading | ||
| Smith M | Martin Smith: Ceramics | 1999 | Royal College of Art | Applied Art | |
| Smith M | Martin Smith | 1995 | Royal College of Art | Applied Art | |
| Smith M | Artisti dal Mondo: Museo Internazionale Delle Ceramiche | 1999 | Royal College of Art | Applied Art | |
| Smith M | Balance and Space: Ceramics 1976-1996 | 1997 | Royal College of Art | Applied Art | |
| Smith L | Glass plaque/installation to commemorate the inauguration of the Research Institute of Irish and Scottish Studies, University of Aberdeen | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Smith L | International Design Biennale 98, St Etienne, France | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Smith L | Chests for Treasure | 1996 | Robert Gordon University | Making and Contemporary Culture | |
| Smith L | Jewellery Moves - The Changing Room | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Smith K | Physical Evidence. | 1999 | Goldsmiths College | ||
| Smith K | Imagine there are no Limits. | 1997 | Goldsmiths College | ||
| Smith K | Who Could Have Guessed There'd Be So Much Diversity? | 2000 | Goldsmiths College | ||
| Smith K | 'Towards the Eremitani' | 2000 | Wimbledon School of Art | Sculpture | |
| Smith K | 'Ognissanti' | 1998 | Wimbledon School of Art | Sculpture | |
| Smith K | 'A Lily amongst Thorns' | 2000 | Wimbledon School of Art | Sculpture | |
| Smith K | Physical Evidence exhibition paintings | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Smith K | 'Imagine There Are No Limits' | 1997 | University of Northumbria at Newcastle | Installation (2b) | |
| Smith K | 'Backspace' | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Smith K | Backspace. | 1998 | Goldsmiths College | ||
| Smith JA | Regression | 1999 | University of East London | ||
| Smith JA | The Kiss | 1999 | University of East London | ||
| Smith JA | Blight | 1996 | University of East London | ||
| Smith JA | The Waste Land | 1999 | University of East London | ||
| Smith J | The Kiss | 1999 | The London Institute | Media and Communication | |
| Smith J | The Wasteland | 1999 | The London Institute | Media and Communication | |
| Smith J | Regression | 1999 | The London Institute | Media and Communication | |
| Smith E | ... and then I breathed. | 1998 | Goldsmiths College | ||
| Smith D | La F | 1998 | The London Institute | Fine Art | |
| Smith D | Metropolitan | 2000 | The London Institute | Fine Art | |
| Smith D | Series | 2000 | The London Institute | Fine Art | |
| Smith C | Network 5 and Wardrobe 14 (paintings) | 1998 | Loughborough University | Fine and Applied Arts | |
| Smith C | Colin Smith Paintings (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Smith C | Colin Smith Recent Paintings (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Smith C | Colin Smith Paintings (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Smith B | 'Bridget Smith'. | 1998 | Goldsmiths College | ||
| Smith AE | Seraph Spring/Summer Collection 1998 | 1997 | The London Institute | Fashion and Textiles | |
| Smith AE | Altered States | 1999 | The London Institute | Fashion and Textiles | |
| Smith AE | Seraph Autumn/Winter Collection 1998/1999 | 1998 | The London Institute | Fashion and Textiles | |
| Smith AE | Seraph Spring/Summer Collection 2001 | 2000 | The London Institute | Fashion and Textiles | |
| Smith A | The Effects of Aqueous Treatments on the Mechanical Properties of Paper | 1997 | The London Institute | Media and Communication | |
| Smith A | Down Among the Molecules: Chemical Analysis in the Study of Historic and Archaeological Textiles | 2000 | The London Institute | Media and Communication | |
| Smith A | An Introduction to Textile Materials: Their Structure, Properties and Deterioration | 1999 | The London Institute | Media and Communication | |
| Smith A | Art 1996 Chicago | 1996 | University of Gloucestershire | ||
| Smith A | Residency with Open Studio Exhibition | 1998 | University of Gloucestershire | ||
| Smith A | Alan Smith: Orme Series | 1998 | University of Gloucestershire | ||
| Smith A | Cheltenham Open Drawing Exhibition | 1998 | University of Gloucestershire | ||
| Smith M | Corpus, solo exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Smith M | Gridpoint, solo permanent publicly sited commission | 1994 | Glasgow School of Art | Fine Art | |
| Smith M | First Season - Art In The Park, group exhibition of publicly sited works | 1999 | Glasgow School of Art | Fine Art | |
| Smith M | Iwate Art Festival: Celtic Connections, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Smith AJ | Papua New Guinea Primary + Secondary School Atlases | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Smith AJ | Oxford Essential Atlas | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Smith AJ | Oxford Practical Atlas | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Smith AJ | Oxford School Atlas | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Sly A | 'The Newmarket Stallion' | 2000 | Wimbledon School of Art | Theatre technical arts | |
| Sly A | 'Runaway Rotovator' | 1994 | Wimbledon School of Art | Theatre technical arts | |
| Sly A | 'The Spirit of Cricket' | 1997 | Wimbledon School of Art | Theatre technical arts | |
| Sly A | 'The Pearl Diver' | 1999 | Wimbledon School of Art | Theatre technical arts | |
| Slight N | Denied Access | 1998 | University of Gloucestershire | ||
| Slight N | Sculpture, an Abbey and a Cathedral | 2000 | University of Gloucestershire | ||
| Slight N | Unlimited Access | 1999 | University of Gloucestershire | ||
| Slight N | The Skin of the White Lady | 1996 | University of Gloucestershire | ||
| Sleeman A.J. | In the Queen's Parlour, inspired by Tea and made of Gentlemen: British Sculpture in the Twentieth Century as 'Sculpture Anglaise'. | 1997 | University College London | Art History and Theoretical Studies | |
| Sleeman A.J. | Project for Frieze by Philip J. Reilly | 1996 | University College London | Art History and Theoretical Studies | |
| Sleeman A.J. | More and Less: The Early Work of Richard Long | 1997 | University College London | Art History and Theoretical Studies | |
| Sleeman A.J. | Entries for 'Petit dictionnaire des sculpteurs Britanniques du XXe si | 1996 | University College London | Art History and Theoretical Studies | |
| Slee R | Jinro International Ceramic Art Exhibition | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Slee R | A Grand Design: The Art of the Victoria and Albert Museum | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Slee R | Firing Imagination: Ceramica Britannica | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Slee R | The Jerwood Prize for Applied Arts: Ceramics | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Slade-Brooking C. L. | FRA APOTEKETS URTELOFT | 1995 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Slade-Brooking C. L. | THE BORDER BOOK | 1994 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Slade-Brooking C. L. | BBC GARDENERS' WORLD MAGAZINE | 1994 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Slade-Brooking C. L. | THE ENCYLOPAEDIA OF ILLUSTRATION TECHNIQUES | 1997 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Skingle S | Eight A3 sized sculptures displayed in the ch | 1998 | London Guildhall University | ||
| Skingle S | Artnet exhibition. 9 sculptures in modern builder's materials, based on the paintings of Wm. Larkin displayed at the Ranger's Ho. | 1999 | London Guildhall University | ||
| Skingle S | Wall Reliefs and Sculpture. 15 hand-sized plaster globes and glass and wire sculptures. | 1997 | London Guildhall University | ||
| Skingle S | A semblance of Order. 20 book-sized sculptures and wall-reliefs in plaster, wood and metal, installed on the existing nails and ledges of the gallery's Elizabethan panelling and brickwork. | 1996 | London Guildhall University | ||
| Skingle D | St. George vague: 1 digitally enhanced + manipulated image ink-jet printed on Arches vellum. Size depends on printer command. | 1997 | London Guildhall University | ||
| Skingle D | Forgotten Garden: 1 digitally enhanced and manipulated image ink-jet printed onto Arches vellum. Size depends on printer command. | 1997 | London Guildhall University | ||
| Skingle D | Diary : 1 digitally enhanced and manipulated image ink-jet printed on Arches vellum. Size depends on printer command. | 1999 | London Guildhall University | ||
| Skingle D | Tables of Inertia: 9 wall-mounted large-scale digital black-and-white photographic and mixed-media A2 images of tables with shelf-mounted ceramic pieces | 1999 | London Guildhall University | ||
| Skelton PJS | Questions of Identities | 1999 | The London Institute | Fine Art | |
| Skelton PJS | Virtue and Vulgarity | 1997 | The London Institute | Fine Art | |
| Skelton PJS | Dangerous Places - Ponar | 1996 | The London Institute | Fine Art | |
| Skelton PJS | Private Views . | 2000 | The London Institute | Fine Art | |
| Sitar R | Mind Breaths 2000 | 2000 | Bolton Institute of HE | ||
| Sitar R | Lightness and Weight 1996 | 1996 | Bolton Institute of HE | ||
| Sitar R | Departure Lounge1999 | 1999 | Bolton Institute of HE | ||
| Sitar R | Slowburn - Meaning and Vision in Contemporary British Abstract Painting | 1998 | Bolton Institute of HE | ||
| Singh G | CADE 1999 International Conference | 1999 | University of Sunderland | Design | |
| Singh G | Review of Digital Creativity CD-ROM | 1996 | University of Sunderland | Design | |
| Singh G | Combining Pedagogy with technology - multimedia for Children | 2000 | University of Sunderland | Design | |
| Sinden AA | Deluge | 1998 | University of East London | ||
| Sinden AA | Tony Sinden Retrospective | 2000 | University of East London | ||
| Sinden AA | Triptych and Mirror Landscape | 1999 | University of East London | ||
| Sinclair R | LKW, Things Between Life, Art + Work, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Sinclair R | Developing Technology Literacy through Textiles/Textiles Industrial Perspective | 1998 | Goldsmiths College | ||
| Sinclair R | Journey to the Edge of The World, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Sinclair R | Artist in Residence - Textile Designer. | 2000 | Goldsmiths College | ||
| Sinclair R | CAD Infinitum. | 1998 | Goldsmiths College | ||
| Sinclair R | Skills in Textiles Technology. | 1997 | Goldsmiths College | ||
| Sinclair R | Do All Oceans Have Walls, group exhibition of publicly sited works | 1998 | Glasgow School of Art | Fine Art | |
| Sinclair R | Real Life Rocky Mountain, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Simpson PJ | 'It's All Greek To Me'. (Group Exhibition). | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson PJ | 'In Transit', Some British Contemporary Art. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson PJ | 'Common Centre'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson PJ | Peter Simpson Paintings, Solo Exhibition. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson P | House form and construction methods - New Urban Traditions of Popular Housing in Columbia and Mexico | 2000 | Glasgow School of Art | Cities and Environments | |
| Simpson P | On the margins of discourse: visions of New Socialist Woman in Soviet Art 1949-50. | 1998 | University of Hertfordshire | ||
| Simpson P | Soviet Superwoman in the landscape of liberty: Aleksandr Deinekas's Razdol'e 1944' | 2000 | University of Hertfordshire | ||
| Simpson P | A re-vision of Ukraninian identity: Tatyana Yablanskaya's Corn 1949 | 2000 | University of Hertfordshire | ||
| Simpson P | Borderlands | 1999 | University of Hertfordshire | ||
| Simpson M | The Bible of Networking. | 1999 | Goldsmiths College | ||
| Simpson M | The Crow's Boredom. | 1998 | Goldsmiths College | ||
| Simpson M | No Place Like Home | 1996 | The London Institute | Fine Art | |
| Simpson M | Wince | 1997 | The London Institute | Fine Art | |
| Simpson M | The Crow's Boredom | 1998 | The London Institute | Fine Art | |
| Simpson M | Bench Paintings 1992-1995 | 1996 | Bath Spa University College | ||
| Simpson M | The Reflective Surface. | 1999 | Goldsmiths College | ||
| Simpson M | Intervention at La Tourette. | 2000 | Goldsmiths College | ||
| Simpson J | Defiant Acts: the Theatre d'Art, Decors and the Symbolist 'Total Work' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Simpson J | Bonnard and the Graphic Arts | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Simpson J | Aurier, Symbolism and the Visual Arts | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Simcock M | Beading and Embriodery. Couture collection of scarves and stoles. | 1996 | University of Southampton | ||
| Simcock M | Range of couture scarves | 1998 | University of Southampton | ||
| Simcock M | Second range of couture scarves | 1999 | University of Southampton | ||
| Simcock M | Multi Media'. Collection of 32 scarves. | 1998 | University of Southampton | ||
| Sider L. | THE SCHOOL OF SOUND 2000 | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Sider L. | DAVID LYNCH | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Shreeve N | Restoration of a Brass and Pewter Boulle Table | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Shreeve N | Restoration of a Gilt Stand for a Cabinet | 1996 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Shreeve N | Pair of Gilt Console Tables with elaborately carved Eagle Bases and a Set of Chairs with arms carved as Swans | 1995 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Shreeve N | Two pairs of Boulle Cabinets and a Boulle Clock | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Short LA | Humansim 2020? | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Short LA | Multi Exposure 2000British - Israeli - Palestinian Awards | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Short LA | Teething Room | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Short LA | Something Else | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Short L | Reconciling Nature and Industry | 1999 | Cumbria College of Art + Design | ||
| Short L | New Art from Cuba | 1996 | Cumbria College of Art + Design | ||
| Short J | Visualisation Designs | 1997 | Goldsmiths College | ||
| Short J | Joanna Short - works | 1998 | Goldsmiths College | ||
| Short J | Ideas in IKAT. | 1997 | Goldsmiths College | ||
| Short J | Joanna Short | 1996 | Goldsmiths College | ||
| Short C | Egon Schiele | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Short C | Writing Art + Institutions - Part of the series 'Real Art and a Sense of Place' | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Short C | An examination of the relations of the philosophy of Friedrick Nietzsche to the theme of the apocalypse in Wassily Kandinsky's texts and images | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Short C | Journal 491: Art Fragments | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Shonibare Y | Intelligence: New British Art 2000 | 2000 | The London Institute | Fine Art | |
| Shonibare Y | Sensation: Young British Artists from the Saatchi Collection | 1997 | The London Institute | Fine Art | |
| Shonibare Y | Dressing Down | 1999 | The London Institute | Fine Art | |
| Shonibare Y | Crossings | 2000 | The London Institute | Fine Art | |
| Shipsides D | John Cabot's Court/Performing Generations | 1997 | University of Ulster | ||
| Shipsides D | Gecko Roof | 2000 | University of Ulster | ||
| Shipsides D | Bamboo Support | 2000 | University of Ulster | ||
| Shipsides D | The Guillemot/Penguin | 1999 | University of Ulster | ||
| Shinkle EB | Le Jardin de Brunelleschi | 2000 | University of Westminster | Visual Media | |
| Shinkle EB | Rebuild 2 (1996), (Rue des Seigneurs 1997) | 1998 | University of Westminster | Visual Media | |
| Shinkle EB | Reseau (1997) Rue Des Seigneurs (1997) | 1997 | University of Westminster | Visual Media | |
| Shinkle EB | Slagheap, Ideal City and Horizon | 2000 | University of Westminster | Visual Media | |
| Shimshon O | 'Spirit Level' Exhibition (SOLO) | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Shimshon O | 'PELES MAIM' Exhibition (Solo). | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Shimshon O | 'Spirit Level' Exhibition (SOLO). | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Shillito A | Jewellery Moves | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Shillito A | Highlights - Design aus Grossbritannien | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Shillito A | Practice Based Research in Technology New to Applied Artists | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Shillito A | Hitec- Lotec Project | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Sherwin G | Short Film Series | 1998 | University of Wolverhampton | Fine Art | |
| Sherwin G | Flight | 1998 | University of Wolverhampton | Fine Art | |
| Sherwin G | Prelude | 1996 | University of Wolverhampton | Fine Art | |
| Sherwin G | Filter Beds | 1998 | University of Wolverhampton | Fine Art | |
| Sherrell J P | Foreign Bodies | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Sherrell J P | Jennifer Sherrell, Prints. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sherrell J P | Critical Mass | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sherrell J P | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sheridan T | Chocolate Acrobats | 1995 | The London Institute | Fine Art | |
| Sheridan T | Is It the Design on the Wrapper? | 1997 | The London Institute | Fine Art | |
| Sheridan T | Freelance commercials director | 2000 | The London Institute | Media and Communication | |
| Sheridan T | South in My Soul | 1999 | The London Institute | Fine Art | |
| Shepherd D | Saxaphone - A series of temporary, time based installations | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Shepherd D | Mochudi Project - Internet image transference programme from Mochudi, Botswana to Berlin | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Shepherd D | Borders - Site-specific installation responding to Scott Harbour, Cardiff | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Shepherd D | Ung.Young.Jung - Installation work and art which crosses international boundaries | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Sheldon JL | Matisse and the Problem of Expression in Early 20th Century Art | 1996 | Liverpool John Moores University | Art and Design History | |
| Sheldon JL | Amrit and Rabindra Kaur Singh | 1997 | Liverpool John Moores University | Art and Design History | |
| Shawcross N | One Hundred Years of Irish Art | 1999 | University of Ulster | ||
| Shawcross N | Portraits of Seamus Heaney and Michael Longley | 2000 | University of Ulster | ||
| Shawcross N | Royal Hibernian Academy of Arts 168th Exhibition | 1998 | University of Ulster | ||
| Shawcross N | Artists Century : Irish Self Portraits and Selected Works, 1900-2000 | 2000 | University of Ulster | ||
| Shaw R | Enriching Drawing | 1999 | Glasgow School of Art | Principles of Drawing | |
| Shaw R | Understanding Drawing | 2000 | Glasgow School of Art | Principles of Drawing | |
| Shaw R | Drawing and Learning: TLTP3 Project 2 (Interactive Multimedia Learning) | 1999 | Glasgow School of Art | Principles of Drawing | |
| Shaw L T | British Council - Creative Mission To Tokyo Japan | 2000 | Nottingham Trent University | Design | |
| Shaw L T | Uprising | 1996 | Nottingham Trent University | Design | |
| Shaw L T | Inaugural Show | 1996 | Nottingham Trent University | Design | |
| Shaw L T | 20th Century Decorative Arts 96 | 1996 | Nottingham Trent University | Design | |
| Shave T J | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Shave T J | Loaded. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Shave T J | Bad Faith. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Shave T J | Warming Up. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Sharpe T | Design Participation in Housing in Glasgow | 1999 | Glasgow School of Art | Cities and Environments | |
| Sharkya V | Vanilla Spray | 1999 | Liverpool John Moores University | Audio-visual | |
| Shankland S | Module R | 2000 | The London Institute | Fine Art | |
| Shankland S | Structure Cope | 2000 | The London Institute | Fine Art | |
| Shankland S | Fundamental Images | 1998 | The London Institute | Fine Art | |
| Shankie J | The Unbelievable Truth, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Shankie J | Dream Machines, touring group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Shankie J | There Is No Need for You to Leave The House, solo exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Shanahan P.N. | Esperantis | 2000 | Falmouth College of Arts | ||
| Shanahan P.N. | Personal Geography/Private Landscape | 1997 | Falmouth College of Arts | ||
| Seymour R | Bioform Bra | 2000 | Royal College of Art | Design for Manufacture | |
| Seymour R | Baby-G Watches | 1995 | Royal College of Art | Design for Manufacture | |
| Seymour R | Cyborg Computer Joystick | 1997 | Royal College of Art | Design for Manufacture | |
| Seymour R | Nokia DP-154EX Mobile phone | 1998 | Royal College of Art | Design for Manufacture | |
| Setterington L | Cloths of Gold | 1998 | Manchester Metropolitan University | ||
| Setterington L | The Azadi Quilt | 1998 | Manchester Metropolitan University | ||
| Setterington L | North Country Quilts: Legend + Living Tradition | 2000 | Manchester Metropolitan University | ||
| Setterington L | British Quilt Exhibition Japan 2000 | 2000 | Manchester Metropolitan University | ||
| Setch T | Oil + Water - Painting approaches to coastal locations focusing on interpretations of the land and sea | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Setch T | Painting the Dragon | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Setch T | Contemporary British Landscape | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Setch T | Welsh Artists Talking | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Senior G | Strands | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Senior G | Sticks | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Senior G | Crossing Open Ground (exhibition and artist's book of same title). | 1995 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Senior G | Grizedale: drawings and sculptures made from local forest materials | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Senior DP | Art + Hospitals: The Changing Culture of Healthcare | 2000 | Manchester Metropolitan University | ||
| Senior DP | Art, Culture and Health | 1998 | Manchester Metropolitan University | ||
| Semple R | Arms Dishes Pair | 1996 | Liverpool Hope | ||
| Semple R | Seven Piece Place Setting | 1998 | Liverpool Hope | ||
| Semple R | The Cross of Liverpool | 1998 | Liverpool Hope | ||
| Selwood S J | The New White - Contemporary Studio Porcelain | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Selwood S J | Sarah-Jane Selwood | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Selwood S J | Prime | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Selwood S J | Crosscurrents - Exhibition of British and American Ceramics | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Selby A | Moving Stories (illustration commission) | 1997 | Loughborough University | Illustration | |
| Selby A | Growth Hormone Replacement Treatment Guide (illustration commission) | 1998 | Loughborough University | Illustration | |
| Selby A | Images 23 The best of British Illustration | 1999 | Loughborough University | Illustration | |
| Selby A | Irish Stews (illustration commission) | 1995 | Loughborough University | Illustration | |
| Sekers A | Redesign | 1996 | The London Institute | Media and Communication | |
| Sekers A | Promotional campaigns | 1999 | The London Institute | Media and Communication | |
| Sekers A | Website designs | 1997 | The London Institute | Media and Communication | |
| Sekers A | p30 | 1996 | The London Institute | Media and Communication | |
| Seers L | The Double - Group Exhibition | 2000 | De Montfort University | ||
| Seers L | Nerve - Group Exhibition | 1999 | De Montfort University | ||
| Seers L | Auto Cannibal | 1999 | De Montfort University | ||
| Seers L | A Shot in the Head - Group Exhibition | 2000 | De Montfort University | ||
| Sedgwick J | '100 years of the Royal College of Art' | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Sedgwick J | Subjects 96. International Jewellery Art Exhibition | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Sedgwick J | 'XXVII Fidem 2000 Internationale MedaillenKunst. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Sedgwick J | 'Something Must Be Done'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Seden MR | Ten Years on: An Evaluation | 1997 | De Montfort University | ||
| Seden MR | Delivering Automated Innovative Assessment in a Varied Curriculum | 1999 | De Montfort University | ||
| Seddon P J | Images of the ear: History painting and historiographical practices | 1996 | University of Brighton | Memory, Identity and History | |
| Seddon P J | Landed Gentry | 1998 | University of Brighton | Memory, Identity and History | |
| Seddon J | Work, Professionalism and Gender: Women Designing in the Interwar and Postwar Periods | 1996 | University of Brighton | Design History, Criticism and Theory | |
| Seddon J | Mentioned, but Denied Significance: Women Designers and the 'Professionalisation' of Design c.1920-1951 | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Seddon J | An Interview with Ursula Mommens PotterSadie Speight and the Flat Book | 1994 | University of Brighton | Design History, Criticism and Theory | |
| Seawright P | Police Force | 1995 | University of Wales College, Newport | Photography | |
| Seawright P | Paul Seawright | 2000 | University of Wales College, Newport | Photography | |
| Seaton D | From Below | 2000 | University of Hertfordshire | ||
| Seaton D | I.M.M.S | 1996 | University of Hertfordshire | ||
| Seaton D | Atlantic Fusion | 1997 | University of Hertfordshire | ||
| Seaton D | New Work, David Seaton/Kate Davis | 1996 | University of Hertfordshire | ||
| Sear H | Gone to Earth | 1994 | University of Reading | ||
| Sear H | Unsettlement | 2000 | University of Reading | ||
| Sear H | Landscapes | 2000 | University of Reading | ||
| Sear H | Beweise einer Existenz | 1999 | The London Institute | Fine Art | |
| Sear H | Helen Sear - Landscapes | 2000 | The London Institute | Fine Art | |
| Sear H | Gone to Earth | 1994 | The London Institute | Fine Art | |
| Sear H | Unsettlement | 2000 | The London Institute | Fine Art | |
| Scott PC | Ceramics and Print | 1994 | University of Newcastle | ||
| Scott PC | Painted Clay, Graphic Arts and the Ceramic Surface | 2000 | University of Newcastle | ||
| Scott G A | 'As a war horse to the beat of drums': Representations of Working-Class Femininity in the Women's Co-operative Guild, 1880s to the Second World War | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Scott G A | Working-Class Feminism? The Women's Co-operative Guild 1880s to 1914 | 1997 | University of Brighton | Design History, Criticism and Theory | |
| Scott G A | Basket Power and Market Forces: the Women's Co-operative Guild 1883-1920 | 1995 | University of Brighton | Design History, Criticism and Theory | |
| Scott G A | Feminism and the Politics of Working Women: the Women's Co-operative Guild 1880s to the Second World War | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Scott DT | Clays and glazes in studio ceramics | 1999 | Loughborough University | Fine and Applied Arts | |
| Scott DT | Ways with Anagama | 2000 | Loughborough University | Fine and Applied Arts | |
| Scott DT | Ceramics | 1998 | Loughborough University | Fine and Applied Arts | |
| Scott DT | Wheel thrown and hand made teapots | 1995 | Loughborough University | Fine and Applied Arts | |
| Schoeser M | Mil Anys de Disseny en Punt | 1997 | The London Institute | Fashion and Textiles | |
| Schoeser M | Wellpaying Self Support | 2000 | The London Institute | Fashion and Textiles | |
| Schoeser M | Decadence - Views from the Edge of the Century | 1999 | The London Institute | Fashion and Textiles | |
| Schoeser M | Materials and Techniques in the Decorative Arts: An Illustrated Dictionary | 1998 | The London Institute | Fashion and Textiles | |
| Schmidt E | Lapis Lazuli | 1994 | Oxford Brookes University | Creative Practice | |
| Schmidt E | On Paper: New Tendencies in Drawing | 1999 | Oxford Brookes University | Creative Practice | |
| Schmidt E | View of an Enterprise | 1998 | Oxford Brookes University | Social Sculpture Research Unit | |
| Sayers P C | Woman's Realm. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sayers P C | Chronos ein-Tag. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sayers L | Jakulov's set design for Prokofiev's 'Le Pas d'Acier' | 2000 | University of Gloucestershire | ||
| Sayers L | 'Rosemary Butcher' and 'Jiri Kylian' | 1999 | University of Gloucestershire | ||
| Sayers L | 'Sergei Diaghilev's Soviet Ballet: Le Pas d'Acier and its relationship to Russian Constructivism' | 1996 | University of Gloucestershire | ||
| Sayers L | 'Madame Smudge, some Fossils, and other missing links: Unearthing the Ballet Class' | 1997 | University of Gloucestershire | ||
| Saxton J | Creating New Futures | 1998 | Goldsmiths College | ||
| Saxton J | Assessment and Evaluation in Technology Education. | 1998 | Goldsmiths College | ||
| Sawdon Smith R. T. | THE UGLY SHOW | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Sawdon Smith R. T. | INTO THE LIGHT | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Sawdon Smith R. T. | EXPOSURE | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Sawdon Smith R. T. | THE JOHN KOBAL PHOTOGRAPHIC PORTRAIT AWARD | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Saville J. | Painting the Century: 101 Portrait Masterpieces 1900-2000 | 2000 | University College London | Painting | |
| Saville J. | Ant Noises Part 1 and 2 | 2000 | University College London | Painting | |
| Saville J. | Sensation: Young British Artists from the Saatchi Collection | 1997 | University College London | Painting | |
| Saville J. | Territories | 1999 | University College London | Painting | |
| Saunders C | Annabel (6 min. video short). | 1997 | London Guildhall University | ||
| Saunders C | Front Crawl | 1994 | London Guildhall University | ||
| Saunders S | Car body design (Alfa Romeo) | 1997 | University of Plymouth | Design + Innovation | |
| Saunders S | Car design (Mini) | 1996 | University of Plymouth | Design + Innovation | |
| Saunders S | Car Design (Ariel Atom) | 1999 | University of Plymouth | Design + Innovation | |
| Sargeant N | London Photographic Awards 3 | 2000 | University of Gloucestershire | ||
| Sargeant N | John Kobal Photographic Award '98 | 1998 | University of Gloucestershire | ||
| Sargeant N | We are the boys in black and white | 1999 | University of Gloucestershire | ||
| Sargeant N | Royal Photographic Society 142nd International Print Exhibition | 1998 | University of Gloucestershire | ||
| Sargeant J | Cinema Contra Cinema: The Collected Essays of Jack Sargeant | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sargeant J | Naked Lens - Beat Cinema | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sargeant J | Deathtripping: the Cinema of Transgression | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sandys-Renton T | 'Voyage Around George Staunton' 2 exhibits - 'Landed Gentry' - Cement + welded copper - 84x74x29cm 'Vehicle for Thoughts of the Earth and Sea' - Galvanised steel - 155x104x51cm | 1998 | University College Chichester | Sculpture | |
| Sandys-Renton T | 'Artist in Residence' 1 exhibit . 'Self build-built self'. Green oak and forged/welded steel - 170x175x120cm | 2000 | University College Chichester | Sculpture | |
| Sandys-Renton T | 'Fresh Air '99' The Fourth Quenington Sculpture Show. 1 exhibit - 'Weighing in (excess baggage)'. Stainless steel, red sandstone - 168x107x197cm. | 1999 | University College Chichester | Sculpture | |
| Sandys-Renton T | 'Beastly Thoughts' 4 sculptures. 'Self Portrait as a Beast', 2000,(Charcoal, paper, steel + ceramic - c150x90x13cm); 'Beastly Thoughts' 2000, (Steel + ceramic - c66x205x16cm); 'Naked' 2000 (Steel + ceramic - approx 175x70x14cm; 'Mile High falling Angel | 2000 | University College Chichester | Sculpture | |
| Sandle M | One Man Exhibition, Sculpture and Drawings | 1995 | De Montfort University | ||
| Sandle M | 45-99 British Art | 1999 | De Montfort University | ||
| Sandle M | Bronze | 2000 | De Montfort University | ||
| Sandle M | Den Haag Sculptuur | 1999 | De Montfort University | ||
| Sandino L | Complexity and Ambiguity: The Ceramics of Alison Britton | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sandino L | Passionate Forms: the ceramics of Felicity Aylieff | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sandino L | Print and Be Damned | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sanderson LV | These Colours Run | 1995 | Sheffield Hallam University | ||
| Sanderson LV | Transforming the Crown: African, Asian and Caribbean Artists in Britain | 1997 | Sheffield Hallam University | ||
| Sanderson L V | 'These Colours Run ' | 1994 | Wimbledon School of Art | Painting | |
| Salter P | Ramshorn Churchyard | 1999 | University of East London | ||
| Salter P | 'Writing the City'; An Urban Pavilion | 1998 | University of East London | ||
| Salter P | Patine et vieillissement | 2000 | University of East London | ||
| Sall C | Life's a Beach | 1998 | Royal College of Art | Architectural Design | |
| Sall C | Roadworks | 1996 | Royal College of Art | Architectural Design | |
| Sall C | Nerve | 1999 | Royal College of Art | Architectural Design | |
| Salisbury M | Illustrations in Carnival by Julie Sykes | 2000 | Anglia Polytechnic University | ||
| Salisbury M | A Timeless Landscape | 2000 | Anglia Polytechnic University | ||
| Salisbury M | Illustrations in People in History by Fiona MacDonald | 1998 | Anglia Polytechnic University | ||
| Salisbury M | Articles in Line: 'Born Romantic'; 'Tabitha Salmon'; Sipan, John Minton in Jamaica' | 2000 | Anglia Polytechnic University | ||
| Sale R | Breaking down the Barriers | 1999 | University of East London | ||
| Sacks S | Landing Strip for Souls: Finding our Way Towards Democracy | 2000 | Oxford Brookes University | Social Sculpture Research Unit | |
| Sacks S | Warmth Work: An Expanded Conception of Art for the 21st Century | 1998 | Oxford Brookes University | Theory | |
| Sacks S | Exchange Values: Images of Invisible Lives | 1996 | Oxford Brookes University | Social Sculpture Research Unit | |
| Sacks S | Social Sculpture Colloquium | 1997 | Oxford Brookes University | Social Sculpture Research Unit | |
| Sabin RJ | The Media: An Introduction | 1998 | The London Institute | Media and Communication | |
| Sabin RJ | Comics, Comix and Graphic Novels | 1996 | The London Institute | Media and Communication | |
| Sabin RJ | Punk Rock: So What? | 1999 | The London Institute | Media and Communication | |
| Sabin RJ | Comics As Culture | 1999 | The London Institute | Media and Communication | |
| Sabin AM | The Open Sea | 1997 | The London Institute | Fine Art | |
| Sabin AM | The Sea of Sun | 1999 | The London Institute | Fine Art | |
| Sabin AM | Recycling bottle tower | 2000 | The London Institute | Fine Art | |
| SZULAKOWSKA U | The Alchemical Girl in Leonora Carrington's 'The House Opposite' | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SZULAKOWSKA U | The Alchemy of Light: Geometry and Optics in Late Renaissance Alchemical Illustration | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SZULAKOWSKA U | The Avant-Garde and It's Patrons: the development of Experimental Art in Brisbane c1980 - 1988 | 1997 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SZULAKOWSKA U | Experimental Art in Queensland 1975 - 1995 | 1998 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SUMMERTON E | The Strict Nature Reserve | 2000 | University of Dundee | Contemporary Practice | |
| SUMMERTON E | Line Controller | 1998 | University of Dundee | Coastal/Indigenous Cultures | |
| STUBBS M D | MAN ACT | 2000 | University of Dundee | Digital Technology | |
| STEYN J. | Other than Identity: the Subject, Politics and Art. | 1997 | City University | ||
| STEYN J. | Jean Baudrillard: 'Then we too shall see the stars fade away' | 1999 | City University | ||
| STEYN J. | The Jew: Assumptions of Identity | 1999 | City University | ||
| STEYN J. | De-Composition: Culture + Industry towards 2000. Joint Curator | 1997 | City University | ||
| STEWART C | Bomb Blast | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| STEWART C | Interview | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| STEWART C | Insecurity | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| STEVENSON F | 1998 | University of Dundee | Industry and the Public Sector | ||
| STEEL E R | MACALLAN/SOS Short Story award illustration | 1997 | University of Dundee | Contemporary Practice | |
| STALLABRASS JP | Gargantua: Manufactured Mass Culture | 1996 | University of Oxford | ||
| STALLABRASS JP | High Art Lite: British Art in the 1990s | 1999 | University of Oxford | ||
| SPICER A | Male stars, Masculinity and British Cinema, 1945-1960 | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| SPICER A | An Ambivalent Archetype: Masculinity, Performance and the New Zealand Films of Bruno Lawrence | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| SPICER A | Misfits and the marginalised: Gender in the Boultings | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| SPICER A | The emergence of the British tough guy: Stanley Baker, masculinity and the crime thriller | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| SPENS M | Jewish Museum, Berlin by Daniel Libeskind | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SPENS M | The Recovery of the Modern: Architectural Review 1980-1995 Key Text and Critique | 1996 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SPENS M | The Complete Landscapes and Gardens of Geoffrey Jellico (1900-96) | 1994 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SPENS M | The Viipuri Library (1927-35) by Alvar Aalto | 1994 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SMITH K | NO PLACE LIKE HOME [R LEIGH] | 2000 | Middlesex University | ||
| SMITH K | SIX MOMENTS [6M] | 2000 | Middlesex University | ||
| SMITH K | TALK ZONE - MILLENNIUM DOME | 1999 | Middlesex University | ||
| SMITH HR | Royal West of England Academy 5th Open Print Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| SMITH HR | Undercurrents | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| SMITH HR | Paperclay Plus | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| SMITH HR | Album | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| SLESS D. | Building the bridge across the years and disciplines | 1998 | Coventry University | The Design Institute | |
| SLESS D. | Early travels through information design | 1996 | Coventry University | The Design Institute | |
| SLESS D. | Designing and evaluating forms in large organizations | 1999 | Coventry University | The Design Institute | |
| SLESS D. | Better information presentation: satisfying consumers? | 1996 | Coventry University | The Design Institute | |
| SHERWIN G | FILTER BEDS - 16MM FILM | 1998 | Middlesex University | ||
| SHERWIN G | SHORT FILM SERIES 1975 - 2000 - 16 MM FILM | 1998 | Middlesex University | ||
| SHERWIN G | ACCOMPANIMENT TO A CINEMATOGRAPHIC SCENE [SCHOENBERG] - 16 MM FILM | 1999 | Middlesex University | ||
| SHERWIN G | AT THE ACADEMY 7 CYCLES 1 [16MM FILMS] | 2000 | Middlesex University | ||
| SHEMILT E | Behind Appearance | 1997 | University of Dundee | Contemporary Practice | |
| SHAW P | PHYTOCHROMOGRAPHY - SCREEN PRINTING WITH PLANTS: RESEARCH INTO ALTERNATIVE INK TECHNOLOGY | 1999 | Middlesex University | ||
| SHAW P | FLORA TINCTORIA GRAFICA - PHYTOMOGRAPHIC AND LARGE FORMAT INKJET PRINTS | 2000 | Middlesex University | ||
| SHAW P | FRUIT AND VEG; OR, GROW YOUR OWN INK | 1995 | Middlesex University | ||
| SHAW P | PHYTOCROMOGRAPHY - PRINTING WITH PLANTS | 1997 | Middlesex University | ||
| SHADBOLT R | RED MAGAZINE | 1999 | Middlesex University | ||
| SHADBOLT R | SUMMER MUSIC | 2000 | Middlesex University | ||
| SHADBOLT R | VITAL SIGNS | 1999 | Middlesex University | ||
| SHADBOLT R | THE SWORD IN THE STONE [T H WHITE] | 1998 | Middlesex University | ||
| SCOBIE L M | Artsbeast | 1995 | University of Dundee | Contemporary Practice | |
| SCHENK P M | The role of drawing in graphic design and the implications for curriculum planning | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SCHENK P M | Adaptability to Change: Teaching Drawings to Designers | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SCHENK P M | Drawing for design: the impact of computer-assisted design on the role of drawing for communication designers in commercial practice | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SCHENK P M | An analysis of the changing role of drawing in the graphic design process since the mid-eighties, with particular regard to the impact of technological change | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SCHEIN F. | Id | 1996 | Coventry University | ||
| SAXON G | Facing Things-Video Installation at L-Art Gallery Making Connections - Curated Video Programme of British Work and Retrospective | 2000 | University of Lincoln | ||
| SAXON G | Homo-Cyte | 1999 | University of Lincoln | ||
| SAXON G | The Flow | 1996 | University of Lincoln | ||
| SAXON G | Conservatory - 'A Place For Tender Things' | 1997 | University of Lincoln | ||
| SAUNDERS R. | ACECA 4 seater grand touring car | 2000 | Coventry University | Design | |
| SAUNDERS R. | Superblower | 1997 | Coventry University | Design | |
| SAUNDERS R. | ACECA | 1997 | Coventry University | Design | |
| Rye C | 'The Turin Machine' | 1996 | Napier University | Critical Theory of Practice | |
| Ryan D | Indeterminate Relations | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Ryan D | Lenguaje Silencio | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Ryan D | With-JECT Spain | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Ryan D | John Riddy: Photographs | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Ruthven R J | Image Nations, group exhibition, Eye Rhymes | 1997 | University of Portsmouth | Art and Science | |
| Ruthven R J | Improbable Events, group exhibitions | 1998 | University of Portsmouth | Art and Science | |
| Ruthven R J | History of Space Art, exhibition | 1999 | University of Portsmouth | Art and Science | |
| Ruthven R J | Reaching for the Stars, exhibition | 2000 | University of Portsmouth | Art and Science | |
| Rutherford S | An Ergonomics Analysis of Tumble Dryer Interfaces | 1998 | Nottingham Trent University | Design | |
| Rutherford S | Moss Miami Spinal implant procedure specialist surgical instruments | 1998 | Nottingham Trent University | Design | |
| Rutherford S | The User Culture - The User As Designer | 1999 | Nottingham Trent University | Design | |
| Rutherford S | Easy-View Mirror Set | 2000 | Nottingham Trent University | Design | |
| Rust I | Womenswear Jeans Collection - Calvin Klein | 1995 | Royal College of Art | Design for Manufacture | |
| Russell J | Protest and Survive | 2000 | The London Institute | Fine Art | |
| Russell J | Field of Dreams | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Russell J | Cool Tears (Life/Live) | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Russell J | WHITE3 | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Russell J | Press Release | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Russell B | Bruce Russell: Recent Paintings | 1995 | Kingston University | ||
| Russell B | Bruce Russell: Recent Paintings | 1997 | Kingston University | ||
| Russell B | GMT: Glyphs, Morphs and Tropes | 1999 | Kingston University | ||
| Russell B | Bruce Russell: Recent Paintings | 1998 | Kingston University | ||
| Rushton E | Campaign | 2000 | Falmouth College of Arts | ||
| Rushton E | New Art From Britain | 1998 | Falmouth College of Arts | ||
| Rushton E | Private View | 1996 | Falmouth College of Arts | ||
| Rushby R | Enamelled box and 11 pieces of enamelled silver and gold jewellery | 1995 | London Guildhall University | ||
| Rushby R | 15 pieces of jewellery in enamelled silver + gold | 1998 | London Guildhall University | ||
| Rushby R | 15 jewellery pieces in enamelled silver and gold | 1997 | London Guildhall University | ||
| Rushby R | 3 cloisonn | 1994 | London Guildhall University | ||
| Ruckman JYE | Water Vapour Transfer in Waterproof Breathable Fabrics: Under Rainy and Windy Conditions | 1997 | Manchester Metropolitan University | ||
| Ruckman JYE | Subjective and Objective Evaluation of Colour Difference Encountered Through the Use of CAD Systems | 2000 | Manchester Metropolitan University | ||
| Ruckman JYE | Analysis of Simultaneous Heat and Waterproof Transfer Through Waterproof Breathable Fabrics | 1997 | Manchester Metropolitan University | ||
| Ruckman JYE | Engineering of Clothing Systems for Improved Thermophysical Comfort | 1999 | Manchester Metropolitan University | ||
| Royffe C D | 1994 | Leeds Metropolitan University | Environmental Art and Design | ||
| Royffe C D | 'Shelter and Energy Conservation: A Feasibility Study' | 1995 | Leeds Metropolitan University | Environmental Art and Design | |
| Roy R | Design for environment in practice - development of the Hoover New Wave washing machine range | 1997 | Open University | Design and innovation management | |
| Roy R | Sustainable product-service systems | 2000 | Open University | Design for sustainability | |
| Roy I B | Photographs of Greenland Trappers Huts | 1999 | University of Brighton | Natural and Constructed Environments | |
| Roy I B | Towards an Archaeology of the North | 1995 | University of Brighton | Natural and Constructed Environments | |
| Roy I B | The Trappers' Hut, 'Snaddheimen', Kejser Franz Joseph Fjord | 2000 | University of Brighton | Natural and Constructed Environments | |
| Rowland C | A Crash Course in Creative Digital Media for the Community | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Rowland C | FISHION, solo exhibition | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Rowland C | FIREFLAY: Using Particle Dynamics for Human Representation | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Rowe M | New Century in European Design | 1994 | Royal College of Art | Applied Art | |
| Rowe M | Exhibition of Finalists for the 1st European Prize for Contemporary Art and Design-led Crafts | 1998 | Royal College of Art | Applied Art | |
| Rowe M | Candelabra | 1994 | Royal College of Art | Applied Art | |
| Rowe D | Opus Double Bass Stool | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Rowe D | Cano restaurant chair | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Rowe D | Collaborative Furniture Projects at BIAD | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Rowe D | Opus Choral Seating - tip-up seat | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Rowe C W | Moon Pull (mixed media ceiling work for CT Scanner room). | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Rowe C W | Low Tide/Splashzone (photographic and sound installation and Splashzone website) | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Ross White M | Idyllium: A Paradise Garden | 1994 | Bath Spa University College | ||
| Ross White M | Bridging Cultures | 1995 | Bath Spa University College | ||
| Ross White M | Tete a Tete | 1997 | Bath Spa University College | ||
| Ross White M | Malcolm Ross-White | 1996 | Bath Spa University College | ||
| Ross M | A Show about Time | 1998 | University of Newcastle | ||
| Ross M | zur Br | 1998 | University of Newcastle | ||
| Ross M | fall | 1994 | University of Newcastle | ||
| Ross M | valentine | 2000 | University of Newcastle | ||
| Ross J C | 1995 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Ross J C | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Ross J C | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Ross J C | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Rosenbloom P | Cheltenham Open Drawing Exhibition | 1999 | University of Gloucestershire | ||
| Rosenbloom P | Paul Rosenbloom | 2000 | University of Gloucestershire | ||
| Rosenbloom P | Traces | 2000 | University of Gloucestershire | ||
| Rosenbloom P | Significant Contemporary Artists | 2000 | University of Gloucestershire | ||
| Rosenberg T | Thoughts on a plane. | 1997 | Goldsmiths College | ||
| Rosenberg T | A Matter of Tact. A Collaborative model of research and development between industry. | 2000 | Goldsmiths College | ||
| Rosella A | Siggraph | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Rose EE | Pacesetters | 1997 | Lancaster University | ||
| Rose EE | Slow Burn: Meaning and Vision in Contemporary British Abstract Painting | 1998 | Lancaster University | ||
| Rose EE | Emma Rose: Paintings | 1999 | Lancaster University | ||
| Rose EE | Exhibition of Monoprints | 1996 | Lancaster University | ||
| Rose C J | Product Development and Creative Design | 1999 | University of Brighton | Pedagogic Research | |
| Rose C J | Conservation by Design | 1994 | University of Brighton | Materials Practices and Processes | |
| Rose C | Peaks | 1998 | University of Sunderland | Fine Art | |
| Rose C | Meteor | 1999 | University of Sunderland | Fine Art | |
| Rose C | Earthworks | 1995 | University of Sunderland | Fine Art | |
| Rose C | Villes et Valises | 2000 | University of Sunderland | Fine Art | |
| Roper G S | 'Artlanta' | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Roper G S | Roper: recent works | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Rooney P | Presence: Banner Paintings and Audio Works. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Rooney P | My Eye Hurts. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Rooney P | At a Distance From (video). | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Rome R | The Millennium Fountain | 2000 | Royal College of Art | Fine Art | |
| Rome R | Blackstone River North | 1999 | Royal College of Art | Fine Art | |
| Rome R | Pepper Rock | 1998 | Royal College of Art | Fine Art | |
| Rome R | Dream Boat | 1998 | Royal College of Art | Fine Art | |
| Romans PA | The Suspension Bridge at Iguazu Falls | 1999 | The London Institute | Media and Communication | |
| Romans PA | Common Law | 1999 | The London Institute | Media and Communication | |
| Romans PA | Untitled Film Mix for Tortoise | 1998 | The London Institute | Media and Communication | |
| Romans PA | DJED | 1996 | The London Institute | Media and Communication | |
| Rolph D | Mark, Oxo Tower | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rolph D | British School at Rome | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rolph D | New Work | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rolph D | Bureau de Change | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rolfe N | Mid Term Retrospective | 1994 | Royal College of Art | Fine Art | |
| Rolfe N | Two Drums | 1997 | Royal College of Art | Fine Art | |
| Rolfe N | Mid Term Retrospective | 1996 | Royal College of Art | Fine Art | |
| Rolfe N | Hand on Face | 1998 | Royal College of Art | Fine Art | |
| Rohr D | Postcards from Dounreay | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Rohr D | Drawing Connections (drawings and monograph essay) | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Rohr D | Making Public | 1998 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Rogers ME | Environmental Education, Technology and Initial Teacher Education | 1996 | Goldsmiths College | ||
| Rogers ME | Development education through design and technology | 1997 | Goldsmiths College | ||
| Rogers M | 'The Projected Room' | 1996 | University of Derby | Research Group for Artists Publications | |
| Rogers M | 'Acoustic Shadows'. | 1999 | University of Derby | Research Group for Artists Publications | |
| Rogers M | 'Domestic Acoustic', (Solo Exhibition). | 2000 | University of Derby | Research Group for Artists Publications | |
| Rogers M | ''Okologie der Wahnehmung', Group show of large scale prints. | 1999 | University of Derby | Research Group for Artists Publications | |
| Rogers H | Relatives | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Rogers H | Oversites | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Rogers H | Sites of Practice | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Rogers H | Making a Scene: performing culture into politics, Performativity and Performance in Contemporary Politics and Art Practice. | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Rogers A | 1999 | Leeds Metropolitan University | Design | ||
| Rogers A | 1999 | Leeds Metropolitan University | Design | ||
| Rogers A | 2000 | Leeds Metropolitan University | Design | ||
| Rogers A | 2000 | Leeds Metropolitan University | Design | ||
| Rogers K. | THE (LONDON) INCIDENT | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Rogers K. | N01SE | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Rogers K. | SUTEMOS/TWILIGHT THE 5TH ANNUAL EXHIBITION OF THE SOROS CENTRE FOR CONTEMPORARY ARTS, LITHUANIA | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Rogers K. | THE (FRIBOURG) INCIDENT | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Rodriguez J | Roman Vishniac | 1998 | The London Institute | Media and Communication | |
| Rodriguez J | Beyond Portrait Photography | 1999 | The London Institute | Media and Communication | |
| Rodriguez J | Families + How to Survive Them [Rachel Billington]; Against the Grain [William Klein]; Pay + Display [menswear ad photography]; The Art of Business [Citibank prize for photography/Rineke Dijkstra] | 1999 | The London Institute | Media and Communication | |
| Rodrigues CA | Chinatown and Nose-Room. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Rodrigues CA | Tuning in. Exhibition at Sea | 1998 | University of Plymouth | Centre for Visual Computing | |
| Roddis JN | Exemplar | 1995 | Sheffield Hallam University | ||
| Roddis JN | Applications PCT/GB00/03347(International) and 9920843.1 (UK) for 'TTURA' Glass + Resin Composite | 2000 | Sheffield Hallam University | ||
| Robson D G | St John on the Green Hill: The mystic geometry of Giovanni Santini-Aichel | 1998 | University of Brighton | Natural and Constructed Environments | |
| Robinson K | Democratic Archaeology at Sedgeford | 1999 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson K | Archaeology's Photographic Image | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson K | A Bridge: Creating a Course in Material Culture Studies | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson K | Sedgeford Historical and Archaeological Research Project. (Publications, interpretative text and CD Rom based on a local heritage site used as a base for historical and archaeological collaborative research). | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson H | Disruptive Women Artists : An Irigarayan Reading of Irish Visual Culture | 2000 | University of Ulster | ||
| Robinson H | Within the pale in from: Beyond the Pale:the construction of feminity in the curating of an exhibition season at IMMA, Dublin | 1997 | University of Ulster | ||
| Robinson H | Whose Beauty? Women, Art and Intersubjectivity in Luce Irigaray's Writings | 2000 | University of Ulster | ||
| Robinson H | Beauty, the universal, the divine: Irigaray's re-valuings | 1998 | University of Ulster | ||
| Robinson A F | 'Annette Robinson' [Solo exhibition] | 2000 | University College Northampton | Fine Art Practices | |
| Robinson A F | Ganglion Blue | 1999 | University College Northampton | Fine Art Practices | |
| Robinson A F | Art Futures | 1999 | University College Northampton | Fine Art Practices | |
| Robinson A F | East International | 1996 | University College Northampton | Fine Art Practices | |
| Robertson I | Without Walls: 40 drawings (av. 48cms.x 56cms.) - paper and mixed media | 1998 | London Guildhall University | ||
| Robertson I | Wall installation: mixed media and TV monitor (9m. x 8m. approx.). | 1999 | London Guildhall University | ||
| Robertson I | Recycling time: 4 wall constructions (mixed media 186 cms. X 186 cms.); 30 works on paper (56 cms. X 48 cms.) | 1996 | London Guildhall University | ||
| Robertson I | Network Art-UK'98 Japan. Simultaneous live interactive multiple venue international media presentation. | 1998 | London Guildhall University | ||
| Robertson H | after image | 2000 | The London Institute | Fine Art | |
| Robertson H | Public Relations - New British Photography | 1997 | The London Institute | Fine Art | |
| Robertson H | Helen Robertson - Solo Exhibition | 1999 | The London Institute | Fine Art | |
| Robertson H | Hard Edge, Soft Edge | 1998 | The London Institute | Fine Art | |
| Robertson GD | Bothwell Evangelical Church Scotland. | 1996 | Glasgow School of Art | Design | |
| Robertson GD | Challenge House | 2000 | Glasgow School of Art | Design | |
| Robertson GD | Extension to Nursing Wing, Crookfur Cottage Homes, Newton Mearns | 2000 | Glasgow School of Art | Design | |
| Robertson DA | 4D Design: Adding Value to Consumer Products Using Multimedia and Mechatronics Technologies | 1998 | De Montfort University | ||
| Robertson DA | 4D Product Design, Mechatronics and Multimedia Technology: Some Conceptual Challenges | 1997 | De Montfort University | ||
| Robertson C | History - Museum and Art Gallery Collection | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Robertson C | A Quality of Light, Exploration of the quality of light in art | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Robertson C | In a Marine Light | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Robertson C | Carol Robertson - New Paintings | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Robertson FG | Footsteps, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Robertson FG | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Robertson FG | Fiona Robertson, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Robertson FG | Ive Sort of Lost It Now, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Robertshaw S | The Nature of History | 1995 | Liverpool John Moores University | International Centre for Digital Content | |
| Robertshaw S | The Errors of Art and Nature | 1997 | Liverpool John Moores University | International Centre for Digital Content | |
| Robertshaw S | Loss | 1998 | Liverpool John Moores University | International Centre for Digital Content | |
| Robertshaw S | The Order of Things | 1996 | Liverpool John Moores University | International Centre for Digital Content | |
| Roberts PH | The Field of Design, the Act of Designing, and the Curriculum Subject of Design and Technology | 2000 | Loughborough University | Design Education | |
| Roberts M | Technical Support. | 2000 | Goldsmiths College | ||
| Roberts M | Carrier. | 2000 | Goldsmiths College | ||
| Roberts M | Katak. | 2000 | Goldsmiths College | ||
| Roberts M | Lineaments of the LWA. | 2000 | Goldsmiths College | ||
| Roberts J | Trickster | 1999 | University of Wolverhampton | Fine Art | |
| Roberts J | The Art of Interruption: Realism, Photography and the Everyday | 1998 | University of Wolverhampton | Fine Art | |
| Roberts J | Bill Woodrow: Fool's Gold | 1996 | University of Wolverhampton | Fine Art | |
| Roberts J | Art has no History! The Making and Unmaking of Modern Art | 1994 | University of Wolverhampton | Fine Art | |
| Roberts E | 'Barbara Hepworth Speculatively perceived within an international context' | 1996 | Liverpool John Moores University | Art and Design History | |
| Roberts J | Sawn Off: Infanticide, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Roberts J | Father of Creation, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Roberts J | Recent Paintings, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Roberts J | Heroes and Villains, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Rirsch R | Naturalistic representation of Pelican (3x2) in engraved and carved yellow/white gold with ruby eyes, set with over 300 diamonds | 1998 | London Guildhall University | ||
| Rirsch R | A collection of silver rings, brooches and necklaces set with cabochons and garnets of varying sizes. | 1999 | London Guildhall University | ||
| Rirsch R | Chain-of-office for a Middle Eastern Kingdom in white/yellow gold, with enamelled motifs, set with 400 gemstones (diamonds, rubies + emeralds) | 1997 | London Guildhall University | ||
| Rirsch R | 18ct. white/yellow gold enamelled lyre set with 414 diamonds, rubies + emeralds | 1997 | London Guildhall University | ||
| Riley H | Style Taste and Fashion in the Prism-house of Meaning' | 1999 | Swansea Institute of Higher Education | Drawing | |
| Riley H | Where do meanings come from? The Social Semiotic of Design' | 1997 | Swansea Institute of Higher Education | Design | |
| Riley H | The Genetic Code of Drawing | 1999 | Swansea Institute of Higher Education | Drawing | |
| Riley H | Towards a new theoretical base for the teaching and practice of drawing | 2000 | Swansea Institute of Higher Education | Drawing | |
| Riley B | Bridget Riley: Paintings from the 1960's and 70's | 1999 | De Montfort University | ||
| Riley B | Exhibition at Tate Modern | 2000 | De Montfort University | ||
| Riley B | Bridget Riley: Selected Paintings 1961-1999 | 2000 | De Montfort University | ||
| Riley B | Bridget Riley: Reconnaissance | 2000 | De Montfort University | ||
| Rieser M | Interactive Narratives: A Form of Fiction? | 1997 | Napier University | Critical Theory of Practice | |
| Rieser M | Relatives: Art on the Edge | 2000 | Bath Spa University College | ||
| Rideal M.E.C. | 50 Ans de Tati | 1998 | University College London | Painting | |
| Rideal M.E.C. | Concerning the Photo-Booth | 2000 | University College London | Painting | |
| Rideal M.E.C. | Liz Rideal: New Work | 1999 | University College London | Painting | |
| Rideal M.E.C. | Photographs '96-'98 | 2000 | University College London | Painting | |
| Ride P | Life After Me | 1999 | University of Westminster | CARTE | |
| Ride P | Discrete Packets | 2000 | University of Westminster | CARTE | |
| Ride P | Demonstrations and Details from the Facts of Life | 2000 | University of Westminster | CARTE | |
| Ride P | Dominique Blain | 1997 | University of Westminster | CARTE | |
| Riddy J | Elsewhere | 1998 | The London Institute | Fine Art | |
| Riddy J | John Riddy: Rome | 1999 | The London Institute | Fine Art | |
| Riddy J | John Riddy: Photographs | 2000 | The London Institute | Fine Art | |
| Richon O | After DL | 1995 | Royal College of Art | Critical Practice | |
| Richon O | Allegories | 2000 | Royal College of Art | Critical Practice | |
| Richon O | The Hunt | 1995 | Royal College of Art | Critical Practice | |
| Richon O | Oralit | 1994 | Royal College of Art | Critical Practice | |
| Richardson R | Censorship Communications | 1996 | De Montfort University | ||
| Richardson R | Rethinking the Avant-Garde | 1998 | De Montfort University | ||
| Richardson R | Letters of Invitation | 1998 | De Montfort University | ||
| Richardson R | SOLOrepartee | 1999 | De Montfort University | ||
| Richardson C | Day Loves Night | 1997 | Oxford Brookes University | Creative Practice | |
| Richardson C | 'We have made these things to fall from' and 'The artist Craig Richardson having an argument with the curator Jonathan Watkins' | 1994 | Oxford Brookes University | Creative Practice | |
| Richards P.J. | Paul Richards: New Paintings | 1998 | University College London | Painting | |
| Richards P.J. | Paul Richards: Recent Paintings | 1996 | University College London | Painting | |
| Richards P.J. | Paul Richards | 1996 | University College London | Painting | |
| Richards P.J. | Paul Richards | 1995 | University College London | Painting | |
| Richards BGR | Phenomenal Transparency | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Richards BGR | Crystal Palace en miniature | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Richards BGR | RAUMstationen; Mettamorphosen des Raumes im 20 Jahrhundert | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Richards BGR | Broadfield House Glass Museum | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Richards A. | Designing with Crepons | 1999 | The Surrey Institute of Art + Design University College | ||
| Richards A. | NATURAL PLEATING IN ANCIENT EGYPT: A LOST TECHNIQUE | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Richards A. | DESIGN WORLD 2000 | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Richards A. | Breaking into Waves | 1996 | The Surrey Institute of Art + Design University College | ||
| Rice B W | Paintings 1981 - 1995 | 1995 | University of Brighton | Natural and Constructed Environments | |
| Rice B W | A Pictorial History of Santa Claus | 1995 | University of Brighton | Visual Communication Design | |
| Rice B W | Art and Archaeology | 1998 | University of Brighton | Natural and Constructed Environments | |
| Rice B W | Paintings and prints by Brian Rice | 1997 | University of Brighton | Natural and Constructed Environments | |
| Ribas X | Pefecta Distraccion | 1995 | University of Brighton | Natural and Constructed Environments | |
| Ribas X | Bilinguale und bikulturelle Konfliktivitat aus der Sicht des Fotografen | 1995 | University of Brighton | Natural and Constructed Environments | |
| Ribas X | SimCity: Simulation des offentlichen Raumes | 1994 | University of Brighton | Natural and Constructed Environments | |
| Rhodes NA | Scarlett | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes NA | Chunk | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes NA | Chiemsee Two | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes NA | Airbag | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes E. | 43rd London International Film Festival | 1999 | University College London | Fine Art Media | |
| Rhodes E. | Artists' Film and Video Series | 1997 | University College London | Fine Art Media | |
| Rhodes E. | 14th Image Forum Festival 2000 | 2000 | University College London | Fine Art Media | |
| Rhodes E. | Film Screening | 1997 | University College London | Fine Art Media | |
| Rhodes C | The British Art Show, 5 group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Rhodes C | Carol Rhodes, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Rhodes C | Out of Place, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Rhodes C | Remaking Reality, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Reynolds L J | Designing air traffic control systems | 1998 | University of Reading | ||
| Renton A. | Bankside Browser | 1999 | University College London | Art History and Theoretical Studies | |
| Renton A. | Jo | 1999 | University College London | Art History and Theoretical Studies | |
| Renton A. | Browser | 1997 | University College London | Art History and Theoretical Studies | |
| Renton A. | Manifesta 1: European Art Biennial | 1996 | University College London | Art History and Theoretical Studies | |
| Renshaw T | RSI-Tim Renshaw | 1994 | University of Reading | ||
| Rennie C | Three Collector Pitchers | 1998 | University of Wolverhampton | Glass | |
| Rennie C | Three Glass Sculptures | 1999 | University of Wolverhampton | Glass | |
| Rennie C | Ten Glass Sculptures | 1998 | University of Wolverhampton | Glass | |
| Rennie C | Four Glass Sculptures | 1997 | University of Wolverhampton | Glass | |
| Reid C | Recent Work | 1999 | Wimbledon School of Art | Painting | |
| Reich J | Gallery Artists | 1996 | Anglia Polytechnic University | ||
| Reich J | Trend | 1998 | Anglia Polytechnic University | ||
| Reich J | Whitechapel Open | 1996 | Anglia Polytechnic University | ||
| Reich J | Draw Cards | 1998 | Anglia Polytechnic University | ||
| Reeves D | Origin | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Reeves D | Above Memory and Transformation | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Reeves D | One With Everything | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Reeves D | Obsessive Becoming | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Rees A | 'Cinema and the Avant Garde' and 'Avant-Garde Film 1960-1995' | 1999 | Royal College of Art | Communications | |
| Rees A | Entries on 'Steve Littman', 'Jeff Keen', 'Jayne Parker', 'Guy Sherwin', 'John Smith' | 1999 | Royal College of Art | Communications | |
| Rees A | A History of Experimental Film and Video | 1999 | Royal College of Art | Communications | |
| Rees A | 'Digital Daze' | 1998 | Royal College of Art | Communications | |
| Reas P | I Can Help | 1994 | University of Brighton | Visual Communication Design | |
| Reas P | Nissan Micra | 1994 | University of Brighton | Visual Communication Design | |
| Reas P | VW Cars | 1999 | University of Brighton | Visual Communication Design | |
| Reas P | My Father, My Son | 1994 | University of Brighton | Visual Communication Design | |
| Read SA | Sektorer | 1997 | The London Institute | Fine Art | |
| Read SA | Standing Wave | 1994 | The London Institute | Fine Art | |
| Read J | 10+ | 1995 | Edinburgh College of Art | Fine Art | |
| Read J | Existing Bodies | 2000 | Edinburgh College of Art | Fine Art | |
| Read J | Created Space | 1999 | Edinburgh College of Art | Fine Art | |
| Rayson D | Landscape - The British Council Collection. | 2000 | Goldsmiths College | ||
| Rayson D | David Rayson - New Work. | 2000 | Goldsmiths College | ||
| Rayson D | Examining Pictures: Exhibiting Paintings | 1999 | Royal College of Art | Fine Art | |
| Rayson D | Out of Place. Memory, imagination and the city | 2000 | Royal College of Art | Fine Art | |
| Rayson D | Out of Place - Memory, Imagination and the City. | 2000 | Goldsmiths College | ||
| Rayson D | Examining Pictures, Exhibiting Paintings. | 1999 | Goldsmiths College | ||
| Raymond M | The Ethical Implications of Off Shore Sourcing | 1997 | The London Institute | Fashion and Textiles | |
| Raymond M | Viewpoint Magazine | 1999 | The London Institute | Fashion and Textiles | |
| Raymond M | Soft Sculpture | 1998 | The London Institute | Fashion and Textiles | |
| Raymond M | 100 Years of Design - Style and Fashion | 1998 | The London Institute | Fashion and Textiles | |
| Ray SF | High Speed Photography and Photonics | 1997 | University of Westminster | Imaging Technology | |
| Ray SF | Scientific Photography and Applied Imaging | 1999 | University of Westminster | Imaging Technology | |
| Ray SF | Photographic light sources | 2000 | University of Westminster | Imaging Technology | |
| Rawson G | The Glasgow Government School of Design, 1845 - 1853. | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Rawson G | Deconstructing South Kensington. F.H Newberys Regime at Glasgow School of Art 1885-1901. | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Rawson G | Francis H Newbery: Artist + Art Educationist, 1855 - 1946 | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Raney K | 'Drawing Papers' (Keynote Lecture) | 1998 | University of East London | ||
| Raney K | Visual Literacy and the Art Curriculum' | 1999 | University of East London | ||
| Raney K | Visual Literacy: Issues and debates | 1997 | University of East London | ||
| Randall-Page P | Body and Soul | 1996 | Dartington College of Arts | ||
| Randall-Page P | Inner Compusion | 2000 | Dartington College of Arts | ||
| Randall-Page P | Womb Tomb | 2000 | Dartington College of Arts | ||
| Randall-Page P | St Ann's Fountain | 1996 | Dartington College of Arts | ||
| Rana M | British Jewellery | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Rana M | Contemporary applied Art/Metalwork aus England | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Rana M | Only Human | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Rana M | BRICK | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Ramshaw W | Millennium Medals | 1999 | Royal College of Art | Applied Art | |
| Ramshaw W | Millennium Exhibition | 2000 | Royal College of Art | Applied Art | |
| Ramshaw W | Double Screen EH9681 | 1996 | Royal College of Art | Applied Art | |
| Ramshaw W | Picasso's Ladies | 1998 | Royal College of Art | Applied Art | |
| Ramsenthaler S | Partial View | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ramsenthaler S | Dialogues '99 | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ramsenthaler S | 2-3-4-D | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ramsay G | Graham Ramsay, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Ramsay G | Zonen Der Verstorung, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Rampley M | Nietzsche, Aesthetics and Modernity | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Rampley M | The Remembrance of Things Past. On Aby M. Warburgh and Walter Benjamin | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Rampley M. | FROM SYMBOL TO ALLEGORY: ABY WARBURG'S THEORY OF ART | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Rampley M. | NIETZSCHE, AESTHETICS AND MODERNITY | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Ramond P | Chefs d'Oeuvre des Maraqueteurs: marqueteurs d'exception | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Ramond P | Chefs d'Oeuvre Marqueteurs: des origines a Louis XIV | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Ramond P | Chefs d'Oeuvre des Marqueteurs: de la Regence a nos jours | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Ramond P | Marquetery | 1995 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Raby F | Fields and Thresholds (Testpieces) | 1996 | Royal College of Art | Computer Related Design | |
| Raby F | Park Interactives (Adult Furniture) | 2000 | Royal College of Art | Computer Related Design | |
| Raby F | Fields and Thresholds (Prototypes ), Oslo | 1996 | Royal College of Art | Computer Related Design | |
| Raby F | Project #26765: FLIRT, Flexible information and recreation for mobile users | 2000 | Royal College of Art | Computer Related Design | |
| Raban W | Beating the Bridges | 1997 | The London Institute | Media and Communication | |
| Raban W | Live in Your Head: Concept and Experiment in Britain 1965-1975 | 2000 | The London Institute | Media and Communication | |
| Raban W | Island Race | 1996 | The London Institute | Media and Communication | |
| Raban W | Firestation | 2000 | The London Institute | Media and Communication | |
| ROSS A R | Reflexions | 2000 | University of Dundee | Contemporary Practice | |
| ROSS A R | Aurora | 1999 | University of Dundee | Contemporary Practice | |
| ROSS A R | Lions and Thistles | 1995 | University of Dundee | Contemporary Practice | |
| ROSS A R | Two Scottish Artists | 1996 | University of Dundee | Contemporary Practice | |
| ROBISON J | Large Scale Ceramics | 1997 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBISON J | International Ceramics Symposium and Exhibition | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBISON J | THREE BRITISH CERAMISTS: Richard Bell, Tracey Heyes and Jim Robison | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBISON J | Marc Neveu, Jim Robison and Fraus Vaudevoort | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBINSON M | Inter-Meta | 1998 | Middlesex University | ||
| ROBERTSON J A | Charcoal Making in Thailand | 1999 | University of Dundee | Digital Technology | |
| ROBERTSON J A | Saisin | 1999 | University of Dundee | Digital Technology | |
| ROBB A M | In the Mind's Eye | 1995 | University of Dundee | Contemporary Practice | |
| RINGE S | Open Studio Show - Kingston Art Group | 1998 | University of Lincoln | ||
| RINGE S | The Bristol Art Library | 1998 | University of Lincoln | ||
| RINGE S | 'Modified' Kingston Art Group | 1999 | University of Lincoln | ||
| RINGE S | Export | 1997 | University of Lincoln | ||
| RICHARDS C.J. | The fundamental design variables of diagramming | 1998 | Coventry University | The Design Institute | |
| RICHARDS C.J. | Getting the picture: diagram design and the information revolution | 2000 | Coventry University | The Design Institute | |
| RICE A | Corporate Communications for the Electronic and Photonic Information Centre | 2000 | University of Dundee | Contemporary Practice | |
| RICE A | Financial Tool Modelling Design Activity | 1998 | University of Dundee | Contemporary Practice | |
| READ S | A PROFILE OF THE RIVER THAMES | 1996 | Middlesex University | ||
| READ S | SEKTORER | 1997 | Middlesex University | ||
| READ S | STANDING WAVE | 1994 | Middlesex University | ||
| READ S | THAMES RIVER CROSSINGS | 1998 | Middlesex University | ||
| Quinn M J | 'The Seance of 27 August 1889 and the Problem of Historical Consciousness' | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Quinn M J | 'Defilades and Enfilades' | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Quinn M J | 'The Swastika: Constructing the Symbol' | 1994 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Quinn M J | 'Double Indemnities' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Quinn L | Conservatory | 1997 | Sheffield Hallam University | ||
| Quinn L | Racer | 2000 | Sheffield Hallam University | ||
| Quinn L | Tidal | 1998 | Sheffield Hallam University | ||
| Quinn L | Submerged Identities | 1995 | Sheffield Hallam University | ||
| Quinn AM | Cornucopia Bone China Giftware | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Quinn AM | Lead Crystal Glassware 'Zest' design to compliment tableware | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Quinn AM | Single Stem Vases | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Quinn AM | Porcelein tableware Royal Worcester 'Essentials' | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Quinn J | CRUDLET | 2000 | University of Westminster | Hypermedia | |
| Quinn J | Future Sound of London (FSOL) | 1995 | University of Westminster | Hypermedia | |
| Quinn J | Apache Cocoon | 1998 | University of Westminster | Hypermedia | |
| Quinn J | Noise | 2000 | University of Westminster | Hypermedia | |
| Quickenden K | 'Lyon-faced' candlesticks and candelabra | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Quickenden K | Silver, 'plated' and silver products from the Soho Manufactory, 1780 | 1998 | University of Central England in Birmingham | Jewellery Research Group | |
| Quickenden K | Boulton and Fothergill's bullion supplies for assay silver | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Quickenden K | The Virtual Gallery of Contemporary Jewellery | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Quick C | Champion | 1997 | University of Central Lancashire | ||
| Quick C | 'You Like Your Lights Don't You' | 1997 | University of Central Lancashire | ||
| Quick C | 'Missing Pages' | 1998 | University of Central Lancashire | ||
| Quick C | The Navigator | 1999 | University of Central Lancashire | ||
| Quemby S | Printmaking from England | 1994 | Wimbledon School of Art | ||
| Quemby S | Printmaking from England | 1997 | Wimbledon School of Art | ||
| QUINE M | The Statistical Needs of the Scottish Cultural Agencies | 1999 | City University | ||
| QUINE M | Audiences for Live Theatre in Britain: the present situation and some implications | 2000 | City University | ||
| QUINE M | The Theatre System of the United Kingdom | 1998 | City University | ||
| Putnam T J | The Sewing Machine Comes Home | 1999 | University of Portsmouth | Memory, Identity and Material Culture | |
| Putnam T J | Post-modern Home Life | 1999 | University of Portsmouth | Memory, Identity and Material Culture | |
| Putnam T J | Between Taste and Tradition: decorative order in the modern home | 1995 | University of Portsmouth | Memory, Identity and Material Culture | |
| Purbrick L | Ideologically Technical: Illustration, Automation and Spinning Cotton around the middle of the Nineteenth Century | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Purbrick L | The South Kensington Museum: The building of the house of Henry Cole | 1994 | University of Brighton | Design History, Criticism and Theory | |
| Purbrick L | Knowledge is Property: Looking at Exhibits and Patents in 1851 | 1997 | University of Brighton | Design History, Criticism and Theory | |
| Purbrick L | The Bourgeois Body: Civic portraiture, public men and the appearance of class power in Manchester 1838-1850 | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Punton L | Revisions, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Punton L | Where Deer Sleep, solo exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Punton L | Shadows In The Water, touring group exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Punt M | Accidental Machines:Understanding How We Understand New Technologies | 1998 | University of Wales College, Newport | CAiiA | |
| Punt M | Post Classical Cinema and the Digital Image | 2000 | University of Wales College, Newport | CAiiA | |
| Punt M | CD ROM: Radical Nostalgia? | 1995 | University of Wales College, Newport | CAiiA | |
| Pucill SA | Swollen Stigma | 1998 | University of Westminster | Fine Art | |
| Pucill SA | Backcomb | 1997 | University of Westminster | Fine Art | |
| Pucill SA | Cast | 2000 | University of Westminster | Fine Art | |
| Pucill SA | Mirrored Measure | 1997 | University of Westminster | Fine Art | |
| Pucill S. | Mirrored Measure (film 16mm, 10mins). | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Pucill S. | Swollen Stigma (film 16mm, 20mins) | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Pryke S | 'Reda' - Range of kitchenware (approximately 50 items) | 1999 | De Montfort University | ||
| Pryke S | Orbit tableware range | 1998 | De Montfort University | ||
| Prowse P. | The Robbers | 1998 | University College London | Theatre Design | |
| Prowse P. | Die Zauberfl | 1999 | University College London | Theatre Design | |
| Prowse P. | Carmina Burana | 1995 | University College London | Theatre Design | |
| Prowse P. | Cavalcade | 1999 | University College London | Theatre Design | |
| Proud D.R. | Pull | 1998 | University College London | Fine Art Media | |
| Proud D.R. | Milo Lilo | 1998 | University College London | Fine Art Media | |
| Proud D.R. | Urban Turban | 1995 | University College London | Fine Art Media | |
| Proud D.R. | Net Web Culture Capture (or New Wave Cruise Control) | 1999 | University College London | Fine Art Media | |
| Prophet J. | Internal Organs of a Cyborg | 1998 | University College London | Fine Art Media | |
| Prophet J. | TechnoSphere V3 Real Time 3D Installation | 2000 | University College London | Fine Art Media | |
| Prophet J. | Technosphere Website and Video Works | 1998 | University College London | Fine Art Media | |
| Prophet J. | Imag(in)ing the Cyborg | 1999 | University College London | Fine Art Media | |
| Prophet J | Sordid Sites: The Internal Organs of a Cyborg | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Prophet J | TechnoSphere 2: Website and video works | 1997 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Prophet J | Internal Organs of a Cyborg | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Prophet J | Technosphere V3 | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Proctor G | Lingerie | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Prince N | The Mule | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Prince N | Hello....clk... whrr...Buzz...Nice to Meet You | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Prince N | In the Midst of Things | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Prince N | Semi Detached #1 | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Price-Owen A L | David Jones and the Age of Multiplicity | 1997 | Swansea Institute of Higher Education | Image and Text | |
| Price-Owen A L | Sarah, through the Looking Glass | 2000 | Swansea Institute of Higher Education | Image and Text | |
| Price-Owen A L | David Jones and typography/typoetry | 2000 | Swansea Institute of Higher Education | Image and Text | |
| Price M L | Dr Missy's communicating on the internet. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Price M L | Sleeping with the enemy, web based learning without a safety net. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Price M L | Student satisfaction with distance education and medium of instruction: Is there a relationship? | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Price G | Imaru | 2000 | Liverpool John Moores University | International Centre for Digital Content | |
| Prevoo D. | DAPHNE PREVOO | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Prevoo D. | PAPER FASCINATION | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Prevoo D. | IN-SITE | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Prevoo D. | THE 8TH INTERNATIONAL BIENNIAL PRINT + DRAWING EXHIBIT | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Prendiville AN | Improving public transport through Design and Marketing led specification - case studies from the EU | 2000 | University of East London | ||
| Prendiville AN | Design Research: its impact on the Specification of Revenue Collection Systems in Public Transport | 1996 | University of East London | ||
| Preece L | The Beaver Pool | 1995 | University of Brighton | Fine Art Practices | |
| Preece L | The Acquisition of Knowledge: Library Steps figure II and III | 1994 | University of Brighton | Fine Art Practices | |
| Preece L | Illuminations | 1995 | University of Brighton | Fine Art Practices | |
| Preece L | Which Way Up? | 1998 | University of Brighton | Fine Art Practices | |
| Power M | Dome | 1998 | University of Brighton | Visual Communication Design | |
| Power M | Trilogia | 2000 | University of Brighton | Visual Communication Design | |
| Power M | Buren/Neighbours | 2000 | University of Brighton | Memory, Identity and History | |
| Power M | The Shipping Forecast | 1997 | University of Brighton | Memory, Identity and History | |
| Powell N A | Cut, Made and Unmade. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Powell N A | Foreign Bodies. | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Powell N A | 'The Artist Out of Work: Art + Language 1972-81'. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Powell G | Royal Mail Millenium Stamp | 1999 | The London Institute | Media and Communication | |
| Powell G | The New Yorker | 1999 | The London Institute | Media and Communication | |
| Powell G | Show of Faith Part One | 2000 | The London Institute | Media and Communication | |
| Powell G | Ingram Micro brochures | 1999 | The London Institute | Media and Communication | |
| Powell G | Ingram Micro brochures | 1999 | University of Brighton | Visual Communication Design | |
| Powell G | Migration to the UK | 1999 | University of Brighton | Visual Communication Design | |
| Powell G | The New Yorker | 1999 | University of Brighton | Visual Communication Design | |
| Powell G | Show of Faith Part One | 2000 | University of Brighton | Visual Communication Design | |
| Powell F | Millennium Medal Competition | 1999 | Falmouth College of Arts | ||
| Powell F | New | 2000 | Falmouth College of Arts | ||
| Powell F | Love's Watch | 1999 | Falmouth College of Arts | ||
| Powell F | Royal Academy 229th Summer Show | 1997 | Falmouth College of Arts | ||
| Poulton A | Eight dobby weave fabrics | 1998 | University of Southampton | ||
| Poulton A | Three dobby woven fabrics | 1995 | University of Southampton | ||
| Poulton A | Two Jacquard woven furnishing fabrics | 1999 | University of Southampton | ||
| Poulton A | Dobby woven upholstory designs | 1999 | University of Southampton | ||
| Poulson DF | Using New Technology to Support the Provision of Care Services | 1997 | Loughborough University | Design Ergonomics | |
| Potter S | Managing the design of an innovative green transport project | 1999 | Open University | Design and innovation management | |
| Potter R | Home Truths | 1995 | Wimbledon School of Art | Photography | |
| Potter R | Alan and Louis/Baskerville Hall | 1995 | Wimbledon School of Art | Photography | |
| Potter R | Listening and Hearing | 1998 | Wimbledon School of Art | Photography | |
| Potter L | Metamorphosis: British Metalwork Exhibition 1998-1999. | 1999 | Goldsmiths College | ||
| Potter L | No Picnic. | 1998 | Goldsmiths College | ||
| Potter L | The jeweller who mistook herself for a doctor. | 2000 | Goldsmiths College | ||
| Potter L | Pavement Trail for the Jewellery Quarter in Birmingham. | 1999 | Goldsmiths College | ||
| Poston D | The Blacksmith and the Farmer | 1994 | Loughborough University | Fine and Applied Arts | |
| Poston D | Chini Ya Mwembe | 1999 | Loughborough University | Fine and Applied Arts | |
| Poston D | What is Jewellery? | 1994 | Loughborough University | Fine and Applied Arts | |
| Porter M L | Best buy Ergonomic Products and The Anthropometry of theFingers of Children | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Porter M L | Quantifying and Qualifying the Value of Ergonomics to Business | 1995 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Porter M L | Some emergent properties arising from the application ofthe Health and Safety at Work Etc. Act 1974 to the British Police Force | 1999 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Porter M L | Justifying the Incorporation of Ergonomics into Organisational Strategy | 1998 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Porter M | 'Profusion of Light' | 2000 | Wimbledon School of Art | Painting | |
| Porter M | 'Cliffs and Coastlines' | 2000 | Wimbledon School of Art | Painting | |
| Porter M | 'Shining Cliff' | 1998 | Wimbledon School of Art | Painting | |
| Porter M | 'Rocks and Coastline' | 1999 | Wimbledon School of Art | Painting | |
| Porter M | Shining Cliff Wood | 1999 | Falmouth College of Arts | ||
| Porter M | Kilkenny Arts Festival | 1999 | Falmouth College of Arts | ||
| Porter M | Cliffs and Coastlines | 2000 | Falmouth College of Arts | ||
| Porter M | Shining Cliff | 1998 | Falmouth College of Arts | ||
| Porter LJ | Teaching Design and Technology - Has the emphasis changed? | 1994 | Brunel University | Design Pedagogy | |
| Porter LJ | Teaching Control: An aspect of the National Curriculum | 1997 | Brunel University | Design Pedagogy | |
| Porter D | The Last Drawing on the Famous Blackboard - Relating Studio Teaching toResearch | 1996 | Glasgow School of Art | Educational Theory and Practice | |
| Porter D | Housing ...best before (Wohnbau ...haltbar bis)as Wohnen, Ubereinstimmen un Ausbilden (Housing, Consensus and Education) | 1999 | Glasgow School of Art | Cities and Environments | |
| Porter D | Tracking Architectural Logic | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Porter D | Why Do Architects Wear Black? Thinking Beyond the Ethos Trap | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Porteous C | Do sunspaces work in Scotland? Lessons learnt from CEC solar energy demonstration in Glasgow | 1997 | Glasgow School of Art | Cities and Environments | |
| Porteous C | Performance of moveable insulation on an experimental window in Glasgow | 1999 | Glasgow School of Art | Cities and Environments | |
| Porteous C | Solar recladding of housing blocks - the Glasgow example | 1998 | Glasgow School of Art | Cities and Environments | |
| Porteous C | Performance of a thermally efficient timber window with integral solar air collector | 1997 | Glasgow School of Art | Cities and Environments | |
| Pope M | A costume research and interpretation project based on paintings in the National Gallery | 1997 | Wimbledon School of Art | Theatre costume | |
| Pope M | Costume presentations at the National Gallery | 2000 | Wimbledon School of Art | Theatre costume | |
| Poncelet J | Material Culture: The Object in British Art of the 1980s and 90s | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Pointer MR | The Number of Discernible Colours | 1998 | University of Westminster | Imaging Technology | |
| Plunkett D | Propositions 2: Thinking Through Drawing | 2000 | Glasgow School of Art | Principles of Drawing | |
| Plunkett D | The Interiors of Charles Rennie Mackintosh | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Plouviez A | Fragmented Journeys | 1999 | University of Sunderland | Photography | |
| Plouviez A | Summer Houses | 2000 | University of Sunderland | Photography | |
| Pirie I | The Design Graduate | 2000 | Robert Gordon University | Learning Strategies | |
| Pippin S | Addendum | 1995 | Southampton Institute | ||
| Pippin S | Laundromat - Locomotion | 1998 | Southampton Institute | ||
| Pippin S | Turner Prize Exhibition | 1999 | Southampton Institute | ||
| Pippin S | De L | 1995 | Southampton Institute | ||
| Piper T | The Cardiff Digital Portfolio One at CBAT | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Piper T | 56 Group Wales | 1996 | University of Wales Institute, Cardiff | Fine Art | |
| Piper T | SIX | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Piper T | Robert Horne/Lowick House Printmaking Residency Award Exhibition | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Piper JF | Stop Thief (Design Against Crime) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Piper JF | 5500FF Polaroid APS Camera | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Piper JF | Teddy Chair | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Piper JF | Products for Life Collection of Rubber Accessories for Home and Office | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Pinsky M | In Transit | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Pinsky M | Stripes Touring Exhibition | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| Pinsky M | Transparent Room | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| Pinsky M | Overload | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Pinn A | Workshop Techniques On-Line Computer Learning Package. | 1998 | University of Hertfordshire | ||
| Pinn A | 'Evaluating The Student Experience of Learning Online' | 2000 | University of Hertfordshire | ||
| Pinn A | 'Is the role of the tutor dead in today's online culture?' | 1999 | University of Hertfordshire | ||
| Pinn A | 'Using Cal to assist in the instruction of practical skills: a case study from Art and Design'. | 2000 | University of Hertfordshire | ||
| Pilsl C | oT (Interventionen) | 1997 | Southampton Institute | ||
| Pilsl C | Remake | 2000 | Southampton Institute | ||
| Pilsl C | Mit den Augen durch die Wand | 1998 | Southampton Institute | ||
| Pilsl C | Aperture | 1999 | Southampton Institute | ||
| Pilgrim G | South Pacific | 1999 | Wimbledon School of Art | Theatre Design | |
| Pierse S J | Paintings of Ladakh | 1997 | University of Wales, Aberystwyth | ||
| Pierse S J | Terra Incognita: Images of Australia | 2000 | University of Wales, Aberystwyth | ||
| Pierse S J | Michigan Blues: Recent Paintings | 1998 | University of Wales, Aberystwyth | ||
| Piddington A | The Fall | 1998 | Kingston University | ||
| Piddington A | Thin Man Running | 1997 | Kingston University | ||
| Piddington A | The Soldier's Story | 1996 | Kingston University | ||
| Piddington A | Shuttlecock | 1994 | Kingston University | ||
| Pickwoad N | Preserving the Library and the Books at the Monastery of Saint Catherine | 1998 | The London Institute | Media and Communication | |
| Pickwoad N | Tacketed Bindings: A Hundred Years of European Bookbinding | 2000 | The London Institute | Media and Communication | |
| Pickwoad N | The Development of the Concept of Artefactual Conservation | 1997 | The London Institute | Media and Communication | |
| Pickwoad N | The Use of Fragments of Medieval Manuscripts in the Construction and Covering of Bindings on Printed Books | 1998 | The London Institute | Media and Communication | |
| Phillpot C | Edward Ruscha Editions 1959-1999 Catalogue Raisonne | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Phillpot C | Bookworks et Cetera | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Phillips K | Works on Paper | 1994 | Cumbria College of Art + Design | ||
| Phillips K | Eight Works on Paper | 1996 | Cumbria College of Art + Design | ||
| Phillips K | Paintings | 1997 | Cumbria College of Art + Design | ||
| Phillips K | Oils on Canvas | 1998 | Cumbria College of Art + Design | ||
| Phillips ML | MEDIASPACE: Journal/Satellite Broadcasts/Website | 2000 | University of Plymouth | STAR | |
| Phillips ML | The Sadeian Interface: Computers and Catharsis | 2000 | University of Plymouth | STAR | |
| Phenix A | Solubility parameters and the cleaning of paintings: an update and review | 1998 | Royal College of Art | Conservation | |
| Phenix A | The Science and Technology of the Cleaning of Pictures: Past, Present and Future | 1998 | Royal College of Art | Conservation | |
| Petry M | Abstract Eroticism | 1996 | University of Wolverhampton | Fine Art | |
| Petry M | A Thing of Beauty is... | 1997 | University of Wolverhampton | Fine Art | |
| Petry M | The Chemistry of Love III | 1994 | University of Wolverhampton | Fine Art | |
| Petrova S | Stanislav Libensky Jaroslava Brychtova | 1994 | University of Sunderland | Institute for International Research in Glass | |
| Petrova S | Prague 1900: Poetry and Ecstacy | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Petrova S | Vessels-The International Exhibition of Glass | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Petrova S | Light Transfigured, Contemporary Czech Glass Sculpture 2000-2001 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Petrie K | Brompton Head and Meatdish. | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Petrie K | Mix, Match and Madness - Early transfer printing and its potential for the contemporary artist | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Petrie K | Vizard, Lake, and Corridor | 1995 | University of Sunderland | Institute for International Research in Glass | |
| Petrie K | Water-based ceramic transfer printing - The development and creative use of a new screen printing system | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Petherbridge D | Drawing Allusions | 1994 | Royal College of Art | Critical Practice | |
| Petherbridge D | The Outline around the Shadow | 1997 | Royal College of Art | Critical Practice | |
| Petherbridge D | Corps | 1998 | Royal College of Art | Critical Practice | |
| Petherbridge D | The Quick and the Dead: Artists and Anatomy | 1998 | Royal College of Art | Critical Practice | |
| Pepperell R | The Post-Human Condidtion | 1995 | University of Wales College, Newport | CAiiA | |
| Pepperell R | The Post-Human Conception of Consciousness: a 10-point guide | 2000 | University of Wales College, Newport | CAiiA | |
| Pepperell R | Cyborg Guides and Musical Pods | 1999 | University of Wales College, Newport | CAiiA | |
| Penny S | Fugitive, | 1997 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Penny S | Critical Issues in Electronic Media | 1995 | University of Portsmouth | Centre for New Media Research | |
| Penny S | Petit Mal 1-4, | 1995 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Pennie M | Lobi | 1994 | Bath Spa University College | ||
| Pennie M | Michael Pennie: Carving and Drawing 1976-1995 | 1995 | Bath Spa University College | ||
| Pennie M | West African Journeys | 1999 | Bath Spa University College | ||
| Pennie M | Adventures with Lobi | 1998 | Bath Spa University College | ||
| Penney W | Britain Meets the Bay | 1997 | University of Ulster | ||
| Penney W | 12th German International Exhibition of Graphic Art | 1999 | University of Ulster | ||
| Penney W | 21st International Biennial of Graphic Art | 1995 | University of Ulster | ||
| Pennell R. | Engraved Windows, Screens and Panels, Site-Specific | 2000 | University of Wolverhampton | Glass | |
| Pennell R. | Engraved glass vessel | 2000 | University of Wolverhampton | Glass | |
| Pennell R. | Modern myths | 1999 | University of Wolverhampton | Glass | |
| Pennell JD | Nerve: c21_happening | 1999 | The London Institute | Fine Art | |
| Pennell JD | Cast | 2000 | The London Institute | Fine Art | |
| Pennell JD | Spin-Off | 1998 | The London Institute | Fine Art | |
| Pennell JD | Join the Dots | 1996 | The London Institute | Fine Art | |
| Pennell J | Kind of English. | 1997 | Goldsmiths College | ||
| Pennell J | 'Spin-Off'. | 1998 | Goldsmiths College | ||
| Pennell J | Mirror Mirror. | 1996 | Goldsmiths College | ||
| Pennell J | Nerve. | 1999 | Goldsmiths College | ||
| Pengelly J | My Only Skin | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Pengelly J | Summer Breeze | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Pengelly J | Solidbase | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Pengelly J | Hinterland | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Peasgood D | Los Angeles Textile Show | 2000 | The London Institute | Fashion and Textiles | |
| Peasgood D | English Accents Show | 1999 | The London Institute | Fashion and Textiles | |
| Peasgood D | Indigo Exhibition | 1998 | The London Institute | Fashion and Textiles | |
| Peasgood D | Pitti Filati | 1999 | The London Institute | Fashion and Textiles | |
| Peart T | Twenty nine paintings | 1997 | Cumbria College of Art + Design | ||
| Peart T | Twenty nine paintings | 1998 | Cumbria College of Art + Design | ||
| Peart T | Twenty seven drawings and paintings | 1995 | Cumbria College of Art + Design | ||
| Peart T | Tont Peart : Glimpses on an 'other' land | 1996 | Cumbria College of Art + Design | ||
| Pearson L.F | Decorative Ceramics in the Buildings of the British Brewing History | 2000 | University of Wolverhampton | Ceramics | |
| Pearson L.F | British Breweries: an Architectural History | 2000 | University of Wolverhampton | Ceramics | |
| Pearson L.F | Minton Tiles in the Churches of Staffordshire | 2000 | University of Wolverhampton | Ceramics | |
| Pearson L.F | Northern City: An Architectural History of Newcastle Upon Tyne | 1996 | University of Wolverhampton | Ceramics | |
| Peaker G | 'Bridges over Troubled Walter'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Peaker G | 'Natural History: Kitaj, Allegory and Memory'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Peaker G | 'Benjamin's Objects'. | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Peaker G | 'The Art of Interruption'. | 1999 | University of Derby | Centre for Cultural History and Critical Theory | |
| Peake SR | Vehicle and Fuel Challenges beyond 2000 | 1997 | Open University | Design for sustainability | |
| Peake SR | Transport, Energy and Climate Change | 1997 | Open University | Design for sustainability | |
| Peacock A | Six one inch speakers and five simple switches | 2000 | University of Hertfordshire | ||
| Peacock A | Nanostate: Five Language Event (for livestock Ram-FM) | 2000 | University of Hertfordshire | ||
| Peacock A | Please remove all watches, bracelets and other sharp objects. | 1999 | University of Hertfordshire | ||
| Peacock A | 'Cooling Hot: Redundancy and Entropy in a Critique of Interactivity in Convergence'. | 1999 | University of Hertfordshire | ||
| Payne J | Knitted fabrics | 1997 | University of Southampton | ||
| Payne J | Lightweight sheer fabrics | 2000 | University of Southampton | ||
| Payne J | Knitted fabrics for Stoll. | 1996 | University of Southampton | ||
| Payne J | Seymour Powell | 1999 | University of Southampton | ||
| Paxon A | Schmuck 99: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | |
| Paxon A | New Work: solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Paxon A | Bubbleicious: Contemporary British Plastic Jewellery: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Paxon A | Wim van Doorschodt en Adam Paxon: 2 person exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Pavitt J | From the Garden to the Factory: Urban Visions in Czechoslovakia between the Wars | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Pavitt J | The Shape of Colour: Red | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Pavitt J | The Buildings of Europe: Prague | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Paul R | The Masters of Graphic Arts, 4th International Biennial Gyor, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Paul R | Iwate Art Festival: Later Editions - Prints from Glasgow, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Paul R | The British Council Indian Tour, touring group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Paul R | Relativities - 4th British International Miniature Print Exhibition, touring exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Patterson Z | Precious Cargo | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson Z | Edinburgh Makers | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson Z | Elementral Traces | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson Z | Jewellery Moves | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson RW | Trauma, Modernity and the Sublime | 1999 | De Montfort University | ||
| Patterson RW | The Tragic in Architecture, AD | 2000 | De Montfort University | ||
| Patterson RW | What Vitruvius Said | 1997 | De Montfort University | ||
| Patterson RW | The Tragic Legacy in Architecture | 1999 | De Montfort University | ||
| Patterson I | Lost | 2000 | Edinburgh College of Art | Fine Art | |
| Patterson I | Rysunek | 1996 | Edinburgh College of Art | Fine Art | |
| Patterson I | Tekeningen | 1997 | Edinburgh College of Art | Fine Art | |
| Patterson I | Solids and Fluids | 2000 | Edinburgh College of Art | Fine Art | |
| Patten B | What is Embroidery for? | 1994 | Bolton Institute of HE | ||
| Patten B | Section on John Ninian Cowper | 1998 | Bolton Institute of HE | ||
| Patten B | Processional Vestment and Pulpit Fall | 1995 | Bolton Institute of HE | ||
| Pattani S | Lightworks: The Works of Elizabeth Swinburne. Conversations with an artist. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Pattani S | Northlands Creative Glass Artist Residency and exhibition. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Pattani S | Clear Perspectives. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Patrizio A | Great Britain Pavilion - 23rd International Biennale of Graphic Arts, Llubljana | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Patrizio A | Half-Life: Works by Stefan Gec | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Patrizio A | Contemporary Sculpture in Scotland | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Partridge J | Altar and Cross | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Partridge J | Objects of Our Time | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Partridge J | Curators Focus: Turning in Context | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Partridge J | 1999 | Buckinghamshire Chilterns University College | Furniture Design | ||
| Parry J | Jacki Parry, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Parry J | Consument Art 99, Kunstmarkt: Original-Druckgraphik aus Glasgow, group exhibition. | 1999 | Glasgow School of Art | Fine Art | |
| Parry J | Paper Sphere, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Parry J | Iwate Art Festival: Ways of Editing, solo exhibition. | 1998 | Glasgow School of Art | Fine Art | |
| Parris J | Jeanette Parris | 1998 | The London Institute | Fine Art | |
| Parris J | Supastore De Luxe | 1996 | The London Institute | Fine Art | |
| Parris J | If You Love Me | 1999 | The London Institute | Fine Art | |
| Parker P | Reconstructing Narrative | 2000 | The London Institute | Media and Communication | |
| Parker P | Towards a European Virtual Film School | 1999 | The London Institute | Media and Communication | |
| Parker P | The Art and Science of Screenwriting | 1998 | The London Institute | Media and Communication | |
| Parker P | Training and Screenplay Development in the UK | 2000 | The London Institute | Media and Communication | |
| Parker J. | Jayne Parker | 1998 | University College London | Fine Art Media | |
| Parker J. | Picturing the Modern Amazon | 2000 | University College London | Fine Art Media | |
| Parker J. | Sublime: The Darkness and the Light (Works for the Arts Council Collection) | 1999 | University College London | Fine Art Media | |
| Parker J. | Foxfire Eins | 2000 | University College London | Fine Art Media | |
| Parker D R | A window on the world: the work of Roy Wenzel | 2000 | University College Northampton | Contemporary Art Criticism | |
| Parker D R | The Stuff of Life: the Life of Stuff the Material Imagination. Roy Wenzel A Psychological Perspective | 2000 | University College Northampton | Contemporary Art Criticism | |
| Parker D R | The art of imagination | 1999 | University College Northampton | Fine Art Practices | |
| Parker D R | In two minds | 1996 | University College Northampton | Fine Art Practices | |
| Parfitt D | 'Magic Carpet' - Public commission. Dimensions: 15sq. meters, 1.5 meters high. | 2000 | University College Chichester | Sculpture | |
| Parfitt D | 'Monument to the Third Multinational (Tatlin's Tower Revisited)' - Public commission | 1999 | University College Chichester | Sculpture | |
| Parfitt D | 'The Stone Garden' - Public commission. Materials: Bath Stone + granite. Dimensions: Covering an area of approximately 1000sq. metres | 1996 | University College Chichester | Sculpture | |
| Parfitt D | 'Julie Rose Memorial Stadium Sculpture' - Public commission. Dimensions: 4 meters high | 1997 | University College Chichester | Sculpture | |
| Pardey J G | Refurbishment and Extension of Basil Spence House | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Pardey J G | Facade and Frame | 2000 | University of Portsmouth | Centre for Creative Empowerment | |
| Pardey J G | House/Studio Design | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Paolozzi E | Newton | 1997 | Edinburgh College of Art | Fine Art | |
| Paolozzi E | London to Paris | 2000 | Edinburgh College of Art | Fine Art | |
| Paolozzi E | Eduardo Paolozzi: 70th Birthday Exhibition | 1994 | Edinburgh College of Art | Fine Art | |
| Paolozzi E | The Jesus Works and Store: an attempt to describe an indescribable film | 1996 | Edinburgh College of Art | Fine Art | |
| Palova Z | Amygdale | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Palova Z | Guardian | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Palova Z | Light Transformer | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Palova Z | Virtual Reality | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Palmer R | Cell, solo exhibiton | 2000 | Glasgow School of Art | Fine Art | |
| Palmer R | Buttock + Tongue, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Palmer R | The Edge of Town, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Palmer R | International Waters, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Palmer M | The Actualisation of the Virtual. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Palmer M | The Foregrounding of the Issue of Space. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Palmer M | The Aesthetics of Emergence. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Palmer M | Reconsidering the Virtual. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Palmer E | Pictures of Pictures | 1999 | The London Institute | Fine Art | |
| Palmer E | Eugene Palmer Recent Paintings | 1999 | The London Institute | Fine Art | |
| Palmer E | Transforming the Crown | 1997 | The London Institute | Fine Art | |
| Palmer E | Foil | 2000 | The London Institute | Fine Art | |
| Painter C | At Home with Constable's Cornfield. | 1996 | Wimbledon School of Art | Research Centre | |
| Page ME | Consumer products - more by accident than design? In: Dr. Neville Stanton (ed), Human Factors in Consumer Products | 1998 | Loughborough University | Design Ergonomics | |
| Padovani C | Sympo-Fibres de Quebec | 1996 | University of Southampton | ||
| Padovani C | Siezed | 1995 | University of Southampton | ||
| Padovani C | Own Time | 1999 | University of Southampton | ||
| Padovani C | Between Sense and Place | 1997 | University of Southampton | ||
| Packe R | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Packe R | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Packe R | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Packe R | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| PROUD P T | A Path for Life | 1995 | University of Dundee | Contemporary Practice | |
| PHOCA S | Feminism + Gender | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| PHOCA S | Helene Cixous in Conversation with Sophia Phoca | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| PHIPPARD P | Displays her body in the most reckless manner | 1997 | University of Lincoln | ||
| PHIPPARD P | Wet: on painting, feminism and art culture, 1997 | 1999 | University of Lincoln | ||
| PHIPPARD P | Paternity may be legal fiction | 1997 | University of Lincoln | ||
| PHIPPARD P | Demented but clean and useful: Documenting the North Riding Asylum, 1889 | 1996 | University of Lincoln | ||
| PHILLIPSON M | PAINTING OUT OF RETICENCE | 2000 | Middlesex University | ||
| PHILLIPSON M | MANAGING 'TRADITION': THE PLIGHT OF AESTHETIC PRACTICES AND THEIR ANALYSIS IN A TECHNOSCIENTIFIC CULTURE | 1995 | Middlesex University | ||
| PAYNE M S | Colourwave | 1996 | University of Dundee | Coastal/Indigenous Cultures | |
| PAYNE M S | Ice Aesthetic Rebound (Works After A Trip to Alaska) | 1994 | University of Dundee | Coastal/Indigenous Cultures | |
| PATTISON J | Painted Forms | 1997 | University of Dundee | Contemporary Practice | |
| PATTISON J | Colour Maps | 2000 | University of Dundee | Contemporary Practice | |
| PARTRIDGE S | Installation Series | 1997 | University of Dundee | Digital Technology | |
| PARTRIDGE S | Slap Movie | 1999 | University of Dundee | Digital Technology | |
| PARTINGTON M | The National Electronic and Video Archive of the Crafts (NEVAC) Website | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARTINGTON M | The National Electronic and Video Archive of the Crafts | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARTINGTON M | Ray Finch and Functional | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARTINGTON M | Recording the crafts: Ceramics | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| PARRAMAN C | The Photomechanical Print as a Conservable Output | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| PARRAMAN C | In Search of the Organic Dot | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| PARRAMAN C | A Survey of Photomechanical Prints | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| PARRAMAN C | Circular Walk | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| Oxley Nigel | Etchings of prints by John Piper (Oxley | 1999 | London Guildhall University | ||
| Oxley Nigel | Etchings with Nigel Oxley (collaborative illustrations + commentary). | 1998 | London Guildhall University | ||
| Oxley Nigel | 5 Pillows for D | 1998 | London Guildhall University | ||
| Oxley Nici | Nympholept (installation) | 1996 | London Guildhall University | ||
| Oxley Nici | Day for Night. An exhibition of 6 projects for portakabin buildings at a temporary location | 1999 | London Guildhall University | ||
| Oxley Nici | Installation Art | 1994 | London Guildhall University | ||
| Oxley Nici | Box Project: a collection of small format (A5) boxes that have been `customised' by invited artists, curators, critics and performers. | 2000 | London Guildhall University | ||
| Oxborrow L | Nouvelles strategies de distribution et roles des PME dans l'habillement au Royamme-Uni | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Oxborrow L | Apparel Production Channels | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Oxborrow L | Textiles The Way Forward: A Labour Market Survey For The UK Textile Industry | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Oxborrow L | Matriser la Concurrence de Prix: strategies qui se degagent chez les fournisseurs dans l'industrie de l'habillement au Ryaume-Uni | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Owen M | Burial | 1999 | Southampton Institute | ||
| Owen M | Parcours D' | 2000 | Southampton Institute | ||
| Owen M | Maurice Owen, Current and Archival Work | 1997 | Southampton Institute | ||
| Owen M | ARTRESEARCH in Venice | 1995 | Southampton Institute | ||
| Oulton T | 'Wavelength: Recent Paintings 1995-97' | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Oulton T | 'Slow Motion' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Oulton T | 'Illuminations' | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Oulton T | 'Marking Time' | 1994 | University of Northumbria at Newcastle | Painting (1a) | |
| Otieno RB | Development of a Conceptual Framework for the Determination of Marketing Strategy: Indications from In-depth Interviews in Clothing Firms | 2000 | Manchester Metropolitan University | ||
| Otieno RB | The Body Size of your Global Customer in the New Millennium - The Case of the Anatomy of Kenyan Children | 1999 | Manchester Metropolitan University | ||
| Otieno RB | The Impact of Legislation on the Clothing Industry Countries: The Case of Liberalisation in Kenya | 1998 | Manchester Metropolitan University | ||
| Otieno RB | The Role of Garment Sizing in the Creation of Consumer Satisfaction: Indications from Focus Group Responses | 2000 | Manchester Metropolitan University | ||
| Osmond O R | Machynlleth Fenws | 1995 | Swansea Institute of Higher Education | Land and Landscape | |
| Osmond O R | Sudan | 1998 | Swansea Institute of Higher Education | Land and Landscape | |
| Osmond O R | Recording Post-Industrial Wales | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Osmond O R | Cultural Alzheimers | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Orta L | Refuge Wear | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Orta L | Process of Transformation | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Orta L | Hortirecycling Enterprise Act II | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Orta L | Connector Sector 1 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Orr C | Happy Days | 1999 | Royal College of Art | Fine Art | |
| Orr C | Royal Academy of Arts, Summer Show 1995-2000 | 2000 | Royal College of Art | Fine Art | |
| Orr C | Do the locomotion with me | 1999 | Royal College of Art | Fine Art | |
| Orlow U | Marseilles en Juin | 1998 | The London Institute | Fine Art | |
| Orlow U | Housed Memory | 2000 | The London Institute | Fine Art | |
| Orlow U | Toute la ville en parle | 1997 | The London Institute | Fine Art | |
| Orlow U | instead (inventory #2) | 1997 | The London Institute | Fine Art | |
| Onwin G | A Quality of Light | 1997 | Edinburgh College of Art | Fine Art | |
| Onwin G | Flammable Solid / Flammable Liquid | 1994 | Edinburgh College of Art | Fine Art | |
| Onwin G | Place of Origin | 2000 | Edinburgh College of Art | Fine Art | |
| Onwin G | Evaporates | 1997 | Edinburgh College of Art | Fine Art | |
| Onishi M | 'Creators from Japan' | 1995 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Onishi M | '2nd International Triennial of Graphic Art' | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Onishi M | 'Zen: Hamano and Ryu' | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Onishi M | 'Ryu Artists Group | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Olver E | Generation Series | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Olver E | De Beers Diamond Day | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Olver E | Subject 96 | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Olver E | Jewellery Design: The Artisan's Reference | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Olsen GR | She Wore Her Sweat Like Jewels | 1999 | Oxford Brookes University | Creative Practice | |
| Olsen GR | The Extramural Series | 2000 | Oxford Brookes University | Creative Practice | |
| Olsen GR | The Miami Wall-Paintings | 1996 | Oxford Brookes University | Creative Practice | |
| Oliver V | Neil Spiller: Maverick Deviations | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Oliver V | Aspesi Advertising Campaign | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Oliver J | Obverse/Reverse Touring Medals Exhibition | 1995 | De Montfort University | ||
| Oliver J | NYAD 2000 - International Group Show | 2000 | De Montfort University | ||
| Oliver J | 'Mavericks' Jewellery for the Brave | 1998 | De Montfort University | ||
| Oliver J | 'Handbag' - National Touring Group | 2000 | De Montfort University | ||
| Ogilvie S | 3rd International Biennale of Graphic Art | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ogilvie S | 22nd International Biennial of Graphic Art, Ljubljana | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ogilvie S | 10th International Print Biennial, Varna | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ogilvie S | Kanagawa International Print Triennial | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ogilvie E | Oceanus | 1997 | Edinburgh College of Art | Fine Art | |
| Ogilvie E | A Poetics of Water | 1999 | Edinburgh College of Art | Fine Art | |
| Ogilvie E | Into the Oceanic | 2000 | Edinburgh College of Art | Fine Art | |
| Ogilvie E | Island Within | 1995 | Edinburgh College of Art | Fine Art | |
| Ogden S | The Potters Pallette | 1996 | Cumbria College of Art + Design | ||
| Ogden S | Ceramic Porcelain Reliquary | 1998 | Cumbria College of Art + Design | ||
| Ogden S | Five Porcelain Caskets | 1998 | Cumbria College of Art + Design | ||
| Ogden S | Five Porcelain Caskets | 1994 | Cumbria College of Art + Design | ||
| Ogawa S | The 19th International Exposition Milano Triennale - Japan Pavilion | 1996 | Edinburgh College of Art | Fine Art | |
| Ogawa S | Assymetric Cube | 2000 | Edinburgh College of Art | Fine Art | |
| Ogawa S | Invisible Language | 1996 | Edinburgh College of Art | Fine Art | |
| Ofili C | The Turner Prize | 1998 | Royal College of Art | Fine Art | |
| Ofili C | Sydney Biennale | 2000 | Royal College of Art | Fine Art | |
| Ofili C | Trouble Spot, Painting | 1999 | Royal College of Art | Fine Art | |
| Ofili C | Chris Ofili | 1998 | Royal College of Art | Fine Art | |
| Odundo M. A. | CERAMIC GESTURES - NEW VESSELS BY MAGDALENE ODUNDO | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Odundo M. A. | MAGDALENE ODUNDO | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Odundo M. A. | A DIALOGUE IN CLAY | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Odundo M. A. | BRITISH KERAMIK / BRITISH CERAMICS.2000.DK | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Oddy N | Toward a Policy on Restoration | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Oddy N | Bicycles | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Oddy N | Harry Gall Inglis and the Contour Roadbooks | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Oddy N | A Beautiful Ornament in the Parlour or Boudoir | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Ocean H | Urbasuburba | 1997 | The London Institute | Fine Art | |
| Ocean H | The First of England | 1999 | The London Institute | Fine Art | |
| Ocean H | Zeebrugge | 2000 | The London Institute | Fine Art | |
| Oak A V | It's a Nice Idea, but it's not actually Real: Assessing the Objects and Activities of Design | 2000 | University College Northampton | Design for Industry and Commerce | |
| Oak A V | Evaluating voices: Assessment talk in design and architecture education | 2000 | University College Northampton | Design for Industry and Commerce | |
| Oak A V | Assessment and understanding: an analysis of talk in the design education critique | 1998 | University College Northampton | Design for Industry and Commerce | |
| OWEN P | B.O.N.G.0 | 1997 | University of Lincoln | ||
| OWEN P | City Racing as one of six artists run organisations | 1997 | University of Lincoln | ||
| OWEN P | The Last Show | 1997 | University of Lincoln | ||
| OWEN P | Young Parents | 1997 | University of Lincoln | ||
| OWEN J.K. | Virtual art and design using three-dimensional computing | 1996 | Coventry University | ||
| ORourke D | The Waistband, solobook of poems | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| ORourke D | Superman: Televising Burns | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| ORourke D | Dreamstate, The New Scottish Poetry | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| OLIVER J. | Jacky Oliver: Inside out | 2000 | Coventry University | ||
| OConnell T | In Visible Space | 1996 | University of Reading | ||
| OConnell T | Tina OConnell in Dublin | 1999 | University of Reading | ||
| OConnell T | Do Touch, Do Not Touch | 1997 | University of Reading | ||
| OBRIEN T | Souvenir | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| OBRIEN T | Plot | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| OBRIEN T | Still | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| OBRIEN T | Beyond Borders | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| OAKENFULL M | The Scottish Mining Museum | 1999 | University of Lincoln | ||
| OAKENFULL M | Cox's Yard | 1998 | University of Lincoln | ||
| OAKENFULL M | Dover Castle | 1998 | University of Lincoln | ||
| OAKENFULL M | Beside the Seaside | 1998 | University of Lincoln | ||
| O'Sullivan T | The Glamour | 2000 | Cumbria College of Art + Design | ||
| O'Sullivan T | Inner becomes outer and outer becomes other | 2000 | Cumbria College of Art + Design | ||
| O'Sullivan T | Masters of the Universe | 1997 | Cumbria College of Art + Design | ||
| O'Sullivan T | Two Exhibits | 1997 | Cumbria College of Art + Design | ||
| O'Pray ME | Derek Jarman: Dreams of England | 1996 | University of East London | ||
| O'Pray ME | 'The Animated Film' | 1998 | University of East London | ||
| O'Pray ME | 'Eisenstein and Stokes on Disney: Film Animation and omnipotence' | 1997 | University of East London | ||
| O'Pray ME | The British avant-garde Film: 1926 - 1995 An anthology of Writings | 1996 | University of East London | ||
| O'Neill A | The Prints of Patrick Caulfield | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| O'Neill A | Vivienne Westwood + Malcolm McLaren: Vintage Textiles | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| O'Donnell H | Founders and Heirs of the New York School | 1997 | The London Institute | Fine Art | |
| O'Donnell H | Solo exhibition | 1994 | The London Institute | Fine Art | |
| O'Donnell H | The Computer in the Studio | 1994 | The London Institute | Fine Art | |
| O'Donnell H | Solo Exhibition | 1997 | The London Institute | Fine Art | |
| O'Connor DJ | Sculpture Commission. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Connor DJ | 'New Sculpture' | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Connor DJ | Public Arts Commission. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Connor DJ | Public Art Commission. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Connell T | In visible space | 1996 | Bath Spa University College | ||
| O'Connell T | Do touch, do not touch | 1997 | Bath Spa University College | ||
| O'Connell T | In Dublin | 1999 | Bath Spa University College | ||
| O'Brien K | 1994 | Leeds Metropolitan University | Visual Arts | ||
| O'Brien K | Artists from Europe: Works from the Leeds European Find Art Symposium 1994 | 1994 | Leeds Metropolitan University | Visual Arts | |
| O'Brien K | 2000 | Leeds Metropolitan University | Visual Arts | ||
| O'Brien K | 1998 | Leeds Metropolitan University | Visual Arts | ||
| O'Brien A | 'Marketing and Managing Colonial Spectacle as National History: In the Belly of the Archive' | 1996 | Napier University | Critical Theory of Practice | |
| O'Brien A | 'Derelict histories: A Politics of Scale Revisited' | 1995 | Napier University | Critical Theory of Practice | |
| Noszlopy G | Voa Salutis Et Glorificationis: Note on Rembrandt's The Three Crosses, Longinus and the Gonzaga | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Noszlopy G | EDMA: Life and Work 1924-1997 | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Noszlopy G | Public Sculptures of Birmingham including Sutton Coldfield. | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Noszlopy G | Botticelli's 'Pallas and the Centaur: An Aspect of the Revival of Late-Antique and Trecento Exegetic Allegory in the Medici Circle | 1994 | University of Central England in Birmingham | Art Education Research Group | |
| North ME | VI International Art Trienniale Majdanek 2000 | 2000 | Loughborough University | Fine and Applied Arts | |
| North ME | 14th International Triennial for Original Graphic Prints | 1997 | Loughborough University | Fine and Applied Arts | |
| North ME | Relativities: The 4th British International Miniature Print Exhibition | 2000 | Loughborough University | Fine and Applied Arts | |
| North ME | International Print Triennial 2000, 'Bridge to the Future' | 2000 | Loughborough University | Fine and Applied Arts | |
| Norman-Smith C | The Forgotten Finish | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Norman-Smith C | The Development of Hard Wax Stoppings for use on Furniture | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Norman EW | Action Research Concerning Technology for Design and Associated Pedagogy | 1999 | Loughborough University | Design Education | |
| Norman EW | The Nature of Technology for Design | 1998 | Loughborough University | Design Education | |
| Norman EW | Technology for Design: Cognitive Mismatches and Their Implications for Good Practice | 1999 | Loughborough University | Design Education | |
| Noble I | Book design | 1996 | The London Institute | Media and Communication | |
| Noble I | Book design | 1997 | The London Institute | Media and Communication | |
| Noble I | Book design | 1996 | The London Institute | Media and Communication | |
| Nixon L | High-Rise | 1996 | Kingston University | ||
| Nixon L | Furniture | 1999 | Kingston University | ||
| Nixon L | Tourist | 1999 | Kingston University | ||
| Nixon L | Tuin Van Verbeelding (Garden of Imagination) | 2000 | Kingston University | ||
| Nicol K | Embroidery and embellishment of fabrics for John Rocha, Spring/Summer 1999 | 1999 | Royal College of Art | Design for Manufacture | |
| Nicol K | Embroidered fabric for Clements Ribeiro, Autumn/Winter 1997 | 1997 | Royal College of Art | Design for Manufacture | |
| Nicol K | Brocade fabric for Matthew Williamson, Autumn/Winter 1999 | 1999 | Royal College of Art | Design for Manufacture | |
| Nicol K | The Fabric of Fashion | 2000 | Royal College of Art | Design for Manufacture | |
| Nicol EJ | The Rubber Band Project. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Nicol EJ | A Collection of Frames. A Collection of Toys. | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Nicol EJ | Fathom. | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Nicol EJ | 'Swinging the Lead', The Festival of the Sea | 1996 | University of Plymouth | Site, Space, Location, Place | |
| Newton S J | The Politics and Psychoanalysis of Primitivism publication | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Newton S J | 'Painting, Psychoanalysis and Spirituality' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Newton S J | Stephen Newton Etchings 1998 - 2000 and Paintings and Drawings 1997 - 2000 | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Newton S J | Documents of a Decade | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Newsham I A | Hippo Tales | 2000 | University College Northampton | Design for Industry and Commerce | |
| Newsham I A | Oxford Literary Web (Series 1) | 1999 | University College Northampton | Design for Industry and Commerce | |
| Newsham I A | Horrible Haircut | 2000 | University College Northampton | Design for Industry and Commerce | |
| Newsham I A | Oxford Literary Web (series 2) | 2000 | University College Northampton | Design for Industry and Commerce | |
| Newport R | Plastics and Design | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Newport R | UK Patent GB 2 292 204 B Connecting Element The invention relates to a rotary coupling and to a connecting element. | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Newman MOJ | La Forme | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Newman MOJ | Rewriting Conceptual Art | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Newman MOJ | Marking Time: Memory and Matter in the Work of Avis Newman | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Newman MOJ | The Trace of Trauma: blindness, testimony and the gaze in Blanchot and Derrida | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Newman HJE | An Evening with Hayley Newman | 1998 | The London Institute | Fine Art | |
| Newman HJE | A Shot in the Head: The Lisson Summer Show | 2000 | The London Institute | Fine Art | |
| Newman HJE | Beck's Futures | 2000 | The London Institute | Fine Art | |
| Newman HJE | SensationS | 1998 | The London Institute | Fine Art | |
| Newman A | Meridians II. | 1999 | Goldsmiths College | ||
| Newman A | Meridians. | 1998 | Goldsmiths College | ||
| Newman A | The Wing of the Wind of Madness Sensible Ellipse of Lost Origin. | 1998 | Goldsmiths College | ||
| Newman A | WEBS (Backlight). | 1996 | Goldsmiths College | ||
| Newling J B | Weight | 1998 | Nottingham Trent University | Visual Arts | |
| Newling J B | Aperture | 2000 | Nottingham Trent University | Visual Arts | |
| Newling J B | Crossings | 1999 | Nottingham Trent University | Visual Arts | |
| Newling J B | Immanent | 2000 | Nottingham Trent University | Visual Arts | |
| Newland P M | Interface Design: Seeking an Appropriate Analysis Framework, | 1999 | University of Portsmouth | Centre for New Media Research | |
| Newell R A | Landscape - painting and Teaching in Wales, a personal statement | 2000 | Swansea Institute of Higher Education | Drawing | |
| Newell R A | Royal Academy Summer Exhibition | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Newell R A | Wales Drawing Biennial | 1997 | Swansea Institute of Higher Education | Land and Landscape | |
| Newell R A | A Land | 1996 | Swansea Institute of Higher Education | Land and Landscape | |
| Newbury D | Changing Practices: Art Education and Popular Visual Culture | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Newbury D | The Development of Research Education and Training in Art and Design: a Personal View | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Newbury D | Photography and the Visualization of Working Class Lives in Britain | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Newbury D | Research Training via the Internet: Developing Web-based Resources for Art + Design Postgraduates. | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| New S | In the Shadow | 2000 | University of Gloucestershire | ||
| New S | Jammy Lips | 1999 | University of Gloucestershire | ||
| New S | Feeling Poorly | 2000 | University of Gloucestershire | ||
| Neudecker M | Signs of Life | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Neudecker M | Until Now - One person exhibition | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Neudecker M | Landscape - An examination of the perception of a 'scene' and its representation | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Neudecker M | Blue. Borrowed and New. An examination of the colour blue in art | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Nelson M | Tourist Hotel | 1994 | Edinburgh College of Art | Fine Art | |
| Nelson M | The Coral Reef/ Extinction Beckons | 2000 | Edinburgh College of Art | Fine Art | |
| Nelson M | Lion Heart | 1997 | Edinburgh College of Art | Fine Art | |
| Nelson M | The British Art Show 5 | 2000 | Edinburgh College of Art | Fine Art | |
| Nelson M | The Coral Reef | 2000 | The London Institute | Fine Art | |
| Nelson M | Lionheart | 1997 | The London Institute | Fine Art | |
| Nelson M | Another Place | 2000 | The London Institute | Fine Art | |
| Nelson M | British Art Show 5 | 2000 | The London Institute | Fine Art | |
| Naylor P.J. | VI International Art Triennale, Majdanek 2000. | 2000 | Falmouth College of Arts | ||
| Naylor P.J. | 19th Mini Print International Exhibition | 1999 | Falmouth College of Arts | ||
| Naylor P.J. | 3rd International Graphic Triennale | 2000 | Falmouth College of Arts | ||
| Naylor P.J. | International Small Engraving Salon | 2000 | Falmouth College of Arts | ||
| Nash M | The art of movement in Force Fields Ed. Guy Brett | 2000 | University of East London | ||
| Nash M | Franz Fanon: Black Skin White Mask | 1996 | University of East London | ||
| Nash D JE | Spirit of three seasons | 1994 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Nash D JE | Chwarel Goed / Wood Quarry | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Nash D JE | 'M | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Nash D JE | Line of Cut sculpture exhibition | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| NEVIN P | One Person Exhibition - The Buena Vista | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| NEVIN P | Kids Room | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| NEVIN P | The Angels of Georges Braque (AgB) Surface of SNAP | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Myerson J | New Public Architecture | 1996 | Royal College of Art | Inclusive Design | |
| Myerson J | Look Inside: New British Interiors for People | 1996 | Royal College of Art | Inclusive Design | |
| Myerson J | Design Renaissance: Selected Papers from the International Design Congress, Glasgow, 1993 | 1994 | Royal College of Art | Inclusive Design | |
| Muthesius A. M. | BYZANTINE SILKS IN VIKING HANDS | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Muthesius A. M. | THE ROLE OF BYZANTINE SILKS IN THE OTTONIAN EMPIRE | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Muthesius A. M. | BYZANTINE SILK WEAVING AD400 TO AD1200 | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Muthesius A. M. | STUDIES IN BYZANTINE AND ISLAMIC SILK WEAVING | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Muston D | UK Design Registration: 2056017. Minicam Security Camera | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Muston D | DB 2441/DB 2440 LT Integrated Radio Data Modem | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Muston D | System GC200 Genset controllers | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Murray V | City Mapping Hull | 2000 | University of Central Lancashire | ||
| Murray V | By the Way | 1999 | University of Central Lancashire | ||
| Murray V | The Cut | 2000 | University of Central Lancashire | ||
| Murray M | Heartlands People | 1998 | University of Gloucestershire | ||
| Murray M | 17th Association of Photographers Awards (2000) | 2000 | University of Gloucestershire | ||
| Murray M | John Kobal Portrait Awards 95 | 1995 | University of Gloucestershire | ||
| Murray M | John Kobal Portrait Awards 97 | 1997 | University of Gloucestershire | ||
| Murphy J | The Way Up and the Way Down. | 1999 | Goldsmiths College | ||
| Murphy J | 'A Different Constellation'. | 1998 | Goldsmiths College | ||
| Murphy J | J. Murphy | 1996 | Goldsmiths College | ||
| Murphy J | John Murphy. | 1997 | Goldsmiths College | ||
| Murphy CJ | The Art and Evolution of Cutlery | 1999 | University of Ulster | ||
| Murphy CJ | Silver from Scotland | 1997 | University of Ulster | ||
| Murphy CJ | Silver and Tea - A Perfect Blend | 1998 | University of Ulster | ||
| Murphy CJ | Metalmorphosis - British Metalwork | 1998 | University of Ulster | ||
| Munslow J | 'Sex X Technology = 2 Zukunfts' | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Munro S | Addressing the Century - 100 Years of Art + Fashion | 1998 | Kingston University | ||
| Munro S | British Designers: From Monarchy to Anarchy | 2000 | Kingston University | ||
| Munro S | Satellites of Fashion - Crafts Council + British Council Touring Exhibition | 1998 | Kingston University | ||
| Munro S | Ail (Second) | 1999 | Kingston University | ||
| Mulvey JF | Free Fall Series 1-8 | 1999 | University of Westminster | Fine Art | |
| Mulvey JF | New work in Various Media | 1996 | University of Westminster | Fine Art | |
| Mulvey JF | New Work | 1998 | University of Westminster | Fine Art | |
| Mulvey JF | Freefall Series | 2000 | University of Westminster | Fine Art | |
| Mulrine S | Yerofeev: Moscow Stations | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mulrine S | Sinai Byzantium Russia - Orthodox Art from the Sixth to the Twentieth Century | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mulrine S | Gogol: Three Plays | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mulrine S | Moscow Stations: From novel to play | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mullen C W | Butterflies in the Stomach | 2000 | University of Brighton | Visual Communication Design | |
| Mullen C W | Visual Telling of Stories website | 1998 | University of Brighton | Visual Communication Design | |
| Mullen C W | Humphrey Spender - Flash and Filigree | 1999 | University of Brighton | Visual Communication Design | |
| Mullen C W | Pack Art | 1998 | University of Brighton | Visual Communication Design | |
| Mulholland N | The Fall and Rise of Crisis Criticism | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Mulholland N | Knock it Out | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Mulhall S | States of Grace | 2000 | University of Gloucestershire | ||
| Mulhall S | Raum fur Raum : Room for Room | 1998 | University of Gloucestershire | ||
| Mulhall S | Wish You Were Here | 1996 | University of Gloucestershire | ||
| Mulhall S | Sarah Mulhall: Prints and Drawings | 1996 | University of Gloucestershire | ||
| Mukherjee R | Technical Support. | 2000 | Goldsmiths College | ||
| Mukherjee R | La Prenda (The Jewel). | 1997 | Goldsmiths College | ||
| Mukherjee R | Trabajos 1,2,3,4 and Narcosatanicos. | 1996 | Goldsmiths College | ||
| Mukherjee R | Syzygy | 1999 | University of Hertfordshire | ||
| Mukherjee R | Mumbo Jumbo | 2000 | University of Hertfordshire | ||
| Mukherjee R | Narcrosatanicos and Trabanos/Popoccultural | 1996 | University of Hertfordshire | ||
| Mukherjee R | Technical Support | 2000 | University of Hertfordshire | ||
| Mukaide K | Keiko Mukaide | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mukaide K | Elemental Traces | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mukaide K | The Jerwood Prize for Glass | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mukaide K | Made in Japan | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Muirhead TW | Milan: A Guide to Recent Architecture | 1999 | De Montfort University | ||
| Mowatt S | Susan Mowatt | 1998 | Edinburgh College of Art | Fine Art | |
| Mowatt S | The Woven Image | 1996 | Edinburgh College of Art | Fine Art | |
| Mowatt S | Edinburgh Makers 1999 | 1999 | Edinburgh College of Art | Fine Art | |
| Mowatt S | Threads (Fiber Art in the 90s) | 1997 | Edinburgh College of Art | Fine Art | |
| Mowat I | JL Plus (Diffusion Line) Cashmere Womenswear | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mowat I | Knitwear Collection for Hussein Chalayan | 1996 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mowat I | Knitwear Collection for Alexander McQueen | 1997 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mowat I | Knitwear Collection for Givenchy Couture, Paris | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mottram JA | Perceptions, professions and precious practices | 1996 | Loughborough University | Fine and Applied Arts | |
| Mottram JA | Drawing across boundaries, Mottram, J.A. and Whale, G. (eds) | 2000 | Loughborough University | Drawing | |
| Mostaghimi B | Textile Development | 1994 | University of Brighton | Materials Practices and Processes | |
| Mostaghimi B | Yarn and Textile Development | 1998 | University of Brighton | Materials Practices and Processes | |
| Mostaghimi B | Development of Polyester Crepe dyeing techniques | 1998 | University of Brighton | Materials Practices and Processes | |
| Mostaghimi B | Dye Techniques | 1997 | University of Brighton | Materials Practices and Processes | |
| Mosscrop MLB | 8th Mostyn Open | 1996 | De Montfort University | ||
| Mosscrop MLB | Anaesthetics | 1998 | De Montfort University | ||
| Mosscrop MLB | NatWest Art Prize (Group exhibition/Painting prize) | 1997 | De Montfort University | ||
| Mosscrop MLB | Insight | 1998 | De Montfort University | ||
| Mosley J M | Introduction to J.M. Funcke, Kurtze Anleitung zur Form- und Stahl-Schneiden (Erfurt, 1740) | 1998 | University of Reading | ||
| Mosley J M | The nymph and the grot: the revival of the sanserif letter | 1999 | University of Reading | ||
| Mosley J M | French Academicians and modern typography: designing new types in the 1690s | 1997 | University of Reading | ||
| Mosley J M | Introduction and notes to: The manuel typographique of Pierre-Simon Fournier le jeune (etc) | 1995 | University of Reading | ||
| Mortimer R | Wormcharmer | 1998 | The London Institute | Media and Communication | |
| Mortimer R | Neverland | 2000 | The London Institute | Media and Communication | |
| Mortimer R | Airshow | 2000 | The London Institute | Media and Communication | |
| Morten G | Two Lands | 1998 | University of Sunderland | Fine Art | |
| Morten G | Recurrent Consistencies | 1996 | University of Sunderland | Fine Art | |
| Morten G | Intoarcerea (The Way Back) | 1996 | University of Sunderland | Fine Art | |
| Morris S.M. | The Purpose of Blue | 2000 | University College London | Fine Art Media | |
| Morris S.M. | The Androgynous Self: Hoch and Cahun | 1997 | University College London | Fine Art Media | |
| Morris S.M. | Wish You | 1998 | University College London | Fine Art Media | |
| Morris S.M. | Turning a Telescope on the Soul: Freud's Interpretation of the Psyche | 2000 | University College London | Fine Art Media | |
| Morris S | Perspective 2000 | 2000 | The London Institute | Fine Art | |
| Morris S | The Haunting | 2000 | The London Institute | Fine Art | |
| Morris S | Desire | 1999 | The London Institute | Fine Art | |
| Morris R | John Dillwyn Llewelyn and the Electric Boat | 1997 | Brunel University | Polymedia Design | |
| Morris R | Coming into Focus | 2000 | Brunel University | Polymedia Design | |
| Morris R | The Daguerreotype and John Dillwyn Llewelyn | 1997 | Brunel University | Polymedia Design | |
| Morris R | Penllegare | 1999 | Brunel University | Polymedia Design | |
| Morris N | Honeyman | 1997 | Liverpool John Moores University | Graphic Arts | |
| Morris N | Synergy | 2000 | Liverpool John Moores University | Graphic Arts | |
| Morris M | Mali Morris: Paintings | 1996 | The London Institute | Fine Art | |
| Morris M | Mali Morris: New Work | 1997 | The London Institute | Fine Art | |
| Morris M | Solo exhibition | 2000 | The London Institute | Fine Art | |
| Morris M | Four Artists from Britain | 1998 | The London Institute | Fine Art | |
| Morris L E | Drinking with Gilbert and George 1972-1978 | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Morris L E | Pictures of Pictures (curated exhibition and publication) | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Morris L E | EAST International: 1994-2000/Riverside1999-2000 | 1994 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Morris D | Il Mana di Nancy Marotta | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Morris D | Digital Printing Awards | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Morra G | Translation into art history | 2000 | Oxford Brookes University | Theory | |
| Morra G | Rauschenberg's Skin | 2000 | Oxford Brookes University | Theory | |
| Morra G | Feminine Babel: writing between the ruins | 1996 | Oxford Brookes University | Theory | |
| Moriarty C | The Absent Dead and Figurative Sculpture | 1995 | University of Brighton | Memory, Identity and History | |
| Moriarty C | A Back Room Service? The Council of Industrial Design Photographic Library 1945-1965 | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Moriarty C | Sites of Memory | 1997 | University of Brighton | Memory, Identity and History | |
| Moriarty C | Private Grief and Public Remembrance | 1997 | University of Brighton | Memory, Identity and History | |
| More J J | 'Living at Belsay' | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| More J J | Sitooteries | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| More J J | Creative Collaborations Exhibitions | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| More J J | The Development of a Learning Organisation for Design Practice within the University | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Moore D | Celtic Connections | 1998 | Edinburgh College of Art | Fine Art | |
| Moore D | Terra Incognita | 1994 | Edinburgh College of Art | Fine Art | |
| Moore D | Bias | 1998 | Edinburgh College of Art | Fine Art | |
| Moore D | Leaving Notes | 1998 | Edinburgh College of Art | Fine Art | |
| Mooney J | Face to Face | 1998 | Royal College of Art | Fine Art | |
| Mooney J | Reading Matter | 1999 | Royal College of Art | Fine Art | |
| Mooney J | Queer Pickings: the Art of Lari Pittman | 2000 | Royal College of Art | Fine Art | |
| Mooney J | Inter Views/Close to Home | 1998 | Royal College of Art | Fine Art | |
| Moon M | Letters from India | 1996 | University of Reading | ||
| Moon M | New Works | 1996 | University of Reading | ||
| Montgomery JAI | Millennium Visual Concepts Identity Works | 1997 | University of Ulster | ||
| Montgomery JAI | Engineering Excellence: In Northern Ireland | 1995 | University of Ulster | ||
| Montgomery I | Prints From Glasgow - Consument Art 99 | 1999 | Edinburgh College of Art | Fine Art | |
| Montgomery I | Later Editions | 1998 | Edinburgh College of Art | Fine Art | |
| Montgomery I | Fifth Centennial Exhibition: Selected Scottish Paintings | 1994 | Edinburgh College of Art | Fine Art | |
| Montgomery I | Grave Goods | 1996 | Edinburgh College of Art | Fine Art | |
| Montag D. | Somewhere, Someone is Doing Something | 2000 | Falmouth College of Arts | ||
| Montag D. | K Exhibition | 2000 | Falmouth College of Arts | ||
| Montag D. | Revelation | 1999 | Falmouth College of Arts | ||
| Montag D. | Bioglyphs: Art from Living Matter | 2000 | Falmouth College of Arts | ||
| Moffat A | Margaret Hunter, Elemental Traces, essay in exhibition catalogue | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Moffat A | John Byrne and Painting - An Enduring Passion, essay in exhibition catalogue | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Moffat A | Ronald Stevenson, Comrades in Art | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Moffat A | The Scottish Renaissance, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Mladovsky J | Jan Mladovsky - Recent Works (Emil Filla Gallery, Prague and Die Aktualitat des Schoenen Gallery, Liberec) | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mladovsky J | Jan Mladovsky - Recent Works/Czech Museum | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mladovsky J | Communism | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchison LS | Art Textiles | 1996 | Manchester Metropolitan University | ||
| Mitchison LS | Art Textiles (2): The Second Major Survey of Artists Working with Textiles | 2000 | Manchester Metropolitan University | ||
| Mitchison LS | Revelation, Textile Artists Addressing Issues | 1996 | Manchester Metropolitan University | ||
| Mitchison LS | Lesley Mitchison | 1999 | Manchester Metropolitan University | ||
| Mitchell V | Textiles Text, techne | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchell V | Folding and Unfolding the Textile Membrane; Between Bodies and Architecture | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchell V | Between Sense and Place | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchell S | 'Chagall Talks to Bakhtin'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mitchell S | Chapter One of Pushkin's 'Eugene Onegin' in Modern Poetry in Translation, Summer 1997 | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mitchell S | 'Mikhail Alexandrovich Lifshits' (1905-1983) | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mitchell S | Pushkin's 'Mozart and Salieri' | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mitchell P | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell P | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell P | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell P | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell L | Exploring Everyday Products | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell J R. | 'Crossing the Channel' | 1996 | Wimbledon School of Art | Painting | |
| Mitchell J R. | 'Projected Piers series II - solo exhibition' | 1996 | Wimbledon School of Art | Painting | |
| Mitchell J | True Brit: Con-Text | 1995 | University of Reading | ||
| Mitchell J | Abandon | 1994 | University of Reading | ||
| Mitchell I | Don't Panic - This is Beaufonts | 2000 | Liverpool John Moores University | Graphic Arts | |
| Mitchell C | The Sixth Taiwan Golden Ceramics Awards | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell C | SOFA Chicago 2000 | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell C | Ceramic Focus Exhibition | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell C | Craig Mitchell | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mirza K | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mirza K | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Minott P | Annual Report and Accounts, Gilts: An Investors Guide, Gilt ReviewAnnual Report and Accounts, Gilts: An Investors Guide, Gilt Review | 1999 | Bath Spa University College | ||
| Minichiello MA | Mario Minichiello Drawings and Prints (exhibition) | 1999 | Loughborough University | Drawing | |
| Minichiello MA | Mario Minichiello - commissions, personal journals, reportage (exhibition) | 2000 | Loughborough University | Illustration | |
| Minichiello MA | Mario Minichiello, Steve Ball and Spike Gerrell (exhibition) | 1999 | Loughborough University | Illustration | |
| Milton A | 'Reinventing the Wheel: A Retroactive Manifesto for Car Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milton A | 'Critical Vehicles: A Conceptual Road Map for Automotive Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milton A | 'The Role of Conceptual Mutations in Promoting CreativityEmpty Vessels - Creating meaningless objects for meaningful design' | 1999 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milton A | 'Design Futures - Future Designers' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milne L | 'Breugel and the Psychology of Money' | 1998 | Napier University | Critical Theory of Practice | |
| Milne L | 'On the Brink of Time' | 2000 | Napier University | Critical Theory of Practice | |
| Milne J | Nat West Painting Competition | 1999 | University of Southampton | ||
| Milne J | Group exhibition sponsored by Forum D'Art Contemporain, CVC and Serveis Globals | 2000 | University of Southampton | ||
| Mills R | Pearl and Umbra and Strange Familiar | 1999 | Royal College of Art | Communications | |
| Mills R | Mantle | 2000 | Royal College of Art | Communications | |
| Mills R | Royal Shakespeare Company Printed Material | 1994 | Royal College of Art | Communications | |
| Mills R | Eno I and Eno II | 1994 | Royal College of Art | Communications | |
| Miller A | Do Paintings Dream About Veronese Green. | 1999 | Goldsmiths College | ||
| Miller A | Alain Miller. | 1999 | Goldsmiths College | ||
| Miller A | Eye Love Eye. | 1997 | Goldsmiths College | ||
| Miller A | Officina Europa. | 1999 | Goldsmiths College | ||
| Millar RI | Luz Prateada: Solo exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| Millar RI | Living Silver: group exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| Millar RI | Collection 2000: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Millar RI | Roger Millar: Silversmith, solo exhibition | 2000 | Glasgow School of Art | Principles of Drawing | |
| Millar L. | BRITISH TAPESTRY EXHIBITION | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Millar L. | REVELATION: TEXTILE ARTISTS ADDRESSING ISSUES | 1998 | The Surrey Institute of Art + Design University College | Crafts | |
| Millar L. | WOVEN IMAGE CONTEMPORARY BRITISH TAPESTRY | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Millar L. | TRAVERSEES | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Miles JR | Collection for spring/summer 2000 | 1999 | University of Southampton | ||
| Miles JR | Collection for autumn/winter 1999/2000 | 1998 | University of Southampton | ||
| Miles JR | Collection for spring/summer 1998 | 1997 | University of Southampton | ||
| Miles JR | Collection for autumn/winter 1999/2000 | 1998 | University of Southampton | ||
| Miles MFR | The Uses of Decoration: Essays in the architectural everyday | 2000 | University of Plymouth | Art Process | |
| Miles MFR | Art, Space and the City | 1997 | University of Plymouth | Art Process | |
| Miles MFR | City Cultures Reader | 2000 | University of Plymouth | Art Process | |
| Miles MFR | Another Hero? Public Art and Gendered City. | 1997 | University of Plymouth | Art Process | |
| Midgley J | Drawn from Experience. Artists residence at Royal Liverpool + Broadgreen University Hospital. | 1999 | Liverpool John Moores University | Graphic Arts | |
| Midgley J | Round the World | 2000 | Liverpool John Moores University | Graphic Arts | |
| Midgley J | English Artists | 1997 | Liverpool John Moores University | Graphic Arts | |
| Middlemiss J.M. | Temple | 1999 | Falmouth College of Arts | ||
| Middlemiss J.M. | Ausstellung Exhibition: Keramion | 2000 | Falmouth College of Arts | ||
| Middlemiss J.M. | The 3rd Mashiko Ceramics Competition | 2000 | Falmouth College of Arts | ||
| Middlemiss J.M. | Kutani International Decorative Ceramics Competition | 1997 | Falmouth College of Arts | ||
| Meyrick R K | The Etchings and Engravings of Edgar Holloway | 1996 | University of Wales, Aberystwyth | ||
| Meyrick R K | John Elwyn | 2000 | University of Wales, Aberystwyth | ||
| Meyrick R K | Edgar Holloway and Friends: an artist's collection of prints from the Thirties | 1999 | University of Wales, Aberystwyth | ||
| Meyrick R K | Claudia Williams | 2000 | University of Wales, Aberystwyth | ||
| Merrington K | Frenzy | 2000 | Wimbledon School of Art | Research Centre | |
| Merali SGP | Transcultural Vibes from the UK | 1999 | The London Institute | Fine Art | |
| Merali SGP | Out of India | 1998 | The London Institute | Fine Art | |
| Merali SGP | Zen Mix 2000 | 1999 | The London Institute | Fine Art | |
| Merali SGP | Paradigm Lost Alien/Nation | 1996 | The London Institute | Fine Art | |
| Merali S | Going Native | 1997 | University of Westminster | Fine Art | |
| Merali S | Channels, Echoes and Empty Chairs | 1996 | University of Westminster | Fine Art | |
| Merali S | Slow Release | 1999 | University of Westminster | Fine Art | |
| Merali S | digNative; BuyNative; Going Native + Selling Native | 2000 | University of Westminster | Fine Art | |
| Mendelle N | 'Mad Mundo' | 1998 | Napier University | Documentary and Experimental Film | |
| Mendelle N | 'Algeriennes, hier et aujourd'hui' | 1995 | Napier University | Documentary and Experimental Film | |
| Mendelle N | 'Voices Off' | 1997 | Napier University | Documentary and Experimental Film | |
| Mendelle N | 'Turkish Delight' | 1998 | Napier University | Documentary and Experimental Film | |
| Mellor D | The Baby Doll Murders | 2000 | Royal College of Art | Fine Art | |
| Mellor D | Me and Mrs Jones | 2000 | Royal College of Art | Fine Art | |
| Mellor D | Chantal Joffe and Dawn Mellor | 1997 | Royal College of Art | Fine Art | |
| Mellor D | Wishing I was someone else instead | 1999 | Royal College of Art | Fine Art | |
| Melia P D | David Hockney: You Make the Picture. Paintings and Prints 1982-1995. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Meigh-Andrews C C | FENETRE DIGITALE | 2000 | University of Central Lancashire | ||
| Meigh-Andrews C C | Merging / Emerging | 1999 | University of Central Lancashire | ||
| Meigh-Andrews C C | MIND'S EYE | 1997 | University of Central Lancashire | ||
| Meigh-Andrews C C | MOTHLIGHT | 1998 | University of Central Lancashire | ||
| Mee JM | Bras - A Twentieth Century Phenomenon? | 2000 | De Montfort University | ||
| Mee JM | The Impact of the Fall of the Custom Barriers on the UK Fashion Industry | 1999 | De Montfort University | ||
| Mee JM | The Influence of Traditional Corsetry on Modern Contour Design | 1998 | De Montfort University | ||
| Medcalf G | Critical Faculty | 1998 | The London Institute | Fine Art | |
| Medcalf G | Artist in Residence | 1994 | The London Institute | Fine Art | |
| Medcalf G | Inaugural exhibition | 1995 | The London Institute | Fine Art | |
| Medcalf G | Ten Years After | 1996 | The London Institute | Fine Art | |
| Meanley P | Zoutglazuur | 1999 | University of Ulster | ||
| Meanley P | Pigments, Salt and Glass | 1999 | University of Ulster | ||
| Meanley P | Songs in Salt | 1996 | University of Ulster | ||
| Mealing SP | Do you see what I'm saying? | 2000 | University of Plymouth | Centre for Visual Computing | |
| Mealing SP | ud2k - Designing the Design Student | 2000 | University of Plymouth | Centre for Visual Computing | |
| Mealing SP | Kiki - a computer drawing model. | 1998 | University of Plymouth | Centre for Visual Computing | |
| Mealing SP | Extrapolation to Future Novelties. | 1997 | University of Plymouth | Centre for Visual Computing | |
| Meacher N | Annual Exhibition of Original Paintings by The President and Invited Members of The Royal Institute of Painters in Water Colours | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Meacher N | Royal Institute of Painters in Water Colours Annual Exhibition | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Meacher N | Summer Show | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Meacher N | Six Illustrations | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| McQuillan M | Pablo goes to the ball; Performance, Play and Diversion in the early 1920's. | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| McQuillan M | Neither Avant-Garde nor Rappel a l'Ordre | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| McQuillan M | 'Pablo Picasso' | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| McQuillan M | Les Bals du Comte d'Orgel; Masquerades and Spectacle after the Great War | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| McNiven A | Ferne im Innern | 1996 | Edinburgh College of Art | Fine Art | |
| McNiven A | Bleibe | 2000 | Edinburgh College of Art | Fine Art | |
| McNiven A | Whitechapel Open 1994 | 1994 | Edinburgh College of Art | Fine Art | |
| McNiven A | 50 x 50 x 50 x 50 | 1995 | Edinburgh College of Art | Fine Art | |
| McNicoll C | Knick-Knacks | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| McNicoll C | Decadence | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| McNicoll C | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| McNicoll C | British Ceramics 2000.dk | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| McNally NP | The New Design Role to Emerge in the 21st Century: Reflections Upon the 2nd China Furniture Design Competition | 2000 | Glasgow School of Art | Design | |
| McNally NP | Designing for the elderly: The Blindcraft project | 1994 | Glasgow School of Art | Design | |
| McNally NP | Glasgow Art Fair: The Art of Design Showcase: group exhibition | 1999 | Glasgow School of Art | Design | |
| McNally NP | Integrating two design cultures | 1994 | Glasgow School of Art | Educational Theory and Practice | |
| McMullen K | Lucky Man | 1994 | The London Institute | Media and Communication | |
| McMullen K | Cinq Plus Un: Une Saison de Six films par Ken McMullen | 1997 | The London Institute | Media and Communication | |
| McMullen K | Tribute to My Work in Cinema | 1996 | The London Institute | Media and Communication | |
| McMullen K | Retrospective | 1997 | The London Institute | Media and Communication | |
| McMullan S | Shauna McMullan, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| McMullan S | Strolling, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McMullan S | Sheroes - Obsession, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| McMullan S | Killing Your Darlings, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McLean P.B. | A Machine for Learning | 1999 | University College London | Fine Art Media | |
| McLean P.B. | Nautical Mile: Redesign of Bridlington Promenade | 1998 | University College London | Fine Art Media | |
| McLean P.B. | Bruce McLean, Works 1969-1999 | 2000 | University College London | Painting | |
| McLean P.B. | Bruce McLean | 1998 | University College London | Fine Art Media | |
| McLaughlin N W | Greenback | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McLaughlin N W | What | 1995 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McLaughlin N W | Rock, Fashion, and Performativity | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McLaughlin N W | Hybridity and National Musics: the case of Irish Rock | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McLaren I | Some Pictorial Symbol Systems for Public Places | 2000 | De Montfort University | ||
| McLaren I | Otl Aicher: Designer and Teacher | 2000 | De Montfort University | ||
| McLaren I | Profit by Design | 1999 | De Montfort University | ||
| McLaren G M | Shaping the Future: the Ceramics Department and industry after the Second World War | 1996 | Staffordshire University | ARi, School of Art + Design | |
| McLaren G M | Moving Forwards but Looking Backwards: The Dynamics of Design Change in the Early Post-war Pottery Industry. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| McLaren G M | Netting Clay. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| McLaren G M | Utility Forgot: Shaping the Future of the British Pottery Industry 1941-1945 | 1999 | Staffordshire University | ARi, School of Art + Design | |
| McKitterick J | Billy Doll | 1997 | Kingston University | ||
| McKitterick J | Aitch Menswear for Ben Sherman Spring/Summer 1995 | 1994 | Kingston University | ||
| McKitterick J | Billy Opens his Closet for LIFEbeat - exhibition /event | 1998 | Kingston University | ||
| McKitterick J | Body Rap Collection Autumn/Winter 1994 | 1994 | Kingston University | ||
| McKeown RA | Female Jewish Comedians:Grotesque Mimesis and Transgressing Stereotypes. | 1999 | University of Plymouth | Theatre + Performance | |
| McKeown RA | The Duchess | 1998 | University of Plymouth | Theatre + Performance | |
| McKeown RA | Performing Processes: Creating Live Performances | 2000 | University of Plymouth | Theatre + Performance | |
| McKenzie Smith S | Scottish Spirit | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| McKenzie Smith S | Help Yourself; Desire Line Suite | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| McKenzie Smith S | International Biennale Exhibition of Contemporary Art: Florence Biennale 1999 | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| McKenzie Smith S | Desire Line | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| McKenzie R | Pictorialist Photography in Hungary: International Connections | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKenzie R | Sculpture in Glasgow | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKelvey K A | Fashion Source Book | 1996 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McKee F | Every Creeping Thing: the Anxieties of Collecting, essay in exhibition catalogue | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKee F | The Paracelsian Kitchen | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKee F | To Hide In Plain Sight, essay in exhibition catalogue | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKeating JE | Textiles Revisited - With Cloth and Needle | 1999 | Manchester Metropolitan University | ||
| McKeating JE | Contemporary Embroidery | 1995 | Manchester Metropolitan University | ||
| McKeating JE | Traditions | 1997 | Manchester Metropolitan University | ||
| McKeating JE | To Boldly Sew: Textiles for the 21st Century | 2000 | Manchester Metropolitan University | ||
| McKean J M L | Becoming an Architect in Europe between the wars | 1996 | University of Brighton | Design History, Criticism and Theory | |
| McKean J M L | An Appraisal of the Royal Festival Hall | 1996 | University of Brighton | Design History, Criticism and Theory | |
| McKean J M L | Charles Rennie Mackintosh: Architect, Artist, Icon | 2000 | University of Brighton | Design History, Criticism and Theory | |
| McKean J M L | Crystal Palace | 1994 | University of Brighton | Design History, Criticism and Theory | |
| McKeag D | Marin Ark Evacuation System | 1998 | University of Ulster | ||
| McKeag D | Fortress Lock | 1996 | University of Ulster | ||
| McKay C M | Presence and Absence: Seurat and the Bathers | 1998 | University of Sunderland | Photography | |
| McKay C M | Series of Entries in Critical Dictionary of Feminism and Postfeminism | 1999 | University of Sunderland | Photography | |
| McKay C M | Scientific Fieldwork and Aesthetic Reflection | 1994 | University of Sunderland | Photography | |
| McKay C M | Fearful Dunderheads, Kandinsky and the Cultural Referents of Criminal Anthropology | 1996 | University of Sunderland | Photography | |
| McKAY A | A Gift of Solitude | 2000 | University of Lincoln | ||
| McKAY A | The Break In | 1998 | University of Lincoln | ||
| McKAY A | First Cut '98 4 Short Films by Filmmakers New to Broadcast | 1998 | University of Lincoln | ||
| McKAY A | The Promise | 1998 | University of Lincoln | ||
| McIver MT | The Muster Project | 1998 | University of Ulster | ||
| McIver MT | Warworks, Women, Photography and the Art of War | 1996 | University of Ulster | ||
| McIver MT | Troubled : Photography, Film and Video from Northern Ireland | 1998 | University of Ulster | ||
| McIver MT | Revealing Views, Images from Ireland | 1999 | University of Ulster | ||
| McIver L | 'Relative Values' | 1998 | Napier University | Photographic Practice | |
| McIver L | 'The Pledge of Fidelity' | 1995 | Napier University | Photographic Practice | |
| McIntyre MP | Survey | 2000 | University of Ulster | ||
| McIntyre MP | Small Steps:Contemporary Art From Ireland | 2000 | University of Ulster | ||
| McIntyre MP | Some Place Else | 2000 | University of Ulster | ||
| McIntyre MP | Revealing Views : Images from Ireland | 1999 | University of Ulster | ||
| McIntyre K T | Nutcracker de la Habana | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| McIntyre K T | Keith McIntyre: New Paintings | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| McIntyre K T | Louie A. Brown International Fellowship exhibition | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| McIntyre K | 'Structures and Practices: Towards a Discourse of the Craft Object' | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| McIntyre K | '1980 - 1998: The Yuppie, Postmodernism, the New Millennium' | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| McIntyre K | The Desk Lamp | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| McIntyre K | Craft and Consumerism: Just what is it that makes the Crafts so different, so appealing? | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| McInnerney M | Les Sixties, Britain and France 1962-1973, The Utopian Years | 1997 | Bath Spa University College | ||
| McHugh C | 'The Wide Horizon' 80 oil paintings on wood. Various dimensions. Photographic record of works available. | 1996 | University College Chichester | Painting | |
| McHugh C | Fabrica - Co-founder + Joint Artistic Director of Contemporary Art Gallery in Central Brighton. 1994-1997Design of exhibitions and events / curation. | 1994 | University College Chichester | Design of exhibitions and events / curation | |
| McHugh C | 'Journey and Memory' 5 oil paintings on wood. Photograhic record of works available. | 1996 | University College Chichester | Painting | |
| McHugh C | 'Vestiges' Christopher McHugh + Jane Sybilla Fordham. 50 paintings on wood, stone, canvass + steel. Dimensions between 2x3ins - 48x36ins. | 2000 | University College Chichester | Painting | |
| McGraw M | 3rd International Symposium of Lithography, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McGraw M | Brisbane Artists, Books and Multiples, group exhibiton | 1998 | Glasgow School of Art | Fine Art | |
| McGraw M | Iwate Art Festival: Later Editions - Prints from Glasgow, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McGraw M | Arcade II, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McGrath R | 'Geographies of the Body' | 1995 | Napier University | Critical Theory of Practice | |
| McGrath R | 'Surplus Bodies' | 1997 | Napier University | Critical Theory of Practice | |
| McGowan A | A History of Britain (published by the Daily Telegraph, weekly in 16 parts) | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McGowan A | McGowan at Large | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McGowan A | Interpretation of Faust Part-One | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McGowan A | The Story of a Nation | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McGoldrick R | Contemplative graphite grey human scale sculpture (6 | 1997 | London Guildhall University | ||
| McGoldrick R | Graphite grey sited public sculptures on an East London Theme | 1995 | London Guildhall University | ||
| McGoldrick R | 2 sculptures for public sites. Graphite grey Hawksmooresque console brackets with light reflecting gilded balls, in 70s landscaping, presaging the pieces in outcome 3. The materials (wood, marble dust, plaster, gilding) and small scale, implying an interi | 1995 | London Guildhall University | ||
| McFadyen J. | From Orkney and Other Places | 1999 | University College London | Painting | |
| McFadyen J. | Works on Paper | 1998 | University College London | Painting | |
| McFadyen J. | Urbasuburba | 1997 | University College London | Painting | |
| McFadyen J. | Looking Out To Sea | 1998 | University College London | Painting | |
| McDowell C | Forties Fashion and the New Look | 1997 | The London Institute | Fashion and Textiles | |
| McDowell C | The Literary Companion to Fashion | 1995 | The London Institute | Fashion and Textiles | |
| McDowell C | Galliano | 1997 | The London Institute | Fashion and Textiles | |
| McDowell C | Fashion Today | 2000 | The London Institute | Fashion and Textiles | |
| McDonough H | 'Circular Breathing' | 1996 | Anglia Polytechnic University | ||
| McDonough H | 'Atrium' | 1997 | Anglia Polytechnic University | ||
| McDonough H | 'Short Stories' in 'Places of Life' European Women's Photography Award Exhibition | 2000 | Anglia Polytechnic University | ||
| McDonough H | 'Neither here nor there' in 'Whitechapel Open' exhibition | 1998 | Anglia Polytechnic University | ||
| McDonald G | Les Anglais vus par les Anglais | 1998 | Southampton Institute | ||
| McDonald G | Common Complaints | 1998 | Southampton Institute | ||
| McDonald G | Common Complaints | 1998 | Southampton Institute | ||
| McDonald G | The Rat Archive | 2000 | Southampton Institute | ||
| McDonagh-Philp DC | Undergraduate Design Project Utilising Users as a Design Resource: A Case Study, Scrivener, S.A.R., Ball, L.J. and Woodcock, A. (eds) | 2000 | Loughborough University | Design Research | |
| McDermott C | Diana: A Celebration | 1997 | Kingston University | ||
| McDermott C | The Product Book | 1999 | Kingston University | ||
| McDermott C | The Power of Erotic Design | 1997 | Kingston University | ||
| McDermott C | Vivienne Westwood: The Collection of Romilly McAlpine | 2000 | Kingston University | ||
| McDade S | Displacement | 2000 | Southampton Institute | ||
| McDade S | Eye to I | 1998 | Southampton Institute | ||
| McDade S | Boxes | 1997 | Southampton Institute | ||
| McDade S | Displacement | 2000 | Southampton Institute | ||
| McConnell A | Do fire-fighters develop specific ventilatory responses in order to cope with exercise whilst wearing self-contained breathing apparatus? | 1999 | Brunel University | Design for Inclusion | |
| McConachie A | Edinburgh Makers | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| McConachie A | International Glaskunst Triennale | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| McConachie A | British Glass | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| McConachie A | Glass UK | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| McComish L | Outhouse | 1999 | University of Ulster | ||
| McClenaghen J | The Roebuck Collection | 1996 | North East Wales Institute of Higher Education | Art and Design | |
| McClenaghen J | John McClenaghen | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| McClenaghen J | Elements of landscape | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| McClenaghen J | The Spirit of Bradford | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| McClelland B | 3D-scan: 3D add-on scanning device | 2000 | University of Ulster | ||
| McClelland B | Mp 12 v Music System (Music Centre) | 2000 | University of Ulster | ||
| McClelland B | CCC Camera | 1996 | University of Ulster | ||
| McCaughey P | No Way Back, group exhibition of publicly sited works. | 1994 | Glasgow School of Art | Fine Art | |
| McCaughey P | Public Sightings: Below Ground, solo exhibition of publicly sited works. | 1998 | Glasgow School of Art | Fine Art | |
| McCaughey P | Arc, solo exhibition of publicly sited works | 1999 | Glasgow School of Art | Fine Art | |
| McCartney K E | Research Training for Designers | 2000 | University of Portsmouth | Centre for New Media Research | |
| McCartney K E | Smart Homes for Disabled People, design studies for Housing Corporation Innovation Fund | 1999 | University of Portsmouth | Centre for New Media Research | |
| McCarthy P | 'Acoustic Shadows'. | 1999 | University of Derby | Research Group for Artists Publications | |
| McCarthy P | 'Dark Matter' Touring Group Exhibition, 1998-2000 | 1998 | University of Derby | Research Group for Artists Publications | |
| McCarthy P | 'The Box Project', Group Exhibition. | 2000 | University of Derby | Research Group for Artists Publications | |
| McCarthy P | Commissioned work/Solo Exhibition. | 1997 | University of Derby | Research Group for Artists Publications | |
| McCann J | Subject: 'Identification of Design Requirements for Performance Sportswear', research presentation for 'Inspiration and Innovation in Sportswear' symposium. April. | 1999 | University of Derby | ||
| McCann J | Design Commission for Andy Spink. Designed Artifact: Garment(s). | 1998 | University of Derby | ||
| McCann J | 'Training 2000' Exhibition | 1998 | University of Derby | ||
| McCann J | 'Performance Sportswear Design' Leonardo Multiplier Project. | 1998 | University of Derby | ||
| McCann B | Amongst the Clues | 1994 | Royal College of Art | Fine Art | |
| McCann B | Dusting the Giant | 1999 | Royal College of Art | Fine Art | |
| McCann B | A Continuous Present: 5 British Sculptors Revisit Rome | 1998 | Kingston University | ||
| McCann B | Dusting the Giant | 1999 | Kingston University | ||
| McCann B | Deux Milles Coups/2000 Blows | 2000 | Kingston University | ||
| McCann B | Confluence | 1995 | Kingston University | ||
| McCall A | Archie McCall: Ceramics: solo exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| McCall A | Elements of Change | 1995 | Glasgow School of Art | The Decorative Arts | |
| McCall A | Solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| McCall A | Archie McCall: Exhibition of Ceramics: solo exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| McCRACKEN P | Le Donne Artiste:Problemi della Visibilita | 2000 | University of Lincoln | ||
| McCRACKEN P | Women Artists and Designers in Europe Since 1800: an annotated bibliography | 1998 | University of Lincoln | ||
| McCARTHY P J | Acoustic Shadows | 1999 | University of Lincoln | ||
| McCARTHY P J | Signs and Wonders | 1997 | University of Lincoln | ||
| McCARTHY P J | Dark Matter | 1998 | University of Lincoln | ||
| McCARTHY P J | Repetivity | 2000 | University of Lincoln | ||
| McBride C | Artists Flags for Scotland, group exhibition of publicly sited works. | 1997 | Glasgow School of Art | Fine Art | |
| McBride C | New Art in Scotland - Part II, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| McBride C | Urban Facades: Whitefriars Bridge, solo publicly sited exhibition | 2000 | Glasgow School of Art | Fine Art | |
| McBride C | Urban Facades: Cultivation, solo publicly sited exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Mayfield W | 1997 | Leeds Metropolitan University | Design | ||
| Mayfield W | 1996 | Leeds Metropolitan University | Design | ||
| May N | Yesterdays Tomorrow is Not Today | 1999 | Cumbria College of Art + Design | ||
| May N | Zero Tolerance | 1998 | Cumbria College of Art + Design | ||
| May N | All Routes Open | 1998 | Cumbria College of Art + Design | ||
| May N | Out of Hours | 2000 | Cumbria College of Art + Design | ||
| Mavrogordato T | Tass Mavrogordato | 1996 | Goldsmiths College | ||
| Mavrogordato T | 'Revelation; Textile Artists Addressing Issues'. | 1998 | Goldsmiths College | ||
| Mavrogordato T | `Rose-Love', `Passion Flower-Love', `Orchid-Love'. | 1997 | Goldsmiths College | ||
| Maudsley N | COMA: 12 minute digital film. | 1999 | London Guildhall University | ||
| Maudsley N | 'E-Business' | 2000 | London Guildhall University | ||
| Maudsley N | Chance Encounter 7 minute computer animation based around the body and the representation of sexuality. Distributed by LondonElectronic Arts, Lux Center, Hoxton Square, London | 1997 | London Guildhall University | ||
| Maudsley N | SUB-**** | 1998 | London Guildhall University | ||
| Maude-Roxby A | Living and Working | 1999 | Sheffield Hallam University | ||
| Maude-Roxby A | Dayroom | 1999 | Sheffield Hallam University | ||
| Maude-Roxby A | A Dictionary of Symbols | 1997 | Sheffield Hallam University | ||
| Matthee J | Antigone's Cut. | 1997 | Goldsmiths College | ||
| Matthee J | The Descent of the Seductress. | 1997 | Goldsmiths College | ||
| Matthee J | Killer Kitten. | 2000 | Goldsmiths College | ||
| Matthee J | Antigone's Cut. | 1999 | Goldsmiths College | ||
| Matlow EG | Women, computers and a sense of self | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Matlow EG | Navigating technology: beyond a critical theory | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Matlow EG | Escape from the Flatlands: the impact of new technologies on Graphic Design education | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Matlow EG | Designing women: gender issues in graphic design education | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Mathison F | Fiona Mathison | 1999 | Edinburgh College of Art | Fine Art | |
| Mathison F | The Woven Image: Contemporary British Tapestry 4 | 1996 | Edinburgh College of Art | Fine Art | |
| Mathison F | 11th Kemzetkozi Miniaturetextile Biennale | 1996 | Edinburgh College of Art | Fine Art | |
| Mathison F | IV Triennale Internationale des Mini-Textiles, Apocalypses | 1995 | Edinburgh College of Art | Fine Art | |
| Masters R | Exhibition of Recent Work | 1995 | University of Sunderland | Fine Art | |
| Masters R | Gross Britannien Konstruktiv-Konkret | 1998 | University of Sunderland | Fine Art | |
| Masters R | Four Works | 1998 | University of Sunderland | Fine Art | |
| Masters R | Ray Masters - Selected Works 1985-1995 | 1995 | University of Sunderland | Fine Art | |
| Mason R | Illustration as Incest | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | Return of the Picture | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | Week Link | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | A Digital Dolly? A Subjective Survey of British Illustration in the 1990s | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | Solo Exhibition | 1998 | Wimbledon School of Art | Painting | |
| Mason R | 'Robert Mason' | 1998 | Wimbledon School of Art | Painting | |
| Mason R | 'A Line from East to West' | 1998 | Wimbledon School of Art | Painting | |
| Mason PW | Series of Sculptures (Gateway and Central Feature). Celebrating Location and Navigation. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Mason PW | One Person Exhibtion. (Also commissioned work outside gallery). Catalogue with essay by Peter Wheeler. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Mason PW | Gloucester Cathedral Residency | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Mason PW | One Person Show of work, residency, exhibition. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Masi D. | Partie 5, Brandenburgische Kunsttage 1997. Britain in Brandenburg Festival | 1997 | University College London | Fine Art Media | |
| Masi D. | Denis Masi: Window Work | 1995 | University College London | Fine Art Media | |
| Masi D. | Works by Denis Masi - Survey Exhibition Wallwork 1988-1996 | 1996 | University College London | Fine Art Media | |
| Masi D. | Berlin Suite: Ian Colverson and Denis Masi | 1999 | University College London | Fine Art Media | |
| Masi D | Works by Denis Masi- Survey Exhibition Wallwork 1988-1996 | 1996 | Wimbledon School of Art | ||
| Masi D | Denis Masi: Window Work | 1995 | Wimbledon School of Art | ||
| Martinon JP | 'Right on for the Darkness'. | 1999 | Goldsmiths College | ||
| Martinon JP | Jordan Baseman - Blunt Objects. | 1997 | Goldsmiths College | ||
| Martinon JP | 'Shane Breynard - Soft Spots'. | 1999 | Goldsmiths College | ||
| Martinon JP | Matthew Luck Galpin: New Work. | 2000 | Goldsmiths College | ||
| Martinec R | Types of Process in Action | 2000 | The London Institute | ||
| Martinec R | Rhythm in Multimodal Texts | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Martinec R | Construction of Identity in Michael Jacksons Jam | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Martinec R | Cohesion in Action | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Martina T | Covent Garden Piazza exhibition | 1999 | University College Northampton | Fine Art Practices | |
| Martina T | The Royal Society of Painter-Printmakers | 1998 | University College Northampton | Fine Art Practices | |
| Martina T | Citybites | 1997 | University College Northampton | Fine Art Practices | |
| Martina T | No day without a line. The history of the Royal Society of Painter-Printmakers, 1880-1999 | 1999 | University College Northampton | Fine Art Practices | |
| Martin TD | Landmarks in Western Art | 1999 | De Montfort University | ||
| Martin TD | Its Sculpture Baby, In the Place of an Object | 2000 | De Montfort University | ||
| Martin TD | Essential Surrealists | 1999 | De Montfort University | ||
| Martin TD | Enantiomorphic Chambers | 1999 | De Montfort University | ||
| Martin PL | Orange as a Contemporary Expression of Spirit | 1997 | De Montfort University | ||
| Martin PL | The Elemental Aspects of Colour in Spatial Design | 1996 | De Montfort University | ||
| Martin PL | Spatial Design Beyond Three-Dimensional Form | 1995 | De Montfort University | ||
| Martin PL | Hand in Glove | 2000 | De Montfort University | ||
| Marshall N D | New Tech Styles: Technology and Innovation in Contemporary Textiles | 1995 | University of Brighton | Materials Practices and Processes | |
| Marshall N D | The design, development and production of constructed textiles using non-yarn forms | 1995 | University of Brighton | Materials Practices and Processes | |
| Marshall N D | Untitled works | 1994 | University of Brighton | Materials Practices and Processes | |
| Marshall N D | Untitled | 2000 | University of Brighton | Materials Practices and Processes | |
| Marsden MJ | 38mm trackerball | 1998 | De Montfort University | ||
| Marsden MJ | 'Ionsens' | 1997 | De Montfort University | ||
| Marsden MJ | Digital measurement of load in a hand held wrench | 1999 | De Montfort University | ||
| Marsden MJ | Navigata | 2000 | De Montfort University | ||
| Marrs R | Large Format Digital Printing | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Marrs R | Get Professional | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Marrs R | Beyond the Millenium | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Marriott M | Biscuit | 2000 | Royal College of Art | Design for Manufacture | |
| Marriott M | Collection of designs for SCP 1996-2000 | 1996 | Royal College of Art | Design for Manufacture | |
| Marriott M | TGI Woody | 1994 | Royal College of Art | Design for Manufacture | |
| Marriott M | Jerwood Prize for Applied Arts 1999: Furniture | 1999 | Royal College of Art | Design for Manufacture | |
| Margetts M | Beyond Material: new craft of the 1990s | 1998 | Royal College of Art | Applied Art | |
| Margetts M | Only Human | 1999 | Royal College of Art | Applied Art | |
| Margetts M | Embody | 1998 | Royal College of Art | Applied Art | |
| Margetts M | Objects of Our Time | 1996 | Royal College of Art | Applied Art | |
| Marchant A | Interior - An exploration of Interior spaces - both architectural and biological | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Marchant A | Living Room - An interface between the artist and public on an East London Housing Estate | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Marchant A | East Londoners - Research project using family albums from the residents of East London | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Marchant A | Relicta - An installation of large format photographs | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Mantripp C | Three Fireplaces | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Mantripp C | The Woodcarver's Craft Exhibition | 1996 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Mantripp C | Tables | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Mantripp C | Grinling Gibbons Exhibition | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Mansfield A | Recent Paintings | 1999 | Southampton Institute | ||
| Mansfield A | Recent Paintings | 1996 | Southampton Institute | ||
| Mansfield A | Recent Paintings | 1999 | Southampton Institute | ||
| Mansfield A | The Animal Mirror. | 2000 | Southampton Institute | ||
| Manning A | Paper After the Year 2000 | 1994 | The London Institute | Media and Communication | |
| Manley DJ | 'In-Transit', SomeContemporary British Art. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Manley DJ | Cheltenham Open Drawing 1997. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Manley DJ | 'Porthleven is a quiet..............'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Manley DJ | 30 years of Cheltenham Fine Arts Fellows: 1967-1997. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Manchot M | The Nude | 1999 | The London Institute | Fine Art | |
| Manchot M | The Century of the Body | 1999 | The London Institute | Fine Art | |
| Manchot M | Look at You Loving Me | 1998 | The London Institute | Fine Art | |
| Manchot M | Poste Restante | 1995 | The London Institute | Fine Art | |
| Mallet L | The Hare Lane Diaries | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Mallet L | Bucks Peasants, volume one + Peasant Sandwich | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Mallet L | The Bill | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Malik S | Tekhne is fond of Tukhe, and Tukhe of Tekhne: Energy and Artistotle's Ontology in Tekhnema 5, 1999. | 1999 | Goldsmiths College | ||
| Malik S | Differantial Technics. | 1996 | Goldsmiths College | ||
| Malik S | Light Memories: Modernity, Photography and Mass Production. | 1997 | Goldsmiths College | ||
| Malik S | Is the Internet a Rhizome? Cyberspace and the Deleuze-Guattari Machine. | 1997 | Goldsmiths College | ||
| Malem W | Nico-Nico Autumn / Winter 1998 collection | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Malem W | Nico Nico Spring / Summer 1999 collection Cruise | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Malem W | Calissa knitwear Spring - Summer 1996 collection | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Malem W | Ootie Spring / Summer 2001 childrenswear collection | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Male A | Encycopedia of Science: The Living World | 2000 | Falmouth College of Arts | ||
| Makhoul B | Trace International Liverpool Biennial | 1999 | Sheffield Hallam University | ||
| Makhoul B | Hold | 2000 | Sheffield Hallam University | ||
| Makhoul B | ACE: Arts Council Collection New Purchases | 1996 | Sheffield Hallam University | ||
| Makhoul B | Symbiosis | 1998 | Sheffield Hallam University | ||
| Makem OM | Synergy Centres Ltd | 1997 | University of Ulster | ||
| Makem OM | New Orleans - Restaurant | 1997 | University of Ulster | ||
| Makem OM | BWD Rensburg Stock Brokers | 1998 | University of Ulster | ||
| Makem OM | Designs for 'Cuba' Retail Outlet | 1996 | University of Ulster | ||
| Mair J H | The Book of Destinies (A Practical Guide to Predicting the Future) | 1997 | University of Portsmouth | Centre for Images in Practice | |
| Mair J H | Jacqueline Mair | 1997 | University of Portsmouth | Centre for Images in Practice | |
| Mair J H | Passage From India | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Mair J H | Solo exhibition, new to celebrate the new building | 1998 | University of Portsmouth | Centre for Images in Practice | |
| Maguire R | Through Downs and Sea. | 2000 | Southampton Institute | ||
| Maguire R | Four Seasons | 2000 | Southampton Institute | ||
| Maguire R | London Photographics Awards | 2000 | Southampton Institute | ||
| Maguire R | Re-Collections | 1998 | Southampton Institute | ||
| Maguire P J | Utility and the Politics of Consumption | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Maguire P J | Labour and the Law:The Politics of British Industrial Relations | 1996 | University of Brighton | Design History, Criticism and Theory | |
| Magee JP | Spirit of Change | 2000 | Manchester Metropolitan University | ||
| Magee JP | Promenade | 2000 | Manchester Metropolitan University | ||
| Magee JDM | Complete Front End/Rear End Body Work (Plastics) | 1998 | University of Ulster | ||
| Magee JDM | A Conscientious Vehicle | 1996 | University of Ulster | ||
| Macmillan A | Art Lovers Houses and the Modern Movement | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Macmillan A | Frontiers of the West - Glasgow and Chicago. The pioneering architectures of Thomson, Mackintosh and Wright | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Macleod K | The Relationship of Making to Writing | 1999 | University of Plymouth | Art Process | |
| Macleod K | Research in Fine Art: theory, judgement and discourse. | 1996 | University of Plymouth | Art Process | |
| Macleod K | What would falisify an art practice? Research Degrees in Fine Art. | 2000 | University of Plymouth | Art Process | |
| Macleod K | The Teaching Subject: Reviewing Art History within Postmodernism. | 1995 | University of Plymouth | Art Process | |
| Macklin P | Creation of a visual identity through graphic and artistic design for Candide 2000: a theatrical production. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Mackarell J | 10 enamel and silver decorative boxes + items of jewellery | 1998 | London Guildhall University | ||
| Mackarell J | Design concept + enamelling for silver teapot + water jug, with wood/leather carrying case | 1998 | London Guildhall University | ||
| Mackarell J | Six silver and enamel decorative boxes and items of jewellery | 1997 | London Guildhall University | ||
| Mackarell J | Copper + enamel wall panel 12 feet X 6 feet | 1997 | London Guildhall University | ||
| Macinnes R | Robert Adam | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mach D | L'Homme Qui Marche | 2000 | Edinburgh College of Art | Fine Art | |
| Mach D | The Eye of the Storm | 2000 | Edinburgh College of Art | Fine Art | |
| Mach D | Fully Furnished | 1994 | Edinburgh College of Art | Fine Art | |
| Mach D | Train | 1997 | Edinburgh College of Art | Fine Art | |
| Macdonald J | The Decorative Murals of Douglas Strachan | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Macdonald J | From Wall to Window | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Maccaulay J | 1994 | Glasgow School of Art | Historical and Critical Enquiry | ||
| Maccaulay J | The Hill House | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Maccaulay J | The demolition of the Western Towers of Glasgow cathedral | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Maccaulay J | James Gillespie Graham and A W N Pugin, Some Perthshire Connections | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Maccallum C | Louis Visconti et le Faubourg-Saint Honore: Visconti et l'Ambassade de Grande-Bretagne; l'hotel Pontalba | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| Maccallum C | Made in Scotland: la Gare du Nord | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| Macbeth P A | 'Provence' + 'Seville' Bed Linen for Habitat UK | 1995 | University of Huddersfield | ||
| Macbeth P A | Pure Fabrication - Independent Textile Makers | 1997 | University of Huddersfield | ||
| MacWilliam S J I | Ear Piece | 1999 | Nottingham Trent University | Visual Arts | |
| MacWilliam S J I | Acoustic Shadows: Cast Behind The Curtain | 1999 | Nottingham Trent University | Visual Arts | |
| MacWilliam S J I | Laurieston House | 1999 | Nottingham Trent University | Visual Arts | |
| MacWilliam S J I | The Sound of Bells and Bellies: Acoustic Authority and Sound Effects | 1998 | Nottingham Trent University | Visual Arts | |
| MacLennan H | 'An investigation of students' changing perceptions of professional studies provision for Fine Art focussing on student experience of work placements and enterprise projects' | 1998 | University of Gloucestershire | ||
| MacLennan H | 'Professional Studies and Careers Development in a Discipline-led Curriculum: Attitudes to Learning in Fine Art Students' | 1999 | University of Gloucestershire | ||
| MacLennan H | 'Antiquarian and connoisseurial interest in the northern Renaissance print in the early 19th century' | 1999 | University of Gloucestershire | ||
| MacLennan H | 'The Role of Professional Studies for Fine Art' | 2000 | University of Gloucestershire | ||
| MacLennan AM | Unseeing Trace | 1999 | University of Ulster | ||
| MacLennan AM | Body of (D)Earth | 1997 | University of Ulster | ||
| MacLennan AM | Pore Rope | 1998 | University of Ulster | ||
| MacLennan AM | Tains Stain | 1996 | University of Ulster | ||
| MacKinnon-Day P | The Mag Collection | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| MacKinnon-Day P | Membrane | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| MacKinnon-Day P | Shroud | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| MacKinnon-Day P | All in the Mind | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| MacGregor B | Calum Colvin's Sacred and Profane | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| MacGregor B | The Multimedia Microwave Oven: Reflections on Audio-Visual Delivery Systems | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| MacGregor B | From Focus Groups to Edit Groups: A New Method of Reception Analysis | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| MacGregor B | Live direct and biased? Making television news in the satellite age. | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| MacDonald A | Developing Aesthetic Intelligence as a Cultural Tool for Engineering Designers. | 1999 | Glasgow School of Art | Design | |
| MacDonald A | Creative City: Changing Glasgow by Design | 1995 | Glasgow School of Art | Cities and Environments | |
| MacDonald A | Developing a Qualitative Sense | 1998 | Glasgow School of Art | Design | |
| Mabbutt M | Three Person Show | 1998 | Falmouth College of Arts | ||
| Mabbutt M | Light and Splendour | 1997 | Falmouth College of Arts | ||
| Mabbutt M | In the Looking Glass: Contemporary Self-Portraits by Women Artists | 1996 | Falmouth College of Arts | ||
| Mabbutt M | Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Mabb D | `Street Art of the Revolution'. | 1997 | Goldsmiths College | ||
| Mabb D | Canada Seen from a Great Height | 1999 | Goldsmiths College | ||
| Mabb D | Skins. | 1996 | Goldsmiths College | ||
| Mabb D | General Property - 1989 - 1999 (33 works). | 1999 | Goldsmiths College | ||
| MYERS J | HEARSAY | 1999 | Middlesex University | ||
| MYERS J | TOWERS (PART OF A13 ROAD PROJECT) - LEAD ARTIST | 2000 | Middlesex University | ||
| MYERS J | NOSEY PARKER - A PANTOMIME FOR THE INTERNET | 1997 | Middlesex University | ||
| MYERS J | PEEPINGTOM | 1998 | Middlesex University | ||
| MUSKE E | Close to Home | 1998 | University of Lincoln | ||
| MUSKE E | Eve Muske/Helen Ireland | 1996 | University of Lincoln | ||
| MUSKE E | From Here | 1998 | University of Lincoln | ||
| MUSKE E | Sad | 1996 | University of Lincoln | ||
| MURPHY J | John Murphy | 1997 | University of Oxford | ||
| MURPHY J | The Way Up and The Way Down | 1999 | University of Oxford | ||
| MURPHY J | A Portrait of the Artist as a Deaf Man | 1996 | University of Oxford | ||
| MUMBERSON S | ART WITH THE HELP OF A COMPUTER | 2000 | Middlesex University | ||
| MUMBERSON S | 20TH CENTURY URBAN MAN | 1999 | Middlesex University | ||
| MUMBERSON S | MEDICINE IN THE 21ST CENTURY | 1999 | Middlesex University | ||
| MUMBERSON S | KACK HANDED | 2000 | Middlesex University | ||
| MULHALL S. | Wish you were here | 1996 | Coventry University | Visual Arts | |
| MULHALL S. | Sarah Mulhall | 1996 | Coventry University | Visual Arts | |
| MOWBRAY J | Joanna Mowbray: New Steel Sculpture and Drawings. Lecture Through and Around - November Lecture Series | 1996 | University of Lincoln | ||
| MOWBRAY J | 'Incisions Recesses' | 2000 | University of Lincoln | ||
| MOWBRAY J | International collaboration Sculpture, Dance, Performance with commissioning of video/film and music/phone Art | 2000 | University of Lincoln | ||
| MOWBRAY J | Artists Exhibiting at Roche Court | 2000 | University of Lincoln | ||
| MORTON V E | Victoria Morton at Gallery Enja Wonneberger | 2000 | University of Dundee | Contemporary Practice | |
| MORTON V E | Victoria Morton at Sadie Coles HQ | 2000 | University of Dundee | Contemporary Practice | |
| MORRIS R C | New Directions | 1999 | University of Dundee | Contemporary Practice | |
| MORGAN S | My Father | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MORGAN S | Memory and Identity in the Urban Landscape. A Tale of Two Barons | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MORGAN S | The ghost in the luggage: Wallace + Braveheart: post-colonial | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MORGAN S | Memory and the Merchants: commemoration and civic identity | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MOONEY J | FACE -TO-FACE - SOLO EXHIBITION | 1998 | Middlesex University | ||
| MOONEY J | READING MATTER | 1999 | Middlesex University | ||
| MOONEY J | QUEER PICKINGS: THE ART OF LARI PITTMAN | 2000 | Middlesex University | ||
| MOONEY J | INTER VIEWS/CLOSE TO HOME | 1998 | Middlesex University | ||
| MOODY E.H. | Reconstituted in the City. One man exhibition with video evidence | 1995 | City University | ||
| MOODY E.H. | UK Artists and the Higher Education Research Assessment Exercise: a microcosm of the Art World and its ills | 1999 | City University | ||
| MOODY E.H. | Ripensare il museo d'arte come risorsa educativa: marketing e curatela rivisitati in risposta a pubblici complessi | 2000 | City University | ||
| MOODY E.H. | The Scope + Impact of Management in the Arts | 1998 | City University | ||
| MODEEN M | Graces, Fates and Furies | 1995 | University of Dundee | Contemporary Practice | |
| MODEEN M | Mary Modeen: Solo Exhibition, Public Art Commission, and Inaugural Research Fellowship | 2000 | University of Dundee | Contemporary Practice | |
| MODEEN M | The Eternal Contemporary | 1998 | University of Dundee | Coastal/Indigenous Cultures | |
| MIDDLETON N. | Research development on the opportunities for film production and distribution using internet technologies: the move from narrowband to broadband | 2000 | Coventry University | Design | |
| MEYNELL K | VOLUMES (OF VULNERABILITY) | 2000 | Middlesex University | ||
| MEYNELL K | THE ISLAND BELL | 2000 | Middlesex University | ||
| MEYNELL K | SUNTRAP | 1998 | Middlesex University | ||
| MEYNELL K | STORY - SITE SPECIFIC AUDIO INSTALLATION | 1999 | Middlesex University | ||
| MCMURDO W A | Wendy McMurdo | 1998 | University of Dundee | Digital Technology | |
| MCMURDO W A | In a Shaded Place | 1995 | University of Dundee | Digital Technology | |
| MCGILVRAY R | The Ambassador Routes | 2000 | University of Dundee | Industry and the Public Sector | |
| MCGILVRAY R | The Overgate Bronzes Project - Curatorship | 1999 | University of Dundee | Industry and the Public Sector | |
| MCGILVRAY R | City of Aberdeen Public Art Programme - City Centre Study - Report and Exhibition | 1995 | University of Dundee | Industry and the Public Sector | |
| MCGILVRAY R | South Lanarkshire Council - Public Art Plan | 1998 | University of Dundee | Industry and the Public Sector | |
| MCCONNELL-WOOD T | Flicker | 1999 | University of Dundee | Digital Technology | |
| MCCONNELL-WOOD T | Same/Different | 2000 | University of Dundee | Digital Technology | |
| MCARTHUR E C | Shadows in the Water | 1995 | University of Dundee | Critical, Historical and Theoretical Debate | |
| MCARTHUR E C | Binocular: Gareth Fisher and John Mitchell | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| MCARTHUR E C | To See Ourselves as Others | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| MATTHEWS R D | A Square of Ground | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MATTHEWS R D | The Art of the Pixel/Fakescape | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MATTHEWS G | Writing Design | 2000 | University of Lincoln | ||
| MATTHEWS G | Museums, Art Galleries and Temporary Exhibition Spaces | 1999 | University of Lincoln | ||
| MATTHEWS G | The Naked Truth, Metephors of Space, Complexity and Communication | 1996 | University of Lincoln | ||
| MATTHEWS G | Doctorates in Design: Why we need a research culture in design | 1996 | University of Lincoln | ||
| MARKIEWICZ L | A Conversation | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MARKIEWICZ L | Euphoria | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MARKIEWICZ L | Volumes of Vulnerability/The Pool | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MARKIEWICZ L | Promise | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANLEY B | The American Odyssey: Recent Paintings | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANLEY B | New London | 1995 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANLEY B | Bryn Manley - There are Places I Remember | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANLEY B | First International Drawing Exhibition, Wrocklaw, Poland | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANHEIM J | WALKWAY | 1996 | Middlesex University | ||
| MANHEIM J | ROMAN POTTERY;WOVEN SILKS;STRAW PLAITING;NATURAL HISTORY;ILLUSTRATORS | 1997 | Middlesex University | ||
| MANHEIM J | THE SECRET RIVER | 1996 | Middlesex University | ||
| MANHEIM J | DEEP THEATRE | 2000 | Middlesex University | ||
| MALLINDER H | Modelling of Large Waterfalls using String Textures | 1995 | Middlesex University | ||
| MACLEAN W J | Land Raid Cairn Memorials | 1999 | University of Dundee | Coastal/Indigenous Cultures | |
| MACLEAN W J | Atlantic Messengers | 1998 | University of Dundee | Coastal/Indigenous Cultures | |
| MACLEAN W J | Cardinal Points | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| MACLEAN M. | Slipped status | 2000 | Coventry University | Visual Arts | |
| MACKENNA T | Bulk, Tracy Mackenna | 1997 | University of Dundee | Contemporary Practice | |
| MACDONALD M J S | Scottish Art | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Lyons AR | Materials for Architects and Builders: An Introduction | 1997 | De Montfort University | ||
| Lydiat A | 'NOMENCLATURE' | 1996 | Nottingham Trent University | Visual Arts | |
| Lydiat A | SOL'ZEME/Salt of the Earth | 1996 | Nottingham Trent University | Visual Arts | |
| Lydiat A | Roof Garden | 1996 | Nottingham Trent University | Visual Arts | |
| Lydiat A | 'WITHOUT' | 1999 | Nottingham Trent University | Visual Arts | |
| Luna P F | Two Oxford Bible Types | 1997 | University of Reading | ||
| Luna P F | Design of Oxford English and bilingual dictionaries | 1997 | University of Reading | ||
| Luna P F | Design of Oxford University Press corporate identity | 1998 | University of Reading | ||
| Luna P F | Clearly defined: continuity and innovation in the typography of English dictionaries | 2000 | University of Reading | ||
| Lucas GC | Mrs Sharpe's Cracks | 1996 | De Montfort University | ||
| Lucas GC | Slide Show | 1998 | De Montfort University | ||
| Lucas GC | The Death of Vinyl, The Birth of Olestra | 1996 | De Montfort University | ||
| Lucas GC | My Photographs don't Stand up for Themselves so I have to Stand up for them | 1996 | De Montfort University | ||
| Lowe J | The Three Landscapes | 1997 | University of Brighton | Natural and Constructed Environments | |
| Lowe J | Drawing the Poetic into the Law of the Architect | 1998 | University of Brighton | Natural and Constructed Environments | |
| Lowe J | Landscape? Forming and In-forming of Architectural Space | 2000 | University of Brighton | Natural and Constructed Environments | |
| Lowe B. | Now Here/Nowhere | 1998 | University College London | Fine Art Media | |
| Lowe B. | Brighid Lowe | 1999 | University College London | Fine Art Media | |
| Lowe B. | Intelligence: New British Art 2000 | 2000 | University College London | Fine Art Media | |
| Lowe B. | Truth - Hallucination | 1997 | University College London | Fine Art Media | |
| Loughlin S. | INSTINET | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Loughlin S. | WEIGHT WATCHERS | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Loughlin S. | REMAX: CHAOS THEORY | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Loughlin S. | AMNESTY INTERNATIONAL HUMAN RIGHTS | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Lord J | Illustrating Books for Children | 1998 | University of Brighton | Visual Communication Design | |
| Lord J | British Myths and Legends | 1998 | University of Brighton | Visual Communication Design | |
| Lord J | Illustration and Visual Communication; Some aspects of what an illustrator has to think about when creating children's picture books | 1997 | University of Brighton | Visual Communication Design | |
| Lord J | King Arthur and his Knights | 1994 | University of Brighton | Visual Communication Design | |
| Lomax Y | Telling Times: Tales of Photography and Other Stories | 1994 | Royal College of Art | Critical Practice | |
| Lomax Y | The World is Indeed a Fabulous Tale: Yves Lomax - a practice around Photography | 1995 | Royal College of Art | Critical Practice | |
| Lomax Y | Sometime(s) | 1995 | Royal College of Art | Critical Practice | |
| Lomax Y | Writing the Image: An Adventure with Art and Theory | 2000 | Royal College of Art | Critical Practice | |
| Lomax T. | One Voice Many Places | 1999 | University College London | Sculpture | |
| Lomax T. | Leeds City Hospital Project | 1998 | University College London | Sculpture | |
| Lomax T. | Bird/Man | 1997 | University College London | Sculpture | |
| Lomax T. | Urban Learning Foundation | 1994 | University College London | Sculpture | |
| Logue L | The Super Deluxe Selection | 2000 | Southampton Institute | ||
| Logue L | Estate | 1999 | Southampton Institute | ||
| Logue L | What is Love - Residential Noise | 1999 | Southampton Institute | ||
| Logue L | 71:40- Injection 4 a Day | 1997 | Southampton Institute | ||
| Logan P J | 1996 | Leeds Metropolitan University | Design | ||
| Logan P J | 1996 | Leeds Metropolitan University | Design | ||
| Logan P J | 1994 | Leeds Metropolitan University | Design | ||
| Logan P J | 1998 | Leeds Metropolitan University | Design | ||
| Logan DJ | Design to manufacture of a high resolution computer video switch for sale primarily in the North American market place | 1998 | University of Ulster | ||
| Logan DJ | Living Dining/Bedroom ranges of furniture in solid white oak | 1999 | University of Ulster | ||
| Logan DJ | Monitor-Top Video Conferencing Camera and Boom Microphone | 1998 | University of Ulster | ||
| Logan DJ | Design of intensified charged coupled device for the scientific/manufacturing marketplace | 2000 | University of Ulster | ||
| Lock G | Recent Work | 1996 | Chester College of HE | ||
| Lock G | Settle | 1996 | Chester College of HE | ||
| Lock G | Group Show | 1996 | Chester College of HE | ||
| Lock G | Autoparts | 2000 | Chester College of HE | ||
| Lochore B | Moby Dick | 1995 | The London Institute | Fine Art | |
| Lochore B | Paintings | 1998 | The London Institute | Fine Art | |
| Lochore B | Brad Lochore Paintings | 1998 | The London Institute | Fine Art | |
| Lochore B | British Art Part II - Paintings | 2000 | The London Institute | Fine Art | |
| Lloyd Lewis P | Kunst and Papier auf dem Laufsteg | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Lloyd Lewis P | Untitled 1998 | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Lloyd Lewis P | 'The Blood Show' | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Lloyd Lewis P | The Entire Milk | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Lloyd D | Flora Britanica | 2000 | University of Gloucestershire | ||
| Lloyd D | Portrait of the Forest | 1995 | University of Gloucestershire | ||
| Lloyd D | Design and Interpretation at Canterbury Cathedral | 1998 | University of Gloucestershire | ||
| Lloyd D | David Lloyd | 1997 | University of Gloucestershire | ||
| Littman S. G. | PREDATOR CAT - SELFISH DIVA | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Littman S. G. | ELECTRALUX ENLIGHTENMENT | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Lipski E | Jan Fabre, Rob Scholte, Edward Lipski | 1997 | The London Institute | Fine Art | |
| Lipski E | Statement | 1998 | The London Institute | Fine Art | |
| Lipski E | Die Farben Schwarz | 1999 | The London Institute | Fine Art | |
| Lipski E | Hiroshima Art Document 1996 | 1996 | The London Institute | Fine Art | |
| Lintern D | Classifieds | 2000 | Wimbledon School of Art | Theatre Design | |
| Lingford R | Death and the Mother | 1999 | Royal College of Art | Animation | |
| Lingford R | 'Kentridge at the Serpentine' | 1999 | Royal College of Art | Animation | |
| Lingford R | Pleasures of War | 1998 | Royal College of Art | Animation | |
| Lingford R | What She Wants | 1997 | Royal College of Art | Animation | |
| Ling M | Beyond Words Calligraphy exhibition | 1999 | University of Sunderland | Design | |
| Ling M | Calligraphy and Lettering Arts Society (CLAS) | 2000 | University of Sunderland | Design | |
| Ling M | Word as Image Exhibition | 2000 | University of Sunderland | Design | |
| Ling M | Exhibition catalogues | 1999 | University of Sunderland | Design | |
| Lindley J | Sharpway | 2000 | University of Hertfordshire | ||
| Lindley J | Neurotherm | 1998 | University of Hertfordshire | ||
| Lindley J | Locking Spectacle Frame Display For Opticians | 2000 | University of Hertfordshire | ||
| Lindley J | Eyeworks Opticians | 2000 | University of Hertfordshire | ||
| Liggins A M | London Photographic Awards III | 1999 | Swansea Institute of Higher Education | Image and Text | |
| Liggins A M | West Ffotobiennal Wales | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Liggins A M | On the Beaten Track | 1995 | Swansea Institute of Higher Education | Land and Landscape | |
| Liggins A M | Paradise Park | 2000 | Swansea Institute of Higher Education | Photography | |
| Liggett S | Eros 1 | 1996 | North East Wales Institute of Higher Education | Art and Design | |
| Liggett S | Recent Painting | 1998 | North East Wales Institute of Higher Education | Art and Design | |
| Liggett S | Vanquished by Repetition | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Liggett S | Three Young Painters | 1999 | North East Wales Institute of Higher Education | Art and Design | |
| Lievesley M A | Patent number: GB2301018B (10/02/99). Limpet | 1996 | University of Northumbria at Newcastle | Product Design (4b) | |
| Lievesley M A | Patent Numbers: Completed | 1994 | University of Northumbria at Newcastle | Product Design (4b) | |
| Lewis S E N | Web Exhibition | 1997 | Nottingham Trent University | Visual Arts | |
| Lewis S E N | 'What Skills for What Practices?' | 1999 | Nottingham Trent University | Visual Arts | |
| Lewis P | Plaats. | 1997 | Goldsmiths College | ||
| Lewis P | Near. | 1998 | Goldsmiths College | ||
| Lewis M | Centrale and After (Made For TV) | 1999 | The London Institute | Fine Art | |
| Lewis M | Two Impossible Films and Upside Down Touch of Evil | 1997 | The London Institute | Fine Art | |
| Lewis M | The Pitch | 2000 | The London Institute | Fine Art | |
| Lewis M | Peeping Tom, North Circular, Smithfield | 2000 | The London Institute | Fine Art | |
| Lewin A | The Way to a Man's Heart is through His Stomach | 1996 | Dartington College of Arts | ||
| Lewin A | The Phoenix in the Ashes: A Buffalo Story | 1999 | Dartington College of Arts | ||
| Lewin A | Infinite Fracture | 2000 | Dartington College of Arts | ||
| Lewin A | Cornershop (A cross-arts gallery and exhibition space) | 1997 | Dartington College of Arts | ||
| Lewandowski S | Don't Worry | 2000 | Nottingham Trent University | Visual Arts | |
| Lewandowski S | Talking To Dead People | 1998 | Nottingham Trent University | Visual Arts | |
| Lewandowska M | Interarchiv. | 1999 | Goldsmiths College | ||
| Lewandowska M | 'Blind Date'. | 1998 | Goldsmiths College | ||
| Lewandowska M | Furniture. | 1999 | Goldsmiths College | ||
| Lewandowska M | Contents, Tiensevest 31. | 1997 | Goldsmiths College | ||
| Leverett D. | Signs in the Sky | 1997 | University College London | Painting | |
| Leverett D. | Sacred Garden Series | 1996 | University College London | Painting | |
| Leverett D. | Fragments of the Land | 1998 | University College London | Painting | |
| Leverett D. | Mountain | 1999 | University College London | Painting | |
| Leslie J | Into the Void | 1996 | Manchester Metropolitan University | ||
| Leslie J | Self Evident | 1995 | Manchester Metropolitan University | ||
| Leslie J | Natural History and Other Fictions: An Exhibition by Mark Dion | 1997 | Manchester Metropolitan University | ||
| Lesdema E | Butchery By Light | 1999 | Southampton Institute | ||
| Lesdema E | Fortunes of War | 1998 | Southampton Institute | ||
| Lesdema E | warning SHOTS | 2000 | Southampton Institute | ||
| Lesdema E | Videoarchaeology | 1999 | Southampton Institute | ||
| Leonidas G | Gramatosires ke politismiki taftotita [Typefaces and Cultural Identity] | 2000 | University of Reading | ||
| Leonidas G | Aegis | 2000 | University of Reading | ||
| Leonidas G | In search of the digital Cresci? Don Knuths Digital Typography | 2000 | University of Reading | ||
| Leonidas G | An introduction to Greek type design | 2000 | University of Reading | ||
| Lemon E | Artist-in-Residence. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Lemon E | Sculpture/installation | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Lemon E | IN-TRANSIT - Some Contemporary British Art. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Lemon E | The Box Project, Museum of Installation. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Leith C | Shift | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Leith C | Public Notices | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Leighton TM | Artists' Projects: Dundee Contemporary Arts 19/3/99-9/5/99 | 1999 | Manchester Metropolitan University | ||
| Leighton TM | When Worlds Collide | 1998 | Manchester Metropolitan University | ||
| Leighton P | 'Paraclet' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Leighton P | The Wyndings - Public permanent sculpture | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Leighton P | Saw Tooth Ramps and the M8 Project launch exhibition | 1994 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Lefteri C | Wee Willie Winkie and Humpty Dumpty | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Lefteri C | Wireworks | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Lefteri C | Ben and Rosie's bunk bed | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Lefteri C | Table-ware Mash restaurant | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Lees N | Fossil Future | 1999 | Bath Spa University College | ||
| Lees - Maffei G | Artmanship and Craftistry: Practice, Gender, Hierarchy | 1999 | University of Hertfordshire | ||
| Lees - Maffei G | Norman Shaw and Gottfried Semper | 1997 | University of Hertfordshire | ||
| Lees - Maffei G | Global warming: chinoiserie as a case study of fashion reportage, 1980-1998 | 1999 | University of Hertfordshire | ||
| Lees - Maffei G | Balancing the Object: The reinvention of Alessi | 1997 | University of Hertfordshire | ||
| Lee RA | Building Better Humans | 1995 | Oxford Brookes University | Creative Practice | |
| Lee RA | The Theremin Lesson | 2000 | Oxford Brookes University | Creative Practice | |
| Lee RA | Swing | 1999 | Oxford Brookes University | Creative Practice | |
| Lee R M | Style File | 1997 | Cumbria College of Art + Design | ||
| Lee R M | Garment Design | 1997 | Cumbria College of Art + Design | ||
| Lee R M | Webs of Intrigue | 1999 | Cumbria College of Art + Design | ||
| Lee R M | Experimental Mixed Media Wire Knitted Structures | 1999 | Cumbria College of Art + Design | ||
| Lee R | A Question of the Spiritual | 1994 | Cumbria College of Art + Design | ||
| Lee R | Green Man in the Landscape | 2000 | Cumbria College of Art + Design | ||
| Lee R | Cumbria Wendland | 1999 | Cumbria College of Art + Design | ||
| Lee R | Hot Off the Press | 1997 | Cumbria College of Art + Design | ||
| Lee R | Hidden Seas/Surface Waters | 1999 | Dartington College of Arts | ||
| Lee R | s(H)elf I and II | 1999 | Dartington College of Arts | ||
| Lee J | Picture Your Place | 1998 | Nottingham Trent University | Visual Arts | |
| Lee J | Nothing much to look at.... | 2000 | Nottingham Trent University | Visual Arts | |
| Lee J | Repeat | 1998 | Nottingham Trent University | Visual Arts | |
| Ledsham JM | Veils of Courtship | 1999 | University of Ulster | ||
| Ledsham JM | The Jerwood Prize for Applied Arts : Textiles | 1997 | University of Ulster | ||
| Ledsham JM | 5th International Betonac Prize | 2000 | University of Ulster | ||
| Ledsham JM | Premier Biennale du Lin en Haute Normandie: Blancs Transparences Lumiere | 1996 | University of Ulster | ||
| Ledger RA | The Validation of a Questionnnaire for the Assessment of Individual Differences in Pet Dogs | 1999 | Brunel University | Interaction Design | |
| Ledger RA | Owner Attachment and Ownership Success | 1999 | Brunel University | Interaction Design | |
| Ledger RA | Understanding Owner-dog Compatibility - A Review | 1997 | Brunel University | Interaction Design | |
| Ledger RA | Dog Ownership: Expectations and Requirements | 1998 | Brunel University | Interaction Design | |
| Leach R | Meyerhold and Biomechanics | 2000 | Cumbria College of Art + Design | ||
| Leach R | Revolutionary Theatre | 1999 | Cumbria College of Art + Design | ||
| Lea-Greenwood G | Visual Merchandising: A Neglected Area in UK Fashion Marketing? | 1998 | Manchester Metropolitan University | ||
| Lea-Greenwood G | Muji: A Case Study in Internationalization | 2000 | Manchester Metropolitan University | ||
| Le Grice M | Retrospectiva Malcolm Le Grice at Ciber@rt - Valencia | 1997 | The London Institute | Media and Communication | |
| Le Grice M | Chronos Fragmented and The Chronos Project | 1997 | The London Institute | Media and Communication | |
| Le Grice M | Kunst im Reiche der Hydra-medien | 1998 | The London Institute | Media and Communication | |
| Le Grice M | Video work including Cyclops Cycle | 1999 | The London Institute | Media and Communication | |
| Lawrence E | Isthmus | 1999 | Edinburgh College of Art | Fine Art | |
| Lawrence E | Calanais | 1995 | Edinburgh College of Art | Fine Art | |
| Lawrence E | Chart | 1999 | Edinburgh College of Art | Fine Art | |
| Lawrence E | Eileen Lawrence | 1997 | Edinburgh College of Art | Fine Art | |
| Lawler T | Exposing the gender effects of design + technology project work by comparing strategies for presenting and managing pupils' work. | 1999 | Goldsmiths College | ||
| Lawler T | Design + Technology Project Work as a means of developing a collaborative creative risk taking environment. | 2000 | Goldsmiths College | ||
| Lawler T | Exposing and improving the metacognition of designing through practical structured workshops. | 1997 | Goldsmiths College | ||
| Lawler T | Veiled Allusions: Images from Text | 1995 | Kingston University | ||
| Lawler T | These are the Breaks | 1994 | Kingston University | ||
| Lawler T | Deceit | 1996 | Kingston University | ||
| Lawler T | Jonathan Creek | 1999 | Kingston University | ||
| Law J | ISEA96 | 1996 | Bath Spa University College | ||
| Law J | Light and Reflections | 1995 | Bath Spa University College | ||
| Law J | One Phone Number for Europe: cultural diversity, technology and innovation | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Law J | Towards a European Model of Design Management | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Lansley E | Breathe | 1997 | University of Brighton | Natural and Constructed Environments | |
| Lansley E | Breaking Boundaries | 1995 | University of Brighton | Natural and Constructed Environments | |
| Lansley E | Crosscurrents | 1996 | University of Brighton | Natural and Constructed Environments | |
| Lansley E | Water Logged | 1996 | University of Brighton | Natural and Constructed Environments | |
| Lane C | Hidden Lives | 1999 | The London Institute | Fine Art | |
| Lane C | Nesting Stones | 1996 | The London Institute | Fine Art | |
| Lane C | Invisible Crowds | 1996 | The London Institute | Fine Art | |
| Landry CR | The Creative City: A Toolkit for Urban Innovators | 2000 | The London Institute | Media and Communication | |
| Landry CR | Balancing Act: 21 strategic dilemmas in cultural policy | 1999 | The London Institute | Media and Communication | |
| Landry CR | The Art of Regeneration and the Creative City | 1996 | The London Institute | Media and Communication | |
| Landrum A | Alex Landrum | 1995 | Bath Spa University College | ||
| Landen C | Familiar British Wildlife | 1995 | University of Wales College, Newport | Photography | |
| Lancaster J | Historic | 1997 | De Montfort University | ||
| Lancaster J | Sacred Interiors part 2 | 2000 | De Montfort University | ||
| Lancaster J | Beyond the Surface | 1994 | De Montfort University | ||
| Lancaster J | Affinities | 1997 | De Montfort University | ||
| Lalic M | Maria Lalic, the Lead Fall Paintings | 1997 | Bath Spa University College | ||
| Lalic M | Maria Lalic | 1996 | Bath Spa University College | ||
| Laing DW | Popular Music Studies. A Select International Bibliography | 1997 | University of Westminster | Sound Media | |
| Laing DW | The European Music Industry and European Music Policy | 1999 | University of Westminster | Sound Media | |
| Laing DW | Rock Anxieties and New Music Networks | 1997 | University of Westminster | Sound Media | |
| Lacey J | Seeing through Happiness: Hollywood Musicals and the Construction of the American Dream in Liverpool in the 1950s | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Lacey J | Discursive Mothers and Academic Fandom. Class, Generation and the Production of Theory | 1999 | University of Brighton | Memory, Identity and History | |
| LOWRY J | From the Site of Desire to the Scene of Destruction: Photography and Work of Cindy Sherman | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| LOWRY J | Performing Vision in the Theatre of Gaze: The Work of Douglas Gordon | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| LOWE N | The Sitting Room | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| LOWE N | Who is Speaking? Who is being Heard? | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| LOWE N | Bed | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| LOWE N | La formation et la vie professionnelle de l | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| LEWIS P | Plaats | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| LEWIS P | Near | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| LEMKE H | ARKIVE I-X | 1999 | University of Lincoln | ||
| LEMKE H | Obviously echoing | 2000 | University of Lincoln | ||
| LEMKE H | Kleine Kuechenlieder fuer mittlers Kammerochester | 2000 | University of Lincoln | ||
| LEMKE H | Off Klang Matter of Balance 1-3 | 1999 | University of Lincoln | ||
| LEHMANN U | Language of Pursuit - Cary Grant's clothes in Alfred Hitchock's North by Northwest | 1999 | Kent Institute of Art + Design | ||
| LEHMANN U | Tigersprung - Fashioning History | 1999 | Kent Institute of Art + Design | ||
| LEHMANN U | Tigersprung - Fashion in Modernity | 2000 | Kent Institute of Art + Design | ||
| LEHMANN U | Addressing the Century: 100 Years of Art + Fashion | 1999 | Kent Institute of Art + Design | ||
| Kyte R | Working Drawings for pendant in 18 carat gold, executed on site within 22 hr. time-limit | 1997 | London Guildhall University | ||
| Kyte R | A Timepiece for the Millennium. Chronometer in gold and silver set with diamonds, mounted in a black slate surround, which records time and celestial and solar positions. | 2000 | London Guildhall University | ||
| Kyte R | 1:9.5 detailed model `Vee twin HRD | 1994 | London Guildhall University | ||
| Kyte R | Execution of 4 trophies for Playwright of the Year Award (winner and 3 nominees): sterling silver + bronze statuettes on machined hardwood bases. | 1995 | London Guildhall University | ||
| Kusters C | Klein Aber Fein | 1999 | The London Institute | Media and Communication | |
| Kusters C | Postwar Poster Art in Germany: Uwe Loesch | 1997 | The London Institute | Media and Communication | |
| Kusters C | International Poster Exhibition | 2000 | The London Institute | Media and Communication | |
| Kusters C | Designer Profile: The Life and Work of Mitsuo Katsui | 1997 | The London Institute | Media and Communication | |
| Kunath S C | Flight | 1997 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Kunath S C | The Big Gig | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Kunath S C | Shiny Blackness: new horspiel or sound art | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Kunath S C | Kurt Schwitters | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Ktori A | TriggerHappy, BBB and HyperPeppy Installations | 1998 | University of Westminster | Sound Media | |
| Ktori A | ShiftControl Interactive Music | 1998 | University of Westminster | Sound Media | |
| Ktori A | Presence | 1999 | University of Westminster | Sound Media | |
| Ktori A | Digitising Sound | 2000 | University of Westminster | Sound Media | |
| Kratochvil J | Large Detector with Unravelling Evidence. | 1998 | Goldsmiths College | ||
| Kratochvil J | Large Detector. | 1997 | Goldsmiths College | ||
| Kratochvil J | www.joseph.dircon.co.uk. | 1999 | Goldsmiths College | ||
| Kratochvil J | www.josef.dircon.co.uk. | 1998 | Goldsmiths College | ||
| Kovats T | Landscape | 2000 | The London Institute | Fine Art | |
| Kovats T | New Art from Britain | 1998 | The London Institute | Fine Art | |
| Kovats T | Picturia Britannica | 1997 | The London Institute | Fine Art | |
| Kovats T | Tania Kovats. New Work | 1998 | The London Institute | Fine Art | |
| Kosh V | Ruck 8554 2 | 1999 | Chester College of HE | ||
| Kosh V | Shadows | 1997 | Chester College of HE | ||
| Kosh V | Ruck 8554 | 1998 | Chester College of HE | ||
| Kosh V | Ruck | 1997 | Chester College of HE | ||
| Konttinen S L | 'The Coal Coast' | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Konttinen S L | Writing in the sand : on the beaches of north east England | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Konttinen S L | Puiden Kansa | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Konttinen S L | 'Amber Forever' | 2000 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Kondracki H | Kondracki's Edinburgh | 2000 | Edinburgh College of Art | Fine Art | |
| Kondracki H | The Scottish Renaissance | 1996 | Edinburgh College of Art | Fine Art | |
| Kondracki H | Henry Kondracki | 1998 | Edinburgh College of Art | Fine Art | |
| Kondracki H | Wheels of Fire | 1996 | Edinburgh College of Art | Fine Art | |
| Knowles D | Arcadia Group plc - Dorothy Perkins Division, Ladies Knitwear Winter 2000 | 2000 | Kingston University | ||
| Knowles D | Next plc - Ladies Jerseywear Collection Spring/Summer 2000 | 2000 | Kingston University | ||
| Knowles D | Marella Tricot Ladies Knitwear Collection Autumn/Winter 1996/1997 | 1996 | Kingston University | ||
| Knowles D | Next plc. Ladies Knitwear Collection Spring/Summer 1999 | 1999 | Kingston University | ||
| Knorr K | 'Corps a Vif, Art et Anatomie'. | 1998 | Goldsmiths College | ||
| Knorr K | Multiple Exposure. | 1996 | Goldsmiths College | ||
| Knorr K | MACHT/ON MACHT/POWER/IMPOTENCE. | 1996 | Goldsmiths College | ||
| Knorr K | 'Photographier la Sculpture'. | 1998 | Goldsmiths College | ||
| Knorr K. H. | PHOTOGRAPHIER LA SCULPTURE: TROIS CONTEMPORAINS AU MUSEE D'ORSAY | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Knorr K. H. | ART LOVERS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Knorr K. H. | THE QUICK + THE DEAD, ARTISTS AND ANATOMY | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Knorr K. H. | ON THE BRIGHT SIDE OF LIFE (ZEITGENOSSISCHE BRITISCHE FOTOGRAFIE) | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Knight L M | 'Animate! - The UK Arts Council and Channel Four Funded Commissioning Scheme. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Knight L M | Patterns of Delivering Animation Education to Pre-Degree Students as part of a School Curriculum | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Knight L M | Flip to Zip - Methods of Introducing Animation into the Art and Design Curriculum. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Knight K | Don Giovanni | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Knight K | Sweeney Todd | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Knight K | Birdy | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Knight C | Spinning Teapot Exhibition | 1998 | Liverpool Hope | ||
| Knight C | Corked flask Exhibition 1996 | 1996 | Liverpool Hope | ||
| Knight C | Pair of Candelabra Exhibition | 1998 | Liverpool Hope | ||
| Knight C | Tequila Shots | 1996 | Liverpool Hope | ||
| Klimowski A | Klimowski: inne obszary, inne formaty | 1996 | Royal College of Art | Communications | |
| Klimowski A | Andrzej Klimowski: the Deflected Gaze | 2000 | Royal College of Art | Communications | |
| Klimowski A | The Depository: A dream book | 1994 | Royal College of Art | Communications | |
| Klein D V | International New Glass 1998 | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Klein D V | Exhibition International New Glass | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Klein D V | International New Glass/Venezia Aperto Vetro | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Klein D V | International New Glass 1998 | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Kivland S | La Valeur d'Echange | 1999 | Sheffield Hallam University | ||
| Kivland S | La Bonheur des Femmes (The Scent of a Woman) | 2000 | Sheffield Hallam University | ||
| Kivland S | Les Passages Couverts | 1998 | Sheffield Hallam University | ||
| Kivland S | A Case of Hysteria | 1999 | Sheffield Hallam University | ||
| Kitching A | New Library - The People's Network: Report to HM Government | 1997 | Royal College of Art | Communications | |
| Kitching A | Typography - Alan Kitching | 1997 | Royal College of Art | Communications | |
| Kitching A | Alan Kitching Typographic Timelord | 1999 | Royal College of Art | Communications | |
| Kitching A | Royal Mail Millennium Stamp | 1999 | Royal College of Art | Communications | |
| Kitchen S | 'Spring' and 'Monster' | 2000 | Royal College of Art | Computer Related Design | |
| Kitchen S | 'Responsive Space' | 1999 | Royal College of Art | Computer Related Design | |
| Kitchen S | 'Filing cabinets and door handles' | 1998 | Royal College of Art | Computer Related Design | |
| Kitchen S | 'Naked' | 1999 | Royal College of Art | Computer Related Design | |
| Kirwan R | Clem Crosby, Sybille Berger, Richard Kirwan. | 2000 | Goldsmiths College | ||
| Kirwan R | Feeringbury VIII: Cultivated. | 1998 | Goldsmiths College | ||
| Kirwan R | Colour Reproduction of Painting | 1996 | Goldsmiths College | ||
| Kirwan R | Encounters. | 2000 | Goldsmiths College | ||
| Kirkwood I | Ian Kirkwood: Paintings | 1994 | De Montfort University | ||
| Kirkwood I | Last Dance | 1996 | De Montfort University | ||
| Kirkwood I | Exhibition of Paintings | 1996 | De Montfort University | ||
| Kirkwood I | Recent Paintings | 2000 | De Montfort University | ||
| Kirkup W E | 'Search' and 'Search Adelaide' | 2000 | University of Northumbria at Newcastle | Installation (2b) | |
| Kirkup W E | 'White Hysteria' | 1996 | University of Northumbria at Newcastle | Installation (2b) | |
| Kirkup W E | 'Echo' | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Kirkup W E | 'Voices' | 1997 | University of Northumbria at Newcastle | Installation (2b) | |
| Kirkham DA | Critical Issues in Healthcare Information System Design and Development | 1998 | De Montfort University | ||
| Kirkham DA | Designs on Competitiveness | 1999 | De Montfort University | ||
| Kirkham DA | Developing Business and Management Subject Models within Art and Design Higher Education | 2000 | De Montfort University | ||
| Kirkham DA | Marketing and Business Planning | 2000 | De Montfort University | ||
| Kirk C | British Studio Glass | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Kirk C | Internationale Glaskunst Triennale | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Kirk C | The International Exhibition of Glass, Kanazawa 98, Japan | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Kirk C | Venezia Aperto Vetro, International New Glass | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Kirby J | Data Modelling | 1999 | University of Brighton | Natural and Constructed Environments | |
| Kippin J | The First Festival of Photography in South Asia | 2000 | University of Sunderland | Photography | |
| Kippin J | Nostalgia for the Future, John Kippin: Photographs 1988-94 | 1995 | University of Sunderland | Photography | |
| Kippin J | La Promenade des Anglais Septembre de la Photo | 1996 | University of Sunderland | Photography | |
| Kippin J | On the Bright Side of Life, Zeitgenossische Britishce Fotografie | 1997 | University of Sunderland | Photography | |
| Kinsey J | 'Greenfingers', Group Exhibition. (July - Aug). | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Kinsey J | 'Life After Death', Joint Exhibitor. | 1996 | University of Derby | Centre for Research in Film and Photography | |
| Kinsey J | 'Allotment' Group Exhibtion, 18 September-24 October. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Kinsey J | 'Theme Park', Solo Exhibition/Touring. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Kinnell F | The Student Experience | 1994 | De Montfort University | ||
| Kinnell F | Resonant Colours | 1998 | De Montfort University | ||
| Kinnell F | Exhibition British/Dutch Artists | 1995 | De Montfort University | ||
| Kinnell F | Effects of Modular Course Structures on the Education and Practice of Printmaking | 1995 | De Montfort University | ||
| Kinmonth C | Irish Vernacular Furniture: Inventories and Illustrations in Interdisciplinary Methodology | 1996 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kinmonth C | 'From the Cradle to the Grave: Aesthetics and the Irish Vernacular Interior' | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kinmonth C | 'West Cork Vernacular Furniture Makers: Comparative analysis of field studies in a coastal community' (Parts 1 + 2) | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kinmonth C | The Peppard Women: Kerry Wood-Carvers of the Nineteenth Century | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kingston A M | 'Ansuya Blom' | 1994 | Wimbledon School of Art | Research Centre | |
| King M | Virtual Visions, 20 computer-generated colour prints | 1999 | London Guildhall University | ||
| King M | Artificial Consciousness -artificial art | 1997 | London Guildhall University | ||
| King M | Concerning the Spiritual in 20th Century Art + Science | 1998 | London Guildhall University | ||
| King M | TheTyranny + Liberation of ThreeSpace - a Journey by Ray Tracer | 1999 | London Guildhall University | ||
| Kinersley-Taylor J | Out of the Garden: New textiles by members of the 62 Group: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Kinersley-Taylor J | Series of 4 wall hangings | 2000 | Glasgow School of Art | The Decorative Arts | |
| Kinersley-Taylor J | 50 x 50: The Challenge of Constraint: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Kinersley-Taylor J | Series of 7 wall-hangings and wool rug | 1998 | Glasgow School of Art | The Decorative Arts | |
| Kindel E T | The condition of modernity. Review of Paul Renner: the art of typography | 1999 | University of Reading | ||
| Kindel E T | World of signs and pictures. Review of Wolfgang Weingarts My way to typography | 2000 | University of Reading | ||
| Kindel E T | Review of Blackletter: type and national identity, Peter Bain and Paul Shaw, (eds). | 1999 | University of Reading | ||
| Kindel E T | The Central Lettering Record | 1996 | University of Reading | ||
| Kinchin J | Glasgow: The Dark Daughter of the North | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Kinchin J | Mackintosh and the City | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Kinchin J | Godwin and Modernism | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Kimbell RA | Collected Research Papers for the Design + Technology International Millennium Conference 2000. | 2000 | Goldsmiths College | ||
| Kimbell RA | Technology tasks and pupils' learning | 1996 | Goldsmiths College | ||
| Kimbell RA | Assessing Technology: International trends in curriculum and assessment. | 1997 | Goldsmiths College | ||
| Kikuchi Y | A Japanese William Morris: Yanagi S | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Kikuchi Y | Hamada and the Mingei Movement | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Kikuchi Y | Tomimoto Kenkichi | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Kettell R | 'Below the Salt', Exhibition Catalogue Design. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Kettell R | 'It's All Greek To Me'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Kettell R | 'An Anecdotal Eye, the Work of Thomas Bewick'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Kettell R | 'Hand to Mouth: the Culture and Form of Eating Implements'. Exhibition catalogue and publicity design | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Kesseler RS | Art Athina 5 '97 | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Kesseler RS | Le Dejeuner Sur L'Herbe | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Kesseler RS | MOKPO International Ceramics Pre-Expo 2000 | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Kesseler RS | Another View | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Keskeys D | 'Computers in Art + Design Education' | 1999 | University of Gloucestershire | ||
| Keskeys D | 'Media Technologies and an Interdisciplinary Approach to Programme Design' | 1998 | University of Gloucestershire | ||
| Keskeys D | 'Design Technologies: Addressing the Pace of Change' | 2000 | University of Gloucestershire | ||
| Keskeys D | London Photographic Awards 4 | 2000 | University of Gloucestershire | ||
| Kerr S | Tool | 1994 | Bolton Institute of HE | ||
| Kerr S | Outside the Box | 2000 | Bolton Institute of HE | ||
| Kerr S | Master of Fine Arts (Film Making) Chicago | 1994 | Bolton Institute of HE | ||
| Kerr S | Canal | 1998 | Bolton Institute of HE | ||
| Kerr J | Back to the Future | 2000 | Royal College of Art | Architectural Design | |
| Kerr J | Millennium Products | 1998 | Royal College of Art | Architectural Design | |
| Kermik J | 'Moon'-Chair | 1998 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Kermik J | Taidehalli - Around and About | 1996 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Kermik J | Promoting Change. The A M Luther Company 1920 - 1940 | 2000 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Kermik J | From Dreams to Reality Location: Baltic/Scandinavian Design and Craft Exhibition | 1994 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Kerbel J | 15 Lombard St | 2000 | Kingston University | ||
| Kerbel J | Home Fittings | 1999 | Kingston University | ||
| Kerbel J | CRASH! Corporatism and Complicity | 1999 | Kingston University | ||
| Kerbel J | From Here to Betweenity: JKJK: Janice Kerbel/Joachim Koestler | 2000 | Kingston University | ||
| Kennett CP | Take me out to the analysis conference: sets, stats, sport and competency | 1998 | University of Westminster | Sound Media | |
| Kennett CP | Segmentation and focus in set-generic analysis | 1998 | University of Westminster | Sound Media | |
| Kennett CP | Criticism and Theory | 1995 | University of Westminster | Sound Media | |
| Kennett CP | Compromise, conflation and contextualism in English music(ology) | 2000 | University of Westminster | Sound Media | |
| Kennedy M | Impact on Spike Island | 1999 | Anglia Polytechnic University | ||
| Kennedy M | Salon des Graphiques | 1998 | Anglia Polytechnic University | ||
| Kennedy M | 19th Miniprint Internacional | 1999 | Anglia Polytechnic University | ||
| Kennedy M | The Contemporary Print Show | 2000 | Anglia Polytechnic University | ||
| Kennard P | Dispatches from an Unofficial War Artist | 2000 | Royal College of Art | Critical Practice | |
| Kennard P | Domesday Book | 1999 | Royal College of Art | Critical Practice | |
| Kennard P | Placards | 1995 | Royal College of Art | Critical Practice | |
| Kennard P | Reading Room | 1997 | Royal College of Art | Critical Practice | |
| Kempadoo R | Roshini Kempadoo - Monograph | 1997 | Napier University | Photographic Practice | |
| Kemp SWJ | The Three Bears | 2000 | The London Institute | ||
| Kemp SWJ | Full English Breakfast | 1994 | The London Institute | Media and Communication | |
| Kemp SWJ | Munford | 1994 | The London Institute | Media and Communication | |
| Kemp SWJ | Bandstand | 1998 | The London Institute | Media and Communication | |
| Kemp SD | Myra, Myra on the Wall: the Fascination of Faces | 1998 | University of Westminster | CARTE | |
| Kemp S | Myra, Myra on the Wall: The Fascination of Faces | 1998 | Royal College of Art | Critical Practice | |
| Kemp S | Reading Difficulties | 1996 | Royal College of Art | Critical Practice | |
| Kelly W | Shane Cullen: Fragmens Sur Les Institutions Republicaines IV | 1997 | University of Ulster | ||
| Kelly W | Thinking Long - Contemporary Art in the North of Ireland | 1996 | University of Ulster | ||
| Kelly W | Language, Cartographie et Pouvoir/Language, Mapping and Power | 1996 | University of Ulster | ||
| Kelly P | Liverpool Football Club Interactive Kiosk | 1997 | Liverpool John Moores University | International Centre for Digital Content | |
| Kelly D | 'Credit' | 2000 | Wimbledon School of Art | ||
| Kelly C | Conor Kelly | 1999 | The London Institute | Fine Art | |
| Kelly C | Lines of Incidence | 2000 | The London Institute | Fine Art | |
| Kelly C | Comedy of Errors | 2000 | The London Institute | Fine Art | |
| Kelly C | Ballads | 2000 | The London Institute | Fine Art | |
| Kelly B | The Basement | 1995 | Kingston University | ||
| Kelly B | True Stories | 1998 | Kingston University | ||
| Kelly B | 100% Design Exhibition | 1999 | Kingston University | ||
| Kelly B | Design Council Offices | 1997 | Kingston University | ||
| Keir S | The Theory and Practice of Costume Cutting | 1997 | The London Institute | Fashion and Textiles | |
| Keir P | Paul Keir | 1998 | Edinburgh College of Art | Fine Art | |
| Keir P | Shockproof | 1997 | Edinburgh College of Art | Fine Art | |
| Keir P | Paul Keir | 1998 | Edinburgh College of Art | Fine Art | |
| Keir P | Paul Keir | 1998 | Edinburgh College of Art | Fine Art | |
| Keelan SH | From the Interior: Female Perspectives on Figuration: East Meets West | 1997 | Kingston University | ||
| Keelan SH | Jacqueline Morreau: Themes and Variations | 1996 | Kingston University | ||
| Keelan SH | Sharjah Third International Biennial 1997 | 1997 | Kingston University | ||
| Keelan SH | Dialogue of the Present: the work of 18 Arab Women Artists | 1999 | Kingston University | ||
| Keegan S P | Figuratively speaking | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Keegan S P | 300 tons of clay | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Keegan S P | Showcase | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Keegan S P | The Fisherman's Tale | 1995 | North East Wales Institute of Higher Education | Art and Design | |
| Keane T | Transposition | 1999 | The London Institute | Fine Art | |
| Keane T | Deviant Beauty | 1995 | The London Institute | Fine Art | |
| Keane T | Tina Keane (Film and Video Series) | 1998 | The London Institute | Fine Art | |
| Keane J | Trading Flaws and Sporting Mistakes | 1999 | The London Institute | Fine Art | |
| Keane J | Exchange Rates | 2000 | The London Institute | Fine Art | |
| Keane J | John Keane: A Painter in Focus | 1997 | The London Institute | Fine Art | |
| Keane J | Making a Killing (Rupert, Charles and Diana) | 2000 | The London Institute | Fine Art | |
| Kaylan M | SQALLP Live Art Event | 2000 | University of Brighton | Visual and Performing Arts | |
| Kaylan M | Art of 96 - Transmutations Live Arts Festival | 1996 | University of Brighton | Visual and Performing Arts | |
| Kaylan M | The Public Act | 1999 | University of Brighton | Pedagogic Research | |
| Kay E | Shakespeare from Memory | 1998 | University of Portsmouth | Art and Philosophy | |
| Kay E | The Bible from Memory in Abacadabra: International Contemporary Art | 1999 | University of Portsmouth | Art and Philosophy | |
| Kay E | Orbis Terrarum | 2000 | University of Portsmouth | Art and Philosophy | |
| Kay E | Works in 6th International Istanbul Biennial | 1999 | University of Portsmouth | Art and Philosophy | |
| Katz J | Shadow of Former Selves | 1998 | University of Brighton | Fine Art Practices | |
| Katz J | Visitors - the Catalogue to the Biennale di Firenze | 1996 | University of Brighton | Fine Art Practices | |
| Katz J | Cactus EnvironmentMan Looking to Sea | 1994 | University of Brighton | Fine Art Practices | |
| Katz J | The Last Trace | 1998 | University of Brighton | Memory, Identity and History | |
| Karakashian S | Martin | 1997 | University of Hertfordshire | ||
| Karakashian S | Carrier Exhibition | 2000 | University of Hertfordshire | ||
| Karakashian S | Ariadne's Gone Virtual | 1995 | University of Hertfordshire | ||
| Karakashian S | Hybridized | 2000 | University of Hertfordshire | ||
| Kappo D | Dave and Joe 40 Degrees | 1997 | The London Institute | Fashion and Textiles | |
| Kappo D | Dave and Joe Collections | 1998 | The London Institute | Fashion and Textiles | |
| Kappo D | Dave and Joe Collections | 2000 | The London Institute | Fashion and Textiles | |
| Kappo D | Dave and Joe Collections | 1999 | The London Institute | Fashion and Textiles | |
| Kappenberg C | Video Cycle Words In Silence | 1999 | The London Institute | Fine Art | |
| Kappenberg C | Journeys | 2000 | The London Institute | Fine Art | |
| Kappenberg C | Daniel Halbermensch | 1998 | The London Institute | Fine Art | |
| Kaner J | Conservation of Twentieth Century Furniture from Brighton Art Gallery + Museum | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kaner J | 'The Use of Dyes and Colourants in 19th Century Furniture Making' | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kaner J | Conserving Early Plastics Found in Historic Furniture: an investigation into their history and manufacture | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kaner J | Conservation and restoration of furniture from the Victoria + Albert Museum | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kandhola M P | Death and the Illustration of Life | 1998 | Nottingham Trent University | Visual Arts | |
| Kandhola M P | No Birds Do Sing In The Blue Sky | 1996 | Nottingham Trent University | Visual Arts | |
| Kalkhof P | Peter Kalkhof | 1996 | University of Reading | ||
| Kalkhof P | Colour and Space (Farbe und Raum) | 1994 | University of Reading | ||
| Kalkhof P | Peter Kalkhof Paintings and Installations | 1997 | University of Reading | ||
| Kalkhof P | Peter Kalkhof Farbe - Raum - Textur | 1998 | University of Reading | ||
| KIRKBY B | LEAVE | 2000 | Middlesex University | ||
| KIRKBY B | BOUDICCA - COLLECTION 2000 | 2000 | Middlesex University | ||
| KIRKBY B | SYSTEM ERROR | 2000 | Middlesex University | ||
| KIRKBY B | BOUDICCA - COLLECTION 2001 | 2000 | Middlesex University | ||
| KELLY C | Ballads - Coisceim Dance Theatre | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| KELLY C | Solo Exhibition - Poland | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| KELLY C | Comedy of Errors | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| KELLY C | Lines of Incidence | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| KEILLER P | THE DILAPIDATED DWELLING - BETA SX COLOUR VIDEO | 2000 | Middlesex University | ||
| KEILLER P | PORT STATISTICS | 2000 | Middlesex University | ||
| KEILLER P | LONDON - 35MM COLOUR FILM | 1994 | Middlesex University | ||
| KEILLER P | ROBINSON IN SPACE - 35 MM COLOUR FILM | 1997 | Middlesex University | ||
| KEELER W | Walter Keeler: Auf Neuen Wegan Ink and Crocus | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| KEELER W | Ceramics in Space | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| KEELER W | Walter Keeler Solo Exhibition of Recent Ceramics | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| KEELER W | (Un)limited: Repetition and Change in International Craft | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| K U | Out so late, Miss? | 2000 | University of Gloucestershire | ||
| K U | Samsa in the City | 2000 | University of Gloucestershire | ||
| K U | In the Sticks | 1998 | University of Gloucestershire | ||
| K U | In Residence, in Transit | 1997 | University of Gloucestershire | ||
| Jurack B | Foreign Investment - Breeding Civilisation and its Discontents | 1997 | University of Newcastle | ||
| Jurack B | Groene Aardapples and other Sculptures | 1995 | University of Newcastle | ||
| Jurack B | The Possibility of a Potato | 1999 | University of Newcastle | ||
| Jurack B | So Near and Yet So Far | 1999 | University of Newcastle | ||
| Julier G | 2000 | Leeds Metropolitan University | Design | ||
| Julier G | 1996 | Leeds Metropolitan University | Design | ||
| Julier G | The Culture of Design | 2000 | Leeds Metropolitan University | Design | |
| Julier G | From Object to Experience' | 2000 | Leeds Metropolitan University | Design | |
| Julien I | Frantz Fanon, Black Skin White Mask | 1997 | Oxford Brookes University | Creative Practice | |
| Julien I | The Film Art of Isaac Julien | 2000 | Oxford Brookes University | Creative Practice | |
| Judge V | Heavens Embroidered Cloths, group exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Judge V | Shadows In The Water, touring group exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Judge V | The Planiverse, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Judge V | Kommunikation durch Bilder, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Joseph J E | London Subjects | 1995 | Wimbledon School of Art | Painting | |
| Joseph J E | Drawn in Place | 1997 | Wimbledon School of Art | Painting | |
| Joseph J E | Urban Nature | 1999 | Wimbledon School of Art | Painting | |
| Jordan J | The Art of Necessity: The subversive imagination of anti-roads protest and Reclaim The Streets | 1998 | Sheffield Hallam University | Fine Art | |
| Jordan J | Reclaim the Streets | 2000 | Sheffield Hallam University | ||
| Jordan J | Consuming Desire | 1999 | Sheffield Hallam University | ||
| Jordan J | De La Accion Directa Como una de las Bellas Artes (Direct Action as one of the Fine Arts) | 2000 | Sheffield Hallam University | ||
| Jones TE | Seeing Things, solo exhibition | 1996 | Glasgow School of Art | Principles of Drawing | |
| Jones TE | Our Conversation with Things and Places, An Enquiry into Art and Research Methodology | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Jones TE | The Elements of Drawing, solo exhibition | 2000 | Glasgow School of Art | Principles of Drawing | |
| Jones TE | Art and Lifelong Learning | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Jones RM | Changes in Regional Employment in the UK Clothing Industry, 1971-1991 | 1996 | Manchester Metropolitan University | ||
| Jones RM | Demographics: The Distribution of Income and Wealth and the Marketing of Fashion in the UK | 1999 | Manchester Metropolitan University | ||
| Jones RM | The Demand for Clothing in the UK and Sweden | 1997 | Manchester Metropolitan University | ||
| Jones RM | The Global Reach of the UK Clothing Sector Part 1 + 2 | 1998 | Manchester Metropolitan University | ||
| Jones L. | In the Looking Glass, An Exhibition of Contemporary Self Portraits by Women Artists | 1996 | University College London | Painting | |
| Jones L. | Lucy Jones: New Paintings | 1999 | University College London | Painting | |
| Jones L. | Lucy Jones | 1999 | University College London | Painting | |
| Jones L. | John Moores Liverpool Exhibition 19 | 1995 | University College London | Painting | |
| Jones J | Interpreting Ceramics - An International referred electronic journal for ceramics | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Jones J | Ceramics Contemporaries 3 - Ceramics in Education | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Jones J | Listening to Bernard Leach: Exploring the testimony of a studio potter | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Jones J | Grayson Perry: The Pot is the Man | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Jones GP | Painting - Ysbryd. Spirit - Wales (Contemporary practice with paint) | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Jones GP | Glyn Jones at Euro Celtic Art | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Jones GP | Certain Welsh Artists - Custodial Aesthetics in Contemporary Welsh Art | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Jones GP | The work of Glyn Jones | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Jones D | Thirty Ceramic Vessels | 2000 | University of Wolverhampton | Ceramics | |
| Jones D | Raku - Investigations into Fire | 1999 | University of Wolverhampton | Ceramics | |
| Jones D | Twenty Five Clay Vessels | 1997 | University of Wolverhampton | Ceramics | |
| Jones C | Spuren | 1998 | University of Newcastle | ||
| Jones C | Gravity | 2000 | University of Newcastle | ||
| Jones C | Index | 2000 | University of Newcastle | ||
| Jones A D | Jemima Stehli: On all fours naked in high heels - a critical position? | 1999 | University of Portsmouth | Art and Philosophy | |
| Jones A D | Destabilising Sender: Jemima Stehli's Ingratiating objection | 2000 | University of Portsmouth | Art and Philosophy | |
| Jones A D | The problems of every day life | 2000 | University of Portsmouth | Art and Philosophy | |
| Jones A D | It | 1998 | University of Portsmouth | Art and Philosophy | |
| Jones SEG | These Are Not My Images | 2000 | The London Institute | Media and Communication | |
| Jones SEG | Halo | 1998 | The London Institute | Media and Communication | |
| Jones SEG | The Great Wall of China | 1997 | The London Institute | Media and Communication | |
| Jones SEG | Chesterfield Starfield | 2000 | The London Institute | Media and Communication | |
| Joiner B | Pedigree Tails | 1996 | University of Westminster | Fine Art | |
| Joiner B | New Work: Sculptures | 1998 | University of Westminster | Fine Art | |
| Joiner B | Untitled Wardrobe | 2000 | University of Westminster | Fine Art | |
| Joiner B | Untitled Suitcases | 1999 | University of Westminster | Fine Art | |
| Johnstone SW | Wall of Death Video Installation | 2000 | University of Southampton | ||
| Johnstone SW | Holding Pattern Permanent Public Artwork | 2000 | University of Southampton | ||
| Johnstone S | Geneva Express. | 2000 | Goldsmiths College | ||
| Johnstone S | Wall of Death. | 2000 | Goldsmiths College | ||
| Johnston M | Ordinary People | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Johnston M | Activ Walking Frame | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Johnston M | The Designer's Role in the Aging Process | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Johnston M | Design Aid: A design resource about disabled people as consumers | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Johnston L | Dichroic Installation | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Johnston L | Ocean Dynamics | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Johnston L | Shoal | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Johnston L | Light Matrix | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Johnston ID | Ships for a Nation | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Johnston ID | IRON, catalogue essay | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Johnston C | Liberty Wholesale Fabric Collection | 2000 | Royal College of Art | Design for Manufacture | |
| Johnston C | Liberty Ready-to-Wear Collection | 1999 | Royal College of Art | Design for Manufacture | |
| Johnston C | Colour and Textiles trends for Womenswear | 1994 | Royal College of Art | Design for Manufacture | |
| Johnston A | Odyssey | 1996 | Edinburgh College of Art | Fine Art | |
| Johnston A | Alan Johnston | 1998 | Edinburgh College of Art | Fine Art | |
| Johnston A | Alan Johnston 'Haus Wittgenstein - Inverleith House' | 1994 | Edinburgh College of Art | Fine Art | |
| Johnston A | Intelligence: New British Art 2000 | 2000 | Edinburgh College of Art | Fine Art | |
| Johnson Soliz CA | In The Midst of Things | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Johnson Soliz CA | Skyline | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Johnson Soliz CA | Cecile Johnson Soliz - Concept: Heat | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Johnson Soliz CA | Regarding the Function of Objects - Recent sculpture by Cecile Johnson Soliz | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Johnson JH | Relational structure in planning and design | 1998 | Open University | Design for advanced products | |
| Johnson A | An Optimum Colour Reproduction System | 1995 | The London Institute | Media and Communication | |
| Johnson A | Colour Management in Graphic Arts and Publishing | 1996 | The London Institute | Media and Communication | |
| Johnson A | Colour Measurement - Does it Meet the Needs of the Printing and Publishing Industries | 1998 | The London Institute | Media and Communication | |
| Johnson SW | Ace! Arts Council Collection New Purchases | 1996 | The London Institute | Fine Art | |
| Johnson SW | Group exhibition | 1997 | The London Institute | Fine Art | |
| Johnson SW | Who's Who? | 2000 | The London Institute | Fine Art | |
| Johnson SW | Thinking Aloud | 1998 | The London Institute | Fine Art | |
| Johanknecht S | Objects of Our Time | 1996 | The London Institute | Fine Art | |
| Johanknecht S | Concerning Memory | 2000 | The London Institute | Fine Art | |
| Johanknecht S | BOP: Books, Objects Print | 2000 | The London Institute | Fine Art | |
| Jobling P | Fashion Spreads - Words and Image in Fashion Photography since 1980 | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Jerrard R | Researching Designing: cycles of design research | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Jerrard R | Quantifying the Unquantifiable: An Enquiry Into The Design Process | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Jensen SA | EL3 | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Jennings C | Paradise Garden (installation 3 paintings (72 | 1994 | London Guildhall University | ||
| Jennings C | 2 oil paintings 36 | 1999 | London Guildhall University | ||
| Jennings C | 36 paintings, photographs + 3D displays, from 12 | 1997 | London Guildhall University | ||
| Jennings C | Meniscus: 9 paintings, 38cms. X 214 cms. oil-on-canvas, with box of 9 silverpoint drawings + text | 2000 | London Guildhall University | ||
| Jenkins P | Design of an Intravenous Drip Monitor | 2000 | University of Wales Institute, Cardiff | PDR | |
| Jenkins P | Design of Remote Controller for a Lighting System | 2000 | University of Wales Institute, Cardiff | PDR | |
| Jenkins P | Design of a Driving Aid for People with Restricted Physical Movement | 2000 | University of Wales Institute, Cardiff | PDR | |
| Jenkins P | Design of a Foil-sided Bottle | 2000 | University of Wales Institute, Cardiff | PDR | |
| Jeffs HA | Howard Jeffs Works | 1996 | Goldsmiths College | ||
| Jeffs HA | 'Monoprints'. | 1998 | Goldsmiths College | ||
| Jeffs HA | H.Jeffs - works | 1996 | Goldsmiths College | ||
| Jeffs HA | Works by Howard Jeffs | 1996 | Goldsmiths College | ||
| Jeffries N.F. | Neil Jeffries | 1997 | University College London | Painting | |
| Jeffries N.F. | Neil Jeffries | 1996 | University College London | Painting | |
| Jeffries N.F. | Carnivalesque | 2000 | University College London | Painting | |
| Jeffries N.F. | Neil Gets Medieval | 1999 | University College London | Painting | |
| Jefferies JK | Yinka Shonibare: Dressing Down Textiles in a Victorian Philanthropist's Parlour | 1999 | Goldsmiths College | ||
| Jefferies JK | Out of the Shadows: Towards (as) Other Feminine. | 1997 | Goldsmiths College | ||
| Jefferies JK | Tapestries. | 1997 | Goldsmiths College | ||
| Jefferies JK | Autobiographical Patterns 2 | 1999 | Goldsmiths College | ||
| Jeff P A | Images of 1997 | 1997 | Swansea Institute of Higher Education | Photography | |
| Jeff P A | More Beautiful than God? | 1999 | Swansea Institute of Higher Education | Photography | |
| Jeal D | Solo exhibition | 1999 | Anglia Polytechnic University | ||
| Jeal D | Installation of Callitactil and Escrito de Campo | 1999 | Anglia Polytechnic University | ||
| Jeal D | Solo Exhibition: Installation of Callilactil and Escrito de Campo | 2000 | Anglia Polytechnic University | ||
| Jeal D | Exhibition of Sculpture | 2000 | Anglia Polytechnic University | ||
| Jardine B | Art, Lies and Documentation: The Points of Origin and Destination Determine the Direction of Action | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Jardine B | Displaced: Always on my mind/You make me sick. Little Death. Immaculate Conception. | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Jardine B | Box and Cox | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Jardine B | Sense and Shadows | 1997 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Jaray T. | Lampstandards for Cardiff Bay | 1995 | University College London | Painting | |
| Jaray T. | Gas Hall Gallery Forecourt | 1995 | University College London | Painting | |
| Jaray T. | Entrance Square for Leeds General Infirmary | 1998 | University College London | Painting | |
| Jaray T. | British Embassy Forecourt, Moscow | 1999 | University College London | Painting | |
| James JP | 'Up North'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| James JP | Ceramic Sculpture. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| James JP | Robert Greenhalf and Jeremy James. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| James JP | The Fletcher Challenge. | 1995 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| James D | Upholstery Hints and Tips | 2000 | Buckinghamshire Chilterns University College | Furniture Technology | |
| James D | Upholstery Restoration | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | |
| James D | Upholstery, A Complete Course (Revised Edition) | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | |
| James D | The Upholsterers Pocket Reference Book | 1995 | Buckinghamshire Chilterns University College | Furniture Technology | |
| James A | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| James A | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| James A | 1998 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Jain S | Below the Surface : New aesthetics in immersive experiences for trans cultural groups | 1997 | University of Portsmouth | Centre for New Media Research | |
| Jain S | Conference Presentation animation design | 1998 | University of Portsmouth | Centre for New Media Research | |
| Jain S | IMS World Interactive Guide | 1996 | University of Portsmouth | Centre for New Media Research | |
| Jacobson R | Optimal Photographic Imaging of the Bulbar Conjunctival Vascalature | 1996 | University of Westminster | Imaging Technology | |
| Jacobs S.M. | Turandot | 1998 | University College London | Theatre Design | |
| Jacobs S.M. | Three Birds Alighting on a Field | 1994 | University College London | Theatre Design | |
| Jacobs S.M. | Costumes for Shakespeare | 2000 | University College London | Theatre Design | |
| Jacobs S.M. | Die Soldaten | 1996 | University College London | Theatre Design | |
| Jackson B | Autograph Collection | 1999 | Royal College of Art | Design for Manufacture | |
| Jackson B | Betty Jackson Summer Collection 2000 | 2000 | Royal College of Art | Design for Manufacture | |
| Jackson B | The Matter in Hand | 2000 | Royal College of Art | Design for Manufacture | |
| Jackowski A | The Table | 1997 | University of Brighton | Memory, Identity and History | |
| Jackowski A | Reveries of Dispossession | 1994 | University of Brighton | Memory, Identity and History | |
| Jackowski A | Albums + Aliens | 1997 | University of Brighton | Memory, Identity and History | |
| Jackowski A | Recent Work | 2000 | University of Brighton | Fine Art Practices | |
| Jackman J | CALM Project Sculptures | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Jackman J | Investigation into the Visual Quality of Fractal Images | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Jackman J | Fast-UK (Fine Art Sculptors and Technology in the United Kingdom) | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Jackman J | Here's How | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| JUPP M | Mo Jupp: Solo Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| JUPP M | British Ceramics.2000.dk | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| JUPP M | Millennium Mug Project | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| JUPP M | Mo Jupp Show Case | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| JOURNEAUX J. | Drawing across the board | 1999 | Coventry University | Visual Arts | |
| JONES H | Trends in Computer Mediated Art and Design: Examples from the Centre for Electronic Arts | 1998 | Middlesex University | ||
| JONES H | Virtual Reality: Panacea or Pandora's Box? | 1997 | Middlesex University | ||
| JOHNSTON K | Mardi Gras | 2000 | University of Dundee | Contemporary Practice | |
| JOHNSON N M | Digital Gateway | 1999 | University of Dundee | Digital Technology | |
| JOHNSON N M | FIRE-FLY I + II (Pteroptyx Malaccae) | 1998 | University of Dundee | Digital Technology | |
| JOHNSON N M | Weather Titles | 1995 | University of Dundee | Digital Technology | |
| JOHNS P | FIRESTAIN RESISTANT SILVER ALLOYS | 1998 | Middlesex University | ||
| JOHNS P | A METHOD OF JOINING METALS TOGETHER BY A PROCESS USING SILVER/GERMANIUM ALLOYS | 1996 | Middlesex University | ||
| JOHNS P | A SILVER/GERMANIUM ALLOY | 1996 | Middlesex University | ||
| JOHNS P | FIRESTAIN RESISTANT SILVER ALLOYS | 1997 | Middlesex University | ||
| Irving I | House in the Woods: 5 Contemporary German Sculptors | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Irving I | The Blue Chamber | 2000 | Robert Gordon University | Culturally Responsive Practices | |
| Irving I | Seeing Hozomeen | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Irving I | This Island Earth | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Irvine J | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Irvine J | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Irvine J | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Irvine J | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Innes C | Callum Innes: Watercolours, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Innes C | Abstract Painting Once Removed, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Innes C | Callum Innes, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Innes C | Callum Innes, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Ingram J | Developing Funded Design Research out of Student Design Projects | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Ingram J | Strategic Design Management in Small Manufacturing Companies: A Case Study | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Ingman B | When Martha's Away | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ingman B | A Night on the Tiles | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ingman B | Lost Property | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ingman B | Website | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Inglis J | Furies | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Inglis J | Carnival | 1994 | University of Central England in Birmingham | Fine Art Research Group | |
| Inglis J | Pictures at an Exhibition | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Ingham R | A Celebration of Craftsmanship | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham R | Opening of the British Work House Gallery | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham R | Designs on Environment | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham K | BBC 2 The Late Show - Russell Celyn Jones | 1995 | Swansea Institute of Higher Education | Image and Text | |
| Ingham K | High Winds and Acts of God | 1994 | Swansea Institute of Higher Education | Land and Landscape | |
| Ingham K | Lost | 1997 | Swansea Institute of Higher Education | Photography | |
| Ingham K | Death's Witness | 2000 | Swansea Institute of Higher Education | Photography | |
| Illner A A | British Jewellery in Berlin | 2000 | University of Hertfordshire | ||
| Illner A A | Travel Zone Millennium Dome | 1999 | University of Hertfordshire | ||
| Illner A A | Memento Mori | 1998 | University of Hertfordshire | ||
| Illner A A | British Art and Design Festival | 1998 | University of Hertfordshire | ||
| Ichige Y | Mud Slip Rally. | 1998 | Goldsmiths College | ||
| Ichige Y | After Dark. | 1996 | Goldsmiths College | ||
| Ichige Y | Berrnardo Giorgi E Yasu Ichige. | 1999 | Goldsmiths College | ||
| Ichige Y | A Big Enough Umbrella. | 1997 | Goldsmiths College | ||
| IRVINE Z | The Jewel Box | 2000 | University of Dundee | Digital Technology | |
| IRVINE Z | ARTISTS BOOKS (Wind; Windhosen; By Air and Sea; Fiesta and Windroses) | 1997 | University of Dundee | Digital Technology | |
| IRVINE Z | Aeolus / Pocketbook CDs | 1999 | University of Dundee | Digital Technology | |
| Hyatt J | Navigating the Terror | 2000 | Manchester Metropolitan University | ||
| Hyatt J | The War for the World Four | 1998 | Manchester Metropolitan University | ||
| Hyatt J | Manchester's Tilted Windmills | 1999 | Manchester Metropolitan University | ||
| Hvattum M | Det monumentael og det instrumentelle (Instrumentality and Monumentality) | 1996 | Glasgow School of Art | Design | |
| Hutton A | System X Shopfitting Equipment and Catalogue of parts | 1998 | University of Ulster | ||
| Hutton A | Digital Media and Design | 1999 | University of Ulster | ||
| Huth G | Bishop/Merrit Scholarship from Haystack Mountain School of Crafts and Research Grant | 1999 | Liverpool Hope | ||
| Huth G | Capture of Europa | 1999 | Liverpool Hope | ||
| Huth G | Contemporary Decorative Arts Exhibition at Sotherby's | 1998 | Liverpool Hope | ||
| Hutchinson S | Garden of the Senses | 1995 | University of Brighton | Fine Art Practices | |
| Hutchinson S | Lure | 1997 | University of Brighton | Memory, Identity and History | |
| Hutchinson J A | New Digital Work | 1998 | University of Sunderland | Fine Art | |
| Hutchinson J A | Za Project | 1996 | University of Sunderland | Fine Art | |
| Hutchinson J A | Gift | 2000 | University of Sunderland | Fine Art | |
| Hussey P | 'Viewpoint on Design' | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hussey P | Hambledon Church Altar | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hussey P | The Selborne Yew Altar | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hurlstone IN | William Morris Revisited: Questioning the Legacy: group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Hurlstone IN | Gaze: solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Hurlstone IN | The Three Corks: group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Hurlstone IN | Material Diversity: group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Hunter S | Travelling Box Show | 1996 | Edinburgh College of Art | Fine Art | |
| Hunter S | Work | 1997 | Edinburgh College of Art | Fine Art | |
| Hunter S | Woven Intimacies | 1999 | Edinburgh College of Art | Fine Art | |
| Hunter S | Changing Perspectives | 1997 | Edinburgh College of Art | Fine Art | |
| Hunter R | EVA + ( Exhibition of unusual art) | 1998 | Edinburgh College of Art | Fine Art | |
| Hunter R | Liverpool Biennale- Tracey | 1999 | Edinburgh College of Art | Fine Art | |
| Hunter R | Gang Warfare at the Pompidou | 1996 | Edinburgh College of Art | Fine Art | |
| Hunter R | Become like me | 2000 | Edinburgh College of Art | Fine Art | |
| Hunter R | Rootless 97: The Nomad Domain | 1997 | Dartington College of Arts | ||
| Hunter R | Relief from Memory (IV) | 2000 | Dartington College of Arts | ||
| Hunter R | Against Belief in Ossification | 2000 | Dartington College of Arts | ||
| Hunter R | 'Re-mapping a psyche', interview with Andre Stitt | 2000 | Dartington College of Arts | ||
| Hunter M | Encountering British Art | 1997 | Edinburgh College of Art | Fine Art | |
| Hunter M | Tangents (Punkty Styczne) | 1998 | Edinburgh College of Art | Fine Art | |
| Hunter M | Plastik in Museumgarten | 1994 | Edinburgh College of Art | Fine Art | |
| Hunter M | Back to NYK: Baumert - Hoffman - Hunter | 1998 | Edinburgh College of Art | Fine Art | |
| Hunter J | Soundings | 1996 | Edinburgh College of Art | Fine Art | |
| Hunter J | Absolute Open - New Art From Scotland | 1999 | Edinburgh College of Art | Fine Art | |
| Hunter J | Arena | 2000 | Edinburgh College of Art | Fine Art | |
| Hunter J | Celtic Connection | 1998 | Edinburgh College of Art | Fine Art | |
| Hunter C | Copperwheat Blundell | 1998 | The London Institute | Fashion and Textiles | |
| Hunter C | Hussein Chalayan | 1998 | The London Institute | Fashion and Textiles | |
| Hunter C | Nicole Farhi | 1998 | The London Institute | Fashion and Textiles | |
| Hunter C | Nicole Farhi | 1998 | The London Institute | Fashion and Textiles | |
| Hunt MR | 'Reflections' range of porcelaine tableware | 2000 | De Montfort University | ||
| Hunt MR | 'Paris' cafetiere coffee pot with injection moulded filter unit | 2000 | De Montfort University | ||
| Hunt MR | 'Egeo' range of glass bowl, plates and serving dishes | 2000 | De Montfort University | ||
| Hunt MR | 'Feelings' range of cups with plastic handles and saucers | 1999 | De Montfort University | ||
| Human J | Whittards of Chelsea Fruit Tea Packaging | 1999 | Anglia Polytechnic University | ||
| Human J | Landscape for QEII | 1994 | Anglia Polytechnic University | ||
| Hugonin J W | Jerwood Painting Prize | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Hugonin J W | A Quality of Light | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Hugonin J W | Fourfold Four Directions | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Hugonin J W | Solo Exhibition paintings | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| Hughes S | Soon | 1998 | Kingston University | ||
| Hughes S | John Moores Liverpool Exhibition 20 | 1997 | Kingston University | ||
| Hughes S | Khoj 1997 | 1997 | Kingston University | ||
| Hughes S | Dark Matter: a Visual Exploration of New Physics | 1998 | Kingston University | ||
| Hughes J | Printed Textile Samples + CAD Designs | 1998 | Glasgow School of Art | Design | |
| Hughes J | Developing printing techniques for Knitwear Designer Alan Gallacher | 2000 | Glasgow School of Art | Design | |
| Hughes J | Homes + Interiors Scotland | 1998 | Glasgow School of Art | Design | |
| Hughes J | Developing new printing techniques for Designer Georgina von Etzdorf. | 1999 | Glasgow School of Art | Design | |
| Hughes BR | Pagewiz2 Colour Scanner | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Hughes BR | In the Bag and Off the Wall; Design Against Crime initiative | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Hughes BR | Pursuit Home Computer System | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Hughes BR | Lightbug | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Hubbard S. | The Planets | 1999 | Bournemouth University | ||
| Hubbard S. | What happened to the Hindenburg? | 1999 | Bournemouth University | ||
| Hubbard S. | Deep Space One | 2000 | Bournemouth University | ||
| Hubbard S. | The Human Body | 1998 | Bournemouth University | ||
| Howes J C | Twin Turf | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Howes J C | Celtic Exchange | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Howes J C | Registering the Land | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Howes J C | Conservation Crop | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Howes A | 'Nuba Conversations' | 2000 | Napier University | Documentary and Experimental Film | |
| Howes A | 'Physical Cinema' | 2000 | Napier University | Documentary and Experimental Film | |
| Howes A | 'Hurricane' | 1999 | Napier University | Documentary and Experimental Film | |
| Howes A | 'Kaddish' | 1995 | Napier University | Documentary and Experimental Film | |
| Howell AM | Poetry as Film | 2000 | The London Institute | Fine Art | |
| Howell AM | Commentary on Klein | 1995 | The London Institute | Fine Art | |
| Howell AM | The World Turned Upside Down | 2000 | The London Institute | Fine Art | |
| Howell AM | The Analysis of Performance Art: a guide to its theory + practice | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Howard P | Happy Birthday Bertolt Brecht | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Howard P | Concierto Barroco | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Howard P | The Master Builder | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Howard P | Ralph Koltai Retrospective | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Howard J | Tracer | 1998 | Oxford Brookes University | Creative Practice | |
| Howard J | Stumble | 1999 | Oxford Brookes University | Creative Practice | |
| Howard J | Untitled | 2000 | Oxford Brookes University | Creative Practice | |
| Howard C J | Golf Cart Battery Charger | 1995 | University of Huddersfield | ||
| Howard C J | Motorway Emergency Cone Light | 1995 | University of Huddersfield | ||
| Hosie D | David Hosie, EdinburghAndreas Rickenbacher, Basel | 2000 | Edinburgh College of Art | Fine Art | |
| Hosie D | BP Portrait Award | 1996 | Edinburgh College of Art | Fine Art | |
| Hosie D | London to LA | 1995 | Edinburgh College of Art | Fine Art | |
| Hosie D | David Hosie | 1998 | Edinburgh College of Art | Fine Art | |
| Hose M | Interpreting Ceramics | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Hose M | Industry: A Resource for Artists | 1996 | University of Wales Institute, Cardiff | Ceramics | |
| Hose M | Ewen Henderson Paintings | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Hose M | Regarding the Function of Objects: Recent sculpture by Cecile Johnson Soliz | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Horrocks C | 'You want to See? Well, take a look at this! Embodied Vision and Light in Marcel Duchamp's Etant Donn | 2000 | Kingston University | ||
| Horrocks C | Playing the Game when the Rules have been Changed: The Paintings of Bruce Russell | 1999 | Kingston University | ||
| Horrocks C | The Sacralisation of Sight: Brian McCann's 'Dusting the Giant' | 1999 | Kingston University | ||
| Horrocks C | Post Modern Encounters: Marshall McLuhan and Virtuality | 2000 | Kingston University | ||
| Horn D | The Love Potion | 1999 | Wimbledon School of Art | Theatre Design | |
| Horn D | Carmen + Madam Butterfly | 1999 | Wimbledon School of Art | Theatre Design | |
| Horn D | The Magic Flute | 1998 | Wimbledon School of Art | Theatre Design | |
| Horn D | Carnaby Street | 1997 | Wimbledon School of Art | Theatre Design | |
| Hopkins E L | 'Glasgow' | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Hopkins E L | 'Prime' | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Hopkins E L | Secret Victorians | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Hopkins E L | Pictura Britannica | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Hooper R | Pathways 1998 | 1998 | Liverpool Hope | ||
| Hooper R | SOFA (Sculpture, Objects, Functional Art Exposition) | 1999 | Liverpool Hope | ||
| Hooper R | Challenge V : International Lathe Turned Objects | 1994 | Liverpool Hope | ||
| Hooper R | International Woodturning Exchange - Joint Exhibition of Residents | 1995 | Liverpool Hope | ||
| Hooker C | Twins | 1998 | University of Brighton | Natural and Constructed Environments | |
| Hooker C | Sensitive Dependence | 1999 | University of Brighton | Natural and Constructed Environments | |
| Hooker C | The Lightning Panel | 1999 | University of Brighton | Natural and Constructed Environments | |
| Hooker C | Sounding Party | 1996 | University of Brighton | Natural and Constructed Environments | |
| Hooker B | MSET - Multimedia Services and Enabling Technologies | 2000 | Royal College of Art | Computer Related Design | |
| Hooker B | WAP Furniture | 2000 | Royal College of Art | Computer Related Design | |
| Hooker B | Web-based computer games | 1998 | Royal College of Art | Computer Related Design | |
| Hooker B | No 1, Ozone Terrace | 1998 | Royal College of Art | Computer Related Design | |
| Hood B | Anonymous Drawing Room | 1997 | Edinburgh College of Art | Fine Art | |
| Hood B | Face2Face | 1998 | Edinburgh College of Art | Fine Art | |
| Hood B | Maid in Cyberspace - Encore! | 1998 | Edinburgh College of Art | Fine Art | |
| Hood B | Infinitude - New Media Artworks | 2000 | Edinburgh College of Art | Fine Art | |
| Honeywill P W | Designing Icons for the Graphical User Interface | 1999 | University of Plymouth | Centre for Visual Computing | |
| Honeywill P W | Evaluating Appropriate Interface Metaphors. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Honeywill P W | A Comparison between Maya Hieroglyphs and Computer Icons | 1999 | University of Plymouth | Centre for Visual Computing | |
| Honeyman R | Two painted designs for stitched textiles (one) | 1998 | Cumbria College of Art + Design | ||
| Honeyman R | Three painted designs for stitched textiles | 1997 | Cumbria College of Art + Design | ||
| Honeyman R | Five painted designs for stitched textiles | 2000 | Cumbria College of Art + Design | ||
| Honeyman R | Two painted designs for stitched textiles (two) | 1999 | Cumbria College of Art + Design | ||
| Homma McLaughlin K | Kaori Homma | 1997 | University of Hertfordshire | ||
| Homma McLaughlin K | Female Artists + their Works from Collection | 1997 | University of Hertfordshire | ||
| Homma McLaughlin K | Kaori Homma | 1997 | University of Hertfordshire | ||
| Homma McLaughlin K | Emerging Images: Contemporary Expressions through Japanese handmade paper. | 2000 | University of Hertfordshire | ||
| Holt RB | Installation of 11 Canvas Works | 1994 | Liverpool John Moores University | Painting and Sculpture | |
| Holt RB | Drive : A Folly in Excess of Utility | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Holt RB | Castles in the air from B+Q to Homecare (sub title - Big Frieze) | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Holt RB | Verbs Posing as Nouns | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| Hollyhead B | Abbey National | 1994 | University of Brighton | Visual Communication Design | |
| Hollyhead B | Unification of the Korean Penisula | 1996 | University of Brighton | Visual Communication Design | |
| Hollyhead B | Estee Lauder Inc | 1995 | University of Brighton | Visual Communication Design | |
| Hollyhead B | Blackburn Rovers | 1998 | University of Brighton | Visual Communication Design | |
| Hollis E | Stirling Tolbooth Arts Centre (RIAS National Architectural Design Competition Winner) | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Hollis E | Scottish National Gallery of Art and Design (RIAS International Architectural Competition Winner) | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Hollis E | Dundee Contemporary Arts (RIAS Competition Winner and Lottery-funded Project) | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Hollis E | Maggie Keswick Jencks Cancer Care Centre, Edinburgh | 1997 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Hollins WJ | British Standards Institute BS7000 Part 1 | 1999 | Brunel University | Design Pedagogy | |
| Hollins WJ | Getting the Right Product | 1996 | Brunel University | Design Pedagogy | |
| Hollins WJ | Why the resistance to long-term Innovation Management | 2000 | Brunel University | Design Pedagogy | |
| Hollingsworth S M | Absolut Open | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Hollingsworth S M | Visions for the Future | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Hollingsworth S M | here, now 2000 | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Hollingsworth S M | Infinitude | 1998 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Holland RJ | No Soft Option: An Action Research Programme for Total Schools Design | 1996 | De Montfort University | ||
| Holland RJ | Engendering an Entrepreneurial Spirit through Design and Design Managment | 1998 | De Montfort University | ||
| Holland L | Cyfuniad International Artists Workshop, Wales | 1999 | Liverpool Hope | ||
| Holland L | Power + Gold | 1997 | Liverpool Hope | ||
| Holland D | Zones of Disturbance, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Holland D | Dreaming is Free, Two person exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Holland D | Family Credit, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Holland D | The Department, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Holdaway M | Whitechapel Open Exhibition | 1994 | De Montfort University | ||
| Holdaway M | RWA Triennial Sculpture Exhibition 1999 and Catalogue | 1999 | De Montfort University | ||
| Holdaway M | Whitechapel Open Exhibition | 1996 | De Montfort University | ||
| Holdaway M | Stanley Picker Trust Sculpture Masterclass, Open Tutorial with William Tucker, Elizabeth Rosser and Max Holdaway | 1994 | De Montfort University | ||
| Hogg D | Design in Great Britain | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hogg D | Introducing Contemporary British Jewellery | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hogg D | Jerwood Applied Arts Prize | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hogg D | Treasures of the 20th Century | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hogan E | Chairs and Shadows | 1999 | Wimbledon School of Art | Painting | |
| Hogan E | New Technology and the Arts | 1999 | Wimbledon School of Art | Painting | |
| Hoffman A S | 2000 | Leeds Metropolitan University | Design | ||
| Hoffman A S | 1998 | Leeds Metropolitan University | Design | ||
| Hoek K. | The Complete Contempt | 1997 | University College London | Fine Art Media | |
| Hoek K. | Ishihara on the Moon | 1997 | University College London | Fine Art Media | |
| Hoek K. | Cast and Casting | 2000 | University College London | Fine Art Media | |
| Hodkinson J | Solo Show | 1996 | University of Central Lancashire | ||
| Hodkinson J | Solo Show | 1996 | University of Central Lancashire | ||
| Hodkinson J | Blue Artreach Touring Exhibition | 1996 | University of Central Lancashire | ||
| Hodkinson J | Landmarks | 1999 | University of Central Lancashire | ||
| Hodgson J | White Cube, Black Square | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Hodgson J | History Lesson | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Hodgson J | A Sign of Things to Come | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Hodgson C | Grafica Internacional Faber Castell | 1995 | Kingston University | ||
| Hodgson C | Echoes | 1997 | Kingston University | ||
| Hodgson C | Carole Hodgson: Sculpture and Works on Paper | 1999 | Kingston University | ||
| Hodgson C | Absolute Earth | 2000 | Kingston University | ||
| Hodgson AR | Developing links between computer aided learning and technology teaching | 1995 | Loughborough University | Design Education | |
| Hodgkinson M | 'Eternal Return' | 2000 | Wimbledon School of Art | Sculpture | |
| Hodgkinson M | 'Water Tower Shadow' or 'Water-en Klokketore' | 1999 | Wimbledon School of Art | Sculpture | |
| Hodge M | The Travelling Box Show | 1996 | Edinburgh College of Art | Fine Art | |
| Hodge M | Threads - fiber art in the 90s | 1997 | Edinburgh College of Art | Fine Art | |
| Hodge M | Twelfth International Miniature Textile Biennale | 1998 | Edinburgh College of Art | Fine Art | |
| Hodge M | The Woven Image: Contemporary British Tapestry | 1996 | Edinburgh College of Art | Fine Art | |
| Hoberman N | 51 Premio Michetti. | 2000 | Goldsmiths College | ||
| Hoberman N | Der abgelenkte Blick. | 2000 | Goldsmiths College | ||
| Hoberman N | Now It's My Turn To Scream. | 1999 | Goldsmiths College | ||
| Hoberman N | Nicky Hoberman. | 1999 | Goldsmiths College | ||
| Hitchen J | Technoculture No1 - Mnemosyne | 1997 | Liverpool John Moores University | Graphic Arts | |
| Hines A | Globalization and the Seductive Search for Competitive Advantage - Myth or Reality? | 1994 | The London Institute | Fashion and Textiles | |
| Hines A | Management Information for Marketing Decisions 1999-2000 | 1999 | The London Institute | Fashion and Textiles | |
| Hindle Y | ARTLANTA | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Hindle Y | Relatives - a group show 1996 | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Hindle Y | Divers Memories Project | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Hinchliffe-McCutcheon J L | The Capture of Europe (Die Entf | 1996 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Hinchliffe-McCutcheon J L | International Contemporary Jewellery | 1999 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Hinchliffe-McCutcheon J L | 'Priestory Du | 1995 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Hinchcliffe TF | The Enlightenment Project in Restoration France: Quatremere de Quincy and the Romantics | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hinchcliffe TF | Une Espece de Phalanstere: English Privacy in the Nouvelles-Athenes | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hinchcliffe TF | Peter Collins: the voice from the periphery | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hinchcliffe TF | Gender and the Architect: Women clients of French Architects during the Enlightenment | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Himid L | RePresenting British Art 1500-2000 Works From The Collection | 2000 | University of Central Lancashire | ||
| Himid L | Lubaina Himid : Paintings | 1997 | University of Central Lancashire | ||
| Himid L | Plan B | 1999 | University of Central Lancashire | ||
| Hilton K H | Patent numbers: Completed UK 9621786.479625676.3, Design Right Application 2061637/2061639/2062254. Nina Clip - Range of nursery products | 1998 | University of Northumbria at Newcastle | Product Design (4b) | |
| Hilton K H | Patent numbers: EU 00301816.5, UK 9905097.3, US 09/519.483. Scoopy - The milk powder scoop that counts | 1999 | University of Northumbria at Newcastle | Product Design (4b) | |
| Hilton K H | Dolphin Exercise Pod | 1995 | University of Northumbria at Newcastle | Product Design (4b) | |
| Hilliard J. | John Hilliard: Works 1990-1996 | 1997 | University College London | Fine Art Media | |
| Hilliard J. | John Hilliard - Works 1969 to 2000 | 2000 | University College London | Fine Art Media | |
| Hilliard J. | John Hilliard | 1999 | University College London | Fine Art Media | |
| Hilliard J. | John Hilliard-Fotografie als Konzept (Retrospective) | 1999 | University College London | Fine Art Media | |
| Hiller S | Thinking About Art - Conversations with Susan Hiller | 1996 | University of Newcastle | ||
| Hiller S | Witness | 2000 | University of Newcastle | ||
| Hiller S | Dream Machines | 1994 | University of Newcastle | ||
| Hiller S | From the Freud Museum | 1996 | University of Newcastle | ||
| Hill PJ | Displacements | 1998 | De Montfort University | ||
| Hill PJ | Exposure! - Celebrations of the Year of Photography | 1998 | De Montfort University | ||
| Hill AA | Retrospective presentations of films, performance and installation work. | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Hill AA | 'Laws of Nature', a 25 minute experimental landscape film, broadcast by Channel 4 | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Hill AA | One Person Presentation of films and performance works as part of Artists Film and Video series. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Hill AA | Anthology of Films published on videotape - includes 7 short films from 1984-1997. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Higgs M | Protest and Survive. | 2000 | Goldsmiths College | ||
| Higgs M | The British Artshow 5. | 2000 | Goldsmiths College | ||
| Higgs M | Look Now, Pay Later. | 2000 | Goldsmiths College | ||
| Higgs M | Jim Shaw 'Thrift Store Paintings'. | 2000 | Goldsmiths College | ||
| Higgs M | Jim Shaw: 'Thrift Store Paintings' | 2000 | Royal College of Art | Critical Practice | |
| Higgs M | Cream: Contemporary Art in Culture | 1998 | Royal College of Art | Critical Practice | |
| Higgs M | The British Art Show 5 | 2000 | Royal College of Art | Critical Practice | |
| Higgs M | Protest and Survive | 2000 | Royal College of Art | Critical Practice | |
| Higgott AN | Making and Meaning | 2000 | University of East London | ||
| Higgott AN | Birmingham: Building the Modern City | 2000 | University of East London | ||
| Higgott AN | Recourse and Historicity: The Case of Britain | 2000 | University of East London | ||
| Higgott AN | Form and Technology: the Idea of a New Architecture | 1995 | University of East London | ||
| Higgins P | Water for Life | 1997 | Kingston University | ||
| Higgins P | Earth Today and Tomorrow | 1998 | Kingston University | ||
| Higgins P | River and Rowing Museum Exhibition | 1998 | Kingston University | ||
| Higgins P | Play Zone | 2000 | Kingston University | ||
| Higgins D J | Beighton 1998 | 1998 | Nottingham Trent University | Visual Arts | |
| Heywood I | 'Practices and Perceptions in Art and Ethics' | 1998 | Leeds Metropolitan University | Visual Arts | |
| Heywood I | 'Richter | 2000 | Leeds Metropolitan University | Visual Arts | |
| Heywood I | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Heywood I | Social Theories of Art: A critique | 1997 | Leeds Metropolitan University | Visual Arts | |
| Heyer A | Annette Heyer, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Heyer A | wysiwyg | 1997 | The London Institute | Fine Art | |
| Heyer A | As for the Future | 2000 | The London Institute | Fine Art | |
| Heyer A | Riviera: Seven artists from Glasgow | 1994 | The London Institute | Fine Art | |
| Heyer A | Annette Heyer: new work | 1998 | The London Institute | Fine Art | |
| Heyer A | Annette Heyer, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Heyer A | wysiwyg, group exhibition of permanently sited works. | 1998 | Glasgow School of Art | Fine Art | |
| Heyer A | Riviera, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Herrmann M. | PUTTING OUR OWN HOUSE IN ORDER | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Herrmann M. | THE PRACTICE OF SUSTAINABLE LANDSCAPE DESIGN AND ITS RELEVANCE TO THE GLOBAL URBAN POPULATION | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Herrmann M. | A VISION FOR THE 21ST CENTURY: THE EARTH CENTRE ECOLOGY PARK | 1995 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Herring H | Is energy efficiency environmentally friendly? | 2000 | Open University | Design for sustainability | |
| Herring H | Does energy efficiency save energy? The debate and its consequences. | 1999 | Open University | Design for sustainability | |
| Hermansen C | Preface and chapters: The Suburbanisation of Glasgow, Modern Architecture in Scotland and Hungary 1930s and 1940s | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Herbert A.T. | The Manufacture and Design of Victorian Tiles in Relation to their Conservation | 1996 | University of Wolverhampton | Ceramics | |
| Herbert A.T. | The Role of Ceramic Tiles in Architecture in the Twentieth Century | 1999 | University of Wolverhampton | Ceramics | |
| Hepher D. | La Ville Moderne en Europe 1870-1996 | 1996 | University College London | Painting | |
| Hepher D. | David Hepher: A Retrospective | 1996 | University College London | Painting | |
| Hepher D. | Urban | 1998 | University College London | Painting | |
| Hepher D. | David Hepher: An Elegy to Tall Buildings | 1999 | University College London | Painting | |
| Henshaw J. G. | PAINTERS ABROAD | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Henshaw J. G. | EXPLODING PALMS AND OTHER DRAWINGS | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Henshaw J. G. | COVER DESIGNS: ANNUAL PROSPECTUS, CONCERT DIARY AND PROMOTIONAL MATERIAL | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Henshaw J. G. | JOHN HENSHAW: PAINTINGS AND DRAWINGS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Henderson DG | Embedding Change: A Case Study of the CUDE Experience | 2000 | De Montfort University | ||
| Henderson DG | Drawing on London: Worked Examples | 1996 | De Montfort University | ||
| Henderson D | Dusk (a suite of nine prints) | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Henderson D | Learning for living through Art and Design - workshop report | 1996 | Robert Gordon University | Learning Strategies | |
| Hemsworth G | Neighbours. | 2000 | Goldsmiths College | ||
| Hemsworth G | Strictly Suburban. | 1999 | Goldsmiths College | ||
| Hemsworth G | Gerard Hemsworth. | 1998 | Goldsmiths College | ||
| Hemsworth G | Self Portraits. | 1997 | Goldsmiths College | ||
| Hellum A | Royal Festival Hall | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hellum A | Selfridges | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hellum A | Woody Exhibition | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hellum A | 100% Design | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hegarty FT | Voice Over | 1996 | Sheffield Hallam University | Fine Art | |
| Hegarty FT | Auto Portrait #1 | 1999 | Sheffield Hallam University | ||
| Heeney G | Insight | 1999 | University of Wolverhampton | Ceramics | |
| Heeney G | 'Rhiannon'. Sculpture/Seating. | 1999 | University of Wolverhampton | Ceramics | |
| Heeney G | Glan Glwyd Goddess Archway. Carved Brick. | 2000 | University of Wolverhampton | Ceramics | |
| Heath VK | Songs from the Golden City | 1997 | Sheffield Hallam University | ||
| Heath VK | Deep Freeze | 1998 | Sheffield Hallam University | ||
| Hearn K | Strata Cast Jasper - Wedgwood | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Hearn K | Contemporary Decorative Arts | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Hearn K | Contemporary Decorative Arts | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Hearn K | Learning by Experience, Waking up to New Design and Image Opportunities | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Healey M | Jump to Cow Heaven | 1997 | Cumbria College of Art + Design | ||
| Healey M | Sixty seconds that will shake the world | 1994 | Cumbria College of Art + Design | ||
| Healey M | The Disaster Squad | 1994 | Cumbria College of Art + Design | ||
| Healey M | Sportraits | 1995 | Cumbria College of Art + Design | ||
| Head T.D. | Eurythmics Peace Tour (Designs) | 1999 | University College London | Fine Art Media | |
| Head T.D. | Light Rain | 1998 | University College London | Fine Art Media | |
| Head T.D. | Blue Skies | 1997 | University College London | Fine Art Media | |
| Head T.D. | Close Up | 2000 | University College London | Fine Art Media | |
| Haywood T | 'Praise the Net and Pass The Modem: Revolutionaries and captives in the Information Society' | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| Haywood T | Global Networks and the Myth of Equality: Trickle Down or Trickle Away? | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Haywood T | 'Only Connect' | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Haywood T | 'Info-Rich Info-Poor' | 1995 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hawthorn M | Truancies at Manege | 2000 | University of Gloucestershire | ||
| Hawthorn M | Intimata at Koln | 2000 | University of Gloucestershire | ||
| Hawthorn M | Truancies at K | 1999 | University of Gloucestershire | ||
| Hawthorn M | Contrition | 1996 | University of Gloucestershire | ||
| Hawley S | Love Under Mercury | 2000 | Sheffield Hallam University | ||
| Hawley S | Ghost | 1999 | Sheffield Hallam University | Fine Art | |
| Hawley S | Human and Natural History | 1997 | Sheffield Hallam University | ||
| Haughton D | John Moores Liverpool Exhibition 20 | 1997 | Kingston University | ||
| Haughton D | Ten New York Artists - Ten European Artists | 1998 | Kingston University | ||
| Haughton D | Now Showing II | 1999 | Kingston University | ||
| Haughton D | Foil 3 | 2000 | Kingston University | ||
| Hatt C | Ausgew | 1994 | The London Institute | Fine Art | |
| Hatt C | 10 Artists from the British Isles | 1996 | The London Institute | Fine Art | |
| Hatt C | East International 1996 | 1996 | The London Institute | Fine Art | |
| Hatt C | Grossbritannien Konstrukiv - Koncret | 1998 | The London Institute | Fine Art | |
| Hatfield J | Imaging the Unseeable | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hatfield J | Disappearing Digitally?: Gender in the Digital Domain | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hatfield J | Scar | 1996 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hatfield J | Walk in the Glen Wearing a Camera Suit and Tartan Boots | 1996 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hastings M | Design, Wolverton Town Square | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Hastings M | New Imp Box locator | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Hastings M | CM9 CoverMaster | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Hastings M | New Avenger | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Hassall J | 1998 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Hassall J | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Hassall J | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Hassall J | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Haslam A | Make It Work: Geography | 1996 | The London Institute | Media and Communication | |
| Haslam A | LS Lowry a biography | 1999 | The London Institute | Media and Communication | |
| Haslam A | Make It Work: Science | 1996 | The London Institute | Media and Communication | |
| Haslam A | Make It Work Children's History Series | 1995 | The London Institute | Media and Communication | |
| Haselden R | Drewen Horse | 1997 | University of Reading | ||
| Haselden R | FrJacques et autre pieces | 1997 | University of Reading | ||
| Haselden R | Echelle at Canterbury | 2000 | University of Reading | ||
| Haselden R | No Go | 2000 | University of Reading | ||
| Harvey M | Sex and the British | 2000 | The London Institute | Fine Art | |
| Harvey M | Young British Artists IV | 1995 | The London Institute | Fine Art | |
| Harvey M | Sensation: Young British Artists from the Saatchi Collection | 1997 | The London Institute | Fine Art | |
| Harvey M | Marcus Harvey | 1996 | The London Institute | Fine Art | |
| Harvey J | Miner-Artists - The Art of the Welsh Coal Workers | 2000 | University of Wales, Aberystwyth | ||
| Harvey J | The Pictorial Bible 1: Settings of the Psalms | 2000 | University of Wales, Aberystwyth | ||
| Harvey J | Image of the Invisible: The Visualization of Religion in the Welsh Nonconformist Religion | 1999 | University of Wales, Aberystwyth | ||
| Harvey J | Images of God: artistic inspiration and Pentecostal theology (case study) | 1997 | University of Wales, Aberystwyth | ||
| Harvey J | Tools For The Shaman | 1996 | Edinburgh College of Art | Fine Art | |
| Harvey J | Ground | 1998 | Edinburgh College of Art | Fine Art | |
| Harvey J | Signifier | 1999 | Edinburgh College of Art | Fine Art | |
| Harvey J | Sun Offering | 1999 | Edinburgh College of Art | Fine Art | |
| Hartwell DW | Creative Thinking | 1997 | De Montfort University | ||
| Hartwell DW | Design Methodology: A Suggested Approach to Self-Analysis for Product Design Undergraduates | 1996 | De Montfort University | ||
| Hart WA | Continuity and Discontinuity in Sierra Leone Art History | 1995 | University of Ulster | ||
| Hart WA | Early Nineteenth Century Chiefs' Horns from Coastal Liberia | 1999 | University of Ulster | ||
| Hart WA | African Art in the National Museum of Ireland | 1995 | University of Ulster | ||
| Hart WA | Kololewengoi and the Myth of the Big Thing | 2000 | University of Ulster | ||
| Hart J | The Persona Non Grata Who Lives on the Web | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Hart J | Page Turners | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Hart J | Interviews with: Ken McMullen; Tatsuo Miyajima; Neville Brody; AntiRom; Peter Newman; feature on use of photography in OJ Simpson trial | 1997 | The London Institute | ||
| Hart J | Watching Them Looking She Saw | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Harrow D | London Taxi Cab Development | 1995 | Royal College of Art | Design for Manufacture | |
| Harrow D | Journey Zone | 1999 | Royal College of Art | Design for Manufacture | |
| Harrow D | Taxi Limousine Redesign | 1996 | Royal College of Art | Design for Manufacture | |
| Harrison MF | Moving Pictures | 1998 | Manchester Metropolitan University | ||
| Harrison MF | Fantasy Football Art League | 1998 | Manchester Metropolitan University | ||
| Harrison MF | Unpacking: A Ten-Year Survey of Work by Margaret Harrison | 1999 | Manchester Metropolitan University | ||
| Harrison MF | Blonde Bombshells | 1999 | Manchester Metropolitan University | ||
| Harrison J P | Photographs selected for Women's Artists Diary | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Harrison J P | Health Education Authority Opposites and Numbers | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Harrison J P | She Calls Her Song | 1994 | University of Portsmouth | Memory, Identity and Material Culture | |
| Harrison E | Terre A Terre | 2000 | The London Institute | Fine Art | |
| Harrison E | Immediate Occupation | 1999 | The London Institute | Fine Art | |
| Harrison E | Deptford X | 2000 | The London Institute | Fine Art | |
| Harrison E | In Quarantine | 1999 | The London Institute | Fine Art | |
| Harrison D. M. | QUILT 99 | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Harrison D. M. | EUROPEAN ART QUILTS | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Harrison D. M. | BRITISH QUILT EXHIBITION, JAPAN 2000 | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Harrison D. M. | ART TEXTILES | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Harris TJ | C.Net 2000 | 1999 | Brunel University | ||
| Harris MC | Get Together. Kunst Als Teamwork (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Harris MC | Dream Machines (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Harris M | Dumbfounded - Ways of Communicating | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Harris M | Educating Barbie - An investigation of concepts concerning painting without the inclusion of paintings | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Harris JK | Jane Harris - New Works. | 1999 | Goldsmiths College | ||
| Harris JK | Works by Jane Harris | 1996 | Goldsmiths College | ||
| Harris JK | Jane Harris. | 1996 | Goldsmiths College | ||
| Harris JK | 'Ecstasy'. | 1998 | Goldsmiths College | ||
| Harris D. I. | The Figure as a Metaphor | 1995 | Wimbledon School of Art | Painting | |
| Harper J W | Strand (Sea and Land) | 2000 | University College Northampton | Fine Art Practices | |
| Harper J W | From Light: John Harper | 1998 | University College Northampton | Fine Art Practices | |
| Harper J W | 'House' (3 photo-constructed panels) | 1994 | University College Northampton | Fine Art Practices | |
| Harper J W | The River and Figurative. | 1995 | University College Northampton | Fine Art Practices | |
| Harold J M | 'Desert' a touring exhibition | 1996 | University of Northumbria at Newcastle | Photography (1b) | |
| Harold J M | 'Mysteries of the Heart' 'The Reading Room Project' | 1994 | University of Northumbria at Newcastle | Photography (1b) | |
| Harold J M | 'The Masque' | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Harley K | In the Midst of Things | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Harley K | Low Maintenance and High Precision | 1997 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Harley K | Binary Propositions | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Harley K | Displaced | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Harley A | Original Prints | 1999 | Glasgow School of Art | Fine Art | |
| Harley A | Material Diversity: group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Harland EJ | Lucid IX | 1998 | University of Southampton | ||
| Harland EJ | After IV | 1998 | University of Southampton | ||
| Harland EJ | Lucid II | 1995 | University of Southampton | ||
| Harland EJ | Lucid XI | 2000 | University of Southampton | ||
| Harland E | Reading Matter | 1999 | The London Institute | Fine Art | |
| Harland E | Interviews and Close to Home | 1998 | The London Institute | Fine Art | |
| Harland E | Join the Dots | 1996 | The London Institute | Fine Art | |
| Harland E | Rhizome | 1999 | The London Institute | Fine Art | |
| Hare W | Glasgow belongs to Whom? Civic Identity in the Visual Arts in Scotland | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Hare W | Divided Self, United Vision: The Expressionist Art of Lys Hansen | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Hare W | Et in Nabolandia Ego | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Hare W | Mercure d'Ecosse. The Rev'd Robert Walker | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Harding D | Post-Autonomy + Fine Art Education | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Harding D | Y2K International Symposium + Exhibition of Prints | 2000 | Bath Spa University College | ||
| Harding D | 1997 | Bath Spa University College | |||
| Harding D | Pictures | 1999 | Bath Spa University College | ||
| Harding D | The Ill Clad City: Glasgow turns its back on Public Art | 1997 | Glasgow School of Art | Cities and Environments | |
| Harding D | Public Art in the British New Towns, essay on CD Rom | 1996 | Glasgow School of Art | Cities and Environments | |
| Harding A | No-Budget Curating | 1997 | Goldsmiths College | ||
| Harding A | `Curating:The Contemporary Art Museum and Beyond'. | 1997 | Goldsmiths College | ||
| Harding A | From Monologue to Conversation - A Report from Atlanta | 1997 | Goldsmiths College | ||
| Hardie G M | Banque Generale du Luxembourg | 2000 | University of Brighton | Visual Communication Design | |
| Hardie G M | Broken Books | 1997 | University of Brighton | Visual Communication Design | |
| Hardie G M | Les Ciutats il-lustrades | 1994 | University of Brighton | Visual Communication Design | |
| Hardie G M | Jet Travel | 1999 | University of Brighton | Visual Communication Design | |
| Hanson M | 25th Anniversary Exhibition | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Hanson M | Synthesis | 1998 | University of Central England in Birmingham | Jewellery Research Group | |
| Hanson M | Gioiella: Arte Programmata E Cinetica | 1996 | University of Central England in Birmingham | Jewellery Research Group | |
| Hanson M | Jerwood Applied Arts Prize 2000 (Jewellery) | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Hansbro BP | Canterbury From the East | 1995 | University of Southampton | ||
| Hansbro BP | The Building of Bluewater | 1998 | University of Southampton | ||
| Hansbro BP | The Third Ark | 1997 | University of Southampton | ||
| Hansbro BP | Eastbury Manor | 1998 | University of Southampton | ||
| Hannavy J M | John Smith and England's Union Cases | 1997 | Bolton Institute of HE | ||
| Hannavy J M | Fox Talbot | 1997 | Bolton Institute of HE | ||
| Hannavy J M | Wigan Now and Then | 1999 | Bolton Institute of HE | ||
| Hannavy J M | Victorian Photographers at Work | 1997 | Bolton Institute of HE | ||
| Hanna S J | The Space Between the Frames | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Hanna S J | Dreamplay | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Hanna R | Architectural Science and Research: Integration into Design | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Hanna R | The relationship between thermal comfort and user satisfaction in Hot Dry Climates | 1996 | Glasgow School of Art | Cities and Environments | |
| Handley S | Nylon - The Man-made Fashion Revolution | 1999 | Royal College of Art | Design for Manufacture | |
| Hand J | Dictionary Entries 'Narcissim' 'Dance' 'Performance' | 1999 | Goldsmiths College | ||
| Hand J | 'Bird and Cat' 'Double Act'. | 1999 | Goldsmiths College | ||
| Hand J | Disappearing Acts: An Impossibility of Identity | 1997 | Goldsmiths College | ||
| Hancock L | Cirque du Soleil | 1994 | De Montfort University | ||
| Hancock L | Labour Intensive | 2000 | De Montfort University | ||
| Hancock L | Aspects of Landscape | 1999 | De Montfort University | ||
| Hancock L | Aspects of Landscapes | 1998 | De Montfort University | ||
| Hampson M | Solo exhibition | 1995 | The London Institute | Fine Art | |
| Hampson M | Mark Hampson | 1995 | The London Institute | Fine Art | |
| Hampson M | Print Festival: Krakow 2000 | 2000 | The London Institute | Fine Art | |
| Hampson M | OK/UK | 1999 | The London Institute | Fine Art | |
| Hammick T | New Work | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hammick T | 'Lido' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hammick T | 'Window' and 'Two Men in a Field' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hammick T | Tom Hammick - New Paintings; Undercurrents | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hamlyn J | Bookends | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Hamlyn J | Islands Gallery; Waterfalls, Fireflies II; Marksmanship | 1999 | Robert Gordon University | Practices enabled through New Media Technology | |
| Hamlyn J | 'CONCERTS DAILY AT 11AM + 8PM', 'Ends' | 1994 | Robert Gordon University | Making and Contemporary Culture | |
| Hamlyn J | Two works from 'Camouflage Series' - 'Speed Camera Camouflage', 'Yellow Taxi, Desert Storm Pattern' | 1997 | Robert Gordon University | Practices enabled through New Media Technology | |
| Hamlyn J | Mediations, a postphotographic exhibition by Jim Hamlyn and Helge Mruck, two person exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Hamlyn J | Bookends, publicly sited commission | 1998 | Glasgow School of Art | Fine Art | |
| Hamlyn J | Riviera, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Hamilton R | Field | 2000 | Royal College of Art | Computer Related Design | |
| Halstead JD | The Woman Composer: Creativity and the Gendered Politics of Music | 1997 | University of Westminster | Sound Media | |
| Halstead JD | Is the Musical Mind Male? | 1996 | University of Westminster | Sound Media | |
| Halstead JD | Ruth Gipps: Reactionary or Role Model? | 2000 | University of Westminster | Sound Media | |
| Halstead JD | Getting into the Groove? | 2000 | University of Westminster | Sound Media | |
| Hall S | 'Mask'. | 1998 | Goldsmiths College | ||
| Hall S | Geometry as a form of Diagrammatic Ideology in the Framing of Human Thought. | 2000 | Goldsmiths College | ||
| Hall S | Recent Prints. | 1999 | Goldsmiths College | ||
| Hall R | 'Inclusion through Distinction' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hall R | Diverse Encounters | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hall R | Young People, the Internet, Anonymity and Identity | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hall M | New Works | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Hall M | New Works | 1998 | University of Wales Institute, Cardiff | Ceramics | |
| Hall M | New Works | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Hall CM | The Carnival Yearning | 1996 | University of Plymouth | Theatre + Performance | |
| Hall CM | Mangled | 1997 | University of Plymouth | Theatre + Performance | |
| Hall CM | Working Class Women and the Theatre | 1998 | University of Plymouth | Theatre + Performance | |
| Hall CM | Shading the Crime | 1998 | University of Plymouth | Theatre + Performance | |
| Haley DH | Restoration Revisited: A Creative Ecology | 1999 | Manchester Metropolitan University | ||
| Haley DH | Eco-Art/Eco-Culture: Restoration in Perspective | 2000 | Manchester Metropolitan University | ||
| Haley DH | O Brave New World: A Change in the Weather | 1999 | Manchester Metropolitan University | ||
| Hakim-Dowek L | The Dead Exhibition | 1996 | University of Portsmouth | Memory, Identity and Material Culture | |
| Hakim-Dowek L | Journey: Going back to Beirut | 1995 | University of Portsmouth | Memory, Identity and Material Culture | |
| Hakim-Dowek L | Mixed Media Series | 1994 | University of Portsmouth | Memory, Identity and Material Culture | |
| Hakim-Dowek L | You Don't Know Me But | 1998 | University of Portsmouth | Memory, Identity and Material Culture | |
| Hague J A | A Stitch in Time | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Hague J A | Teams and Organisational Change: The Impact and Shaping of Teamworking Technology | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Hagan SK | A Snake in the Grass: Ethics vs. Aesthetics in Sustainable Architecture | 2000 | University of East London | ||
| Hagan SK | Cities of the field: Cyberspace and urban space | 2000 | University of East London | ||
| Hagan SK | The Good, The Bad and the Juggled: The new ethics of building materials | 1998 | University of East London | ||
| Hagan SK | Materials and Materiality | 1997 | University of East London | ||
| HUXOR A | The Role of 3-D Shared Worlds in Support of Chance Encounters in CSCW | 1999 | Middlesex University | ||
| HUXOR A | Grounding and Awareness Management: Two Architectural Principles for Collaborative Virtual Worlds | 1998 | Middlesex University | ||
| HUXOR A | An Active Worlds Interface to Basic Support for Co-operative Working (BSCW) to Enhance Chance Encounters | 1999 | Middlesex University | ||
| HUTTON G | From the Skin-In | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| HOWARD I G | Diagrams Heretical | 1999 | University of Dundee | Contemporary Practice | |
| HOWARD I G | Uncertain Histories | 2000 | University of Dundee | Contemporary Practice | |
| HOSKINS S | Prints that Fly | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| HOSKINS S | Three Prints: G.S.9. (1996) G.S.10. (1996) G.S.T. (1997) | 1997 | University of West of England, Bristol | Centre for Fine Print Research | |
| HOSKINS S | Kite Book | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| HOSKINS L | THE WALLPAPERS OF WILLIAM MORRIS | 1996 | Middlesex University | ||
| HOSKINS L | THE PAPERED WALL: HISTORY, PATTERNS AND TECHNIQUES | 1994 | Middlesex University | ||
| HOSKINS L | MORRIS + CO; AURTHUR SANDERSON AND SONS | 1996 | Middlesex University | ||
| HOSKINS L | LIVING ROOM: TWENTIETH CENTURY INTERIORS AT THE GEFFRYE MUSEUM | 1998 | Middlesex University | ||
| HOMOKY N | Clay into Art: group exhibition | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| HOMOKY N | Solo Exhibition: Nicholas Homoky | 1997 | University of West of England, Bristol | Applied Arts + Crafts | |
| HOMOKY N | Colour and Fire: defining moments in studio ceramics 1950-2000 | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| HOMOKY N | Solo Exhibition: Nicholas Homoky | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| HOLT J | The Subjective Image: The impossible science of being, Dialogues between Anthropology and Photography | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| HOLT J | Anwar Shemza: A Search for the Significant | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| HOLT J | 'Art for Earth's Sake: A consideration of issues raised by the Contemporary Arts of the First Peoples of North America' | 1996 | Bretton Hall | FINE ART (PAINTING) | |
| HOLT J | Alnoor Mitha, Deeply Rooted in the Inner Life | 1996 | Bretton Hall | FINE ART (PAINTING) | |
| HOLLAND C.C. | Centenary mace | 1998 | Coventry University | Visual Arts | |
| HOLLAND C.C. | Upper Gallery collection | 1997 | Coventry University | Visual Arts | |
| HOLDEN J | Book: Surface: Contemporary Photographic Practice | 1996 | University of Lincoln | ||
| HOLDEN J | Little Boxes-Photography, Reproduction and the Gallery | 1998 | University of Lincoln | ||
| HOLDEN J | Book-Out of Control | 1997 | University of Lincoln | ||
| HOLDEN J | Eyes Only | 2000 | University of Lincoln | ||
| HILL D | Harewood Masterpieces: English watercolours and drawings | 1995 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| HILL D | Turner, Mont Blanc and the Val d'Aosta | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| HILL D | Thomas Girtin, Genius in the North | 1999 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| HILL D | Turner in the North | 1996 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| HEYWOOD A | SEE | 1995 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| HEYWOOD A | Jacked Car | 1994 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| HEYWOOD A | Pulp Fiction - Pulp Fact | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| HEATHCOTE S C | Knitted Fashion Accessories Commission | 1999 | University of Dundee | Contemporary Practice | |
| HEALEY P | A LOCAL BOOK FOR LOCAL PEOPLE | 2000 | Middlesex University | ||
| HEALEY P | ROOTS AND ROUTES | 1999 | Middlesex University | ||
| HEALEY P | BEST CUB JOKES | 1999 | Middlesex University | ||
| HAVERS A.J. | Lifelines | 1997 | Coventry University | Visual Arts | |
| HAVERS A.J. | Lederkopfe | 1997 | Coventry University | Visual Arts | |
| HAVERS A.J. | Body icons | 2000 | Coventry University | Visual Arts | |
| HARVEY V. | Heart line and lifetime | 2000 | Coventry University | Visual Arts | |
| HARVEY V. | Cellnet commission | 1998 | Coventry University | Visual Arts | |
| HARVEY V. | All around the world | 2000 | Coventry University | Visual Arts | |
| HARVEY V. | Where in the world and wonderful world | 2000 | Coventry University | Visual Arts | |
| HARRISON L | 'Shadows: Jonathan Miles, Lecture Theatre One' | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| HARRISON D | Mind Memory Mapping Metaphor: Is Hypermedia Cognitive Art? | 1998 | University of West of England, Bristol | Digital Media Research Centre | |
| HARRISON D | Hypermedia as Art System | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| HARRISON D | 4D Duchamp: The Transposition of the Large Glass into Hypermedia | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| HARRISON D | The Art of the Internet | 1996 | University of West of England, Bristol | Digital Media Research Centre | |
| HARKNESS A | History: The Mag Collection - Image Based Art in Britain in the Late 20th Century | 1998 | University of Lincoln | ||
| HARKNESS A | John Berger; A Painter of our Time | 1999 | University of Lincoln | ||
| HARKNESS A | On Appraisal | 1994 | University of Lincoln | ||
| HARKNESS A | Performance Art | 1999 | University of Lincoln | ||
| HAMLYN ND | The British-Avante Garde Film 1926 - 1995, an Anthology of Writings Essay Title 'Structuralist Traces' | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| HAMLYN ND | White Light | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| HAMLYN ND | White Road | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| HAMLYN ND | Not Resting | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| HALES C | Ten Interactive Movies | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| HALES C | The Interactive Film-makers Challenge | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| HALES C | The Visual Extension of the Photographic Image | 1998 | University of West of England, Bristol | Digital Media Research Centre | |
| HALES C | LAB002 | 1996 | University of West of England, Bristol | Digital Media Research Centre | |
| HAIGH J | Gardens and Flowers in Embroidery | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| HAIGH J | Japanese Inspirations | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| HAIGH J | Crazy Patchwork | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| HAIGH J | Flora | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Guthrie K | 10th East International / Riverside | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Guthrie K | An Artist's Impression | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Guthrie K | Homespun | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Gussin GPG | Any Object in the Universe | 1998 | The London Institute | Fine Art | |
| Gussin GPG | Black Box Recorder | 2000 | The London Institute | Fine Art | |
| Gussin GPG | Fall (7200-1) | 1997 | The London Institute | Fine Art | |
| Gussin GPG | SPILL | 1999 | The London Institute | Fine Art | |
| Gupta S | From Here to Eternity | 1999 | University of Southampton | ||
| Gupta S | Untitled work from a series entitled 'Trespass' | 1997 | University of Southampton | ||
| Gupta S | Trespass 1 | 1995 | University of Southampton | ||
| Gupta S | Trespass 3 | 1995 | University of Southampton | ||
| Gschwedtner G | Strangled Light | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Gschwedtner G | Dining Chair | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Grover nee Rooke S | 'Introduction of lightweight, low cost, hi-impact performing composites into the furniture industry - TWINTEX' | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Grossman A | 'On the Borderline' | 2000 | Napier University | Critical Theory of Practice | |
| Grossman A | 'The Welshification of Homely Spaces: Tracing the Uncanny' | 2000 | Napier University | Critical Theory of Practice | |
| Grinling CL | 'Consumer and interior trends and how they impact manufacturers and retailers new product development cycles'. | 1999 | Goldsmiths College | ||
| Grimsey T | Two Public Sculptures | 1998 | De Montfort University | ||
| Grimsey T | Sculpture and Landscaping project | 2000 | De Montfort University | ||
| Grimsey T | 'Video Bucket' | 2000 | De Montfort University | ||
| Grimsey T | 4 large scale public sculptures and seating | 2000 | De Montfort University | ||
| Grimes O | Contemporary British Graphic Fine Artists | 1996 | The London Institute | Fine Art | |
| Grimes O | Amadora 2000: Vll Bienal Internaional Gravura | 2000 | The London Institute | Fine Art | |
| Grimes O | Oona Grimes: Solo Exhibition | 1998 | The London Institute | Fine Art | |
| Grimes O | Recent English Prints | 1999 | The London Institute | Fine Art | |
| Grigor M | The Work of Angels | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Grigor M | Nineveh on the Clyde: The Architecture of Alexander | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Grigor M | 1994 | Glasgow School of Art | Historical and Critical Enquiry | ||
| Grigor M | 2000 | Glasgow School of Art | Historical and Critical Enquiry | ||
| Griffiths I | The MaxMara Collection Spring/Summer 2000 | 1999 | Kingston University | ||
| Griffiths I | The MaxMara Collection Autumn/Winter 2000/01 | 2000 | Kingston University | ||
| Griffiths I | The MaxMara Collection Spring 2001 | 2000 | Kingston University | ||
| Griffiths I | The MaxMara Collection Autumn/Winter 1999/2000 | 1999 | Kingston University | ||
| Griffiths B L | Intranet Design, Development and Evaluation. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Griffiths A | International Wool Secretariat Knitwear Collection | 1997 | University of Southampton | ||
| Griffiths A | Maxmara MM Design Collection for Spring/ Summer 1997 | 1996 | University of Southampton | ||
| Griffiths A | Liberty of London Knitted Menswear Collection Spring/Summer 1998 | 1997 | University of Southampton | ||
| Griffiths A | Nitya knitwear collection for autumn/winter for 1999 | 1998 | University of Southampton | ||
| Griffiths K. | THE FALCONER | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Griffiths K. | DEAD PAN | 1997 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Griffith O | Jurgen Partenheimer: The Axis of Delicate Balance | 1994 | Edinburgh College of Art | Fine Art | |
| Griffith O | Der Schauplatz der Wunsche | 1996 | Edinburgh College of Art | Fine Art | |
| Griffith O | Diagram and model (schrijven en tekenen) | 1997 | Edinburgh College of Art | Fine Art | |
| Grey J J | L'Infinito | 1998 | University of Brighton | Materials Practices and Processes | |
| Grey J J | Designer Bookbinders in North America 2000/2001 | 2000 | University of Brighton | Materials Practices and Processes | |
| Grey J J | The Blind Assassin | 2000 | University of Brighton | Materials Practices and Processes | |
| Grey J J | Tregaskis Centenary Exhibition | 2000 | University of Brighton | Materials Practices and Processes | |
| Gregory J | The Fairest of Them All | 2000 | The London Institute | Fine Art | |
| Gregory J | In Visible Light: Photography and Classification in Art, Science and the Everyday | 1997 | The London Institute | Fine Art | |
| Gregory J | Memory and Skin | 1998 | The London Institute | Fine Art | |
| Gregory J | Objects of Beauty | 1998 | The London Institute | Fine Art | |
| Grego P | Displaced | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Grego P | ARCADE 11 | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Grego P | Binary Propositions | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Grego P | Messages | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Green P | Understanding Digital Colour | 1999 | The London Institute | Media and Communication | |
| Green P | Digital Graphic Networks | 1999 | The London Institute | Media and Communication | |
| Green P | Defining Colour Gamut Boundaries with a Test Target | 2000 | The London Institute | Media and Communication | |
| Green L | 5th In Our Hands Exhibition: mixed exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Green L | Connections: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | |
| Green L | Contemporary Decorative Arts: mixed exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Green D | Between Object and Image | 1999 | University of Brighton | Fine Art Practices | |
| Green D | Abstract Paintings and Arbitrary Objects | 1999 | University of Brighton | Fine Art Practices | |
| Green D | From History Painting to the History of Painting and back again: reflections on the work of Gerhard Richter | 2000 | University of Brighton | Memory, Identity and History | |
| Great-Rex E | Comic Group Show | 1998 | University of East London | ||
| Great-Rex E | Artists working at Cone Editions Press | 1996 | University of East London | ||
| Great-Rex E | Digital Collaborations | 1997 | University of East London | ||
| Great-Rex E | Photographic Imagination | 2000 | University of East London | ||
| Grayson J | Exhibition, Chelsea Crafts Fair 2000. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Grayson J | Made in the Middle. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Grayson J | The Great Exhibition. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Grayson J | 'Go By Bus' printed tin automata | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Gray W F | Smith versus Melbourne-Cooper: History and Counter-History | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Gray W F | Smith the Showman: The Early Years of George Albert Smith | 1998 | University of Brighton | 20th Century Design and Film Archives | |
| Gray W F | James Williamson's 'Composed Picture': Attack on a china mission - Bluejackets to the Rescue (1900) | 1998 | University of Brighton | 20th Century Design and Film Archives | |
| Gray S | When Off-the-Rack Becomes Off-the-Net | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Gray S | In Virtual Fashion | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Gray S | CAD/CAM in Clothing and Textiles | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Gray S | The Virtual Reality Design Studio | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Gray C | Celestial Navigator | 1997 | Robert Gordon University | Culturally Responsive Practices | |
| Gray C | Inquiry Through Practice: developing appropriate research strategies | 1998 | Robert Gordon University | Learning Strategies | |
| Gray C | Room With A View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Grant C | Role Models | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Grant C | History - The Mag Collection | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Grant C | Wish I Was Here | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Grant C | San Marino International Photography Festival | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Grant JM | Momento Mori | 1994 | University of Plymouth | Site, Space, Location, Place | |
| Grant JM | Kissing the Dust. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Grant JM | Still. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Grant JM | ISEA International Symposium of Electronic Art: Digital Summer | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Granjon P | Z Lab 2000 | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Granjon P | Z Food in New York | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Granjon P | The Big M | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Granjon P | The Z Labs Presents - The integration of robots with live performance | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Granger S | Animal Paintings | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Granger S | East International 1997 (group exhibition by selection from international open submission). Selectors: Nicholas Logsdail and Tacita Dean. | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Granger S | Viable Lifeforms | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Granger S | Simon Granger: Danielle Arnaud | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Grainger H J | 'Distressingly Banal': The architecture of early British Crematoria | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Grainger H J | Golders Green Crematorium and the Architectural Expression of Cremation. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Grainger H J | 'One of Whom we Know but Little...' John Loughborough Pearson and the Ecclesiologists | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Grainger H J | The Perspective Drawing and English Domestic Architecture of the 1880s. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Graham C | His | 1997 | London Guildhall University | ||
| Graham C | Dare. 35 mm. 2 min. film for auditorium/internet (director, screenplay) | 1998 | London Guildhall University | ||
| Graham B | The Panic Button: Back to the Future of Pornography | 1995 | University of Sunderland | Photography | |
| Graham B | Curatorial Resource for Upstart Media Bliss | 2000 | University of Sunderland | Photography | |
| Graham B | Serious Games: Art, Interaction, Technology | 1996 | University of Sunderland | Photography | |
| Graham B | A study of audience relationships with interactive computer-based visual artworks | 1999 | University of Sunderland | Photography | |
| Grace JF | Pablo the little red fox, animation series (22 episode scripts) | 1999 | Loughborough University | Illustration | |
| Grace JF | Reboot (1989-2001), co-creator of and writing of series bible for 39 episode series) | 2000 | Loughborough University | Illustration | |
| Grace JF | 64 Zoo Lane, animation series (26 episode scripts, incidental music / songs) | 1998 | Loughborough University | Illustration | |
| Grace JF | Ethelbert the tiger, animation series (14 episode scripts) | 2000 | Loughborough University | Illustration | |
| Goto J | 'The Framer Collections', Solo Exhibition. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Goto J | 'The Commissar of Space', Solo Exhibition. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Goto J | 'Capital Arcade', Solo Exhibition. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Goto J | 'Photoworks', Solo Exhibition, Artist in Residence.'Architects + Architecture', 2-Person Exhibition with John Lessore.4 Group Portrait. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Gornick N | A New Management Role: The Designer as Strategist | 1998 | Brunel University | Design Pedagogy | |
| Gornick N | Graduate Employment and the Development of Design Management Courses in UK Colleges of Art + Design | 1996 | Brunel University | Design Pedagogy | |
| Gornick N | New Design Professionals: Design Postgradutes and Industry | 1997 | Brunel University | Design Pedagogy | |
| Gornick N | New Design Professionals Development of Design Management Courses | 1995 | Brunel University | Design Pedagogy | |
| Gorlizki A | 'Introspekive' | 2000 | Wimbledon School of Art | Sculpture | |
| Gorlizki A | Seven (Unknown) Famous Belgians | 1999 | Wimbledon School of Art | Sculpture | |
| Gorlizki A | 'Import/Export' | 2000 | Wimbledon School of Art | Sculpture | |
| Gordon D | Feature Film, solo permanent exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Gordon D | Sheeps and Goats, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Gordon D | Douglas Gordon, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Gordon D | Stan Douglas/Douglas Gordon: Double Vision, two person exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Goodworth VA | Reflecting on teaching and learning practice in the UK Fashion + Textile sector of HE and implications for developing student-centred learning opportunities | 1998 | University of East London | ||
| Goodworth VA | Student self-assessment | 1997 | University of East London | ||
| Goodworth VA | Mode jenseits der Funfzig (Design for the future - Living and Life without Barriers) | 1997 | University of East London | ||
| Goodwin D | Wait. | 2000 | Goldsmiths College | ||
| Goodwin D | Within. | 1999 | Goldsmiths College | ||
| Goodwin D | 'Dryden Goodwin - Wait - Drawn to Know'. | 2000 | Goldsmiths College | ||
| Goodwin D | Dryden Goodwin - New Work. | 1999 | Goldsmiths College | ||
| Goodman G | BP Portrait Award 1997 | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Goodman G | 'Your Song Will Fill the Air' | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Goodman G | Loose Connections - six British artists | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Goodman G | Der Rettende Engel | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Gooding M | National and University Library, Ljubljana- Joze Plecnik | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Gooding M | Kim Lim | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Gooding M | Painter as Critic, Patrick Heron- Selected Writings | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Gooding M | Patrick Heron | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Gooding M | Patrick Heron | 1994 | Wimbledon School of Art | Research Centre | |
| Gooding M | Kim Lim | 1994 | Wimbledon School of Art | Research Centre | |
| Goodden N | Books as Art | 1998 | University of Gloucestershire | ||
| Goodden N | Technology and the Avant Garde | 2000 | University of Gloucestershire | ||
| Goodden N | Recent work from Nat Goodden | 2000 | University of Gloucestershire | ||
| Goodden N | Backspace | 1998 | University of Gloucestershire | ||
| Gonet D A | Garments for Fashion Show - Macrame details/embellishment | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Gonet D A | Contemporary Machine Embroidary | 1996 | Nottingham Trent University | Fashion and Textiles | |
| Gollifer S C | ArCade II, the Second International Open UK Exhibition of Electronic Fine Art Prints | 1997 | University of Brighton | Fine Art Practices | |
| Gollifer S C | Digital Printmaking Atelier | 1998 | University of Brighton | Fine Art Practices | |
| Gollifer S C | Screen works | 1996 | University of Brighton | Fine Art Practices | |
| Goldsworthy A C | Clay Hole | 1997 | University of Hertfordshire | ||
| Goldsworthy A C | Clay Wall/Slate Walls | 1998 | University of Hertfordshire | ||
| Goldsworthy A C | Time | 1998 | University of Hertfordshire | ||
| Goldsworthy A C | Goldsworthy | 1998 | University of Hertfordshire | ||
| Goldsmith S | Dew Point | 1999 | University of Southampton | ||
| Goldsmith S | No Escape: reclaimed dresses from the children's home of Cincinnati. | 1999 | University of Southampton | ||
| Goldsmith S | Monsoon Capital | 1999 | University of Southampton | ||
| Goldsmith S | Ripe | 2000 | University of Southampton | ||
| Golding M | Workstations : a photographic work | 1996 | University of Northumbria at Newcastle | Photography (1b) | |
| Golding M | 'Sales Pitch/Terrano de Ventos' | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Golding M | 'Means of Exchange' | 1995 | University of Northumbria at Newcastle | Photography (1b) | |
| Golding M | ReForm : sixteen contemporary artists | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Golden P R | 'You Know I've Been at Sea before' | 1999 | Wimbledon School of Art | Painting | |
| Golden P R | 'Plumbers' | 1996 | Wimbledon School of Art | Painting | |
| Golden P | You Know Ive Been At Sea Before | 1998 | University of Reading | ||
| Golden P | From The Corner Of It All | 1997 | University of Reading | ||
| Goetz L | Transfer | 1998 | University of Sunderland | Fine Art | |
| Goetz L | Last Orders | 2000 | University of Sunderland | Fine Art | |
| Goetz L | Wherever We Go | 2000 | University of Sunderland | Fine Art | |
| Goetz L | Changing Rooms | 2000 | University of Sunderland | Fine Art | |
| Godfrey A | Twentieth Century Industrial Embroidery in the UK | 1996 | The London Institute | Fashion and Textiles | |
| Godfrey A | Couture Embroidery | 1999 | The London Institute | Fashion and Textiles | |
| Goddard J. | Video Positive | 1995 | University College London | Fine Art Media | |
| Goddard J. | Tomorrow's Homes Today | 1998 | University College London | Fine Art Media | |
| Goddard J. | Electric Theatre: Technologies of Space | 1996 | University College London | Fine Art Media | |
| Goddard J. | Invasioon: Saaremaa Biennaal 1997 | 1997 | University College London | Fine Art Media | |
| Goddard C | Upside Down - Inside Out | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Goddard C | Recycled Exhibition | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Goddard C | Reclaimed | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Goatman M | Desk Top Controller SRD1000 (Mass Production) | 1998 | University of Hertfordshire | ||
| Goatman M | Nifty Lift Heightrider 15 (Mass Production) | 1997 | University of Hertfordshire | ||
| Goatman M | The Language of Design for the Identity of Products for the Consumer and Office Market places. | 1996 | University of Hertfordshire | ||
| Gluzberg M | Drawings individually titled. | 1998 | Goldsmiths College | ||
| Gluzberg M | New Drawings. | 1999 | Goldsmiths College | ||
| Gluzberg M | Forest of Oblivion. | 1999 | Goldsmiths College | ||
| Gluzberg M | Nature of Man | 1998 | The London Institute | Fine Art | |
| Gluzberg M | The Forest of Oblivion | 1999 | The London Institute | Fine Art | |
| Gluzberg M | Waterfront | 2000 | The London Institute | Fine Art | |
| Gluzberg M | Margarita Gluzberg's All Pencil Pictures | 1997 | The London Institute | Fine Art | |
| Gluzberg M | Waterfront. | 2000 | Goldsmiths College | ||
| Glassar B | Room With A View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Glassar B | 13th Anniversary Exhibition, Braggiotti Glass Gallery, Singel, Amsterdam | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Glassar B | St Etienne International Design Biennale, 1998 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Ginsborg M | Between the Leaves | 1995 | Wimbledon School of Art | Painting | |
| Gingell J | Crystal Beacon - Sculpture Contribution to the Reading City Centre Regeneration | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Gingell J | Barry Job: The Barry phenomenon - gentrification, communication and the artist | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Gilroy D | Collection of womens shoes for Office | 1998 | University of Southampton | ||
| Gilroy D | Collection of womenswear for Jones | 1999 | University of Southampton | ||
| Gilroy D | Collection of womens shoes for All Saints | 1999 | University of Southampton | ||
| Gilroy D | Collection of womenswear for Jones | 1998 | University of Southampton | ||
| Gillham W | Case Study Research Methods | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Gillham W | Developing a Questionnaire | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Gillham W | The Research Interview | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Giles K W | Guns and Gazes: Whos Killing Whom in Natural Born Killers | 1998 | University of Sunderland | Photography | |
| Giles K W | Cadaverous Caverns: Shelley and Serrano | 1998 | University of Sunderland | Photography | |
| Gilchrist B | Sonic Bloom | 1997 | Oxford Brookes University | Creative Practice | |
| Gilchrist B | A Way of Asking for Reasons | 1994 | Oxford Brookes University | Creative Practice | |
| Giggle P | ICOGRADA Design Conference | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Giggle P | War Child Concert | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Gibson PM | Fewer Weddings and More Funerals: Changes in the Heritage Film | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gibson PM | The Crisis of National Identity and the Genesis of the Heritage Film. The Scarlet Pimpernel, Robin Hood and the British Public in the Fiftees | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gibson L | 'The Perplexities of Waiting' | 1996 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Gibson L | 'Crash Subjectivity' | 1994 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Gibson L | 'Locus+ 1993-1996' | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Gibbs E | Night Stop Cinema - The Week of Small Miracles | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Gibbs E | The Room of Patience | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Gibbs E | Shave International Artists Workshop | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Gibbs E | SQALLP / Systems questioning art live/life project | 1994 | University of Wales Institute, Cardiff | Fine Art | |
| Gibbons J | Beginning | 1995 | University of Southampton | ||
| Gibbons J | Ascension | 1996 | University of Southampton | ||
| Gibbons J | To Be | 1998 | University of Southampton | ||
| Gibbons J | Body and Soul | 1996 | University of Southampton | ||
| Geroimenko V A | Personal construct theory and fuzzy set theory. | 1996 | University of Plymouth | STAR | |
| Geroimenko V A | Online photorealistic VR with interactive architectural objects | 1999 | University of Plymouth | STAR | |
| Gernand B | Cire Perdue Retrouvee | 1998 | The London Institute | Fine Art | |
| Gernand B | Star and Cloud | 1999 | The London Institute | Fine Art | |
| Gernand B | Gernand Ceramic Sculpture | 1997 | The London Institute | Fine Art | |
| Gernand B | Range | 2000 | The London Institute | Fine Art | |
| Geraghty A | Introducing Thomas Laine: draughtsman to Sir Christopher Wren | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Geraghty A | Nicholas Hawksmoor and the Wren City Church Steeples | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Geraghty A | St Michael | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Geraghty A | Sir Christopher Wren and the Dome of St Paul | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Geesin R | Hot Keys | 1995 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Geesin F | Slates of Memories; Unearthing, Unwrapping, Concealed Space; Passage | 1996 | The London Institute | Fashion and Textiles | |
| Geesin F | 25 Knitted zinc panels | 2000 | The London Institute | Fashion and Textiles | |
| Gaynor M | GroBe Kunstaustelung NWR Dusseldorf | 1995 | Southampton Institute | ||
| Gaynor M | Not Waving | 1995 | Southampton Institute | ||
| Gaynor M | Visionnen. | 1997 | Southampton Institute | ||
| Gaynor M | Eye to I | 1998 | Southampton Institute | ||
| Gaver W | Auditory interfaces | 1997 | Royal College of Art | Computer Related Design | |
| Gaver W | Projected Realities: Conceptual Design for Conceptual Effect | 1999 | Royal College of Art | Computer Related Design | |
| Gaver W | Alternatives: Exploring information appliances through conceptual design proposals. | 2000 | Royal College of Art | Computer Related Design | |
| Gaughan M | Textual Titles: Resisting Translation | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Gaughan M | Imprinting Stoff: Kurt Schwitters's Verbal Art 1919-1921 | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Gaughan M | A Progressive Dematerialisation of Labour Power: A Problem for Visual Representation in Germany in the 1920s | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Gaughan M | Dada Poetics: Flight out of Sign | 1996 | University of Wales Institute, Cardiff | Fine Art | |
| Gascoigne D | Animated Film for Watermans Pens | 1997 | Kingston University | ||
| Gascoigne D | Animated Film of Chaucer's 'The Franklin's Tale' | 1998 | Kingston University | ||
| Gascoigne D | 'How to Get Rid of Information' | 1998 | Kingston University | ||
| Gascoigne D | Animated Film for Powergen | 2000 | Kingston University | ||
| Garrett M | Website for Saatchi and Saatchi | 1997 | Royal College of Art | Communications | |
| Garrett M | Wellcome Wing, Science Museum Website | 2000 | Royal College of Art | Communications | |
| Garner SW | Innovation, collaboration and modelling: issues for computer-based design teams | 1997 | Open University | Design thinking and communication | |
| Garner SW | The use of graphic act analysis for research into computer supported design teamworking. | 1998 | Open University | Design thinking and communication | |
| Garfoot S | 'Boa' Range | 1995 | University of Wolverhampton | Glass | |
| Garfoot S | 'Saga' Range | 1994 | University of Wolverhampton | Glass | |
| Garfoot S | Carafe No. 21 and 'Blue Wing' wine glass' | 1996 | University of Wolverhampton | Glass | |
| Garfoot S | Glass Sculpture: 'Flow' | 2000 | University of Wolverhampton | Glass | |
| Gardiner J | Ballard Point | 2000 | Bath Spa University College | ||
| Gardiner J | Digital Photo Illustration | 1994 | Bath Spa University College | ||
| Garcia D R | The Translation Machine | 1997 | University of Portsmouth | Centre for New Media Research | |
| Garcia D R | The Digital Underpass | 1995 | University of Portsmouth | Centre for New Media Research | |
| Garcia D R | The Next Five Minutes (2) | 1996 | University of Portsmouth | Centre for New Media Research | |
| Ganz A J | Inter-Act Project | 1994 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Ganter J | Relativities: The 4th British International Miniature Print Exhibition | 2000 | Edinburgh College of Art | Fine Art | |
| Ganter J | Meeting Places | 1998 | Edinburgh College of Art | Fine Art | |
| Ganter J | Appositions | 2000 | Edinburgh College of Art | Fine Art | |
| Ganter J | Appositions 1-5 | 2000 | Edinburgh College of Art | Fine Art | |
| Gant R | Homage to Swallows | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Gant R | The Talascape Project | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Gant R | The Big Squeeze | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Gamman LP | Visual Seduction and Perverse Compliance | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gamman LP | Gone Shopping: the Story of Shirley Pitts, Queen of Thieves cc of printout of citations | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gamman LP | Design Against Crime:Two exhibitions | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gamman LP | Gagging for It - Desire and Art | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Galloway L | 'Pulse' | 1997 | Wimbledon School of Art | Sculpture | |
| Galloway L | Out of Mind | 1999 | De Montfort University | ||
| Galloway L | Dumfounded | 1999 | De Montfort University | ||
| Galloway L | Pulse | 1997 | De Montfort University | ||
| Galloway L | You Are Here | 1997 | De Montfort University | ||
| Gallacher A | Premier Classe | 2000 | Glasgow School of Art | Design | |
| Gallacher A | London Fashion Week | 1998 | Glasgow School of Art | Design | |
| Gallacher A | Checknote | 1998 | Glasgow School of Art | Design | |
| Gallacher A | Personal Space | 2000 | Glasgow School of Art | Design | |
| Gallaccio A | Brilliant: New Art From London | 1995 | The London Institute | Fine Art | |
| Gallaccio A | The Greenhouse Effect. | 2000 | The London Institute | Fine Art | |
| Gallaccio A | Material Culture: The Object in British Art of the 1980s and '90s | 1997 | The London Institute | Fine Art | |
| Gallaccio A | Pictura Britannica: Art from Britain | 1997 | The London Institute | Fine Art | |
| Gale D | Dining with Alice | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Gale D | I Am Dandy | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Gale D | Grave New World | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Gale D | The Empress | 1994 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Gale C | Illustrations for the BT Intranet Site | 1999 | Kingston University | ||
| Gale C | The Viking Saga of Harri Bristlebeard | 1997 | Kingston University | ||
| Gale C | 'Tattie Boggle' | 1997 | Kingston University | ||
| Gale C | Foxtrot | 1997 | Kingston University | ||
| Gabie N | Posts | 1999 | University of Gloucestershire | ||
| Gabie N | Material Evidence | 1997 | University of Gloucestershire | ||
| Gabie N | Neville Gabie | 2000 | University of Gloucestershire | ||
| Gabie N | Up in the Air | 2000 | University of Gloucestershire | ||
| GUILLE J | WE WILL BELIEVE IN BLOSSOMS AFTER EATING THE FRUIT | 1997 | Middlesex University | ||
| GUILLE J | AFRICAN PRINTS:CHITENGE CLOTHS IN CENTRAL AND SOUTHERN AFRICA | 1997 | Middlesex University | ||
| GUILLE J | SOUTHERN AFRICAN TEXTILES TODAY: DESIGN, INDUSTRY AND COLLECTIVE ENTERPRISES | 1995 | Middlesex University | ||
| GUILLE J | TRANSFORMED: TEXTILES AS A CREATIVE MEDIUM | 1998 | Middlesex University | ||
| GUILD D | Bread Paintings | 2000 | University of Dundee | Contemporary Practice | |
| GUILD D | Sense is Hard | 1997 | University of Dundee | Contemporary Practice | |
| GUILD D | Choice Bread | 1997 | University of Dundee | Contemporary Practice | |
| GRYLLS V | Greenwich Mean Time 2000 | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GRANDFIELD G | THE COMPLETE ENTERTAINMENT [G GREENE] - | 1996 | Middlesex University | ||
| GRANDFIELD G | THE COMPLETE NOVELS [R CHANDLER] | 2000 | Middlesex University | ||
| GRANDFIELD G | THE BBC RADIO COLLECTION OF JOHN LE CARR | 2000 | Middlesex University | ||
| GRANDFIELD G | THE GREAT NOVELS [G GREENE] | 1998 | Middlesex University | ||
| GOUGH P | Rendez-vous: Canadian Battlefields re-visited. Images of Venerated Sites by Paul Gough | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| GOUGH P | Memorial Gardens as Dramaturgical Space | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| GOUGH P | From Heroes Groves to Parks of Peace: landscapes of remembrance, protest and peace | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| GOUGH P | Dead Ground and Other Sites of Memory | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| GODFREY-ISAACS L | HOME 2 | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| GODFREY-ISAACS L | Here to Stay | 1996 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| GODFREY-ISAACS L | Into the Public Realm: Art, Institutions and People | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| GILLIES P | Making an Impression: Contemporary Printmaking | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| GILLIES P | Pete Gillies: Artist in Residence | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| GILLIES P | Pete Gillies: Artist in Residence | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| GILLIES P | Innovations and Transformations in Printmaking | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| GERZ J. | Money, love, death, freedom - what counts in the end? | 2000 | Coventry University | Visual Arts | |
| GERZ J. | Miami Islet | 1998 | Coventry University | Visual Arts | |
| GERZ J. | Les mots de Paris | 2000 | Coventry University | Visual Arts | |
| GERSHT O | Pitch | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GERSHT O | Don't Worry | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GERSHT O | White Noise | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GERSHT O | After Wars | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GEORGIOU D. | Seven colours, seven corresponding pictures | 1999 | Coventry University | Visual Arts | |
| GEORGIOU D. | Screen memories: snaps, shrines, objects and other things | 1996 | Coventry University | Visual Arts | |
| GAWTHROP R | NOISE TRANSMISSIONS | 2000 | University of Lincoln | ||
| GATT E E | Soapmarine Dispensers | 1997 | University of Dundee | Coastal/Indigenous Cultures | |
| GATES-STUART E | 'Unititled' 2 part piece installation. Digital Image Print - Sculpture - Lead covered wooden press containing archival digital material. | 1996 | University of Lincoln | ||
| GATES-STUART E | 'Saint John of God 1' 8th International Biennial Print and Drawing in Exhibition (Catalogue and Exhibition) | 1998 | University of Lincoln | ||
| GARDNER D | Vox Humana | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| GARDNER D | The Heaving Line | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| GARDNER D | Multifold/Veelvoud | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| GARDNER D | We're Not in Kansas Anymore | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| GARDINER L | Here Come Poppy and Max | 2000 | University of Dundee | Contemporary Practice | |
| GANGE J | A Technics of Slow-Motion - art Technology and Technique | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GANGE J | A Phenomenology of Slow-Motion | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GANGE J | Rites of Passage - Future Passability | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Furneaux P | Triangle: 3 British Artists in Japan | 1998 | Edinburgh College of Art | Fine Art | |
| Furneaux P | Strange Rain | 1999 | Edinburgh College of Art | Fine Art | |
| Furneaux P | The 9th Internation Biennial Print Drawing Exhibition 1999 R.O.C. | 1999 | Edinburgh College of Art | Fine Art | |
| Furneaux P | Colores de Unextrano Otono | 1995 | Edinburgh College of Art | Fine Art | |
| Furlong W | An Imagery of Absence | 1998 | Wimbledon School of Art | Research Centre | |
| Furlong W | Sound Garden | 1994 | Wimbledon School of Art | Research Centre | |
| Furlong W | Audio Arts in Bregenz (1973-1998) | 1998 | Wimbledon School of Art | Research Centre | |
| Fulcher R | Taste and Fashion | 2000 | University of Sunderland | Fine Art | |
| Fulcher R | The Swirle Pavilion | 1998 | University of Sunderland | Fine Art | |
| Fulcher R | VUE | 1996 | University of Sunderland | Fine Art | |
| Fulcher R | Taste and Fashion; Art in Public View. | 2000 | University of Sunderland | Fine Art | |
| Friend M | Country Pursuits | 1994 | The London Institute | Media and Communication | |
| Friend M | Beyond the Front Line | 1994 | The London Institute | Media and Communication | |
| Friend M | Homes and Gardens | 1998 | The London Institute | Media and Communication | |
| Friend M | Claustrophobia | 1998 | The London Institute | Media and Communication | |
| Frew C | Zingmagazine - A Curatorial Crossing | 1994 | Edinburgh College of Art | Fine Art | |
| Frew C | European Couples and Others | 1997 | Edinburgh College of Art | Fine Art | |
| Frew C | Angus Hood and Christine Frew | 1998 | Edinburgh College of Art | Fine Art | |
| Frew C | Criss Cross: Some New Yorkers III | 1999 | Edinburgh College of Art | Fine Art | |
| Freshwater S | Art Textiles of the world. | 1999 | University of Hertfordshire | ||
| Freshwater S | Mobilization | 1999 | University of Hertfordshire | ||
| Freshwater S | Art textiles 2 | 2000 | University of Hertfordshire | ||
| Freshwater S | Under Construction. | 1996 | University of Hertfordshire | ||
| French H | Architecture: A Crash Course | 1998 | Royal College of Art | Architectural Design | |
| French H | Living Together and The Garden City | 2000 | Royal College of Art | Architectural Design | |
| Freeman P | Design of a Prototype Overmoulded Metal Automotive Part | 2000 | University of Wales Institute, Cardiff | PDR | |
| Freeman P | Development of the Versatool (TM) Process | 1997 | University of Wales Institute, Cardiff | PDR | |
| Frayling C | Ridley Scott | 1996 | Royal College of Art | Communications | |
| Frayling C | Nightmare - the birth of horror | 1996 | Royal College of Art | Communications | |
| Frayling C | Things to come | 1995 | Royal College of Art | Communications | |
| Frayling C | Sergio Leone - something to do with death | 1999 | Royal College of Art | Communications | |
| Fraser SJH | Jewellery Moves | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Fraser SJH | Day of Record | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Fraser SJH | Made to Wear The Lethaby Gallery | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Fraser SJH | Jewellery in Europe and America | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Fraser S | 'Feel It, Wear It' | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fraser S | Jewellery Moves | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fraser S | Tattoo: a Day of Record | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fraser S | 'Jewelry in europe and america' | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fraser D | Organic Surfaces | 1994 | University of Ulster | ||
| Fraser D | Vita: Professional Practice for Artists | 1998 | University of Ulster | ||
| Fraser D | Exploring the Lathe | 1995 | University of Ulster | ||
| Fraser D | Cisti Nua | 1996 | University of Ulster | ||
| Franks A M | Fifth International Triennale of Contemporary Porcelain | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Franks A M | A Question of Identity - a world without borders | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Franks A M | International Contemporary Ceramics 2000 | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Franks A M | Tony Franks C | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Franklin A | The European Ceramic Work Centre | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Franklin A | Project Nomads: Life, Dying and Death in Different Cultures | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Franklin A | 'Skedaddle' | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Franklin A | 'Harbour' | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Frank C | FRA 361, 375, 374, 378, 368, 364, 2011, 405, 410, 408 (textile designs) | 2000 | Loughborough University | Textiles | |
| Frank C | FRA 428 (textile design) | 2000 | Loughborough University | Textiles | |
| Frank C | FRA 335, 336, 339, 340, 534, 313, 333, 303, 345, 344, 342, 159 (textile designs) | 1999 | Loughborough University | Textiles | |
| Frank C | FRA 415, 407, 409, 412 (textile designs) | 2000 | Loughborough University | Textiles | |
| Francis M | The House in the Lumber Room | 1998 | University of Brighton | Fine Art Practices | |
| Francis M | The Jumping Man | 1996 | University of Brighton | Fine Art Practices | |
| Francis M | Mary Anne Francis: Group Show | 2000 | University of Brighton | Fine Art Practices | |
| Francis M | Brick Lane | 1995 | University of Brighton | Memory, Identity and History | |
| France JM | 'Hand, Paper, Paint', one person exhibition. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| France JM | 'Level', Retrospective Exhibition of Guest Foreign Artist Programme. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| France JM | 'Thulso 'P' Art'. Exhibition of works from International Symposium. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| France JM | 'In-transit' - Some Contemporary British Art, exhibition. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Fozzard GJ | Dexis Image Modeller and Texton Mapping Software Libraries | 1999 | De Montfort University | ||
| Fox S | Exhibition: Lost and Found: critical voices in new British design | 1999 | The London Institute | Fashion and Textiles | |
| Fox S | Suspending Clothing - Clothing from 3 Collections for 'Fabric of Fashion' Exhibition | 2000 | The London Institute | Fashion and Textiles | |
| Fox S | Capsule Collection for The Jerwood Fashion Prize | 1999 | The London Institute | Fashion and Textiles | |
| Fox S | Fashion in Motion | 2000 | The London Institute | Fashion and Textiles | |
| Fox A | Cockroach Diary | 1999 | Royal College of Art | Fine Art | |
| Fox A | Friendly Fire | 1994 | Royal College of Art | Fine Art | |
| Fox A | Shoreditch Biennale | 1996 | Royal College of Art | Fine Art | |
| Fox A | Zwarte Piet | 1999 | The London Institute | Fine Art | |
| Fox A | A Positive View | 1994 | The London Institute | Fine Art | |
| Fox A | Les 13 | 1999 | The London Institute | Fine Art | |
| Fowler P | Planet Number | 1995 | Liverpool John Moores University | International Centre for Digital Content | |
| Fowler P | Planet Shape | 1995 | Liverpool John Moores University | International Centre for Digital Content | |
| Foster N | St Helens Chamber | 1999 | Liverpool John Moores University | International Centre for Digital Content | |
| Foster A. | BRITISH ARTISTS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Foster A. | GWEN JOHN'S SELF-PORTRAIT: ART, IDENTITY AND WOMEN STUDENTS AT THE SLADE SCHOOL | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Foster A. | DRESSING FOR ART'S SAKE: GWEN JOHN, THE BON MARCHE AND THE SPECTACLE OF THE WOMAN ARTIST IN PARIS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Foster A. | GWEN JOHN | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Fortnum R | Solipsist | 2000 | Wimbledon School of Art | Painting | |
| Fortnum R | Third Person | 1996 | Wimbledon School of Art | Painting | |
| Fortnum R | Solipsist: New Paintings: by Rebecca Fortnum | 2000 | Bath Spa University College | ||
| Forster J | Current: an Exploration in Light Sound Form | 2000 | University of Gloucestershire | ||
| Forster J | Sympathetic Magic | 1997 | University of Gloucestershire | ||
| Forster J | Fade Away and Radiate | 1999 | University of Gloucestershire | ||
| Forster J | Making Light of it | 2000 | University of Gloucestershire | ||
| Ford PB | 'Multi-shot' dispenser/activator of Guinness from a 2 and 3 litre bottle | 1998 | De Montfort University | ||
| Ford PB | 'Xenex' 4,8,16 zone fire detection control panels | 1996 | De Montfort University | ||
| Ford PB | Prick'l star - Carbonated Drinks Maker | 1999 | De Montfort University | ||
| Forbes Visser K | DANDY | 1998 | Edinburgh College of Art | Fine Art | |
| Forbes Visser K | Independent Life | 1997 | Edinburgh College of Art | Fine Art | |
| Forbes Visser K | After Candide | 1998 | Edinburgh College of Art | Fine Art | |
| Forbes Visser K | Neue Spiele | 1996 | Edinburgh College of Art | Fine Art | |
| Follen S. | METALMORPHOSIS: TRADITION AND INNOVATION IN BRITISH SILVER AND METALWORK 1880-1998 | 1998 | The Surrey Institute of Art + Design University College | Crafts | |
| Follen S. | DOMAIN | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Follen S. | TWENTY-FIVE YEARS | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Follen S. | CONTOURS | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Flower T J | Inside/Outside | 1998 | University of Brighton | Natural and Constructed Environments | |
| Flower T J | From the EarthSeptember | 2000 | University of Brighton | Natural and Constructed Environments | |
| Flower T J | Landlines | 2000 | University of Brighton | Natural and Constructed Environments | |
| Flower T J | Big Skies, Art crossing the border | 2000 | University of Brighton | Natural and Constructed Environments | |
| Fletcher K | Environmentally responsible design in textiles | 1999 | Goldsmiths College | ||
| Fletcher K | Design, the environment and textiles: developing strategies for environmental impact reduction. | 1998 | Goldsmiths College | ||
| Fletcher K | The T shirt interactive. | 1997 | Goldsmiths College | ||
| Fleming M | 1999 | Leeds Metropolitan University | Visual Arts | ||
| Fleming M | 1994 | Leeds Metropolitan University | Visual Arts | ||
| Fleming M | 1994 | Leeds Metropolitan University | Visual Arts | ||
| Fleming K | European Art Quilt | 1997 | University of Ulster | ||
| Fleming K | European Quilt Triennale | 2000 | University of Ulster | ||
| Fleming K | Connections | 1998 | University of Ulster | ||
| Fleming K | Anchor Award for European Embroidery Design | 1996 | University of Ulster | ||
| Flavell M R | New Glass | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Flavell M R | International New Glass | 1996 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Flavell M R | New Developments in Glass | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Flavell M R | Ray Flavell Verre | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Flannigan M | Moyna Flannigan/Chantal Joffe, two person exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Flannigan M | Moyna Flannigan, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Flannigan M | Moyna Flannigan, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Flannigan M | Moyna Flannigan, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Fisher T | The Designer's Self-Identity - Myths of Creativity and the Management of Teams | 1997 | Sheffield Hallam University | ||
| Fisher T | Plastics: materials of consumption | 1999 | Sheffield Hallam University | ||
| Fisher T | The Culture of Design - Teamwork and the Designers' Professional Identity | 1996 | Sheffield Hallam University | Applied Design Policy | |
| Fisher E | Focus Print: A Series of Events on Contemporary Printmaking | 1999 | Robert Gordon University | Learning Strategies | |
| Fisher E | Continental Shift: six American artists in Britain | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Fisher E | Hinterland | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Fisher E | Northern Lights | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Fisher C | Dyptich (Untitled). | 1997 | Goldsmiths College | ||
| Fisher C | 12 Untitled Paintings. | 2000 | Goldsmiths College | ||
| Fisher C | Dyptich. | 1997 | Goldsmiths College | ||
| Finnemore P | Locws International - Art across a City | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Finnemore P | Gwendraeth House | 2000 | Swansea Institute of Higher Education | Photography | |
| Finnemore P | Inheritance | 1994 | Swansea Institute of Higher Education | Photography | |
| Finn-Kelcey R | Rose Finn-Kelcey | 1997 | The London Institute | Fine Art | |
| Finn-Kelcey R | British Art Show 4 | 1996 | The London Institute | Fine Art | |
| Finn-Kelcey R | Structurally Sound | 2000 | The London Institute | Fine Art | |
| Finn-Kelcey R | It pays to pray | 1999 | The London Institute | Fine Art | |
| Filmer N | Be-hind Be-fore Be-yond | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Filmer N | A Long False Equator | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Filmer N | Collection of Jewellery by Naomi Filmer | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Filmer N | Naomi Filmer - work for the Jerwood Applied Arts Prize | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Fillingham P | Near. | 1998 | Goldsmiths College | ||
| Fillingham P | Excellent. | 2000 | Goldsmiths College | ||
| Fillingham P | Live Life/Sound Work. | 1997 | Goldsmiths College | ||
| Fillingham P | A Miracle. | 1997 | Goldsmiths College | ||
| Fijalkowski K M | Impasse Angelique | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Fijalkowski K M | Henri Chopin: Sonic Memory | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Field B | Institutional Deficiencies and Capacity Building Constraints: The Dilemma for Environmentally Sustainable Development in Africa | 1997 | De Montfort University | ||
| Field B | Embracing the Informal Sector: A More Inclusive and Sustainable Approach to Third World Planning | 1998 | De Montfort University | ||
| Field B | The Morphology of Planning in an Urban Laboratory | 1999 | De Montfort University | ||
| Field B | Reconciling Theory and Practice: A Case Study in Contemporary Planning | 2000 | De Montfort University | ||
| Fiddis C | Developing Multimedia (self directed learning) Program for Ceramics | 1999 | University of Ulster | ||
| Fiddis C | TLTP: Glaze/Ceramics | 1998 | University of Ulster | ||
| Fiddis C | Multi-Media (self directed learning) Program for Ceramics: A Domain Support Environment. | 1999 | University of Ulster | ||
| Fiddis C | A Software Teaching Support for Ceramic Education | 1996 | University of Ulster | ||
| Ferry DD | The Lake District | 1995 | University of Southampton | ||
| Ferry DD | The Glory of Scotland. | 1995 | University of Southampton | ||
| Ferry DD | A Picture Book of the Lake District | 1997 | University of Southampton | ||
| Ferry DD | Some Aspects of our National Heritage | 2000 | University of Southampton | ||
| Ferris M | The VIII International Conference on Environmental Psychology.Electronic Environments: Place, Memory and Identity. | 1998 | University of Hertfordshire | ||
| Ferris M | Leonardo | 2000 | University of Hertfordshire | ||
| Ferris M | The Allure of the DigitalInternational Conference on the Role of Technology in an Ideas Culture | 1999 | University of Hertfordshire | ||
| Ferris M | Wired Worlds: Exploring the Digital Frontier | 1999 | University of Hertfordshire | ||
| Fern D | MAP/Making | 1999 | Royal College of Art | Communications | |
| Fern D | Forgotten Picture | 1995 | Royal College of Art | Communications | |
| Fern D | Pulse Sampler | 1996 | Royal College of Art | Communications | |
| Fern D | The Museum of the New Millennium | 1999 | Royal College of Art | Communications | |
| Ferguson A | Costume design and production | 2000 | Glasgow School of Art | The Decorative Arts | |
| Ferguson A | Knitwear designs | 1997 | Glasgow School of Art | Design | |
| Ferguson A | Slipstitch? New Concepts in Knitting: group exhibition | 2000 | Glasgow School of Art | Design | |
| Ferguson A | Exhibition of knitted design work | 1998 | Glasgow School of Art | Design | |
| Fereday G. | RECENT WORKS BY LIZ CLARK AND GWEN FEREDAY | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Fereday G. | A DYEING ART: GEOMETRIC DOUBLE IKATS FROM ANDHRA PRADESH | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Fereday G. | THREADLINES | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Fereday G. | OPEN STUDIOS | 1994 | The Surrey Institute of Art + Design University College | Crafts | |
| Feo R | Minimal Maximal | 1999 | Royal College of Art | Design for Manufacture | |
| Feo R | Response Wall | 2000 | Royal College of Art | Design for Manufacture | |
| Feo R | Mind the Gap | 1998 | Royal College of Art | Design for Manufacture | |
| Feo R | Miss Ramirez | 1997 | Royal College of Art | Design for Manufacture | |
| Fearon J E | James Fearon One Person Exhibition | 1997 | Bolton Institute of HE | ||
| Fearon J E | Rennaisance Art Awards Exhibition | 1996 | Bolton Institute of HE | ||
| Fearon J E | Royal College of Art, MA Centenary Degree Exhibition | 1996 | Bolton Institute of HE | ||
| Fearon J E | New Work One Person Exhibition | 1996 | Bolton Institute of HE | ||
| Fearns R | Jacobs Ladders + Galleries | 1995 | Bath Spa University College | ||
| Fawkes S | Contemporary Sculptures in Crystal and Glass from 17 countries between the mediterranean and the arctic circle | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fawkes S | A Gathering of Glass | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fawkes S | Reflexion Window | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fawkes S | Spring Open - Millenium Surroundings | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Faure-Walker J | The Colour and Motion Series | 2000 | Kingston University | ||
| Faure-Walker J | Digital Painting: Facing the Problem | 1999 | Kingston University | ||
| Faure-Walker J | Recent developments in Digital Painting | 1998 | Kingston University | ||
| Faure-Walker J | The Golden Plotter: Computerkunst/Computer Art 1998 | 1998 | Kingston University | ||
| Farrer JM | Garments and Yarns for Spring/Summer 99 Season and Autumn/Winter 1998/99 and Spring/Summer 99 Yarn Range for British Crepe | 1997 | The London Institute | Fashion and Textiles | |
| Farrer JM | Spring/Summer Knitwear Collection for Burton Menswear - The Burton Group | 1996 | The London Institute | Fashion and Textiles | |
| Farrer JM | Direction Collections Spring/Summer Concepts | 2000 | The London Institute | Fashion and Textiles | |
| Farrer JM | Direction Collections Entertainment, Leisure and Christmas Gifts | 1999 | The London Institute | Fashion and Textiles | |
| Farrelly L | Tibor Kalman Design and Undesign (Cutting Edge) and April Greiman | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Farrelly L | April Greiman: Floating Ideas into Time and Space | 1998 | The London Institute | ||
| Farquhar K | Keith Farquhar | 1998 | Edinburgh College of Art | Fine Art | |
| Farquhar K | Malerei | 1999 | Edinburgh College of Art | Fine Art | |
| Farquhar K | Oldnewtown | 1999 | Edinburgh College of Art | Fine Art | |
| Farquhar K | Surfacing | 1998 | Edinburgh College of Art | Fine Art | |
| Fallows C | 'Spring Reverb' | 2000 | Liverpool John Moores University | Audio-visual | |
| Fallows C | Realtime 2.0 | 1997 | Liverpool John Moores University | Audio-visual | |
| Fallows C | Audio Research Editions | 1998 | Liverpool John Moores University | Audio-visual | |
| Falconbridge BW | 230th Royal Academy Summer Exhibition. | 1998 | Goldsmiths College | ||
| Falconbridge BW | Brian Falconbridge: Sculpture and Drawings. | 1996 | Goldsmiths College | ||
| Falconbridge BW | 231st Royal Academy Summer Exhibition. | 1999 | Goldsmiths College | ||
| Falconbridge BW | 232nd Royal Academy Summer Exhibition. | 2000 | Goldsmiths College | ||
| Fairclough L. | Super 8 Sunsets | 2000 | University College London | Fine Art Media | |
| Fairclough L. | Steppe | 2000 | University College London | Fine Art Media | |
| Fairclough L. | Bicycling from Hong Kong to Tibet | 1997 | University College London | Fine Art Media | |
| Fairclough L. | A Square of Ground | 2000 | University College London | Fine Art Media | |
| Faiers J | Do You Really Want It That Much? ...More Part 3. | 2000 | Goldsmiths College | ||
| Faiers J | 'Do You Really Want It That Much...More' Part 2. | 1999 | Goldsmiths College | ||
| Faiers J | Incroci/Interrelations Among Different Practices. | 1999 | Goldsmiths College | ||
| Fagence Cooper S | Aspiring to the Condition of Music: Painting in Britain 1860-1900 | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Fagence Cooper S | Representations of Music in the Art of Burne-Jones | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Fabian A | RCA Postgraduate Art and Design | 1997 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fabian A | A Feast of Silver | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fabian A | 90s Metalwork and Jewellery Design, 100 Years at the RCA Art and Design | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fabian A | Metalmorphosis | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| FURNHAM D | Tati Interactive | 2000 | Middlesex University | ||
| FURNHAM D | Tati - A Chance to Whistle; Tales from St S | 2000 | Middlesex University | ||
| FURNHAM D | A Chance to Whistle | 2000 | Middlesex University | ||
| FURNHAM D | L'Artiste, le Fermier et le Paysage | 1998 | Middlesex University | ||
| FURNEAUX SH | Virtual Revolutions Act and Read | 2000 | University of Oxford | ||
| FURNEAUX SH | Kisses | 2000 | University of Oxford | ||
| FURNEAUX SH | Pleeeeeeeeease release me | 1997 | University of Oxford | ||
| FURNEAUX SH | Kissing | 1996 | University of Oxford | ||
| FORD L | ANIMAL - GROUP SHOW | 2000 | Middlesex University | ||
| FORD L | A STRANGER HERE MYSELF | 1998 | Middlesex University | ||
| FORD L | JOHN BULL | 2000 | Middlesex University | ||
| FORD L | BRITISH ART SHOW TOURING SURVEY EXHIBITION - GROUP EXHIBITION | 2000 | Middlesex University | ||
| FORBES R | Indian Summer | 2000 | University of Dundee | Contemporary Practice | |
| FORBES R | Ronald Forbes - New works/Drawings | 1999 | University of Dundee | Contemporary Practice | |
| FORBES R | Catalogue of Disasters and Other Paintings | 1997 | University of Dundee | Contemporary Practice | |
| FOLLETT G L P | Jewellery by Georgina Follett | 2000 | University of Dundee | Industry and the Public Sector | |
| FLACK S R | NB | 1996 | University of Dundee | Digital Technology | |
| FLACK S R | Brother 52 | 1997 | University of Dundee | Digital Technology | |
| FLACK S R | T in the Park | 1997 | University of Dundee | Digital Technology | |
| FLACK S R | Time Piece | 2000 | University of Dundee | Digital Technology | |
| FITZPATRICK D. | Early people: Scotland's inhabitants 800BC-110AD | 1998 | Coventry University | Design | |
| FITZPATRICK D. | Regimental bi-centennial portfolio | 1999 | Coventry University | Design | |
| FITZPATRICK D. | Argyll and Sutherland Highlanders Museum | 1995 | Coventry University | Design | |
| FITZPATRICK D. | Linn Records | 1999 | Coventry University | Design | |
| FISHER G R | La Peshce | 1996 | University of Dundee | Contemporary Practice | |
| FISHER G R | The Blue Chamber | 2000 | University of Dundee | Contemporary Practice | |
| FINLAY A | Flowers of the North Sea | 1999 | University of Dundee | Coastal/Indigenous Cultures | |
| FILLINGHAM P | Vauxhall Gardens | 1998 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| FILLINGHAM P | Near 'Le Grand Coq' and other works | 1998 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| FILLINGHAM P | The Bookshop Piece | 1996 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| FILLINGHAM P | Blue Installation | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| FEIST A. | Comparing the performing arts in Britain, the US and Germany: making the most of secondary data | 1998 | City University | ||
| FEIST A. | Cultural Employment in Europe | 2000 | City University | ||
| FAIRNINGTON M | Postcards on Photography | 1999 | University of Oxford | ||
| FAIRNINGTON M | Relative Values | 1998 | University of Oxford | ||
| FAIRNINGTON M | Mantidae | 2000 | University of Oxford | ||
| FAIRNINGTON M | Heavier than Air | 1998 | University of Oxford | ||
| FAGEN G R | Graham Fagen, Plant Installation + Archive | 2000 | University of Dundee | Digital Technology | |
| FAGEN G R | Imperial War Museum Artist in Kosovo. 'Theatre' | 2000 | University of Dundee | Digital Technology | |
| Evans Milne R | Us Two | 1999 | Bath Spa University College | ||
| Evans Milne R | Frames of Reference | 1996 | Bath Spa University College | ||
| Evans M | Group show | 1998 | University College Northampton | Fine Art Practices | |
| Evans M | Re (with Richard Levy) | 1999 | University College Northampton | Fine Art Practices | |
| Evans M | Southwark Open Exhibition | 1995 | University College Northampton | Fine Art Practices | |
| Evans M | Solo exhibition | 2000 | University College Northampton | Fine Art Practices | |
| Evans C | Urban Fabrications | 1999 | The London Institute | Fashion and Textiles | |
| Evans C | Yesterday's Emblems and Tomorrow's Commodities: The Return of the Repressed in Fashion Imagery Today | 2000 | The London Institute | Fashion and Textiles | |
| Evans C | Modernity and Mutability: the 1990s | 1998 | The London Institute | Fashion and Textiles | |
| Evans C | John Galliano: Modernity and Spectacle | 2000 | The London Institute | Fashion and Textiles | |
| Esser-Hall G M | Perpetual Beginnings: The Role of Phenomenological Hermeneutics in Art Education | 2000 | University College Northampton | Contemporary Art Criticism | |
| Esser-Hall G M | Untersuchung zu Formen visueller Texinterpretation im Englischen Kinderbuch von 1846-1890 [Visual text interpretation in English childrens' books from 1846-1890]. | 1997 | University College Northampton | Contemporary Art Criticism | |
| Escolme B | Theatrical Constructions of the Early Modern Subject: Websters Women in single gender castings. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Escolme B | Staging Nothing: Authenticity Effects in a Post Modern Hamlet project. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Esche C | On the Moral and Psychological Concerns in the Work of Douglas Gordon | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Esche C | Amateur/Eldsjal - variable research initiatives 1900 and 2000 | 2000 | The London Institute | Fine Art | |
| Esche C | Moral and Psychological Concerns in the work of Douglas Gordon in the book Douglas Gordon Works ed. Silke Boerma | 1998 | The London Institute | Fine Art | |
| Entwistle T | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Entwistle T | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Entwistle T | 1999 | Leeds Metropolitan University | Environmental Art and Design | ||
| Entwistle T | 'Windblown'Earth Art | 1996 | Leeds Metropolitan University | Environmental Art and Design | |
| English S G | Uniflood - Covert Lighting | 1996 | University of Northumbria at Newcastle | Product Design (4b) | |
| English S G | Patent number: GB9824901.4. Ro-Tech - The Motorcycle Storage Company | 1998 | University of Northumbria at Newcastle | Product Design (4b) | |
| English S G | DE69504364T, ZA9703665, AU715920, CN1225741, BR9709197, SI789914T, ES2125054T, CA2253286, EP0896719, CZ9701358, DE69504364D, AT170321T, US5788068, CN1171163, BR9509593, HU77142, AU2515897, CA2204373, WO9741563, GB2312665, PL319981, EP0789914, GB2291640, Z | 1994 | University of Northumbria at Newcastle | Product Design (4b) | |
| English S G | Open Folio (A portfolio based collaboration tool and professional development network for designers) | 1999 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | |
| Emmanuel J | Textile Manipulation : Using Ultra-sonic Technology to Develop 3D Products. | 1999 | Liverpool John Moores University | Fashion and Textiles | |
| Emmanuel J | Public Arts Lab | 1997 | Liverpool John Moores University | Fashion and Textiles | |
| Emmanuel J | Public Arts Lab | 1999 | University of Brighton | Materials Practices and Processes | |
| Emmanuel J | Textile Manipulation Using Ultrasonic Technology to Develop Three Dimensional Textiles | 1999 | University of Brighton | Materials Practices and Processes | |
| Emery S | Trade Secrets | 1999 | University of Brighton | Visual Communication Design | |
| Elwes C | The Liaison Officer | 1997 | The London Institute | Fine Art | |
| Elwes C | Video Loupe: A Collection of Essays By and About the Videomaker and Critic Catherine Elwes | 2000 | The London Institute | Fine Art | |
| Elson J | Bus Stops | 1995 | Kingston University | ||
| Elson J | Passenger Service Information Board | 1999 | Kingston University | ||
| Elson J | Titan | 2000 | Kingston University | ||
| Elson J | Bricklayers mortar board and stand | 2000 | Kingston University | ||
| Ellis P | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Ellis P | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Ellis P | 1994 | Leeds Metropolitan University | Visual Arts | ||
| Ellis P | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Ellis E | Londons New Architecture by Bus and Tube. Original prints: 'National Gallery', 'Lords', 'Embankment Place', 'Waterloo', 'Tatepool', '1 Finsbury Avenue', 'Sterling Hilton Heathrow', 'Sackler Gallery', and 'Lloyds' | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ellis E | International Triennial Woodcut and Wood Engraving | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ellis E | A Fine Line - Commercial Wood Engraving in Britain | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ellis E | 'Jasmine', 'Snowdrops', 'Sprawly Mulga Katatjuta', 'Two Sprawly Mulgas Ulured', 'Bookpile' and 'Freesia Dark'. | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Elliott T A | Incident | 1999 | Wimbledon School of Art | Research Centre | |
| Elliott DA | Renewable energy and sustainable futures | 2000 | Open University | Design for sustainability | |
| Elliott DA | Energy, Society and Environment | 1997 | Open University | Design for sustainability | |
| Eglin P M | Exhibition of the Jerwood Prize for Applied Arts: Ceramics, 1996 | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Eglin P M | Workshop/residency at EKWC in Netherlands. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Eglin P M | Group Exhibition, British Ceramics 2000. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Eglin P M | Solo exhibition, Garth Clark Gallery, New York. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Egerton F | Out of this world the influence of nature in crafts and design.One major piece of automaton | 1995 | Liverpool Hope | ||
| Egerton F | Frank Egerton One man Exhibition | 1996 | Liverpool Hope | ||
| Egerton F | A Moving Experience Oxford Gallery High Street, Oxford. (Five major pieces of automata) | 1998 | Liverpool Hope | ||
| Egan K | Change | 1997 | Manchester Metropolitan University | ||
| Egan K | Cosmos | 1996 | Manchester Metropolitan University | ||
| Egan K | Space Pieces Bridgewater Hall | 1996 | Manchester Metropolitan University | ||
| Edwards A | 'Two Thousand Lines: An open eyed collision of words and images from schools in East Leeds | 2000 | Leeds Metropolitan University | Design | |
| Edwards A | 1999 | Leeds Metropolitan University | Design | ||
| Edwards A | 'Garston Regeneration Scheme' | 2000 | Leeds Metropolitan University | Design | |
| Edwards A | 'Revisions: An Alternative History of Photography | 1999 | Leeds Metropolitan University | Design | |
| Ednie JL | Collection of computer assisted Jacquard fabrics for Braghenti (division of Ratti Spa) | 2000 | University of Southampton | ||
| Ednie JL | Collection of 6 handwoven dobby fabrics for Calvin Klein, New York | 1998 | University of Southampton | ||
| Ednie JL | Collection of computer assisted Jacquard fabrics for Braghenti (division of Ratti Spa) | 2000 | University of Southampton | ||
| Ednie JL | Woven dobby fabric for Antonio Berardi | 1998 | University of Southampton | ||
| Edmonds F. A. | ARTMONSKY SUMMER SHOW | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Edmonds F. A. | SEEING BELIEVING | 1995 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Edmonds F. A. | IMAGES OF THE EARTH | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Edmonds F. A. | ZERO-G | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Edmond T A | Artist of the Day | 1996 | University of Reading | ||
| Edmond T A | Terry Edmond-Recent Paintings | 1995 | University of Reading | ||
| Edmond T A | Terry Edmond | 1999 | University of Reading | ||
| Edmond T A | Terry Edmond | 1997 | University of Reading | ||
| Edge S | Exhibition Stand for Delanotech (Europe) Ltd | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Edge S | 'The Use of Generative Technology for Interior Design' | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Eccleston T | Up, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Eccleston T | The Aberrant Object: Women, Dada and Surrealism, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Eccleston T | Politique, group exhibition of publicly sited works | 1995 | Glasgow School of Art | Fine Art | |
| Eccleston T | City Provoked: Flinders Street Station, solo exhibition of publicly sited works | 1997 | Glasgow School of Art | Cities and Environments | |
| Eatock D | Black | Blank | 2000 | University of Brighton | Visual Communication Design | |
| Eatock D | Multi-Ply Tables | 2000 | University of Brighton | Materials Practices and Processes | |
| Eatock D | Call for Entries... A feature article without content | 2000 | University of Brighton | Visual Communication Design | |
| Eatock D | Experiments with graphic language and design | 1999 | University of Brighton | Visual Communication Design | |
| Eastwood SJ | OMSK in Tokyo | 2000 | University of Plymouth | Art Process | |
| Eastwood SJ | Screen into the Space and the Space into the Screen: An History of OMSK | 1999 | University of Plymouth | Art Process | |
| Eastwood SJ | Approaches to Autism | 1998 | University of Plymouth | Art Process | |
| Eastwood SJ | ATOMsk | 2000 | University of Plymouth | Art Process | |
| Eastman K | New from Europe: Ken Eastman and Wouter Dam | 1998 | Glasgow School of Art | The Decorative Arts | |
| Eastman K | 3rd European Biennale of Ceramics | 1997 | Glasgow School of Art | The Decorative Arts | |
| Eastman K | British Ceramics 2000 - dk | 2000 | Glasgow School of Art | The Decorative Arts | |
| Eastman K | 49th International Ceramic Art Competition | 1995 | Glasgow School of Art | The Decorative Arts | |
| Eastley M | Six installations for Sonic Boom | 2000 | Liverpool John Moores University | Audio-visual | |
| Eastley M | Another Strange Attraction | 2000 | Liverpool John Moores University | Audio-visual | |
| Earley RL | Supastore | 1997 | The London Institute | Fashion and Textiles | |
| Earley RL | The Fabric of Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Earley RL | Peugeot Design Awards Exhibition | 1999 | The London Institute | Fashion and Textiles | |
| Earl CF | Shape Boundaries | 1997 | Open University | Design for advanced products | |
| Earl CF | Cues and contingencies in shape computation | 2000 | Open University | Design for advanced products | |
| Earl CF | Generated designs: structure and composition. | 1999 | Open University | Design for advanced products | |
| Eacott JF | Escape to Life | 2000 | University of Westminster | Sound Media | |
| Eacott JF | In the Footsteps of Alexander the Great | 1997 | University of Westminster | Sound Media | |
| Eacott JF | It's What You Make It | 1999 | University of Westminster | Sound Media | |
| Eacott JF | Timon of Athens | 1999 | University of Westminster | Sound Media | |
| Eachus PA | Signs of History Musee Imaginaire | 1997 | The London Institute | ||
| Eachus PA | Critical Intervention: Eviland With Out (but what if for a moment) Publication | 1998 | The London Institute | ||
| Eachus PA | Four Silences (after Blanchot) | 1999 | The London Institute | ||
| Eachus PA | A Storm in Paradise - The Saving Angel | 1997 | The London Institute | ||
| EVELEIGH A | COASTING ALONG | 1998 | Middlesex University | ||
| EVELEIGH A | EASTER IN OSTEND | 1997 | Middlesex University | ||
| EVELEIGH A | GOP DE SCHAAL VAN RICHTER | 1998 | Middlesex University | ||
| EVELEIGH A | IDENTITY PARADE | 1996 | Middlesex University | ||
| EISENMANN M | Auerbachs Keller II (Paintings, Objects) | 1998 | University of Lincoln | ||
| EISENMANN M | Harry Koegler und dreizehn seiner ehemaligen Studenten | 2000 | University of Lincoln | ||
| EISENMANN M | Prototype for an Amene Landscape: Black Forest | 1996 | University of Lincoln | ||
| EISENMANN M | Sechs Maler......Paintings | 1996 | University of Lincoln | ||
| Dye M | Reception seating | 1997 | Kingston University | ||
| Dye M | Omega | 1996 | Kingston University | ||
| Dye M | Arabesque | 1996 | Kingston University | ||
| Dye M | Meridio Soft | 1995 | Kingston University | ||
| Dye D M | Steps an installation | 1995 | University of Northumbria at Newcastle | Installation (2b) | |
| Dye D M | Live in Your Mind - A survey of British Conceptual Art 1966-75 | 2000 | University of Northumbria at Newcastle | Installation (2b) | |
| Dye D M | Divers Memories/Hong Kong | 1998 | University of Northumbria at Newcastle | Installation (2b) | |
| Dye D M | 'Ultra' | 1996 | University of Northumbria at Newcastle | Installation (2b) | |
| Durling D L | Doctorates in Design: Good or Bad?, keynote lecture, 4th Asian Design Conference on Design Science 1999, Nagaoka, Japan. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Durling D L | Computer aided instruction using styles. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Durgnat R | WR - Mysteries of the Organism | 1999 | University of East London | ||
| Durgnat R | 'Two Social Problem Films: Sapphire and Victim' | 1997 | University of East London | ||
| Durgnat R | 'The Negative Vision of Robert Bresson' | 1998 | University of East London | ||
| Durgnat R | 'Some Lines of Inquiry into Post-war British Crimes' | 1997 | University of East London | ||
| Durden M | 'Viewing Positions' article on Steve McQueen. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Dupre F | A Different Kind of Show | 1994 | University of Central England in Birmingham | Fine Art Research Group | |
| Dupre F | Me and You | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Dupre F | emplacements | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Dupre F | Messagers de la Terre | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Dunne A | Hertzian Tales | 1994 | Royal College of Art | Computer Related Design | |
| Dunne A | Placebo | 2000 | Royal College of Art | Computer Related Design | |
| Dunne A | Hertzian Tales; electronic products, aesthetic experience and critical design | 1994 | Royal College of Art | Computer Related Design | |
| Dunne A | Weeds, Aliens and Other Stories | 1998 | Royal College of Art | Computer Related Design | |
| Duncan AEJ | 'Death keeps me awake: The generator that Hums in the Night' | 1997 | University of East London | ||
| Duncan AEJ | 'Of castles and Melts: Dickens and the Dark Sublime' | 1997 | University of East London | ||
| Duncan AEJ | Inside - Outside - Permutation: Science and the Body in Contemporary Art | 2000 | University of East London | ||
| Duncan AEJ | Humanscope project: A collaboration between patients in Haemato-oncology and the Artist Andrea Duncan | 1999 | University of East London | ||
| Dunbar T | Narrativity and Sense of Presentness in Abstract Painting | 1998 | Manchester Metropolitan University | ||
| Dunbar T | An Anxious Optimism | 1997 | Manchester Metropolitan University | ||
| Dunbar T | An Exhibition, an Eclipse and the Hermeneutics of Painting | 1996 | Manchester Metropolitan University | ||
| Dunbar L | International Print Triennale, Cracow, Poland | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Dunbar L | New Work On Paper | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Dunbar L | 36 Units | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Dunbar L | Print is Print (Portfolio) | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Dumbar G | Fly Opera | 1994 | Royal College of Art | Communications | |
| Dumbar G | Studio Dumbar | 1998 | Royal College of Art | Communications | |
| Dumbar G | Corporate Identity for the Dutch Police | 1995 | Royal College of Art | Communications | |
| Dumbar G | Behind the Seen | 1996 | Royal College of Art | Communications | |
| Dukes P J | Nanostate Reading Room | 1999 | University of Hertfordshire | ||
| Dukes P J | Writing and Passivity | 2000 | University of Hertfordshire | ||
| Dukes P J | 71:40 | 1997 | University of Hertfordshire | ||
| Dukes P J | Nanostate | 2000 | University of Hertfordshire | ||
| Duff L | Valley of the Moon | 1998 | Kingston University | ||
| Duff L | Porto and the Duoro | 1998 | Kingston University | ||
| Duff L | Port and the Douro | 1999 | Kingston University | ||
| Duff L | A Trip on the Douro | 1995 | Kingston University | ||
| Drew L | Do development interventions shape conceptions of teaching in Art and Design? | 2000 | University of Brighton | Pedagogic Research | |
| Drew L | A disciplined approach: Learning to practice as design teachers in the University | 2000 | University of Brighton | Pedagogic Research | |
| Draycott PA | EastEnders | 1998 | De Montfort University | ||
| Draycott PA | Memories of an Indian Childhood | 1998 | De Montfort University | ||
| Dray A | DIVA (Digitally Integrated Video and Audio) | 2000 | Kingston University | ||
| Dray A | Option and Vision | 1996 | Kingston University | ||
| Dray A | 'Recoil', 'Onview; and 'Safelink'. | 1996 | Kingston University | ||
| Dray A | Span | 2000 | Kingston University | ||
| Draper C | About Collage | 2000 | Kingston University | ||
| Draper C | The Matrix of Amnesia | 1997 | Kingston University | ||
| Draper C | Titanic | 1999 | Kingston University | ||
| Draper C | Mirrors and Reflections | 2000 | Kingston University | ||
| Downes G H | Opera | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Downes G H | Commune: Klaus Osterwald and Stephanie James | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Downes G H | Framed - Colin Nicholas | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Dower S | Novo V | 2000 | The London Institute | Fine Art | |
| Dower S | UK Maximum Diversity | 1998 | The London Institute | Fine Art | |
| Dower S | Other Places | 1999 | The London Institute | Fine Art | |
| Dover P | Printmaking Today | 1996 | Liverpool Hope | ||
| Dover P | Surface @ SNAP Exhibition catalogue | 1998 | Liverpool Hope | ||
| Dover P | Sensations of the Outer World | 1998 | Liverpool Hope | ||
| Doust R | Shiller from Absolute Classics | 1997 | The London Institute | Media and Communication | |
| Doust R | For UKDS (Industrial Electricity Usage monitoring company) | 1998 | The London Institute | Media and Communication | |
| Doust R | My Sentiments Exactly by Keith Baxter | 1998 | The London Institute | Media and Communication | |
| Doust R | Changing Faces, A Decade at The Royal National Theatre | 1997 | The London Institute | Media and Communication | |
| Douglas N | Look Out: Art, Society, Politics | 2000 | University College London | Fine Art Media | |
| Douglas N | Website Graphics Now | 1999 | University College London | Fine Art Media | |
| Douglas M | Branded Furniture | 1999 | Brunel University | Polymedia Design | |
| Douglas M | Corporate Identity | 1994 | Brunel University | Polymedia Design | |
| Douglas M | 1994 | Brunel University | Polymedia Design | ||
| Douglas M | 'Oceanic' range of furniture | 1997 | Brunel University | Polymedia Design | |
| Douglas H | Experimental Narrative and Artists' Books | 1999 | The London Institute | Fine Art | |
| Douglas H | 72nd Annual International Competition: Photography | 1998 | The London Institute | Fine Art | |
| Douglas H | Livres d'artistes. L'invention d'un genre 1960-1980 | 1997 | The London Institute | Fine Art | |
| Douglas A | Observations and Comments on the Viva Voce | 1997 | Robert Gordon University | Learning Strategies | |
| Douglas A | On the Notion of Test: An example of visual analytical method | 1997 | Robert Gordon University | Learning Strategies | |
| Douglas A | Room with a View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Dos Santos B. | Reboleiro Railway Station | 1998 | University College London | Fine Art Media | |
| Dos Santos B. | Bartolomeu Dos Santos: Aquatintaradierungen und Aquarelle | 1998 | University College London | Fine Art Media | |
| Dos Santos B. | Bartolomeu Dos Santos: Entre Terra e Mar, Obras Recentes | 1998 | University College London | Fine Art Media | |
| Dos Santos B. | City of Macau Museum | 1997 | University College London | Fine Art Media | |
| Dorsett C J | Resurrection Shuffle: A Story of Storage | 1998 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Dorsett C J | Acts of Audience | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Dorsett C J | Divers Memories/Muistoja Syv | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Donachie KM | Surveying the Landscape | 1999 | The London Institute | Fine Art | |
| Donachie KM | London Now | 1998 | The London Institute | Fine Art | |
| Donachie KM | John Moores 21 | 1999 | The London Institute | Fine Art | |
| Donachie KM | Limit Less | 1999 | The London Institute | Fine Art | |
| Dolphin Wilding J | Out of This World: The Influence of Nature in Crafts and Design 1880-1995 | 1995 | Kingston University | ||
| Dolphin Wilding J | Recycling: Forms for the Next Century - Austerity for Posterity | 1996 | Kingston University | ||
| Dolphin Wilding J | Mad as a Hatter - Barking | 1997 | Kingston University | ||
| Dolphin Wilding J | Bridging the Gap (Ha-Ha!) Thanksgiving Banquet | 2000 | Kingston University | ||
| Doig P | Echo Lake | 2000 | Royal College of Art | Fine Art | |
| Doig P | The Turner Prize | 1994 | Royal College of Art | Fine Art | |
| Doig P | Almost Grown | 2000 | Royal College of Art | Fine Art | |
| Doig P | Solo exhibition: Blizzard seventy-seven | 1998 | Royal College of Art | Fine Art | |
| Doherty WJ | Carnegie International 1999/2000 | 1999 | University of Ulster | ||
| Doherty WJ | Extracts from a File | 2000 | University of Ulster | ||
| Doherty WJ | True Nature | 1999 | University of Ulster | ||
| Doherty WJ | Somewhere Else | 1998 | University of Ulster | ||
| Dodds R | The Midnight Clowns | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dodds R | Towards the Light | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dodds R | Number 13 | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dodd I | Objects of Our Time | 1996 | The London Institute | Fashion and Textiles | |
| Dodd I | New Faces '98 | 1998 | The London Institute | Fashion and Textiles | |
| Dodd I | 100% Design | 1999 | The London Institute | Fashion and Textiles | |
| Dodd I | New York International Gift Fair | 1998 | The London Institute | Fashion and Textiles | |
| Docherty PA | In the Darkness of Light | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Docherty PA | Papillion | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Docherty PA | Design for Performance from Diaghilev to the Pet Shop Boys | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Docherty PA | Rosalinda | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Docherty M | The Box of Delights | 1997 | Edinburgh College of Art | Fine Art | |
| Docherty M | Dialog | 2000 | Edinburgh College of Art | Fine Art | |
| Docherty M | Michael Docherty Drawings | 2000 | Edinburgh College of Art | Fine Art | |
| Docherty M | Aspects of Contemporary Art in Scotland | 2000 | Edinburgh College of Art | Fine Art | |
| Dobai S | Another Girl Another Planet | 1999 | The London Institute | Fine Art | |
| Dobai S | Sarah Dobai | 2000 | The London Institute | Fine Art | |
| Dobai S | Sightings: New Photographic Art | 1998 | The London Institute | Fine Art | |
| Dobai S | Black Box Recorder | 2000 | The London Institute | Fine Art | |
| Dixon S | The Tib Street Redevelopment Project | 1996 | Manchester Metropolitan University | ||
| Dinsmore-Tuli U | Films at Home: Putting Domestic Audiences in the Picture. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Dinsmore-Tuli U | 'Console-ing Passions: Television, Video and Feminism Conference'. | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Dinsmore-Tuli U | Chaos, order and plastic boxes: the significance of videotapes for the people who collect them. | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Dinsmore-Tuli U | The pleasures of 'home cinema' or watching movies on telly: an audience study of cinephiliac VCR use. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Dingwall H | Sinister and Dexter | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dingwall H | Remise - Academy Brande | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dingwall H | Saut Perilleux donne Carte Blanche | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dines NE | External Fixators and Arrangement | 2000 | The London Institute | Fine Art | |
| Dines NE | Displacements/Threshold | 1999 | The London Institute | Fine Art | |
| Dines NE | Stay and Stay Craft | 1997 | The London Institute | Fine Art | |
| Dines NE | Drying Up and Pulling Away/ Private Views | 1998 | The London Institute | Fine Art | |
| Dinan Spencer C | A Treasury of Stories for Under Fives | 1994 | The London Institute | Media and Communication | |
| Dinan Spencer C | The Seal Singer | 1996 | The London Institute | Media and Communication | |
| Dimitrakaki A | Elements of A Secret History : Women, Art and Gender in Modern Greece | 1997 | Liverpool John Moores University | Art and Design History | |
| Dillon P | Trend information and Textile Collections Commissioned by the Taiwan Textile Federation (TTF) | 1994 | Liverpool John Moores University | Fashion and Textiles | |
| Dillon J | Mobius Bench | 1997 | Royal College of Art | Design for Manufacture | |
| Dillon J | Lloyd Loom Chairs | 1999 | Royal College of Art | Design for Manufacture | |
| Dillon J | Jobbar office chairs | 2000 | Royal College of Art | Design for Manufacture | |
| Dillon J | Child's floor seat | 2000 | Royal College of Art | Design for Manufacture | |
| Diggle J | Computers in Art and Design Education (CADE) 1997 CD Rom | 1998 | Robert Gordon University | Learning Strategies | |
| Diggle J | A Year and a Day | 1996 | Robert Gordon University | Practices enabled through New Media Technology | |
| Dieterich V | Die Prasenz des Abwesenden 1 | 1999 | Sheffield Hallam University | ||
| Dieterich V | Die Prasenz des Abwesenden 2 | 1999 | Sheffield Hallam University | ||
| Dieterich V | Memory | 1995 | Sheffield Hallam University | ||
| Dieterich V | Malerei - Grafik | 1999 | Sheffield Hallam University | Fine Art | |
| Dickie P | Tussauds Las Vegas Exhibition | 1999 | Wimbledon School of Art | Theatre costume | |
| Dickie P | The World is not Enough | 1999 | Wimbledon School of Art | Theatre costume | |
| Dickie P | The Man who Cried | 2000 | Wimbledon School of Art | Theatre costume | |
| Dickie P | Chimes at Midnight - Chichester | 1998 | Wimbledon School of Art | Theatre costume | |
| Di Girolamo M | 283rd Exhibition of the Royal Society of British Artists | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Di Girolamo M | The 228th Royal Academy of Arts Summer Exhibition 1996 | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Di Girolamo M | Megan Di Girolamo, Solo Exhibition | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Di Girolamo M | The 36th Exhibition of The Society of Portrait Sculptors | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Dewberry E | Lessons from ecodesign. | 2000 | Goldsmiths College | ||
| Devison N | 12/2000 | 2000 | Anglia Polytechnic University | ||
| Devison N | Gallery Artist | 2000 | Anglia Polytechnic University | ||
| Devison N | Access all Areas | 1999 | Anglia Polytechnic University | ||
| Devison N | Assembly | 2000 | Anglia Polytechnic University | ||
| Devine K J | Secrets, works in group exhibition | 2000 | University of Portsmouth | Centre for Creative Empowerment | |
| Devine K J | Enigmatic Communities of Colour | 1999 | University of Portsmouth | Centre for Creative Empowerment | |
| Deville N. | STAGE | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Deville N. | LOSS OF HEAT | 1994 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Deville N. | VAGABONDIA | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Deville N. | FIVE EASY PIECES | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Derges S | Woman Thinking River | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Derges S | Susan Derges - Liquid Form | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Derges S | Anti-Memory: Contemporary Photography II | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Derges S | Silver + Syrup | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Derbyshire A | 'The Examination and Conservation of the Raphael Cartoons' | 1996 | Royal College of Art | Conservation | |
| Derbyshire A | A Proposed Practical Lighting Policy for Works of Art on Paper at the Victoria and Albert Museum | 1999 | Royal College of Art | Conservation | |
| Derbyshire A | Pigment Analysis of Portrait Miniatures using Raman Microscopy | 1998 | Royal College of Art | Conservation | |
| Denton HG | Multi-disciplinary team based project work: planning factors | 1997 | Loughborough University | Design Education | |
| Denton HG | The role of group/team work in design and technology: Some possibilities and problems, Banks, F. (ed), Teaching Technology | 1994 | Loughborough University | Design Education | |
| Denton HG | Good practice in the development of teamworking within engineering design courses | 1996 | Loughborough University | Design Education | |
| Denton HG | Developing capability and good practice in team based design work in undergraduate engineering design, The Swedish Industrial Design Foundation (eds). | 1997 | Loughborough University | Design Education | |
| Denison L | UK Now | 1997 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Denison L | Exhibition | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Denison L | Exhibition | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Denison L | British and European Design Group | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Deliss C | Meditations: Resisting the Seductions of the Space | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Deliss C | Tempolabor: a libertine laboratory? | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Deliss C | Seven Stories about Modern Art in Africa | 1995 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Deliss C | Arte al Centro | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Delano A | No Sign of a Better Job: 100 Years of British Journalism | 2000 | The London Institute | Media and Communication | |
| Delano A | Our Man in the Land of Scoop | 1994 | The London Institute | Media and Communication | |
| Delano A | The First Draft of History - and the Last: the Earliest Reports of a Presidential Assassination Have Survived Years of Scrutiny | 2000 | The London Institute | Media and Communication | |
| Dehn J | Matthew et Mathilde | 2000 | Kingston University | ||
| Dehn J | Equipped for the Future - Developing Designs with IKEA | 2000 | Kingston University | ||
| Dehn J | Rematerialize: A Travelling Exhibition on Recycled Materials | 1996 | Kingston University | ||
| Dehn J | Barbie's Green Chair | 1996 | Kingston University | ||
| Degen J | Brooch in stainless steel with 4 multi-anodized titanium panels (75mm.x75mm.x7mm.) | 1999 | London Guildhall University | ||
| Degen J | Kinetic titanium brooch | 1998 | London Guildhall University | ||
| Degen J | 1 brooch, 5 rings, with precious stones, in gold and titaniun with stainless steel screws and rivets | 1999 | London Guildhall University | ||
| Degen J | Neckpiece-pendant in stainless steel sheet + wire + gold wire. Brooch in gold sheet, patterned, sandblasted steel sheet + stainless steel wire. Non soldered construction. Pair of ear-rings and matching rings in gold wire + curved stainless steel sheet. Tw | 1998 | London Guildhall University | ||
| Deepwell C | Women Artists and Modernism | 1998 | University of Ulster | ||
| Deepwell C | Art Criticism and Africa | 1997 | University of Ulster | ||
| Deepwell C | Bad Girls? Feminist Identity Politics in the 1990's | 1997 | University of Ulster | ||
| Deepwell C | New Feminist Art Criticism : Critical Strategies | 1995 | University of Ulster | ||
| Deacon R | Solo Exhibition | 1997 | The London Institute | Fine Art | |
| Deacon R | Towards sculpture | 1998 | The London Institute | Fine Art | |
| Deacon R | Richard Deacon: Esculturas 1984-95 | 1996 | The London Institute | Fine Art | |
| Deacon R | New World Order | 1999 | The London Institute | Fine Art | |
| De Waal E | Bernard Leach | 1998 | University of Westminster | Ceramics | |
| De Waal E | Solo Exhibition | 1998 | University of Westminster | Ceramics | |
| De Waal E | Modern Home - An Intervention at High Cross House | 1999 | University of Westminster | Ceramics | |
| De Waal E | Ceramics: A Design Sourcebook | 1999 | University of Westminster | Ceramics | |
| De Ville N | 'Ways of Seeing and the Pleasures of the Visual'. | 1998 | Goldsmiths College | ||
| De Ville N | Small Truths - Repetition and the Obsessional in Contemporary Art. | 1996 | Goldsmiths College | ||
| De Ville N | Bankside and the Museum of Modern Art: Experience, Interpretation and Some Conventions. | 1999 | Goldsmiths College | ||
| De Ville N | Unfinished Business - The Duchampian Readymade. | 1999 | Goldsmiths College | ||
| De Quin R | Jug, 2 beaker set on tray (from Crafts Council permanent collection) in silver and glass, pen tray and letter opener, in silver, pomander box in silver with gold-plated interior. | 1998 | London Guildhall University | ||
| De Quin R | 2 condiment sets, fork, dish, cream and sugar set, in silver | 2000 | London Guildhall University | ||
| De Quin R | Computer engraved + folded shallow metal tray in gilding metal with gold leaf | 1996 | London Guildhall University | ||
| De Quin R | 3 piece tea-set with glass and silver tray, three piece water set with glass and silver tray, 2 gold-plated Hamburg jugs, spiral laser-cut, hand-formed fruit/bread basket, square dish with cold-forged fork, large and small landscape salt + pepper shakers, | 1998 | London Guildhall University | ||
| De Oliveira N | O Teatro da memoria: as obras de Adriano e Fernando Guimaraes | 1999 | London Guildhall University | ||
| De Oliveira N | Forensic: an international exhibition of installation art on the relationship between scientific research and artistic processes. | 2000 | London Guildhall University | ||
| De Oliveira N | Possession, Sexuality and Passion | 1996 | London Guildhall University | ||
| De Oliveira N | The Pleasure of our Company | 1997 | London Guildhall University | ||
| De Lannoy C. | The 9th International Biennial Print and Drawing Exhibition | 1999 | University College London | Painting | |
| De Lannoy C. | Works on Paper | 2000 | University College London | Painting | |
| De Lannoy C. | Caroline De Lannoy | 2000 | University College London | Painting | |
| De Lannoy C. | The Challenge for Watercolour in the 21st Century | 1999 | University College London | Painting | |
| De Groot C | Experiencing The Phenomenological Object | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| De Groot C | Design Fields | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| De Cordova D | Confluence | 1995 | Royal College of Art | Fine Art | |
| De Cordova D | Model | 1999 | Royal College of Art | Fine Art | |
| De Cordova D | British Figurative Art: Part Two - Sculpture | 1998 | Royal College of Art | Fine Art | |
| De Cordova D | Girl | 2000 | Royal College of Art | Fine Art | |
| De Briey N | Speel, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| De Briey N | Anxious Words, group exhibiton | 2000 | Glasgow School of Art | Fine Art | |
| De Briey N | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| De Briey N | Made in Glasgow, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Day G | Perfect Form | 1996 | Bath Spa University College | ||
| Day G | Graham Day: Retro Perspective | 1997 | Bath Spa University College | ||
| Day G | Urban Yantras | 1995 | Bath Spa University College | ||
| Dawson J | Finnish Post-War Glass 1945-1996 | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Dawson J | Innovation and Diversity: 75 Years of Swedish Glass 1925-2000 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Dawson J | Innovation and Diversity: 75 Years of Swedish Glass 1925-2000 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Dawson I | 111 | 1999 | University of Southampton | ||
| Dawson I | 221 | 1997 | University of Southampton | ||
| Dawson I | Ian Dawson | 2000 | University of Southampton | ||
| Dawson I | Stack | 1997 | University of Southampton | ||
| Dawson G | Trauma, Memory, Politics: The Irish Troubles | 1999 | University of Brighton | Memory, Identity and History | |
| Dawson G | Soldier Heroes: British Adventure, Empire and the Imagining of Masculinities | 1994 | University of Brighton | Memory, Identity and History | |
| Dawson G | The Imaginative Geography of Masculine Adventure | 1996 | University of Brighton | Memory, Identity and History | |
| Dawber C | Seasonal Womenswear and Childrens Collection of Knitwear. | 1999 | Liverpool John Moores University | Fashion and Textiles | |
| Dawber C | Knitted Menswear Collection. | 1998 | Liverpool John Moores University | Fashion and Textiles | |
| Dawber C | Seasonal Knitwear Collection | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Davison R | New Insights | 1999 | University of Gloucestershire | ||
| Davison R | Paintings and Drawings from Acanthus and Corinth | 1999 | University of Gloucestershire | ||
| Davison R | Artnet: Four Artists Present New Work | 1999 | University of Gloucestershire | ||
| Davison R | R Davison, Paintings and Drawings | 1997 | University of Gloucestershire | ||
| Davison M A | 'Sculpture for the Virtual World'. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Davison M A | Fathom. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Davison M A | 'Hypothetical'. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Davis M | Harmony in Glass | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Davis M | Glass Gardens | 1994 | University of Sunderland | Institute for International Research in Glass | |
| Davis M | The Extended Use of Glass in Architecture | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Davis M | Acts of Light | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Davis K | 'Come' | 1997 | Wimbledon School of Art | Sculpture | |
| Davis K | as if (one) | 1999 | Wimbledon School of Art | Sculpture | |
| Davis G | Health and Safety in the Home: Todd Hayne's Clinical White World | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Davis G | All Umbrellas in London: Homosexuality and British Film | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Davies TDE | Chora | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Davies TDE | Certain Welsh Artists - Custodial Aesthetics in Contemporary Welsh Art | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Davies TDE | Contemporary Art From Wales - An examination of contemporary, conceptually based art | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Davies TDE | Tim Davies/Alice Maher | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Davies T | Certain Welsh Artists | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Davies T | Contemporary Art from Wales - An examination of contemporary, conceptually based art | 1998 | Swansea Institute of Higher Education | Land and Landscape | |
| Davies T | Tim Davies/Alice Maher | 1998 | Swansea Institute of Higher Education | Land and Landscape | |
| Davies T | Chora | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Davies T | 'Competence and Creativity: The Politics of Art Education' | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Davies T | 'Wising-up' or 'Dumbing-down?' | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Davies R | Trips | 1999 | Kingston University | ||
| Davies R | Tales of the Expected | 2000 | Kingston University | ||
| Davies R | Dividing Line | 1998 | Kingston University | ||
| Davies R | Series of Poetry and Dance Shorts for television | 1998 | Kingston University | ||
| Davies P A | Philip Davies and Jonathan Clarke | 2000 | University of Brighton | Fine Art Practices | |
| Davies P A | Recent Paintings | 1996 | University of Brighton | Fine Art Practices | |
| Davies P A | Recent Paintings | 1998 | University of Brighton | Fine Art Practices | |
| Davies P A | Dramatic Perspectives | 2000 | University of Brighton | Fine Art Practices | |
| Davies P | Visual Arts Development Study | 1994 | University of Sunderland | Fine Art | |
| Davies P | Artists Studio Development | 1996 | University of Sunderland | Fine Art | |
| Davies P | A Review of Artists Earnings for Exhibitions and Commissions | 1997 | University of Sunderland | Fine Art | |
| Davies P | Review of open Access Provision + Facilities for Artists in Scotland | 1999 | University of Sunderland | Fine Art | |
| Davies J | Le Temps Vite - An exploration of time | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Davies J | Il San Gottardo - Documentation of the mountain range | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Davies J | Through Fire and Water - The River Taff - An exploration of the river environment from its source in the mountains to the sea | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Davies J | Sguardigardesani | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Davies J | John Davies: Drawings and Sculptures | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies J | John Davies: Recent Sculpture | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies J | Bronze: Contemporary British Sculpture | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies J | John Davies: Recent Sculptures and Drawings | 1995 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies H | 'Home from Home' | 1994 | Napier University | Photographic Practice | |
| Davies G | A Deluge of Human Indifference | 2000 | Lancaster University | ||
| Davies G | Deluge Drawings | 1997 | Lancaster University | ||
| Davies D R | Recent Works | 1997 | University of Portsmouth | Centre for Images in Practice | |
| Davies D R | Invisible Lives | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Davies D R | New Paintings, Drawings and Prints | 1996 | University of Portsmouth | Centre for Images in Practice | |
| Davies J | Group exhibition, Association of Illustrators | 2000 | University of Plymouth | Design + Innovation | |
| Davies J | Scarpetta d'Oro (5th International Exhibition of Illustration) | 2000 | University of Plymouth | Design + Innovation | |
| Davies J | Images - Best of British Illustration | 1998 | University of Plymouth | Design + Innovation | |
| Davidmann S | Bankside Browser | 1999 | Oxford Brookes University | Creative Practice | |
| Davidmann S | Man as Muse | 1999 | Oxford Brookes University | Creative Practice | |
| Davey Winter J | Art Textiles | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Davey Winter J | The Passage of Time - A Sense of Place | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Davey Winter J | 50/50 - The Challenge of Constraint | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Davey Winter J | GET REAL Romanticism and New Landscapes in Art | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Davey G | Memorial Exhibition for Robert Hopper | 2000 | University of East London | ||
| Davey G | The Multiple Store, Limited Editions of Contemporary British Art | 1999 | University of East London | ||
| Davey G | RUM Modeller/Space Modelling | 1999 | University of East London | ||
| Darley A. D. | VISUAL DIGITAL CULTURE, SURFACE PLAY AND SPECTACLE IN NEW MEDIA GENRES | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Darley A. D. | RECENT EXPERIMENTAL, NONFICTION ANIMATION IN THE UK | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Darley A. D. | SOME OBSERVATIONS ON EDUCATION AND CONTEMPORARY BRITISH ANIMATION | 1997 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Darley A. D. | SECOND-ORDER REALISM AND POST-MODERN AESTHETICS IN COMPUTER ANIMATION | 1997 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Danvers TJ | Map - Land and Landscape in Contemporary Art | 1999 | University of Plymouth | Art Process | |
| Danvers TJ | The Knowing Body: Art as an Integrative System of Knowledge | 1995 | University of Plymouth | Art Process | |
| Danvers TJ | John Danvers Recent Works on Paper. | 1999 | University of Plymouth | Art Process | |
| Danvers TJ | Thinking Flesh and Feeling Bone: Language, Experience and Art Practice. | 1998 | University of Plymouth | Art Process | |
| Danino N | Temenos Film. | 2000 | Goldsmiths College | ||
| Danino N | 'Now I Am Yours' and 'Tremenos'. | 1997 | Goldsmiths College | ||
| Dalwood D | Caught painting exhibition | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Dalwood D | 'Twisted: Urban and Visionary Landscapes in Contemporary Painting' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Dalwood D | Neurotic Realism painting exhibition | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Dalwood D | 'New Paintings' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Dalwood A | Recent WorkRecente Schilderijen | 2000 | University of Hertfordshire | ||
| Dalwood A | Location Matters | 2000 | University of Hertfordshire | ||
| Dalwood A | I Miedzynarodowe Spotkania Sztuki Katowice '97 | 1997 | University of Hertfordshire | ||
| Dalwood A | Zeitschliefe 2 In Der Zukunft | 1999 | University of Hertfordshire | ||
| Dalton P | Four prints in Exposition de Grabado Contemporaneo | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Dalton P | Feminism and Art Education | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Dalton P | Oedipal Dramas in Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Dalton P | Modernism, Art Education and Sexual Difference | 1995 | University of Central England in Birmingham | Art Education Research Group | |
| Dallas S | Knitted Lambswool blankets / throws | 1999 | Royal College of Art | Design for Manufacture | |
| Dallas S | Prototype knitted garments for Spring / Summer 1999 | 1997 | Royal College of Art | Design for Manufacture | |
| Dallas S | Development of seamless bodywear for Courtaulds Lingerie | 1995 | Royal College of Art | Design for Manufacture | |
| Dale J K | 'Continental'-Bacteriological Air Purifier | 2000 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | |
| Dale J K | D+AD Design Award Trophy | 2000 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | |
| Dakers CN | Castles in the Air: Philip Webb's rejected commission for the Earl and Countess of Airlie | 2000 | The London Institute | Fashion and Textiles | |
| Dakers CN | The Holland Park Circle: Artists in Victorian Society | 1999 | The London Institute | Fashion and Textiles | |
| Dakers CN | Leighton's Secret Life and Frederic, Lord Leighton and the Mason Family | 1996 | The London Institute | Fashion and Textiles | |
| Dakers CN | Among the Philistines: Sigismund Goetze and the Decoration of the Foreign Office | 1998 | The London Institute | Fashion and Textiles | |
| Dahn J | Mrs Delaney and Ceramics in the Landscape | 2000 | Bath Spa University College | ||
| Dahn J | Ceramics as Performance | 1999 | Bath Spa University College | ||
| Dagworthy W | Spring Summer 1998 and 1999 younger capsule collection | 1998 | Royal College of Art | Design for Manufacture | |
| Dagworthy W | Womenswear, woven and knitwear collections: Spring Summer 1998, Autumn Winter 1998/1999, Spring Summer 1999 | 1997 | Royal College of Art | Design for Manufacture | |
| Dagworthy W | Cutting Edge | 1997 | Royal College of Art | Design for Manufacture | |
| Dagworthy W | The Matter in Hand | 1999 | Royal College of Art | Design for Manufacture | |
| Dagg K | Footsteps | 1998 | Edinburgh College of Art | Fine Art | |
| Dagg K | Absolute Open | 1999 | Edinburgh College of Art | Fine Art | |
| Dagg K | Between the Water | 2000 | Edinburgh College of Art | Fine Art | |
| Dagg K | Out on a Limb | 2000 | Edinburgh College of Art | Fine Art | |
| DYSON G | Showing Off | 1999 | University of Lincoln | ||
| DYSON G | Leg Pulling | 1998 | University of Lincoln | ||
| DYSON G | Upstanding | 2000 | University of Lincoln | ||
| DYSON G | sine | 1996 | University of Lincoln | ||
| DUPRAS M | Using Global Csound Instrument for MetaParameter Control | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| DUPRAS M | Forest of Dean Sculpture Trail Website | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| DUPRAS M | SolEtude | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| DUNHILL M | Plot | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DUNHILL M | Souvenir | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DUNHILL M | Sonnenwegateliers | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DUNHILL M | Personal choice | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DUNCE B | DAVID JONES: AN INTERPRETATION OF HIS POETRY AND WRITING BY CONTEMPORARY LETTERING ARTISTS | 1999 | Middlesex University | ||
| DUNCE B | THE PASTEL SOCIETY: PASTEL, PAINTING AND DRAWING 1898-2000 - CENTENARY EXHIBITION | 2000 | Middlesex University | ||
| DUNCE B | TELLING TRUTH THROUGH METAPHOR | 1998 | Middlesex University | ||
| DUNCE B | THE PALACE MANIFEST | 1999 | Middlesex University | ||
| DIAMOND S | Draw | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| DIAMOND S | Within Our Reach / And With the Magnifying Glass He Returned to the Garden | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| DIAMOND S | Surface Language | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| DIAMOND S | Ingress | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| DEWRANCE P | Waste Box | 2000 | University of Lincoln | ||
| DEWRANCE P | Projectionist Manual | 1998 | University of Lincoln | ||
| DEVANE J. | BP national portrait competition | 1995 | Coventry University | Visual Arts | |
| DERGES S | Susan Derges: Anti-Memory | 2000 | University of Oxford | ||
| DERGES S | Susan Derges: Woman Thinking River | 1999 | University of Oxford | ||
| DERGES S | Susan Derges: River Taw | 1997 | University of Oxford | ||
| DEGEN P | NEW TIMES AND NEW THINKING - JEWELLERY IN EUROPE AND AMERICA | 1996 | Middlesex University | ||
| DEGEN P | ALLES SCHMUCK | 2000 | Middlesex University | ||
| DEGEN P | SCHMUCKZIECHEN SCHWEIZ 20 JAHRHUNDERT | 1999 | Middlesex University | ||
| DEGEN P | THE EGO ADORNED - 20TH CENTURY ARTISTS | 1999 | Middlesex University | ||
| DEAN MWJ | Black Box Recorder | 2000 | University of Oxford | ||
| DEAN MWJ | Imaginaria 99 | 1999 | University of Oxford | ||
| DEAN MWJ | Mark Dean | 2000 | University of Oxford | ||
| DEAN MWJ | Mark Dean: Ascension (Nothing/Something Good) | 2000 | University of Oxford | ||
| DEAKIN A | You are Now Entering the State of Love | 1996 | Middlesex University | ||
| DEAKIN A | polymorph.i | 2000 | Middlesex University | ||
| DEAKIN A | My Mistress' Eyes are Nothing Like the Sun | 2000 | Middlesex University | ||
| DEAKIN A | @nonym | 1999 | Middlesex University | ||
| DE FREITAS L | THE FUTURE - AN HISTORIANS REFLECTIONS | 2000 | Middlesex University | ||
| DE FREITAS L | LOOKING IN WONDERLAND:THE ILLUSTRATIONS OF THE ALICE BOOKS BY SIR JOHN TENNIEL | 1996 | Middlesex University | ||
| DE FREITAS L | ANIMALS IN ARCADY: THE WOOD ENGRAVED ILLUSTRATIONS TO AESOP BY AGNES MILLER PARKER | 1996 | Middlesex University | ||
| DE FREITAS L | SUBMARINE DREAMS: LITHOGRAPHS AND LETTERS | 1996 | Middlesex University | ||
| DAVY M | CDAK Communication Design Association of Korea | 2000 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DAVY M | [future] City RIBA | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DAVY M | [future] City Myhotel Installation | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DAVY M | [future] City Great Eastern Installation | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DACK J | Systematising the Unsystematic | 1999 | Middlesex University | ||
| DACK J | The Consequences of Digital Recording: Behind the Veil | 1996 | Middlesex University | ||
| DACK J | Strategies in the Analysis of Stockhausen's Kontakte | 1998 | Middlesex University | ||
| DACK J | Serial Thought - Past and Future | 1996 | Middlesex University | ||
| Cusack P | Portrait of the Netherlands | 1997 | The London Institute | Fine Art | |
| Cusack P | Where is the Green Parrot? | 1999 | The London Institute | Fine Art | |
| Curtis D | Directory of British Avant Garde Film and Video Artists | 1996 | The London Institute | Media and Communication | |
| Curtis D | British Avant Garde Film 1920 -1975 | 1998 | The London Institute | Media and Communication | |
| Curtis D | L'Art du Movement | 1996 | The London Institute | Media and Communication | |
| Curry A | Set and costume design for The Rise and Fall of Little Voice | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Curry A | Costume design for Listen to the Wind | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Curry A | Costume design for The Boys in the Band | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Curry A | Theatre and costume designs in Time + Space | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Currall A | New Video from Great Britain, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Currall A | Encyclopaedia, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Currall A | Dimensions: F | 1996 | Glasgow School of Art | Fine Art | |
| Currall A | Alan Currall, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Cunningham JR | Jewellery Moves: International Jewellery Exhibition: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Cunningham JR | Journey: solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Cunningham JR | 5th In our Hands Exhibition: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Cummins S | Rhizome | 1999 | Nottingham Trent University | Visual Arts | |
| Cummins S | An Abbey Award in Painting at the British School at Rome | 1998 | Nottingham Trent University | Visual Arts | |
| Cummins S | NY Drawers | 1997 | Nottingham Trent University | Visual Arts | |
| Cummings K.R. | Five Glass and Metal Sculptures: 'Garner', 'Bole', 'Rigger', 'Wedge' and 'Pina'. | 1998 | University of Wolverhampton | Glass | |
| Cummings K.R. | Techniques of Kiln-formed Glass | 1997 | University of Wolverhampton | Glass | |
| Cummings K.R. | Craft: The Workmanship of Risk, Certainty and Opportunity | 1996 | University of Wolverhampton | Glass | |
| Cummings K.R. | Three Glass and Metal Sculptures: 'Tallis', 'Stem', and 'Windfall'. | 1996 | University of Wolverhampton | Glass | |
| Cummings A | Conservation and restoration of a portrait of Earl of Warwick | 1996 | Royal College of Art | Conservation | |
| Culbert W F | Bill Culbert | 1997 | University of Reading | ||
| Culbert W F | Light Vessels, Jars and Plains | 1996 | University of Reading | ||
| Culbert W F | Bill Culbert: Incident in Marlowes Office | 1997 | University of Reading | ||
| Cruz J | We Are Going to Tell Lies. | 2000 | Goldsmiths College | ||
| Cruz J | Sancti Petri. | 1998 | Goldsmiths College | ||
| Cruz J | Chekhov Wall Drawings. | 2000 | Goldsmiths College | ||
| Crutchley R | Daimler Marker | 1997 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Crutchley R | Displaced | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Crutchley R | Falsework | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Crutchley R | Binary Propositions | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Crumplin C | Colin Crumplin | 1998 | Bath Spa University College | ||
| Crumplin C | Colin Crumplin Paintings 1990-1997 | 1997 | Bath Spa University College | ||
| Cruise C J | 'Artists' clothes: some observations on male artists and their clothes in the nineteenth century'. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Cruise C J | 'Error and Eros: The Fiction of Forrest Reid as a Defence of Homosexuality'. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Cruise C J | 'Versions of the Annunciation: Wilde's Aestheticism and the message of beauty' | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Cruise C J | ''Lovely devils': Simeon Solomon and Pre-Raphaelite masculinity. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Cruickshank IMM | Video: A Method of Delivering Student Feedback | 1998 | De Montfort University | ||
| Cruickshank IMM | Photography and Women's Crafts: Fotographias E Artezanto | 1999 | De Montfort University | ||
| Crowther P D | The Contemporary Sublime: Sensibilities of Transcendence and Shock | 1995 | University of Central Lancashire | ||
| Crowther P D | Art and the Reconfiguration of Contemporary Experience | 1999 | University of Central Lancashire | ||
| Crowther P D | The Language of Twentieth Century Art: A Conceptual History | 1997 | University of Central Lancashire | ||
| Crowther P D | New Art from Eastern Europe: Identify and Conflict | 1994 | University of Central Lancashire | ||
| Crowley G | Introducing De Sade | 1995 | Royal College of Art | Fine Art | |
| Crowley G | The Flower Show | 1998 | Royal College of Art | Fine Art | |
| Crowley G | Rineen | 1997 | Royal College of Art | Fine Art | |
| Crowley G | Cagnes sur Mer International Festival of Painting | 1995 | Royal College of Art | Fine Art | |
| Crow D | Experimental Typography | 1996 | Liverpool John Moores University | Graphic Arts | |
| Crow D | Rituals of Resistance | 1998 | Liverpool John Moores University | Graphic Arts | |
| Cross S | Susan Cross New Jewellery | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cross S | British Gold - Italian Gold | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cross S | Treasures of the 20th Century | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cross S | Jewellery Moves | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cross NG | Natural intelligence in design | 1999 | Open University | Design thinking and communication | |
| Cross NG | Analysing Design Activity | 1996 | Open University | Design thinking and communication | |
| Cross NG | Creativity in design: analyzing and modelling the creative leap | 1997 | Open University | Design thinking and communication | |
| Crooks R | Venice Aperto Vetro | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Crooks R | New Glass Economy | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Crone D | When Time began to Rant and Rage; Figurative Painting from Twentieth Century Ireland | 1998 | University of Ulster | ||
| Crone D | Le 29eme Festival International de la Peinture de Cagnes-Sur-Mer | 1997 | University of Ulster | ||
| Crone D | Art Beyond Conflict | 1996 | University of Ulster | ||
| Crone D | David Crone Paintings 1963-1999 | 1999 | University of Ulster | ||
| Croft P J | From Tokyo to Tamarind | 2000 | University of Wales, Aberystwyth | ||
| Croft P J | Exhibition of Recent Drawings and Prints | 1998 | University of Wales, Aberystwyth | ||
| Croft P J | Using Aluminium Plates | 1998 | University of Wales, Aberystwyth | ||
| Croft P J | The First Shen Zhen Ink Painting Biennale | 1998 | University of Wales, Aberystwyth | ||
| Crisp A | Running Frames for Sufferers from Cerebral Palsy | 1998 | Nottingham Trent University | Design | |
| Creed R | Heroes | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Creed R | Zero - March of the Mud Beetles | 2000 | Liverpool John Moores University | Audio-visual | |
| Craxford A | 40 pieces of engraved + hand-carved jewellery in silver, cannetaille gold + precious stones | 1999 | London Guildhall University | ||
| Craxford A | 34 pieces of engraved and hand-carved jewellery in precious metals with precious and semi-precious stones. | 1994 | London Guildhall University | ||
| Craxford A | 3-piece tea -set in silver, silver-gilt and ebony | 1998 | London Guildhall University | ||
| Craxford A | 11 piece sushi + sak | 1999 | London Guildhall University | ||
| Crawford A | Alistair Crawford: A Return to Wales | 2000 | University of Wales, Aberystwyth | ||
| Crawford A | The Welsh Lens: 12 Contemporary Photographers from Wales | 1997 | University of Wales, Aberystwyth | ||
| Crawford A | Robert Mcpherson, 1814-1872, the foremost photographer of Rome | 1997 | University of Wales, Aberystwyth | ||
| Cranston A | Stoorsooker - Travels in Scandinavia | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Cranston A | The Poster Show | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Cranston A | In The Summertime | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Cranston A | Outdoors | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Craighead AM | BrowserArchaeology | 2000 | University of Westminster | Fine Art | |
| Craighead AM | Speaking in Tongues | 1998 | University of Westminster | Fine Art | |
| Craighead AM | Ground Control | 1997 | University of Westminster | Fine Art | |
| Craighead AM | Trigger Happy | 2000 | University of Westminster | Fine Art | |
| Crabbe A | Design of the Micro Clens microwave disinfection system for soft contact lenses | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Crabbe A | The Future of Soft Lens Care? | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Coxall H | Whose Story is this Anyway | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Coxall H | Towards inclusive text | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Coxall H | Representing Marginalised Groups in Museums: The Computer's Second Nature? | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Coxall H | Speaking Other Voices | 1997 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Cox PRC | Sanctum: Tristan Webber Collection | 1998 | The London Institute | Fashion and Textiles | |
| Cox PRC | Shelley Fox Collections | 1997 | The London Institute | Fashion and Textiles | |
| Cox C | Fashion entries | 1999 | The London Institute | Fashion and Textiles | |
| Cox C | Good Hair Days: A History of British Hairstyling | 1999 | The London Institute | Fashion and Textiles | |
| Cox C | Essays on contemporary fashion designers | 1998 | The London Institute | Fashion and Textiles | |
| Cox C | Lingerie: A Lexicon of Style | 2000 | The London Institute | Fashion and Textiles | |
| Cox GF | The Digital Crowd: some questions on globalisation and agency. | 1999 | University of Plymouth | Centre for Visual Computing | |
| Cox GF | The violent silence of the nose. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Cowie W S | Romances and Toccatas for Saxophone, Piano and Tape | 1998 | University of Brighton | Visual and Performing Arts | |
| Coward T | Limits and Freedoms: Design in a defined context | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Coward T | Drivers and Shapers | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Cowan ER | The Connected City: A New Approach to Making Cities Work | 1997 | De Montfort University | ||
| Cowan ER | The People and the Process | 1998 | De Montfort University | ||
| Cowan ER | Placecheck: A Users' Guide | 2000 | De Montfort University | ||
| Cousens C | Textile and Silver Necklaces | 1996 | University of Brighton | Natural and Constructed Environments | |
| Cousens C | Jewellery Moves | 1998 | University of Brighton | Natural and Constructed Environments | |
| Cousens C | Jerwood Prize for Applied Arts 2000 | 2000 | University of Brighton | Natural and Constructed Environments | |
| Cousens C | Commission - 3 necklaces | 1996 | University of Brighton | Natural and Constructed Environments | |
| Courtenay PJ | Suburbs of Europe Project | 1995 | The London Institute | Fine Art | |
| Counsell M.J.E. | La R | 2000 | University College London | Sculpture | |
| Counsell M.J.E. | Melanie Counsell | 1998 | University College London | Sculpture | |
| Counsell M.J.E. | Melanie Counsell | 1999 | University College London | Sculpture | |
| Counsell M.J.E. | Melanie Counsell | 1998 | University College London | Sculpture | |
| Coulter-Smith G | Mike Parr: The Self Portrait Project. | 1994 | Southampton Institute | ||
| Coulter-Smith G | Between Marx and Derrida: Baudrillard, Art and Technology | 1997 | Southampton Institute | ||
| Coulter-Smith G | The Visual Narrative Matrix: Interdisciplinary Collisions and Collusions | 1999 | Southampton Institute | ||
| Coulter-Smith G | John Thomson: Narrative Sculpture | 1999 | Southampton Institute | ||
| Cotterrell D | Forty Days | 2000 | University of Hertfordshire | ||
| Cotterrell D | Voice Over | 2000 | University of Hertfordshire | ||
| Cotterrell D | A Splash of Colour | 1998 | University of Hertfordshire | ||
| Cotterrell D | Defying Dog | 2000 | University of Hertfordshire | ||
| Costello D | Lyotard's modernism | 2000 | Oxford Brookes University | Theory | |
| Costello D | The work of art and its 'public': Heidegger and Tate Modern | 2000 | Oxford Brookes University | Theory | |
| Cosserat K | Pitti Filati | 2000 | The London Institute | Fashion and Textiles | |
| Cosserat K | Pitti Filati | 1998 | The London Institute | Fashion and Textiles | |
| Cosserat K | English Accents Show | 1999 | The London Institute | Fashion and Textiles | |
| Cosserat K | Indigo Exhibition | 1998 | The London Institute | Fashion and Textiles | |
| Cosgrove P | Samples, solo exhibiton | 1997 | Glasgow School of Art | Principles of Drawing | |
| Cosgrove P | Arts Festival of Atlanta: Art in Odd Places, group exhibition of publicly sited works | 1997 | Glasgow School of Art | Fine Art | |
| Cosgrove P | Full Fathom Five, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Cosgrove P | Waterfall House, permanently public sited commission | 1999 | Glasgow School of Art | Fine Art | |
| Corris M | We have submerged victoriously | 1999 | University College Northampton | Contemporary Art Criticism | |
| Corris M | The Artist Out of Work: Art + Language, 1972-1981 | 1999 | University College Northampton | Contemporary Art Criticism | |
| Corner F | 'Factors affecting the Curriculum Design of British Higher Education's Visual Art Courses' | 1997 | University of Gloucestershire | ||
| Corner F | 'Reconceptualising the Future: The Place of Art and Design' | 2000 | University of Gloucestershire | ||
| Corner F | Factors affecting the Curriculum Design of British Higher Education | 1998 | London Guildhall University | ||
| Corner F | Reconceptualising the Future: the place of Art + Design | 2000 | London Guildhall University | ||
| Corke C | Concepts, Contexts and Creativity : an Emerging Language of Interactivity | 1996 | Liverpool John Moores University | International Centre for Digital Content | |
| Corke C | Design and Technology | 1998 | Liverpool John Moores University | International Centre for Digital Content | |
| Corby T | Prix Ars Electronica 2000, NEXT SEX | 2000 | University of Hertfordshire | ||
| Corby T | cITy, exhibition of the nominees for the International Media Art Award 2000 | 2000 | University of Hertfordshire | ||
| Cooper TJ | Simply Counting Waves, solo exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Cooper TJ | Where the Rivers Flow, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Cooper TJ | Thomas Joshua Cooper: The Temperaments, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Cooper TJ | Prospect 96 - Photographie in den Genwartskunst, group exhibition. | 1996 | Glasgow School of Art | Fine Art | |
| Cooper TH | Creating an Economic Infrastructure for Sustainable Product Design | 1999 | Sheffield Hallam University | Applied Design Policy | |
| Cooper TH | WEEE, WEEE, WEEE, WEEE, all the way home? An evaluation of proposed electrical and electronic waste legislation | 2000 | Sheffield Hallam University | ||
| Cooper TH | Product Development Implications of Sustainable Consumption | 2000 | Sheffield Hallam University | ||
| Cooper SA | M.K.1 | 1999 | University of Southampton | ||
| Cooper SA | A Full Head of Hair | 1997 | University of Southampton | ||
| Cooper SA | Made in Greenwich | 1994 | University of Southampton | ||
| Cooper SA | The Religious Bit 10 x 48 x 7 inches | 1999 | University of Southampton | ||
| Cooper E | Ten Thousand Years of Pottery | 2000 | Royal College of Art | Applied Art | |
| Cooper E | (Un)limited: Repetition and Change in International Craft | 2000 | Royal College of Art | Applied Art | |
| Cooper E | New Ceramics: Emmanuel Cooper | 1996 | Royal College of Art | Applied Art | |
| Cooper E | Emmanuel Cooper - Ceramics | 2000 | Royal College of Art | Applied Art | |
| Cooper E | Hand to Hand | 1999 | Royal College of Art | Fine Art | |
| Cooper E | Open Secrets: New Paintings and Drawings | 1998 | Royal College of Art | Fine Art | |
| Cooper E | Raw Material : Eileen Cooper at Dulwich Picture Gallery | 1998 | Royal College of Art | Fine Art | |
| Cooper A M | Turning Ideas Into Form | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Coomber S | Next plc Menswear Collection Autumn/Winter 2000 | 2000 | Kingston University | ||
| Coomber S | Next plc Menswear Collection Spring/Summer 2001 | 2000 | Kingston University | ||
| Coomber S | Menswear Collection Autumn/Winter 2000, for Alpha Industries, USA | 2000 | Kingston University | ||
| Coomber S | Homewares Collection for Country Road, Australia | 1995 | Kingston University | ||
| Cooke J | Night | 1995 | University of Brighton | Natural and Constructed Environments | |
| Cooke J | Cube Houses, Rotterdam | 2000 | University of Brighton | Natural and Constructed Environments | |
| Cooke J | Re-Placing Arcadia | 2000 | University of Brighton | Natural and Constructed Environments | |
| Cooke J | St Peter's from International Factors Brighton | 1994 | University of Brighton | Visual Communication Design | |
| Cooke CAC | Russian Avant-Garde: Theories of Art, Architecture and the City | 1995 | Open University | Design thinking and communication | |
| Cooke CAC | Sources of a radical mission in the early Soviet profession: Alexei Gan and the Moscow anarchists | 1999 | Open University | Design thinking and communication | |
| Cooke CAC | Cities of socialism: technology and ideology in the Soviet Union of the 1920s | 2000 | Open University | Design thinking and communication | |
| Cooke CAC | Beauty as a route to 'the radiant future': responses of Soviet architecture | 1997 | Open University | Design thinking and communication | |
| Cook R | The mediated manufacture of an 'avant-garde': a Bourdiesian analysis of the field of contemporary art in London, 1997-9 | 2000 | University of Reading | ||
| Cook R | William Blake, Pierre Bourdieu and the Autonomy of the Arts | 2000 | University of Reading | ||
| Cook R | Where any View of Money Exists... Illusion and collusion in the contemporary field of British Art | 2000 | University of Reading | ||
| Cook R | To-wards a sociosomatics of art: Bourdieu's reflexive sociology, contemporary art education | 1999 | University of Reading | ||
| Cook JH | Crafts and Design Management in Education: The De Montfort University Experience | 1998 | De Montfort University | ||
| Cook JH | Glass UK - British Contemporary Glass | 1998 | De Montfort University | ||
| Cook CP | Graphites + Related Works | 1999 | University of Plymouth | Art Process | |
| Cook CP | Graphites from Bundanon | 2000 | University of Plymouth | Art Process | |
| Convery F | Late Summer | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Convery F | Francis Convery New Painting | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Convery F | The Hunting Art Prizes | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Convery F | Northern Lights - A Scottish Gallery Exhibition | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Constable M | Really. | 2000 | Goldsmiths College | ||
| Constable M | Painting at Delphina. | 1997 | Goldsmiths College | ||
| Constable M | Painting at John Moores Open. | 1999 | Goldsmiths College | ||
| Constable M | Painting at Whitechapel. | 1997 | Goldsmiths College | ||
| Conreen MJ | The Performance of Objects. | 1998 | Goldsmiths College | ||
| Connolly RB | The Five Senses | 1997 | University of Ulster | ||
| Connolly RB | In-Tension V | 1997 | University of Ulster | ||
| Connolly RB | Water Table | 1997 | University of Ulster | ||
| Connolly RB | Over View | 1996 | University of Ulster | ||
| Connearn D | Cheltenham Drawing Open | 2000 | Edinburgh College of Art | Fine Art | |
| Connearn D | David Connearn | 1999 | Edinburgh College of Art | Fine Art | |
| Connearn D | Dream Machines | 2000 | Edinburgh College of Art | Fine Art | |
| Connearn D | Commission | 1997 | Edinburgh College of Art | Fine Art | |
| Conekin BE | Henry Moore, More British?: The Place of Henry Moore in the Festival of Britain, 1951 | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Conekin BE | Fashioning the Playboy: Messages of Style and Masculinity in the pages of Playboy Magazine, 1953 - 1963 | 2000 | The London Institute | Fashion and Textiles | |
| Conekin BE | Colloquium on Exhibiting Britain: An historical, comparative examination of the 1851, 1951 and Millennium Exhibitions | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Comninos P. | Incredible Suckers. | 1996 | Bournemouth University | ||
| Comninos P. | Mission on Mars | 1997 | Bournemouth University | ||
| Comber M | Heavy Breathing | 1998 | Wimbledon School of Art | Painting | |
| Comber M | 'Melanie Comber 66 degrees 33'N 18 degrees 01' W' | 2000 | Wimbledon School of Art | Painting | |
| Comber M | 'White Out' | 1999 | Wimbledon School of Art | Painting | |
| Collins S.A.R. | Triplicate | 1996 | University College London | Fine Art Media | |
| Collins S.A.R. | Susan Collins: Suspect Devices | 1997 | University College London | Fine Art Media | |
| Collins S.A.R. | Objekt:Video | 1996 | University College London | Fine Art Media | |
| Collins S.A.R. | In Conversation | 1997 | University College London | Fine Art Media | |
| Collins J | 'Twelfth Night' | 1998 | Wimbledon School of Art | Theatre Design | |
| Collins H | Signs of Life | 1994 | Royal College of Art | Fine Art | |
| Collins H | The Hunter's Space | 2000 | Royal College of Art | Fine Art | |
| Collins H | Hannah Collins: Filming Things | 1997 | Royal College of Art | Fine Art | |
| Collins H | A Worldwide Sense of Homesickness | 1996 | Royal College of Art | Fine Art | |
| Collins J | Introducing Derrida | 2000 | University of Plymouth | Art Process | |
| Collins J | The Modular Condition: Technocracy, art and cultural politics. | 1996 | University of Plymouth | Art Process | |
| Collins J | Media Studies. | 1997 | University of Plymouth | Art Process | |
| Collins J | Heidegger and the Nazis. Postmodern Encounters. | 2000 | University of Plymouth | Art Process | |
| Coles A. | EX-CAVATING MODERNISM | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Coles A. | THE OPTIC OF WALTER BENJAMIN | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Coles A. | MARK DION: ARCHAEOLOGY | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Coleman R | Inclusive Design | 1999 | Royal College of Art | Inclusive Design | |
| Coleman R | Design fur die Zunkunft | 1999 | Royal College of Art | Inclusive Design | |
| Coleman R | Design for later life: beyond a problem orientation | 2000 | Royal College of Art | Inclusive Design | |
| Coleman R | Designing for our future selves. The Bernard Isaacs Memorial Lecture | 1999 | Royal College of Art | Inclusive Design | |
| Coldwell P | By This I Mean | 1999 | The London Institute | Fine Art | |
| Coldwell P | With the Melting of the Snows | 1998 | The London Institute | Fine Art | |
| Coldwell P | Indian Printmaker's Guild 10th Anniversary Exhibition | 2000 | The London Institute | Fine Art | |
| Coldwell P | Freud's Coat | 1996 | The London Institute | Fine Art | |
| Colbeck J | Ann Clark, Kenneth Clark, John Colbeck and Pietro Maddalena | 1996 | University of Brighton | Materials Practices and Processes | |
| Colbeck J | Ceramique Demarches Paralleles | 1995 | University of Brighton | Materials Practices and Processes | |
| Colbeck J | Ceramic Arts | 1995 | University of Brighton | Materials Practices and Processes | |
| Colbeck J | Keramikbiennale 2000 | 2000 | University of Brighton | Materials Practices and Processes | |
| Cohen N | Nathan Cohen | 1998 | University College London | Painting | |
| Cohen N | 3 Generations of British Constructivism | 1998 | University College London | Painting | |
| Cohen N | Mondiale Echoes | 2000 | University College London | Painting | |
| Cohen N | Structural Vision | 1997 | University College London | Painting | |
| Cohen B. | Bernard Cohen: Thirty Five Years of Drawing | 1994 | University College London | Painting | |
| Cohen B. | Bernard Cohen - Paintings of the Nineties | 1998 | University College London | Painting | |
| Cohen B. | Bernard Cohen | 1999 | University College London | Painting | |
| Cohen B. | Bernard Cohen - Artist in Focus | 1995 | University College London | Painting | |
| Cocks MJA | The Creative Use of CAD/CAM in Textile Design | 1995 | The London Institute | Fashion and Textiles | |
| Cocks MJA | Eltham Palace | 1999 | The London Institute | Fashion and Textiles | |
| Cocks MJA | C'AD Infinitum | 1998 | The London Institute | Fashion and Textiles | |
| Cocks MJA | T3: Textiles, Techniques and Technology | 1999 | The London Institute | Fashion and Textiles | |
| Cockram M G | All you need is love but can we picture this? | 2000 | University of Portsmouth | Art and Philosophy | |
| Cockram M G | Uncommon denomintators | 1999 | University of Portsmouth | Art and Philosophy | |
| Cockram M G | Shadow on the Lung of Modernism, | 1995 | University of Portsmouth | Art and Philosophy | |
| Cockram M G | Good Timing, | 1998 | University of Portsmouth | Art and Philosophy | |
| Cobbold S | Commission, permanent exhibition | 1999 | Chester College of HE | ||
| Cobbold S | Secret Lives | 1999 | Chester College of HE | ||
| Cobbold S | Beyond | 2000 | Chester College of HE | ||
| Cobbold S | Behind Closed Doors | 1999 | Chester College of HE | ||
| Coates-Smith W | Review of The Face of War, Previous Parrot Press (drawings by Ronald Searle, poems by Simon Rae) | 1999 | Anglia Polytechnic University | ||
| Coates-Smith W | 'Sue Coe in New York' | 2000 | Anglia Polytechnic University | ||
| Coates N | The Body Zone | 2000 | Royal College of Art | Architectural Design | |
| Coates N | Living Bridges | 1996 | Royal College of Art | Architectural Design | |
| Coates N | National Centre for Popular Music | 1998 | Royal College of Art | Architectural Design | |
| Coates N | Geffrye Museum 20th Century Gallery extension, London | 1998 | Royal College of Art | Architectural Design | |
| Clewer C | Miss Fleur Autumn/Winter 2000 Collection | 2000 | University of Southampton | ||
| Clewer C | Miss Fleur 1999 Collection 'Takeaway/party' | 1998 | University of Southampton | ||
| Clewer C | Miss Fleur Spring/Summer 2000 Collection 'Castaway' | 1999 | University of Southampton | ||
| Clewer C | Proper | 1996 | University of Southampton | ||
| Cleverly J G | Site Specific Installation. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Cleverly J G | Exhibition of Automata. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Cleverly J G | Les Nouveaux Alchimistes. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Clegg T | Tessa Clegg: Hidden Secrets | 1999 | Royal College of Art | Applied Art | |
| Clegg T | Tessa Clegg: New works | 1998 | Royal College of Art | Applied Art | |
| Clegg T | Play boxes I, II and III | 1996 | Royal College of Art | Applied Art | |
| Clegg T | The Jerwood Prize for Applied Arts 1998: Glass | 1998 | Royal College of Art | Applied Art | |
| Clegg RDPC | An American Passion: The Kasen Summer Collection of Contemporary British Painting | 1994 | The London Institute | Fine Art | |
| Clegg RDPC | Young and Famous | 1996 | The London Institute | Fine Art | |
| Clegg RDPC | 6 min 3 sec | 1999 | The London Institute | Fine Art | |
| Clegg RDPC | London Now | 1998 | The London Institute | Fine Art | |
| Clausen S | On the Margin (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Clausen S | Crash (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Clausen S | Szuper Gallery at 30 Underwood Street Gallery London (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Clausen S | Dial M......for (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Clarkson nee Stevens B | Deux Anglaises en Provence | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Clarkson nee Stevens B | Crossing Strands - Innovation in Contemporary Textiles | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Clarkson nee Stevens B | New Interior Design Directions | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Clarkson nee Stevens B | Embroidered Samplers in England | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Clarkson C | A Stiff-Board Vellum Binding in which the Covering has Been Slotted Across the Spine to Accommodate Raised Bands | 1996 | The London Institute | Media and Communication | |
| Clarkson C | The Safe Handling and Display of Medieval Manuscripts and Early Printed Books | 1996 | The London Institute | Media and Communication | |
| Clarkson C | Further Studies in Anglo-Saxon and Norman Bookbinding: Board Attachment Methods Re-examined | 1996 | The London Institute | Media and Communication | |
| Clarke R | East Open | 1994 | De Montfort University | ||
| Clarke R | Whitechapel Open | 1998 | De Montfort University | ||
| Clarke R | Roger Clarke Two Person Exhibition | 1998 | De Montfort University | ||
| Clarke R | Roger Clarke From Floor to Wall | 2000 | De Montfort University | ||
| Clarke L | The Ark Exhibition | 2000 | De Montfort University | ||
| Clarke L | Solo Exhibition of Fine Art Works | 1997 | De Montfort University | ||
| Clarke L | Brundy | 2000 | De Montfort University | ||
| Clarke L | Untitled Horse Piece | 2000 | De Montfort University | ||
| Clarke J | Upper Class Lounge | 1998 | University of Brighton | Natural and Constructed Environments | |
| Clarke P | Painting and Moments - Representations of a changing city | 1998 | University of Central Lancashire | ||
| Clarke P | Flowers and Follies | 1999 | University of Central Lancashire | ||
| Clarke P | Letters to Language | 1996 | University of Central Lancashire | ||
| Clark S | Tender | 1996 | Edinburgh College of Art | Fine Art | |
| Clark S | Brood | 1998 | Edinburgh College of Art | Fine Art | |
| Clark S | Samantha Clark | 1994 | Edinburgh College of Art | Fine Art | |
| Clark S | Remote Sensing | 2000 | Edinburgh College of Art | Fine Art | |
| Clark R | 'Plans for the Real World', Parts 1-12 (one-person exhibition.) | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clark R | 'Plans for the Real World II', one-person exhibition. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clark R | 'A Resolution Between Transience and Transcendence'. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clark R | 'My Little World', one-person exhibition | 1994 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clark D J | Real Picture | 1999 | Bolton Institute of HE | ||
| Clark D J | Bridge 2000-1 | 2000 | Bolton Institute of HE | ||
| Clark D J | Happy Valley | 1999 | Bolton Institute of HE | ||
| Clark D J | Folly Gallery | 1998 | Bolton Institute of HE | ||
| Cipriani G | Art, Space and Time | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Cipriani G | Meaning in Form | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Cipriani G | Art, Theory and Experience The figural in Painting: An Organic Inquiry Into Visual Meaning | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Cipriani G | Hermeneutics and Art. Objectification of Experience? | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Chuhan J | Links in the World of Mind | 1999 | Liverpool John Moores University | Centre for Art International Research | |
| Chubb S | 'Location' -Polly Binns and Shirley Chubb. Exhibition of 33 paintings: all graphite powder, poly vinyl acetate, photocopy transfer and African beeswax on canvas. Dimensions: between11x15x5cms and 22x19x5cms | 1998 | University College Chichester | Painting and Installation | |
| Chubb S | 'Collections and Reflections: The Transformative and Assimilative Uses of Art Objects' - Artist Fellowship. 4 paintings: acrylic, colour photocopy, poly vinyl acetate and photocopy transfer on canvas. Dimensions between: 21x12x4.5cms - 25x16x4.5cms | 1997 | University College Chichester | Painting and Installation | |
| Chubb S | 'Cartographers - Geo-Gnostic Projection for the 21st Century' - 3 paintings: acrylic, poly vinyl acetate and mixed media on canvas. Dimensions: 112x112cms; 106x166cms; 125x125cms | 1997 | University College Chichester | Painting | |
| Chubb S | 'History' The Mag Collection. Image based art in Britain in the late 20th century. 3 exhibits. Paintings: acrylic and mixed media on canvas. Dimensions: 63.5x64cms; 152.5x71cms; 17.5x13.5cms | 1997 | University College Chichester | Painting | |
| Chowles S M | Design Commission | 1997 | University of Brighton | Materials Practices and Processes | |
| Chowdhary LC | Metropolis | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Chowdhary LC | Cast Clay Modules | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Chowdhary LC | Ceramic tiled interior | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Chodzko A | Sensation | 1997 | The London Institute | Fine Art | |
| Chodzko A | Adam Chodzko: Photographs, Sculpture and Video Projection | 1999 | The London Institute | Fine Art | |
| Chodzko A | Reunion - Salo | 2000 | The London Institute | Fine Art | |
| Chodzko A | Found Wanting | 2000 | The London Institute | Fine Art | |
| Chipperfield J | 22 glass dishes with commemorative inscriptions | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Chipperfield J | The Plate Show | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Chipperfield J | Gestaltendes Handwerk - Meister der Modern - M | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Chipperfield J | Vom Kontinent Zur Insel | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Chiodo JD | Shape memory polymers | 2000 | Brunel University | ||
| Chinnery CY | Mother | 1996 | Oxford Brookes University | Creative Practice | |
| Chinnery CY | ...from the institution | 1997 | Oxford Brookes University | Creative Practice | |
| Chinnery CY | Taking Stock | 1999 | Oxford Brookes University | Creative Practice | |
| Chinnery CY | '100 Christian Martyrs', 'Wannabe' and 'Dimestore Vanitas' | 1999 | Oxford Brookes University | Creative Practice | |
| Chinneck J | 'Bon Voyage' | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Chinneck J | 'Wish You Were Here?' | 1996 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Chinneck J | 'Inauthentic Contrived Attractions' | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Chick A | The Environmental Agenda: Creative and Business Opportunities for Craft-makers and Designers | 2000 | Kingston University | ||
| Chick A | Preparing British Design Undergraduates for the Challenge of Sustainable Development | 2000 | Kingston University | ||
| Chick A | Eco-design Survey: A Study of The Chartered Society of Designers Membership | 1997 | Kingston University | ||
| Chick A | Environmental Reporting: A Guide for Environmental Managers and Designers | 1997 | Kingston University | ||
| Chesterman J | Contemporary Arts Society Group Exhibition | 2000 | Leeds Metropolitan University | Visual Arts | |
| Chesterman J | 1999 | Leeds Metropolitan University | Visual Arts | ||
| Chesterman J | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Chesterman J | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Cherry N | Jewellery and vessels | 1998 | University of Central England in Birmingham | Jewellery Research Group | |
| Cherry N | Beyond the Wire | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Cherry N | From the Centre to the Edge | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Cherry N | Jewellery and Metalwork | 1994 | University of Central England in Birmingham | Jewellery Research Group | |
| Cheesman D | 'The Wherewithal' | 1999 | Wimbledon School of Art | Sculpture | |
| Cheesman D | 'New Work' | 1996 | Wimbledon School of Art | Sculpture | |
| Cheeseman D | The Wherewithall | 1998 | University of Reading | ||
| Cheeseman D | David Cheeseman | 1996 | University of Reading | ||
| Cheeseman D | Pictura Britannica: Art from Britain | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Cheeseman D | Craft | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Cheeseman D | David Cheeseman | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Cheeseman D | The Wherewithall | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Charnley D | Production Design as Process | 1995 | Buckinghamshire Chilterns University College | Design Culture | |
| Charnley D | Absolut Secret | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Charnley D | RCA Secret | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Charnley D | 'High Hopes' | 1995 | Buckinghamshire Chilterns University College | Design Culture | |
| Chappell A | Picnic Flask | 1997 | Brunel University | Design Pedagogy | |
| Chappell A | Medigrip Child Safety Cap Opening Aid for those with Limited Hand Dexterity | 1995 | Brunel University | Design Pedagogy | |
| Chappell A | Fresheners | 1997 | Brunel University | Design Pedagogy | |
| Chapman R | Thaw | 1996 | University of Huddersfield | ||
| Chapman R | Empiric | 1997 | University of Huddersfield | ||
| Chapman NS | Some Thoughts on Dropping Things Down Wells | 1997 | The London Institute | Fine Art | |
| Chapman NS | Freaks Perfect Organisms and the Failure of the Project | 1998 | The London Institute | Fine Art | |
| Chapman NS | Live chat: Talking Oneself In and Out of Situations | 1999 | The London Institute | Fine Art | |
| Chapman J | part of | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Chapman J | Terra Australis Incognita | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Chapman J | Close Up West | 1996 | The London Institute | Media and Communication | |
| Chapman J | Recent Works by Jonathan Chapman | 2000 | University College Northampton | Fine Art Practices | |
| Chapman J | Object as Subject: Contemporary Still Life | 1998 | University College Northampton | Fine Art Practices | |
| Chapman J | Richard Demarco, 70/2000: The Road to Miekle Seggie | 2000 | University College Northampton | Fine Art Practices | |
| Chapman J | Jonathan Chapman: Still Lifes | 2000 | University College Northampton | Fine Art Practices | |
| Chapman B | 20 pieces of tableware + jewellery in gold, silver + pewter | 1999 | London Guildhall University | ||
| Chapman B | Leon Appleby Millenium Sculpture: permanent installation in silver, wood bronze, iron and limewood, in public area of Pennybank Chambers workshop complex, Clerkenwell | 1999 | London Guildhall University | ||
| Chapman B | 4 magnified time-pieces in aluminium + nylon | 1995 | London Guildhall University | ||
| Chapman B | Water vessel in silver featuring anticlastic raising technique | 1998 | London Guildhall University | ||
| Chandra M | Travels in a New World 2 | 1997 | Royal College of Art | Critical Practice | |
| Chandra M | Pacific Album: Vernacular Photography of the Fiji Indian Diaspora | 2000 | Royal College of Art | Critical Practice | |
| Chandra M | Travels in a New World | 1995 | Royal College of Art | Critical Practice | |
| Chandler D | The Shipping Forecast | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chandler D | The Dark Side of Life: British Photography in the 1990s | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chandler D | Boxer: an anthology of writing on boxing and visual culture | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chandler D | Edward Weston | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chance V | An Invitation to Waltz | 1995 | De Montfort University | ||
| Chance V | East International Open Exhibition | 2000 | De Montfort University | ||
| Chance V | +M2 The Large Paint Show | 1997 | De Montfort University | ||
| Chance V | Southwark Festival | 2000 | De Montfort University | ||
| Chambers S | Room of Cork | 1999 | Royal College of Art | Fine Art | |
| Chambers S | This Man is not a Leopard | 1995 | Royal College of Art | Fine Art | |
| Chambers S | Silent Running | 1998 | Royal College of Art | Fine Art | |
| Chambers S | Paintings (Retrospective) | 1999 | Royal College of Art | Fine Art | |
| Chamberlain PM | Cyclops Floor Lamp | 1997 | Sheffield Hallam University | ||
| Chamberlain PM | Tac-tile Sounds System | 1998 | Sheffield Hallam University | Industrial Design | |
| Chalkley BD | Colony Room Club Show, 50th Anniversary, Art Exhibition 1948-1998 | 1998 | The London Institute | Fine Art | |
| Chalkley BD | Brian Dawn Chalkley | 1999 | The London Institute | Fine Art | |
| Chalkley BD | Death Race 2000 | 2000 | The London Institute | Fine Art | |
| Chalkley BD | Vague but True | 2000 | The London Institute | Fine Art | |
| Chalk M | Solo Exhibition of reliefs and sculpture. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chalk M | 'Joanna Mowbray: observations' critical essay in 'Joanna Mowbray 1985-2000', website/CD Rom catalogue. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chalk M | 'I can know: he was there', critical essay in 'Mario Minichiello' Catalogue, CD Rom and website. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chalk M | 'Old Harbour Regeneration Project'. Public Art Commission and Design Consultancy for Landscape Architecture Department of Hull City Council. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chalayan H | Exhibition: Lost and Found: critical voices in new British design | 2000 | The London Institute | Fashion and Textiles | |
| Chalayan H | Addressing the Century: 100 Years of Art and Fashion | 1998 | The London Institute | Fashion and Textiles | |
| Chalayan H | Exposing Meaning in Fashion Through Presentation | 1999 | The London Institute | Fashion and Textiles | |
| Chalayan H | After Words | 2000 | The London Institute | Fashion and Textiles | |
| Chaimowicz M C | Peintures et Objets, Marc Camille Chaimowicz | 1994 | University of Reading | ||
| Chaimowicz M C | La Suite de Varsovie de Marc Camille Chaimowicz | 1997 | University of Reading | ||
| Chaimowicz M C | Celebration? Realife Revisted | 2000 | University of Reading | ||
| Chaimowicz M C | Cinq Propositions, Marc Camille Chaimowicz | 2000 | University of Reading | ||
| Chadwick J | Quinton and Chadwick's collection for Courtaulds | 1997 | Kingston University | ||
| Chadwick J | The Quinton and Chadwick Knitwear Collection Autumn/Winter 2000 - 'Alpine Trekking' | 2000 | Kingston University | ||
| Chadwick J | Felt, Non Felt | 1996 | Kingston University | ||
| Chadwick J | Quinton and Chadwick's Knitwear Collection | 1996 | Kingston University | ||
| Cazeaux C | The Continental Aesthetics Reader | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Cazeaux C | Synaesthesia and Epistemology in Abstract Painting | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Cazeaux C | Metaphor and the Categorization of the Senses | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Cazeaux C | Theorizing Theory + Practice | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Cawthorne DA | Intelligent Daylighting Design and Control in UK Buildings | 1997 | De Montfort University | ||
| Cawthorne DA | A Pedagogy of Environmental Design | 2000 | De Montfort University | ||
| Catto MA | The Visual Commentary as a bridge between two practices | 1998 | University of Ulster | ||
| Catto MA | Painting and Sculpture in Northern Ireland | 1996 | University of Ulster | ||
| Castle J | Northern Lights | 1999 | University of Gloucestershire | ||
| Castle J | Connections | 2000 | University of Gloucestershire | ||
| Castle J | Sculpture, an Abbey and a Cathedral | 2000 | University of Gloucestershire | ||
| Cassim J | New Spirit of Japanese Calligraphy | 2000 | Royal College of Art | Inclusive Design | |
| Cassim J | Into the Light- Museums + their Visually Impaired Visitors | 1998 | Royal College of Art | Inclusive Design | |
| Cassim J | Raised image | 1997 | Royal College of Art | Inclusive Design | |
| Cassim J | Art + the Inner Eye # 1 | 1994 | Royal College of Art | Inclusive Design | |
| Casey B | Nowt So Queer As Folk Calender | 1996 | University of Central Lancashire | ||
| Casey B | Cock a doodle | 1996 | University of Central Lancashire | ||
| Casey B | Deepdale Stadium | 2000 | University of Central Lancashire | ||
| Casey B | 'The Faith Zone' graphics | 1999 | University of Central Lancashire | ||
| Cartwright AR | Sideboard (commission for John Tusa) | 1998 | Loughborough University | Fine and Applied Arts | |
| Cartwright AR | Reception Desk (furniture design) | 1998 | Loughborough University | Fine and Applied Arts | |
| Cartwright AR | Furniture Today - Its Design and Craft (exhibition) | 1995 | Loughborough University | Fine and Applied Arts | |
| Cartwright AR | Exterior terrace furniture (commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Carter T | American Dream. | 1996 | Goldsmiths College | ||
| Carter T | Dreaming Holbein. | 1996 | Goldsmiths College | ||
| Carter T | 'New Work from the Government Art Collection'. | 1998 | Goldsmiths College | ||
| Carter T | Sleeping. | 1999 | Goldsmiths College | ||
| Carter P | Made in Glasgow | 1997 | Edinburgh College of Art | Fine Art | |
| Carter P | Become Like Me | 2000 | Edinburgh College of Art | Fine Art | |
| Carter P | Evolution Isn't Over Yet.. | 1999 | Edinburgh College of Art | Fine Art | |
| Carter P | A Square of Ground | 2000 | Edinburgh College of Art | Fine Art | |
| Carson JE | 0044 | 1999 | The London Institute | Fine Art | |
| Carson JE | As it is | 2000 | The London Institute | Fine Art | |
| Carrick C R | Torre De Torrent | 1995 | The London Institute | Fine Art | |
| Carrick C R | NatUrban Realities - Nature in an Urban Landscape | 2000 | The London Institute | Fine Art | |
| Carrick C R | Myths of Modern Times (2001 Mitos de los Teimpos Modernos) | 2000 | The London Institute | Fine Art | |
| Carrick C R | Circuit Ouvert | 1996 | The London Institute | Fine Art | |
| Carlisle A | Hear Me, See You | 1996 | University of Wales College, Newport | Photography | |
| Carlisle A | I AM | 2000 | University of Wales College, Newport | Photography | |
| Cargill I | Aberdeen University Prospectuses | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Cargill I | Shell Posters | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Cargill I | Macromedia Awards | 1999 | Robert Gordon University | Practices enabled through New Media Technology | |
| Cannon Jones A | Dirk Bikkemberg Autumn/Winter Menswear Collection | 1998 | The London Institute | Fashion and Textiles | |
| Cannon Jones A | John Rocha Autumn/Winter Menswear Collection | 1999 | The London Institute | Fashion and Textiles | |
| Cannon Jones A | Working with Designers: A technical approach | 1999 | The London Institute | Fashion and Textiles | |
| Cannon Jones A | John Rocha Spring/Summer Menswear Collection | 2000 | The London Institute | Fashion and Textiles | |
| Campbell D | Plotting Polke. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Campbell D | Thankyouverymuch...huh,huh! | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Campany D. | DOCUMENTS OF THE IMPOSSIBLE | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Campany D. | AUTO INTERVIEW | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Campany D. | ART PHOTOGRAPHED: SOME THOUGHTS ON PAINTING AND THE BOOK | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Campany D. | CONCEPTUAL ART HISTORY OR, A HOME FOR HOMES FOR AMERICA | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Cameron AJ | Dissimulations - the illusion of interactivity | 1997 | University of Westminster | Hypermedia | |
| Cameron AJ | Composition Station | 2000 | University of Westminster | Hypermedia | |
| Cameron AJ | Wildlife Supersampler | 2000 | University of Westminster | Hypermedia | |
| Calver V | Embroidered designs for fashion and furnishing fabrics for Jacob Schlaepfer, Switzerland | 1999 | University of Southampton | ||
| Calver V | Eugenia' co-ordinated designs for the Sheriden range of bedlinens | 1999 | University of Southampton | ||
| Calver V | Status Style print design | 2000 | University of Southampton | ||
| Calver V | Design for 'Creation Bauman', Germany | 2000 | University of Southampton | ||
| Callinicos E | TECTONIC three relationships between craft and architecture | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Callinicos E | Objects of Our Time | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Callinicos E | Jewellery Moves | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Callinicos E | Jerwood Applied Arts Prize 2000 | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Callinicos E | Tectonic: Three Relationships Between Craft and Architecture | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Callinicos E | Jerwood Applied Arts Prize 2000: Jewellery | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Callinicos E | Jewellery Moves: Ornament for the 21st Century | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Callinicos E | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Calcutt J | Here, There and Everywhere | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Calcutt J | The Ghost in the Machine, essay in exhibition catalogue | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Calcutt J | Seriously Kitsch: Kenny Hunters Cherub | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Calcutt J | Causing Scenes - John Calcutt on Graham Fagen | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Cakin AS | Inquiry by Design | 1994 | De Montfort University | ||
| Cakin AS | Learning from Stowe: A Studio Based Teaching.Learning Initiative | 1999 | De Montfort University | ||
| Cakin AS | CUDE: Clients and Users in Design Education | 1999 | De Montfort University | ||
| Cairns J | 'Picture This' by Wet Wet Wet | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Cairns J | War Tourist (completed selections from ongoing body of work) | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Cairns J | Shoreline Encounter (Commissioned Print) | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Cairns J | Marie R. Many Images of a Queen | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Cairns J | Him or Her | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Cairns J | Common Ground | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Cairns B | American Illustration 19 | 1999 | Glasgow School of Art | Principles of Drawing | |
| Cairns B | Illustrations for Jack Chia MPH Annual Report 1998 | 1998 | Glasgow School of Art | Principles of Drawing | |
| Cairns B | Poster for Seattle International Film Festival | 1994 | Glasgow School of Art | Principles of Drawing | |
| Cairns B | The Power of Words and Signs: A is for Alien Abduction: group exhibition | 1996 | Glasgow School of Art | Principles of Drawing | |
| Cain J | 1998 | Leeds Metropolitan University | Visual Arts | ||
| Cain J | 1999 | Leeds Metropolitan University | Visual Arts | ||
| Cain J | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Cain J | 1995 | Leeds Metropolitan University | Visual Arts | ||
| CZARNECKI G | Homocyte | 1998 | University of Dundee | Digital Technology | |
| CURRAN M | POINTS DE VUE (IMAGES D'EUROPE) | 1995 | Middlesex University | ||
| CURRAN M | NIGHT CLUB ROBBERIES | 2000 | Middlesex University | ||
| CURRAN M | PICTURES OF LILY | 1997 | Middlesex University | ||
| CURRAN M | CLOSING CLOSE/BY | 2000 | Middlesex University | ||
| COX L | FlowerField + Skies over FlowerField | 1998 | University of Dundee | Digital Technology | |
| COX L | Lost Light | 1997 | University of Dundee | Digital Technology | |
| COX L | Moon Flowers, Flowerfield Version 3B + Bug Duel | 1999 | University of Dundee | Digital Technology | |
| COWAN J | ANABALEPS - GROUP SHOW | 2000 | Middlesex University | ||
| COWAN J | PASSAGES AND INCIDENTS | 1996 | Middlesex University | ||
| COWAN J | FURNITURE | 1999 | Middlesex University | ||
| COWAN J | PRESENT...PASSING - SOLO EXHIBITION | 1998 | Middlesex University | ||
| COOMBS D | Daniel Coombs | 2000 | University of Oxford | ||
| COOMBS D | Daniel Coombs | 1999 | University of Oxford | ||
| COOMBS D | Young British Artists VI | 1996 | University of Oxford | ||
| COOMBS D | British Art | 2000 | University of Oxford | ||
| COOKE R | The Silver Tassie, Nixon in China, The Prisoner | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| COOKE R | British Contemporary Printmakers | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| COOKE R | 20th Mini Print International Cadaques 2000 | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| COOKE R | Blood on the Floor | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| CONWAY R | PATE-DE-VERRE VESSEL | 1998 | Middlesex University | ||
| CONWAY R | PATE-DE-VERRE | 1997 | Middlesex University | ||
| CONWAY R | MAXIMUM EXPOSURE | 1994 | Middlesex University | ||
| COLVIN C M | Pseudologica Fantastica | 1996 | University of Dundee | Digital Technology | |
| COLVIN C M | Sacred and Profane | 1998 | University of Dundee | Contemporary Practice | |
| COLLINS N | Uniqueness of Pitch Class Spaces, Minimal Bases and Z Partners | 1999 | Middlesex University | ||
| COLLINS N | An Investigation into the Existence of Z Chords | 2000 | Middlesex University | ||
| COLLINS N | Splinesynth: An Interface to Low-Level Digital Audio | 1999 | Middlesex University | ||
| COLLINS N | Caring for the Instrumentalist in Automatic Orchestration | 2000 | Middlesex University | ||
| COLLINS B C | The Royal Game of Life | 1997 | University of Dundee | Contemporary Practice | |
| COLLINS B C | United Parcel Services Foundation/Annual Report, 1999 | 2000 | University of Dundee | Contemporary Practice | |
| COLE R | Second Impressions | 1996 | University of Lincoln | ||
| COLE R | Scottish Sculpture 9 | 1998 | University of Lincoln | ||
| COLE R | Triennial Sculputre Exhibition | 1999 | University of Lincoln | ||
| COLE R | REVEAL | 1997 | University of Lincoln | ||
| CLAMP RS | Public Art Project: Artist in Residence, Michael Disley | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CLAMP RS | Public Art Project: Cheltenham | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CLAMP RS | Portishead Quays: Public Arts Strategy | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CLAMP RS | Public Art Project: Ann Christopher, Sculptor | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CHISHOLM R G | A study of the dynamics, image and function of objects and the space they occupy | 1999 | University of Dundee | Industry and the Public Sector | |
| CHEVSKA ME | Spoken Image: Maria Chevska | 1997 | University of Oxford | ||
| CHEVSKA ME | Company: Maria Chevska | 1999 | University of Oxford | ||
| CHEVSKA ME | Maria Chevska | 1997 | University of Oxford | ||
| CHEVSKA ME | Maria Chevska | 2000 | University of Oxford | ||
| CHELL E | Tech | 1998 | Kent Institute of Art + Design | ||
| CHELL E | Vanishing Point | 2000 | Kent Institute of Art + Design | ||
| CHELL E | CHORA | 1999 | Kent Institute of Art + Design | ||
| CHELL E | Edward Chell Paintings | 1997 | Kent Institute of Art + Design | ||
| CHARNLEY C | Cement Mixer with Roses | 1998 | University of Lincoln | ||
| CHARNLEY C | Petrikapille beim dom Brandenburg | 1998 | University of Lincoln | ||
| CHARNLEY C | Horticulture1 and Horticulture 2 | 1997 | University of Lincoln | ||
| CHARNLEY C | Muscles (part of Photo 98) | 1998 | University of Lincoln | ||
| CHAPLIN S | Edo's Endgame: Real or Virtual? | 1997 | Middlesex University | ||
| CHAPLIN S | Heterotopia Deserta: Las Vegas and Other Spaces | 2000 | Middlesex University | ||
| CHAPLIN S | Report to Virtual HQ: The Distributed City | 1997 | Middlesex University | ||
| CATTRELL A | Scandex | 1995 | University of Oxford | ||
| CATTRELL A | Blue Chamber | 2000 | University of Oxford | ||
| CATTRELL A | New Anatomists | 1999 | University of Oxford | ||
| CATTRELL A | Psycho | 2000 | University of Oxford | ||
| CATLING BD | Were - The Chamber Works | 2000 | University of Oxford | ||
| CATLING BD | Were | 1998 | University of Oxford | ||
| CATLING BD | Nordic Cyclops | 1997 | University of Oxford | ||
| CARR R J M B | Architecture + Planning in Scotland | 1999 | University of Dundee | Contemporary Practice | |
| CARR R J M B | Inuit Printmaking | 1995 | University of Dundee | Coastal/Indigenous Cultures | |
| CARR R J M B | The Myths of Scottish Design | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| CARR R J M B | Catching up with Sottsass | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | |
| CAIRNS B | Producer of three programmes in the Insights series, documentaries by first time directors. Short Stories (27mins), In the Midst of Life (27mins) Women and Racing (15mins) | 1997 | University of Lincoln | ||
| Byrne JM | 'Mediated Nations' and 'Virtual Interventions : Digital Avant-Gardes' | 1998 | Liverpool John Moores University | Art and Design History | |
| Byrne JM | Re-Mapping Modernity : From Analogic Image to Digital Dream | 1997 | Liverpool John Moores University | Art and Design History | |
| Byrne JM | Cybersublime : Representing the Unrepresentable in Digital Art and Politics | 1999 | Liverpool John Moores University | Art and Design History | |
| Byrne JM | Modernism and Meaning : Some Problems with Reading the Intervention of British Video Art into the Gallery Space | 1996 | Liverpool John Moores University | Art and Design History | |
| Butterworth E | Elizabeth Butterworth Paintings, Drawings and Prints | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butterworth E | Elizabeth Butterworth New Work | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butterworth E | Macaws - limited edition prints | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butterworth E | Elizabeth Butterworth - Solo Show | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butler SK | Phantasias | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler SK | Revising Femininity - Creative Camera: Thirty Years of Writing | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Butler SK | Aurum - A series of site specific works responding to the history of Harewood House | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Butler S | Phantasias | 1997 | Royal College of Art | Critical Practice | |
| Butler S | Aurum | 2000 | Royal College of Art | Critical Practice | |
| Butler K | Live on Ice | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Butler K | Siteworks - Examining the relationship of site based work on four different sites in London | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler K | Abstraction and Blind Sitings - A collaboration between two artists geographically displaced from the sites | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler K | Encampment - The development of temporary site based work | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler P. | EAST INTERNATIONAL | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler P. | JOHN MOORES LIVERPOOL EXHIBITION 19 | 1995 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler P. | PAUL BUTLER: OIL PAINTINGS | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler P. | PAUL BUTLER: NEW PAINTINGS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler J | John Virtue: Exe Estuary Paintings 1997/8 | 1998 | University of Plymouth | Art Process | |
| Butler J | Justin Knowles Beyond Systems Artform Concepts 1967-98. | 1998 | University of Plymouth | Art Process | |
| Bushe R | 'Robbie Bushe' Solo exhibition. 20 acrylics, watercolours, drawings and prints. Various dimensions. Photographic record of works available. | 1995 | University College Chichester | Painting | |
| Bushe R | 'HINTERland' - 3 acrylics, digital/mixed media prints. Dimensions?? | 1999 | University College Chichester | Digital / Mixed media prints | |
| Bushe R | 'Robbie Bushe' - 12 acrylics, watercolours, drawongs and prints. Various dimensions. | 1998 | University College Chichester | Painting | |
| Bushe R | 'Robbie Bushe - New Pictures' - 60 oils, acrylics, watercolours, drawings and prints. Dimension between 18x14 ins and 60x60 ins. | 1994 | University College Chichester | Painting | |
| Bush P | 'His Comedy'. | 1998 | Goldsmiths College | ||
| Bush P | 'The Albatross' - short Animation film. | 1998 | Goldsmiths College | ||
| Bush P | 'The Rumour of True Things'. | 1998 | Goldsmiths College | ||
| Bush P | 'Still Life with Small Cup'. | 1998 | Goldsmiths College | ||
| Burton R | Regional Political Conferences | 2000 | University of Sunderland | Design | |
| Burton R | National Political Conferences | 1999 | University of Sunderland | Design | |
| Burton R | French Rural Life and Agricultural Exhibition | 1998 | University of Sunderland | Design | |
| Burton R | Agricultural/Rural Exhibition Consultation | 2000 | University of Sunderland | Design | |
| Burton A | Durham Cow | 1997 | University of Newcastle | ||
| Burton A | All Afloat | 1996 | University of Newcastle | ||
| Burton A | Bronze | 2000 | University of Newcastle | ||
| Burton A | Walls, Mountains, Millstones | 1994 | University of Newcastle | ||
| Burstow R | 'Symbols for '51: The Royal Festival Hall, Skylon and Sculptures for the Festival of Britain' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burstow R | 'Materialising Memory : Mementoes, Memorials and Modernism'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burstow R | 'The Limits of Modernist Art as a Weapon of the Cold War: Re-assessing the unknown patron of the Monument to the Unknown Political Prisoner'. | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burstow R | 'Participation and Pageant: The Miralda Honeymoon Project'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burrows M W | Matthew Burrows | 1994 | University of Huddersfield | ||
| Burrows M W | Undercurrents | 2000 | University of Huddersfield | ||
| Burrows M W | Matt Burrows | 1994 | University of Huddersfield | ||
| Burrows M W | A Divine Comedy | 2000 | University of Huddersfield | ||
| Burrows D | David Burrows solo show and It boy ontology Audio CD | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Burrows D | David Burrows Solo Show at Praz-Delavallade | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Burrows D | I Hate You In June | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Burrows D | 'Who's afraid of Red, White and Blue' | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Burnett G | Australian Cultural Issues Redefined by Digitally Crafted Domestic Objects | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Burnett G | Objects of Our Time | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Burnett G | Metalmorphosis | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Burnett G | Craft Culture and Technology | 1996 | Robert Gordon University | Making and Contemporary Culture | |
| Burke C P | Paul Renner: the art of typography | 1998 | University of Reading | ||
| Burke C P | From functionalism to information design | 1998 | University of Reading | ||
| Burke C P | Luxury and austerity: Willy Wiegand and the Bremer Presse | 1997 | University of Reading | ||
| Burke C P | German hybrid typefaces of the early twentieth century | 1998 | University of Reading | ||
| Burgin V | Nietzsche's Paris. | 2000 | Goldsmiths College | ||
| Burgin V | Some Cities, London. | 1996 | Goldsmiths College | ||
| Burgin V | In/Different Spaces: Place and Memory in Visual Culture. | 1996 | Goldsmiths College | ||
| Burgin V | Lichtung. | 1999 | Goldsmiths College | ||
| Bunnell K | A New Agenda for Creative Enterprise | 2000 | Falmouth College of Arts | ||
| Bunnell K | Objects of our Time | 1996 | Falmouth College of Arts | ||
| Bunnell K | Ceramic Designer/Maker: Ceramic Design Innovation Through New Technology. | 1996 | Falmouth College of Arts | ||
| Bunnell K | Hot off the Press: Ceramics and Print | 1996 | Falmouth College of Arts | ||
| Bullen DW | Paintings and Prints | 1998 | University of Brighton | Fine Art Practices | |
| Bullen DW | Lumen - Paintings and Photographs | 1998 | University of Brighton | Fine Art Practices | |
| Bullen DW | Isola | 1997 | University of Brighton | Fine Art Practices | |
| Bullen DW | Hermetica | 1999 | University of Brighton | Fine Art Practices | |
| Bugg R | Solo exhibition | 1997 | Wimbledon School of Art | Sculpture | |
| Buckley T | The Progress of the Book | 1997 | The London Institute | Media and Communication | |
| Buckley T | Leather Staining, Dyeing and Decorating | 1996 | The London Institute | Media and Communication | |
| Buckley T | How Books Should Open and Feel | 2000 | The London Institute | Media and Communication | |
| Buckley T | 5th World Biennial of the Art of Bookbinding | 1999 | The London Institute | Media and Communication | |
| Buckley S | Excursions: Small Paintings by Stephen Buckley | 1994 | University of Reading | ||
| Buckley S | Stephen Buckley, Centenary Display | 1997 | University of Reading | ||
| Buckley S | Stephen Buckley - Flower Paintings | 1999 | University of Reading | ||
| Buckley J | Flow | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Buckley J | Fold | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Buckley J | Transistors: New Small Sculpture from Scotland | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Buck L | Conservation of Modern Materials in Twentieth Century Furniture | 1998 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Buck J | Embracing the Sea | 1998 | Southampton Institute | ||
| Buck J | The Shape of the Century - 100 years of sculpture in Britain | 1999 | Southampton Institute | ||
| Buck J | Goodwood Goddess | 2000 | Southampton Institute | ||
| Buck J | Contemporary British Sculpture | 2000 | Southampton Institute | ||
| Buchler P | Blind Spot | 1998 | Manchester Metropolitan University | ||
| Buchler P | Red Flag/Marx Angels | 1997 | Manchester Metropolitan University | ||
| Buchler P | LIVE | 1999 | Manchester Metropolitan University | ||
| Buchler P | Ghost Stories: Stray Thoughts on Photography and Film | 1999 | Manchester Metropolitan University | ||
| Buchan S. H. | FANTAZJE FILMOWE. WARIACJE NA TEMAT ULISSESA (LITERARY CINEMATICS: CINEMATIC METAMORPHOSIS IN JAMES JOYCE'S ULYSSES) | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Buchan S. H. | GRAPHIC AND LITERARY METAMORPHOSIS: ANIMATION TECHNIQUE AND JAMES JOYCE'S ULYSSES | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Buchan S. H. | THE QUAY BROTHERS: CHOREOGRAPHED CHIAROSCURO, ENIGMATIC AND SUBLIME | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Buchan S. H. | THE THIRD FANTOCHE INTERNATIONAL ANIMATION FILM FESTIVAL | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Bryson W.N. | The Natural Attitude | 1999 | University College London | Art History and Theoretical Studies | |
| Bryson W.N. | Everything We Look At Is A Kind Of Troy | 2000 | University College London | Art History and Theoretical Studies | |
| Bryson W.N. | Philostratus and the Imaginary Museum | 1995 | University College London | Art History and Theoretical Studies | |
| Bryson D | Acromegaly, Mr Punch and Caricature. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bryson D | 'Operating Theatre for Personal Injury Cases'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bryson D | 'Performance Sportswear Design' Leonardo Multiplier Project. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bryson D | 'Personal Injury Photography - The Case for a Professional Specialisation' May 8-12 1999. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bruton J | In Front | 1999 | The London Institute | Fine Art | |
| Bruton J | Please | 2000 | The London Institute | Fine Art | |
| Bruton J | A Question of Scale | 1995 | The London Institute | Fine Art | |
| Bruton J | Images from Birmingham: Contemporary Painting | 1994 | The London Institute | Fine Art | |
| Bruton J | Domino | 1999 | University of Southampton | ||
| Bruton J | Images from Birmingham: Contemporary Painting | 1994 | University of Southampton | ||
| Bruton J | Please | 2000 | University of Southampton | ||
| Bruton J | The Question of Scale | 1996 | University of Southampton | ||
| Bruce HJ | Beyond Boundaries: Contemporary Textiles by Ten Members of the '62 Group | 1998 | University of Ulster | ||
| Bruce HJ | This Mortal Coil: Art of Awareness | 1998 | University of Ulster | ||
| Bruce HJ | H.R.Lilley Artist and Designer 1886-1970 | 1997 | University of Ulster | ||
| Bruce HJ | Out of the Garden | 2000 | University of Ulster | ||
| Brownsword N | Hoogrood | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brownsword N | British Ceramics DK 2000 | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brownsword N | Fletcher Challenge Ceramics Award | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brownsword N | Close - Last in the 3Up Series | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brown W | Permanence - Potters Have The Last Laugh | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Brown W | Solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Brown V | 'Core - Contemporary Regional Textiles'. 12 hand-rolled felt wall hangings. Varying dimensions. | 2000 | University College Chichester | Textiles | |
| Brown V | 'The Waves at Goldsmiths' - A major retrospective charting great art from the textiles course 1947 - 2000. A hand rolled felt and silk coat | 2000 | University College Chichester | Textiles | |
| Brown V | 'Satellites of Fashion.' Four hand-rolled felt hats, various dimensions | 1999 | University College Chichester | Textiles | |
| Brown V | 'Cloths of Gold.' 1 exhibit: Hand-rolled felt with gold leaf banner 30 x 200cms | 1998 | University College Chichester | Textiles | |
| Brown SC | Challenge and Change in a Traditional Setting | 2000 | De Montfort University | ||
| Brown SC | Campus Re-engineering | 2000 | De Montfort University | ||
| Brown SC | Open and Distance Learning: Case Studies from Industry and Education | 1997 | De Montfort University | ||
| Brown SC | Re-inventing the University | 1998 | De Montfort University | ||
| Brown R | Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy | 2000 | Royal College of Art | Computer Related Design | |
| Brown R | Neural Net Starfish | 2000 | Royal College of Art | Computer Related Design | |
| Brown R | Alembic | 1997 | Royal College of Art | Computer Related Design | |
| Brown R | Biotica | 1999 | Royal College of Art | Computer Related Design | |
| Brown M | Challenging Homelessness; a participatory media project | 2000 | University of Ulster | ||
| Brown M | Voices from the Field | 1998 | University of Ulster | ||
| Brown M | Real Lives Magazine | 1997 | University of Ulster | ||
| Brown JK | Without Touch | 2000 | Manchester Metropolitan University | ||
| Brown JK | Not Touched by Human Hand: The CALM Project | 1999 | Manchester Metropolitan University | ||
| Brown JK | Fine Art Sculpture and Computing Technology | 1999 | Manchester Metropolitan University | ||
| Brown JK | Time-Forms | 1998 | Manchester Metropolitan University | ||
| Brown C | Fragments of Narrative | 2000 | University of Westminster | Ceramics | |
| Brown C | The Nude in Clay 2 | 1998 | University of Westminster | Ceramics | |
| Brown C | The Jerwood Prize for Applied Arts: Ceramics | 1996 | University of Westminster | Ceramics | |
| Brown C | Crafts Council Showcase | 1997 | University of Westminster | Ceramics | |
| Brown C | 'Coming Ready or Not' - a permanment sound piece sited on the Chiltern Sculpture Trail.'Coming Ready or Not and Other Tales' - Solo Exhibition of Drawings, Museum of Modern Art, Oxford. | 2000 | University of Derby | Research Group for Artists Publications | |
| Brown C | 'The Waters', Solo Exhibition | 1997 | University of Derby | Research Group for Artists Publications | |
| Brown C | 'Acoustic Shadows' | 1999 | University of Derby | Research Group for Artists Publications | |
| Brown C | Group Exhibition in Public Gallery | 1998 | University of Derby | Research Group for Artists Publications | |
| Brown C | Economist - Books and Multimedia supplement. | 2000 | Liverpool John Moores University | Graphic Arts | |
| Brown C | An Anamorphic Alphabet | 1999 | Liverpool John Moores University | Graphic Arts | |
| Brown C | Complete W Somerset Maugham | 1998 | Liverpool John Moores University | Graphic Arts | |
| Brown B | Memory is the Message | 1997 | University of Brighton | Memory, Identity and History | |
| Brown B | Objekte der Erinnerung | 1998 | University of Brighton | Memory, Identity and History | |
| Brown B | Memory Maps and the Nasca | 1999 | University of Brighton | Memory, Identity and History | |
| Brown B | Graphic Memory | 2000 | University of Brighton | Memory, Identity and History | |
| Brotherston W | Commissioned sculptures | 2000 | Edinburgh College of Art | Fine Art | |
| Brotherston W | Edinburgh College of Art in Krefeld: Aspects of Contemporary Art in Scotland | 2000 | Edinburgh College of Art | Fine Art | |
| Brotherston W | Scandex: Exhibition of Contemporary Scottish Sculpture | 1995 | Edinburgh College of Art | Fine Art | |
| Broom K | Taking the Sheet; an exploration of a contemporary art practice and its relevance to counselling, psychotherapy and identity | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Broom K | Playing with Emergency A Case Study Of Reversal Theory in Artrwork. | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Broom K | Art Practice Within The Probation Service | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Broom K | Lightworks Two Dialogues of Narrative and Perception | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Brooks PR | Naturaleza Muerta Con Insectos | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks PR | L'Ascensore | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks PR | Peepshow | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks PR | A Plague on Both Your Houses | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks J | Jason Brooks | 1997 | University of Gloucestershire | ||
| Brooks J | John Moores Liverpool Exhibition 20 | 1997 | University of Gloucestershire | ||
| Brooks J | The Nat West Art Prize | 1999 | University of Gloucestershire | ||
| Brooks J | Near | 1998 | University of Gloucestershire | ||
| Brock PM | Indigo/Decosit | 1998 | The London Institute | Fashion and Textiles | |
| Brock PM | Heimtextil | 2000 | The London Institute | Fashion and Textiles | |
| Brock PM | Expofil | 1994 | The London Institute | Fashion and Textiles | |
| Brock PM | Research for the Taiwan Textile Federation | 2000 | The London Institute | Fashion and Textiles | |
| Broadway G | The Salt Passages | 1999 | University of Sunderland | Photography | |
| Broadway G | The Glass | 1997 | University of Sunderland | Photography | |
| Britton A | The Raw and the Cooked - New Work in Clay in Britain | 1994 | Royal College of Art | Applied Art | |
| Britton A | Form and Fiction | 1995 | Royal College of Art | Applied Art | |
| Britton A | Alison Britton | 1996 | Royal College of Art | Applied Art | |
| Britton A | Alison Britton | 2000 | Royal College of Art | Applied Art | |
| Bristow M | The 6th Intertnational Textile Competition '99 - Kyoto | 1999 | Chester College of HE | ||
| Bristow M | Textures of Memory: The Poetics of Cloth | 1999 | Chester College of HE | ||
| Bristow M | (Un) Limited. Diversity and Change in International Contemporary Craft | 1999 | Chester College of HE | ||
| Bristow M | Flexible 2 Pan European Art | 1996 | Chester College of HE | ||
| Brisley S.J. | Live in Your Head: Concept and Experiment in Britain, 1965-1975 | 2000 | University College London | Fine Art Media | |
| Brisley S.J. | Body Performance | 1995 | University College London | Fine Art Media | |
| Brisley S.J. | Out of Actions: Between Performance and the Object, 1949-1979. | 1998 | University College London | Fine Art Media | |
| Brisley S.J. | Black | 1996 | University College London | Fine Art Media | |
| Brindley TS | The Modern House in England | 1999 | De Montfort University | ||
| Brindley TS | Community Roles in Urban Regeneration: New Partnerships on London's South Bank | 2000 | De Montfort University | ||
| Brind S | Individuals In Foreign Lands | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Brind S | Sehst | 2000 | Glasgow School of Art | Fine Art | |
| Brind S | Private Views, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Brill P | Flawed. | 2000 | Goldsmiths College | ||
| Brill P | 40 Rubber Planes. | 2000 | Goldsmiths College | ||
| Brill P | Stop it Write Now. | 2000 | Goldsmiths College | ||
| Brill P | I believe in D | 2000 | London Guildhall University | ||
| Brill P | Landscape. Landscape in a non-traditional manner; video and 'text paintings' | 2000 | London Guildhall University | ||
| Brill P | Stop it write now! (installation), Make Your Own Damn Art | 2000 | London Guildhall University | ||
| Brill P | Peace: 40 rubber aeroplanes to be thrown around the space by the public | 1999 | London Guildhall University | ||
| Brill P | I Believe in Durer. | 2000 | Goldsmiths College | ||
| Bright A | Metalmorphosis - Tradition and Innovation in British Silver and Metalwork 1880-1998 | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Bright A | Steekje Los! (Slipstich: New Concepts in Knitting) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bright A | Sensor, Body, Sensor | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Bright A | Beyond Material: The New Crafts of the 90s | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Briggs P M | The Life Cycle off the Salmon: from egg to smolt | 1998 | Nottingham Trent University | Design | |
| Briggs P M | Venetian Ship | 1995 | Nottingham Trent University | Design | |
| Briggs P M | The Golden Hind | 1994 | Nottingham Trent University | Design | |
| Briggs P M | 5 Ships | 1995 | Nottingham Trent University | Design | |
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Brigdale S | Another Place | 1996 | Southampton Institute | ||
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Brigdale S | 12 Again | 1999 | Southampton Institute | ||
| Brierley ES | The Social Impact of a Deck Housing Project: Park Hill, Sheffield | 1997 | De Montfort University | ||
| Brierley ES | The Influence of the Research Process upon Design Decisions | 1998 | De Montfort University | ||
| Brierley ES | The Boundaries of Architectural Research | 1994 | De Montfort University | ||
| Brierley ES | The Significance of Memorable Urban Spaces for the Sustainable Development of Dwellings | 1999 | De Montfort University | ||
| Brewill PJ | Windpowered Tanker | 1997 | University of Southampton | ||
| Brewill PJ | Luxury Liner | 1995 | University of Southampton | ||
| Brewill PJ | Red October | 1999 | University of Southampton | ||
| Brewill PJ | Tube Doggy | 2000 | University of Southampton | ||
| Breward C J | Fashion + the Man: From Suburb to Street. The Spaces of Masculine Consumption 1870-1914 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Breward C J | The Hidden Consumer: Masculinities, Fashion and City Life 1860-1914 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Breward C J | In the Eye of the Storm: Oxford Circus + the Fashioning of Modernity | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Breward C J | Masculinity, Fashion and the Body, 1870 - 1915 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brettle J L | Il Camino Astratto | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Brettle J L | Shadows in the Water - New Photographic Works from Scotland | 1997 | University of Northumbria at Newcastle | Photography (1b) | |
| Brettle J L | History: Image Based Art in Britain in the Late 20th Century, survey of 101 artists. | 1997 | University of Northumbria at Newcastle | Photography (1b) | |
| Brettle J | Shadows in the Water: Contemporary Photography from Scotland | 1996 | Edinburgh College of Art | Fine Art | |
| Brettle J | HISTORY: Image Based Art in Britain in the Late 20th Century | 1994 | Edinburgh College of Art | Fine Art | |
| Brettle J | LUMINOUS: Northern Gallery for Contemporary Art, Sunderland. Visual Arts UK | 1996 | Edinburgh College of Art | Fine Art | |
| Brett G | Exploding Galleries: The Art of David Medalla | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brett G | Susan Hiller | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brett G | Force Fields: Phases of the Kinetic | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brett DB | The Plain Style: The Reformation, Culture and the Crisis in Protestant Identity | 1999 | University of Ulster | ||
| Brett DB | The Construction of Heritage | 1996 | University of Ulster | ||
| Brett DB | Art Nouveau | 1997 | University of Ulster | ||
| Brett DB | The Management of Colour:The Kashmir Shawl in a 19th Century Debate | 1998 | University of Ulster | ||
| Brennand-Wood M | Material Evidence : Improvisations on a Historical Theme | 1996 | University of Ulster | ||
| Brennand-Wood M | You are here | 1999 | University of Ulster | ||
| Brennand-Wood M | Jerwood Prize for Applied Arts - Textiles | 1997 | University of Ulster | ||
| Brennand-Wood M | Weaving the World, Contemporary Art of Linear Construction | 1999 | University of Ulster | ||
| Brennan G | Collectanea (a collection of passages) | 1998 | Edinburgh College of Art | Fine Art | |
| Brennan G | 13th International Miniature Biennale | 2000 | Edinburgh College of Art | Fine Art | |
| Brennan G | Hitec - Lotec | 2000 | Edinburgh College of Art | Fine Art | |
| Brennan G | Un Pas dans la Lune | 1999 | Edinburgh College of Art | Fine Art | |
| Breen LV | Not Another Ism | 1999 | Brunel University | Polymedia Design | |
| Breen LV | On Closer Inspection | 1999 | Brunel University | Polymedia Design | |
| Breen LV | Power of the Poster | 1998 | Brunel University | Polymedia Design | |
| Breen LV | The UN Convention against Torture | 2000 | Brunel University | Polymedia Design | |
| Braddock SE | Cross-Cultural Trends in Fiber Arts: A Global Horizon | 2000 | Goldsmiths College | ||
| Braddock SE | Fabric of Fashion. | 2000 | Goldsmiths College | ||
| Bradac J | Solo exhibition | 1994 | The London Institute | Fine Art | |
| Bradac J | Artists Book Exhibition | 1994 | The London Institute | Fine Art | |
| Bradac J | Artists' Book Fair | 1994 | The London Institute | Fine Art | |
| Bradac J | Parcels and Occasional Diaries | 1998 | The London Institute | Fine Art | |
| Bracker A | Lost Property: Lisa Lyon in Artforum | 1998 | Royal College of Art | Conservation | |
| Boys J | Beyond Maps and Metaphors: Re-thinking Architecture and Gender | 1998 | De Montfort University | ||
| Boys J | Windows on the World - Or why we might be using the wrong frames: (Re)viewing Architecture | 2000 | De Montfort University | ||
| Boys J | Beyond 'Point and Click': Making Teaching and Learning Really Interactive | 1999 | De Montfort University | ||
| Boys J | Positions in the Landscape? Gender, Material and Virtual Space | 1998 | De Montfort University | ||
| Boyle GA | DREAM-World: a Simple Model of Energy-Related Carbon Emissions in the 20th and 21st Centuries | 2000 | Open University | Design for sustainability | |
| Boyle GA | Renewable Energy: Power for a Sustainable Future | 1996 | Open University | Design for sustainability | |
| Boylan A | Precious Metal Jewellery | 2000 | University of Ulster | ||
| Boylan A | Cisti Nua: New Treasures | 1996 | University of Ulster | ||
| Boylan A | Brooch and Tie Pin | 1998 | University of Ulster | ||
| Boylan A | One-off Jewellery Works | 1999 | University of Ulster | ||
| Boyd S C | Proximity. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Boyd S C | European Rustic. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Boyd S C | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Boyd S C | Beyond the WOW Factor. | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Boyce-Kwok S | Interzones | 1996 | University of East London | ||
| Boyce-Kwok S | Performance | 1998 | University of East London | ||
| Boyce-Kwok S | The Unmapped Body | 1998 | University of East London | ||
| Boyce-Kwok S | Motherlode; The other side of Zero | 2000 | University of East London | ||
| Bowman S | Australia Dreaming: Australia Out to Dry | 2000 | University of East London | ||
| Bowman S | Traditional Crafts revival and technological change in the Highlands and Islands of Scotland | 2000 | University of East London | ||
| Bowman S | Women and Indigenous Textiles - Aesthetics and Economic Enterprise | 1996 | University of East London | ||
| Bowman J | Range of scarves and wraps (concept design, sampling and production management) | 1998 | Loughborough University | Textiles | |
| Bowman J | Fabric designs 12.B.688, 2000 | 2000 | Loughborough University | Textiles | |
| Bowett A | The Age of Snakewood | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowett A | The English Cross-frame Chair, 1694-1715 | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowett A | The English Horsebone Chair, 1685-1710 | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowett A | The Jamaica Trade: Gillow and the use of Mahogany in the Eighteenth Century | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowen S | From Pools and Oceans, solo exhibition | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Bowen S | Double Summertime residency and exhibition | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| Bowen S | Residency and exhibition based at Grizdale Sculpture Trail, Cumbria | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Bowen S | Villa Romana, Florence, residency and exhibition | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Bowen J.R. | Fountain of Love | 1999 | University College London | Painting | |
| Bowen J.R. | Mani/Mario | 1998 | University College London | Painting | |
| Bowen J.R. | Bestiary | 1999 | University College London | Painting | |
| Bowen J.R. | Imprints | 1998 | University College London | Painting | |
| Bourke R | 'Spa: An Erasure' | 1996 | Dartington College of Arts | ||
| Bourke R | Liquid Rapture: 'Dark Bride' | 1998 | Dartington College of Arts | ||
| Bourke R | 'Liquid Rapture: Brut' | 1998 | Dartington College of Arts | ||
| Bourke R | 'Apoteoza'/apotheosis | 2000 | Dartington College of Arts | ||
| Boult J | Mastering the administration of Design in the CK Economy | 2000 | Brunel University | Design Process | |
| Boult J | Jordan Amigo Toothbrushes | 1995 | Brunel University | Design Process | |
| Boult J | The Electronic Home | 1996 | Brunel University | Design Process | |
| Boult J | 1998 | Brunel University | Design Process | ||
| Bould M | 'Whither our understanding of sf?' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bould M | Wallflower Critical Guide to Contemporary North American Directors | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bould M | Anti-Bodies | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bould M | 'Preserving Machines: Recentering the Decentered Subject in Blade Runner and Johnny Mnemonic' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Boshier C | Receptacle | 2000 | University of Newcastle | ||
| Boshier C | Luz y Fotographia | 1998 | University of Newcastle | ||
| Boshier C | The Space Between | 1998 | University of Newcastle | ||
| Boshier C | Christine Boshier | 1995 | University of Newcastle | ||
| Borrelli M | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Borrelli M | Solo exhibition 1 | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| Borrelli M | Abakus | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Borrelli M | Last Dance | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Borland C | Spectacular Bodies: The Art and Science of the Human Body from Leonardo till Now, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Borland C | Sculpture. Projects in M | 1997 | Glasgow School of Art | Fine Art | |
| Borland C | Christine Borland, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Borland C | From Life, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Booth R | Roberta Booth, New Work | 2000 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth New Work | 2000 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth, Recent Paintings | 1998 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth, Paintings from 1974 to 1989 | 1996 | Anglia Polytechnic University | ||
| Booth P.M. | Solo Exhibition | 1997 | Falmouth College of Arts | ||
| Booth P.M. | Solo Exhibition - Medusa's Garden | 1997 | Falmouth College of Arts | ||
| Booth P.M. | Japanese Connections | 2000 | Falmouth College of Arts | ||
| Booth P.M. | Between East and West | 2000 | Falmouth College of Arts | ||
| Boontje T | Rough and Ready | 1999 | Royal College of Art | Design for Manufacture | |
| Boontje T | No Picnic | 1998 | Royal College of Art | Design for Manufacture | |
| Boontje T | Wednesday | 2000 | Royal College of Art | Design for Manufacture | |
| Boontje T | Transglass | 1997 | Royal College of Art | Design for Manufacture | |
| Bonnell M | LAMU B | 1994 | Bath Spa University College | ||
| Bonnell M | LAMU | 1995 | Bath Spa University College | ||
| Bolton JS | Slot and Go/Easy Load Retailing Bag Dispensing System | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton JS | Pinch Pull Retailing Bag Dispensing System | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton JS | V-Bag Dispensing System (Modified Pinch Pull) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton JS | Checkout Bag Dispensing System (Boxless Pinch Pull) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton A | Fashion In Motion | 1999 | The London Institute | Fashion and Textiles | |
| Bolton A | Mao; From Icon to Irony + Fashioning Mao | 1999 | The London Institute | Fashion and Textiles | |
| Bolton A | The Great Mall of the People | 2000 | The London Institute | Fashion and Textiles | |
| Bolton A | The Supermodern Wardrobe | 2000 | The London Institute | Fashion and Textiles | |
| Boekhoudt O | Design for the body | 1999 | Royal College of Art | Applied Art | |
| Boekhoudt O | Jewels of Mind and Mentality 1950-2000 | 2000 | Royal College of Art | Applied Art | |
| Boekhoudt O | Solo exhibition | 2000 | Royal College of Art | Applied Art | |
| Boekhoudt O | Onno Boekhoudt - why not jewellery? | 1997 | Royal College of Art | Applied Art | |
| Bodman V | between | 2000 | University of Sunderland | Fine Art | |
| Bodman V | Magnetic | 1998 | University of Sunderland | Fine Art | |
| Bodman V | Wordless | 1998 | University of Sunderland | Fine Art | |
| Bodman V | Women on Men | 1997 | University of Sunderland | Fine Art | |
| Bodimeade N | Anatomising the Liferoom | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bodimeade N | Skin and Air, Nick Bodimeade | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bodimeade N | Catchcrop | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bodimeade N | Lucio Fontana | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Boddington A D M | En Route: Airport as Cultural Landscape | 2000 | University of Brighton | Natural and Constructed Environments | |
| Boddington A D M | The Remaindered Landscape | 1998 | University of Brighton | Natural and Constructed Environments | |
| Blundell S | Integrity of the Subject | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Blundell S | Should we always be promoting deep approaches to learning? An evaluation of the improving student learning questionnaire in practice | 1995 | University of Central England in Birmingham | Art Education Research Group | |
| Blundell S | The Contribution of Art Professional Development to the Future Health of Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Blundell S | Making the Invisible Visible | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Bloxam L | 'Lighting Up the Invisible' | 2000 | University of Hertfordshire | ||
| Bloxam L | 'Myoglobin' Lighting Display | 2000 | University of Hertfordshire | ||
| Bloxam L | Lighting installation | 2000 | University of Hertfordshire | ||
| Bloxam L | Lighting installation | 1998 | University of Hertfordshire | ||
| Blamey D. | MAKING SOMETHING OUT OF NOTHING. IN ADDITION TO THIS... | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blamey D. | SELF TAUGHT | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blamey D. | THE MULE | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blamey D. | LOOKING AT WORDS: READING PICTURES | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blakemore J | 'John Blakemore'. | 1995 | University of Derby | Centre for Research in Film and Photography | |
| Blakemore J | 'Tulipa'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Blakemore J | The Photographs of John Blakemore | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Blake Q | The Learning Journey | 2000 | Royal College of Art | Communications | |
| Blake Q | Un Bateau Dans le Ciel | 2000 | Royal College of Art | Communications | |
| Blake Q | Words and Pictures | 2000 | Royal College of Art | Communications | |
| Blake Q | Clown | 1995 | Royal College of Art | Communications | |
| Blair N S P | The Future of Design | 1997 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blair N S P | Design in the UK Economy | 1997 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blair N S P | Bang! Bang! Market Research: You're Dead | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blair N S P | The New Business of Design | 1999 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blacklock G. C. | 'Small Paintings - Narratives' 16 small paintings all titled Narrative with a Roman Numeral. | 2000 | Wimbledon School of Art | Painting | |
| Blacklock G. C. | One person exhibition | 1998 | Wimbledon School of Art | Painting | |
| Blackie SS | Principal Demonstrator, Speaker and Guest Exhibitor. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blackie SS | 'Edge Identity and Change. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blackie SS | 'Back From Japan'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blackie SS | 'Year of the Artist 2000' - Residency. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Black H | Solo exhibition | 1999 | Wimbledon School of Art | Sculpture | |
| Black H | Afloat | 1998 | Wimbledon School of Art | Sculpture | |
| Black G | The Galleries of Justice | 1999 | Nottingham Trent University | Design | |
| Black G | Quality Issues in Heritage Visitor Attractions | 2000 | Nottingham Trent University | Design | |
| Black G | The Thackray Medical Museum | 1997 | Nottingham Trent University | Design | |
| Black G | The Gladstone Pottery Museum | 2000 | Nottingham Trent University | Design | |
| Black S | Simplicity, Comfort and Form - Contemporary Asian Textiles and Clothing | 2000 | The London Institute | Fashion and Textiles | |
| Black S | The New Knitting | 1998 | The London Institute | Fashion and Textiles | |
| Black S | Scanning the Inner Fabric | 1994 | The London Institute | Fashion and Textiles | |
| Biswas S | Untitled video installation | 2000 | University of Southampton | ||
| Biswas S | Synapse 1 | 1997 | University of Southampton | ||
| Biswas S | White Noise | 1996 | University of Southampton | ||
| Biswas S | Scarred Surface | 1996 | University of Southampton | ||
| Bishop D | 9 things to make and do | 1995 | Royal College of Art | Design for Manufacture | |
| Bishop D | Monitor as Material | 1996 | Royal College of Art | Design for Manufacture | |
| Bishop D | Walking Words | 2000 | Royal College of Art | Design for Manufacture | |
| Birrell R | Absolut Open 1999, New Art from Scotland, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Birrell R | The Radical Negativity and Paradoxical Performativity of Postmodern Iconoclasm: Marcel Duchamp and Antonin Artaud | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Birrell R | The Aesthetics of Disappearance: Performance and Auto-Destructive Art | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Birdsey CL | Creating Accessible Digital Imagery | 2000 | University of Westminster | Imaging Technology | |
| Bird-Jones C | Farmers daughters | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Bird-Jones C | Glass:Laboratory of the Spirit | 1999 | North East Wales Institute of Higher Education | Art and Design | |
| Bird-Jones C | 6th International Shoebox Exhibition | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Bird-Jones C | International Womens' Stained Glass | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Bird N C | 'Tracing Echos' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Bird N C | The Fitting | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Bird N C | 'Playing Detective' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Bird N C | 'Vague But True' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Binns P | Get Real, Romanticism and New Landscapes in Art | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Binns P | Textures of Memory, the poetics of cloth | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Binns P | A Personal Landscape' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Binns D S | David Binns | 2000 | University of Central Lancashire | ||
| Binns D S | Craft and Design | 2000 | University of Central Lancashire | ||
| Binns D S | Invited guest artist at an International Ceramics Symposium | 2000 | University of Central Lancashire | ||
| Binns D S | Selected Makers | 1999 | University of Central Lancashire | ||
| Binnion S | Switzerland 2000: Dialogue Between Cultures | 2000 | University College Northampton | ||
| Binnion S | subliminating | 2000 | University College Northampton | ||
| Binnion S | Hereford Photography Festival | 2000 | University College Northampton | ||
| Binnion S | Cultivate | 2000 | University College Northampton | ||
| Billett EH | Wolflite Handlamp H-4DCE | 1997 | Brunel University | Environmentally Sensitive Design | |
| Billett EH | Eco-Design:Practical Tools for Designers | 1996 | Brunel University | Environmentally Sensitive Design | |
| Billett EH | Eco-Design: Technological and materials implications | 1999 | Brunel University | Environmentally Sensitive Design | |
| Bigwood DA | Narcisco Rodriguez | 1998 | The London Institute | Fashion and Textiles | |
| Bigwood DA | Gil Sander | 1998 | The London Institute | Fashion and Textiles | |
| Bigwood DA | Donna Karan | 1998 | The London Institute | Fashion and Textiles | |
| Bigwood DA | Loewe | 1998 | The London Institute | Fashion and Textiles | |
| Biggs S | Magnet | 1997 | Sheffield Hallam University | ||
| Biggs S | Great Wall of China | 1999 | Sheffield Hallam University | ||
| Biggs S | Book of Shadows | 1996 | Sheffield Hallam University | ||
| Biggs S | Halo | 1998 | Sheffield Hallam University | ||
| Biggs M A R | Interpreting Wittgenstein's Graphics | 1999 | University of Hertfordshire | ||
| Biggs M A R | Wittgenstein's Nachlass: The Bergen Electronic Edition | 2000 | University of Hertfordshire | ||
| Biggs M A R | Ludwig Wittgenstein: A Visual Concordance to the Published Works | 1998 | University of Hertfordshire | ||
| Bielz G A | 'RAUEME' (Spaces) | 2000 | Wimbledon School of Art | Painting | |
| Bicknell J | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Bicknell J | 1998 | Leeds Metropolitan University | Visual Arts | ||
| Bicknell J | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Bicknell J | Campi di Oscillazione | 2000 | Leeds Metropolitan University | Visual Arts | |
| Bickers P | General Assembly: The Power of Association | 1998 | University of Westminster | Visual Media | |
| Bickers P | Reflections on Narrative in the Works of John Hilliard | 1999 | University of Westminster | Visual Media | |
| Bickers P | With Intent - the Burden of Proof | 2000 | University of Westminster | Visual Media | |
| Bickers P | As Others See Us: towards a history of recent art from Britain | 1997 | University of Westminster | Visual Media | |
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1998 | University of Gloucestershire | ||
| Bick A | Andrew Bick: Paintings | 2000 | Kingston University | ||
| Bick A | Andrew Bick: Paintings | 1998 | Kingston University | ||
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Biagioli M. | HUMBLE SERVANT OF THE PRINTED WORD: ANTJE LINGNER | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Biagioli M. | ZONE | 1998 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Biagioli M. | FORM FOLLOWS FUNCTION: TYPE DESIGN SINCE 1440 | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Biagioli M. | MOTHERBOARD SERIES | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Bezencenet S | Wilderness Dreams | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bezencenet S | Frontier Dreams I | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bezencenet S | Another Frame | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bezencenet S | Frontier Dreams, Wilderness Dreams, Trespass | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bevan P | Sculpture: 1989 - 1996. Between Visits to India - The Body as a Place, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Bevan P | Socharske Leto: Jircany 99, group exhibition of publicly sited works. | 1999 | Glasgow School of Art | Fine Art | |
| Bevan P | Affinity, Iwate Arts Festival, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Bevan P | Iwate Town 25th International Stone Sculpture Symposium, permanent publicly sited commission | 1998 | Glasgow School of Art | Fine Art | |
| Bevan P | Small World, Small Works | 1994 | Southampton Institute | ||
| Bevan P | Interval | 1998 | Southampton Institute | ||
| Bevan P | Vannkanten (at the water | 2000 | Southampton Institute | ||
| Bevan P | Screening | 2000 | Southampton Institute | ||
| Bevan Baker R | Beelines | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bevan Baker R | Selkie Dancing | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bevan Baker R | The Green Man of Knowledge | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bevan A | Undercovered | 2000 | Edinburgh College of Art | Fine Art | |
| Bevan A | The Sum of All Parts | 1994 | Edinburgh College of Art | Fine Art | |
| Bevan A | Lifting Light | 1997 | Edinburgh College of Art | Fine Art | |
| Bevan A | Soundings | 1996 | Edinburgh College of Art | Fine Art | |
| Bestley R | Consultancy | 1998 | The London Institute | Media and Communication | |
| Bestley R | Design, Intervention and the Situationist Movement | 1996 | The London Institute | Media and Communication | |
| Bestley R | Carrion Culture - Consuming Cultures Carcass | 1997 | The London Institute | Media and Communication | |
| Best A | Error 404, 2000 e-2.org | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Best A | Texaco Love | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Best A | A Real Pony Race for a Bridle, '97 | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Best A | The Wedding Project | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Bessey P | Wipes Dispensing Container | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Bessey P | Digital Mechanical Lock Mechanism | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Bessey P | Infant Safety Carseat | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Bessey P | Sheet Material Dispenser | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Bergne S | SIP | 1998 | Royal College of Art | Design for Manufacture | |
| Bergne S | LID | 1996 | Royal College of Art | Design for Manufacture | |
| Bergne S | Mr Mause | 1996 | Royal College of Art | Design for Manufacture | |
| Bergne S | Street of Young Designers | 1994 | Royal College of Art | Design for Manufacture | |
| Bergmann G | His story(s): Reference in the Work of Gordon Bennett | 2000 | Brunel University | Polymedia Design | |
| Bergmann G | History Lesson Again (Bloody) | 1995 | Brunel University | Polymedia Design | |
| Benson SL | Wales Drawing Biennale | 2000 | Sheffield Hallam University | Fine Art | |
| Benson SL | Sweetly Sloping Hills | 2000 | Sheffield Hallam University | ||
| Benson SL | History - Image-based work in Britain in the late 20th century. | 1997 | Sheffield Hallam University | ||
| Bennis EM | (Paradisos): Deception and Authenticity in Restoration | 2000 | Manchester Metropolitan University | ||
| Bennis EM | Assessment of Cultural Distinctiveness | 1997 | Manchester Metropolitan University | ||
| Bennis EM | Promenades: Rediscovering and Reinterpreting | 1997 | Manchester Metropolitan University | ||
| Bennis EM | Garden Assessment, Classification and Funding | 1998 | Manchester Metropolitan University | ||
| Bennett S | Traces | 1999 | University of Plymouth | Art Process | |
| Bennett S | Windowsills: Art of Locality. | 2000 | University of Plymouth | Art Process | |
| Bennett S | Crossing the Line. | 2000 | University of Plymouth | Art Process | |
| Bennett S | 21 | 1999 | University of Plymouth | Art Process | |
| Bender R | The Artist in Glass | 1997 | Swansea Institute of Higher Education | Design | |
| Bender R | Glass Design in Architecture | 1999 | Swansea Institute of Higher Education | Design | |
| Bender R | Glass Block | 1999 | Swansea Institute of Higher Education | Design | |
| Bender R | Glass work for Birmingham City Museum | 1996 | Swansea Institute of Higher Education | Design | |
| Belton EK | Displaced | 1998 | The London Institute | Fine Art | |
| Belton EK | London Now | 1998 | The London Institute | Fine Art | |
| Belton EK | Fantastic Overload | 1999 | The London Institute | Fine Art | |
| Belton EK | British Airways Collection | 1999 | The London Institute | Fine Art | |
| Bellingham DA | Tarnung (Camouflage) | 2000 | Manchester Metropolitan University | ||
| Bellingham DA | Evolution Isn't Over Yet | 1999 | Manchester Metropolitan University | ||
| Bellingham DA | Measures | 2000 | Manchester Metropolitan University | ||
| Bellingham DA | Copenhagen Sections | 2000 | Manchester Metropolitan University | ||
| Bell J | Gardens underneath which rivers flow | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell J | The successful hanging of a harp: a glance at willows | 1994 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell J | Jonathan Bell's House and Garden | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell J | Donnelly Gallery Garden | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell D | 'Picturing The Landscape: die Gruene Insel - Tourist Images Of Ireland' | 1995 | Napier University | Critical Theory of Practice | |
| Beggs G | Sussex Open Exh. 2 paintings (112x122 cms.), one drawing (153x85 cms.) | 1998 | London Guildhall University | ||
| Beggs G | Guy Beggs: 37 paintings (av. 22x33 cms. - 153x153 cms.) + 11 drawings (av. 46x61 cms.- 153x63 cms.) of Australasian themes. | 1997 | London Guildhall University | ||
| Beggs G | Guy Beggs: 8 oil paintings 102 x 117cms to 117 x 117cms | 2000 | London Guildhall University | ||
| Beggs G | Modern Drawings 8 landscape drawings of East Sussex scenes av. 76x54 cms. | 1995 | London Guildhall University | ||
| Beech W K | Three Ways - Works on Paper | 1999 | University of Brighton | Fine Art Practices | |
| Beech W K | School - Discipline and Confinment | 1999 | University of Brighton | Fine Art Practices | |
| Beech D | Public Art After Virtue | 2000 | University of Wolverhampton | Fine Art | |
| Beech D | Watch Out For The Agoraphobic Saviours of Mankind | 2000 | University of Wolverhampton | Fine Art | |
| Bedwell S | Press Release. | 1999 | Goldsmiths College | ||
| Bedwell S | If Hope was a Time Machine. | 1999 | Goldsmiths College | ||
| Beban B | Still | 2000 | Sheffield Hallam University | Fine Art | |
| Beazley S | Designs for 'Creation Bauman', Germany | 2000 | University of Southampton | ||
| Beazley S | Laser cut interior fabrics for Christian Fischbacher | 2000 | University of Southampton | ||
| Beazley S | Embroidered fabrics for Weisbrod Zurrer. | 2000 | University of Southampton | ||
| Beazley S | Bonded interior fabrics for Christian Fischbacher | 1999 | University of Southampton | ||
| Beavan J | Seoul Ceramic Art Biennale | 1997 | Falmouth College of Arts | ||
| Beavan J | Westerwaldpreis Europaische Keramik '99 (Westerwald Prize European Ceramics '99) | 1999 | Falmouth College of Arts | ||
| Beavan J | The Takeo Region International Art and Culture Exchange Program 1999 | 1999 | Falmouth College of Arts | ||
| Beavan J | Bewegung Europaische Keramik (Movement European Ceramics) | 1996 | Falmouth College of Arts | ||
| Beauchamp PM | Borders - An exploration of the cultural territories of Croatia and Wales | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Beauchamp PM | The Welsh Lens - An exploration of photovisual media in Wales | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Beauchamp PM | Educating Barbie | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Beauchamp PM | Clean Slate | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Beardon CE | What does it mean to be virtual? | 1997 | University of Plymouth | Centre for Visual Computing | |
| Beale J | RWA 148th Autumn Exhibition | 2000 | University of Gloucestershire | ||
| Beale J | Royal Society of Painter-Printmakers Annual Exhibition | 2000 | University of Gloucestershire | ||
| Beale J | The Power of Print | 1998 | University of Gloucestershire | ||
| Beale J | Indian Exchange | 2000 | University of Gloucestershire | ||
| Baynes K | Under Construction (Exhibition design) | 1998 | Loughborough University | Design Research | |
| Baynes K | Design Works (Exhibition design) | 1994 | Loughborough University | Design Education | |
| Baurley SL | Design Against Crime | 2000 | The London Institute | Fashion and Textiles | |
| Baurley SL | Perceptions of Materials | 1999 | The London Institute | Fashion and Textiles | |
| Baurley SL | Aspects of Contemporary Japanese Textiles | 1997 | The London Institute | Fashion and Textiles | |
| Baurley SL | What Future for Textiles? | 2000 | The London Institute | Fashion and Textiles | |
| Batey J C | Confidence, Artist's Book | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Bate DH | Mise-en-Scene of Desire | 1994 | University of Westminster | Visual Media | |
| Bate DH | Picture Shock | 1996 | University of Westminster | Visual Media | |
| Bate DH | Zero Culture | 2000 | University of Westminster | Visual Media | |
| Bate DH | Notes on Beauty and Landscape | 2000 | University of Westminster | Visual Media | |
| Batchelor R | 'Not Looking at Kettles' | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Batchelor R | Mass Production, Design and Us | 1996 | Buckinghamshire Chilterns University College | Design Culture | |
| Batchelor R | Henry Ford - Mass Production, Modernism and Design | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Batchelor R | Makers of the Mirror? Designers in the Twentieth Century | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Batchelor D | Electric Colour Tower | 2000 | Royal College of Art | Critical Practice | |
| Batchelor D | Chromophobia | 2000 | Royal College of Art | Critical Practice | |
| Batchelor D | Minimalism | 1997 | Royal College of Art | Critical Practice | |
| Batchelor D | The British Art Show 5 | 2000 | Royal College of Art | Critical Practice | |
| Barraclough J | Lines of Desire | 1998 | Liverpool John Moores University | Centre for Art International Research | |
| Barnett P | Chohreh Feyzdjou | 1998 | Goldsmiths College | ||
| Barnett P | Exhibition catalogue essay | 1998 | Goldsmiths College | ||
| Barnett P | Curator - Textures of Memory: The Poetics Cloth. | 1999 | Goldsmiths College | ||
| Barnett P | Under Construction: Exploring Process in Contemporary Textiles. | 1996 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Fall/Winter 98/99. | 1997 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Spring/Summer 2000. | 2000 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Spring/Summer 2001. | 2000 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Autumn/Winter 2001/2002. | 2000 | Goldsmiths College | ||
| Barnbrook J | 'Virus Foundry' Experimental Typefaces | 1997 | Kingston University | ||
| Barnbrook J | The Wilde Years: Oscar Wilde and the Art of his Time | 2000 | Kingston University | ||
| Barnbrook J | Why2K?: Anthology for a New Era | 2000 | Kingston University | ||
| Barnbrook J | I want to spend the rest of my life everywhere, with everyone, one to one, always, forever now. | 1997 | Kingston University | ||
| Barnard M | 'Advertising: The Rhetorical Imperative' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barnard M | 'Art, Design and Visual Culture'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barnard M | 'Fashion as Communication.' | 1996 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barnard M | 'Approaches to Understanding Visual Culture' | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barlow P. | Not Nothing Nowhere | 1998 | University College London | Sculpture | |
| Barlow P. | O Pas La, Surprising Spaces | 1999 | University College London | Sculpture | |
| Barlow P. | The British Art Show | 2000 | University College London | Sculpture | |
| Barlow P. | Out of Place | 1998 | University College London | Sculpture | |
| Barker J | Tapestry for Scottish Office | 1996 | Glasgow School of Art | The Decorative Arts | |
| Barker J | Woven Image: Contemporary British Tapestry: group exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| Barker J | Current Context: New Ways of Seeing: group exhibiton | 1999 | Glasgow School of Art | The Decorative Arts | |
| Barker J | Threads: Fibre Art in the 90s: group exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| Barker I | Society of Graphic Fine Art 78th Annual Exhibition | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker I | A modification to the Codman Microsensor Skull Bolt Kit | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker I | Society of Graphic Fine Art 75th Annual Exhibition | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker I | The Royal Watercolour Society: The Last 10 Years | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker DS | They Think of China as Cups | 1996 | University of Ulster | ||
| Barker DS | An Exhibition of Works by David Barker and Kate Barker | 1998 | University of Ulster | ||
| Barker DS | Zheng Shuang Woodcuts 1980-1996 | 1999 | University of Ulster | ||
| Barker DS | Rediscovered Creativity, The History, Tools and Techniques of Contemporary Chinese Relief Prints | 1999 | University of Ulster | ||
| Barclay C | Take to the Ground, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Barclay C | Homemaking, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Barclay C | Out of the Woods, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Barbrook RA | The Hi-Tech Gift Economy | 1998 | University of Westminster | Hypermedia | |
| Barbrook RA | Cyber-communism: how the Americans are superseding capitalism in cyberspace | 2000 | University of Westminster | Hypermedia | |
| Barbrook RA | Digital Artisan's Manifesto | 1997 | University of Westminster | Hypermedia | |
| Barber AJ | 'Conversation for possibilities' | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Barber J. G. | GEORGE BARBER: A LONDON ELECTRONIC ARTS ANTHOLOGY | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Barber J. G. | A RETROSPECTIVE (INCL. THE WEATHER/THE KITE/ANSAPHONE) | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Barber J. G. | REMOTE SENSING: OUTLOOK AND OBSERVATION | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Barber J. G. | VIDEO POSITIVE 2000 | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Bannister A G | Anchor | 1996 | Nottingham Trent University | Visual Arts | |
| Bannister A G | One-video based work (untitled) | 1996 | Nottingham Trent University | Visual Arts | |
| Banner F | Don't Look Back | 1999 | The London Institute | Fine Art | |
| Banner F | Stop | 1998 | The London Institute | Fine Art | |
| Banner F | Love Double | 1998 | The London Institute | Fine Art | |
| Banner F | Spellbound: Art and Film | 1996 | The London Institute | Fine Art | |
| Banks G | Design of a Drive Control Unit | 1997 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of a Thermal Imaging Unit | 1997 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of a Family of Motor Housings | 1996 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of Infra-red Remote Control Drive Controllers | 1998 | University of Wales Institute, Cardiff | PDR | |
| Ballantyne T | Lightworks | 2000 | University of Gloucestershire | ||
| Ballantyne T | Art for Youth | 2000 | University of Gloucestershire | ||
| Ballantyne T | The Sound of Trees | 1997 | University of Gloucestershire | ||
| Ballantyne T | The Environs of Dymock | 1997 | University of Gloucestershire | ||
| Ball R | Golden Delicious | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball R | One Table and Two Lamps | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball R | 100 Light Years is a Long Way | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball R | Red Sky at Night | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball L M | Helping Students to Learn Independently in the Crafts | 1996 | University of Brighton | Pedagogic Research | |
| Ball L M | New collaborative partnerships: education, crafts practitioners and industryGraduate destination surveys: an overview | 1998 | University of Brighton | Pedagogic Research | |
| Ball L M | Encouraging Graduate Business Start Up in Art and DesignA Framework for Personal and Professional Development | 2000 | University of Brighton | Pedagogic Research | |
| Baldacchino J | Post-Marxist Marxism: Questioning The Answer: Difference and Realism after Lukacs and Adorno | 1996 | Robert Gordon University | Culturally Responsive Practices | |
| Baldacchino J | Easels of Utopia: Art's Fact Returned | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Bal Y | Executive producer and artistic adviser for Doina and Nicolo, 21 min. video (Betacam) documentary which explores personal relationships in the context of disability. | 1996 | London Guildhall University | ||
| Bal Y | Executive producer + artistic adviser for A Day, A Year | 1997 | London Guildhall University | ||
| Bal Y | Writer/director/producer/cinematographer for The Overcoat 2000, 7min. live action (16mm/DV) experimental fictional adaptation of Gogol | 2000 | London Guildhall University | ||
| Bal Y | Director for Young Filmmakers, The Eclectix Project, 30 min. BBC TV documentary (Betacam/D3), + project design as founding member of Eclectix Project Management Committee. | 1998 | London Guildhall University | ||
| Baker P.H. | Risks, durability + performance of advanced glazing systems - thermal performance of window systems | 1997 | Glasgow School of Art | Cities and Environments | |
| Baker D | 'Gaze' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker D | Stilled Moments | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker D | 'Construction Sights: the Millenium Intervention Group' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker D | Gaze: The Anxious Sign | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker C | 'Pets - the Animal Inside' | 1999 | Napier University | Photographic Practice | |
| Baker C | 'Puppy Love' | 1998 | Napier University | Photographic Practice | |
| Baker C | 'A Thousand Hounds'. | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'New Natural History'. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'Pets - The Animal Inside', Solo Exhibition. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'Puppy Love'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Baker Alder H A | New Images: Britain and Australia into the 21st Century | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker Alder H A | 'Strands 2: Contemporary British Art' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker Alder H A | 'Ship' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker Alder H A | VANE 99 (Visual Arts North East) | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker S C | Flying, stealing:Design's improper criticism | 1997 | University of Central Lancashire | ||
| Baker S C | The Postmodern Animal | 2000 | University of Central Lancashire | ||
| Baker S C | The refusal of sentimentality in postmodern animal art | 2000 | University of Central Lancashire | ||
| Baker S C | Sloughing the Human | 2000 | University of Central Lancashire | ||
| Baker A. | WHO OWNS WHOM ? | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baker A. | LEADING LIGHTS | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baker A. | DESIGNER LABELS | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baker A. | O PETROLEO | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baines P | Raw Creation | 1996 | The London Institute | Media and Communication | |
| Baines P | A Design (to sign roads by) | 1999 | The London Institute | Media and Communication | |
| Baines P | Letterforms Surround Us | 1999 | The London Institute | Media and Communication | |
| Baines P | Sculptured letters and public poetry | 2000 | The London Institute | Media and Communication | |
| Baines M | Themes and Variations - An exhibition of some buildings by Gillespie Kidd and Coia | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Bainbridge E | Eric Bainbridge: Works 1991-1997 | 1997 | Royal College of Art | Fine Art | |
| Bainbridge E | Sculpture | 1999 | Royal College of Art | Fine Art | |
| Bainbridge E | British Art from the 1980s and 1990s from the Weltkunst Collection. | 1995 | University of Sunderland | Fine Art | |
| Bainbridge E | Eric Bainbridge Works 1991-97 | 1997 | University of Sunderland | Fine Art | |
| Bainbridge E | The Heaven and Earth Roundabout | 1999 | University of Sunderland | Fine Art | |
| Bainbridge E | Material Culture | 1997 | University of Sunderland | Fine Art | |
| Bainbridge C | Textual transformations: space, time and cinema | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bainbridge C | Unspeakable Moments of Feminine Cinema | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bainbridge C | The Death Drive, Gender and History in Orlando and The Piano | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bainbridge C | Towards a Feminine Cinematics: Using Irigaray for Film Theory | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bailey S | Challenger range of floodlighting AL 5700 and AL 5900 | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey S | Powertrak - Underfloor power distribution system | 1999 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey M | Radio/cassette player for the Rolls-Royce Silver Seraph | 1997 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey M | Getting it Right for Passengers | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey M | The Challenge of | 2000 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | |
| Bailey M | The Tourer for the Next Millennium | 1998 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey DA | In Visible Light: Photography and Classification in Art, Science and the Everyday | 1997 | University of East London | ||
| Bailey DA | Black Photography und Europa: Black Photographic Practices and Europe | 1997 | University of East London | ||
| Bailey DA | Rhapsodizing Black: Harlem in London, 1977 | 1998 | University of East London | ||
| Bailey DA | Rhapsodies in Black: Art of Harlem Renaissance | 1997 | University of East London | ||
| Baddeley O | The Death of History or a History of Death | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| BUSS D | Richard of York Gained Battles in Vain | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BUSS D | A Tale of Two Cities: Complementary Colour in the Environments of Two Moroccan Imperial Cities | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BURNS J. | Rationale for the local treatment of traveller's food poisoning | 1997 | Coventry University | Design | |
| BURNS J. | UK interactive exhibition stand | 1998 | Coventry University | Design | |
| BURNS J. | Tramadol | 1996 | Coventry University | Design | |
| BURNS J. | Unilever Multimedia Products | 1996 | Coventry University | Design | |
| BULLEY E | 'CEDE' Paintings | 1996 | University of Lincoln | ||
| BULLEY E | 'Ceaselessly' Painting | 1996 | University of Lincoln | ||
| BULLEY E | 'CEDE' Painting | 1997 | University of Lincoln | ||
| BULLEY E | 'Earthed' Paintings | 1996 | University of Lincoln | ||
| BULL MG | Seeing Things Hidden: Apocalypse, Vision and Totality | 2000 | University of Oxford | ||
| BULL MG | The Ecstasy of Philistinism | 1996 | University of Oxford | ||
| BULL MG | Poussin and the Antique | 1997 | University of Oxford | ||
| BULL MG | Poussin and Nonnos | 1998 | University of Oxford | ||
| BROADHEAD C | DRESS WITH BLACK HOLES | 2000 | Middlesex University | ||
| BROADHEAD C | SEAMS + WOBBLY DRESS II | 1997 | Middlesex University | ||
| BROADHEAD C | BODYSCAPE - SOLO RETROSPECTIVE [25 YEARS] EXHIBITION | 1999 | Middlesex University | ||
| BROADHEAD C | STEPPENWOLF + THREE | 1997 | Middlesex University | ||
| BRADLEY P | The Space Here is EVERYWHERE: Art with Architecture | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | Tomorrow, Forever and Never | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | An Urban Game for City Dwellers | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | A Temporary World: A Commentary on Some Urban Games and City Dwellers | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | An Urban Game for City Dwellers | 1998 | University of Lincoln | ||
| BRADLEY P | Don Hans Van Der Laan | 2000 | University of Lincoln | ||
| BRADLEY P | Our Seats Are Almost Touching | 2000 | University of Lincoln | ||
| BRADLEY P | Our Seats Are Almost Touching | 2000 | University of Lincoln | ||
| BOYLAN P.J. | World Bank: Global Development Gateway: Culture + Development (plus sub-topics Arts Crafts + Media,Cultural Management, Cultural Policy, Cultural Tourism, Documentation Standards + Heritage Preservation) | 2000 | City University | ||
| BOYLAN P.J. | William Buckland (1784-1856) and the foundations of taphonomy and palaeo-ecology | 1997 | City University | ||
| BOYLAN P.J. | Universities and Museums: Past, present and future | 2000 | City University | ||
| BOYD-DAVIS S | VRML: A Designer's View | 1999 | Middlesex University | ||
| BOYD-DAVIS S | Educating the Multimedia Designer | 2000 | Middlesex University | ||
| BOWSHER G. | Space frame for Thrust SSC | 1997 | Coventry University | Design | |
| BOWSHER G. | Rear wheel steering and suspension for Thrust SSC | 1997 | Coventry University | Design | |
| BODMAN S | A Case of Discovery | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| BODMAN S | GM Future | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| BODMAN S | Books by Artists | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| BODMAN S | Bound to Happen | 1996 | University of West of England, Bristol | Centre for Fine Print Research | |
| BIRCH A.R. | Nudge bars for an off-road vehicle | 1998 | Coventry University | Design | |
| BIRCH A.R. | Gamebird shooting stick | 1996 | Coventry University | Design | |
| BIRCH A.R. | Rigid inner core plastic moulding | 1995 | Coventry University | Design | |
| BIRCH A.R. | Nudge bars for an off-road vehicle (USA) | 2000 | Coventry University | Design | |
| BIGGS I | The State of the Art: Art Education and Radical Imagination | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| BIGGS I | Ken Kiff: Prints | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| BIGGS I | Wild conversations/peripheral visions: towards another education | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| BIGGS I | Ken Kiff | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| BELL S. | Degas calendar | 1997 | Coventry University | Design | |
| BELL R | Ceramics Monthly International Competition | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BELL R | Selected Artists | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BELL R | Artist as Teacher | 1994 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BELL R | Three British Ceramists: Richard Bell, Tracey Heyes, Jim Robison | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BEHRENS R H H | A Voyage to Naboland | 1996 | University of Dundee | Contemporary Practice | |
| BEDWELL S | If Hope was a Time Machine | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| BEDWELL S | Press Release | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| BASEMAN J | The History of Existentialism | 1999 | University of Oxford | ||
| BASEMAN J | The Comedians | 2000 | University of Oxford | ||
| BASEMAN J | SHUP | 1998 | University of Oxford | ||
| BASEMAN J | Some people believe... | 1997 | University of Oxford | ||
| BANCROFT HUNT N | Gods + Myths of the Aztecs | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BANCROFT HUNT N | Native American Tribes | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BANCROFT HUNT N | Encyclopaedia of the Native Americans | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BANCROFT HUNT N | Warriors: Warfare and the Native Americans | 1996 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BALCIOGLU T | Observations on theRise of Design Historiography in the UK | 1999 | Kent Institute of Art + Design | ||
| BALCIOGLU T | Problematic of Local + Global - Design Identity in New Industrialised Countries | 1999 | Kent Institute of Art + Design | ||
| BALCIOGLU T | Goodbye the Old Duality: Theory + Practice, Welcome the New Triumvirate: Theory, Practice + Communication | 1999 | Kent Institute of Art + Design | ||
| BAKER R | Net Audio workshop and Irational's Online Toolkit, Site Gallery(http:www.site-map-u-net.com) | 2000 | University of Lincoln | ||
| BAKER R | GirM Video, Liquid Hacking(www.obn.de) | 2000 | University of Lincoln | ||
| Aytoun Ellis M | The Discerning Eye | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aytoun Ellis M | Visions of a Legend | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aytoun Ellis M | BP Portrait Award | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aytoun Ellis M | Earth, Mountains, Rivers | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aylin KL | Graphic design of programme of wire interactive effects | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Aylin KL | Charles Rennie Mackintosh: Art, Architecture and Design | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Aylin KL | Graphic design of a series of interactive effects | 2000 | Glasgow School of Art | Design | |
| Aylieff F | Dashed, Speckled + Brushed | 1998 | Bath Spa University College | ||
| Aylieff F | The Elusive Body | 1997 | Bath Spa University College | ||
| Aylieff F | Felicity Aylieff: new work, an evolution | 2000 | Bath Spa University College | ||
| Ayers A R | Pupabine | 1998 | Nottingham Trent University | Visual Arts | |
| Ayers A R | Shifting Ground | 1995 | Nottingham Trent University | Visual Arts | |
| Ayers A R | Sustrans, National Cycle Network + Nottinghamshire Contemporary Sittings | 2000 | Nottingham Trent University | Visual Arts | |
| Axford NR | Theory of Image Formation | 2000 | University of Westminster | Imaging Technology | |
| Averill S. | Panel Paintings | 2000 | Falmouth College of Arts | ||
| Averill S. | New Works | 1999 | Falmouth College of Arts | ||
| Averill S. | Solo Exhibition: Recent Paintings | 1998 | Falmouth College of Arts | ||
| Averill S. | Solo Exhibition: Recent Paintings | 1996 | Falmouth College of Arts | ||
| Austin N | Mobilly | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Austin N | Mobilly | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Austin N | Spheres | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Austin N | Flexible Furniture | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Aust R | 6 pieces. | 1997 | Goldsmiths College | ||
| Aust R | Installation. | 2000 | Goldsmiths College | ||
| Aust R | Lucy Casson and Rushton Aust. | 1999 | Goldsmiths College | ||
| Aust R | Objects of Our Time. | 1998 | Goldsmiths College | ||
| Aubrey K | Light | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Aubrey K | Lednicke - Rovne Glass Symposium | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Aubrey K | Public Arts Laboratory | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Aubrey K | Spring Open - Millenium Surroundings | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Attenburrow D H | Sketchbook: Fact or Fallacy (The sketchbook as a realistic tool for product designers) | 1996 | University College Northampton | Design for Industry and Commerce | |
| Attenburrow D H | Recycling and secondary use in Pallet Timber Furniture Design | 1996 | University College Northampton | Design for Industry and Commerce | |
| Attenburrow D H | Recycling and the integration of CAD and computer modelling in product design management education | 1999 | University College Northampton | Design for Industry and Commerce | |
| Attenburrow D H | Design research and the Educational Interface (Get your research to work for you) | 1995 | University College Northampton | Design for Industry and Commerce | |
| Atkinson A | Gardeners Journal (ceramic tableware) | 1998 | Loughborough University | Fine and Applied Arts | |
| Atkinson A | Carribbean (ceramic tableware) | 1997 | Loughborough University | Fine and Applied Arts | |
| Atkinson A | Wave (ceramic tableware) | 1999 | Loughborough University | Fine and Applied Arts | |
| Atkin J | Scorched Earth (exhibition) | 2000 | Loughborough University | Drawing | |
| Atkin J | Distant Voices (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Atkin J | Cut (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Atkin J | A series of twelve plaster reliefs | 2000 | Loughborough University | Fine and Applied Arts | |
| Atherton B | Suite de Vases, solo exhibition | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Atherton B | Archaeology + Reconstruction, solo exhibition | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Atherton B | Recent Paintings, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Atherton B | Barry Atherton Gicl | 1997 | Glasgow School of Art | Fine Art | |
| Astles CA | Eva Luna | 1995 | University of Plymouth | Theatre + Performance | |
| Astles CA | Beyond the Mask | 1998 | University of Plymouth | Theatre + Performance | |
| Astles CA | Lorca, Don Cristobal and the Carnivalesque. 100 Years of Lorca. | 1999 | University of Plymouth | Theatre + Performance | |
| Astles CA | Tristan + Isolde | 1998 | University of Plymouth | Theatre + Performance | |
| Astfalck J | Making Connections | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Astfalck J | Be.twikst | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Astfalck J | Tacita Dentata | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Astfalck J | Semaphore | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Ashworth J | Representations of Water in Model Animation, or: How Mermaids Breed | 2000 | Royal College of Art | Animation | |
| Ashworth J | Eggs, Fish and Blood | 1999 | Royal College of Art | Animation | |
| Ashworth J | Ceremony of Innocence | 1997 | Royal College of Art | Animation | |
| Ashworth J | Christmas on BBC1 Campaign | 1996 | Royal College of Art | Animation | |
| Ashton RG | The application of digital modelling and visualisation methods in communicating proposed infrastructure developments for the motor vehicle logistics sector. | 2000 | De Montfort University | ||
| Ashton RG | The integration of differential RTK GPS, terrain modelling software and a geographic information system to facilitate earthworks optimisation and the communication of associated data. | 1999 | De Montfort University | ||
| Ashton RG | The application of commercial visualisation software for communicating large-scale civil engineering projects. | 1998 | De Montfort University | ||
| Ashton RG | The development and application of real-time kinematic GPS surveying methods for the recording of site detail at the Ford Halewood plant. | 1999 | De Montfort University | ||
| Ashton P C | Learning Theory Through Practice. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Ashton P C | Collective Action for Design Learning. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Ashton P C | The Social Aspects of Design Learning - Assessing the Value of the Studio in Undergraduate Design Education. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Ashley-Smith J | Let's be Honest: Realistic Environmental Parameters for Loaned Objects | 1994 | Royal College of Art | Conservation | |
| Ashley-Smith J | Risk Assessment for Object Conservation | 1999 | Royal College of Art | Conservation | |
| Ashley-Smith J | Risk Analysis | 1997 | Royal College of Art | Conservation | |
| Ashley M | Merger of 20 European investment banks - commissioned design of visual merger | 1998 | The London Institute | Media and Communication | |
| Ashley M | From Cuneiform to DTP: Is there a pattern? | 1994 | The London Institute | Media and Communication | |
| Ashley M | German global investment bank - commissioned visual audit | 1998 | The London Institute | Media and Communication | |
| Ashley M | Dutch global investment bank - commissioned redesign of brand identity | 2000 | The London Institute | Media and Communication | |
| Ascott R | The Technoetic Dimension of Art | 1998 | University of Wales College, Newport | CAiiA | |
| Ascott R | Art + Telematics: toward the Construction of a New Aesthetics. | 1998 | University of Wales College, Newport | CAiiA | |
| Ascott R | Reframing Consciousness:art, mind and technology | 1999 | University of Wales College, Newport | CAiiA | |
| Arthur E | Embroidery 1600 - 1700 at the Burrell Collection | 1995 | Glasgow School of Art | The Decorative Arts | |
| Arthur E | Seventeenth Century Embroideries in the Burrell Collection | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Arthur E | Entertaining Royalty: British Needlework in the Burrell Collection | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Arnold RL | A Modern System of Dressing | 1999 | The London Institute | Fashion and Textiles | |
| Arnold RL | Heroin Chic | 1999 | The London Institute | Fashion and Textiles | |
| Arnold RL | The Brutalised Body | 1999 | The London Institute | Fashion and Textiles | |
| Arnold RL | Luxury and Restraint: Minimalism in 1990s Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Arnold E.M. | Liz Arnold | 2000 | University College London | Painting | |
| Arnold E.M. | Beck's Futures | 2000 | University College London | Painting | |
| Arnold E.M. | Liz Arnold | 1999 | University College London | Painting | |
| Arnold E.M. | Liz Arnold | 1999 | University College London | Painting | |
| Arney V | Preface : International Biennial for Emerging Artists | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Arney V | Remarkable Phenomena | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Arney V | Neither here nor There | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Arney V | Scents + Ciphers | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Archer MG | Art since 1960 | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Archer MG | Installation Art | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Archer M | Oggelshausen International Sculpture Symposium (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Archer M | Penarth Obelisk (8.5 metre granite sculpture commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Archer M | Passing Through | 2000 | Loughborough University | Fine and Applied Arts | |
| Archer M | Interface (15 ton granite sculpture) | 1999 | Loughborough University | Fine and Applied Arts | |
| Arad R | WindWand and Big Blue | 1999 | Royal College of Art | Design for Manufacture | |
| Arad R | Bookworm | 1996 | Royal College of Art | Design for Manufacture | |
| Arad R | Not Made by Hand Not Made in China | 2000 | Royal College of Art | Design for Manufacture | |
| Arad R | Before and After Now | 2000 | Royal College of Art | Design for Manufacture | |
| Angus J | Design Residency (for prototype evaluation of Shima Seiki 'First' Whole garment equipment). | 2000 | University of Derby | ||
| Angus J | 'Future Fashions + Fabrics: Courtaulds History of Dress Association', Annual Conference. Keynote Speech: The Future for Fashion + Textiles Manufacture in the U.K. | 2000 | University of Derby | ||
| Angus J | Research, Design + Development Consultancy to Studio Sabbatini, Italy. | 1995 | University of Derby | ||
| Angus J | Research, Design + Prototype Fabric Developments. | 1999 | University of Derby | ||
| Andrews M J | Hare + Co., commercial wood-engravers: Jabez Hare, founder of the firm, and his letters 1846 to 1847 | 1996 | University of Reading | ||
| Andrews M J | Sweet Cork of Thee, and the popular books of Robert Gibbings | 1995 | University of Reading | ||
| Andrews M J | The voyage of HMS Beagle: a collaboration between Robert Gibbings, John Dreyfus and George Macy | 1999 | University of Reading | ||
| Andrews M J | Review of Newman, L.M. (ed). The correspondence of Edward Gordon Craig and Count Kessler, MHRA Texts and Dissertations, vol. 43, Bithell Series of Dissertations, vol. 21, London, W.S. Maney + Sons Ltd for the Modern Humanities Research Association and t | 1997 | University of Reading | ||
| Anderson W | Joseph Beuys Drawings | 1999 | The London Institute | Fine Art | |
| Anderson W | Six British Artists in Asmara | 1997 | The London Institute | Fine Art | |
| Anderson W | Shaking and Stirring | 1997 | The London Institute | Fine Art | |
| Anderson P | Concept Investigation Into Head-Mounted Displays. Confidential Report | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Anderson P | A Multidisciplinary Approach to Masters Education in Digital Research | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Anderson P | Managing Digital Design Research | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Anderson P | On a Clear Day | 1996 | The London Institute | Media and Communication | |
| Anderson P | Gravitaz | 1996 | The London Institute | Media and Communication | |
| Anderson P | Ultravision | 1999 | The London Institute | Media and Communication | |
| Anderson P | An Islands Language | 1998 | The London Institute | Media and Communication | |
| Anderson P | Greenman | 1998 | Kingston University | ||
| Anderson P | Infanta | 1998 | Kingston University | ||
| Anderson P | Waiting Game | 1997 | Kingston University | ||
| Anderson P | Boy | 1996 | Kingston University | ||
| Anderson J | A Thousand Prayers an Empty Vessel. | 1996 | Goldsmiths College | ||
| Anderson J | A Thousand Prayers. | 1997 | Goldsmiths College | ||
| Anderson J | Icons. | 1997 | Goldsmiths College | ||
| Anderson J | Sculpture and Drawings. | 1996 | Goldsmiths College | ||
| Anderson F | Fashioning the Gentleman: A Study of Henry Poole and Co., Savile Row Tailors 1861-1900 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Anderson F | Museums as Fashion Media | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Amado I | Of Bread and Water | 1999 | University of Southampton | ||
| Amado I | Atlantic Fusion | 1997 | University of Southampton | ||
| Amado I | Time and Moments | 2000 | University of Southampton | ||
| Amado I | Bread Matters | 2000 | University of Southampton | ||
| Allsop D | Lacunae | 1995 | Royal College of Art | Fine Art | |
| Allsop D | Douglas Allsop | 1999 | Royal College of Art | Fine Art | |
| Allsop D | Positionen - Reisen an die Grenzen der Malerei | 1996 | Royal College of Art | Fine Art | |
| Allsop D | Zeit R | 2000 | Royal College of Art | Fine Art | |
| Allington E. | Edward Allington: Pictured Bronzes | 1997 | University College London | Sculpture | |
| Allington E. | Den Haag Sculptuur 1999 | 1999 | University College London | Sculpture | |
| Allington E. | A Method for Sorting Cows, Essays 1993-97 | 1997 | University College London | Sculpture | |
| Allington E. | Tilted Vase | 1998 | University College London | Sculpture | |
| Allen T | Tim Allen Recent Paintings | 1999 | Kingston University | ||
| Allen T | Fact + Value: New Positions in Sculpture and Painting | 2000 | Kingston University | ||
| Allen T | Ghost Train | 2000 | Kingston University | ||
| Allen T | Tim Allen | 1999 | Kingston University | ||
| Allen L | Natural Bodies and Screen Culture: Nation, Race and Embodiment in Utu | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen L | Salmonberries: consuming kd lang | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen L | Colonial Fantasies: Virtual Spaces and Digital Femininities | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen L | The Lesbian Idol: Martina, kd and the Consumption of Lesbian Masculinity | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen K.F | 'Having your Cake and Eating it' | 1997 | Wimbledon School of Art | Painting | |
| Allan J | The Sows Ear, the Ivory Tower and the Enlightened Benefactor | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Allan J | Closing the Loop: Some Proposals for Effective Delivery of History and Theory to Studio Students | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Ali-MacLachlan I | Disrupting Isolation: Exposing Distance Learning Students to Cultural Differences. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Ali-MacLachlan I | A Synchronous Feedback System for Distance Collaborative Projects. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Aldrich W | Tailor's Cutting Manuals And the Growing Provision of popular Clothing | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Aldrich W | Fabric, Form and Flat Pattern Cutting | 1996 | Nottingham Trent University | Fashion and Textiles | |
| Aldrich W | Metric Pattern Cutting for Menswear: Including Unisex Clothes and Computer Aided Design | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Aldrich W | Metric Pattern Cutting for Children's Wear and Baby Wear: From Birth To 14 Years | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Alaka A | Frozen Foods | 1997 | Brunel University | Design Process | |
| Alaka A | Dairy | 1998 | Brunel University | Design Process | |
| Alaka A | Baked Goods | 1997 | Brunel University | Design Process | |
| Alaka A | Soft Drinks | 1997 | Brunel University | Design Process | |
| Ainsworth MD | Arts Fest '96 | 1996 | University of Ulster | ||
| Ainsworth MD | John Moores Liverpool Exhibition | 1995 | University of Ulster | ||
| Ainsworth MD | Emerging Art II | 2000 | University of Ulster | ||
| Ainsworth MD | The Repeated Disappearance of Painting | 2000 | University of Ulster | ||
| Ainsley S | The Red Space, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Ainsley S | Step it Up and Go | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Ainsley S | Art Outside The Gallery | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Ainsley S | Mapping the Difference, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Aiken J.C. | L'Imaginaire Irlandais | 1996 | University College London | Sculpture | |
| Aiken J.C. | City as Shape | 1999 | University College London | Sculpture | |
| Aiken J.C. | EV+A Exhibition of Visual Art (International Invited Section) | 1998 | University College London | Sculpture | |
| Aiken J.C. | Public Sculpture Commission | 2000 | University College London | Sculpture | |
| Aggs C | 'The Otter Memorial Paper' - Art Editor and essay contribution to Otter Memorial Papers. 1800 word critical essay on ceramicist and printmaker Eric James Mellon. | 2000 | University College Chichester | Painting | |
| Aggs C | 'Sunrise - West Sussex' Commissioned painting. Oil on canvas. (200cmx175cms) | 1996 | University College Chichester | Painting | |
| Aggs C | 'Christopher Aggs Recent Paintings' - 20 Oil on Canvas and Oil on Board. Various dimensions. | 2000 | University College Chichester | Painting | |
| Aggs C | 'Royal Academy Summer Exhibition' - (Edition of 50) 'Welsh Black Bull - Ashington Falcon' Edition of 50 printed in warm black ink on conservation paper, 11x12 ins. | 1997 | University College Chichester | Printmaking | |
| Adjaye D | Elektra House | 2000 | Royal College of Art | Architectural Design | |
| Adjaye D | Social | 1999 | Royal College of Art | Architectural Design | |
| Adjaye D | SHAD, A Reading Pavilion | 2000 | Royal College of Art | Architectural Design | |
| Adjaye D | Chris Ofili House and Studio | 1999 | Royal College of Art | Architectural Design | |
| Adamson E | Ideas Are Insects | 1999 | Edinburgh College of Art | Fine Art | |
| Adamson E | C A Exposicion | 1995 | Edinburgh College of Art | Fine Art | |
| Adamson E | Landscapes | 2000 | Edinburgh College of Art | Fine Art | |
| Adamson E | Liz Adamson + Marianne Kohler | 1999 | Edinburgh College of Art | Fine Art | |
| Adams S R | Gendering Landscape Art | 2000 | University of Hertfordshire | ||
| Adams S R | Signs of recovery: Landscape painting and masculinity in nineteenth-century France. | 2000 | University of Hertfordshire | ||
| Adams S R | Stonewalling criticism: the morphology of nature and Andy Goldsworthy's Sheepfolds. | 1996 | University of Hertfordshire | ||
| Adams H | ...if it ain't broken ... A critique of inadequate public statistics relating to the artist profession | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Adams H | Relicta - The Image of the Heavenly - Conventions of 'framing' in relation to cultural distance | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Adams CG | Information and Reality: Korean Contemporary Art. | 1995 | University of Plymouth | Site, Space, Location, Place | |
| Adams CG | Hwang Young-Sung. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Adams CG | Beyond the Borders | 1995 | University of Plymouth | Site, Space, Location, Place | |
| Adams CG | The Heart of the Matter: Recent work by Jinmo Kang | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Adams BC | Intersculpt 99 - the CALM Project | 1999 | University of Plymouth | Centre for Visual Computing | |
| Adam J | 'Aluminium by Design: Jewellery to Jets' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Adam J | 'Hand, Head and Heart, The Process of Making' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Adam J | Jerwood Applied Arts Prize 2000 (Jewellery) | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Adam J | Jane Adam | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Ackling RW | One to another | 1999 | The London Institute | Fine Art | |
| Ackling RW | Roger Ackling: Walking From Wakayama in the KII Peninsula May 1996 | 1996 | The London Institute | Fine Art | |
| Ackling RW | Workhand: Roger Ackling | 1998 | The London Institute | Fine Art | |
| Ackling RW | For Masahiro Toda | 1996 | The London Institute | Fine Art | |
| Aarons A | Interior of Princes Street Synagogue | 1998 | Anglia Polytechnic University | ||
| Aarons A | Is this Art? | 1996 | Anglia Polytechnic University | ||
| Aarons A | Kettle's Yard Open | 1998 | Anglia Polytechnic University | ||
| Aarons A | Umschlagplatz | 2000 | Anglia Polytechnic University | ||
| ASTBURY P | OFF THE WALL AND ON THE FLOOR [RECENT STAND ALONE WORKS BY EIGHT EMINENT CERAMICISTS] | 1998 | Middlesex University | ||
| ASTBURY P | SKINS | 1997 | Middlesex University | ||
| ASTBURY P | DOCUMENT; PART OF 'PULSE' | 1999 | Middlesex University | ||
| ASTBURY P | CONTEMPORARY BRITISH CERAMICS - GROUP EXHIBITION | 2000 | Middlesex University | ||
| ARCHER MG | Art since 1960 | 1997 | University of Oxford | ||
| ANDERTON R | Think it-Ink it: water-based screenprinting: a visual demonstration | 1997 | University of West of England, Bristol | Centre for Fine Print Research | |
| ANDERTON R | WO 9855327 Novel Methods of Water-based Screenprinted Ceramic Transfers | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| ANDERTON R | World Etching | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| ANDERTON R | Flexo and Helio: innovative methods of printing | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| ANDERSON M | Uncertain Objects | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| ANDERSON M | Back From The Digital | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| ANDERSON M | A pictorial investigation of the work for organ by Oliver Messiaen: La Nativite du Seigneur | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| ANDERSON M | Materia: A Digital Media Collaborative Research Project | 2000 | Bretton Hall | FINE ART (PAINTING) | |
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