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| Art and Design - Publications | ||||
| Art and Design RDF, 6.7mb <RDF Zip, 391kb> | |||
| People, 884kb | Publications, 3.7mb | Groups, 49kb | Institutions, 28kb |
| BOTTOM |
| Author | Title | Date | Place of Publication | Research Group | Co-Authors |
| von Weiler C | Carl von Weiler | 2000 | University of Gloucestershire | ||
| von Weiler C | L'H du Siege, Acte de Naissance | 2000 | University of Gloucestershire | ||
| von Weiler C | Black Box recorder: Video Art from Britain | 2000 | University of Gloucestershire | ||
| van Dooren D | Radio to the Power of Four | 2000 | The London Institute | Media and Communication | |
| van Dooren D | Sony Playstation 2 | 2000 | The London Institute | Media and Communication | |
| van Dooren D | Alberto Aspesi | 2000 | The London Institute | Media and Communication | |
| ten Hompel S | Contemporary British Silver | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| ten Hompel S | A Feast of Silver: Marked for the Millennium | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| de La Hamayde S | 'Office in a Box' | 2000 | De Montfort University | ||
| de La Hamayde S | Blowtorch | 2000 | De Montfort University | ||
| de Cordova D | Girl | 2000 | Wimbledon School of Art | Sculpture | Kate Belton Mikey Cuddihy Jennet Thomas |
| de Caires D | Rasterizing Generics (Pictures for Eileen) | 2000 | De Montfort University | ||
| Zimmerman AL | Vision Machine | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Zellweger C | Jerwood Applied Arts Prize 2000 | 2000 | Sheffield Hallam University | ||
| Zellweger C | The ego adorned: 20th century artists | 2000 | Sheffield Hallam University | ||
| Zeegan L I | Brain Box | 2000 | University of Brighton | Visual Communication Design | |
| Zeegan L I | The....A Bird in the Hand is Worthless | 2000 | University of Brighton | Visual Communication Design | |
| Zeegan L I | The Journal - A Digital Domain | 2000 | University of Brighton | Visual Communication Design | |
| Zeegan L I | Design Week Magazine | 2000 | University of Brighton | Visual Communication Design | |
| Zanker NP | Design and Technology Teacher Training at Loughborough University: Principles and Practice, Theverkauf, W.E. and Graube, G (eds) | 2000 | Loughborough University | Design Education | Denton, H.G. |
| Zanker NP | Effective Information and Communication Technology | 2000 | Loughborough University | Design Education | |
| Zanker NP | Improving ICT Entitlement through a Multiple Capability Model, Kimbell, R. (ed) | 2000 | Loughborough University | Design Education | |
| Young R A | Creating Enhanced User Experiences | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | Van der Veen, G J Illman, M E Rowley, F J B |
| Young R A | Northumbria Close-up | 2000 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | Robinson, P Lievesley, M |
| Young A.N.J. | INTEGRATED PRODUCT POLICY (IPP) AND ECO-PRODUCT DEVELOPMENT (EPD) IN THE ELECTRONICS SECTOR | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | Alesksandra Kielkiewicz-Young |
| Young A.N.J. | REDUCING THE USE OF HAZARDOUS SUBSTANCES IN PERSONAL COMPUTERS | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | Daniel Johansson Antonia Simon |
| You L.H. | Numerical Analysis of Elastic-Plastic Rotating Disks with Arbitrary Variable Thickness and Density | 2000 | Bournemouth University | Tang, Y.Y. Zhang, J.J. Zheng, C.Y. |
|
| You L.H. | Free Form Surface Generation Using an Analytical Solution to a Fourth Order Partial Differential Equation. | 2000 | Bournemouth University | Zhang, J.J. | |
| Yeo H | 20 pieces of jewellery in tantalum, stainless steel, platinum, 9 + 18 carat white gold, silver | 2000 | London Guildhall University | ||
| Yeo H | A.M., P.M (collection of 17 reversible pieces of jewellery in silver, 18 ct. gold, diamonds) | 2000 | London Guildhall University | ||
| Yates M | Printed textile designs | 2000 | University of Southampton | ||
| Yasuda T | Britisk Keramik : British Ceramics.2000.dk | 2000 | University of Ulster | ||
| Yass CM | Catherine Yass | 2000 | The London Institute | Fine Art | |
| Yass CM | Window Box | 2000 | The London Institute | Fine Art | |
| Yair K | Look Who's Talking: Developing Communication and Negotiation Skills through Design Education | 2000 | Sheffield Hallam University | Mike Press | |
| Wynne J | Grasping and Clinging | 2000 | The London Institute | Fine Art | Denise Hawrysio |
| Wyman A | Button Up | 2000 | Cumbria College of Art + Design | ||
| Wyman A | Pocket, Sleeve and Pintuck | 2000 | Cumbria College of Art + Design | ||
| Wright R | Intelligence | 2000 | Edinburgh College of Art | Fine Art | |
| Wright R | Sound Effects of Death and Disaster | 2000 | Sheffield Hallam University | ||
| Wright L. | Cheltenham Open Drawing Exhibition 2000 | 2000 | Falmouth College of Arts | ||
| Wright L. | The Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Wright JM | Surface Tension (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | Davies, R |
| Wright JM | Paintings 1996-2000 (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Wright E | Becks Futures | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Wright DK | From On-line sketching to 2D and 3D geometry: a system based on fuzzy knowledge | 2000 | Brunel University | Interaction Design | Sheng-Feng Qin I N Jordanov |
| Wright A | Face Value | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Wright A | I | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Worrall P | Namibia | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Worrall P | Collection of Fabrics for Focus | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Wormald PW | Design Competitions at Undergraduate level: Are there benefits to be gained? in Swann, C. and Young, E. (eds) | 2000 | Loughborough University | Design Research | McDonagh-Philp, D.C. |
| Woodman J | Revelation | 2000 | Cumbria College of Art + Design | ||
| Woodfine S | 'Sarah Woodfine' | 2000 | Wimbledon School of Art | Sculpture | |
| Woodfield R A | Framing Formalism: Riegl's Work | 2000 | Nottingham Trent University | Visual Arts | |
| Woodfield R A | Art History as Cultural History: Warburg's Projects | 2000 | Nottingham Trent University | Visual Arts | |
| Wood M H | Ducati 2000: an icon for the century | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Walker, M |
| Wood J | Towards an Ethics of Flow; Design as an Anticipatory System. | 2000 | Goldsmiths College | ||
| Wood ND | Plate tectonics and Chinese ceramics - new insights into the origins of China's ceramic raw materials | 2000 | University of Westminster | Ceramics | |
| Wolff M | Citigroup Inc. - commissioned design and worldwide branding | 2000 | The London Institute | Media and Communication | |
| Wolff M | MFI Furniture Group Plc. | 2000 | The London Institute | Media and Communication | |
| Withers R | Chuck Close | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Sara Arrhenius John Peter Nilsson Lars Bang Larson |
| Withers R | Joseph Beuys | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Lars Nittve Michael Craig-Martin David Batchelor |
| Winters EJ | Sacraria, Tragedy and the Interior Narrative | 2000 | University of Westminster | CARTE | |
| Wilson R | POINT: Addressing the Boundaries | 2000 | Manchester Metropolitan University | ||
| Wilson R | The Light Rain is on the Light Dust New Landscapes | 2000 | Manchester Metropolitan University | Hyatt J | |
| Wilson M | If I Ruled the World | 2000 | Cumbria College of Art + Design | ||
| Wilson K | New Work | 2000 | University of Westminster | Fine Art | |
| Wilson K | Untitled '98, Untitled '00 and Untitled '00 | 2000 | University of Westminster | Fine Art | |
| Wilson AJH | No Trustpassing | 2000 | University of Ulster | ||
| Wilson A | Life Span | 2000 | University of Brighton | Materials Practices and Processes | Bruce Williams |
| Willmoth S P J | Things Not Worth Keeping: Millennium Collection | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Willmoth S P J | Childhoods End - Cornford and Cross | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Williamson T | The Application of Product Development Technologies in Craniofacial Reconstruction | 2000 | University of Wales Institute, Cardiff | PDR | R Bibb R Brown A Sugar |
| Williamson T | Development of a Virtual Product and Product Assembly | 2000 | University of Wales Institute, Cardiff | PDR | |
| Williamson T | Digitised data integration issues in rapid prototyping and tooling | 2000 | University of Wales Institute, Cardiff | PDR | R Brown R Bibb |
| Williams R | Pentadactyl | 2000 | Cumbria College of Art + Design | ||
| Williams R | After Modern Sculpture : Art in the United States and Europe 1965 - 70 | 2000 | Liverpool John Moores University | Art and Design History | |
| Williams G | Bronze 2000 exhibitions | 2000 | Royal College of Art | Fine Art | |
| Williams G | Glynn Williams new work: Still life with shadows and echo | 2000 | Royal College of Art | Fine Art | |
| Williams D | Stillness and Occurrence | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Wilkinson M | Inside out and outside in - taking product design education into the real world and bringing the real world into product design education | 2000 | University College Northampton | Design for Industry and Commerce | Sale, R Thomas, V |
| Wilkinson M | Collaborative Envisioning - A Strategy for Future Innovation | 2000 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Wilding A | Contract | 2000 | Royal College of Art | Fine Art | |
| Whitworth L K | How German is She? Postwar West German Reconstruction and the consuming woman | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Whitworth L K | Shop/Shopfloor: Men's Sense of Belonging in 1930s Coventry | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Whittaker E | Correctional Facility Newark, New Jersey, USA | 2000 | Bath Spa University College | ||
| Whiting B.M. | Distance Yourself Young Man | 2000 | Falmouth College of Arts | ||
| Whiteman P | 'The Cholmondeleys' | 2000 | Wimbledon School of Art | Theatre costume | |
| White K | Latitude Atlantique | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| White H | Kunst Hautnah | 2000 | Sheffield Hallam University | Metalwork + Jewellery | |
| Whitaker D | Grassroots No. 18 | 2000 | Wimbledon School of Art | Painting | Arthur Morgan Alan Hepburn Noel Haring |
| Whitaker D | Homage to the Mountain No.3 | 2000 | Wimbledon School of Art | Painting | |
| Whistler D | Crusader of the Ganges (produced, directed and photographed). | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Whalley S | In Sickness and in Health | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Whalley S | Works of Artifice: Make Up Uncovered | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| West N F | Down the Line Jatulintarha project | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Welsford A | R42 Series Recent Paintings 1998-2000 | 2000 | De Montfort University | ||
| Wells K | The Dyers' Craft Resist Patterned Fabrics - An Explanatory Booklet | 2000 | De Montfort University | Hann, M. | |
| Wells EY | Shifting Horizons. Women's Landscape Photography Now. | 2000 | University of Plymouth | Site, Space, Location, Place | Newton, K. Fehily, C. |
| Wells EY | Photography: A Critical Introduction. Second edition. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Weileder W | Staatspeistrager 1999 | 2000 | University of Newcastle | ||
| Weileder W | Jam | 2000 | University of Newcastle | ||
| Weileder W | Was geschied bestimmt der Ort | 2000 | University of Newcastle | ||
| Webster C P | Sleepwalkers | 2000 | University of Wales, Aberystwyth | ||
| Webster C P | Riemland's Edge | 2000 | University of Wales, Aberystwyth | ||
| Webb W | Mass Customisation as Individualised Value Delivery System | 2000 | The London Institute | Fashion and Textiles | Julia Wolney |
| Webb W | Satisfying Markets of One - Alternative Models of Mass Customization in the fashion industry: How Levi's 'Original Spin' Aims to Rejuvenate the Sector | 2000 | The London Institute | Fashion and Textiles | |
| Webb T | Six of One | 2000 | Royal College of Art | Animation | |
| Webb G | Heart and Soul | 2000 | University of Reading | Dexter Dallwood Michael Raedecker David Thorpe |
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| Webb G | Nouveau Riche | 2000 | University of Reading | Keith Farquhar | |
| Webb G | Abstract Art | 2000 | University of Reading | Simon Bill Keith Farquhar DJ Simpson |
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| Weaver C | Enid Marx at the Central School in the 1920's | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Wayman M | 'Changing Needs' Project: Textile Design Education - What can a graduate do? | 2000 | Manchester Metropolitan University | ||
| Waugh A | Anya Hindmarch | 2000 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Watt DS | Investigating the Effects of Humidity and Salt Crystallisation on Medieval Masonry | 2000 | De Montfort University | Colston, B.J. | |
| Watson G | 'The Value of Vision' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Richard Wentworth Christopher Frayling Ute Merta Banov |
| Watson A | Woodland | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Watkins P | 'Survey of the European Yarn and Fabric Fairs For Autumn/Winter 2001/2002' | 2000 | Royal College of Art | Design for Manufacture | |
| Watkins D | Voyager : K | 2000 | Royal College of Art | Applied Art | |
| Warren RJ | The Agony and the Ecstasy | 2000 | The London Institute | Fine Art | |
| Warr TK | The Informe Body | 2000 | Oxford Brookes University | Theory | |
| Warr TK | The Artists Body: A Sourcebook 1945 - Present | 2000 | Oxford Brookes University | Theory | |
| Warnell P | Migrations | 2000 | University of Gloucestershire | ||
| Warnell P | Meanwhile, on the other side of town....something was going down | 2000 | University of Gloucestershire | ||
| Ward S | Hybrid (solo exhibition), Shigaraki International Residency Japan | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Ward R | Almost True | 2000 | University of Sunderland | Fine Art | |
| Walter J | 'Below the Salt', exhibition with catalogue. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walsh R | Site Specific Painting in England and Italy 2000 | 2000 | University of Newcastle | ||
| Walsh BF | Trafalgar Square. | 2000 | Goldsmiths College | ||
| Wallinger M | Credo - solo show | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Wallace-Jones H | 100% Design | 2000 | The London Institute | Fashion and Textiles | Emma Sewell |
| Wallace M | Spectacular Bodies - The Art and Science of the Human Body from Leonardo to Now | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Walker Z | Somewhere Special | 2000 | Edinburgh College of Art | Fine Art | |
| Walker Z | Somewhere near Vada | 2000 | Edinburgh College of Art | Fine Art | |
| Walker Z | My Island Home: part of an ideal home | 2000 | Edinburgh College of Art | Fine Art | |
| Walker S F | Typography and language in everyday life: prescriptions and practices | 2000 | University of Reading | ||
| Walker S F | Fabula project | 2000 | University of Reading | ||
| Walker P | Design of a Safety Knife for use in Industrial Applications | 2000 | University of Wales Institute, Cardiff | PDR | |
| Walden J | It's Extraordinary How Beautiful Your Skin Is | 2000 | University of Portsmouth | Art and Philosophy | |
| Walden J | Sensations in Differ-ance | 2000 | University of Portsmouth | Art and Philosophy | |
| Wainwright C | Gilt | 2000 | The London Institute | Fine Art | |
| Waeckerle E. | LOOK OUT ART-SOCIETY-POLITICS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Wade G | Curating in the 21st Century | 2000 | University of Wolverhampton | Fine Art | |
| WRIGHT M J | Surface Tension (Exhibition) | 2000 | Kent Institute of Art + Design | Robert Davies | |
| WRIGHT M J | One Person Exhibition | 2000 | Kent Institute of Art + Design | ||
| WRIGHT J | PYLON - SOLO SHOW | 2000 | Middlesex University | ||
| WORDEN S | Design Research in New Media: Strength through Collaboration and Partnership | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| WOOD T | British Portraits | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| WILLIAMS M.D. | International doodlebug day exhibition | 2000 | Coventry University | Design | HIROSUKE, U.A. IBBOTSON, B. |
| WENTWORTH R | Blue | 2000 | University of Oxford | ||
| WATSON A J | Singing for Dead Singers, 5 Exhibitions By Arthur Watson | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| WARREN RJ | The Agony and the Ecstasy | 2000 | University of Oxford | ||
| WARD J | Inside Cover | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| WARD J | Please Touch | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| WARD J | The Artists | 2000 | University of West of England, Bristol | Centre for Fine Print Research | Stephen Hoskins |
| WALLINGER M | Mark Wallinger: Credo | 2000 | University of Oxford | ||
| WALLER R. | The transformer revisited | 2000 | Coventry University | The Design Institute | MACDONALD-ROSS, M. |
| WALLER R. | Phone bill design | 2000 | Coventry University | The Design Institute | SEARLE JONES, A. LETHERLAND, S. MOATE, K. |
| WALKER D B | The Use of Shingles as a Roof Covering in Medieval Scotland | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| WADE E | HERMIRHAGERRHIS KELLERI | 2000 | Middlesex University | ||
| WADE E | AMPHIBIA ANUDA RANIDAE | 2000 | Middlesex University | ||
| Vyner T | From Beirut to Baalbek | 2000 | Bath Spa University College | Dyson, J. | |
| Votolato G | Work as Play: the Do-It-Yourself Movement and the American Home | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Votolato G | Making Buildings | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Virtue JA | John Virtue New Paintings | 2000 | University of Plymouth | Art Process | |
| Virtue JA | John Virtue. New Paintings 1998-2000 | 2000 | University of Plymouth | Art Process | |
| Viner DJ | Is Tall Better Than Small? | 2000 | The London Institute | Fine Art | |
| Vincentelli M M | Women and Ceramics Gendered Vessels | 2000 | University of Wales, Aberystwyth | ||
| Vincentelli M M | The Welsh Dresser: a case study | 2000 | University of Wales, Aberystwyth | ||
| Vincentelli M M | Embodiments: women's ceramic traditions and the work of Gabriele Koch and Vilma Henkelman | 2000 | University of Wales, Aberystwyth | ||
| Vincentelli M M | The Ceramic Collection and Archive, University of Wales, Aberystwyth | 2000 | University of Wales, Aberystwyth | ||
| Vince J. | Digital Media: The Future. | 2000 | Bournemouth University | Earnshaw, R. | |
| Vince J. | Essential Computer Animation. | 2000 | Bournemouth University | ||
| Verran V | Paintings 1995 to 2000 | 2000 | Falmouth College of Arts | ||
| Verhoeven J | Conversation Piece | 2000 | The London Institute | Fashion and Textiles | |
| Verhoeven J | Reinaldo Lourenco | 2000 | The London Institute | Fashion and Textiles | |
| Verdon A | Solo Exhibition | 2000 | Liverpool Hope | ||
| Verdon A | Minimal | 2000 | Liverpool Hope | ||
| Veness AD | We Are, Of Course, Free | 2000 | University of Southampton | ||
| Vanke F | Risk Takers and Pioneers | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Vanke F | Arabesques: North Africa, Arabia and Europe | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Vanke F | Diverse Routes | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| VOSS R | These Days: new work by Roy Voss | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| VAN DER LEM P | Reflections on the diversity of research ideas: impact and successes in research for Art, Media and Design | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| VAN DER LEM P | Development of the PhD for the Visual Arts | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Utting J.A. | International Small Engraving Salon | 2000 | Falmouth College of Arts | ||
| Utting J.A. | Japanese Connections | 2000 | Falmouth College of Arts | ||
| Ursitti C | Habitat, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Ursitti C | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Ursitti C | Evolution isnt Over Yet, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| URE A | New Paintings by Simon Callery, Jane Harris, Mandy Ure, Roy Voss | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Tyrrell J | Isambard Kingdom Brunel:Recent Works | 2000 | University of Sunderland | Design | |
| Twyman M L | The encyclopedia of ephemera: a guide to the fragmentary documents of everyday life by Maurice Rickards, edited and completed by Michael Twyman with the assistance of S. du Boscq de Beaumont and Amoret Tanner | 2000 | University of Reading | ||
| Turnock P | (r)evolution Design Undergraduate Database | 2000 | Brunel University | Design Pedagogy | |
| Turnock P | Exploring Design and Innovation | 2000 | Brunel University | Design Pedagogy | A Chappell E TAbor P Isherwood |
| Turner M | 'Home: Multi-Stories' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner J | BitBiz | 2000 | Liverpool John Moores University | International Centre for Digital Content | G Price |
| Turner J | Pixel | 2000 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Turner D | Six Photos of Artists Studios | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turnbull A | 'Houses into Flats' | 2000 | Wimbledon School of Art | Painting | |
| Turnbull A | 'Alison Turnbull, New Paintings' | 2000 | Wimbledon School of Art | Painting | |
| Turk GJT | Ant Noises at the Saatchi Gallery Part 1 and Part 2 | 2000 | The London Institute | Fine Art | |
| Tunstall D | 'Goose Nights' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Peepolykus Theatre Company |
| Tunstall D | Luminescence | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Roxana Silbert |
| Trusselle K | States of Grace | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Trodd C | Culture and Energy : Ford Madox Brown, Thomas Carlyle and the Cromwellian Grotesque | 2000 | University of Sunderland | Fine Art | |
| Trodd C | The Paths to the National Gallery | 2000 | University of Sunderland | Fine Art | |
| Trodd C | Academic Cultures: The Royal Academy and the Commerce of Discourse in Victorian London | 2000 | University of Sunderland | Fine Art | |
| Triggs T | Graphic Design | 2000 | Kingston University | ||
| Triantaphillidou S | Metric Approaches to Image Quality | 2000 | University of Westminster | Imaging Technology | Jacobson RE |
| Triantaphillidou S | A Simple Method for the Measurement of Modulation Transfer Functions of Displays | 2000 | University of Westminster | Imaging Technology | Jacobson RE |
| Treen C | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Tredre R | Is Big Better for Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Tredre R | Little by Little Designers take to Websales | 2000 | The London Institute | Fashion and Textiles | |
| Tredre R | Worth Global Style Network | 2000 | The London Institute | Fashion and Textiles | |
| Trangmar SRA | Ariadnes Dream and Double Duration | 2000 | The London Institute | Fine Art | |
| Tozer J | 2 Mins Charing Cross. | 2000 | Goldsmiths College | ||
| Torrens GE | Understanding The Product User: The Implementation Of A User-Centred Design Approach By Student Industrial Designers When Designing For Elderly And Disabled People | 2000 | Loughborough University | Design Research | |
| Torrens GE | Hand performance assessment of ten people with Rheumatoid Arthritis when using a range of specified saucepans | 2000 | Loughborough University | Design Ergonomics | Hann, J. Webley, M. Joy, J. |
| Topping M J | Handy 1 - A Rehabilitation Robotics System for the Severely Disabled, keynote lecture. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Toop D | Sonic Boom | 2000 | The London Institute | Fine Art | |
| Tomes AE | Technological Entrepreneurship: Integrating Technical + Product Innovation | 2000 | Sheffield Hallam University | Rosie Erol Peter Armstrong |
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| Todd G | Gallery SIDE 2 | 2000 | Edinburgh College of Art | Fine Art | |
| Todd G | Mount Hiddenabyss | 2000 | Edinburgh College of Art | Fine Art | |
| Toal D | Journey's End, video | 2000 | University of Portsmouth | Memory, Identity and Material Culture | |
| Tisdall C | Maze for the Millenium: Footprint in Time | 2000 | Oxford Brookes University | Creative Practice | |
| Ting P | Nebula | 2000 | University of Central Lancashire | ||
| Ting P | place setTing | 2000 | University of Central Lancashire | ||
| Tillotson E | Border Axis | 2000 | University of Sunderland | Fine Art | |
| Tillers I | Towards Infinity | 2000 | Southampton Institute | ||
| Till N J T | First Class Evening Entertainments (Part One) | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | English National Opera Studio VOCEM electric voice theatre Anthony Howell |
| Tibbs B | Young at Art Awards 2000 | 2000 | Kingston University | ||
| Throp M | Bread Matters. | 2000 | Goldsmiths College | ||
| Thorpe A. | ENCOMPASS. ACTUAL PRODUCTS, VIRTUAL TOURS | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Thornhill PH | 'Mieeow! - Maisiemac Goes to Japan' and 'Maisiemac and the Loch Ness Monster' | 2000 | De Montfort University | Hurst, M | |
| Thornhill PH | Leech Hill - 'May Pox' | 2000 | De Montfort University | Hurst, M | |
| Thomson J.R. | Artists Entertainment Network | 2000 | University College London | Fine Art Media | |
| Thomson J | Star Gazing | 2000 | Southampton Institute | ||
| Thomson G | Computer Aided Calligraphy 1 | 2000 | Cumbria College of Art + Design | ||
| Thomson G | L'art de la Lettre (Work of the Society of Calligraphers of Montreal and George Thomson) | 2000 | Cumbria College of Art + Design | ||
| Thomson G | Computer Aided Calligraphy 2 | 2000 | Cumbria College of Art + Design | ||
| Thompson R | The Use of Neural Networks in an Image Analysis System to Distinguish Between Laser Prints and their Photocopies | 2000 | The London Institute | Media and Communication | Dr Andrew Manning Dr Jack Tchan |
| Thompson L J | Exhibition of glass 'Vessels'. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Thompson L J | Glass Education: A British Perspective. | 2000 | Staffordshire University | ARi, School of Art + Design | S. Pattani |
| Thompson GR | New Designers | 2000 | Brunel University | Environmentally Sensitive Design | |
| Thompson GR | Designing Designers | 2000 | Brunel University | Environmentally Sensitive Design | |
| Thompson GR | Nissan Re-branding Concept | 2000 | Brunel University | Environmentally Sensitive Design | |
| Thompson E. | Estelle Thompson: Recent Paintings 1999-2000 | 2000 | University College London | Painting | |
| Thompson E | Paintings | 2000 | De Montfort University | ||
| Thompson E | Blue - Themed Inaugural Exhibition | 2000 | De Montfort University | ||
| Thompson B | Border Axis | 2000 | University of Sunderland | Fine Art | |
| Thompson A | A Soft Touch | 2000 | Brunel University | Design for Inclusion | S SWallow |
| Thompson A | Bags O' Fun | 2000 | Brunel University | Design for Inclusion | |
| Thompson A | Conductive Textiles/Fabrics Pressure Sensor | 2000 | Brunel University | Design for Inclusion | S Swallow J Burkitt |
| Thompson A | Multi-sensory wall | 2000 | Brunel University | Design for Inclusion | |
| Thompson A | Field of Dreams | 2000 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Thomas P | Cheltenham Open Drawing Exhibition 2000 | 2000 | University of Gloucestershire | ||
| Thomas NG | Design and Testing of a Hip Fracture Protector | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas NG | Design of a Complex Gas Analysis Product | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas NG | Design of a Hospital Day Chair | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas J | 'The Film Couch' | 2000 | Wimbledon School of Art | Painting | |
| Thomas J | 'Maldoror' | 2000 | Wimbledon School of Art | Painting | Duncan Reekie - producer Paul Tarrago Caroline Kennedy |
| Thapalyal RI | Talacchanda: solo exhibition | 2000 | Glasgow School of Art | Fine Art | Nibha Joshi Anjana Rajan G. S. Rajan |
| Thapalyal RI | Devi Prasad: The Culture of Making | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Terstappen C | Places of Power - La terra sagrada dels indis Navajo. | 2000 | University of Southampton | ||
| Terstappen C | Women of the World - A Global Collection of Art | 2000 | University of Southampton | ||
| Ten Hompel S | Landscape in 3 parts | 2000 | London Guildhall University | ||
| Ten Brink J | Icarus | 2000 | University of Westminster | Visual Media | |
| Ten Brink J | Journey through the Night | 2000 | University of Westminster | Visual Media | |
| Telford SJ | Pre-Christmas window displays (commission) | 2000 | Loughborough University | Textiles | |
| Tchalenko J | Noise | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Tchalenko J | Bad at Writing, Good at Drawing | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Tchalenko J | Alexander Iyas | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Taylor M | The Room of Answers | 2000 | The London Institute | Fine Art | |
| Taylor M | Grafica | 2000 | The London Institute | Fine Art | |
| Taylor M | Arts at the Turret | 2000 | Bolton Institute of HE | ||
| Taylor M | Outside the Box | 2000 | Bolton Institute of HE | ||
| Taylor M | Hayvend Box Project - Multiple | 2000 | Bolton Institute of HE | ||
| Taylor LA | Material Diversity | 2000 | Glasgow School of Art | The Decorative Arts | |
| Taylor F | West Coast. | 2000 | Goldsmiths College | ||
| Taylor F | Digital Portfolio Exhibition | 2000 | Wimbledon School of Art | John Hilliard Bruce McLean Denis Masi |
|
| Taylor F | Symptoms | 2000 | Wimbledon School of Art | ||
| Taylor F | San Francisco Art Fair | 2000 | The London Institute | Fine Art | |
| Taylor F | Placed Apart | 2000 | The London Institute | Fine Art | |
| Taylor E P | Habillement, dissidence et consommation de masses en Grande-Bretagne | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Taylor E P | The Lost Arts of Europe: The Haslemere Collection of European Peasant Art | 2000 | University of Brighton | Memory, Identity and History | D Crowley |
| Taylor E P | Dress, Etiquette and Colonialism: the clothing of British Women in Cyprus, 1878-1918 | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Taylor D | The Word on the Street: Advertising, Youth Culture and Legitimate Speech in Drug Education | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Taylor A | Hunting Art Prizes 2000 | 2000 | University of Gloucestershire | ||
| Talbot E | Flirt | 2000 | University of Gloucestershire | ||
| Tait N | Ever get the feeling you''''ve been cheated | 2000 | The London Institute | Fine Art | |
| Tait N | Salon | 2000 | The London Institute | Fine Art | |
| Tait N | Neal Tait: Recent Paintings | 2000 | The London Institute | Fine Art | |
| Tabrizian M | Beyond the Limits | 2000 | University of Westminster | Visual Media | |
| Tabrizian M | Minimal Utopia | 2000 | University of Westminster | Visual Media | |
| Tabor EC | Exploring Design and Innovation | 2000 | Brunel University | Design Pedagogy | A Chappell P Isherwood N Stanton |
| TURRELL E | Crossing Boundaries | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURRELL E | 18th New Millennium Korea Enamelling Artist Association Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURRELL E | Fired With Colour - Aspects of Enamelling in Britain | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURRELL E | Donors Recognition Panels | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURNER J | 'Crossing' | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| TRUSSELLE K.L. | Falsework | 2000 | Coventry University | Visual Arts | ALLEN, T. CRUTCHLEY, R.H. CHORLTON, G. |
| TOVEY M.J. | Sketching and direct CAD modelling in automotive design | 2000 | Coventry University | The Design Institute | OWEN, J.K. |
| TIROHL B | The Photojournalist and the Changing News Image | 2000 | University of Lincoln | ||
| TIROHL B | We are the Dead....You are the Dead | 2000 | University of Lincoln | ||
| TIROHL B | Sexual Identity/Still Image | 2000 | University of Lincoln | ||
| THOMPSON K. | Chelsea craft fair | 2000 | Coventry University | Visual Arts | ADAM, J. STOYEL, J. WILDING, J.D. |
| THOMPSON K. | The paired horsemen | 2000 | Coventry University | Visual Arts | DUPREE, WALLER, |
| THOMPSON J | PANAMARENKO | 2000 | Middlesex University | ||
| THOMA A | Dialogue in Place | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| TCHERNAKOVA A | Virtues: The Family Affair | 2000 | University of Lincoln | ||
| TAYLOR B | 'Serious Fun' TV commercial | 2000 | University of Dundee | Contemporary Practice | Chris Gallagher |
| Symons S | Urban Genome | 2000 | Liverpool John Moores University | Audio-visual | |
| Sykes S | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Sykes S | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Sykas PA | Re:threading: Towards a History of Sewing Thread in Britain | 2000 | Manchester Metropolitan University | ||
| Swinson J | The Flaneur and the Shaman | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Swindells S P | KAYAK | 2000 | University of Huddersfield | Dutton + Peacock S.o.D. |
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| Swift E | Spectator | 2000 | University of Gloucestershire | ||
| Swift E | 'A Reflection on the Performance of Treading Water directed by VOID: Performance' | 2000 | University of Gloucestershire | ||
| Sweet DF | Relevance, Purity and the Medium of Exhibition | 2000 | Manchester Metropolitan University | ||
| Swan A | Two woven dobby weave designs | 2000 | University of Southampton | ||
| Swan A | Design, black and white dobby weave | 2000 | University of Southampton | ||
| Swan A | Collection of fabrics | 2000 | The London Institute | Fashion and Textiles | Annette Poulton |
| Swallow SS | Conductive Textile | 2000 | Brunel University | Design for Inclusion | |
| Swallow SS | A Soft Touch | 2000 | Brunel University | Design for Inclusion | A P Thompson |
| Sutherland P | Spiti: the Forbidden Valley | 2000 | The London Institute | Media and Communication | |
| Sutherland P | Patrick Sutherland | 2000 | The London Institute | Media and Communication | |
| Sutherland P | Spiti: the Forbidden Valley | 2000 | The London Institute | Media and Communication | |
| Sutherland C | The Barn House | 2000 | Glasgow School of Art | Design | Hussey, C |
| Sutherland C | 205 High Street Wood Green London | 2000 | Glasgow School of Art | Cities and Environments | Hussey, C |
| Surridge M.S. | Solo Exhibition | 2000 | Falmouth College of Arts | ||
| Surridge M.S. | The Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Surridge M.S. | 3 Person Show | 2000 | Falmouth College of Arts | ||
| Summers A | Showdiary | 2000 | North East Wales Institute of Higher Education | Art and Design | D Gill |
| Stubbs N | Matinee (drama, 3mins, 35mm film, 2000) | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Strutton J | Father Son and Scary Ghost | 2000 | Royal College of Art | Fine Art | |
| Strindberg M | Limp | 2000 | University of Brighton | Fine Art Practices | |
| Stothart P | Animated product information | 2000 | De Montfort University | ||
| Storey H | Mental (Women in Mind) | 2000 | The London Institute | Fashion and Textiles | Dr John McLachlan, University of St Andrews |
| Stonyer A | Coming to our Senses | 2000 | University of Gloucestershire | ||
| Stofer H | Shelf Life | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Stoddart A | Miltonic Herm, Millennium Sculpture Garden | 2000 | Glasgow School of Art | Fine Art | |
| Stockwell S. J. | ACCUMULATIONS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stockham J | Working in the Dark/ No News | 2000 | Royal College of Art | Fine Art | |
| Stiven C | Charles Stiven | 2000 | Edinburgh College of Art | Fine Art | |
| Stitt A | Homework - An exploration of the process and documentation of performance art | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Stiff P | Information Design Journal | 2000 | University of Reading | ||
| Stickley P | Open Event | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Stickley P | Indeterminate Immediate | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Stickley P | Secrets | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Stezaker J | Holy Land Series | 2000 | Royal College of Art | Fine Art | |
| Stewart N | Curtain Call | 2000 | Sheffield Hallam University | ||
| Stewart I | Tender | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Stewart EP | Mixing Memory and Desire, group exhibition | 2000 | Glasgow School of Art | Fine Art | Stephanie Smith |
| Stewart C | An Ordinary God | 2000 | De Montfort University | ||
| Stevenson M | Longbow | 2000 | University of Plymouth | Design + Innovation | |
| Stevens P | Starting a Collection: modern British and contemporary paintings, drawings, sculpture | 2000 | The London Institute | Fine Art | |
| Stephenson AP | 'Refashioning modern masculinity: Whistler, aestheticism and national identity' | 2000 | University of East London | ||
| Stephenson AP | 'Anxious Performances: Aestheticism, The art gallery and the ambulatory geographies of late Nineteenth Century London | 2000 | University of East London | ||
| Stephens JR | Andrew Sneddon + John Stephens - Printmaking two-person exhibition | 2000 | Chester College of HE | ||
| Stephens J | Screen Printing in a Digital Age | 2000 | The London Institute | Media and Communication | |
| Stephen'Cran J | Future fashions and fabrics - Invited lecturer | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Steiner S | Towards a Spacious, Excitable Open: On Surveillance, Care and the Bliss of Tiny Creatures | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Steiner S | Consolation Prize; Mike Kelley: The Use-Value of Irony or Sexual Revoloution the Monkish Way' / John Miller: Game Show Pastoral | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Stehli J | Strip Series 1999-2000. | 2000 | Goldsmiths College | ||
| Stehli J | Jemima Stehli. | 2000 | Goldsmiths College | ||
| Stehli J | Karen 2000. | 2000 | Goldsmiths College | ||
| Stehli J | Strip Series in A Shot in the Head | 2000 | University of Portsmouth | Art and Philosophy | |
| Stehli J | Exposure | 2000 | University of Portsmouth | Art and Philosophy | |
| Stehli J | Chair 1999/8. | 2000 | Goldsmiths College | ||
| Startup J | Contemporary Furniture: Design From the East End | 2000 | Kingston University | ||
| Startup J | Bell | 2000 | Kingston University | ||
| Startup J | Bell Lamp; Gervasoni Collection | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Stanton-Wilson J | National Print Exhibition 2000. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Stanton NA | Behavioural compensation by drivers of a simulator when using a vision enhancement system | 2000 | Brunel University | Interaction Design | M Pinto |
| Stanley N | Souvenirs, ethics and aesthetics: some contemporary dilemmas in the South Pacific | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Stanley N | Moving People, Moving Experiences: Novel Strategies in Museum Practice | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Stanford P | 'Seven Ages' | 2000 | Wimbledon School of Art | ||
| Stanford P | 'A Survey of Fine Art Printmaking Studios in the UK' | 2000 | Wimbledon School of Art | ||
| Stamp G | George Gilbert Scott, the Memorial Competition, and the Critics | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stahl A. | Andrew Stahl, London UK, New Work | 2000 | University College London | Painting | |
| Stables K | Design Museum National Outreach Project: Evaluation Report. | 2000 | Goldsmiths College | ||
| St James M | Painting the Century: 101 portrait Masterpieces 1900-2000 | 2000 | The London Institute | Fine Art | |
| St George A | Crisis Management and Crisis Communications in the Digital Age | 2000 | De Montfort University | ||
| Sprung S | Journey Through the Night | 2000 | Sheffield Hallam University | ||
| Springer P | 'La Card Oltre la Superficie' (Beneath the Card's Surface) | 2000 | Buckinghamshire Chilterns University College | Visual Communication | Kozak P Biagi B |
| Springer P | Re-Locating Britishness in Advertising | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Sprawson D H | Pale Shadows | 2000 | Nottingham Trent University | Visual Arts | |
| Sprake J | Imagining London. | 2000 | Goldsmiths College | ||
| Sprake J | The Curse of the Universal User. | 2000 | Goldsmiths College | ||
| Sprake J | Imagining London through non-idle pictures. | 2000 | Goldsmiths College | ||
| Spittler U | German Attitudes towards Europe: Continuity and Change | 2000 | University of Brighton | Memory, Identity and History | G Knischewski |
| Spittler U | Coming to terms with the past: Reconstructing the Berlin Wall | 2000 | University of Brighton | Memory, Identity and History | G Knischewski |
| Spencer B | Negative Exposure | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Speed S | The Travels of the Anatomist: Allegory, Discovery and William Harvey | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Speed CJ | Temporal navigation | 2000 | University of Plymouth | STAR | |
| Southwell M | Designers' perception of development - development's perception of design | 2000 | Goldsmiths College | ||
| Southwell M | Design for Sustainable Development: A gendered perspective. | 2000 | Goldsmiths College | ||
| Southee DJ | Low Cost Logic Analyser Implementing FPGA Technology | 2000 | Brunel University | A Jones | |
| Southam JV | The Shape of Time. Rockfalls, Rivermouths + Ponds. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Somerville P | Untitled commission | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Soden JA | Design and CAD Innovation in Woven Textile Research | 2000 | University of Ulster | ||
| Snell R | Design Direction for Vivendi restaurant seating | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | J. Coleman |
| Snell R | Design direction for Air-O cafe seating | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Bennet |
| Sneddon S G | Printmaking | 2000 | Sheffield Hallam University | ||
| Sneddon S G | Children | 2000 | Sheffield Hallam University | ||
| Sneddon S G | Shadow Chasers | 2000 | Sheffield Hallam University | ||
| Smy E | Artistic Application of Sol-Gel; Rapid Drying of Colloidal Alkali Silicate Gels with the use of a Domestic Pressure Cooker. | 2000 | University of Hertfordshire | ||
| Smy E | The Sol-Gel Process | 2000 | University of Hertfordshire | ||
| Smy E | Place ...replace | 2000 | University of Hertfordshire | ||
| Smith W | Magic HotelMouse MagicCircle MagicCrazy Magic | 2000 | University of Brighton | Visual Communication Design | |
| Smith W | The Giant Postman | 2000 | University of Brighton | Visual Communication Design | |
| Smith T | Marking Time | 2000 | University of Gloucestershire | ||
| Smith P M | Action (Solo exhibition) | 2000 | Anglia Polytechnic University | ||
| Smith N E | Digital Works Light Boxes and Pictures. Constructing A New Space. The New Art Gallery, Walsall | 2000 | Nottingham Trent University | Visual Arts | Roger Beecroft |
| Smith N E | Trainscapes + Digital Media Constructs | 2000 | Nottingham Trent University | Visual Arts | Roger Beecroft |
| Smith MM | 70/2000 | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Smith M M | The title-page: its early development, 1460-1510 | 2000 | University of Reading | ||
| Smith M M | Medieval roots of the Renaissance book | 2000 | University of Reading | ||
| Smith M M | Fragments used for servile purposes: the St Bride Library frisket for early red-printing | 2000 | University of Reading | ||
| Smith K | Who Could Have Guessed There'd Be So Much Diversity? | 2000 | Goldsmiths College | ||
| Smith K | 'Towards the Eremitani' | 2000 | Wimbledon School of Art | Sculpture | |
| Smith K | 'A Lily amongst Thorns' | 2000 | Wimbledon School of Art | Sculpture | |
| Smith D | Metropolitan | 2000 | The London Institute | Fine Art | |
| Smith D | Series | 2000 | The London Institute | Fine Art | |
| Smith AE | Seraph Spring/Summer Collection 2001 | 2000 | The London Institute | Fashion and Textiles | |
| Smith A | Down Among the Molecules: Chemical Analysis in the Study of Historic and Archaeological Textiles | 2000 | The London Institute | Media and Communication | |
| Smith A | Thermal Stability of Ink Jet Prints | 2000 | The London Institute | Media and Communication | Zoitsa Gkinni |
| Smith S | Smith/Stewart, solo exhibition | 2000 | Glasgow School of Art | Fine Art | Edward Stewart |
| Sly A | 'The Newmarket Stallion' | 2000 | Wimbledon School of Art | Theatre technical arts | |
| Slight N | Sculpture, an Abbey and a Cathedral | 2000 | University of Gloucestershire | ||
| Slee R | Firing Imagination: Ceramica Britannica | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Skelton PJS | Private Views . | 2000 | The London Institute | Fine Art | |
| Sitar R | Mind Breaths 2000 | 2000 | Bolton Institute of HE | ||
| Singh G | Combining Pedagogy with technology - multimedia for Children | 2000 | University of Sunderland | Design | |
| Sinden AA | Tony Sinden Retrospective | 2000 | University of East London | ||
| Sinclair R | Journey to the Edge of The World, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Sinclair R | Artist in Residence - Textile Designer. | 2000 | Goldsmiths College | ||
| Simpson PJ | 'It's All Greek To Me'. (Group Exhibition). | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson P | MATURE - Mission for Application of Technology to Urban Review and Engineering | 2000 | Glasgow School of Art | Cities and Environments | Muni Ganji Peter Siegenthlaer |
| Simpson P | House form and construction methods - New Urban Traditions of Popular Housing in Columbia and Mexico | 2000 | Glasgow School of Art | Cities and Environments | |
| Simpson P | Soviet Superwoman in the landscape of liberty: Aleksandr Deinekas's Razdol'e 1944' | 2000 | University of Hertfordshire | ||
| Simpson P | A re-vision of Ukraninian identity: Tatyana Yablanskaya's Corn 1949 | 2000 | University of Hertfordshire | ||
| Simpson M | Perfidy | 2000 | The London Institute | Fine Art | Daniel Sturgis |
| Simpson M | On the Threshold | 2000 | Bath Spa University College | Crozier, A. Tyson, I. |
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| Simpson M | Cheltenham Open Drawing Exhibition | 2000 | Bath Spa University College | Harris, J. Cooper, E. Connearn, D. |
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| Simpson M | Intervention at La Tourette. | 2000 | Goldsmiths College | ||
| Simpson GB | Modelling the Interaction between a Polyurethane Liner and the Residual Limb in Transtibial Amputees Using Non-Linear Element Analysis | 2000 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Simpson GB | Modelling the Interaction Between Liners, Sockets and the Residual Limb in Transtibial Amputees Using Non-Linear Finite Element Analysis | 2000 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Sider L. | THE SCHOOL OF SOUND 2000 | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Short LA | Multi Exposure 2000British - Israeli - Palestinian Awards | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Short C | Journal 491: Art Fragments | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Shonibare Y | Intelligence: New British Art 2000 | 2000 | The London Institute | Fine Art | |
| Shonibare Y | Crossings | 2000 | The London Institute | Fine Art | |
| Shipsides D | Gecko Roof | 2000 | University of Ulster | ||
| Shipsides D | Bamboo Support | 2000 | University of Ulster | ||
| Shinkle EB | Le Jardin de Brunelleschi | 2000 | University of Westminster | Visual Media | |
| Shinkle EB | Slagheap, Ideal City and Horizon | 2000 | University of Westminster | Visual Media | |
| Shimshon O | 'Spirit Level' Exhibition (SOLO) | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Shimshon O | 'Spirit Level' Exhibition (SOLO). | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Shillito A | Hitec- Lotec Project | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Sherrell J P | Jennifer Sherrell, Prints. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sherrell J P | Critical Mass | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sherrell J P | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sheridan T | Freelance commercials director | 2000 | The London Institute | Media and Communication | |
| Shepherd D | Ung.Young.Jung - Installation work and art which crosses international boundaries | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Sheldon JL | Modern Art : A Critical Introduction | 2000 | Liverpool John Moores University | Art and Design History | P Meecham |
| Shawcross N | Portraits of Seamus Heaney and Michael Longley | 2000 | University of Ulster | ||
| Shawcross N | Artists Century : Irish Self Portraits and Selected Works, 1900-2000 | 2000 | University of Ulster | ||
| Shaw R | Understanding Drawing | 2000 | Glasgow School of Art | Principles of Drawing | |
| Shaw L T | British Council - Creative Mission To Tokyo Japan | 2000 | Nottingham Trent University | Design | |
| Shave T J | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sharpe T | Experimental hybrid PV dynamic insulation wall in Scotland | 2000 | Glasgow School of Art | Cities and Environments | C. Porteous |
| Shankland S | Module R | 2000 | The London Institute | Fine Art | |
| Shankland S | Structure Cope | 2000 | The London Institute | Fine Art | |
| Shankie J | Dream Machines, touring group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Shanahan P.N. | Esperantis | 2000 | Falmouth College of Arts | ||
| Shanahan P.N. | The History of Photography special double issue on Italian Cultural Landscape and Vernacular Photographs. | 2000 | Falmouth College of Arts | Geoffrey Batchen | |
| Shackleton J | Attention Points in Street Furniture Design | 2000 | Brunel University | Design Process | Hong Sang-Hee K Sugiyama M Watanbe |
| Seymour R | Bioform Bra | 2000 | Royal College of Art | Design for Manufacture | |
| Sewell E | 100% Design | 2000 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Setterington L | North Country Quilts: Legend + Living Tradition | 2000 | Manchester Metropolitan University | ||
| Setterington L | British Quilt Exhibition Japan 2000 | 2000 | Manchester Metropolitan University | ||
| Setch T | Oil + Water - Painting approaches to coastal locations focusing on interpretations of the land and sea | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Setch T | Painting the Dragon | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Setch T | Welsh Artists Talking | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Senior G | Strands | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Senior DP | Art + Hospitals: The Changing Culture of Healthcare | 2000 | Manchester Metropolitan University | ||
| Senior DP | Research and Evaluation of the Exeter Health Care Arts Project | 2000 | Manchester Metropolitan University | Scher P | |
| Selwood S J | Crosscurrents - Exhibition of British and American Ceramics | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Seers L | The Double - Group Exhibition | 2000 | De Montfort University | ||
| Seers L | A Shot in the Head - Group Exhibition | 2000 | De Montfort University | ||
| Sedgwick J | 'XXVII Fidem 2000 Internationale MedaillenKunst. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Seden MR | Using Computer Imagery and Visualisation in Construction Education | 2000 | De Montfort University | Beacham, N. Bouchlaghem, N. Sher, W. |
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| Seddon P J | History Painting Reassessed The representation of history in contemporary art | 2000 | University of Brighton | Memory, Identity and History | D Green |
| Seddon J | Mentioned, but Denied Significance: Women Designers and the 'Professionalisation' of Design c.1920-1951 | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Seawright P | Paul Seawright | 2000 | University of Wales College, Newport | Photography | |
| Seaton D | From Below | 2000 | University of Hertfordshire | ||
| Sear H | Unsettlement | 2000 | University of Reading | ||
| Sear H | Landscapes | 2000 | University of Reading | ||
| Sear H | Helen Sear - Landscapes | 2000 | The London Institute | Fine Art | |
| Sear H | Unsettlement | 2000 | The London Institute | Fine Art | |
| Scott PC | Painted Clay, Graphic Arts and the Ceramic Surface | 2000 | University of Newcastle | ||
| Scott DT | Ways with Anagama | 2000 | Loughborough University | Fine and Applied Arts | |
| Schoeser M | Wellpaying Self Support | 2000 | The London Institute | Fashion and Textiles | |
| Sayers P C | Woman's Realm. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sayers P C | Chronos ein-Tag. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sayers L | Jakulov's set design for Prokofiev's 'Le Pas d'Acier' | 2000 | University of Gloucestershire | ||
| Saxton J | Distinctive Skills and Implicit Practices | 2000 | Goldsmiths College | Kimbell, R. Miller, S. |
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| Sawdon Smith R. T. | EXPOSURE | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Saville J. | Painting the Century: 101 Portrait Masterpieces 1900-2000 | 2000 | University College London | Painting | |
| Saville J. | Ant Noises Part 1 and 2 | 2000 | University College London | Painting | |
| Saunders C | A Book of Hours (30 min. feature film). | 2000 | London Guildhall University | Nick Bevan music Mikey Tomkins post production editing |
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| Sargeant N | London Photographic Awards 3 | 2000 | University of Gloucestershire | ||
| Sargeant J | Deathtripping: the Cinema of Transgression | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sandys-Renton T | 'Artist in Residence' 1 exhibit . 'Self build-built self'. Green oak and forged/welded steel - 170x175x120cm | 2000 | University College Chichester | Sculpture | |
| Sandys-Renton T | 'Beastly Thoughts' 4 sculptures. 'Self Portrait as a Beast', 2000,(Charcoal, paper, steel + ceramic - c150x90x13cm); 'Beastly Thoughts' 2000, (Steel + ceramic - c66x205x16cm); 'Naked' 2000 (Steel + ceramic - approx 175x70x14cm; 'Mile High falling Angel | 2000 | University College Chichester | Sculpture | |
| Sandle M | Bronze | 2000 | De Montfort University | ||
| Sandino L | Complexity and Ambiguity: The Ceramics of Alison Britton | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sandino L | The Use of Plastics in Craft | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Nuala Jamison |
| Sanderson LV | Fabrication | 2000 | Sheffield Hallam University | Neil Conroy | |
| Salter P | 4 + 1 Peter Salter: Building Projects | 2000 | University of East London | A. Higgott R. Harbison P. Beardsell |
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| Salter P | Patine et vieillissement | 2000 | University of East London | ||
| Salisbury M | Illustrations in Carnival by Julie Sykes | 2000 | Anglia Polytechnic University | ||
| Salisbury M | A Timeless Landscape | 2000 | Anglia Polytechnic University | ||
| Salisbury M | Articles in Line: 'Born Romantic'; 'Tabitha Salmon'; Sipan, John Minton in Jamaica' | 2000 | Anglia Polytechnic University | ||
| Sale R | Collaborative Envisioning - a strategy for future innovation | 2000 | University of East London | Wilkinson, M. | |
| Sacks S | Landing Strip for Souls: Finding our Way Towards Democracy | 2000 | Oxford Brookes University | Social Sculpture Research Unit | |
| Sabin AM | Recycling bottle tower | 2000 | The London Institute | Fine Art | |
| SZULAKOWSKA U | The Alchemical Girl in Leonora Carrington's 'The House Opposite' | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SZULAKOWSKA U | The Alchemy of Light: Geometry and Optics in Late Renaissance Alchemical Illustration | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SWIFT D G | 2000 | University of Dundee | Contemporary Practice | Wolfgang Losche Marianne V Pasqualino Atsuhiko Musashi |
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| SWIFT D G | Zofias Dance | 2000 | University of Dundee | Contemporary Practice | Shona McInver Eiko Fan Richard Demaro |
| SUMMERTON E | The Strict Nature Reserve | 2000 | University of Dundee | Contemporary Practice | |
| STUBBS M D | RESISTOR | 2000 | University of Dundee | Digital Technology | Roland Denning Voortman DeJonge David Shea |
| STUBBS M D | RIVER | 2000 | University of Dundee | Digital Technology | Nicola Stephenson Benedict Phillips Melanie Poole |
| STUBBS M D | MAN ACT | 2000 | University of Dundee | Digital Technology | |
| STUBBS M D | GIFT | 2000 | University of Dundee | Digital Technology | Metamedia Production Ulf Langheinrich |
| STEWART C | Bomb Blast | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| STEWART C | Interview | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| STEVENSON F | Sustainable Housing Design Guide for Scotland | 2000 | University of Dundee | Industry and the Public Sector | Nick Williams |
| STEEL E R | The Working Countryside (CD-rom) | 2000 | University of Dundee | Contemporary Practice | Shaw Multimedia Services |
| STEEL E R | To Boldly Sew - Textiles for the 21st Century | 2000 | University of Dundee | Contemporary Practice | Pauline Hann Hilda Peters |
| SPICER A | An Ambivalent Archetype: Masculinity, Performance and the New Zealand Films of Bruno Lawrence | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| SPICER A | Misfits and the marginalised: Gender in the Boultings | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| SPENCE P J | AN INVITATION TO KISS | 2000 | University of Dundee | Digital Technology | John Scott Daniel Reeves |
| SMITH K | NO PLACE LIKE HOME [R LEIGH] | 2000 | Middlesex University | ||
| SMITH K | SIX MOMENTS [6M] | 2000 | Middlesex University | ||
| SMITH HR | Royal West of England Academy 5th Open Print Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| SMITH HR | Paperclay Plus | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| SHERWIN G | AT THE ACADEMY 7 CYCLES 1 [16MM FILMS] | 2000 | Middlesex University | ||
| SHAW P | FLORA TINCTORIA GRAFICA - PHYTOMOGRAPHIC AND LARGE FORMAT INKJET PRINTS | 2000 | Middlesex University | ||
| SHADBOLT R | SUMMER MUSIC | 2000 | Middlesex University | ||
| SETH J | Dispersal | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| SCRIVENER S. | Uncertainty and sketching behaviour | 2000 | Coventry University | The Design Institute | BALL, L.J. TSENG, S.W. |
| SCHEIN F. | Heinrich Heine at Westhafen: monsieur un rein | 2000 | Coventry University | Visual Arts | REITER, B. FONTAINE, C. |
| SCHAFER S | The Excavation of the Villa Pigneto Sacchetti | 2000 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Philip Perkins |
| SAXON G | Facing Things-Video Installation at L-Art Gallery Making Connections - Curated Video Programme of British Work and Retrospective | 2000 | University of Lincoln | ||
| SAUNDERS R. | ACECA 4 seater grand touring car | 2000 | Coventry University | Design | |
| Ryan S | The Virtual University: The Internet and Resource-Based Learning | 2000 | De Montfort University | Scott, B Freeman, H Patel, D |
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| Ryan A | Ryan, Chapman and Claydon | 2000 | University of Reading | Neil Chapman Steve Claydon |
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| Ryan D | John Riddy: Photographs | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Ruthven R J | Reaching for the Stars, exhibition | 2000 | University of Portsmouth | Art and Science | |
| Rutherford S | Easy-View Mirror Set | 2000 | Nottingham Trent University | Design | |
| Rust CM | Knowledge and the Artefact | 2000 | Sheffield Hallam University | Scott Hawkins Graham Whiteley Adrian Wilson |
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| Rust CM | Experimental Making in Multi-Disciplinary Research | 2000 | Sheffield Hallam University | Graham Whiteley Adrian Wilson |
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| Russell J | Protest and Survive | 2000 | The London Institute | Fine Art | |
| Russell J | Field of Dreams | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Rushton E | Campaign | 2000 | Falmouth College of Arts | ||
| Ruckman JYE | Subjective and Objective Evaluation of Colour Difference Encountered Through the Use of CAD Systems | 2000 | Manchester Metropolitan University | ||
| Royffe C D | 2000 | Leeds Metropolitan University | Environmental Art and Design | M.Herrmann A. Millard |
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| Roy R | Sustainable product-service systems | 2000 | Open University | Design for sustainability | |
| Roy I B | The Trappers' Hut, 'Snaddheimen', Kejser Franz Joseph Fjord | 2000 | University of Brighton | Natural and Constructed Environments | |
| Rowland C | A Crash Course in Creative Digital Media for the Community | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Rowland C | FISHION, solo exhibition | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Rowland C | FIREFLAY: Using Particle Dynamics for Human Representation | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Rowe C W | Low Tide/Splashzone (photographic and sound installation and Splashzone website) | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Ross M | valentine | 2000 | University of Newcastle | ||
| Rosenbloom P | Paul Rosenbloom | 2000 | University of Gloucestershire | ||
| Rosenbloom P | Traces | 2000 | University of Gloucestershire | ||
| Rosenbloom P | Significant Contemporary Artists | 2000 | University of Gloucestershire | ||
| Rosenberg T | A Matter of Tact. A Collaborative model of research and development between industry. | 2000 | Goldsmiths College | ||
| Rosenberg T | Near and Far. | 2000 | Goldsmiths College | Conreen, M. | |
| Rosella A | Siggraph | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Rosella A | Sizing and Shaping | 2000 | Nottingham Trent University | Fashion and Textiles | Graham Hutton |
| Rose C | Villes et Valises | 2000 | University of Sunderland | Fine Art | |
| Rooney P | At a Distance From (video). | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Rooney J | A review of a family of self-deploying tensegrity structures with elastic ties. | 2000 | Open University | Design for advanced products | J. Duffy B Knight CD Crane |
| Rooney J | Innovative deployable antenna developments using tensegrity design | 2000 | Open University | Design for advanced products | B. Knight J. Duffy CD Crane |
| Rome R | The Millennium Fountain | 2000 | Royal College of Art | Fine Art | |
| Rolph D | New Work | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rohr D | Postcards from Dounreay | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Rohr D | Drawing Connections (drawings and monograph essay) | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Rohr D | The Sleep of Reason | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | Stromberg, G. |
| Rogers ME | Pre-service primary teachers planning for science and technology activities: influences and constraints. | 2000 | Goldsmiths College | Davies, D. | |
| Rogers M | 'Domestic Acoustic', (Solo Exhibition). | 2000 | University of Derby | Research Group for Artists Publications | |
| Rogers H | Making a Scene: performing culture into politics, Performativity and Performance in Contemporary Politics and Art Practice. | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Rogers A | 2000 | Leeds Metropolitan University | Design | ||
| Rogers A | 2000 | Leeds Metropolitan University | Design | ||
| Rogers K. | N01SE | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Rodrigues CA | The Work of Art in the Age of Mechanical Reproduction | 2000 | University of Plymouth | Centre for Visual Computing | Cox, G. Stancer, P. |
| Rodrigues CA | Chinatown and Nose-Room. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Rodgers P | 'Managing Knowledge in Dispersed Design Companies' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell,N.H.M. Clarkson,P.J. Huxor,A.P. |
| Rodgers P | 'Writing and Sharing Rule-Text Heuristics Supporting Dispersed Design Communities' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell, N.H.M. Huxor, A.P. |
| Roddis JN | Applications PCT/GB00/03347(International) and 9920843.1 (UK) for 'TTURA' Glass + Resin Composite | 2000 | Sheffield Hallam University | ||
| Robson E H N | Dream, Dreamt, .....still Dreaming! | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Theatre Encorps Dr Ana Sanchez-Colberg Brudermann and Papp |
| Robinson P I | Berwick Retex | 2000 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | Lievesley, M Cornford, J |
| Robinson P I | Tyne Tour CD-ROM | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Lindsay, P Jones, M Lievesley, M |
| Robinson P I | Adapt Alumnus UfI | 2000 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | Agnelli, P Young, R |
| Robinson K | Archaeology's Photographic Image | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson K | A Bridge: Creating a Course in Material Culture Studies | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson K | Sedgeford Historical and Archaeological Research Project. (Publications, interpretative text and CD Rom based on a local heritage site used as a base for historical and archaeological collaborative research). | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson H | Disruptive Women Artists : An Irigarayan Reading of Irish Visual Culture | 2000 | University of Ulster | ||
| Robinson H | Whose Beauty? Women, Art and Intersubjectivity in Luce Irigaray's Writings | 2000 | University of Ulster | ||
| Robinson A F | 'Annette Robinson' [Solo exhibition] | 2000 | University College Northampton | Fine Art Practices | |
| Robertson P | Design of Leisure Games Software - SIM City 2000 UK Edition | 2000 | University of Central Lancashire | C Arundell, Kent Institute of Art and Design | |
| Robertson H | after image | 2000 | The London Institute | Fine Art | |
| Robertson GD | Challenge House | 2000 | Glasgow School of Art | Design | |
| Robertson GD | Extension to Nursing Wing, Crookfur Cottage Homes, Newton Mearns | 2000 | Glasgow School of Art | Design | |
| Robertson DA | 4D Design: Applied Performance in the Experience Economy | 2000 | De Montfort University | Woudhuysen, J. | |
| Robertson C | In a Marine Light | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Robertson C | Carol Robertson - New Paintings | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Robertson C | Landscape with Figure and DogsJenny + Feeding | 2000 | Wimbledon School of Art | Victoria Crowe ARSA RSW | |
| Robertson C | Barbara Rae Interactive Online Portfolio | 2000 | Wimbledon School of Art | Barbara Rae CBE DLitt RA Napier University, Edinburgh |
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| Robertson FG | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Robertson FG | Ive Sort of Lost It Now, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Roberts S | Pixel | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Roberts S | Dockers DVD | 2000 | Liverpool John Moores University | International Centre for Digital Content | G Price |
| Roberts PH | The Field of Design, the Act of Designing, and the Curriculum Subject of Design and Technology | 2000 | Loughborough University | Design Education | |
| Roberts M | Technical Support. | 2000 | Goldsmiths College | ||
| Roberts M | Carrier. | 2000 | Goldsmiths College | ||
| Roberts M | Katak. | 2000 | Goldsmiths College | ||
| Roberts M | Lineaments of the LWA. | 2000 | Goldsmiths College | ||
| Roberts J | Heroes and Villains, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Riley H | Towards a new theoretical base for the teaching and practice of drawing | 2000 | Swansea Institute of Higher Education | Drawing | |
| Riley B | Exhibition at Tate Modern | 2000 | De Montfort University | ||
| Riley B | Bridget Riley: Selected Paintings 1961-1999 | 2000 | De Montfort University | ||
| Riley B | Bridget Riley: Reconnaissance | 2000 | De Montfort University | ||
| Rieser M | Castle Park: Public Art in Practice | 2000 | Napier University | Photographic Practice | Swingler, S Price, D |
| Rieser M | Relatives: Art on the Edge | 2000 | Bath Spa University College | ||
| Rideal M.E.C. | Concerning the Photo-Booth | 2000 | University College London | Painting | |
| Rideal M.E.C. | Photographs '96-'98 | 2000 | University College London | Painting | |
| Ride P | Discrete Packets | 2000 | University of Westminster | CARTE | |
| Ride P | Demonstrations and Details from the Facts of Life | 2000 | University of Westminster | CARTE | |
| Riddy J | John Riddy: Photographs | 2000 | The London Institute | Fine Art | |
| Richon O | Allegories | 2000 | Royal College of Art | Critical Practice | |
| Richardson C | Face On | 2000 | Oxford Brookes University | Curatorial Projects | Mark Durden |
| Richards M | National Identity, Cyprus and Global Contexts | 2000 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Richards M | Television in Contemporary Asia | 2000 | University of Central England in Birmingham | Visual Communication Research Group | French D |
| Richards A. | NATURAL PLEATING IN ANCIENT EGYPT: A LOST TECHNIQUE | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Richards A. | DESIGN WORLD 2000 | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Rhodes NA | Scarlett | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes NA | Chiemsee Two | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes NA | Airbag | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes EA | SME entrepreneurialism in the context of supply chain re-engineering driven by large companies | 2000 | Open University | Design and innovation management | R. Carter |
| Rhodes EA | SME Entrepreneurialism: Models for Sustained Competitiveness in the Internet Environment. | 2000 | Open University | Design and innovation management | R. Carter |
| Rhodes E. | 14th Image Forum Festival 2000 | 2000 | University College London | Fine Art Media | |
| Rhodes C | The British Art Show, 5 group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Rhodes C | Carol Rhodes, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Rhodes C | Out of Place, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Reynolds L J | Screen design for childrens reading: some key issues | 2000 | University of Reading | S. F. Walker | |
| Renshaw T | Lock-Up | 2000 | University of Reading | Guendalina Salini | |
| Renshaw T | Incorporate 3 | 2000 | University of Reading | Sue Arrowsmith Jocelyn Clarke Stuart Cumberland |
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| Reid C | In the Place of an Object | 2000 | Wimbledon School of Art | Painting | Bice Benvenuto Darian Leader Parveen Adams |
| Reeves D | Origin | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Rees DD | British Designers: From Monarchy to Anarchy | 2000 | The London Institute | Fashion and Textiles | Simon Munro |
| Read J | Existing Bodies | 2000 | Edinburgh College of Art | Fine Art | |
| Rayson D | Landscape - The British Council Collection. | 2000 | Goldsmiths College | ||
| Rayson D | David Rayson - New Work. | 2000 | Goldsmiths College | ||
| Rayson D | Out of Place. Memory, imagination and the city | 2000 | Royal College of Art | Fine Art | |
| Rayson D | Out of Place - Memory, Imagination and the City. | 2000 | Goldsmiths College | ||
| Ray SF | Photographic light sources | 2000 | University of Westminster | Imaging Technology | |
| Rawson G | Charles Heath Wilson, Missionary of Art | 2000 | Glasgow School of Art | Historical and Critical Enquiry | George Fairfull Smith Sally Rush |
| Rawlinson IJ | The Last Resting Place of an Anonymous Citizen | 2000 | Manchester Metropolitan University | Crowe N | |
| Randall-Page P | Inner Compusion | 2000 | Dartington College of Arts | ||
| Randall-Page P | Womb Tomb | 2000 | Dartington College of Arts | ||
| Ramshaw W | Millennium Exhibition | 2000 | Royal College of Art | Applied Art | |
| Ramsenthaler S | 2-3-4-D | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ramsay G | Evolution isn't Over Yet, group exhibition | 2000 | Glasgow School of Art | Fine Art | John Beagles |
| Rampley M | Nietzsche, Aesthetics and Modernity | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Rampley M | The Remembrance of Things Past. On Aby M. Warburgh and Walter Benjamin | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Rampley M. | NIETZSCHE, AESTHETICS AND MODERNITY | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Raby F | Park Interactives (Adult Furniture) | 2000 | Royal College of Art | Computer Related Design | |
| Raby F | Project #26765: FLIRT, Flexible information and recreation for mobile users | 2000 | Royal College of Art | Computer Related Design | |
| Raban W | Live in Your Head: Concept and Experiment in Britain 1965-1975 | 2000 | The London Institute | Media and Communication | |
| Raban W | Firestation | 2000 | The London Institute | Media and Communication | |
| ROSS A R | Reflexions | 2000 | University of Dundee | Contemporary Practice | |
| ROBISON J | THREE BRITISH CERAMISTS: Richard Bell, Tracey Heyes and Jim Robison | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBISON J | Marc Neveu, Jim Robison and Fraus Vaudevoort | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBINSON M | sub.merge | 2000 | Middlesex University | A Deakin C Bassett V Spong |
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| ROBERTSON P | Design of Leisure Games Software - SIM City UK Edition | 2000 | Kent Institute of Art + Design | Clive Arundell | |
| RICHARDS C.J. | The design and evaluation of an interactive calculator for children | 2000 | Coventry University | The Design Institute | ORTON-FLYNN, S.J. |
| RICHARDS C.J. | Getting the picture: diagram design and the information revolution | 2000 | Coventry University | The Design Institute | |
| RICE A | Corporate Communications for the Electronic and Photonic Information Centre | 2000 | University of Dundee | Contemporary Practice | |
| RAMSAY T K | 'Source', Scottish Applied Arts inspired by Museum Artefacts | 2000 | University of Dundee | Contemporary Practice | Dorothy Hogg Simon Ward Sam Wade |
| RAMSAY T K | The International Exposition of Sculpture, Objects + Functional Art, SoFA 2000 | 2000 | University of Dundee | Contemporary Practice | Caroline Broadhead David Shaner Anna Skibska |
| RAMSAY T K | 'Craftscape', Contemporary British Crafts Alive + Kicking | 2000 | University of Dundee | Contemporary Practice | Simone ten Honpel Jane Wallace Elizabeth Callinicos |
| Quinn L | Racer | 2000 | Sheffield Hallam University | ||
| Quinn J | CRUDLET | 2000 | University of Westminster | Hypermedia | |
| Quinn J | Noise | 2000 | University of Westminster | Hypermedia | |
| Quickenden K | Boulton and Fothergill's bullion supplies for assay silver | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Quickenden K | The Virtual Gallery of Contemporary Jewellery | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Quemby S | National Print Exhibition 2000 | 2000 | Wimbledon School of Art | Peter Daglish Peter Roach Trevor Frankland |
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| QUINE M | Audiences for Live Theatre in Britain: the present situation and some implications | 2000 | City University | ||
| Putnam T J | Graduate Career Patterns in the Cultural Industries | 2000 | University of Portsmouth | Centre for Creative Empowerment | L Nolan S Lindsay J Ryan |
| Punt M | Post Classical Cinema and the Digital Image | 2000 | University of Wales College, Newport | CAiiA | |
| Punt M | The Postdigital membrane: connecting imagination, technology and desire. | 2000 | University of Wales College, Newport | CAiiA | R Pepperell |
| Pucill SA | Cast | 2000 | University of Westminster | Fine Art | |
| Pryke S | Virgin Atlantic Upper Class in-flight and terminal lounges ceramics, tableware and accessories | 2000 | De Montfort University | Hunt, M Welch, R |
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| Prophet J. | TechnoSphere V3 Real Time 3D Installation | 2000 | University College London | Fine Art Media | |
| Prophet J | Sordid Sites: The Internal Organs of a Cyborg | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Price-Owen A L | David Jones: Diversity in Unity | 2000 | Swansea Institute of Higher Education | Image and Text | Dilworth, T Humfrey, B Thomas, R S |
| Price-Owen A L | Sarah, through the Looking Glass | 2000 | Swansea Institute of Higher Education | Image and Text | |
| Price-Owen A L | David Jones and typography/typoetry | 2000 | Swansea Institute of Higher Education | Image and Text | |
| Price M L | Creating and using a 'Virtual Base Room'. | 2000 | Staffordshire University | ARi, School of Art + Design | C. Chambers |
| Price G | Dockers DVD | 2000 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Price G | BitBiz | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Price G | Imaru | 2000 | Liverpool John Moores University | International Centre for Digital Content | |
| Prevoo D. | IN-SITE | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Press MPO | Design Against Crime | 2000 | Sheffield Hallam University | S Learmont R Cooper |
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| Prendiville AN | Improving public transport through Design and Marketing led specification - case studies from the EU | 2000 | University of East London | ||
| Power M | Trilogia | 2000 | University of Brighton | Visual Communication Design | |
| Power M | Buren/Neighbours | 2000 | University of Brighton | Memory, Identity and History | |
| Powell G | Show of Faith Part One | 2000 | The London Institute | Media and Communication | |
| Powell G | Show of Faith Part One | 2000 | University of Brighton | Visual Communication Design | |
| Powell F | New | 2000 | Falmouth College of Arts | ||
| Potter S | Using scenarios to identify innovation priorities in the UK railway industry | 2000 | Open University | Design and innovation management | R. Roy |
| Potter L | The jeweller who mistook herself for a doctor. | 2000 | Goldsmiths College | ||
| Porter M L | Best buy Ergonomic Products and The Anthropometry of theFingers of Children | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Porter M | 'Profusion of Light' | 2000 | Wimbledon School of Art | Painting | |
| Porter M | 'Cliffs and Coastlines' | 2000 | Wimbledon School of Art | Painting | |
| Porter M | Cliffs and Coastlines | 2000 | Falmouth College of Arts | ||
| Porter LJ | Sorting the Wheat from the Chaff: A study of the Detection of Alarms | 2000 | Brunel University | Design Pedagogy | N Stanton D Harrison K Taylor-Burge |
| Porter D | Why Do Architects Wear Black? Thinking Beyond the Ethos Trap | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Pope M | Costume presentations at the National Gallery | 2000 | Wimbledon School of Art | Theatre costume | |
| Poncelet J | Attending to the Barely Made | 2000 | The London Institute | 3-Dimensional and Environmental Design | Penelope Curtis |
| Plunkett D | Propositions 2: Thinking Through Drawing | 2000 | Glasgow School of Art | Principles of Drawing | |
| Plouviez A | Summer Houses | 2000 | University of Sunderland | Photography | |
| Pirie I | The Global Gallery - from studio to cyberspace | 2000 | Robert Gordon University | Making and Contemporary Culture | Aitken, P. Malins, J. |
| Pirie I | The Design Graduate | 2000 | Robert Gordon University | Learning Strategies | |
| Piper T | The Cardiff Digital Portfolio One at CBAT | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Piper JF | Stop Thief (Design Against Crime) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Pinsky M | In Transit | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Pinn A | 'Evaluating The Student Experience of Learning Online' | 2000 | University of Hertfordshire | ||
| Pinn A | 'Using Cal to assist in the instruction of practical skills: a case study from Art and Design'. | 2000 | University of Hertfordshire | ||
| Pilsl C | Remake | 2000 | Southampton Institute | ||
| Pierse S J | Terra Incognita: Images of Australia | 2000 | University of Wales, Aberystwyth | ||
| Pickwoad N | Tacketed Bindings: A Hundred Years of European Bookbinding | 2000 | The London Institute | Media and Communication | |
| Phillpot C | Live in Your Head: Concept and Experiment in Britain 1965-75 | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Andrea Tarsia |
| Phillips WE | Cultural issues in implementing concurrent engineering in an SME: A case study | 2000 | University of Wales Institute, Cardiff | PDR | A Filson A Lewis |
| Phillips WE | Managing innovation in new product development: Reviewing the performance of small and medium-sized enterprises | 2000 | University of Wales Institute, Cardiff | PDR | A Filson R Brown |
| Phillips MR | Working Together: product development through university-SME collaboration | 2000 | Sheffield Hallam University | Anne Tomes | |
| Phillips ML | MEDIASPACE: Journal/Satellite Broadcasts/Website | 2000 | University of Plymouth | STAR | |
| Phillips ML | The Spectactor Project: a multi-user narrative in 'Mediaspace'. | 2000 | University of Plymouth | STAR | Ride P Turley S Lavelle M |
| Phillips ML | The Sadeian Interface: Computers and Catharsis | 2000 | University of Plymouth | STAR | |
| Phillips ML | Donald Rodney: Autoicon | 2000 | University of Plymouth | STAR | Cox G |
| Petrova S | Vessels-The International Exhibition of Glass | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Petrova S | Light Transfigured, Contemporary Czech Glass Sculpture 2000-2001 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Perkins G | 'Warning Shots!' Contemporary Art Exploring Themes of Conflict + Violence | 2000 | Wimbledon School of Art | Sculpture | Christine Borland Fiona Banner Willie Doherty |
| Pepperell R | The Postdigital Membrane: Connecting magination, technology and desire | 2000 | University of Wales College, Newport | CAiiA | M Punt |
| Pepperell R | The Post-Human Conception of Consciousness: a 10-point guide | 2000 | University of Wales College, Newport | CAiiA | |
| Pennell R. | Engraved Windows, Screens and Panels, Site-Specific | 2000 | University of Wolverhampton | Glass | |
| Pennell R. | Engraved glass vessel | 2000 | University of Wolverhampton | Glass | |
| Pennell R. | Three engraved and painted panels | 2000 | University of Wolverhampton | Glass | Richard Slee James Campbell Cynthia Cousens |
| Pennell JD | Cast | 2000 | The London Institute | Fine Art | |
| Pengelly J | Summer Breeze | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Pengelly J | Solidbase | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Peasgood D | Los Angeles Textile Show | 2000 | The London Institute | Fashion and Textiles | |
| Pearson L.F | Decorative Ceramics in the Buildings of the British Brewing History | 2000 | University of Wolverhampton | Ceramics | |
| Pearson L.F | British Breweries: an Architectural History | 2000 | University of Wolverhampton | Ceramics | |
| Pearson L.F | Minton Tiles in the Churches of Staffordshire | 2000 | University of Wolverhampton | Ceramics | |
| Peaker G | 'Bridges over Troubled Walter'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Peaker G | 'Natural History: Kitaj, Allegory and Memory'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Peacock JR | Kayakoy | 2000 | Sheffield Hallam University | Percy Peacock Steve Swindells |
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| Peacock A | Six one inch speakers and five simple switches | 2000 | University of Hertfordshire | ||
| Peacock A | Nanostate: Five Language Event (for livestock Ram-FM) | 2000 | University of Hertfordshire | ||
| Payne J | Lightweight sheer fabrics | 2000 | University of Southampton | ||
| Paxon A | New Work: solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Paxon A | Wim van Doorschodt en Adam Paxon: 2 person exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Pavitt J | The Buildings of Europe: Prague | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Pavitt J | Brand.New | 2000 | University of Brighton | Visual Communication Design | G Williams |
| Paul R | Relativities - 4th British International Miniature Print Exhibition, touring exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Paul JS | KITE Design | 2000 | Brunel University | Design for Inclusion | P Isherwood |
| Paul JS | AQUABAC Instruction Manual and Design Reports for BACKUP and National Lottery | 2000 | Brunel University | Design for Inclusion | J Burkitt P Isherwood |
| Patterson Z | Elementral Traces | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson RW | The Tragic in Architecture, AD | 2000 | De Montfort University | ||
| Patterson I | Lost | 2000 | Edinburgh College of Art | Fine Art | |
| Patterson I | Solids and Fluids | 2000 | Edinburgh College of Art | Fine Art | |
| Pattani S | Lightworks: The Works of Elizabeth Swinburne. Conversations with an artist. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Pattani S | Northlands Creative Glass Artist Residency and exhibition. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Pattani S | Glass Education: A British Perspective. | 2000 | Staffordshire University | ARi, School of Art + Design | L Thompson |
| Patrizio A | Half-Life: Works by Stefan Gec | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Partridge J | Altar and Cross | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Parry J | Paper Sphere, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Parker P | Reconstructing Narrative | 2000 | The London Institute | Media and Communication | |
| Parker P | Training and Screenplay Development in the UK | 2000 | The London Institute | Media and Communication | |
| Parker J. | Picturing the Modern Amazon | 2000 | University College London | Fine Art Media | |
| Parker J. | Foxfire Eins | 2000 | University College London | Fine Art Media | |
| Parker D R | A window on the world: the work of Roy Wenzel | 2000 | University College Northampton | Contemporary Art Criticism | |
| Parker D R | The Stuff of Life: the Life of Stuff the Material Imagination. Roy Wenzel A Psychological Perspective | 2000 | University College Northampton | Contemporary Art Criticism | |
| Parfitt D | 'Magic Carpet' - Public commission. Dimensions: 15sq. meters, 1.5 meters high. | 2000 | University College Chichester | Sculpture | |
| Pardey J G | Facade and Frame | 2000 | University of Portsmouth | Centre for Creative Empowerment | |
| Paolozzi E | London to Paris | 2000 | Edinburgh College of Art | Fine Art | |
| Palmer R | Cell, solo exhibiton | 2000 | Glasgow School of Art | Fine Art | |
| Palmer R | International Waters, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Palmer E | Foil | 2000 | The London Institute | Fine Art | |
| Page A | Making design dementia friendly | 2000 | Glasgow School of Art | Design | Stewart, S |
| Packe R | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Packe R | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| PROUD P T | Charcoal Lattice | 2000 | University of Dundee | Contemporary Practice | Jonathan Robertson |
| PORTER C.S. | Designing small electronic products; is inclusive design possible? | 2000 | Coventry University | The Design Institute | NEWMAN, R.M. |
| PHOCA S | Helene Cixous in Conversation with Sophia Phoca | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| PHILLIPSON M | PAINTING OUT OF RETICENCE | 2000 | Middlesex University | ||
| PATTISON J | Colour Maps | 2000 | University of Dundee | Contemporary Practice | |
| PARTINGTON M | The National Electronic and Video Archive of the Crafts (NEVAC) Website | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARTINGTON M | The National Electronic and Video Archive of the Crafts | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARTINGTON M | Ray Finch and Functional | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARRAMAN C | The Photomechanical Print as a Conservable Output | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| PARRAMAN C | A Survey of Photomechanical Prints | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Oxley Nigel | 3 original etchings inspired by engravings of Rembrandt + Goya (15 x 22 | 2000 | London Guildhall University | Gordon House Eric Rimmington Humphrey Ocean |
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| Oxley Nici | Box Project: a collection of small format (A5) boxes that have been `customised' by invited artists, curators, critics and performers. | 2000 | London Guildhall University | ||
| Oxborrow L | Nouvelles strategies de distribution et roles des PME dans l'habillement au Royamme-Uni | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Owen M | Parcours D' | 2000 | Southampton Institute | ||
| Oulton T | 'Slow Motion' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Otieno RB | Development of a Conceptual Framework for the Determination of Marketing Strategy: Indications from In-depth Interviews in Clothing Firms | 2000 | Manchester Metropolitan University | ||
| Otieno RB | The Role of Garment Sizing in the Creation of Consumer Satisfaction: Indications from Focus Group Responses | 2000 | Manchester Metropolitan University | ||
| Osfield R | A new technique for Integration of 3D Structural Modelling and Fracture Prediction - a Cast example from the East Brae Field | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | S J Kape P Allen W D de Boer |
| Osfield R | Modelling of Sub-Seismic Fracture Networks | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | L Thompson S Jones P A Griffiths |
| Orta L | Connector Sector 1 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Orr C | Royal Academy of Arts, Summer Show 1995-2000 | 2000 | Royal College of Art | Fine Art | |
| Orlow U | Housed Memory | 2000 | The London Institute | Fine Art | |
| Onwin G | Place of Origin | 2000 | Edinburgh College of Art | Fine Art | |
| Onishi M | 'Zen: Hamano and Ryu' | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Olsen GR | Three Paintings, Three Sites | 2000 | Oxford Brookes University | Creative Practice | Julian Parsons |
| Olsen GR | The Extramural Series | 2000 | Oxford Brookes University | Creative Practice | |
| Oliver V | Neil Spiller: Maverick Deviations | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Oliver V | Aspesi Advertising Campaign | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Oliver J | NYAD 2000 - International Group Show | 2000 | De Montfort University | ||
| Oliver J | 'Handbag' - National Touring Group | 2000 | De Montfort University | ||
| Ogilvie E | Into the Oceanic | 2000 | Edinburgh College of Art | Fine Art | |
| Ogawa S | Assymetric Cube | 2000 | Edinburgh College of Art | Fine Art | |
| Ofili C | Sydney Biennale | 2000 | Royal College of Art | Fine Art | |
| Odundo M. A. | BRITISH KERAMIK / BRITISH CERAMICS.2000.DK | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Oddy N | Toward a Policy on Restoration | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Ocean H | Zeebrugge | 2000 | The London Institute | Fine Art | |
| Oak A V | It's a Nice Idea, but it's not actually Real: Assessing the Objects and Activities of Design | 2000 | University College Northampton | Design for Industry and Commerce | |
| Oak A V | Evaluating voices: Assessment talk in design and architecture education | 2000 | University College Northampton | Design for Industry and Commerce | |
| OLIVER J. | Jacky Oliver: Inside out | 2000 | Coventry University | ||
| OLIVER J. | Handbag | 2000 | Coventry University | Visual Arts | CRAWFORD, S. GIBBS, J. |
| OBRIEN T | Souvenir | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| O'Sullivan T | The Glamour | 2000 | Cumbria College of Art + Design | ||
| O'Sullivan T | Inner becomes outer and outer becomes other | 2000 | Cumbria College of Art + Design | ||
| O'Neill A | Vivienne Westwood + Malcolm McLaren: Vintage Textiles | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| O'Connor DJ | Sculpture Commission. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Connor DJ | Public Arts Commission. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Brien K | 2000 | Leeds Metropolitan University | Visual Arts | ||
| O'Brien A | 'Silent Song' | 2000 | Napier University | Documentary and Experimental Film | Grossman, A. |
| North ME | VI International Art Trienniale Majdanek 2000 | 2000 | Loughborough University | Fine and Applied Arts | |
| North ME | Relativities: The 4th British International Miniature Print Exhibition | 2000 | Loughborough University | Fine and Applied Arts | |
| North ME | International Print Triennial 2000, 'Bridge to the Future' | 2000 | Loughborough University | Fine and Applied Arts | |
| Norman-Smith C | The Development of Hard Wax Stoppings for use on Furniture | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Norman-Smith C | Furniture Restoration and Conservation Practices | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | David Gillet |
| Norman EW | IDATER 2000: International Conference on Design and Technology Educational Research and Curriculum Development | 2000 | Loughborough University | Design Education | Roberts, P.H. |
| Noble I | Document: We Interrupt the Programme | 2000 | The London Institute | Media and Communication | Russell Bestley |
| Nixon L | Tuin Van Verbeelding (Garden of Imagination) | 2000 | Kingston University | ||
| Nicolle CA | The Use of USERfit Methodology to Teach Usability Guidelines in Vanderdonckt, J and Farenc, C. (eds) Tools for Working with Guidelines | 2000 | Loughborough University | Design Ergonomics | Abascal, J. |
| Nicolle CA | TELSCAN Handbook of Design Guidelines for Usability of Systems by Elderly and Disabled Drivers and Travellers | 2000 | Loughborough University | Design Ergonomics | Burnett, G.E. |
| Nicol K | The Fabric of Fashion | 2000 | Royal College of Art | Design for Manufacture | |
| Newton S J | 'Painting, Psychoanalysis and Spirituality' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Newton S J | Stephen Newton Etchings 1998 - 2000 and Paintings and Drawings 1997 - 2000 | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Newton J K | I Spy - Representations of Childhood. | 2000 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily Jane Fletcher |
| Newton J K | Shifting Horizons - Women's Landscape Photography Now. | 2000 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily Liz Wells |
| Newsham I A | Hippo Tales | 2000 | University College Northampton | Design for Industry and Commerce | |
| Newsham I A | Horrible Haircut | 2000 | University College Northampton | Design for Industry and Commerce | |
| Newsham I A | Oxford Literary Web (series 2) | 2000 | University College Northampton | Design for Industry and Commerce | |
| Newman HJE | A Shot in the Head: The Lisson Summer Show | 2000 | The London Institute | Fine Art | |
| Newman HJE | Beck's Futures | 2000 | The London Institute | Fine Art | |
| Newling J B | Aperture | 2000 | Nottingham Trent University | Visual Arts | |
| Newling J B | Immanent | 2000 | Nottingham Trent University | Visual Arts | |
| Newell R A | Landscape - painting and Teaching in Wales, a personal statement | 2000 | Swansea Institute of Higher Education | Drawing | |
| Newbury D | Changing Practices: Art Education and Popular Visual Culture | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Newbury D | The Development of Research Education and Training in Art and Design: a Personal View | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Newbury D | Photography and the Visualization of Working Class Lives in Britain | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| New S | In the Shadow | 2000 | University of Gloucestershire | ||
| New S | Feeling Poorly | 2000 | University of Gloucestershire | ||
| Neudecker M | Until Now - One person exhibition | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Neudecker M | Landscape - An examination of the perception of a 'scene' and its representation | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Neudecker M | Blue. Borrowed and New. An examination of the colour blue in art | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Nelson M | The Coral Reef/ Extinction Beckons | 2000 | Edinburgh College of Art | Fine Art | |
| Nelson M | The British Art Show 5 | 2000 | Edinburgh College of Art | Fine Art | |
| Nelson M | The Coral Reef | 2000 | The London Institute | Fine Art | |
| Nelson M | Another Place | 2000 | The London Institute | Fine Art | |
| Nelson M | British Art Show 5 | 2000 | The London Institute | Fine Art | |
| Naylor P.J. | VI International Art Triennale, Majdanek 2000. | 2000 | Falmouth College of Arts | ||
| Naylor P.J. | 3rd International Graphic Triennale | 2000 | Falmouth College of Arts | ||
| Naylor P.J. | International Small Engraving Salon | 2000 | Falmouth College of Arts | ||
| Nash M | The art of movement in Force Fields Ed. Guy Brett | 2000 | University of East London | ||
| Nash D JE | Chwarel Goed / Wood Quarry | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| NEVIN P | Time, Myth; Phantom + Reality | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | co-author Lucy Harrison |
| NEVIN P | Kids Room | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Murray V | City Mapping Hull | 2000 | University of Central Lancashire | ||
| Murray V | The Cut | 2000 | University of Central Lancashire | ||
| Murray M | 17th Association of Photographers Awards (2000) | 2000 | University of Gloucestershire | ||
| Munro S | British Designers: From Monarchy to Anarchy | 2000 | Kingston University | ||
| Mulvey JF | Freefall Series | 2000 | University of Westminster | Fine Art | |
| Mulrine S | Sinai Byzantium Russia - Orthodox Art from the Sixth to the Twentieth Century | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mullen C W | Butterflies in the Stomach | 2000 | University of Brighton | Visual Communication Design | |
| Mulhall S | States of Grace | 2000 | University of Gloucestershire | ||
| Mukherjee R | Carrier. | 2000 | Goldsmiths College | Roberts, M. | |
| Mukherjee R | Technical Support. | 2000 | Goldsmiths College | ||
| Mukherjee R | Mumbo Jumbo | 2000 | University of Hertfordshire | ||
| Mukherjee R | Technical Support | 2000 | University of Hertfordshire | ||
| Mukaide K | Keiko Mukaide | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mukaide K | Elemental Traces | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mowat I | JL Plus (Diffusion Line) Cashmere Womenswear | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mottram JA | Sky, Water and Leaf (fabric designs) | 2000 | Loughborough University | Textiles | Atkinson, P. |
| Mottram JA | Drawing across boundaries, Mottram, J.A. and Whale, G. (eds) | 2000 | Loughborough University | Drawing | |
| Mottram JA | New knowledge and new technology: Restructuring fine art education | 2000 | Loughborough University | Fine and Applied Arts | Whale, G. |
| Mortimer R | Neverland | 2000 | The London Institute | Media and Communication | |
| Mortimer R | Airshow | 2000 | The London Institute | Media and Communication | |
| Morris S.M. | The Purpose of Blue | 2000 | University College London | Fine Art Media | |
| Morris S.M. | Turning a Telescope on the Soul: Freud's Interpretation of the Psyche | 2000 | University College London | Fine Art Media | |
| Morris S | Perspective 2000 | 2000 | The London Institute | Fine Art | |
| Morris S | Experience: 4 Essays On Experience | 2000 | The London Institute | Fine Art | Darian Leader Kate Love Anthony Neaton-Armstrong |
| Morris S | The Haunting | 2000 | The London Institute | Fine Art | |
| Morris R | Coming into Focus | 2000 | Brunel University | Polymedia Design | |
| Morris N | Synergy | 2000 | Liverpool John Moores University | Graphic Arts | |
| Morris N | Eight Days A Week : Cologne in Liverpool 2000 | 2000 | Liverpool John Moores University | Graphic Arts | Bryan Biggs |
| Morris M | Solo exhibition | 2000 | The London Institute | Fine Art | |
| Morris L E | Drinking with Gilbert and George 1972-1978 | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Morra G | The Limits of Death: Between Philosophy and Psychoanalysis | 2000 | Oxford Brookes University | Theory | Marquard Smith Mark Robson |
| Morra G | Translation into art history | 2000 | Oxford Brookes University | Theory | |
| Morra G | Rauschenberg's Skin | 2000 | Oxford Brookes University | Theory | |
| Moriarty C | A Back Room Service? The Council of Industrial Design Photographic Library 1945-1965 | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| More J J | Sitooteries | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Mooney J | Queer Pickings: the Art of Lari Pittman | 2000 | Royal College of Art | Fine Art | |
| Moody W | Sensing the Fabric : To simulate sensation through sensory evaluation and in response to standard acceptable properties of specific materials when viewed as a digital image | 2000 | Liverpool John Moores University | Fashion and Textiles | Pat Dillon Roger Morgan Christopher James |
| Moody W | Sensing the Fabric : The development of a multi-modal device to investigate the potential for virtual sensory feedback aligned to textile image | 2000 | Liverpool John Moores University | Fashion and Textiles | Pat Dillon Roger Morgan Christopher James |
| Montag D. | Somewhere, Someone is Doing Something | 2000 | Falmouth College of Arts | ||
| Montag D. | K Exhibition | 2000 | Falmouth College of Arts | ||
| Montag D. | Bioglyphs: Art from Living Matter | 2000 | Falmouth College of Arts | ||
| Moffat A | Margaret Hunter, Elemental Traces, essay in exhibition catalogue | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Moffat A | John Byrne and Painting - An Enduring Passion, essay in exhibition catalogue | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mladovsky J | Jan Mladovsky - Recent Works/Czech Museum | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mladovsky J | Communism | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchison LS | Art Textiles (2): The Second Major Survey of Artists Working with Textiles | 2000 | Manchester Metropolitan University | ||
| Mitchell V | Janis Jefferies, Selvedges | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Maharaj, S. Jefferies, J. |
| Mitchell P | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell L | Exploring Everyday Products | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell J R. | '16 Gunmetal Frustums and Fillers: 4 Bronze Blocks with Conic Voids' | 2000 | Wimbledon School of Art | Painting | Fred Orton Malcolm Quinn |
| Mitchell J | Box Project | 2000 | University of Reading | Phyllida Barlow Ron Haselden Richard Wentworth |
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| Mitchell I | Chinese Whispers | 2000 | Liverpool John Moores University | Graphic Arts | Erik van Blokland ,The Hague, Netherlands Tobias Frere-Jones ,Hoefler Type, USA Yaki Mokho, Vital, Tel Aviv, Israel |
| Mitchell I | Realm of Fear | 2000 | Liverpool John Moores University | Graphic Arts | D Crow J Young M O'shaughnessy |
| Mitchell I | Don't Panic - This is Beaufonts | 2000 | Liverpool John Moores University | Graphic Arts | |
| Mitchell C | The Sixth Taiwan Golden Ceramics Awards | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell C | SOFA Chicago 2000 | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell C | Ceramic Focus Exhibition | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mirza K | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Minott P | Citigroup | 2000 | Bath Spa University College | Jones, J. | |
| Minichiello MA | Mario Minichiello - commissions, personal journals, reportage (exhibition) | 2000 | Loughborough University | Illustration | |
| Milton A | 'Reinventing the Wheel: A Retroactive Manifesto for Car Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milton A | 'Critical Vehicles: A Conceptual Road Map for Automotive Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milton A | 'Design Futures - Future Designers' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milne L | 'On the Brink of Time' | 2000 | Napier University | Critical Theory of Practice | |
| Milne J | Pianola | 2000 | University of Southampton | Drew Milne | |
| Milne J | Group exhibition sponsored by Forum D'Art Contemporain, CVC and Serveis Globals | 2000 | University of Southampton | ||
| Mills R | Mantle | 2000 | Royal College of Art | Communications | |
| Millar RI | Collection 2000: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Millar RI | Roger Millar: Silversmith, solo exhibition | 2000 | Glasgow School of Art | Principles of Drawing | |
| Miles MFR | The Uses of Decoration: Essays in the architectural everyday | 2000 | University of Plymouth | Art Process | |
| Miles MFR | City Cultures Reader | 2000 | University of Plymouth | Art Process | |
| Midgley J | Round the World | 2000 | Liverpool John Moores University | Graphic Arts | |
| Midgley J | Year of the Artist. Artist in Residence | 2000 | Liverpool John Moores University | Graphic Arts | Blackpool Press Office -Sarah Dornford May |
| Middlemiss J.M. | Ausstellung Exhibition: Keramion | 2000 | Falmouth College of Arts | ||
| Middlemiss J.M. | The 3rd Mashiko Ceramics Competition | 2000 | Falmouth College of Arts | ||
| Meyrick R K | John Elwyn | 2000 | University of Wales, Aberystwyth | ||
| Meyrick R K | Claudia Williams | 2000 | University of Wales, Aberystwyth | ||
| Merrington K | 'The Thin Line' | 2000 | Wimbledon School of Art | Research Centre | Kevin Kaempf Marcelyn McNeil Charles Goldman |
| Merrington K | Frenzy | 2000 | Wimbledon School of Art | Research Centre | |
| Merali S | digNative; BuyNative; Going Native + Selling Native | 2000 | University of Westminster | Fine Art | |
| Mellor D | The Baby Doll Murders | 2000 | Royal College of Art | Fine Art | |
| Mellor D | Me and Mrs Jones | 2000 | Royal College of Art | Fine Art | |
| Meigh-Andrews C C | FENETRE DIGITALE | 2000 | University of Central Lancashire | ||
| Mee JM | Bras - A Twentieth Century Phenomenon? | 2000 | De Montfort University | ||
| Mealing SP | Do you see what I'm saying? | 2000 | University of Plymouth | Centre for Visual Computing | |
| Mealing SP | ud2k - Designing the Design Student | 2000 | University of Plymouth | Centre for Visual Computing | |
| Meacher N | Royal Institute of Painters in Water Colours Annual Exhibition | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Meacher N | Summer Show | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| McNiven A | Bleibe | 2000 | Edinburgh College of Art | Fine Art | |
| McNicoll C | Knick-Knacks | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| McNicoll C | British Ceramics 2000.dk | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| McNally NP | The New Design Role to Emerge in the 21st Century: Reflections Upon the 2nd China Furniture Design Competition | 2000 | Glasgow School of Art | Design | |
| McMullan S | Shauna McMullan, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| McLean P.B. | Bruce McLean, Works 1969-1999 | 2000 | University College London | Painting | |
| McLaughlin N W | Rock, Fashion, and Performativity | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McLaughlin N W | Hybridity and National Musics: the case of Irish Rock | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McLaren JH | Modelling Material Cascades | 2000 | Brunel University | S Parkinson T Jackson |
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| McLaren I | Some Pictorial Symbol Systems for Public Places | 2000 | De Montfort University | ||
| McLaren I | Otl Aicher: Designer and Teacher | 2000 | De Montfort University | ||
| McKeown RA | Performing Processes: Creating Live Performances | 2000 | University of Plymouth | Theatre + Performance | |
| McKeating JE | To Boldly Sew: Textiles for the 21st Century | 2000 | Manchester Metropolitan University | ||
| McKean J M L | Charles Rennie Mackintosh: Architect, Artist, Icon | 2000 | University of Brighton | Design History, Criticism and Theory | |
| McKeag D | Successful Continuous Improvement through Valve Stream Mapping | 2000 | University of Ulster | Robert Graham Stephen McCormick |
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| McKAY A | A Gift of Solitude | 2000 | University of Lincoln | ||
| McIver L | 'An Invitation to Kiss' | 2000 | Napier University | Documentary and Experimental Film | Pernille Spence Beverly Hood |
| McIntyre MP | Survey | 2000 | University of Ulster | ||
| McIntyre MP | Small Steps:Contemporary Art From Ireland | 2000 | University of Ulster | ||
| McIntyre MP | Some Place Else | 2000 | University of Ulster | ||
| McIntyre K T | Nutcracker de la Habana | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| McIntyre K | Craft and Consumerism: Just what is it that makes the Crafts so different, so appealing? | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| McHugh C | 'Vestiges' Christopher McHugh + Jane Sybilla Fordham. 50 paintings on wood, stone, canvass + steel. Dimensions between 2x3ins - 48x36ins. | 2000 | University College Chichester | Painting | |
| McGowan A | A History of Britain (published by the Daily Telegraph, weekly in 16 parts) | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McDowell C | Fashion Today | 2000 | The London Institute | Fashion and Textiles | |
| McDonough H | 'Short Stories' in 'Places of Life' European Women's Photography Award Exhibition | 2000 | Anglia Polytechnic University | ||
| McDonald G | The Rat Archive | 2000 | Southampton Institute | ||
| McDonagh-Philp DC | Undergraduate Design Project Utilising Users as a Design Resource: A Case Study, Scrivener, S.A.R., Ball, L.J. and Woodcock, A. (eds) | 2000 | Loughborough University | Design Research | |
| McDonagh-Philp DC | The Emotional Domain in Product Design | 2000 | Loughborough University | Design Research | Lebbon, C. |
| McDonagh-Philp DC | Use and Evaluation of Focus Group Technique: the Undergraduate Industrial Designer Experience | 2000 | Loughborough University | Design Research | Denton, H. Bruseberg, A. |
| McDermott C | Vivienne Westwood: The Collection of Romilly McAlpine | 2000 | Kingston University | ||
| McDade S | Displacement | 2000 | Southampton Institute | ||
| McDade S | Displacement | 2000 | Southampton Institute | ||
| McConnell A | POWERbreathe Inspiratory Muscle Trainer | 2000 | Brunel University | Design for Inclusion | MP Caine |
| McComish L | Sport Interactive | 2000 | University of Ulster | James Ware | |
| McClenaghen J | John McClenaghen | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| McClenaghen J | Elements of landscape | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| McClelland B | 3D-scan: 3D add-on scanning device | 2000 | University of Ulster | ||
| McClelland B | Mp 12 v Music System (Music Centre) | 2000 | University of Ulster | ||
| McCartney K E | Research Training for Designers | 2000 | University of Portsmouth | Centre for New Media Research | |
| McCarthy P | 'The Box Project', Group Exhibition. | 2000 | University of Derby | Research Group for Artists Publications | |
| McCann B | Deux Milles Coups/2000 Blows | 2000 | Kingston University | ||
| McCall A | Solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| McCRACKEN P | Le Donne Artiste:Problemi della Visibilita | 2000 | University of Lincoln | ||
| McCARTHY P J | Repetivity | 2000 | University of Lincoln | ||
| McBride C | Urban Facades: Whitefriars Bridge, solo publicly sited exhibition | 2000 | Glasgow School of Art | Fine Art | |
| May N | Out of Hours | 2000 | Cumbria College of Art + Design | ||
| Maudsley N | 'E-Business' | 2000 | London Guildhall University | ||
| Matthee J | Killer Kitten. | 2000 | Goldsmiths College | ||
| Matlow EG | Navigating technology: beyond a critical theory | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Matlow EG | Designing women: gender issues in graphic design education | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Mason R | Illustration as Incest | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | Return of the Picture | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | Week Link | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | A Digital Dolly? A Subjective Survey of British Illustration in the 1990s | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | Dem Tod Leben Einhauchen | 2000 | Wimbledon School of Art | Painting | Peter J.Bogner Esti S.Dunow Patrick Hirt |
| Mason PW | Gloucester Cathedral Residency | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Martinon JP | Matthew Luck Galpin: New Work. | 2000 | Goldsmiths College | ||
| Martinec R | Types of Process in Action | 2000 | The London Institute | ||
| Martinec R | Rhythm in Multimodal Texts | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Martinec R | Construction of Identity in Michael Jacksons Jam | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Martin TD | Its Sculpture Baby, In the Place of an Object | 2000 | De Montfort University | ||
| Martin PL | Hand in Glove | 2000 | De Montfort University | ||
| Marshall N D | Untitled | 2000 | University of Brighton | Materials Practices and Processes | |
| Marsden MJ | Navigata | 2000 | De Montfort University | ||
| Marrs R | Large Format Digital Printing | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Marrs R | Get Professional | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Marriott M | Biscuit | 2000 | Royal College of Art | Design for Manufacture | |
| Mantripp C | Tables | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Mansfield A | The Animal Mirror. | 2000 | Southampton Institute | ||
| Manning A | The Use of Neural Networks in an Image Analysis System to Distinguish Between Laser Prints and their Photocopies | 2000 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Mallet L | The Hare Lane Diaries | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Malins J | Educating the practice based researcher: developing new environments for collaborative and constructive learning | 2000 | Robert Gordon University | Learning Strategies | Gray, C. |
| Malem W | Ootie Spring / Summer 2001 childrenswear collection | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Male A | Large as life: Startling Comparisons of Animals at Life Size | 2000 | Falmouth College of Arts | Steve Parker | |
| Male A | Encycopedia of Science: The Living World | 2000 | Falmouth College of Arts | ||
| Makhoul B | Hold | 2000 | Sheffield Hallam University | ||
| Maguire R | Through Downs and Sea. | 2000 | Southampton Institute | ||
| Maguire R | Four Seasons | 2000 | Southampton Institute | ||
| Maguire R | London Photographics Awards | 2000 | Southampton Institute | ||
| Magee JP | Spirit of Change | 2000 | Manchester Metropolitan University | ||
| Magee JP | Promenade | 2000 | Manchester Metropolitan University | ||
| Macleod K | What would falisify an art practice? Research Degrees in Fine Art. | 2000 | University of Plymouth | Art Process | |
| Macklin P | Creation of a visual identity through graphic and artistic design for Candide 2000: a theatrical production. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Machin D | From 'interpretative communities' to 'communities of improvisation' | 2000 | The London Institute | Media and Communication | Michael Carrithers |
| Machin D | It Helps People Make Their Decisions. Dating Games, Public Service Broadcasting and the Negotiating of Identity in Middle-Childhood | 2000 | The London Institute | Media and Communication | Maire Messenger Davies |
| Mach D | L'Homme Qui Marche | 2000 | Edinburgh College of Art | Fine Art | |
| Mach D | The Eye of the Storm | 2000 | Edinburgh College of Art | Fine Art | |
| Macbeth P A | Bank Holiday | 2000 | University of Huddersfield | Colin Higgins Samantha Kauffmann |
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| MacLennan H | 'The Role of Professional Studies for Fine Art' | 2000 | University of Gloucestershire | ||
| Mabbutt M | Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| MYERS J | TOWERS (PART OF A13 ROAD PROJECT) - LEAD ARTIST | 2000 | Middlesex University | ||
| MUMBERSON S | ART WITH THE HELP OF A COMPUTER | 2000 | Middlesex University | ||
| MUMBERSON S | KACK HANDED | 2000 | Middlesex University | ||
| MOWBRAY J | 'Incisions Recesses' | 2000 | University of Lincoln | ||
| MOWBRAY J | International collaboration Sculpture, Dance, Performance with commissioning of video/film and music/phone Art | 2000 | University of Lincoln | ||
| MOWBRAY J | Artists Exhibiting at Roche Court | 2000 | University of Lincoln | ||
| MORTON V E | Victoria Morton at Gallery Enja Wonneberger | 2000 | University of Dundee | Contemporary Practice | |
| MORTON V E | Victoria Morton at Sadie Coles HQ | 2000 | University of Dundee | Contemporary Practice | |
| MORRIS R C | Acrylic Sculptural Jewellery | 2000 | University of Dundee | Contemporary Practice | David Watkins Otto Kunzli Gijs Bakker |
| MORGAN S | My Father | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MORGAN S | Memory and Identity in the Urban Landscape. A Tale of Two Barons | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MOONEY J | QUEER PICKINGS: THE ART OF LARI PITTMAN | 2000 | Middlesex University | ||
| MOODY E.H. | Ripensare il museo d'arte come risorsa educativa: marketing e curatela rivisitati in risposta a pubblici complessi | 2000 | City University | ||
| MODEEN M | Mary Modeen: Solo Exhibition, Public Art Commission, and Inaugural Research Fellowship | 2000 | University of Dundee | Contemporary Practice | |
| MOAR M | Walking with Avatars | 2000 | Middlesex University | F Bailey | |
| MOAR M | Children's Creation of Shared 3D Worlds | 2000 | Middlesex University | F Bailey | |
| MOAR M | Rendering through Iterated Function Systems | 2000 | Middlesex University | H Jones | |
| MIDDLETON N. | Research development on the opportunities for film production and distribution using internet technologies: the move from narrowband to broadband | 2000 | Coventry University | Design | |
| MEYNELL K | VOLUMES (OF VULNERABILITY) | 2000 | Middlesex University | ||
| MEYNELL K | THE ISLAND BELL | 2000 | Middlesex University | ||
| MEY K | Sprachgesten und Spielraume | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Littler, M Dahlke, B Visser, A |
| MCGILVRAY R | The Ambassador Routes | 2000 | University of Dundee | Industry and the Public Sector | |
| MCCONNELL-WOOD T | Same/Different | 2000 | University of Dundee | Digital Technology | |
| MATTHEWS R D | A Square of Ground | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MATTHEWS R D | The Art of the Pixel/Fakescape | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MATTHEWS G | Writing Design | 2000 | University of Lincoln | ||
| MARKIEWICZ L | A Conversation | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MARKIEWICZ L | Volumes of Vulnerability/The Pool | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANLEY B | Bryn Manley - There are Places I Remember | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANHEIM J | DEEP THEATRE | 2000 | Middlesex University | ||
| MALLINDER H | Lightning Strikes: An Installation | 2000 | Middlesex University | B Evans H Jones |
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| MALLINDER H | The Mat as Non-Conventional Interface | 2000 | Middlesex University | H Jones | |
| MAIR G | Hotel Central | 2000 | University of Dundee | Digital Technology | Matt Hulse |
| MACLEAN W J | Cardinal Points | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| MACLEAN M. | Slipped status | 2000 | Coventry University | Visual Arts | |
| MACKENNA T | I Believe in D | 2000 | University of Dundee | Contemporary Practice | Janssen, E Beuys, J Polke, S |
| MACDONALD M J S | The Patron, the Professor and the Painter: cultural activity in Dundee at the close of the nineteenth century. | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Whatley, C A Baillie, M McKean, C |
| MACDONALD M J S | Scottish Art | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Luna P F | Clearly defined: continuity and innovation in the typography of English dictionaries | 2000 | University of Reading | ||
| Lowe J | Landscape? Forming and In-forming of Architectural Space | 2000 | University of Brighton | Natural and Constructed Environments | |
| Lowe B. | Intelligence: New British Art 2000 | 2000 | University College London | Fine Art Media | |
| Loughlin S. | INSTINET | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Loughlin S. | REMAX: CHAOS THEORY | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Lomax Y | Writing the Image: An Adventure with Art and Theory | 2000 | Royal College of Art | Critical Practice | |
| Logue L | The Super Deluxe Selection | 2000 | Southampton Institute | ||
| Logan DJ | Design of intensified charged coupled device for the scientific/manufacturing marketplace | 2000 | University of Ulster | ||
| Lock G | Autoparts | 2000 | Chester College of HE | ||
| Lochun D | Handbook of Conductive Lithographic Films | 2000 | Brunel University | BJ Ramsey Evans P S A DJ Harrison |
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| Lochun D | An initial investigation into the Low Cost Manufacture of Diffraction Objects | 2000 | Brunel University | B Ramsey D Harrison |
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| Lochore B | British Art Part II - Paintings | 2000 | The London Institute | Fine Art | |
| Lloyd D | Flora Britanica | 2000 | University of Gloucestershire | ||
| Lintern D | Classifieds | 2000 | Wimbledon School of Art | Theatre Design | |
| Linklater R | Orfeo by Monteverdi | 2000 | Nottingham Trent University | Design | Vancouver Early Music Festival |
| Ling M | Calligraphy and Lettering Arts Society (CLAS) | 2000 | University of Sunderland | Design | |
| Ling M | Word as Image Exhibition | 2000 | University of Sunderland | Design | |
| Lindsay W | An Evaluation of Geology and Weathering in the Preservation of Marl Objects | 2000 | Royal College of Art | Conservation | Ventikou, M Halls, C Batchelder, M |
| Lindley J | Sharpway | 2000 | University of Hertfordshire | ||
| Lindley J | Locking Spectacle Frame Display For Opticians | 2000 | University of Hertfordshire | ||
| Lindley J | Eyeworks Opticians | 2000 | University of Hertfordshire | ||
| Liggins A M | West Ffotobiennal Wales | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Liggins A M | Paradise Park | 2000 | Swansea Institute of Higher Education | Photography | |
| Lewis M | The Pitch | 2000 | The London Institute | Fine Art | |
| Lewis M | Peeping Tom, North Circular, Smithfield | 2000 | The London Institute | Fine Art | |
| Lewis A | Cultural issues in implementing changes to new product development process in a small to medium sized enterprise (SME) | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Lewis A | Barriers between design and business strategy | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Lewis A | Innovation from a small company perspective - An emprical investigation of new product development strategies in SME's | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Lewin A | Infinite Fracture | 2000 | Dartington College of Arts | ||
| Lewandowski S | Don't Worry | 2000 | Nottingham Trent University | Visual Arts | |
| Lesdema E | warning SHOTS | 2000 | Southampton Institute | ||
| Leonidas G | Gramatosires ke politismiki taftotita [Typefaces and Cultural Identity] | 2000 | University of Reading | ||
| Leonidas G | Aegis | 2000 | University of Reading | ||
| Leonidas G | In search of the digital Cresci? Don Knuths Digital Typography | 2000 | University of Reading | ||
| Leonidas G | An introduction to Greek type design | 2000 | University of Reading | ||
| Lemon E | Artist-in-Residence. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Lemon E | The Box Project, Museum of Installation. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Leighton TM | Vivre sa Vie: Contemporary Art from France | 2000 | Manchester Metropolitan University | Bradley W Webster T |
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| Leighton P | GSA Art in Architecture Commission - permanent public sculpture | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Lehman Smith McLeish |
| Leighton P | 'Paraclet' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Lees N | Not Just Pots:New Directions in Contmporary Ceramics | 2000 | Bath Spa University College | Aylieff, F. Bryars, J. Smith, H. |
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| Lee RA | The Theremin Lesson | 2000 | Oxford Brookes University | Creative Practice | |
| Lee R | Green Man in the Landscape | 2000 | Cumbria College of Art + Design | ||
| Lee J | Nothing much to look at.... | 2000 | Nottingham Trent University | Visual Arts | |
| Ledsham JM | 5th International Betonac Prize | 2000 | University of Ulster | ||
| Lebbon C | Investigating Industry Attitudes to Universal Design | 2000 | Royal College of Art | Inclusive Design | Keates, S Clarkson, J |
| Lebbon C | i-Design project - inclusive design for the whole population | 2000 | Royal College of Art | Inclusive Design | Clarkson, P Dr Keates, S Coleman, R |
| Lebbon C | The Emotional Domain in Product Design | 2000 | Royal College of Art | Inclusive Design | McDonagh-Philip, D |
| Leach R | Meyerhold and Biomechanics | 2000 | Cumbria College of Art + Design | ||
| Lea-Greenwood G | Maine New England at Debenhams: Developing a Range | 2000 | Manchester Metropolitan University | Moore CM Oldfield B |
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| Lea-Greenwood G | Muji: A Case Study in Internationalization | 2000 | Manchester Metropolitan University | ||
| Lawrence CN | The Development of Design Intro | 2000 | University of Ulster | RG Baird | |
| Lawler T | Design + Technology Project Work as a means of developing a collaborative creative risk taking environment. | 2000 | Goldsmiths College | ||
| Law J | Developing New Markets: a role for interactive design tools | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | David Hands |
| Larsen P | Managing the strategic planning process: A comparative analysis between high-growth medium-sized enterprises and the general business population | 2000 | University of Wales Institute, Cardiff | PDR | R Tonge M Ito |
| Lane C | Scan | 2000 | The London Institute | Fine Art | Rosemary Butcher Vong Phaopanit |
| Landry CR | The Creative City: A Toolkit for Urban Innovators | 2000 | The London Institute | Media and Communication | |
| Lancaster J | Sacred Interiors part 2 | 2000 | De Montfort University | ||
| Lalic M | Blue | 2000 | Bath Spa University College | Albers, J. Hirst, D. Picasso, P. |
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| Laing DW | Nice Work - If You Can Get It! A survey of musicians' employment 1978-1998 | 2000 | University of Westminster | Sound Media | York N |
| LOWRY J | From the Site of Desire to the Scene of Destruction: Photography and Work of Cindy Sherman | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| LOWRY J | History, Allegory, Technologies of Vision | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | D Green P Sneddon |
| LEMKE H | Obviously echoing | 2000 | University of Lincoln | ||
| LEMKE H | Kleine Kuechenlieder fuer mittlers Kammerochester | 2000 | University of Lincoln | ||
| LEHMANN U | Tigersprung - Fashion in Modernity | 2000 | Kent Institute of Art + Design | ||
| LAMB E P | Nagasawa Art Park Project Exhibition 2000 | 2000 | University of Dundee | Contemporary Practice | Dean Bowen Peter Lazarov Hiroki Satake |
| Kyte R | A Timepiece for the Millennium. Chronometer in gold and silver set with diamonds, mounted in a black slate surround, which records time and celestial and solar positions. | 2000 | London Guildhall University | ||
| Kusters C | International Poster Exhibition | 2000 | The London Institute | Media and Communication | |
| Ktori A | Digitising Sound | 2000 | University of Westminster | Sound Media | |
| Krysa J | Jeux D'Amour | 2000 | University of Plymouth | STAR | Vallet E Vlkova M |
| Kovats T | 'Landscape' | 2000 | Wimbledon School of Art | Sculpture | Peter Doig Julian Opie Tacita Dean |
| Kovats T | Lost | 2000 | Wimbledon School of Art | Sculpture | Agnes Martin Louise Bourgeois Le Corbusier |
| Kovats T | Landscape | 2000 | The London Institute | Fine Art | |
| Konttinen S L | Writing in the sand : on the beaches of north east England | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Konttinen S L | 'Amber Forever' | 2000 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Kondracki H | Kondracki's Edinburgh | 2000 | Edinburgh College of Art | Fine Art | |
| Knowles D | Arcadia Group plc - Dorothy Perkins Division, Ladies Knitwear Winter 2000 | 2000 | Kingston University | ||
| Knowles D | Next plc - Ladies Jerseywear Collection Spring/Summer 2000 | 2000 | Kingston University | ||
| Knorr K. H. | ART LOVERS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Knight L M | The Mare's Tale. | 2000 | Staffordshire University | ARi, School of Art + Design | M. Wouda A. Craddock M. de Vries |
| Knight L M | Patterns of Delivering Animation Education to Pre-Degree Students as part of a School Curriculum | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Knight L M | Flip to Zip - Methods of Introducing Animation into the Art and Design Curriculum. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Klimowski A | Andrzej Klimowski: the Deflected Gaze | 2000 | Royal College of Art | Communications | |
| Kivland S | La Bonheur des Femmes (The Scent of a Woman) | 2000 | Sheffield Hallam University | ||
| Kitchen S | 'Spring' and 'Monster' | 2000 | Royal College of Art | Computer Related Design | |
| Kirwan R | Clem Crosby, Sybille Berger, Richard Kirwan. | 2000 | Goldsmiths College | ||
| Kirwan R | Encounters. | 2000 | Goldsmiths College | ||
| Kirkwood I | Recent Paintings | 2000 | De Montfort University | ||
| Kirkup W E | 'Search' and 'Search Adelaide' | 2000 | University of Northumbria at Newcastle | Installation (2b) | |
| Kirkham DA | Developing Business and Management Subject Models within Art and Design Higher Education | 2000 | De Montfort University | ||
| Kirkham DA | Marketing and Business Planning | 2000 | De Montfort University | ||
| Kippin J | The First Festival of Photography in South Asia | 2000 | University of Sunderland | Photography | |
| Kinmonth C | 'From the Cradle to the Grave: Aesthetics and the Irish Vernacular Interior' | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kingston A M | 'Girl' | 2000 | Wimbledon School of Art | Research Centre | Nicky Hoberman Chantal Joffe Kerry Stewart |
| Kingston A M | 'Girlish' | 2000 | Wimbledon School of Art | Research Centre | Jo Lansley Helen Bendon Kerry Stewart |
| Kinersley-Taylor J | Out of the Garden: New textiles by members of the 62 Group: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Kinersley-Taylor J | Series of 4 wall hangings | 2000 | Glasgow School of Art | The Decorative Arts | |
| Kindel E T | World of signs and pictures. Review of Wolfgang Weingarts My way to typography | 2000 | University of Reading | ||
| Kinchin J | Glasgow: The Dark Daughter of the North | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Kimbell RA | Collected Research Papers for the Design + Technology International Millennium Conference 2000. | 2000 | Goldsmiths College | ||
| Khan T | The effect on wear behaviour of H13 tool steel surfaces modified using a tungsten arc heat source | 2000 | Brunel University | Environmentally Sensitive Design | SA Rizvi K Matsuura |
| Kettell R | 'Below the Salt', Exhibition Catalogue Design. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Kettell R | 'It's All Greek To Me'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Kesseler RS | MOKPO International Ceramics Pre-Expo 2000 | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Kesseler RS | Another View | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Keskeys D | 'Design Technologies: Addressing the Pace of Change' | 2000 | University of Gloucestershire | ||
| Keskeys D | London Photographic Awards 4 | 2000 | University of Gloucestershire | ||
| Kerr S | Outside the Box | 2000 | Bolton Institute of HE | ||
| Kerr J | Back to the Future | 2000 | Royal College of Art | Architectural Design | |
| Kerr J | The Unknown City: Contesting Architecture and Social Space | 2000 | Royal College of Art | Architectural Design | Borden, I Rendell, J |
| Kerr J | Beyond the Empire of the Signs | 2000 | Royal College of Art | Architectural Design | Fraser, M |
| Kermik J | Promoting Change. The A M Luther Company 1920 - 1940 | 2000 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Kerbel J | 15 Lombard St | 2000 | Kingston University | ||
| Kerbel J | From Here to Betweenity: JKJK: Janice Kerbel/Joachim Koestler | 2000 | Kingston University | ||
| Kennett CP | Compromise, conflation and contextualism in English music(ology) | 2000 | University of Westminster | Sound Media | |
| Kennedy M | The Contemporary Print Show | 2000 | Anglia Polytechnic University | ||
| Kennard P | Dispatches from an Unofficial War Artist | 2000 | Royal College of Art | Critical Practice | |
| Kempadoo R | 'Virtual Exiles' | 2000 | Napier University | Photographic Practice | Hatice Abdullah |
| Kemp SWJ | The Three Bears | 2000 | The London Institute | ||
| Kelly D | Inside Cover | 2000 | Wimbledon School of Art | Nick Austin Stephen Bury David Rees Davies |
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| Kelly D | View + Re:view | 2000 | Wimbledon School of Art | Simon Patterson Susan Hiller Joseph Kosuth |
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| Kelly D | 'Credit' | 2000 | Wimbledon School of Art | ||
| Kelly D | Books by Artists | 2000 | Wimbledon School of Art | Sarah Bodman | |
| Kelly C | Lines of Incidence | 2000 | The London Institute | Fine Art | |
| Kelly C | Comedy of Errors | 2000 | The London Institute | Fine Art | |
| Kelly C | Ballads | 2000 | The London Institute | Fine Art | |
| Keegan S P | Showcase | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Keane T | Couch - as in Warhol | 2000 | The London Institute | Fine Art | Rachel Armstrong |
| Keane J | Exchange Rates | 2000 | The London Institute | Fine Art | |
| Keane J | Making a Killing (Rupert, Charles and Diana) | 2000 | The London Institute | Fine Art | |
| Kaylan M | SQALLP Live Art Event | 2000 | University of Brighton | Visual and Performing Arts | |
| Kay E | Orbis Terrarum | 2000 | University of Portsmouth | Art and Philosophy | |
| Karakashian S | Carrier Exhibition | 2000 | University of Hertfordshire | ||
| Karakashian S | Hybridized | 2000 | University of Hertfordshire | ||
| Kappo D | Dave and Joe Collections | 2000 | The London Institute | Fashion and Textiles | |
| Kappenberg C | Journeys | 2000 | The London Institute |