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| Art and Design - Publications | ||||
| Art and Design RDF, 6.7mb <RDF Zip, 391kb> | |||
| People, 884kb | Publications, 3.7mb | Groups, 49kb | Institutions, 28kb |
| BOTTOM |
| Author | Title | Date | Place of Publication | Research Group | Co-Authors |
| von Weiler C | Carl von Weiler | 2000 | University of Gloucestershire | ||
| von Weiler C | L'H du Siege, Acte de Naissance | 2000 | University of Gloucestershire | ||
| von Weiler C | Black Box recorder: Video Art from Britain | 2000 | University of Gloucestershire | ||
| van Dooren D | Radio to the Power of Four | 2000 | The London Institute | Media and Communication | |
| van Dooren D | Sony Playstation 2 | 2000 | The London Institute | Media and Communication | |
| van Dooren D | Alberto Aspesi | 2000 | The London Institute | Media and Communication | |
| ten Hompel S | Contemporary British Silver | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| ten Hompel S | A Feast of Silver: Marked for the Millennium | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| de La Hamayde S | 'Office in a Box' | 2000 | De Montfort University | ||
| de La Hamayde S | Blowtorch | 2000 | De Montfort University | ||
| de Cordova D | Girl | 2000 | Wimbledon School of Art | Sculpture | Kate Belton Mikey Cuddihy Jennet Thomas |
| de Caires D | Rasterizing Generics (Pictures for Eileen) | 2000 | De Montfort University | ||
| Zimmerman AL | Vision Machine | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Zellweger C | Jerwood Applied Arts Prize 2000 | 2000 | Sheffield Hallam University | ||
| Zellweger C | The ego adorned: 20th century artists | 2000 | Sheffield Hallam University | ||
| Zeegan L I | Brain Box | 2000 | University of Brighton | Visual Communication Design | |
| Zeegan L I | The....A Bird in the Hand is Worthless | 2000 | University of Brighton | Visual Communication Design | |
| Zeegan L I | The Journal - A Digital Domain | 2000 | University of Brighton | Visual Communication Design | |
| Zeegan L I | Design Week Magazine | 2000 | University of Brighton | Visual Communication Design | |
| Zanker NP | Design and Technology Teacher Training at Loughborough University: Principles and Practice, Theverkauf, W.E. and Graube, G (eds) | 2000 | Loughborough University | Design Education | Denton, H.G. |
| Zanker NP | Effective Information and Communication Technology | 2000 | Loughborough University | Design Education | |
| Zanker NP | Improving ICT Entitlement through a Multiple Capability Model, Kimbell, R. (ed) | 2000 | Loughborough University | Design Education | |
| Young R A | Creating Enhanced User Experiences | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | Van der Veen, G J Illman, M E Rowley, F J B |
| Young R A | Northumbria Close-up | 2000 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | Robinson, P Lievesley, M |
| Young A.N.J. | INTEGRATED PRODUCT POLICY (IPP) AND ECO-PRODUCT DEVELOPMENT (EPD) IN THE ELECTRONICS SECTOR | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | Alesksandra Kielkiewicz-Young |
| Young A.N.J. | REDUCING THE USE OF HAZARDOUS SUBSTANCES IN PERSONAL COMPUTERS | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | Daniel Johansson Antonia Simon |
| You L.H. | Numerical Analysis of Elastic-Plastic Rotating Disks with Arbitrary Variable Thickness and Density | 2000 | Bournemouth University | Tang, Y.Y. Zhang, J.J. Zheng, C.Y. |
|
| You L.H. | Free Form Surface Generation Using an Analytical Solution to a Fourth Order Partial Differential Equation. | 2000 | Bournemouth University | Zhang, J.J. | |
| Yeo H | 20 pieces of jewellery in tantalum, stainless steel, platinum, 9 + 18 carat white gold, silver | 2000 | London Guildhall University | ||
| Yeo H | A.M., P.M (collection of 17 reversible pieces of jewellery in silver, 18 ct. gold, diamonds) | 2000 | London Guildhall University | ||
| Yates M | Printed textile designs | 2000 | University of Southampton | ||
| Yasuda T | Britisk Keramik : British Ceramics.2000.dk | 2000 | University of Ulster | ||
| Yass CM | Catherine Yass | 2000 | The London Institute | Fine Art | |
| Yass CM | Window Box | 2000 | The London Institute | Fine Art | |
| Yair K | Look Who's Talking: Developing Communication and Negotiation Skills through Design Education | 2000 | Sheffield Hallam University | Mike Press | |
| Wynne J | Grasping and Clinging | 2000 | The London Institute | Fine Art | Denise Hawrysio |
| Wyman A | Button Up | 2000 | Cumbria College of Art + Design | ||
| Wyman A | Pocket, Sleeve and Pintuck | 2000 | Cumbria College of Art + Design | ||
| Wright R | Intelligence | 2000 | Edinburgh College of Art | Fine Art | |
| Wright R | Sound Effects of Death and Disaster | 2000 | Sheffield Hallam University | ||
| Wright L. | Cheltenham Open Drawing Exhibition 2000 | 2000 | Falmouth College of Arts | ||
| Wright L. | The Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Wright JM | Surface Tension (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | Davies, R |
| Wright JM | Paintings 1996-2000 (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Wright E | Becks Futures | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Wright DK | From On-line sketching to 2D and 3D geometry: a system based on fuzzy knowledge | 2000 | Brunel University | Interaction Design | Sheng-Feng Qin I N Jordanov |
| Wright A | Face Value | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Wright A | I | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Worrall P | Namibia | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Worrall P | Collection of Fabrics for Focus | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Wormald PW | Design Competitions at Undergraduate level: Are there benefits to be gained? in Swann, C. and Young, E. (eds) | 2000 | Loughborough University | Design Research | McDonagh-Philp, D.C. |
| Woodman J | Revelation | 2000 | Cumbria College of Art + Design | ||
| Woodfine S | 'Sarah Woodfine' | 2000 | Wimbledon School of Art | Sculpture | |
| Woodfield R A | Framing Formalism: Riegl's Work | 2000 | Nottingham Trent University | Visual Arts | |
| Woodfield R A | Art History as Cultural History: Warburg's Projects | 2000 | Nottingham Trent University | Visual Arts | |
| Wood M H | Ducati 2000: an icon for the century | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Walker, M |
| Wood J | Towards an Ethics of Flow; Design as an Anticipatory System. | 2000 | Goldsmiths College | ||
| Wood ND | Plate tectonics and Chinese ceramics - new insights into the origins of China's ceramic raw materials | 2000 | University of Westminster | Ceramics | |
| Wolff M | Citigroup Inc. - commissioned design and worldwide branding | 2000 | The London Institute | Media and Communication | |
| Wolff M | MFI Furniture Group Plc. | 2000 | The London Institute | Media and Communication | |
| Withers R | Chuck Close | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Sara Arrhenius John Peter Nilsson Lars Bang Larson |
| Withers R | Joseph Beuys | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Lars Nittve Michael Craig-Martin David Batchelor |
| Winters EJ | Sacraria, Tragedy and the Interior Narrative | 2000 | University of Westminster | CARTE | |
| Wilson R | POINT: Addressing the Boundaries | 2000 | Manchester Metropolitan University | ||
| Wilson R | The Light Rain is on the Light Dust New Landscapes | 2000 | Manchester Metropolitan University | Hyatt J | |
| Wilson M | If I Ruled the World | 2000 | Cumbria College of Art + Design | ||
| Wilson K | New Work | 2000 | University of Westminster | Fine Art | |
| Wilson K | Untitled '98, Untitled '00 and Untitled '00 | 2000 | University of Westminster | Fine Art | |
| Wilson AJH | No Trustpassing | 2000 | University of Ulster | ||
| Wilson A | Life Span | 2000 | University of Brighton | Materials Practices and Processes | Bruce Williams |
| Willmoth S P J | Things Not Worth Keeping: Millennium Collection | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Willmoth S P J | Childhoods End - Cornford and Cross | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Williamson T | The Application of Product Development Technologies in Craniofacial Reconstruction | 2000 | University of Wales Institute, Cardiff | PDR | R Bibb R Brown A Sugar |
| Williamson T | Development of a Virtual Product and Product Assembly | 2000 | University of Wales Institute, Cardiff | PDR | |
| Williamson T | Digitised data integration issues in rapid prototyping and tooling | 2000 | University of Wales Institute, Cardiff | PDR | R Brown R Bibb |
| Williams R | Pentadactyl | 2000 | Cumbria College of Art + Design | ||
| Williams R | After Modern Sculpture : Art in the United States and Europe 1965 - 70 | 2000 | Liverpool John Moores University | Art and Design History | |
| Williams G | Bronze 2000 exhibitions | 2000 | Royal College of Art | Fine Art | |
| Williams G | Glynn Williams new work: Still life with shadows and echo | 2000 | Royal College of Art | Fine Art | |
| Williams D | Stillness and Occurrence | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Wilkinson M | Inside out and outside in - taking product design education into the real world and bringing the real world into product design education | 2000 | University College Northampton | Design for Industry and Commerce | Sale, R Thomas, V |
| Wilkinson M | Collaborative Envisioning - A Strategy for Future Innovation | 2000 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Wilding A | Contract | 2000 | Royal College of Art | Fine Art | |
| Whitworth L K | How German is She? Postwar West German Reconstruction and the consuming woman | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Whitworth L K | Shop/Shopfloor: Men's Sense of Belonging in 1930s Coventry | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Whittaker E | Correctional Facility Newark, New Jersey, USA | 2000 | Bath Spa University College | ||
| Whiting B.M. | Distance Yourself Young Man | 2000 | Falmouth College of Arts | ||
| Whiteman P | 'The Cholmondeleys' | 2000 | Wimbledon School of Art | Theatre costume | |
| White K | Latitude Atlantique | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| White H | Kunst Hautnah | 2000 | Sheffield Hallam University | Metalwork + Jewellery | |
| Whitaker D | Grassroots No. 18 | 2000 | Wimbledon School of Art | Painting | Arthur Morgan Alan Hepburn Noel Haring |
| Whitaker D | Homage to the Mountain No.3 | 2000 | Wimbledon School of Art | Painting | |
| Whistler D | Crusader of the Ganges (produced, directed and photographed). | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Whalley S | In Sickness and in Health | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Whalley S | Works of Artifice: Make Up Uncovered | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| West N F | Down the Line Jatulintarha project | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Welsford A | R42 Series Recent Paintings 1998-2000 | 2000 | De Montfort University | ||
| Wells K | The Dyers' Craft Resist Patterned Fabrics - An Explanatory Booklet | 2000 | De Montfort University | Hann, M. | |
| Wells EY | Shifting Horizons. Women's Landscape Photography Now. | 2000 | University of Plymouth | Site, Space, Location, Place | Newton, K. Fehily, C. |
| Wells EY | Photography: A Critical Introduction. Second edition. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Weileder W | Staatspeistrager 1999 | 2000 | University of Newcastle | ||
| Weileder W | Jam | 2000 | University of Newcastle | ||
| Weileder W | Was geschied bestimmt der Ort | 2000 | University of Newcastle | ||
| Webster C P | Sleepwalkers | 2000 | University of Wales, Aberystwyth | ||
| Webster C P | Riemland's Edge | 2000 | University of Wales, Aberystwyth | ||
| Webb W | Mass Customisation as Individualised Value Delivery System | 2000 | The London Institute | Fashion and Textiles | Julia Wolney |
| Webb W | Satisfying Markets of One - Alternative Models of Mass Customization in the fashion industry: How Levi's 'Original Spin' Aims to Rejuvenate the Sector | 2000 | The London Institute | Fashion and Textiles | |
| Webb T | Six of One | 2000 | Royal College of Art | Animation | |
| Webb G | Heart and Soul | 2000 | University of Reading | Dexter Dallwood Michael Raedecker David Thorpe |
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| Webb G | Nouveau Riche | 2000 | University of Reading | Keith Farquhar | |
| Webb G | Abstract Art | 2000 | University of Reading | Simon Bill Keith Farquhar DJ Simpson |
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| Weaver C | Enid Marx at the Central School in the 1920's | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Wayman M | 'Changing Needs' Project: Textile Design Education - What can a graduate do? | 2000 | Manchester Metropolitan University | ||
| Waugh A | Anya Hindmarch | 2000 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Watt DS | Investigating the Effects of Humidity and Salt Crystallisation on Medieval Masonry | 2000 | De Montfort University | Colston, B.J. | |
| Watson G | 'The Value of Vision' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Richard Wentworth Christopher Frayling Ute Merta Banov |
| Watson A | Woodland | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Watkins P | 'Survey of the European Yarn and Fabric Fairs For Autumn/Winter 2001/2002' | 2000 | Royal College of Art | Design for Manufacture | |
| Watkins D | Voyager : K | 2000 | Royal College of Art | Applied Art | |
| Warren RJ | The Agony and the Ecstasy | 2000 | The London Institute | Fine Art | |
| Warr TK | The Informe Body | 2000 | Oxford Brookes University | Theory | |
| Warr TK | The Artists Body: A Sourcebook 1945 - Present | 2000 | Oxford Brookes University | Theory | |
| Warnell P | Migrations | 2000 | University of Gloucestershire | ||
| Warnell P | Meanwhile, on the other side of town....something was going down | 2000 | University of Gloucestershire | ||
| Ward S | Hybrid (solo exhibition), Shigaraki International Residency Japan | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Ward R | Almost True | 2000 | University of Sunderland | Fine Art | |
| Walter J | 'Below the Salt', exhibition with catalogue. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walsh R | Site Specific Painting in England and Italy 2000 | 2000 | University of Newcastle | ||
| Walsh BF | Trafalgar Square. | 2000 | Goldsmiths College | ||
| Wallinger M | Credo - solo show | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Wallace-Jones H | 100% Design | 2000 | The London Institute | Fashion and Textiles | Emma Sewell |
| Wallace M | Spectacular Bodies - The Art and Science of the Human Body from Leonardo to Now | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Walker Z | Somewhere Special | 2000 | Edinburgh College of Art | Fine Art | |
| Walker Z | Somewhere near Vada | 2000 | Edinburgh College of Art | Fine Art | |
| Walker Z | My Island Home: part of an ideal home | 2000 | Edinburgh College of Art | Fine Art | |
| Walker S F | Typography and language in everyday life: prescriptions and practices | 2000 | University of Reading | ||
| Walker S F | Fabula project | 2000 | University of Reading | ||
| Walker P | Design of a Safety Knife for use in Industrial Applications | 2000 | University of Wales Institute, Cardiff | PDR | |
| Walden J | It's Extraordinary How Beautiful Your Skin Is | 2000 | University of Portsmouth | Art and Philosophy | |
| Walden J | Sensations in Differ-ance | 2000 | University of Portsmouth | Art and Philosophy | |
| Wainwright C | Gilt | 2000 | The London Institute | Fine Art | |
| Waeckerle E. | LOOK OUT ART-SOCIETY-POLITICS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Wade G | Curating in the 21st Century | 2000 | University of Wolverhampton | Fine Art | |
| WRIGHT M J | Surface Tension (Exhibition) | 2000 | Kent Institute of Art + Design | Robert Davies | |
| WRIGHT M J | One Person Exhibition | 2000 | Kent Institute of Art + Design | ||
| WRIGHT J | PYLON - SOLO SHOW | 2000 | Middlesex University | ||
| WORDEN S | Design Research in New Media: Strength through Collaboration and Partnership | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| WOOD T | British Portraits | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| WILLIAMS M.D. | International doodlebug day exhibition | 2000 | Coventry University | Design | HIROSUKE, U.A. IBBOTSON, B. |
| WENTWORTH R | Blue | 2000 | University of Oxford | ||
| WATSON A J | Singing for Dead Singers, 5 Exhibitions By Arthur Watson | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| WARREN RJ | The Agony and the Ecstasy | 2000 | University of Oxford | ||
| WARD J | Inside Cover | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| WARD J | Please Touch | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| WARD J | The Artists | 2000 | University of West of England, Bristol | Centre for Fine Print Research | Stephen Hoskins |
| WALLINGER M | Mark Wallinger: Credo | 2000 | University of Oxford | ||
| WALLER R. | The transformer revisited | 2000 | Coventry University | The Design Institute | MACDONALD-ROSS, M. |
| WALLER R. | Phone bill design | 2000 | Coventry University | The Design Institute | SEARLE JONES, A. LETHERLAND, S. MOATE, K. |
| WALKER D B | The Use of Shingles as a Roof Covering in Medieval Scotland | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| WADE E | HERMIRHAGERRHIS KELLERI | 2000 | Middlesex University | ||
| WADE E | AMPHIBIA ANUDA RANIDAE | 2000 | Middlesex University | ||
| Vyner T | From Beirut to Baalbek | 2000 | Bath Spa University College | Dyson, J. | |
| Votolato G | Work as Play: the Do-It-Yourself Movement and the American Home | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Votolato G | Making Buildings | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Virtue JA | John Virtue New Paintings | 2000 | University of Plymouth | Art Process | |
| Virtue JA | John Virtue. New Paintings 1998-2000 | 2000 | University of Plymouth | Art Process | |
| Viner DJ | Is Tall Better Than Small? | 2000 | The London Institute | Fine Art | |
| Vincentelli M M | Women and Ceramics Gendered Vessels | 2000 | University of Wales, Aberystwyth | ||
| Vincentelli M M | The Welsh Dresser: a case study | 2000 | University of Wales, Aberystwyth | ||
| Vincentelli M M | Embodiments: women's ceramic traditions and the work of Gabriele Koch and Vilma Henkelman | 2000 | University of Wales, Aberystwyth | ||
| Vincentelli M M | The Ceramic Collection and Archive, University of Wales, Aberystwyth | 2000 | University of Wales, Aberystwyth | ||
| Vince J. | Digital Media: The Future. | 2000 | Bournemouth University | Earnshaw, R. | |
| Vince J. | Essential Computer Animation. | 2000 | Bournemouth University | ||
| Verran V | Paintings 1995 to 2000 | 2000 | Falmouth College of Arts | ||
| Verhoeven J | Conversation Piece | 2000 | The London Institute | Fashion and Textiles | |
| Verhoeven J | Reinaldo Lourenco | 2000 | The London Institute | Fashion and Textiles | |
| Verdon A | Solo Exhibition | 2000 | Liverpool Hope | ||
| Verdon A | Minimal | 2000 | Liverpool Hope | ||
| Veness AD | We Are, Of Course, Free | 2000 | University of Southampton | ||
| Vanke F | Risk Takers and Pioneers | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Vanke F | Arabesques: North Africa, Arabia and Europe | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Vanke F | Diverse Routes | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| VOSS R | These Days: new work by Roy Voss | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| VAN DER LEM P | Reflections on the diversity of research ideas: impact and successes in research for Art, Media and Design | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| VAN DER LEM P | Development of the PhD for the Visual Arts | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Utting J.A. | International Small Engraving Salon | 2000 | Falmouth College of Arts | ||
| Utting J.A. | Japanese Connections | 2000 | Falmouth College of Arts | ||
| Ursitti C | Habitat, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Ursitti C | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Ursitti C | Evolution isnt Over Yet, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| URE A | New Paintings by Simon Callery, Jane Harris, Mandy Ure, Roy Voss | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Tyrrell J | Isambard Kingdom Brunel:Recent Works | 2000 | University of Sunderland | Design | |
| Twyman M L | The encyclopedia of ephemera: a guide to the fragmentary documents of everyday life by Maurice Rickards, edited and completed by Michael Twyman with the assistance of S. du Boscq de Beaumont and Amoret Tanner | 2000 | University of Reading | ||
| Turnock P | (r)evolution Design Undergraduate Database | 2000 | Brunel University | Design Pedagogy | |
| Turnock P | Exploring Design and Innovation | 2000 | Brunel University | Design Pedagogy | A Chappell E TAbor P Isherwood |
| Turner M | 'Home: Multi-Stories' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner J | BitBiz | 2000 | Liverpool John Moores University | International Centre for Digital Content | G Price |
| Turner J | Pixel | 2000 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Turner D | Six Photos of Artists Studios | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turnbull A | 'Houses into Flats' | 2000 | Wimbledon School of Art | Painting | |
| Turnbull A | 'Alison Turnbull, New Paintings' | 2000 | Wimbledon School of Art | Painting | |
| Turk GJT | Ant Noises at the Saatchi Gallery Part 1 and Part 2 | 2000 | The London Institute | Fine Art | |
| Tunstall D | 'Goose Nights' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Peepolykus Theatre Company |
| Tunstall D | Luminescence | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Roxana Silbert |
| Trusselle K | States of Grace | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Trodd C | Culture and Energy : Ford Madox Brown, Thomas Carlyle and the Cromwellian Grotesque | 2000 | University of Sunderland | Fine Art | |
| Trodd C | The Paths to the National Gallery | 2000 | University of Sunderland | Fine Art | |
| Trodd C | Academic Cultures: The Royal Academy and the Commerce of Discourse in Victorian London | 2000 | University of Sunderland | Fine Art | |
| Triggs T | Graphic Design | 2000 | Kingston University | ||
| Triantaphillidou S | Metric Approaches to Image Quality | 2000 | University of Westminster | Imaging Technology | Jacobson RE |
| Triantaphillidou S | A Simple Method for the Measurement of Modulation Transfer Functions of Displays | 2000 | University of Westminster | Imaging Technology | Jacobson RE |
| Treen C | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Tredre R | Is Big Better for Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Tredre R | Little by Little Designers take to Websales | 2000 | The London Institute | Fashion and Textiles | |
| Tredre R | Worth Global Style Network | 2000 | The London Institute | Fashion and Textiles | |
| Trangmar SRA | Ariadnes Dream and Double Duration | 2000 | The London Institute | Fine Art | |
| Tozer J | 2 Mins Charing Cross. | 2000 | Goldsmiths College | ||
| Torrens GE | Understanding The Product User: The Implementation Of A User-Centred Design Approach By Student Industrial Designers When Designing For Elderly And Disabled People | 2000 | Loughborough University | Design Research | |
| Torrens GE | Hand performance assessment of ten people with Rheumatoid Arthritis when using a range of specified saucepans | 2000 | Loughborough University | Design Ergonomics | Hann, J. Webley, M. Joy, J. |
| Topping M J | Handy 1 - A Rehabilitation Robotics System for the Severely Disabled, keynote lecture. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Toop D | Sonic Boom | 2000 | The London Institute | Fine Art | |
| Tomes AE | Technological Entrepreneurship: Integrating Technical + Product Innovation | 2000 | Sheffield Hallam University | Rosie Erol Peter Armstrong |
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| Todd G | Gallery SIDE 2 | 2000 | Edinburgh College of Art | Fine Art | |
| Todd G | Mount Hiddenabyss | 2000 | Edinburgh College of Art | Fine Art | |
| Toal D | Journey's End, video | 2000 | University of Portsmouth | Memory, Identity and Material Culture | |
| Tisdall C | Maze for the Millenium: Footprint in Time | 2000 | Oxford Brookes University | Creative Practice | |
| Ting P | Nebula | 2000 | University of Central Lancashire | ||
| Ting P | place setTing | 2000 | University of Central Lancashire | ||
| Tillotson E | Border Axis | 2000 | University of Sunderland | Fine Art | |
| Tillers I | Towards Infinity | 2000 | Southampton Institute | ||
| Till N J T | First Class Evening Entertainments (Part One) | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | English National Opera Studio VOCEM electric voice theatre Anthony Howell |
| Tibbs B | Young at Art Awards 2000 | 2000 | Kingston University | ||
| Throp M | Bread Matters. | 2000 | Goldsmiths College | ||
| Thorpe A. | ENCOMPASS. ACTUAL PRODUCTS, VIRTUAL TOURS | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Thornhill PH | 'Mieeow! - Maisiemac Goes to Japan' and 'Maisiemac and the Loch Ness Monster' | 2000 | De Montfort University | Hurst, M | |
| Thornhill PH | Leech Hill - 'May Pox' | 2000 | De Montfort University | Hurst, M | |
| Thomson J.R. | Artists Entertainment Network | 2000 | University College London | Fine Art Media | |
| Thomson J | Star Gazing | 2000 | Southampton Institute | ||
| Thomson G | Computer Aided Calligraphy 1 | 2000 | Cumbria College of Art + Design | ||
| Thomson G | L'art de la Lettre (Work of the Society of Calligraphers of Montreal and George Thomson) | 2000 | Cumbria College of Art + Design | ||
| Thomson G | Computer Aided Calligraphy 2 | 2000 | Cumbria College of Art + Design | ||
| Thompson R | The Use of Neural Networks in an Image Analysis System to Distinguish Between Laser Prints and their Photocopies | 2000 | The London Institute | Media and Communication | Dr Andrew Manning Dr Jack Tchan |
| Thompson L J | Exhibition of glass 'Vessels'. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Thompson L J | Glass Education: A British Perspective. | 2000 | Staffordshire University | ARi, School of Art + Design | S. Pattani |
| Thompson GR | New Designers | 2000 | Brunel University | Environmentally Sensitive Design | |
| Thompson GR | Designing Designers | 2000 | Brunel University | Environmentally Sensitive Design | |
| Thompson GR | Nissan Re-branding Concept | 2000 | Brunel University | Environmentally Sensitive Design | |
| Thompson E. | Estelle Thompson: Recent Paintings 1999-2000 | 2000 | University College London | Painting | |
| Thompson E | Paintings | 2000 | De Montfort University | ||
| Thompson E | Blue - Themed Inaugural Exhibition | 2000 | De Montfort University | ||
| Thompson B | Border Axis | 2000 | University of Sunderland | Fine Art | |
| Thompson A | A Soft Touch | 2000 | Brunel University | Design for Inclusion | S SWallow |
| Thompson A | Bags O' Fun | 2000 | Brunel University | Design for Inclusion | |
| Thompson A | Conductive Textiles/Fabrics Pressure Sensor | 2000 | Brunel University | Design for Inclusion | S Swallow J Burkitt |
| Thompson A | Multi-sensory wall | 2000 | Brunel University | Design for Inclusion | |
| Thompson A | Field of Dreams | 2000 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Thomas P | Cheltenham Open Drawing Exhibition 2000 | 2000 | University of Gloucestershire | ||
| Thomas NG | Design and Testing of a Hip Fracture Protector | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas NG | Design of a Complex Gas Analysis Product | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas NG | Design of a Hospital Day Chair | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas J | 'The Film Couch' | 2000 | Wimbledon School of Art | Painting | |
| Thomas J | 'Maldoror' | 2000 | Wimbledon School of Art | Painting | Duncan Reekie - producer Paul Tarrago Caroline Kennedy |
| Thapalyal RI | Talacchanda: solo exhibition | 2000 | Glasgow School of Art | Fine Art | Nibha Joshi Anjana Rajan G. S. Rajan |
| Thapalyal RI | Devi Prasad: The Culture of Making | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Terstappen C | Places of Power - La terra sagrada dels indis Navajo. | 2000 | University of Southampton | ||
| Terstappen C | Women of the World - A Global Collection of Art | 2000 | University of Southampton | ||
| Ten Hompel S | Landscape in 3 parts | 2000 | London Guildhall University | ||
| Ten Brink J | Icarus | 2000 | University of Westminster | Visual Media | |
| Ten Brink J | Journey through the Night | 2000 | University of Westminster | Visual Media | |
| Telford SJ | Pre-Christmas window displays (commission) | 2000 | Loughborough University | Textiles | |
| Tchalenko J | Noise | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Tchalenko J | Bad at Writing, Good at Drawing | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Tchalenko J | Alexander Iyas | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Taylor M | The Room of Answers | 2000 | The London Institute | Fine Art | |
| Taylor M | Grafica | 2000 | The London Institute | Fine Art | |
| Taylor M | Arts at the Turret | 2000 | Bolton Institute of HE | ||
| Taylor M | Outside the Box | 2000 | Bolton Institute of HE | ||
| Taylor M | Hayvend Box Project - Multiple | 2000 | Bolton Institute of HE | ||
| Taylor LA | Material Diversity | 2000 | Glasgow School of Art | The Decorative Arts | |
| Taylor F | West Coast. | 2000 | Goldsmiths College | ||
| Taylor F | Digital Portfolio Exhibition | 2000 | Wimbledon School of Art | John Hilliard Bruce McLean Denis Masi |
|
| Taylor F | Symptoms | 2000 | Wimbledon School of Art | ||
| Taylor F | San Francisco Art Fair | 2000 | The London Institute | Fine Art | |
| Taylor F | Placed Apart | 2000 | The London Institute | Fine Art | |
| Taylor E P | Habillement, dissidence et consommation de masses en Grande-Bretagne | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Taylor E P | The Lost Arts of Europe: The Haslemere Collection of European Peasant Art | 2000 | University of Brighton | Memory, Identity and History | D Crowley |
| Taylor E P | Dress, Etiquette and Colonialism: the clothing of British Women in Cyprus, 1878-1918 | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Taylor D | The Word on the Street: Advertising, Youth Culture and Legitimate Speech in Drug Education | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Taylor A | Hunting Art Prizes 2000 | 2000 | University of Gloucestershire | ||
| Talbot E | Flirt | 2000 | University of Gloucestershire | ||
| Tait N | Ever get the feeling you''''ve been cheated | 2000 | The London Institute | Fine Art | |
| Tait N | Salon | 2000 | The London Institute | Fine Art | |
| Tait N | Neal Tait: Recent Paintings | 2000 | The London Institute | Fine Art | |
| Tabrizian M | Beyond the Limits | 2000 | University of Westminster | Visual Media | |
| Tabrizian M | Minimal Utopia | 2000 | University of Westminster | Visual Media | |
| Tabor EC | Exploring Design and Innovation | 2000 | Brunel University | Design Pedagogy | A Chappell P Isherwood N Stanton |
| TURRELL E | Crossing Boundaries | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURRELL E | 18th New Millennium Korea Enamelling Artist Association Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURRELL E | Fired With Colour - Aspects of Enamelling in Britain | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURRELL E | Donors Recognition Panels | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| TURNER J | 'Crossing' | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| TRUSSELLE K.L. | Falsework | 2000 | Coventry University | Visual Arts | ALLEN, T. CRUTCHLEY, R.H. CHORLTON, G. |
| TOVEY M.J. | Sketching and direct CAD modelling in automotive design | 2000 | Coventry University | The Design Institute | OWEN, J.K. |
| TIROHL B | The Photojournalist and the Changing News Image | 2000 | University of Lincoln | ||
| TIROHL B | We are the Dead....You are the Dead | 2000 | University of Lincoln | ||
| TIROHL B | Sexual Identity/Still Image | 2000 | University of Lincoln | ||
| THOMPSON K. | Chelsea craft fair | 2000 | Coventry University | Visual Arts | ADAM, J. STOYEL, J. WILDING, J.D. |
| THOMPSON K. | The paired horsemen | 2000 | Coventry University | Visual Arts | DUPREE, WALLER, |
| THOMPSON J | PANAMARENKO | 2000 | Middlesex University | ||
| THOMA A | Dialogue in Place | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| TCHERNAKOVA A | Virtues: The Family Affair | 2000 | University of Lincoln | ||
| TAYLOR B | 'Serious Fun' TV commercial | 2000 | University of Dundee | Contemporary Practice | Chris Gallagher |
| Symons S | Urban Genome | 2000 | Liverpool John Moores University | Audio-visual | |
| Sykes S | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Sykes S | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Sykas PA | Re:threading: Towards a History of Sewing Thread in Britain | 2000 | Manchester Metropolitan University | ||
| Swinson J | The Flaneur and the Shaman | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Swindells S P | KAYAK | 2000 | University of Huddersfield | Dutton + Peacock S.o.D. |
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| Swift E | Spectator | 2000 | University of Gloucestershire | ||
| Swift E | 'A Reflection on the Performance of Treading Water directed by VOID: Performance' | 2000 | University of Gloucestershire | ||
| Sweet DF | Relevance, Purity and the Medium of Exhibition | 2000 | Manchester Metropolitan University | ||
| Swan A | Two woven dobby weave designs | 2000 | University of Southampton | ||
| Swan A | Design, black and white dobby weave | 2000 | University of Southampton | ||
| Swan A | Collection of fabrics | 2000 | The London Institute | Fashion and Textiles | Annette Poulton |
| Swallow SS | Conductive Textile | 2000 | Brunel University | Design for Inclusion | |
| Swallow SS | A Soft Touch | 2000 | Brunel University | Design for Inclusion | A P Thompson |
| Sutherland P | Spiti: the Forbidden Valley | 2000 | The London Institute | Media and Communication | |
| Sutherland P | Patrick Sutherland | 2000 | The London Institute | Media and Communication | |
| Sutherland P | Spiti: the Forbidden Valley | 2000 | The London Institute | Media and Communication | |
| Sutherland C | The Barn House | 2000 | Glasgow School of Art | Design | Hussey, C |
| Sutherland C | 205 High Street Wood Green London | 2000 | Glasgow School of Art | Cities and Environments | Hussey, C |
| Surridge M.S. | Solo Exhibition | 2000 | Falmouth College of Arts | ||
| Surridge M.S. | The Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Surridge M.S. | 3 Person Show | 2000 | Falmouth College of Arts | ||
| Summers A | Showdiary | 2000 | North East Wales Institute of Higher Education | Art and Design | D Gill |
| Stubbs N | Matinee (drama, 3mins, 35mm film, 2000) | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Strutton J | Father Son and Scary Ghost | 2000 | Royal College of Art | Fine Art | |
| Strindberg M | Limp | 2000 | University of Brighton | Fine Art Practices | |
| Stothart P | Animated product information | 2000 | De Montfort University | ||
| Storey H | Mental (Women in Mind) | 2000 | The London Institute | Fashion and Textiles | Dr John McLachlan, University of St Andrews |
| Stonyer A | Coming to our Senses | 2000 | University of Gloucestershire | ||
| Stofer H | Shelf Life | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Stoddart A | Miltonic Herm, Millennium Sculpture Garden | 2000 | Glasgow School of Art | Fine Art | |
| Stockwell S. J. | ACCUMULATIONS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stockham J | Working in the Dark/ No News | 2000 | Royal College of Art | Fine Art | |
| Stiven C | Charles Stiven | 2000 | Edinburgh College of Art | Fine Art | |
| Stitt A | Homework - An exploration of the process and documentation of performance art | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Stiff P | Information Design Journal | 2000 | University of Reading | ||
| Stickley P | Open Event | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Stickley P | Indeterminate Immediate | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Stickley P | Secrets | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Stezaker J | Holy Land Series | 2000 | Royal College of Art | Fine Art | |
| Stewart N | Curtain Call | 2000 | Sheffield Hallam University | ||
| Stewart I | Tender | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Stewart EP | Mixing Memory and Desire, group exhibition | 2000 | Glasgow School of Art | Fine Art | Stephanie Smith |
| Stewart C | An Ordinary God | 2000 | De Montfort University | ||
| Stevenson M | Longbow | 2000 | University of Plymouth | Design + Innovation | |
| Stevens P | Starting a Collection: modern British and contemporary paintings, drawings, sculpture | 2000 | The London Institute | Fine Art | |
| Stephenson AP | 'Refashioning modern masculinity: Whistler, aestheticism and national identity' | 2000 | University of East London | ||
| Stephenson AP | 'Anxious Performances: Aestheticism, The art gallery and the ambulatory geographies of late Nineteenth Century London | 2000 | University of East London | ||
| Stephens JR | Andrew Sneddon + John Stephens - Printmaking two-person exhibition | 2000 | Chester College of HE | ||
| Stephens J | Screen Printing in a Digital Age | 2000 | The London Institute | Media and Communication | |
| Stephen'Cran J | Future fashions and fabrics - Invited lecturer | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Steiner S | Towards a Spacious, Excitable Open: On Surveillance, Care and the Bliss of Tiny Creatures | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Steiner S | Consolation Prize; Mike Kelley: The Use-Value of Irony or Sexual Revoloution the Monkish Way' / John Miller: Game Show Pastoral | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Stehli J | Strip Series 1999-2000. | 2000 | Goldsmiths College | ||
| Stehli J | Jemima Stehli. | 2000 | Goldsmiths College | ||
| Stehli J | Karen 2000. | 2000 | Goldsmiths College | ||
| Stehli J | Strip Series in A Shot in the Head | 2000 | University of Portsmouth | Art and Philosophy | |
| Stehli J | Exposure | 2000 | University of Portsmouth | Art and Philosophy | |
| Stehli J | Chair 1999/8. | 2000 | Goldsmiths College | ||
| Startup J | Contemporary Furniture: Design From the East End | 2000 | Kingston University | ||
| Startup J | Bell | 2000 | Kingston University | ||
| Startup J | Bell Lamp; Gervasoni Collection | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Stanton-Wilson J | National Print Exhibition 2000. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Stanton NA | Behavioural compensation by drivers of a simulator when using a vision enhancement system | 2000 | Brunel University | Interaction Design | M Pinto |
| Stanley N | Souvenirs, ethics and aesthetics: some contemporary dilemmas in the South Pacific | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Stanley N | Moving People, Moving Experiences: Novel Strategies in Museum Practice | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Stanford P | 'Seven Ages' | 2000 | Wimbledon School of Art | ||
| Stanford P | 'A Survey of Fine Art Printmaking Studios in the UK' | 2000 | Wimbledon School of Art | ||
| Stamp G | George Gilbert Scott, the Memorial Competition, and the Critics | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stahl A. | Andrew Stahl, London UK, New Work | 2000 | University College London | Painting | |
| Stables K | Design Museum National Outreach Project: Evaluation Report. | 2000 | Goldsmiths College | ||
| St James M | Painting the Century: 101 portrait Masterpieces 1900-2000 | 2000 | The London Institute | Fine Art | |
| St George A | Crisis Management and Crisis Communications in the Digital Age | 2000 | De Montfort University | ||
| Sprung S | Journey Through the Night | 2000 | Sheffield Hallam University | ||
| Springer P | 'La Card Oltre la Superficie' (Beneath the Card's Surface) | 2000 | Buckinghamshire Chilterns University College | Visual Communication | Kozak P Biagi B |
| Springer P | Re-Locating Britishness in Advertising | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Sprawson D H | Pale Shadows | 2000 | Nottingham Trent University | Visual Arts | |
| Sprake J | Imagining London. | 2000 | Goldsmiths College | ||
| Sprake J | The Curse of the Universal User. | 2000 | Goldsmiths College | ||
| Sprake J | Imagining London through non-idle pictures. | 2000 | Goldsmiths College | ||
| Spittler U | German Attitudes towards Europe: Continuity and Change | 2000 | University of Brighton | Memory, Identity and History | G Knischewski |
| Spittler U | Coming to terms with the past: Reconstructing the Berlin Wall | 2000 | University of Brighton | Memory, Identity and History | G Knischewski |
| Spencer B | Negative Exposure | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Speed S | The Travels of the Anatomist: Allegory, Discovery and William Harvey | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Speed CJ | Temporal navigation | 2000 | University of Plymouth | STAR | |
| Southwell M | Designers' perception of development - development's perception of design | 2000 | Goldsmiths College | ||
| Southwell M | Design for Sustainable Development: A gendered perspective. | 2000 | Goldsmiths College | ||
| Southee DJ | Low Cost Logic Analyser Implementing FPGA Technology | 2000 | Brunel University | A Jones | |
| Southam JV | The Shape of Time. Rockfalls, Rivermouths + Ponds. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Somerville P | Untitled commission | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Soden JA | Design and CAD Innovation in Woven Textile Research | 2000 | University of Ulster | ||
| Snell R | Design Direction for Vivendi restaurant seating | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | J. Coleman |
| Snell R | Design direction for Air-O cafe seating | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Bennet |
| Sneddon S G | Printmaking | 2000 | Sheffield Hallam University | ||
| Sneddon S G | Children | 2000 | Sheffield Hallam University | ||
| Sneddon S G | Shadow Chasers | 2000 | Sheffield Hallam University | ||
| Smy E | Artistic Application of Sol-Gel; Rapid Drying of Colloidal Alkali Silicate Gels with the use of a Domestic Pressure Cooker. | 2000 | University of Hertfordshire | ||
| Smy E | The Sol-Gel Process | 2000 | University of Hertfordshire | ||
| Smy E | Place ...replace | 2000 | University of Hertfordshire | ||
| Smith W | Magic HotelMouse MagicCircle MagicCrazy Magic | 2000 | University of Brighton | Visual Communication Design | |
| Smith W | The Giant Postman | 2000 | University of Brighton | Visual Communication Design | |
| Smith T | Marking Time | 2000 | University of Gloucestershire | ||
| Smith P M | Action (Solo exhibition) | 2000 | Anglia Polytechnic University | ||
| Smith N E | Digital Works Light Boxes and Pictures. Constructing A New Space. The New Art Gallery, Walsall | 2000 | Nottingham Trent University | Visual Arts | Roger Beecroft |
| Smith N E | Trainscapes + Digital Media Constructs | 2000 | Nottingham Trent University | Visual Arts | Roger Beecroft |
| Smith MM | 70/2000 | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Smith M M | The title-page: its early development, 1460-1510 | 2000 | University of Reading | ||
| Smith M M | Medieval roots of the Renaissance book | 2000 | University of Reading | ||
| Smith M M | Fragments used for servile purposes: the St Bride Library frisket for early red-printing | 2000 | University of Reading | ||
| Smith K | Who Could Have Guessed There'd Be So Much Diversity? | 2000 | Goldsmiths College | ||
| Smith K | 'Towards the Eremitani' | 2000 | Wimbledon School of Art | Sculpture | |
| Smith K | 'A Lily amongst Thorns' | 2000 | Wimbledon School of Art | Sculpture | |
| Smith D | Metropolitan | 2000 | The London Institute | Fine Art | |
| Smith D | Series | 2000 | The London Institute | Fine Art | |
| Smith AE | Seraph Spring/Summer Collection 2001 | 2000 | The London Institute | Fashion and Textiles | |
| Smith A | Down Among the Molecules: Chemical Analysis in the Study of Historic and Archaeological Textiles | 2000 | The London Institute | Media and Communication | |
| Smith A | Thermal Stability of Ink Jet Prints | 2000 | The London Institute | Media and Communication | Zoitsa Gkinni |
| Smith S | Smith/Stewart, solo exhibition | 2000 | Glasgow School of Art | Fine Art | Edward Stewart |
| Sly A | 'The Newmarket Stallion' | 2000 | Wimbledon School of Art | Theatre technical arts | |
| Slight N | Sculpture, an Abbey and a Cathedral | 2000 | University of Gloucestershire | ||
| Slee R | Firing Imagination: Ceramica Britannica | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Skelton PJS | Private Views . | 2000 | The London Institute | Fine Art | |
| Sitar R | Mind Breaths 2000 | 2000 | Bolton Institute of HE | ||
| Singh G | Combining Pedagogy with technology - multimedia for Children | 2000 | University of Sunderland | Design | |
| Sinden AA | Tony Sinden Retrospective | 2000 | University of East London | ||
| Sinclair R | Journey to the Edge of The World, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Sinclair R | Artist in Residence - Textile Designer. | 2000 | Goldsmiths College | ||
| Simpson PJ | 'It's All Greek To Me'. (Group Exhibition). | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson P | MATURE - Mission for Application of Technology to Urban Review and Engineering | 2000 | Glasgow School of Art | Cities and Environments | Muni Ganji Peter Siegenthlaer |
| Simpson P | House form and construction methods - New Urban Traditions of Popular Housing in Columbia and Mexico | 2000 | Glasgow School of Art | Cities and Environments | |
| Simpson P | Soviet Superwoman in the landscape of liberty: Aleksandr Deinekas's Razdol'e 1944' | 2000 | University of Hertfordshire | ||
| Simpson P | A re-vision of Ukraninian identity: Tatyana Yablanskaya's Corn 1949 | 2000 | University of Hertfordshire | ||
| Simpson M | Perfidy | 2000 | The London Institute | Fine Art | Daniel Sturgis |
| Simpson M | On the Threshold | 2000 | Bath Spa University College | Crozier, A. Tyson, I. |
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| Simpson M | Cheltenham Open Drawing Exhibition | 2000 | Bath Spa University College | Harris, J. Cooper, E. Connearn, D. |
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| Simpson M | Intervention at La Tourette. | 2000 | Goldsmiths College | ||
| Simpson GB | Modelling the Interaction between a Polyurethane Liner and the Residual Limb in Transtibial Amputees Using Non-Linear Element Analysis | 2000 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Simpson GB | Modelling the Interaction Between Liners, Sockets and the Residual Limb in Transtibial Amputees Using Non-Linear Finite Element Analysis | 2000 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Sider L. | THE SCHOOL OF SOUND 2000 | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Short LA | Multi Exposure 2000British - Israeli - Palestinian Awards | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Short C | Journal 491: Art Fragments | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Shonibare Y | Intelligence: New British Art 2000 | 2000 | The London Institute | Fine Art | |
| Shonibare Y | Crossings | 2000 | The London Institute | Fine Art | |
| Shipsides D | Gecko Roof | 2000 | University of Ulster | ||
| Shipsides D | Bamboo Support | 2000 | University of Ulster | ||
| Shinkle EB | Le Jardin de Brunelleschi | 2000 | University of Westminster | Visual Media | |
| Shinkle EB | Slagheap, Ideal City and Horizon | 2000 | University of Westminster | Visual Media | |
| Shimshon O | 'Spirit Level' Exhibition (SOLO) | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Shimshon O | 'Spirit Level' Exhibition (SOLO). | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Shillito A | Hitec- Lotec Project | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Sherrell J P | Jennifer Sherrell, Prints. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sherrell J P | Critical Mass | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sherrell J P | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sheridan T | Freelance commercials director | 2000 | The London Institute | Media and Communication | |
| Shepherd D | Ung.Young.Jung - Installation work and art which crosses international boundaries | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Sheldon JL | Modern Art : A Critical Introduction | 2000 | Liverpool John Moores University | Art and Design History | P Meecham |
| Shawcross N | Portraits of Seamus Heaney and Michael Longley | 2000 | University of Ulster | ||
| Shawcross N | Artists Century : Irish Self Portraits and Selected Works, 1900-2000 | 2000 | University of Ulster | ||
| Shaw R | Understanding Drawing | 2000 | Glasgow School of Art | Principles of Drawing | |
| Shaw L T | British Council - Creative Mission To Tokyo Japan | 2000 | Nottingham Trent University | Design | |
| Shave T J | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sharpe T | Experimental hybrid PV dynamic insulation wall in Scotland | 2000 | Glasgow School of Art | Cities and Environments | C. Porteous |
| Shankland S | Module R | 2000 | The London Institute | Fine Art | |
| Shankland S | Structure Cope | 2000 | The London Institute | Fine Art | |
| Shankie J | Dream Machines, touring group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Shanahan P.N. | Esperantis | 2000 | Falmouth College of Arts | ||
| Shanahan P.N. | The History of Photography special double issue on Italian Cultural Landscape and Vernacular Photographs. | 2000 | Falmouth College of Arts | Geoffrey Batchen | |
| Shackleton J | Attention Points in Street Furniture Design | 2000 | Brunel University | Design Process | Hong Sang-Hee K Sugiyama M Watanbe |
| Seymour R | Bioform Bra | 2000 | Royal College of Art | Design for Manufacture | |
| Sewell E | 100% Design | 2000 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Setterington L | North Country Quilts: Legend + Living Tradition | 2000 | Manchester Metropolitan University | ||
| Setterington L | British Quilt Exhibition Japan 2000 | 2000 | Manchester Metropolitan University | ||
| Setch T | Oil + Water - Painting approaches to coastal locations focusing on interpretations of the land and sea | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Setch T | Painting the Dragon | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Setch T | Welsh Artists Talking | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Senior G | Strands | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Senior DP | Art + Hospitals: The Changing Culture of Healthcare | 2000 | Manchester Metropolitan University | ||
| Senior DP | Research and Evaluation of the Exeter Health Care Arts Project | 2000 | Manchester Metropolitan University | Scher P | |
| Selwood S J | Crosscurrents - Exhibition of British and American Ceramics | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Seers L | The Double - Group Exhibition | 2000 | De Montfort University | ||
| Seers L | A Shot in the Head - Group Exhibition | 2000 | De Montfort University | ||
| Sedgwick J | 'XXVII Fidem 2000 Internationale MedaillenKunst. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Seden MR | Using Computer Imagery and Visualisation in Construction Education | 2000 | De Montfort University | Beacham, N. Bouchlaghem, N. Sher, W. |
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| Seddon P J | History Painting Reassessed The representation of history in contemporary art | 2000 | University of Brighton | Memory, Identity and History | D Green |
| Seddon J | Mentioned, but Denied Significance: Women Designers and the 'Professionalisation' of Design c.1920-1951 | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Seawright P | Paul Seawright | 2000 | University of Wales College, Newport | Photography | |
| Seaton D | From Below | 2000 | University of Hertfordshire | ||
| Sear H | Unsettlement | 2000 | University of Reading | ||
| Sear H | Landscapes | 2000 | University of Reading | ||
| Sear H | Helen Sear - Landscapes | 2000 | The London Institute | Fine Art | |
| Sear H | Unsettlement | 2000 | The London Institute | Fine Art | |
| Scott PC | Painted Clay, Graphic Arts and the Ceramic Surface | 2000 | University of Newcastle | ||
| Scott DT | Ways with Anagama | 2000 | Loughborough University | Fine and Applied Arts | |
| Schoeser M | Wellpaying Self Support | 2000 | The London Institute | Fashion and Textiles | |
| Sayers P C | Woman's Realm. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sayers P C | Chronos ein-Tag. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sayers L | Jakulov's set design for Prokofiev's 'Le Pas d'Acier' | 2000 | University of Gloucestershire | ||
| Saxton J | Distinctive Skills and Implicit Practices | 2000 | Goldsmiths College | Kimbell, R. Miller, S. |
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| Sawdon Smith R. T. | EXPOSURE | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Saville J. | Painting the Century: 101 Portrait Masterpieces 1900-2000 | 2000 | University College London | Painting | |
| Saville J. | Ant Noises Part 1 and 2 | 2000 | University College London | Painting | |
| Saunders C | A Book of Hours (30 min. feature film). | 2000 | London Guildhall University | Nick Bevan music Mikey Tomkins post production editing |
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| Sargeant N | London Photographic Awards 3 | 2000 | University of Gloucestershire | ||
| Sargeant J | Deathtripping: the Cinema of Transgression | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sandys-Renton T | 'Artist in Residence' 1 exhibit . 'Self build-built self'. Green oak and forged/welded steel - 170x175x120cm | 2000 | University College Chichester | Sculpture | |
| Sandys-Renton T | 'Beastly Thoughts' 4 sculptures. 'Self Portrait as a Beast', 2000,(Charcoal, paper, steel + ceramic - c150x90x13cm); 'Beastly Thoughts' 2000, (Steel + ceramic - c66x205x16cm); 'Naked' 2000 (Steel + ceramic - approx 175x70x14cm; 'Mile High falling Angel | 2000 | University College Chichester | Sculpture | |
| Sandle M | Bronze | 2000 | De Montfort University | ||
| Sandino L | Complexity and Ambiguity: The Ceramics of Alison Britton | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sandino L | The Use of Plastics in Craft | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Nuala Jamison |
| Sanderson LV | Fabrication | 2000 | Sheffield Hallam University | Neil Conroy | |
| Salter P | 4 + 1 Peter Salter: Building Projects | 2000 | University of East London | A. Higgott R. Harbison P. Beardsell |
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| Salter P | Patine et vieillissement | 2000 | University of East London | ||
| Salisbury M | Illustrations in Carnival by Julie Sykes | 2000 | Anglia Polytechnic University | ||
| Salisbury M | A Timeless Landscape | 2000 | Anglia Polytechnic University | ||
| Salisbury M | Articles in Line: 'Born Romantic'; 'Tabitha Salmon'; Sipan, John Minton in Jamaica' | 2000 | Anglia Polytechnic University | ||
| Sale R | Collaborative Envisioning - a strategy for future innovation | 2000 | University of East London | Wilkinson, M. | |
| Sacks S | Landing Strip for Souls: Finding our Way Towards Democracy | 2000 | Oxford Brookes University | Social Sculpture Research Unit | |
| Sabin AM | Recycling bottle tower | 2000 | The London Institute | Fine Art | |
| SZULAKOWSKA U | The Alchemical Girl in Leonora Carrington's 'The House Opposite' | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SZULAKOWSKA U | The Alchemy of Light: Geometry and Optics in Late Renaissance Alchemical Illustration | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SWIFT D G | 2000 | University of Dundee | Contemporary Practice | Wolfgang Losche Marianne V Pasqualino Atsuhiko Musashi |
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| SWIFT D G | Zofias Dance | 2000 | University of Dundee | Contemporary Practice | Shona McInver Eiko Fan Richard Demaro |
| SUMMERTON E | The Strict Nature Reserve | 2000 | University of Dundee | Contemporary Practice | |
| STUBBS M D | RESISTOR | 2000 | University of Dundee | Digital Technology | Roland Denning Voortman DeJonge David Shea |
| STUBBS M D | RIVER | 2000 | University of Dundee | Digital Technology | Nicola Stephenson Benedict Phillips Melanie Poole |
| STUBBS M D | MAN ACT | 2000 | University of Dundee | Digital Technology | |
| STUBBS M D | GIFT | 2000 | University of Dundee | Digital Technology | Metamedia Production Ulf Langheinrich |
| STEWART C | Bomb Blast | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| STEWART C | Interview | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| STEVENSON F | Sustainable Housing Design Guide for Scotland | 2000 | University of Dundee | Industry and the Public Sector | Nick Williams |
| STEEL E R | The Working Countryside (CD-rom) | 2000 | University of Dundee | Contemporary Practice | Shaw Multimedia Services |
| STEEL E R | To Boldly Sew - Textiles for the 21st Century | 2000 | University of Dundee | Contemporary Practice | Pauline Hann Hilda Peters |
| SPICER A | An Ambivalent Archetype: Masculinity, Performance and the New Zealand Films of Bruno Lawrence | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| SPICER A | Misfits and the marginalised: Gender in the Boultings | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| SPENCE P J | AN INVITATION TO KISS | 2000 | University of Dundee | Digital Technology | John Scott Daniel Reeves |
| SMITH K | NO PLACE LIKE HOME [R LEIGH] | 2000 | Middlesex University | ||
| SMITH K | SIX MOMENTS [6M] | 2000 | Middlesex University | ||
| SMITH HR | Royal West of England Academy 5th Open Print Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| SMITH HR | Paperclay Plus | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| SHERWIN G | AT THE ACADEMY 7 CYCLES 1 [16MM FILMS] | 2000 | Middlesex University | ||
| SHAW P | FLORA TINCTORIA GRAFICA - PHYTOMOGRAPHIC AND LARGE FORMAT INKJET PRINTS | 2000 | Middlesex University | ||
| SHADBOLT R | SUMMER MUSIC | 2000 | Middlesex University | ||
| SETH J | Dispersal | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| SCRIVENER S. | Uncertainty and sketching behaviour | 2000 | Coventry University | The Design Institute | BALL, L.J. TSENG, S.W. |
| SCHEIN F. | Heinrich Heine at Westhafen: monsieur un rein | 2000 | Coventry University | Visual Arts | REITER, B. FONTAINE, C. |
| SCHAFER S | The Excavation of the Villa Pigneto Sacchetti | 2000 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Philip Perkins |
| SAXON G | Facing Things-Video Installation at L-Art Gallery Making Connections - Curated Video Programme of British Work and Retrospective | 2000 | University of Lincoln | ||
| SAUNDERS R. | ACECA 4 seater grand touring car | 2000 | Coventry University | Design | |
| Ryan S | The Virtual University: The Internet and Resource-Based Learning | 2000 | De Montfort University | Scott, B Freeman, H Patel, D |
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| Ryan A | Ryan, Chapman and Claydon | 2000 | University of Reading | Neil Chapman Steve Claydon |
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| Ryan D | John Riddy: Photographs | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Ruthven R J | Reaching for the Stars, exhibition | 2000 | University of Portsmouth | Art and Science | |
| Rutherford S | Easy-View Mirror Set | 2000 | Nottingham Trent University | Design | |
| Rust CM | Knowledge and the Artefact | 2000 | Sheffield Hallam University | Scott Hawkins Graham Whiteley Adrian Wilson |
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| Rust CM | Experimental Making in Multi-Disciplinary Research | 2000 | Sheffield Hallam University | Graham Whiteley Adrian Wilson |
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| Russell J | Protest and Survive | 2000 | The London Institute | Fine Art | |
| Russell J | Field of Dreams | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Rushton E | Campaign | 2000 | Falmouth College of Arts | ||
| Ruckman JYE | Subjective and Objective Evaluation of Colour Difference Encountered Through the Use of CAD Systems | 2000 | Manchester Metropolitan University | ||
| Royffe C D | 2000 | Leeds Metropolitan University | Environmental Art and Design | M.Herrmann A. Millard |
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| Roy R | Sustainable product-service systems | 2000 | Open University | Design for sustainability | |
| Roy I B | The Trappers' Hut, 'Snaddheimen', Kejser Franz Joseph Fjord | 2000 | University of Brighton | Natural and Constructed Environments | |
| Rowland C | A Crash Course in Creative Digital Media for the Community | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Rowland C | FISHION, solo exhibition | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Rowland C | FIREFLAY: Using Particle Dynamics for Human Representation | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Rowe C W | Low Tide/Splashzone (photographic and sound installation and Splashzone website) | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Ross M | valentine | 2000 | University of Newcastle | ||
| Rosenbloom P | Paul Rosenbloom | 2000 | University of Gloucestershire | ||
| Rosenbloom P | Traces | 2000 | University of Gloucestershire | ||
| Rosenbloom P | Significant Contemporary Artists | 2000 | University of Gloucestershire | ||
| Rosenberg T | A Matter of Tact. A Collaborative model of research and development between industry. | 2000 | Goldsmiths College | ||
| Rosenberg T | Near and Far. | 2000 | Goldsmiths College | Conreen, M. | |
| Rosella A | Siggraph | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Rosella A | Sizing and Shaping | 2000 | Nottingham Trent University | Fashion and Textiles | Graham Hutton |
| Rose C | Villes et Valises | 2000 | University of Sunderland | Fine Art | |
| Rooney P | At a Distance From (video). | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Rooney J | A review of a family of self-deploying tensegrity structures with elastic ties. | 2000 | Open University | Design for advanced products | J. Duffy B Knight CD Crane |
| Rooney J | Innovative deployable antenna developments using tensegrity design | 2000 | Open University | Design for advanced products | B. Knight J. Duffy CD Crane |
| Rome R | The Millennium Fountain | 2000 | Royal College of Art | Fine Art | |
| Rolph D | New Work | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rohr D | Postcards from Dounreay | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Rohr D | Drawing Connections (drawings and monograph essay) | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Rohr D | The Sleep of Reason | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | Stromberg, G. |
| Rogers ME | Pre-service primary teachers planning for science and technology activities: influences and constraints. | 2000 | Goldsmiths College | Davies, D. | |
| Rogers M | 'Domestic Acoustic', (Solo Exhibition). | 2000 | University of Derby | Research Group for Artists Publications | |
| Rogers H | Making a Scene: performing culture into politics, Performativity and Performance in Contemporary Politics and Art Practice. | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Rogers A | 2000 | Leeds Metropolitan University | Design | ||
| Rogers A | 2000 | Leeds Metropolitan University | Design | ||
| Rogers K. | N01SE | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Rodrigues CA | The Work of Art in the Age of Mechanical Reproduction | 2000 | University of Plymouth | Centre for Visual Computing | Cox, G. Stancer, P. |
| Rodrigues CA | Chinatown and Nose-Room. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Rodgers P | 'Managing Knowledge in Dispersed Design Companies' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell,N.H.M. Clarkson,P.J. Huxor,A.P. |
| Rodgers P | 'Writing and Sharing Rule-Text Heuristics Supporting Dispersed Design Communities' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell, N.H.M. Huxor, A.P. |
| Roddis JN | Applications PCT/GB00/03347(International) and 9920843.1 (UK) for 'TTURA' Glass + Resin Composite | 2000 | Sheffield Hallam University | ||
| Robson E H N | Dream, Dreamt, .....still Dreaming! | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Theatre Encorps Dr Ana Sanchez-Colberg Brudermann and Papp |
| Robinson P I | Berwick Retex | 2000 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | Lievesley, M Cornford, J |
| Robinson P I | Tyne Tour CD-ROM | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Lindsay, P Jones, M Lievesley, M |
| Robinson P I | Adapt Alumnus UfI | 2000 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | Agnelli, P Young, R |
| Robinson K | Archaeology's Photographic Image | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson K | A Bridge: Creating a Course in Material Culture Studies | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson K | Sedgeford Historical and Archaeological Research Project. (Publications, interpretative text and CD Rom based on a local heritage site used as a base for historical and archaeological collaborative research). | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson H | Disruptive Women Artists : An Irigarayan Reading of Irish Visual Culture | 2000 | University of Ulster | ||
| Robinson H | Whose Beauty? Women, Art and Intersubjectivity in Luce Irigaray's Writings | 2000 | University of Ulster | ||
| Robinson A F | 'Annette Robinson' [Solo exhibition] | 2000 | University College Northampton | Fine Art Practices | |
| Robertson P | Design of Leisure Games Software - SIM City 2000 UK Edition | 2000 | University of Central Lancashire | C Arundell, Kent Institute of Art and Design | |
| Robertson H | after image | 2000 | The London Institute | Fine Art | |
| Robertson GD | Challenge House | 2000 | Glasgow School of Art | Design | |
| Robertson GD | Extension to Nursing Wing, Crookfur Cottage Homes, Newton Mearns | 2000 | Glasgow School of Art | Design | |
| Robertson DA | 4D Design: Applied Performance in the Experience Economy | 2000 | De Montfort University | Woudhuysen, J. | |
| Robertson C | In a Marine Light | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Robertson C | Carol Robertson - New Paintings | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Robertson C | Landscape with Figure and DogsJenny + Feeding | 2000 | Wimbledon School of Art | Victoria Crowe ARSA RSW | |
| Robertson C | Barbara Rae Interactive Online Portfolio | 2000 | Wimbledon School of Art | Barbara Rae CBE DLitt RA Napier University, Edinburgh |
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| Robertson FG | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Robertson FG | Ive Sort of Lost It Now, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Roberts S | Pixel | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Roberts S | Dockers DVD | 2000 | Liverpool John Moores University | International Centre for Digital Content | G Price |
| Roberts PH | The Field of Design, the Act of Designing, and the Curriculum Subject of Design and Technology | 2000 | Loughborough University | Design Education | |
| Roberts M | Technical Support. | 2000 | Goldsmiths College | ||
| Roberts M | Carrier. | 2000 | Goldsmiths College | ||
| Roberts M | Katak. | 2000 | Goldsmiths College | ||
| Roberts M | Lineaments of the LWA. | 2000 | Goldsmiths College | ||
| Roberts J | Heroes and Villains, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Riley H | Towards a new theoretical base for the teaching and practice of drawing | 2000 | Swansea Institute of Higher Education | Drawing | |
| Riley B | Exhibition at Tate Modern | 2000 | De Montfort University | ||
| Riley B | Bridget Riley: Selected Paintings 1961-1999 | 2000 | De Montfort University | ||
| Riley B | Bridget Riley: Reconnaissance | 2000 | De Montfort University | ||
| Rieser M | Castle Park: Public Art in Practice | 2000 | Napier University | Photographic Practice | Swingler, S Price, D |
| Rieser M | Relatives: Art on the Edge | 2000 | Bath Spa University College | ||
| Rideal M.E.C. | Concerning the Photo-Booth | 2000 | University College London | Painting | |
| Rideal M.E.C. | Photographs '96-'98 | 2000 | University College London | Painting | |
| Ride P | Discrete Packets | 2000 | University of Westminster | CARTE | |
| Ride P | Demonstrations and Details from the Facts of Life | 2000 | University of Westminster | CARTE | |
| Riddy J | John Riddy: Photographs | 2000 | The London Institute | Fine Art | |
| Richon O | Allegories | 2000 | Royal College of Art | Critical Practice | |
| Richardson C | Face On | 2000 | Oxford Brookes University | Curatorial Projects | Mark Durden |
| Richards M | National Identity, Cyprus and Global Contexts | 2000 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Richards M | Television in Contemporary Asia | 2000 | University of Central England in Birmingham | Visual Communication Research Group | French D |
| Richards A. | NATURAL PLEATING IN ANCIENT EGYPT: A LOST TECHNIQUE | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Richards A. | DESIGN WORLD 2000 | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Rhodes NA | Scarlett | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes NA | Chiemsee Two | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes NA | Airbag | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes EA | SME entrepreneurialism in the context of supply chain re-engineering driven by large companies | 2000 | Open University | Design and innovation management | R. Carter |
| Rhodes EA | SME Entrepreneurialism: Models for Sustained Competitiveness in the Internet Environment. | 2000 | Open University | Design and innovation management | R. Carter |
| Rhodes E. | 14th Image Forum Festival 2000 | 2000 | University College London | Fine Art Media | |
| Rhodes C | The British Art Show, 5 group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Rhodes C | Carol Rhodes, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Rhodes C | Out of Place, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Reynolds L J | Screen design for childrens reading: some key issues | 2000 | University of Reading | S. F. Walker | |
| Renshaw T | Lock-Up | 2000 | University of Reading | Guendalina Salini | |
| Renshaw T | Incorporate 3 | 2000 | University of Reading | Sue Arrowsmith Jocelyn Clarke Stuart Cumberland |
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| Reid C | In the Place of an Object | 2000 | Wimbledon School of Art | Painting | Bice Benvenuto Darian Leader Parveen Adams |
| Reeves D | Origin | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Rees DD | British Designers: From Monarchy to Anarchy | 2000 | The London Institute | Fashion and Textiles | Simon Munro |
| Read J | Existing Bodies | 2000 | Edinburgh College of Art | Fine Art | |
| Rayson D | Landscape - The British Council Collection. | 2000 | Goldsmiths College | ||
| Rayson D | David Rayson - New Work. | 2000 | Goldsmiths College | ||
| Rayson D | Out of Place. Memory, imagination and the city | 2000 | Royal College of Art | Fine Art | |
| Rayson D | Out of Place - Memory, Imagination and the City. | 2000 | Goldsmiths College | ||
| Ray SF | Photographic light sources | 2000 | University of Westminster | Imaging Technology | |
| Rawson G | Charles Heath Wilson, Missionary of Art | 2000 | Glasgow School of Art | Historical and Critical Enquiry | George Fairfull Smith Sally Rush |
| Rawlinson IJ | The Last Resting Place of an Anonymous Citizen | 2000 | Manchester Metropolitan University | Crowe N | |
| Randall-Page P | Inner Compusion | 2000 | Dartington College of Arts | ||
| Randall-Page P | Womb Tomb | 2000 | Dartington College of Arts | ||
| Ramshaw W | Millennium Exhibition | 2000 | Royal College of Art | Applied Art | |
| Ramsenthaler S | 2-3-4-D | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ramsay G | Evolution isn't Over Yet, group exhibition | 2000 | Glasgow School of Art | Fine Art | John Beagles |
| Rampley M | Nietzsche, Aesthetics and Modernity | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Rampley M | The Remembrance of Things Past. On Aby M. Warburgh and Walter Benjamin | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Rampley M. | NIETZSCHE, AESTHETICS AND MODERNITY | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Raby F | Park Interactives (Adult Furniture) | 2000 | Royal College of Art | Computer Related Design | |
| Raby F | Project #26765: FLIRT, Flexible information and recreation for mobile users | 2000 | Royal College of Art | Computer Related Design | |
| Raban W | Live in Your Head: Concept and Experiment in Britain 1965-1975 | 2000 | The London Institute | Media and Communication | |
| Raban W | Firestation | 2000 | The London Institute | Media and Communication | |
| ROSS A R | Reflexions | 2000 | University of Dundee | Contemporary Practice | |
| ROBISON J | THREE BRITISH CERAMISTS: Richard Bell, Tracey Heyes and Jim Robison | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBISON J | Marc Neveu, Jim Robison and Fraus Vaudevoort | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBINSON M | sub.merge | 2000 | Middlesex University | A Deakin C Bassett V Spong |
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| ROBERTSON P | Design of Leisure Games Software - SIM City UK Edition | 2000 | Kent Institute of Art + Design | Clive Arundell | |
| RICHARDS C.J. | The design and evaluation of an interactive calculator for children | 2000 | Coventry University | The Design Institute | ORTON-FLYNN, S.J. |
| RICHARDS C.J. | Getting the picture: diagram design and the information revolution | 2000 | Coventry University | The Design Institute | |
| RICE A | Corporate Communications for the Electronic and Photonic Information Centre | 2000 | University of Dundee | Contemporary Practice | |
| RAMSAY T K | 'Source', Scottish Applied Arts inspired by Museum Artefacts | 2000 | University of Dundee | Contemporary Practice | Dorothy Hogg Simon Ward Sam Wade |
| RAMSAY T K | The International Exposition of Sculpture, Objects + Functional Art, SoFA 2000 | 2000 | University of Dundee | Contemporary Practice | Caroline Broadhead David Shaner Anna Skibska |
| RAMSAY T K | 'Craftscape', Contemporary British Crafts Alive + Kicking | 2000 | University of Dundee | Contemporary Practice | Simone ten Honpel Jane Wallace Elizabeth Callinicos |
| Quinn L | Racer | 2000 | Sheffield Hallam University | ||
| Quinn J | CRUDLET | 2000 | University of Westminster | Hypermedia | |
| Quinn J | Noise | 2000 | University of Westminster | Hypermedia | |
| Quickenden K | Boulton and Fothergill's bullion supplies for assay silver | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Quickenden K | The Virtual Gallery of Contemporary Jewellery | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Quemby S | National Print Exhibition 2000 | 2000 | Wimbledon School of Art | Peter Daglish Peter Roach Trevor Frankland |
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| QUINE M | Audiences for Live Theatre in Britain: the present situation and some implications | 2000 | City University | ||
| Putnam T J | Graduate Career Patterns in the Cultural Industries | 2000 | University of Portsmouth | Centre for Creative Empowerment | L Nolan S Lindsay J Ryan |
| Punt M | Post Classical Cinema and the Digital Image | 2000 | University of Wales College, Newport | CAiiA | |
| Punt M | The Postdigital membrane: connecting imagination, technology and desire. | 2000 | University of Wales College, Newport | CAiiA | R Pepperell |
| Pucill SA | Cast | 2000 | University of Westminster | Fine Art | |
| Pryke S | Virgin Atlantic Upper Class in-flight and terminal lounges ceramics, tableware and accessories | 2000 | De Montfort University | Hunt, M Welch, R |
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| Prophet J. | TechnoSphere V3 Real Time 3D Installation | 2000 | University College London | Fine Art Media | |
| Prophet J | Sordid Sites: The Internal Organs of a Cyborg | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Price-Owen A L | David Jones: Diversity in Unity | 2000 | Swansea Institute of Higher Education | Image and Text | Dilworth, T Humfrey, B Thomas, R S |
| Price-Owen A L | Sarah, through the Looking Glass | 2000 | Swansea Institute of Higher Education | Image and Text | |
| Price-Owen A L | David Jones and typography/typoetry | 2000 | Swansea Institute of Higher Education | Image and Text | |
| Price M L | Creating and using a 'Virtual Base Room'. | 2000 | Staffordshire University | ARi, School of Art + Design | C. Chambers |
| Price G | Dockers DVD | 2000 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Price G | BitBiz | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Price G | Imaru | 2000 | Liverpool John Moores University | International Centre for Digital Content | |
| Prevoo D. | IN-SITE | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Press MPO | Design Against Crime | 2000 | Sheffield Hallam University | S Learmont R Cooper |
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| Prendiville AN | Improving public transport through Design and Marketing led specification - case studies from the EU | 2000 | University of East London | ||
| Power M | Trilogia | 2000 | University of Brighton | Visual Communication Design | |
| Power M | Buren/Neighbours | 2000 | University of Brighton | Memory, Identity and History | |
| Powell G | Show of Faith Part One | 2000 | The London Institute | Media and Communication | |
| Powell G | Show of Faith Part One | 2000 | University of Brighton | Visual Communication Design | |
| Powell F | New | 2000 | Falmouth College of Arts | ||
| Potter S | Using scenarios to identify innovation priorities in the UK railway industry | 2000 | Open University | Design and innovation management | R. Roy |
| Potter L | The jeweller who mistook herself for a doctor. | 2000 | Goldsmiths College | ||
| Porter M L | Best buy Ergonomic Products and The Anthropometry of theFingers of Children | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Porter M | 'Profusion of Light' | 2000 | Wimbledon School of Art | Painting | |
| Porter M | 'Cliffs and Coastlines' | 2000 | Wimbledon School of Art | Painting | |
| Porter M | Cliffs and Coastlines | 2000 | Falmouth College of Arts | ||
| Porter LJ | Sorting the Wheat from the Chaff: A study of the Detection of Alarms | 2000 | Brunel University | Design Pedagogy | N Stanton D Harrison K Taylor-Burge |
| Porter D | Why Do Architects Wear Black? Thinking Beyond the Ethos Trap | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Pope M | Costume presentations at the National Gallery | 2000 | Wimbledon School of Art | Theatre costume | |
| Poncelet J | Attending to the Barely Made | 2000 | The London Institute | 3-Dimensional and Environmental Design | Penelope Curtis |
| Plunkett D | Propositions 2: Thinking Through Drawing | 2000 | Glasgow School of Art | Principles of Drawing | |
| Plouviez A | Summer Houses | 2000 | University of Sunderland | Photography | |
| Pirie I | The Global Gallery - from studio to cyberspace | 2000 | Robert Gordon University | Making and Contemporary Culture | Aitken, P. Malins, J. |
| Pirie I | The Design Graduate | 2000 | Robert Gordon University | Learning Strategies | |
| Piper T | The Cardiff Digital Portfolio One at CBAT | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Piper JF | Stop Thief (Design Against Crime) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Pinsky M | In Transit | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Pinn A | 'Evaluating The Student Experience of Learning Online' | 2000 | University of Hertfordshire | ||
| Pinn A | 'Using Cal to assist in the instruction of practical skills: a case study from Art and Design'. | 2000 | University of Hertfordshire | ||
| Pilsl C | Remake | 2000 | Southampton Institute | ||
| Pierse S J | Terra Incognita: Images of Australia | 2000 | University of Wales, Aberystwyth | ||
| Pickwoad N | Tacketed Bindings: A Hundred Years of European Bookbinding | 2000 | The London Institute | Media and Communication | |
| Phillpot C | Live in Your Head: Concept and Experiment in Britain 1965-75 | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Andrea Tarsia |
| Phillips WE | Cultural issues in implementing concurrent engineering in an SME: A case study | 2000 | University of Wales Institute, Cardiff | PDR | A Filson A Lewis |
| Phillips WE | Managing innovation in new product development: Reviewing the performance of small and medium-sized enterprises | 2000 | University of Wales Institute, Cardiff | PDR | A Filson R Brown |
| Phillips MR | Working Together: product development through university-SME collaboration | 2000 | Sheffield Hallam University | Anne Tomes | |
| Phillips ML | MEDIASPACE: Journal/Satellite Broadcasts/Website | 2000 | University of Plymouth | STAR | |
| Phillips ML | The Spectactor Project: a multi-user narrative in 'Mediaspace'. | 2000 | University of Plymouth | STAR | Ride P Turley S Lavelle M |
| Phillips ML | The Sadeian Interface: Computers and Catharsis | 2000 | University of Plymouth | STAR | |
| Phillips ML | Donald Rodney: Autoicon | 2000 | University of Plymouth | STAR | Cox G |
| Petrova S | Vessels-The International Exhibition of Glass | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Petrova S | Light Transfigured, Contemporary Czech Glass Sculpture 2000-2001 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Perkins G | 'Warning Shots!' Contemporary Art Exploring Themes of Conflict + Violence | 2000 | Wimbledon School of Art | Sculpture | Christine Borland Fiona Banner Willie Doherty |
| Pepperell R | The Postdigital Membrane: Connecting magination, technology and desire | 2000 | University of Wales College, Newport | CAiiA | M Punt |
| Pepperell R | The Post-Human Conception of Consciousness: a 10-point guide | 2000 | University of Wales College, Newport | CAiiA | |
| Pennell R. | Engraved Windows, Screens and Panels, Site-Specific | 2000 | University of Wolverhampton | Glass | |
| Pennell R. | Engraved glass vessel | 2000 | University of Wolverhampton | Glass | |
| Pennell R. | Three engraved and painted panels | 2000 | University of Wolverhampton | Glass | Richard Slee James Campbell Cynthia Cousens |
| Pennell JD | Cast | 2000 | The London Institute | Fine Art | |
| Pengelly J | Summer Breeze | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Pengelly J | Solidbase | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Peasgood D | Los Angeles Textile Show | 2000 | The London Institute | Fashion and Textiles | |
| Pearson L.F | Decorative Ceramics in the Buildings of the British Brewing History | 2000 | University of Wolverhampton | Ceramics | |
| Pearson L.F | British Breweries: an Architectural History | 2000 | University of Wolverhampton | Ceramics | |
| Pearson L.F | Minton Tiles in the Churches of Staffordshire | 2000 | University of Wolverhampton | Ceramics | |
| Peaker G | 'Bridges over Troubled Walter'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Peaker G | 'Natural History: Kitaj, Allegory and Memory'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Peacock JR | Kayakoy | 2000 | Sheffield Hallam University | Percy Peacock Steve Swindells |
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| Peacock A | Six one inch speakers and five simple switches | 2000 | University of Hertfordshire | ||
| Peacock A | Nanostate: Five Language Event (for livestock Ram-FM) | 2000 | University of Hertfordshire | ||
| Payne J | Lightweight sheer fabrics | 2000 | University of Southampton | ||
| Paxon A | New Work: solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Paxon A | Wim van Doorschodt en Adam Paxon: 2 person exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Pavitt J | The Buildings of Europe: Prague | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Pavitt J | Brand.New | 2000 | University of Brighton | Visual Communication Design | G Williams |
| Paul R | Relativities - 4th British International Miniature Print Exhibition, touring exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Paul JS | KITE Design | 2000 | Brunel University | Design for Inclusion | P Isherwood |
| Paul JS | AQUABAC Instruction Manual and Design Reports for BACKUP and National Lottery | 2000 | Brunel University | Design for Inclusion | J Burkitt P Isherwood |
| Patterson Z | Elementral Traces | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson RW | The Tragic in Architecture, AD | 2000 | De Montfort University | ||
| Patterson I | Lost | 2000 | Edinburgh College of Art | Fine Art | |
| Patterson I | Solids and Fluids | 2000 | Edinburgh College of Art | Fine Art | |
| Pattani S | Lightworks: The Works of Elizabeth Swinburne. Conversations with an artist. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Pattani S | Northlands Creative Glass Artist Residency and exhibition. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Pattani S | Glass Education: A British Perspective. | 2000 | Staffordshire University | ARi, School of Art + Design | L Thompson |
| Patrizio A | Half-Life: Works by Stefan Gec | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Partridge J | Altar and Cross | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Parry J | Paper Sphere, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Parker P | Reconstructing Narrative | 2000 | The London Institute | Media and Communication | |
| Parker P | Training and Screenplay Development in the UK | 2000 | The London Institute | Media and Communication | |
| Parker J. | Picturing the Modern Amazon | 2000 | University College London | Fine Art Media | |
| Parker J. | Foxfire Eins | 2000 | University College London | Fine Art Media | |
| Parker D R | A window on the world: the work of Roy Wenzel | 2000 | University College Northampton | Contemporary Art Criticism | |
| Parker D R | The Stuff of Life: the Life of Stuff the Material Imagination. Roy Wenzel A Psychological Perspective | 2000 | University College Northampton | Contemporary Art Criticism | |
| Parfitt D | 'Magic Carpet' - Public commission. Dimensions: 15sq. meters, 1.5 meters high. | 2000 | University College Chichester | Sculpture | |
| Pardey J G | Facade and Frame | 2000 | University of Portsmouth | Centre for Creative Empowerment | |
| Paolozzi E | London to Paris | 2000 | Edinburgh College of Art | Fine Art | |
| Palmer R | Cell, solo exhibiton | 2000 | Glasgow School of Art | Fine Art | |
| Palmer R | International Waters, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Palmer E | Foil | 2000 | The London Institute | Fine Art | |
| Page A | Making design dementia friendly | 2000 | Glasgow School of Art | Design | Stewart, S |
| Packe R | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Packe R | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| PROUD P T | Charcoal Lattice | 2000 | University of Dundee | Contemporary Practice | Jonathan Robertson |
| PORTER C.S. | Designing small electronic products; is inclusive design possible? | 2000 | Coventry University | The Design Institute | NEWMAN, R.M. |
| PHOCA S | Helene Cixous in Conversation with Sophia Phoca | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| PHILLIPSON M | PAINTING OUT OF RETICENCE | 2000 | Middlesex University | ||
| PATTISON J | Colour Maps | 2000 | University of Dundee | Contemporary Practice | |
| PARTINGTON M | The National Electronic and Video Archive of the Crafts (NEVAC) Website | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARTINGTON M | The National Electronic and Video Archive of the Crafts | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARTINGTON M | Ray Finch and Functional | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARRAMAN C | The Photomechanical Print as a Conservable Output | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| PARRAMAN C | A Survey of Photomechanical Prints | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Oxley Nigel | 3 original etchings inspired by engravings of Rembrandt + Goya (15 x 22 | 2000 | London Guildhall University | Gordon House Eric Rimmington Humphrey Ocean |
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| Oxley Nici | Box Project: a collection of small format (A5) boxes that have been `customised' by invited artists, curators, critics and performers. | 2000 | London Guildhall University | ||
| Oxborrow L | Nouvelles strategies de distribution et roles des PME dans l'habillement au Royamme-Uni | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Owen M | Parcours D' | 2000 | Southampton Institute | ||
| Oulton T | 'Slow Motion' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Otieno RB | Development of a Conceptual Framework for the Determination of Marketing Strategy: Indications from In-depth Interviews in Clothing Firms | 2000 | Manchester Metropolitan University | ||
| Otieno RB | The Role of Garment Sizing in the Creation of Consumer Satisfaction: Indications from Focus Group Responses | 2000 | Manchester Metropolitan University | ||
| Osfield R | A new technique for Integration of 3D Structural Modelling and Fracture Prediction - a Cast example from the East Brae Field | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | S J Kape P Allen W D de Boer |
| Osfield R | Modelling of Sub-Seismic Fracture Networks | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | L Thompson S Jones P A Griffiths |
| Orta L | Connector Sector 1 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Orr C | Royal Academy of Arts, Summer Show 1995-2000 | 2000 | Royal College of Art | Fine Art | |
| Orlow U | Housed Memory | 2000 | The London Institute | Fine Art | |
| Onwin G | Place of Origin | 2000 | Edinburgh College of Art | Fine Art | |
| Onishi M | 'Zen: Hamano and Ryu' | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Olsen GR | Three Paintings, Three Sites | 2000 | Oxford Brookes University | Creative Practice | Julian Parsons |
| Olsen GR | The Extramural Series | 2000 | Oxford Brookes University | Creative Practice | |
| Oliver V | Neil Spiller: Maverick Deviations | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Oliver V | Aspesi Advertising Campaign | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Oliver J | NYAD 2000 - International Group Show | 2000 | De Montfort University | ||
| Oliver J | 'Handbag' - National Touring Group | 2000 | De Montfort University | ||
| Ogilvie E | Into the Oceanic | 2000 | Edinburgh College of Art | Fine Art | |
| Ogawa S | Assymetric Cube | 2000 | Edinburgh College of Art | Fine Art | |
| Ofili C | Sydney Biennale | 2000 | Royal College of Art | Fine Art | |
| Odundo M. A. | BRITISH KERAMIK / BRITISH CERAMICS.2000.DK | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Oddy N | Toward a Policy on Restoration | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Ocean H | Zeebrugge | 2000 | The London Institute | Fine Art | |
| Oak A V | It's a Nice Idea, but it's not actually Real: Assessing the Objects and Activities of Design | 2000 | University College Northampton | Design for Industry and Commerce | |
| Oak A V | Evaluating voices: Assessment talk in design and architecture education | 2000 | University College Northampton | Design for Industry and Commerce | |
| OLIVER J. | Jacky Oliver: Inside out | 2000 | Coventry University | ||
| OLIVER J. | Handbag | 2000 | Coventry University | Visual Arts | CRAWFORD, S. GIBBS, J. |
| OBRIEN T | Souvenir | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| O'Sullivan T | The Glamour | 2000 | Cumbria College of Art + Design | ||
| O'Sullivan T | Inner becomes outer and outer becomes other | 2000 | Cumbria College of Art + Design | ||
| O'Neill A | Vivienne Westwood + Malcolm McLaren: Vintage Textiles | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| O'Connor DJ | Sculpture Commission. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Connor DJ | Public Arts Commission. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Brien K | 2000 | Leeds Metropolitan University | Visual Arts | ||
| O'Brien A | 'Silent Song' | 2000 | Napier University | Documentary and Experimental Film | Grossman, A. |
| North ME | VI International Art Trienniale Majdanek 2000 | 2000 | Loughborough University | Fine and Applied Arts | |
| North ME | Relativities: The 4th British International Miniature Print Exhibition | 2000 | Loughborough University | Fine and Applied Arts | |
| North ME | International Print Triennial 2000, 'Bridge to the Future' | 2000 | Loughborough University | Fine and Applied Arts | |
| Norman-Smith C | The Development of Hard Wax Stoppings for use on Furniture | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Norman-Smith C | Furniture Restoration and Conservation Practices | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | David Gillet |
| Norman EW | IDATER 2000: International Conference on Design and Technology Educational Research and Curriculum Development | 2000 | Loughborough University | Design Education | Roberts, P.H. |
| Noble I | Document: We Interrupt the Programme | 2000 | The London Institute | Media and Communication | Russell Bestley |
| Nixon L | Tuin Van Verbeelding (Garden of Imagination) | 2000 | Kingston University | ||
| Nicolle CA | The Use of USERfit Methodology to Teach Usability Guidelines in Vanderdonckt, J and Farenc, C. (eds) Tools for Working with Guidelines | 2000 | Loughborough University | Design Ergonomics | Abascal, J. |
| Nicolle CA | TELSCAN Handbook of Design Guidelines for Usability of Systems by Elderly and Disabled Drivers and Travellers | 2000 | Loughborough University | Design Ergonomics | Burnett, G.E. |
| Nicol K | The Fabric of Fashion | 2000 | Royal College of Art | Design for Manufacture | |
| Newton S J | 'Painting, Psychoanalysis and Spirituality' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Newton S J | Stephen Newton Etchings 1998 - 2000 and Paintings and Drawings 1997 - 2000 | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Newton J K | I Spy - Representations of Childhood. | 2000 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily Jane Fletcher |
| Newton J K | Shifting Horizons - Women's Landscape Photography Now. | 2000 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily Liz Wells |
| Newsham I A | Hippo Tales | 2000 | University College Northampton | Design for Industry and Commerce | |
| Newsham I A | Horrible Haircut | 2000 | University College Northampton | Design for Industry and Commerce | |
| Newsham I A | Oxford Literary Web (series 2) | 2000 | University College Northampton | Design for Industry and Commerce | |
| Newman HJE | A Shot in the Head: The Lisson Summer Show | 2000 | The London Institute | Fine Art | |
| Newman HJE | Beck's Futures | 2000 | The London Institute | Fine Art | |
| Newling J B | Aperture | 2000 | Nottingham Trent University | Visual Arts | |
| Newling J B | Immanent | 2000 | Nottingham Trent University | Visual Arts | |
| Newell R A | Landscape - painting and Teaching in Wales, a personal statement | 2000 | Swansea Institute of Higher Education | Drawing | |
| Newbury D | Changing Practices: Art Education and Popular Visual Culture | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Newbury D | The Development of Research Education and Training in Art and Design: a Personal View | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Newbury D | Photography and the Visualization of Working Class Lives in Britain | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| New S | In the Shadow | 2000 | University of Gloucestershire | ||
| New S | Feeling Poorly | 2000 | University of Gloucestershire | ||
| Neudecker M | Until Now - One person exhibition | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Neudecker M | Landscape - An examination of the perception of a 'scene' and its representation | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Neudecker M | Blue. Borrowed and New. An examination of the colour blue in art | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Nelson M | The Coral Reef/ Extinction Beckons | 2000 | Edinburgh College of Art | Fine Art | |
| Nelson M | The British Art Show 5 | 2000 | Edinburgh College of Art | Fine Art | |
| Nelson M | The Coral Reef | 2000 | The London Institute | Fine Art | |
| Nelson M | Another Place | 2000 | The London Institute | Fine Art | |
| Nelson M | British Art Show 5 | 2000 | The London Institute | Fine Art | |
| Naylor P.J. | VI International Art Triennale, Majdanek 2000. | 2000 | Falmouth College of Arts | ||
| Naylor P.J. | 3rd International Graphic Triennale | 2000 | Falmouth College of Arts | ||
| Naylor P.J. | International Small Engraving Salon | 2000 | Falmouth College of Arts | ||
| Nash M | The art of movement in Force Fields Ed. Guy Brett | 2000 | University of East London | ||
| Nash D JE | Chwarel Goed / Wood Quarry | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| NEVIN P | Time, Myth; Phantom + Reality | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | co-author Lucy Harrison |
| NEVIN P | Kids Room | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Murray V | City Mapping Hull | 2000 | University of Central Lancashire | ||
| Murray V | The Cut | 2000 | University of Central Lancashire | ||
| Murray M | 17th Association of Photographers Awards (2000) | 2000 | University of Gloucestershire | ||
| Munro S | British Designers: From Monarchy to Anarchy | 2000 | Kingston University | ||
| Mulvey JF | Freefall Series | 2000 | University of Westminster | Fine Art | |
| Mulrine S | Sinai Byzantium Russia - Orthodox Art from the Sixth to the Twentieth Century | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mullen C W | Butterflies in the Stomach | 2000 | University of Brighton | Visual Communication Design | |
| Mulhall S | States of Grace | 2000 | University of Gloucestershire | ||
| Mukherjee R | Carrier. | 2000 | Goldsmiths College | Roberts, M. | |
| Mukherjee R | Technical Support. | 2000 | Goldsmiths College | ||
| Mukherjee R | Mumbo Jumbo | 2000 | University of Hertfordshire | ||
| Mukherjee R | Technical Support | 2000 | University of Hertfordshire | ||
| Mukaide K | Keiko Mukaide | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mukaide K | Elemental Traces | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mowat I | JL Plus (Diffusion Line) Cashmere Womenswear | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mottram JA | Sky, Water and Leaf (fabric designs) | 2000 | Loughborough University | Textiles | Atkinson, P. |
| Mottram JA | Drawing across boundaries, Mottram, J.A. and Whale, G. (eds) | 2000 | Loughborough University | Drawing | |
| Mottram JA | New knowledge and new technology: Restructuring fine art education | 2000 | Loughborough University | Fine and Applied Arts | Whale, G. |
| Mortimer R | Neverland | 2000 | The London Institute | Media and Communication | |
| Mortimer R | Airshow | 2000 | The London Institute | Media and Communication | |
| Morris S.M. | The Purpose of Blue | 2000 | University College London | Fine Art Media | |
| Morris S.M. | Turning a Telescope on the Soul: Freud's Interpretation of the Psyche | 2000 | University College London | Fine Art Media | |
| Morris S | Perspective 2000 | 2000 | The London Institute | Fine Art | |
| Morris S | Experience: 4 Essays On Experience | 2000 | The London Institute | Fine Art | Darian Leader Kate Love Anthony Neaton-Armstrong |
| Morris S | The Haunting | 2000 | The London Institute | Fine Art | |
| Morris R | Coming into Focus | 2000 | Brunel University | Polymedia Design | |
| Morris N | Synergy | 2000 | Liverpool John Moores University | Graphic Arts | |
| Morris N | Eight Days A Week : Cologne in Liverpool 2000 | 2000 | Liverpool John Moores University | Graphic Arts | Bryan Biggs |
| Morris M | Solo exhibition | 2000 | The London Institute | Fine Art | |
| Morris L E | Drinking with Gilbert and George 1972-1978 | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Morra G | The Limits of Death: Between Philosophy and Psychoanalysis | 2000 | Oxford Brookes University | Theory | Marquard Smith Mark Robson |
| Morra G | Translation into art history | 2000 | Oxford Brookes University | Theory | |
| Morra G | Rauschenberg's Skin | 2000 | Oxford Brookes University | Theory | |
| Moriarty C | A Back Room Service? The Council of Industrial Design Photographic Library 1945-1965 | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| More J J | Sitooteries | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Mooney J | Queer Pickings: the Art of Lari Pittman | 2000 | Royal College of Art | Fine Art | |
| Moody W | Sensing the Fabric : To simulate sensation through sensory evaluation and in response to standard acceptable properties of specific materials when viewed as a digital image | 2000 | Liverpool John Moores University | Fashion and Textiles | Pat Dillon Roger Morgan Christopher James |
| Moody W | Sensing the Fabric : The development of a multi-modal device to investigate the potential for virtual sensory feedback aligned to textile image | 2000 | Liverpool John Moores University | Fashion and Textiles | Pat Dillon Roger Morgan Christopher James |
| Montag D. | Somewhere, Someone is Doing Something | 2000 | Falmouth College of Arts | ||
| Montag D. | K Exhibition | 2000 | Falmouth College of Arts | ||
| Montag D. | Bioglyphs: Art from Living Matter | 2000 | Falmouth College of Arts | ||
| Moffat A | Margaret Hunter, Elemental Traces, essay in exhibition catalogue | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Moffat A | John Byrne and Painting - An Enduring Passion, essay in exhibition catalogue | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mladovsky J | Jan Mladovsky - Recent Works/Czech Museum | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mladovsky J | Communism | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchison LS | Art Textiles (2): The Second Major Survey of Artists Working with Textiles | 2000 | Manchester Metropolitan University | ||
| Mitchell V | Janis Jefferies, Selvedges | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Maharaj, S. Jefferies, J. |
| Mitchell P | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell L | Exploring Everyday Products | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell J R. | '16 Gunmetal Frustums and Fillers: 4 Bronze Blocks with Conic Voids' | 2000 | Wimbledon School of Art | Painting | Fred Orton Malcolm Quinn |
| Mitchell J | Box Project | 2000 | University of Reading | Phyllida Barlow Ron Haselden Richard Wentworth |
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| Mitchell I | Chinese Whispers | 2000 | Liverpool John Moores University | Graphic Arts | Erik van Blokland ,The Hague, Netherlands Tobias Frere-Jones ,Hoefler Type, USA Yaki Mokho, Vital, Tel Aviv, Israel |
| Mitchell I | Realm of Fear | 2000 | Liverpool John Moores University | Graphic Arts | D Crow J Young M O'shaughnessy |
| Mitchell I | Don't Panic - This is Beaufonts | 2000 | Liverpool John Moores University | Graphic Arts | |
| Mitchell C | The Sixth Taiwan Golden Ceramics Awards | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell C | SOFA Chicago 2000 | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mitchell C | Ceramic Focus Exhibition | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mirza K | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Minott P | Citigroup | 2000 | Bath Spa University College | Jones, J. | |
| Minichiello MA | Mario Minichiello - commissions, personal journals, reportage (exhibition) | 2000 | Loughborough University | Illustration | |
| Milton A | 'Reinventing the Wheel: A Retroactive Manifesto for Car Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milton A | 'Critical Vehicles: A Conceptual Road Map for Automotive Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milton A | 'Design Futures - Future Designers' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milne L | 'On the Brink of Time' | 2000 | Napier University | Critical Theory of Practice | |
| Milne J | Pianola | 2000 | University of Southampton | Drew Milne | |
| Milne J | Group exhibition sponsored by Forum D'Art Contemporain, CVC and Serveis Globals | 2000 | University of Southampton | ||
| Mills R | Mantle | 2000 | Royal College of Art | Communications | |
| Millar RI | Collection 2000: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Millar RI | Roger Millar: Silversmith, solo exhibition | 2000 | Glasgow School of Art | Principles of Drawing | |
| Miles MFR | The Uses of Decoration: Essays in the architectural everyday | 2000 | University of Plymouth | Art Process | |
| Miles MFR | City Cultures Reader | 2000 | University of Plymouth | Art Process | |
| Midgley J | Round the World | 2000 | Liverpool John Moores University | Graphic Arts | |
| Midgley J | Year of the Artist. Artist in Residence | 2000 | Liverpool John Moores University | Graphic Arts | Blackpool Press Office -Sarah Dornford May |
| Middlemiss J.M. | Ausstellung Exhibition: Keramion | 2000 | Falmouth College of Arts | ||
| Middlemiss J.M. | The 3rd Mashiko Ceramics Competition | 2000 | Falmouth College of Arts | ||
| Meyrick R K | John Elwyn | 2000 | University of Wales, Aberystwyth | ||
| Meyrick R K | Claudia Williams | 2000 | University of Wales, Aberystwyth | ||
| Merrington K | 'The Thin Line' | 2000 | Wimbledon School of Art | Research Centre | Kevin Kaempf Marcelyn McNeil Charles Goldman |
| Merrington K | Frenzy | 2000 | Wimbledon School of Art | Research Centre | |
| Merali S | digNative; BuyNative; Going Native + Selling Native | 2000 | University of Westminster | Fine Art | |
| Mellor D | The Baby Doll Murders | 2000 | Royal College of Art | Fine Art | |
| Mellor D | Me and Mrs Jones | 2000 | Royal College of Art | Fine Art | |
| Meigh-Andrews C C | FENETRE DIGITALE | 2000 | University of Central Lancashire | ||
| Mee JM | Bras - A Twentieth Century Phenomenon? | 2000 | De Montfort University | ||
| Mealing SP | Do you see what I'm saying? | 2000 | University of Plymouth | Centre for Visual Computing | |
| Mealing SP | ud2k - Designing the Design Student | 2000 | University of Plymouth | Centre for Visual Computing | |
| Meacher N | Royal Institute of Painters in Water Colours Annual Exhibition | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Meacher N | Summer Show | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| McNiven A | Bleibe | 2000 | Edinburgh College of Art | Fine Art | |
| McNicoll C | Knick-Knacks | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| McNicoll C | British Ceramics 2000.dk | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| McNally NP | The New Design Role to Emerge in the 21st Century: Reflections Upon the 2nd China Furniture Design Competition | 2000 | Glasgow School of Art | Design | |
| McMullan S | Shauna McMullan, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| McLean P.B. | Bruce McLean, Works 1969-1999 | 2000 | University College London | Painting | |
| McLaughlin N W | Rock, Fashion, and Performativity | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McLaughlin N W | Hybridity and National Musics: the case of Irish Rock | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McLaren JH | Modelling Material Cascades | 2000 | Brunel University | S Parkinson T Jackson |
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| McLaren I | Some Pictorial Symbol Systems for Public Places | 2000 | De Montfort University | ||
| McLaren I | Otl Aicher: Designer and Teacher | 2000 | De Montfort University | ||
| McKeown RA | Performing Processes: Creating Live Performances | 2000 | University of Plymouth | Theatre + Performance | |
| McKeating JE | To Boldly Sew: Textiles for the 21st Century | 2000 | Manchester Metropolitan University | ||
| McKean J M L | Charles Rennie Mackintosh: Architect, Artist, Icon | 2000 | University of Brighton | Design History, Criticism and Theory | |
| McKeag D | Successful Continuous Improvement through Valve Stream Mapping | 2000 | University of Ulster | Robert Graham Stephen McCormick |
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| McKAY A | A Gift of Solitude | 2000 | University of Lincoln | ||
| McIver L | 'An Invitation to Kiss' | 2000 | Napier University | Documentary and Experimental Film | Pernille Spence Beverly Hood |
| McIntyre MP | Survey | 2000 | University of Ulster | ||
| McIntyre MP | Small Steps:Contemporary Art From Ireland | 2000 | University of Ulster | ||
| McIntyre MP | Some Place Else | 2000 | University of Ulster | ||
| McIntyre K T | Nutcracker de la Habana | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| McIntyre K | Craft and Consumerism: Just what is it that makes the Crafts so different, so appealing? | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| McHugh C | 'Vestiges' Christopher McHugh + Jane Sybilla Fordham. 50 paintings on wood, stone, canvass + steel. Dimensions between 2x3ins - 48x36ins. | 2000 | University College Chichester | Painting | |
| McGowan A | A History of Britain (published by the Daily Telegraph, weekly in 16 parts) | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McDowell C | Fashion Today | 2000 | The London Institute | Fashion and Textiles | |
| McDonough H | 'Short Stories' in 'Places of Life' European Women's Photography Award Exhibition | 2000 | Anglia Polytechnic University | ||
| McDonald G | The Rat Archive | 2000 | Southampton Institute | ||
| McDonagh-Philp DC | Undergraduate Design Project Utilising Users as a Design Resource: A Case Study, Scrivener, S.A.R., Ball, L.J. and Woodcock, A. (eds) | 2000 | Loughborough University | Design Research | |
| McDonagh-Philp DC | The Emotional Domain in Product Design | 2000 | Loughborough University | Design Research | Lebbon, C. |
| McDonagh-Philp DC | Use and Evaluation of Focus Group Technique: the Undergraduate Industrial Designer Experience | 2000 | Loughborough University | Design Research | Denton, H. Bruseberg, A. |
| McDermott C | Vivienne Westwood: The Collection of Romilly McAlpine | 2000 | Kingston University | ||
| McDade S | Displacement | 2000 | Southampton Institute | ||
| McDade S | Displacement | 2000 | Southampton Institute | ||
| McConnell A | POWERbreathe Inspiratory Muscle Trainer | 2000 | Brunel University | Design for Inclusion | MP Caine |
| McComish L | Sport Interactive | 2000 | University of Ulster | James Ware | |
| McClenaghen J | John McClenaghen | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| McClenaghen J | Elements of landscape | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| McClelland B | 3D-scan: 3D add-on scanning device | 2000 | University of Ulster | ||
| McClelland B | Mp 12 v Music System (Music Centre) | 2000 | University of Ulster | ||
| McCartney K E | Research Training for Designers | 2000 | University of Portsmouth | Centre for New Media Research | |
| McCarthy P | 'The Box Project', Group Exhibition. | 2000 | University of Derby | Research Group for Artists Publications | |
| McCann B | Deux Milles Coups/2000 Blows | 2000 | Kingston University | ||
| McCall A | Solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| McCRACKEN P | Le Donne Artiste:Problemi della Visibilita | 2000 | University of Lincoln | ||
| McCARTHY P J | Repetivity | 2000 | University of Lincoln | ||
| McBride C | Urban Facades: Whitefriars Bridge, solo publicly sited exhibition | 2000 | Glasgow School of Art | Fine Art | |
| May N | Out of Hours | 2000 | Cumbria College of Art + Design | ||
| Maudsley N | 'E-Business' | 2000 | London Guildhall University | ||
| Matthee J | Killer Kitten. | 2000 | Goldsmiths College | ||
| Matlow EG | Navigating technology: beyond a critical theory | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Matlow EG | Designing women: gender issues in graphic design education | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Mason R | Illustration as Incest | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | Return of the Picture | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | Week Link | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | A Digital Dolly? A Subjective Survey of British Illustration in the 1990s | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Mason R | Dem Tod Leben Einhauchen | 2000 | Wimbledon School of Art | Painting | Peter J.Bogner Esti S.Dunow Patrick Hirt |
| Mason PW | Gloucester Cathedral Residency | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Martinon JP | Matthew Luck Galpin: New Work. | 2000 | Goldsmiths College | ||
| Martinec R | Types of Process in Action | 2000 | The London Institute | ||
| Martinec R | Rhythm in Multimodal Texts | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Martinec R | Construction of Identity in Michael Jacksons Jam | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Martin TD | Its Sculpture Baby, In the Place of an Object | 2000 | De Montfort University | ||
| Martin PL | Hand in Glove | 2000 | De Montfort University | ||
| Marshall N D | Untitled | 2000 | University of Brighton | Materials Practices and Processes | |
| Marsden MJ | Navigata | 2000 | De Montfort University | ||
| Marrs R | Large Format Digital Printing | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Marrs R | Get Professional | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Marriott M | Biscuit | 2000 | Royal College of Art | Design for Manufacture | |
| Mantripp C | Tables | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Mansfield A | The Animal Mirror. | 2000 | Southampton Institute | ||
| Manning A | The Use of Neural Networks in an Image Analysis System to Distinguish Between Laser Prints and their Photocopies | 2000 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Mallet L | The Hare Lane Diaries | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Malins J | Educating the practice based researcher: developing new environments for collaborative and constructive learning | 2000 | Robert Gordon University | Learning Strategies | Gray, C. |
| Malem W | Ootie Spring / Summer 2001 childrenswear collection | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Male A | Large as life: Startling Comparisons of Animals at Life Size | 2000 | Falmouth College of Arts | Steve Parker | |
| Male A | Encycopedia of Science: The Living World | 2000 | Falmouth College of Arts | ||
| Makhoul B | Hold | 2000 | Sheffield Hallam University | ||
| Maguire R | Through Downs and Sea. | 2000 | Southampton Institute | ||
| Maguire R | Four Seasons | 2000 | Southampton Institute | ||
| Maguire R | London Photographics Awards | 2000 | Southampton Institute | ||
| Magee JP | Spirit of Change | 2000 | Manchester Metropolitan University | ||
| Magee JP | Promenade | 2000 | Manchester Metropolitan University | ||
| Macleod K | What would falisify an art practice? Research Degrees in Fine Art. | 2000 | University of Plymouth | Art Process | |
| Macklin P | Creation of a visual identity through graphic and artistic design for Candide 2000: a theatrical production. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Machin D | From 'interpretative communities' to 'communities of improvisation' | 2000 | The London Institute | Media and Communication | Michael Carrithers |
| Machin D | It Helps People Make Their Decisions. Dating Games, Public Service Broadcasting and the Negotiating of Identity in Middle-Childhood | 2000 | The London Institute | Media and Communication | Maire Messenger Davies |
| Mach D | L'Homme Qui Marche | 2000 | Edinburgh College of Art | Fine Art | |
| Mach D | The Eye of the Storm | 2000 | Edinburgh College of Art | Fine Art | |
| Macbeth P A | Bank Holiday | 2000 | University of Huddersfield | Colin Higgins Samantha Kauffmann |
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| MacLennan H | 'The Role of Professional Studies for Fine Art' | 2000 | University of Gloucestershire | ||
| Mabbutt M | Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| MYERS J | TOWERS (PART OF A13 ROAD PROJECT) - LEAD ARTIST | 2000 | Middlesex University | ||
| MUMBERSON S | ART WITH THE HELP OF A COMPUTER | 2000 | Middlesex University | ||
| MUMBERSON S | KACK HANDED | 2000 | Middlesex University | ||
| MOWBRAY J | 'Incisions Recesses' | 2000 | University of Lincoln | ||
| MOWBRAY J | International collaboration Sculpture, Dance, Performance with commissioning of video/film and music/phone Art | 2000 | University of Lincoln | ||
| MOWBRAY J | Artists Exhibiting at Roche Court | 2000 | University of Lincoln | ||
| MORTON V E | Victoria Morton at Gallery Enja Wonneberger | 2000 | University of Dundee | Contemporary Practice | |
| MORTON V E | Victoria Morton at Sadie Coles HQ | 2000 | University of Dundee | Contemporary Practice | |
| MORRIS R C | Acrylic Sculptural Jewellery | 2000 | University of Dundee | Contemporary Practice | David Watkins Otto Kunzli Gijs Bakker |
| MORGAN S | My Father | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MORGAN S | Memory and Identity in the Urban Landscape. A Tale of Two Barons | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MOONEY J | QUEER PICKINGS: THE ART OF LARI PITTMAN | 2000 | Middlesex University | ||
| MOODY E.H. | Ripensare il museo d'arte come risorsa educativa: marketing e curatela rivisitati in risposta a pubblici complessi | 2000 | City University | ||
| MODEEN M | Mary Modeen: Solo Exhibition, Public Art Commission, and Inaugural Research Fellowship | 2000 | University of Dundee | Contemporary Practice | |
| MOAR M | Walking with Avatars | 2000 | Middlesex University | F Bailey | |
| MOAR M | Children's Creation of Shared 3D Worlds | 2000 | Middlesex University | F Bailey | |
| MOAR M | Rendering through Iterated Function Systems | 2000 | Middlesex University | H Jones | |
| MIDDLETON N. | Research development on the opportunities for film production and distribution using internet technologies: the move from narrowband to broadband | 2000 | Coventry University | Design | |
| MEYNELL K | VOLUMES (OF VULNERABILITY) | 2000 | Middlesex University | ||
| MEYNELL K | THE ISLAND BELL | 2000 | Middlesex University | ||
| MEY K | Sprachgesten und Spielraume | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Littler, M Dahlke, B Visser, A |
| MCGILVRAY R | The Ambassador Routes | 2000 | University of Dundee | Industry and the Public Sector | |
| MCCONNELL-WOOD T | Same/Different | 2000 | University of Dundee | Digital Technology | |
| MATTHEWS R D | A Square of Ground | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MATTHEWS R D | The Art of the Pixel/Fakescape | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MATTHEWS G | Writing Design | 2000 | University of Lincoln | ||
| MARKIEWICZ L | A Conversation | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MARKIEWICZ L | Volumes of Vulnerability/The Pool | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANLEY B | Bryn Manley - There are Places I Remember | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANHEIM J | DEEP THEATRE | 2000 | Middlesex University | ||
| MALLINDER H | Lightning Strikes: An Installation | 2000 | Middlesex University | B Evans H Jones |
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| MALLINDER H | The Mat as Non-Conventional Interface | 2000 | Middlesex University | H Jones | |
| MAIR G | Hotel Central | 2000 | University of Dundee | Digital Technology | Matt Hulse |
| MACLEAN W J | Cardinal Points | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| MACLEAN M. | Slipped status | 2000 | Coventry University | Visual Arts | |
| MACKENNA T | I Believe in D | 2000 | University of Dundee | Contemporary Practice | Janssen, E Beuys, J Polke, S |
| MACDONALD M J S | The Patron, the Professor and the Painter: cultural activity in Dundee at the close of the nineteenth century. | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Whatley, C A Baillie, M McKean, C |
| MACDONALD M J S | Scottish Art | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Luna P F | Clearly defined: continuity and innovation in the typography of English dictionaries | 2000 | University of Reading | ||
| Lowe J | Landscape? Forming and In-forming of Architectural Space | 2000 | University of Brighton | Natural and Constructed Environments | |
| Lowe B. | Intelligence: New British Art 2000 | 2000 | University College London | Fine Art Media | |
| Loughlin S. | INSTINET | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Loughlin S. | REMAX: CHAOS THEORY | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Lomax Y | Writing the Image: An Adventure with Art and Theory | 2000 | Royal College of Art | Critical Practice | |
| Logue L | The Super Deluxe Selection | 2000 | Southampton Institute | ||
| Logan DJ | Design of intensified charged coupled device for the scientific/manufacturing marketplace | 2000 | University of Ulster | ||
| Lock G | Autoparts | 2000 | Chester College of HE | ||
| Lochun D | Handbook of Conductive Lithographic Films | 2000 | Brunel University | BJ Ramsey Evans P S A DJ Harrison |
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| Lochun D | An initial investigation into the Low Cost Manufacture of Diffraction Objects | 2000 | Brunel University | B Ramsey D Harrison |
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| Lochore B | British Art Part II - Paintings | 2000 | The London Institute | Fine Art | |
| Lloyd D | Flora Britanica | 2000 | University of Gloucestershire | ||
| Lintern D | Classifieds | 2000 | Wimbledon School of Art | Theatre Design | |
| Linklater R | Orfeo by Monteverdi | 2000 | Nottingham Trent University | Design | Vancouver Early Music Festival |
| Ling M | Calligraphy and Lettering Arts Society (CLAS) | 2000 | University of Sunderland | Design | |
| Ling M | Word as Image Exhibition | 2000 | University of Sunderland | Design | |
| Lindsay W | An Evaluation of Geology and Weathering in the Preservation of Marl Objects | 2000 | Royal College of Art | Conservation | Ventikou, M Halls, C Batchelder, M |
| Lindley J | Sharpway | 2000 | University of Hertfordshire | ||
| Lindley J | Locking Spectacle Frame Display For Opticians | 2000 | University of Hertfordshire | ||
| Lindley J | Eyeworks Opticians | 2000 | University of Hertfordshire | ||
| Liggins A M | West Ffotobiennal Wales | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Liggins A M | Paradise Park | 2000 | Swansea Institute of Higher Education | Photography | |
| Lewis M | The Pitch | 2000 | The London Institute | Fine Art | |
| Lewis M | Peeping Tom, North Circular, Smithfield | 2000 | The London Institute | Fine Art | |
| Lewis A | Cultural issues in implementing changes to new product development process in a small to medium sized enterprise (SME) | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Lewis A | Barriers between design and business strategy | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Lewis A | Innovation from a small company perspective - An emprical investigation of new product development strategies in SME's | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Lewin A | Infinite Fracture | 2000 | Dartington College of Arts | ||
| Lewandowski S | Don't Worry | 2000 | Nottingham Trent University | Visual Arts | |
| Lesdema E | warning SHOTS | 2000 | Southampton Institute | ||
| Leonidas G | Gramatosires ke politismiki taftotita [Typefaces and Cultural Identity] | 2000 | University of Reading | ||
| Leonidas G | Aegis | 2000 | University of Reading | ||
| Leonidas G | In search of the digital Cresci? Don Knuths Digital Typography | 2000 | University of Reading | ||
| Leonidas G | An introduction to Greek type design | 2000 | University of Reading | ||
| Lemon E | Artist-in-Residence. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Lemon E | The Box Project, Museum of Installation. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Leighton TM | Vivre sa Vie: Contemporary Art from France | 2000 | Manchester Metropolitan University | Bradley W Webster T |
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| Leighton P | GSA Art in Architecture Commission - permanent public sculpture | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Lehman Smith McLeish |
| Leighton P | 'Paraclet' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Lees N | Not Just Pots:New Directions in Contmporary Ceramics | 2000 | Bath Spa University College | Aylieff, F. Bryars, J. Smith, H. |
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| Lee RA | The Theremin Lesson | 2000 | Oxford Brookes University | Creative Practice | |
| Lee R | Green Man in the Landscape | 2000 | Cumbria College of Art + Design | ||
| Lee J | Nothing much to look at.... | 2000 | Nottingham Trent University | Visual Arts | |
| Ledsham JM | 5th International Betonac Prize | 2000 | University of Ulster | ||
| Lebbon C | Investigating Industry Attitudes to Universal Design | 2000 | Royal College of Art | Inclusive Design | Keates, S Clarkson, J |
| Lebbon C | i-Design project - inclusive design for the whole population | 2000 | Royal College of Art | Inclusive Design | Clarkson, P Dr Keates, S Coleman, R |
| Lebbon C | The Emotional Domain in Product Design | 2000 | Royal College of Art | Inclusive Design | McDonagh-Philip, D |
| Leach R | Meyerhold and Biomechanics | 2000 | Cumbria College of Art + Design | ||
| Lea-Greenwood G | Maine New England at Debenhams: Developing a Range | 2000 | Manchester Metropolitan University | Moore CM Oldfield B |
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| Lea-Greenwood G | Muji: A Case Study in Internationalization | 2000 | Manchester Metropolitan University | ||
| Lawrence CN | The Development of Design Intro | 2000 | University of Ulster | RG Baird | |
| Lawler T | Design + Technology Project Work as a means of developing a collaborative creative risk taking environment. | 2000 | Goldsmiths College | ||
| Law J | Developing New Markets: a role for interactive design tools | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | David Hands |
| Larsen P | Managing the strategic planning process: A comparative analysis between high-growth medium-sized enterprises and the general business population | 2000 | University of Wales Institute, Cardiff | PDR | R Tonge M Ito |
| Lane C | Scan | 2000 | The London Institute | Fine Art | Rosemary Butcher Vong Phaopanit |
| Landry CR | The Creative City: A Toolkit for Urban Innovators | 2000 | The London Institute | Media and Communication | |
| Lancaster J | Sacred Interiors part 2 | 2000 | De Montfort University | ||
| Lalic M | Blue | 2000 | Bath Spa University College | Albers, J. Hirst, D. Picasso, P. |
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| Laing DW | Nice Work - If You Can Get It! A survey of musicians' employment 1978-1998 | 2000 | University of Westminster | Sound Media | York N |
| LOWRY J | From the Site of Desire to the Scene of Destruction: Photography and Work of Cindy Sherman | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| LOWRY J | History, Allegory, Technologies of Vision | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | D Green P Sneddon |
| LEMKE H | Obviously echoing | 2000 | University of Lincoln | ||
| LEMKE H | Kleine Kuechenlieder fuer mittlers Kammerochester | 2000 | University of Lincoln | ||
| LEHMANN U | Tigersprung - Fashion in Modernity | 2000 | Kent Institute of Art + Design | ||
| LAMB E P | Nagasawa Art Park Project Exhibition 2000 | 2000 | University of Dundee | Contemporary Practice | Dean Bowen Peter Lazarov Hiroki Satake |
| Kyte R | A Timepiece for the Millennium. Chronometer in gold and silver set with diamonds, mounted in a black slate surround, which records time and celestial and solar positions. | 2000 | London Guildhall University | ||
| Kusters C | International Poster Exhibition | 2000 | The London Institute | Media and Communication | |
| Ktori A | Digitising Sound | 2000 | University of Westminster | Sound Media | |
| Krysa J | Jeux D'Amour | 2000 | University of Plymouth | STAR | Vallet E Vlkova M |
| Kovats T | 'Landscape' | 2000 | Wimbledon School of Art | Sculpture | Peter Doig Julian Opie Tacita Dean |
| Kovats T | Lost | 2000 | Wimbledon School of Art | Sculpture | Agnes Martin Louise Bourgeois Le Corbusier |
| Kovats T | Landscape | 2000 | The London Institute | Fine Art | |
| Konttinen S L | Writing in the sand : on the beaches of north east England | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Konttinen S L | 'Amber Forever' | 2000 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Kondracki H | Kondracki's Edinburgh | 2000 | Edinburgh College of Art | Fine Art | |
| Knowles D | Arcadia Group plc - Dorothy Perkins Division, Ladies Knitwear Winter 2000 | 2000 | Kingston University | ||
| Knowles D | Next plc - Ladies Jerseywear Collection Spring/Summer 2000 | 2000 | Kingston University | ||
| Knorr K. H. | ART LOVERS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Knight L M | The Mare's Tale. | 2000 | Staffordshire University | ARi, School of Art + Design | M. Wouda A. Craddock M. de Vries |
| Knight L M | Patterns of Delivering Animation Education to Pre-Degree Students as part of a School Curriculum | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Knight L M | Flip to Zip - Methods of Introducing Animation into the Art and Design Curriculum. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Klimowski A | Andrzej Klimowski: the Deflected Gaze | 2000 | Royal College of Art | Communications | |
| Kivland S | La Bonheur des Femmes (The Scent of a Woman) | 2000 | Sheffield Hallam University | ||
| Kitchen S | 'Spring' and 'Monster' | 2000 | Royal College of Art | Computer Related Design | |
| Kirwan R | Clem Crosby, Sybille Berger, Richard Kirwan. | 2000 | Goldsmiths College | ||
| Kirwan R | Encounters. | 2000 | Goldsmiths College | ||
| Kirkwood I | Recent Paintings | 2000 | De Montfort University | ||
| Kirkup W E | 'Search' and 'Search Adelaide' | 2000 | University of Northumbria at Newcastle | Installation (2b) | |
| Kirkham DA | Developing Business and Management Subject Models within Art and Design Higher Education | 2000 | De Montfort University | ||
| Kirkham DA | Marketing and Business Planning | 2000 | De Montfort University | ||
| Kippin J | The First Festival of Photography in South Asia | 2000 | University of Sunderland | Photography | |
| Kinmonth C | 'From the Cradle to the Grave: Aesthetics and the Irish Vernacular Interior' | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kingston A M | 'Girl' | 2000 | Wimbledon School of Art | Research Centre | Nicky Hoberman Chantal Joffe Kerry Stewart |
| Kingston A M | 'Girlish' | 2000 | Wimbledon School of Art | Research Centre | Jo Lansley Helen Bendon Kerry Stewart |
| Kinersley-Taylor J | Out of the Garden: New textiles by members of the 62 Group: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Kinersley-Taylor J | Series of 4 wall hangings | 2000 | Glasgow School of Art | The Decorative Arts | |
| Kindel E T | World of signs and pictures. Review of Wolfgang Weingarts My way to typography | 2000 | University of Reading | ||
| Kinchin J | Glasgow: The Dark Daughter of the North | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Kimbell RA | Collected Research Papers for the Design + Technology International Millennium Conference 2000. | 2000 | Goldsmiths College | ||
| Khan T | The effect on wear behaviour of H13 tool steel surfaces modified using a tungsten arc heat source | 2000 | Brunel University | Environmentally Sensitive Design | SA Rizvi K Matsuura |
| Kettell R | 'Below the Salt', Exhibition Catalogue Design. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Kettell R | 'It's All Greek To Me'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Kesseler RS | MOKPO International Ceramics Pre-Expo 2000 | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Kesseler RS | Another View | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Keskeys D | 'Design Technologies: Addressing the Pace of Change' | 2000 | University of Gloucestershire | ||
| Keskeys D | London Photographic Awards 4 | 2000 | University of Gloucestershire | ||
| Kerr S | Outside the Box | 2000 | Bolton Institute of HE | ||
| Kerr J | Back to the Future | 2000 | Royal College of Art | Architectural Design | |
| Kerr J | The Unknown City: Contesting Architecture and Social Space | 2000 | Royal College of Art | Architectural Design | Borden, I Rendell, J |
| Kerr J | Beyond the Empire of the Signs | 2000 | Royal College of Art | Architectural Design | Fraser, M |
| Kermik J | Promoting Change. The A M Luther Company 1920 - 1940 | 2000 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Kerbel J | 15 Lombard St | 2000 | Kingston University | ||
| Kerbel J | From Here to Betweenity: JKJK: Janice Kerbel/Joachim Koestler | 2000 | Kingston University | ||
| Kennett CP | Compromise, conflation and contextualism in English music(ology) | 2000 | University of Westminster | Sound Media | |
| Kennedy M | The Contemporary Print Show | 2000 | Anglia Polytechnic University | ||
| Kennard P | Dispatches from an Unofficial War Artist | 2000 | Royal College of Art | Critical Practice | |
| Kempadoo R | 'Virtual Exiles' | 2000 | Napier University | Photographic Practice | Hatice Abdullah |
| Kemp SWJ | The Three Bears | 2000 | The London Institute | ||
| Kelly D | Inside Cover | 2000 | Wimbledon School of Art | Nick Austin Stephen Bury David Rees Davies |
|
| Kelly D | View + Re:view | 2000 | Wimbledon School of Art | Simon Patterson Susan Hiller Joseph Kosuth |
|
| Kelly D | 'Credit' | 2000 | Wimbledon School of Art | ||
| Kelly D | Books by Artists | 2000 | Wimbledon School of Art | Sarah Bodman | |
| Kelly C | Lines of Incidence | 2000 | The London Institute | Fine Art | |
| Kelly C | Comedy of Errors | 2000 | The London Institute | Fine Art | |
| Kelly C | Ballads | 2000 | The London Institute | Fine Art | |
| Keegan S P | Showcase | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Keane T | Couch - as in Warhol | 2000 | The London Institute | Fine Art | Rachel Armstrong |
| Keane J | Exchange Rates | 2000 | The London Institute | Fine Art | |
| Keane J | Making a Killing (Rupert, Charles and Diana) | 2000 | The London Institute | Fine Art | |
| Kaylan M | SQALLP Live Art Event | 2000 | University of Brighton | Visual and Performing Arts | |
| Kay E | Orbis Terrarum | 2000 | University of Portsmouth | Art and Philosophy | |
| Karakashian S | Carrier Exhibition | 2000 | University of Hertfordshire | ||
| Karakashian S | Hybridized | 2000 | University of Hertfordshire | ||
| Kappo D | Dave and Joe Collections | 2000 | The London Institute | Fashion and Textiles | |
| Kappenberg C | Journeys | 2000 | The London Institute | Fine Art | |
| Kaner J | Conservation and restoration of furniture from the Victoria + Albert Museum | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| KIRKBY B | LEAVE | 2000 | Middlesex University | ||
| KIRKBY B | BOUDICCA - COLLECTION 2000 | 2000 | Middlesex University | ||
| KIRKBY B | SYSTEM ERROR | 2000 | Middlesex University | ||
| KIRKBY B | BOUDICCA - COLLECTION 2001 | 2000 | Middlesex University | ||
| KING D.A. | Small is Beautiful | 2000 | Coventry University | Visual Arts | IRVIN, A. FROST, T. GIBBONS, J. |
| KELLY C | Ballads - Coisceim Dance Theatre | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| KELLY C | Comedy of Errors | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| KEITH J M | Handmade | 2000 | University of Dundee | Contemporary Practice | Sharon Ting Jo Sheffield Janet Bolton |
| KEILLER P | THE DILAPIDATED DWELLING - BETA SX COLOUR VIDEO | 2000 | Middlesex University | ||
| KEILLER P | PORT STATISTICS | 2000 | Middlesex University | ||
| K U | Out so late, Miss? | 2000 | University of Gloucestershire | ||
| K U | Samsa in the City | 2000 | University of Gloucestershire | ||
| Julier G | 2000 | Leeds Metropolitan University | Design | ||
| Julier G | The Culture of Design | 2000 | Leeds Metropolitan University | Design | |
| Julier G | From Object to Experience' | 2000 | Leeds Metropolitan University | Design | |
| Julien I | The Film Art of Isaac Julien | 2000 | Oxford Brookes University | Creative Practice | |
| Julien I | The Long Road to Mazatlan | 2000 | Oxford Brookes University | Creative Practice | Javier de Frutos (choreographer) |
| Judge V | Kommunikation durch Bilder, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Jordanov I | Optimal design of connectivity in neural network training | 2000 | University of Wales Institute, Cardiff | PDR | R Brown |
| Jordanov I | From on-line sketching to 2D and 3D geometry: A system based on fuzzy knowledge | 2000 | University of Wales Institute, Cardiff | PDR | SF Qin D Wright |
| Jordan J | Reclaim the Streets | 2000 | Sheffield Hallam University | ||
| Jordan J | De La Accion Directa Como una de las Bellas Artes (Direct Action as one of the Fine Arts) | 2000 | Sheffield Hallam University | ||
| Jones TE | The Elements of Drawing, solo exhibition | 2000 | Glasgow School of Art | Principles of Drawing | |
| Jones J | Interpreting Ceramics - An International referred electronic journal for ceramics | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Jones GP | The work of Glyn Jones | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Jones D | Thirty Ceramic Vessels | 2000 | University of Wolverhampton | Ceramics | |
| Jones D | Raku:Investigations into Fire | 2000 | University of Wolverhampton | Ceramics | Barry Wilson |
| Jones C | Gravity | 2000 | University of Newcastle | ||
| Jones C | Index | 2000 | University of Newcastle | ||
| Jones A D | Destabilising Sender: Jemima Stehli's Ingratiating objection | 2000 | University of Portsmouth | Art and Philosophy | |
| Jones A D | The problems of every day life | 2000 | University of Portsmouth | Art and Philosophy | |
| Jones SEG | These Are Not My Images | 2000 | The London Institute | Media and Communication | |
| Jones SEG | Chesterfield Starfield | 2000 | The London Institute | Media and Communication | |
| Joiner B | Untitled Wardrobe | 2000 | University of Westminster | Fine Art | |
| Johnstone SW | Wall of Death Video Installation | 2000 | University of Southampton | ||
| Johnstone SW | Holding Pattern Permanent Public Artwork | 2000 | University of Southampton | ||
| Johnstone S | Geneva Express. | 2000 | Goldsmiths College | ||
| Johnstone S | Wall of Death. | 2000 | Goldsmiths College | ||
| Johnston M | The Designer's Role in the Aging Process | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Johnston L | Dichroic Installation | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Johnston L | Ocean Dynamics | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Johnston L | Light Matrix | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Johnston ID | Ships for a Nation | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Johnston ID | The Battleships | 2000 | Glasgow School of Art | Historical and Critical Enquiry | Rob McAuley |
| Johnston C | Liberty Wholesale Fabric Collection | 2000 | Royal College of Art | Design for Manufacture | |
| Johnston A | Intelligence: New British Art 2000 | 2000 | Edinburgh College of Art | Fine Art | |
| Johnson Soliz CA | Cecile Johnson Soliz - Concept: Heat | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Johnson JH | Intelligent support for communication in design teams: garment shape specifications in the knitwear industry | 2000 | Open University | Design for advanced products | C. Eckert N.G. Cross |
| Johnson JH | Complexity Science for the Design of Swarm Robot Control Systems | 2000 | Open University | Design for advanced products | M. Sugisaka |
| Johnson SW | Who's Who? | 2000 | The London Institute | Fine Art | |
| Johanknecht S | Volumes of Vulnerability. | 2000 | The London Institute | Fine Art | Katharine Meynall |
| Johanknecht S | Concerning Memory | 2000 | The London Institute | Fine Art | |
| Johanknecht S | BOP: Books, Objects Print | 2000 | The London Institute | Fine Art | |
| Jerrard R | Researching Designing: cycles of design research | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Jensen SA | EL3 | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Jennings C | Meniscus: 9 paintings, 38cms. X 214 cms. oil-on-canvas, with box of 9 silverpoint drawings + text | 2000 | London Guildhall University | ||
| Jenkins P | Design of an Intravenous Drip Monitor | 2000 | University of Wales Institute, Cardiff | PDR | |
| Jenkins P | Design of Remote Controller for a Lighting System | 2000 | University of Wales Institute, Cardiff | PDR | |
| Jenkins P | Design of a Driving Aid for People with Restricted Physical Movement | 2000 | University of Wales Institute, Cardiff | PDR | |
| Jenkins P | Design of a Foil-sided Bottle | 2000 | University of Wales Institute, Cardiff | PDR | |
| Jeffries N.F. | Carnivalesque | 2000 | University College London | Painting | |
| Jeal D | Solo Exhibition: Installation of Callilactil and Escrito de Campo | 2000 | Anglia Polytechnic University | ||
| Jeal D | Exhibition of Sculpture | 2000 | Anglia Polytechnic University | ||
| Jardine B | Box and Cox | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| James S | 'Subway Special' | 2000 | Wimbledon School of Art | Sculpture | William Furlong Tim Lewis Susan Stockwell |
| James JP | Ceramic Sculpture. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| James D | Upholstery Hints and Tips | 2000 | Buckinghamshire Chilterns University College | Furniture Technology | |
| James A | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| James A | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | Vir, P | |
| Jain S | The EMMA Forum Information Exchange, collaboration and connectivity | 2000 | University of Portsmouth | Centre for Creative Empowerment | S Clarke |
| Jacobs S.M. | Costumes for Shakespeare | 2000 | University College London | Theatre Design | |
| Jackson B | Betty Jackson Summer Collection 2000 | 2000 | Royal College of Art | Design for Manufacture | |
| Jackson B | The Matter in Hand | 2000 | Royal College of Art | Design for Manufacture | |
| Jackowski A | Recent Work | 2000 | University of Brighton | Fine Art Practices | |
| Jackman J | Fast-UK (Fine Art Sculptors and Technology in the United Kingdom) | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| JUPP M | Mo Jupp: Solo Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| JUPP M | British Ceramics.2000.dk | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| JOURNEAUX J. | States of grace | 2000 | Coventry University | Visual Arts | DEVANE, J. HAYS, I.V. SHERLOCK, G.D. |
| JOSTINS J.E. | Microcab | 2000 | Coventry University | Design | OWEN, J.K. PIPER, J. |
| JONES H | Modelling of Growing Natural Forms | 2000 | Middlesex University | J Kaandorp | |
| JOHNSTON K | Valencia | 2000 | University of Dundee | Contemporary Practice | Susan Thrower Yoka Stada |
| JOHNSTON K | Mardi Gras | 2000 | University of Dundee | Contemporary Practice | |
| Isherwood P | Nasal Respiratory Masks for pre-term babies | 2000 | Brunel University | Design Pedagogy | M Elam V Young |
| Isherwood P | Thames Water District Metering | 2000 | Brunel University | Design Pedagogy | T Inns |
| Isherwood P | Research Direction and Development Electro-Sensory Textiles Technology | 2000 | Brunel University | Design Pedagogy | C Chapman |
| Isherwood P | Exploring Design and Innovation - fresh ideas for creative curriculum development | 2000 | Brunel University | Design Pedagogy | A Chappell E Tabor N Stanton |
| Irving I | The Blue Chamber | 2000 | Robert Gordon University | Culturally Responsive Practices | |
| Irvine J | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Irvine J | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Ingram J | Developing Publishing Opportunities for Industrial Design Research | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Cooper |
| Ingham R | A Celebration of Craftsmanship | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham K | Death's Witness | 2000 | Swansea Institute of Higher Education | Photography | |
| Illner A A | British Jewellery in Berlin | 2000 | University of Hertfordshire | ||
| IRVINE Z | The Jewel Box | 2000 | University of Dundee | Digital Technology | |
| INNS T G | Working Partnerships: Organisational Learning in Industry and Academia through Design Knowledge Initiatives | 2000 | University of Dundee | Industry and the Public Sector | Naomi Gornick |
| Hyatt J | Navigating the Terror | 2000 | Manchester Metropolitan University | ||
| Hutton A | VR Technology for Interactive Control of Robots on the Internet | 2000 | University of Ulster | Michael McNeill | |
| Hutchinson T | MODE Contemporary Home Exhibition | 2000 | The London Institute | Media and Communication | Jason Edwards |
| Hutchinson J A | Gift | 2000 | University of Sunderland | Fine Art | |
| Hussey P | 'Viewpoint on Design' | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hussey P | Hambledon Church Altar | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hurtado R | Lavazza Take-Away Coffee Place. | 2000 | Goldsmiths College | Feo, R. Santos, F. |
|
| Hurtado R | Mind the Gap (table). | 2000 | Goldsmiths College | Feo, R. Santos, F. |
|
| Hurlstone IN | Material Diversity: group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Hunter R | Become like me | 2000 | Edinburgh College of Art | Fine Art | |
| Hunter R | Relief from Memory (IV) | 2000 | Dartington College of Arts | ||
| Hunter R | Against Belief in Ossification | 2000 | Dartington College of Arts | ||
| Hunter R | 'Re-mapping a psyche', interview with Andre Stitt | 2000 | Dartington College of Arts | ||
| Hunter J | Arena | 2000 | Edinburgh College of Art | Fine Art | |
| Hunt MR | 'Reflections' range of porcelaine tableware | 2000 | De Montfort University | ||
| Hunt MR | 'Paris' cafetiere coffee pot with injection moulded filter unit | 2000 | De Montfort University | ||
| Hunt MR | 'Egeo' range of glass bowl, plates and serving dishes | 2000 | De Montfort University | ||
| Hugonin J W | Fourfold Four Directions | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Hughes J | Developing printing techniques for Knitwear Designer Alan Gallacher | 2000 | Glasgow School of Art | Design | |
| Hughes BR | In the Bag and Off the Wall; Design Against Crime initiative | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Hubbard S. | Deep Space One | 2000 | Bournemouth University | ||
| Howes J C | Twin Turf | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Howes J C | Celtic Exchange | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Howes J C | Registering the Land | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Howes J C | Conservation Crop | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Howes A | 'Nuba Conversations' | 2000 | Napier University | Documentary and Experimental Film | |
| Howes A | 'Physical Cinema' | 2000 | Napier University | Documentary and Experimental Film | |
| Howes A | Nuba Conversations | 2000 | The London Institute | Fine Art | No No No |
| Howell AM | Poetry as Film | 2000 | The London Institute | Fine Art | |
| Howell AM | The World Turned Upside Down | 2000 | The London Institute | Fine Art | |
| Howard J | Untitled | 2000 | Oxford Brookes University | Creative Practice | |
| Hosie D | David Hosie, EdinburghAndreas Rickenbacher, Basel | 2000 | Edinburgh College of Art | Fine Art | |
| Hose M | Interpreting Ceramics | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Hose M | Ewen Henderson Paintings | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Horrocks C | 'You want to See? Well, take a look at this! Embodied Vision and Light in Marcel Duchamp's Etant Donn | 2000 | Kingston University | ||
| Horrocks C | Post Modern Encounters: Marshall McLuhan and Virtuality | 2000 | Kingston University | ||
| Hooker B | MSET - Multimedia Services and Enabling Technologies | 2000 | Royal College of Art | Computer Related Design | |
| Hooker B | WAP Furniture | 2000 | Royal College of Art | Computer Related Design | |
| Hood B | Infinitude - New Media Artworks | 2000 | Edinburgh College of Art | Fine Art | |
| Honeywill P W | Evaluating Appropriate Interface Metaphors. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Honeyman R | Five painted designs for stitched textiles | 2000 | Cumbria College of Art + Design | ||
| Homma McLaughlin K | Emerging Images: Contemporary Expressions through Japanese handmade paper. | 2000 | University of Hertfordshire | ||
| Hollins WJ | Why the resistance to long-term Innovation Management | 2000 | Brunel University | Design Pedagogy | |
| Hollingsworth S M | Visions for the Future | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Hollingsworth S M | here, now 2000 | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Holland D | The Department, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Hogg D | Jerwood Applied Arts Prize | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hogg D | Treasures of the 20th Century | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hoffman A S | 2000 | Leeds Metropolitan University | Design | ||
| Hoffman A S | 2000 | Leeds Metropolitan University | Design | Julier, G | |
| Hoek K. | Cast and Casting | 2000 | University College London | Fine Art Media | |
| Hodgson C | Absolute Earth | 2000 | Kingston University | ||
| Hodgson AR | CAD/CAM Achiever | 2000 | Loughborough University | Design Education | Bates, D.J. |
| Hodgkinson M | 'Eternal Return' | 2000 | Wimbledon School of Art | Sculpture | |
| Hoberman N | 51 Premio Michetti. | 2000 | Goldsmiths College | ||
| Hoberman N | Der abgelenkte Blick. | 2000 | Goldsmiths College | ||
| Hitchen J | The Realm of Fear | 2000 | Liverpool John Moores University | Graphic Arts | Garside,C Crow,D |
| Hindle Y | Paint Theory Practice | 2000 | University of Central England in Birmingham | Fine Art Research Group | Pip Seymour |
| Hinchcliffe TF | The Enlightenment Project in Restoration France: Quatremere de Quincy and the Romantics | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hinchcliffe TF | Peter Collins: the voice from the periphery | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hinchcliffe TF | Gender and the Architect: Women clients of French Architects during the Enlightenment | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Himid L | RePresenting British Art 1500-2000 Works From The Collection | 2000 | University of Central Lancashire | ||
| Hilliard J. | John Hilliard - Works 1969 to 2000 | 2000 | University College London | Fine Art Media | |
| Hiller S | Witness | 2000 | University of Newcastle | ||
| Hill AA | Retrospective presentations of films, performance and installation work. | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Higgs M | Protest and Survive. | 2000 | Goldsmiths College | ||
| Higgs M | The British Artshow 5. | 2000 | Goldsmiths College | ||
| Higgs M | Look Now, Pay Later. | 2000 | Goldsmiths College | ||
| Higgs M | Jim Shaw 'Thrift Store Paintings'. | 2000 | Goldsmiths College | ||
| Higgs M | Jim Shaw: 'Thrift Store Paintings' | 2000 | Royal College of Art | Critical Practice | |
| Higgs M | The British Art Show 5 | 2000 | Royal College of Art | Critical Practice | |
| Higgs M | Protest and Survive | 2000 | Royal College of Art | Critical Practice | |
| Higgott AN | Making and Meaning | 2000 | University of East London | ||
| Higgott AN | Birmingham: Building the Modern City | 2000 | University of East London | ||
| Higgott AN | Recourse and Historicity: The Case of Britain | 2000 | University of East London | ||
| Higgins P | Play Zone | 2000 | Kingston University | ||
| Higgins D J | Frame | 2000 | Nottingham Trent University | Visual Arts | Uta Barth Carl Potter |
| Heywood I | 'Richter | 2000 | Leeds Metropolitan University | Visual Arts | |
| Heyer A | Annette Heyer, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Heyer A | As for the Future | 2000 | The London Institute | Fine Art | |
| Herrmann M. | SUSTAINABLE LANDSCAPE DESIGN IN PRACTICE | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | A. Millard C. Royffe |
| Herrmann M. | PUTTING OUR OWN HOUSE IN ORDER | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Herrmann M. | THE PRACTICE OF SUSTAINABLE LANDSCAPE DESIGN AND ITS RELEVANCE TO THE GLOBAL URBAN POPULATION | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Herring H | A database for modelling energy use in the non-domestic building stock of England and Wales | 2000 | Open University | Design for sustainability | H.Bruhns J.P. Steadman |
| Herring H | Is energy efficiency environmentally friendly? | 2000 | Open University | Design for sustainability | |
| Herring H | Types, numbers, and floor areas of non-domestic premises in England and Wales, classified by activity | 2000 | Open University | Design for sustainability | H. Bruhns J.P. Steadman S. Moss |
| Henshaw J. G. | PAINTERS ABROAD | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Henshaw J. G. | COVER DESIGNS: ANNUAL PROSPECTUS, CONCERT DIARY AND PROMOTIONAL MATERIAL | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Henderson DG | Embedding Change: A Case Study of the CUDE Experience | 2000 | De Montfort University | ||
| Henderson DG | The Cultural Imperatives of Sustainable Development: The Case of Sub-Saharan Africa | 2000 | De Montfort University | Ebohon, O.J. Arimah, B.C. |
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| Henderson D | Crossing the Abyss: Identifying Career Ambiguities Within Art and Design Studies in Higher Education | 2000 | Robert Gordon University | Learning Strategies | Bouette, M. |
| Henderson D | Reflective Futures: using graduates' career experiences in the development of vocationally based curriculum | 2000 | Robert Gordon University | Learning Strategies | Bouette, M. |
| Hemsworth G | Neighbours. | 2000 | Goldsmiths College | ||
| Hellum A | Woody Exhibition | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hegarty FT | Orienteer (A-Z, Dawn to Dusk) | 2000 | Sheffield Hallam University | Andrew Stones | |
| Heeney G | Shaping Earth | 2000 | University of Wolverhampton | Ceramics | Dennis Farrell |
| Heeney G | Glan Glwyd Goddess Archway. Carved Brick. | 2000 | University of Wolverhampton | Ceramics | |
| Hearn K | Strata Cast Jasper - Wedgwood | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Head T.D. | Close Up | 2000 | University College London | Fine Art Media | |
| Hawthorn M | Truancies at Manege | 2000 | University of Gloucestershire | ||
| Hawthorn M | Intimata at Koln | 2000 | University of Gloucestershire | ||
| Hawley S | Love Under Mercury | 2000 | Sheffield Hallam University | ||
| Haughton D | Foil 3 | 2000 | Kingston University | ||
| Hastings M | Design, Wolverton Town Square | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Haselden R | Echelle at Canterbury | 2000 | University of Reading | ||
| Haselden R | No Go | 2000 | University of Reading | ||
| Harvey M | Sex and the British | 2000 | The London Institute | Fine Art | |
| Harvey J | Miner-Artists - The Art of the Welsh Coal Workers | 2000 | University of Wales, Aberystwyth | ||
| Harvey J | The Pictorial Bible 1: Settings of the Psalms | 2000 | University of Wales, Aberystwyth | ||
| Hart WA | Kololewengoi and the Myth of the Big Thing | 2000 | University of Ulster | ||
| Harrow D | Movement in the Millennium | 2000 | Royal College of Art | Design for Manufacture | Stevens, P |
| Harrison P | 'Device'; 'Six Boxes (lifesize)'; 'Volunteer'; 'October 97' | 2000 | University of Wolverhampton | Fine Art | John Wood |
| Harrison E | Terre A Terre | 2000 | The London Institute | Fine Art | |
| Harrison E | Deptford X | 2000 | The London Institute | Fine Art | |
| Harrison D. M. | BRITISH QUILT EXHIBITION, JAPAN 2000 | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Harris MC | Dream Machines (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Harris D. I. | The Wreck of Hope | 2000 | Wimbledon School of Art | Painting | Simon Morley Edward Chell Nick Wyatt |
| Harper J W | Strand (Sea and Land) | 2000 | University College Northampton | Fine Art Practices | |
| Harley A | Material Diversity: group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Harland EJ | Lucid XI | 2000 | University of Southampton | ||
| Hare W | Glasgow belongs to Whom? Civic Identity in the Visual Arts in Scotland | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Harding D | Y2K International Symposium + Exhibition of Prints | 2000 | Bath Spa University College | ||
| Harding A | Stalking Memory. | 2000 | Goldsmiths College | The Desperate Optimists | |
| Hardie G M | Banque Generale du Luxembourg | 2000 | University of Brighton | Visual Communication Design | |
| Hardie A | Harlech Printmaking 2000 | 2000 | University of Reading | Ken Kiff Ana Maria Pacheco Andrew Smith |
|
| Hardaker CH | Designs on the Web: A Case Study of Online Learning for Design Students | 2000 | De Montfort University | Brown, S.C. Higgett, N.P. |
|
| Hanson M | Jerwood Applied Arts Prize 2000 (Jewellery) | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Hanna S J | The Space Between the Frames | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Hands D | Manchester: a guide to recent architecture | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | S. Parker |
| Hancock L | Labour Intensive | 2000 | De Montfort University | ||
| Hampson M | Print Festival: Krakow 2000 | 2000 | The London Institute | Fine Art | |
| Hammick T | Tom Hammick - New Paintings; Undercurrents | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hamilton R | Field | 2000 | Royal College of Art | Computer Related Design | |
| Halstead JD | Ruth Gipps: Reactionary or Role Model? | 2000 | University of Westminster | Sound Media | |
| Halstead JD | Getting into the Groove? | 2000 | University of Westminster | Sound Media | |
| Hall S | Geometry as a form of Diagrammatic Ideology in the Framing of Human Thought. | 2000 | Goldsmiths College | ||
| Hall R | 'Inclusion through Distinction' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hall M | Approaches to Re-inventing Studio Practice | 2000 | University of Wales Institute, Cardiff | Ceramics | P Castle |
| Hall M | New Works | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Hall M | New Works | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Haley DH | Species nova [to look anew] Part 1 - Seeking an Unacceptable Profile | 2000 | Manchester Metropolitan University | Verran J | |
| Haley DH | Eco-Art/Eco-Culture: Restoration in Perspective | 2000 | Manchester Metropolitan University | ||
| Hagan SK | A Snake in the Grass: Ethics vs. Aesthetics in Sustainable Architecture | 2000 | University of East London | ||
| Hagan SK | Cities of the field: Cyberspace and urban space | 2000 | University of East London | ||
| HUTTON G | Concepts and Material Associations in the Work of Gigon Guyer | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Charles Rattray |
| HUTTON G | From the Skin-In | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| HOWARD I G | Uncertain Histories | 2000 | University of Dundee | Contemporary Practice | |
| HOSKINS S | Kite Book | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| HOMOKY N | Colour and Fire: defining moments in studio ceramics 1950-2000 | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| HOMOKY N | Solo Exhibition: Nicholas Homoky | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| HOLLAND C.C. | Casket | 2000 | Coventry University | Visual Arts | DUNCAN, T. |
| HOLDEN J | Eyes Only | 2000 | University of Lincoln | ||
| HILL D | Turner, Mont Blanc and the Val d'Aosta | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| HERBERT D J | The Graphic Medium as a Creative and Economic Tool | 2000 | University of Dundee | Industry and the Public Sector | George Craigie David Faithfull Gary Gowans |
| HERBERT D J | Georgina Follett | 2000 | University of Dundee | Industry and the Public Sector | Professor Georgina Follett Shannon Tofts Andy Rice |
| HENDERSON K | Water Clock | 2000 | University of Dundee | Contemporary Practice | Lei Cox Paul Dignan Steve Flack |
| HEATHCOTE S C | Collaborative industrial product development for Shirin Guild, Fashion Designer, London | 2000 | University of Dundee | Contemporary Practice | Shirin Guild Esk Valley Knitwear Co Ltd |
| HEALEY P | A LOCAL BOOK FOR LOCAL PEOPLE | 2000 | Middlesex University | ||
| HAVERS A.J. | Body icons | 2000 | Coventry University | Visual Arts | |
| HARVEY V. | Heart line and lifetime | 2000 | Coventry University | Visual Arts | |
| HARVEY V. | All around the world | 2000 | Coventry University | Visual Arts | |
| HARVEY V. | Where in the world and wonderful world | 2000 | Coventry University | Visual Arts | |
| HARRISON L | Time, Myth; Phantom and Reality | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | co-author Pete Nevin |
| HARRISON L | 'Shadows: Jonathan Miles, Lecture Theatre One' | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| HAMLYN ND | White Road | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| HAMLYN ND | Not Resting | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| HALES C | The Interactive Film-makers Challenge | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| HAIGH J | Japanese Inspirations | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| HAIGH J | Flora | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Guthrie K | 10th East International / Riverside | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Gussin GPG | Black Box Recorder | 2000 | The London Institute | Fine Art | |
| Gunn J | Burning Bright | 2000 | Wimbledon School of Art | Theatre Design | Alison Peebles Andrew Poppy |
| Gunn J | Paper Chase | 2000 | Wimbledon School of Art | Theatre Design | Sue Buckmaster |
| Gunn J | How High is Up | 2000 | Wimbledon School of Art | Theatre Design | Sean McClevy |
| Gschwedtner G | 100% Design | 2000 | Buckinghamshire Chilterns University College | Furniture Design | Fiona Davidson |
| Grossman A | 'Notations: Framing the Kurdish Voice in Exile' | 2000 | Napier University | Critical Theory of Practice | O'Brien, A. |
| Grossman A | 'On the Borderline' | 2000 | Napier University | Critical Theory of Practice | |
| Grossman A | 'Silent Song' | 2000 | Napier University | Documentary and Experimental Film | Aine O'Brien |
| Grossman A | 'The Welshification of Homely Spaces: Tracing the Uncanny' | 2000 | Napier University | Critical Theory of Practice | |
| Grimsey T | Sculpture and Landscaping project | 2000 | De Montfort University | ||
| Grimsey T | 'Video Bucket' | 2000 | De Montfort University | ||
| Grimsey T | 4 large scale public sculptures and seating | 2000 | De Montfort University | ||
| Grimes O | Amadora 2000: Vll Bienal Internaional Gravura | 2000 | The London Institute | Fine Art | |
| Grigor M | The Work of Angels | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Grigor M | 2000 | Glasgow School of Art | Historical and Critical Enquiry | ||
| Griffiths M. A. N. | 'The Probability Tree' | 2000 | Wimbledon School of Art | Painting | Tomoko Takahashi Mark Dean Roberta Smith |
| Griffiths M. A. N. | The Propietor's Daughter (Trojan Horse) | 2000 | Wimbledon School of Art | Painting | Tomoko Takahashi Julian Opie Simon Faithful |
| Griffiths I | The MaxMara Collection Autumn/Winter 2000/01 | 2000 | Kingston University | ||
| Griffiths I | The MaxMara Collection Spring 2001 | 2000 | Kingston University | ||
| Griffiths B L | Developing complete MA courses within a VLE. | 2000 | Staffordshire University | ARi, School of Art + Design | P Russell P Lucking |
| Griffiths B L | From formgiving to braingiving. | 2000 | Staffordshire University | ARi, School of Art + Design | D Durling |
| Grey J J | Designer Bookbinders in North America 2000/2001 | 2000 | University of Brighton | Materials Practices and Processes | |
| Grey J J | The Blind Assassin | 2000 | University of Brighton | Materials Practices and Processes | |
| Grey J J | Tregaskis Centenary Exhibition | 2000 | University of Brighton | Materials Practices and Processes | |
| Gregory J | The Fairest of Them All | 2000 | The London Institute | Fine Art | |
| Green P | Defining Colour Gamut Boundaries with a Test Target | 2000 | The London Institute | Media and Communication | |
| Green L | 5th In Our Hands Exhibition: mixed exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Green D | From History Painting to the History of Painting and back again: reflections on the work of Gerhard Richter | 2000 | University of Brighton | Memory, Identity and History | |
| Great-Rex E | Photographic Imagination | 2000 | University of East London | ||
| Grayson J | Exhibition, Chelsea Crafts Fair 2000. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Grant C | Role Models | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Grant C | Wish I Was Here | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Grant JM | Still. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Granjon P | Z Lab 2000 | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Granjon P | The Big M | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Grainger H J | 'Distressingly Banal': The architecture of early British Crematoria | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Grainger H J | Golders Green Crematorium and the Architectural Expression of Cremation. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Grainger H J | 'One of Whom we Know but Little...' John Loughborough Pearson and the Ecclesiologists | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Graham B | Curatorial Resource for Upstart Media Bliss | 2000 | University of Sunderland | Photography | |
| Grace JF | Reboot (1989-2001), co-creator of and writing of series bible for 39 episode series) | 2000 | Loughborough University | Illustration | |
| Grace JF | Ethelbert the tiger, animation series (14 episode scripts) | 2000 | Loughborough University | Illustration | |
| Gorlizki A | 'Introspekive' | 2000 | Wimbledon School of Art | Sculpture | |
| Gorlizki A | 'Import/Export' | 2000 | Wimbledon School of Art | Sculpture | |
| Gordon D | Feature Film, solo permanent exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Gordon D | Sheeps and Goats, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Goodwin D | Wait. | 2000 | Goldsmiths College | ||
| Goodwin D | 'Dryden Goodwin - Wait - Drawn to Know'. | 2000 | Goldsmiths College | ||
| Goodden N | Technology and the Avant Garde | 2000 | University of Gloucestershire | ||
| Goodden N | Recent work from Nat Goodden | 2000 | University of Gloucestershire | ||
| Goldsmith S | Ripe | 2000 | University of Southampton | ||
| Goetz L | Last Orders | 2000 | University of Sunderland | Fine Art | |
| Goetz L | Wherever We Go | 2000 | University of Sunderland | Fine Art | |
| Goetz L | Changing Rooms | 2000 | University of Sunderland | Fine Art | |
| Godfrey A | Transcending Traditions | 2000 | The London Institute | Fashion and Textiles | Polly Kenny |
| Goddard C | Reclaimed | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Gluzberg M | Waterfront | 2000 | The London Institute | Fine Art | |
| Gluzberg M | Waterfront. | 2000 | Goldsmiths College | ||
| Glassar B | 13th Anniversary Exhibition, Braggiotti Glass Gallery, Singel, Amsterdam | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Ginsborg M | Fusion | 2000 | Wimbledon School of Art | Painting | Paul Huxley Calum Colvin Kate Davis |
| Gilmour S | Tear from a Glass Eye | 2000 | Wimbledon School of Art | Theatre Design | Erica Whyman |
| Gilmour S | The Woman who Swallowed a Pin | 2000 | Wimbledon School of Art | Theatre Design | Deborah Bruce The Lab Performance group |
| Gillham W | Case Study Research Methods | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Gillham W | Developing a Questionnaire | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Gillham W | The Research Interview | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Gibson PM | Fashion Cultures: Theories, Explorations and Analysis | 2000 | The London Institute | Fashion and Textiles | Stella Bruzzi |
| Gibson PM | Fewer Weddings and More Funerals: Changes in the Heritage Film | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gibson PM | The Crisis of National Identity and the Genesis of the Heritage Film. The Scarlet Pimpernel, Robin Hood and the British Public in the Fiftees | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gibson L | 'n' . Site Specific Sculpture Installation, May 2000 | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | Little, M |
| Gibbs E | Night Stop Cinema - The Week of Small Miracles | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Gibbs E | The Room of Patience | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Geroimenko V A | Visualising human consciousness context using java 3D/X3D and psychological techniques | 2000 | University of Plymouth | STAR | Geroimenko L |
| Gernand B | Range | 2000 | The London Institute | Fine Art | |
| Geraghty A | Nicholas Hawksmoor and the Wren City Church Steeples | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Geraghty A | Sir Christopher Wren and the Dome of St Paul | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Geesin F | Improved Fabric Antenna + Sliding Switch | 2000 | The London Institute | Fashion and Textiles | PJ Massey CR Van Heerden NA Tilbury |
| Geesin F | 25 Knitted zinc panels | 2000 | The London Institute | Fashion and Textiles | |
| Gaver W | Alternatives: Exploring information appliances through conceptual design proposals. | 2000 | Royal College of Art | Computer Related Design | |
| Gaver W | Beyond the Snapshot: From Speculation to Prototypes in Audiophotography | 2000 | Royal College of Art | Computer Related Design | Martin, H |
| Gaughan M | A Progressive Dematerialisation of Labour Power: A Problem for Visual Representation in Germany in the 1920s | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Gascoigne D | Animated Film for Powergen | 2000 | Kingston University | ||
| Garrett M | Wellcome Wing, Science Museum Website | 2000 | Royal College of Art | Communications | |
| Garfoot S | Glass Sculpture: 'Flow' | 2000 | University of Wolverhampton | Glass | |
| Gardiner J | National Trust 'Coast Show ' Web Site | 2000 | Thames Valley University | Gardiner J | |
| Gardiner J | Ballard Point Exhibition | 2000 | Thames Valley University | Gardiner J | |
| Gardiner J | The Duffield Foundation 'Artworks' Virtual Gallery | 2000 | Thames Valley University | Gardiner J | |
| Gardiner J | Ballard Point | 2000 | Bath Spa University College | ||
| Garcia D R | Net Congestion Reader | 2000 | University of Portsmouth | Centre for New Media Research | Hyde A Kluitenberge E Harger H |
| Ganter J | Relativities: The 4th British International Miniature Print Exhibition | 2000 | Edinburgh College of Art | Fine Art | |
| Ganter J | Appositions | 2000 | Edinburgh College of Art | Fine Art | |
| Ganter J | Appositions 1-5 | 2000 | Edinburgh College of Art | Fine Art | |
| Gant R | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | L Biggs |
| Gamman LP | Design Against Crime:Two exhibitions | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gallacher A | Premier Classe | 2000 | Glasgow School of Art | Design | |
| Gallacher A | Personal Space | 2000 | Glasgow School of Art | Design | |
| Gallaccio A | The Greenhouse Effect. | 2000 | The London Institute | Fine Art | |
| Gabie N | Neville Gabie | 2000 | University of Gloucestershire | ||
| Gabie N | Up in the Air | 2000 | University of Gloucestershire | ||
| GUILD D | Bread Paintings | 2000 | University of Dundee | Contemporary Practice | |
| GRANDFIELD G | THE COMPLETE NOVELS [R CHANDLER] | 2000 | Middlesex University | ||
| GRANDFIELD G | THE BBC RADIO COLLECTION OF JOHN LE CARR | 2000 | Middlesex University | ||
| GOUGH P | From Heroes Groves to Parks of Peace: landscapes of remembrance, protest and peace | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| GODFREY-ISAACS L | HOME 3 | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Elizabeth Wright |
| GILLIES P | Pete Gillies: Artist in Residence | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| GILLIES P | Pete Gillies: Artist in Residence | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| GERZ J. | Money, love, death, freedom - what counts in the end? | 2000 | Coventry University | Visual Arts | |
| GERZ J. | Les mots de Paris | 2000 | Coventry University | Visual Arts | |
| GERSHT O | Pitch | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GERSHT O | Don't Worry | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GERSHT O | White Noise | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GEORGIOU D. | Memoriam | 2000 | Coventry University | Visual Arts | TURK, G. GONZALEZ-TORRES, F. MACLENNAN, A. |
| GAWTHROP R | Toot_Pak#1 | 2000 | University of Lincoln | Gillian Dyson Chris Gladwin |
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| GAWTHROP R | NOISE TRANSMISSIONS | 2000 | University of Lincoln | ||
| GAWTHROP R | ONE | 2000 | University of Lincoln | Hayley Newman, research assistant | |
| GATT E E | The Crafts Council Chelsea Crafts Fair | 2000 | University of Dundee | Contemporary Practice | Sally Macintyre Anna Gordon Anne Finlay |
| GARDNER D | We're Not in Kansas Anymore | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| GARDINER L | The Play | 2000 | University of Dundee | Contemporary Practice | Monica Hughs |
| GARDINER L | Here Come Poppy and Max | 2000 | University of Dundee | Contemporary Practice | |
| GARDINER L | My First Oxford Book of Poems | 2000 | University of Dundee | Contemporary Practice | John Foster |
| GARDINER L | Snowball Fight | 2000 | University of Dundee | Contemporary Practice | Paul Shipton |
| Furlong W | 'Tholsel' | 2000 | Wimbledon School of Art | Research Centre | Susan Hiller Julian Opie Michael Craig-Martin |
| Fulcher R | Taste and Fashion | 2000 | University of Sunderland | Fine Art | |
| Fulcher R | Taste and Fashion; Art in Public View. | 2000 | University of Sunderland | Fine Art | |
| Freshwater S | Art textiles 2 | 2000 | University of Hertfordshire | ||
| French H | Living Together and The Garden City | 2000 | Royal College of Art | Architectural Design | |
| Freeman P | Design of a Prototype Overmoulded Metal Automotive Part | 2000 | University of Wales Institute, Cardiff | PDR | |
| Freeman P | Design cycle compression via laser clad rapid tooling | 2000 | University of Wales Institute, Cardiff | PDR | C Adams R Brown A Lewis |
| Freeman P | An investigation of 3-dimensional scanning of human body parts and its use in the design and manufacture of protheses | 2000 | University of Wales Institute, Cardiff | PDR | R Bibb R Brown A Sugar |
| Freeman H | The Virtual University: The Internet and Resource-Based Learning | 2000 | De Montfort University | Ryan, S Scott, B Patel, D |
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| Fraser S | Tattoo: a Day of Record | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Franks A M | International Contemporary Ceramics 2000 | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Franks A M | Tony Franks C | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Frank C | FRA 361, 375, 374, 378, 368, 364, 2011, 405, 410, 408 (textile designs) | 2000 | Loughborough University | Textiles | |
| Frank C | FRA 428 (textile design) | 2000 | Loughborough University | Textiles | |
| Frank C | FRA 415, 407, 409, 412 (textile designs) | 2000 | Loughborough University | Textiles | |
| Francis M | Mary Anne Francis: Group Show | 2000 | University of Brighton | Fine Art Practices | |
| France JM | 'Hand, Paper, Paint', one person exhibition. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| France JM | 'Thulso 'P' Art'. Exhibition of works from International Symposium. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Frampton RJ | Effectiveness of airbag restraints in frontal crashes - what European field studies tell us | 2000 | Loughborough University | Design Ergonomics | Welsh, R.H. Kirk, A.R. Fay, P. |
| Frampton RJ | The importance of non struck side occupants in side collisions | 2000 | Loughborough University | Design Ergonomics | Welsh, R.H. Thomas, P.D. Fay, P. |
| Fox S | Suspending Clothing - Clothing from 3 Collections for 'Fabric of Fashion' Exhibition | 2000 | The London Institute | Fashion and Textiles | |
| Fox S | Fashion in Motion | 2000 | The London Institute | Fashion and Textiles | |
| Fowler P | NOW programme | 2000 | Liverpool John Moores University | International Centre for Digital Content | C Corke |
| Foster N | Bubble Reef | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Taylor |
| Foster A. | GWEN JOHN'S SELF-PORTRAIT: ART, IDENTITY AND WOMEN STUDENTS AT THE SLADE SCHOOL | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Fortnum R | Solipsist | 2000 | Wimbledon School of Art | Painting | |
| Fortnum R | Solipsist: New Paintings: by Rebecca Fortnum | 2000 | Bath Spa University College | ||
| Forster J | Current: an Exploration in Light Sound Form | 2000 | University of Gloucestershire | ||
| Forster J | Making Light of it | 2000 | University of Gloucestershire | ||
| Follen S. | CONTOURS | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Flower T J | From the EarthSeptember | 2000 | University of Brighton | Natural and Constructed Environments | |
| Flower T J | Landlines | 2000 | University of Brighton | Natural and Constructed Environments | |
| Flower T J | Big Skies, Art crossing the border | 2000 | University of Brighton | Natural and Constructed Environments | |
| Fleming K | European Quilt Triennale | 2000 | University of Ulster | ||
| Flavell M R | Ray Flavell Verre | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Flannigan M | Moyna Flannigan/Chantal Joffe, two person exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Flannigan M | Moyna Flannigan, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Fisher C | 12 Untitled Paintings. | 2000 | Goldsmiths College | ||
| Finnemore P | Locws International - Art across a City | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Finnemore P | Gwendraeth House | 2000 | Swansea Institute of Higher Education | Photography | |
| Finn-Kelcey R | Structurally Sound | 2000 | The London Institute | Fine Art | |
| Filmer N | Naomi Filmer - work for the Jerwood Applied Arts Prize | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Fillingham P | Excellent. | 2000 | Goldsmiths College | ||
| Fijalkowski K M | Things: Assemblage, Collage and Photography in Britain since 1935. Exhibition (curated by Fijalkowski), conference (organised by Fijalkowski) and publication (edited and main essay by Fijalkowski). | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Short, R. Massey, A. Mullen, C. |
| Field B | Reconciling Theory and Practice: A Case Study in Contemporary Planning | 2000 | De Montfort University | ||
| Ferry DD | Some Aspects of our National Heritage | 2000 | University of Southampton | ||
| Ferris M | Leonardo | 2000 | University of Hertfordshire | ||
| Ferguson A | Costume design and production | 2000 | Glasgow School of Art | The Decorative Arts | |
| Ferguson A | Slipstitch? New Concepts in Knitting: group exhibition | 2000 | Glasgow School of Art | Design | |
| Feo R | Response Wall | 2000 | Royal College of Art | Design for Manufacture | |
| Fehily C | I Spy - Representations of Childhood. | 2000 | Staffordshire University | ARi, School of Art + Design | K Newton J Fletcher |
| Fehily C | Shifting Horizons - Women's Landscape Photography Now. | 2000 | Staffordshire University | ARi, School of Art + Design | K Newton L Wells |
| Fawkes S | Contemporary Sculptures in Crystal and Glass from 17 countries between the mediterranean and the arctic circle | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fawkes S | A Gathering of Glass | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fawkes S | Spring Open - Millenium Surroundings | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Faure-Walker J | The Colour and Motion Series | 2000 | Kingston University | ||
| Farrer JM | Direction Collections Spring/Summer Concepts | 2000 | The London Institute | Fashion and Textiles | |
| Farrelly L | Future Present | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Nick Skeens |
| Farley P | Rituals | 2000 | Wimbledon School of Art | Theatre Design | Yolanda Sonnabend |
| Fallows C | 'Spring Reverb' | 2000 | Liverpool John Moores University | Audio-visual | |
| Falconbridge BW | 232nd Royal Academy Summer Exhibition. | 2000 | Goldsmiths College | ||
| Fairclough L. | Super 8 Sunsets | 2000 | University College London | Fine Art Media | |
| Fairclough L. | Steppe | 2000 | University College London | Fine Art Media | |
| Fairclough L. | A Square of Ground | 2000 | University College London | Fine Art Media | |
| Faiers J | Do You Really Want It That Much? ...More Part 3. | 2000 | Goldsmiths College | ||
| Fabian A | A Feast of Silver | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| FURNHAM D | Tati Interactive | 2000 | Middlesex University | ||
| FURNHAM D | Tati - A Chance to Whistle; Tales from St S | 2000 | Middlesex University | ||
| FURNHAM D | A Chance to Whistle | 2000 | Middlesex University | ||
| FURNEAUX SH | Virtual Revolutions Act and Read | 2000 | University of Oxford | ||
| FURNEAUX SH | Kisses | 2000 | University of Oxford | ||
| FORD L | ANIMAL - GROUP SHOW | 2000 | Middlesex University | ||
| FORD L | JOHN BULL | 2000 | Middlesex University | ||
| FORD L | BRITISH ART SHOW TOURING SURVEY EXHIBITION - GROUP EXHIBITION | 2000 | Middlesex University | ||
| FORBES R | Indian Summer | 2000 | University of Dundee | Contemporary Practice | |
| FOLLETT G L P | Fired with Colour | 2000 | University of Dundee | Industry and the Public Sector | Wendy Ramshaw Fred Rich Ros Conway |
| FOLLETT G L P | Jewellery by Georgina Follett | 2000 | University of Dundee | Industry and the Public Sector | |
| FLACK S R | Time Piece | 2000 | University of Dundee | Digital Technology | |
| FISHER G R | The Blue Chamber | 2000 | University of Dundee | Contemporary Practice | |
| FINLAY A | Without Day | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | de Vries, H Frain, R Coley, N |
| FINLAY A | Wish I was Here: A Scottish Multicultural Anthology | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | McNeil, K Grant, C Williams, D |
| FEIST A. | Cultural Employment in Europe | 2000 | City University | ||
| FAITHFULL D R | Barox/Pieces of Silver | 2000 | University of Dundee | Contemporary Practice | Morning Star David Bellingham |
| FAIRNINGTON M | Mantidae | 2000 | University of Oxford | ||
| FAGEN G R | The British Art Show 5 | 2000 | University of Dundee | Digital Technology | Tracy Emin Sarah Lucas Wolfgang Tillmans |
| FAGEN G R | Black Box Recorder | 2000 | University of Dundee | Digital Technology | Doiuglas Gordon Graham Gussin Rachel Lowe |
| FAGEN G R | Graham Fagen, Plant Installation + Archive | 2000 | University of Dundee | Digital Technology | |
| FAGEN G R | Imperial War Museum Artist in Kosovo. 'Theatre' | 2000 | University of Dundee | Digital Technology | |
| Evans M | Solo exhibition | 2000 | University College Northampton | Fine Art Practices | |
| Evans C | Yesterday's Emblems and Tomorrow's Commodities: The Return of the Repressed in Fashion Imagery Today | 2000 | The London Institute | Fashion and Textiles | |
| Evans C | John Galliano: Modernity and Spectacle | 2000 | The London Institute | Fashion and Textiles | |
| Esser-Hall G M | Perpetual Beginnings: The Role of Phenomenological Hermeneutics in Art Education | 2000 | University College Northampton | Contemporary Art Criticism | |
| Escolme B | Theatrical Constructions of the Early Modern Subject: Websters Women in single gender castings. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Escolme B | Websters Women | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Jane Collins Nicholas Ridout |
| Escolme B | Staging Nothing: Authenticity Effects in a Post Modern Hamlet project. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Escolme B | 'We are one tribe; the theatre company Blah Blah Blah and Eileen Pennington' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Tim Prentki Jan Salmon |
| Esche C | Intelligence: New British Art 2000 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curator Virginia Button |
| Esche C | Amateur / Eldsjal - Variable research initiatives 1900 + 2000 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curators Mark Kremer Adam Szymczyk |
| Esche C | Amateur/Eldsjal - variable research initiatives 1900 and 2000 | 2000 | The London Institute | Fine Art | |
| Esche C | Intelligence - New British Art 2000 | 2000 | The London Institute | Fine Art | Virginia Button |
| Entwistle T | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Entwistle T | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Elwes C | Video Loupe: A Collection of Essays By and About the Videomaker and Critic Catherine Elwes | 2000 | The London Institute | Fine Art | |
| Elwes C | UK/Canadian Video Exchange Festival | 2000 | The London Institute | Fine Art | Lisa Steele |
| Elson J | Titan | 2000 | Kingston University | ||
| Elson J | Bricklayers mortar board and stand | 2000 | Kingston University | ||
| Ellis P | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Ellis P | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Elliott T A | Elematrix | 2000 | Wimbledon School of Art | Research Centre | Tim Noble Sue Webster Willaim Pye |
| Elliott T A | Machinations | 2000 | Wimbledon School of Art | Research Centre | Jonathon Jones-Morris Yinka Shonibare Anthony Gormley |
| Elliott DA | Renewable energy and sustainable futures | 2000 | Open University | Design for sustainability | |
| Elliott DA | Renewable energy for cities: dreams and realities | 2000 | Open University | Design for sustainability | D. Taylor |
| Ellard GR | Holding Pattern | 2000 | The London Institute | Fine Art | Stephen Johnstone Tom de Paor |
| Edwards A | 'Two Thousand Lines: An open eyed collision of words and images from schools in East Leeds | 2000 | Leeds Metropolitan University | Design | |
| Edwards A | 'Garston Regeneration Scheme' | 2000 | Leeds Metropolitan University | Design | |
| Ednie JL | Collection of computer assisted Jacquard fabrics for Braghenti (division of Ratti Spa) | 2000 | University of Southampton | ||
| Ednie JL | Collection of computer assisted Jacquard fabrics for Braghenti (division of Ratti Spa) | 2000 | University of Southampton | ||
| Edmonds F. A. | ZERO-G | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Eatock D | Black | Blank | 2000 | University of Brighton | Visual Communication Design | |
| Eatock D | Multi-Ply Tables | 2000 | University of Brighton | Materials Practices and Processes | |
| Eatock D | Call for Entries... A feature article without content | 2000 | University of Brighton | Visual Communication Design | |
| Eastwood SJ | OMSK in Tokyo | 2000 | University of Plymouth | Art Process | |
| Eastwood SJ | ATOMsk | 2000 | University of Plymouth | Art Process | |
| Eastman K | British Ceramics 2000 - dk | 2000 | Glasgow School of Art | The Decorative Arts | |
| Eastley M | Six installations for Sonic Boom | 2000 | Liverpool John Moores University | Audio-visual | |
| Eastley M | Dreaming of Inscriptions On and Through Skin | 2000 | Liverpool John Moores University | Audio-visual | Toop,D. |
| Eastley M | Day For Night | 2000 | Liverpool John Moores University | Audio-visual | Cusack,P. |
| Eastley M | Another Strange Attraction | 2000 | Liverpool John Moores University | Audio-visual | |
| Earley RL | The Fabric of Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Earl CF | Cues and contingencies in shape computation | 2000 | Open University | Design for advanced products | |
| Eacott JF | Escape to Life | 2000 | University of Westminster | Sound Media | |
| EISENMANN M | Harry Koegler und dreizehn seiner ehemaligen Studenten | 2000 | University of Lincoln | ||
| Dyson M C | The effects of reading speed and reading patterns on our understanding of text read from screen | 2000 | University of Reading | M. Haselgrove | |
| Dye D M | Live in Your Mind - A survey of British Conceptual Art 1966-75 | 2000 | University of Northumbria at Newcastle | Installation (2b) | |
| Dutton S | Kayakoy | 2000 | Sheffield Hallam University | Percy Peacock Steve Swindells |
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| Durling D L | Doctorates in Design: Good or Bad?, keynote lecture, 4th Asian Design Conference on Design Science 1999, Nagaoka, Japan. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Durling D L | Doctoral Education in Design: Foundations for the Future. | 2000 | Staffordshire University | ARi, School of Art + Design | K. Friedman |
| Durden M | 'Viewing Positions' article on Steve McQueen. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Durden M | 'Common Culture'. Solo Exhibition. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | David Campbell Paul Rooney |
| Durden M | 'Face-on', Exhibition, Curated with Craig Richardson. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | Craig Richardson |
| Dupre F | Messagers de la Terre | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Dunne A | Placebo | 2000 | Royal College of Art | Computer Related Design | |
| Duncan AEJ | Inside - Outside - Permutation: Science and the Body in Contemporary Art | 2000 | University of East London | ||
| Dunbar L | International Print Triennale, Cracow, Poland | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Dukes P J | Writing and Passivity | 2000 | University of Hertfordshire | ||
| Dukes P J | Nanostate | 2000 | University of Hertfordshire | ||
| Drew L | Do development interventions shape conceptions of teaching in Art and Design? | 2000 | University of Brighton | Pedagogic Research | |
| Drew L | A disciplined approach: Learning to practice as design teachers in the University | 2000 | University of Brighton | Pedagogic Research | |
| Dray A | DIVA (Digitally Integrated Video and Audio) | 2000 | Kingston University | ||
| Dray A | Span | 2000 | Kingston University | ||
| Draper C | About Collage | 2000 | Kingston University | ||
| Draper C | Mirrors and Reflections | 2000 | Kingston University | ||
| Downes G H | Connections: Drawing in Art and Design | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Boorman, H. Rohr, D. Smith, K. |
| Dower S | Novo V | 2000 | The London Institute | Fine Art | |
| Douglas N | Look Out: Art, Society, Politics | 2000 | University College London | Fine Art Media | |
| Douglas A | Research through Practice: Positioning the Practitioner as Researcher | 2000 | Robert Gordon University | Learning Strategies | Scopa, K. Gray, C. |
| Dolphin Wilding J | Bridging the Gap (Ha-Ha!) Thanksgiving Banquet | 2000 | Kingston University | ||
| Doig P | Echo Lake | 2000 | Royal College of Art | Fine Art | |
| Doig P | Almost Grown | 2000 | Royal College of Art | Fine Art | |
| Doidge CW | Introducing Alternative Formats for the Design Project Review | 2000 | De Montfort University | Brindley, T. Willmott, R |
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| Doidge CW | The Crit - An Architecture Student's Handbook | 2000 | De Montfort University | Sara, R. Parnell, R. Parsons, M. |
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| Doherty WJ | Extracts from a File | 2000 | University of Ulster | ||
| Dodds R | The Midnight Clowns | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Docherty M | Dialog | 2000 | Edinburgh College of Art | Fine Art | |
| Docherty M | Michael Docherty Drawings | 2000 | Edinburgh College of Art | Fine Art | |
| Docherty M | Aspects of Contemporary Art in Scotland | 2000 | Edinburgh College of Art | Fine Art | |
| Docherty CA | Desire, Delight, Design: 78 Scottish Innovations | 2000 | De Montfort University | Hetherington, A | |
| Dobai S | Sarah Dobai | 2000 | The London Institute | Fine Art | |
| Dobai S | Black Box Recorder | 2000 | The London Institute | Fine Art | |
| Dixon S | The Contemporary British Ceramic Figure: Narrative, Metaphor + Tradition | 2000 | Manchester Metropolitan University | Stair J | |
| Dinsmore-Tuli U | Films at Home: Putting Domestic Audiences in the Picture. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Dinsmore-Tuli U | The pleasures of 'home cinema' or watching movies on telly: an audience study of cinephiliac VCR use. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Dines NE | External Fixators and Arrangement | 2000 | The London Institute | Fine Art | |
| Dimitrakaki A | Private Views : Spaces and Gender in Contemporary Art from Britain and Estonia. | 2000 | Liverpool John Moores University | Art and Design History | Pam Skelton, The London Institute Mare Tralla,Estonian Academy of Arts, Tallinn |
| Dillon P | Sensing the Fabric : To stimulate sensation through sensory evaluation and in response to standard acceptable properties of specific materials when viewed as a digital image | 2000 | Liverpool John Moores University | Fashion and Textiles | W Moody Rebecca Bartlett Patricia Scully |
| Dillon J | Jobbar office chairs | 2000 | Royal College of Art | Design for Manufacture | |
| Dillon J | Child's floor seat | 2000 | Royal College of Art | Design for Manufacture | |
| Diggle J | London Panorama 2000 | 2000 | Robert Gordon University | Practices enabled through New Media Technology | Liebens, D. |
| Dickie P | The Man who Cried | 2000 | Wimbledon School of Art | Theatre costume | |
| Di Girolamo M | 283rd Exhibition of the Royal Society of British Artists | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Di Girolamo M | Megan Di Girolamo, Solo Exhibition | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Dewberry E | Lessons from ecodesign. | 2000 | Goldsmiths College | ||
| Devison N | 12/2000 | 2000 | Anglia Polytechnic University | ||
| Devison N | Gallery Artist | 2000 | Anglia Polytechnic University | ||
| Devison N | Assembly | 2000 | Anglia Polytechnic University | ||
| Devine K J | Secrets, works in group exhibition | 2000 | University of Portsmouth | Centre for Creative Empowerment | |
| Devine K J | The Union Street Haphazard History Machine, interactive installation | 2000 | University of Portsmouth | Centre for Creative Empowerment | Martin Sumner |
| Derges S | Anti-Memory: Contemporary Photography II | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Delano A | No Sign of a Better Job: 100 Years of British Journalism | 2000 | The London Institute | Media and Communication | |
| Delano A | The First Draft of History - and the Last: the Earliest Reports of a Presidential Assassination Have Survived Years of Scrutiny | 2000 | The London Institute | Media and Communication | |
| Dehn J | Matthew et Mathilde | 2000 | Kingston University | ||
| Dehn J | Equipped for the Future - Developing Designs with IKEA | 2000 | Kingston University | ||
| De Quin R | 2 condiment sets, fork, dish, cream and sugar set, in silver | 2000 | London Guildhall University | ||
| De Oliveira N | Forensic: an international exhibition of installation art on the relationship between scientific research and artistic processes. | 2000 | London Guildhall University | ||
| De Lannoy C. | Works on Paper | 2000 | University College London | Painting | |
| De Lannoy C. | Caroline De Lannoy | 2000 | University College London | Painting | |
| De Cordova D | Girl | 2000 | Royal College of Art | Fine Art | |
| De Briey N | Anxious Words, group exhibiton | 2000 | Glasgow School of Art | Fine Art | |
| De Briey N | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Dawson J | Innovation and Diversity: 75 Years of Swedish Glass 1925-2000 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Dawson J | Innovation and Diversity: 75 Years of Swedish Glass 1925-2000 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Dawson I | Ian Dawson | 2000 | University of Southampton | ||
| Dawson G | The Politics of War Memory and Commemoration: Contexts, Structures and Dynamics | 2000 | University of Brighton | Memory, Identity and History | T Ashplant M Roper |
| Dawber C | Seasonal Knitwear Collection | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Davison M A | Fathom. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Davis M | Harmony in Glass | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Davis G | Health and Safety in the Home: Todd Hayne's Clinical White World | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Davis G | All Umbrellas in London: Homosexuality and British Film | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Davies T | 'Cultural Identity, Digital Media and Art' | 2000 | University of Central England in Birmingham | Art Education Research Group | Peter Worrall |
| Davies T | 'Wising-up' or 'Dumbing-down?' | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Davies R | Tales of the Expected | 2000 | Kingston University | ||
| Davies P A | Philip Davies and Jonathan Clarke | 2000 | University of Brighton | Fine Art Practices | |
| Davies P A | Dramatic Perspectives | 2000 | University of Brighton | Fine Art Practices | |
| Davies J | Le Temps Vite - An exploration of time | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Davies J | John Davies: Drawings and Sculptures | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies J | Bronze: Contemporary British Sculpture | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies H | 'Strange Fruit' | 2000 | Napier University | Documentary and Experimental Film | Nigel Atkinson |
| Davies G | A Deluge of Human Indifference | 2000 | Lancaster University | ||
| Davies J | Group exhibition, Association of Illustrators | 2000 | University of Plymouth | Design + Innovation | |
| Davies J | Scarpetta d'Oro (5th International Exhibition of Illustration) | 2000 | University of Plymouth | Design + Innovation | |
| Davies J | Mr Betts + Mr Potts | 2000 | University of Plymouth | Design + Innovation | R. Hull |
| Davey Winter J | GET REAL Romanticism and New Landscapes in Art | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Davey G | Memorial Exhibition for Robert Hopper | 2000 | University of East London | ||
| Darley A. D. | VISUAL DIGITAL CULTURE, SURFACE PLAY AND SPECTACLE IN NEW MEDIA GENRES | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Danino N | Temenos Film. | 2000 | Goldsmiths College | ||
| Dalwood D | 'Twisted: Urban and Visionary Landscapes in Contemporary Painting' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Dalwood D | 'New Paintings' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Dalwood A | Recent WorkRecente Schilderijen | 2000 | University of Hertfordshire | ||
| Dalwood A | Location Matters | 2000 | University of Hertfordshire | ||
| Dale J K | 'Continental'-Bacteriological Air Purifier | 2000 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | |
| Dale J K | D+AD Design Award Trophy | 2000 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | |
| Dakers CN | Castles in the Air: Philip Webb's rejected commission for the Earl and Countess of Airlie | 2000 | The London Institute | Fashion and Textiles | |
| Dahn J | Mrs Delaney and Ceramics in the Landscape | 2000 | Bath Spa University College | ||
| Dahn J | Art in Theory 1648 | 2000 | Bath Spa University College | Harrison, C. Wood, P. Gaiger, J. |
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| Dagg K | Between the Water | 2000 | Edinburgh College of Art | Fine Art | |
| Dagg K | Out on a Limb | 2000 | Edinburgh College of Art | Fine Art | |
| DYSON G | Upstanding | 2000 | University of Lincoln | ||
| DUPRAS M | Using Global Csound Instrument for MetaParameter Control | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| DUPRAS M | Forest of Dean Sculpture Trail Website | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| DUNHILL M | Souvenir | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DUNCE B | THE PASTEL SOCIETY: PASTEL, PAINTING AND DRAWING 1898-2000 - CENTENARY EXHIBITION | 2000 | Middlesex University | ||
| DIGNAN P | Level | 2000 | University of Dundee | Digital Technology | Jordan, M France, J Fahrenholz, M |
| DIGNAN P | Tik Tak Tok | 2000 | University of Dundee | Digital Technology | Dimitrova, I Spasovic, D Musovik, O |
| DIGNAN P | Infusion/Fix 2000/Millenium Review of Live Art | 2000 | University of Dundee | Digital Technology | Rooney, P Harahan, S Mass, T |
| DIAMOND S | Within Our Reach / And With the Magnifying Glass He Returned to the Garden | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| DIAMOND S | Surface Language | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| DEWRANCE P | Waste Box | 2000 | University of Lincoln | ||
| DERGES S | Susan Derges: Anti-Memory | 2000 | University of Oxford | ||
| DEGEN P | ALLES SCHMUCK | 2000 | Middlesex University | ||
| DEAN MWJ | Black Box Recorder | 2000 | University of Oxford | ||
| DEAN MWJ | Mark Dean | 2000 | University of Oxford | ||
| DEAN MWJ | Mark Dean: Ascension (Nothing/Something Good) | 2000 | University of Oxford | ||
| DEAKIN A | polymorph.i | 2000 | Middlesex University | ||
| DEAKIN A | My Mistress' Eyes are Nothing Like the Sun | 2000 | Middlesex University | ||
| DE FREITAS L | THE FUTURE - AN HISTORIANS REFLECTIONS | 2000 | Middlesex University | ||
| DAVY M | CDAK Communication Design Association of Korea | 2000 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DALZIEL M N | Another Place | 2000 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Chaston, R |
| Currall A | Encyclopaedia, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Cunningham JR | Journey: solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Cunningham JR | 5th In our Hands Exhibition: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Cummings N | The Value of Things | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Marysia Lewandowska |
| Cummings N | Documents: Adrift in Taste | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Marysia Lewandowska |
| Cummings A | Topographical Studies in the Conservationof Statuary Materials | 2000 | Royal College of Art | Conservation | Gaspar, P McPhail, D Hubbard, C |
| Cruz J | We Are Going to Tell Lies. | 2000 | Goldsmiths College | ||
| Cruz J | Chekhov Wall Drawings. | 2000 | Goldsmiths College | ||
| Crutchley R | Falsework | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Crow D | Campaign for Digital Disarmament | 2000 | Liverpool John Moores University | Graphic Arts | J Hitchen J Young M O'Shaugnessy |
| Cross S | Treasures of the 20th Century | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cross D | Jerusalem | 2000 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Cross D | Cosmopolitan | 2000 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Crooks R | A range of one-off pieces and production items | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | Stewart Hearn |
| Croft P J | From Tokyo to Tamarind | 2000 | University of Wales, Aberystwyth | ||
| Creed R | Zero - March of the Mud Beetles | 2000 | Liverpool John Moores University | Audio-visual | |
| Creed R | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | Borrelli,M Holt,R Mackinnon-Day,P |
| Creed C | Problems of Action and Observation in an Autistic Universe | 2000 | University of Portsmouth | Centre for Sound and Experimental Environments | P Newland R Geesin |
| Crawford A | Alistair Crawford: A Return to Wales | 2000 | University of Wales, Aberystwyth | ||
| Crawford A | Images from the Past: the archaeology of Sardinia at the end of the 19th century in the unpublished photographs of the Dominican Father Peter Paul Mackay | 2000 | University of Wales, Aberystwyth | A Romagnino R Zucca |
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| Cranston A | Stoorsooker - Travels in Scandinavia | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Cranston A | Outdoors | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Craighead AM | BrowserArchaeology | 2000 | University of Westminster | Fine Art | |
| Craighead AM | Trigger Happy | 2000 | University of Westminster | Fine Art | |
| Coxall H | Whose Story is this Anyway | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Coxall H | Towards inclusive text | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Cox C | Lingerie: A Lexicon of Style | 2000 | The London Institute | Fashion and Textiles | |
| Cox GF | The violent silence of the nose. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Coward T | Drivers and Shapers | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Coward T | Designing a Learning Environment for Three Dimensional Thinkers | 2000 | University of Wales Institute, Cardiff | Ceramics | S Gill |
| Cowan ER | By Design: Urban Design in the Planning System: Towards Better Practice | 2000 | De Montfort University | Campbell, K. | |
| Cowan ER | Placecheck: A Users' Guide | 2000 | De Montfort University | ||
| Cousens C | Jerwood Prize for Applied Arts 2000 | 2000 | University of Brighton | Natural and Constructed Environments | |
| Counsell M.J.E. | La R | 2000 | University College London | Sculpture | |
| Cotterrell D | Forty Days | 2000 | University of Hertfordshire | ||
| Cotterrell D | Voice Over | 2000 | University of Hertfordshire | ||
| Cotterrell D | Defying Dog | 2000 | University of Hertfordshire | ||
| Costello D | Lyotard's modernism | 2000 | Oxford Brookes University | Theory | |
| Costello D | The work of art and its 'public': Heidegger and Tate Modern | 2000 | Oxford Brookes University | Theory | |
| Cosserat K | Pitti Filati | 2000 | The London Institute | Fashion and Textiles | |
| Cornford M R | Childhood's End | 2000 | University of Wolverhampton | Fine Art | David Cross |
| Corner F | 'Reconceptualising the Future: The Place of Art and Design' | 2000 | University of Gloucestershire | ||
| Corner F | Reconceptualising the Future: the place of Art + Design | 2000 | London Guildhall University | ||
| Corke C | NOW Website | 2000 | Liverpool John Moores University | International Centre for Digital Content | Fowler,P. |
| Corby T | Prix Ars Electronica 2000, NEXT SEX | 2000 | University of Hertfordshire | ||
| Corby T | cITy, exhibition of the nominees for the International Media Art Award 2000 | 2000 | University of Hertfordshire | ||
| Cooper TH | WEEE, WEEE, WEEE, WEEE, all the way home? An evaluation of proposed electrical and electronic waste legislation | 2000 | Sheffield Hallam University | ||
| Cooper TH | Product Development Implications of Sustainable Consumption | 2000 | Sheffield Hallam University | ||
| Cooper TH | Prospects for Household Appliances | 2000 | Sheffield Hallam University | Kieren Mayers | |
| Cooper E | Ten Thousand Years of Pottery | 2000 | Royal College of Art | Applied Art | |
| Cooper E | (Un)limited: Repetition and Change in International Craft | 2000 | Royal College of Art | Applied Art | |
| Cooper E | Emmanuel Cooper - Ceramics | 2000 | Royal College of Art | Applied Art | |
| Cooper A M | The Use of Alias in Industrial Design and the Benefits of an Integrated Solids/Surfacing Methodology | 2000 | University of Northumbria at Newcastle | Photography (1b) | Siodmok, P |
| Coomber S | Next plc Menswear Collection Autumn/Winter 2000 | 2000 | Kingston University | ||
| Coomber S | Next plc Menswear Collection Spring/Summer 2001 | 2000 | Kingston University | ||
| Coomber S | Menswear Collection Autumn/Winter 2000, for Alpha Industries, USA | 2000 | Kingston University | ||
| Cooke J | Cube Houses, Rotterdam | 2000 | University of Brighton | Natural and Constructed Environments | |
| Cooke J | Re-Placing Arcadia | 2000 | University of Brighton | Natural and Constructed Environments | |
| Cooke CAC | Cities of socialism: technology and ideology in the Soviet Union of the 1920s | 2000 | Open University | Design thinking and communication | |
| Cook R | The mediated manufacture of an 'avant-garde': a Bourdiesian analysis of the field of contemporary art in London, 1997-9 | 2000 | University of Reading | ||
| Cook R | William Blake, Pierre Bourdieu and the Autonomy of the Arts | 2000 | University of Reading | ||
| Cook R | Where any View of Money Exists... Illusion and collusion in the contemporary field of British Art | 2000 | University of Reading | ||
| Cook CP | Graphites from Bundanon | 2000 | University of Plymouth | Art Process | |
| Constable M | Really. | 2000 | Goldsmiths College | ||
| Conreen MJ | Near and Far. | 2000 | Goldsmiths College | Rosenberg, T. | |
| Connearn D | Cheltenham Drawing Open | 2000 | Edinburgh College of Art | Fine Art | |
| Connearn D | Dream Machines | 2000 | Edinburgh College of Art | Fine Art | |
| Conekin BE | Fashioning the Playboy: Messages of Style and Masculinity in the pages of Playboy Magazine, 1953 - 1963 | 2000 | The London Institute | Fashion and Textiles | |
| Comninos P. | A Solid Volumetric Deformable Muscle Model for Computer Animation Using a Weighted Residual Method. | 2000 | Bournemouth University | You, L. H. Zhang, J.J. |
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| Comber M | 'Melanie Comber 66 degrees 33'N 18 degrees 01' W' | 2000 | Wimbledon School of Art | Painting | |
| Colson R | Mindtracker | 2000 | Thames Valley University | Colson R | |
| Colson R | INTER-AKT | 2000 | Thames Valley University | Colson R | |
| Collins H | The Hunter's Space | 2000 | Royal College of Art | Fine Art | |
| Collins J | Introducing Derrida | 2000 | University of Plymouth | Art Process | |
| Collins J | Heidegger and the Nazis. Postmodern Encounters. | 2000 | University of Plymouth | Art Process | |
| Coleman R | Design for later life: beyond a problem orientation | 2000 | Royal College of Art | Inclusive Design | |
| Coldwell P | Indian Printmaker's Guild 10th Anniversary Exhibition | 2000 | The London Institute | Fine Art | |
| Colbeck J | Keramikbiennale 2000 | 2000 | University of Brighton | Materials Practices and Processes | |
| Cohen N | Mondiale Echoes | 2000 | University College London | Painting | |
| Cockram M G | All you need is love but can we picture this? | 2000 | University of Portsmouth | Art and Philosophy | |
| Cobbold S | Beyond | 2000 | Chester College of HE | ||
| Coates-Smith W | Ronald Searle | 2000 | Anglia Polytechnic University | Martin Salisbury | |
| Coates-Smith W | 'Sue Coe in New York' | 2000 | Anglia Polytechnic University | ||
| Coates N | The Body Zone | 2000 | Royal College of Art | Architectural Design | |
| Clewer C | Miss Fleur Autumn/Winter 2000 Collection | 2000 | University of Southampton | ||
| Clarke R | Roger Clarke From Floor to Wall | 2000 | De Montfort University | ||
| Clarke L | The Ark Exhibition | 2000 | De Montfort University | ||
| Clarke L | Brundy | 2000 | De Montfort University | ||
| Clarke L | Untitled Horse Piece | 2000 | De Montfort University | ||
| Clarke J | Live/work: Green Environments | 2000 | University of Brighton | Natural and Constructed Environments | J Kirby |
| Clarke P | Collaboration - a project by Pete Clarke + Georg Gartz | 2000 | University of Central Lancashire | Georg Gartz | |
| Clark S | Remote Sensing | 2000 | Edinburgh College of Art | Fine Art | |
| Clark R | 'Plans for the Real World', Parts 1-12 (one-person exhibition.) | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clark D J | Bridge 2000-1 | 2000 | Bolton Institute of HE | ||
| Clare DJ | Information and communications technology: teachers' and students' perceptions and implications for teacher education. | 2000 | Goldsmiths College | Backwell, J. | |
| Cipriani G | Art, Space and Time | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Cipriani G | Art, Theory and Experience The figural in Painting: An Organic Inquiry Into Visual Meaning | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Chowdhary LC | Cast Clay Modules | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Chodzko A | Reunion - Salo | 2000 | The London Institute | Fine Art | |
| Chodzko A | Found Wanting | 2000 | The London Institute | Fine Art | |
| Chipperfield J | Vom Kontinent Zur Insel | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Chiodo JD | Shape memory polymers | 2000 | Brunel University | ||
| Chick A | The Environmental Agenda: Creative and Business Opportunities for Craft-makers and Designers | 2000 | Kingston University | ||
| Chick A | Preparing British Design Undergraduates for the Challenge of Sustainable Development | 2000 | Kingston University | ||
| Chesterman J | Contemporary Arts Society Group Exhibition | 2000 | Leeds Metropolitan University | Visual Arts | |
| Cherry N | Beyond the Wire | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Charnley D | RCA Secret | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Chappell A | Exploring Design and Innovation - fresh ideas for creative curriculum development | 2000 | Brunel University | Design Pedagogy | E Tabor P Isherwood N Stanton |
| Chapman R | No Harmful Side-Effects | 2000 | University of Huddersfield | Dr Jane Nicklin, Biologist, Birkbeck College Dr David Guest, Mycolgist, University of Melbourne other staff at both above institutions |
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| Chapman J | Digital Multimedia | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Chapman, N |
| Chapman J | Recent Works by Jonathan Chapman | 2000 | University College Northampton | Fine Art Practices | |
| Chapman J | Richard Demarco, 70/2000: The Road to Miekle Seggie | 2000 | University College Northampton | Fine Art Practices | |
| Chapman J | Jonathan Chapman: Still Lifes | 2000 | University College Northampton | Fine Art Practices | |
| Chandra M | Pacific Album: Vernacular Photography of the Fiji Indian Diaspora | 2000 | Royal College of Art | Critical Practice | |
| Chance V | East International Open Exhibition | 2000 | De Montfort University | ||
| Chance V | Southwark Festival | 2000 | De Montfort University | ||
| Chamberlain PM | Q Chair | 2000 | Sheffield Hallam University | Industrial Design | Scott Hawkins |
| Chalkley BD | Death Race 2000 | 2000 | The London Institute | Fine Art | |
| Chalkley BD | Vague but True | 2000 | The London Institute | Fine Art | |
| Chalk M | 'Joanna Mowbray: observations' critical essay in 'Joanna Mowbray 1985-2000', website/CD Rom catalogue. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chalk M | 'I can know: he was there', critical essay in 'Mario Minichiello' Catalogue, CD Rom and website. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chalayan H | Exhibition: Lost and Found: critical voices in new British design | 2000 | The London Institute | Fashion and Textiles | |
| Chalayan H | After Words | 2000 | The London Institute | Fashion and Textiles | |
| Chaimowicz M C | Celebration? Realife Revisted | 2000 | University of Reading | ||
| Chaimowicz M C | Cinq Propositions, Marc Camille Chaimowicz | 2000 | University of Reading | ||
| Chadwick J | The Quinton and Chadwick Knitwear Collection Autumn/Winter 2000 - 'Alpine Trekking' | 2000 | Kingston University | ||
| Cazeaux C | The Continental Aesthetics Reader | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Cawthorne DA | A Pedagogy of Environmental Design | 2000 | De Montfort University | ||
| Castle J | Connections | 2000 | University of Gloucestershire | ||
| Castle J | Sculpture, an Abbey and a Cathedral | 2000 | University of Gloucestershire | ||
| Cassim J | New Spirit of Japanese Calligraphy | 2000 | Royal College of Art | Inclusive Design | |
| Cassidy T | Symmetry in Thai Textile Patterns | 2000 | De Montfort University | Tantiwong, P. Hann, M.A. |
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| Casey B | Deepdale Stadium | 2000 | University of Central Lancashire | ||
| Carter P | Become Like Me | 2000 | Edinburgh College of Art | Fine Art | |
| Carter P | A Square of Ground | 2000 | Edinburgh College of Art | Fine Art | |
| Carson JE | As it is | 2000 | The London Institute | Fine Art | |
| Carrick C R | NatUrban Realities - Nature in an Urban Landscape | 2000 | The London Institute | Fine Art | |
| Carrick C R | Myths of Modern Times (2001 Mitos de los Teimpos Modernos) | 2000 | The London Institute | Fine Art | |
| Carnduff T | An object-orientated database system to support concurrent design | 2000 | University of Wales Institute, Cardiff | PDR | WA Gray JC Miles A Al-Khudair |
| Carnduff T | Versioning and configuration management in design using CAD and complex wrapped objects | 2000 | University of Wales Institute, Cardiff | PDR | JC Miles WA Gray I Santoyridis |
| Carlisle A | I AM | 2000 | University of Wales College, Newport | Photography | |
| Cannon Jones A | John Rocha Spring/Summer Menswear Collection | 2000 | The London Institute | Fashion and Textiles | |
| Campbell D | Common Culture | 2000 | Staffordshire University | ARi, School of Art + Design | Paul Rooney Mark Durden |
| Cameron AJ | Composition Station | 2000 | University of Westminster | Hypermedia | |
| Cameron AJ | Wildlife Supersampler | 2000 | University of Westminster | Hypermedia | |
| Calver V | Status Style print design | 2000 | University of Southampton | ||
| Calver V | Design for 'Creation Bauman', Germany | 2000 | University of Southampton | ||
| Callinicos E | TECTONIC three relationships between craft and architecture | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Callinicos E | Jerwood Applied Arts Prize 2000 | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Callinicos E | Tectonic: Three Relationships Between Craft and Architecture | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Callinicos E | Jerwood Applied Arts Prize 2000: Jewellery | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Callinicos E | Jewellery Moves: Ornament for the 21st Century | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Calcutt J | Here, There and Everywhere | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Cairns J | Marie R. Many Images of a Queen | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Cairns J | Steve Reinke's Archival Imaginary | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Gavin Butt |
| Cain J | 2000 | Leeds Metropolitan University | Visual Arts | ||
| CZARNECKI G | Arteries | 2000 | University of Dundee | Digital Technology | Susan Collins Suky Best Sophie Tennant |
| CURRAN M | NIGHT CLUB ROBBERIES | 2000 | Middlesex University | ||
| CURRAN M | CLOSING CLOSE/BY | 2000 | Middlesex University | ||
| COX L | Tik Tak Tok | 2000 | University of Dundee | Digital Technology | Kevin Henderson Iskra Dimitrova Stevan Saskov |
| COWAN J | ANABALEPS - GROUP SHOW | 2000 | Middlesex University | ||
| COOMBS D | Daniel Coombs | 2000 | University of Oxford | ||
| COOMBS D | British Art | 2000 | University of Oxford | ||
| COOKE R | 20th Mini Print International Cadaques 2000 | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| COLLINS N | An Investigation into the Existence of Z Chords | 2000 | Middlesex University | ||
| COLLINS N | Caring for the Instrumentalist in Automatic Orchestration | 2000 | Middlesex University | ||
| COLLINS B C | The Therapeutic Garden | 2000 | University of Dundee | Contemporary Practice | Donald Norfolk |
| COLLINS B C | United Parcel Services Foundation/Annual Report, 1999 | 2000 | University of Dundee | Contemporary Practice | |
| CLAMP RS | Public Art Project: Artist in Residence, Michael Disley | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CLAMP RS | Public Art Project: Ann Christopher, Sculptor | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CHEVSKA ME | Maria Chevska | 2000 | University of Oxford | ||
| CHELL E | Vanishing Point | 2000 | Kent Institute of Art + Design | ||
| CHAPLIN S | Heterotopia Deserta: Las Vegas and Other Spaces | 2000 | Middlesex University | ||
| CATTRELL A | Blue Chamber | 2000 | University of Oxford | ||
| CATTRELL A | Psycho | 2000 | University of Oxford | ||
| CATLING BD | Were - The Chamber Works | 2000 | University of Oxford | ||
| CARR R J M B | The Myths of Scottish Design | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Butler SK | Revising Femininity - Creative Camera: Thirty Years of Writing | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Butler SK | Aurum - A series of site specific works responding to the history of Harewood House | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Butler S | Aurum | 2000 | Royal College of Art | Critical Practice | |
| Butler J | Window Sills | 2000 | University of Plymouth | Art Process | |
| Burton R | Regional Political Conferences | 2000 | University of Sunderland | Design | |
| Burton R | Agricultural/Rural Exhibition Consultation | 2000 | University of Sunderland | Design | |
| Burton A | Bronze | 2000 | University of Newcastle | ||
| Burstow R | 'Materialising Memory : Mementoes, Memorials and Modernism'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burrows M W | Undercurrents | 2000 | University of Huddersfield | ||
| Burrows M W | A Divine Comedy | 2000 | University of Huddersfield | ||
| Burrows D | 'All Cloned Up' | 2000 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Mike Bennett |
| Burrows D | 'A Summer's Day' | 2000 | Wimbledon School of Art | Theatre technical arts | David Graham-Young |
| Burrows D | David Burrows Solo Show at Praz-Delavallade | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Burrows D | I Hate You In June | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Burgin V | Nietzsche's Paris. | 2000 | Goldsmiths College | ||
| Bunnell K | A New Agenda for Creative Enterprise | 2000 | Falmouth College of Arts | ||
| Bugg R | Conundrum, | 2000 | Wimbledon School of Art | Sculpture | Jude Kerr |
| Buckley T | How Books Should Open and Feel | 2000 | The London Institute | Media and Communication | |
| Buckley J | Flow | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Buck L | Furniture Design with Composite Materials | 2000 | Buckinghamshire Chilterns University College | Furniture Technology | Prof Reid |
| Buck J | Goodwood Goddess | 2000 | Southampton Institute | ||
| Buck J | Contemporary British Sculpture | 2000 | Southampton Institute | ||
| Bryson W.N. | Everything We Look At Is A Kind Of Troy | 2000 | University College London | Art History and Theoretical Studies | |
| Bruton J | Please | 2000 | The London Institute | Fine Art | |
| Bruton J | Please | 2000 | University of Southampton | ||
| Bruce HJ | Out of the Garden | 2000 | University of Ulster | ||
| Brownsword N | British Ceramics DK 2000 | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brownsword N | Close - Last in the 3Up Series | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brown W | Solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Brown W | Neolithic Pottery-Making in Orkney: A New Look | 2000 | Glasgow School of Art | Historical and Critical Enquiry | R. Jones |
| Brown V | 'Core - Contemporary Regional Textiles'. 12 hand-rolled felt wall hangings. Varying dimensions. | 2000 | University College Chichester | Textiles | |
| Brown V | 'The Waves at Goldsmiths' - A major retrospective charting great art from the textiles course 1947 - 2000. A hand rolled felt and silk coat | 2000 | University College Chichester | Textiles | |
| Brown SC | Challenge and Change in a Traditional Setting | 2000 | De Montfort University | ||
| Brown SC | Campus Re-engineering | 2000 | De Montfort University | ||
| Brown R | Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy | 2000 | Royal College of Art | Computer Related Design | |
| Brown R | Neural Net Starfish | 2000 | Royal College of Art | Computer Related Design | |
| Brown M | Challenging Homelessness; a participatory media project | 2000 | University of Ulster | ||
| Brown JK | Without Touch | 2000 | Manchester Metropolitan University | ||
| Brown C | Fragments of Narrative | 2000 | University of Westminster | Ceramics | |
| Brown C | 'Coming Ready or Not' - a permanment sound piece sited on the Chiltern Sculpture Trail.'Coming Ready or Not and Other Tales' - Solo Exhibition of Drawings, Museum of Modern Art, Oxford. | 2000 | University of Derby | Research Group for Artists Publications | |
| Brown C | Economist - Books and Multimedia supplement. | 2000 | Liverpool John Moores University | Graphic Arts | |
| Brown B | Graphic Memory | 2000 | University of Brighton | Memory, Identity and History | |
| Brotherston W | Commissioned sculptures | 2000 | Edinburgh College of Art | Fine Art | |
| Brotherston W | Edinburgh College of Art in Krefeld: Aspects of Contemporary Art in Scotland | 2000 | Edinburgh College of Art | Fine Art | |
| Broom K | Playing with Emergency A Case Study Of Reversal Theory in Artrwork. | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Broom K | Lightworks Two Dialogues of Narrative and Perception | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Brock PM | Heimtextil | 2000 | The London Institute | Fashion and Textiles | |
| Brock PM | Research for the Taiwan Textile Federation | 2000 | The London Institute | Fashion and Textiles | |
| Broadway G | Flow | 2000 | University of Sunderland | Photography | Clark S |
| Britton A | Alison Britton | 2000 | Royal College of Art | Applied Art | |
| Brisley S.J. | Live in Your Head: Concept and Experiment in Britain, 1965-1975 | 2000 | University College London | Fine Art Media | |
| Brindley TS | Introducing Alternative Formats for the Design Project Review | 2000 | De Montfort University | Doidge, C.W. Willmott, R. |
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| Brindley TS | Community Roles in Urban Regeneration: New Partnerships on London's South Bank | 2000 | De Montfort University | ||
| Brind S | Sehst | 2000 | Glasgow School of Art | Fine Art | |
| Brill P | Flawed. | 2000 | Goldsmiths College | ||
| Brill P | 40 Rubber Planes. | 2000 | Goldsmiths College | ||
| Brill P | Stop it Write Now. | 2000 | Goldsmiths College | ||
| Brill P | I believe in D | 2000 | London Guildhall University | ||
| Brill P | Landscape. Landscape in a non-traditional manner; video and 'text paintings' | 2000 | London Guildhall University | ||
| Brill P | Stop it write now! (installation), Make Your Own Damn Art | 2000 | London Guildhall University | ||
| Brill P | I Believe in Durer. | 2000 | Goldsmiths College | ||
| Bright A | Steekje Los! (Slipstich: New Concepts in Knitting) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Brewill PJ | Tube Doggy | 2000 | University of Southampton | ||
| Breward C J | In the Eye of the Storm: Oxford Circus + the Fashioning of Modernity | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brett G | Force Fields: Phases of the Kinetic | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brennan G | 13th International Miniature Biennale | 2000 | Edinburgh College of Art | Fine Art | |
| Brennan G | Hitec - Lotec | 2000 | Edinburgh College of Art | Fine Art | |
| Breen LV | The UN Convention against Torture | 2000 | Brunel University | Polymedia Design | |
| Braddock SE | Cross-Cultural Trends in Fiber Arts: A Global Horizon | 2000 | Goldsmiths College | ||
| Braddock SE | Fabric of Fashion. | 2000 | Goldsmiths College | O'Mahony, M. | |
| Braddock SE | Fabric of Fashion. | 2000 | Goldsmiths College | ||
| Boys J | Windows on the World - Or why we might be using the wrong frames: (Re)viewing Architecture | 2000 | De Montfort University | ||
| Boyle GA | DREAM-World: a Simple Model of Energy-Related Carbon Emissions in the 20th and 21st Centuries | 2000 | Open University | Design for sustainability | |
| Boyle GA | Beyond Single Vision | 2000 | Open University | Design for sustainability | C Thomas D Wield |
| Boylan A | Precious Metal Jewellery | 2000 | University of Ulster | ||
| Boyd S C | Proximity. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Boyd S C | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Boyce-Kwok S | Motherlode; The other side of Zero | 2000 | University of East London | ||
| Bowman S | Australia Dreaming: Australia Out to Dry | 2000 | University of East London | ||
| Bowman S | Traditional Crafts revival and technological change in the Highlands and Islands of Scotland | 2000 | University of East London | ||
| Bowman S | Global City | 2000 | University of East London | S. West | |
| Bowman J | Fabric designs 12.B.688, 2000 | 2000 | Loughborough University | Textiles | |
| Bowett A | The English Cross-frame Chair, 1694-1715 | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowen S | Villa Romana, Florence, residency and exhibition | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Bourke R | 'Apoteoza'/apotheosis | 2000 | Dartington College of Arts | ||
| Boult J | Mastering the administration of Design in the CK Economy | 2000 | Brunel University | Design Process | |
| Bould M | Wallflower Critical Guide to Contemporary North American Directors | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bougourd J | The Shape of Things to Come | 2000 | The London Institute | Fashion and Textiles | Pauline Frost Peter Grant-Ross Sue Thomson |
| Bougourd J | A Comparison of Women's Sizing by 3D Electronic Scanning and Traditional Anthropometry | 2000 | The London Institute | Fashion and Textiles | Laura Dekker Peter Grant-Ross Janet Ward |
| Bougourd J | Body Scanners in the Clothing Industry | 2000 | The London Institute | Fashion and Textiles | Ian Dewar, Managing Director, CAD for CAD |
| Boshier C | Receptacle | 2000 | University of Newcastle | ||
| Borrelli M | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Borland C | Spectacular Bodies: The Art and Science of the Human Body from Leonardo till Now, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Booth R | Roberta Booth, New Work | 2000 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth New Work | 2000 | Anglia Polytechnic University | ||
| Booth P.M. | Japanese Connections | 2000 | Falmouth College of Arts | ||
| Booth P.M. | Between East and West | 2000 | Falmouth College of Arts | ||
| Boontje T | Wednesday | 2000 | Royal College of Art | Design for Manufacture | |
| Bolton JS | V-Bag Dispensing System (Modified Pinch Pull) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton JS | Checkout Bag Dispensing System (Boxless Pinch Pull) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton A | The Great Mall of the People | 2000 | The London Institute | Fashion and Textiles | |
| Bolton A | The Supermodern Wardrobe | 2000 | The London Institute | Fashion and Textiles | |
| Boekhoudt O | Jewels of Mind and Mentality 1950-2000 | 2000 | Royal College of Art | Applied Art | |
| Boekhoudt O | Solo exhibition | 2000 | Royal College of Art | Applied Art | |
| Bodman V | between | 2000 | University of Sunderland | Fine Art | |
| Bodimeade N | Skin and Air, Nick Bodimeade | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bodimeade N | Lucio Fontana | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Boddington A D M | En Route: Airport as Cultural Landscape | 2000 | University of Brighton | Natural and Constructed Environments | |
| Blundell S | Integrity of the Subject | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Bloxam L | 'Lighting Up the Invisible' | 2000 | University of Hertfordshire | ||
| Bloxam L | 'Myoglobin' Lighting Display | 2000 | University of Hertfordshire | ||
| Bloxam L | Lighting installation | 2000 | University of Hertfordshire | ||
| Blake Q | The Learning Journey | 2000 | Royal College of Art | Communications | |
| Blake Q | Un Bateau Dans le Ciel | 2000 | Royal College of Art | Communications | |
| Blake Q | Words and Pictures | 2000 | Royal College of Art | Communications | |
| Blair N S P | Bang! Bang! Market Research: You're Dead | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blacklock G. C. | 'Small Paintings - Narratives' 16 small paintings all titled Narrative with a Roman Numeral. | 2000 | Wimbledon School of Art | Painting | |
| Blacklock G. C. | 'Cultural Ties' | 2000 | Wimbledon School of Art | Painting | Jeff Koons Alex Katz Louis Bourgois |
| Blacklock G. C. | 'Five British Abstract Artists' | 2000 | Wimbledon School of Art | Painting | Basil Beattie Albert Irvine Trevor Sutton |
| Blackie SS | Principal Demonstrator, Speaker and Guest Exhibitor. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blackie SS | 'Back From Japan'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blackie SS | 'Year of the Artist 2000' - Residency. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Black H | Labour of Love | 2000 | Wimbledon School of Art | Sculpture | Anthony Caro Stephen Cox Edward Allington |
| Black G | Quality Issues in Heritage Visitor Attractions | 2000 | Nottingham Trent University | Design | |
| Black G | The Gladstone Pottery Museum | 2000 | Nottingham Trent University | Design | |
| Black S | Simplicity, Comfort and Form - Contemporary Asian Textiles and Clothing | 2000 | The London Institute | Fashion and Textiles | |
| Biswas S | Untitled video installation | 2000 | University of Southampton | ||
| Bishop D | Walking Words | 2000 | Royal College of Art | Design for Manufacture | |
| Birrell R | The Radical Negativity and Paradoxical Performativity of Postmodern Iconoclasm: Marcel Duchamp and Antonin Artaud | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Birdsey CL | Creating Accessible Digital Imagery | 2000 | University of Westminster | Imaging Technology | |
| Bird-Jones C | Farmers daughters | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Bird-Jones C | International Womens' Stained Glass | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Bird N C | 'Tracing Echos' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Bird N C | 'Playing Detective' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Bird N C | 'Vague But True' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Binns P | Get Real, Romanticism and New Landscapes in Art | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Binns P | Three Decades: objects selected from the Crafts Council Collection 1972-1999 | 2000 | Buckinghamshire Chilterns University College | Visual Arts | Emmanuel Cooper Ralph Turner |
| Binns D S | David Binns | 2000 | University of Central Lancashire | ||
| Binns D S | Craft and Design | 2000 | University of Central Lancashire | ||
| Binns D S | Invited guest artist at an International Ceramics Symposium | 2000 | University of Central Lancashire | ||
| Binnion S | Switzerland 2000: Dialogue Between Cultures | 2000 | University College Northampton | ||
| Binnion S | subliminating | 2000 | University College Northampton | ||
| Binnion S | Hereford Photography Festival | 2000 | University College Northampton | ||
| Binnion S | Cultivate | 2000 | University College Northampton | ||
| Biggs M A R | Wittgenstein's Nachlass: The Bergen Electronic Edition | 2000 | University of Hertfordshire | ||
| Bielz G A | 'Untitled', Three Drawings | 2000 | Wimbledon School of Art | Painting | Laurids Ortner Dominique Bejvl Heinz Baumueller |
| Bielz G A | 'RAUEME' (Spaces) | 2000 | Wimbledon School of Art | Painting | |
| Biddulph JC | City Mapping: Hull | 2000 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Biddulph JC | The Cut | 2000 | Manchester Metropolitan University | Hatton P Murray V Pilling L |
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| Bicknell J | Campi di Oscillazione | 2000 | Leeds Metropolitan University | Visual Arts | |
| Bickers P | With Intent - the Burden of Proof | 2000 | University of Westminster | Visual Media | |
| Bick A | Andrew Bick: Paintings | 2000 | Kingston University | ||
| Bibb RJ | An Investigation of three-dimensional scanning of human body parts and its use in the design and manufacture of prostheses. | 2000 | University of Wales Institute, Cardiff | PDR | P Freeman R Brown A Sugar |
| Bibb RJ | A Rapid Prototyping Design Advice System for SME's. | 2000 | University of Wales Institute, Cardiff | PDR | R Brown D Wright |
| Bibb RJ | The Application of Computer Aided Product Development Techniques in Medical Modelling | 2000 | University of Wales Institute, Cardiff | PDR | R Brown |
| Biagioli M. | HUMBLE SERVANT OF THE PRINTED WORD: ANTJE LINGNER | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Bezencenet S | Wilderness Dreams | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bezencenet S | Frontier Dreams I | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bezencenet S | Frontier Dreams, Wilderness Dreams, Trespass | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bevan P | Vannkanten (at the water | 2000 | Southampton Institute | ||
| Bevan P | Screening | 2000 | Southampton Institute | ||
| Bevan Baker R | The Green Man of Knowledge | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bevan A | Undercovered | 2000 | Edinburgh College of Art | Fine Art | |
| Bestley R | Document: We Interrupt the Programme | 2000 | The London Institute | Media and Communication | Ian Noble |
| Best A | Error 404, 2000 e-2.org | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Bergmann G | Discussing History and Memory in the Art of Gordon Bennett | 2000 | Brunel University | Polymedia Design | V Strang |
| Bergmann G | His story(s): Reference in the Work of Gordon Bennett | 2000 | Brunel University | Polymedia Design | |
| Bergmann G | Stone, Wood, Brick | 2000 | Brunel University | Polymedia Design | S.O. Kirkhorn |
| Benson SL | Wales Drawing Biennale | 2000 | Sheffield Hallam University | Fine Art | |
| Benson SL | Sweetly Sloping Hills | 2000 | Sheffield Hallam University | ||
| Bennis EM | (Paradisos): Deception and Authenticity in Restoration | 2000 | Manchester Metropolitan University | ||
| Bennett S | Windowsills: Art of Locality. | 2000 | University of Plymouth | Art Process | |
| Bennett S | Crossing the Line. | 2000 | University of Plymouth | Art Process | |
| Bellingham DA | Tarnung (Camouflage) | 2000 | Manchester Metropolitan University | ||
| Bellingham DA | Measures | 2000 | Manchester Metropolitan University | ||
| Bellingham DA | Copenhagen Sections | 2000 | Manchester Metropolitan University | ||
| Bell J | Jonathan Bell's House and Garden | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell J | Donnelly Gallery Garden | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell D | 'Multimedia and the Crisis Economy in Japan' | 2000 | Napier University | Critical Theory of Practice | David McNeil |
| Beggs G | Guy Beggs: 8 oil paintings 102 x 117cms to 117 x 117cms | 2000 | London Guildhall University | ||
| Beech D | Public Art After Virtue | 2000 | University of Wolverhampton | Fine Art | |
| Beech D | Watch Out For The Agoraphobic Saviours of Mankind | 2000 | University of Wolverhampton | Fine Art | |
| Beban B | Still | 2000 | Sheffield Hallam University | Fine Art | |
| Beazley S | Designs for 'Creation Bauman', Germany | 2000 | University of Southampton | ||
| Beazley S | Laser cut interior fabrics for Christian Fischbacher | 2000 | University of Southampton | ||
| Beazley S | Embroidered fabrics for Weisbrod Zurrer. | 2000 | University of Southampton | ||
| Beardon CE | Computers and networks in the age of globalisation. | 2000 | University of Plymouth | Centre for Visual Computing | Rasmussen, L B Munari, S |
| Beardon CE | The Visual Assistant | 2000 | University of Plymouth | Centre for Visual Computing | Gollifer, C. Rose, C. Worden, S. |
| Beale J | RWA 148th Autumn Exhibition | 2000 | University of Gloucestershire | ||
| Beale J | Royal Society of Painter-Printmakers Annual Exhibition | 2000 | University of Gloucestershire | ||
| Beale J | Indian Exchange | 2000 | University of Gloucestershire | ||
| Baurley SL | Design Against Crime | 2000 | The London Institute | Fashion and Textiles | |
| Baurley SL | What Future for Textiles? | 2000 | The London Institute | Fashion and Textiles | |
| Bate DH | Zero Culture | 2000 | University of Westminster | Visual Media | |
| Bate DH | Notes on Beauty and Landscape | 2000 | University of Westminster | Visual Media | |
| Batchelor D | Electric Colour Tower | 2000 | Royal College of Art | Critical Practice | |
| Batchelor D | Chromophobia | 2000 | Royal College of Art | Critical Practice | |
| Batchelor D | The British Art Show 5 | 2000 | Royal College of Art | Critical Practice | |
| Barraclough J | The Right One | 2000 | Liverpool John Moores University | Audio-visual | Nedkova, I |
| Barraclough J | Virtual Revolutions | 2000 | Liverpool John Moores University | Audio-visual | Nedkova, I |
| Barnes RAM | Knit Collection for Spring/Summer 2000. | 2000 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Spring/Summer 2001. | 2000 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Autumn/Winter 2001/2002. | 2000 | Goldsmiths College | ||
| Barnbrook J | The Wilde Years: Oscar Wilde and the Art of his Time | 2000 | Kingston University | ||
| Barnbrook J | Why2K?: Anthology for a New Era | 2000 | Kingston University | ||
| Barnard M | 'Approaches to Understanding Visual Culture' | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barlow P. | The British Art Show | 2000 | University College London | Sculpture | |
| Barker I | A modification to the Codman Microsensor Skull Bolt Kit | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barclay C | Take to the Ground, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Barclay C | Homemaking, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Barbrook RA | Cyber-communism: how the Americans are superseding capitalism in cyberspace | 2000 | University of Westminster | Hypermedia | |
| Barber J. G. | REMOTE SENSING: OUTLOOK AND OBSERVATION | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Barber J. G. | VIDEO POSITIVE 2000 | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Ballantyne T | Lightworks | 2000 | University of Gloucestershire | ||
| Ballantyne T | Art for Youth | 2000 | University of Gloucestershire | ||
| Ball L M | Encouraging Graduate Business Start Up in Art and DesignA Framework for Personal and Professional Development | 2000 | University of Brighton | Pedagogic Research | |
| Bal Y | Writer/director/producer/cinematographer for The Overcoat 2000, 7min. live action (16mm/DV) experimental fictional adaptation of Gogol | 2000 | London Guildhall University | ||
| Baker P.H. | Advanced Envelopes, IEA Annex 32, Volume III | 2000 | Glasgow School of Art | Cities and Environments | Saelens, D. Grace, M. Inoue, T. |
| Baker D | 'Gaze' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker D | 'Construction Sights: the Millenium Intervention Group' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker D | Gaze: The Anxious Sign | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker C | 'A Thousand Hounds- The Presence of the Dog in the History of Photography' | 2000 | Napier University | Photographic Practice | Raymond Merritt Miles Barth |
| Baker C | 'A Thousand Hounds'. | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Baker Alder H A | 'Strands 2: Contemporary British Art' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker Alder H A | 'Ship' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker S C | The Postmodern Animal | 2000 | University of Central Lancashire | ||
| Baker S C | The refusal of sentimentality in postmodern animal art | 2000 | University of Central Lancashire | ||
| Baker S C | Sloughing the Human | 2000 | University of Central Lancashire | ||
| Baker A. | DESIGNER LABELS | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baines P | Sculptured letters and public poetry | 2000 | The London Institute | Media and Communication | |
| Baines M | Propositions: Thinking through drawing | 2000 | Glasgow School of Art | Principles of Drawing | G. Barrett |
| Bainbridge C | Unspeakable Moments of Feminine Cinema | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bain L | Lowry Centre, Salford | 2000 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Bailey S | Challenger range of floodlighting AL 5700 and AL 5900 | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey S | The Enclosed Plain | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | Mosley and Gillat |
| Bailey M | Getting it Right for Passengers | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey M | The Challenge of | 2000 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | |
| Baddeley O | Sinai, Byzantium and Russia: Orthodox Art from the Sixth to the Twentieth Century | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Earleen Brunner Marlia Mundell Mango Yuri Piatnitsky |
| Baddeley O | The Monastery of Saint Catherine | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Earleen Brunner |
| Baddeley O | Other Modernities | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Michael Asbury |
| Baddeley O | The Death of History or a History of Death | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| BUSS D | A Tale of Two Cities: Complementary Colour in the Environments of Two Moroccan Imperial Cities | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BURFORD N | Cantilever Support and Erectable Structures | 2000 | University of Dundee | Industry and the Public Sector | Smith, F W |
| BULL MG | Seeing Things Hidden: Apocalypse, Vision and Totality | 2000 | University of Oxford | ||
| BROADHEAD C | DRESS WITH BLACK HOLES | 2000 | Middlesex University | ||
| BRADLEY P | Don Hans Van Der Laan | 2000 | University of Lincoln | ||
| BRADLEY P | Our Seats Are Almost Touching | 2000 | University of Lincoln | ||
| BRADLEY P | Our Seats Are Almost Touching | 2000 | University of Lincoln | ||
| BOYLAN P.J. | World Bank: Global Development Gateway: Culture + Development (plus sub-topics Arts Crafts + Media,Cultural Management, Cultural Policy, Cultural Tourism, Documentation Standards + Heritage Preservation) | 2000 | City University | ||
| BOYLAN P.J. | Universities and Museums: Past, present and future | 2000 | City University | ||
| BOYD-DAVIS S | Educating the Multimedia Designer | 2000 | Middlesex University | ||
| BOWSHER G. | Steam powered car | 2000 | Coventry University | Design | CANDY, P. WHITE, P.R. |
| BONAVENTURA P | A Day at the Races | 2000 | University of Oxford | Julian Stallabrass Pauline van Mourik Broeckman Niru Ratnam |
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| BONAVENTURA P | A matter of life and death | 2000 | University of Oxford | Nikos Papastergiadis John Berger Don Miller |
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| BODMAN S | A Case of Discovery | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| BODMAN S | GM Future | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| BLOUNT G.N. | Case-based prosthetic socket design | 2000 | Coventry University | The Design Institute | VINNEY, J. .E. NOROOZI, S. SEWELL, P. |
| BLOUNT G.N. | Business model approach: design 'versus' economic considerations for automotive recycling | 2000 | Coventry University | The Design Institute | HARRISON, L.A.J. |
| BIRCH A.R. | Nudge bars for an off-road vehicle (USA) | 2000 | Coventry University | Design | |
| BIGGS I | The State of the Art: Art Education and Radical Imagination | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| BELL R | Three British Ceramists: Richard Bell, Tracey Heyes, Jim Robison | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BEHRENS R H H | 25 years of expeditions into Naboland | 2000 | University of Dundee | Contemporary Practice | Martin Kemp Tony Jones Murdo Macdonald |
| BASEMAN J | The Comedians | 2000 | University of Oxford | ||
| BARR S | Fired with Colour | 2000 | University of Dundee | Contemporary Practice | Ros Conway Jane Short Georgina Follett |
| BARR S | Contemplation | 2000 | University of Dundee | Contemporary Practice | Teena Ramsay |
| BANCROFT HUNT N | Encyclopaedia of the Native Americans | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BAKER R | Net Audio workshop and Irational's Online Toolkit, Site Gallery(http:www.site-map-u-net.com) | 2000 | University of Lincoln | ||
| BAKER R | GirM Video, Liquid Hacking(www.obn.de) | 2000 | University of Lincoln | ||
| Aytoun Ellis M | Earth, Mountains, Rivers | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aylin KL | Graphic design of a series of interactive effects | 2000 | Glasgow School of Art | Design | |
| Aylieff F | Felicity Aylieff: new work, an evolution | 2000 | Bath Spa University College | ||
| Ayers A R | Sustrans, National Cycle Network + Nottinghamshire Contemporary Sittings | 2000 | Nottingham Trent University | Visual Arts | |
| Axford NR | Theory of Image Formation | 2000 | University of Westminster | Imaging Technology | |
| Averill S. | Panel Paintings | 2000 | Falmouth College of Arts | ||
| Austin N | Spheres | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Aust R | Installation. | 2000 | Goldsmiths College | ||
| Aubrey K | Lednicke - Rovne Glass Symposium | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Aubrey K | Spring Open - Millenium Surroundings | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Attridge GG | Some Aspects of the Visual Scaling of Large Colour Differences II | 2000 | University of Westminster | Imaging Technology | Pointer MR |
| Atkin J | Scorched Earth (exhibition) | 2000 | Loughborough University | Drawing | |
| Atkin J | A series of twelve plaster reliefs | 2000 | Loughborough University | Fine and Applied Arts | |
| Astfalck J | Be.twikst | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Astfalck J | Tacita Dentata | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Astfalck J | Semaphore | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Ashworth J | Representations of Water in Model Animation, or: How Mermaids Breed | 2000 | Royal College of Art | Animation | |
| Ashton RG | The application of digital modelling and visualisation methods in communicating proposed infrastructure developments for the motor vehicle logistics sector. | 2000 | De Montfort University | ||
| Ashton P C | Doing the Right Thing. Social Processes in Design Learning. | 2000 | Staffordshire University | ARi, School of Art + Design | D Durling |
| Ashton P C | Collective Action for Design Learning. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Ashton P C | The Social Aspects of Design Learning - Assessing the Value of the Studio in Undergraduate Design Education. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Ashley M | Dutch global investment bank - commissioned redesign of brand identity | 2000 | The London Institute | Media and Communication | |
| Arthur E | Entertaining Royalty: British Needlework in the Burrell Collection | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Arnold RL | Luxury and Restraint: Minimalism in 1990s Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Arnold E.M. | Liz Arnold | 2000 | University College London | Painting | |
| Arnold E.M. | Beck's Futures | 2000 | University College London | Painting | |
| Arney V | Preface : International Biennial for Emerging Artists | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Archer M | Oggelshausen International Sculpture Symposium (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Archer M | Passing Through | 2000 | Loughborough University | Fine and Applied Arts | |
| Arad R | Not Made by Hand Not Made in China | 2000 | Royal College of Art | Design for Manufacture | |
| Arad R | Before and After Now | 2000 | Royal College of Art | Design for Manufacture | |
| Angus J | Design Residency (for prototype evaluation of Shima Seiki 'First' Whole garment equipment). | 2000 | University of Derby | ||
| Angus J | 'Future Fashions + Fabrics: Courtaulds History of Dress Association', Annual Conference. Keynote Speech: The Future for Fashion + Textiles Manufacture in the U.K. | 2000 | University of Derby | ||
| Anderson P | Concept Investigation Into Head-Mounted Displays. Confidential Report | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Anderson P | A Multidisciplinary Approach to Masters Education in Digital Research | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Anderson P | Virtual Design Manufacturing | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | Dr Chris Slinger |
| Anderson F | Fashioning the Gentleman: A Study of Henry Poole and Co., Savile Row Tailors 1861-1900 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Amado I | Time and Moments | 2000 | University of Southampton | ||
| Amado I | Bread Matters | 2000 | University of Southampton | ||
| Allsop D | Zeit R | 2000 | Royal College of Art | Fine Art | |
| Allen T | Fact + Value: New Positions in Sculpture and Painting | 2000 | Kingston University | ||
| Allen T | Ghost Train | 2000 | Kingston University | ||
| Allen L | Natural Bodies and Screen Culture: Nation, Race and Embodiment in Utu | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen K.F | Case Histories | 2000 | Wimbledon School of Art | Painting | Kei Ito Jenny Meredeth Marcus Rowlands |
| Allan J | Students Residencies in Education: The Acquisition of Key Skills Through Practice | 2000 | Glasgow School of Art | Educational Theory and Practice | Alastair Laing |
| Ali-MacLachlan I | Disrupting Isolation: Exposing Distance Learning Students to Cultural Differences. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Ali-MacLachlan I | A Synchronous Feedback System for Distance Collaborative Projects. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Alexander I | The Jaspan House | 2000 | Glasgow School of Art | Design | McKeown, H |
| Aldrich W | Tailor's Cutting Manuals And the Growing Provision of popular Clothing | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Ainsworth MD | Emerging Art II | 2000 | University of Ulster | ||
| Ainsworth MD | The Repeated Disappearance of Painting | 2000 | University of Ulster | ||
| Aiken J.C. | Public Sculpture Commission | 2000 | University College London | Sculpture | |
| Aggs C | 'The Otter Memorial Paper' - Art Editor and essay contribution to Otter Memorial Papers. 1800 word critical essay on ceramicist and printmaker Eric James Mellon. | 2000 | University College Chichester | Painting | |
| Aggs C | 'Christopher Aggs Recent Paintings' - 20 Oil on Canvas and Oil on Board. Various dimensions. | 2000 | University College Chichester | Painting | |
| Adzhiev V. | Space-Time and Higher Dimensional Modeling for Animation. | 2000 | Bournemouth University | Fausett, E. Pasko, A. |
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| Adzhiev V. | Hybrid Systems of Architecture for Volume Modeling. | 2000 | Bournemouth University | Kazakov, M. Pasko, A. Savchenko, V. |
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| Adjaye D | Elektra House | 2000 | Royal College of Art | Architectural Design | |
| Adjaye D | SHAD, A Reading Pavilion | 2000 | Royal College of Art | Architectural Design | |
| Adamson E | Landscapes | 2000 | Edinburgh College of Art | Fine Art | |
| Adams S R | Introduction to Gendering Landscape Art | 2000 | University of Hertfordshire | Dr A. Greutzner-Robins | |
| Adams S R | Gendering Landscape Art | 2000 | University of Hertfordshire | ||
| Adams S R | Signs of recovery: Landscape painting and masculinity in nineteenth-century France. | 2000 | University of Hertfordshire | ||
| Adams H | The Greatest Sculptor in the World - Jose dos Santos - Artist, Visionary and Outsider | 2000 | University of Wales Institute, Cardiff | Fine Art | R Vallejo |
| Adam J | 'Aluminium by Design: Jewellery to Jets' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Adam J | 'Hand, Head and Heart, The Process of Making' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Adam J | Jerwood Applied Arts Prize 2000 (Jewellery) | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Aarons A | Umschlagplatz | 2000 | Anglia Polytechnic University | ||
| ASTBURY P | CONTEMPORARY BRITISH CERAMICS - GROUP EXHIBITION | 2000 | Middlesex University | ||
| ARUNDELL C | Design of Leisure Games Software - SIM City UK Edition | 2000 | Kent Institute of Art + Design | Peter Robertson University of Central Lancashire | |
| ANDERTON R | World Etching | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| ANDERSON M | Back From The Digital | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| ANDERSON M | A pictorial investigation of the work for organ by Oliver Messiaen: La Nativite du Seigneur | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| ANDERSON M | Materia: A Digital Media Collaborative Research Project | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| van Dooren D | Bareback | 1999 | The London Institute | Media and Communication | |
| de La Haye A | Ethnic Minimalism: A contextual analysis of designs by Shirin Guild | 1999 | The London Institute | Fashion and Textiles | |
| de La Haye A | Defining Dress: Fashion as Image, Object + Identity | 1999 | The London Institute | Fashion and Textiles | Professor Elizabeth Wilson |
| de La Haye A | Twentieth Century Fashion | 1999 | The London Institute | Fashion and Textiles | Valerie Mendes |
| de La Hamayde S | Toilet Fish | 1999 | De Montfort University | ||
| de La Hamayde S | Toilet Syphon | 1999 | De Montfort University | ||
| de Cordova D | Model | 1999 | Wimbledon School of Art | Sculpture | Jonathan Wright Carmen Blanco Luna Jefford Horrigan |
| de Caires D | The Guyana Pavillion Latin American Art | 1999 | De Montfort University | ||
| Zhang J. J. | Load Analysis with Varying Mesh Stiffness. | 1999 | Bournemouth University | Esat, I. Shi, Y. |
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| Zellweger C | Facts, fakes and beauty | 1999 | Sheffield Hallam University | ||
| Young M | What Price Ergonomics? | 1999 | Brunel University | Interaction Design | N Stanton |
| Young M | A guide to Methodology in Ergonomics - Designing for Human Use | 1999 | Brunel University | Interaction Design | N Stanton |
| Young A.N.J. | ANALYSIS OF THE AEA CLAIMS THAT THE PROPOSED EUROPEAN DIRECTIVE ON WASTE FROM ELECTRICAL AND ELECTRONIC EQUIPMENT (WEEE DIRECTIVE) WILL CONFLICT WITH THE WTO TRADE RULES | 1999 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| You L.H. | Cloth Deformation Modelling Using a Plate Bending Model. | 1999 | Bournemouth University | Zhang, J.J. Comninos, P. |
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| You L.H. | Elastic-Plastic Stresses in a Rotating Solid Disk. | 1999 | Bournemouth University | Zhang, J.J. | |
| Yetton CCW | Monet in the Twentieth Century: An Introduction | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Yetton CCW | The Windows of the Brandon Estate: an elegy to tall buildings | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Yetton CCW | Souvenir d'horizons | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Yates M | Collection of printed textile designs. | 1999 | University of Southampton | ||
| Yates M | Printed textile designs | 1999 | University of Southampton | ||
| Yasuda T | Reactivating the Senses | 1999 | University of Ulster | ||
| Yass CM | Cell | 1999 | The London Institute | Fine Art | |
| Yair K | Design through making: crafts knowledge as facilitator to collaborative new product development | 1999 | Sheffield Hallam University | Mike Press Anne Tomes |
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| Yair K | Crafting Competitive Advantage: Crafts Knowledge as a Strategic Resource | 1999 | Sheffield Hallam University | Applied Design Policy | Mike Press Anne Tomes |
| YEADON J.D. | Jemima Brown + John Yeadon | 1999 | Coventry University | Visual Arts | BROWN, J. |
| Wynne J | Soundtrack | 1999 | The London Institute | Fine Art | |
| Wright R | Bedhead | 1999 | Sheffield Hallam University | ||
| Wright R | Pufferfish | 1999 | Sheffield Hallam University | ||
| Wright L. | Solo Exhibition: Recent Works 97-99 | 1999 | Falmouth College of Arts | ||
| Wright JM | Sky + Cloud Series (commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Wright DK | Development of a rapid prototyping design advice system | 1999 | Brunel University | Interaction Design | R Bibb Z Taha R Brown |
| Wright DK | Freehand drawing system using a fuzzy logic concept | 1999 | Brunel University | Interaction Design | |
| Wright A | The Womens Library - National Library of Womens History | 1999 | Glasgow School of Art | Design | |
| Wright A | Varndal Street Housing | 1999 | Glasgow School of Art | Cities and Environments | Partner, Wright and Wright Architects |
| Wozencroft J | Touch and Fuse | 1999 | Royal College of Art | Communications | |
| Woudhuysen J | Design in Britain 2000: Facts, Figures and Quotable Quotes | 1999 | De Montfort University | Docherty, C. | |
| Worthington C | `102 | 1999 | London Guildhall University | ||
| Worrall P | Collection of Handstitched Fabrics | 1999 | Liverpool John Moores University | Fashion and Textiles | |
| Woropay V | Tareitanga Sculpture Symposium 1999 | 1999 | Wimbledon School of Art | Sculpture | |
| Woropay V | The Park of the Future | 1999 | Wimbledon School of Art | Sculpture | |
| Wormald PW | Breaking Down Barriers to Undergraduate Design Students' Creativity and their Understanding of Product Meaning | 1999 | Loughborough University | Design Research | McDonagh-Philip, D.C. |
| Wootton M A | 'Bookways - The British Version' exhibition | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Woolley M | 'Taking Stock - Product Responses to the Future Retail Environment'. | 1999 | Goldsmiths College | ||
| Woolley M | 'From Nature to Nurture - Towards a Theory of Materials Transformation'. | 1999 | Goldsmiths College | Yam, Y. | |
| Woolley M | The Thoughtful Markmarker-Representational Design Skills in the Post Information Age. | 1999 | Goldsmiths College | ||
| Woods R | Yellow Floor Board Repeat | 1999 | University of Southampton | ||
| Woodley G. | Positionen der Konkreten und Konstructiven Kunst | 1999 | University College London | Painting | |
| Woodley G | Positionen der konkreten und konstruktiven kunst | 1999 | The London Institute | Fine Art | |
| Woodham J M | An Episode in Post-Utility Design Management: the Council of Industrial Design and the Co-operative Wholesale Society | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Woodfine S | 'Sarah Woodfine' | 1999 | Wimbledon School of Art | Sculpture | |
| Woodfine S | 'Perfume' | 1999 | Wimbledon School of Art | Sculpture | Georgie Hopton Glauce Cerveira |
| Woodfield R A | Ernst Gombrich, Dal mio temp: Citta maestri, incontri, a cura di Woodfield | 1999 | Nottingham Trent University | Visual Arts | |
| Wood R.M. | Solo Exhibition | 1999 | Falmouth College of Arts | ||
| Wood R.M. | Triennial Sculpture Exhibition | 1999 | Falmouth College of Arts | ||
| Wood R.M. | FIDEM 1999 | 1999 | Falmouth College of Arts | ||
| Wood M H | Visions Norway: A Norwegian British Partnership at the Millennium | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Brun, H J Koefoed, H Varley, W |
| Wood M H | Norman Cornish | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Chaplin, M |
| Wood B | The Glasgow Collection at the International Contemporary Furniture Fair | 1999 | Glasgow School of Art | Design | |
| Wood ND | Chinese Glazes - Their Origins, Chemistry and Recreation | 1999 | University of Westminster | Ceramics | |
| Wood ND | Early polychrome glazes on a Chinese ceramic bead of the Warring States period | 1999 | University of Westminster | Ceramics | Freestone I Stapleton C Gu Taoxi Kexue Jishu |
| Withers R | Patrick Caulfield, Hayward Gallery, London | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Winters EJ | Architecture and Human Purposes | 1999 | University of Westminster | CARTE | |
| Wiltshire H | Before I Arrived | 1999 | Royal College of Art | Fine Art | |
| Wiltshire H | The Object of our Affection | 1999 | Royal College of Art | Fine Art | |
| Wiltshire H | And When I Got There | 1999 | Royal College of Art | Fine Art | |
| Wilson M | Littoral | 1999 | Cumbria College of Art + Design | ||
| Wilson M | home | 1999 | Cumbria College of Art + Design | ||
| Wilson LJ | Donna Karan Phase 4 | 1999 | The London Institute | Fashion and Textiles | |
| Wilson K | Bournville Lecture, Leaning Rail, Puddle | 1999 | University of Westminster | Fine Art | |
| Wilson K | Library and Puddle | 1999 | University of Westminster | Fine Art | |
| Wilson A | Decadence? Views from the edge of the century | 1999 | University of Brighton | Materials Practices and Processes | |
| Wilson A | Remembered Figures | 1999 | University of Brighton | Memory, Identity and History | |
| Willis J | Rhythms of Life | 1999 | Royal College of Art | Communications | |
| Williamson T | Design of a Medical Pump | 1999 | University of Wales Institute, Cardiff | PDR | |
| Williamson R | Reception Desk and Benches | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williamson M | Some Memorials | 1999 | London Guildhall University | ||
| Williamson A | Sick and Twisted | 1999 | The London Institute | Media and Communication | Russell Murphy |
| Williamson A | Nineteen Eighty Four | 1999 | The London Institute | Media and Communication | |
| Williams V | Modern Times I and II | 1999 | The London Institute | Media and Communication | |
| Williams R | Disjacta Reliquae: The Tate Thames Dig | 1999 | Cumbria College of Art + Design | Professor Lord Colin Renfrew Alex Coles Emi Fontana |
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| Williams R | A Celebration of Craftsmanship | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams R | Designs on Environment | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams D | Illustrations | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Williams D | The Travel Show, John Brown Publishing | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Willey TV | 'Making it Green' | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Willberg P | Gary Hume: British Pavilion XLVIII Venice Biennale | 1999 | The London Institute | Media and Communication | |
| Willberg P | Abracadabra: International Contemporary Art | 1999 | The London Institute | Media and Communication | |
| Wilkinson M | Beyond the Fridge: Collaboration as a Paradigm for Innovation | 1999 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Wilkinson M | Beyond the fridge: a trans-sectoral collaborative partnership | 1999 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Whitworth L K | Living in a Material World | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Whittaker P | Failure, Aporia and Death | 1999 | University of Southampton | ||
| Whittaker E | London:Post Colonial City | 1999 | Bath Spa University College | Gilroy, P. Goty, W. Yokomitsu, M. |
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| Whittaker E | Edward Whittaker | 1999 | Bath Spa University College | ||
| Whiting B.M. | Industria Art, Second Contemporary Art Show | 1999 | Falmouth College of Arts | ||
| Whiteman P | 'The Rites of Spring' | 1999 | Wimbledon School of Art | Theatre costume | |
| Whiteman P | Barry Humphries 'Dame Edna Dress' | 1999 | Wimbledon School of Art | Theatre costume | |
| Whiteley NS | Five Artists' Valuation of the Visual | 1999 | Lancaster University | ||
| Whiteley G | Application no.9921374.6 for an Elbow Prosthesis | 1999 | Sheffield Hallam University | ||
| Whiteley G | Application no. 9925516.8 for Wrist Prosthesis | 1999 | Sheffield Hallam University | Industrial Design | |
| Whitehead B. S. | ALFRED DUNHILL | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| White K | Le chemin des cretes. Avec Robert Louis Stevenson a travers les Cevennes | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| White H | Size Immaterial | 1999 | Sheffield Hallam University | Metalwork + Jewellery | |
| White H | Only Human | 1999 | Sheffield Hallam University | Metalwork + Jewellery | |
| Whistler D | Illustrations for A Time of Gifts by Patrick Leigh Fermor | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Whalley S | Bodysnatchers | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Whalley S | Computers and Printmaking | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Westwood M | Limit Less | 1999 | The London Institute | Fine Art | |
| Westwood M | 6 min 3 sec | 1999 | The London Institute | Fine Art | |
| West N F | The Body and the Machine | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Welsford A | Recent Paintings 1998-9 R42 (W series) | 1999 | De Montfort University | ||
| Webster C P | Gnosis | 1999 | University of Wales, Aberystwyth | ||
| Weaver C | Enid Marx: designing textiles for the utility furniture design advisory panel | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waugh A | The Light | 1999 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Watt DS | Fakenham Gasworks: Over 150 years of History | 1999 | De Montfort University | ||
| Watt DS | The Consolidation and Repair of St Mary's Church, Houghton-on-the-Hill, Norfolk | 1999 | De Montfort University | ||
| Watson LJ | Exhibition and Workshop | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Watson L | Ozzy Clarke Retrospective Exhibition | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Birtwell, C |
| Watson L | Vogue Twentieth Century Fashion | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Graham, T |
| Watson G | SM Art: More than a Matter of Taste in Body Probe | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | Rachel Armstrong Jake Chapman Robert Ayers |
| Watson G | Herman Nitsch, Chris Burden | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Watkins P | 'The Golden Road to Samarkand' | 1999 | Royal College of Art | Design for Manufacture | |
| Watkins D | A Design Sourcebook | 1999 | Royal College of Art | Applied Art | |
| Warwicker J | Volvo - commissioned design for worldwide marketing | 1999 | The London Institute | Media and Communication | |
| Warren RJ | Limit Less | 1999 | The London Institute | Fine Art | |
| Ward S | Secret Garden (40 ceramic multiples) | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Ward R | Visual Anecdotes | 1999 | University of Sunderland | Fine Art | |
| Walter J | 'Brampton Pots in the Kitchen', curated exhibition with catalogue. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walsh BF | Take Place | 1999 | Goldsmiths College | ||
| Walsh BF | What Do You Do? | 1999 | Goldsmiths College | ||
| Walsh BF | The Snake in the Grass/Raising Dirt | 1999 | Goldsmiths College | Greenhill, J. | |
| Wallinger M | Mark Wallinger is Innocent | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Wallinger M | Ecce Homo | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Wallace-Jones H | New York Gift Fair | 1999 | The London Institute | Fashion and Textiles | Emma Sewell |
| Wallace M | John Hilliard | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Walker Z | Somewhere Special | 1999 | Edinburgh College of Art | Fine Art | |
| Walker S F | Interactive multimedia in primary schools: children's use and understanding of information texts on CD-ROM, and implications for teachers and designers | 1999 | University of Reading | L. Reynolds V. Edwards |
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| Walker A J | Borderlands | 1999 | Wimbledon School of Art | ||
| Walden J | A Telephonic Exchange, Uncommon Denominators | 1999 | University of Portsmouth | Art and Philosophy | |
| Waeckerle E. | 4TH ST PETERSBURG BIENNALE | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Waeckerle E. | WHEN (EVERY SECOND COUNTS) | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Wade G | In the Midst of Things | 1999 | University of Wolverhampton | Fine Art | Nigel Prince |
| WRIGHT M J | Sky + Cloud Series | 1999 | Kent Institute of Art + Design | ||
| WRIGHT J | VESSEL | 1999 | Middlesex University | ||
| WORDEN S | From the exploratory to the declarative: Interpreting the World Wide Web | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| WOLMARK J | Cybersexualities: A Reader in Feminist Theory Cyborgs and Cyberspace | 1999 | University of Lincoln | ||
| WILLIAMS M.D. | The London subterranean | 1999 | Coventry University | Design | |
| WILKES C | Becks Future | 1999 | University of Dundee | Contemporary Practice | Roderick Buchanan David Shrigley Martin Boyce |
| WENTWORTH R | Richard Wentworth | 1999 | University of Oxford | ||
| WARD R | Six Memos for the Next Millennium | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| WALLINGER M | Ecce Homo | 1999 | University of Oxford | ||
| WALLER R. | Thematic NIV study Bible CD-ROM design | 1999 | Coventry University | The Design Institute | CHAPMAN, A. |
| WALKER-BARKER D | Migrations through Time | 1999 | Bretton Hall | FINE ART (PAINTING) | |
| WADE E | PHRYNOCEPHALUS | 1999 | Middlesex University | ||
| Vyner T | Swallow Tale | 1999 | Bath Spa University College | ||
| Virtue JA | John Virtue. Exe Estuary 1997-2000. | 1999 | University of Plymouth | Art Process | |
| Vince J. | Digital Convergence: The Information Revolution. | 1999 | Bournemouth University | Earnshaw, R. | |
| Verran V | 10 Year Retrospective | 1999 | Falmouth College of Arts | ||
| Verran V | Paintings 1990-1999 | 1999 | The London Institute | Fine Art | |
| Vernon SA | 'Cutlery Art - Ancient and Modern.' | 1999 | University of Derby | ||
| Vernon S.A. | The Art and Evolution of Cutlery | 1999 | Falmouth College of Arts | ||
| Verhoeven J | Open Sesame | 1999 | The London Institute | Fashion and Textiles | |
| Verhoeven J | Word Up by Mel B, CGI Music Video | 1999 | The London Institute | Fashion and Textiles | |
| Vargo A | Nordic Letters of the Modern Breakthrough 1870-1910 | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Vargo, V. |
| Vanke F | The contribution of CDE Fortnum to the Historiography and Collecting of Islamic Ceramics | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Van Dooren I | Leinwandreisen um die Welt | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| VOSS R | Furniture | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| VOORSANGER J | My Eye Hurts | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| VAN KOTEN H H | Ullapool High School, Concept and Entrance | 1999 | University of Dundee | Industry and the Public Sector | Ian Carnduff Craig MacKay Martin Capel |
| VAN KOTEN H H | Plaswood, public seating system | 1999 | University of Dundee | Industry and the Public Sector | Ian Carnduff Craig Gamble Dumfries Plastics Recycling |
| VAN DER LEM P | International co-operation and developing national and international standards of work and digital publishing and visual gallery systems | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| VAN DER LEM P | Search and research in Fine Print: creating practice based and theoretical research for the discipline of Fine Print | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| Ursitti C | If I Ruled The World, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Ure J | Competitiveness Through Networked Collaboration (Competitividad a Taves de la Cooperacion Online) | 1999 | Robert Gordon University | Learning Strategies | |
| Unger G | Coranto | 1999 | University of Reading | ||
| Tyrrell J | 70s and 80s the High-Tech Age | 1999 | University of Sunderland | Design | |
| Twomey C. | 4A BIENNAL EUROPEA DE CERAMICA | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Twomey C. | EDINBURGH MAKERS | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Twomey C. | 51 PREMIO FAENZA | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Twomey C. | EUROPAISCHE KERAMIK '99 | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Turner M | 'Originality, Imitation, and Hong Kong Registered Designs' | 1999 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner J | Littlewoods Electronic Manual | 1999 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Turner J | Knowsley Woods | 1999 | Liverpool John Moores University | International Centre for Digital Content | N Foster |
| Turner A | Depths in Metres | 1999 | Southampton Institute | ||
| Turnbull A | 'Moon' | 1999 | Wimbledon School of Art | Painting | |
| Turk GJT | The Importance of Being Ernesto | 1999 | The London Institute | Fine Art | |
| Tuckett S M | Fragile Futures | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Trowles P | Charles Rennie Mackintosh: The Italian Connection | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Triantaphillidou S | An Evaluation of MTF Determination Methods for 35mm Film Scanners | 1999 | University of Westminster | Imaging Technology | Jacobson RE Fagard-Jenkin R |
| Treplin A | The Three Sisters | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Treplin A | Eurydice | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Treplin A | Orpheus in the Underworld | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Tredre R | The Age Agenda | 1999 | The London Institute | Fashion and Textiles | |
| Trambusti B | Design of Sisley Spring - Summer collection, 1999 | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | K Trambusti as Addendum Design Consultancy |
| Tozer J | High 'Art' - 'Low' Culture. | 1999 | Goldsmiths College | ||
| Townsend S | Multiple Store: Second Collection and touring exhibition | 1999 | The London Institute | Fine Art | |
| Toren A | Art Focus 3 | 1999 | University of Reading | Per Kirkeby Ilya Kabakov Mark Wallinger |
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| Topping M J | The Development of handy 1. A robotic system to assist the severely disabled. | 1999 | Staffordshire University | ARi, School of Art + Design | J. Smith |
| Topping M J | HATS: Development and Clinical Evaluation of a Computerised Hand-Assessment System | 1999 | Staffordshire University | ARi, School of Art + Design | O. Perlick H. Heck M. Fathmann |
| Topping M J | HATS A High Technology Hand Assessment System | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Toop D | Exotica: Fabricated Soundscapes in a Real World | 1999 | The London Institute | Fine Art | |
| Toop D | Museum of Fruit: Arc | 1999 | The London Institute | Fine Art | |
| Toal D | Dark Matter, video/multimedia | 1999 | University of Portsmouth | Memory, Identity and Material Culture | Red Earth |
| Till N J T | Silent Movie Opera: Carmen (1910) | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | English National Opera Studio VOCEM electric voice theatre Kandis Cook |
| Tibbs B | Checklist | 1999 | Kingston University | ||
| Thrower S | Collection of printed textile designs for Stork, Netherlands | 1999 | University of Southampton | ||
| Thrower S | Designs for Traidcraft, Tyne and Wear, UK. | 1999 | University of Southampton | ||
| Throp M | Catalogue essay | 1999 | Goldsmiths College | ||
| Thorpe A. | SALMON IN YOUR BUILDING | 1999 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Thornhill PH | 'Direct Action' - Television documentary | 1999 | De Montfort University | Hurst, M | |
| Thomson J | Animal + Vegetable = Mineral | 1999 | Southampton Institute | ||
| Thomson G | Computer aided calligraphy: Where write isn't wrong | 1999 | Cumbria College of Art + Design | ||
| Thomson A | Deferred Authorship | 1999 | University of Newcastle | Kim Jin Hee | |
| Thompson V | Library for Centre for Language Teaching and Research - commissioned design and fitting out | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Thompson L J | Pilchuck Glass Scholarship and Glass Auction, Seattle | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Thompson GR | Tomorrows World Live | 1999 | Brunel University | Environmentally Sensitive Design | |
| Thompson GA | Installation | 1999 | The London Institute | Fine Art | |
| Thompson E. | Estelle Thompson: Recent Paintings and Prints | 1999 | University College London | Painting | |
| Thompson E. | Milton Keynes Theatre Commission | 1999 | University College London | Painting | |
| Thompson A | Get Together | 1999 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Thompson A | Press Release (NY Faxbak) | 1999 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Thomas PD | Mechanisms of ankle and hind foot injuries to drivers and passengers in frontal crashes as deduced from field studies | 1999 | Loughborough University | Design Ergonomics | Morris, A.P. Taylor, A.M. Wallace, W.A. |
| Thomas PD | Injury patterns in side collisions - a new look with reference to current test methods and injury criteria | 1999 | Loughborough University | Design Ergonomics | Frampton, R.J. |
| Thomas P | The Trojan War Drawings | 1999 | University of Gloucestershire | ||
| Thomas J | '4 Ways He Tried to Tell You' | 1999 | Wimbledon School of Art | Painting | |
| Terstappen C | Omens and Portents | 1999 | University of Southampton | ||
| Ten Hompel S | 8 (table) spoons | 1999 | London Guildhall University | ||
| Telford SJ | Spring window display (commission) | 1999 | Loughborough University | Textiles | |
| Tchalenko J | The Painter''s Eye | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Humphrey Ocean |
| Taylor S | Beware of the Dog | 1999 | Southampton Institute | ||
| Taylor S | SWUMMING. | 1999 | Goldsmiths College | ||
| Taylor S | Nevernover. | 1999 | Goldsmiths College | ||
| Taylor M | Recent English Prints | 1999 | The London Institute | Fine Art | |
| Taylor LA | Creation of wall panels from interpretations of original drawings by C R Mackintosh for the Music Room of House for an Art Lover. | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Alison Harley |
| Taylor F | Out of Place. | 1999 | Goldsmiths College | ||
| Taylor F | Forgeries, explosions and misrepresentations. | 1999 | Wimbledon School of Art | Edwin Aitken Kate Scrivener Michael Wilson |
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| Taylor F | Collaborations into the 21st Century - British Art Now x 2 | 1999 | The London Institute | Fine Art | |
| Taylor F | Out of Place | 1999 | The London Institute | Fine Art | |
| Taylor D | Tattooing and the Self: History of the Body | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Taylor A | Hunting Art Prizes 1999 | 1999 | University of Gloucestershire | ||
| Tangye HR | Keiichi Yoshida | 1999 | The London Institute | Fashion and Textiles | |
| Tamburic S | An investigation into interactions between polyacrylic polymers and non-ionic surfactant: an emulsion preformulation study | 1999 | The London Institute | Fashion and Textiles | S. Simovic J. Milic D. Rajic |
| Tamburic S | The Hydrating Potential of an O/W Emulsion in Comparison with the Potential of its Constituents | 1999 | The London Institute | Fashion and Textiles | G. Abamba |
| Tallentire A | From Where To Here | 1999 | The London Institute | Fine Art | |
| Tallentire A | Instances | 1999 | The London Institute | Fine Art | |
| Tallentire A | Trailer | 1999 | The London Institute | Fine Art | |
| Talbot E | Something must be done | 1999 | University of Gloucestershire | ||
| Tait N | Limit Less | 1999 | The London Institute | Fine Art | |
| Tabor EC | Teaching cost awareness in design for manufacture of injection moulding | 1999 | Brunel University | Design Pedagogy | |
| TURNER J | 'Art and Engineers' Contemporary Sculpture with Victorian Engineering | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| TOVEY M.J. | Concept design and sketch mapping | 1999 | Coventry University | The Design Institute | HARRIS, G.J. |
| TIROHL B | The Impact of technology News Picture Production | 1999 | University of Lincoln | ||
| THOMPSON K. | Wrapping up the year | 1999 | Coventry University | Visual Arts | CRAXFORD, TAYLOR, |
| TCHERNAKOVA A | Unless The Eye Catch Fire (title changed to 'Last Summer' for CBC broadcast) | 1999 | University of Lincoln | ||
| Symons S | Behaviour Synthesis Architecture in Digital Installation | 1999 | Liverpool John Moores University | Audio-visual | |
| Sykas PA | Calico Catalogues: Nineteenth-Century Printed Dress Fabrics from Pattern Books | 1999 | Manchester Metropolitan University | ||
| Swinson J | Architechs dream of nightmare cities - Cities on the Move at the Hayward. | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Swinson J | Visual Art and the Moving Image | 1999 | The London Institute | Fine Art | |
| Swindells S P | Haeccietas Star | 1999 | University of Huddersfield | ||
| Swindells S P | A distributionce of memory on the acropolis | 1999 | University of Huddersfield | ||
| Swift J | Art Education: A Contested Field of Study | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Swift J | Directions: Towards a New Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Sweet DF | Minding the Gap: The Social Space of Painting | 1999 | Manchester Metropolitan University | ||
| Swan A | Woven Jacquard designs for upholstery | 1999 | University of Southampton | ||
| Swan A | Surtex | 1999 | The London Institute | Fashion and Textiles | Annette Poulton |
| Swan A | Arkitex | 1999 | The London Institute | Fashion and Textiles | |
| Swallow SS | Orange Millennium Landmark Commission Natural Highs | 1999 | Brunel University | Design for Inclusion | |
| Swales V | Fostering Cultural Imagination in Design Research | 1999 | University of Portsmouth | Centre for Creative Empowerment | |
| Swales V | Defaire et faire les habitudes dans le demenagement | 1999 | University of Portsmouth | Memory, Identity and Material Culture | T Putnam |
| Swales V | The Team in the Stand building new community heritage sites through interactive multi media | 1999 | University of Portsmouth | Centre for Creative Empowerment | Chris Golya |
| Summers A | LEAPs | 1999 | North East Wales Institute of Higher Education | Art and Design | D Gill |
| Sturgis D | Villa Crispi. | 1999 | Goldsmiths College | ||
| Strutton J | It looks like rain | 1999 | Royal College of Art | Fine Art | |
| Stroud RR | Design of Electronic Hardware + Micro-controller software for Moo a childs toy | 1999 | Brunel University | Environmentally Sensitive Design | |
| Strindberg M | You and Me | 1999 | University of Brighton | Fine Art Practices | |
| Stonyer A | Andrew Stonyer | 1999 | University of Gloucestershire | ||
| Stonyer A | Pulse | 1999 | University of Gloucestershire | ||
| Stoddart A | 1999 | Glasgow School of Art | Fine Art | S. Kinstry | |
| Stoddart A | Robert Burns / John Wilson monument, Kilmarnock | 1999 | Glasgow School of Art | Fine Art | |
| Stockham J | If Not Now When? | 1999 | Royal College of Art | Fine Art | |
| Stiven C | Young Work - New York | 1999 | Edinburgh College of Art | Fine Art | |
| Stiven C | Charles Stiven | 1999 | Edinburgh College of Art | Fine Art | |
| Stitt A | 0044 - Research into the assimilation of Irish artists working aborad | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Stezaker J | Angels | 1999 | Royal College of Art | Fine Art | |
| Stewart S | Case Study 1 Crosmyloof Resource Centre | 1999 | Glasgow School of Art | Design | R Pollock |
| Stewart I | Iain Stewart: Recent Works | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Stewart EP | Hooded/Bared, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Stephanie Smith |
| Stewart EP | Smith/Stewart, Videoarbeiten, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Stephanie Smith |
| Stewart C | 'The Mild Bunch' | 1999 | De Montfort University | ||
| Stewart C | Coil | 1999 | De Montfort University | ||
| Stewart C | 'Once Upon a Time' | 1999 | De Montfort University | ||
| Stevens P | Le Mans Racing Car | 1999 | Royal College of Art | Design for Manufacture | |
| Stevens P | Model | 1999 | The London Institute | Fine Art | |
| Stevens P | Mirror | 1999 | The London Institute | Fine Art | |
| Stevens P | Vessel | 1999 | The London Institute | Fine Art | |
| Stephenson AP | Performing the Body: Performing the Text | 1999 | University of East London | Amelia Jones | |
| Stephenson AP | 'Frederic Leighton and the repertoires of 'masculine' artistic identity in the late Victorian Period | 1999 | University of East London | ||
| Stephens JR | Surfaced two-person exhibition | 1999 | Chester College of HE | ||
| Stephen'Cran J | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | ||
| Stephen'Cran J | Textile Diversity | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Stephen'Cran J | Flower Power | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Steiner S | Ear-Marked: Notes | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Steiner S | Aspects of the Rustic as Trope | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Steed J | Old Dogs and New Tricks | 1999 | Robert Gordon University | Practices enabled through New Media Technology | Bunnell, K. |
| Startup J | Wind | 1999 | Kingston University | ||
| Startup J | Wind, Gervasoni Collection | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Starszakowna N | New Textiles | 1999 | The London Institute | Fashion and Textiles | |
| Starkey P | The Cat Scratched Little Johnny - Ceramics in Wales | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Stanton-Wilson J | 'The Complete Artist'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Stanton NA | What price Ergonomics? | 1999 | Brunel University | Interaction Design | M Young |
| Stansfield Smith C | Architecture Education for the 21st Century | 1999 | University of Portsmouth | Centre for Creative Empowerment | RIBA committee |
| Stanford P | 'Jazz Revelations' | 1999 | Wimbledon School of Art | Danny Corr | |
| Stamp G | The Light and Truth of Beauty: the Lectures of Alexander Greek Thomson | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stamp G | Alexander Greek Thomson. (paperback title: Alexander Thomson. The Unknown Genius) | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stahl A. | New Paintings | 1999 | University College London | Painting | |
| St James M | Picture Yourself | 1999 | The London Institute | Fine Art | |
| Springer P | '!' (Advertising as Art) | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Sprawson D H | Frank Stella 'Die Marquise Von O' | 1999 | Nottingham Trent University | Visual Arts | |
| Sprake J | Space and the River project 1999. | 1999 | Goldsmiths College | ||
| Spencer B | Heavens Above in John Moores 21 | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Spencer B | Londinium to London | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Speed S | The Ends of Postmodernism | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Speed S | Cartographic Arrest: Harvey, Raleigh, Drayton and the Mapping of Sense | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Speed CJ | Raindance: Making visible the community of the Internet | 1999 | University of Plymouth | STAR | |
| Southee DJ | Curriculum Innovation - Technology Majors | 1999 | Brunel University | ||
| Soteriou D | 'Passion for Colour' | 1999 | Liverpool Hope | ||
| Soroka J | Unmarked lives | 1999 | Edinburgh College of Art | Fine Art | |
| Sonnabend Y. | Antony and Cleopatra | 1999 | University College London | Theatre Design | |
| Sonnabend Y. | The Rite of Spring | 1999 | University College London | Theatre Design | |
| Soden JA | The Design and Fabrication of 3D Multilayer Woven T-Section Reinforcements | 1999 | University of Ulster | G Weissenbach BJ Hill |
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| Snell R | Landscapes from the Border | 1999 | Bath Spa University College | ||
| Snaebjornsdottir B | If I Ruled The World, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Snaebjornsdottir B | Building A Balcony, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Smith W | Billy the Conkeror | 1999 | University of Brighton | Visual Communication Design | |
| Smith T | Fault Line | 1999 | University of Gloucestershire | ||
| Smith P M | The Citibank Photography Prize, 1999 | 1999 | Anglia Polytechnic University | ||
| Smith P M | Neurotic Realism | 1999 | Anglia Polytechnic University | ||
| Smith N J | Digital Paint Drying Systems | 1999 | University of Northumbria at Newcastle | Graham, T | |
| Smith N J | Hydroquad | 1999 | University of Northumbria at Newcastle | Graham, T | |
| Smith M | Martin Smith: Ceramics | 1999 | Royal College of Art | Applied Art | |
| Smith M | Artisti dal Mondo: Museo Internazionale Delle Ceramiche | 1999 | Royal College of Art | Applied Art | |
| Smith L | Glass plaque/installation to commemorate the inauguration of the Research Institute of Irish and Scottish Studies, University of Aberdeen | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Smith K | Physical Evidence. | 1999 | Goldsmiths College | ||
| Smith K | Physical Evidence exhibition paintings | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Smith K | 'Backspace' | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Smith JA | Regression | 1999 | University of East London | ||
| Smith JA | The Kiss | 1999 | University of East London | ||
| Smith JA | The Waste Land | 1999 | University of East London | ||
| Smith J | The Development of Handy 1, a Rehabilitation Robotics System. | 1999 | Staffordshire University | ARi, School of Art + Design | M J Topping |
| Smith J | The Kiss | 1999 | The London Institute | Media and Communication | |
| Smith J | The Wasteland | 1999 | The London Institute | Media and Communication | |
| Smith J | Regression | 1999 | The London Institute | Media and Communication | |
| Smith D | Fast Forward | 1999 | The London Institute | Fine Art | Olaf Parker Sue Denny |
| Smith C | Colin Smith Paintings (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Smith C | Colin Smith Recent Paintings (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Smith AE | Altered States | 1999 | The London Institute | Fashion and Textiles | |
| Smith A | An Introduction to Textile Materials: Their Structure, Properties and Deterioration | 1999 | The London Institute | Media and Communication | |
| Smith S | Seeing Time: Selections from the Pamela + Richard Kramlich Collection of Media Art, group exhibition | 1999 | Glasgow School of Art | Fine Art | Edward Stewart |
| Smith S | Hooded/Bared, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Edward Stewart |
| Smith S | Smith/Stewart, Videoarbeiten, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Edward Stewart |
| Smith M | First Season - Art In The Park, group exhibition of publicly sited works | 1999 | Glasgow School of Art | Fine Art | |
| Smith AJ | Papua New Guinea Primary + Secondary School Atlases | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Sly A | 'The Pearl Diver' | 1999 | Wimbledon School of Art | Theatre technical arts | |
| Slight N | Unlimited Access | 1999 | University of Gloucestershire | ||
| Skingle S | Artnet exhibition. 9 sculptures in modern builder's materials, based on the paintings of Wm. Larkin displayed at the Ranger's Ho. | 1999 | London Guildhall University | ||
| Skingle D | Diary : 1 digitally enhanced and manipulated image ink-jet printed on Arches vellum. Size depends on printer command. | 1999 | London Guildhall University | ||
| Skingle D | Tables of Inertia: 9 wall-mounted large-scale digital black-and-white photographic and mixed-media A2 images of tables with shelf-mounted ceramic pieces | 1999 | London Guildhall University | ||
| Skelton PJS | Questions of Identities | 1999 | The London Institute | Fine Art | |
| Sitar R | Departure Lounge1999 | 1999 | Bolton Institute of HE | ||
| Siodmok P M | IQ Range Intelligent, Non Intrusive User Friendly, Electric Valve Actuators. | 1999 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Hooper, B |
| Singh G | CADE 1999 International Conference | 1999 | University of Sunderland | Design | |
| Sinden AA | Triptych and Mirror Landscape | 1999 | University of East London | ||
| Sinclair R | LKW, Things Between Life, Art + Work, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Simpson P | Borderlands | 1999 | University of Hertfordshire | ||
| Simpson M | The Bible of Networking. | 1999 | Goldsmiths College | ||
| Simpson M | The Reflective Surface. | 1999 | Goldsmiths College | ||
| Simpson J | Aurier, Symbolism and the Visual Arts | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Simpson GB | Development of a finite element model of a transtibial socket with polyurethane liner | 1999 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Simpson GB | Development of a three-dimensional non-linear finite element model of a transtibial socket | 1999 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Simcock M | Second range of couture scarves | 1999 | University of Southampton | ||
| Short LA | Teething Room | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Short L | Reconciling Nature and Industry | 1999 | Cumbria College of Art + Design | ||
| Short C | Writing Art + Institutions - Part of the series 'Real Art and a Sense of Place' | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Shonibare Y | Dressing Down | 1999 | The London Institute | Fine Art | |
| Shipsides D | The Guillemot/Penguin | 1999 | University of Ulster | ||
| Shimshon O | 'PELES MAIM' Exhibition (Solo). | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Shillito A | Practice Based Research in Technology New to Applied Artists | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Sheridan T | South in My Soul | 1999 | The London Institute | Fine Art | |
| Shawcross N | One Hundred Years of Irish Art | 1999 | University of Ulster | ||
| Shaw R | Enriching Drawing | 1999 | Glasgow School of Art | Principles of Drawing | |
| Shaw R | Drawing and Learning: TLTP3 Project 2 (Interactive Multimedia Learning) | 1999 | Glasgow School of Art | Principles of Drawing | |
| Sharpe T | Design Participation in Housing in Glasgow | 1999 | Glasgow School of Art | Cities and Environments | |
| Sharkya V | Vanilla Spray | 1999 | Liverpool John Moores University | Audio-visual | |
| Sharkya V | Matrix | 1999 | Liverpool John Moores University | Audio-visual | Jeck,P Willschutz,G |
| Shankland S | The C-Bin Project | 1999 | The London Institute | Fine Art | Stefan Shankland Richard Bradbury |
| Shackleton J | Recommendation Models of Television Program Genre, Based on Survey and Analysis of Behaviour in Watching Television | 1999 | Brunel University | Design Process | T Yasushi |
| Sewell E | New York Gift Fair | 1999 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Setch T | Contemporary British Landscape | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Selwood S J | The New White - Contemporary Studio Porcelain | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Selwood S J | Sarah-Jane Selwood | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Selwood S J | Prime | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Selley G | Digitisation in Art and Design (DIAD) | 1999 | The London Institute | Media and Communication | Mark Gaved Pat Batley No |
| Selby A | Images 23 The best of British Illustration | 1999 | Loughborough University | Illustration | |
| Sekers A | Promotional campaigns | 1999 | The London Institute | Media and Communication | |
| Seers L | Nerve - Group Exhibition | 1999 | De Montfort University | ||
| Seers L | Auto Cannibal | 1999 | De Montfort University | ||
| Sedgwick J | 'Something Must Be Done'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Seden MR | Protocols for Pedagogy Transfer? | 1999 | De Montfort University | Rice, J.R. | |
| Seden MR | Delivering Automated Innovative Assessment in a Varied Curriculum | 1999 | De Montfort University | ||
| Seawright P | Fragments of Documentary and Memory, The Third Tokyo International Photo-Biennale. April-May 1999 | 1999 | University of Wales College, Newport | Photography | Hannah Starkey Sarah Jones Joachim Schmid |
| Sear H | Bewalse Einer Exisienz - Photographs | 1999 | University of Reading | Marcus Coates Anne Hardy Sophie Rickett |
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| Sear H | Beweise einer Existenz | 1999 | The London Institute | Fine Art | |
| Scott PC | The Plate Show | 1999 | University of Newcastle | Hamilton L | |
| Scott DT | Clays and glazes in studio ceramics | 1999 | Loughborough University | Fine and Applied Arts | |
| Schoeser M | Decadence - Views from the Edge of the Century | 1999 | The London Institute | Fashion and Textiles | |
| Schmidt E | On Paper: New Tendencies in Drawing | 1999 | Oxford Brookes University | Creative Practice | |
| Sayers L | 'Rosemary Butcher' and 'Jiri Kylian' | 1999 | University of Gloucestershire | ||
| Sawdon Smith R. T. | INTO THE LIGHT | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Saville J. | Territories | 1999 | University College London | Painting | |
| Saunders S | Car Design (Ariel Atom) | 1999 | University of Plymouth | Design + Innovation | |
| Sargeant N | We are the boys in black and white | 1999 | University of Gloucestershire | ||
| Sargeant J | Lost Highways: an Illustrated History of Road Movies | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Stephanie Watson |
| Sargeant J | Cinema Contra Cinema: The Collected Essays of Jack Sargeant | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sandys-Renton T | 'Fresh Air '99' The Fourth Quenington Sculpture Show. 1 exhibit - 'Weighing in (excess baggage)'. Stainless steel, red sandstone - 168x107x197cm. | 1999 | University College Chichester | Sculpture | |
| Sandle M | 45-99 British Art | 1999 | De Montfort University | ||
| Sandle M | Den Haag Sculptuur | 1999 | De Montfort University | ||
| Salter P | Ramshorn Churchyard | 1999 | University of East London | ||
| Sall C | Nerve | 1999 | Royal College of Art | Architectural Design | |
| Sale R | Beyond the Fridge: Collaboration as a Paradigm for Innovation | 1999 | University of East London | M. Wilkinson | |
| Sale R | The Continuum of Design Education | 1999 | University of East London | M. Wilkinson | |
| Sale R | Breaking down the Barriers | 1999 | University of East London | ||
| Sabin RJ | Punk Rock: So What? | 1999 | The London Institute | Media and Communication | |
| Sabin RJ | Comics As Culture | 1999 | The London Institute | Media and Communication | |
| Sabin AM | The Sea of Sun | 1999 | The London Institute | Fine Art | |
| Sabin AM | The C-Bin Project | 1999 | The London Institute | Fine Art | Stefan Shankland Richard Bradbury |
| STEYN J. | Jean Baudrillard: 'Then we too shall see the stars fade away' | 1999 | City University | ||
| STEYN J. | The Jew: Assumptions of Identity | 1999 | City University | ||
| STEWART C | Insecurity | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| STEEL E R | Elements of Desire | 1999 | University of Dundee | Contemporary Practice | Diane Barrie |
| STALLABRASS JP | High Art Lite: British Art in the 1990s | 1999 | University of Oxford | ||
| SPICER A | The emergence of the British tough guy: Stanley Baker, masculinity and the crime thriller | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| SPENS M | Jewish Museum, Berlin by Daniel Libeskind | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SPENCE P J | STILL (Time Signatures) | 1999 | University of Dundee | Digital Technology | Janet Smith Caz McIntee |
| SMITH K | TALK ZONE - MILLENNIUM DOME | 1999 | Middlesex University | ||
| SMITH HR | Album | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| SLESS D. | Designing and evaluating forms in large organizations | 1999 | Coventry University | The Design Institute | |
| SHERWIN G | ACCOMPANIMENT TO A CINEMATOGRAPHIC SCENE [SCHOENBERG] - 16 MM FILM | 1999 | Middlesex University | ||
| SHEMILT E | Falkland Islands/Project Atlantis | 1999 | University of Dundee | Industry and the Public Sector | Brig Nicolls Andy Rice Gary Fisher |
| SHEMILT E | Intangible Bodies | 1999 | University of Dundee | Contemporary Practice | Stephen Partridge |
| SHAW P | PHYTOCHROMOGRAPHY - SCREEN PRINTING WITH PLANTS: RESEARCH INTO ALTERNATIVE INK TECHNOLOGY | 1999 | Middlesex University | ||
| SHADBOLT R | RED MAGAZINE | 1999 | Middlesex University | ||
| SHADBOLT R | VITAL SIGNS | 1999 | Middlesex University | ||
| SETH J | HOME 2 | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| SETH J | Itinerary | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| SCULLION L | The Pressure of Spring | 1999 | University of Dundee | Coastal/Indigenous Cultures | Dalziel, M |
| SCOBIE L M | Gold Coast Ceramic Award | 1999 | University of Dundee | Contemporary Practice | Renate Balda Gary Bish Dubhe Carreno |
| SCOBIE L M | Ceramics Monthly International Competition | 1999 | University of Dundee | Contemporary Practice | Jim Koudelka Mikang im Jeanne Opgenhaffen |
| SCHAFER S | Reconstruction drawings of an Etruscan Farm at Podere Tartuchino | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Philip Perkins |
| SAXON G | Homo-Cyte | 1999 | University of Lincoln | ||
| Ryan A | Where Do You Want To Go Today? # 1 | 1999 | University of Reading | Andrew Child | |
| Ryan D | Indeterminate Relations | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Ruthven R J | History of Space Art, exhibition | 1999 | University of Portsmouth | Art and Science | |
| Rutherford S | The User Culture - The User As Designer | 1999 | Nottingham Trent University | Design | |
| Rust CM | First Make Something - principled, creative design as a tool for multi-disciplinary research in clinical engineering | 1999 | Sheffield Hallam University | Adrian Wilson Graham Whiteley |
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| Russell J | Press Release | 1999 | The London Institute | Fine Art | Simon Bedwell Milly Thompson |
| Russell J | Press Release | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Russell B | GMT: Glyphs, Morphs and Tropes | 1999 | Kingston University | ||
| Ruckman JYE | Engineering of Clothing Systems for Improved Thermophysical Comfort | 1999 | Manchester Metropolitan University | ||
| Roy I B | Photographs of Greenland Trappers Huts | 1999 | University of Brighton | Natural and Constructed Environments | |
| Roy I B | Blue Horizons: Images from a Golden Age of Travel | 1999 | University of Brighton | Natural and Constructed Environments | D Patterson M McQueen |
| Rowland C | The Tail That Wagged the Dog, solo CD ROM | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | John Isbell |
| Rowe C W | Moon Pull (mixed media ceiling work for CT Scanner room). | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Rosser E | 'Sublime: The Darkness and the Light' | 1999 | Wimbledon School of Art | Sculpture | Susan Hiller Mark Wallinger Alison Wilding |
| Rosenbloom P | Cheltenham Open Drawing Exhibition | 1999 | University of Gloucestershire | ||
| Rosenberg T | A Foundation Course in Drawing. | 1999 | Goldsmiths College | Stanyer, P.W. | |
| Rose EE | Emma Rose: Paintings | 1999 | Lancaster University | ||
| Rose C J | Product Development and Creative Design | 1999 | University of Brighton | Pedagogic Research | |
| Rose C | Meteor | 1999 | University of Sunderland | Fine Art | |
| Rooney P | Presence: Banner Paintings and Audio Works. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Rooney P | My Eye Hurts. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Rooney P | Common Culture: Counter Culture | 1999 | Staffordshire University | ARi, School of Art + Design | D. Campbell M. Durden |
| Rooney J | Tensegrity and compegrity configurations in anti-prism manipulator platforms | 1999 | Open University | Design for advanced products | J. Duffy J. Lee |
| Rome R | Blackstone River North | 1999 | Royal College of Art | Fine Art | |
| Romans PA | The Suspension Bridge at Iguazu Falls | 1999 | The London Institute | Media and Communication | |
| Romans PA | Common Law | 1999 | The London Institute | Media and Communication | |
| Rolph D | Mark, Oxo Tower | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rolph D | British School at Rome | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rogers ME | 'Prospective Primary Teacher's Planning For Science + Technology Activities: Influences of background and World View. | 1999 | Goldsmiths College | Davies, D. | |
| Rogers M | 'Acoustic Shadows'. | 1999 | University of Derby | Research Group for Artists Publications | |
| Rogers M | ''Okologie der Wahnehmung', Group show of large scale prints. | 1999 | University of Derby | Research Group for Artists Publications | |
| Rogers A | 1999 | Leeds Metropolitan University | Design | ||
| Rogers A | 1999 | Leeds Metropolitan University | Design | ||
| Rodriguez J | Beyond Portrait Photography | 1999 | The London Institute | Media and Communication | |
| Rodriguez J | Families + How to Survive Them [Rachel Billington]; Against the Grain [William Klein]; Pay + Display [menswear ad photography]; The Art of Business [Citibank prize for photography/Rineke Dijkstra] | 1999 | The London Institute | Media and Communication | |
| Rodrigues CA | Agent Provocateur: Questions of human machine agency and online ethnography. | 1999 | University of Plymouth | Centre for Visual Computing | Cox, G. |
| Roddis JN | Good Vibrations: A case study of design-led collaborative new product development in the field of vibro sound therapy | 1999 | Sheffield Hallam University | Paul Chamberlain Mike Press |
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| Roddis JN | Furniture, Design and the Environment, Innovation and Legislation: A case study of a design-led research programme investigating the use of waste glass in open-loop solutions | 1999 | Sheffield Hallam University | Paul Chamberlain | |
| Robinson P I | Virtual Reality Training Software for Engineering Operatives | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Misera, M Lindsay, P Carney, L |
| Robinson K | Democratic Archaeology at Sedgeford | 1999 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Robinson A F | Ganglion Blue | 1999 | University College Northampton | Fine Art Practices | |
| Robinson A F | Art Futures | 1999 | University College Northampton | Fine Art Practices | |
| Robertson I | Wall installation: mixed media and TV monitor (9m. x 8m. approx.). | 1999 | London Guildhall University | ||
| Robertson H | Helen Robertson - Solo Exhibition | 1999 | The London Institute | Fine Art | |
| Robertson C | Lascaux Acrylic Hard Resist | 1999 | Wimbledon School of Art | Robert Adam Lascaux Colours and Reestauro |
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| Robertson C | A Poetics of Water | 1999 | Wimbledon School of Art | Elizabeth Ogilivie | |
| Robertson FG | Fiona Robertson, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Roberts S | Littlewoods Electronic Manual | 1999 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Roberts PH | IDATER 99: International Conference on Design and Technology Educational Research and Curriculum Development | 1999 | Loughborough University | Design Education | Norman, E.W. |
| Roberts PH | Understanding person product relationships - A design perspective, Green, W.S. and Jordan, P.W. (eds), Human Factors in Product Design | 1999 | Loughborough University | Design Research | Taylor, A.J. Hall, M.J. |
| Roberts J | Trickster | 1999 | University of Wolverhampton | Fine Art | |
| Roberts J | Father of Creation, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Rirsch R | A collection of silver rings, brooches and necklaces set with cabochons and garnets of varying sizes. | 1999 | London Guildhall University | ||
| Riley H | Style Taste and Fashion in the Prism-house of Meaning' | 1999 | Swansea Institute of Higher Education | Drawing | |
| Riley H | The Genetic Code of Drawing | 1999 | Swansea Institute of Higher Education | Drawing | |
| Riley B | Bridget Riley: Paintings from the 1960's and 70's | 1999 | De Montfort University | ||
| Rihl LF | Design Union of Britain | 1999 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Rideal M.E.C. | Liz Rideal: New Work | 1999 | University College London | Painting | |
| Ride P | Life After Me | 1999 | University of Westminster | CARTE | |
| Riddy J | John Riddy: Rome | 1999 | The London Institute | Fine Art | |
| Richardson R | SOLOrepartee | 1999 | De Montfort University | ||
| Richards BGR | RAUMstationen; Mettamorphosen des Raumes im 20 Jahrhundert | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Richards A. | Designing with Crepons | 1999 | The Surrey Institute of Art + Design University College | ||
| Rhodes NA | Chunk | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Rhodes E. | 43rd London International Film Festival | 1999 | University College London | Fine Art Media | |
| Renton A. | Bankside Browser | 1999 | University College London | Art History and Theoretical Studies | |
| Renton A. | Jo | 1999 | University College London | Art History and Theoretical Studies | |
| Rennie C | Three Glass Sculptures | 1999 | University of Wolverhampton | Glass | |
| Reid H F | The productivity imperatives in coated abrasives application in furniture manufactuirng | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam, J. Perkins, M. C. |
| Reid C | Detail (For lack of an overview) | 1999 | Wimbledon School of Art | Painting | Madeline Strindberg Nicole Jolicoeur Roberto Martinez |
| Reid C | Recent Work | 1999 | Wimbledon School of Art | Painting | |
| Reeves D | One With Everything | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Rees DD | Ail | 1999 | The London Institute | Fashion and Textiles | Simon Munro |
| Rees A | 'Cinema and the Avant Garde' and 'Avant-Garde Film 1960-1995' | 1999 | Royal College of Art | Communications | |
| Rees A | Entries on 'Steve Littman', 'Jeff Keen', 'Jayne Parker', 'Guy Sherwin', 'John Smith' | 1999 | Royal College of Art | Communications | |
| Rees A | A History of Experimental Film and Video | 1999 | Royal College of Art | Communications | |
| Reas P | VW Cars | 1999 | University of Brighton | Visual Communication Design | |
| Read J | Created Space | 1999 | Edinburgh College of Art | Fine Art | |
| Rayson D | Examining Pictures: Exhibiting Paintings | 1999 | Royal College of Art | Fine Art | |
| Rayson D | Examining Pictures, Exhibiting Paintings. | 1999 | Goldsmiths College | ||
| Raymond M | Viewpoint Magazine | 1999 | The London Institute | Fashion and Textiles | |
| Ray SF | Scientific Photography and Applied Imaging | 1999 | University of Westminster | Imaging Technology | |
| Rawson G | The Glasgow Government School of Design, 1845 - 1853. | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Rawlinson IJ | Two Speakers | 1999 | Manchester Metropolitan University | Crowe N | |
| Raney K | Visual Literacy and the Art Curriculum' | 1999 | University of East London | ||
| Raney K | 'Art Education and Talk: from modernist silence to post modern chatter' | 1999 | University of East London | H. Hollands | |
| Rana M | British Jewellery | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Rana M | Contemporary applied Art/Metalwork aus England | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Rana M | Only Human | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Ramshaw W | Millennium Medals | 1999 | Royal College of Art | Applied Art | |
| Ramsey BJ | RF Circulator Structures via Offset Lithography | 1999 | Brunel University | Environmentally Sensitive Design | P Evans D Harrison |
| Ramsey BJ | Frequency Selective Filter Structures | 1999 | Brunel University | Environmentally Sensitive Design | P Evans D Harrison |
| Ramsenthaler S | Dialogues '99 | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| ROSS A R | Aurora | 1999 | University of Dundee | Contemporary Practice | |
| ROBINSON M | Glitches in the Fake Plastic | 1999 | Middlesex University | A Deakin S King |
|
| ROBERTSON J A | Charcoal Making in Thailand | 1999 | University of Dundee | Digital Technology | |
| ROBERTSON J A | Saisin | 1999 | University of Dundee | Digital Technology | |
| ROBERTSON J A | Near + Far | 1999 | University of Dundee | Digital Technology | Roland Ashcroft Gerry Cruickshank Colin Wishart |
| ROBB A M | I Live Now | 1999 | University of Dundee | Contemporary Practice | Ian Howard Derrick Guild |
| RINGE S | 'Modified' Kingston Art Group | 1999 | University of Lincoln | ||
| RICE A | Millenium Corridor Project, British Forces, Falkland Islands | 1999 | University of Dundee | Contemporary Practice | Gary Gowans Roland Ashcroft Gary Fisher |
| RAMSAY T K | Alloy V | 1999 | University of Dundee | Contemporary Practice | David Swift Roger Morris Susan Barr |
| Quinn M J | 'The Seance of 27 August 1889 and the Problem of Historical Consciousness' | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Quinn AM | Cornucopia Bone China Giftware | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Quickenden K | 'Lyon-faced' candlesticks and candelabra | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Quick C | The Navigator | 1999 | University of Central Lancashire | ||
| Quemby S | Royal Academy of Arts - Summer Exhibition | 1999 | Wimbledon School of Art | David Hockney Albert Irvin Patrick Proctor |
|
| QUINE M | The Statistical Needs of the Scottish Cultural Agencies | 1999 | City University | ||
| Putnam T J | The Sewing Machine Comes Home | 1999 | University of Portsmouth | Memory, Identity and Material Culture | |
| Putnam T J | Post-modern Home Life | 1999 | University of Portsmouth | Memory, Identity and Material Culture | |
| Purbrick L | The Bourgeois Body: Civic portraiture, public men and the appearance of class power in Manchester 1838-1850 | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Pryke S | 'Reda' - Range of kitchenware (approximately 50 items) | 1999 | De Montfort University | ||
| Prowse P. | Die Zauberfl | 1999 | University College London | Theatre Design | |
| Prowse P. | Cavalcade | 1999 | University College London | Theatre Design | |
| Proud D.R. | Net Web Culture Capture (or New Wave Cruise Control) | 1999 | University College London | Fine Art Media | |
| Prophet J. | Imag(in)ing the Cyborg | 1999 | University College London | Fine Art Media | |
| Prophet J | Internal Organs of a Cyborg | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Prophet J | Technosphere V3 | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Proctor G | Lingerie | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Prince N | Hello....clk... whrr...Buzz...Nice to Meet You | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Prince N | In the Midst of Things | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Price M L | Sleeping with the enemy, web based learning without a safety net. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Price G | Life Skills | 1999 | Liverpool John Moores University | International Centre for Digital Content | J Taylor |
| Prevoo D. | DAPHNE PREVOO | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Press MPO | Design through making: crafts knowledge as facilitator to collaborative new product development. | 1999 | Sheffield Hallam University | Anne Tomes Karen Yair |
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| Powell N A | An attempt at a Textual Analogue of a Possible Art and Language Exhibition. | 1999 | Staffordshire University | ARi, School of Art + Design | M. Corris |
| Powell N A | Cut, Made and Unmade. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Powell N A | 'The Artist Out of Work: Art + Language 1972-81'. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Powell G | Royal Mail Millenium Stamp | 1999 | The London Institute | Media and Communication | |
| Powell G | The New Yorker | 1999 | The London Institute | Media and Communication | |
| Powell G | Ingram Micro brochures | 1999 | The London Institute | Media and Communication | |
| Powell G | Ingram Micro brochures | 1999 | University of Brighton | Visual Communication Design | |
| Powell G | Migration to the UK | 1999 | University of Brighton | Visual Communication Design | |
| Powell G | The New Yorker | 1999 | University of Brighton | Visual Communication Design | |
| Powell F | Millennium Medal Competition | 1999 | Falmouth College of Arts | ||
| Powell F | Love's Watch | 1999 | Falmouth College of Arts | ||
| Poulton A | Two Jacquard woven furnishing fabrics | 1999 | University of Southampton | ||
| Poulton A | Dobby woven upholstory designs | 1999 | University of Southampton | ||
| Poulson DF | DISCUS - Using Internet Based Technology to Support the Practical Aspects of Care | 1999 | Loughborough University | Design Ergonomics | Nicolle, C.A. |
| Potter S | Managing the design of an innovative green transport project | 1999 | Open University | Design and innovation management | |
| Potter L | Metamorphosis: British Metalwork Exhibition 1998-1999. | 1999 | Goldsmiths College | ||
| Potter L | Pavement Trail for the Jewellery Quarter in Birmingham. | 1999 | Goldsmiths College | ||
| Poston D | Chini Ya Mwembe | 1999 | Loughborough University | Fine and Applied Arts | |
| Porter M L | Some emergent properties arising from the application ofthe Health and Safety at Work Etc. Act 1974 to the British Police Force | 1999 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Porter M | 'Rocks and Coastline' | 1999 | Wimbledon School of Art | Painting | |
| Porter M | Shining Cliff Wood | 1999 | Falmouth College of Arts | ||
| Porter M | Kilkenny Arts Festival | 1999 | Falmouth College of Arts | ||
| Porter JM | Computer aided design and human models, in: Karwowski, W. and Marras, W. (eds), Handbook of Occupational Ergonomics | 1999 | Loughborough University | Design Ergonomics | Case, K. Freer, M. |
| Porter D | Housing ...best before (Wohnbau ...haltbar bis)as Wohnen, Ubereinstimmen un Ausbilden (Housing, Consensus and Education) | 1999 | Glasgow School of Art | Cities and Environments | |
| Porteous C | Performance of moveable insulation on an experimental window in Glasgow | 1999 | Glasgow School of Art | Cities and Environments | |
| Pope M | 'Undressing Madame Moitessier' | 1999 | Wimbledon School of Art | Theatre costume | Kathy Adler |
| Poncelet J | British Art Now 5 | 1999 | The London Institute | 3-Dimensional and Environmental Design | Pippa Coles Matthew Higgs |
| Plunkett D | Interior Design: Airport International Arrivals Area | 1999 | Glasgow School of Art | Design | P. Macklin |
| Plunkett D | Living Room | 1999 | Glasgow School of Art | Historical and Critical Enquiry | L. Hamilton |
| Plouviez A | Fragmented Journeys | 1999 | University of Sunderland | Photography | |
| Pirie I | The Integration of New Media Technology in Craft Practice: Taking Crafts into the Millennium | 1999 | Robert Gordon University | Making and Contemporary Culture | Aitken, P. Bunnell, K. |
| Pippin S | Turner Prize Exhibition | 1999 | Southampton Institute | ||
| Piper T | SIX | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Piper JF | Teddy Chair | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Piper JF | Products for Life Collection of Rubber Accessories for Home and Office | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Pinsky M | Overload | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Pinn A | 'Is the role of the tutor dead in today's online culture?' | 1999 | University of Hertfordshire | ||
| Pilsl C | Aperture | 1999 | Southampton Institute | ||
| Pilgrim G | South Pacific | 1999 | Wimbledon School of Art | Theatre Design | |
| Phillpot C | Edward Ruscha Editions 1959-1999 Catalogue Raisonne | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Petrova S | Prague 1900: Poetry and Ecstacy | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Petrie K | Water-based ceramic transfer printing - The development and creative use of a new screen printing system | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Perkins M | Finite Element Analysis as a Design tool for Circular Saw Blades | 1999 | Brunel University | Environmentally Sensitive Design | H Iroas T Nicholls |
| Perkins M | Parametric Modelling of Circular Saws with Uniform Thickness using Finite Element Analysis | 1999 | Brunel University | Environmentally Sensitive Design | H Iroas T Nicholls |
| Perkins G | 'The Dirt Under God's Fingernails' | 1999 | Wimbledon School of Art | Sculpture | Judy Darraghs |
| Perkins G | The Halo and Wings of a Fallen Angel (details) | 1999 | Wimbledon School of Art | Sculpture | Tracey Moffatt Richard Hamilton Julian Opie |
| Perkins G | 'Trace' - Liverpool Biennial of Contemporary Art | 1999 | Wimbledon School of Art | Sculpture | Stan Graham Pierrick Sorrin Carsten Nicolai |
| Pepperell R | Cyborg Guides and Musical Pods | 1999 | University of Wales College, Newport | CAiiA | |
| Penny S | Traces | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | Jeffrey Smith Andre Bernhardt |
| Pennie M | West African Journeys | 1999 | Bath Spa University College | ||
| Penney W | 25 April Project | 1999 | University of Ulster | Professor Bartolmeu dos Santos | |
| Penney W | 12th German International Exhibition of Graphic Art | 1999 | University of Ulster | ||
| Pennell R. | Modern myths | 1999 | University of Wolverhampton | Glass | |
| Pennell JD | Nerve: c21_happening | 1999 | The London Institute | Fine Art | |
| Pennell J | Nerve. | 1999 | Goldsmiths College | ||
| Pengelly J | Hinterland | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Peasgood D | English Accents Show | 1999 | The London Institute | Fashion and Textiles | |
| Peasgood D | Pitti Filati | 1999 | The London Institute | Fashion and Textiles | |
| Peaker G | 'The Art of Interruption'. | 1999 | University of Derby | Centre for Cultural History and Critical Theory | |
| Peacock JR | Musee Imaginaire Part I and Box Project | 1999 | Sheffield Hallam University | Steve Dutton | |
| Peacock A | Please remove all watches, bracelets and other sharp objects. | 1999 | University of Hertfordshire | ||
| Peacock A | 'Cooling Hot: Redundancy and Entropy in a Critique of Interactivity in Convergence'. | 1999 | University of Hertfordshire | ||
| Payne J | Seymour Powell | 1999 | University of Southampton | ||
| Paxon A | Schmuck 99: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | |
| Pavitt J | From the Garden to the Factory: Urban Visions in Czechoslovakia between the Wars | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Pavitt J | The Shape of Colour: Red | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Pavelka M | How Full is Empty ? 2 | 1999 | Wimbledon School of Art | Theatre Design | Marie Aggas Erofili Politopoulou Society of British Theatre Designers |
| Paul JS | Fish Buoyancy Aids | 1999 | Brunel University | Design for Inclusion | T Fish |
| Paul JS | Directory of Equipment and Services Making Disability Plain Sailing | 1999 | Brunel University | Design for Inclusion | G Kay M Elam |
| Patterson Z | Edinburgh Makers | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson RW | Trauma, Modernity and the Sublime | 1999 | De Montfort University | ||
| Patterson RW | The Tragic Legacy in Architecture | 1999 | De Montfort University | ||
| Pattani S | Clear Perspectives. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Patrizio A | Great Britain Pavilion - 23rd International Biennale of Graphic Arts, Llubljana | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Patrizio A | Contemporary Sculpture in Scotland | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Partridge J | 1999 | Buckinghamshire Chilterns University College | Furniture Design | ||
| Parry J | Jacki Parry, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Parry J | Consument Art 99, Kunstmarkt: Original-Druckgraphik aus Glasgow, group exhibition. | 1999 | Glasgow School of Art | Fine Art | |
| Parris J | If You Love Me | 1999 | The London Institute | Fine Art | |
| Parker P | Towards a European Virtual Film School | 1999 | The London Institute | Media and Communication | |
| Parker J. | Sublime: The Darkness and the Light (Works for the Arts Council Collection) | 1999 | University College London | Fine Art Media | |
| Parker D R | The art of imagination | 1999 | University College Northampton | Fine Art Practices | |
| Parfitt D | 'Monument to the Third Multinational (Tatlin's Tower Revisited)' - Public commission | 1999 | University College Chichester | Sculpture | |
| Pardey J G | Refurbishment and Extension of Basil Spence House | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Pardey J G | Grande Arcade | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | Colin Stansfield Smith |
| Palova Z | Amygdale | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Palova Z | Virtual Reality | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Palmer M | The Actualisation of the Virtual. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Palmer E | Pictures of Pictures | 1999 | The London Institute | Fine Art | |
| Palmer E | Eugene Palmer Recent Paintings | 1999 | The London Institute | Fine Art | |
| Painter C | At Home with Art | 1999 | Wimbledon School of Art | Research Centre | Angela Bulloch Tony Cragg Richard Deacon |
| Page A | Just Another Disability; making design dementia friendly - conference proceedings of a European conference held on 1 and 2 October 1999 | 1999 | Glasgow School of Art | Design | Stewart, S |
| Page A | Making architectural design friendly to dementia patients | 1999 | Glasgow School of Art | Design | Stewart, S H Kotilainen |
| Padovani C | Own Time | 1999 | University of Southampton | ||
| Packe R | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| PROUD P T | Source | 1999 | University of Dundee | Contemporary Practice | Dorothy Hogg Deborah Fladgate Rebecca Halstead |
| PROUD P T | Glasgow City of Architecture + Design Plate Show | 1999 | University of Dundee | Contemporary Practice | Elizabeth Blackadder Ian McCulloch Elspeth Lamb |
| PORTER C.S. | Designing for usability; input of ergonomics information at an appropriate point, and appropriate form, in the design process | 1999 | Coventry University | The Design Institute | PORTER, J.M. |
| PHOCA S | Feminism + Gender | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| PHOCA S | Introducing Post Feminism | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | Rebecca Wright |
| PHIPPARD P | Wet: on painting, feminism and art culture, 1997 | 1999 | University of Lincoln | ||
| PAYNE M S | Black and White | 1999 | University of Dundee | Coastal/Indigenous Cultures | Casey Ginther Dawn Gavin |
| PAYNE M S | Rain Shadow, (Geographic Umbrella) | 1999 | University of Dundee | Coastal/Indigenous Cultures | Mary Sue Foster Marjorie Schick Elisa Stalker |
| PAUL J M | Scottish Artist Book Archive Unit | 1999 | University of Dundee | Industry and the Public Sector | Roland Ashcroft Bentley's Shopfitting Ltd |
| PARTRIDGE S | Slap Movie | 1999 | University of Dundee | Digital Technology | |
| PARTINGTON M | Recording the crafts: Ceramics | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| PARRAMAN C | In Search of the Organic Dot | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| Oxley Nigel | Etchings of prints by John Piper (Oxley | 1999 | London Guildhall University | ||
| Oxley Nici | Day for Night. An exhibition of 6 projects for portakabin buildings at a temporary location | 1999 | London Guildhall University | ||
| Owen M | Burial | 1999 | Southampton Institute | ||
| Otieno RB | The Body Size of your Global Customer in the New Millennium - The Case of the Anatomy of Kenyan Children | 1999 | Manchester Metropolitan University | ||
| Osmond O R | Recording Post-Industrial Wales | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Osmond O R | Cultural Alzheimers | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Osfield R | The development of a new technique or automated 3D restoration for complex structural interpretations | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | F Schafer P A Griffiths A D Gibbs |
| Osfield R | 3D Restoration of Salt Structures - Case Study from the NW German Basin | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | F Schafer P A Griffiths |
| Orta L | Refuge Wear | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Orta L | Hortirecycling Enterprise Act II | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Orr C | Happy Days | 1999 | Royal College of Art | Fine Art | |
| Orr C | Do the locomotion with me | 1999 | Royal College of Art | Fine Art | |
| Olsen GR | She Wore Her Sweat Like Jewels | 1999 | Oxford Brookes University | Creative Practice | |
| Oliver V | Sound Design | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | Farrelly, L |
| Ogilvie S | 10th International Print Biennial, Varna | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ogilvie E | A Poetics of Water | 1999 | Edinburgh College of Art | Fine Art | |
| Ofili C | Trouble Spot, Painting | 1999 | Royal College of Art | Fine Art | |
| Odundo M. A. | A DIALOGUE IN CLAY | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Oddy N | Harry Gall Inglis and the Contour Roadbooks | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Oddy N | A Beautiful Ornament in the Parlour or Boudoir | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Ocean H | The First of England | 1999 | The London Institute | Fine Art | |
| Ocean H | The Painter's Eye | 1999 | The London Institute | Fine Art | John Tchalenko |
| OConnell T | Tina OConnell in Dublin | 1999 | University of Reading | ||
| OConnell T | 0044- | 1999 | University of Reading | Siobhan Hapaska Paul Seawright Mark Francis |
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| OAKENFULL M | The Scottish Mining Museum | 1999 | University of Lincoln | ||
| O'Neill A | The Prints of Patrick Caulfield | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| O'Connor DJ | 'New Sculpture' | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Connor DJ | Public Art Commission. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| O'Connell T | In Dublin | 1999 | Bath Spa University College | ||
| O'Connell T | 0044 | 1999 | Bath Spa University College | Hapaska Seawright Francis |
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| Norman-Smith C | Artwood: an on-line multi-lingual glossary of art terms | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | Gillet D |
| Norman EW | Action Research Concerning Technology for Design and Associated Pedagogy | 1999 | Loughborough University | Design Education | |
| Norman EW | Technology for Design: Cognitive Mismatches and Their Implications for Good Practice | 1999 | Loughborough University | Design Education | |
| Nixon L | Furniture | 1999 | Kingston University | ||
| Nixon L | Tourist | 1999 | Kingston University | ||
| Nicolle CA | Elderly and Disabled Travelers: Intelligent Transport Systems Designed for the 3rd Millennium. With Reply to Comments. | 1999 | Loughborough University | Design Ergonomics | Peters, B. |
| Nicol K | Embroidery and embellishment of fabrics for John Rocha, Spring/Summer 1999 | 1999 | Royal College of Art | Design for Manufacture | |
| Nicol K | Brocade fabric for Matthew Williamson, Autumn/Winter 1999 | 1999 | Royal College of Art | Design for Manufacture | |
| Nicol EJ | A Collection of Frames. A Collection of Toys. | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Nicol EJ | Fathom. | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Newton J K | The Future Looms | 1999 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily |
| Newsham I A | Oxford Literary Web (Series 1) | 1999 | University College Northampton | Design for Industry and Commerce | |
| Newman MOJ | La Forme | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Newman MOJ | Rewriting Conceptual Art | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Newman A | Meridians II. | 1999 | Goldsmiths College | ||
| Newling J B | Crossings | 1999 | Nottingham Trent University | Visual Arts | |
| Newland P M | Interface Design: Seeking an Appropriate Analysis Framework, | 1999 | University of Portsmouth | Centre for New Media Research | |
| Newell R A | Royal Academy Summer Exhibition | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Newbury D | Research Training via the Internet: Developing Web-based Resources for Art + Design Postgraduates. | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| New S | Jammy Lips | 1999 | University of Gloucestershire | ||
| Neudecker M | Signs of Life | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Naylor P.J. | 19th Mini Print International Exhibition | 1999 | Falmouth College of Arts | ||
| Myerson J | The Creative Office | 1999 | Royal College of Art | Inclusive Design | Philip Ross |
| Murray V | By the Way | 1999 | University of Central Lancashire | ||
| Murphy J | The Way Up and the Way Down. | 1999 | Goldsmiths College | ||
| Murphy CJ | The Art and Evolution of Cutlery | 1999 | University of Ulster | ||
| Munslow J | 'Fashion vs clothing - are they synonymous? | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | McKelvey, K |
| Munro S | Ail (Second) | 1999 | Kingston University | ||
| Mulvey JF | Free Fall Series 1-8 | 1999 | University of Westminster | Fine Art | |
| Mulrine S | Gogol: Three Plays | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mullen C W | Humphrey Spender - Flash and Filigree | 1999 | University of Brighton | Visual Communication Design | |
| Mukherjee R | Syzygy | 1999 | University of Hertfordshire | ||
| Muirhead TW | Milan: A Guide to Recent Architecture | 1999 | De Montfort University | ||
| Mowatt S | Edinburgh Makers 1999 | 1999 | Edinburgh College of Art | Fine Art | |
| Mosley J M | The nymph and the grot: the revival of the sanserif letter | 1999 | University of Reading | ||
| Mortimer R | Reform | 1999 | The London Institute | Media and Communication | Rachel Matthews Claire Robins |
| Morten G | Despre Limite (Crossing Borders) | 1999 | University of Sunderland | Fine Art | Morten J |
| Morris S | Desire | 1999 | The London Institute | Fine Art | |
| Morris R | Penllegare | 1999 | Brunel University | Polymedia Design | |
| Morris L E | Pictures of Pictures (curated exhibition and publication) | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Morris L E | International/Provincial: Every Art School Needs a Dealer | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Thompson, J. Wentworth, R. Harrison, C. |
| Morris D | The Digital Arts Forum | 1999 | Buckinghamshire Chilterns University College | Visual Communication | Phil Giggle |
| Morris D | Digital Printing Awards | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Morris D | Exhibition of Public Service Issues - Domestic Violence | 1999 | Buckinghamshire Chilterns University College | Visual Communication | Phil Giggle |
| More J J | The Development of a Learning Organisation for Design Practice within the University | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Mooney J | Reading Matter | 1999 | Royal College of Art | Fine Art | |
| Moon M | Royal Academy Summer Exhibition | 1999 | University of Reading | Stephen Buckley Tony Cragg Antoni Thapies |
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| Montgomery JAI | Measuring Appropriateness: Perceived Relationships between Typography and Form | 1999 | University of Ulster | Prof K Agnew Prof B McClelland |
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| Montgomery I | Prints From Glasgow - Consument Art 99 | 1999 | Edinburgh College of Art | Fine Art | |
| Montag D. | Revelation | 1999 | Falmouth College of Arts | ||
| Mitchison LS | Lesley Mitchison | 1999 | Manchester Metropolitan University | ||
| Mitchell V | Folding and Unfolding the Textile Membrane; Between Bodies and Architecture | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchell P | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell L | Developing Technological Capability | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | McLaren, S |
| Mitchell I | SquarePusher | 1999 | Liverpool John Moores University | Graphic Arts | J Hitchen J Young M O'Shaughnessy |
| Mirza K | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Minott P | Annual Report and Accounts, Gilts: An Investors Guide, Gilt ReviewAnnual Report and Accounts, Gilts: An Investors Guide, Gilt Review | 1999 | Bath Spa University College | ||
| Minott P | Smile As You Earn | 1999 | Bath Spa University College | Rebello, C. | |
| Minott P | PSP, PSS, ESOS, ESAS, Sharesave 9 | 1999 | Bath Spa University College | Dennis, P. | |
| Minichiello MA | Mario Minichiello Drawings and Prints (exhibition) | 1999 | Loughborough University | Drawing | |
| Minichiello MA | Mario Minichiello, Steve Ball and Spike Gerrell (exhibition) | 1999 | Loughborough University | Illustration | |
| Milton A | 'The Role of Conceptual Mutations in Promoting CreativityEmpty Vessels - Creating meaningless objects for meaningful design' | 1999 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Milne J | 3D video photographic mural. | 1999 | University of Southampton | Gemma Nogueroles Anna Bordonada |
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| Milne J | Nat West Painting Competition | 1999 | University of Southampton | ||
| Millward H | The use of a shock tube for the delivery of powdered drugs into the oral mucosa | 1999 | University of Wales Institute, Cardiff | PDR | SM Nabulsi BJ Bellhouse |
| Mills R | Pearl and Umbra and Strange Familiar | 1999 | Royal College of Art | Communications | |
| Miller A | Do Paintings Dream About Veronese Green. | 1999 | Goldsmiths College | ||
| Miller A | Alain Miller. | 1999 | Goldsmiths College | ||
| Miller A | Officina Europa. | 1999 | Goldsmiths College | ||
| Miles JR | Collection for spring/summer 2000 | 1999 | University of Southampton | ||
| Midgley J | Drawn from Experience. Artists residence at Royal Liverpool + Broadgreen University Hospital. | 1999 | Liverpool John Moores University | Graphic Arts | |
| Middlemiss J.M. | Temple | 1999 | Falmouth College of Arts | ||
| Meyrick R K | Edgar Holloway and Friends: an artist's collection of prints from the Thirties | 1999 | University of Wales, Aberystwyth | ||
| Merrington K | 'Out of Body' | 1999 | Wimbledon School of Art | Research Centre | Rebecca Shaw |
| Merali SGP | Transcultural Vibes from the UK | 1999 | The London Institute | Fine Art | |
| Merali SGP | Zen Mix 2000 | 1999 | The London Institute | Fine Art | |
| Merali S | Slow Release | 1999 | University of Westminster | Fine Art | |
| Mellor D | Wishing I was someone else instead | 1999 | Royal College of Art | Fine Art | |
| Meigh-Andrews C C | Merging / Emerging | 1999 | University of Central Lancashire | ||
| Mee JM | The Impact of the Fall of the Custom Barriers on the UK Fashion Industry | 1999 | De Montfort University | ||
| Meanley P | Zoutglazuur | 1999 | University of Ulster | ||
| Meanley P | Pigments, Salt and Glass | 1999 | University of Ulster | ||
| Meacher N | Annual Exhibition of Original Paintings by The President and Invited Members of The Royal Institute of Painters in Water Colours | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| McNicoll C | Decadence | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| McNally NP | Glasgow Art Fair: The Art of Design Showcase: group exhibition | 1999 | Glasgow School of Art | Design | |
| McMullan S | Sheroes - Obsession, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| McLean P.B. | A Machine for Learning | 1999 | University College London | Fine Art Media | |
| McLaughlin N W | Greenback | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McLaren JH | A Dynamic Energy Model of Mobile Phone Takeback and Recycling | 1999 | Brunel University | L Wright S Parkinson T Jackson |
|
| McLaren JH | Forecasting Future Sustainable Telecommunication Services - a Life Cycle Approach | 1999 | Brunel University | D Harrison Jones Elies |
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| McLaren I | Profit by Design | 1999 | De Montfort University | ||
| McLaren I | Notgeld from Neustadt: Currency Design as Political Comment | 1999 | De Montfort University | McLaren, J. | |
| McLaren G M | Utility Forgot: Shaping the Future of the British Pottery Industry 1941-1945 | 1999 | Staffordshire University | ARi, School of Art + Design | |
| McKeown RA | Female Jewish Comedians:Grotesque Mimesis and Transgressing Stereotypes. | 1999 | University of Plymouth | Theatre + Performance | |
| McKeown RA | Shading the Crime: Acting Hopelessness as an Act of Hope. | 1999 | University of Plymouth | Theatre + Performance | Roberts, C. |
| McKenzie Smith S | International Biennale Exhibition of Contemporary Art: Florence Biennale 1999 | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| McKenzie R | Pictorialist Photography in Hungary: International Connections | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKenzie R | Dangerous Ground: Sculpture in the City | 1999 | Glasgow School of Art | Cities and Environments | Andrew Guest |
| McKenzie R | Sculpture in Glasgow | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKenzie R | Brave New Worlds, archival exhibition | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Christian Hermansen |
| McKee F | To Hide In Plain Sight, essay in exhibition catalogue | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKeating JE | Textiles Revisited - With Cloth and Needle | 1999 | Manchester Metropolitan University | ||
| McKeag D | The Development of Design Guidelines for Large Oil Tankers which will encompass a Knowledge Based Computer System | 1999 | University of Ulster | Anne Sanlon | |
| McKay C M | Series of Entries in Critical Dictionary of Feminism and Postfeminism | 1999 | University of Sunderland | Photography | |
| McIver MT | Revealing Views, Images from Ireland | 1999 | University of Ulster | ||
| McIntyre MP | Revealing Views : Images from Ireland | 1999 | University of Ulster | ||
| McInnerney M | The Love and Worry Show | 1999 | Bath Spa University College | Vyner, T. Knight, L. Scheffler, A. |
|
| McGowan A | McGowan at Large | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McFadyen J. | From Orkney and Other Places | 1999 | University College London | Painting | |
| McDonagh-Philp DC | Using Focus Groups to Support the Designer in the Evaluation of Existing Products: A Case Study | 1999 | Loughborough University | Design Research | Denton, H. |
| McDermott C | The Product Book | 1999 | Kingston University | ||
| McConnell A | Do fire-fighters develop specific ventilatory responses in order to cope with exercise whilst wearing self-contained breathing apparatus? | 1999 | Brunel University | Design for Inclusion | |
| McConachie A | Edinburgh Makers | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| McConachie A | International Glaskunst Triennale | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| McComish L | Outhouse | 1999 | University of Ulster | ||
| McClelland B | Teamwork at the Chalkface: An Integrative Approach to Technology and Design | 1999 | University of Ulster | RB Clarke | |
| McCaughey P | Arc, solo exhibition of publicly sited works | 1999 | Glasgow School of Art | Fine Art | |
| McCartney K E | Smart Homes for Disabled People, design studies for Housing Corporation Innovation Fund | 1999 | University of Portsmouth | Centre for New Media Research | |
| McCarthy P | 'Acoustic Shadows'. | 1999 | University of Derby | Research Group for Artists Publications | |
| McCann J | Subject: 'Identification of Design Requirements for Performance Sportswear', research presentation for 'Inspiration and Innovation in Sportswear' symposium. April. | 1999 | University of Derby | ||
| McCann B | Dusting the Giant | 1999 | Royal College of Art | Fine Art | |
| McCann B | Dusting the Giant | 1999 | Kingston University | ||
| McCARTHY P J | Acoustic Shadows | 1999 | University of Lincoln | ||
| Mayfield W | 1999 | Leeds Metropolitan University | Design | Clegg, S | |
| Mayfield W | 1999 | Leeds Metropolitan University | Design | Clegg, S Trayhurn, D |
|
| May N | Yesterdays Tomorrow is Not Today | 1999 | Cumbria College of Art + Design | ||
| Mavrogordato T | Truth or Consequences, Artists Book. | 1999 | Goldsmiths College | Kiendl, A. Dyer, R. |
|
| Maudsley N | COMA: 12 minute digital film. | 1999 | London Guildhall University | ||
| Maude-Roxby A | Living and Working | 1999 | Sheffield Hallam University | ||
| Maude-Roxby A | Dayroom | 1999 | Sheffield Hallam University | ||
| Matthee J | Antigone's Cut. | 1999 | Goldsmiths College | ||
| Mathison F | Fiona Mathison | 1999 | Edinburgh College of Art | Fine Art | |
| Masi D. | Berlin Suite: Ian Colverson and Denis Masi | 1999 | University College London | Fine Art Media | |
| Masi D | Berlin Suite: Ian Colverson and Denis Masi. | 1999 | Wimbledon School of Art | Ian Colverson | |
| Martinon JP | 'Right on for the Darkness'. | 1999 | Goldsmiths College | ||
| Martinon JP | 'Shane Breynard - Soft Spots'. | 1999 | Goldsmiths College | ||
| Martina T | Covent Garden Piazza exhibition | 1999 | University College Northampton | Fine Art Practices | |
| Martina T | No day without a line. The history of the Royal Society of Painter-Printmakers, 1880-1999 | 1999 | University College Northampton | Fine Art Practices | |
| Martin TD | Landmarks in Western Art | 1999 | De Montfort University | ||
| Martin TD | Essential Surrealists | 1999 | De Montfort University | ||
| Martin TD | Enantiomorphic Chambers | 1999 | De Montfort University | ||
| Marsden MJ | Digital measurement of load in a hand held wrench | 1999 | De Montfort University | ||
| Marriott M | Jerwood Prize for Applied Arts 1999: Furniture | 1999 | Royal College of Art | Design for Manufacture | |
| Margetts M | Only Human | 1999 | Royal College of Art | Applied Art | |
| Marchant A | East Londoners - Research project using family albums from the residents of East London | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Marchant A | Relicta - An installation of large format photographs | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Mansfield A | Recent Paintings | 1999 | Southampton Institute | ||
| Mansfield A | Recent Paintings | 1999 | Southampton Institute | ||
| Manning A | A Computational Model of Print Quality Perception | 1999 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Manchot M | The Nude | 1999 | The London Institute | Fine Art | |
| Manchot M | The Century of the Body | 1999 | The London Institute | Fine Art | |
| Mallet L | The Bill | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Malins J | The Gap: Addressing Practice-Based Research Training Requirements for Designers | 1999 | Robert Gordon University | Learning Strategies | Ure, J. Gray, C. |
| Malins J | From Image to Object: Old Signs, New Meanings | 1999 | Robert Gordon University | Making and Contemporary Culture | Gray, C. Ross, J. Burman, B. |
| Malins J | The Digital Thesis: Recent Developments in Practice-Based Ph.D Research in Art and Design | 1999 | Robert Gordon University | Learning Strategies | Gray, C. |
| Malik S | Tekhne is fond of Tukhe, and Tukhe of Tekhne: Energy and Artistotle's Ontology in Tekhnema 5, 1999. | 1999 | Goldsmiths College | ||
| Malem W | Nico Nico Spring / Summer 1999 collection Cruise | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Male A | Along the Luangwa | 1999 | Falmouth College of Arts | Schuyler Bull | |
| Makhoul B | Trace International Liverpool Biennial | 1999 | Sheffield Hallam University | ||
| Mair J H | Passage From India | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Maguire P J | Utility and the Politics of Consumption | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Magee JDM | Mercedes Benz 'M' Class Bumpers + Body Claddings | 1999 | University of Ulster | GE Polymer Design Assoc | |
| Magee JDM | Audi A2 Instrument Panel | 1999 | University of Ulster | GE Polymer Design Assoc | |
| Macmillan A | Frontiers of the West - Glasgow and Chicago. The pioneering architectures of Thomson, Mackintosh and Wright | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Macleod K | The Relationship of Making to Writing | 1999 | University of Plymouth | Art Process | |
| Macklin P | Luna Rova: Exhibition design/curation | 1999 | Glasgow School of Art | Design | H. Pizey |
| Macinnes R | Robert Adam | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Macinnes R | Building A Nation. The Story of Scotland | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Miles Glendinning Angus MacKechnie |
| Machin D | The Anglo-American Media Connection | 1999 | The London Institute | Media and Communication | Jeremy Tunstall |
| Machin D | Children's Demon TV - Reality, Freedom, Panic: Children's Discussion of the Demon Headmaster | 1999 | The London Institute | Media and Communication | Maire Messenger Davies |
| Macdonald J | From Wall to Window | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| MacWilliam S J I | Ear Piece | 1999 | Nottingham Trent University | Visual Arts | |
| MacWilliam S J I | Acoustic Shadows: Cast Behind The Curtain | 1999 | Nottingham Trent University | Visual Arts | |
| MacWilliam S J I | Laurieston House | 1999 | Nottingham Trent University | Visual Arts | |
| MacLennan H | 'Professional Studies and Careers Development in a Discipline-led Curriculum: Attitudes to Learning in Fine Art Students' | 1999 | University of Gloucestershire | ||
| MacLennan H | 'Antiquarian and connoisseurial interest in the northern Renaissance print in the early 19th century' | 1999 | University of Gloucestershire | ||
| MacLennan AM | Unseeing Trace | 1999 | University of Ulster | ||
| MacKinnon-Day P | Membrane | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| MacDonald A | Developing Aesthetic Intelligence as a Cultural Tool for Engineering Designers. | 1999 | Glasgow School of Art | Design | |
| Mabb D | Canada Seen from a Great Height | 1999 | Goldsmiths College | ||
| Mabb D | General Property - 1989 - 1999 (33 works). | 1999 | Goldsmiths College | ||
| MYERS J | HEARSAY | 1999 | Middlesex University | ||
| MURPHY J | The Way Up and The Way Down | 1999 | University of Oxford | ||
| MUMBERSON S | 20TH CENTURY URBAN MAN | 1999 | Middlesex University | ||
| MUMBERSON S | MEDICINE IN THE 21ST CENTURY | 1999 | Middlesex University | ||
| MORRIS R C | New Directions | 1999 | University of Dundee | Contemporary Practice | |
| MORGAN S | The ghost in the luggage: Wallace + Braveheart: post-colonial | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MOONEY J | READING MATTER | 1999 | Middlesex University | ||
| MOODY E.H. | UK Artists and the Higher Education Research Assessment Exercise: a microcosm of the Art World and its ills | 1999 | City University | ||
| MOAR M | Iterated Function Systems and Non-Affine Transformations: Examples in 2D and 3D | 1999 | Middlesex University | H Jones | |
| MIDDLETON N. | History Zone | 1999 | Coventry University | Design | PRENTICE, K. SHARPE, R. JACKSON, B. |
| MIDDLETON N. | Project plasma | 1999 | Coventry University | Design | REAKES, J. SHARPE, R. PARKER, M. |
| MEYNELL K | STORY - SITE SPECIFIC AUDIO INSTALLATION | 1999 | Middlesex University | ||
| MEY K | Bodies of Substance | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | Doris Berger Val Welsh Sarah Wilson |
| MCMURDO W A | Unheimlich | 1999 | University of Dundee | Digital Technology | Beecroft, V Gaskell, A Hoey, D |
| MCMURDO W A | ESP | 1999 | University of Dundee | Digital Technology | Hiller, S Catling, B |
| MCGILVRAY R | The Overgate Bronzes Project - Curatorship | 1999 | University of Dundee | Industry and the Public Sector | |
| MCCONNELL-WOOD T | Flicker | 1999 | University of Dundee | Digital Technology | |
| MATTHEWS G | Museums, Art Galleries and Temporary Exhibition Spaces | 1999 | University of Lincoln | ||
| MARKIEWICZ L | Promise | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANLEY B | First International Drawing Exhibition, Wrocklaw, Poland | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MACLEAN W J | Land Raid Cairn Memorials | 1999 | University of Dundee | Coastal/Indigenous Cultures | |
| MACDONALD M J S | Proposal for an Institute of Learning | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | Deliss, C Johnston, A Esche, C |
| Lydiat A | 'WITHOUT' | 1999 | Nottingham Trent University | Visual Arts | |
| Lowe B. | Brighid Lowe | 1999 | University College London | Fine Art Media | |
| Lomax T. | One Voice Many Places | 1999 | University College London | Sculpture | |
| Logue L | Estate | 1999 | Southampton Institute | ||
| Logue L | What is Love - Residential Noise | 1999 | Southampton Institute | ||
| Logan DJ | Living Dining/Bedroom ranges of furniture in solid white oak | 1999 | University of Ulster | ||
| Lochun D | Orientation of Optically Nonlinear Chromophores at the Air-Water Interface | 1999 | Brunel University | J Geoffrey Ashwell AN Dyer |
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| Lloyd Lewis P | 'The Blood Show' | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Littman S. G. | ELECTRALUX ENLIGHTENMENT | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Lipski E | Die Farben Schwarz | 1999 | The London Institute | Fine Art | |
| Linklater R | Ercole Amante by Cavalli | 1999 | Nottingham Trent University | Design | Boston Early Music Festival |
| Lingford R | Death and the Mother | 1999 | Royal College of Art | Animation | |
| Lingford R | 'Kentridge at the Serpentine' | 1999 | Royal College of Art | Animation | |
| Ling M | Beyond Words Calligraphy exhibition | 1999 | University of Sunderland | Design | |
| Ling M | Exhibition catalogues | 1999 | University of Sunderland | Design | |
| Liggins A M | London Photographic Awards III | 1999 | Swansea Institute of Higher Education | Image and Text | |
| Liggett S | Three Young Painters | 1999 | North East Wales Institute of Higher Education | Art and Design | |
| Lievesley M A | Novel Step in Multistage Investment Casting Process | 1999 | University of Northumbria at Newcastle | Product Design (4b) | Dale, J |
| Lewis S E N | Exhibition-Small Works | 1999 | Nottingham Trent University | Visual Arts | Group Exhibition |
| Lewis S E N | 'What Skills for What Practices?' | 1999 | Nottingham Trent University | Visual Arts | |
| Lewis M | Centrale and After (Made For TV) | 1999 | The London Institute | Fine Art | |
| Lewis A | Key issues in managing the product development process in very small manufacturing companies | 1999 | University of Wales Institute, Cardiff | PDR | R Brown |
| Lewin A | The Phoenix in the Ashes: A Buffalo Story | 1999 | Dartington College of Arts | ||
| Lewandowski S | Artist In Residence | 1999 | Nottingham Trent University | Visual Arts | Marcus Coates Calum Stirling |
| Lewandowska M | Interarchiv. | 1999 | Goldsmiths College | ||
| Lewandowska M | Furniture. | 1999 | Goldsmiths College | ||
| Leverett D. | Mountain | 1999 | University College London | Painting | |
| Leslie J | Sordide Sentimental + Love, Speed, Thrills | 1999 | Manchester Metropolitan University | Leighton T | |
| Lesdema E | Butchery By Light | 1999 | Southampton Institute | ||
| Lesdema E | Videoarchaeology | 1999 | Southampton Institute | ||
| Lenard JA | Traffic accidents: investigation, analysis and reconstruction, Ian Freckelton and Hugh Selby (eds), Expert Evidence in Criminal Law | 1999 | Loughborough University | Design Ergonomics | Rechnitzer, G. Keramidas, W. |
| Lemon E | Sculpture/installation | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Leith C | Public Notices | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Leighton TM | Sordide Sentimental + Love, Speed, Thrills | 1999 | Manchester Metropolitan University | Leslie J | |
| Leighton TM | Artists' Projects: Dundee Contemporary Arts 19/3/99-9/5/99 | 1999 | Manchester Metropolitan University | ||
| Leighton P | The Wyndings - Public permanent sculpture | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Lefteri C | Wireworks | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Lefteri C | Ben and Rosie's bunk bed | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Lees N | Fossil Future | 1999 | Bath Spa University College | ||
| Lees - Maffei G | Artmanship and Craftistry: Practice, Gender, Hierarchy | 1999 | University of Hertfordshire | ||
| Lees - Maffei G | Global warming: chinoiserie as a case study of fashion reportage, 1980-1998 | 1999 | University of Hertfordshire | ||
| Lee RA | Swing | 1999 | Oxford Brookes University | Creative Practice | |
| Lee R M | Webs of Intrigue | 1999 | Cumbria College of Art + Design | ||
| Lee R M | Experimental Mixed Media Wire Knitted Structures | 1999 | Cumbria College of Art + Design | ||
| Lee R | Cumbria Wendland | 1999 | Cumbria College of Art + Design | ||
| Lee R | Hidden Seas/Surface Waters | 1999 | Dartington College of Arts | ||
| Lee R | s(H)elf I and II | 1999 | Dartington College of Arts | ||
| Ledsham JM | Veils of Courtship | 1999 | University of Ulster | ||
| Ledger RA | The Validation of a Questionnnaire for the Assessment of Individual Differences in Pet Dogs | 1999 | Brunel University | Interaction Design | |
| Ledger RA | Owner Attachment and Ownership Success | 1999 | Brunel University | Interaction Design | |
| Lebbon C | Evidence based Design Methods Within a User-Centred Approach | 1999 | Royal College of Art | Inclusive Design | McDonagh-Philip Torrens, G |
| Leake P K | 'View of Views: People and the Changing Landscape' | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Hunter, D Growcott, C Jefferson, R |
| Leake P K | Bad Dolly | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Jefferson, R |
| Leake P K | 'Salt Blizzard' | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Jefferson, R |
| Leach R | Revolutionary Theatre | 1999 | Cumbria College of Art + Design | ||
| Lea-Greenwood G | Deshopping: the Art of Illicit Consumption | 1999 | Manchester Metropolitan University | Schmidt R Sturrock F Ward P |
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| Le Grice M | Video work including Cyclops Cycle | 1999 | The London Institute | Media and Communication | |
| Lawrence E | Isthmus | 1999 | Edinburgh College of Art | Fine Art | |
| Lawrence E | Chart | 1999 | Edinburgh College of Art | Fine Art | |
| Lawrence CN | The Development of a Remote Delivery Flexible Access Model for Teaching Introductory Studies in Design | 1999 | University of Ulster | R.G. Baird | |
| Lawler T | Exposing the gender effects of design + technology project work by comparing strategies for presenting and managing pupils' work. | 1999 | Goldsmiths College | ||
| Lawler T | Jonathan Creek | 1999 | Kingston University | ||
| Law J | Licht + Visuelle Texte | 1999 | Bath Spa University College | Hamilton Finlay, I. Sedgeley, P. Gappmayer, H. |
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| Law J | One Phone Number for Europe: cultural diversity, technology and innovation | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Lane C | Hidden Lives | 1999 | The London Institute | Fine Art | |
| Landry CR | Balancing Act: 21 strategic dilemmas in cultural policy | 1999 | The London Institute | Media and Communication | |
| Landen C | New Natural History | 1999 | University of Wales College, Newport | Photography | Mark Dion Catherine Chalmers Keith Arnatt |
| Laing DW | The European Music Industry and European Music Policy | 1999 | University of Westminster | Sound Media | |
| Lacey J | Seeing through Happiness: Hollywood Musicals and the Construction of the American Dream in Liverpool in the 1950s | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Lacey J | Discursive Mothers and Academic Fandom. Class, Generation and the Production of Theory | 1999 | University of Brighton | Memory, Identity and History | |
| LOWRY J | Performing Vision in the Theatre of Gaze: The Work of Douglas Gordon | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| LOWE N | Who is Speaking? Who is being Heard? | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| LEMKE H | ARKIVE I-X | 1999 | University of Lincoln | ||
| LEMKE H | Off Klang Matter of Balance 1-3 | 1999 | University of Lincoln | ||
| LEHMANN U | Language of Pursuit - Cary Grant's clothes in Alfred Hitchock's North by Northwest | 1999 | Kent Institute of Art + Design | ||
| LEHMANN U | Tigersprung - Fashioning History | 1999 | Kent Institute of Art + Design | ||
| LEHMANN U | Addressing the Century: 100 Years of Art + Fashion | 1999 | Kent Institute of Art + Design | ||
| Kusters C | Klein Aber Fein | 1999 | The London Institute | Media and Communication | |
| Kunath S C | Kurt Schwitters | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Ktori A | Presence | 1999 | University of Westminster | Sound Media | |
| Krysa J | New media: Watching the novelty wear off. From tape to virtual installation. | 1999 | University of Plymouth | STAR | Dzuverovic-Russell L |
| Kratochvil J | www.joseph.dircon.co.uk. | 1999 | Goldsmiths College | ||
| Kosh V | Ruck 8554 2 | 1999 | Chester College of HE | ||
| Konttinen S L | 'The Coal Coast' | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Knowles D | Next plc. Ladies Knitwear Collection Spring/Summer 1999 | 1999 | Kingston University | ||
| Knight K | Don Giovanni | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Kivland S | La Valeur d'Echange | 1999 | Sheffield Hallam University | ||
| Kivland S | A Case of Hysteria | 1999 | Sheffield Hallam University | ||
| Kitching A | Alan Kitching Typographic Timelord | 1999 | Royal College of Art | Communications | |
| Kitching A | Royal Mail Millennium Stamp | 1999 | Royal College of Art | Communications | |
| Kitchen S | 'Responsive Space' | 1999 | Royal College of Art | Computer Related Design | |
| Kitchen S | 'Naked' | 1999 | Royal College of Art | Computer Related Design | |
| Kirkup W E | 'Echo' | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Kirkham DA | Designs on Competitiveness | 1999 | De Montfort University | ||
| Kirk C | Internationale Glaskunst Triennale | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Kirby J | Data Modelling | 1999 | University of Brighton | Natural and Constructed Environments | |
| Kirby J | Pathfinder | 1999 | University of Brighton | Natural and Constructed Environments | N Coley |
| Kinsey J | 'Greenfingers', Group Exhibition. (July - Aug). | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Kinsey J | 'Theme Park', Solo Exhibition/Touring. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| King M | Virtual Visions, 20 computer-generated colour prints | 1999 | London Guildhall University | ||
| King M | TheTyranny + Liberation of ThreeSpace - a Journey by Ray Tracer | 1999 | London Guildhall University | ||
| Kindel E T | The condition of modernity. Review of Paul Renner: the art of typography | 1999 | University of Reading | ||
| Kindel E T | Review of Blackletter: type and national identity, Peter Bain and Paul Shaw, (eds). | 1999 | University of Reading | ||
| Kinchin J | (i) The Hungarian Folk Arts Debate in the British Press (ii) An Artist at Home: Philip de Laszlo in Budapest and London (iii) Hungary and Scotland: A Dialogue in the Decorative Arts | 1999 | Glasgow School of Art | Historical and Critical Enquiry | P. Stirton |
| Kinchin J | Godwin and Modernism | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Kimbell RA | An Evaluation of the Technology Education Project: South Africa, NW Province. | 1999 | Goldsmiths College | Stables, K. | |
| Khan T | Transient liquid phase diffusion bonding of oxide dispersion strengthened nickel alloy MA758 | 1999 | Brunel University | Environmentally Sensitive Design | A Ekrami |
| Khan T | Investigating the change in wear behaviour of a tool steel after surface melting and gaseous alloying | 1999 | Brunel University | Environmentally Sensitive Design | SA Rizvi |
| Khan T | Mechanism of Surface Modification of the Ti-6Al-4V Alloy Using a Gas Tungsten Arc Heat Source | 1999 | Brunel University | Environmentally Sensitive Design | M Labudovic R Kovacevic I Kmecko |
| Keskeys D | 'Computers in Art + Design Education' | 1999 | University of Gloucestershire | ||
| Kerbel J | Home Fittings | 1999 | Kingston University | ||
| Kerbel J | CRASH! Corporatism and Complicity | 1999 | Kingston University | ||
| Kennedy M | Impact on Spike Island | 1999 | Anglia Polytechnic University | ||
| Kennedy M | 19th Miniprint Internacional | 1999 | Anglia Polytechnic University | ||
| Kennard P | Domesday Book | 1999 | Royal College of Art | Critical Practice | |
| Kelly C | Conor Kelly | 1999 | The London Institute | Fine Art | |
| Kelly B | 100% Design Exhibition | 1999 | Kingston University | ||
| Keir S | Wild Air | 1999 | The London Institute | Fashion and Textiles | Siobhan Davies |
| Keir S | A Strangers Taste | 1999 | The London Institute | Fashion and Textiles | Siobhan Davies |
| Keelan SH | Dialogue of the Present: the work of 18 Arab Women Artists | 1999 | Kingston University | ||
| Keane T | Transposition | 1999 | The London Institute | Fine Art | |
| Keane J | Trading Flaws and Sporting Mistakes | 1999 | The London Institute | Fine Art | |
| Kaylan M | The Public Act | 1999 | University of Brighton | Pedagogic Research | |
| Kay E | The Bible from Memory in Abacadabra: International Contemporary Art | 1999 | University of Portsmouth | Art and Philosophy | |
| Kay E | Works in 6th International Istanbul Biennial | 1999 | University of Portsmouth | Art and Philosophy | |
| Kappo D | Dave and Joe Collections | 1999 | The London Institute | Fashion and Textiles | |
| Kappenberg C | Video Cycle Words In Silence | 1999 | The London Institute | Fine Art | |
| Kaner J | Conserving Early Plastics Found in Historic Furniture: an investigation into their history and manufacture | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kandhola M P | Virtual Gallery 1 | 1999 | Nottingham Trent University | Visual Arts | Autograph Association of Black Photographers |
| KING D.A. | Sculpture at Goodwood | 1999 | Coventry University | Visual Arts | TUCKER, W. CRAGG, T. RANDALL-PAGE, P. |
| KELLY C | Solo Exhibition - Poland | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| KEITH J M | Scottish Printed Textiles | 1999 | University of Dundee | Contemporary Practice | Sara Keith Jan Milne Frances Stevenson |
| KEELER W | Ceramics in Space | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| KEELER W | Walter Keeler Solo Exhibition of Recent Ceramics | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| KEELER W | (Un)limited: Repetition and Change in International Craft | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| Jurack B | The Possibility of a Potato | 1999 | University of Newcastle | ||
| Jurack B | So Near and Yet So Far | 1999 | University of Newcastle | ||
| Julien I | Three | 1999 | Oxford Brookes University | Creative Practice | Bebe Miller (choreographer) Ralph Lemon (choreographer) Cleo Sylvestre (actress) |
| Joseph J E | Urban Nature | 1999 | Wimbledon School of Art | Painting | |
| Jordan J | Consuming Desire | 1999 | Sheffield Hallam University | ||
| Jones TE | Our Conversation with Things and Places, An Enquiry into Art and Research Methodology | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Jones TE | Art and Lifelong Learning | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Jones RM | Demographics: The Distribution of Income and Wealth and the Marketing of Fashion in the UK | 1999 | Manchester Metropolitan University | ||
| Jones L. | Lucy Jones: New Paintings | 1999 | University College London | Painting | |
| Jones L. | Lucy Jones | 1999 | University College London | Painting | |
| Jones J | Ceramics Contemporaries 3 - Ceramics in Education | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Jones J | Listening to Bernard Leach: Exploring the testimony of a studio potter | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Jones J | Grayson Perry: The Pot is the Man | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Jones GP | Painting - Ysbryd. Spirit - Wales (Contemporary practice with paint) | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Jones GP | Glyn Jones at Euro Celtic Art | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Jones GP | Certain Welsh Artists - Custodial Aesthetics in Contemporary Welsh Art | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Jones D | Raku - Investigations into Fire | 1999 | University of Wolverhampton | Ceramics | |
| Jones A D | Jemima Stehli: On all fours naked in high heels - a critical position? | 1999 | University of Portsmouth | Art and Philosophy | |
| Joiner B | Untitled Suitcases | 1999 | University of Westminster | Fine Art | |
| Johnston C | Liberty Ready-to-Wear Collection | 1999 | Royal College of Art | Design for Manufacture | |
| Johnson Soliz CA | In The Midst of Things | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Johnson Soliz CA | Skyline | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Johnson Soliz CA | Regarding the Function of Objects - Recent sculpture by Cecile Johnson Soliz | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Jobling P | Fashion Spreads - Words and Image in Fashion Photography since 1980 | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Jerrard R | Design and Ethnicity: the failure of West Midlands Clothing Enterprises to enter the Design Market | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | Joy Husband |
| Jennings C | 2 oil paintings 36 | 1999 | London Guildhall University | ||
| Jeffries N.F. | Neil Gets Medieval | 1999 | University College London | Painting | |
| Jefferies JK | Yinka Shonibare: Dressing Down Textiles in a Victorian Philanthropist's Parlour | 1999 | Goldsmiths College | ||
| Jefferies JK | Autobiographical Patterns 2 | 1999 | Goldsmiths College | ||
| Jeff P A | Pop Icons | 1999 | Swansea Institute of Higher Education | Photography | McDonough, E |
| Jeff P A | More Beautiful than God? | 1999 | Swansea Institute of Higher Education | Photography | |
| Jeal D | Solo exhibition | 1999 | Anglia Polytechnic University | ||
| Jeal D | Installation of Callitactil and Escrito de Campo | 1999 | Anglia Polytechnic University | ||
| Jardine B | Displaced: Always on my mind/You make me sick. Little Death. Immaculate Conception. | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Jaray T. | British Embassy Forecourt, Moscow | 1999 | University College London | Painting | |
| James S | 'Commune' | 1999 | Wimbledon School of Art | Sculpture | Klaus Osterwald |
| James D | Upholstery, A Complete Course (Revised Edition) | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | |
| James A | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Jacobson R | Applications of Imaging Science to Investigations of GRB Optical Counterpoints | 1999 | University of Westminster | Imaging Technology | Fagard-Jenkin RB Axford NR Hudec R |
| Jackson B | Autograph Collection | 1999 | Royal College of Art | Design for Manufacture | |
| Jackman J | Here's How | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| JUPP M | Millennium Mug Project | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| JUPP M | Mo Jupp Show Case | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| JOURNEAUX J. | Drawing across the board | 1999 | Coventry University | Visual Arts | |
| JOHNSON N M | Digital Gateway | 1999 | University of Dundee | Digital Technology | |
| Irvine J | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Innes C | Callum Innes, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Innes C | Callum Innes, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Ingham R | Designs on Environment | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Illner A A | Travel Zone Millennium Dome | 1999 | University of Hertfordshire | ||
| Ichige Y | Berrnardo Giorgi E Yasu Ichige. | 1999 | Goldsmiths College | ||
| IVEY M J | The Glasgow UK City of Architecture + Design Plate Show | 1999 | University of Dundee | Contemporary Practice | Elizabeth Blackadder Ian McCulloch Elspeth Lamb |
| IRVINE Z | Aeolus / Pocketbook CDs | 1999 | University of Dundee | Digital Technology | |
| INNS T G | Design Atlas: an audit process for assessing the capability of an organisation for managing design activity | 1999 | University of Dundee | Industry and the Public Sector | Design Council Scottish Design Northern Ireland Design Directorate |
| INNS T G | Optimising product development in SMEs through process mapping workshops | 1999 | University of Dundee | Industry and the Public Sector | Cathy Baxter |
| Hyatt J | Doria Hemming | 1999 | Manchester Metropolitan University | Sanders-Wood T Twigge S |
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| Hyatt J | Manchester's Tilted Windmills | 1999 | Manchester Metropolitan University | ||
| Hutton A | A Communications Robot | 1999 | University of Ulster | Michael Callaghan | |
| Hutton A | Digital Media and Design | 1999 | University of Ulster | ||
| Huth G | Bishop/Merrit Scholarship from Haystack Mountain School of Crafts and Research Grant | 1999 | Liverpool Hope | ||
| Huth G | Capture of Europa | 1999 | Liverpool Hope | ||
| Hutchinson S | Tales from the End of Northworld | 1999 | University of Brighton | Fine Art Practices | Will Todd - Composer Alister Campbell Clare Whistler - Choreographer |
| Hurtado R | British Weather Attracts Strange Visitors. | 1999 | Goldsmiths College | Feo, R. Santos, F. |
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| Hurtado R | Miss Ramirez (Chair). | 1999 | Goldsmiths College | Feo, R. Santos, F. |
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| Hunter S | Woven Intimacies | 1999 | Edinburgh College of Art | Fine Art | |
| Hunter R | Liverpool Biennale- Tracey | 1999 | Edinburgh College of Art | Fine Art | |
| Hunter J | Absolute Open - New Art From Scotland | 1999 | Edinburgh College of Art | Fine Art | |
| Hunt MR | 'Feelings' range of cups with plastic handles and saucers | 1999 | De Montfort University | ||
| Human J | Whittards of Chelsea Fruit Tea Packaging | 1999 | Anglia Polytechnic University | ||
| Hugonin J W | Jerwood Painting Prize | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Hughes J | Developing new printing techniques for Designer Georgina von Etzdorf. | 1999 | Glasgow School of Art | Design | |
| Hughes BR | Lightbug | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Hubbard S. | The Planets | 1999 | Bournemouth University | ||
| Hubbard S. | What happened to the Hindenburg? | 1999 | Bournemouth University | ||
| Howes A | 'Hurricane' | 1999 | Napier University | Documentary and Experimental Film | |
| Howell AM | The Analysis of Performance Art: a guide to its theory + practice | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Howard P | Concierto Barroco | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Howard J | Stumble | 1999 | Oxford Brookes University | Creative Practice | |
| Hose M | Regarding the Function of Objects: Recent sculpture by Cecile Johnson Soliz | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Horrocks C | Playing the Game when the Rules have been Changed: The Paintings of Bruce Russell | 1999 | Kingston University | ||
| Horrocks C | The Sacralisation of Sight: Brian McCann's 'Dusting the Giant' | 1999 | Kingston University | ||
| Horn D | The Love Potion | 1999 | Wimbledon School of Art | Theatre Design | |
| Horn D | Carmen + Madam Butterfly | 1999 | Wimbledon School of Art | Theatre Design | |
| Hopkins E L | 'Prime' | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Hooper R | SOFA (Sculpture, Objects, Functional Art Exposition) | 1999 | Liverpool Hope | ||
| Hooker C | Sensitive Dependence | 1999 | University of Brighton | Natural and Constructed Environments | |
| Hooker C | The Lightning Panel | 1999 | University of Brighton | Natural and Constructed Environments | |
| Honeywill P W | Designing Icons for the Graphical User Interface | 1999 | University of Plymouth | Centre for Visual Computing | |
| Honeywill P W | A Comparison between Maya Hieroglyphs and Computer Icons | 1999 | University of Plymouth | Centre for Visual Computing | |
| Honeyman R | Two painted designs for stitched textiles (two) | 1999 | Cumbria College of Art + Design | ||
| Holt RB | Drive : A Folly in Excess of Utility | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Hollins WJ | British Standards Institute BS7000 Part 1 | 1999 | Brunel University | Design Pedagogy | |
| Hollins WJ | Over the Horizon | 1999 | Brunel University | Design Pedagogy | G Hollins |
| Hollingsworth S M | Absolut Open | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Holland R | Reflections on the Operation of Large Multidisciplinary Projects in Engineering, Design and Design Management | 1999 | Brunel University | Design Pedagogy | J Ivins |
| Holland L | Cyfuniad International Artists Workshop, Wales | 1999 | Liverpool Hope | ||
| Holdaway M | RWA Triennial Sculpture Exhibition 1999 and Catalogue | 1999 | De Montfort University | ||
| Hogan E | Chairs and Shadows | 1999 | Wimbledon School of Art | Painting | |
| Hogan E | New Technology and the Arts | 1999 | Wimbledon School of Art | Painting | |
| Hodkinson J | Landmarks | 1999 | University of Central Lancashire | ||
| Hodgson J | History Lesson | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Hodgson J | A Sign of Things to Come | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Hodgson C | Carole Hodgson: Sculpture and Works on Paper | 1999 | Kingston University | ||
| Hodgson AR | CAD/CAM Accelerator | 1999 | Loughborough University | Design Education | Bates, D.J. |
| Hodgkinson M | 'Water Tower Shadow' or 'Water-en Klokketore' | 1999 | Wimbledon School of Art | Sculpture | |
| Hoberman N | Now It's My Turn To Scream. | 1999 | Goldsmiths College | ||
| Hoberman N | Nicky Hoberman. | 1999 | Goldsmiths College | ||
| Hitchen J | Untiled 1 | 1999 | Liverpool John Moores University | Graphic Arts | Mitchell,I. |
| Hines A | Management Information for Marketing Decisions 1999-2000 | 1999 | The London Institute | Fashion and Textiles | |
| Hinchliffe-McCutcheon J L | International Contemporary Jewellery | 1999 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Hinchcliffe TF | Une Espece de Phalanstere: English Privacy in the Nouvelles-Athenes | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Himid L | Plan B | 1999 | University of Central Lancashire | ||
| Hilton K H | Patent numbers: EU 00301816.5, UK 9905097.3, US 09/519.483. Scoopy - The milk powder scoop that counts | 1999 | University of Northumbria at Newcastle | Product Design (4b) | |
| Hilliard J. | John Hilliard | 1999 | University College London | Fine Art Media | |
| Hilliard J. | John Hilliard-Fotografie als Konzept (Retrospective) | 1999 | University College London | Fine Art Media | |
| Hill PJ | Approaching Photography | 1999 | De Montfort University | Hughes, C. | |
| Herring H | Does energy efficiency save energy? The debate and its consequences. | 1999 | Open University | Design for sustainability | |
| Hermansen C | Preface and chapters: The Suburbanisation of Glasgow, Modern Architecture in Scotland and Hungary 1930s and 1940s | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Hermansen C | Szep uj Vilag | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Ray McKenzie |
| Herbert A.T. | The Role of Ceramic Tiles in Architecture in the Twentieth Century | 1999 | University of Wolverhampton | Ceramics | |
| Hepher D. | David Hepher: An Elegy to Tall Buildings | 1999 | University College London | Painting | |
| Henshaw J. G. | JOHN HENSHAW: PAINTINGS AND DRAWINGS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Hemsworth G | Strictly Suburban. | 1999 | Goldsmiths College | ||
| Hegarty FT | Auto Portrait #1 | 1999 | Sheffield Hallam University | ||
| Heeney G | Insight | 1999 | University of Wolverhampton | Ceramics | |
| Heeney G | 'Rhiannon'. Sculpture/Seating. | 1999 | University of Wolverhampton | Ceramics | |
| Hearn K | Contemporary Decorative Arts | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Head T.D. | Eurythmics Peace Tour (Designs) | 1999 | University College London | Fine Art Media | |
| Haywood T | 'Only Connect' | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hawthorn M | Truancies at K | 1999 | University of Gloucestershire | ||
| Hawley S | Ghost | 1999 | Sheffield Hallam University | Fine Art | |
| Haughton D | Now Showing II | 1999 | Kingston University | ||
| Hassall J | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Hassall J | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Haslam A | LS Lowry a biography | 1999 | The London Institute | Media and Communication | |
| Harvey J | Image of the Invisible: The Visualization of Religion in the Welsh Nonconformist Religion | 1999 | University of Wales, Aberystwyth | ||
| Harvey J | Signifier | 1999 | Edinburgh College of Art | Fine Art | |
| Harvey J | Sun Offering | 1999 | Edinburgh College of Art | Fine Art | |
| Hartwell DW | Cultural Shifts in Higher Education | 1999 | De Montfort University | Hill, G. | |
| Hart WA | Early Nineteenth Century Chiefs' Horns from Coastal Liberia | 1999 | University of Ulster | ||
| Harrow D | Journey Zone | 1999 | Royal College of Art | Design for Manufacture | |
| Harrison P | Obstacle Course | 1999 | University of Wolverhampton | Fine Art | John Wood |
| Harrison P | Volunteer | 1999 | University of Wolverhampton | Fine Art | John Wood |
| Harrison MF | Unpacking: A Ten-Year Survey of Work by Margaret Harrison | 1999 | Manchester Metropolitan University | ||
| Harrison MF | Blonde Bombshells | 1999 | Manchester Metropolitan University | ||
| Harrison J P | Photographs selected for Women's Artists Diary | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Harrison J P | Health Education Authority Opposites and Numbers | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Harrison E | Immediate Occupation | 1999 | The London Institute | Fine Art | |
| Harrison E | In Quarantine | 1999 | The London Institute | Fine Art | |
| Harrison DJ | Frequency Selective Filter Structures | 1999 | Brunel University | Environmentally Sensitive Design | P Evans B Ramsey |
| Harrison D. M. | QUILT 99 | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Harris TJ | The Development of a Neural Network based Ambulatory ECG Monitor | 1999 | Brunel University | L Gamlyn P Needham M Sopher |
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| Harris TJ | Heart Monitoring Apparatus | 1999 | Brunel University | L gamlyn P Needham O'Sullivan |
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| Harris TJ | C.Net 2000 | 1999 | Brunel University | ||
| Harris MC | Get Together. Kunst Als Teamwork (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Harris M | Dumbfounded - Ways of Communicating | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Harris JK | Jane Harris - New Works. | 1999 | Goldsmiths College | ||
| Harris D. I. | Arte-Monaco | 1999 | Wimbledon School of Art | Painting | Jean Tinguely Peter Newman Vic Muniz |
| Harley K | In the Midst of Things | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Harley K | Binary Propositions | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Harley A | Creation of wall panels from interpretations of original drawings by C R Mackintosh for the Music Room of House for an Art Lover. | 1999 | Glasgow School of Art | The Decorative Arts | Lindsay Taylor |
| Harley A | The Colour Theory package | 1999 | Glasgow School of Art | Educational Theory and Practice | Ian Johnstone |
| Harley A | Original Prints | 1999 | Glasgow School of Art | Fine Art | |
| Harland E | Reading Matter | 1999 | The London Institute | Fine Art | |
| Harland E | Rhizome | 1999 | The London Institute | Fine Art | |
| Harding D | Pictures | 1999 | Bath Spa University College | ||
| Hardie G M | Jet Travel | 1999 | University of Brighton | Visual Communication Design | |
| Hardie A | Dialogues | 1999 | University of Reading | Paul Johnson Yumi Kabe Emmanuelle Waeckerle |
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| Hanson M | 25th Anniversary Exhibition | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Hannavy J M | Wigan Now and Then | 1999 | Bolton Institute of HE | ||
| Hanna S J | Figured Bass | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Hanna, T. Winter, H. |
| Hanna S J | Dreamplay | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Handley S | Nylon - The Man-made Fashion Revolution | 1999 | Royal College of Art | Design for Manufacture | |
| Hand J | Dictionary Entries 'Narcissim' 'Dance' 'Performance' | 1999 | Goldsmiths College | ||
| Hand J | 'Bird and Cat' 'Double Act'. | 1999 | Goldsmiths College | ||
| Hancock L | Aspects of Landscape | 1999 | De Montfort University | ||
| Hampson M | OK/UK | 1999 | The London Institute | Fine Art | |
| Hammick T | New Work | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hammick T | 'Window' and 'Two Men in a Field' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hamlyn J | Islands Gallery; Waterfalls, Fireflies II; Marksmanship | 1999 | Robert Gordon University | Practices enabled through New Media Technology | |
| Hamlyn J | Mediations, a postphotographic exhibition by Jim Hamlyn and Helge Mruck, two person exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Hall S | Recent Prints. | 1999 | Goldsmiths College | ||
| Hall R | Diverse Encounters | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hall R | Young People, the Internet, Anonymity and Identity | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hall R | 'What makes you switch on? Young People, the Internet and Cultural Participation' | 1999 | University of Central England in Birmingham | Visual Communication Research Group | Darren Newbury |
| Haley DH | Restoration Revisited: A Creative Ecology | 1999 | Manchester Metropolitan University | ||
| Haley DH | O Brave New World: A Change in the Weather | 1999 | Manchester Metropolitan University | ||
| Hague J A | Time For A Change? A Survey of New Forms of Work Organisation in Greater Nottingham | 1999 | Nottingham Trent University | Fashion and Textiles | R. Aubrey |
| HUXOR A | The Role of 3-D Shared Worlds in Support of Chance Encounters in CSCW | 1999 | Middlesex University | ||
| HUXOR A | An Active Worlds Interface to Basic Support for Co-operative Working (BSCW) to Enhance Chance Encounters | 1999 | Middlesex University | ||
| HOWARD I G | Diagrams Heretical | 1999 | University of Dundee | Contemporary Practice | |
| HOSKINS S | Prints that Fly | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| HILL D | Thomas Girtin, Genius in the North | 1999 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| HEYWOOD A | Pulp Fiction - Pulp Fact | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| HERBERT D J | Corporate Identity for the University of Dundee | 1999 | University of Dundee | Industry and the Public Sector | Bill Barr Gary Gowans Jim Campbell |
| HENDERSON K | Between the Eyes Evil Shared | 1999 | University of Dundee | Contemporary Practice | Julie Henderson Alan Woods Christopher Chapman |
| HENDERSON K | Between the Eyebrows Evil Shaved | 1999 | University of Dundee | Contemporary Practice | John Armleder Yan Duyvendak Swetlana Heger |
| HEATHCOTE S C | Knitted Fashion Accessories Commission | 1999 | University of Dundee | Contemporary Practice | |
| HEALEY P | ROOTS AND ROUTES | 1999 | Middlesex University | ||
| HEALEY P | BEST CUB JOKES | 1999 | Middlesex University | ||
| HARKNESS A | John Berger; A Painter of our Time | 1999 | University of Lincoln | ||
| HARKNESS A | Performance Art | 1999 | University of Lincoln | ||
| HALES C | Ten Interactive Movies | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| HAIGH J | Gardens and Flowers in Embroidery | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| Gyi DE | The quality of accident and health data in the construction industry: interviews with senior managers | 1999 | Loughborough University | Design Ergonomics | Gibb, A.G. Haslam, R.A. |
| Gyi DE | Interface pressure and the prediction of car seat discomfort | 1999 | Loughborough University | Design Ergonomics | Porter, J.M. |
| Guthrie K | An Artist's Impression | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Guthrie K | Broadcast | 1999 | University of Central England in Birmingham | Fine Art Research Group | Nina Pope |
| Gussin GPG | SPILL | 1999 | The London Institute | Fine Art | |
| Gupta S | From Here to Eternity | 1999 | University of Southampton | ||
| Gunn J | The Magic Toyshop | 1999 | Wimbledon School of Art | Theatre Design | Francis Goby |
| Grover nee Rooke S | 'Introduction of lightweight, low cost, hi-impact performing composites into the furniture industry - TWINTEX' | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Grinling CL | 'Consumer and interior trends and how they impact manufacturers and retailers new product development cycles'. | 1999 | Goldsmiths College | ||
| Grimes O | Recent English Prints | 1999 | The London Institute | Fine Art | |
| Grigor M | Nineveh on the Clyde: The Architecture of Alexander | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Griffiths M. A. N. | 'Tne Interrupted Journey' | 1999 | Wimbledon School of Art | Painting | Rona Lee Mattias Harenstam Geir Tore Holm |
| Griffiths I | The MaxMara Collection Spring/Summer 2000 | 1999 | Kingston University | ||
| Griffiths I | The MaxMara Collection Autumn/Winter 1999/2000 | 1999 | Kingston University | ||
| Griffiths B L | Intranet Design, Development and Evaluation. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Griffiths B L | Design Guidelines: a constraint on creativity or good practice? | 1999 | Staffordshire University | ARi, School of Art + Design | P Russell D Durling |
| Grego P | Displaced | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Grego P | Binary Propositions | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Grego P | Messages | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Green P | Understanding Digital Colour | 1999 | The London Institute | Media and Communication | |
| Green P | Digital Photography | 1999 | The London Institute | Media and Communication | Anthony Hamber |
| Green P | Digital Graphic Networks | 1999 | The London Institute | Media and Communication | |
| Green L | Connections: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | |
| Green D | Between Object and Image | 1999 | University of Brighton | Fine Art Practices | |
| Green D | Abstract Paintings and Arbitrary Objects | 1999 | University of Brighton | Fine Art Practices | |
| Grayson J | Made in the Middle. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Grayson J | The Great Exhibition. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Gray W F | Smith versus Melbourne-Cooper: History and Counter-History | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Gray S | When Off-the-Rack Becomes Off-the-Net | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Gray C | The Digital Thesis: Recent Developments in Practice-based PhD Research in Art + Design | 1999 | Robert Gordon University | Learning Strategies | Malins, J. |
| Granjon P | Z Food in New York | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Granjon P | The Z Labs Presents - The integration of robots with live performance | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Granger S | Viable Lifeforms | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Granger S | Simon Granger: Danielle Arnaud | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Graham B | A study of audience relationships with interactive computer-based visual artworks | 1999 | University of Sunderland | Photography | |
| Grace JF | Pablo the little red fox, animation series (22 episode scripts) | 1999 | Loughborough University | Illustration | |
| Goto J | 'Capital Arcade', Solo Exhibition. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Goto J | 'Photoworks', Solo Exhibition, Artist in Residence.'Architects + Architecture', 2-Person Exhibition with John Lessore.4 Group Portrait. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Gorlizki A | Triennial Sculpture Exhibition | 1999 | Wimbledon School of Art | Sculpture | Alison Wilding Philip King Eric Bainbridge |
| Gorlizki A | Seven (Unknown) Famous Belgians | 1999 | Wimbledon School of Art | Sculpture | |
| Gordon D | Stan Douglas/Douglas Gordon: Double Vision, two person exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Goodwin D | Within. | 1999 | Goldsmiths College | ||
| Goodwin D | Dryden Goodwin - New Work. | 1999 | Goldsmiths College | ||
| Goldsmith S | Dew Point | 1999 | University of Southampton | ||
| Goldsmith S | No Escape: reclaimed dresses from the children's home of Cincinnati. | 1999 | University of Southampton | ||
| Goldsmith S | Monsoon Capital | 1999 | University of Southampton | ||
| Golding M | 'Sales Pitch/Terrano de Ventos' | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Golding M | ReForm : sixteen contemporary artists | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Golden P R | 'You Know I've Been at Sea before' | 1999 | Wimbledon School of Art | Painting | |
| Godfrey A | Couture Embroidery | 1999 | The London Institute | Fashion and Textiles | |
| Gluzberg M | New Drawings. | 1999 | Goldsmiths College | ||
| Gluzberg M | Forest of Oblivion. | 1999 | Goldsmiths College | ||
| Gluzberg M | The Forest of Oblivion | 1999 | The London Institute | Fine Art | |
| Gingell J | Crystal Beacon - Sculpture Contribution to the Reading City Centre Regeneration | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Gingell J | Barry Job: The Barry phenomenon - gentrification, communication and the artist | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Gilroy D | Collection of womenswear for Jones | 1999 | University of Southampton | ||
| Gilroy D | Collection of womens shoes for All Saints | 1999 | University of Southampton | ||
| Gilchrist B | Syzygy | 1999 | Oxford Brookes University | Creative Practice | Jo Joelson Jonny Bradley Kaffe Matthews |
| Giggle P | ICOGRADA Design Conference | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Giggle P | The Digital Arts Forum | 1999 | Buckinghamshire Chilterns University College | Visual Communication | Dave Morris |
| Geroimenko V A | Multi-user VRML environment for teaching VRML: immersive collaborative learning | 1999 | University of Plymouth | STAR | Phillips M |
| Geroimenko V A | Online photorealistic VR with interactive architectural objects | 1999 | University of Plymouth | STAR | |
| Gernand B | Star and Cloud | 1999 | The London Institute | Fine Art | |
| Geraghty A | Introducing Thomas Laine: draughtsman to Sir Christopher Wren | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Gaver W | Projected Realities: Conceptual Design for Conceptual Effect | 1999 | Royal College of Art | Computer Related Design | |
| Ganz A J | Threesome | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Vicarage, L Laing, S Quarshie, H |
| Gant R | Homage to Swallows | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Gant N | Bobo - Inspiration | 1999 | University of Brighton | Materials Practices and Processes | T Dean |
| Gant N | Prismex Stand | 1999 | University of Brighton | Materials Practices and Processes | T Dean |
| Galloway L | 'Between the Foot and the Breath' | 1999 | Wimbledon School of Art | Sculpture | Phyllida Barlow Susan Hiller Yinka Shonibare |
| Galloway L | Out of Mind | 1999 | De Montfort University | ||
| Galloway L | Dumfounded | 1999 | De Montfort University | ||
| Gale D | Dining with Alice | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Gale D | I Am Dandy | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Gale C | Illustrations for the BT Intranet Site | 1999 | Kingston University | ||
| Gabie N | Posts | 1999 | University of Gloucestershire | ||
| GUILD D | Food for Thought | 1999 | University of Dundee | Contemporary Practice | Claus Oldenburg Nan Goldin Tom Sachs |
| GRYLLS V | Greenwich Mean Time 2000 | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GOWANS G M | Illustrations for Print + Electronic Publication | 1999 | University of Dundee | Digital Technology | Andy Rice Georg J Krinke |
| GOUGH P | Rendez-vous: Canadian Battlefields re-visited. Images of Venerated Sites by Paul Gough | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| GODFREY-ISAACS L | HOME 2 | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| GODFREY-ISAACS L | Into the Public Realm: Art, Institutions and People | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| GERSHT O | After Wars | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GEORGIOU D. | Seven colours, seven corresponding pictures | 1999 | Coventry University | Visual Arts | |
| GATES-STUART E | Design, paraspace and the unreadablity of texts Sydney Design 99 | 1999 | University of Lincoln | Jenny Wolmark Jean Cherry |
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| GARDNER D | The Heaving Line | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| GANGE J | A Phenomenology of Slow-Motion | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Fuyuan L | A Real-time 3D Audio System for Virtual Cockpit | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Fuyuan L | Integrating Interactive Visual and Auditory Feedback | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Peng Xiaoyuan Wang Xingren |
| Fuyuan L | Algorithm and Implementation of Sound Spatialisation via Loud-speaker array | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Fuyuan L | Sound Rendering in the Virtual Environment | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Furneaux P | Strange Rain | 1999 | Edinburgh College of Art | Fine Art | |
| Furneaux P | The 9th Internation Biennial Print Drawing Exhibition 1999 R.O.C. | 1999 | Edinburgh College of Art | Fine Art | |
| Frew C | Criss Cross: Some New Yorkers III | 1999 | Edinburgh College of Art | Fine Art | |
| Freshwater S | Art Textiles of the world. | 1999 | University of Hertfordshire | ||
| Freshwater S | Mobilization | 1999 | University of Hertfordshire | ||
| Freeman H | The Innominate University | 1999 | De Montfort University | Boys, J | |
| Frayling C | Sergio Leone - something to do with death | 1999 | Royal College of Art | Communications | |
| Franks A M | A Question of Identity - a world without borders | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Frank C | FRA 335, 336, 339, 340, 534, 313, 333, 303, 345, 344, 342, 159 (textile designs) | 1999 | Loughborough University | Textiles | |
| Frampton RJ | Case reports of possible noise trauma after inflation of air bags in low speed car crashes | 1999 | Loughborough University | Design Ergonomics | Buckley, G. Setchfield, N. |
| Fozzard GJ | Dexis Image Modeller and Texton Mapping Software Libraries | 1999 | De Montfort University | ||
| Fozzard GJ | FLEAS: A Flowline Environment for Automated Supervison | 1999 | De Montfort University | Spragg, J. Tyler, D. |
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| Fox S | Exhibition: Lost and Found: critical voices in new British design | 1999 | The London Institute | Fashion and Textiles | |
| Fox S | Capsule Collection for The Jerwood Fashion Prize | 1999 | The London Institute | Fashion and Textiles | |
| Fox A | Zwarte Piet | 1999 | Royal College of Art | Fine Art | Bal, M |
| Fox A | Cockroach Diary | 1999 | Royal College of Art | Fine Art | |
| Fox A | Cockroach Diary | 1999 | The London Institute | Fine Art | Richard Billingham |
| Fox A | Zwarte Piet | 1999 | The London Institute | Fine Art | |
| Fox A | Les 13 | 1999 | The London Institute | Fine Art | |
| Foster N | Knowsley Woods | 1999 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Foster N | St Helens Chamber | 1999 | Liverpool John Moores University | International Centre for Digital Content | |
| Foster A. | BRITISH ARTISTS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Foster A. | DRESSING FOR ART'S SAKE: GWEN JOHN, THE BON MARCHE AND THE SPECTACLE OF THE WOMAN ARTIST IN PARIS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Foster A. | GWEN JOHN | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Fortnum R | Rhizome | 1999 | Wimbledon School of Art | Painting | Beth Harland Jim Mooney Sean Cummins |
| Fortnum R | Rhizome | 1999 | Bath Spa University College | Mooney, J. Cummins, S. Harland, B. |
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| Forster J | Fade Away and Radiate | 1999 | University of Gloucestershire | ||
| Ford PB | Prick'l star - Carbonated Drinks Maker | 1999 | De Montfort University | ||
| Follen S. | DOMAIN | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Follen S. | TWENTY-FIVE YEARS | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Fletcher K | Environmentally responsible design in textiles | 1999 | Goldsmiths College | ||
| Fleming M | 1999 | Leeds Metropolitan University | Visual Arts | ||
| Fleming M | Studiolo | 1999 | Leeds Metropolitan University | Visual Arts | Lapointe, L |
| Fisher T | Plastics: materials of consumption | 1999 | Sheffield Hallam University | ||
| Fisher E | Focus Print: A Series of Events on Contemporary Printmaking | 1999 | Robert Gordon University | Learning Strategies | |
| Fisher E | Hinterland | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Fisher E | Northern Lights | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Fisher C | Seeing, Becoming, Drawing | 1999 | Goldsmiths College | Pearson, M. | |
| Finn-Kelcey R | It pays to pray | 1999 | The London Institute | Fine Art | |
| Filmer N | Be-hind Be-fore Be-yond | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Fijalkowski K M | Impasse Angelique | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Field B | The Morphology of Planning in an Urban Laboratory | 1999 | De Montfort University | ||
| Fiddis C | Developing Multimedia (self directed learning) Program for Ceramics | 1999 | University of Ulster | ||
| Fiddis C | Multi-Media (self directed learning) Program for Ceramics: A Domain Support Environment. | 1999 | University of Ulster | ||
| Ferris M | The Allure of the DigitalInternational Conference on the Role of Technology in an Ideas Culture | 1999 | University of Hertfordshire | ||
| Ferris M | Wired Worlds: Exploring the Digital Frontier | 1999 | University of Hertfordshire | ||
| Fern D | MAP/Making | 1999 | Royal College of Art | Communications | |
| Fern D | The Museum of the New Millennium | 1999 | Royal College of Art | Communications | |
| Fereday G. | A DYEING ART: GEOMETRIC DOUBLE IKATS FROM ANDHRA PRADESH | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Feo R | Minimal Maximal | 1999 | Royal College of Art | Design for Manufacture | |
| Faure-Walker J | Digital Painting: Facing the Problem | 1999 | Kingston University | ||
| Farrer JM | Direction Collections Entertainment, Leisure and Christmas Gifts | 1999 | The London Institute | Fashion and Textiles | |
| Farrelly L | Scrawl: dirty graphics and strange characters | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Rick Blackshaw |
| Farquhar K | Malerei | 1999 | Edinburgh College of Art | Fine Art | |
| Farquhar K | Oldnewtown | 1999 | Edinburgh College of Art | Fine Art | |
| Farley P | Webster's Women | 1999 | Wimbledon School of Art | Theatre Design | Jane Collins |
| Fallows C | Sound Drifting : I Silenzi Parlano Tra Loro | 1999 | Liverpool John Moores University | Audio-visual | Grundmann, H |
| Falconbridge BW | 231st Royal Academy Summer Exhibition. | 1999 | Goldsmiths College | ||
| Faiers J | 'Do You Really Want It That Much...More' Part 2. | 1999 | Goldsmiths College | ||
| Faiers J | Do You Really Want It That Much More? ...More! | 1999 | Goldsmiths College | Eichelmann, V. | |
| Faiers J | Incroci/Interrelations Among Different Practices. | 1999 | Goldsmiths College | ||
| Fagence Cooper S | Aspiring to the Condition of Music: Painting in Britain 1860-1900 | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Fabian A | 90s Metalwork and Jewellery Design, 100 Years at the RCA Art and Design | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fabian A | Metalmorphosis | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| FORBES R | Ronald Forbes - New works/Drawings | 1999 | University of Dundee | Contemporary Practice | |
| FITZPATRICK D. | Regimental bi-centennial portfolio | 1999 | Coventry University | Design | |
| FITZPATRICK D. | Linn Records | 1999 | Coventry University | Design | |
| FINLAY A | Flowers of the North Sea | 1999 | University of Dundee | Coastal/Indigenous Cultures | |
| FILLINGHAM P | Blue Installation | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| FAITHFULL D R | Official Identity for the Opening Day of the New Scottish Parliament, Edinburgh 1/7/99 | 1999 | University of Dundee | Contemporary Practice | Pete Irvine The Scottish Office |
| FAIRNINGTON M | Postcards on Photography | 1999 | University of Oxford | ||
| Evans P | Characterisation of Offset Lithographic Films using Micro-electronic Test Structures | 1999 | Brunel University | Environmentally Sensitive Design | B Ramsey Walton A J D Harrison |
| Evans P | Printed Analogue Filter Structures | 1999 | Brunel University | Environmentally Sensitive Design | B Ramsey Harrison D J PM Harrey |
| Evans P | R F Circular Structures Via Offset Lithography | 1999 | Brunel University | Environmentally Sensitive Design | B Ramsey D Harrison PM Harrey |
| Evans Milne R | Us Two | 1999 | Bath Spa University College | ||
| Evans M | Re (with Richard Levy) | 1999 | University College Northampton | Fine Art Practices | |
| Evans C | Urban Fabrications | 1999 | The London Institute | Fashion and Textiles | |
| Entwistle T | 1999 | Leeds Metropolitan University | Environmental Art and Design | ||
| English S G | Open Folio (A portfolio based collaboration tool and professional development network for designers) | 1999 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | |
| Emmanuel J | Textile Manipulation : Using Ultra-sonic Technology to Develop 3D Products. | 1999 | Liverpool John Moores University | Fashion and Textiles | |
| Emmanuel J | Public Arts Lab | 1999 | University of Brighton | Materials Practices and Processes | |
| Emmanuel J | Textile Manipulation Using Ultrasonic Technology to Develop Three Dimensional Textiles | 1999 | University of Brighton | Materials Practices and Processes | |
| Emery S | Trade Secrets | 1999 | University of Brighton | Visual Communication Design | |
| Elson J | Passenger Service Information Board | 1999 | Kingston University | ||
| Elliott T A | Incident | 1999 | Wimbledon School of Art | Research Centre | |
| Ellard GR | Wall of Death | 1999 | The London Institute | Fine Art | Stephen Johnstone |
| Eglin P M | Group Exhibition, British Ceramics 2000. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Eglin P M | Solo exhibition, Garth Clark Gallery, New York. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Edwards A | 1999 | Leeds Metropolitan University | Design | ||
| Edwards A | 'Revisions: An Alternative History of Photography | 1999 | Leeds Metropolitan University | Design | |
| Edmond T A | Terry Edmond | 1999 | University of Reading | ||
| Edge S | Penthouse 6 | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | K. Singh for Deakon Edge |
| Eatock D | Experiments with graphic language and design | 1999 | University of Brighton | Visual Communication Design | |
| Eastwood SJ | Screen into the Space and the Space into the Screen: An History of OMSK | 1999 | University of Plymouth | Art Process | |
| Earley RL | Peugeot Design Awards Exhibition | 1999 | The London Institute | Fashion and Textiles | |
| Earl CF | Generated designs: structure and composition. | 1999 | Open University | Design for advanced products | |
| Eacott JF | It's What You Make It | 1999 | University of Westminster | Sound Media | |
| Eacott JF | Timon of Athens | 1999 | University of Westminster | Sound Media | |
| Eachus PA | Four Silences (after Blanchot) | 1999 | The London Institute | ||
| Dutton S | Mockapocalyptics | 1999 | Sheffield Hallam University | Percy Peacock | |
| Durling D L | Computer aided instruction using styles. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Durgnat R | WR - Mysteries of the Organism | 1999 | University of East London | ||
| Durden M | 'Common Culture' Solo Exhibition. | 1999 | University of Derby | Centre for Cultural History and Critical Theory | David Campbell. Paul Rooney |
| Duncan AEJ | Humanscope project: A collaboration between patients in Haemato-oncology and the Artist Andrea Duncan | 1999 | University of East London | ||
| Dunbar T | Trans-Dialogues - A Discussion Between the Artists Anne Grebby, Dunbar and Leif EC Liebenschutz | 1999 | Manchester Metropolitan University | Grebby A Liebenschutz LE |
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| Dunbar L | 36 Units | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Dunbar L | Print is Print (Portfolio) | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Dukes P J | Nanostate Reading Room | 1999 | University of Hertfordshire | ||
| Duff L | Port and the Douro | 1999 | Kingston University | ||
| Draycott PA | Policy, Practice and Paradigm: How to Develop a Virtual University Without Losing your Shirt | 1999 | De Montfort University | Brown, S.C. Boys, J Freeman, H |
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| Draper C | Titanic | 1999 | Kingston University | ||
| Downes G H | Opera | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Downes G H | Commune: Klaus Osterwald and Stephanie James | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Downes G H | Framed - Colin Nicholas | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Dower S | Other Places | 1999 | The London Institute | Fine Art | |
| Douglas N | Website Graphics Now | 1999 | University College London | Fine Art Media | |
| Douglas M | Branded Furniture | 1999 | Brunel University | Polymedia Design | |
| Douglas H | Experimental Narrative and Artists' Books | 1999 | The London Institute | Fine Art | |
| Donachie KM | Surveying the Landscape | 1999 | The London Institute | Fine Art | |
| Donachie KM | John Moores 21 | 1999 | The London Institute | Fine Art | |
| Donachie KM | Limit Less | 1999 | The London Institute | Fine Art | |
| Doherty WJ | Carnegie International 1999/2000 | 1999 | University of Ulster | ||
| Doherty WJ | True Nature | 1999 | University of Ulster | ||
| Dodd I | 100% Design | 1999 | The London Institute | Fashion and Textiles | |
| Docherty CA | Design in Britain 2000 - Facts, Figures and Quotable Quotes | 1999 | De Montfort University | Woudhuysen, J. | |
| Dobai S | Another Girl Another Planet | 1999 | The London Institute | Fine Art | |
| Dingwall H | Sinister and Dexter | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dines NE | Displacements/Threshold | 1999 | The London Institute | Fine Art | |
| Dillon J | Lloyd Loom Chairs | 1999 | Royal College of Art | Design for Manufacture | |
| Dieterich V | Die Prasenz des Abwesenden 1 | 1999 | Sheffield Hallam University | ||
| Dieterich V | Die Prasenz des Abwesenden 2 | 1999 | Sheffield Hallam University | ||
| Dieterich V | Malerei - Grafik | 1999 | Sheffield Hallam University | Fine Art | |
| Dickie P | Tussauds Las Vegas Exhibition | 1999 | Wimbledon School of Art | Theatre costume | |
| Dickie P | The World is not Enough | 1999 | Wimbledon School of Art | Theatre costume | |
| Di Girolamo M | The 36th Exhibition of The Society of Portrait Sculptors | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Dewberry E | New Product Performance and Practice: An International Benchmarking study in the consumer electronics industry. | 1999 | Goldsmiths College | Oliver, N. Dostaler, I. |
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| Devison N | Access all Areas | 1999 | Anglia Polytechnic University | ||
| Devine K J | Enigmatic Communities of Colour | 1999 | University of Portsmouth | Centre for Creative Empowerment | |
| Deville N. | VAGABONDIA | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Derges S | Woman Thinking River | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Derges S | Susan Derges - Liquid Form | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Derbyshire A | A Proposed Practical Lighting Policy for Works of Art on Paper at the Victoria and Albert Museum | 1999 | Royal College of Art | Conservation | |
| Denison L | Exhibition | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Demaid APA | The design of a networked product by a network of designers | 1999 | Open University | Design and innovation management | P. Quintas |
| Deliss C | Arte al Centro | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Degen J | Brooch in stainless steel with 4 multi-anodized titanium panels (75mm.x75mm.x7mm.) | 1999 | London Guildhall University | ||
| Degen J | 1 brooch, 5 rings, with precious stones, in gold and titaniun with stainless steel screws and rivets | 1999 | London Guildhall University | ||
| Dean T | Metals TM | 1999 | University of Brighton | Materials Practices and Processes | N Gant |
| Dean T | Prismex Table | 1999 | University of Brighton | Materials Practices and Processes | N Gant |
| Deacon R | New World Order | 1999 | The London Institute | Fine Art | |
| De Waal E | Modern Home - An Intervention at High Cross House | 1999 | University of Westminster | Ceramics | |
| De Waal E | Ceramics: A Design Sourcebook | 1999 | University of Westminster | Ceramics | |
| De Ville N | Bankside and the Museum of Modern Art: Experience, Interpretation and Some Conventions. | 1999 | Goldsmiths College | ||
| De Ville N | Unfinished Business - The Duchampian Readymade. | 1999 | Goldsmiths College | ||
| De Oliveira N | O Teatro da memoria: as obras de Adriano e Fernando Guimaraes | 1999 | London Guildhall University | ||
| De Lannoy C. | The 9th International Biennial Print and Drawing Exhibition | 1999 | University College London | Painting | |
| De Lannoy C. | The Challenge for Watercolour in the 21st Century | 1999 | University College London | Painting | |
| De Groot C | Design Fields | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| De Groot C | The Auto-Catalytic Web | 1999 | Robert Gordon University | Making and Contemporary Culture | Keane, J. F. |
| De Groot C | The Hall of the Dead | 1999 | Robert Gordon University | Making and Contemporary Culture | Powell, G. |
| De Cordova D | Model | 1999 | Royal College of Art | Fine Art | |
| Dawson I | 111 | 1999 | University of Southampton | ||
| Dawson G | Trauma, Memory, Politics: The Irish Troubles | 1999 | University of Brighton | Memory, Identity and History | |
| Dawber C | Seasonal Womenswear and Childrens Collection of Knitwear. | 1999 | Liverpool John Moores University | Fashion and Textiles | |
| Davison R | New Insights | 1999 | University of Gloucestershire | ||
| Davison R | Paintings and Drawings from Acanthus and Corinth | 1999 | University of Gloucestershire | ||
| Davison R | Artnet: Four Artists Present New Work | 1999 | University of Gloucestershire | ||
| Davison M A | 'Sculpture for the Virtual World'. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Davis M | The Extended Use of Glass in Architecture | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Davis K | as if (one) | 1999 | Wimbledon School of Art | Sculpture | |
| Davis K | Sweetie (Female identity in British Video) | 1999 | Wimbledon School of Art | Sculpture | Tracey Emin Sam Taylor-Wood Gillian Wearing |
| Davies TDE | Chora | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Davies TDE | Certain Welsh Artists - Custodial Aesthetics in Contemporary Welsh Art | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Davies T | Certain Welsh Artists | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Davies T | Chora | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Davies T | 'Electric Studio - New Practice in ICT art and design' | 1999 | University of Central England in Birmingham | Art Education Research Group | Peter Worrall Lucia Pimentel |
| Davies R | Trips | 1999 | Kingston University | ||
| Davies P | Review of open Access Provision + Facilities for Artists in Scotland | 1999 | University of Sunderland | Fine Art | |
| Davies J | Sguardigardesani | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Davies D R | Invisible Lives | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Davidmann S | Bankside Browser | 1999 | Oxford Brookes University | Creative Practice | |
| Davidmann S | Man as Muse | 1999 | Oxford Brookes University | Creative Practice | |
| Davey G | The Multiple Store, Limited Editions of Contemporary British Art | 1999 | University of East London | ||
| Davey G | RUM Modeller/Space Modelling | 1999 | University of East London | ||
| Danvers TJ | Map - Land and Landscape in Contemporary Art | 1999 | University of Plymouth | Art Process | |
| Danvers TJ | John Danvers Recent Works on Paper. | 1999 | University of Plymouth | Art Process | |
| Dalwood D | Caught painting exhibition | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Dalwood D | Neurotic Realism painting exhibition | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Dalwood A | Zeitschliefe 2 In Der Zukunft | 1999 | University of Hertfordshire | ||
| Dalton P | Oedipal Dramas in Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Dallas S | Knitted Lambswool blankets / throws | 1999 | Royal College of Art | Design for Manufacture | |
| Dale J K | SIEBE control interface demonstrator. | 1999 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Hastie, J Lievesley, M Muller, M |
| Dakers CN | The Holland Park Circle: Artists in Victorian Society | 1999 | The London Institute | Fashion and Textiles | |
| Dahn J | The Cat Scratched Little Johnny (Contemporary Ceramics from Wales) | 1999 | Bath Spa University College | Ropek, E. | |
| Dahn J | Ceramics as Performance | 1999 | Bath Spa University College | ||
| Dagworthy W | The Matter in Hand | 1999 | Royal College of Art | Design for Manufacture | |
| Dagg K | Absolute Open | 1999 | Edinburgh College of Art | Fine Art | |
| DYSON G | Showing Off | 1999 | University of Lincoln | ||
| DUNCE B | DAVID JONES: AN INTERPRETATION OF HIS POETRY AND WRITING BY CONTEMPORARY LETTERING ARTISTS | 1999 | Middlesex University | ||
| DUNCE B | THE PALACE MANIFEST | 1999 | Middlesex University | ||
| DIGNAN P | Distilled | 1999 | University of Dundee | Contemporary Practice | Cluett, C |
| DEVANE J. | The Hunting art prizes | 1999 | Coventry University | Visual Arts | CUMMINGS, G. KRUT, A. OLIVER, K. |
| DEVANE J. | Heart of England biennial exhibition | 1999 | Coventry University | Visual Arts | SHAW, G. YATES, C.A. HICKLING, J. |
| DERGES S | Susan Derges: Woman Thinking River | 1999 | University of Oxford | ||
| DERGES S | Liquid Form | 1999 | University of Oxford | Martin Kemp | |
| DEGEN P | SCHMUCKZIECHEN SCHWEIZ 20 JAHRHUNDERT | 1999 | Middlesex University | ||
| DEGEN P | THE EGO ADORNED - 20TH CENTURY ARTISTS | 1999 | Middlesex University | ||
| DEAN MWJ | Imaginaria 99 | 1999 | University of Oxford | ||
| DEAKIN A | @nonym | 1999 | Middlesex University | ||
| DAVY M | [future] City RIBA | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DAVY M | [future] City Myhotel Installation | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DAVY M | [future] City Great Eastern Installation | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DACK J | Systematising the Unsystematic | 1999 | Middlesex University | ||
| Cusack P | Where is the Green Parrot? | 1999 | The London Institute | Fine Art | |
| Curtis D | A Brief History of Art and Experiment in Animation | 1999 | The London Institute | Media and Communication | Gareth Evans |
| Curry A | Theatre and costume designs in Time + Space | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Cummins S | Rhizome | 1999 | Nottingham Trent University | Visual Arts | |
| Culbert W F | TOI TOI TOI (Three Generations of Artists from New Zealand) | 1999 | University of Reading | Boyd Webb Len Lye Billy Apple |
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| Cruz J | Here and Now - Experiences in Sculpture. | 1999 | Goldsmiths College | Hopper, R. Worthington, G. |
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| Crutchley R | Binary Propositions | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Cruise C J | 'Versions of the Annunciation: Wilde's Aestheticism and the message of beauty' | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Cruickshank IMM | New Lamps for Old: The Application of Digital Technologies to Photography | 1999 | De Montfort University | Brown, S.C. | |
| Cruickshank IMM | Photography and Women's Crafts: Fotographias E Artezanto | 1999 | De Montfort University | ||
| Crowther P D | Art and the Reconfiguration of Contemporary Experience | 1999 | University of Central Lancashire | ||
| Cross NG | Natural intelligence in design | 1999 | Open University | Design thinking and communication | |
| Cross D | Utopia (wishful thinking) | 1999 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Crooks R | New Glass Economy | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Crone D | David Crone Paintings 1963-1999 | 1999 | University of Ulster | ||
| Crisp A | Environment in Engineering Education, New Approaches To Curricula Content | 1999 | Nottingham Trent University | Design | I.Solomonides |
| Creed R | Heroes | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Craxford A | 40 pieces of engraved + hand-carved jewellery in silver, cannetaille gold + precious stones | 1999 | London Guildhall University | ||
| Craxford A | 11 piece sushi + sak | 1999 | London Guildhall University | ||
| Cranston A | The Poster Show | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Cranston A | In The Summertime | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Coxall H | Representing Marginalised Groups in Museums: The Computer's Second Nature? | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Cox C | Fashion entries | 1999 | The London Institute | Fashion and Textiles | |
| Cox C | Good Hair Days: A History of British Hairstyling | 1999 | The London Institute | Fashion and Textiles | |
| Cox GF | The Digital Crowd: some questions on globalisation and agency. | 1999 | University of Plymouth | Centre for Visual Computing | |
| Cox GF | Manifest | 1999 | University of Plymouth | Centre for Visual Computing | Brennan, T. |
| Cox GF | The Impossibility of Art Education | 1999 | University of Plymouth | Centre for Visual Computing | Hollands, H. de Rijke, V. |
| Coward T | Limits and Freedoms: Design in a defined context | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Courtenay PJ | Families | 1999 | The London Institute | Fine Art | Tony Potts George McKane Teatru Wybrzeze |
| Counsell M.J.E. | Melanie Counsell | 1999 | University College London | Sculpture | |
| Coulter-Smith G | The Visual Narrative Matrix: Interdisciplinary Collisions and Collusions | 1999 | Southampton Institute | ||
| Coulter-Smith G | John Thomson: Narrative Sculpture | 1999 | Southampton Institute | ||
| Cosserat K | English Accents Show | 1999 | The London Institute | Fashion and Textiles | |
| Cosgrove P | Waterfall House, permanently public sited commission | 1999 | Glasgow School of Art | Fine Art | |
| Corris M | We have submerged victoriously | 1999 | University College Northampton | Contemporary Art Criticism | |
| Corris M | The Artist Out of Work: Art + Language, 1972-1981 | 1999 | University College Northampton | Contemporary Art Criticism | |
| Cornford M R | Utopia (Wishful Thinking) | 1999 | University of Wolverhampton | Fine Art | David Cross |
| Cooper TJ | Where the Rivers Flow, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Cooper TH | Creating an Economic Infrastructure for Sustainable Product Design | 1999 | Sheffield Hallam University | Applied Design Policy | |
| Cooper SA | M.K.1 | 1999 | University of Southampton | ||
| Cooper SA | The Religious Bit 10 x 48 x 7 inches | 1999 | University of Southampton | ||
| Cooper E | Meeting Midnight | 1999 | Royal College of Art | Fine Art | Duffy, C A |
| Cooper E | Hand to Hand | 1999 | Royal College of Art | Fine Art | |
| Cooper A M | Turning Ideas Into Form | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Cooke CAC | Sources of a radical mission in the early Soviet profession: Alexei Gan and the Moscow anarchists | 1999 | Open University | Design thinking and communication | |
| Cook R | To-wards a sociosomatics of art: Bourdieu's reflexive sociology, contemporary art education | 1999 | University of Reading | ||
| Cook CP | Graphites + Related Works | 1999 | University of Plymouth | Art Process | |
| Cook CP | West by South West | 1999 | University of Plymouth | Art Process | Derges, S. Porter, M. Virtue, J. |
| Convery F | Late Summer | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Convery F | Northern Lights - A Scottish Gallery Exhibition | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Constable M | Painting at John Moores Open. | 1999 | Goldsmiths College | ||
| Connearn D | David Connearn | 1999 | Edinburgh College of Art | Fine Art | |
| Conekin BE | Moments of Modernity - Reconstructing Britain 1945 - 1964 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Frank Mort Chris Waters |
| Conekin BE | Colloquium on Exhibiting Britain: An historical, comparative examination of the 1851, 1951 and Millennium Exhibitions | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Comber M | 'White Out' | 1999 | Wimbledon School of Art | Painting | |
| Colson R | Interactive Guide to Joyce's Ulysses. Dyson Gallery, Design Museum | 1999 | Thames Valley University | Colson R | |
| Collins J | 'Webster's Women' | 1999 | Wimbledon School of Art | Theatre Design | Peter Farley |
| Coles A. | THE OPTIC OF WALTER BENJAMIN | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Coles A. | MARK DION: ARCHAEOLOGY | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Coleman R | Inclusive Design | 1999 | Royal College of Art | Inclusive Design | |
| Coleman R | Design fur die Zunkunft | 1999 | Royal College of Art | Inclusive Design | |
| Coleman R | Designing for our future selves. The Bernard Isaacs Memorial Lecture | 1999 | Royal College of Art | Inclusive Design | |
| Coldwell P | By This I Mean | 1999 | The London Institute | Fine Art | |
| Cohen B. | Bernard Cohen | 1999 | University College London | Painting | |
| Cocks MJA | Eltham Palace | 1999 | The London Institute | Fashion and Textiles | |
| Cocks MJA | T3: Textiles, Techniques and Technology | 1999 | The London Institute | Fashion and Textiles | |
| Cockram M G | Uncommon denomintators | 1999 | University of Portsmouth | Art and Philosophy | |
| Cobbold S | Commission, permanent exhibition | 1999 | Chester College of HE | ||
| Cobbold S | Secret Lives | 1999 | Chester College of HE | ||
| Cobbold S | Behind Closed Doors | 1999 | Chester College of HE | ||
| Coates-Smith W | Review of The Face of War, Previous Parrot Press (drawings by Ronald Searle, poems by Simon Rae) | 1999 | Anglia Polytechnic University | ||
| Clewer C | Miss Fleur Spring/Summer 2000 Collection 'Castaway' | 1999 | University of Southampton | ||
| Cleverly J G | Crafting Participation: Interaction With and Around, Aesthetic, Tangible Artefacts. | 1999 | Staffordshire University | ARi, School of Art + Design | D. vom Lehn C. Heath P. Luff |
| Clegg T | Tessa Clegg: Hidden Secrets | 1999 | Royal College of Art | Applied Art | |
| Clegg RDPC | 6 min 3 sec | 1999 | The London Institute | Fine Art | |
| Clausen S | Crash (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Clausen S | Dial M......for (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Clarkson nee Stevens B | New Interior Design Directions | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Clarke S R I | A Politics of Time, | 1999 | University of Portsmouth | Centre for Images in Practice | S Cleaver R Simms R Bestley |
| Clarke P | Flowers and Follies | 1999 | University of Central Lancashire | ||
| Clark D J | Real Picture | 1999 | Bolton Institute of HE | ||
| Clark D J | Happy Valley | 1999 | Bolton Institute of HE | ||
| Cipriani G | Meaning in Form | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Cipriani G | Hermeneutics and Art. Objectification of Experience? | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Chuhan J | Links in the World of Mind | 1999 | Liverpool John Moores University | Centre for Art International Research | |
| Chowdhary LC | Ceramic tiled interior | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Chodzko A | Adam Chodzko: Photographs, Sculpture and Video Projection | 1999 | The London Institute | Fine Art | |
| Chipperfield J | The Plate Show | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Chiodo JD | Designing a better tomorrow today with self-disassembling electronics | 1999 | Brunel University | EH Billett | |
| Chiodo JD | Smart Disassembly | 1999 | Brunel University | EH Billett | |
| Chinnery CY | Taking Stock | 1999 | Oxford Brookes University | Creative Practice | |
| Chinnery CY | '100 Christian Martyrs', 'Wannabe' and 'Dimestore Vanitas' | 1999 | Oxford Brookes University | Creative Practice | |
| Chinneck J | '10th East International' and 'Riverside' | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | Piper, K Lopez, S |
| Chinneck J | 'Inauthentic Contrived Attractions' | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Chesterman J | 1999 | Leeds Metropolitan University | Visual Arts | ||
| Cherry N | From the Centre to the Edge | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Cheesman D | 'The Wherewithal' | 1999 | Wimbledon School of Art | Sculpture | |
| Cheeseman D | The Wherewithall | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Charnley D | Absolut Secret | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Chapman R | Aurifiction and Aurifaction | 1999 | University of Huddersfield | Dr Jane Nicklin, Biologist, Birkbeck College Other staff at same institution |
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| Chapman NS | Live chat: Talking Oneself In and Out of Situations | 1999 | The London Institute | Fine Art | |
| Chapman B | 20 pieces of tableware + jewellery in gold, silver + pewter | 1999 | London Guildhall University | ||
| Chapman B | Leon Appleby Millenium Sculpture: permanent installation in silver, wood bronze, iron and limewood, in public area of Pennybank Chambers workshop complex, Clerkenwell | 1999 | London Guildhall University | ||
| Chandler D | Edward Weston | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chambers S | Room of Cork | 1999 | Royal College of Art | Fine Art | |
| Chambers S | Paintings (Retrospective) | 1999 | Royal College of Art | Fine Art | |
| Chamberlain PM | Pictures and conversations: A case study of design-led collaborative new product development in the field of vibro sound products. | 1999 | Sheffield Hallam University | Mike Press Jim Roddis |
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| Chalkley BD | Brian Dawn Chalkley | 1999 | The London Institute | Fine Art | |
| Chalk M | 'Old Harbour Regeneration Project'. Public Art Commission and Design Consultancy for Landscape Architecture Department of Hull City Council. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chalayan H | Exposing Meaning in Fashion Through Presentation | 1999 | The London Institute | Fashion and Textiles | |
| Cazeaux C | Synaesthesia and Epistemology in Abstract Painting | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Cazeaux C | Metaphor and the Categorization of the Senses | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Cazeaux C | Theorizing Theory + Practice | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Catto MA | Elements of Irish Art | 1999 | University of Ulster | Ian Kirk-Smith, producer Bruce Arnold, script |
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| Castle J | Northern Lights | 1999 | University of Gloucestershire | ||
| Cassidy T | The Effects of CAD Systems on the Idea Development Stage of Industrial Design | 1999 | De Montfort University | Liao, H.S. Chen, R. |
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| Casey B | 'The Faith Zone' graphics | 1999 | University of Central Lancashire | ||
| Cartwright AR | Exterior terrace furniture (commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Carter T | Sleeping. | 1999 | Goldsmiths College | ||
| Carter P | Evolution Isn't Over Yet.. | 1999 | Edinburgh College of Art | Fine Art | |
| Carson JE | 0044 | 1999 | The London Institute | Fine Art | |
| Carson JE | Out of the Bubble | 1999 | The London Institute | Fine Art | Susannah Silver |
| Carnduff T | Assessing a versioning system for collaborative engineering design with a bridge design experiment | 1999 | University of Wales Institute, Cardiff | PDR | I Santoyridis WA Gray |
| Carlisle A | 0044:Contemporary Irish Art From Britain | 1999 | University of Wales College, Newport | Photography | Mark Francis Kathy Prendergast Frances Hegarty |
| Cargill I | Macromedia Awards | 1999 | Robert Gordon University | Practices enabled through New Media Technology | |
| Cannon Jones A | John Rocha Autumn/Winter Menswear Collection | 1999 | The London Institute | Fashion and Textiles | |
| Cannon Jones A | Working with Designers: A technical approach | 1999 | The London Institute | Fashion and Textiles | |
| Campbell D | Common Culture: Counter Culture | 1999 | Staffordshire University | ARi, School of Art + Design | Paul Rooney Mark Durden |
| Campbell D | Thankyouverymuch...huh,huh! | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Campany D. | CONCEPTUAL ART HISTORY OR, A HOME FOR HOMES FOR AMERICA | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Calver V | Embroidered designs for fashion and furnishing fabrics for Jacob Schlaepfer, Switzerland | 1999 | University of Southampton | ||
| Calver V | Eugenia' co-ordinated designs for the Sheriden range of bedlinens | 1999 | University of Southampton | ||
| Calcutt J | The Ghost in the Machine, essay in exhibition catalogue | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Calcutt J | Seriously Kitsch: Kenny Hunters Cherub | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Cakin AS | Learning from Stowe: A Studio Based Teaching.Learning Initiative | 1999 | De Montfort University | ||
| Cakin AS | CUDE: Clients and Users in Design Education | 1999 | De Montfort University | ||
| Cairns J | The Art of Trailing: Work/Seth-Tallentire | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | Gavin Butt |
| Cairns B | American Illustration 19 | 1999 | Glasgow School of Art | Principles of Drawing | |
| Cain J | 1999 | Leeds Metropolitan University | Visual Arts | ||
| COX L | Moon Flowers, Flowerfield Version 3B + Bug Duel | 1999 | University of Dundee | Digital Technology | |
| COWAN J | FURNITURE | 1999 | Middlesex University | ||
| COOMBS D | Daniel Coombs | 1999 | University of Oxford | ||
| COOKE R | The Silver Tassie, Nixon in China, The Prisoner | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| COLLINS N | Uniqueness of Pitch Class Spaces, Minimal Bases and Z Partners | 1999 | Middlesex University | ||
| COLLINS N | Splinesynth: An Interface to Low-Level Digital Audio | 1999 | Middlesex University | ||
| COLE R | Triennial Sculputre Exhibition | 1999 | University of Lincoln | ||
| CLAMP RS | Public Art Project: Cheltenham | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CLAMP RS | Portishead Quays: Public Arts Strategy | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CHISHOLM R G | A Portfolio of Street Furniture Products | 1999 | University of Dundee | Industry and the Public Sector | Gary Carling |
| CHISHOLM R G | A study of the dynamics, image and function of objects and the space they occupy | 1999 | University of Dundee | Industry and the Public Sector | |
| CHEVSKA ME | Company: Maria Chevska | 1999 | University of Oxford | ||
| CHELL E | CHORA | 1999 | Kent Institute of Art + Design | ||
| CATTRELL A | New Anatomists | 1999 | University of Oxford | ||
| CARR R J M B | Architecture + Planning in Scotland | 1999 | University of Dundee | Contemporary Practice | |
| CARR R J M B | Catching up with Sottsass | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Byrne JM | Cybersublime : Representing the Unrepresentable in Digital Art and Politics | 1999 | Liverpool John Moores University | Art and Design History | |
| Butler P. | PAUL BUTLER: NEW PAINTINGS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler J | West by South West | 1999 | University of Plymouth | Art Process | Worts, M. |
| Bushe R | 'HINTERland' - 3 acrylics, digital/mixed media prints. Dimensions?? | 1999 | University College Chichester | Digital / Mixed media prints | |
| Burton R | National Political Conferences | 1999 | University of Sunderland | Design | |
| Burrows D | 'The Passing of the Years' | 1999 | Wimbledon School of Art | Theatre technical arts | Stephanos Lazarides Richard Hudson Paul Brown |
| Burrows D | David Burrows solo show and It boy ontology Audio CD | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Burnett G | Australian Cultural Issues Redefined by Digitally Crafted Domestic Objects | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Burgin V | Lichtung. | 1999 | Goldsmiths College | ||
| Bullen DW | Hermetica | 1999 | University of Brighton | Fine Art Practices | |
| Bugg R | Ceramic Millenium, Amsterdam Galleries Exhibitions. | 1999 | Wimbledon School of Art | Sculpture | Nick Renshaw Irene Vonk Netty Van Den Heuval |
| Bugg R | Kunst RAI | 1999 | Wimbledon School of Art | Sculpture | Theo Philips Jeff Haines |
| Buckley T | 5th World Biennial of the Art of Bookbinding | 1999 | The London Institute | Media and Communication | |
| Buckley S | Stephen Buckley - Flower Paintings | 1999 | University of Reading | ||
| Buck R | 'The Hard Road to Klondike' | 1999 | Napier University | Documentary and Experimental Film | Desmond Bell |
| Buck L | Getting a Grip: Abandoning Tyres Could Give Motorcycle Wheels the Edge | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | Steve Dixon |
| Buck J | The Shape of the Century - 100 years of sculpture in Britain | 1999 | Southampton Institute | ||
| Buchler P | LIVE | 1999 | Manchester Metropolitan University | ||
| Buchler P | Ghost Stories: Stray Thoughts on Photography and Film | 1999 | Manchester Metropolitan University | ||
| Buchan S. H. | FANTAZJE FILMOWE. WARIACJE NA TEMAT ULISSESA (LITERARY CINEMATICS: CINEMATIC METAMORPHOSIS IN JAMES JOYCE'S ULYSSES) | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Buchan S. H. | THE THIRD FANTOCHE INTERNATIONAL ANIMATION FILM FESTIVAL | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Bryson W.N. | The Natural Attitude | 1999 | University College London | Art History and Theoretical Studies | |
| Bryson D | 'Operating Theatre for Personal Injury Cases'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bryson D | 'Personal Injury Photography - The Case for a Professional Specialisation' May 8-12 1999. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bruton J | In Front | 1999 | The London Institute | Fine Art | |
| Bruton J | Domino | 1999 | University of Southampton | ||
| Brownsword N | Hoogrood | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brown W | Permanence - Potters Have The Last Laugh | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Brown W | The Plate Show: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | I. McCulloch |
| Brown V | 'Satellites of Fashion.' Four hand-rolled felt hats, various dimensions | 1999 | University College Chichester | Textiles | |
| Brown R | Direct rapid tooling techniques and their impact on product design | 1999 | University of Wales Institute, Cardiff | PDR | C Adams |
| Brown R | Biotica | 1999 | Royal College of Art | Computer Related Design | |
| Brown JK | Not Touched by Human Hand: The CALM Project | 1999 | Manchester Metropolitan University | ||
| Brown JK | Fine Art Sculpture and Computing Technology | 1999 | Manchester Metropolitan University | ||
| Brown C | 'Acoustic Shadows' | 1999 | University of Derby | Research Group for Artists Publications | |
| Brown C | What If - How to start a Creative Revolution at Work | 1999 | Liverpool John Moores University | Graphic Arts | Dave Allen Matt Kingdon Kris Murrin |
| Brown C | An Anamorphic Alphabet | 1999 | Liverpool John Moores University | Graphic Arts | |
| Brown B | Memory Maps and the Nasca | 1999 | University of Brighton | Memory, Identity and History | |
| Brotherston W | Transistors: Small Sculptures from Scotland | 1999 | Edinburgh College of Art | Fine Art | |
| Broom K | Taking the Sheet; an exploration of a contemporary art practice and its relevance to counselling, psychotherapy and identity | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Broom K | Art Practice Within The Probation Service | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Brooks PR | Naturaleza Muerta Con Insectos | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks J | The Nat West Art Prize | 1999 | University of Gloucestershire | ||
| Broadway G | Birmingham Frequencies | 1999 | University of Sunderland | Photography | Clark S Parkin M |
| Broadway G | The Salt Passages | 1999 | University of Sunderland | Photography | |
| Bristow M | The 6th Intertnational Textile Competition '99 - Kyoto | 1999 | Chester College of HE | ||
| Bristow M | Textures of Memory: The Poetics of Cloth | 1999 | Chester College of HE | ||
| Bristow M | (Un) Limited. Diversity and Change in International Contemporary Craft | 1999 | Chester College of HE | ||
| Brindley TS | The Modern House in England | 1999 | De Montfort University | ||
| Brind S | Individuals In Foreign Lands | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Brill P | Peace: 40 rubber aeroplanes to be thrown around the space by the public | 1999 | London Guildhall University | ||
| Bright A | Sensor, Body, Sensor | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Brigdale S | 12 Again | 1999 | Southampton Institute | ||
| Brierley ES | The Significance of Memorable Urban Spaces for the Sustainable Development of Dwellings | 1999 | De Montfort University | ||
| Brewill PJ | Red October | 1999 | University of Southampton | ||
| Breward C J | Fashion + the Man: From Suburb to Street. The Spaces of Masculine Consumption 1870-1914 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Breward C J | The Hidden Consumer: Masculinities, Fashion and City Life 1860-1914 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Breward C J | Masculinity, Fashion and the Body, 1870 - 1915 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brettle J L | Il Camino Astratto | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Brett DB | The Plain Style: The Reformation, Culture and the Crisis in Protestant Identity | 1999 | University of Ulster | ||
| Brennand-Wood M | You are here | 1999 | University of Ulster | ||
| Brennand-Wood M | Weaving the World, Contemporary Art of Linear Construction | 1999 | University of Ulster | ||
| Brennan G | Un Pas dans la Lune | 1999 | Edinburgh College of Art | Fine Art | |
| Breen LV | Not Another Ism | 1999 | Brunel University | Polymedia Design | |
| Breen LV | On Closer Inspection | 1999 | Brunel University | Polymedia Design | |
| Boys J | Beyond 'Point and Click': Making Teaching and Learning Really Interactive | 1999 | De Montfort University | ||
| Boylan A | One-off Jewellery Works | 1999 | University of Ulster | ||
| Boyd S C | European Rustic. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Bowett A | The English Horsebone Chair, 1685-1710 | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowen J.R. | Fountain of Love | 1999 | University College London | Painting | |
| Bowen J.R. | Bestiary | 1999 | University College London | Painting | |
| Bould M | 'Whither our understanding of sf?' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bould M | Anti-Bodies | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Booth S | Interior design of The Lighthouse: Scotlands Centre for Architecture, Design and the City | 1999 | Glasgow School of Art | Cities and Environments | Javier Mariscal, Barcelona |
| Booth S | International Contemporary Furniture Fair | 1999 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Boontje T | Rough and Ready | 1999 | Royal College of Art | Design for Manufacture | |
| Bonnell M | Graphics! British Art Now | 1999 | Bath Spa University College | Doig, P. O'Donoghue, H. Hume, G. |
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| Bonham Carter E | The Whitechapel Open | 1999 | University of Reading | Simon Faithfull Melanie Manchot Elizabeth Price |
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| Bolton A | Fashion In Motion | 1999 | The London Institute | Fashion and Textiles | |
| Bolton A | Mao; From Icon to Irony + Fashioning Mao | 1999 | The London Institute | Fashion and Textiles | |
| Boekhoudt O | Design for the body | 1999 | Royal College of Art | Applied Art | |
| Bodimeade N | Anatomising the Liferoom | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Boddington A D M | Architecture of the Borderlands | 1999 | University of Brighton | Natural and Constructed Environments | T Cruz |
| Blundell S | The Contribution of Art Professional Development to the Future Health of Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Blamey D. | MAKING SOMETHING OUT OF NOTHING. IN ADDITION TO THIS... | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blamey D. | SELF TAUGHT | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blair N S P | The New Business of Design | 1999 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blackie SS | 'Edge Identity and Change. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Black H | Solo exhibition | 1999 | Wimbledon School of Art | Sculpture | |
| Black H | British Contemporary Sculpture, Drawings and Models | 1999 | Wimbledon School of Art | Sculpture | Peter Burke Michael Sandle Keir Smith |
| Black G | The Galleries of Justice | 1999 | Nottingham Trent University | Design | |
| Birrell R | Absolut Open 1999, New Art from Scotland, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Birrell R | The Aesthetics of Disappearance: Performance and Auto-Destructive Art | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Birdsey CL | The Effect of Digital Technology on the Control of and Access to a Photographic Collection | 1999 | University of Westminster | Imaging Technology | Golding A Jacobson RE |
| Birdsey CL | The Suitability of Employing Digital Technology for Accessing Photographic Collections | 1999 | University of Westminster | Imaging Technology | Golding A Jacobson RE |
| Bird-Jones C | Glass:Laboratory of the Spirit | 1999 | North East Wales Institute of Higher Education | Art and Design | |
| Binns P | Textures of Memory, the poetics of cloth | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Binns P | A Personal Landscape' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Binns D S | Selected Makers | 1999 | University of Central Lancashire | ||
| Billett EH | Eco-Design: Technological and materials implications | 1999 | Brunel University | Environmentally Sensitive Design | |
| Billett EH | Designing a better tomorrow today with self-disassembling electronics | 1999 | Brunel University | Environmentally Sensitive Design | J Chiodo |
| Biggs S | Great Wall of China | 1999 | Sheffield Hallam University | ||
| Biggs M A R | Interpreting Wittgenstein's Graphics | 1999 | University of Hertfordshire | ||
| Bickers P | Reflections on Narrative in the Works of John Hilliard | 1999 | University of Westminster | Visual Media | |
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Bibb RJ | Development of a Rapid Prototyping Design Advice System | 1999 | University of Wales Institute, Cardiff | PDR | Z Taha D Wright R Brown |
| Biagioli M. | MOTHERBOARD SERIES | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Bezencenet S | Another Frame | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bewley DJ | Laura Vickerson - Fairy Tales and Factories | 1999 | Manchester Metropolitan University | Herbert S | |
| Beverley A | The Mummy | 1999 | Wimbledon School of Art | Theatre costume | John Bloomfield Stephen Sommers Brendan Fraser |
| Bevan P | Socharske Leto: Jircany 99, group exhibition of publicly sited works. | 1999 | Glasgow School of Art | Fine Art | |
| Bevan Baker R | Beelines | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bennett S | Traces | 1999 | University of Plymouth | Art Process | |
| Bennett S | 21 | 1999 | University of Plymouth | Art Process | |
| Bender R | Glass Design in Architecture | 1999 | Swansea Institute of Higher Education | Design | |
| Bender R | Glass Block | 1999 | Swansea Institute of Higher Education | Design | |
| Belton EK | Fantastic Overload | 1999 | The London Institute | Fine Art | |
| Belton EK | British Airways Collection | 1999 | The London Institute | Fine Art | |
| Bellingham DA | Evolution Isn't Over Yet | 1999 | Manchester Metropolitan University | ||
| Bell D | 'The Hard Road to Klondike'/ Rotha Mor an tSaoil | 1999 | Napier University | Documentary and Experimental Film | Roger Buck |
| Beech W K | Works made for film | 1999 | University of Brighton | Fine Art Practices | L Winters |
| Beech W K | Three Ways - Works on Paper | 1999 | University of Brighton | Fine Art Practices | |
| Beech W K | School - Discipline and Confinment | 1999 | University of Brighton | Fine Art Practices | |
| Bedwell S | Press Release. | 1999 | Goldsmiths College | ||
| Bedwell S | If Hope was a Time Machine. | 1999 | Goldsmiths College | ||
| Beazley S | Bonded interior fabrics for Christian Fischbacher | 1999 | University of Southampton | ||
| Beavan J | Westerwaldpreis Europaische Keramik '99 (Westerwald Prize European Ceramics '99) | 1999 | Falmouth College of Arts | ||
| Beavan J | The Takeo Region International Art and Culture Exchange Program 1999 | 1999 | Falmouth College of Arts | ||
| Beauchamp PM | Clean Slate | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Baurley SL | Perceptions of Materials | 1999 | The London Institute | Fashion and Textiles | |
| Batey J C | Confidence, Artist's Book | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Batey J C | Children's Rights Visualised, website | 1999 | University of Portsmouth | Centre for Images in Practice | Maureen O'Neill |
| Barraclough J | Scrawl : Dirty Graphics and Strange Characters | 1999 | Liverpool John Moores University | Graphic Arts | Blackshaw,R Farrelly,E Dorian,M |
| Barnett P | Curator - Textures of Memory: The Poetics Cloth. | 1999 | Goldsmiths College | ||
| Barlow P. | O Pas La, Surprising Spaces | 1999 | University College London | Sculpture | |
| Barker J | Current Context: New Ways of Seeing: group exhibiton | 1999 | Glasgow School of Art | The Decorative Arts | |
| Barker I | Society of Graphic Fine Art 78th Annual Exhibition | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker DS | Zheng Shuang Woodcuts 1980-1996 | 1999 | University of Ulster | ||
| Barker DS | Rediscovered Creativity, The History, Tools and Techniques of Contemporary Chinese Relief Prints | 1999 | University of Ulster | ||
| Barfield N | Computers and Printmaking | 1999 | Wimbledon School of Art | Richard Hamilton Kathy Prendergast Grenville Davey |
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| Barclay C | Millenium Park Project, solo permanent publicly sited commission | 1999 | Glasgow School of Art | Cities and Environments | Stephen Bridge Chris Platt |
| Bannister A G | Stagger | 1999 | Nottingham Trent University | Visual Arts | Lindsay Seers Keith Tyson David Burrows |
| Bannister A G | Station To Station | 1999 | Nottingham Trent University | Visual Arts | Sharon Kiviland Nicholas Rieben |
| Banner F | Don't Look Back | 1999 | The London Institute | Fine Art | |
| Ball R | 100 Light Years is a Long Way | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball R | Red Sky at Night | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball L M | Rethinking Business Start-Up - a new model for success in art and design | 1999 | University of Brighton | Pedagogic Research | E Price |
| Balfour D | 'The first non-intrusive upholstery treatment at the Victoria and Albert Museum' | 1999 | Royal College of Art | Conservation | Metcalf, S Collard, F |
| Baker P.H. | An investigation into the use of a supply air window as a heat reclaim device | 1999 | Glasgow School of Art | Cities and Environments | McEvoy, M.E. |
| Baker P.H. | Photovoltaics: integration into buildings Digest 438 | 1999 | Glasgow School of Art | Cities and Environments | Stirling, C. |
| Baker C | 'New Natural History' | 1999 | Napier University | Photographic Practice | Curated by Val Williams |
| Baker C | 'Pets - the Animal Inside' | 1999 | Napier University | Photographic Practice | |
| Baker C | 'New Natural History'. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'Pets - The Animal Inside', Solo Exhibition. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Baker Alder H A | VANE 99 (Visual Arts North East) | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker A. | WHO OWNS WHOM ? | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baker A. | LEADING LIGHTS | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baker A. | O PETROLEO | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Baines P | A Design (to sign roads by) | 1999 | The London Institute | Media and Communication | |
| Baines P | Letterforms Surround Us | 1999 | The London Institute | Media and Communication | |
| Baines M | 'Through the Mac' Exhibition and Catalogue | 1999 | Glasgow School of Art | Educational Theory and Practice | T. Barber |
| Baines M | Restoration and renovation of 25a Mansionhouse Road - Alexander Thomson, Grade A listed building | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Page, A |
| Bainbridge E | Sculpture | 1999 | Royal College of Art | Fine Art | |
| Bainbridge E | The Heaven and Earth Roundabout | 1999 | University of Sunderland | Fine Art | |
| Bain L | The British Embassy Berlin | 1999 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Bain L | 5-7 Carleton Gardens | 1999 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Bain L | Michael Wilford and Partners | 1999 | Glasgow School of Art | Design | Michael Wilford and Partners |
| Bailey S | Powertrak - Underfloor power distribution system | 1999 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| BUSS D | Poetry or Prism | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by E Wessel |
| BURFORD N | Developing a new military shelter system - a case study in innovation | 1999 | University of Dundee | Industry and the Public Sector | Smith, F W |
| BROADHEAD C | BODYSCAPE - SOLO RETROSPECTIVE [25 YEARS] EXHIBITION | 1999 | Middlesex University | ||
| BRADLEY P | The Space Here is EVERYWHERE: Art with Architecture | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | Tomorrow, Forever and Never | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BOYLAN P.J. | Museums and Insurance | 1999 | City University | Sarafopolous J | |
| BOYD-DAVIS S | VRML: A Designer's View | 1999 | Middlesex University | ||
| BODMAN S | Books by Artists | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| BIGGS I | Ken Kiff: Prints | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| BIGGS I | Ken Kiff | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| BELL R | Ceramics Monthly International Competition | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BEDWELL S | If Hope was a Time Machine | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| BEDWELL S | Press Release | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| BASEMAN J | The History of Existentialism | 1999 | University of Oxford | ||
| BANCROFT HUNT N | Gods + Myths of the Aztecs | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BALCIOGLU T | Observations on theRise of Design Historiography in the UK | 1999 | Kent Institute of Art + Design | ||
| BALCIOGLU T | Problematic of Local + Global - Design Identity in New Industrialised Countries | 1999 | Kent Institute of Art + Design | ||
| BALCIOGLU T | Goodbye the Old Duality: Theory + Practice, Welcome the New Triumvirate: Theory, Practice + Communication | 1999 | Kent Institute of Art + Design | ||
| Aylin KL | Graphic design of programme of wire interactive effects | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Ayers A R | Axes Maceration - Perfect Impossible | 1999 | Nottingham Trent University | Visual Arts | Clare Roudenko-Bertin Materia Prima Paul-Armand Gette |
| Axford NR | A Novel Approach to the Derivation of Expressions for the Geometrical MTF in Sampled Systems | 1999 | University of Westminster | Imaging Technology | Fagard-Jenkin RB Jacobson RE |
| Averill S. | New Works | 1999 | Falmouth College of Arts | ||
| Austin N | Mobilly | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Aust R | Lucy Casson and Rushton Aust. | 1999 | Goldsmiths College | ||
| Aubrey K | Public Arts Laboratory | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Attenburrow D H | Recycling and the integration of CAD and computer modelling in product design management education | 1999 | University College Northampton | Design for Industry and Commerce | |
| Atkinson A | Wave (ceramic tableware) | 1999 | Loughborough University | Fine and Applied Arts | |
| Atkin J | Distant Voices (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Atkin J | Cut (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Atherton B | Suite de Vases, solo exhibition | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Astles CA | Lorca, Don Cristobal and the Carnivalesque. 100 Years of Lorca. | 1999 | University of Plymouth | Theatre + Performance | |
| Astfalck J | Making Connections | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Ashworth J | Eggs, Fish and Blood | 1999 | Royal College of Art | Animation | |
| Ashton RG | The integration of differential RTK GPS, terrain modelling software and a geographic information system to facilitate earthworks optimisation and the communication of associated data. | 1999 | De Montfort University | ||
| Ashton RG | The development and application of real-time kinematic GPS surveying methods for the recording of site detail at the Ford Halewood plant. | 1999 | De Montfort University | ||
| Ashley-Smith J | Risk Assessment for Object Conservation | 1999 | Royal College of Art | Conservation | |
| Ascott R | Reframing Consciousness:art, mind and technology | 1999 | University of Wales College, Newport | CAiiA | |
| Ascott R | Art-ID/Cyb-ID: Identities in Cyberspace. | 1999 | University of Wales College, Newport | CAiiA | Josep Giribet |
| Arthur E | Uncut Cloth: Saris, Shawls and Sashes | 1999 | Glasgow School of Art | Historical and Critical Enquiry | N. Askari |
| Arnold RL | A Modern System of Dressing | 1999 | The London Institute | Fashion and Textiles | |
| Arnold RL | Heroin Chic | 1999 | The London Institute | Fashion and Textiles | |
| Arnold RL | The Brutalised Body | 1999 | The London Institute | Fashion and Textiles | |
| Arnold E.M. | Liz Arnold | 1999 | University College London | Painting | |
| Arnold E.M. | Liz Arnold | 1999 | University College London | Painting | |
| Archer M | Penarth Obelisk (8.5 metre granite sculpture commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Archer M | Interface (15 ton granite sculpture) | 1999 | Loughborough University | Fine and Applied Arts | |
| Arad R | WindWand and Big Blue | 1999 | Royal College of Art | Design for Manufacture | |
| Angus J | Research, Design + Prototype Fabric Developments. | 1999 | University of Derby | ||
| Andrews M J | The voyage of HMS Beagle: a collaboration between Robert Gibbings, John Dreyfus and George Macy | 1999 | University of Reading | ||
| Anderson W | Joseph Beuys Drawings | 1999 | The London Institute | Fine Art | |
| Anderson P | Managing Digital Design Research | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Anderson P | Ultravision | 1999 | The London Institute | Media and Communication | |
| Amado I | Of Bread and Water | 1999 | University of Southampton | ||
| Allsop D | Douglas Allsop | 1999 | Royal College of Art | Fine Art | |
| Allington E. | Den Haag Sculptuur 1999 | 1999 | University College London | Sculpture | |
| Allen T | Tim Allen Recent Paintings | 1999 | Kingston University | ||
| Allen T | Tim Allen | 1999 | Kingston University | ||
| Ali-MacLachlan I | Institutional Collaboration Over Networks ICON 2: A Remote Design Project | 1999 | Glasgow School of Art | Educational Theory and Practice | A. Thomson L. M. Campbell |
| Alexander I | Homes for the future | 1999 | Glasgow School of Art | Cities and Environments | McKeown, H |
| Alexander I | The Glasgow Collection | 1999 | Glasgow School of Art | Design | McKeown, H |
| Alexander G | The Human Factor | 1999 | Wimbledon School of Art | Theatre technical arts | Tim Hunkin |
| Alexander G | Global Virtual Exhibition | 1999 | Wimbledon School of Art | Theatre technical arts | Carlos Zapata John Lumbus Aidan Lawrence Onn |
| Aldrich W | Metric Pattern Cutting for Children's Wear and Baby Wear: From Birth To 14 Years | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Ainsley S | The Red Space, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Ainsley S | Step it Up and Go | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Ainsley S | Art Outside The Gallery | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Aiken J.C. | City as Shape | 1999 | University College London | Sculpture | |
| Adzhiev V. | Multidimensional Shape Modeling in Multimedia Applications | 1999 | Bournemouth University | Ossipov, A Pasko, A. |
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| Adjaye D | Social | 1999 | Royal College of Art | Architectural Design | |
| Adjaye D | Chris Ofili House and Studio | 1999 | Royal College of Art | Architectural Design | |
| Adamson E | Ideas Are Insects | 1999 | Edinburgh College of Art | Fine Art | |
| Adamson E | Liz Adamson + Marianne Kohler | 1999 | Edinburgh College of Art | Fine Art | |
| Adams H | Falls the Shadow - Disjunctions between artists practice and systems of public arts support in the UK | 1999 | University of Wales Institute, Cardiff | Fine Art | J Summerton |
| Adams H | Relicta - The Image of the Heavenly - Conventions of 'framing' in relation to cultural distance | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Adams BC | Intersculpt 99 - the CALM Project | 1999 | University of Plymouth | Centre for Visual Computing | |
| Adam J | Jane Adam | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Ackling RW | One to another | 1999 | The London Institute | Fine Art | |
| ASTBURY P | DOCUMENT; PART OF 'PULSE' | 1999 | Middlesex University | ||
| ASHCROFT R J | Scottish Artist Book Archive Unit | 1999 | University of Dundee | Industry and the Public Sector | Jeanette Paul |
| ASHCROFT R J | Galleries for Millennium Corridor | 1999 | University of Dundee | Industry and the Public Sector | Gareth Fisher |
| ANDERTON R | Flexo and Helio: innovative methods of printing | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| von Weiler C | Carl von Weiler | 1998 | University of Gloucestershire | ||
| ten Hompel S | Metalmorphosis | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| de Cordova D | British Figurative Art- Part Two: Sculpture | 1998 | Wimbledon School of Art | Sculpture | Anthony Green Anthony Caro Eduardo Paolozzi |
| de Caires D | Out of the Island - One Person Exhibition | 1998 | De Montfort University | ||
| de Caires D | One Person Exhibition Shopping and Painting | 1998 | De Montfort University | ||
| Zimmerman AL | Science without Effect | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Zimmerman AL | Six Ordinary Happenings | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Zheng J. J. | Pattern of Control Points over N-Sided Areas. | 1998 | Bournemouth University | Ball, A.A. | |
| Zheng J. J. | Surface Modelling and Mesh Generation for Simulating Superplastic Forming. | 1998 | Bournemouth University | Lin, J. Ball, A.A. |
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| Zhang J. J. | Least Distorted Bump Mapping onto Surface Patches. | 1998 | Bournemouth University | ||
| Zellweger C | 1st European Prize for Contemporary Art + Design-led Crafts 1998 | 1998 | Sheffield Hallam University | ||
| Young M | Is Utility in the Mind of the Beholder? A review of Ergonomics Methods. | 1998 | Brunel University | Interaction Design | N Stanton |
| Young A.N.J. | LOST IN TRANSITION: LOCAL MARKETS AND SUSTAINABLE PRACTICES | 1998 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Yeo H | Stainless steel + glass gates (3 units = 7m. x 2m.) for Huyton Library, Liverpool | 1998 | London Guildhall University | ||
| Yates M | Printed textile designs | 1998 | University of Southampton | ||
| Yasuda T | Takeshi Yasuda: Collaboration in Mashiko | 1998 | University of Ulster | ||
| Yass CM | Invisible City | 1998 | The London Institute | Fine Art | |
| Yair K | Through the Glass Ceiling | 1998 | Sheffield Hallam University | Applied Design Policy | |
| Wynne J | James Kamotho Kimano | 1998 | The London Institute | Fine Art | |
| Wyman A | Needlework Without Specimens | 1998 | Cumbria College of Art + Design | ||
| Wright R | Manifesta 2 | 1998 | Edinburgh College of Art | Fine Art | |
| Wright R | Love Over Goldfish | 1998 | Sheffield Hallam University | ||
| Wright JM | Tech (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Wright E | Project Space: Model Experience | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Wright A | After Image | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Wright A | After Image | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Worthington C | All you can eat (video short, 17min.): director | 1998 | London Guildhall University | ||
| Wootton M A | AgB International Graphic Fine Artists touring exhibition | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Wootton M A | 'Surface@Snap exhibition of books and prints | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Woolley M | Putting Practice into Practice: Assimilating Design into the Corporate Culture | 1998 | Goldsmiths College | ||
| Woodley G. | Yoko Terauchi and Gary Woodley | 1998 | University College London | Painting | |
| Woodley G. | Duodecahydron | 1998 | University College London | Painting | |
| Woodley G | Architectonic drawing | 1998 | The London Institute | Fine Art | |
| Woodley G | Duodecahydron | 1998 | The London Institute | Fine Art | |
| Woodfine S | Cheltenham Open Drawing | 1998 | Wimbledon School of Art | Sculpture | David Connearn Judy Inglis Alison Harper |
| Wood R.M. | Solo Exhibition - Works on Paper | 1998 | Falmouth College of Arts | ||
| Wood J | Optimising feelings of uncertainty to enhance public performance. | 1998 | Goldsmiths College | Taiwo, O. | |
| Wood J | The Virtual Embodied. | 1998 | Goldsmiths College | ||
| Wood ND | Lead glazes in antiquity - methods of production and reasons for use | 1998 | University of Westminster | Ceramics | Tite MS Freeston IC Mason R |
| Withers R | Gavin Turk | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Patricia Gronzka Jorg Helser Neal Brown |
| Winters EJ | On Aesthetic Appreciation | 1998 | University of Westminster | CARTE | |
| Winters EJ | Pictorial Variations | 1998 | University of Westminster | CARTE | |
| Wilson R | The 'Studio' Cultures, Protocols and Plans | 1998 | Manchester Metropolitan University | ||
| Wilson M | Magnetic | 1998 | Cumbria College of Art + Design | ||
| Wilson LJ | Donna Karan Phase 2 | 1998 | The London Institute | Fashion and Textiles | |
| Wilson LJ | Donna Karan Phase 3 | 1998 | The London Institute | Fashion and Textiles | |
| Willis J | From the Beginning | 1998 | Royal College of Art | Communications | |
| Williamson R | Contemporary Applied Arts - 50 Years of Craft | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams V | Look At Me: Fashion and Photography in Britain 1960 - 1998 | 1998 | The London Institute | Media and Communication | Brett Rogers |
| Williams R | The Tasting Garden | 1998 | Cumbria College of Art + Design | ||
| Williams R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams G | British Figurative Art: Part Two - Sculpture | 1998 | Royal College of Art | Fine Art | |
| Williams D | Findings...Bitter-Sweet | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Willemen P | 'The Encyclopaedia of Indian Cinema' | 1998 | Napier University | Critical Theory of Practice | Ashish Rajadhyaksha |
| Willemen P | 'Questions of Modernisation in Indian Cinema' | 1998 | Napier University | Critical Theory of Practice | |
| Wilding A | Desormais - Two Sculptures, at Transpennine '98 | 1998 | Royal College of Art | Fine Art | |
| Whittaker E | Close to Home | 1998 | Bath Spa University College | Hale, M. Harloud, B. Muske, E. |
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| Whiting B.M. | Vile Bodies | 1998 | Falmouth College of Arts | ||
| Whiteman P | Gladiator | 1998 | Wimbledon School of Art | Theatre costume | |
| Whiteley NS | Readers of the Lost Art: Visuality and Particularity in Art Criticism: in Ian Heywood and Barry Sandwell (eds), Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual | 1998 | Lancaster University | ||
| Whiteley G | Using practice-led design research to develop an articulated mechanical analogy of the human hand | 1998 | Sheffield Hallam University | Industrial Design | Chris Rust Adrian Wilson |
| Whiteley G | Analogy, Complexity and Holism - Drawing as 3-D Modelling | 1998 | Sheffield Hallam University | Chris Rust | |
| Whitehead B. S. | OCCASIONAL GUNFIRE | 1998 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitaker D | Time and Seasons | 1998 | Wimbledon School of Art | Painting | |
| Westwood M | Yesterday's Future | 1998 | The London Institute | Fine Art | |
| Westwood M | All the Details Differ | 1998 | The London Institute | Fine Art | |
| Wells K | Metamorphosis | 1998 | De Montfort University | ||
| Wells K | New Textiles - An Exhibition of Contemporary Resist Work | 1998 | De Montfort University | ||
| Weileder W | Bridges | 1998 | University of Newcastle | ||
| Webster C P | Memory of the Fall | 1998 | University of Wales, Aberystwyth | ||
| Webb W | New Marketing | 1998 | The London Institute | Fashion and Textiles | |
| Webb G | Die Young Stay Pretty | 1998 | University of Reading | Peter Davies Martin Maloney Steven Gontarski |
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| Weaver C | My Life is an Embroidery and Elizabeth Wardle and the Leek Embroidery Society | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Watt JMA | The Penguin Book of 20th Century Fashion Writing | 1998 | The London Institute | Fashion and Textiles | |
| Watt JMA | Revenge of the Little | 1998 | The London Institute | Fashion and Textiles | |
| Watt JMA | Once Upon a Time | 1998 | The London Institute | Fashion and Textiles | |
| Watson LJ | New Jewellery Collections | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Watson L | Speech Writing: Manifesto for Design | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Watson G | 'Derek Jarman: Der Schlussel ist die Kunst | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Watson A | Room With A View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Watson A | Wood '98 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Warren RJ | It's a curse, it's a burden | 1998 | The London Institute | Fine Art | |
| Warr TK | Twilight/Sutemos: European media art | 1998 | Oxford Brookes University | Curatorial Projects | Kestutis Kuizinas Evaldas Stankevicius Diemantas Narkevicius |
| Warnell P | 'Borborygmus' ('Gut Reaction') at Charge Festival of Live Art | 1998 | University of Gloucestershire | ||
| Warnell P | deeper, deeper + deeper | 1998 | University of Gloucestershire | ||
| Ward S | 1998 Saint Etienne International Design Biennale | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Ward S | 5th International Ceramics Festival 1998 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Walter J | 'Collecting, the Collection and the Collector, The Pinchen Collection of Studio Pottery.', article. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walsh R | Well Pussy | 1998 | University of Newcastle | ||
| Wallace M | What's it called and what's it for: an etymology of objects. | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Wallace M | Project 8 | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Walker I | Caryatid | 1998 | University of Wales College, Newport | Photography | |
| Walker A J | Afternoon Tea and Chillies | 1998 | Wimbledon School of Art | Tran Van Thao | |
| Walden J | The Trauma that is Art | 1998 | University of Portsmouth | Art and Philosophy | |
| Waeckerle E. | I CONFESS | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Wade G | Kling Klang | 1998 | University of Wolverhampton | Fine Art | |
| WRIGHT M J | Tech | 1998 | Kent Institute of Art + Design | ||
| WRIGHT J | MODEL - GROUP EXHIBITION [CURATOR + EXHIBITOR] | 1998 | Middlesex University | ||
| WRIGHT J | CROCK | 1998 | Middlesex University | ||
| WRIGHT A | After Image | 1998 | University of Lincoln | ||
| WORDEN S | Postgraduate Research and Digital Media | 1998 | University of West of England, Bristol | Digital Media Research Centre | |
| WOODCOCK A. | Multimedia network applications in the fashion industry | 1998 | Coventry University | The Design Institute | SCRIVENER, S. |
| WOODCOCK A. | Supporting ergonomics in automotive design | 1998 | Coventry University | The Design Institute | FLYTE, M.G. |
| WILLIAMS M.D. | Illustrations for Experiment Magazine | 1998 | Coventry University | Design | |
| WENTWORTH R | Thinking Aloud | 1998 | University of Oxford | ||
| WATSON A J | Colour Printer's Hat | 1998 | University of Dundee | Contemporary Practice | McCulloch, I Daniels, H Howard, I |
| WATSON A J | A History of Scottish Performance | 1998 | University of Dundee | Coastal/Indigenous Cultures | Fahrenholz, M Currie, A Woods, A |
| WATSON A J | 2 Seaport Songs | 1998 | University of Dundee | Coastal/Indigenous Cultures | Mooney, J D Howard, I Tolj, S |
| WARREN RJ | It's a curse, it's a burden | 1998 | University of Oxford | ||
| WARD R | Songs - 14 Bronze Sculptures | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| WARD R | Crimsworth | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| WARD J | This is not a book | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| WALLER J.N. | Birth | 1998 | Coventry University | Visual Arts | |
| WALLER J.N. | Modern portraits: expressions of intimacy | 1998 | Coventry University | Visual Arts | HOWSON, P. PAUL, C. FAULKNER, A. |
| Votolato G | American Design in the Twentieth Century | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Viner DJ | Air Moves | 1998 | The London Institute | Fine Art | |
| Vince J. | Virtual Worlds on the Internet. | 1998 | Bournemouth University | Earnshaw, R. | |
| Vernon SA | 'Hand to Mouth'. | 1998 | University of Derby | ||
| Vernon S.A. | Hand to Mouth: The culture and form of eating implements | 1998 | Falmouth College of Arts | ||
| Verdon A | Papering | 1998 | Liverpool Hope | ||
| Vargo A | Take 20 | 1998 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Van Liefferinge K | LUX | 1998 | Leeds Metropolitan University | Design | |
| VOSS R | Black and Blue | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| VOORSANGER J | Art Stars | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| VOORSANGER J | We Love You - Candy Records | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| VAN KOTEN H H | Quentin, paper pulp pendant lamp shade | 1998 | University of Dundee | Industry and the Public Sector | Ian Carnduff Mike Asassus Universal paper Pulp |
| Utting J.A. | Graphic Art of Small Formats | 1998 | Falmouth College of Arts | ||
| Ure J | Profiling Study and Communication Skills for Non-Traditional Students | 1998 | Robert Gordon University | Learning Strategies | |
| Unsworth J | Animal | 1998 | University of Southampton | ||
| Unger G | Capitolium | 1998 | University of Reading | ||
| URE A | Three Scottish Artists | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Tyrrell J | Cultural Exchange Programme. Habitation | 1998 | University of Sunderland | Design | |
| Tyler DJ | A Cross-Sectoral Approach to New Product Development | 1998 | Manchester Metropolitan University | Heeley J Bhamra T |
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| Twyman M L | Baron Taylors voyages pittoresques et romantiques dans lancienne France | 1998 | University of Reading | ||
| Twyman M L | The British Library guide to printing: history and techniques | 1998 | University of Reading | ||
| Turnock P | Mercedes Innovation | 1998 | Brunel University | Design Pedagogy | P Hines K Ulkann |
| Turner D | Ordinary People - 22 prints | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turner A | Eye to I | 1998 | Southampton Institute | ||
| Tunstall D | 'I Weep at my Piano' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Told by an Idiot Theatre Company |
| Tunstall D | 'When Suddenly' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Tuckett S M | Trace Elements (textile mixed media 3D) | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Tucker M E | Jan Garbarek: Deep Song | 1998 | University of Brighton | Visual and Performing Arts | |
| Tucker M E | Through a Glass, Deeply | 1998 | University of Brighton | Memory, Identity and History | |
| Trusselle K | Room for Room | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Trowles P | Charles Rennie Mackintosh | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Hiroki Kimura |
| Triggs T | Typo-Anarchy: A New Look at the Fanzine Revolution | 1998 | Kingston University | ||
| Triantaphillidou S | Preferred Tone Reproduction of Images on Soft Displays | 1998 | University of Westminster | Imaging Technology | Jacobson RE Ford AM |
| Treplin A | The Coronation of poppea | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Travers K | 'Tell Me' video sequence | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Gregory, R Dunstar, M Lydiard, A |
| Trangmar SRA | Take Heart Roof Garden | 1998 | The London Institute | Fine Art | |
| Trangmar SRA | Susan Trangmar | 1998 | The London Institute | Fine Art | |
| Trambusti B | Design of Sisley Spring and Summer collections 1998. | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | K Trambusti as Addendym Design Consultancy |
| Tozer J | From Today Painting is Dead. | 1998 | Goldsmiths College | ||
| Townsend S | Multiple Store: First Collection / Multiple Store Touring Exhibition | 1998 | The London Institute | Fine Art | |
| Torrens GE | Design for Ageing and Disability at Key Stage 4: An introduction to the nature of designing, available teaching materials and resources | 1998 | Loughborough University | Design Ergonomics | |
| Torrens GE | Introducing User-Centred Factors Into A Value Analysis Methodology Approach To The Development Of A Health and Beauty Care Product | 1998 | Loughborough University | Design Research | O'Hare, F.P. |
| Toren A | Beeld + Basis | 1998 | University of Reading | Joseph Semah Till Velten Linda Cassens |
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| Tomes AE | Managing Tensions in User Groups | 1998 | Sheffield Hallam University | Peter Armstrong | |
| Tomes AE | Talking Design: Negotiating the Verbal-Visual Translation | 1998 | Sheffield Hallam University | Caroline Oates Peter Armstrong |
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| Todd G | Andrew Mummery Gallery, London | 1998 | Edinburgh College of Art | Fine Art | |
| Toal D | Watercrossing, video/multimedia | 1998 | University of Portsmouth | Memory, Identity and Material Culture | Red Earth |
| Tisdall C | Joseph Beuys: We Go This Way | 1998 | Oxford Brookes University | Social Sculpture Research Unit | |
| Ting P | Peter Ting for Thomas Goode Collection | 1998 | University of Central Lancashire | ||
| Tillotson E | Eastwest Prints | 1998 | University of Sunderland | Fine Art | |
| Tillers I | Imant Tillers and the Book of Power | 1998 | Southampton Institute | Curnow, W. | |
| Till N J T | The Everyday Sublime in the Work of Station House Opera | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Tibbs B | Corporate Design for Royal British Legion Security | 1998 | Kingston University | ||
| Tibbs B | Tactical Caf | 1998 | Kingston University | ||
| Thrower S | Pieces'. Collection for winter 1999/2000 (London and India) | 1998 | University of Southampton | ||
| Throp M | Footnotes. | 1998 | Goldsmiths College | ||
| Thorpe A. | A MAP OF RECYCLED CONTENT BUILDINGS | 1998 | The Surrey Institute of Art + Design University College | Sustainable Design | Tom Paladino |
| Thornhill PH | Quatermass and the Pit | 1998 | De Montfort University | ||
| Thoquenne M | 'Sylvie', feature length documentary broadcast on Canal Plus Television, France. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Thomson J.R. | Pandaemonium '98 | 1998 | University College London | Fine Art Media | |
| Thomson J | Warmley Brook Bridge | 1998 | Southampton Institute | ||
| Thomson A | Deferred/Differed Presence | 1998 | University of Newcastle | David Thomas | |
| Thomson A | Cube | 1998 | University of Newcastle | Daniel von Sturmer Leslie Eastman |
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| Thompson R | The Development of an Automated System for the Analysis of Print Quality Variables | 1998 | The London Institute | Media and Communication | Dr Andrew Manning Dr Jack Tchan |
| Thompson L J | Gallery refurbishment, Bluecoat Display Centre, Liverpool | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Thompson GA | Gladstone Thompson | 1998 | The London Institute | Fine Art | |
| Thompson E. | Estelle Thompson: Fuse Paintings | 1998 | University College London | Painting | |
| Thompson E | Fuse Paintings | 1998 | De Montfort University | ||
| Thompson B | Magnetic | 1998 | University of Sunderland | Fine Art | |
| Thompson B | Socha A Objekt. | 1998 | University of Sunderland | Fine Art | |
| Thomas P | The Trojan War | 1998 | University of Gloucestershire | ||
| Thomas NG | Docking Station for housing various Ultrasonic Measuring Devices | 1998 | University of Wales Institute, Cardiff | PDR | |
| Terstappen C | Triennale of Sculpture | 1998 | University of Southampton | ||
| Telford SJ | Spring window display (commission) | 1998 | Loughborough University | Textiles | |
| Telford SJ | Addressing the Century - 'Dressing Room' Section (exhibition) | 1998 | Loughborough University | Textiles | |
| Taylor S | Objects Flown | 1998 | Southampton Institute | ||
| Taylor S | Somewhere Else. | 1998 | Goldsmiths College | Lomax, Y. Hopley, V. |
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| Taylor LA | Contemporary Decorative Arts: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Taylor F | 'British Art Now 1998'. | 1998 | Goldsmiths College | ||
| Taylor F | 'Pillar to Post'. | 1998 | Goldsmiths College | ||
| Taylor E P | Doing the Laundry? An assessment of the past and present of Object-based Dress History | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Taylor D | Designer Drugs: the art and design of selling drugs awareness | 1998 | Buckinghamshire Chilterns University College | Design Culture | Ciaran O'Hagan |
| Taylor D | Health Education, Club Culture and Modern Advertising Methods. | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Tangye HR | Christian Dior | 1998 | The London Institute | Fashion and Textiles | |
| Tamburic S | Rheological Evaluation of O/W Cream Bases Containing Polymeric Emulsifier | 1998 | The London Institute | Fashion and Textiles | G. Vuleta S.Simovic J.Milic |
| Tallentire A | Interruptions V (installation) and Anne Tallentire (monograph) | 1998 | The London Institute | Fine Art | J.S.Seth |
| Talbot E | Emma Talbot | 1998 | University of Gloucestershire | ||
| Tabor EC | Teaching cost awareness in design for manufacture | 1998 | Brunel University | Design Pedagogy | |
| TRUSSELLE K.L. | Displaced | 1998 | Coventry University | Visual Arts | BELTON, K. PRINCE, N. WADE, G. |
| THOMPSON J | PIERO MANZONI: OUT OF TIME, OUT OF PLACE | 1998 | Middlesex University | ||
| THOMA A | Andrea Thoma | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| TAYLOR B | Let's Go | 1998 | University of Dundee | Contemporary Practice | John Banks |
| TAYLOR B | Spin | 1998 | University of Dundee | Contemporary Practice | Chris Gallagher |
| TAYLOR A | Printbank Design Group | 1998 | University of Dundee | Contemporary Practice | Professor Norma Starszakowna Brian Bolger Frances Stevenson |
| Sykas PA | North West Pattern Book Survey: Curatorial Report | 1998 | Manchester Metropolitan University | ||
| Sykas PA | The Public Require Spots: Modernism and the 19th Century Calico Designer | 1998 | Manchester Metropolitan University | ||
| Syed T | 'Configuration 0' in Unbound Geographies/Fused Histories Exhibition | 1998 | Anglia Polytechnic University | ||
| Syed T | Delilah | 1998 | Anglia Polytechnic University | ||
| Swinson J | Wilson to Callaghan; Conceptual Art in the UK 1964 to 1979 | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Swindells S P | Vesuvius (Exhibition Catalogue (see other relevant details)) | 1998 | University of Huddersfield | ||
| Swift E | Treading Water | 1998 | University of Gloucestershire | ||
| Sweet DF | Please, Please Me: Skcepticism and the Agreeable | 1998 | Manchester Metropolitan University | ||
| Swan A | Woven textile design for upholstery | 1998 | University of Southampton | ||
| Swan A | Collection of drapery fabrics | 1998 | The London Institute | Fashion and Textiles | |
| Sutton T | Recent Works | 1998 | The London Institute | Fine Art | |
| Sutton T | Trevor Sutton | 1998 | The London Institute | Fine Art | |
| Sutherland C | Art.tm Gallery renovation | 1998 | Glasgow School of Art | Design | Hussey, C |
| Surridge M.S. | The Royal Overseas League Annual Exhibition | 1998 | Falmouth College of Arts | ||
| Sturgis D | 'Close Up On Pattern'. | 1998 | Goldsmiths College | ||
| Sturgis D | 'Dumpop'. | 1998 | Goldsmiths College | ||
| Sturgis D | 'Same'. | 1998 | Goldsmiths College | ||
| Stubbs N | Seavitamins (documentary, 10 mins, 16mm film, 1998) | 1998 | Staffordshire University | ARi, School of Art + Design | K. Chang |
| Stuart A | Empire Line Dress | 1998 | The London Institute | Fashion and Textiles | |
| Strowbridge B | Wallace and Gromit | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Strindberg M | Medulla (2)BruisedGlobe | 1998 | University of Brighton | Fine Art Practices | |
| Strindberg M | Tunnel Vision/Flightpath | 1998 | University of Brighton | Fine Art Practices | |
| Stonyer A | Soundproof | 1998 | University of Gloucestershire | ||
| Stofer H | Jewellery and Small Objects | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Stofer H | Brick | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Stofer H | Metalmorphosis - British Silver and Metalwork | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Stockwell S. J. | HERE: ARTISTS' INTERVENTIONS AT THE ALDRICH MUSEUM | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stitt A | Asian Performance Series- Examination of emerging South East Asian Performance Art | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Stewart WR | Los Valores Del Diseno y la Communicacion | 1998 | Sheffield Hallam University | ||
| Stewart S | Arts and Crafts and the Purists; two contrasting approaches to design for the British fashion environment | 1998 | Glasgow School of Art | Design | |
| Stewart S | Scotland; new living forms in Europe | 1998 | Glasgow School of Art | Design | |
| Stewart N | Stealing Light | 1998 | Sheffield Hallam University | ||
| Stewart I | THIN AIR, Julie Saul Gallery, New York | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Stewart I | Sea Change: The Seascape in Contemporary Photography | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Stevenson M | The Public Art Observatory: Designing in Public | 1998 | University of Plymouth | Design + Innovation | |
| Stevens P | GT One Road and Race Car Interior | 1998 | Royal College of Art | Design for Manufacture | |
| Stephens J | Print Production | 1998 | The London Institute | Media and Communication | Andrew Oldfield Stuart Tokerman Francis Cave |
| Stephens J | Using New Technology: Best Practice: American Style | 1998 | The London Institute | Media and Communication | Mike Hopkins John Ward Nick Chalk |
| Stehli J | It Took Ages | 1998 | University of Portsmouth | Art and Philosophy | |
| Stehli J | Table I, Table II, Chair | 1998 | University of Portsmouth | Art and Philosophy | |
| Steed J | '98 St Etienne International Design Bienniale | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Startup J | Sinn and Form | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Starszakowna N | Printbank | 1998 | The London Institute | Fashion and Textiles | |
| Stanton NA | Learning to Predict Human Error: Issues of Reliability, Validity and Acceptability | 1998 | Brunel University | Interaction Design | S Stevenage |
| Stanton NA | Vehicle Automation and Driving Performance | 1998 | Brunel University | Interaction Design | M Young |
| Stansfield Smith C | Hackney Community College Building Design | 1998 | University of Portsmouth | Centre for Creative Empowerment | Hampshire County Council Architects |
| Stansfield Smith C | Dados, Dinosaurs or Doves? Architecture: Past, Present and Future | 1998 | University of Portsmouth | Centre for Creative Empowerment | |
| Stanley N | Being Ourselves For You: the Global Display of Cultures | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Stamp G | At once classical and picturesque, Alexander Thomson's Holmwood | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stahl A. | Andrew Stahl | 1998 | University College London | Painting | |
| Stables K | Out of the mouths of babes: young children and designing | 1998 | Goldsmiths College | ||
| St James M | Electronically Yours | 1998 | The London Institute | Fine Art | |
| Sprung S | The Haircut | 1998 | Sheffield Hallam University | ||
| Sprung S | In Search of Da Cat | 1998 | Sheffield Hallam University | ||
| Sprio M | Frank Kapra and Anthony Minghella - comparative links through masculinity, family and community | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Springer P | Exploring Design - Concepts (Design Scenarios) | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Speed CJ | Norton Park, Interior Design Commission | 1998 | University of Plymouth | STAR | |
| Speed CJ | Space under stress: Spatial understanding in the new media technologies In: Spatial Cognition (Ed. S. O'Nuallain) | 1998 | University of Plymouth | STAR | Garcia-Tobin, D |
| Spanyol J | White Lies | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Spanyol J | Photographic Works | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Spanyol J | Bookcase | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Souleles N | On-Line Education: some aspects of access and content | 1998 | Cumbria College of Art + Design | ||
| Souleles N | Multimedia and Graphic Design: cross-fertilisation or fusion? | 1998 | Cumbria College of Art + Design | ||
| Souleles N | Group Learning in Interactive Multimedia | 1998 | Cumbria College of Art + Design | ||
| Somerville P | Untitled | 1998 | North East Wales Institute of Higher Education | Art and Design | |
| Somerville P | Untitled | 1998 | North East Wales Institute of Higher Education | Art and Design | |
| Soden JA | An Integrated Computer System for the Design and Analysis of 3D Woven Engineering Composites | 1998 | University of Ulster | BJ Hill R McIlhagger L Miller |
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| Snaebjornsdottir B | Trace, solo exhibition of publicly sited works | 1998 | Glasgow School of Art | Fine Art | |
| Snaebjornsdottir B | Quinate/Fimmt, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Smy E | Sol-Gel: Potential Creative Applications for the Artist, focussing on the colloidal alkali silicate route | 1998 | University of Hertfordshire | ||
| Smith T | Contents | 1998 | University of Gloucestershire | ||
| Smith N J | Centrum - Spinal Positioning System for Surgery | 1998 | University of Northumbria at Newcastle | Nassor, R | |
| Smith L | International Design Biennale 98, St Etienne, France | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Smith L | Jewellery Moves - The Changing Room | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Smith K | 'Ognissanti' | 1998 | Wimbledon School of Art | Sculpture | |
| Smith K | Backspace. | 1998 | Goldsmiths College | ||
| Smith E | ... and then I breathed. | 1998 | Goldsmiths College | ||
| Smith D | La F | 1998 | The London Institute | Fine Art | |
| Smith C | Network 5 and Wardrobe 14 (paintings) | 1998 | Loughborough University | Fine and Applied Arts | |
| Smith C | Colin Smith Paintings (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Smith B | 'Bridget Smith'. | 1998 | Goldsmiths College | ||
| Smith AE | Seraph Autumn/Winter Collection 1998/1999 | 1998 | The London Institute | Fashion and Textiles | |
| Smith A | Residency with Open Studio Exhibition | 1998 | University of Gloucestershire | ||
| Smith A | Alan Smith: Orme Series | 1998 | University of Gloucestershire | ||
| Smith A | Cheltenham Open Drawing Exhibition | 1998 | University of Gloucestershire | ||
| Smith M | Iwate Art Festival: Celtic Connections, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Slight N | Denied Access | 1998 | University of Gloucestershire | ||
| Skingle S | Eight A3 sized sculptures displayed in the ch | 1998 | London Guildhall University | ||
| Sitar R | Slowburn - Meaning and Vision in Contemporary British Abstract Painting | 1998 | Bolton Institute of HE | ||
| Siodmok P M | MHe 900 Motorbike | 1998 | University of Northumbria at Newcastle | Automotive Design (4a) | Critchley, P Museio, P Hooper, B |
| Sinden AA | Deluge | 1998 | University of East London | ||
| Sinclair R | Developing Technology Literacy through Textiles/Textiles Industrial Perspective | 1998 | Goldsmiths College | ||
| Sinclair R | CAD Infinitum. | 1998 | Goldsmiths College | ||
| Sinclair R | Do All Oceans Have Walls, group exhibition of publicly sited works | 1998 | Glasgow School of Art | Fine Art | |
| Simpson PJ | Peter Simpson Paintings, Solo Exhibition. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson P | On the margins of discourse: visions of New Socialist Woman in Soviet Art 1949-50. | 1998 | University of Hertfordshire | ||
| Simpson M | The Crow's Boredom. | 1998 | Goldsmiths College | ||
| Simpson M | The Crow's Boredom | 1998 | The London Institute | Fine Art | |
| Simpson M | East International | 1998 | Bath Spa University College | McGinn, M. Griffiths, C. Bohn, K. |
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| Simpson J | Defiant Acts: the Theatre d'Art, Decors and the Symbolist 'Total Work' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Simpson J | Bonnard and the Graphic Arts | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Simpson J | Balzac and the Symbolist Cathedral | 1998 | Buckinghamshire Chilterns University College | Visual Arts | Farrant, Tim |
| Simcock M | Range of couture scarves | 1998 | University of Southampton | ||
| Simcock M | Multi Media'. Collection of 32 scarves. | 1998 | University of Southampton | ||
| Sider L. | DAVID LYNCH | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Shreeve N | Restoration of a Brass and Pewter Boulle Table | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Short J | Joanna Short - works | 1998 | Goldsmiths College | ||
| Shinkle EB | Rebuild 2 (1996), (Rue des Seigneurs 1997) | 1998 | University of Westminster | Visual Media | |
| Shimshon O | 'The Shape of Light' Group Exhibition. | 1998 | University of Derby | Centre for Research in Film and Photography | Lynn Silverman |
| Shillito A | Jewellery Moves | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Sherwin G | Short Film Series | 1998 | University of Wolverhampton | Fine Art | |
| Sherwin G | Flight | 1998 | University of Wolverhampton | Fine Art | |
| Sherwin G | Filter Beds | 1998 | University of Wolverhampton | Fine Art | |
| Shepherd D | Saxaphone - A series of temporary, time based installations | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Shepherd D | Mochudi Project - Internet image transference programme from Mochudi, Botswana to Berlin | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Shawcross N | Royal Hibernian Academy of Arts 168th Exhibition | 1998 | University of Ulster | ||
| Shave T J | Bad Faith. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Sharpe T | Integrated solar thermal upgrading of multi-storey housing blocks in Glasgow | 1998 | Glasgow School of Art | Cities and Environments | C D A Porteous K MacGregor |
| Shankland S | Fundamental Images | 1998 | The London Institute | Fine Art | |
| Shanahan P.N. | Proof Six | 1998 | Falmouth College of Arts | Nick Darke Paul Farmer Anna Maria Murphy |
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| Seymour R | Nokia DP-154EX Mobile phone | 1998 | Royal College of Art | Design for Manufacture | |
| Setterington L | Cloths of Gold | 1998 | Manchester Metropolitan University | ||
| Setterington L | The Azadi Quilt | 1998 | Manchester Metropolitan University | ||
| Senior G | Sticks | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Senior DP | Art, Culture and Health | 1998 | Manchester Metropolitan University | ||
| Semple R | Seven Piece Place Setting | 1998 | Liverpool Hope | ||
| Semple R | The Cross of Liverpool | 1998 | Liverpool Hope | ||
| Selby A | Growth Hormone Replacement Treatment Guide (illustration commission) | 1998 | Loughborough University | Illustration | |
| Seddon P J | Landed Gentry | 1998 | University of Brighton | Memory, Identity and History | |
| Scott G A | 'As a war horse to the beat of drums': Representations of Working-Class Femininity in the Women's Co-operative Guild, 1880s to the Second World War | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Scott G A | Feminism and the Politics of Working Women: the Women's Co-operative Guild 1880s to the Second World War | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Scott DT | Ceramics | 1998 | Loughborough University | Fine and Applied Arts | |
| Schoeser M | Materials and Techniques in the Decorative Arts: An Illustrated Dictionary | 1998 | The London Institute | Fashion and Textiles | |
| Schmidt E | View of an Enterprise | 1998 | Oxford Brookes University | Social Sculpture Research Unit | |
| Sayers P C | Dragged. | 1998 | Staffordshire University | ARi, School of Art + Design | S. Pucill |
| Saxton J | Creating New Futures | 1998 | Goldsmiths College | ||
| Saxton J | Assessment and Evaluation in Technology Education. | 1998 | Goldsmiths College | ||
| Sawdon Smith R. T. | THE UGLY SHOW | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Sargeant N | John Kobal Photographic Award '98 | 1998 | University of Gloucestershire | ||
| Sargeant N | Royal Photographic Society 142nd International Print Exhibition | 1998 | University of Gloucestershire | ||
| Sandys-Renton T | 'Voyage Around George Staunton' 2 exhibits - 'Landed Gentry' - Cement + welded copper - 84x74x29cm 'Vehicle for Thoughts of the Earth and Sea' - Galvanised steel - 155x104x51cm | 1998 | University College Chichester | Sculpture | |
| Sandino L | Passionate Forms: the ceramics of Felicity Aylieff | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sanderson LV | Fabrication and Reality | 1998 | Sheffield Hallam University | Neil Conroy | |
| Sanderson L V | Lines of Desire; an International Drawing exhibition | 1998 | Wimbledon School of Art | Painting | Neil Conroy Paula Rego Ansuya Blom |
| Salter P | 'Writing the City'; An Urban Pavilion | 1998 | University of East London | ||
| Sall C | Life's a Beach | 1998 | Royal College of Art | Architectural Design | |
| Salisbury M | Illustrations in People in History by Fiona MacDonald | 1998 | Anglia Polytechnic University | ||
| Sacks S | Warmth Work: An Expanded Conception of Art for the 21st Century | 1998 | Oxford Brookes University | Theory | |
| Sabin RJ | The Media: An Introduction | 1998 | The London Institute | Media and Communication | |
| SZULAKOWSKA U | Experimental Art in Queensland 1975 - 1995 | 1998 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SWIFT D G | Alloy V | 1998 | University of Dundee | Contemporary Practice | Michelle Lorrie Helen Bennett |
| SUMMERTON E | Footsteps | 1998 | University of Dundee | Contemporary Practice | Bettina Schiling Eva Kohler Christine Koch |
| SUMMERTON E | Line Controller | 1998 | University of Dundee | Coastal/Indigenous Cultures | |
| SUMMERTON E | Magnetic Landscape | 1998 | University of Dundee | Coastal/Indigenous Cultures | Moira Scott |
| STEWART C | Asylum | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | Inventories exhibition curated by Val Williams |
| STEVENSON F | Sustainability and Materiality; the bioregional and cultural challenges to evaluation | 1998 | University of Dundee | Industry and the Public Sector | Jonathan Ball |
| STEVENSON F | 1998 | University of Dundee | Industry and the Public Sector | ||
| SPENCE P J | SINK | 1998 | University of Dundee | Digital Technology | Catalyst Arts Riot Space Hideo Furuta |
| SMITH HR | Undercurrents | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| SLESS D. | Building the bridge across the years and disciplines | 1998 | Coventry University | The Design Institute | |
| SHERWIN G | FILTER BEDS - 16MM FILM | 1998 | Middlesex University | ||
| SHERWIN G | SHORT FILM SERIES 1975 - 2000 - 16 MM FILM | 1998 | Middlesex University | ||
| SHEMILT E | Chimera | 1998 | University of Dundee | Digital Technology | Stephen Partridge |
| SHADBOLT R | THE SWORD IN THE STONE [T H WHITE] | 1998 | Middlesex University | ||
| SETH J | Trailer | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| SCRIVENER S. | Meaning, the central issue in cross-cultural HCI design | 1998 | Coventry University | The Design Institute | BOURGES-WALDEGG, P. |
| SCRIVENER S. | Structure in idea sketching behaviour | 1998 | Coventry University | The Design Institute | KAVAKLI, M. BALL, L.J. |
| SCHENK P M | Adaptability to Change: Teaching Drawings to Designers | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SCHENK P M | Drawing for design: the impact of computer-assisted design on the role of drawing for communication designers in commercial practice | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SCHEIN F. | Carl von Linne, or the art of looking (Universitet subway station) | 1998 | Coventry University | Visual Arts | WRETMAN, F. REITER, B. RIBEIRO, M.J. |
| SCHAFER S | Pietro da Cortona e il Pigneto Sacchetti: fasi, construttive, committenza progetto | 1998 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Annarosa Cerutti Fusco Edited by C L Frommel Edited by S Schultze |
| Ryan S | Culture Change in a Conventional University: Introducing Resource Based Learning | 1998 | De Montfort University | Freeman, H Scott, B |
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| Ryan A | Perspective 98 | 1998 | University of Reading | Joanne Berry Alexa Brunet Mark Dale |
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| Ryan D | With-JECT Spain | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Ruthven R J | Improbable Events, group exhibitions | 1998 | University of Portsmouth | Art and Science | |
| Rutherford S | An Ergonomics Analysis of Tumble Dryer Interfaces | 1998 | Nottingham Trent University | Design | |
| Rutherford S | Moss Miami Spinal implant procedure specialist surgical instruments | 1998 | Nottingham Trent University | Design | |
| Rust CM | Using practice-led design research to develop an articulated mechanical analogy of the human hand | 1998 | Sheffield Hallam University | Industrial Design | Adrian Wilson Graham Whiteley |
| Russell J | WHITE | 1998 | The London Institute | Fine Art | Simon Bedwell Milly Thompson |
| Russell J | WHITE3 | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Russell B | Bruce Russell: Recent Paintings | 1998 | Kingston University | ||
| Rushton E | New Art From Britain | 1998 | Falmouth College of Arts | ||
| Rushby R | 15 pieces of jewellery in enamelled silver + gold | 1998 | London Guildhall University | ||
| Roy R | The long-term benefits of investment in design and product development | 1998 | Open University | Design and innovation management | S. Potter J. Riedel |
| Rowe M | Metalmorphosis, Tradition and Innovation in British Silver and Metalwork 1880 - 1998 | 1998 | Royal College of Art | Applied Art | Clifford, H Goldscheider, I Naylor, G |
| Rowe M | Exhibition of Finalists for the 1st European Prize for Contemporary Art and Design-led Crafts | 1998 | Royal College of Art | Applied Art | |
| Rowe D | Cano restaurant chair | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Rosser E | Divers memories at MOST (New Territories, China) | 1998 | Wimbledon School of Art | Sculpture | Chris Dorsett Siu King Chung David Dye |
| Rosser E | 'Epiglottis' at 'The Ugly Edge' | 1998 | Wimbledon School of Art | Sculpture | Phyllida Barlow Mark Cousins Jon Thompson |
| Ross M | A Show about Time | 1998 | University of Newcastle | ||
| Ross M | zur Br | 1998 | University of Newcastle | ||
| Rose EE | Slow Burn: Meaning and Vision in Contemporary British Abstract Painting | 1998 | Lancaster University | ||
| Rose C | Peaks | 1998 | University of Sunderland | Fine Art | |
| Rooney J | An investigation of a special motion of an octahedron manipulator using screw theory. | 1998 | Open University | Design for advanced products | J. Duffy B. Knight CD. Crane |
| Rome R | Pepper Rock | 1998 | Royal College of Art | Fine Art | |
| Rome R | Dream Boat | 1998 | Royal College of Art | Fine Art | |
| Romans PA | Untitled Film Mix for Tortoise | 1998 | The London Institute | Media and Communication | |
| Rolfe N | Hand on Face | 1998 | Royal College of Art | Fine Art | |
| Rohr D | Making Public | 1998 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Rogers H | Oversites | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Rogers K. | SUTEMOS/TWILIGHT THE 5TH ANNUAL EXHIBITION OF THE SOROS CENTRE FOR CONTEMPORARY ARTS, LITHUANIA | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Rodriguez J | Roman Vishniac | 1998 | The London Institute | Media and Communication | |
| Rodrigues CA | Tuning in. Exhibition at Sea | 1998 | University of Plymouth | Centre for Visual Computing | |
| Rodgers P | 'The Role of Design in Artificial Intelligence as Authored Text' | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | Huxor,A.P. |
| Rodgers P | 'Designing over Networks: A Review and Example of Using Internet Collaboration and Communication Tools in Design' | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | Huxor,A.P. |
| Robson E H N | Intaglio | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Dale Thompson Vicki Feaver Ross Cameron |
| Robson E H N | Quintet for Ten | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Fin Walker Transitions Dance Company Anthony Bowne |
| Robson D G | St John on the Green Hill: The mystic geometry of Giovanni Santini-Aichel | 1998 | University of Brighton | Natural and Constructed Environments | |
| Robson D G | Serendib Serendipity: A tribute to Geoffrey Bawa | 1998 | University of Brighton | Natural and Constructed Environments | C Dawatte |
| Robinson H | Beauty, the universal, the divine: Irigaray's re-valuings | 1998 | University of Ulster | ||
| Robertson S | Anglo World Language School | 1998 | University of Brighton | Natural and Constructed Environments | P Gammon A Price |
| Robertson I | Without Walls: 40 drawings (av. 48cms.x 56cms.) - paper and mixed media | 1998 | London Guildhall University | ||
| Robertson I | Network Art-UK'98 Japan. Simultaneous live interactive multiple venue international media presentation. | 1998 | London Guildhall University | ||
| Robertson H | Hard Edge, Soft Edge | 1998 | The London Institute | Fine Art | |
| Robertson DA | 4D Design: Adding Value to Consumer Products Using Multimedia and Mechatronics Technologies | 1998 | De Montfort University | ||
| Robertson FG | Footsteps, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Robertshaw S | Loss | 1998 | Liverpool John Moores University | International Centre for Digital Content | |
| Roberts S | Liverpool Football Club Interactive CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | I Bradley |
| Roberts PH | Learning through making | 1998 | Loughborough University | Design Education | Baynes, K. Tyers, J. Zanker, F.O. |
| Roberts J | The Art of Interruption: Realism, Photography and the Everyday | 1998 | University of Wolverhampton | Fine Art | |
| Roberts E | The Liverpool Academy and Other exhibitions of Contemporary Art in Liverpool 1774-1867. A History and Index of Artists and Works exhibited | 1998 | Liverpool John Moores University | Art and Design History | E Morris |
| Roberts J | Recent Paintings, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Rirsch R | Naturalistic representation of Pelican (3x2) in engraved and carved yellow/white gold with ruby eyes, set with over 300 diamonds | 1998 | London Guildhall University | ||
| Rihl LF | Biennale Internationale Design 1998 | 1998 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Rideal M.E.C. | 50 Ans de Tati | 1998 | University College London | Painting | |
| Riddy J | Elsewhere | 1998 | The London Institute | Fine Art | |
| Richardson R | Rethinking the Avant-Garde | 1998 | De Montfort University | ||
| Richardson R | Letters of Invitation | 1998 | De Montfort University | ||
| Richards P.J. | Paul Richards: New Paintings | 1998 | University College London | Painting | |
| Richards BGR | Phenomenal Transparency | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Rice B W | Art and Archaeology | 1998 | University of Brighton | Natural and Constructed Environments | |
| Rhodes EA | Electronic commerce technologies and changing product distribution | 1998 | Open University | Design and innovation management | R. Carter |
| Reynolds L J | NATS standard for the use of colour on air traffic control displays. R+D Report 9834 | 1998 | University of Reading | C. Metcalfe | |
| Reynolds L J | Designing air traffic control systems | 1998 | University of Reading | ||
| Renshaw T | Eliminate the Negative | 1998 | University of Reading | Jane Harris Vanessa Jackson Rosa Lee |
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| Rennie C | Three Collector Pitchers | 1998 | University of Wolverhampton | Glass | |
| Rennie C | Ten Glass Sculptures | 1998 | University of Wolverhampton | Glass | |
| Reich J | Trend | 1998 | Anglia Polytechnic University | ||
| Reich J | Draw Cards | 1998 | Anglia Polytechnic University | ||
| Rees DD | Addressing the Century - 100 Years of Art + Fashion | 1998 | The London Institute | Fashion and Textiles | Simon Munro |
| Rees DD | Satellites of Fashion | 1998 | The London Institute | Fashion and Textiles | Simon Munro |
| Rees A | 'Digital Daze' | 1998 | Royal College of Art | Communications | |
| Read SA | Thames River Crossings | 1998 | The London Institute | Fine Art | Leon Russell |
| Raymond M | Soft Sculpture | 1998 | The London Institute | Fashion and Textiles | |
| Raymond M | 100 Years of Design - Style and Fashion | 1998 | The London Institute | Fashion and Textiles | |
| Ray SF | Vision metrology with super wide angle and fish-eye optics | 1998 | University of Westminster | Imaging Technology | Robson S Shortis M |
| Rawlinson IJ | Project for the River Medlock | 1998 | Manchester Metropolitan University | Crowe N Parker G |
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| Raney K | 'Drawing Papers' (Keynote Lecture) | 1998 | University of East London | ||
| Ramshaw W | Picasso's Ladies | 1998 | Royal College of Art | Applied Art | |
| Ramsenthaler S | Partial View | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ramsay G | Graham Ramsay, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| ROBISON J | International Ceramics Symposium and Exhibition | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBINSON M | Building | 1998 | Middlesex University | A Deakin A Fifield |
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| ROBINSON M | Inter-Meta | 1998 | Middlesex University | ||
| ROBERTSON J A | And we shall soon reach Heaven | 1998 | University of Dundee | Digital Technology | Owen Logan Philippa Hall |
| RINGE S | Open Studio Show - Kingston Art Group | 1998 | University of Lincoln | ||
| RINGE S | The Bristol Art Library | 1998 | University of Lincoln | ||
| RICHARDS C.J. | The fundamental design variables of diagramming | 1998 | Coventry University | The Design Institute | |
| RICE A | Financial Tool Modelling Design Activity | 1998 | University of Dundee | Contemporary Practice | |
| READ S | THAMES RIVER CROSSINGS | 1998 | Middlesex University | ||
| Quinn M J | 'Double Indemnities' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Quinn L | Tidal | 1998 | Sheffield Hallam University | ||
| Quinn AM | Lead Crystal Glassware 'Zest' design to compliment tableware | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Quinn AM | Porcelein tableware Royal Worcester 'Essentials' | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Quinn J | Apache Cocoon | 1998 | University of Westminster | Hypermedia | |
| Quickenden K | Silver, 'plated' and silver products from the Soho Manufactory, 1780 | 1998 | University of Central England in Birmingham | Jewellery Research Group | |
| Quick C | 'Missing Pages' | 1998 | University of Central Lancashire | ||
| QUINE M | The Theatre System of the United Kingdom | 1998 | City University | ||
| Purbrick L | Ideologically Technical: Illustration, Automation and Spinning Cotton around the middle of the Nineteenth Century | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Punt M | Accidental Machines:Understanding How We Understand New Technologies | 1998 | University of Wales College, Newport | CAiiA | |
| Pucill SA | Swollen Stigma | 1998 | University of Westminster | Fine Art | |
| Pucill S. | Swollen Stigma (film 16mm, 20mins) | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Pryke S | Orbit tableware range | 1998 | De Montfort University | ||
| Prowse P. | The Robbers | 1998 | University College London | Theatre Design | |
| Proud D.R. | Pull | 1998 | University College London | Fine Art Media | |
| Proud D.R. | Milo Lilo | 1998 | University College London | Fine Art Media | |
| Prophet J. | Internal Organs of a Cyborg | 1998 | University College London | Fine Art Media | |
| Prophet J. | Technosphere Website and Video Works | 1998 | University College London | Fine Art Media | |
| Proctor G | A Century of Style | 1998 | Nottingham Trent University | Fashion and Textiles | Karen W. Bressler Karoline Newman |
| Prince N | The Mule | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Prince N | Semi Detached #1 | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Price M L | Dr Missy's communicating on the internet. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Prevoo D. | PAPER FASCINATION | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Press MPO | New lives in the making: the value of craft education in the information age | 1998 | Sheffield Hallam University | Alison Cusworth | |
| Preece L | Which Way Up? | 1998 | University of Brighton | Fine Art Practices | |
| Power M | Dome | 1998 | University of Brighton | Visual Communication Design | |
| Poulton A | Eight dobby weave fabrics | 1998 | University of Southampton | ||
| Poulson DF | USERfit - A Framework for User Centred Design in Assistive Technology | 1998 | Loughborough University | Design Ergonomics | Richardson, S.J. |
| Potter R | The Workmen's City | 1998 | Wimbledon School of Art | Photography | Patricia Ayre |
| Potter R | Listening and Hearing | 1998 | Wimbledon School of Art | Photography | |
| Potter L | No Picnic. | 1998 | Goldsmiths College | ||
| Porter M L | Justifying the Incorporation of Ergonomics into Organisational Strategy | 1998 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Porter M | 'Shining Cliff' | 1998 | Wimbledon School of Art | Painting | |
| Porter M | Shining Cliff | 1998 | Falmouth College of Arts | ||
| Porter JM | Turning automotive design 'inside-out' | 1998 | Loughborough University | Design Ergonomics | Porter, C.S. |
| Porter JM | Exploring the optimum posture for driver comfort | 1998 | Loughborough University | Design Ergonomics | Gyi, D.E. |
| Porteous C | Solar recladding of housing blocks - the Glasgow example | 1998 | Glasgow School of Art | Cities and Environments | |
| Pointer MR | The Number of Discernible Colours | 1998 | University of Westminster | Imaging Technology | |
| Pippin S | Laundromat - Locomotion | 1998 | Southampton Institute | ||
| Pinn A | Workshop Techniques On-Line Computer Learning Package. | 1998 | University of Hertfordshire | ||
| Pilsl C | Mit den Augen durch die Wand | 1998 | Southampton Institute | ||
| Pilgrim G | Dreamwork' | 1998 | Wimbledon School of Art | Theatre Design | Theatre de Complicite Black Theatre Co-op Moti-Roti |
| Pierse S J | Michigan Blues: Recent Paintings | 1998 | University of Wales, Aberystwyth | ||
| Piddington A | The Fall | 1998 | Kingston University | ||
| Pickwoad N | Preserving the Library and the Books at the Monastery of Saint Catherine | 1998 | The London Institute | Media and Communication | |
| Pickwoad N | The Use of Fragments of Medieval Manuscripts in the Construction and Covering of Bindings on Printed Books | 1998 | The London Institute | Media and Communication | |
| Phillpot C | Artist/Author: Contemporary Artists Books | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | Cornelia Lauf |
| Phillips K | Oils on Canvas | 1998 | Cumbria College of Art + Design | ||
| Phenix A | Solubility parameters and the cleaning of paintings: an update and review | 1998 | Royal College of Art | Conservation | |
| Phenix A | The Science and Technology of the Cleaning of Pictures: Past, Present and Future | 1998 | Royal College of Art | Conservation | |
| Petherbridge D | Corps | 1998 | Royal College of Art | Critical Practice | |
| Petherbridge D | The Quick and the Dead: Artists and Anatomy | 1998 | Royal College of Art | Critical Practice | |
| Pennie M | Adventures with Lobi | 1998 | Bath Spa University College | ||
| Pennell JD | Spin-Off | 1998 | The London Institute | Fine Art | |
| Pennell J | 'Spin-Off'. | 1998 | Goldsmiths College | ||
| Pengelly J | My Only Skin | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Peasgood D | Indigo Exhibition | 1998 | The London Institute | Fashion and Textiles | |
| Peart T | Twenty nine paintings | 1998 | Cumbria College of Art + Design | ||
| Peacock JR | Plague-orgy-time | 1998 | Sheffield Hallam University | Fine Art | Steve Dutton |
| Paxon A | Bubbleicious: Contemporary British Plastic Jewellery: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Pavelka M | 'Maama Nalukalala Ne'zzadde Lye' (Mother Courage and her Children by Bertolt Brecht (Luganda translation by Joanitta Bewuliara-Wandera) | 1998 | Wimbledon School of Art | Theatre Design | Jane Collins Joanitta Bewuliara-Wandera Douglas Wilson |
| Paul R | Iwate Art Festival: Later Editions - Prints from Glasgow, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Paul R | The British Council Indian Tour, touring group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Patterson Z | Jewellery Moves | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patten B | Section on John Ninian Cowper | 1998 | Bolton Institute of HE | ||
| Parry J | Iwate Art Festival: Ways of Editing, solo exhibition. | 1998 | Glasgow School of Art | Fine Art | |
| Parris J | It Took Ages | 1998 | The London Institute | Fine Art | Jamima Stehli |
| Parris J | Jeanette Parris | 1998 | The London Institute | Fine Art | |
| Parker P | The Art and Science of Screenwriting | 1998 | The London Institute | Media and Communication | |
| Parker J. | Jayne Parker | 1998 | University College London | Fine Art Media | |
| Pardey J G | House/Studio Design | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Palova Z | Light Transformer | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Palmer M | The Aesthetics of Emergence. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Palmer M | Reconsidering the Virtual. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Page ME | Consumer products - more by accident than design? In: Dr. Neville Stanton (ed), Human Factors in Consumer Products | 1998 | Loughborough University | Design Ergonomics | |
| PORTER C.S. | Turning automotive design 'inside-out' | 1998 | Coventry University | The Design Institute | PORTER, J.M. |
| PHOCA S | The Sphinx without the Riddle | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | John Gange |
| PHILLIPSON M | SEING BECOMING DRAWING: THE INTERPLAY OF EYES, HANDS AND SURFACES IN THE DRAWINGS OF PIERRE BONNARD | 1998 | Middlesex University | C FISHER | |
| PAUL J M | Threshold | 1998 | University of Dundee | Industry and the Public Sector | Roland Ashcroft Andy Milligan Geri Cruickshank |
| PAUL J M | The Visual Questionnaire: an Innovation in Design Research | 1998 | University of Dundee | Industry and the Public Sector | Dr Nomana Anjum Roland Ashcroft |
| PATTISON J | Scottish Spirit, S.S.A. in the U.S.A. | 1998 | University of Dundee | Contemporary Practice | Phillip Reeves Ian McCulloch Elaine Shemilt |
| PARTRIDGE S | Chimera | 1998 | University of Dundee | Digital Technology | Elaine Shemilt |
| PARTRIDGE S | This is a Sentence | 1998 | University of Dundee | Digital Technology | David Cunningham |
| PARRAMAN C | Circular Walk | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| Oxley Nigel | Etchings with Nigel Oxley (collaborative illustrations + commentary). | 1998 | London Guildhall University | ||
| Oxley Nigel | 5 Pillows for D | 1998 | London Guildhall University | ||
| Oxborrow L | Apparel Production Channels | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Oxborrow L | Textiles The Way Forward: A Labour Market Survey For The UK Textile Industry | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Oulton T | 'Illuminations' | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Otieno RB | The Impact of Legislation on the Clothing Industry Countries: The Case of Liberalisation in Kenya | 1998 | Manchester Metropolitan University | ||
| Osmond O R | Sudan | 1998 | Swansea Institute of Higher Education | Land and Landscape | |
| Orta L | Process of Transformation | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Orlow U | Marseilles en Juin | 1998 | The London Institute | Fine Art | |
| Onishi M | '2nd International Triennial of Graphic Art' | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Onishi M | 'Ryu Artists Group | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Oliver J | 'Mavericks' Jewellery for the Brave | 1998 | De Montfort University | ||
| Ogilvie S | 3rd International Biennale of Graphic Art | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ogilvie S | Kanagawa International Print Triennial | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ogden S | Ceramic Porcelain Reliquary | 1998 | Cumbria College of Art + Design | ||
| Ogden S | Five Porcelain Caskets | 1998 | Cumbria College of Art + Design | ||
| Ofili C | The Turner Prize | 1998 | Royal College of Art | Fine Art | |
| Ofili C | Chris Ofili | 1998 | Royal College of Art | Fine Art | |
| Oak A V | Assessment and understanding: an analysis of talk in the design education critique | 1998 | University College Northampton | Design for Industry and Commerce | |
| OWEN J.K. | From imagine to image: an examination of visual realisation of 3D forms | 1998 | Coventry University | Design | TOVEY, M.J. DEKKER, K. |
| OBRIEN T | Plot | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| OAKENFULL M | Cox's Yard | 1998 | University of Lincoln | ||
| OAKENFULL M | Dover Castle | 1998 | University of Lincoln | ||
| OAKENFULL M | Beside the Seaside | 1998 | University of Lincoln | ||
| O'Pray ME | 'The Animated Film' | 1998 | University of East London | ||
| O'Neill A | Powerhouse UK | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | Claire Catterall |
| O'Neill A | East End | 1998 | The London Institute | Fashion and Textiles | Chris Clunn |
| O'Brien K | 1998 | Leeds Metropolitan University | Visual Arts | ||
| Noszlopy G | EDMA: Life and Work 1924-1997 | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Noszlopy G | Public Sculptures of Birmingham including Sutton Coldfield. | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Norman EW | The Nature of Technology for Design | 1998 | Loughborough University | Design Education | |
| Nichols P | The Currency of Belief | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Professor John Newling |
| Newport R | UK Patent GB 2 292 204 B Connecting Element The invention relates to a rotary coupling and to a connecting element. | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Newport R | Human Powered Vehicles for Third-Agers as a Mode of Local Transport | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | P. Hwang L .Nayak |
| Newport R | Managing New Product Innovation | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | Robert Jerrard M.Trueman |
| Newman HJE | An Evening with Hayley Newman | 1998 | The London Institute | Fine Art | |
| Newman HJE | SensationS | 1998 | The London Institute | Fine Art | |
| Newman A | Meridians. | 1998 | Goldsmiths College | ||
| Newman A | The Wing of the Wind of Madness Sensible Ellipse of Lost Origin. | 1998 | Goldsmiths College | ||
| Newling J B | Weight | 1998 | Nottingham Trent University | Visual Arts | |
| Nash M | Only Angels Have Wings | 1998 | University of East London | Isaac Julien | |
| NEVIN P | One Person Exhibition - The Buena Vista | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| NEVIN P | The Angels of Georges Braque (AgB) Surface of SNAP | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Muston D | Design Project Supervision and Assessment, Alternative Approaches for Developing Quality in the Learning Experience | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | John Law |
| Murray M | Heartlands People | 1998 | University of Gloucestershire | ||
| Murphy J | 'A Different Constellation'. | 1998 | Goldsmiths College | ||
| Murphy CJ | Silver and Tea - A Perfect Blend | 1998 | University of Ulster | ||
| Murphy CJ | Metalmorphosis - British Metalwork | 1998 | University of Ulster | ||
| Munslow J | 'Sex X Technology = 2 Zukunfts' | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Munro S | Addressing the Century - 100 Years of Art + Fashion | 1998 | Kingston University | ||
| Munro S | Satellites of Fashion - Crafts Council + British Council Touring Exhibition | 1998 | Kingston University | ||
| Mulvey JF | New Work | 1998 | University of Westminster | Fine Art | |
| Mulrine S | Moscow Stations: From novel to play | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mullen C W | Visual Telling of Stories website | 1998 | University of Brighton | Visual Communication Design | |
| Mullen C W | Pack Art | 1998 | University of Brighton | Visual Communication Design | |
| Mulhall S | Raum fur Raum : Room for Room | 1998 | University of Gloucestershire | ||
| Mukaide K | The Jerwood Prize for Glass | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mukaide K | Made in Japan | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mowatt S | Susan Mowatt | 1998 | Edinburgh College of Art | Fine Art | |
| Mowat I | Knitwear Collection for Givenchy Couture, Paris | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mostaghimi B | Yarn and Textile Development | 1998 | University of Brighton | Materials Practices and Processes | |
| Mostaghimi B | Development of Polyester Crepe dyeing techniques | 1998 | University of Brighton | Materials Practices and Processes | |
| Mosscrop MLB | Anaesthetics | 1998 | De Montfort University | ||
| Mosscrop MLB | Insight | 1998 | De Montfort University | ||
| Mosley J M | Introduction to J.M. Funcke, Kurtze Anleitung zur Form- und Stahl-Schneiden (Erfurt, 1740) | 1998 | University of Reading | ||
| Mortimer R | Wormcharmer | 1998 | The London Institute | Media and Communication | |
| Morten G | Two Lands | 1998 | University of Sunderland | Fine Art | |
| Morris S.M. | Wish You | 1998 | University College London | Fine Art Media | |
| Morris N | Robert Horne Invitational Printmaking Exhibition | 1998 | Liverpool John Moores University | Graphic Arts | Lowick house Printmaking Workshop |
| Morris M | Four Artists from Britain | 1998 | The London Institute | Fine Art | |
| Morris D | John Holden - David Morris - Two Artists from Liverpool | 1998 | Liverpool John Moores University | Painting and Sculpture | John Holden Nicholas Usherwood |
| Moore D | Celtic Connections | 1998 | Edinburgh College of Art | Fine Art | |
| Moore D | Bias | 1998 | Edinburgh College of Art | Fine Art | |
| Moore D | Leaving Notes | 1998 | Edinburgh College of Art | Fine Art | |
| Mooney J | Face to Face | 1998 | Royal College of Art | Fine Art | |
| Mooney J | Inter Views/Close to Home | 1998 | Royal College of Art | Fine Art | |
| Moon M | Royal Academy Summer Exhibition | 1998 | University of Reading | Adrian Berg Mary Fedden Allen Jones |
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| Montgomery JAI | Type and Identity:a scientific approach to graphic design research | 1998 | University of Ulster | Prof K Agnew Prof B McClelland |
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| Montgomery I | Later Editions | 1998 | Edinburgh College of Art | Fine Art | |
| Moffat A | Ronald Stevenson, Comrades in Art | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mladovsky J | Bad Boss (exhibition and publication). | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Szirtes, G. Miler, M. |
| Mitchell S | 'Chagall Talks to Bakhtin'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mitchell C | Craig Mitchell | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Milne L | 'Breugel and the Psychology of Money' | 1998 | Napier University | Critical Theory of Practice | |
| Millward H | Oral PowderJect: a novel system for administering local anaesthetic to the oral mucosa | 1998 | University of Wales Institute, Cardiff | PDR | GM Duckworth CDO Potter G Hewson |
| Millar L. | REVELATION: TEXTILE ARTISTS ADDRESSING ISSUES | 1998 | The Surrey Institute of Art + Design University College | Crafts | |
| Miles JR | Collection for autumn/winter 1999/2000 | 1998 | University of Southampton | ||
| Miles JR | Collection for autumn/winter 1999/2000 | 1998 | University of Southampton | ||
| Merrington K | Lines of Desire | 1998 | Wimbledon School of Art | Research Centre | Jagjit Chuhan Paula Rego Rekha Rodwittiya |
| Merali SGP | Out of India | 1998 | The London Institute | Fine Art | |
| Mendelle N | 'Mad Mundo' | 1998 | Napier University | Documentary and Experimental Film | |
| Mendelle N | 'Turkish Delight' | 1998 | Napier University | Documentary and Experimental Film | |
| Melia P D | Peter Greenaway: The Framer Framed. | 1998 | Staffordshire University | ARi, School of Art + Design | K Griffiths D Pascoe M O'Pray |
| Melia P D | Peter Greenaway: Artworks 63-98. | 1998 | Staffordshire University | ARi, School of Art + Design | Alan Woods |
| Meigh-Andrews C C | MOTHLIGHT | 1998 | University of Central Lancashire | ||
| Mee JM | The Influence of Traditional Corsetry on Modern Contour Design | 1998 | De Montfort University | ||
| Medcalf G | Critical Faculty | 1998 | The London Institute | Fine Art | |
| Mealing SP | Kiki - a computer drawing model. | 1998 | University of Plymouth | Centre for Visual Computing | |
| Meacher N | Six Illustrations | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| McQuillan M | Neither Avant-Garde nor Rappel a l'Ordre | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| McMullan S | Strolling, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McMullan S | Killing Your Darlings, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McLean P.B. | Nautical Mile: Redesign of Bridlington Promenade | 1998 | University College London | Fine Art Media | |
| McLean P.B. | Bruce McLean | 1998 | University College London | Fine Art Media | |
| McLaren JH | Life Cycle Modelling of Consumer Electronic Products with Convergent Functionality | 1998 | Brunel University | S Cowell E Jones D Harrison |
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| McKitterick J | Billy Opens his Closet for LIFEbeat - exhibition /event | 1998 | Kingston University | ||
| McKeown RA | The Duchess | 1998 | University of Plymouth | Theatre + Performance | |
| McKenzie Smith S | Scottish Spirit | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| McKenzie Smith S | Help Yourself; Desire Line Suite | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| McKee F | The Paracelsian Kitchen | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKee F | Kidnapping Douglas Gordon | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Jan Debbaut Douglas Gordon |
| McKeag D | Marin Ark Evacuation System | 1998 | University of Ulster | ||
| McKay C M | Presence and Absence: Seurat and the Bathers | 1998 | University of Sunderland | Photography | |
| McKAY A | The Break In | 1998 | University of Lincoln | ||
| McKAY A | First Cut '98 4 Short Films by Filmmakers New to Broadcast | 1998 | University of Lincoln | ||
| McKAY A | The Promise | 1998 | University of Lincoln | ||
| McIver MT | The Muster Project | 1998 | University of Ulster | ||
| McIver MT | Troubled : Photography, Film and Video from Northern Ireland | 1998 | University of Ulster | ||
| McIver L | 'Relative Values' | 1998 | Napier University | Photographic Practice | |
| McIntyre K T | Louie A. Brown International Fellowship exhibition | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| McIntyre K | 'Structures and Practices: Towards a Discourse of the Craft Object' | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| McIntyre K | '1980 - 1998: The Yuppie, Postmodernism, the New Millennium' | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| McIntyre K | The Desk Lamp | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| McGraw M | 3rd International Symposium of Lithography, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McGraw M | Brisbane Artists, Books and Multiples, group exhibiton | 1998 | Glasgow School of Art | Fine Art | |
| McGraw M | Iwate Art Festival: Later Editions - Prints from Glasgow, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McGraw M | Arcade II, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McGowan A | Interpretation of Faust Part-One | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McGowan A | The Story of a Nation | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McFadyen J. | Works on Paper | 1998 | University College London | Painting | |
| McFadyen J. | Looking Out To Sea | 1998 | University College London | Painting | |
| McDonough H | 'Neither here nor there' in 'Whitechapel Open' exhibition | 1998 | Anglia Polytechnic University | ||
| McDonald G | Les Anglais vus par les Anglais | 1998 | Southampton Institute | ||
| McDonald G | Common Complaints | 1998 | Southampton Institute | ||
| McDonald G | Common Complaints | 1998 | Southampton Institute | ||
| McDade S | Eye to I | 1998 | Southampton Institute | ||
| McConachie A | Glass UK | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| McComish L | Communication | 1998 | University of Ulster | Adele Crothers | |
| McComish L | Staff Development + Performance Review (SDPR) | 1998 | University of Ulster | Adele Crothers Alan Nesbitt |
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| McCaughey P | Public Sightings: Below Ground, solo exhibition of publicly sited works. | 1998 | Glasgow School of Art | Fine Art | |
| McCarthy P | 'Dark Matter' Touring Group Exhibition, 1998-2000 | 1998 | University of Derby | Research Group for Artists Publications | |
| McCann J | Design Commission for Andy Spink. Designed Artifact: Garment(s). | 1998 | University of Derby | ||
| McCann J | 'Training 2000' Exhibition | 1998 | University of Derby | ||
| McCann J | 'Performance Sportswear Design' Leonardo Multiplier Project. | 1998 | University of Derby | ||
| McCann B | A Continuous Present: 5 British Sculptors Revisit Rome | 1998 | Kingston University | ||
| McCRACKEN P | Women Artists and Designers in Europe Since 1800: an annotated bibliography | 1998 | University of Lincoln | ||
| McCARTHY P J | Dark Matter | 1998 | University of Lincoln | ||
| McBride C | Urban Facades: Cultivation, solo publicly sited exhibition | 1998 | Glasgow School of Art | Fine Art | |
| May N | Zero Tolerance | 1998 | Cumbria College of Art + Design | ||
| May N | All Routes Open | 1998 | Cumbria College of Art + Design | ||
| Mavrogordato T | 'Revelation; Textile Artists Addressing Issues'. | 1998 | Goldsmiths College | ||
| Maudsley N | SUB-**** | 1998 | London Guildhall University | ||
| Matlow EG | Women, computers and a sense of self | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Matlow EG | Escape from the Flatlands: the impact of new technologies on Graphic Design education | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Masters R | Gross Britannien Konstruktiv-Konkret | 1998 | University of Sunderland | Fine Art | |
| Masters R | Four Works | 1998 | University of Sunderland | Fine Art | |
| Mason R | Solo Exhibition | 1998 | Wimbledon School of Art | Painting | |
| Mason R | 'Robert Mason' | 1998 | Wimbledon School of Art | Painting | |
| Mason R | 'A Line from East to West' | 1998 | Wimbledon School of Art | Painting | |
| Mason PW | Series of Sculptures (Gateway and Central Feature). Celebrating Location and Navigation. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Martinec R | Cohesion in Action | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Martina T | The Royal Society of Painter-Printmakers | 1998 | University College Northampton | Fine Art Practices | |
| Marsden MJ | 38mm trackerball | 1998 | De Montfort University | ||
| Marrs R | Beyond the Millenium | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Margetts M | Beyond Material: new craft of the 1990s | 1998 | Royal College of Art | Applied Art | |
| Margetts M | Embody | 1998 | Royal College of Art | Applied Art | |
| Marchant A | Living Room - An interface between the artist and public on an East London Housing Estate | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Manning A | The Development of an Automated System for the Analysis of Print Quality Variables | 1998 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Manchot M | Look at You Loving Me | 1998 | The London Institute | Fine Art | |
| Mallet L | Bucks Peasants, volume one + Peasant Sandwich | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Malem W | Nico-Nico Autumn / Winter 1998 collection | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Male A | Did Dinosaurs Live in Your Backyard? | 1998 | Falmouth College of Arts | Melvin Berger Gilda Berger |
|
| Makhoul B | Symbiosis | 1998 | Sheffield Hallam University | ||
| Makem OM | BWD Rensburg Stock Brokers | 1998 | University of Ulster | ||
| Mair J H | Solo exhibition, new to celebrate the new building | 1998 | University of Portsmouth | Centre for Images in Practice | |
| Maguire R | Re-Collections | 1998 | Southampton Institute | ||
| Magee JDM | Complete Front End/Rear End Body Work (Plastics) | 1998 | University of Ulster | ||
| Macmillan A | Art Lovers Houses and the Modern Movement | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Macklin P | Lapland @ The British Council. Exhibition design/curation | 1998 | Glasgow School of Art | Design | H. Pizey |
| Mackarell J | 10 enamel and silver decorative boxes + items of jewellery | 1998 | London Guildhall University | ||
| Mackarell J | Design concept + enamelling for silver teapot + water jug, with wood/leather carrying case | 1998 | London Guildhall University | ||
| Macinnes R | Scottish Power Centres: from the Middle Ages to the twentieth century | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Sally Foster Allan MacInnes |
| Maccallum C | Computers in Architecture at the Mackintosh School of Architecture | 1998 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| MacWilliam S J I | The Sound of Bells and Bellies: Acoustic Authority and Sound Effects | 1998 | Nottingham Trent University | Visual Arts | |
| MacLennan H | 'An investigation of students' changing perceptions of professional studies provision for Fine Art focussing on student experience of work placements and enterprise projects' | 1998 | University of Gloucestershire | ||
| MacLennan AM | Pore Rope | 1998 | University of Ulster | ||
| MacKinnon-Day P | All in the Mind | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| MacGregor B | Calum Colvin's Sacred and Profane | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| MacDonald A | Developing a Qualitative Sense | 1998 | Glasgow School of Art | Design | |
| Mabbutt M | Three Person Show | 1998 | Falmouth College of Arts | ||
| MYERS J | PEEPINGTOM | 1998 | Middlesex University | ||
| MUSKE E | Close to Home | 1998 | University of Lincoln | ||
| MUSKE E | From Here | 1998 | University of Lincoln | ||
| MURPHY J | A Conversation Piece | 1998 | University of Oxford | Juliao Sarmento | |
| MULHALL S. | Room for room | 1998 | Coventry University | Visual Arts | GROSSE, C. HEYNE, K. LEWONIG, K. |
| MORRIS R C | Alloy Four | 1998 | University of Dundee | Contemporary Practice | Susan Barr Ann Marie Shillito Teena Ramsay |
| MORRIS R C | Alloy Five | 1998 | University of Dundee | Contemporary Practice | Susan Barr Teena Ramsay David Swift |
| MORGAN S | Memory and the Merchants: commemoration and civic identity | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| MOONEY J | FACE -TO-FACE - SOLO EXHIBITION | 1998 | Middlesex University | ||
| MOONEY J | INTER VIEWS/CLOSE TO HOME | 1998 | Middlesex University | ||
| MOODY E.H. | The Scope + Impact of Management in the Arts | 1998 | City University | ||
| MODEEN M | Continental Shift | 1998 | University of Dundee | Contemporary Practice | Fisher, P Cohen, D Garner, T |
| MODEEN M | The Eternal Contemporary | 1998 | University of Dundee | Coastal/Indigenous Cultures | |
| MEYNELL K | SUNTRAP | 1998 | Middlesex University | ||
| MEY K | Sculpture | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | Danto, A C Kelly, M de Duve, T |
| MCMURDO W A | Wendy McMurdo | 1998 | University of Dundee | Digital Technology | |
| MCGILVRAY R | South Lanarkshire Council - Public Art Plan | 1998 | University of Dundee | Industry and the Public Sector | |
| MCARTHUR E C | Binocular: Gareth Fisher and John Mitchell | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| MCARTHUR E C | To See Ourselves as Others | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| MAIR G | The Iron Way of the State | 1998 | University of Dundee | Digital Technology | George Snow Matt Hulse |
| MAIR G | Wee Three | 1998 | University of Dundee | Digital Technology | Matt Hulse |
| MACLEAN W J | Atlantic Messengers | 1998 | University of Dundee | Coastal/Indigenous Cultures | |
| MACLEAN M. | Light sensitive | 1998 | Coventry University | Visual Arts | MANSCHOT, M. MURPHY, C. ODENSTRAND, M. |
| MACKENNA T | Ed and Ellis in Schiedam, Tracy Mackenna and Edwin Janssen | 1998 | University of Dundee | Contemporary Practice | Janssen, E |
| MACKENNA T | Ed and Ellis in Tokyo, Tracy Mackenna and Edwin Janssen | 1998 | University of Dundee | Contemporary Practice | Janssen, E |
| Luna P F | Design of Oxford University Press corporate identity | 1998 | University of Reading | ||
| Lucas GC | Slide Show | 1998 | De Montfort University | ||
| Lowe J | Drawing the Poetic into the Law of the Architect | 1998 | University of Brighton | Natural and Constructed Environments | |
| Lowe B. | Now Here/Nowhere | 1998 | University College London | Fine Art Media | |
| Lord J | Illustrating Books for Children | 1998 | University of Brighton | Visual Communication Design | |
| Lord J | British Myths and Legends | 1998 | University of Brighton | Visual Communication Design | |
| Lomax T. | Leeds City Hospital Project | 1998 | University College London | Sculpture | |
| Logan P J | 1998 | Leeds Metropolitan University | Design | ||
| Logan DJ | Design to manufacture of a high resolution computer video switch for sale primarily in the North American market place | 1998 | University of Ulster | ||
| Logan DJ | Monitor-Top Video Conferencing Camera and Boom Microphone | 1998 | University of Ulster | ||
| Lochore B | Paintings | 1998 | The London Institute | Fine Art | |
| Lochore B | Brad Lochore Paintings | 1998 | The London Institute | Fine Art | |
| Lloyd Lewis P | Kunst and Papier auf dem Laufsteg | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Lloyd Lewis P | Untitled 1998 | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Lloyd D | Design and Interpretation at Canterbury Cathedral | 1998 | University of Gloucestershire | ||
| Littman S. G. | PREDATOR CAT - SELFISH DIVA | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Lipski E | Statement | 1998 | The London Institute | Fine Art | |
| Lintern D | The Lost Vegas Series | 1998 | Wimbledon School of Art | Theatre Design | Julie Jensen Hilary Baxter Christian Rutland |
| Linklater R | La Dirindina - Domencio Scarlatti | 1998 | Nottingham Trent University | Design | Opera Restor'd |
| Lingford R | Pleasures of War | 1998 | Royal College of Art | Animation | |
| Lindsay W | Postcranial Remains of Baphetes and their bearing on the Relationships of the Baphetidae (=Loxommatidea) | 1998 | Royal College of Art | Conservation | Milner, AC |
| Lindley J | Neurotherm | 1998 | University of Hertfordshire | ||
| Liggett S | Recent Painting | 1998 | North East Wales Institute of Higher Education | Art and Design | |
| Lewis P | Near. | 1998 | Goldsmiths College | ||
| Lewandowski S | Talking To Dead People | 1998 | Nottingham Trent University | Visual Arts | |
| Lewandowska M | 'Blind Date'. | 1998 | Goldsmiths College | ||
| Leverett D. | Fragments of the Land | 1998 | University College London | Painting | |
| Lesdema E | Fortunes of War | 1998 | Southampton Institute | ||
| Lenard JA | The influence of european air bags on crash injury outcomes | 1998 | Loughborough University | Design Ergonomics | Frampton, R.J. Thomas, P.D. |
| Lenard JA | The accuracy of CRASH3 for calculating collision severity in modern european cars | 1998 | Loughborough University | Design Ergonomics | Hurley, B. Thomas, P.D. |
| Leith C | Shift | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Leighton TM | When Worlds Collide | 1998 | Manchester Metropolitan University | ||
| Lefteri C | Wee Willie Winkie and Humpty Dumpty | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Lefteri C | Table-ware Mash restaurant | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Lees N | Fletcher Challenge Ceramics Award Exhibition | 1998 | Bath Spa University College | Fouilhoux, J.F. Troy, J. Bryars, J. |
|
| Lees N | Ceramics from Wales | 1998 | Bath Spa University College | Keeler, W. Curneen, C. Hall, M. |
|
| Lee J | Picture Your Place | 1998 | Nottingham Trent University | Visual Arts | |
| Lee J | Repeat | 1998 | Nottingham Trent University | Visual Arts | |
| Ledger RA | Dog Ownership: Expectations and Requirements | 1998 | Brunel University | Interaction Design | |
| Lebbon C | Participant research in design education. | 1998 | Staffordshire University | ARi, School of Art + Design | S. Boess |
| Lebbon C | Wellbathing - attitudes and well-being of older consumers in relation to bathing. | 1998 | Staffordshire University | ARi, School of Art + Design | S. Boess |
| Leake P K | 'Fire' | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Kafi-Rezaee, R |
| Lea-Greenwood G | Visual Merchandising: A Neglected Area in UK Fashion Marketing? | 1998 | Manchester Metropolitan University | ||
| Le Grice M | Kunst im Reiche der Hydra-medien | 1998 | The London Institute | Media and Communication | |
| Lawler T | Designit Together. | 1998 | Goldsmiths College | Stables, K. | |
| Law J | Neon Drawings | 1998 | Bath Spa University College | Lowe, P | |
| Law J | Designing in Quality through Industrial Design | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | Prof John Humpherson |
| Larsen P | Strategic leadership in super-growth companies - a reappraisal | 1998 | University of Wales Institute, Cardiff | PDR | R Tonge M Ito |
| Lalic M | Material, Konzept, Konstrukt | 1998 | Bath Spa University College | Zoderer, B. Pinelli , P. Castagno , L. |
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| LOWRY J | Splitting the Index - Time Object and Photography in the work of Beuys and Klein | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | D Green |
| LOWE N | Bed | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| LOWE N | La formation et la vie professionnelle de l | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| LEWIS P | Near | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| LAMB E P | Later Editions | 1998 | University of Dundee | Contemporary Practice | Jacki Parry Ken Curry Philip Reeves |
| Kunath S C | The Big Gig | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Kunath S C | Shiny Blackness: new horspiel or sound art | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Ktori A | TriggerHappy, BBB and HyperPeppy Installations | 1998 | University of Westminster | Sound Media | |
| Ktori A | ShiftControl Interactive Music | 1998 | University of Westminster | Sound Media | |
| Krysa J | Sztuki 1. du Catalogue/Katalog dx 30'13 2. Art in search for identity/Sztuka w Poszukiwaniu Tozsamosci 21'30 3. Art ARchive/Kokumentacje Sztuki 21'56 | 1998 | University of Plymouth | STAR | Mazanek A Landsberg K |
| Krysa J | Magazyn Sztuki | 1998 | University of Plymouth | STAR | Maciejewska B Ziarkiewicz R |
| Kratochvil J | Large Detector with Unravelling Evidence. | 1998 | Goldsmiths College | ||
| Kratochvil J | www.josef.dircon.co.uk. | 1998 | Goldsmiths College | ||
| Kovats T | 'New Art from Britain' | 1998 | Wimbledon School of Art | Sculpture | Cornelia Parker Sarah Lucas Willie Doherty |
| Kovats T | New Art from Britain | 1998 | The London Institute | Fine Art | |
| Kovats T | Tania Kovats. New Work | 1998 | The London Institute | Fine Art | |
| Kosh V | Ruck 8554 | 1998 | Chester College of HE | ||
| Konttinen S L | Puiden Kansa | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Kondracki H | Henry Kondracki | 1998 | Edinburgh College of Art | Fine Art | |
| Knorr K | 'Corps a Vif, Art et Anatomie'. | 1998 | Goldsmiths College | ||
| Knorr K | 'Photographier la Sculpture'. | 1998 | Goldsmiths College | ||
| Knorr K. H. | PHOTOGRAPHIER LA SCULPTURE: TROIS CONTEMPORAINS AU MUSEE D'ORSAY | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Knorr K. H. | THE QUICK + THE DEAD, ARTISTS AND ANATOMY | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Knight L M | 'Animate! - The UK Arts Council and Channel Four Funded Commissioning Scheme. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Knight K | Sweeney Todd | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Knight C | Spinning Teapot Exhibition | 1998 | Liverpool Hope | ||
| Knight C | Pair of Candelabra Exhibition | 1998 | Liverpool Hope | ||
| Klimowski A | Walter Benjamin for Beginners | 1998 | Royal College of Art | Communications | Caygill, H Coles, A Appignanesi, R |
| Klein D V | International New Glass 1998 | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Klein D V | International New Glass 1998 | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Kivland S | Les Passages Couverts | 1998 | Sheffield Hallam University | ||
| Kitchen S | 'Filing cabinets and door handles' | 1998 | Royal College of Art | Computer Related Design | |
| Kirwan R | Feeringbury VIII: Cultivated. | 1998 | Goldsmiths College | ||
| Kirkham DA | Critical Issues in Healthcare Information System Design and Development | 1998 | De Montfort University | ||
| Kirk C | The International Exhibition of Glass, Kanazawa 98, Japan | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Kirby J | Pod | 1998 | University of Brighton | Natural and Constructed Environments | J Clarke |
| Kinsey J | 'Allotment' Group Exhibtion, 18 September-24 October. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Kinnell F | Resonant Colours | 1998 | De Montfort University | ||
| King M | Concerning the Spiritual in 20th Century Art + Science | 1998 | London Guildhall University | ||
| Kinersley-Taylor J | 50 x 50: The Challenge of Constraint: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Kinersley-Taylor J | Series of 7 wall-hangings and wool rug | 1998 | Glasgow School of Art | The Decorative Arts | |
| Kikuchi Y | Hamada and the Mingei Movement | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Kettell R | 'Hand to Mouth: the Culture and Form of Eating Implements'. Exhibition catalogue and publicity design | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Keskeys D | 'Media Technologies and an Interdisciplinary Approach to Programme Design' | 1998 | University of Gloucestershire | ||
| Kerr S | Canal | 1998 | Bolton Institute of HE | ||
| Kerr J | Millennium Products | 1998 | Royal College of Art | Architectural Design | |
| Kermik J | 'Moon'-Chair | 1998 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Kennett CP | Take me out to the analysis conference: sets, stats, sport and competency | 1998 | University of Westminster | Sound Media | |
| Kennett CP | Segmentation and focus in set-generic analysis | 1998 | University of Westminster | Sound Media | |
| Kennedy M | Salon des Graphiques | 1998 | Anglia Polytechnic University | ||
| Kemp SWJ | Bandstand | 1998 | The London Institute | Media and Communication | |
| Kemp SD | Feminisms | 1998 | University of Westminster | CARTE | Squires J |
| Kemp SD | Myra, Myra on the Wall: the Fascination of Faces | 1998 | University of Westminster | CARTE | |
| Kemp S | Myra, Myra on the Wall: The Fascination of Faces | 1998 | Royal College of Art | Critical Practice | |
| Kelly P | SciNet | 1998 | Liverpool John Moores University | International Centre for Digital Content | Foster,N |
| Kelly P | Six Lost Scientists | 1998 | Liverpool John Moores University | International Centre for Digital Content | Bradley,I |
| Kelly B | True Stories | 1998 | Kingston University | ||
| Keir P | Paul Keir | 1998 | Edinburgh College of Art | Fine Art | |
| Keir P | Paul Keir | 1998 | Edinburgh College of Art | Fine Art | |
| Keir P | Paul Keir | 1998 | Edinburgh College of Art | Fine Art | |
| Keane T | Tina Keane (Film and Video Series) | 1998 | The London Institute | Fine Art | |
| Kay E | Shakespeare from Memory | 1998 | University of Portsmouth | Art and Philosophy | |
| Katz J | Shadow of Former Selves | 1998 | University of Brighton | Fine Art Practices | |
| Katz J | The Last Trace | 1998 | University of Brighton | Memory, Identity and History | |
| Kappo D | Dave and Joe Collections | 1998 | The London Institute | Fashion and Textiles | |
| Kappenberg C | Passe and Further | 1998 | The London Institute | Fine Art | Andrew James |
| Kappenberg C | Daniel Halbermensch | 1998 | The London Institute | Fine Art | |
| Kaner J | Conservation of Twentieth Century Furniture from Brighton Art Gallery + Museum | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kandhola M P | Death and the Illustration of Life | 1998 | Nottingham Trent University | Visual Arts | |
| Kalkhof P | Peter Kalkhof Farbe - Raum - Textur | 1998 | University of Reading | ||
| KING D.A. | British Figurative Art | 1998 | Coventry University | Visual Arts | CARO, A. KING, P. PAOLOZZI, E. |
| KELLY C | Lines of Incidence | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| KEELER W | Walter Keeler: Auf Neuen Wegan Ink and Crocus | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| K U | In the Sticks | 1998 | University of Gloucestershire | ||
| Jordan J | The Art of Necessity: The subversive imagination of anti-roads protest and Reclaim The Streets | 1998 | Sheffield Hallam University | Fine Art | |
| Jones RM | The Global Reach of the UK Clothing Sector Part 1 + 2 | 1998 | Manchester Metropolitan University | ||
| Jones C | Spuren | 1998 | University of Newcastle | ||
| Jones A D | It | 1998 | University of Portsmouth | Art and Philosophy | |
| Jones SEG | Halo | 1998 | The London Institute | Media and Communication | |
| Joiner B | New Work: Sculptures | 1998 | University of Westminster | Fine Art | |
| Johnston M | Design Aid: A design resource about disabled people as consumers | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Johnston L | Shoal | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Johnston ID | Scotlands Last Great Artefact | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Dr Lewis Johnman |
| Johnston A | Alan Johnston | 1998 | Edinburgh College of Art | Fine Art | |
| Johnson JH | Relational structure in planning and design | 1998 | Open University | Design for advanced products | |
| Johnson A | Colour Measurement - Does it Meet the Needs of the Printing and Publishing Industries | 1998 | The London Institute | Media and Communication | |
| Johnson A | Guidelines for Choosing the Correct Viewing Conditions for Colour Publishing | 1998 | The London Institute | Media and Communication | Marcus Scott-Taggart |
| Johnson SW | Thinking Aloud | 1998 | The London Institute | Fine Art | |
| Jerrard R | The Fashion Designer in the Technological Workplace | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | S. Bell |
| Jerrard R | Quantifying the Unquantifiable: An Enquiry Into The Design Process | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Jensen SA | Elemental | 1998 | The London Institute | 3-Dimensional and Environmental Design | Graham Russell Geoff Stewart David Germond |
| Jensen SA | Vivienne Westwood - retail units and limited edition interior fitting for world wide concessions | 1998 | The London Institute | 3-Dimensional and Environmental Design | Graham Russell Geoff Stewart David Germond |
| Jeffs HA | 'Monoprints'. | 1998 | Goldsmiths College | ||
| Jaray T. | Entrance Square for Leeds General Infirmary | 1998 | University College London | Painting | |
| James A | 1998 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Jain S | Conference Presentation animation design | 1998 | University of Portsmouth | Centre for New Media Research | |
| Jacobs S.M. | Turandot | 1998 | University College London | Theatre Design | |
| Jackman J | CALM Project Sculptures | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| JONES P S | The Lighthouses of Scotland | 1998 | University of Dundee | Contemporary Practice | Lighthouse Board Lighthouse Museum, Fraserburgh |
| JONES H | Trends in Computer Mediated Art and Design: Examples from the Centre for Electronic Arts | 1998 | Middlesex University | ||
| JOHNSON N M | FIRE-FLY I + II (Pteroptyx Malaccae) | 1998 | University of Dundee | Digital Technology | |
| JOHNS P | FIRESTAIN RESISTANT SILVER ALLOYS | 1998 | Middlesex University | ||
| Irving I | House in the Woods: 5 Contemporary German Sculptors | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Irving I | Seeing Hozomeen | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Irving I | This Island Earth | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Innes C | Abstract Painting Once Removed, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Ingman B | A Night on the Tiles | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ingman B | Website | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ingham R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Illner A A | Memento Mori | 1998 | University of Hertfordshire | ||
| Illner A A | British Art and Design Festival | 1998 | University of Hertfordshire | ||
| Ichige Y | Mud Slip Rally. | 1998 | Goldsmiths College | ||
| IVEY M J | The House of Discourse | 1998 | University of Dundee | Contemporary Practice | Christine Atha Laura Hamilton |
| INNS T G | Design In-house: 12 case studies describing how the TCS (Teaching Company Scheme) has improved design capability | 1998 | University of Dundee | Industry and the Public Sector | David Hands |
| Hyatt J | The War for the World Four | 1998 | Manchester Metropolitan University | ||
| Hutton A | System X Shopfitting Equipment and Catalogue of parts | 1998 | University of Ulster | ||
| Huth G | Contemporary Decorative Arts Exhibition at Sotherby's | 1998 | Liverpool Hope | ||
| Hutchinson T | EIDOS Multimedia Symposium | 1998 | The London Institute | Media and Communication | Jason Edwards |
| Hutchinson S | Walking the Downs | 1998 | University of Brighton | Fine Art Practices | A Campbell C Whistler J Dove |
| Hutchinson J A | New Digital Work | 1998 | University of Sunderland | Fine Art | |
| Hussey P | The Selborne Yew Altar | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hurlstone IN | Gaze: solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Hunter R | EVA + ( Exhibition of unusual art) | 1998 | Edinburgh College of Art | Fine Art | |
| Hunter M | Tangents (Punkty Styczne) | 1998 | Edinburgh College of Art | Fine Art | |
| Hunter M | Back to NYK: Baumert - Hoffman - Hunter | 1998 | Edinburgh College of Art | Fine Art | |
| Hunter J | Celtic Connection | 1998 | Edinburgh College of Art | Fine Art | |
| Hunter C | Copperwheat Blundell | 1998 | The London Institute | Fashion and Textiles | |
| Hunter C | Hussein Chalayan | 1998 | The London Institute | Fashion and Textiles | |
| Hunter C | Nicole Farhi | 1998 | The London Institute | Fashion and Textiles | |
| Hunter C | Nicole Farhi | 1998 | The London Institute | Fashion and Textiles | |
| Hughes S | Soon | 1998 | Kingston University | ||
| Hughes S | Dark Matter: a Visual Exploration of New Physics | 1998 | Kingston University | ||
| Hughes J | Printed Textile Samples + CAD Designs | 1998 | Glasgow School of Art | Design | |
| Hughes J | Homes + Interiors Scotland | 1998 | Glasgow School of Art | Design | |
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Hubbard S. | The Human Body | 1998 | Bournemouth University | ||
| Howard P | Happy Birthday Bertolt Brecht | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Howard P | The Master Builder | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Howard J | Tracer | 1998 | Oxford Brookes University | Creative Practice | |
| Hosie D | David Hosie | 1998 | Edinburgh College of Art | Fine Art | |
| Horn D | The Magic Flute | 1998 | Wimbledon School of Art | Theatre Design | |
| Hopkins E L | Secret Victorians | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Hooper R | Pathways 1998 | 1998 | Liverpool Hope | ||
| Hooker C | Twins | 1998 | University of Brighton | Natural and Constructed Environments | |
| Hooker B | Web-based computer games | 1998 | Royal College of Art | Computer Related Design | |
| Hooker B | No 1, Ozone Terrace | 1998 | Royal College of Art | Computer Related Design | |
| Hood B | Face2Face | 1998 | Edinburgh College of Art | Fine Art | |
| Hood B | Maid in Cyberspace - Encore! | 1998 | Edinburgh College of Art | Fine Art | |
| Honeyman R | Two painted designs for stitched textiles (one) | 1998 | Cumbria College of Art + Design | ||
| Holt RB | Verbs Posing as Nouns | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| Hollyhead B | Blackburn Rovers | 1998 | University of Brighton | Visual Communication Design | |
| Hollis E | Stirling Tolbooth Arts Centre (RIAS National Architectural Design Competition Winner) | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Hollingsworth S M | Infinitude | 1998 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Holland RJ | Engendering an Entrepreneurial Spirit through Design and Design Managment | 1998 | De Montfort University | ||
| Holland D | Family Credit, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Hogg D | Introducing Contemporary British Jewellery | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hoffman A S | 1998 | Leeds Metropolitan University | Design | ||
| Hoek K. | The Mediated Image: Watching Kluge on TV | 1998 | University College London | Fine Art Media | Renee Turner |
| Hodgson J | The Text Garden | 1998 | Liverpool John Moores University | Painting and Sculpture | A Douglas |
| Hodgson AR | Developments in the teaching of 3D computer aided design and manufacture, Smith J.S. and Norman E.W.L., (eds) | 1998 | Loughborough University | Design Education | Bates, D.J. King, M.R. |
| Hodge M | Twelfth International Miniature Textile Biennale | 1998 | Edinburgh College of Art | Fine Art | |
| Hitchen J | Live from the Vinyl Junkyard - the Ultimate Mix | 1998 | Liverpool John Moores University | Graphic Arts | B Biggs C Fallows |
| Hindle Y | Divers Memories Project | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Himid L | Memory Walking | 1998 | University of Central Lancashire | Robin Kahukiwa Maud Sulter Debra Priestly |
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| Hilton K H | Patent numbers: Completed UK 9621786.479625676.3, Design Right Application 2061637/2061639/2062254. Nina Clip - Range of nursery products | 1998 | University of Northumbria at Newcastle | Product Design (4b) | |
| Hill PJ | Dialogue with Photography | 1998 | De Montfort University | Cooper, T. | |
| Hill PJ | Displacements | 1998 | De Montfort University | ||
| Hill PJ | Exposure! - Celebrations of the Year of Photography | 1998 | De Montfort University | ||
| Hill JR | Current and future occupant restraint systems | 1998 | Loughborough University | Design Ergonomics | Mackay, M. Hassan, A.M. |
| Hill AA | One Person Presentation of films and performance works as part of Artists Film and Video series. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Hill AA | Anthology of Films published on videotape - includes 7 short films from 1984-1997. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Higgs M | Cream: Contemporary Art in Culture | 1998 | Royal College of Art | Critical Practice | |
| Higgins P | Earth Today and Tomorrow | 1998 | Kingston University | ||
| Higgins P | River and Rowing Museum Exhibition | 1998 | Kingston University | ||
| Higgins D J | Beighton 1998 | 1998 | Nottingham Trent University | Visual Arts | |
| Higgett N P | Royal Designers for Industry CD-ROM | 1998 | De Montfort University | Brown, S. Fozzard, G. Myerson, J. |
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| Higgett N P | An Investigation into the Application of a Virtual Environment for Fire Evacuation Mission Rehearsal Training | 1998 | De Montfort University | Bhuller, S. | |
| Higgett N P | The Design of Web-based Hypermedia Courseware in Higher Education | 1998 | De Montfort University | Georgiadou, E. | |
| Heywood I | 'Practices and Perceptions in Art and Ethics' | 1998 | Leeds Metropolitan University | Visual Arts | |
| Heyer A | Annette Heyer: new work | 1998 | The London Institute | Fine Art | |
| Heyer A | Annette Heyer, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Heyer A | wysiwyg, group exhibition of permanently sited works. | 1998 | Glasgow School of Art | Fine Art | |
| Hepher D. | Urban | 1998 | University College London | Painting | |
| Henderson DG | Habitat Global Urban Observatory Programme: The Role of Non-Governmental Organisations | 1998 | De Montfort University | Khambatta, R. | |
| Henderson D | Dusk (a suite of nine prints) | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Hemsworth G | Gerard Hemsworth. | 1998 | Goldsmiths College | ||
| Hellum A | 100% Design | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Heath VK | Deep Freeze | 1998 | Sheffield Hallam University | ||
| Head T.D. | Light Rain | 1998 | University College London | Fine Art Media | |
| Haywood T | Global Networks and the Myth of Equality: Trickle Down or Trickle Away? | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hawley S | Stone Troupers | 1998 | Sheffield Hallam University | Jonathan Allen | |
| Haughton D | Ten New York Artists - Ten European Artists | 1998 | Kingston University | ||
| Hatt C | Grossbritannien Konstrukiv - Koncret | 1998 | The London Institute | Fine Art | |
| Hatfield J | Imaging the Unseeable | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hatfield J | Disappearing Digitally?: Gender in the Digital Domain | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hastings M | New Imp Box locator | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Hassall J | 1998 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Harvey J | Ground | 1998 | Edinburgh College of Art | Fine Art | |
| Hart J | Page Turners | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Harrison P | Boat | 1998 | University of Wolverhampton | Fine Art | John Wood |
| Harrison MF | Moving Pictures | 1998 | Manchester Metropolitan University | ||
| Harrison MF | Fantasy Football Art League | 1998 | Manchester Metropolitan University | ||
| Harrison DJ | Active Disassembly | 1998 | Brunel University | Environmentally Sensitive Design | J Chiodo E Billett |
| Harris TJ | Heart Monitoring Apparatus | 1998 | Brunel University | L Gamlyn P Needham O'Sullivan |
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| Harris M | Educating Barbie - An investigation of concepts concerning painting without the inclusion of paintings | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Harris JK | 'Ecstasy'. | 1998 | Goldsmiths College | ||
| Harris D. I. | The Vauxhall Gardens | 1998 | Wimbledon School of Art | Painting | Peter Fillingham Guy Brett Boijamans van Beunningen |
| Harper J W | From Light: John Harper | 1998 | University College Northampton | Fine Art Practices | |
| Harold J M | 'The Masque' | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Harley K | Displaced | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Harland EJ | Lucid IX | 1998 | University of Southampton | ||
| Harland EJ | After IV | 1998 | University of Southampton | ||
| Harland E | Interviews and Close to Home | 1998 | The London Institute | Fine Art | |
| Hare W | Divided Self, United Vision: The Expressionist Art of Lys Hansen | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Hare W | Et in Nabolandia Ego | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Hardstaff S | Six works for Merseyside Music Development Agency | 1998 | Liverpool John Moores University | Audio-visual | Mike Badger Nonconform Design Ltd |
| Hardaker CH | Towards the Virtual Garment: Three Dimensional Computer Environments for Garment Design | 1998 | De Montfort University | Fozzard, G.J. | |
| Hanson M | Synthesis | 1998 | University of Central England in Birmingham | Jewellery Research Group | |
| Hansbro BP | The Building of Bluewater | 1998 | University of Southampton | ||
| Hansbro BP | Eastbury Manor | 1998 | University of Southampton | ||
| Hanna R | Architectural Science and Research: Integration into Design | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Hanna R | Appraisal of Design Studio Methodologies | 1998 | Glasgow School of Art | Educational Theory and Practice | A. Barber |
| Hands D | Design In-House: 12 Case Studies describing how the TCS has improved in-house design capability | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | Tom Inns |
| Hancock L | Aspects of Landscapes | 1998 | De Montfort University | ||
| Hammick T | 'Lido' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hamlyn J | New British Photography, group exhibition | 1998 | Glasgow School of Art | Fine Art | David Bellingham |
| Hamlyn J | Bookends | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Hamlyn J | Bookends, publicly sited commission | 1998 | Glasgow School of Art | Fine Art | |
| Hall S | 'Mask'. | 1998 | Goldsmiths College | ||
| Hall M | New Works | 1998 | University of Wales Institute, Cardiff | Ceramics | |
| Hall CM | Working Class Women and the Theatre | 1998 | University of Plymouth | Theatre + Performance | |
| Hall CM | Shading the Crime | 1998 | University of Plymouth | Theatre + Performance | |
| Hakim-Dowek L | You Don't Know Me But | 1998 | University of Portsmouth | Memory, Identity and Material Culture | |
| Hague J A | A Stitch in Time | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Hague J A | Competitiveness and Management Organisation in Textiles and Clothing SMEs: A Guide To Change | 1998 | Nottingham Trent University | Fashion and Textiles | J. McLellan |
| Hagan SK | The Good, The Bad and the Juggled: The new ethics of building materials | 1998 | University of East London | ||
| HUXOR A | The Role of Artificial Intelligence as 'Text' within Design | 1998 | Middlesex University | P Rogers | |
| HUXOR A | Grounding and Awareness Management: Two Architectural Principles for Collaborative Virtual Worlds | 1998 | Middlesex University | ||
| HOWARD I G | Sadastra | 1998 | University of Dundee | Contemporary Practice | Slaven Tolj Robyn Denny Giancarlo Venuti |
| HOSKINS S | Routes to Pollution Minimisation in the Ceramic Transfer Industry: synergy of art and Science | 1998 | University of West of England, Bristol | Centre for Fine Print Research | R Anderton A G W Hodson A M Logan |
| HOSKINS L | LIVING ROOM: TWENTIETH CENTURY INTERIORS AT THE GEFFRYE MUSEUM | 1998 | Middlesex University | ||
| HOMOKY N | Clay into Art: group exhibition | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| HOLT J | Anwar Shemza: A Search for the Significant | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| HOLLAND C.C. | Centenary mace | 1998 | Coventry University | Visual Arts | |
| HOLLAND C.C. | @ Work opening exhibition and @ home | 1998 | Coventry University | Visual Arts | CARCASS, J. ELLUL, L. FILMER, N. |
| HOLDEN J | Little Boxes-Photography, Reproduction and the Gallery | 1998 | University of Lincoln | ||
| HERBERT D J | Design Research Promotional Publication | 1998 | University of Dundee | Industry and the Public Sector | Georgina Follett Andy Rice |
| HENDERSON K | The Hunters in the Snow | 1998 | University of Dundee | Contemporary Practice | Mateusz Fahrenholz Arthur Watson Alan Woods |
| HEATHCOTE S C | 12th International Biennale of Miniature Textiles | 1998 | University of Dundee | Contemporary Practice | Masoa Yoshimura Charlotte de Loof Henryke Zaremba Jeppesen |
| HEATHCOTE S C | Satellites of Fashion - Crafts Council Touring Exhibition | 1998 | University of Dundee | Contemporary Practice | Vivienne Westward Philip Tracey Manolo Blahnik |
| HARVEY V. | Cellnet commission | 1998 | Coventry University | Visual Arts | |
| HARRISON D | Mind Memory Mapping Metaphor: Is Hypermedia Cognitive Art? | 1998 | University of West of England, Bristol | Digital Media Research Centre | |
| HARKNESS A | History: The Mag Collection - Image Based Art in Britain in the Late 20th Century | 1998 | University of Lincoln | ||
| HALES C | The Visual Extension of the Photographic Image | 1998 | University of West of England, Bristol | Digital Media Research Centre | |
| HAIGH J | Crazy Patchwork | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| Gyi DE | Musculoskeletal problems and driving in police officers | 1998 | Loughborough University | Design Ergonomics | Porter, J.M. |
| Gyi DE | Seat pressure measurement technologies: considerations for their evaluation | 1998 | Loughborough University | Design Ergonomics | Porter, J.M. Robertson, N.K.B. |
| Gussin GPG | Any Object in the Universe | 1998 | The London Institute | Fine Art | |
| Gschwedtner G | Strangled Light | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Gschwedtner G | Re-modelling of the Peugeot 206 | 1998 | Buckinghamshire Chilterns University College | Furniture Design | Carl Clerkin |
| Grimsey T | Two Public Sculptures | 1998 | De Montfort University | ||
| Grimes O | Oona Grimes: Solo Exhibition | 1998 | The London Institute | Fine Art | |
| Griffiths A | Nitya knitwear collection for autumn/winter for 1999 | 1998 | University of Southampton | ||
| Griffiths K. | THE FALCONER | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Griffith O | Kamel + Fisch: A Radio Play | 1998 | Edinburgh College of Art | Fine Art | Sauer, M |
| Grey J J | L'Infinito | 1998 | University of Brighton | Materials Practices and Processes | |
| Gregory J | Memory and Skin | 1998 | The London Institute | Fine Art | |
| Gregory J | Objects of Beauty | 1998 | The London Institute | Fine Art | |
| Grego P | ARCADE 11 | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Green L | Contemporary Decorative Arts: mixed exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Green D | Splitting the Index: Time, Object and Photography in the work of Beuys and Klein | 1998 | University of Brighton | Fine Art Practices | J Lowry |
| Great-Rex E | Comic Group Show | 1998 | University of East London | ||
| Grayson J | 'Go By Bus' printed tin automata | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Gray W F | Smith the Showman: The Early Years of George Albert Smith | 1998 | University of Brighton | 20th Century Design and Film Archives | |
| Gray W F | James Williamson's 'Composed Picture': Attack on a china mission - Bluejackets to the Rescue (1900) | 1998 | University of Brighton | 20th Century Design and Film Archives | |
| Gray S | In Virtual Fashion | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Gray S | CAD/CAM in Clothing and Textiles | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Gray C | Inquiry Through Practice: developing appropriate research strategies | 1998 | Robert Gordon University | Learning Strategies | |
| Gray C | Room With A View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Grant JM | ISEA International Symposium of Electronic Art: Digital Summer | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Graham C | Dare. 35 mm. 2 min. film for auditorium/internet (director, screenplay) | 1998 | London Guildhall University | ||
| Grace JF | 64 Zoo Lane, animation series (26 episode scripts, incidental music / songs) | 1998 | Loughborough University | Illustration | |
| Goto J | 'The Commissar of Space', Solo Exhibition. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Gornick N | A New Management Role: The Designer as Strategist | 1998 | Brunel University | Design Pedagogy | |
| Gordon D | Douglas Gordon, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Goodworth VA | Reflecting on teaching and learning practice in the UK Fashion + Textile sector of HE and implications for developing student-centred learning opportunities | 1998 | University of East London | ||
| Gooding M | Painter as Critic, Patrick Heron- Selected Writings | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Goodden N | Books as Art | 1998 | University of Gloucestershire | ||
| Goodden N | Backspace | 1998 | University of Gloucestershire | ||
| Gonet D A | Group Exhibition | 1998 | Nottingham Trent University | Fashion and Textiles | Jo Buckley |
| Gonet D A | Garments for Fashion Show - Macrame details/embellishment | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Gollifer S C | Digital Printmaking Atelier | 1998 | University of Brighton | Fine Art Practices | |
| Goldsworthy A C | Clay Wall/Slate Walls | 1998 | University of Hertfordshire | ||
| Goldsworthy A C | Time | 1998 | University of Hertfordshire | ||
| Goldsworthy A C | Goldsworthy | 1998 | University of Hertfordshire | ||
| Golden P | You Know Ive Been At Sea Before | 1998 | University of Reading | ||
| Goetz L | Transfer | 1998 | University of Sunderland | Fine Art | |
| Godfrey A | Experimental Embroidery | 1998 | The London Institute | Fashion and Textiles | Polly Kenny |
| Goddard J. | Tomorrow's Homes Today | 1998 | University College London | Fine Art Media | |
| Goddard C | Upside Down - Inside Out | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Goatman M | Desk Top Controller SRD1000 (Mass Production) | 1998 | University of Hertfordshire | ||
| Gluzberg M | Drawings individually titled. | 1998 | Goldsmiths College | ||
| Gluzberg M | Nature of Man | 1998 | The London Institute | Fine Art | |
| Glassar B | Room With A View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Glassar B | St Etienne International Design Biennale, 1998 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Gingell J | Art Schools: Art Education and the Artist in the New Century | 1998 | University of Wales Institute, Cardiff | Fine Art | H Adams |
| Gilroy D | Collection of womens shoes for Office | 1998 | University of Southampton | ||
| Gilroy D | Collection of womenswear for Jones | 1998 | University of Southampton | ||
| Gillanders R | 'Little Sparta: A portrait of a Garden' | 1998 | Napier University | Photographic Practice | Ian Hamilton Finlay |
| Gillanders R | 'Portrait of a Garden + Collaborations' | 1998 | Napier University | Photographic Practice | Ian Hamilton Finlay |
| Giles K W | Guns and Gazes: Whos Killing Whom in Natural Born Killers | 1998 | University of Sunderland | Photography | |
| Giles K W | Cadaverous Caverns: Shelley and Serrano | 1998 | University of Sunderland | Photography | |
| Giggle P | War Child Concert | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Gibson PM | The Oxford Guide to Film Studies | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | Professor John Hill |
| Gibbons J | To Be | 1998 | University of Southampton | ||
| Gernand B | Cire Perdue Retrouvee | 1998 | The London Institute | Fine Art | |
| Geesin R | Sound A-Maze | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | Dr. C Creed |
| Gaynor M | Eye to I | 1998 | Southampton Institute | ||
| Gascoigne D | Animated Film of Chaucer's 'The Franklin's Tale' | 1998 | Kingston University | ||
| Gascoigne D | 'How to Get Rid of Information' | 1998 | Kingston University | ||
| Garner SW | The use of graphic act analysis for research into computer supported design teamworking. | 1998 | Open University | Design thinking and communication | |
| Ganz A J | Margaret Wilson Murder | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Kumar, S Scott, S |
| Ganter J | Meeting Places | 1998 | Edinburgh College of Art | Fine Art | |
| Galloway L | 'Pace' | 1998 | Wimbledon School of Art | Sculpture | Annie Cattrell |
| Gallacher A | London Fashion Week | 1998 | Glasgow School of Art | Design | |
| Gallacher A | Checknote | 1998 | Glasgow School of Art | Design | |
| Gale D | Grave New World | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| GUILLE J | TRANSFORMED: TEXTILES AS A CREATIVE MEDIUM | 1998 | Middlesex University | ||
| GRANDFIELD G | THE GREAT NOVELS [G GREENE] | 1998 | Middlesex University | ||
| GOWANS G M | Millennium Corridor Project, British Forces Falkland Islands | 1998 | University of Dundee | Industry and the Public Sector | Andy Rice Roland Ashcroft Gary Fisher |
| GOUGH P | Memorial Gardens as Dramaturgical Space | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| GOUGH P | Dead Ground and Other Sites of Memory | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| GERZ J. | Miami Islet | 1998 | Coventry University | Visual Arts | |
| GERZ J. | Premises: invested spaces in visual arts, architecture, and design from France, 1958-1998 | 1998 | Coventry University | Visual Arts | BOURGEOIS, L. STARCK, P. BOLTANSKI, C. |
| GEORGIOU D. | The t(oy)ime machine | 1998 | Coventry University | Visual Arts | TOMATO INTERACTIVE, ORANGE, SAATCHI AND SAATCHI, |
| GAWTHROP R | USEFUL IMAGES: MECHANICAL BIOLOGICAL CHEMICAL (included film - OPERATION) | 1998 | University of Lincoln | Gina Czarnecki,Duncan of Jordanston Collage of Art Mike Stubbs, Hull Time Based Arts |
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| GATT E E | Jewellery Moves | 1998 | University of Dundee | Contemporary Practice | Onno Boekhoudt Wendy Ramsaw Arlene Fisch |
| GATES-STUART E | 'Saint John of God 1' 8th International Biennial Print and Drawing in Exhibition (Catalogue and Exhibition) | 1998 | University of Lincoln | ||
| GARDNER D | Multifold/Veelvoud | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| GANGE J | A Technics of Slow-Motion - art Technology and Technique | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Furneaux P | Triangle: 3 British Artists in Japan | 1998 | Edinburgh College of Art | Fine Art | |
| Furlong W | An Imagery of Absence | 1998 | Wimbledon School of Art | Research Centre | |
| Furlong W | Audio Arts in Bregenz (1973-1998) | 1998 | Wimbledon School of Art | Research Centre | |
| Fulcher R | The Swirle Pavilion | 1998 | University of Sunderland | Fine Art | |
| Friend M | Homes and Gardens | 1998 | The London Institute | Media and Communication | |
| Friend M | Claustrophobia | 1998 | The London Institute | Media and Communication | |
| Frew C | Angus Hood and Christine Frew | 1998 | Edinburgh College of Art | Fine Art | |
| French H | Architecture: A Crash Course | 1998 | Royal College of Art | Architectural Design | |
| Fraser SJH | Jewellery Moves | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Fraser SJH | Made to Wear The Lethaby Gallery | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Fraser S | 'Feel It, Wear It' | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fraser S | Jewellery Moves | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fraser D | Vita: Professional Practice for Artists | 1998 | University of Ulster | ||
| Franks A M | Fifth International Triennale of Contemporary Porcelain | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Franklin A | Project Nomads: Life, Dying and Death in Different Cultures | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Francis M | The House in the Lumber Room | 1998 | University of Brighton | Fine Art Practices | |
| Foster N | Sci Net | 1998 | Liverpool John Moores University | International Centre for Digital Content | P Kelly |
| Ford PB | 'Multi-shot' dispenser/activator of Guinness from a 2 and 3 litre bottle | 1998 | De Montfort University | ||
| Forbes Visser K | DANDY | 1998 | Edinburgh College of Art | Fine Art | |
| Forbes Visser K | After Candide | 1998 | Edinburgh College of Art | Fine Art | |
| Follen S. | METALMORPHOSIS: TRADITION AND INNOVATION IN BRITISH SILVER AND METALWORK 1880-1998 | 1998 | The Surrey Institute of Art + Design University College | Crafts | |
| Flower T J | Inside/Outside | 1998 | University of Brighton | Natural and Constructed Environments | |
| Fletcher K | Design, the environment and textiles: developing strategies for environmental impact reduction. | 1998 | Goldsmiths College | ||
| Fleming K | Connections | 1998 | University of Ulster | ||
| Flannigan M | Moyna Flannigan, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Fisher E | Continental Shift: six American artists in Britain | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Finnemore P | New British Photography | 1998 | Swansea Institute of Higher Education | Photography | Durden, M Palmer, R |
| Filmer N | Collection of Jewellery by Naomi Filmer | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Fillingham P | Near. | 1998 | Goldsmiths College | ||
| Fijalkowski K M | Henri Chopin: Sonic Memory | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Field B | Embracing the Informal Sector: A More Inclusive and Sustainable Approach to Third World Planning | 1998 | De Montfort University | ||
| Fiddis C | TLTP: Glaze/Ceramics | 1998 | University of Ulster | ||
| Ferris M | The VIII International Conference on Environmental Psychology.Electronic Environments: Place, Memory and Identity. | 1998 | University of Hertfordshire | ||
| Ferguson A | Exhibition of knitted design work | 1998 | Glasgow School of Art | Design | |
| Feo R | Mind the Gap | 1998 | Royal College of Art | Design for Manufacture | |
| Fehily C | The Future Looms. | 1998 | Staffordshire University | ARi, School of Art + Design | K Newton |
| Fawkes S | Reflexion Window | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Faure-Walker J | Recent developments in Digital Painting | 1998 | Kingston University | ||
| Faure-Walker J | The Golden Plotter: Computerkunst/Computer Art 1998 | 1998 | Kingston University | ||
| Farrelly L | Tibor Kalman Design and Undesign (Cutting Edge) and April Greiman | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Farrelly L | April Greiman: Floating Ideas into Time and Space | 1998 | The London Institute | ||
| Farquhar K | Keith Farquhar | 1998 | Edinburgh College of Art | Fine Art | |
| Farquhar K | Surfacing | 1998 | Edinburgh College of Art | Fine Art | |
| Fallows C | Audio Research Editions | 1998 | Liverpool John Moores University | Audio-visual | |
| Falconbridge BW | 230th Royal Academy Summer Exhibition. | 1998 | Goldsmiths College | ||
| Fagence Cooper S | Representations of Music in the Art of Burne-Jones | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| FURNHAM D | L'Artiste, le Fermier et le Paysage | 1998 | Middlesex University | ||
| FORD L | A STRANGER HERE MYSELF | 1998 | Middlesex University | ||
| FITZPATRICK D. | Early people: Scotland's inhabitants 800BC-110AD | 1998 | Coventry University | Design | |
| FINLAY A | Green Waters | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | Stephen, I Finlay, I H Rich, G |
| FILLINGHAM P | Vauxhall Gardens | 1998 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| FILLINGHAM P | Near 'Le Grand Coq' and other works | 1998 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| FEIST A. | Comparing the performing arts in Britain, the US and Germany: making the most of secondary data | 1998 | City University | ||
| FEIST A. | International data on public spending on the arts in eleven countries | 1998 | City University | Fisher R Gordon C Morgan C. |
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| FAIRNINGTON M | Relative Values | 1998 | University of Oxford | ||
| FAIRNINGTON M | Heavier than Air | 1998 | University of Oxford | ||
| Evans Milne R | Your Place or Mine | 1998 | Bath Spa University College | Craig, S. Lewis, S. Pimlott, M. |
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| Evans M | Group show | 1998 | University College Northampton | Fine Art Practices | |
| Evans C | Modernity and Mutability: the 1990s | 1998 | The London Institute | Fashion and Textiles | |
| Esche C | On the Moral and Psychological Concerns in the Work of Douglas Gordon | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Esche C | Moral and Psychological Concerns in the work of Douglas Gordon in the book Douglas Gordon Works ed. Silke Boerma | 1998 | The London Institute | Fine Art | |
| English S G | Patent number: GB9824901.4. Ro-Tech - The Motorcycle Storage Company | 1998 | University of Northumbria at Newcastle | Product Design (4b) | |
| Emery S | Coil | 1998 | University of Brighton | Visual Communication Design | R B Morgan |
| Elwes C | Car Park | 1998 | The London Institute | Fine Art | Pierre d'Avoine |
| Ellis E | International Triennial Woodcut and Wood Engraving | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Elliott T A | Tumble | 1998 | Wimbledon School of Art | Research Centre | Jonathon Jones-Morris Madelon Hooykaas Elsa Stansfield |
| Eglin P M | Workshop/residency at EKWC in Netherlands. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Egerton F | A Moving Experience Oxford Gallery High Street, Oxford. (Five major pieces of automata) | 1998 | Liverpool Hope | ||
| Egan K | Handbag | 1998 | Manchester Metropolitan University | Lawty S Jaffries J |
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| Ednie JL | Collection of 6 handwoven dobby fabrics for Calvin Klein, New York | 1998 | University of Southampton | ||
| Ednie JL | Woven dobby fabric for Antonio Berardi | 1998 | University of Southampton | ||
| Edmonds F. A. | ARTMONSKY SUMMER SHOW | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Edge S | Exhibition Stand for Delanotech (Europe) Ltd | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Edge S | Cafe Ikon for Ikon Gallery | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | K. Singh for Deacon Edge |
| Eastwood SJ | Approaches to Autism | 1998 | University of Plymouth | Art Process | |
| Eastman K | New from Europe: Ken Eastman and Wouter Dam | 1998 | Glasgow School of Art | The Decorative Arts | |
| Earl CF | Densely packed rectangulations | 1998 | Open University | Design for advanced products | R. Krishnamurti |
| Eachus PA | Critical Intervention: Eviland With Out (but what if for a moment) Publication | 1998 | The London Institute | ||
| EVELEIGH A | COASTING ALONG | 1998 | Middlesex University | ||
| EVELEIGH A | GOP DE SCHAAL VAN RICHTER | 1998 | Middlesex University | ||
| EISENMANN M | Auerbachs Keller II (Paintings, Objects) | 1998 | University of Lincoln | ||
| Dyson M C | The effects of line length and method of movement on patterns of reading from screen | 1998 | University of Reading | G. J. Kipping | |
| Dyson M C | Exploring the effect of layout on reading from screen | 1998 | University of Reading | G. J. Kipping | |
| Dye D M | Divers Memories/Hong Kong | 1998 | University of Northumbria at Newcastle | Installation (2b) | |
| Dutton S | Plague-orgy-time | 1998 | Sheffield Hallam University | Fine Art | Percy Peacock |
| Durgnat R | 'The Negative Vision of Robert Bresson' | 1998 | University of East London | ||
| Dupre F | Me and You | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Dupre F | emplacements | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Dunne A | Weeds, Aliens and Other Stories | 1998 | Royal College of Art | Computer Related Design | |
| Dunbar T | Narrativity and Sense of Presentness in Abstract Painting | 1998 | Manchester Metropolitan University | ||
| Dumbar G | Studio Dumbar | 1998 | Royal College of Art | Communications | |
| Duff L | Valley of the Moon | 1998 | Kingston University | ||
| Duff L | Porto and the Duoro | 1998 | Kingston University | ||
| Draycott PA | EastEnders | 1998 | De Montfort University | ||
| Draycott PA | Memories of an Indian Childhood | 1998 | De Montfort University | ||
| Dower S | UK Maximum Diversity | 1998 | The London Institute | Fine Art | |
| Dower S | Dick Donkeys Dawn | 1998 | The London Institute | Fine Art | Georgina Starr Oliver Hangl |
| Dover P | Surface @ SNAP Exhibition catalogue | 1998 | Liverpool Hope | ||
| Dover P | Sensations of the Outer World | 1998 | Liverpool Hope | ||
| Doust R | For UKDS (Industrial Electricity Usage monitoring company) | 1998 | The London Institute | Media and Communication | |
| Doust R | My Sentiments Exactly by Keith Baxter | 1998 | The London Institute | Media and Communication | |
| Douglas H | 72nd Annual International Competition: Photography | 1998 | The London Institute | Fine Art | |
| Douglas H | Artist/Author Contemporary Artist Books | 1998 | The London Institute | Fine Art | Telfer Stokes |
| Douglas A | Room with a View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Dos Santos B. | Reboleiro Railway Station | 1998 | University College London | Fine Art Media | |
| Dos Santos B. | Bartolomeu Dos Santos: Aquatintaradierungen und Aquarelle | 1998 | University College London | Fine Art Media | |
| Dos Santos B. | Bartolomeu Dos Santos: Entre Terra e Mar, Obras Recentes | 1998 | University College London | Fine Art Media | |
| Dorsett C J | Resurrection Shuffle: A Story of Storage | 1998 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Dorsett C J | 'Divers Memories/Hong Kong' | 1998 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Lam, A |
| Donachie KM | London Now | 1998 | The London Institute | Fine Art | |
| Doig P | Solo exhibition: Blizzard seventy-seven | 1998 | Royal College of Art | Fine Art | |
| Doherty WJ | Somewhere Else | 1998 | University of Ulster | ||
| Dodds R | Towards the Light | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dodd I | New Faces '98 | 1998 | The London Institute | Fashion and Textiles | |
| Dodd I | New York International Gift Fair | 1998 | The London Institute | Fashion and Textiles | |
| Dobai S | Sightings: New Photographic Art | 1998 | The London Institute | Fine Art | |
| Dixon S | Up the Tories: A Year of Politics in Britain | 1998 | Manchester Metropolitan University | Bell S | |
| Dinsmore-Tuli U | Chaos, order and plastic boxes: the significance of videotapes for the people who collect them. | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Dines NE | Drying Up and Pulling Away/ Private Views | 1998 | The London Institute | Fine Art | |
| Diggle J | Computers in Art and Design Education (CADE) 1997 CD Rom | 1998 | Robert Gordon University | Learning Strategies | |
| Dickie P | Chimes at Midnight - Chichester | 1998 | Wimbledon School of Art | Theatre costume | |
| Dewberry E | Product Development Processes in Companies with Class-Leading Products. | 1998 | Goldsmiths College | Oliver, N. Nilson, P. Shirmir, T. |
|
| Devine K J | A Marriage of Images, (Group Exhibition) and Quantum Chess (Essay published in the Exhibition Catalogue) | 1998 | University of Portsmouth | Art and Science | Professor Bruce Russell Professor Reg Davies Robert Ruthven |
| Derges S | Silver + Syrup | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Derbyshire A | Pigment Analysis of Portrait Miniatures using Raman Microscopy | 1998 | Royal College of Art | Conservation | |
| Denison L | Exhibition | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Denison L | British and European Design Group | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Deliss C | Tempolabor: a libertine laboratory? | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Delano A | British Journalists | 1998 | The London Institute | Media and Communication | John Henningham |
| Degen J | Kinetic titanium brooch | 1998 | London Guildhall University | ||
| Degen J | Neckpiece-pendant in stainless steel sheet + wire + gold wire. Brooch in gold sheet, patterned, sandblasted steel sheet + stainless steel wire. Non soldered construction. Pair of ear-rings and matching rings in gold wire + curved stainless steel sheet. Tw | 1998 | London Guildhall University | ||
| Deepwell C | Women Artists and Modernism | 1998 | University of Ulster | ||
| Dean T | Furniture Range | 1998 | University of Brighton | Materials Practices and Processes | N Gant |
| Deacon R | Towards sculpture | 1998 | The London Institute | Fine Art | |
| De Waal E | Bernard Leach | 1998 | University of Westminster | Ceramics | |
| De Waal E | Solo Exhibition | 1998 | University of Westminster | Ceramics | |
| De Ville N | 'Ways of Seeing and the Pleasures of the Visual'. | 1998 | Goldsmiths College | ||
| De Quin R | Jug, 2 beaker set on tray (from Crafts Council permanent collection) in silver and glass, pen tray and letter opener, in silver, pomander box in silver with gold-plated interior. | 1998 | London Guildhall University | ||
| De Quin R | 3 piece tea-set with glass and silver tray, three piece water set with glass and silver tray, 2 gold-plated Hamburg jugs, spiral laser-cut, hand-formed fruit/bread basket, square dish with cold-forged fork, large and small landscape salt + pepper shakers, | 1998 | London Guildhall University | ||
| De Cordova D | British Figurative Art: Part Two - Sculpture | 1998 | Royal College of Art | Fine Art | |
| Dawber C | Knitted Menswear Collection. | 1998 | Liverpool John Moores University | Fashion and Textiles | |
| Davis K | Pour Nous Irriter | 1998 | Wimbledon School of Art | Sculpture | Bill Viola Bruce Nauman Gerhard Richter |
| Davies TDE | Contemporary Art From Wales - An examination of contemporary, conceptually based art | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Davies TDE | Tim Davies/Alice Maher | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Davies T | Contemporary Art from Wales - An examination of contemporary, conceptually based art | 1998 | Swansea Institute of Higher Education | Land and Landscape | |
| Davies T | Tim Davies/Alice Maher | 1998 | Swansea Institute of Higher Education | Land and Landscape | |
| Davies T | 'Competence and Creativity: The Politics of Art Education' | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Davies R | Dividing Line | 1998 | Kingston University | ||
| Davies R | Series of Poetry and Dance Shorts for television | 1998 | Kingston University | ||
| Davies P A | Recent Paintings | 1998 | University of Brighton | Fine Art Practices | |
| Davies D R | Screenplay | 1998 | University of Portsmouth | Centre for Images in Practice | M Buchanan-Dick |
| Davies J | Images - Best of British Illustration | 1998 | University of Plymouth | Design + Innovation | |
| Davey Winter J | Art Textiles | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Davey Winter J | 50/50 - The Challenge of Constraint | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Danvers TJ | Thinking Flesh and Feeling Bone: Language, Experience and Art Practice. | 1998 | University of Plymouth | Art Process | |
| Dalton P | Four prints in Exposition de Grabado Contemporaneo | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Dale J K | The Eye Clinic New Generation Customer Interface and Retail Interior Design | 1998 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Bailey, M Hastie, J |
| Dakers CN | Among the Philistines: Sigismund Goetze and the Decoration of the Foreign Office | 1998 | The London Institute | Fashion and Textiles | |
| Dagworthy W | Spring Summer 1998 and 1999 younger capsule collection | 1998 | Royal College of Art | Design for Manufacture | |
| Dagg K | Footsteps | 1998 | Edinburgh College of Art | Fine Art | |
| DYSON G | Leg Pulling | 1998 | University of Lincoln | ||
| DUNHILL M | Plot | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DUNCE B | TELLING TRUTH THROUGH METAPHOR | 1998 | Middlesex University | ||
| DIAMOND S | Ingress | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| DEWRANCE P | Projectionist Manual | 1998 | University of Lincoln | ||
| DEVANE J. | Cheltenham open drawing exhibition | 1998 | Coventry University | Visual Arts | INGLIS, J. ROSENBLOOM, P. JONES, W. |
| DALZIEL M N | Songs of the Sea | 1998 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Bryers, G Armstrong, C |
| DACK J | Strategies in the Analysis of Stockhausen's Kontakte | 1998 | Middlesex University | ||
| Curtis D | British Avant Garde Film 1920 -1975 | 1998 | The London Institute | Media and Communication | |
| Currall A | Alan Currall, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Cunningham JR | Jewellery Moves: International Jewellery Exhibition: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Cummins S | An Abbey Award in Painting at the British School at Rome | 1998 | Nottingham Trent University | Visual Arts | |
| Cummins S | Close To Home | 1998 | Nottingham Trent University | Visual Arts | Sonia Boyce Rachael Evans Elisa Sighicelli |
| Cummings N | Gesichter und Dinge - Zeitgen | 1998 | The London Institute | Fine Art | Marysia Lewandowska |
| Cummings N | Pour les curieux | 1998 | The London Institute | Fine Art | Marysia Lewandowska Claude Ritschard Adrien Beck |
| Cummings K.R. | Five Glass and Metal Sculptures: 'Garner', 'Bole', 'Rigger', 'Wedge' and 'Pina'. | 1998 | University of Wolverhampton | Glass | |
| Cruz J | Sancti Petri. | 1998 | Goldsmiths College | ||
| Crutchley R | Displaced | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Crumplin C | Colin Crumplin | 1998 | Bath Spa University College | ||
| Cruickshank IMM | Video: A Method of Delivering Student Feedback | 1998 | De Montfort University | ||
| Crowley G | The Flower Show | 1998 | Royal College of Art | Fine Art | |
| Crow D | Rituals of Resistance | 1998 | Liverpool John Moores University | Graphic Arts | |
| Cross S | British Gold - Italian Gold | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cross S | Jewellery Moves | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cross NG | Expert Designers | 1998 | Open University | Design thinking and communication | A Clayburn Cross |
| Cross D | 10 | 1998 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Crooks R | Venice Aperto Vetro | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Crooks R | Twelve freeblown items and an oval hanging plate. | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | Stewart Hearn |
| Crone D | When Time began to Rant and Rage; Figurative Painting from Twentieth Century Ireland | 1998 | University of Ulster | ||
| Croft P J | Exhibition of Recent Drawings and Prints | 1998 | University of Wales, Aberystwyth | ||
| Croft P J | Using Aluminium Plates | 1998 | University of Wales, Aberystwyth | ||
| Croft P J | The First Shen Zhen Ink Painting Biennale | 1998 | University of Wales, Aberystwyth | ||
| Crisp A | Running Frames for Sufferers from Cerebral Palsy | 1998 | Nottingham Trent University | Design | |
| Creed R | Lines of Desire : International Drawing Exhibition | 1998 | Liverpool John Moores University | Painting and Sculpture | Maher,A Rego,P Sur,D |
| Craxford A | 3-piece tea -set in silver, silver-gilt and ebony | 1998 | London Guildhall University | ||
| Craighead AM | Speaking in Tongues | 1998 | University of Westminster | Fine Art | |
| Crabbe A | The Future of Soft Lens Care? | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Cox PRC | The Blue Angel | 1998 | The London Institute | Fashion and Textiles | Kenechi Nakayama Rie Watanabe |
| Cox PRC | Sanctum: Tristan Webber Collection | 1998 | The London Institute | Fashion and Textiles | |
| Cox C | Essays on contemporary fashion designers | 1998 | The London Institute | Fashion and Textiles | |
| Cowie W S | Divagate | 1998 | University of Brighton | Visual and Performing Arts | E Aggiss |
| Cowie W S | Romances and Toccatas for Saxophone, Piano and Tape | 1998 | University of Brighton | Visual and Performing Arts | |
| Cowan ER | The People and the Process | 1998 | De Montfort University | ||
| Cousens C | Jewellery Moves | 1998 | University of Brighton | Natural and Constructed Environments | |
| Counsell M.J.E. | Melanie Counsell | 1998 | University College London | Sculpture | |
| Counsell M.J.E. | Melanie Counsell | 1998 | University College London | Sculpture | |
| Cotterrell D | A Splash of Colour | 1998 | University of Hertfordshire | ||
| Cosserat K | Pitti Filati | 1998 | The London Institute | Fashion and Textiles | |
| Cosserat K | Indigo Exhibition | 1998 | The London Institute | Fashion and Textiles | |
| Cornford M R | Cosmopolitan | 1998 | University of Wolverhampton | Fine Art | David Cross |
| Cornford M R | 10 | 1998 | University of Wolverhampton | Fine Art | David Cross |
| Corner F | Factors affecting the Curriculum Design of British Higher Education | 1998 | London Guildhall University | ||
| Corke C | Design and Technology | 1998 | Liverpool John Moores University | International Centre for Digital Content | |
| Cooper TJ | Thomas Joshua Cooper: The Temperaments, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Cooper E | Open Secrets: New Paintings and Drawings | 1998 | Royal College of Art | Fine Art | |
| Cooper E | Raw Material : Eileen Cooper at Dulwich Picture Gallery | 1998 | Royal College of Art | Fine Art | |
| Cook JH | Crafts and Design Management in Education: The De Montfort University Experience | 1998 | De Montfort University | ||
| Cook JH | Glass UK - British Contemporary Glass | 1998 | De Montfort University | ||
| Conreen MJ | The Performance of Objects. | 1998 | Goldsmiths College | ||
| Conekin BE | Henry Moore, More British?: The Place of Henry Moore in the Festival of Britain, 1951 | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Comninos P. | Geometric Modelling and Deformation of Sheet Materials. | 1998 | Bournemouth University | Zhang, J.J. | |
| Comber M | Heavy Breathing | 1998 | Wimbledon School of Art | Painting | |
| Collins J | 'Twelfth Night' | 1998 | Wimbledon School of Art | Theatre Design | |
| Collins J | 'Maama Nalukalala Ne'zzadde Lye' a Luganda translation of 'Mother Courage and her Children' by Bertolt Brecht. | 1998 | Wimbledon School of Art | Theatre Design | Joanita Bewulira-Wandera Jessica Kaahwa Michael Pavelka |
| Coles A. | WALTER BENJAMIN FOR BEGINNERS | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | Howard Caygill Andrzej Klimowski |
| Coldwell P | With the Melting of the Snows | 1998 | The London Institute | Fine Art | |
| Cohen N | Nathan Cohen | 1998 | University College London | Painting | |
| Cohen N | 3 Generations of British Constructivism | 1998 | University College London | Painting | |
| Cohen B. | Bernard Cohen - Paintings of the Nineties | 1998 | University College London | Painting | |
| Cocks MJA | C'AD Infinitum | 1998 | The London Institute | Fashion and Textiles | |
| Cockram M G | Good Timing, | 1998 | University of Portsmouth | Art and Philosophy | |
| Coates-Smith W | Eric Fraser, Designer and Illustrator, ed Sylvia Backmeyer | 1998 | Anglia Polytechnic University | Sylvia Backemeyer | |
| Coates N | National Centre for Popular Music | 1998 | Royal College of Art | Architectural Design | |
| Coates N | Geffrye Museum 20th Century Gallery extension, London | 1998 | Royal College of Art | Architectural Design | |
| Clewer C | Miss Fleur 1999 Collection 'Takeaway/party' | 1998 | University of Southampton | ||
| Cleverly J G | Site Specific Installation. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Cleverly J G | Les Nouveaux Alchimistes. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Clegg T | Tessa Clegg: New works | 1998 | Royal College of Art | Applied Art | |
| Clegg T | The Jerwood Prize for Applied Arts 1998: Glass | 1998 | Royal College of Art | Applied Art | |
| Clegg RDPC | London Now | 1998 | The London Institute | Fine Art | |
| Clausen S | On the Margin (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Clausen S | Szuper Gallery at 30 Underwood Street Gallery London (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Clarkson nee Stevens B | Deux Anglaises en Provence | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Clarke S R I | Feeding Squirrels to the Nuts 11 | 1998 | University of Portsmouth | Centre for Images in Practice | T Credland Karen Eliot |
| Clarke R | Whitechapel Open | 1998 | De Montfort University | ||
| Clarke R | Roger Clarke Two Person Exhibition | 1998 | De Montfort University | ||
| Clarke J | Upper Class Lounge | 1998 | University of Brighton | Natural and Constructed Environments | |
| Clarke P | Painting and Moments - Representations of a changing city | 1998 | University of Central Lancashire | ||
| Clark S | Brood | 1998 | Edinburgh College of Art | Fine Art | |
| Clark R | 'A Resolution Between Transience and Transcendence'. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clark D J | Folly Gallery | 1998 | Bolton Institute of HE | ||
| Chuhan J | Inside Out | 1998 | Liverpool John Moores University | Painting and Sculpture | Billingham,R Bevan,T Boyce,S |
| Chuhan J | Lines of Desire : International Drawing Exhibition | 1998 | Liverpool John Moores University | Centre for Art International Research | Donagh,R Kazi,D Rego,P |
| Chubb S | 'Location' -Polly Binns and Shirley Chubb. Exhibition of 33 paintings: all graphite powder, poly vinyl acetate, photocopy transfer and African beeswax on canvas. Dimensions: between11x15x5cms and 22x19x5cms | 1998 | University College Chichester | Painting and Installation | |
| Chowdhary LC | Ceramic Frieze | 1998 | The London Institute | 3-Dimensional and Environmental Design | Ian Bilbey |
| Chiodo JD | Active Disassembly | 1998 | Brunel University | E Billett D Harrison |
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| Cherry N | Jewellery and vessels | 1998 | University of Central England in Birmingham | Jewellery Research Group | |
| Cheeseman D | The Wherewithall | 1998 | University of Reading | ||
| Chatwin P | Feed the Fury: Art Meets Science | 1998 | Manchester Metropolitan University | Martin P | |
| Chapman NS | Freaks Perfect Organisms and the Failure of the Project | 1998 | The London Institute | Fine Art | |
| Chapman NS | Shrimp-ice Briefing | 1998 | The London Institute | Fine Art | Steven Claydon |
| Chapman J | part of | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Chapman J | Object as Subject: Contemporary Still Life | 1998 | University College Northampton | Fine Art Practices | |
| Chapman B | Water vessel in silver featuring anticlastic raising technique | 1998 | London Guildhall University | ||
| Chambers S | Silent Running | 1998 | Royal College of Art | Fine Art | |
| Chamberlain PM | Tac-tile Sounds System | 1998 | Sheffield Hallam University | Industrial Design | |
| Chalkley BD | Colony Room Club Show, 50th Anniversary, Art Exhibition 1948-1998 | 1998 | The London Institute | Fine Art | |
| Chalayan H | Addressing the Century: 100 Years of Art and Fashion | 1998 | The London Institute | Fashion and Textiles | |
| Catto MA | The Work of the Northern Ireland Film Commission | 1998 | University of Ulster | Judith Elliott, BBC | |
| Catto MA | The Visual Commentary as a bridge between two practices | 1998 | University of Ulster | ||
| Cassim J | Into the Light- Museums + their Visually Impaired Visitors | 1998 | Royal College of Art | Inclusive Design | |
| Cartwright AR | Sideboard (commission for John Tusa) | 1998 | Loughborough University | Fine and Applied Arts | |
| Cartwright AR | Reception Desk (furniture design) | 1998 | Loughborough University | Fine and Applied Arts | |
| Carter T | 'New Work from the Government Art Collection'. | 1998 | Goldsmiths College | ||
| Cargill I | Aberdeen University Prospectuses | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Cargill I | Shell Posters | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Cannon Jones A | Dirk Bikkemberg Autumn/Winter Menswear Collection | 1998 | The London Institute | Fashion and Textiles | |
| Campbell RI | Long-Fibre Reinforced Composite Material Models using a Deposition-based RP Process | 1998 | Loughborough University | Design Research | Cordon, T.J. Novara, A. |
| Campany D. | ART PHOTOGRAPHED: SOME THOUGHTS ON PAINTING AND THE BOOK | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Callinicos E | Jewellery Moves | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Calcutt J | Causing Scenes - John Calcutt on Graham Fagen | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Cairns J | Shoreline Encounter (Commissioned Print) | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Cairns J | Common Ground | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Cairns B | Illustrations for Jack Chia MPH Annual Report 1998 | 1998 | Glasgow School of Art | Principles of Drawing | |
| Cain J | 1998 | Leeds Metropolitan University | Visual Arts | ||
| CZARNECKI G | Stages Elements Humans | 1998 | University of Dundee | Digital Technology | Lynn Hersmhan Kieth Piper Susan Treister |
| CZARNECKI G | Homocyte | 1998 | University of Dundee | Digital Technology | |
| CZARNECKI G | Versifier | 1998 | University of Dundee | Digital Technology | Perry Hoberman Christine Sommer Pierrick Sorin |
| COX L | FlowerField + Skies over FlowerField | 1998 | University of Dundee | Digital Technology | |
| COWAN J | PRESENT...PASSING - SOLO EXHIBITION | 1998 | Middlesex University | ||
| COOKE R | Blood on the Floor | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| CONWAY R | PATE-DE-VERRE VESSEL | 1998 | Middlesex University | ||
| COLVIN C M | Sacred and Profane | 1998 | University of Dundee | Contemporary Practice | |
| COLE R | Scottish Sculpture 9 | 1998 | University of Lincoln | ||
| CHISHOLM R G | Innovative composite furniture | 1998 | University of Dundee | Industry and the Public Sector | Helen McCoig |
| CHELL E | Tech | 1998 | Kent Institute of Art + Design | ||
| CHARNLEY C | Cement Mixer with Roses | 1998 | University of Lincoln | ||
| CHARNLEY C | Petrikapille beim dom Brandenburg | 1998 | University of Lincoln | ||
| CHARNLEY C | Muscles (part of Photo 98) | 1998 | University of Lincoln | ||
| CATLING BD | Vanished! | 1998 | University of Oxford | Tony Grisoni | |
| CATLING BD | Were | 1998 | University of Oxford | ||
| Byrne JM | 'Mediated Nations' and 'Virtual Interventions : Digital Avant-Gardes' | 1998 | Liverpool John Moores University | Art and Design History | |
| Butler K | Live on Ice | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Butler J | John Virtue: Exe Estuary Paintings 1997/8 | 1998 | University of Plymouth | Art Process | |
| Butler J | Justin Knowles Beyond Systems Artform Concepts 1967-98. | 1998 | University of Plymouth | Art Process | |
| Bushe R | 'Robbie Bushe' - 12 acrylics, watercolours, drawongs and prints. Various dimensions. | 1998 | University College Chichester | Painting | |
| Bush P | 'His Comedy'. | 1998 | Goldsmiths College | ||
| Bush P | 'The Albatross' - short Animation film. | 1998 | Goldsmiths College | ||
| Bush P | 'The Rumour of True Things'. | 1998 | Goldsmiths College | ||
| Bush P | 'Still Life with Small Cup'. | 1998 | Goldsmiths College | ||
| Burton R | French Rural Life and Agricultural Exhibition | 1998 | University of Sunderland | Design | |
| Burstow R | 'Participation and Pageant: The Miralda Honeymoon Project'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burrows D | 'Who's afraid of Red, White and Blue' | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Burnett G | Metalmorphosis | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Burke C P | Paul Renner: the art of typography | 1998 | University of Reading | ||
| Burke C P | From functionalism to information design | 1998 | University of Reading | ||
| Burke C P | German hybrid typefaces of the early twentieth century | 1998 | University of Reading | ||
| Bullen DW | Paintings and Prints | 1998 | University of Brighton | Fine Art Practices | |
| Bullen DW | Lumen - Paintings and Photographs | 1998 | University of Brighton | Fine Art Practices | |
| Buckley S | The Janet Wolfson de Botton Gift | 1998 | University of Reading | Carl Andre Cindy Scherman Julian Schnabel |
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| Buckley J | Fold | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Buckley J | Blue Velvet | 1998 | Robert Gordon University | Practices enabled through New Media Technology | Hamlyn, J. |
| Buckley J | Transistors: New Small Sculpture from Scotland | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Buck R | 'John Heliker - the Inner Compass of Certainty' | 1998 | Napier University | Documentary and Experimental Film | Derek Smith |
| Buck R | 'Sleep' | 1998 | Napier University | Documentary and Experimental Film | Ian Cottage |
| Buck L | Conservation of Modern Materials in Twentieth Century Furniture | 1998 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Buck J | Embracing the Sea | 1998 | Southampton Institute | ||
| Buchler P | Blind Spot | 1998 | Manchester Metropolitan University | ||
| Buchan S. H. | GRAPHIC AND LITERARY METAMORPHOSIS: ANIMATION TECHNIQUE AND JAMES JOYCE'S ULYSSES | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Buchan S. H. | THE QUAY BROTHERS: CHOREOGRAPHED CHIAROSCURO, ENIGMATIC AND SUBLIME | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Bryson W.N. | Semiotics and Art History: A Discussion of Contexts and Senders | 1998 | University College London | Art History and Theoretical Studies | Mieke Bal |
| Bryson D | 'Performance Sportswear Design' Leonardo Multiplier Project. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bruce HJ | Beyond Boundaries: Contemporary Textiles by Ten Members of the '62 Group | 1998 | University of Ulster | ||
| Bruce HJ | This Mortal Coil: Art of Awareness | 1998 | University of Ulster | ||
| Brown V | 'Cloths of Gold.' 1 exhibit: Hand-rolled felt with gold leaf banner 30 x 200cms | 1998 | University College Chichester | Textiles | |
| Brown SC | Re-inventing the University | 1998 | De Montfort University | ||
| Brown M | Voices from the Field | 1998 | University of Ulster | ||
| Brown JK | Time-Forms | 1998 | Manchester Metropolitan University | ||
| Brown C | The Nude in Clay 2 | 1998 | University of Westminster | Ceramics | |
| Brown C | Group Exhibition in Public Gallery | 1998 | University of Derby | Research Group for Artists Publications | |
| Brown C | Complete W Somerset Maugham | 1998 | Liverpool John Moores University | Graphic Arts | |
| Brown B | Objekte der Erinnerung | 1998 | University of Brighton | Memory, Identity and History | |
| Brooks PR | L'Ascensore | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks J | Near | 1998 | University of Gloucestershire | ||
| Brock PM | Indigo/Decosit | 1998 | The London Institute | Fashion and Textiles | |
| Brisley S.J. | Out of Actions: Between Performance and the Object, 1949-1979. | 1998 | University College London | Fine Art Media | |
| Brind S | Private Views, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Bright A | Metalmorphosis - Tradition and Innovation in British Silver and Metalwork 1880-1998 | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Bright A | Beyond Material: The New Crafts of the 90s | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Briggs P M | The Life Cycle off the Salmon: from egg to smolt | 1998 | Nottingham Trent University | Design | |
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Brierley ES | The Influence of the Research Process upon Design Decisions | 1998 | De Montfort University | ||
| Brett DB | The Management of Colour:The Kashmir Shawl in a 19th Century Debate | 1998 | University of Ulster | ||
| Brennan G | Collectanea (a collection of passages) | 1998 | Edinburgh College of Art | Fine Art | |
| Breen LV | Power of the Poster | 1998 | Brunel University | Polymedia Design | |
| Bradley I | Audobon CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | Jason Taylor |
| Bradley I | Liverpool Football Club Interactive CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | Steve Roberts |
| Bradley I | Six Lost Scientists CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | P. Kelly |
| Braddock SE | Techno Textiles: Revolutionary Fabrics for Fashion and Design. | 1998 | Goldsmiths College | O'Mahony, M. | |
| Bradac J | Parcels and Occasional Diaries | 1998 | The London Institute | Fine Art | |
| Bracker A | Lost Property: Lisa Lyon in Artforum | 1998 | Royal College of Art | Conservation | |
| Boys J | Beyond Maps and Metaphors: Re-thinking Architecture and Gender | 1998 | De Montfort University | ||
| Boys J | Positions in the Landscape? Gender, Material and Virtual Space | 1998 | De Montfort University | ||
| Boylan A | Brooch and Tie Pin | 1998 | University of Ulster | ||
| Boyce-Kwok S | Performance | 1998 | University of East London | ||
| Boyce-Kwok S | The Unmapped Body | 1998 | University of East London | ||
| Bowman J | Range of scarves and wraps (concept design, sampling and production management) | 1998 | Loughborough University | Textiles | |
| Bowett A | The Age of Snakewood | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowett A | The Jamaica Trade: Gillow and the use of Mahogany in the Eighteenth Century | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowen S | Residency and exhibition based at Grizdale Sculpture Trail, Cumbria | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Bowen J.R. | Mani/Mario | 1998 | University College London | Painting | |
| Bowen J.R. | Imprints | 1998 | University College London | Painting | |
| Bourke R | Liquid Rapture: 'Dark Bride' | 1998 | Dartington College of Arts | ||
| Bourke R | 'Liquid Rapture: Brut' | 1998 | Dartington College of Arts | ||
| Boult J | 1998 | Brunel University | Design Process | ||
| Bould M | 'Preserving Machines: Recentering the Decentered Subject in Blade Runner and Johnny Mnemonic' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Boshier C | Luz y Fotographia | 1998 | University of Newcastle | ||
| Boshier C | The Space Between | 1998 | University of Newcastle | ||
| Borrelli M | Solo exhibition 1 | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| Borland C | Christine Borland, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Booth R | Roberta Booth, Recent Paintings | 1998 | Anglia Polytechnic University | ||
| Boontje T | No Picnic | 1998 | Royal College of Art | Design for Manufacture | |
| Bodman V | Magnetic | 1998 | University of Sunderland | Fine Art | |
| Bodman V | Wordless | 1998 | University of Sunderland | Fine Art | |
| Boddington A D M | The Remaindered Landscape | 1998 | University of Brighton | Natural and Constructed Environments | |
| Blundell S | Making the Invisible Visible | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Bloxam L | Lighting installation | 1998 | University of Hertfordshire | ||
| Blakemore J | 'Tulipa'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Blakemore J | The Photographs of John Blakemore | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Blacklock G. C. | One person exhibition | 1998 | Wimbledon School of Art | Painting | |
| Black H | Afloat | 1998 | Wimbledon School of Art | Sculpture | |
| Black S | The New Knitting | 1998 | The London Institute | Fashion and Textiles | |
| Birrell R | The Second International Festival of Avant-Garde and Experimental Art, group exhibition | 1998 | Glasgow School of Art | Fine Art | Dominic Hislop |
| Birdsey CL | Camera Work | 1998 | University of Westminster | Imaging Technology | Triantaphillidou S Golding A Jacobson RE |
| Bird N C | The Fitting | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Bigwood DA | Narcisco Rodriguez | 1998 | The London Institute | Fashion and Textiles | |
| Bigwood DA | Gil Sander | 1998 | The London Institute | Fashion and Textiles | |
| Bigwood DA | Donna Karan | 1998 | The London Institute | Fashion and Textiles | |
| Bigwood DA | Loewe | 1998 | The London Institute | Fashion and Textiles | |
| Biggs S | Halo | 1998 | Sheffield Hallam University | ||
| Biggs M A R | Ludwig Wittgenstein: A Visual Concordance to the Published Works | 1998 | University of Hertfordshire | ||
| Biddulph JC | By The Way | 1998 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Bicknell J | 1998 | Leeds Metropolitan University | Visual Arts | ||
| Bickers P | General Assembly: The Power of Association | 1998 | University of Westminster | Visual Media | |
| Bick A | The Palaver | 1998 | University of Gloucestershire | Gad Hollander | |
| Bick A | Andrew Bick | 1998 | University of Gloucestershire | ||
| Bick A | Andrew Bick: Paintings | 1998 | Kingston University | ||
| Biagioli M. | ZONE | 1998 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Bewley DJ | Anya Gallaccio - Two Sisters | 1998 | Manchester Metropolitan University | Herbert S | |
| Bevan P | Affinity, Iwate Arts Festival, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Bevan P | Iwate Town 25th International Stone Sculpture Symposium, permanent publicly sited commission | 1998 | Glasgow School of Art | Fine Art | |
| Bevan P | Interval | 1998 | Southampton Institute | ||
| Bestley R | Consultancy | 1998 | The London Institute | Media and Communication | |
| Best A | The Wedding Project | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Bergne S | SIP | 1998 | Royal College of Art | Design for Manufacture | |
| Benson SL | ARKIVE II ashes dances roses | 1998 | Sheffield Hallam University | Anne Grebby Helmut Lemke |
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| Bennis EM | Garden Assessment, Classification and Funding | 1998 | Manchester Metropolitan University | ||
| Belton EK | Displaced | 1998 | The London Institute | Fine Art | |
| Belton EK | London Now | 1998 | The London Institute | Fine Art | |
| Bell D | 'Modernising History: The Realpolitik of Heritage and Cultural Tradition in Northern Ireland' | 1998 | Napier University | Critical Theory of Practice | David Miller |
| Beggs G | Sussex Open Exh. 2 paintings (112x122 cms.), one drawing (153x85 cms.) | 1998 | London Guildhall University | ||
| Beban B | Jason's Dream | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Beban B | Hand on the Shoulder | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Beban B | Breda Beban + Hrvoje Horvatic (1958-1997) - retrospective | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Beauchamp PM | The Welsh Lens - An exploration of photovisual media in Wales | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Beauchamp PM | Educating Barbie | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Beale J | The Power of Print | 1998 | University of Gloucestershire | ||
| Baynes K | Under Construction (Exhibition design) | 1998 | Loughborough University | Design Research | |
| Baxter H | The Lost Vegas Series | 1998 | Wimbledon School of Art | Theatre costume | Julie Jensen Dawn Lintern Christian Ruland |
| Baxter H | Red Dwarf Series 8 | 1998 | Wimbledon School of Art | Theatre costume | Howard Burden |
| Batey J C | Visual Language of Number web gallery and research space | 1998 | University of Portsmouth | Centre for Images in Practice | Maureen O'Neill |
| Batchelor R | Makers of the Mirror? Designers in the Twentieth Century | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Barraclough J | Lines of Desire | 1998 | Liverpool John Moores University | Centre for Art International Research | |
| Barnett P | Chohreh Feyzdjou | 1998 | Goldsmiths College | ||
| Barnett P | Exhibition catalogue essay | 1998 | Goldsmiths College | ||
| Barnard M | 'Art, Design and Visual Culture'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barlow P. | Not Nothing Nowhere | 1998 | University College London | Sculpture | |
| Barlow P. | Out of Place | 1998 | University College London | Sculpture | |
| Barker I | The Royal Watercolour Society: The Last 10 Years | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker DS | An Exhibition of Works by David Barker and Kate Barker | 1998 | University of Ulster | ||
| Barfield N | 16 Cycladic Heads | 1998 | Wimbledon School of Art | George Whale | |
| Barbrook RA | The Hi-Tech Gift Economy | 1998 | University of Westminster | Hypermedia | |
| Barber AJ | 'Conversation for possibilities' | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Barber AJ | 'Through the Mac' | 1998 | Glasgow School of Art | Educational Theory and Practice | Baines, M |
| Barber AJ | Appraisal of Design Studio Methodologies | 1998 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Barber J. G. | GEORGE BARBER: A LONDON ELECTRONIC ARTS ANTHOLOGY | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Banner F | Stop | 1998 | The London Institute | Fine Art | |
| Banner F | Love Double | 1998 | The London Institute | Fine Art | |
| Banks G | Design of Infra-red Remote Control Drive Controllers | 1998 | University of Wales Institute, Cardiff | PDR | |
| Ball R | Golden Delicious | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball R | One Table and Two Lamps | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Ball L M | New collaborative partnerships: education, crafts practitioners and industryGraduate destination surveys: an overview | 1998 | University of Brighton | Pedagogic Research | |
| Baldacchino J | Easels of Utopia: Art's Fact Returned | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Bal Y | Director for Young Filmmakers, The Eclectix Project, 30 min. BBC TV documentary (Betacam/D3), + project design as founding member of Eclectix Project Management Committee. | 1998 | London Guildhall University | ||
| Baker-Brown D | Norfolk Park Housing Regeneration | 1998 | University of Brighton | Natural and Constructed Environments | I McKay |
| Baker D | Stilled Moments | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Baker C | 'Puppy Love' | 1998 | Napier University | Photographic Practice | |
| Baker C | 'Puppy Love'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Bailey M | The Tourer for the Next Millennium | 1998 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey DA | Rhapsodizing Black: Harlem in London, 1977 | 1998 | University of East London | ||
| BURNS J. | UK interactive exhibition stand | 1998 | Coventry University | Design | |
| BURFORD N | The Development of a Lightweight Military Structure | 1998 | University of Dundee | Industry and the Public Sector | Fish, D C E Smith, F W |
| BULL MG | Poussin and Nonnos | 1998 | University of Oxford | ||
| BRADLEY P | A Temporary World: A Commentary on Some Urban Games and City Dwellers | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | An Urban Game for City Dwellers | 1998 | University of Lincoln | ||
| BOYD-DAVIS S | Design of Virtual Environments | 1998 | Middlesex University | A Huxor J Lansdown |
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| BOYD-DAVIS S | Authoring and Design for the World Wide Web | 1998 | Middlesex University | M Tessier | |
| BLOUNT G.N. | Automotive body panel surface classification | 1998 | Coventry University | The Design Institute | WAGIMIN, D. JONES, R.M. |
| BIRCH A.R. | Nudge bars for an off-road vehicle | 1998 | Coventry University | Design | |
| BELL R | Selected Artists | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BEHRENS R H H | 'Celtic connections | 1998 | University of Dundee | Contemporary Practice | Andy Goldsworthy Iduardo Paolozzi Adrian Wisniewski |
| BEHRENS R H H | Scottish Spirit (21 artists from the Society of Scottish Artists) | 1998 | University of Dundee | Coastal/Indigenous Cultures | Joanne Soroka Ian McCulloch Philip Reeves |
| BASEMAN J | SHUP | 1998 | University of Oxford | ||
| BARR S | Alloy IV | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay Ann-Marie Shillito |
| BARR S | Alloy V | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay David Swift |
| BALCIOGLU T | The Role of Product Design in Post Industrial Society | 1998 | Kent Institute of Art + Design | Victor Margolin Dieter Rams Ezio Mansini |
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| Aytoun Ellis M | The Discerning Eye | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aytoun Ellis M | Visions of a Legend | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Aylin KL | Charles Rennie Mackintosh: Art, Architecture and Design | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Aylieff F | Frauen in Europa 5 Sept-7 Oct | 1998 | Bath Spa University College | Britton, A. Lowndes, G. Manz, B. |
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| Aylieff F | Dashed, Speckled + Brushed | 1998 | Bath Spa University College | ||
| Ayers A R | Pupabine | 1998 | Nottingham Trent University | Visual Arts | |
| Averill S. | Solo Exhibition: Recent Paintings | 1998 | Falmouth College of Arts | ||
| Austin N | Mobilly | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Aust R | Objects of Our Time. | 1998 | Goldsmiths College | ||
| Aubrey K | Light | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Atkinson A | Gardeners Journal (ceramic tableware) | 1998 | Loughborough University | Fine and Applied Arts | |
| Atherton B | Recent Paintings, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Astles CA | Beyond the Mask | 1998 | University of Plymouth | Theatre + Performance | |
| Astles CA | Tristan + Isolde | 1998 | University of Plymouth | Theatre + Performance | |
| Ashton RG | The application of commercial visualisation software for communicating large-scale civil engineering projects. | 1998 | De Montfort University | ||
| Ashton P C | Learning Theory Through Practice. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Ashley M | Merger of 20 European investment banks - commissioned design of visual merger | 1998 | The London Institute | Media and Communication | |
| Ashley M | German global investment bank - commissioned visual audit | 1998 | The London Institute | Media and Communication | |
| Ascott R | The Technoetic Dimension of Art | 1998 | University of Wales College, Newport | CAiiA | |
| Ascott R | Art + Telematics: toward the Construction of a New Aesthetics. | 1998 | University of Wales College, Newport | CAiiA | |
| Arney V | Neither here nor There | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Arney V | Scents + Ciphers | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Archer MG | Voice Over: Sound and Vision in Current Art | 1998 | The London Institute | Fine Art | Greg Hilty |
| Anderson W | Is Art Beneath You | 1998 | The London Institute | Fine Art | Alice Evans |
| Anderson P | An Islands Language | 1998 | The London Institute | Media and Communication | |
| Anderson P | Greenman | 1998 | Kingston University | ||
| Anderson P | Infanta | 1998 | Kingston University | ||
| Allington E. | Tilted Vase | 1998 | University College London | Sculpture | |
| Allen L | Colonial Fantasies: Virtual Spaces and Digital Femininities | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen K.F | 'Exorcising the Flesh' | 1998 | Wimbledon School of Art | Painting | Richard Wentworth Alex Hartley Ming de Nasty |
| Allan J | Closing the Loop: Some Proposals for Effective Delivery of History and Theory to Studio Students | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Alexander I | Graham Square, Glasgow | 1998 | Glasgow School of Art | Cities and Environments | McKeown, H |
| Alexander G | Cabaret Mechanical Movement - Understanding Movement and Making Automata. | 1998 | Wimbledon School of Art | Theatre technical arts | Aidan Lawrence Onn |
| Alaka A | Dairy | 1998 | Brunel University | Design Process | |
| Aiken J.C. | EV+A Exhibition of Visual Art (International Invited Section) | 1998 | University College London | Sculpture | |
| Aggiss E | Grotesque Dancer | 1998 | University of Brighton | Visual and Performing Arts | W Cowie |
| Adams H | ...if it ain't broken ... A critique of inadequate public statistics relating to the artist profession | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Adams CG | The Heart of the Matter: Recent work by Jinmo Kang | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Adams BC | Principles of Modelling + Rendering with 3D Studio | 1998 | University of Plymouth | Centre for Visual Computing | Mealing, S. Woolner, M. |
| Ackling RW | Workhand: Roger Ackling | 1998 | The London Institute | Fine Art | |
| Aarons A | Interior of Princes Street Synagogue | 1998 | Anglia Polytechnic University | ||
| Aarons A | Kettle's Yard Open | 1998 | Anglia Polytechnic University | ||
| ASTBURY P | OFF THE WALL AND ON THE FLOOR [RECENT STAND ALONE WORKS BY EIGHT EMINENT CERAMICISTS] | 1998 | Middlesex University | ||
| ASHCROFT R J | The Visual Questionnaire: an Innovation in Design Research | 1998 | University of Dundee | Industry and the Public Sector | Jeanette Paul Dr Nomana Anjum |
| ASHCROFT R J | Near and Far | 1998 | University of Dundee | Industry and the Public Sector | Nikolai Korobov Colin Wishart Dimitri Davidov |
| ANDERTON R | WO 9855327 Novel Methods of Water-based Screenprinted Ceramic Transfers | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| ANDERSON M | Uncertain Objects | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| Zschenderlein H | Silvering-Up | 1997 | University of Brighton | Visual and Performing Arts | |
| Zimmerman AL | Nothing exists in degrees of overexposure | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Zheng J. J. | Control Point Surfaces over Non-Four-Sided Areas. | 1997 | Bournemouth University | Ball, A.A. | |
| Zhang J. J. | Precision Inspection of Deviations of Machined Surfaces. | 1997 | Bournemouth University | Gong, D. | |
| Zhang J. J. | Perturbation Solution of Rotating Solid Disks with Nonlinear Strain-Hardening. | 1997 | Bournemouth University | You, L.H. Long, S.Y. |
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| Young M | Automobile Automation | 1997 | Brunel University | Interaction Design | N Stanton |
| Yetton CCW | nnn nnnn nnnnnnn [sic] | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Yeo H | 3 pieces of photo-etched silver jewellery from Yeo | 1997 | London Guildhall University | ||
| YEADON J.D. | Small works | 1997 | Coventry University | Visual Arts | LATHAM, J. BELLAMY, J. FROST, T. |
| YEADON J.D. | Kaleidoscope | 1997 | Coventry University | Visual Arts | SUTHERLAND, G. PIPER, J. HATUM, M. |
| YEADON J.D. | A tragical comedy or comical tragedy | 1997 | Coventry University | Visual Arts | |
| Wynne J | Out of Nowhere | 1997 | The London Institute | Fine Art | |
| Wyman A | A Stitch in Time | 1997 | Cumbria College of Art + Design | ||
| Wright R | Pictura Britannica | 1997 | Edinburgh College of Art | Fine Art | |
| Wright A | Art Bar Terrace | 1997 | Glasgow School of Art | Design | Partner, Wright and Wright Architects |
| Wozencroft J | Joy Division 'Heart and Soul' box set | 1997 | Royal College of Art | Communications | |
| Woudhuysen J | Modern Product Design and Development from a Global Perspective | 1997 | De Montfort University | ||
| Worthington C | Shelf Lives (video short, 17 mins.) | 1997 | London Guildhall University | ||
| Woropay V | Tareitanga Sculpture Symposium 1997 | 1997 | Wimbledon School of Art | Sculpture | |
| Wormald PW | An Enquiry into the Present and Future Role of Three Dimensional Computer Modelling as the Primary Modelling Medium for Industrial Designers in Yu-Tung, L., Jin-Yeu, T. and June-Hao, H., (eds) | 1997 | Loughborough University | Design Research | |
| Woods R | 18 Choppers | 1997 | University of Southampton | ||
| Woods R | Renovated Carpet No 1 (Burgandy) | 1997 | University of Southampton | ||
| Woodman J | Sightlines | 1997 | Cumbria College of Art + Design | ||
| Woodley G. | Impingement No. 33 | 1997 | University College London | Painting | |
| Woodley G | Impingement No.33 | 1997 | The London Institute | Fine Art | |
| Woodham J M | Twentieth Century Design | 1997 | University of Brighton | 20th Century Design and Film Archives | |
| Woodham J M | Britain Can Make It and the History of DesignThe Politics of Persuasion: State Industry and Good Design at the Britain Can Make It ExhibitionPutting the Industrial into Design: Early Problems Facing the Council of Industrial Design | 1997 | University of Brighton | Design History, Criticism and Theory | |
| Wood M H | 'British Impressionism in Japan.' and' The Victorian Imagination' | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Wood J | Situated Criticism and the Experiential Present. | 1997 | Goldsmiths College | ||
| Wolff M | British Airways Plc - commissioned redesign of visual identity and marketing | 1997 | The London Institute | Media and Communication | |
| Withnall M | Drinks carbonator | 1997 | Royal College of Art | Design for Manufacture | |
| Wiltshire H | Pictura Brittania: Art from Britain | 1997 | Royal College of Art | Fine Art | |
| Wilson LJ | Donna Karan Phase 1 | 1997 | The London Institute | Fashion and Textiles | |
| Wilson AJH | Transmitter/Receiver | 1997 | University of Ulster | ||
| Wilson AJH | Kunst aus Ireland, Nordireland, Schottland | 1997 | University of Ulster | ||
| Wilson A | Access Ramp Railings and Gateway for Swindon Dance Studio | 1997 | University of Brighton | Materials Practices and Processes | |
| Wilson A | Iron Ladder series - painting and prints | 1997 | University of Brighton | Fine Art Practices | |
| Williamson R | Two New Chairs | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williamson R | New Members Work | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williamson M | 20 black-and-white photographic prints (16 @ 12 | 1997 | London Guildhall University | ||
| Williamson M | 2 Black + White prints 16 | 1997 | London Guildhall University | ||
| Williamson M | 60 large format colour photographs | 1997 | London Guildhall University | ||
| Williams R | Herbert Hampton and the New Sculpture in Lancaster: The Victoria Monument and the Ashton Memorial | 1997 | Cumbria College of Art + Design | Elizabeth Roberts (editor) | |
| Williams R | The Krazy Kat Problem | 1997 | Liverpool John Moores University | Art and Design History | |
| Williams E V | The Ladder | 1997 | University of Reading | ||
| Willey TV | '............of a River in Epirus' - Sculpture Exhibition. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Willberg P | Tatsuo Miyajima: Big Time | 1997 | The London Institute | Media and Communication | |
| Willberg P | The Words of Gilbert and George | 1997 | The London Institute | Media and Communication | |
| Whittaker P | It Always Rains. | 1997 | University of Southampton | ||
| Whittaker P | Orpheus Looking Back; An Exhibition in Celebration of Maurice Blanchot' | 1997 | University of Southampton | ||
| Whiteley NS | Olympus and the Market-Place: Reyner Banham's design criticism | 1997 | Lancaster University | ||
| Whiteley NS | Whitewash, Ripolin, Shop-Girls and Matiere: Modernist Design and Gender: in Lisa Rado (ed), Modernism, Gender, and Culture | 1997 | Lancaster University | ||
| Whitehead B. S. | DIRECT RESPONSE ADVERTISING CAMPAIGN | 1997 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. | CHILDREN'S TOTAL CARE TOOTHPASTE | 1997 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| White H | Objects of Our Time | 1997 | Sheffield Hallam University | Metalwork + Jewellery | |
| Wheeler S | Illustration and Design for Promotional Folder for the Centre for Protein Engineering | 1997 | University of Sunderland | Design | |
| Wells K | Fabric Dyeing and Printing | 1997 | De Montfort University | ||
| Webb T | Silence | 1997 | Royal College of Art | Animation | |
| Weaver C | Marx, Enid (Crystal, Dorothy), British painter and designer, 1902 | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waugh A | Cantaloupe Bar and Grill | 1997 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Watt JMA | The Fashion Book | 1997 | The London Institute | Fashion and Textiles | |
| Watson LJ | Mens and Womens Jewellery for Wedgwood | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Watson LJ | World Gold Council Commission | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Watson A | Scottish Sculpture Open 9 | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Watkins P | World Markets for Silk | 1997 | Royal College of Art | Design for Manufacture | |
| Watanabe T | The Dawn of Architectural Education in Japan | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Watanabe T | Ruskin in Japan 1890-1940: Nature for art, art for life | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Yuko Kikuchi. |
| Warwicker J | Moderna Museet - commissioned redesign of visual identity and marketing | 1997 | The London Institute | Media and Communication | |
| Warren-Fisher R | Global Exhibition | 1997 | Bath Spa University College | Valicenti, R. Vaughan, O. Why Not Associates |
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| Warren-Fisher R | DNP Duo Dojima | 1997 | Bath Spa University College | ||
| Warren-Fisher R | Work from London (Graphics, Visual Languages and Culture) | 1997 | Bath Spa University College | Cartlidge Levine Pentagram CDT Design |
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| Warren RJ | Material Culture: The Object in British Art of the 1980s and ''''90s | 1997 | The London Institute | Fine Art | |
| Ward R | Bigg Market | 1997 | University of Sunderland | Fine Art | |
| Ward R | Drawings | 1997 | University of Sunderland | Fine Art | |
| Walsh R | Better After Death | 1997 | University of Newcastle | ||
| Wallace-Jones H | Victoria and Albert Museum Showcase Exhibition | 1997 | The London Institute | Fashion and Textiles | Emma Sewell |
| Walker I | Sambo and Freud | 1997 | University of Wales College, Newport | Photography | |
| Walker I | Phantom Africa | 1997 | University of Wales College, Newport | Photography | |
| Walker A J | Bridges | 1997 | Wimbledon School of Art | Kei Ito Seiji Okumiya Tokumi Ayzen |
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| Wainwright C | Quaterlight | 1997 | The London Institute | Fine Art | |
| Wainwright C | Throwing Caution and Other Walks | 1997 | The London Institute | Fine Art | |
| Wade G | Low Maintenance/High Precision | 1997 | University of Wolverhampton | Fine Art | |
| WRIGHT I. | A review of research into engineering change management: implications for product design | 1997 | Coventry University | The Design Institute | |
| WRIGHT A | Contemporary Photographers | 1997 | University of Lincoln | ||
| WORDEN S | Thinking critically about virtual museums | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| WOODCOCK A. | The development of computer-based tools to support ergonomics in design education and practice | 1997 | Coventry University | The Design Institute | FLYTE, M.G. |
| WOOD T | Tom Wood | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| WOOD T | Corpus; Paintings and Drawings by Tom Wood | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| WOLMARK J | Cyberpunk, Cyborgs and Feminist Science Fiction | 1997 | University of Lincoln | ||
| WOLMARK J | Rethinking Bodies and Boundries: Science Fiction, Cyberpunk and Cyberspace | 1997 | University of Lincoln | ||
| WARREN RJ | Material Culture | 1997 | University of Oxford | ||
| WARREN RJ | Rebecca Warren and Fergal Stapleton | 1997 | University of Oxford | Fergal Stapleton | |
| WALLER J.N. | Birth | 1997 | Coventry University | Visual Arts | |
| WALKER-BARKER D | David Walker-Barker | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| WALKER-BARKER D | Northern Light | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| WADE E | TAKYDROMUS | 1997 | Middlesex University | ||
| Verran V | John Moore's 20 | 1997 | Falmouth College of Arts | ||
| Verran V | John Moores Liverpool Exhibition | 1997 | The London Institute | Fine Art | |
| Verran V | In Transit: Some Contemporary Art British Art | 1997 | The London Institute | Fine Art | |
| Verdon A | Solo Show - New Ceramics | 1997 | Liverpool Hope | ||
| Vaughan S | Colour palettes for Italian yarn company, Filpucci | 1997 | The London Institute | Fashion and Textiles | Suesan Faulkner Design studio |
| Vargo A | Benchmark Film Productions | 1997 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Vargo, V. |
| Van Dooren I | Charles Peace, der Fall und die Filme | 1997 | University of Brighton | 20th Century Design and Film Archives | |
| VOSS R | Craft | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| VOORSANGER J | Networking - Art by Post + Fax | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| VAN KOTEN H H | Bop, halogen table lamp | 1997 | University of Dundee | Industry and the Public Sector | Ian Carnduff |
| Utting J.A. | +M2 (The Large Print Show) | 1997 | Falmouth College of Arts | ||
| Unsworth J | Sculpture at Goodwood | 1997 | University of Southampton | ||
| Unsworth J | Three Elephants | 1997 | University of Southampton | ||
| Unger G | Terwijl je leest [While you read] | 1997 | University of Reading | ||
| URE A | Really out of Order | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Tyler DJ | A Decision Support System for Designing Assembly Cells in the Apparel Industry | 1997 | Manchester Metropolitan University | Kalta M Lowe T |
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| Tyler DJ | FLEAS: A Flowline Environment for Automated Supervision | 1997 | Manchester Metropolitan University | Fozzard G Spragg JE |
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| Turnock P | Fibreglass Sculpture | 1997 | Brunel University | Design Pedagogy | Cyclops P Hines |
| Turner M | 'Dissolving the People' | 1997 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner A | The Boy in the Boat | 1997 | Southampton Institute | ||
| Turnbull A | Alison Turnbull | 1997 | Wimbledon School of Art | Painting | |
| Turk GJT | Sensation: Young British Artists from the Saatchi Collection | 1997 | The London Institute | Fine Art | |
| Tuckett S M | Ariadne: Reading the Cloth | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Tucker M E | Alan Davie Drawings | 1997 | University of Brighton | Fine Art Practices | P Elliott |
| Trowles P | Great Building: Shame About the Students! C.R Mackintoshs Glasgow School of Art | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Trodd C | The Authority of Art: Cultural Criticism and the Idea of the Royal Academy in mid-Victorian Britian | 1997 | University of Sunderland | Fine Art | |
| Travers K | The Ramayana directed by Kath Travers | 1997 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Trambusti B | Design for Puffa range of equestrian clothing | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Trambusti B | Design of Sisley Autumn - Winter collection, 1997/98 | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | K Trambusti as Addendym Design Consultancy |
| Toren A | LEmpreinte | 1997 | University of Reading | Marcel Duchamp Jasper Johns Pablo Picasso |
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| Tillotson E | Friends From the North | 1997 | University of Sunderland | Fine Art | |
| Thrower S | One of three printed textile design collections for KBC, Germany | 1997 | University of Southampton | ||
| Throp M | Virtue and Vulgarity. | 1997 | Goldsmiths College | ||
| Thoquenne M | 'Sylvie', Documentary. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Thoquenne M | 'Visions of Joan', Commission to write feature script drama. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Thomson J.R. | Obituary | 1997 | University College London | Fine Art Media | |
| Thomson J.R. | Ground Control | 1997 | University College London | Fine Art Media | |
| Thomson A | General Review of Gain and Loss | 1997 | University of Newcastle | Daniel von St Leslie Eastman |
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| Thompson R | The Technology of Paper Recycling | 1997 | The London Institute | Fine Art | |
| Thompson R | Printing Materials: Science and Technology | 1997 | The London Institute | Media and Communication | |
| Thompson GA | Krijn de Koning and Gladstone Thompson: A Collaborative Work | 1997 | The London Institute | Fine Art | Krijn de Koning |
| Thomas PD | Strategies to optimise car safety for real world collisions | 1997 | Loughborough University | Design Ergonomics | |
| Thomas P | Histories: Four British Painters | 1997 | University of Gloucestershire | ||
| Thomas KR | Vaccines: Monkey Business | 1997 | University of Westminster | Visual Media | |
| Thomas J | 'Important Toy' | 1997 | Wimbledon School of Art | Painting | |
| Thapalyal RI | A Gift for India: group exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| Ten Brink J | The Man who Couldn't Feel and Other Tales | 1997 | University of Westminster | Visual Media | |
| Tebby S | Hill, Beck + Marsh 1991-93: An environmental sculptural landscaping scheme with water features for two courtyards at Quarry House, Leeds: A Case Study | 1997 | De Montfort University | ||
| Tebby S | Comparative Analytical Drawings and Methods of Construction for some Circular Mosaics in the Roman Empire | 1997 | De Montfort University | ||
| Taylor S | Classifications I and II. | 1997 | Goldsmiths College | ||
| Taylor S | Room | 1997 | Southampton Institute | ||
| Taylor M | Votive | 1997 | Bolton Institute of HE | ||
| Taylor F | 'Seventy one hours and forty minutes' | 1997 | Wimbledon School of Art | Brian Chadwick John Miller Nigel Rolfe |
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| Taylor A | Furies | 1997 | University of Gloucestershire | ||
| Tangye HR | Galliano Book | 1997 | The London Institute | Fashion and Textiles | |
| Tamburic S | A comparison of different in vitro methods for measuring mucoadhesive performance | 1997 | The London Institute | Fashion and Textiles | D.Q.M. Craig, University of London |
| Tabrizian M | Minimal Utopia | 1997 | University of Westminster | Visual Media | |
| TURNER J | Triangle: An Exhibition by Fine Art Fellows | 1997 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| TOVEY M.J. | Styling and design: intuition and analysis in industrial design | 1997 | Coventry University | The Design Institute | |
| TCHERNAKOVA A | Sea and Stars | 1997 | University of Lincoln | ||
| TAYLOR B | 'Consult' a two-minute running presentation profiling the work of TPS Consult Architecture + Interior Design | 1997 | University of Dundee | Contemporary Practice | Gary Gowans |
| TAYLOR A | Vision und Industrielle | 1997 | University of Dundee | Contemporary Practice | Professor Norma Starszakowna |
| TAYLOR A | Arrow Textiles | 1997 | University of Dundee | Contemporary Practice | |
| Sykes S | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Swift E | The Faust Space | 1997 | University of Gloucestershire | ||
| Swallow SS | 'Winner' Crosses the line | 1997 | Brunel University | Design for Inclusion | RR Stroud JR McCardle Vincent |
| Swallow PG | Site Investigations | 1997 | De Montfort University | Whyte, W.S. Paul, R.E. |
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| Swallow PG | Managing Unoccupied Buildings and Sites | 1997 | De Montfort University | ||
| Sutherland C | EMAP International Construction Tower | 1997 | Glasgow School of Art | Design | Hussey, C |
| Stubbs N | La Mere Sauvage (drama, 30 mins, 16mm film, 1997) | 1997 | Staffordshire University | ARi, School of Art + Design | E. Wass |
| Stuart A | The Harlem Renaissance | 1997 | The London Institute | Fashion and Textiles | |
| Strowbridge B | Macbeth | 1997 | The London Institute | 3-Dimensional and Environmental Design | Brigette Reiffensteul |
| Strowbridge B | Caucasian Chalk Circle | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Stroud RR | Winner crosses the line | 1997 | Brunel University | Environmentally Sensitive Design | S SWallow JR McCardle D Vincent |
| Stothart P | 'Paulie' | 1997 | De Montfort University | ||
| Storey H | Primitive Streak | 1997 | The London Institute | Fashion and Textiles | Dr Kate Storey, Oxford University |
| Stoddart A | David Hume Monument, Edinburgh | 1997 | Glasgow School of Art | Fine Art | |
| Stockwell S. J. | PAPER SPACES | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stockham J | Experiment GB | 1997 | Royal College of Art | Fine Art | |
| Stitt A | God is Sexy - An exploration of fundamentalism | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Stiff P | A footnote kicks him: how books make readers work | 1997 | University of Reading | ||
| Stezaker J | Overworlds | 1997 | Royal College of Art | Fine Art | |
| Stewart WR | Packaging Design Strategy (Korean translation) | 1997 | Sheffield Hallam University | ||
| Stewart N | Reflective Surface | 1997 | Sheffield Hallam University | ||
| Stewart N | Familiar Image | 1997 | Sheffield Hallam University | ||
| Stevens P | Subaru Impreza World Rally Car | 1997 | Royal College of Art | Design for Manufacture | |
| Stephens JR | Cheltenham Open Drawing 1977 Group exhibition | 1997 | Chester College of HE | ||
| Starszakowna N | International Exhibition + Symposium | 1997 | The London Institute | Fashion and Textiles | |
| Starszakowna N | The Jerwood Prize for Applied Arts | 1997 | The London Institute | Fashion and Textiles | |
| Starr G | Pictura Britannica: Art from Britain | 1997 | The London Institute | Fine Art | |
| Starkey P | Catalogue for Exhibition 'Songs in Salt' | 1997 | University of Wales Institute, Cardiff | Ceramics | M Canon J Hamlyn P Meanley |
| Starkey P | Below the Salt - A critical discussion of the symposium on contemporary British saltglaze, 'Visions and Traditions,' Leeuwarden, Holland | 1997 | University of Wales Institute, Cardiff | Ceramics | N Upfold |
| Stanley N | The South-East Asian 'Living Museum' and its Antecedents | 1997 | University of Central England in Birmingham | Art Education Research Group | |
| Stanford P | 'Vision and Difference' | 1997 | Wimbledon School of Art | ||
| Stahl A. | 1st International Artists' Camp, Sri Lanka | 1997 | University College London | Painting | |
| Stables K | Critical Issues To Consider When Introducing Technology Education into The Curriculum of Young Learners. | 1997 | Goldsmiths College | ||
| St James M | Screens | 1997 | The London Institute | Fine Art | |
| Sprung S | The Serpent | 1997 | Sheffield Hallam University | ||
| Sprawson D H | Derek Sprawson - Recent Paintings | 1997 | Nottingham Trent University | Visual Arts | |
| Sprawson D H | Wall Drawing | 1997 | Nottingham Trent University | Visual Arts | Marina Abramovic David Shrigley Mariele Neudecker |
| Spittler U | Memories of the Second World War and National Identity in Germany | 1997 | University of Brighton | Memory, Identity and History | G Knischewski |
| Spiller E. | Schmuchzene '97 | 1997 | Falmouth College of Arts | ||
| Spencer B | You think you've flown before | 1997 | Liverpool John Moores University | Painting and Sculpture | S Rendall |
| Southwell M | Participatory Research: a development model applied to design | 1997 | Goldsmiths College | ||
| Southwell M | Magic by Design: Technology Transformed. | 1997 | Goldsmiths College | ||
| Southam JV | On the Bright Side of Life. Zeitgenossische Britische Photografie | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Southam JV | Speed - Visions of an Accelerated Age | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Souleles N | The Past, the Present and the Future | 1997 | Cumbria College of Art + Design | ||
| Sonnabend Y. | Camino Real | 1997 | University College London | Theatre Design | |
| Sonnabend Y. | Cinderella | 1997 | University College London | Theatre Design | |
| Snell R | The Lie of the Land | 1997 | Bath Spa University College | ||
| Snell R | The NatWest Art Prize | 1997 | Bath Spa University College | Chambers, S. Francis, M. Martin, J. |
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| Snell R | The Promised Land | 1997 | Bath Spa University College | ||
| Sneddon S G | The Large Print Show | 1997 | Sheffield Hallam University | ||
| Smith N E | Edges and Boundaries | 1997 | Nottingham Trent University | Visual Arts | |
| Smith MM | All in the Mind | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| Smith M M | The end-title, the early title-page and the wrapper: their interconnections | 1997 | University of Reading | ||
| Smith M | Balance and Space: Ceramics 1976-1996 | 1997 | Royal College of Art | Applied Art | |
| Smith K | Imagine there are no Limits. | 1997 | Goldsmiths College | ||
| Smith K | 'Stefano' | 1997 | Wimbledon School of Art | Sculpture | Bill Woodrow Michael Sandle Philip King |
| Smith K | 'Imagine There Are No Limits' | 1997 | University of Northumbria at Newcastle | Installation (2b) | |
| Smith J | Study to Determine the main Factors Leading to the overall success of the Handy 1 Robotic System. | 1997 | Staffordshire University | ARi, School of Art + Design | M J Topping |
| Smith J | Blight | 1997 | The London Institute | Media and Communication | composer, Jocelyn Pook |
| Smith AE | Seraph Spring/Summer Collection 1998 | 1997 | The London Institute | Fashion and Textiles | |
| Smith A | The Effects of Aqueous Treatments on the Mechanical Properties of Paper | 1997 | The London Institute | Media and Communication | |
| Smith AJ | Oxford Essential Atlas | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Smith AJ | Oxford Practical Atlas | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Smith AJ | Oxford School Atlas | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Sly A | 'The Spirit of Cricket' | 1997 | Wimbledon School of Art | Theatre technical arts | |
| Sleeman A.J. | In the Queen's Parlour, inspired by Tea and made of Gentlemen: British Sculpture in the Twentieth Century as 'Sculpture Anglaise'. | 1997 | University College London | Art History and Theoretical Studies | |
| Sleeman A.J. | More and Less: The Early Work of Richard Long | 1997 | University College London | Art History and Theoretical Studies | |
| Slee R | Jinro International Ceramic Art Exhibition | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Slee R | A Grand Design: The Art of the Victoria and Albert Museum | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Slade-Brooking C. L. | THE ENCYLOPAEDIA OF ILLUSTRATION TECHNIQUES | 1997 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Skingle S | Wall Reliefs and Sculpture. 15 hand-sized plaster globes and glass and wire sculptures. | 1997 | London Guildhall University | ||
| Skingle D | St. George vague: 1 digitally enhanced + manipulated image ink-jet printed on Arches vellum. Size depends on printer command. | 1997 | London Guildhall University | ||
| Skingle D | Forgotten Garden: 1 digitally enhanced and manipulated image ink-jet printed onto Arches vellum. Size depends on printer command. | 1997 | London Guildhall University | ||
| Skelton PJS | Virtue and Vulgarity | 1997 | The London Institute | Fine Art | |
| Siodmok P M | Sterilox Sterilisation System | 1997 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Bailey, S Trevellyn, J Cooper, A |
| Sinden AA | Conservatory | 1997 | University of East London | Lulu Quinn Ian Bourn George Saxon |
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| Sinclair R | Skills in Textiles Technology. | 1997 | Goldsmiths College | ||
| Simpson PJ | 'In Transit', Some British Contemporary Art. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson PJ | 'Common Centre'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson M | Wince | 1997 | The London Institute | Fine Art | |
| Short LA | Humansim 2020? | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Short LA | Something Else | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Short J | Visualisation Designs | 1997 | Goldsmiths College | ||
| Short J | Ideas in IKAT. | 1997 | Goldsmiths College | ||
| Short C | Egon Schiele | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Short C | An examination of the relations of the philosophy of Friedrick Nietzsche to the theme of the apocalypse in Wassily Kandinsky's texts and images | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Shonibare Y | Sensation: Young British Artists from the Saatchi Collection | 1997 | The London Institute | Fine Art | |
| Shipsides D | John Cabot's Court/Performing Generations | 1997 | University of Ulster | ||
| Shinkle EB | Reseau (1997) Rue Des Seigneurs (1997) | 1997 | University of Westminster | Visual Media | |
| Shillito A | Highlights - Design aus Grossbritannien | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Sheridan T | Is It the Design on the Wrapper? | 1997 | The London Institute | Fine Art | |
| Shepherd D | Borders - Site-specific installation responding to Scott Harbour, Cardiff | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Sheldon JL | Amrit and Rabindra Kaur Singh | 1997 | Liverpool John Moores University | Art and Design History | |
| Shanahan P.N. | Personal Geography/Private Landscape | 1997 | Falmouth College of Arts | ||
| Seymour R | Cyborg Computer Joystick | 1997 | Royal College of Art | Design for Manufacture | |
| Sewell E | Victoria and Albert Museum Showcase Exhibition | 1997 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Selley G | TechnoSphere | 1997 | The London Institute | Media and Communication | Jane Prophet Mark Hurry No |
| Selley G | MAID (Multimedia Assets for Industrial Design) | 1997 | The London Institute | Media and Communication | Mark Gaved Pat Batley R Popper |
| Selby A | Moving Stories (illustration commission) | 1997 | Loughborough University | Illustration | |
| Sekers A | Website designs | 1997 | The London Institute | Media and Communication | |
| Seden MR | Ten Years on: An Evaluation | 1997 | De Montfort University | ||
| Seawright P | The Missing | 1997 | University of Wales College, Newport | Photography | Reneke Dijkstra (NL) Wendy Ewald (USA) |
| Seaton D | Atlantic Fusion | 1997 | University of Hertfordshire | ||
| Scott G A | Working-Class Feminism? The Women's Co-operative Guild 1880s to 1914 | 1997 | University of Brighton | Design History, Criticism and Theory | |
| Schoeser M | Mil Anys de Disseny en Punt | 1997 | The London Institute | Fashion and Textiles | |
| Sayers L | 'Madame Smudge, some Fossils, and other missing links: Unearthing the Ballet Class' | 1997 | University of Gloucestershire | ||
| Saxton J | Decisions by Design. | 1997 | Goldsmiths College | Kimbell, R. Mahony, P. Miller, S. |
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| Sawdon Smith R. T. | THE JOHN KOBAL PHOTOGRAPHIC PORTRAIT AWARD | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Saville J. | Sensation: Young British Artists from the Saatchi Collection | 1997 | University College London | Painting | |
| Saunders C | Annabel (6 min. video short). | 1997 | London Guildhall University | ||
| Saunders S | Car body design (Alfa Romeo) | 1997 | University of Plymouth | Design + Innovation | |
| Sargeant J | Naked Lens - Beat Cinema | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sanderson LV | Transforming the Crown: African, Asian and Caribbean Artists in Britain | 1997 | Sheffield Hallam University | ||
| Sanderson L V | Transforming the Crown; African, Asian, and Caribbean Artists in Britain 1966-96 | 1997 | Wimbledon School of Art | Painting | Sonia Boyce Yinka Shonibare Keith Piper |
| Sanderson L V | Marking Presence | 1997 | Wimbledon School of Art | Painting | Anthony Gormley Bill Woodrow Ana Maria Pacheco |
| Sacks S | Social Sculpture Colloquium | 1997 | Oxford Brookes University | Social Sculpture Research Unit | |
| Sabin AM | The Open Sea | 1997 | The London Institute | Fine Art | |
| SZULAKOWSKA U | The Avant-Garde and It's Patrons: the development of Experimental Art in Brisbane c1980 - 1988 | 1997 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| STEYN J. | Other than Identity: the Subject, Politics and Art. | 1997 | City University | ||
| STEYN J. | De-Composition: Culture + Industry towards 2000. Joint Curator | 1997 | City University | ||
| STEEL E R | MACALLAN/SOS Short Story award illustration | 1997 | University of Dundee | Contemporary Practice | |
| SPICER A | Male stars, Masculinity and British Cinema, 1945-1960 | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| SMITH K | LETTERS OF INDULGENCE | 1997 | Middlesex University | J Tankard | |
| SHEMILT E | Behind Appearance | 1997 | University of Dundee | Contemporary Practice | |
| SHAW P | PHYTOCROMOGRAPHY - PRINTING WITH PLANTS | 1997 | Middlesex University | ||
| SCHENK P M | The role of drawing in graphic design and the implications for curriculum planning | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SCHENK P M | An analysis of the changing role of drawing in the graphic design process since the mid-eighties, with particular regard to the impact of technological change | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SAXON G | Conservatory - 'A Place For Tender Things' | 1997 | University of Lincoln | ||
| SAUNDERS R. | Britax / contour business class seat | 1997 | Coventry University | Design | HORROCKS, L. GRANADAS, R. |
| SAUNDERS R. | Superblower | 1997 | Coventry University | Design | |
| SAUNDERS R. | ACECA | 1997 | Coventry University | Design | |
| Rye C | 'Shattered Anatomies' | 1997 | Napier University | Critical Theory of Practice | Heathfield, Adrian Templeton, Fiona Quick, Andrew |
| Ryan S | Embedding and Evaluating CBL Materials in Science Education | 1997 | De Montfort University | Patel, D Scott, B |
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| Ryan S | Webmapping: Planning, Structuring and Delivering Courseware on the Internet | 1997 | De Montfort University | Freeman, H | |
| Ruthven R J | Image Nations, group exhibition, Eye Rhymes | 1997 | University of Portsmouth | Art and Science | |
| Russell J | Cool Tears (Life/Live) | 1997 | The London Institute | Fine Art | Simon Bedwell Milly Thompson Simon Martin |
| Russell B | Bruce Russell: Recent Paintings | 1997 | Kingston University | ||
| Rushton E | The Mule | 1997 | Falmouth College of Arts | Derek Tyman Roman Vasseur |
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| Rushby R | 15 jewellery pieces in enamelled silver and gold | 1997 | London Guildhall University | ||
| Ruckman JYE | Water Vapour Transfer in Waterproof Breathable Fabrics: Under Rainy and Windy Conditions | 1997 | Manchester Metropolitan University | ||
| Ruckman JYE | Analysis of Simultaneous Heat and Waterproof Transfer Through Waterproof Breathable Fabrics | 1997 | Manchester Metropolitan University | ||
| Roy R | Design for environment in practice - development of the Hoover New Wave washing machine range | 1997 | Open University | Design and innovation management | |
| Roy R | Design and innovation in successful product competition | 1997 | Open University | Design and innovation management | J. Riedel |
| Rowe D | Opus Double Bass Stool | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Rowe D | Collaborative Furniture Projects at BIAD | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Rowe D | Opus Choral Seating - tip-up seat | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Rosser E | 'Ants Growing Wings by the River' | 1997 | Wimbledon School of Art | Sculpture | Inghild Karlsen Kjell Sampkopf Per J Boym |
| Ross White M | Tete a Tete | 1997 | Bath Spa University College | ||
| Rosenberg T | Thoughts on a plane. | 1997 | Goldsmiths College | ||
| Rose EE | Pacesetters | 1997 | Lancaster University | ||
| Rose C J | Computer Use by Artists and Designers: Some perspectives on two design traditions | 1997 | University of Brighton | Pedagogic Research | C Beardon S Gollifer S Worden |
| Rolfe N | Two Drums | 1997 | Royal College of Art | Fine Art | |
| Rogers ME | Development education through design and technology | 1997 | Goldsmiths College | ||
| Robson E H N | Site Lines | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | Charlotte van der Geest Simon Kemp Ben Ratcliffe |
| Robson D G | Homes for the Third Age - a design guide for sheltered housing | 1997 | University of Brighton | Natural and Constructed Environments | A Nicholson N Barker - (Supervised author) |
| Robinson H | Within the pale in from: Beyond the Pale:the construction of feminity in the curating of an exhibition season at IMMA, Dublin | 1997 | University of Ulster | ||
| Robertson P | Improved Technology Adoption by Small Groups of Manufacturing Enterprises | 1997 | University of Central Lancashire | CM Kirk, Massey University CM Gomes, Massey University |
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| Robertson H | Public Relations - New British Photography | 1997 | The London Institute | Fine Art | |
| Robertson GD | Strathclyde University Principals residence | 1997 | Glasgow School of Art | Design | Chris Platt Colin McNeish |
| Robertson DA | Multimedia Complexity: A Pathfinder Product Development Strategy | 1997 | De Montfort University | Schybergson, O. | |
| Robertson DA | 4D Product Design, Mechatronics and Multimedia Technology: Some Conceptual Challenges | 1997 | De Montfort University | ||
| Robertson C | History - Museum and Art Gallery Collection | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Robertson C | A Quality of Light, Exploration of the quality of light in art | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Robertshaw S | The Errors of Art and Nature | 1997 | Liverpool John Moores University | International Centre for Digital Content | |
| Rirsch R | Chain-of-office for a Middle Eastern Kingdom in white/yellow gold, with enamelled motifs, set with 400 gemstones (diamonds, rubies + emeralds) | 1997 | London Guildhall University | ||
| Rirsch R | 18ct. white/yellow gold enamelled lyre set with 414 diamonds, rubies + emeralds | 1997 | London Guildhall University | ||
| Riley H | Where do meanings come from? The Social Semiotic of Design' | 1997 | Swansea Institute of Higher Education | Design | |
| Rieser M | Interactive Narratives: A Form of Fiction? | 1997 | Napier University | Critical Theory of Practice | |
| Ride P | Dominique Blain | 1997 | University of Westminster | CARTE | |
| Richardson C | Day Loves Night | 1997 | Oxford Brookes University | Creative Practice | |
| Rice B W | Paintings and prints by Brian Rice | 1997 | University of Brighton | Natural and Constructed Environments | |
| Rhodes E. | Artists' Film and Video Series | 1997 | University College London | Fine Art Media | |
| Rhodes E. | Film Screening | 1997 | University College London | Fine Art Media | |
| Renton A. | Browser | 1997 | University College London | Art History and Theoretical Studies | |
| Rennie C | Four Glass Sculptures | 1997 | University of Wolverhampton | Glass | |
| Reid H F | The Machining Properties of Rubberwood Laminated Veneer Lumber (LVL) | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam J Perkins M |
| Reid H F | Fatigue: its relevance to furniture | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam J Perkins M |
| Read SA | Sektorer | 1997 | The London Institute | Fine Art | |
| Raymond M | The Ethical Implications of Off Shore Sourcing | 1997 | The London Institute | Fashion and Textiles | |
| Ray SF | High Speed Photography and Photonics | 1997 | University of Westminster | Imaging Technology | |
| Raney K | Visual Literacy: Issues and debates | 1997 | University of East London | ||
| Ramsey BJ | A Novel Circuit Fabrication Technique using Offset Lithography | 1997 | Brunel University | Environmentally Sensitive Design | P Evans D harrison |
| Ramsenthaler S | Made in Glasgow | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Sinclair, R |
| Ramsay G | Zonen Der Verstorung, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Ramsay G | Nerve, Glasgow Projects, group exhibition | 1997 | Glasgow School of Art | Fine Art | John Beagles |
| Rampley M. | FROM SYMBOL TO ALLEGORY: ABY WARBURG'S THEORY OF ART | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Ramond P | Chefs d'Oeuvre des Maraqueteurs: marqueteurs d'exception | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Raban W | Beating the Bridges | 1997 | The London Institute | Media and Communication | |
| ROBISON J | Large Scale Ceramics | 1997 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| ROBERTSON P | Improved Technology Adoption by Small Groups of Manufacturing Enterprises | 1997 | Kent Institute of Art + Design | C M Kirk Massey University C M Gomes Massey University |
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| RINGE S | Export | 1997 | University of Lincoln | ||
| READ S | SEKTORER | 1997 | Middlesex University | ||
| Quinn L | Conservatory | 1997 | Sheffield Hallam University | ||
| Quinn AM | Single Stem Vases | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Quick C | Champion | 1997 | University of Central Lancashire | ||
| Quick C | 'You Like Your Lights Don't You' | 1997 | University of Central Lancashire | ||
| Quemby S | Printmaking from England | 1997 | Wimbledon School of Art | ||
| Purbrick L | Knowledge is Property: Looking at Exhibits and Patents in 1851 | 1997 | University of Brighton | Design History, Criticism and Theory | |
| Punton L | Lapplands Konstnarskoloni, group exhibition | 1997 | Glasgow School of Art | Fine Art | Olle Magnusson |
| Pucill SA | Backcomb | 1997 | University of Westminster | Fine Art | |
| Pucill SA | Mirrored Measure | 1997 | University of Westminster | Fine Art | |
| Prophet J | TechnoSphere 2: Website and video works | 1997 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Price-Owen A L | David Jones and the Age of Multiplicity | 1997 | Swansea Institute of Higher Education | Image and Text | |
| Prevoo D. | THE 8TH INTERNATIONAL BIENNIAL PRINT + DRAWING EXHIBIT | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Power M | The Shipping Forecast | 1997 | University of Brighton | Memory, Identity and History | |
| Powell F | Royal Academy 229th Summer Show | 1997 | Falmouth College of Arts | ||
| Poulson DF | Using New Technology to Support the Provision of Care Services | 1997 | Loughborough University | Design Ergonomics | |
| Potter S | The commercial impacts of investment in design | 1997 | Open University | Design and innovation management | R. Roy |
| Porter LJ | Teaching Control: An aspect of the National Curriculum | 1997 | Brunel University | Design Pedagogy | |
| Porter D | Tracking Architectural Logic | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Porteous C | Do sunspaces work in Scotland? Lessons learnt from CEC solar energy demonstration in Glasgow | 1997 | Glasgow School of Art | Cities and Environments | |
| Porteous C | Performance of a thermally efficient timber window with integral solar air collector | 1997 | Glasgow School of Art | Cities and Environments | |
| Pope M | A costume research and interpretation project based on paintings in the National Gallery | 1997 | Wimbledon School of Art | Theatre costume | |
| Poncelet J | Material Culture: The Object in British Art of the 1980s and 90s | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Poncelet J | A Stranger Here Myself | 1997 | The London Institute | 3-Dimensional and Environmental Design | Laura Ford |
| Pointer MR | Some Aspects of the Visual Scaling of Large Colour Differences | 1997 | University of Westminster | Imaging Technology | Attridge GG |
| Piper T | Robert Horne/Lowick House Printmaking Residency Award Exhibition | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Pinsky M | Stripes Touring Exhibition | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| Pinsky M | Transparent Room | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| Pilsl C | oT (Interventionen) | 1997 | Southampton Institute | ||
| Pilgrim G | Deep Blue Sea | 1997 | Wimbledon School of Art | Theatre Design | Marianne Elliott |
| Pilgrim G | Villette | 1997 | Wimbledon School of Art | Theatre Design | Deborah Paige Judith Adam Chahine Yauroyan |
| Pierse S J | Paintings of Ladakh | 1997 | University of Wales, Aberystwyth | ||
| Pierse S J | A Sunburnt Country, Australian Landscapes | 1997 | University of Wales, Aberystwyth | Alison Hall | |
| Piddington A | Thin Man Running | 1997 | Kingston University | ||
| Pickwoad N | The Development of the Concept of Artefactual Conservation | 1997 | The London Institute | Media and Communication | |
| Phillpot C | Bookworks et Cetera | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Phillips K | Paintings | 1997 | Cumbria College of Art + Design | ||
| Petry M | A Thing of Beauty is... | 1997 | University of Wolverhampton | Fine Art | |
| Petrie K | Brompton Head and Meatdish. | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Petrie K | Mix, Match and Madness - Early transfer printing and its potential for the contemporary artist | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Petherbridge D | The Outline around the Shadow | 1997 | Royal College of Art | Critical Practice | |
| Perkins M | Furniture Industry - Regaining the Competitive Edge | 1997 | Brunel University | Environmentally Sensitive Design | J Ratnasingham HF Reid |
| Perkins M | The machine properties of Rubberwood Laminated Veneer Lumber (LVL) | 1997 | Brunel University | Environmentally Sensitive Design | J Ratnasingham HF Reid |
| Penny S | Fugitive, | 1997 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Penney W | Britain Meets the Bay | 1997 | University of Ulster | ||
| Pennell J | Kind of English. | 1997 | Goldsmiths College | ||
| Peart T | Twenty nine paintings | 1997 | Cumbria College of Art + Design | ||
| Peake SR | Vehicle and Fuel Challenges beyond 2000 | 1997 | Open University | Design for sustainability | |
| Peake SR | Transport, Energy and Climate Change | 1997 | Open University | Design for sustainability | |
| Payne J | Knitted fabrics | 1997 | University of Southampton | ||
| Pavelka M | Henry V by William Shakespeare | 1997 | Wimbledon School of Art | Theatre Design | Edward Hall Propellor Theatre Company Watermill Theatre |
| Paul R | The Masters of Graphic Arts, 4th International Biennial Gyor, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Patterson Z | Precious Cargo | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson RW | What Vitruvius Said | 1997 | De Montfort University | ||
| Patterson I | Tekeningen | 1997 | Edinburgh College of Art | Fine Art | |
| Partridge J | Curators Focus: Turning in Context | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Parfitt D | 'Julie Rose Memorial Stadium Sculpture' - Public commission. Dimensions: 4 meters high | 1997 | University College Chichester | Sculpture | |
| Paolozzi E | Newton | 1997 | Edinburgh College of Art | Fine Art | |
| Palmer R | Buttock + Tongue, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Palmer M | The Foregrounding of the Issue of Space. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Palmer E | Transforming the Crown | 1997 | The London Institute | Fine Art | |
| Page ME | Consumers and self assembly products - problems and solutions | 1997 | Loughborough University | Design Ergonomics | Haines, V.J. Grant, R.H. Clift, L. |
| Padovani C | Between Sense and Place | 1997 | University of Southampton | ||
| Packe R | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| PORTER C.S. | An 'inside - out' approach to automotive design | 1997 | Coventry University | The Design Institute | PORTER, J.M. |
| PHIPPARD P | Displays her body in the most reckless manner | 1997 | University of Lincoln | ||
| PHIPPARD P | Paternity may be legal fiction | 1997 | University of Lincoln | ||
| PAUL J M | Interior Design Research: A Challenge for the Future | 1997 | University of Dundee | Industry and the Public Sector | Dr Nomana Anjum Roland Ashcroft |
| PATTISON J | Painted Forms | 1997 | University of Dundee | Contemporary Practice | |
| PATTISON J | Project Keleia | 1997 | University of Dundee | Contemporary Practice | Trevor Bell Emerik Bernard Johanna Rodenberg |
| PARTRIDGE S | Installation Series | 1997 | University of Dundee | Digital Technology | |
| Oxborrow L | Matriser la Concurrence de Prix: strategies qui se degagent chez les fournisseurs dans l'industrie de l'habillement au Ryaume-Uni | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Owen M | Maurice Owen, Current and Archival Work | 1997 | Southampton Institute | ||
| Oulton T | 'Wavelength: Recent Paintings 1995-97' | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Orlow U | Toute la ville en parle | 1997 | The London Institute | Fine Art | |
| Orlow U | instead (inventory #2) | 1997 | The London Institute | Fine Art | |
| Onwin G | A Quality of Light | 1997 | Edinburgh College of Art | Fine Art | |
| Onwin G | Evaporates | 1997 | Edinburgh College of Art | Fine Art | |
| Olver E | Generation Series | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Olver E | De Beers Diamond Day | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Ogilvie S | 22nd International Biennial of Graphic Art, Ljubljana | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ogilvie E | Oceanus | 1997 | Edinburgh College of Art | Fine Art | |
| Odundo M. A. | MAGDALENE ODUNDO | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Ocean H | Urbasuburba | 1997 | The London Institute | Fine Art | |
| OWEN P | B.O.N.G.0 | 1997 | University of Lincoln | ||
| OWEN P | City Racing as one of six artists run organisations | 1997 | University of Lincoln | ||
| OWEN P | The Last Show | 1997 | University of Lincoln | ||
| OWEN P | Young Parents | 1997 | University of Lincoln | ||
| ORourke D | On Your Nerve: A Wake For Frank OHara, verse - play | 1997 | Glasgow School of Art | Historical and Critical Enquiry | W N Herbert David Kinloch |
| OConnell T | Do Touch, Do Not Touch | 1997 | University of Reading | ||
| OBRIEN T | Still | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| O'Sullivan T | Masters of the Universe | 1997 | Cumbria College of Art + Design | ||
| O'Sullivan T | Two Exhibits | 1997 | Cumbria College of Art + Design | ||
| O'Pray ME | 'Eisenstein and Stokes on Disney: Film Animation and omnipotence' | 1997 | University of East London | ||
| O'Donnell H | Founders and Heirs of the New York School | 1997 | The London Institute | Fine Art | |
| O'Donnell H | Solo Exhibition | 1997 | The London Institute | Fine Art | |
| O'Connell T | Do touch, do not touch | 1997 | Bath Spa University College | ||
| North ME | 14th International Triennial for Original Graphic Prints | 1997 | Loughborough University | Fine and Applied Arts | |
| Norman-Smith C | The Forgotten Finish | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Noble I | Book design | 1997 | The London Institute | Media and Communication | |
| Nicolle CA | Design Guidelines for Route Guidance Systems: Development Process and an Empirical Example for Timing of Guidance Instructions in Noy, Y.I. (ed) Ergonomics and Safety of Intelligent Driver Interfaces | 1997 | Loughborough University | Design Ergonomics | Ross, T. Vaughan, G.M. |
| Nicol K | Embroidered fabric for Clements Ribeiro, Autumn/Winter 1997 | 1997 | Royal College of Art | Design for Manufacture | |
| Nicol EJ | The Rubber Band Project. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Nichols P | Switched On: Turned Off. Resistance and Seduction in Theorising Technology in Contemporary Arts Practices. (Sixth Biennial Symposium for Arts and Technology) | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | Keith Brown Dan Collins Oto Laske |
| Newton J K | In Spite of Appearances. | 1997 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily |
| Newport R | Plastics and Design | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Newland P M | A Web of Senses in an Autistic Universe | 1997 | University of Portsmouth | Centre for New Media Research | Ron Geesin |
| Newell R A | Wales Drawing Biennial | 1997 | Swansea Institute of Higher Education | Land and Landscape | |
| Nelson M | Lion Heart | 1997 | Edinburgh College of Art | Fine Art | |
| Nelson M | Lionheart | 1997 | The London Institute | Fine Art | |
| Muthesius A. M. | THE ROLE OF BYZANTINE SILKS IN THE OTTONIAN EMPIRE | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Muthesius A. M. | BYZANTINE SILK WEAVING AD400 TO AD1200 | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Murray M | John Kobal Portrait Awards 97 | 1997 | University of Gloucestershire | ||
| Murphy J | John Murphy. | 1997 | Goldsmiths College | ||
| Murphy CJ | Silver from Scotland | 1997 | University of Ulster | ||
| Mulrine S | Yerofeev: Moscow Stations | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mukherjee R | La Prenda (The Jewel). | 1997 | Goldsmiths College | ||
| Mowatt S | Threads (Fiber Art in the 90s) | 1997 | Edinburgh College of Art | Fine Art | |
| Mowat I | Knitwear Collection for Alexander McQueen | 1997 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mostaghimi B | Dye Techniques | 1997 | University of Brighton | Materials Practices and Processes | |
| Mosscrop MLB | NatWest Art Prize (Group exhibition/Painting prize) | 1997 | De Montfort University | ||
| Mosley J M | French Academicians and modern typography: designing new types in the 1690s | 1997 | University of Reading | ||
| Morris S.M. | The Androgynous Self: Hoch and Cahun | 1997 | University College London | Fine Art Media | |
| Morris R | John Dillwyn Llewelyn and the Electric Boat | 1997 | Brunel University | Polymedia Design | |
| Morris R | The Daguerreotype and John Dillwyn Llewelyn | 1997 | Brunel University | Polymedia Design | |
| Morris N | Honeyman | 1997 | Liverpool John Moores University | Graphic Arts | |
| Morris M | Mali Morris: New Work | 1997 | The London Institute | Fine Art | |
| Morris D | Paesaggio | 1997 | Liverpool John Moores University | Painting and Sculpture | Dr Murdoch Lothian |
| Moriarty C | Sites of Memory | 1997 | University of Brighton | Memory, Identity and History | |
| Moriarty C | Private Grief and Public Remembrance | 1997 | University of Brighton | Memory, Identity and History | |
| Moore S | Ramanspec (Laser-based Raman spectroscopy unit) | 1997 | University of Ulster | William Lee | |
| Montgomery JAI | Millennium Visual Concepts Identity Works | 1997 | University of Ulster | ||
| Mladovsky J | Jan Mladovsky - Recent Works (Emil Filla Gallery, Prague and Die Aktualitat des Schoenen Gallery, Liberec) | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchell V | Textiles Text, techne | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchell V | Between Sense and Place | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mitchell S | Chapter One of Pushkin's 'Eugene Onegin' in Modern Poetry in Translation, Summer 1997 | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mitchell S | 'Mikhail Alexandrovich Lifshits' (1905-1983) | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mitchell S | Pushkin's 'Mozart and Salieri' | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mitchell P | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell L | Millennium Cycleway | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Milligan, A |
| Mitchell J | Binocular | 1997 | University of Reading | Gareth Fisher | |
| Miller A | Eye Love Eye. | 1997 | Goldsmiths College | ||
| Millar RI | Luz Prateada: Solo exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| Millar L. | TRAVERSEES | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Miles JR | Collection for spring/summer 1998 | 1997 | University of Southampton | ||
| Miles MFR | Art, Space and the City | 1997 | University of Plymouth | Art Process | |
| Miles MFR | Another Hero? Public Art and Gendered City. | 1997 | University of Plymouth | Art Process | |
| Midgley J | English Artists | 1997 | Liverpool John Moores University | Graphic Arts | |
| Middlemiss J.M. | Kutani International Decorative Ceramics Competition | 1997 | Falmouth College of Arts | ||
| Merali S | Going Native | 1997 | University of Westminster | Fine Art | |
| Mendelle N | 'Voices Off' | 1997 | Napier University | Documentary and Experimental Film | |
| Mellor D | Chantal Joffe and Dawn Mellor | 1997 | Royal College of Art | Fine Art | |
| Meigh-Andrews C C | MIND'S EYE | 1997 | University of Central Lancashire | ||
| Mealing SP | Extrapolation to Future Novelties. | 1997 | University of Plymouth | Centre for Visual Computing | |
| McQuillan M | Pablo goes to the ball; Performance, Play and Diversion in the early 1920's. | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| McQuillan M | Les Bals du Comte d'Orgel; Masquerades and Spectacle after the Great War | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| McMullen K | Cinq Plus Un: Une Saison de Six films par Ken McMullen | 1997 | The London Institute | Media and Communication | |
| McMullen K | Retrospective | 1997 | The London Institute | Media and Communication | |
| McLaren G M | Moving Forwards but Looking Backwards: The Dynamics of Design Change in the Early Post-war Pottery Industry. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| McKitterick J | Billy Doll | 1997 | Kingston University | ||
| McKelvey K A | Illustrating Fashion | 1997 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Munslow, J |
| McKeating JE | Traditions | 1997 | Manchester Metropolitan University | ||
| McIntyre K T | 'Premio Marco' | 1997 | University of Northumbria at Newcastle | Painting (1a) | Rego Innendort Lupertz Clementre |
| McInnerney M | I Want to Take You Higher | 1997 | Bath Spa University College | Mouse, S. Whitaker, B. Griffin, R. |
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| McInnerney M | Les Sixties, Britain and France 1962-1973, The Utopian Years | 1997 | Bath Spa University College | ||
| McGrath R | 'Surplus Bodies' | 1997 | Napier University | Critical Theory of Practice | |
| McGoldrick R | Contemplative graphite grey human scale sculpture (6 | 1997 | London Guildhall University | ||
| McFadyen J. | Urbasuburba | 1997 | University College London | Painting | |
| McDowell C | Forties Fashion and the New Look | 1997 | The London Institute | Fashion and Textiles | |
| McDowell C | Galliano | 1997 | The London Institute | Fashion and Textiles | |
| McDonough H | 'Atrium' | 1997 | Anglia Polytechnic University | ||
| McDermott C | Diana: A Celebration | 1997 | Kingston University | ||
| McDermott C | The Power of Erotic Design | 1997 | Kingston University | ||
| McDade S | Boxes | 1997 | Southampton Institute | ||
| McClenaghen J | The Spirit of Bradford | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| McCartney K E | Testing the Benefits of Animation | 1997 | University of Portsmouth | Centre for New Media Research | A Jacobs |
| McCartney K E | Three Dimensional CAAD Modelling ... for Conceptual Design : Technical constraints and local planning attributes as parameters for conceptual design support and evaluation | 1997 | University of Portsmouth | Centre for New Media Research | A Ismail |
| McCarthy P | Commissioned work/Solo Exhibition. | 1997 | University of Derby | Research Group for Artists Publications | |
| McCARTHY P J | Signs and Wonders | 1997 | University of Lincoln | ||
| McBride C | Artists Flags for Scotland, group exhibition of publicly sited works. | 1997 | Glasgow School of Art | Fine Art | |
| Mayfield W | 1997 | Leeds Metropolitan University | Design | ||
| Mavrogordato T | `Rose-Love', `Passion Flower-Love', `Orchid-Love'. | 1997 | Goldsmiths College | ||
| Maudsley N | Chance Encounter 7 minute computer animation based around the body and the representation of sexuality. Distributed by LondonElectronic Arts, Lux Center, Hoxton Square, London | 1997 | London Guildhall University | ||
| Maude-Roxby A | A Dictionary of Symbols | 1997 | Sheffield Hallam University | ||
| Matthee J | Antigone's Cut. | 1997 | Goldsmiths College | ||
| Matthee J | The Descent of the Seductress. | 1997 | Goldsmiths College | ||
| Mason PW | One Person Exhibtion. (Also commissioned work outside gallery). Catalogue with essay by Peter Wheeler. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Masi D. | Partie 5, Brandenburgische Kunsttage 1997. Britain in Brandenburg Festival | 1997 | University College London | Fine Art Media | |
| Masi D | Partie 5, Brandenburgische Kunsttage 1997. Britain in Brandenburg Festival. | 1997 | Wimbledon School of Art | Ken Currie Bridget Riley Eva-Maria Schon |
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| Martinon JP | Jordan Baseman - Blunt Objects. | 1997 | Goldsmiths College | ||
| Martina T | Citybites | 1997 | University College Northampton | Fine Art Practices | |
| Martin PL | Orange as a Contemporary Expression of Spirit | 1997 | De Montfort University | ||
| Marsden MJ | 'Ionsens' | 1997 | De Montfort University | ||
| Marchant A | Interior - An exploration of Interior spaces - both architectural and biological | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Mantripp C | Grinling Gibbons Exhibition | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Manley DJ | 'In-Transit', SomeContemporary British Art. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Manley DJ | Cheltenham Open Drawing 1997. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Manley DJ | 'Porthleven is a quiet..............'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Manley DJ | 30 years of Cheltenham Fine Arts Fellows: 1967-1997. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Malik S | Light Memories: Modernity, Photography and Mass Production. | 1997 | Goldsmiths College | ||
| Malik S | Is the Internet a Rhizome? Cyberspace and the Deleuze-Guattari Machine. | 1997 | Goldsmiths College | ||
| Makem OM | Synergy Centres Ltd | 1997 | University of Ulster | ||
| Makem OM | New Orleans - Restaurant | 1997 | University of Ulster | ||
| Mair J H | The Book of Destinies (A Practical Guide to Predicting the Future) | 1997 | University of Portsmouth | Centre for Images in Practice | |
| Mair J H | Jacqueline Mair | 1997 | University of Portsmouth | Centre for Images in Practice | |
| Maguire P J | Design and Cultural Politics in Post-War Britain | 1997 | University of Brighton | Design History, Criticism and Theory | J Woodham |
| Magee JP | Damage | 1997 | Manchester Metropolitan University | Magee J | |
| Macmillan A | Scotland: The Firth of Clyde | 1997 | Glasgow School of Art | Cities and Environments | Baines, M Page. A |
| Macklin P | Plaid: Exhibition design/curation | 1997 | Glasgow School of Art | Design | H. Pizey M. Beever |
| Mackarell J | Six silver and enamel decorative boxes and items of jewellery | 1997 | London Guildhall University | ||
| Mackarell J | Copper + enamel wall panel 12 feet X 6 feet | 1997 | London Guildhall University | ||
| Macinnes R | A History of Scottish Architecture | 1997 | Glasgow School of Art | Historical and Critical Enquiry | Miles Glendinning Angus MacKechnie |
| Mach D | Train | 1997 | Edinburgh College of Art | Fine Art | |
| Macdonald J | The Decorative Murals of Douglas Strachan | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Maccaulay J | The demolition of the Western Towers of Glasgow cathedral | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Maccaulay J | James Gillespie Graham and A W N Pugin, Some Perthshire Connections | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Maccallum C | DEFLECT: A Computer Aided Learning Package for Teaching Structural Design - Phase 2, | 1997 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Macbeth P A | Pure Fabrication - Independent Textile Makers | 1997 | University of Huddersfield | ||
| MacLennan AM | Body of (D)Earth | 1997 | University of Ulster | ||
| MacKinnon-Day P | The Mag Collection | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| MacKinnon-Day P | Shroud | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| MacGregor B | Live direct and biased? Making television news in the satellite age. | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| MacDonald A | In Partnership with Industry: The Educational/Industrial Interface | 1997 | Glasgow School of Art | Educational Theory and Practice | L ONeil |
| Mabbutt M | Light and Splendour | 1997 | Falmouth College of Arts | ||
| Mabb D | `Street Art of the Revolution'. | 1997 | Goldsmiths College | ||
| MYERS J | NOSEY PARKER - A PANTOMIME FOR THE INTERNET | 1997 | Middlesex University | ||
| MURPHY J | John Murphy | 1997 | University of Oxford | ||
| MORTON V E | Intelligible Lies | 1997 | University of Dundee | Contemporary Practice | Carol Rhodes Graeme Todd |
| MCCONNELL-WOOD T | Two Sides to Darnley | 1997 | University of Dundee | Digital Technology | Deborah John |
| MCCONNELL-WOOD T | How High the Castle Walls | 1997 | University of Dundee | Digital Technology | Shiona McCubbin |
| MARKIEWICZ L | Euphoria | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANLEY B | The American Odyssey: Recent Paintings | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MANHEIM J | ROMAN POTTERY;WOVEN SILKS;STRAW PLAITING;NATURAL HISTORY;ILLUSTRATORS | 1997 | Middlesex University | ||
| MAIR G | Take Me Home | 1997 | University of Dundee | Digital Technology | Matt Hulse |
| MACKENNA T | Bulk, Tracy Mackenna | 1997 | University of Dundee | Contemporary Practice | |
| Lyons AR | A Dynamic Lighting System Background and Prototype | 1997 | De Montfort University | Lomas, K. Cropper, P. Mardaljeviej, J. |
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| Lyons AR | Materials for Architects and Builders: An Introduction | 1997 | De Montfort University | ||
| Luna P F | Two Oxford Bible Types | 1997 | University of Reading | ||
| Luna P F | Design of Oxford English and bilingual dictionaries | 1997 | University of Reading | ||
| Lowe J | Federation Square, International Architectural Design Competition | 1997 | University of Brighton | Natural and Constructed Environments | A Hawker J Wernick Lyon Architects |
| Lowe J | The Three Landscapes | 1997 | University of Brighton | Natural and Constructed Environments | |
| Lowe B. | Truth - Hallucination | 1997 | University College London | Fine Art Media | |
| Lord J | Illustration and Visual Communication; Some aspects of what an illustrator has to think about when creating children's picture books | 1997 | University of Brighton | Visual Communication Design | |
| Lomax T. | Bird/Man | 1997 | University College London | Sculpture | |
| Logue L | 71:40- Injection 4 a Day | 1997 | Southampton Institute | ||
| Lloyd D | David Lloyd | 1997 | University of Gloucestershire | ||
| Lipski E | Jan Fabre, Rob Scholte, Edward Lipski | 1997 | The London Institute | Fine Art | |
| Linklater R | Orfeo by Rossi | 1997 | Nottingham Trent University | Design | Boston Early Music Festival Drottingholm Slottsteater Stockholm |
| Lingford R | What She Wants | 1997 | Royal College of Art | Animation | |
| Liggett S | Vanquished by Repetition | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Lievesley M A | Application publication date: GB2322299A (25/02/97). Fire Retardant Litter Bin | 1997 | University of Northumbria at Newcastle | Product Design (4b) | Palmer, T E Bray, D A |
| Lewis S E N | Web Exhibition | 1997 | Nottingham Trent University | Visual Arts | |
| Lewis P | Plaats. | 1997 | Goldsmiths College | ||
| Lewis M | Two Impossible Films and Upside Down Touch of Evil | 1997 | The London Institute | Fine Art | |
| Lewin A | Cornershop (A cross-arts gallery and exhibition space) | 1997 | Dartington College of Arts | ||
| Lewandowski S | The Rebabeliser | 1997 | Nottingham Trent University | Visual Arts | Hull-time based Arts and Yorkshire Arts |
| Lewandowska M | Contents, Tiensevest 31. | 1997 | Goldsmiths College | ||
| Leverett D. | Signs in the Sky | 1997 | University College London | Painting | |
| Leslie J | Natural History and Other Fictions: An Exhibition by Mark Dion | 1997 | Manchester Metropolitan University | ||
| Lenard JA | Lower limb injuries to passenger car occupants | 1997 | Loughborough University | Design Ergonomics | Fildes, B. Lane, J. Vulcan, P. |
| Lemon E | IN-TRANSIT - Some Contemporary British Art. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Lees - Maffei G | Norman Shaw and Gottfried Semper | 1997 | University of Hertfordshire | ||
| Lees - Maffei G | Balancing the Object: The reinvention of Alessi | 1997 | University of Hertfordshire | ||
| Lee RA | Loud and Clear | 1997 | Oxford Brookes University | Creative Practice | Harry Dawes |
| Lee R M | Style File | 1997 | Cumbria College of Art + Design | ||
| Lee R M | Garment Design | 1997 | Cumbria College of Art + Design | ||
| Lee R | Hot Off the Press | 1997 | Cumbria College of Art + Design | ||
| Ledsham JM | The Jerwood Prize for Applied Arts : Textiles | 1997 | University of Ulster | ||
| Ledger RA | Understanding Owner-dog Compatibility - A Review | 1997 | Brunel University | Interaction Design | |
| Le Grice M | Retrospectiva Malcolm Le Grice at Ciber@rt - Valencia | 1997 | The London Institute | Media and Communication | |
| Le Grice M | Chronos Fragmented and The Chronos Project | 1997 | The London Institute | Media and Communication | |
| Lawrence E | Eileen Lawrence | 1997 | Edinburgh College of Art | Fine Art | |
| Lawrence CN | Development of a Flexible Access Model for Teaching Introductory Design Studies | 1997 | University of Ulster | RG Baird | |
| Lawler T | Exposing and improving the metacognition of designing through practical structured workshops. | 1997 | Goldsmiths College | ||
| Lansley E | Breathe | 1997 | University of Brighton | Natural and Constructed Environments | |
| Landry CR | Innovative and Sustainable Cities | 1997 | The London Institute | Media and Communication | Sir Peter Hall |
| Landrum A | East International 97 | 1997 | Bath Spa University College | Batchelor, D. Barlow, P. Hosking, M. |
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| Landen C | On the Bright Side of Life: Contemporary British Photography | 1997 | University of Wales College, Newport | Photography | Helen Chadwick Karen Knorr Boyd Web |
| Lancaster J | Historic | 1997 | De Montfort University | ||
| Lancaster J | Affinities | 1997 | De Montfort University | ||
| Lalic M | Maria Lalic, the Lead Fall Paintings | 1997 | Bath Spa University College | ||
| Laing DW | Popular Music Studies. A Select International Bibliography | 1997 | University of Westminster | Sound Media | |
| Laing DW | Rock Anxieties and New Music Networks | 1997 | University of Westminster | Sound Media | |
| LOWE N | The Sitting Room | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| LEWIS P | Plaats | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Kyte R | Working Drawings for pendant in 18 carat gold, executed on site within 22 hr. time-limit | 1997 | London Guildhall University | ||
| Kusters C | Postwar Poster Art in Germany: Uwe Loesch | 1997 | The London Institute | Media and Communication | |
| Kusters C | Designer Profile: The Life and Work of Mitsuo Katsui | 1997 | The London Institute | Media and Communication | |
| Kunath S C | Flight | 1997 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Kratochvil J | Large Detector. | 1997 | Goldsmiths College | ||
| Kovats T | 'Picturia Britannica' | 1997 | Wimbledon School of Art | Sculpture | Damien Hirst Rachel Whiteread Douglas Gordon |
| Kovats T | Picturia Britannica | 1997 | The London Institute | Fine Art | |
| Kosh V | Shadows | 1997 | Chester College of HE | ||
| Kosh V | Ruck | 1997 | Chester College of HE | ||
| Knorr K. H. | ON THE BRIGHT SIDE OF LIFE (ZEITGENOSSISCHE BRITISCHE FOTOGRAFIE) | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Knight K | Truman Copote Talk Show and Dylan Thomas Return Journey | 1997 | The London Institute | 3-Dimensional and Environmental Design | Sir Anthony Hopkins |
| Knight K | Birdy | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Kitching A | New Library - The People's Network: Report to HM Government | 1997 | Royal College of Art | Communications | |
| Kitching A | Typography - Alan Kitching | 1997 | Royal College of Art | Communications | |
| Kirkup W E | 'Voices' | 1997 | University of Northumbria at Newcastle | Installation (2b) | |
| Kippin J | On the Bright Side of Life, Zeitgenossische Britishce Fotografie | 1997 | University of Sunderland | Photography | |
| Kinmonth C | 'West Cork Vernacular Furniture Makers: Comparative analysis of field studies in a coastal community' (Parts 1 + 2) | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kinmonth C | The Peppard Women: Kerry Wood-Carvers of the Nineteenth Century | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| King M | Artificial Consciousness -artificial art | 1997 | London Guildhall University | ||
| Kimbell RA | Assessing Technology: International trends in curriculum and assessment. | 1997 | Goldsmiths College | ||
| Kikuchi Y | Ruskin in Japan 1890-1940; Nature for Art, Art for Life | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Professor Toshio Watanabe |
| Kikuchi Y | A Japanese William Morris: Yanagi S | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Kikuchi Y | Tomimoto Kenkichi | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Kettell R | 'An Anecdotal Eye, the Work of Thomas Bewick'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Kesseler RS | Art Athina 5 '97 | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Kesseler RS | Le Dejeuner Sur L'Herbe | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Kennard P | Reading Room | 1997 | Royal College of Art | Critical Practice | |
| Kempadoo R | Roshini Kempadoo - Monograph | 1997 | Napier University | Photographic Practice | |
| Kelly W | Shane Cullen: Fragmens Sur Les Institutions Republicaines IV | 1997 | University of Ulster | ||
| Kelly P | Liverpool Football Club Interactive Kiosk | 1997 | Liverpool John Moores University | International Centre for Digital Content | |
| Kelly B | Design Council Offices | 1997 | Kingston University | ||
| Keir S | The Theory and Practice of Costume Cutting | 1997 | The London Institute | Fashion and Textiles | |
| Keir P | Shockproof | 1997 | Edinburgh College of Art | Fine Art | |
| Keelan SH | From the Interior: Female Perspectives on Figuration: East Meets West | 1997 | Kingston University | ||
| Keelan SH | Sharjah Third International Biennial 1997 | 1997 | Kingston University | ||
| Keegan S P | Figuratively speaking | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Keegan S P | 300 tons of clay | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Keane J | John Keane: A Painter in Focus | 1997 | The London Institute | Fine Art | |
| Karakashian S | Martin | 1997 | University of Hertfordshire | ||
| Kappo D | Dave and Joe 40 Degrees | 1997 | The London Institute | Fashion and Textiles | |
| Kaner J | 'The Use of Dyes and Colourants in 19th Century Furniture Making' | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kalkhof P | Peter Kalkhof Paintings and Installations | 1997 | University of Reading | ||
| KING D.A. | Lewes Sculpture Trail | 1997 | Coventry University | Visual Arts | KNEALE, B. UNSWORTH, J. HARRISON, T. |
| KEILLER P | ROBINSON IN SPACE - 35 MM COLOUR FILM | 1997 | Middlesex University | ||
| K U | In Residence, in Transit | 1997 | University of Gloucestershire | ||
| Jurack B | Foreign Investment - Breeding Civilisation and its Discontents | 1997 | University of Newcastle | ||
| Julien I | Frantz Fanon, Black Skin White Mask | 1997 | Oxford Brookes University | Creative Practice | |
| Judge V | The Planiverse, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Joseph J E | Drawn in Place | 1997 | Wimbledon School of Art | Painting | |
| Jones RM | The Demand for Clothing in the UK and Sweden | 1997 | Manchester Metropolitan University | ||
| Jones D | Twenty Five Clay Vessels | 1997 | University of Wolverhampton | Ceramics | |
| Jones SEG | The Great Wall of China | 1997 | The London Institute | Media and Communication | |
| Johnston M | Activ Walking Frame | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Johnson SW | Group exhibition | 1997 | The London Institute | Fine Art | |
| Jennings C | 36 paintings, photographs + 3D displays, from 12 | 1997 | London Guildhall University | ||
| Jeffries N.F. | Neil Jeffries | 1997 | University College London | Painting | |
| Jefferies JK | Out of the Shadows: Towards (as) Other Feminine. | 1997 | Goldsmiths College | ||
| Jefferies JK | Tapestries. | 1997 | Goldsmiths College | ||
| Jeff P A | Images of 1997 | 1997 | Swansea Institute of Higher Education | Photography | |
| Jardine B | Sense and Shadows | 1997 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| James S | Biennial Outdoor Exhibition of Sculpture | 1997 | Wimbledon School of Art | Sculpture | Charles Hadcock John Maine Ed Allington |
| James JP | Robert Greenhalf and Jeremy James. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| James D | Upholstery Restoration | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Jain S | Below the Surface : New aesthetics in immersive experiences for trans cultural groups | 1997 | University of Portsmouth | Centre for New Media Research | |
| Jacobson R | Evaluation of the Effects of Compression on the Quality of Images on a Soft Display | 1997 | University of Westminster | Imaging Technology | Ford AM Attridge GG |
| Jackowski A | The Table | 1997 | University of Brighton | Memory, Identity and History | |
| Jackowski A | Albums + Aliens | 1997 | University of Brighton | Memory, Identity and History | |
| JOURNEAUX J. | Peindre a Jersey | 1997 | Coventry University | Visual Arts | MILLAIS, J. BLAMPIED, E. TILLING, R. |
| JOSTINS J.E. | Virtual building site | 1997 | Coventry University | Design | HOARE, J. NEALE, S. DISTON, E. |
| JONES P S | A Mandarin Oriental Hotel | 1997 | University of Dundee | Contemporary Practice | Tucker Design Associates Mandarin Oriental Hotels |
| JONES H | Modelling of Growing Biological Processes using Parametric L-Systems | 1997 | Middlesex University | A Tunbridge P Briggs |
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| JONES H | Virtual Reality: Panacea or Pandora's Box? | 1997 | Middlesex University | ||
| JOHNSTON K | Jasmine Satin | 1997 | University of Dundee | Contemporary Practice | Fanny Arowsen |
| JOHNSON N M | Starman | 1997 | University of Dundee | Digital Technology | Carole Gray |
| JOHNS P | FIRESTAIN RESISTANT SILVER ALLOYS | 1997 | Middlesex University | ||
| Irvine J | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Innes C | Callum Innes: Watercolours, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Ingman B | Lost Property | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Inglis J | Furies | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Ingham R | Opening of the British Work House Gallery | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham K | Lost | 1997 | Swansea Institute of Higher Education | Photography | |
| Ichige Y | A Big Enough Umbrella. | 1997 | Goldsmiths College | ||
| IRVINE Z | ARTISTS BOOKS (Wind; Windhosen; By Air and Sea; Fiesta and Windroses) | 1997 | University of Dundee | Digital Technology | |
| Hutchinson S | Lure | 1997 | University of Brighton | Memory, Identity and History | |
| Hunter S | Work | 1997 | Edinburgh College of Art | Fine Art | |
| Hunter S | Changing Perspectives | 1997 | Edinburgh College of Art | Fine Art | |
| Hunter R | Rootless 97: The Nomad Domain | 1997 | Dartington College of Arts | ||
| Hunter M | Encountering British Art | 1997 | Edinburgh College of Art | Fine Art | |
| Hugonin J W | A Quality of Light | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Hughes S | John Moores Liverpool Exhibition 20 | 1997 | Kingston University | ||
| Hughes S | Khoj 1997 | 1997 | Kingston University | ||
| Howard P | Ralph Koltai Retrospective | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Howard C J | JCB Cab Interior | 1997 | University of Huddersfield | Gordon McNaboe | |
| Horn D | Carnaby Street | 1997 | Wimbledon School of Art | Theatre Design | |
| Hopkins E L | 'Glasgow' | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Hopkins E L | Pictura Britannica | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Hood B | Anonymous Drawing Room | 1997 | Edinburgh College of Art | Fine Art | |
| Honeywill P W | Digital Design: Using QuarkXPress 4 | 1997 | University of Plymouth | Centre for Visual Computing | Lockhart, A. |
| Honeyman R | Three painted designs for stitched textiles | 1997 | Cumbria College of Art + Design | ||
| Homma McLaughlin K | Kaori Homma | 1997 | University of Hertfordshire | ||
| Homma McLaughlin K | Female Artists + their Works from Collection | 1997 | University of Hertfordshire | ||
| Homma McLaughlin K | Kaori Homma | 1997 | University of Hertfordshire | ||
| Hollis E | Maggie Keswick Jencks Cancer Care Centre, Edinburgh | 1997 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Holland R | Total School Design | 1997 | Brunel University | Design Pedagogy | C Baker U Khalid E Marsham |
| Holland L | Power + Gold | 1997 | Liverpool Hope | ||
| Holland D | Zones of Disturbance, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Holland D | Dreaming is Free, Two person exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Hogg D | Design in Great Britain | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hoek K. | The Complete Contempt | 1997 | University College London | Fine Art Media | |
| Hoek K. | Ishihara on the Moon | 1997 | University College London | Fine Art Media | |
| Hodgson C | Echoes | 1997 | Kingston University | ||
| Hodge M | Threads - fiber art in the 90s | 1997 | Edinburgh College of Art | Fine Art | |
| Hitchen J | Technoculture No1 - Mnemosyne | 1997 | Liverpool John Moores University | Graphic Arts | |
| Himid L | Lubaina Himid : Paintings | 1997 | University of Central Lancashire | ||
| Hilliard J. | John Hilliard: Works 1990-1996 | 1997 | University College London | Fine Art Media | |
| Hill JR | Seat belt limitations in collisions that involve no compromise of the passenger compartment | 1997 | Loughborough University | Design Ergonomics | Mackay, M. Henderson, S. |
| Hill AA | 'Laws of Nature', a 25 minute experimental landscape film, broadcast by Channel 4 | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Higgins P | Water for Life | 1997 | Kingston University | ||
| Higgins D J | The Bigger Splash | 1997 | Nottingham Trent University | Visual Arts | Machiko Edmondson Melanie Comber |
| Higgett N P | Virtual Studies in Multimedia Design using the World Wide Web | 1997 | De Montfort University | Georgiadou, E. | |
| Heywood I | Social Theories of Art: A critique | 1997 | Leeds Metropolitan University | Visual Arts | |
| Heyer A | wysiwyg | 1997 | The London Institute | Fine Art | |
| Hermansen C | Mac Journal 3 and 4 | 1997 | Glasgow School of Art | Cities and Environments | M. Hvattum |
| Hemsworth G | Self Portraits. | 1997 | Goldsmiths College | ||
| Hellum A | Royal Festival Hall | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hellum A | Selfridges | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hegarty FT | For Dublin | 1997 | Sheffield Hallam University | Andrew Stones | |
| Heath VK | Songs from the Golden City | 1997 | Sheffield Hallam University | ||
| Hearn K | Contemporary Decorative Arts | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Hearn K | Learning by Experience, Waking up to New Design and Image Opportunities | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Healey M | Jump to Cow Heaven | 1997 | Cumbria College of Art + Design | ||
| Head T.D. | Blue Skies | 1997 | University College London | Fine Art Media | |
| Haywood T | 'Praise the Net and Pass The Modem: Revolutionaries and captives in the Information Society' | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hawley S | Human and Natural History | 1997 | Sheffield Hallam University | ||
| Haughton D | John Moores Liverpool Exhibition 20 | 1997 | Kingston University | ||
| Hassall J | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Haselden R | Drewen Horse | 1997 | University of Reading | ||
| Haselden R | FrJacques et autre pieces | 1997 | University of Reading | ||
| Harvey M | Sensation: Young British Artists from the Saatchi Collection | 1997 | The London Institute | Fine Art | |
| Harvey J | Images of God: artistic inspiration and Pentecostal theology (case study) | 1997 | University of Wales, Aberystwyth | ||
| Hartwell DW | Creative Thinking | 1997 | De Montfort University | ||
| Hart J | Interviews with: Ken McMullen; Tatsuo Miyajima; Neville Brody; AntiRom; Peter Newman; feature on use of photography in OJ Simpson trial | 1997 | The London Institute | ||
| Harrison D. M. | EUROPEAN ART QUILTS | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Harold J M | 'The Sea of Possibilities, After Viewing the Morgue Series by Andres Serrano' | 1997 | University of Northumbria at Newcastle | Photography (1b) | Armstrong, Dr R |
| Harley K | Low Maintenance and High Precision | 1997 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Hardstaff S | Thirty Years Ago Today | 1997 | Liverpool John Moores University | Audio-visual | Bryan Biggs Rick Walker |
| Harding D | Post-Autonomy + Fine Art Education | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Harding D | David Harding and Nicholas de Serra | 1997 | Bath Spa University College | Serra, N. | |
| Harding D | 1997 | Bath Spa University College | |||
| Harding D | The Ill Clad City: Glasgow turns its back on Public Art | 1997 | Glasgow School of Art | Cities and Environments | |
| Harding A | No-Budget Curating | 1997 | Goldsmiths College | ||
| Harding A | `Curating:The Contemporary Art Museum and Beyond'. | 1997 | Goldsmiths College | ||
| Harding A | From Monologue to Conversation - A Report from Atlanta | 1997 | Goldsmiths College | ||
| Hardie G M | Broken Books | 1997 | University of Brighton | Visual Communication Design | |
| Hardie A | ArCade II | 1997 | University of Reading | James Faure Walker Sue Gollifer Eva Sutton |
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| Hardie A | Graffik 97 | 1997 | University of Reading | Sandra Baxter Peter Ford Barry Lockwood |
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| Hardaker CH | The Bra Design Process: A Study of Professional Practice | 1997 | De Montfort University | Fozzard, G.J. | |
| Hansbro BP | The Third Ark | 1997 | University of Southampton | ||
| Hannavy J M | John Smith and England's Union Cases | 1997 | Bolton Institute of HE | ||
| Hannavy J M | Fox Talbot | 1997 | Bolton Institute of HE | ||
| Hannavy J M | Victorian Photographers at Work | 1997 | Bolton Institute of HE | ||
| Hanna S J | Paganini's Dream | 1997 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Hogg, B. Aster, J. |
| Hanna R | The Impact of CAL Strategies on CAD | 1997 | Glasgow School of Art | Educational Theory and Practice | R Qaqish |
| Hand J | Disappearing Acts: An Impossibility of Identity | 1997 | Goldsmiths College | ||
| Hamlyn J | Two works from 'Camouflage Series' - 'Speed Camera Camouflage', 'Yellow Taxi, Desert Storm Pattern' | 1997 | Robert Gordon University | Practices enabled through New Media Technology | |
| Halstead JD | The Woman Composer: Creativity and the Gendered Politics of Music | 1997 | University of Westminster | Sound Media | |
| Hall CM | Mangled | 1997 | University of Plymouth | Theatre + Performance | |
| Hague J A | Teams and Organisational Change: The Impact and Shaping of Teamworking Technology | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Hagan SK | Materials and Materiality | 1997 | University of East London | ||
| HUTTON G | Linear Link | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | Charles Rattray |
| HOSKINS S | Three Prints: G.S.9. (1996) G.S.10. (1996) G.S.T. (1997) | 1997 | University of West of England, Bristol | Centre for Fine Print Research | |
| HOMOKY N | Solo Exhibition: Nicholas Homoky | 1997 | University of West of England, Bristol | Applied Arts + Crafts | |
| HOLT J | The Subjective Image: The impossible science of being, Dialogues between Anthropology and Photography | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| HOLLAND C.C. | Upper Gallery collection | 1997 | Coventry University | Visual Arts | |
| HOLDEN J | Book-Out of Control | 1997 | University of Lincoln | ||
| HEYWOOD A | ECCE HOMO | 1997 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Curated by Ali van der Berg |
| HAVERS A.J. | Lifelines | 1997 | Coventry University | Visual Arts | |
| HAVERS A.J. | Lederkopfe | 1997 | Coventry University | Visual Arts | |
| HAVERS A.J. | Nicholas Treadwell Gallery artists | 1997 | Coventry University | Visual Arts | READ, S. JURY, A. ROBINSON, B. |
| HARRISON D | Hypermedia as Art System | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| HARRISON D | 4D Duchamp: The Transposition of the Large Glass into Hypermedia | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| HAMLYN ND | The British-Avante Garde Film 1926 - 1995, an Anthology of Writings Essay Title 'Structuralist Traces' | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| HAMLYN ND | White Light | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Guthrie K | Homespun | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Gussin GPG | Fall (7200-1) | 1997 | The London Institute | Fine Art | |
| Gupta S | Untitled work from a series entitled 'Trespass' | 1997 | University of Southampton | ||
| Gschwedtner G | Dining Chair | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Grover nee Rooke S | 'Development of a short-duration machining test to evaluate performance of steel and carbide and carbide tipped cutting tools' | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ivor Harris |
| Griffiths A | International Wool Secretariat Knitwear Collection | 1997 | University of Southampton | ||
| Griffiths A | Liberty of London Knitted Menswear Collection Spring/Summer 1998 | 1997 | University of Southampton | ||
| Griffiths K. | DEAD PAN | 1997 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Griffith O | Diagram and model (schrijven en tekenen) | 1997 | Edinburgh College of Art | Fine Art | |
| Gregory J | In Visible Light: Photography and Classification in Art, Science and the Everyday | 1997 | The London Institute | Fine Art | |
| Green L | A Sense of Place: two-person exhibiton | 1997 | Glasgow School of Art | The Decorative Arts | Jack Cunningham |
| Great-Rex E | Digital Collaborations | 1997 | University of East London | ||
| Gray S | The Virtual Reality Design Studio | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Gray C | Celestial Navigator | 1997 | Robert Gordon University | Culturally Responsive Practices | |
| Grant C | History - The Mag Collection | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Grant C | San Marino International Photography Festival | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Grant JM | Kissing the Dust. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Granger S | Animal Paintings | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Granger S | East International 1997 (group exhibition by selection from international open submission). Selectors: Nicholas Logsdail and Tacita Dean. | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Graham C | His | 1997 | London Guildhall University | ||
| Goto J | 'The Framer Collections', Solo Exhibition. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Gornick N | New Design Professionals: Design Postgradutes and Industry | 1997 | Brunel University | Design Pedagogy | |
| Goodworth VA | Student self-assessment | 1997 | University of East London | ||
| Goodworth VA | Mode jenseits der Funfzig (Design for the future - Living and Life without Barriers) | 1997 | University of East London | ||
| Goodman G | BP Portrait Award 1997 | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Goodman G | Der Rettende Engel | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Gooding M | National and University Library, Ljubljana- Joze Plecnik | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Gollifer S C | ArCade II, the Second International Open UK Exhibition of Electronic Fine Art Prints | 1997 | University of Brighton | Fine Art Practices | |
| Gollifer S C | Computer Use by Artists and Designers: Some perspectives on two design traditions | 1997 | University of Brighton | Pedagogic Research | C Beardon C Rose S Worden |
| Goldsworthy A C | Clay Hole | 1997 | University of Hertfordshire | ||
| Golden P | From The Corner Of It All | 1997 | University of Reading | ||
| Goddard J. | Invasioon: Saaremaa Biennaal 1997 | 1997 | University College London | Fine Art Media | |
| Goddard C | Recycled Exhibition | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Goatman M | Nifty Lift Heightrider 15 (Mass Production) | 1997 | University of Hertfordshire | ||
| Gluzberg M | Margarita Gluzberg's All Pencil Pictures | 1997 | The London Institute | Fine Art | |
| Ginsborg M | Biennale Internazionale dell' Arte Contemporanea, Firenze. | 1997 | Wimbledon School of Art | Painting | Sheila Girling Pasquale Celona Yvonne Schultz |
| Gilchrist B | Sonic Bloom | 1997 | Oxford Brookes University | Creative Practice | |
| Gibson L | 'Locus+ 1993-1996' | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Gibbs E | Shave International Artists Workshop | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Gernand B | Gernand Ceramic Sculpture | 1997 | The London Institute | Fine Art | |
| Geesin R | The Singing Bridge | 1997 | University of Portsmouth | Centre for Sound and Experimental Environments | Chris Wilkinson Brian Johnson |
| Gaynor M | Visionnen. | 1997 | Southampton Institute | ||
| Gaver W | Auditory interfaces | 1997 | Royal College of Art | Computer Related Design | |
| Gaughan M | Textual Titles: Resisting Translation | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Gaughan M | Imprinting Stoff: Kurt Schwitters's Verbal Art 1919-1921 | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Gascoigne D | Animated Film for Watermans Pens | 1997 | Kingston University | ||
| Garrett M | Website for Saatchi and Saatchi | 1997 | Royal College of Art | Communications | |
| Garner SW | Innovation, collaboration and modelling: issues for computer-based design teams | 1997 | Open University | Design thinking and communication | |
| Garcia D R | The Translation Machine | 1997 | University of Portsmouth | Centre for New Media Research | |
| Ganz A J | Unsuitable Girls screenplay | 1997 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Dhingra, Dolly |
| Gant N | Airwave Table | 1997 | University of Brighton | Materials Practices and Processes | T Dean |
| Gamman LP | Gagging for It - Desire and Art | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Galloway L | 'Limbo 1997' | 1997 | Wimbledon School of Art | Sculpture | Mike Bode Ceal Floyer Bill Fontana |
| Galloway L | 'Pulse' | 1997 | Wimbledon School of Art | Sculpture | |
| Galloway L | Pulse | 1997 | De Montfort University | ||
| Galloway L | You Are Here | 1997 | De Montfort University | ||
| Gallaccio A | Material Culture: The Object in British Art of the 1980s and '90s | 1997 | The London Institute | Fine Art | |
| Gallaccio A | Pictura Britannica: Art from Britain | 1997 | The London Institute | Fine Art | |
| Gale C | The Viking Saga of Harri Bristlebeard | 1997 | Kingston University | ||
| Gale C | 'Tattie Boggle' | 1997 | Kingston University | ||
| Gale C | Foxtrot | 1997 | Kingston University | ||
| Gabie N | Material Evidence | 1997 | University of Gloucestershire | ||
| GUY A | Pittura | 1997 | University of Dundee | Contemporary Practice | John Currin Cecilia Edefalk Bernard Frieze |
| GUY A | Now Wash Your Hands | 1997 | University of Dundee | Contemporary Practice | Jane Simpson Hadrian Piggot Stephen Skidmore |
| GUILLE J | WE WILL BELIEVE IN BLOSSOMS AFTER EATING THE FRUIT | 1997 | Middlesex University | ||
| GUILLE J | AFRICAN PRINTS:CHITENGE CLOTHS IN CENTRAL AND SOUTHERN AFRICA | 1997 | Middlesex University | ||
| GUILD D | Sense is Hard | 1997 | University of Dundee | Contemporary Practice | |
| GUILD D | Choice Bread | 1997 | University of Dundee | Contemporary Practice | |
| GOWANS G M | Storyland Productions/Polygram International (UK) presentation to Polygram International Worldwide Executive Board | 1997 | University of Dundee | Digital Technology | Andy Rice Brian Taylor |
| GOWANS G M | 'Consult' - a two minute running presentation profiling the work of TPS Consult Architecture and Interior Design | 1997 | University of Dundee | Digital Technology | Brian Taylor |
| GILLIES P | Making an Impression: Contemporary Printmaking | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| GILLIES P | Innovations and Transformations in Printmaking | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| GATT E E | Soapmarine Dispensers | 1997 | University of Dundee | Coastal/Indigenous Cultures | |
| GANGE J | Beyond Identity? - the Beyond in Beyond Japan | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by Juliet Steyn |
| GANGE J | Rites of Passage - Future Passability | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Frew C | European Couples and Others | 1997 | Edinburgh College of Art | Fine Art | |
| Freeman P | Development of the Versatool (TM) Process | 1997 | University of Wales Institute, Cardiff | PDR | |
| Freeman H | Webmapping: Planning, Structuring and Delivering Courseware on the Internet | 1997 | De Montfort University | Ryan, S | |
| Fraser SJH | Jewellery in Europe and America | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Franklin A | 'Skedaddle' | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| France JM | 'Level', Retrospective Exhibition of Guest Foreign Artist Programme. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| France JM | 'In-transit' - Some Contemporary British Art, exhibition. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Frampton RJ | An overview of upper extremity injuries to car occupants in UK vehicle crashes | 1997 | Loughborough University | Design Ergonomics | Morris, A.P. Thomas, P.D. Bodiwala, G.G. |
| Fozzard GJ | Constraint Based Reactive Rescheduling in a Stochastic Enviroment | 1997 | De Montfort University | Spragg, J. Tyler, D. |
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| Fortnum R | Abbey Award | 1997 | Wimbledon School of Art | Painting | Gillian Ayres Edward Allington Moyra Flanningan |
| Forster J | Sympathetic Magic | 1997 | University of Gloucestershire | ||
| Forresta D | The Fractal Dimension of the Network | 1997 | Wimbledon School of Art | Research Centre | Ralph Abraham |
| Forresta D | The Souillac Conferences | 1997 | Wimbledon School of Art | Research Centre | The Council of Europe The European Commission The International Telecommunication Union |
| Forbes Visser K | Independent Life | 1997 | Edinburgh College of Art | Fine Art | |
| Fletcher K | The T shirt interactive. | 1997 | Goldsmiths College | ||
| Fleming K | European Art Quilt | 1997 | University of Ulster | ||
| Flavell M R | New Glass | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Flavell M R | New Developments in Glass | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Fisher T | The Designer's Self-Identity - Myths of Creativity and the Management of Teams | 1997 | Sheffield Hallam University | ||
| Fisher T | I Designer, You Nerd | 1997 | Sheffield Hallam University | Gill Chapman P Reavey Peter Ashworth |
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| Fisher C | Dyptich (Untitled). | 1997 | Goldsmiths College | ||
| Fisher C | Dyptich. | 1997 | Goldsmiths College | ||
| Finn-Kelcey R | Rose Finn-Kelcey | 1997 | The London Institute | Fine Art | |
| Fillingham P | Live Life/Sound Work. | 1997 | Goldsmiths College | ||
| Fillingham P | A Miracle. | 1997 | Goldsmiths College | ||
| Field B | Institutional Deficiencies and Capacity Building Constraints: The Dilemma for Environmentally Sustainable Development in Africa | 1997 | De Montfort University | ||
| Ferry DD | A Picture Book of the Lake District | 1997 | University of Southampton | ||
| Ferguson A | Knitwear designs | 1997 | Glasgow School of Art | Design | |
| Feo R | Miss Ramirez | 1997 | Royal College of Art | Design for Manufacture | |
| Fehily C | In Spite of Appearances. | 1997 | Staffordshire University | ARi, School of Art + Design | K Newton |
| Fearon J E | James Fearon One Person Exhibition | 1997 | Bolton Institute of HE | ||
| Fearns R | Perfect Worlds (third version) | 1997 | Bath Spa University College | Atkinson, N. | |
| Farshad F | Multimedia Textile Database | 1997 | The London Institute | Fashion and Textiles | Frank Rickett Helen Anstey |
| Farshad F | Developing Online | 1997 | The London Institute | Fashion and Textiles | Frank Rickett |
| Farshad F | John Rocha | 1997 | The London Institute | Fashion and Textiles | Frank Rickett |
| Farrer JM | Garments and Yarns for Spring/Summer 99 Season and Autumn/Winter 1998/99 and Spring/Summer 99 Yarn Range for British Crepe | 1997 | The London Institute | Fashion and Textiles | |
| Farley P | No End of Blame | 1997 | Wimbledon School of Art | Theatre Design | Jane Collins |
| Fallows C | Realtime 2.0 | 1997 | Liverpool John Moores University | Audio-visual | |
| Fairclough L. | Bicycling from Hong Kong to Tibet | 1997 | University College London | Fine Art Media | |
| Fagence Cooper S | Ellen Mary Rope: The Poet Sculptor | 1997 | Buckinghamshire Chilterns University College | Design Culture | Joanna Barnes Leonie Haywood Martin Levy |
| Fabian A | RCA Postgraduate Art and Design | 1997 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| FURNEAUX SH | Pleeeeeeeeease release me | 1997 | University of Oxford | ||
| FORBES R | Rastava Sodobne Skotskf Grafike (Modern Scottish Graphics Exhibition) | 1997 | University of Dundee | Contemporary Practice | Paoulozzi, E McLean, B Mach, D |
| FORBES R | Catalogue of Disasters and Other Paintings | 1997 | University of Dundee | Contemporary Practice | |
| FOLLETT G L P | IDEAS (Industry Design Education Action Scotland) | 1997 | University of Dundee | Industry and the Public Sector | Andy Rice Julian Malins Tony Franks |
| FLACK S R | Brother 52 | 1997 | University of Dundee | Digital Technology | |
| FLACK S R | T in the Park | 1997 | University of Dundee | Digital Technology | |
| FISHER G R | Binocular | 1997 | University of Dundee | Contemporary Practice | John Mitchell |
| FISHER G R | Breath Poems | 1997 | University of Dundee | Contemporary Practice | Giovanni Tamburelli |
| FAITHFULL D R | Identity for the Aviemore and Cairngorm Area | 1997 | University of Dundee | Contemporary Practice | The Aviemore Partnership Arron Lawton Associates Scottish Natural Heritage |
| FAITHFULL D R | Tide/Edit | 1997 | University of Dundee | Contemporary Practice | Thorsten Stumpf Ottavio Giacomazzi |
| Evans P | Lithographic Technology for Microwave Integrated Circuits | 1997 | Brunel University | Environmentally Sensitive Design | B Ramsey Shepherd P R DJ Harrison |
| Evans Milne R | Nitty Gritty | 1997 | Bath Spa University College | Perkins, G. Pigott, H. |
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| Esser-Hall G M | Untersuchung zu Formen visueller Texinterpretation im Englischen Kinderbuch von 1846-1890 [Visual text interpretation in English childrens' books from 1846-1890]. | 1997 | University College Northampton | Contemporary Art Criticism | |
| Esche C | Video Positive 97: Escaping Gravity | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curator Steven Bode |
| Esche C | Video Positive 97: Escaping Gravity | 1997 | The London Institute | Fine Art | Steven Bode |
| Emmanuel J | Public Arts Lab | 1997 | Liverpool John Moores University | Fashion and Textiles | |
| Emery S | Camden Mix | 1997 | University of Brighton | Visual Communication Design | R Morgan I Wright |
| Elwes C | The Liaison Officer | 1997 | The London Institute | Fine Art | |
| Elliott DA | Developing criteria for sustainable energy technology | 1997 | Open University | Design for sustainability | A. Clarke |
| Elliott DA | Energy, Society and Environment | 1997 | Open University | Design for sustainability | |
| Ellard GR | Geneva Express | 1997 | The London Institute | Fine Art | Stephen Johnstone |
| Egan K | Change | 1997 | Manchester Metropolitan University | ||
| Edmond T A | Terry Edmond | 1997 | University of Reading | ||
| Eccleston T | City Provoked: Flinders Street Station, solo exhibition of publicly sited works | 1997 | Glasgow School of Art | Cities and Environments | |
| Eastman K | 3rd European Biennale of Ceramics | 1997 | Glasgow School of Art | The Decorative Arts | |
| Earley RL | Supastore | 1997 | The London Institute | Fashion and Textiles | |
| Earl CF | Shape Boundaries | 1997 | Open University | Design for advanced products | |
| Eacott JF | In the Footsteps of Alexander the Great | 1997 | University of Westminster | Sound Media | |
| Eachus PA | Signs of History Musee Imaginaire | 1997 | The London Institute | ||
| Eachus PA | A Storm in Paradise - The Saving Angel | 1997 | The London Institute | ||
| EVELEIGH A | EASTER IN OSTEND | 1997 | Middlesex University | ||
| Dye M | Reception seating | 1997 | Kingston University | ||
| Dutton S | Musee Imaginaire Part I + Box Project | 1997 | Sheffield Hallam University | Percy Peacock | |
| Durgnat R | 'Two Social Problem Films: Sapphire and Victim' | 1997 | University of East London | ||
| Durgnat R | 'Some Lines of Inquiry into Post-war British Crimes' | 1997 | University of East London | ||
| Duncan AEJ | 'Death keeps me awake: The generator that Hums in the Night' | 1997 | University of East London | ||
| Duncan AEJ | 'Of castles and Melts: Dickens and the Dark Sublime' | 1997 | University of East London | ||
| Dunbar T | An Anxious Optimism | 1997 | Manchester Metropolitan University | ||
| Dukes P J | 71:40 | 1997 | University of Hertfordshire | ||
| Draper C | The Matrix of Amnesia | 1997 | Kingston University | ||
| Doust R | Shiller from Absolute Classics | 1997 | The London Institute | Media and Communication | |
| Doust R | Changing Faces, A Decade at The Royal National Theatre | 1997 | The London Institute | Media and Communication | |
| Douglas M | 'Oceanic' range of furniture | 1997 | Brunel University | Polymedia Design | |
| Douglas H | Livres d'artistes. L'invention d'un genre 1960-1980 | 1997 | The London Institute | Fine Art | |
| Douglas A | Observations and Comments on the Viva Voce | 1997 | Robert Gordon University | Learning Strategies | |
| Douglas A | On the Notion of Test: An example of visual analytical method | 1997 | Robert Gordon University | Learning Strategies | |
| Dos Santos B. | City of Macau Museum | 1997 | University College London | Fine Art Media | |
| Dorsett C J | Acts of Audience | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Dolphin Wilding J | Mad as a Hatter - Barking | 1997 | Kingston University | ||
| Dodds R | Number 13 | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Docherty PA | In the Darkness of Light | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Docherty PA | Papillion | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Docherty M | The Box of Delights | 1997 | Edinburgh College of Art | Fine Art | |
| Dixon S | The Roast Beef of Old England | 1997 | Manchester Metropolitan University | Slee R Yasuda T |
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| Dinsmore-Tuli U | 'Console-ing Passions: Television, Video and Feminism Conference'. | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Dingwall H | Remise - Academy Brande | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dines NE | Stay and Stay Craft | 1997 | The London Institute | Fine Art | |
| Dinan Spencer C | The Angel Who Flew Backwards to Christmas | 1997 | The London Institute | Media and Communication | Elizabeth Joy |
| Dimitrakaki A | Elements of A Secret History : Women, Art and Gender in Modern Greece | 1997 | Liverpool John Moores University | Art and Design History | |
| Dillon J | Mobius Bench | 1997 | Royal College of Art | Design for Manufacture | |
| Diggle J | Panorama, Athens | 1997 | Robert Gordon University | Practices enabled through New Media Technology | Liebens, D. |
| Denton HG | Multi-disciplinary team based project work: planning factors | 1997 | Loughborough University | Design Education | |
| Denton HG | Developing capability and good practice in team based design work in undergraduate engineering design, The Swedish Industrial Design Foundation (eds). | 1997 | Loughborough University | Design Education | |
| Denison L | UK Now | 1997 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Demaid APA | Trans-organizational innovation: a framework for research | 1997 | Open University | Design and innovation management | J. Millar P. Quintas |
| Demaid APA | Concurrent design | 1997 | Open University | Design and innovation management | C. Eckert |
| Deliss C | Meditations: Resisting the Seductions of the Space | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Deepwell C | Art Criticism and Africa | 1997 | University of Ulster | ||
| Deepwell C | Bad Girls? Feminist Identity Politics in the 1990's | 1997 | University of Ulster | ||
| Dean T | Airshot Range | 1997 | University of Brighton | Materials Practices and Processes | N Gant |
| Deacon R | Solo Exhibition | 1997 | The London Institute | Fine Art | |
| De Oliveira N | The Pleasure of our Company | 1997 | London Guildhall University | ||
| De Groot C | Experiencing The Phenomenological Object | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| De Briey N | Speel, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| De Briey N | Made in Glasgow, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Day G | Graham Day: Retro Perspective | 1997 | Bath Spa University College | ||
| Day G | Traditions of Respect. British + Islamic Cultures | 1997 | Bath Spa University College | Houshiary, S. Ermes, A. O. Afnan, M. |
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| Dawson I | 221 | 1997 | University of Southampton | ||
| Dawson I | Stack | 1997 | University of Southampton | ||
| Davison R | R Davison, Paintings and Drawings | 1997 | University of Gloucestershire | ||
| Davison M A | The Mule. | 1997 | Staffordshire University | ARi, School of Art + Design | D. Tyman E. Rushton |
| Davis M | Acts of Light | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Davis K | 'Come' | 1997 | Wimbledon School of Art | Sculpture | |
| Davies P | A Review of Artists Earnings for Exhibitions and Commissions | 1997 | University of Sunderland | Fine Art | |
| Davies J | Il San Gottardo - Documentation of the mountain range | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Davies J | Through Fire and Water - The River Taff - An exploration of the river environment from its source in the mountains to the sea | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Davies J | John Davies: Recent Sculpture | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies G | A Cloudburst of Material Possessions | 1997 | Lancaster University | Paula Rego Michael Sandle David Mach |
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| Davies G | Deluge Drawings | 1997 | Lancaster University | ||
| Davies D R | Recent Works | 1997 | University of Portsmouth | Centre for Images in Practice | |
| Davey Winter J | The Passage of Time - A Sense of Place | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Darley A. D. | SOME OBSERVATIONS ON EDUCATION AND CONTEMPORARY BRITISH ANIMATION | 1997 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Darley A. D. | SECOND-ORDER REALISM AND POST-MODERN AESTHETICS IN COMPUTER ANIMATION | 1997 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Danino N | 'Now I Am Yours' and 'Tremenos'. | 1997 | Goldsmiths College | ||
| Dalwood A | I Miedzynarodowe Spotkania Sztuki Katowice '97 | 1997 | University of Hertfordshire | ||
| Dallas S | Prototype knitted garments for Spring / Summer 1999 | 1997 | Royal College of Art | Design for Manufacture | |
| Dagworthy W | Womenswear, woven and knitwear collections: Spring Summer 1998, Autumn Winter 1998/1999, Spring Summer 1999 | 1997 | Royal College of Art | Design for Manufacture | |
| Dagworthy W | Cutting Edge | 1997 | Royal College of Art | Design for Manufacture | |
| DUPRAS M | SolEtude | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| DUNHILL M | Sonnenwegateliers | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DERGES S | Susan Derges: River Taw | 1997 | University of Oxford | ||
| DALZIEL M N | The Way Stations | 1997 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L |
| DALZIEL M N | Endlessly | 1997 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Chaston, R |
| Cusack P | Fr | 1997 | The London Institute | Fine Art | Ron Haselden |
| Cusack P | Improvisations Various (Fluxus - Instant Soundtrack for a Silent Movie) | 1997 | The London Institute | Fine Art | Mario Schia Alquimia Pasquale Innarella |
| Cusack P | Portrait of the Netherlands | 1997 | The London Institute | Fine Art | |
| Curry A | Costume design for The Boys in the Band | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Currall A | New Video from Great Britain, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Cunningham JR | A Sense of Place: joint exhibition | 1997 | Glasgow School of Art | The Decorative Arts | Linda Green |
| Cummins S | NY Drawers | 1997 | Nottingham Trent University | Visual Arts | |
| Cummings K.R. | Techniques of Kiln-formed Glass | 1997 | University of Wolverhampton | Glass | |
| Culbert W F | Bill Culbert | 1997 | University of Reading | ||
| Culbert W F | Bill Culbert: Incident in Marlowes Office | 1997 | University of Reading | ||
| Crutchley R | Daimler Marker | 1997 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Crumplin C | Colin Crumplin Paintings 1990-1997 | 1997 | Bath Spa University College | ||
| Cruise C J | 'Error and Eros: The Fiction of Forrest Reid as a Defence of Homosexuality'. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Cruickshank IMM | Now You See Me: Video as a tool for teaching and assessment | 1997 | De Montfort University | Brown, S.C. | |
| Crowther P D | The Language of Twentieth Century Art: A Conceptual History | 1997 | University of Central Lancashire | ||
| Crowley G | Rineen | 1997 | Royal College of Art | Fine Art | |
| Crow D | Visual Language / Dialogue | 1997 | Liverpool John Moores University | Graphic Arts | Yaki Molcho |
| Cross NG | Creativity in design: analyzing and modelling the creative leap | 1997 | Open University | Design thinking and communication | |
| Crone D | Le 29eme Festival International de la Peinture de Cagnes-Sur-Mer | 1997 | University of Ulster | ||
| Crisp A | Teaching Environmental Education Through Integrated Themes | 1997 | Nottingham Trent University | Design | I. Solomonides F.Laing Harrison |
| Crisp A | Towards Sustainability. Implications for Undergraduate Education in Occupational Health + Safety Management | 1997 | Nottingham Trent University | Design | S.M. Charyszyn I Solomonides |
| Creed C | Medical Data in Drug Development | 1997 | University of Portsmouth | Centre for New Media Research | P Newland |
| Crawford A | The Welsh Lens: 12 Contemporary Photographers from Wales | 1997 | University of Wales, Aberystwyth | ||
| Crawford A | Robert Mcpherson, 1814-1872, the foremost photographer of Rome | 1997 | University of Wales, Aberystwyth | ||
| Craighead AM | Ground Control | 1997 | University of Westminster | Fine Art | |
| Crabbe A | Micro Clens System (of microwave disinfecting for hydrogel contact lenses) | 1997 | Nottingham Trent University | Fashion and Textiles | P. Thompson |
| Crabbe A | Design of the Micro Clens microwave disinfection system for soft contact lenses | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Crabbe A | Design + Manufacture of contact Lens Disinfection Systems | 1997 | Nottingham Trent University | Fashion and Textiles | P.Thompson |
| Coxall H | Speaking Other Voices | 1997 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Cox PRC | Shelley Fox Collections | 1997 | The London Institute | Fashion and Textiles | |
| Coward T | The Role of Regional Characteristics in Industrial Design Education | 1997 | University of Wales Institute, Cardiff | Ceramics | S Ruano |
| Cowan ER | The Connected City: A New Approach to Making Cities Work | 1997 | De Montfort University | ||
| Courtenay PJ | Home and Away | 1997 | The London Institute | Fine Art | Tony Potts George McKane Teatru Wybrzeze |
| Coulter-Smith G | Between Marx and Derrida: Baudrillard, Art and Technology | 1997 | Southampton Institute | ||
| Cosgrove P | Samples, solo exhibiton | 1997 | Glasgow School of Art | Principles of Drawing | |
| Cosgrove P | Arts Festival of Atlanta: Art in Odd Places, group exhibition of publicly sited works | 1997 | Glasgow School of Art | Fine Art | |
| Corner F | 'Factors affecting the Curriculum Design of British Higher Education's Visual Art Courses' | 1997 | University of Gloucestershire | ||
| Cooper SA | A Full Head of Hair | 1997 | University of Southampton | ||
| Cooper A M | Personal Financial Planning, a Multimedia Guide | 1997 | University of Northumbria at Newcastle | Photography (1b) | Bailey, S Siodmok, P |
| Cooke CAC | Beauty as a route to 'the radiant future': responses of Soviet architecture | 1997 | Open University | Design thinking and communication | |
| Cook CP | De Peus a Terra/Down to Earth | 1997 | University of Plymouth | Art Process | Manocci, L. Kiff, K. Cooper, E. |
| Convery F | The Hunting Art Prizes | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Constable M | Painting at Delphina. | 1997 | Goldsmiths College | ||
| Constable M | Painting at Whitechapel. | 1997 | Goldsmiths College | ||
| Conreen MJ | Dali Desk Video and Multimedia Conferencing System. | 1997 | Goldsmiths College | Marden, A. | |
| Conreen MJ | Dali Desk Video and Multimedia Conferencing System. | 1997 | Goldsmiths College | Marden, A. | |
| Connolly RB | The Five Senses | 1997 | University of Ulster | ||
| Connolly RB | In-Tension V | 1997 | University of Ulster | ||
| Connolly RB | Water Table | 1997 | University of Ulster | ||
| Connearn D | Commission | 1997 | Edinburgh College of Art | Fine Art | |
| Comninos P. | Mission on Mars | 1997 | Bournemouth University | ||
| Comber M | Nat West Art Prize 1997 | 1997 | Wimbledon School of Art | Painting | Judy Buxton Stephen Chambers Jane Dixon |
| Colson R | Cityscapes: A one man exhibition at the Solomon Gallery, Dublin, containing a survey of his paintings of Paris, New York, Dublin and London | 1997 | Thames Valley University | Colson R | |
| Collins S.A.R. | Susan Collins: Suspect Devices | 1997 | University College London | Fine Art Media | |
| Collins S.A.R. | In Conversation | 1997 | University College London | Fine Art Media | |
| Collins H | Hannah Collins: Filming Things | 1997 | Royal College of Art | Fine Art | |
| Collins J | Media Studies. | 1997 | University of Plymouth | Art Process | |
| Cohen N | Structural Vision | 1997 | University College London | Painting | |
| Cleverly J G | Exhibition of Automata. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Clarke L | Solo Exhibition of Fine Art Works | 1997 | De Montfort University | ||
| Clare DJ | Pupils' perceptions of technology. | 1997 | Goldsmiths College | Liddament, T. | |
| Chubb S | 'Collections and Reflections: The Transformative and Assimilative Uses of Art Objects' - Artist Fellowship. 4 paintings: acrylic, colour photocopy, poly vinyl acetate and photocopy transfer on canvas. Dimensions between: 21x12x4.5cms - 25x16x4.5cms | 1997 | University College Chichester | Painting and Installation | |
| Chubb S | 'Cartographers - Geo-Gnostic Projection for the 21st Century' - 3 paintings: acrylic, poly vinyl acetate and mixed media on canvas. Dimensions: 112x112cms; 106x166cms; 125x125cms | 1997 | University College Chichester | Painting | |
| Chubb S | 'History' The Mag Collection. Image based art in Britain in the late 20th century. 3 exhibits. Paintings: acrylic and mixed media on canvas. Dimensions: 63.5x64cms; 152.5x71cms; 17.5x13.5cms | 1997 | University College Chichester | Painting | |
| Chowles S M | Design Commission | 1997 | University of Brighton | Materials Practices and Processes | |
| Chowles S M | Nightshade | 1997 | University of Brighton | Materials Practices and Processes | R Munday |
| Chodzko A | Sensation | 1997 | The London Institute | Fine Art | |
| Chipperfield J | 22 glass dishes with commemorative inscriptions | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Chipperfield J | Gestaltendes Handwerk - Meister der Modern - M | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Chinnery CY | ...from the institution | 1997 | Oxford Brookes University | Creative Practice | |
| Chinneck J | 'Bon Voyage' | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Chick A | Eco-design Survey: A Study of The Chartered Society of Designers Membership | 1997 | Kingston University | ||
| Chick A | Environmental Reporting: A Guide for Environmental Managers and Designers | 1997 | Kingston University | ||
| Chesterman J | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Cheesman D | 'CRAFT' | 1997 | Wimbledon School of Art | Sculpture | Thomas Grunfeld Richard Wentworth Tracy Emin |
| Cheesman D | 'Picture Britannica [Art from Britain]' | 1997 | Wimbledon School of Art | Sculpture | Rachel Whiteread Damien Hirst Chris Ofili |
| Cheeseman D | Craft | 1997 | University of Reading | Amikam Toren Tracey Emin Richard Wentworth |
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| Cheeseman D | Pictura Britannica (Art from Britain) | 1997 | University of Reading | Douglas Gordon Richard Hamilton Chris Ofili |
|
| Cheeseman D | Pictura Britannica: Art from Britain | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Cheeseman D | Craft | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Chappell A | Picnic Flask | 1997 | Brunel University | Design Pedagogy | |
| Chappell A | Fresheners | 1997 | Brunel University | Design Pedagogy | |
| Chapman R | Empiric | 1997 | University of Huddersfield | ||
| Chapman NS | Some Thoughts on Dropping Things Down Wells | 1997 | The London Institute | Fine Art | |
| Chapman J | Terra Australis Incognita | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Chandra M | Travels in a New World 2 | 1997 | Royal College of Art | Critical Practice | |
| Chandler D | The Dark Side of Life: British Photography in the 1990s | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chance V | +M2 The Large Paint Show | 1997 | De Montfort University | ||
| Chamberlain PM | Cyclops Floor Lamp | 1997 | Sheffield Hallam University | ||
| Chaimowicz M C | La Suite de Varsovie de Marc Camille Chaimowicz | 1997 | University of Reading | ||
| Chadwick J | Quinton and Chadwick's collection for Courtaulds | 1997 | Kingston University | ||
| Cawthorne DA | Intelligent Daylighting Design and Control in UK Buildings | 1997 | De Montfort University | ||
| Cawthorne DA | The Strategic Implications for Large Dynamically Insulated Buildings in Cities | 1997 | De Montfort University | Mulligan, H. | |
| Castle J | James Castle, Sculpture + Drawings: Mick Maslen, Painting + Drawings | 1997 | University of Gloucestershire | Mick Maslen | |
| Cassim J | Raised image | 1997 | Royal College of Art | Inclusive Design | |
| Cassidy T | A Model of the Loop Formation Process on Knitting Machines using the Finite Automata Theory | 1997 | De Montfort University | Grishanov, S.A. Spencer, D. |
|
| Cassidy T | The Simulation of the Geometry of Two-component Yarns. Part II: Fibre Distribution in the Yarn Cross-section | 1997 | De Montfort University | Grishanov, S.A. Lomov, S.V. Harwood, R.J. |
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| Carter P | Made in Glasgow | 1997 | Edinburgh College of Art | Fine Art | |
| Carson JE | You Don't Say | 1997 | The London Institute | Fine Art | Donna Rutherford and director Deborah May |
| Carnduff T | An object versioning system to support collaborative design within a concurrent engineering context | 1997 | University of Wales Institute, Cardiff | PDR | I Santoyridis WA Gray JC Miles |
| Cameron AJ | Dissimulations - the illusion of interactivity | 1997 | University of Westminster | Hypermedia | |
| Cairns J | War Tourist (completed selections from ongoing body of work) | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| CURRAN M | PICTURES OF LILY | 1997 | Middlesex University | ||
| COX L | Lost Light | 1997 | University of Dundee | Digital Technology | |
| COOKE R | British Contemporary Printmakers | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| CONWAY R | [LOOKOUT] GLASS INSTALLATION - PATE-DE-VERRE + STAINED GLASS | 1997 | Middlesex University | R Paley | |
| CONWAY R | PATE-DE-VERRE | 1997 | Middlesex University | ||
| COLVIN C M | On the Bright Side of Life Zeitgenossiche Britische Fotografie | 1997 | University of Dundee | Contemporary Practice | Chadwick, H Webb, B Parr, M |
| COLLINS B C | The Royal Game of Life | 1997 | University of Dundee | Contemporary Practice | |
| COLE R | REVEAL | 1997 | University of Lincoln | ||
| CHEVSKA ME | Spoken Image: Maria Chevska | 1997 | University of Oxford | ||
| CHEVSKA ME | Maria Chevska | 1997 | University of Oxford | ||
| CHELL E | Edward Chell Paintings | 1997 | Kent Institute of Art + Design | ||
| CHARNLEY C | Horticulture1 and Horticulture 2 | 1997 | University of Lincoln | ||
| CHAPLIN S | Edo's Endgame: Real or Virtual? | 1997 | Middlesex University | ||
| CHAPLIN S | Visual Culture: An Introduction | 1997 | Middlesex University | J WALKER | |
| CHAPLIN S | Report to Virtual HQ: The Distributed City | 1997 | Middlesex University | ||
| CATLING BD | Nordic Cyclops | 1997 | University of Oxford | ||
| CAIRNS B | Producer of three programmes in the Insights series, documentaries by first time directors. Short Stories (27mins), In the Midst of Life (27mins) Women and Racing (15mins) | 1997 | University of Lincoln | ||
| Byrne JM | Re-Mapping Modernity : From Analogic Image to Digital Dream | 1997 | Liverpool John Moores University | Art and Design History | |
| Butterworth E | Elizabeth Butterworth Paintings, Drawings and Prints | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butler SK | Phantasias | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler S | Phantasias | 1997 | Royal College of Art | Critical Practice | |
| Butler K | Siteworks - Examining the relationship of site based work on four different sites in London | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler K | Abstraction and Blind Sitings - A collaboration between two artists geographically displaced from the sites | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler K | Encampment - The development of temporary site based work | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Burton A | Durham Cow | 1997 | University of Newcastle | ||
| Burstow R | 'The Limits of Modernist Art as a Weapon of the Cold War: Re-assessing the unknown patron of the Monument to the Unknown Political Prisoner'. | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Burrows D | 'Tartuffe' | 1997 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Barry Wickens Brian Betts |
| Burnett G | Objects of Our Time | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Burke C P | Luxury and austerity: Willy Wiegand and the Bremer Presse | 1997 | University of Reading | ||
| Bullen DW | Isola | 1997 | University of Brighton | Fine Art Practices | |
| Bugg R | Solo exhibition | 1997 | Wimbledon School of Art | Sculpture | |
| Buckley T | The Progress of the Book | 1997 | The London Institute | Media and Communication | |
| Buckley S | Stephen Buckley, Centenary Display | 1997 | University of Reading | ||
| Buchler P | Red Flag/Marx Angels | 1997 | Manchester Metropolitan University | ||
| Bruce HJ | H.R.Lilley Artist and Designer 1886-1970 | 1997 | University of Ulster | ||
| Brown SC | Open and Distance Learning: Case Studies from Industry and Education | 1997 | De Montfort University | ||
| Brown R | Ergonomic data fro elderly people and their application in rehablitation design | 1997 | University of Wales Institute, Cardiff | PDR | N Rogers J Ward DK Wright |
| Brown R | Alembic | 1997 | Royal College of Art | Computer Related Design | |
| Brown M | Real Lives Magazine | 1997 | University of Ulster | ||
| Brown C | Crafts Council Showcase | 1997 | University of Westminster | Ceramics | |
| Brown C | 'The Waters', Solo Exhibition | 1997 | University of Derby | Research Group for Artists Publications | |
| Brown B | Memory is the Message | 1997 | University of Brighton | Memory, Identity and History | |
| Brooks J | Jason Brooks | 1997 | University of Gloucestershire | ||
| Brooks J | John Moores Liverpool Exhibition 20 | 1997 | University of Gloucestershire | ||
| Broadway G | The Glass | 1997 | University of Sunderland | Photography | |
| Brierley ES | The Social Impact of a Deck Housing Project: Park Hill, Sheffield | 1997 | De Montfort University | ||
| Brewill PJ | Windpowered Tanker | 1997 | University of Southampton | ||
| Brettle J L | Shadows in the Water - New Photographic Works from Scotland | 1997 | University of Northumbria at Newcastle | Photography (1b) | |
| Brettle J L | History: Image Based Art in Britain in the Late 20th Century, survey of 101 artists. | 1997 | University of Northumbria at Newcastle | Photography (1b) | |
| Brett G | Mona Hatoum | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Michael Archer Catherine de Zegher |
| Brett DB | Art Nouveau | 1997 | University of Ulster | ||
| Brennand-Wood M | Jerwood Prize for Applied Arts - Textiles | 1997 | University of Ulster | ||
| Borland C | Sculpture. Projects in M | 1997 | Glasgow School of Art | Fine Art | |
| Booth S | Fancy Goods: Exhibition of British Design: group exhibition | 1997 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Booth S | Highlights: Design from Great Britain: group exhibition | 1997 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Booth P.M. | Solo Exhibition | 1997 | Falmouth College of Arts | ||
| Booth P.M. | Solo Exhibition - Medusa's Garden | 1997 | Falmouth College of Arts | ||
| Boontje T | Transglass | 1997 | Royal College of Art | Design for Manufacture | |
| Bonham Carter E | Alexandra Drysdale and Eliza Bonham Carter | 1997 | University of Reading | Alexandra Drysdale | |
| Bolton JS | Slot and Go/Easy Load Retailing Bag Dispensing System | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Bolton JS | Pinch Pull Retailing Bag Dispensing System | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Boekhoudt O | Onno Boekhoudt - why not jewellery? | 1997 | Royal College of Art | Applied Art | |
| Bodman V | Women on Men | 1997 | University of Sunderland | Fine Art | |
| Bodimeade N | Catchcrop | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Blamey D. | THE MULE | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blair N S P | The Future of Design | 1997 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Blair N S P | Design in the UK Economy | 1997 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Black G | The Thackray Medical Museum | 1997 | Nottingham Trent University | Design | |
| Black S | Primitive Streak Interview | 1997 | The London Institute | Fashion and Textiles | The Interalia Centre for Arts and Sciences, Bristol |
| Biswas S | Synapse 1 | 1997 | University of Southampton | ||
| Bird-Jones C | 6th International Shoebox Exhibition | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Billett EH | Wolflite Handlamp H-4DCE | 1997 | Brunel University | Environmentally Sensitive Design | |
| Biggs S | Magnet | 1997 | Sheffield Hallam University | ||
| Biggs M A R | Philosophy and Electronic Publishing | 1997 | University of Hertfordshire | C. Huitfeldt | |
| Biddulph JC | Mapping Values | 1997 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Bicknell J | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Bickers P | As Others See Us: towards a history of recent art from Britain | 1997 | University of Westminster | Visual Media | |
| Beverley A | The Hunchback | 1997 | Wimbledon School of Art | Theatre costume | John Bloomfield Peter Medak Mandy Pattinkin |
| Beverley A | The Postman | 1997 | Wimbledon School of Art | Theatre costume | John Bloomfield Kevin Costner |
| Bevan A | Lifting Light | 1997 | Edinburgh College of Art | Fine Art | |
| Bestley R | Carrion Culture - Consuming Cultures Carcass | 1997 | The London Institute | Media and Communication | |
| Best A | A Real Pony Race for a Bridle, '97 | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Bessey P | Sheet Material Dispenser | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Benson SL | History - Image-based work in Britain in the late 20th century. | 1997 | Sheffield Hallam University | ||
| Bennis EM | Assessment of Cultural Distinctiveness | 1997 | Manchester Metropolitan University | ||
| Bennis EM | Promenades: Rediscovering and Reinterpreting | 1997 | Manchester Metropolitan University | ||
| Bender R | The Artist in Glass | 1997 | Swansea Institute of Higher Education | Design | |
| Beggs G | Guy Beggs: 37 paintings (av. 22x33 cms. - 153x153 cms.) + 11 drawings (av. 46x61 cms.- 153x63 cms.) of Australasian themes. | 1997 | London Guildhall University | ||
| Beavan J | Seoul Ceramic Art Biennale | 1997 | Falmouth College of Arts | ||
| Beauchamp PM | Borders - An exploration of the cultural territories of Croatia and Wales | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Beardon CE | Computer use by artists and designers: some perspectives on two design traditions. | 1997 | University of Plymouth | Centre for Visual Computing | Gollifer, S. Rose, C. Worden, S. |
| Beardon CE | What does it mean to be virtual? | 1997 | University of Plymouth | Centre for Visual Computing | |
| Baynes K | Animal Magic (Exhibition design) | 1997 | Loughborough University | Design Education | Brochocka, K. Patterson, D. Meechan, C. |
| Baxter H | Dr Faustus by Christopher Marlowe | 1997 | Wimbledon School of Art | Theatre costume | Jonathon Best |
| Baurley SL | Aspects of Contemporary Japanese Textiles | 1997 | The London Institute | Fashion and Textiles | |
| Batey J C | Images in Practice collaborative net research centre | 1997 | University of Portsmouth | Centre for Images in Practice | Chris Mullen Maureen O'Neill |
| Batchelor D | Minimalism | 1997 | Royal College of Art | Critical Practice | |
| Barnes RAM | Knit Collection for Fall/Winter 98/99. | 1997 | Goldsmiths College | ||
| Barnbrook J | 'Virus Foundry' Experimental Typefaces | 1997 | Kingston University | ||
| Barnbrook J | I want to spend the rest of my life everywhere, with everyone, one to one, always, forever now. | 1997 | Kingston University | ||
| Barker J | Threads: Fibre Art in the 90s: group exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| Barclay C | Out of the Woods, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Barbrook RA | Digital Artisan's Manifesto | 1997 | University of Westminster | Hypermedia | |
| Barber AJ | Computers as the Sole Design Tool | 1997 | Glasgow School of Art | Educational Theory and Practice | R. Hanna, R. Qaqish |
| Banks G | Design of a Drive Control Unit | 1997 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of a Thermal Imaging Unit | 1997 | University of Wales Institute, Cardiff | PDR | |
| Ballantyne T | The Sound of Trees | 1997 | University of Gloucestershire | ||
| Ballantyne T | The Environs of Dymock | 1997 | University of Gloucestershire | ||
| Bal Y | Executive producer + artistic adviser for A Day, A Year | 1997 | London Guildhall University | ||
| Baker-Brown D | Greenwich Millennium Village | 1997 | University of Brighton | Natural and Constructed Environments | I McKay R Erskine |
| Baker P.H. | Risks, durability + performance of advanced glazing systems - thermal performance of window systems | 1997 | Glasgow School of Art | Cities and Environments | |
| Baker Alder H A | New Images: Britain and Australia into the 21st Century | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Baker S C | Flying, stealing:Design's improper criticism | 1997 | University of Central Lancashire | ||
| Bainbridge E | Eric Bainbridge: Works 1991-1997 | 1997 | Royal College of Art | Fine Art | |
| Bainbridge E | Eric Bainbridge Works 1991-97 | 1997 | University of Sunderland | Fine Art | |
| Bainbridge E | Material Culture | 1997 | University of Sunderland | Fine Art | |
| Bainbridge C | Textual transformations: space, time and cinema | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bainbridge C | The Death Drive, Gender and History in Orlando and The Piano | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bainbridge C | Towards a Feminine Cinematics: Using Irigaray for Film Theory | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bailey M | Radio/cassette player for the Rolls-Royce Silver Seraph | 1997 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Bailey DA | In Visible Light: Photography and Classification in Art, Science and the Everyday | 1997 | University of East London | ||
| Bailey DA | Black Photography und Europa: Black Photographic Practices and Europe | 1997 | University of East London | ||
| Bailey DA | Rhapsodies in Black: Art of Harlem Renaissance | 1997 | University of East London | ||
| BUSS D | Richard of York Gained Battles in Vain | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| BUSS D | The use of colour names in idiomatic and colloquial language | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by L Sivik |
| BURNS J. | Rationale for the local treatment of traveller's food poisoning | 1997 | Coventry University | Design | |
| BULLEY E | 'CEDE' Painting | 1997 | University of Lincoln | ||
| BULL MG | Poussin and the Antique | 1997 | University of Oxford | ||
| BROADHEAD C | SEAMS + WOBBLY DRESS II | 1997 | Middlesex University | ||
| BROADHEAD C | STEPPENWOLF + THREE | 1997 | Middlesex University | ||
| BOYLAN P.J. | William Buckland (1784-1856) and the foundations of taphonomy and palaeo-ecology | 1997 | City University | ||
| BOWSHER G. | Space frame for Thrust SSC | 1997 | Coventry University | Design | |
| BOWSHER G. | Engineering design of Thrust SSC | 1997 | Coventry University | Design | AYERS, R. ROWBOTTOM, T. NOBLE, R. |
| BOWSHER G. | Rear wheel steering and suspension for Thrust SSC | 1997 | Coventry University | Design | |
| BONAVENTURA P | Intensities | 1997 | University of Oxford | Edward King | |
| BELL S. | Degas calendar | 1997 | Coventry University | Design | |
| BELL S. | Care and repair of antiques and collectables | 1997 | Coventry University | Design | WAINWRIGHT, J. MILLER, J. ALLEN, G.E. |
| BASEMAN J | Some people believe... | 1997 | University of Oxford | ||
| BANCROFT HUNT N | Native American Tribes | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Aylieff F | The Elusive Body | 1997 | Bath Spa University College | ||
| Austin N | Flexible Furniture | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Aust R | 6 pieces. | 1997 | Goldsmiths College | ||
| Atkinson A | Carribbean (ceramic tableware) | 1997 | Loughborough University | Fine and Applied Arts | |
| Atherton B | Archaeology + Reconstruction, solo exhibition | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Atherton B | Barry Atherton Gicl | 1997 | Glasgow School of Art | Fine Art | |
| Ashworth J | Ceremony of Innocence | 1997 | Royal College of Art | Animation | |
| Ashley-Smith J | Can high productivity be productive? | 1997 | Royal College of Art | Conservation | Hillyer, L |
| Ashley-Smith J | Risk Analysis | 1997 | Royal College of Art | Conservation | |
| Archer MG | Material Culture: The Object in British Art of the 1980s and 90s | 1997 | The London Institute | Fine Art | Greg Hilty |
| Archer MG | Art since 1960 | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Andrews M J | Review of Newman, L.M. (ed). The correspondence of Edward Gordon Craig and Count Kessler, MHRA Texts and Dissertations, vol. 43, Bithell Series of Dissertations, vol. 21, London, W.S. Maney + Sons Ltd for the Modern Humanities Research Association and t | 1997 | University of Reading | ||
| Anderson W | Six British Artists in Asmara | 1997 | The London Institute | Fine Art | |
| Anderson W | Shaking and Stirring | 1997 | The London Institute | Fine Art | |
| Anderson P | Waiting Game | 1997 | Kingston University | ||
| Anderson J | A Thousand Prayers. | 1997 | Goldsmiths College | ||
| Anderson J | Icons. | 1997 | Goldsmiths College | ||
| Anderson F | Museums as Fashion Media | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Amado I | Atlantic Fusion | 1997 | University of Southampton | ||
| Allington E. | Edward Allington: Pictured Bronzes | 1997 | University College London | Sculpture | |
| Allington E. | A Method for Sorting Cows, Essays 1993-97 | 1997 | University College London | Sculpture | |
| Allen L | The Lesbian Idol: Martina, kd and the Consumption of Lesbian Masculinity | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Allen K.F | Rebel Angels | 1997 | Wimbledon School of Art | Painting | Hermione Wilshire Laura Ford Alison Jones |
| Allen K.F | 'Having your Cake and Eating it' | 1997 | Wimbledon School of Art | Painting | |
| Allan J | The Sows Ear, the Ivory Tower and the Enlightened Benefactor | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Aldrich W | Metric Pattern Cutting for Menswear: Including Unisex Clothes and Computer Aided Design | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Alaka A | Frozen Foods | 1997 | Brunel University | Design Process | |
| Alaka A | Baked Goods | 1997 | Brunel University | Design Process | |
| Alaka A | Soft Drinks | 1997 | Brunel University | Design Process | |
| Aggs C | 'Royal Academy Summer Exhibition' - (Edition of 50) 'Welsh Black Bull - Ashington Falcon' Edition of 50 printed in warm black ink on conservation paper, 11x12 ins. | 1997 | University College Chichester | Printmaking | |
| Adams CG | Hwang Young-Sung. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| ASTBURY P | SKINS | 1997 | Middlesex University | ||
| ARCHER MG | Art since 1960 | 1997 | University of Oxford | ||
| ARCHER MG | Mona Hatoum | 1997 | University of Oxford | Guy Brett Catherine de Zegher |
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| ANDERTON R | Think it-Ink it: water-based screenprinting: a visual demonstration | 1997 | University of West of England, Bristol | Centre for Fine Print Research | |
| ten Hompel S | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Zschenderlein H | Gourmand | 1996 | University of Brighton | Visual and Performing Arts | |
| Zschenderlein H | The Walberswick Detectives | 1996 | University of Brighton | Visual and Performing Arts | |
| Zheng J. J. | Patterns of Sampled Points for Reverse Engineering. | 1996 | Bournemouth University | ||
| Zanker NP | Levels of computer use and access, at home, by years 9 and 10 pupils: an initial comparison of the types of computer used in the home and school environments, Smith, J.S. (ed) | 1996 | Loughborough University | Design Education | |
| Young R A | No Guru, No Method | 1996 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | |
| Young R A | Medis | 1996 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Warburton, N C Wilson, B Devitt, N |
| Yasuda T | Takeshi Yasuda | 1996 | University of Ulster | ||
| Wright R | Life / Live | 1996 | Edinburgh College of Art | Fine Art | |
| Wright L. | The Contemporary Art Society Art Market Exhibition | 1996 | Falmouth College of Arts | ||
| Wright E | Showroom | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Wright DK | Realistic animation of human figures using Artificial Neural Networks | 1996 | Brunel University | Interaction Design | Z Taha R Brown |
| Wright A | New Library for the Royal College of Art, London | 1996 | Glasgow School of Art | Design | Partner, Wright and Wright Architects |
| Wootton M A | Tenth International Triennale Tallin exhibition | 1996 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Woods R | Ford Cargo | 1996 | University of Southampton | ||
| Woodman J | Commission: Vision of Lincoln Exhibition: Poetry of Place | 1996 | Cumbria College of Art + Design | ||
| Woodham J M | Managing British Design Reform I: Fresh Perspectives on the Early Years of the Council of Industrial Design | 1996 | University of Brighton | 20th Century Design and Film Archives | |
| Woodfield R A | Gombrich on Art and Psychology | 1996 | Nottingham Trent University | Visual Arts | |
| Wolff M | The Labour Party | 1996 | The London Institute | Media and Communication | |
| Wilson R | INTERELIA issues 1, 2 + 3 | 1996 | Manchester Metropolitan University | ||
| Wilson AJH | Alistair Wilson | 1996 | University of Ulster | ||
| Wilson A | Third of MayPylon | 1996 | University of Brighton | Fine Art Practices | |
| Williams V | The Dead | 1996 | The London Institute | Media and Communication | Greg Hobson |
| Williams E V | Inscriptions | 1996 | University of Reading | ||
| Williams D | Illustrations | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Willey TV | 'Up North' - Jeremy James and Tim Willey | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Whittaker P | Sad | 1996 | University of Southampton | ||
| Whiting B.M. | The Dead | 1996 | Falmouth College of Arts | ||
| Whitehead B. | OWN-BRAND VIDEOTAPES | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. | ADVANCE WHITE | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| White K | Atlan : catalogue raisonn | 1996 | Edinburgh College of Art | Curatorial and Theoretical Research | Polieri, J |
| Whistler D | In the Path of the Sun (directed and photographed). | 1996 | University of Central England in Birmingham | Visual Communication Research Group | |
| Wheeler S | Promotional Information, Membrane Protein Group - Corporate Protein Group | 1996 | University of Sunderland | Design | |
| Wheeler S | Illustrations and Design for a European Union Report | 1996 | University of Sunderland | Design | |
| Welsford A | Connections | 1996 | De Montfort University | ||
| Webb W | Trends in UK Retailing | 1996 | The London Institute | Fashion and Textiles | |
| Wayman M | UK Textiles Fashion Education: What Next? | 1996 | Manchester Metropolitan University | ||
| Watt DS | Consolidation and Repair of Standing Ruins: Medieval Churches in Norfolk - Parts I + II | 1996 | De Montfort University | ||
| Watson L | More Dash than Cash | 1996 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Martin, R |
| Watanabe T | Josiah Conder's Rokumeikan: Architecture and National Representation in Meiji Japan | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Warwicker J | Process; a Tomato Project | 1996 | The London Institute | Media and Communication | Steve Baker Michael Horsham Jason Kedgley |
| Warwicker J | Miramax Films - commissioned publicity campaign | 1996 | The London Institute | Media and Communication | |
| Warr TK | Sleeper | 1996 | Oxford Brookes University | Theory | |
| Walsh R | Wish You Were Beautiful / Speak To You Later | 1996 | University of Newcastle | ||
| Wallace-Jones H | Objects of our Time | 1996 | The London Institute | Fashion and Textiles | Emma Sewell |
| Walker P | Design of an Electronic Lift Controller | 1996 | University of Wales Institute, Cardiff | PDR | |
| Walker A J | The Garden Making Series | 1996 | Wimbledon School of Art | ||
| Wainwright C | Solid State | 1996 | The London Institute | Fine Art | |
| WRIGHT I. | The utilisation of product development methods: a survey of UK industry | 1996 | Coventry University | The Design Institute | ARAUJO JNR, C.S. BENEDETTO NETO, H. CAMPELLO, A. .C. |
| WOODCOCK A. | Developing practice with theory in HCI: applying models of spatial cognition for the design of pictorial databases | 1996 | Coventry University | The Design Institute | SCRIVENER, S. LANSDALE, M.W. |
| WOLMARK J | The Romance of Nanotechnology | 1996 | University of Lincoln | ||
| WENTWORTH R | Little Differences: Richard Wentworth at Christ Church Picture Gallery | 1996 | University of Oxford | ||
| WALLER J.N. | Naked | 1996 | Coventry University | Visual Arts | FREUD, L. HERMAN, J. HOWSON, P. |
| WALKER D B | The Hebridean Blackhouse: A Guide to materials, construction and maintenance | 1996 | University of Dundee | Coastal/Indigenous Cultures | Christopher McGregor |
| WALKER D B | Earth Structures and Construction in Scotland: A Guide to the recognition and conservation of earth technology in Scottish buildings | 1996 | University of Dundee | Coastal/Indigenous Cultures | Christopher McGregor Rebecca Little |
| WALKER D B | Thatch and Thatching Techniques: A Guide to Conserving Scottish Thatching Traditions | 1996 | University of Dundee | Coastal/Indigenous Cultures | Christopher McGregor Gregor Stark |
| Vyner T | Dragon Mountain | 1996 | Bath Spa University College | ||
| Vyner T | Illustrated Effort | 1996 | Bath Spa University College | ||
| Viner DJ | Transformers: A Moving Experience | 1996 | The London Institute | Fine Art | |
| Veness AD | Attendant | 1996 | University of Southampton | ||
| Vaughan S | Charactere womenswear collection | 1996 | The London Institute | Fashion and Textiles | Suesan Faulkner Design studio |
| Van Liefferinge K | 1996 | Leeds Metropolitan University | Design | ||
| Van Liefferinge K | 1996 | Leeds Metropolitan University | Design | ||
| Van Liefferinge K | Decorative Arts Today | 1996 | Leeds Metropolitan University | Design | |
| Van Dooren I | Ladies and Gentlemen, Hats off, Please! Dutch film lecturing and the case of Cor Schuring | 1996 | University of Brighton | 20th Century Design and Film Archives | Ivo Blom |
| Van Dooren I | Travelling Times | 1996 | University of Brighton | 20th Century Design and Film Archives | |
| Unger G | ANWB typeface | 1996 | University of Reading | ||
| URE A | Royal Scottish Academy: Annual Exhibition | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Tyler DJ | Simulation of Flow Lines in Clothing Manufacture (Part 1 + 2) | 1996 | Manchester Metropolitan University | Fozzard G Spragg JE |
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| Twyman M L | Early lithographed music: a study based on the H. Baron collection | 1996 | University of Reading | ||
| Turner M | 'Hong Kong Design and the Roots of Sino-American Trade Disputes' | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner D | David Turner, Solo Exhibition | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turner D | Colour photographs | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turner A | Enigma of Arrival | 1996 | Southampton Institute | ||
| Tuckett S M | Security | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Trusselle K | 9 x 9 x 9 | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Trusselle K | Re-visions: Pictures at an Exhibition | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Trowles P | C. R Mackintosh: The European Connection | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Treen C | 1996 | Leeds Metropolitan University | Environmental Art and Design | ||
| Trangmar SRA | European Photography Award Exhibition / Exposures | 1996 | The London Institute | Fine Art | |
| Tozer J | Based on a True Story. | 1996 | Goldsmiths College | ||
| Toren A | The Pleasure of Aesthetic Life | 1996 | University of Reading | Anya Gallaccio Daniel Spoerri John Wilkins |
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| Toop D | Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds | 1996 | The London Institute | Fine Art | |
| Tomes AE | User Groups in Action: The Management of User Inputs in the NPD Process | 1996 | Sheffield Hallam University | Peter Armstrong Murray Clark |
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| Tillers I | The World Over / Under Capricorn | 1996 | Southampton Institute | ||
| Tillers I | Diaspora in Context | 1996 | Southampton Institute | ||
| Till N J T | The Ear of the Man Hath not Seen | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Thoquenne M | 'Sylvie', Commission to write and direct feature documentary. | 1996 | University of Derby | Centre for Research in Film and Photography | |
| Thomson J | The Hive | 1996 | Southampton Institute | ||
| Thompson V | British Airports Authority - commissioned design and build | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Thompson GA | Fall-Out | 1996 | The London Institute | Fine Art | |
| Thompson E | Estelle Thompson '94-'96 | 1996 | De Montfort University | ||
| Thompson B | Artlanta | 1996 | University of Sunderland | Fine Art | |
| Thompson A | Cool Tears: Life/Live | 1996 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Thomas KR | To Hell and Back | 1996 | University of Westminster | Visual Media | |
| Taylor S | Dirty Knicker Girl | 1996 | Southampton Institute | ||
| Taylor M | Weatherview | 1996 | The London Institute | Fine Art | |
| Taylor LA | Themes and Perforations: one of four parallel solo exhibitions | 1996 | Glasgow School of Art | The Decorative Arts | |
| Taylor A | Durham Cathedral Artists in Residence | 1996 | University of Gloucestershire | ||
| Tangye HR | Tangye and Other Flavours | 1996 | The London Institute | Fashion and Textiles | |
| Talbot E | The Italian Job: Artisti e Architetti Britannici | 1996 | University of Gloucestershire | ||
| Tabrizian M | Surveillance plus Journey of No Return | 1996 | University of Westminster | Visual Media | |
| Tabor EC | The Matrix of Confusion - A Classification of robot movement | 1996 | Brunel University | Design Pedagogy | JR Wilson |
| TURNER J | Back to Source | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| TRUSSELLE K.L. | 9 x 9 x 9 | 1996 | Coventry University | Visual Arts | GWYNNE, M.G. GRIFFIN, J. PRINCE, N. |
| TRUSSELLE K.L. | Re-Visions | 1996 | Coventry University | Visual Arts | CHURCHOUSE, C. MCDONALD, B. TAYLOR, K. |
| THOMPSON K. | Sister cities project | 1996 | Coventry University | Visual Arts | HARVEY, T. SMITH, A. |
| THOMPSON J | TOWARDS A THEORY OF THE IMAGE | 1996 | Middlesex University | ||
| TAYLOR A | Value Added | 1996 | University of Dundee | Contemporary Practice | Anne Marie Shillito Teena Ramsay John Maguire |
| Swift J | Changing Fortunes - The Birmingham School of Art Building 1880-1995 | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Swift J | Critical Studies: A Trojan Horse for an Alternative Cultural Agenda | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Sweet DF | Painting Over Art | 1996 | Manchester Metropolitan University | ||
| Swallow PG | Surveying Historic Buildings | 1996 | De Montfort University | Watt, D.S. | |
| Swallow PG | Lime and Lime Mortars Part 2 | 1996 | De Montfort University | Carrington, D. | |
| Swales V | Catherine Yass: Portraits, | 1996 | University of Portsmouth | Centre for Creative Empowerment | L Moran, Exhibitions Officer, Aspex VisualArts Tru |
| Stuart A | Showgirls | 1996 | The London Institute | Fashion and Textiles | |
| Stroud RR | Improved manufacturing in welding by innovative use of neural networks in real time | 1996 | Brunel University | Environmentally Sensitive Design | Not Given Not Given Not Given |
| Stothart P | 'Keylight' image processing software | 1996 | De Montfort University | ||
| Stothart P | Wavefront/Alias Wavefront | 1996 | De Montfort University | Silicon Graphics | |
| Stockham J | TriplicateDifferent Seas | 1996 | Royal College of Art | Fine Art | |
| Stiff P | The end of the line: a survey of unjustified typography | 1996 | University of Reading | ||
| Stiff P | Instructing the printer: what specification tells about typographic designing | 1996 | University of Reading | ||
| Stickley P | South African Print Exchange | 1996 | University of Portsmouth | Centre for Images in Practice | |
| Stezaker J | Garden | 1996 | Royal College of Art | Fine Art | |
| Stewart WR | Packaging as an Effective Marketing Tool | 1996 | Sheffield Hallam University | ||
| Stewart S | Contemporary Barrier Free Living in Scotland | 1996 | Glasgow School of Art | Design | A Page |
| Stewart EP | NowHere, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Stevenson M | Product Design in the Public Domain: the paradox between intentions and perceptions. | 1996 | University of Plymouth | Design + Innovation | |
| Stevenson M | Controlling the Chaos. | 1996 | University of Plymouth | Design + Innovation | Jeremiah, D. |
| Stephens JR | Core group exhibition | 1996 | Chester College of HE | ||
| Stephens J | Screen Process Printing | 1996 | The London Institute | Media and Communication | |
| Startup J | Recycled Waste Paper Shelf Unit | 1996 | Kingston University | ||
| Starr G | New Photography 12 | 1996 | The London Institute | Fine Art | |
| Starr G | Hypnodreamdruff | 1996 | The London Institute | Fine Art | |
| Stanton-Wilson J | Solo Exhibition. 'On Location'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Stanton-Wilson J | Solo Exhibition 17 October. 'On Location'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Stansfield Smith C | Portland Building, University of Portsmouth | 1996 | University of Portsmouth | Centre for Creative Empowerment | Hampshire County Council |
| Stables K | Understanding Practice in Design and Technology. | 1996 | Goldsmiths College | Kimbell, R. Green, R. |
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| St George A | Clear English | 1996 | De Montfort University | St George, F. | |
| Sprio M | Zero Time | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Spiller E. | Jewelry in Europe and America: New Times, New Thinking | 1996 | Falmouth College of Arts | ||
| Speed S | Getting Real with the Body | 1996 | Buckinghamshire Chilterns University College | Design Culture | |
| Southam JV | The Raft of Carrots | 1996 | University of Plymouth | Site, Space, Location, Place | |
| Soroka J | Woven Image: Contemporary British Tapestry | 1996 | Edinburgh College of Art | Fine Art | |
| Soden JA | The Assessment of Multi-layer Integrated 3D Woven Composite Reinforcements | 1996 | University of Ulster | BJ Hill R McIlhagger G Weissenbach |
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| Snell R | Interaction: developing links between the furniture industry and H/FE in the areas of design, technology and manufacture | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | Rhonda Lane |
| Smith W | Sweetapple Farm | 1996 | University of Brighton | Visual Communication Design | |
| Smith N J | Audio Wireless Intercom Base Station | 1996 | University of Northumbria at Newcastle | ||
| Smith N E | Interior Landscapes | 1996 | Nottingham Trent University | Visual Arts | |
| Smith L | Chests for Treasure | 1996 | Robert Gordon University | Making and Contemporary Culture | |
| Smith JA | Blight | 1996 | University of East London | ||
| Smith J | A Study to Compare the Food Scooping Performance of the 'Handy 1' Robotic Aid to Eating, using Two Different Dish Designs. | 1996 | Staffordshire University | ARi, School of Art + Design | M J Topping J Makin |
| Smith J | The Introduction of a Robotic Aid to Drawing into a School for Physically Handicapped Children: a Case Study. | 1996 | Staffordshire University | ARi, School of Art + Design | M J Topping |
| Smith A | Art 1996 Chicago | 1996 | University of Gloucestershire | ||
| Slight N | The Skin of the White Lady | 1996 | University of Gloucestershire | ||
| Sleeman A.J. | Project for Frieze by Philip J. Reilly | 1996 | University College London | Art History and Theoretical Studies | |
| Sleeman A.J. | Entries for 'Petit dictionnaire des sculpteurs Britanniques du XXe si | 1996 | University College London | Art History and Theoretical Studies | |
| Slee R | The Jerwood Prize for Applied Arts: Ceramics | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Skingle S | A semblance of Order. 20 book-sized sculptures and wall-reliefs in plaster, wood and metal, installed on the existing nails and ledges of the gallery's Elizabethan panelling and brickwork. | 1996 | London Guildhall University | ||
| Skelton PJS | Dangerous Places - Ponar | 1996 | The London Institute | Fine Art | |
| Sitar R | Lightness and Weight 1996 | 1996 | Bolton Institute of HE | ||
| Singh G | Review of Digital Creativity CD-ROM | 1996 | University of Sunderland | Design | |
| Sinclair R | Real Life Rocky Mountain, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Simpson P | Baghdad Courtyard House | 1996 | Glasgow School of Art | Cities and Environments | R. Hanna |
| Simpson M | No Place Like Home | 1996 | The London Institute | Fine Art | |
| Simpson M | Bench Paintings 1992-1995 | 1996 | Bath Spa University College | ||
| Simcock M | Beading and Embriodery. Couture collection of scarves and stoles. | 1996 | University of Southampton | ||
| Shreeve N | Restoration of a Gilt Stand for a Cabinet | 1996 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Short L | New Art from Cuba | 1996 | Cumbria College of Art + Design | ||
| Short J | Joanna Short | 1996 | Goldsmiths College | ||
| Sherwin G | Prelude | 1996 | University of Wolverhampton | Fine Art | |
| Sheldon JL | Matisse and the Problem of Expression in Early 20th Century Art | 1996 | Liverpool John Moores University | Art and Design History | |
| Sheldon JL | E556 Working with Modern Art : Study Guide | 1996 | Liverpool John Moores University | Art and Design History | P Meecham |
| Shaw R | The Rewards of Integration: two case studies of incorporating learning technologies into existing courses. | 1996 | Glasgow School of Art | Educational Theory and Practice | N. Tomes |
| Shaw L T | Uprising | 1996 | Nottingham Trent University | Design | |
| Shaw L T | Inaugural Show | 1996 | Nottingham Trent University | Design | |
| Shaw L T | 20th Century Decorative Arts 96 | 1996 | Nottingham Trent University | Design | |
| Shave T J | Loaded. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Shave T J | Warming Up. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Sharpe T | A proposal for an Air and Water Preheating Solar Attic in Glasgow | 1996 | Glasgow School of Art | Cities and Environments | C. Porteous D. McDonald |
| Shankie J | The Unbelievable Truth, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Shankie J | Pleased To Meet You, two person exhibition | 1996 | Glasgow School of Art | Fine Art | Fernando Fereira |
| Shackleton J | Cognitive categorisation in Japanese recreational vehicle design (2) | 1996 | Brunel University | Design Process | S Kazou W Makoto |
| Shackleton J | Cognitive categorisation in Japanese recreational vehicle design (3) | 1996 | Brunel University | Design Process | K Sugiyama M Watanbe |
| Sewell E | Objects of our Time | 1996 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Senior G | Grizedale: drawings and sculptures made from local forest materials | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Senior DP | Patient-focused Architecture for Healthcare | 1996 | Manchester Metropolitan University | Scher P | |
| Semple R | Arms Dishes Pair | 1996 | Liverpool Hope | ||
| Selley G | KAMP (Knowledge Assurance for Multimedia Publishing) | 1996 | The London Institute | Media and Communication | No No No |
| Sekers A | Redesign | 1996 | The London Institute | Media and Communication | |
| Sekers A | p30 | 1996 | The London Institute | Media and Communication | |
| Sedgwick J | '100 years of the Royal College of Art' | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Sedgwick J | Subjects 96. International Jewellery Art Exhibition | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Seddon P J | Circumstantial Evidence | 1996 | University of Brighton | Memory, Identity and History | D Green |
| Seddon P J | Images of the ear: History painting and historiographical practices | 1996 | University of Brighton | Memory, Identity and History | |
| Seddon J | Work, Professionalism and Gender: Women Designing in the Interwar and Postwar Periods | 1996 | University of Brighton | Design History, Criticism and Theory | |
| Seaton D | I.M.M.S | 1996 | University of Hertfordshire | ||
| Seaton D | New Work, David Seaton/Kate Davis | 1996 | University of Hertfordshire | ||
| Scott PC | Hot off the Press, Ceramics and Print | 1996 | University of Newcastle | Bennett T | |
| Sayers P C | Warming Up. | 1996 | Staffordshire University | ARi, School of Art + Design | S. Schneider |
| Sayers L | 'Sergei Diaghilev's Soviet Ballet: Le Pas d'Acier and its relationship to Russian Constructivism' | 1996 | University of Gloucestershire | ||
| Saunders S | Computer Aided Design and Styling Tools in Automotive Design | 1996 | University of Plymouth | Design + Innovation | C.S. Porter |
| Saunders S | Car design (Mini) | 1996 | University of Plymouth | Design + Innovation | |
| Sandino L | Print and Be Damned | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sall C | Roadworks | 1996 | Royal College of Art | Architectural Design | |
| Sacks S | Exchange Values: Images of Invisible Lives | 1996 | Oxford Brookes University | Social Sculpture Research Unit | |
| Sabin RJ | Comics, Comix and Graphic Novels | 1996 | The London Institute | Media and Communication | |
| STEVENSON F | Structuring sustainability | 1996 | University of Dundee | Industry and the Public Sector | Dr Faozi Ujam |
| STALLABRASS JP | Gargantua: Manufactured Mass Culture | 1996 | University of Oxford | ||
| SPENS M | The Recovery of the Modern: Architectural Review 1980-1995 Key Text and Critique | 1996 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SPENCE P J | NaCl - Bitter Burial | 1996 | University of Dundee | Digital Technology | Lynn Hershman Forced Entertainment Tero Nauha |
| SLESS D. | Early travels through information design | 1996 | Coventry University | The Design Institute | |
| SLESS D. | Better information presentation: satisfying consumers? | 1996 | Coventry University | The Design Institute | |
| SCHEIN F. | Id | 1996 | Coventry University | ||
| SAXON G | The Flow | 1996 | University of Lincoln | ||
| Rye C | 'The Turin Machine' | 1996 | Napier University | Critical Theory of Practice | |
| Russell J | Cool Tears (Life/Live) | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Rushton E | Private View | 1996 | Falmouth College of Arts | ||
| Royffe C D | Research and Environmental Design Project. The Earth Centre | 1996 | Leeds Metropolitan University | Environmental Art and Design | Entwistle, T Herrmann, M |
| Ross White M | Malcolm Ross-White | 1996 | Bath Spa University College | ||
| Ross J C | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Ross J C | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Ross J C | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Rose EE | Exhibition of Monoprints | 1996 | Lancaster University | ||
| Roper G S | 'Artlanta' | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Roper G S | The Tallest Tree in the Karelian Forest | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Hoppa, H |
| Romans PA | DJED | 1996 | The London Institute | Media and Communication | |
| Rolph D | Bureau de Change | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rolfe N | Mid Term Retrospective | 1996 | Royal College of Art | Fine Art | |
| Rogers ME | Environmental Education, Technology and Initial Teacher Education | 1996 | Goldsmiths College | ||
| Rogers M | 'The Projected Room' | 1996 | University of Derby | Research Group for Artists Publications | |
| Rogers H | Relatives | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Rogers H | Sites of Practice | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Rogers K. | THE (LONDON) INCIDENT | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Rodriguez J | The Visit: Cross Channel Photographic Mission | 1996 | The London Institute | Media and Communication | Anne McNeil |
| Robinson A F | East International | 1996 | University College Northampton | Fine Art Practices | |
| Robertson I | Recycling time: 4 wall constructions (mixed media 186 cms. X 186 cms.); 30 works on paper (56 cms. X 48 cms.) | 1996 | London Guildhall University | ||
| Robertson GD | Bothwell Evangelical Church Scotland. | 1996 | Glasgow School of Art | Design | |
| Robertshaw S | The Order of Things | 1996 | Liverpool John Moores University | International Centre for Digital Content | |
| Roberts J | Bill Woodrow: Fool's Gold | 1996 | University of Wolverhampton | Fine Art | |
| Roberts E | 'Barbara Hepworth Speculatively perceived within an international context' | 1996 | Liverpool John Moores University | Art and Design History | |
| Roberts J | Sawn Off: Infanticide, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Rihl LF | International Contemporary Furniture Fair | 1996 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Rihl LF | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Rieser M | A Consequential Coastline | 1996 | Bath Spa University College | Hoskins, S. Hasle, D. Hales, G. |
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| Riddy J | Life:Live | 1996 | The London Institute | Fine Art | Thomas A. Clark Shelagh Wakely Ian Whittlesea |
| Richardson R | Censorship Communications | 1996 | De Montfort University | ||
| Richards P.J. | Paul Richards: Recent Paintings | 1996 | University College London | Painting | |
| Richards P.J. | Paul Richards | 1996 | University College London | Painting | |
| Richards M | Everyday Television: Studies of British Television | 1996 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Richards M | Contemporary Television: Eastern Perspectives | 1996 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Richards BGR | Broadfield House Glass Museum | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Richards A. | Breaking into Waves | 1996 | The Surrey Institute of Art + Design University College | ||
| Rhodes C | Remaking Reality, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Renton A. | Manifesta 1: European Art Biennial | 1996 | University College London | Art History and Theoretical Studies | |
| Reid H F | The Productivity Myth in Furniture Manufacturing | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam J |
| Reich J | Gallery Artists | 1996 | Anglia Polytechnic University | ||
| Reich J | Whitechapel Open | 1996 | Anglia Polytechnic University | ||
| Read SA | A Profile of the River Thames | 1996 | The London Institute | Fine Art | Mildenhall Monumentals |
| Rawson G | Francis H Newbery: Artist + Art Educationist, 1855 - 1946 | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Rawlinson IJ | Mugger Music | 1996 | Manchester Metropolitan University | Crowe N Parker G |
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| Randall-Page P | Body and Soul | 1996 | Dartington College of Arts | ||
| Randall-Page P | St Ann's Fountain | 1996 | Dartington College of Arts | ||
| Ramshaw W | Double Screen EH9681 | 1996 | Royal College of Art | Applied Art | |
| Raby F | Fields and Thresholds (Testpieces) | 1996 | Royal College of Art | Computer Related Design | |
| Raby F | Fields and Thresholds (Prototypes ), Oslo | 1996 | Royal College of Art | Computer Related Design | |
| Raban W | Island Race | 1996 | The London Institute | Media and Communication | |
| ROSS A R | Two Scottish Artists | 1996 | University of Dundee | Contemporary Practice | |
| ROBB A M | Four Scottish Artists | 1996 | University of Dundee | Contemporary Practice | Calum Colvin Grant Clifford Elaine Shemilt |
| ROBB A M | Talent | 1996 | University of Dundee | Contemporary Practice | Wayne Thiebaud Richard Estes John Chamberlain |
| RICE A | IDEAS (Industry + Design Education Action for Scotland) Part 1 | 1996 | University of Dundee | Contemporary Practice | Georgina Follett Julian Malins Tony Franks |
| READ S | A PROFILE OF THE RIVER THAMES | 1996 | Middlesex University | ||
| Quinn M J | 'Defilades and Enfilades' | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| QUINE M | AIMAC CONFERENCE PAPERS. Contributing Editor | 1996 | City University | Laszlo, H. | |
| Pucill S. | Mirrored Measure (film 16mm, 10mins). | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Pryke S | '365+' - Dinnerware range with associated items | 1996 | De Montfort University | Lundstrom, M Spets, A |
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| Prendiville AN | The specification of revenue collection systems within UK and European light rail systems | 1996 | University of East London | R Davis-Cooper | |
| Prendiville AN | Design Research: its impact on the Specification of Revenue Collection Systems in Public Transport | 1996 | University of East London | ||
| Poulson DF | USERfit. A practical handbook on user-centred design for Assistive Technology | 1996 | Loughborough University | Design Ergonomics | Ashby, M. Richardson, S.J. |
| Potter S | Managing engineering design in complex supply chains | 1996 | Open University | Design and innovation management | R. Roy |
| Porter LJ | A Review on STEP Design and Technology: Resistant Materials | 1996 | Brunel University | Design Pedagogy | J Davies A Goodlier |
| Porter JM | SAMMIE: a 3D human modelling computer aided ergonomics design system | 1996 | Loughborough University | Design Ergonomics | Case, K. Freer, M.T. |
| Porter D | The Last Drawing on the Famous Blackboard - Relating Studio Teaching toResearch | 1996 | Glasgow School of Art | Educational Theory and Practice | |
| Pointer MR | Large Colour Differences in Colour Reproduction - The Relationship Between Print Acceptability and Colour Difference | 1996 | University of Westminster | Imaging Technology | Attridge GG |
| Pointer MR | Measured Colour Difference and the Acceptability of Colour Prints | 1996 | University of Westminster | Imaging Technology | Attridge GG Leverton C Jacobson RE |
| Plunkett D | The Interiors of Charles Rennie Mackintosh | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Plouviez A | Silver to Silicon, interactive CD ROM | 1996 | University of Sunderland | Photography | Davies H |
| Piper T | 56 Group Wales | 1996 | University of Wales Institute, Cardiff | Fine Art | |
| Piper JF | 5500FF Polaroid APS Camera | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Piddington A | The Soldier's Story | 1996 | Kingston University | ||
| Phillips K | Eight Works on Paper | 1996 | Cumbria College of Art + Design | ||
| Petry M | Abstract Eroticism | 1996 | University of Wolverhampton | Fine Art | |
| Pennell JD | Join the Dots | 1996 | The London Institute | Fine Art | |
| Pennell J | Mirror Mirror. | 1996 | Goldsmiths College | ||
| Peart T | Tont Peart : Glimpses on an 'other' land | 1996 | Cumbria College of Art + Design | ||
| Pearson L.F | Northern City: An Architectural History of Newcastle Upon Tyne | 1996 | University of Wolverhampton | Ceramics | |
| Payne J | Knitted fabrics for Stoll. | 1996 | University of Southampton | ||
| Patterson I | Rysunek | 1996 | Edinburgh College of Art | Fine Art | |
| Patten B | The Rediscovery of Ritual, Embroidery and Architecture in the 19th Century | 1996 | Bolton Institute of HE | J Barry | |
| Partridge J | Objects of Our Time | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Parris J | Supastore De Luxe | 1996 | The London Institute | Fine Art | |
| Parker D R | In two minds | 1996 | University College Northampton | Fine Art Practices | |
| Parfitt D | 'The Stone Garden' - Public commission. Materials: Bath Stone + granite. Dimensions: Covering an area of approximately 1000sq. metres | 1996 | University College Chichester | Sculpture | |
| Paolozzi E | The Jesus Works and Store: an attempt to describe an indescribable film | 1996 | Edinburgh College of Art | Fine Art | |
| Palova Z | Guardian | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Palmer R | The Edge of Town, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Painter C | At Home with Constable's Cornfield. | 1996 | Wimbledon School of Art | Research Centre | |
| Page ME | Combining physical, physiological and subjective data in the evaluation of product usability, in: P.W.Jordan (ed), Usability Evaluation in Industry | 1996 | Loughborough University | Design Ergonomics | Galer, I.A. |
| Page A | Housing the Third Age A study of Northern European housing models for an ageing population in the 1990 | 1996 | Glasgow School of Art | Design | Stewart, S |
| Padovani C | Sympo-Fibres de Quebec | 1996 | University of Southampton | ||
| PHIPPARD P | Demented but clean and useful: Documenting the North Riding Asylum, 1889 | 1996 | University of Lincoln | ||
| PAYNE M S | Colourwave | 1996 | University of Dundee | Coastal/Indigenous Cultures | |
| Oxley Nici | Nympholept (installation) | 1996 | London Guildhall University | ||
| Olver E | Subject 96 | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Olsen GR | The Miami Wall-Paintings | 1996 | Oxford Brookes University | Creative Practice | |
| Ogden S | The Potters Pallette | 1996 | Cumbria College of Art + Design | ||
| Ogawa S | The 19th International Exposition Milano Triennale - Japan Pavilion | 1996 | Edinburgh College of Art | Fine Art | |
| Ogawa S | Invisible Language | 1996 | Edinburgh College of Art | Fine Art | |
| Oddy N | Bicycles | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| OWEN J.K. | 2096 concept car | 1996 | Coventry University | Design | MATTHEWS, G. NEWMAN, R.M. PORTER, C.S. |
| OWEN J.K. | Virtual art and design using three-dimensional computing | 1996 | Coventry University | ||
| OWEN J.K. | Lightweight sports car (LSC) | 1996 | Coventry University | Design | PORTER, C.S. SAUNDERS, S.J. |
| ORourke D | The Waistband, solobook of poems | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| OConnell T | In Visible Space | 1996 | University of Reading | ||
| OBRIEN T | Beyond Borders | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| O'Pray ME | Derek Jarman: Dreams of England | 1996 | University of East London | ||
| O'Pray ME | The British avant-garde Film: 1926 - 1995 An anthology of Writings | 1996 | University of East London | ||
| O'Connell T | In visible space | 1996 | Bath Spa University College | ||
| O'Brien A | 'Marketing and Managing Colonial Spectacle as National History: In the Belly of the Archive' | 1996 | Napier University | Critical Theory of Practice | |
| Noszlopy G | Voa Salutis Et Glorificationis: Note on Rembrandt's The Three Crosses, Longinus and the Gonzaga | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Noble I | Book design | 1996 | The London Institute | Media and Communication | |
| Noble I | Book design | 1996 | The London Institute | Media and Communication | |
| Nixon L | High-Rise | 1996 | Kingston University | ||
| Nicol EJ | 'Swinging the Lead', The Festival of the Sea | 1996 | University of Plymouth | Site, Space, Location, Place | |
| Newman MOJ | Marking Time: Memory and Matter in the Work of Avis Newman | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Newman MOJ | The Trace of Trauma: blindness, testimony and the gaze in Blanchot and Derrida | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Newman A | WEBS (Backlight). | 1996 | Goldsmiths College | ||
| Newell R A | A Land | 1996 | Swansea Institute of Higher Education | Land and Landscape | |
| Nash M | Dialogues with Stuart Hall | 1996 | University of East London | Isaac Julien | |
| Nash M | Franz Fanon: Black Skin White Mask | 1996 | University of East London | ||
| Nash D JE | Line of Cut sculpture exhibition | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Myerson J | New Public Architecture | 1996 | Royal College of Art | Inclusive Design | |
| Myerson J | Look Inside: New British Interiors for People | 1996 | Royal College of Art | Inclusive Design | |
| Muthesius A. M. | BYZANTINE SILKS IN VIKING HANDS | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Muston D | UK Design Registration: 2056017. Minicam Security Camera | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Muston D | DB 2441/DB 2440 LT Integrated Radio Data Modem | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Muston D | System GC200 Genset controllers | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Murphy J | J. Murphy | 1996 | Goldsmiths College | ||
| Mulvey JF | New work in Various Media | 1996 | University of Westminster | Fine Art | |
| Mulhall S | Wish You Were Here | 1996 | University of Gloucestershire | ||
| Mulhall S | Sarah Mulhall: Prints and Drawings | 1996 | University of Gloucestershire | ||
| Mukherjee R | Trabajos 1,2,3,4 and Narcosatanicos. | 1996 | Goldsmiths College | ||
| Mukherjee R | Narcrosatanicos and Trabanos/Popoccultural | 1996 | University of Hertfordshire | ||
| Mowatt S | The Woven Image | 1996 | Edinburgh College of Art | Fine Art | |
| Mowat I | Knitwear Collection for Hussein Chalayan | 1996 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mottram JA | Perceptions, professions and precious practices | 1996 | Loughborough University | Fine and Applied Arts | |
| Mosscrop MLB | 8th Mostyn Open | 1996 | De Montfort University | ||
| Morten G | Recurrent Consistencies | 1996 | University of Sunderland | Fine Art | |
| Morten G | Intoarcerea (The Way Back) | 1996 | University of Sunderland | Fine Art | |
| Morris M | Mali Morris: Paintings | 1996 | The London Institute | Fine Art | |
| Morris D | La Barca dei Folli | 1996 | Liverpool John Moores University | Painting and Sculpture | Gino Marotta |
| Morris D | Il Mana di Nancy Marotta | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Morra G | Feminine Babel: writing between the ruins | 1996 | Oxford Brookes University | Theory | |
| More J J | 'Living at Belsay' | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| More J J | Creative Collaborations Exhibitions | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Moore S | Spectraview (call centre console) | 1996 | University of Ulster | William Lee | |
| Moore S | Fixon (Innovative Tape Dispenser) | 1996 | University of Ulster | William Lee | |
| Moon M | Letters from India | 1996 | University of Reading | ||
| Moon M | New Works | 1996 | University of Reading | ||
| Montgomery I | Grave Goods | 1996 | Edinburgh College of Art | Fine Art | |
| Moffat A | The Scottish Renaissance, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Mitchison LS | Art Textiles | 1996 | Manchester Metropolitan University | ||
| Mitchison LS | Revelation, Textile Artists Addressing Issues | 1996 | Manchester Metropolitan University | ||
| Mitchell P | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell J R. | 'Crossing the Channel' | 1996 | Wimbledon School of Art | Painting | |
| Mitchell J R. | 'Projected Piers series II - solo exhibition' | 1996 | Wimbledon School of Art | Painting | |
| Milne L | 'Dreams and Bruegel's Dulle Griet' | 1996 | Napier University | Critical Theory of Practice | Shetter, W van der Crysee, I |
| Millar RI | Living Silver: group exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| Millar L. | WOVEN IMAGE CONTEMPORARY BRITISH TAPESTRY | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Meyrick R K | The Etchings and Engravings of Edgar Holloway | 1996 | University of Wales, Aberystwyth | ||
| Merali SGP | Paradigm Lost Alien/Nation | 1996 | The London Institute | Fine Art | |
| Merali S | Channels, Echoes and Empty Chairs | 1996 | University of Westminster | Fine Art | |
| Melia P D | David Hockney: You Make the Picture. Paintings and Prints 1982-1995. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Medcalf G | Ten Years After | 1996 | The London Institute | Fine Art | |
| Meanley P | Something in the Air/Chlorine Emissions in Saltglazing | 1996 | University of Ulster | Dr B Byers | |
| Meanley P | Songs in Salt | 1996 | University of Ulster | ||
| McQuillan M | 'Pablo Picasso' | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| McNiven A | Ferne im Innern | 1996 | Edinburgh College of Art | Fine Art | |
| McNicoll C | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| McMullen K | Tribute to My Work in Cinema | 1996 | The London Institute | Media and Communication | |
| McLaren G M | Shaping the Future: the Ceramics Department and industry after the Second World War | 1996 | Staffordshire University | ARi, School of Art + Design | |
| McLaren G M | Netting Clay. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| McKelvey K A | Fashion Source Book | 1996 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McKean J M L | Becoming an Architect in Europe between the wars | 1996 | University of Brighton | Design History, Criticism and Theory | |
| McKean J M L | An Appraisal of the Royal Festival Hall | 1996 | University of Brighton | Design History, Criticism and Theory | |
| McKeag D | Fortress Lock | 1996 | University of Ulster | ||
| McKay C M | Fearful Dunderheads, Kandinsky and the Cultural Referents of Criminal Anthropology | 1996 | University of Sunderland | Photography | |
| McIver MT | Warworks, Women, Photography and the Art of War | 1996 | University of Ulster | ||
| McIntyre K T | Keith McIntyre: New Paintings | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| McInnerney M | Les Sixties | 1996 | Bath Spa University College | Hamilton, R. Boyle, M. Henri, A. |
|
| McHugh C | 'The Wide Horizon' 80 oil paintings on wood. Various dimensions. Photographic record of works available. | 1996 | University College Chichester | Painting | |
| McHugh C | 'Journey and Memory' 5 oil paintings on wood. Photograhic record of works available. | 1996 | University College Chichester | Painting | |
| McGrath R | 'Natural Magic and Science Fiction' | 1996 | Napier University | Critical Theory of Practice | Williams, C |
| McDonough H | 'Circular Breathing' | 1996 | Anglia Polytechnic University | ||
| McClenaghen J | The Roebuck Collection | 1996 | North East Wales Institute of Higher Education | Art and Design | |
| McClelland B | CCC Camera | 1996 | University of Ulster | ||
| McCaughey P | Borrowed Light, solo exhibition of publicly sited works | 1996 | Glasgow School of Art | Cities and Environments | Stephen Skrynka |
| McCall A | Archie McCall: Ceramics: solo exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| McCall A | Archie McCall: Exhibition of Ceramics: solo exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| Mayfield W | 1996 | Leeds Metropolitan University | Design | ||
| Mavrogordato T | Tass Mavrogordato | 1996 | Goldsmiths College | ||
| Mathison F | The Woven Image: Contemporary British Tapestry 4 | 1996 | Edinburgh College of Art | Fine Art | |
| Mathison F | 11th Kemzetkozi Miniaturetextile Biennale | 1996 | Edinburgh College of Art | Fine Art | |
| Mason PW | One Person Show of work, residency, exhibition. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Masi D. | Works by Denis Masi - Survey Exhibition Wallwork 1988-1996 | 1996 | University College London | Fine Art Media | |
| Masi D | Works by Denis Masi- Survey Exhibition Wallwork 1988-1996 | 1996 | Wimbledon School of Art | ||
| Martin PL | The Elemental Aspects of Colour in Spatial Design | 1996 | De Montfort University | ||
| Marriott M | Collection of designs for SCP 1996-2000 | 1996 | Royal College of Art | Design for Manufacture | |
| Margetts M | Objects of Our Time | 1996 | Royal College of Art | Applied Art | |
| Mantripp C | The Woodcarver's Craft Exhibition | 1996 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Mansfield A | Recent Paintings | 1996 | Southampton Institute | ||
| Malik S | Differantial Technics. | 1996 | Goldsmiths College | ||
| Makhoul B | ACE: Arts Council Collection New Purchases | 1996 | Sheffield Hallam University | ||
| Makem OM | Designs for 'Cuba' Retail Outlet | 1996 | University of Ulster | ||
| Maguire P J | Towards the Co-operative Commonwealth | 1996 | University of Brighton | Design History, Criticism and Theory | B Lancaster |
| Maguire P J | Labour and the Law:The Politics of British Industrial Relations | 1996 | University of Brighton | Design History, Criticism and Theory | |
| Magee JDM | A Conscientious Vehicle | 1996 | University of Ulster | ||
| Macmillan A | House for an Art Lover. The Realisation | 1996 | Glasgow School of Art | Historical and Critical Enquiry | R Bilcliffe |
| Macleod K | Research in Fine Art: theory, judgement and discourse. | 1996 | University of Plymouth | Art Process | |
| MacLennan AM | Tains Stain | 1996 | University of Ulster | ||
| Mabbutt M | In the Looking Glass: Contemporary Self-Portraits by Women Artists | 1996 | Falmouth College of Arts | ||
| Mabb D | Skins. | 1996 | Goldsmiths College | ||
| MUSKE E | Eve Muske/Helen Ireland | 1996 | University of Lincoln | ||
| MUSKE E | Sad | 1996 | University of Lincoln | ||
| MURPHY J | A Portrait of the Artist as a Deaf Man | 1996 | University of Oxford | ||
| MULHALL S. | Wish you were here | 1996 | Coventry University | Visual Arts | |
| MULHALL S. | Sarah Mulhall | 1996 | Coventry University | Visual Arts | |
| MOWBRAY J | Joanna Mowbray: New Steel Sculpture and Drawings. Lecture Through and Around - November Lecture Series | 1996 | University of Lincoln | ||
| MORTON V E | Touring Solo Exhibition | 1996 | University of Dundee | Contemporary Practice | Cathy Wilkes |
| MIDDLETON N. | Memories (history project) | 1996 | Coventry University | Design | HOLLOWAY, T. PARKER, M. PRENTICE, K. |
| MATTHEWS G | The Naked Truth, Metephors of Space, Complexity and Communication | 1996 | University of Lincoln | ||
| MATTHEWS G | Doctorates in Design: Why we need a research culture in design | 1996 | University of Lincoln | ||
| MANHEIM J | WALKWAY | 1996 | Middlesex University | ||
| MANHEIM J | THE SECRET RIVER | 1996 | Middlesex University | ||
| Lydiat A | 'NOMENCLATURE' | 1996 | Nottingham Trent University | Visual Arts | |
| Lydiat A | SOL'ZEME/Salt of the Earth | 1996 | Nottingham Trent University | Visual Arts | |
| Lydiat A | Roof Garden | 1996 | Nottingham Trent University | Visual Arts | |
| Lucas GC | Mrs Sharpe's Cracks | 1996 | De Montfort University | ||
| Lucas GC | The Death of Vinyl, The Birth of Olestra | 1996 | De Montfort University | ||
| Lucas GC | My Photographs don't Stand up for Themselves so I have to Stand up for them | 1996 | De Montfort University | ||
| Loughlin S. | WEIGHT WATCHERS | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Logan P J | 1996 | Leeds Metropolitan University | Design | ||
| Logan P J | 1996 | Leeds Metropolitan University | Design | ||
| Lock G | Recent Work | 1996 | Chester College of HE | ||
| Lock G | Settle | 1996 | Chester College of HE | ||
| Lock G | Group Show | 1996 | Chester College of HE | ||
| Lochun D | Non-centrosymmetric Alignment of Optically Non-linear Materials | 1996 | Brunel University | GJ Ashwell IR Gentle CH. L Kennard |
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| Lipski E | Hiroshima Art Document 1996 | 1996 | The London Institute | Fine Art | |
| Lintern D | Carbon Miranda | 1996 | Wimbledon School of Art | Theatre Design | Robert Young Theatre Pod Mehmet Ergen |
| Lindsay W | A New Specimen of Ankarapithecus meteai from the Sinap Formation of Central Anatolia | 1996 | Royal College of Art | Conservation | Alpagut, B Andrews, P Fortelius, M |
| Lindsay W | Displaying Dinosaurs at the Natural History Museum | 1996 | Royal College of Art | Conservation | Larkin, N Smith, N |
| Liggett S | Eros 1 | 1996 | North East Wales Institute of Higher Education | Art and Design | |
| Lievesley M A | Patent number: GB2301018B (10/02/99). Limpet | 1996 | University of Northumbria at Newcastle | Product Design (4b) | |
| Lewis S E N | The Discerning Eye | 1996 | Nottingham Trent University | Visual Arts | One-person exhibition |
| Lewin A | The Way to a Man's Heart is through His Stomach | 1996 | Dartington College of Arts | ||
| Leverett D. | Sacred Garden Series | 1996 | University College London | Painting | |
| Leslie J | Into the Void | 1996 | Manchester Metropolitan University | ||
| Lee J | Echo | 1996 | Nottingham Trent University | Visual Arts | Ron Haselden Shelagh Wakely Sharon Kivland |
| Ledsham JM | Premier Biennale du Lin en Haute Normandie: Blancs Transparences Lumiere | 1996 | University of Ulster | ||
| Lawrence CN | System 3: Screenprinting with water-soluble inks | 1996 | University of Ulster | David Barker | |
| Lawler T | Deceit | 1996 | Kingston University | ||
| Law J | ISEA96 | 1996 | Bath Spa University College | ||
| Lansley E | Crosscurrents | 1996 | University of Brighton | Natural and Constructed Environments | |
| Lansley E | Water Logged | 1996 | University of Brighton | Natural and Constructed Environments | |
| Lane C | Nesting Stones | 1996 | The London Institute | Fine Art | |
| Lane C | Invisible Crowds | 1996 | The London Institute | Fine Art | |
| Landry CR | The Art of Regeneration and the Creative City | 1996 | The London Institute | Media and Communication | |
| Lalic M | Maria Lalic | 1996 | Bath Spa University College | ||
| Kondracki H | The Scottish Renaissance | 1996 | Edinburgh College of Art | Fine Art | |
| Kondracki H | Wheels of Fire | 1996 | Edinburgh College of Art | Fine Art | |
| Knowles D | Marella Tricot Ladies Knitwear Collection Autumn/Winter 1996/1997 | 1996 | Kingston University | ||
| Knorr K | Multiple Exposure. | 1996 | Goldsmiths College | ||
| Knorr K | MACHT/ON MACHT/POWER/IMPOTENCE. | 1996 | Goldsmiths College | ||
| Knight C | Corked flask Exhibition 1996 | 1996 | Liverpool Hope | ||
| Knight C | Tequila Shots | 1996 | Liverpool Hope | ||
| Klimowski A | Klimowski: inne obszary, inne formaty | 1996 | Royal College of Art | Communications | |
| Klein D V | Exhibition International New Glass | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Klein D V | International New Glass/Venezia Aperto Vetro | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Kirwan R | Colour Reproduction of Painting | 1996 | Goldsmiths College | ||
| Kirkwood I | Last Dance | 1996 | De Montfort University | ||
| Kirkwood I | Exhibition of Paintings | 1996 | De Montfort University | ||
| Kirkup W E | 'White Hysteria' | 1996 | University of Northumbria at Newcastle | Installation (2b) | |
| Kirk C | British Studio Glass | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Kirk C | Venezia Aperto Vetro, International New Glass | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Kippin J | La Promenade des Anglais Septembre de la Photo | 1996 | University of Sunderland | Photography | |
| Kinsey J | 'Life After Death', Joint Exhibitor. | 1996 | University of Derby | Centre for Research in Film and Photography | |
| Kinmonth C | Irish Vernacular Furniture: Inventories and Illustrations in Interdisciplinary Methodology | 1996 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Kindel E T | The Central Lettering Record | 1996 | University of Reading | ||
| Kinchin J | Mackintosh and the City | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Kimbell RA | Technology tasks and pupils' learning | 1996 | Goldsmiths College | ||
| Kermik J | Taidehalli - Around and About | 1996 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Kemp S | Reading Difficulties | 1996 | Royal College of Art | Critical Practice | |
| Kelly W | Thinking Long - Contemporary Art in the North of Ireland | 1996 | University of Ulster | ||
| Kelly W | Language, Cartographie et Pouvoir/Language, Mapping and Power | 1996 | University of Ulster | ||
| Kelly W | Miquel Navarro | 1996 | University of Ulster | David Perez | |
| Keir S | The Art of Touch | 1996 | The London Institute | Fashion and Textiles | Siobhan Davies |
| Keelan SH | Jacqueline Morreau: Themes and Variations | 1996 | Kingston University | ||
| Kaylan M | Art of 96 - Transmutations Live Arts Festival | 1996 | University of Brighton | Visual and Performing Arts | |
| Katz J | Visitors - the Catalogue to the Biennale di Firenze | 1996 | University of Brighton | Fine Art Practices | |
| Kandhola M P | The Dead | 1996 | Nottingham Trent University | Visual Arts | Andres Serrano Nobuyoshi Araki Nick Wapplington |
| Kandhola M P | No Birds Do Sing In The Blue Sky | 1996 | Nottingham Trent University | Visual Arts | |
| Kalkhof P | Peter Kalkhof | 1996 | University of Reading | ||
| Julier G | 1996 | Leeds Metropolitan University | Design | ||
| Jones TE | Seeing Things, solo exhibition | 1996 | Glasgow School of Art | Principles of Drawing | |
| Jones RM | Changes in Regional Employment in the UK Clothing Industry, 1971-1991 | 1996 | Manchester Metropolitan University | ||
| Jones L. | In the Looking Glass, An Exhibition of Contemporary Self Portraits by Women Artists | 1996 | University College London | Painting | |
| Joiner B | Pedigree Tails | 1996 | University of Westminster | Fine Art | |
| Johnston M | Ordinary People | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Johnston ID | IRON, catalogue essay | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Johnston A | Odyssey | 1996 | Edinburgh College of Art | Fine Art | |
| Johnson JH | Elicitation of rules for graphic design evaluation | 1996 | Open University | Design for advanced products | G. Glaze N.G. Cross |
| Johnson A | Colour Management in Graphic Arts and Publishing | 1996 | The London Institute | Media and Communication | |
| Johnson SW | Ace! Arts Council Collection New Purchases | 1996 | The London Institute | Fine Art | |
| Johanknecht S | Objects of Our Time | 1996 | The London Institute | Fine Art | |
| Jobling P | Graphic Design - reproduction and representation since 1800 | 1996 | University of Brighton | Design History, Criticism and Theory | D Crowley |
| Jensen SA | Divided by Resistance | 1996 | The London Institute | 3-Dimensional and Environmental Design | Bruce Gilchrist Jonny Bradley Graham Russell |
| Jeffs HA | Howard Jeffs Works | 1996 | Goldsmiths College | ||
| Jeffs HA | H.Jeffs - works | 1996 | Goldsmiths College | ||
| Jeffs HA | Works by Howard Jeffs | 1996 | Goldsmiths College | ||
| Jeffries N.F. | Neil Jeffries | 1996 | University College London | Painting | |
| Jardine B | Art, Lies and Documentation: The Points of Origin and Destination Determine the Direction of Action | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| James S | Weather View | 1996 | Wimbledon School of Art | Sculpture | Tim Allen Rebecca Fortnum Simon Grainger |
| James JP | 'Up North'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Jain S | IMS World Interactive Guide | 1996 | University of Portsmouth | Centre for New Media Research | |
| Jacobson R | Light Stability of Colour Hardcopy Materials | 1996 | University of Westminster | Imaging Technology | Attridge GG McDermott D Mitchell C |
| Jacobson R | Optimal Photographic Imaging of the Bulbar Conjunctival Vascalature | 1996 | University of Westminster | Imaging Technology | |
| Jacobs S.M. | Die Soldaten | 1996 | University College London | Theatre Design | |
| JOSTINS J.E. | Vehicles for Cold Lazarus | 1996 | Coventry University | Design | COATES, F. |
| JOSTINS J.E. | Sources of faith | 1996 | Coventry University | Design | MCGUIRE, M. |
| JONES P S | Hong Kong: A visual diary by Peter Simon Jones | 1996 | University of Dundee | Contemporary Practice | Chan, B De Brackhinge, N Mandarin Publishers |
| JONES P S | Illustrations for Every Living Thing by James Herriot | 1996 | University of Dundee | Contemporary Practice | Michael Joseph |
| JOHNSTON K | Fabric Designs for Mode Druck Gera GmbH, Germany | 1996 | University of Dundee | Contemporary Practice | Susan Thrower |
| JOHNS P | A METHOD OF JOINING METALS TOGETHER BY A PROCESS USING SILVER/GERMANIUM ALLOYS | 1996 | Middlesex University | ||
| JOHNS P | A SILVER/GERMANIUM ALLOY | 1996 | Middlesex University | ||
| Ichige Y | After Dark. | 1996 | Goldsmiths College | ||
| IVEY M J | Shopping and More | 1996 | University of Dundee | Contemporary Practice | Lee Jong Soon Jurgen Baumann Lys Hansen |
| Hvattum M | Hva er god boligsak (Towards Good Housing) | 1996 | Glasgow School of Art | Design | Prof. S. E. Svendsun |
| Hvattum M | Det monumentael og det instrumentelle (Instrumentality and Monumentality) | 1996 | Glasgow School of Art | Design | |
| Hutchinson T | UK/US Partners in Technology | 1996 | The London Institute | Media and Communication | Jason Edwards |
| Hutchinson J A | Shadowlands | 1996 | University of Sunderland | Fine Art | Swatton H |
| Hutchinson J A | Za Project | 1996 | University of Sunderland | Fine Art | |
| Hussey P | Sculptural Benches | 1996 | Buckinghamshire Chilterns University College | Furniture Design | Simon Thorne |
| Hurlstone IN | William Morris Revisited: Questioning the Legacy: group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Hurlstone IN | The Three Corks: group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Hunter S | Travelling Box Show | 1996 | Edinburgh College of Art | Fine Art | |
| Hunter R | Gang Warfare at the Pompidou | 1996 | Edinburgh College of Art | Fine Art | |
| Hunter J | Soundings | 1996 | Edinburgh College of Art | Fine Art | |
| Hugonin J W | Solo Exhibition paintings | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| Hughes BR | Pagewiz2 Colour Scanner | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Hughes BR | Pursuit Home Computer System | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Howard C J | 'Mars Attacks!' Alien Design | 1996 | University of Huddersfield | concept sketches by Tim Burton | |
| Hosie D | BP Portrait Award | 1996 | Edinburgh College of Art | Fine Art | |
| Hose M | Industry: A Resource for Artists | 1996 | University of Wales Institute, Cardiff | Ceramics | |
| Hooker C | Sounding Party | 1996 | University of Brighton | Natural and Constructed Environments | |
| Hollyhead B | Unification of the Korean Penisula | 1996 | University of Brighton | Visual Communication Design | |
| Hollis E | Scottish National Gallery of Art and Design (RIAS International Architectural Competition Winner) | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Hollis E | Dundee Contemporary Arts (RIAS Competition Winner and Lottery-funded Project) | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Hollins WJ | Getting the Right Product | 1996 | Brunel University | Design Pedagogy | |
| Holland RJ | No Soft Option: An Action Research Programme for Total Schools Design | 1996 | De Montfort University | ||
| Holdaway M | Whitechapel Open Exhibition | 1996 | De Montfort University | ||
| Hodkinson J | Solo Show | 1996 | University of Central Lancashire | ||
| Hodkinson J | Solo Show | 1996 | University of Central Lancashire | ||
| Hodkinson J | Blue Artreach Touring Exhibition | 1996 | University of Central Lancashire | ||
| Hodgkinson M | Untitled | 1996 | Wimbledon School of Art | Sculpture | Keith Ball Richard Ducker Claire Robins |
| Hodge M | The Travelling Box Show | 1996 | Edinburgh College of Art | Fine Art | |
| Hodge M | The Woven Image: Contemporary British Tapestry | 1996 | Edinburgh College of Art | Fine Art | |
| Hindle Y | ARTLANTA | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Hindle Y | Relatives - a group show 1996 | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Hinchliffe-McCutcheon J L | The Capture of Europe (Die Entf | 1996 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Hilton K H | International Patent numbers: Completed 9406880.6. Nu-Cidex Sterilising Mixing Container | 1996 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Wilson Warburton, N |
| Hiller S | Thinking About Art - Conversations with Susan Hiller | 1996 | University of Newcastle | ||
| Hiller S | From the Freud Museum | 1996 | University of Newcastle | ||
| Higgins D J | Human | 1996 | Nottingham Trent University | Visual Arts | Susan Trangmar |
| Hermansen C | Evaluation of Gro Grant for owner occupation | 1996 | Glasgow School of Art | Cities and Environments | K. Gibb M. Keoghan K. Kintrea |
| Herbert A.T. | The Manufacture and Design of Victorian Tiles in Relation to their Conservation | 1996 | University of Wolverhampton | Ceramics | |
| Hepher D. | La Ville Moderne en Europe 1870-1996 | 1996 | University College London | Painting | |
| Hepher D. | David Hepher: A Retrospective | 1996 | University College London | Painting | |
| Henshaw J. G. | EXPLODING PALMS AND OTHER DRAWINGS | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Henderson DG | Drawing on London: Worked Examples | 1996 | De Montfort University | ||
| Henderson D | Learning for living through Art and Design - workshop report | 1996 | Robert Gordon University | Learning Strategies | |
| Hegarty FT | Voice Over | 1996 | Sheffield Hallam University | Fine Art | |
| Hawthorn M | Contrition | 1996 | University of Gloucestershire | ||
| Hatt CAE | 'Hard Edge' | 1996 | Wimbledon School of Art | Painting | Trevor Sutton Simon Morley Trevor Clarke |
| Hatt CAE | East International 96 | 1996 | Wimbledon School of Art | Painting | Martin Creed Keith Wilson Leo de Goede |
| Hatt C | 10 Artists from the British Isles | 1996 | The London Institute | Fine Art | |
| Hatt C | East International 1996 | 1996 | The London Institute | Fine Art | |
| Hatfield J | Scar | 1996 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hatfield J | Walk in the Glen Wearing a Camera Suit and Tartan Boots | 1996 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hastings M | New Avenger | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Haslam A | Make It Work: Geography | 1996 | The London Institute | Media and Communication | |
| Haslam A | Make It Work: Science | 1996 | The London Institute | Media and Communication | |
| Harvey M | Marcus Harvey | 1996 | The London Institute | Fine Art | |
| Harvey J | Tools For The Shaman | 1996 | Edinburgh College of Art | Fine Art | |
| Hartwell DW | Design Methodology: A Suggested Approach to Self-Analysis for Product Design Undergraduates | 1996 | De Montfort University | ||
| Hart J | Watching Them Looking She Saw | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Harrow D | Taxi Limousine Redesign | 1996 | Royal College of Art | Design for Manufacture | |
| Harrison DJ | Conductive Lithographic Films | 1996 | Brunel University | Environmentally Sensitive Design | B Ramsey P Evans |
| Harrison DJ | Experiments in Virtual Reality | 1996 | Brunel University | Environmentally Sensitive Design | M Jaques |
| Harrison D. M. | ART TEXTILES | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Harris JK | Works by Jane Harris | 1996 | Goldsmiths College | ||
| Harris JK | Jane Harris. | 1996 | Goldsmiths College | ||
| Harold J M | 'Desert' a touring exhibition | 1996 | University of Northumbria at Newcastle | Photography (1b) | |
| Harland E | Join the Dots | 1996 | The London Institute | Fine Art | |
| Harding D | DECADEnt: Public Art - Contentious Term and Contested Practice | 1996 | Glasgow School of Art | Educational Theory and Practice | Pavel Buchler |
| Harding D | Public Art in the British New Towns, essay on CD Rom | 1996 | Glasgow School of Art | Cities and Environments | |
| Hanson M | Gioiella: Arte Programmata E Cinetica | 1996 | University of Central England in Birmingham | Jewellery Research Group | |
| Hanna R | The relationship between thermal comfort and user satisfaction in Hot Dry Climates | 1996 | Glasgow School of Art | Cities and Environments | |
| Hand J | Anna O | 1996 | Goldsmiths College | Gange, J. | |
| Halstead JD | Is the Musical Mind Male? | 1996 | University of Westminster | Sound Media | |
| Hall CM | The Carnival Yearning | 1996 | University of Plymouth | Theatre + Performance | |
| Hakim-Dowek L | The Dead Exhibition | 1996 | University of Portsmouth | Memory, Identity and Material Culture | |
| HUTTON G | SELLIC Library International Competition | 1996 | University of Dundee | Critical, Historical and Theoretical Debate | RMJM Scotland Ltd |
| HOSKINS L | THE WALLPAPERS OF WILLIAM MORRIS | 1996 | Middlesex University | ||
| HOSKINS L | MORRIS + CO; AURTHUR SANDERSON AND SONS | 1996 | Middlesex University | ||
| HOLT J | 'Art for Earth's Sake: A consideration of issues raised by the Contemporary Arts of the First Peoples of North America' | 1996 | Bretton Hall | FINE ART (PAINTING) | |
| HOLT J | Alnoor Mitha, Deeply Rooted in the Inner Life | 1996 | Bretton Hall | FINE ART (PAINTING) | |
| HOLDEN J | Book: Surface: Contemporary Photographic Practice | 1996 | University of Lincoln | ||
| HILL D | Turner in the North | 1996 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| HEALEY P | NOW THAT'S WHAT I CALL URBAN MYTHS | 1996 | Middlesex University | R Glanvill | |
| HARRISON D | The Art of the Internet | 1996 | University of West of England, Bristol | Digital Media Research Centre | |
| HALES C | LAB002 | 1996 | University of West of England, Bristol | Digital Media Research Centre | |
| Grover nee Rooke S | 'The transfer of clean thermoplastic composites technology from the areospace, defence and automotive industries to the furniture, marine and general mouldings' | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Dowell M |
| Grover nee Rooke S | 'Development of a production process for the elimination of the wood veneer breaking in its use as a moulding cover, | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Txoperena M |
| Grimes O | Contemporary British Graphic Fine Artists | 1996 | The London Institute | Fine Art | |
| Griffiths A | Maxmara MM Design Collection for Spring/ Summer 1997 | 1996 | University of Southampton | ||
| Griffith O | Der Schauplatz der Wunsche | 1996 | Edinburgh College of Art | Fine Art | |
| Great-Rex E | Artists working at Cone Editions Press | 1996 | University of East London | ||
| Gray W F | West Sussex Cinema | 1996 | University of Brighton | 20th Century Design and Film Archives | A Eyles A Readman |
| Grainger H J | The Perspective Drawing and English Domestic Architecture of the 1880s. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Graham B | Serious Games: Art, Interaction, Technology | 1996 | University of Sunderland | Photography | |
| Gornick N | Graduate Employment and the Development of Design Management Courses in UK Colleges of Art + Design | 1996 | Brunel University | Design Pedagogy | |
| Goodman G | 'Your Song Will Fill the Air' | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Gonet D A | Contemporary Machine Embroidary | 1996 | Nottingham Trent University | Fashion and Textiles | |
| Gollifer S C | Screen works | 1996 | University of Brighton | Fine Art Practices | |
| Golding M | Workstations : a photographic work | 1996 | University of Northumbria at Newcastle | Photography (1b) | |
| Golden P R | 'Plumbers' | 1996 | Wimbledon School of Art | Painting | |
| Godfrey A | Twentieth Century Industrial Embroidery in the UK | 1996 | The London Institute | Fashion and Textiles | |
| Goddard J. | Electric Theatre: Technologies of Space | 1996 | University College London | Fine Art Media | |
| Goatman M | The Language of Design for the Identity of Products for the Consumer and Office Market places. | 1996 | University of Hertfordshire | ||
| Gillham W | The Role of Research in Schools of Art and Design: The Implications from Practice | 1996 | Glasgow School of Art | Educational Theory and Practice | A. MacDonald |
| Gillanders R | 'Imagined Lands' | 1996 | Napier University | Photographic Practice | Alec Finlay Ian Hamilton Finlay |
| Gilchrist B | Divided by Resistance | 1996 | Oxford Brookes University | Creative Practice | Jonny Bradley (computer programmer) |
| Giggle P | Public Service Advertising - Domestic Violence | 1996 | Buckinghamshire Chilterns University College | Visual Communication | David Morris |
| Gibson L | 'The Perplexities of Waiting' | 1996 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Gibbons J | Ascension | 1996 | University of Southampton | ||
| Gibbons J | Body and Soul | 1996 | University of Southampton | ||
| Geroimenko V A | Personal construct theory and fuzzy set theory. | 1996 | University of Plymouth | STAR | |
| Geraghty A | St Michael | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Geesin R | Tri-Aura | 1996 | University of Portsmouth | Centre for Sound and Experimental Environments | Dr Frances Geesin |
| Geesin F | Slates of Memories; Unearthing, Unwrapping, Concealed Space; Passage | 1996 | The London Institute | Fashion and Textiles | |
| Geesin F | Tri-Aura | 1996 | The London Institute | Fashion and Textiles | Ron Geesin Spencer Child |
| Gaughan M | Dada Poetics: Flight out of Sign | 1996 | University of Wales Institute, Cardiff | Fine Art | |
| Garner SW | Communication in design | 1996 | Open University | Design thinking and communication | M.A. Evans |
| Garfoot S | Carafe No. 21 and 'Blue Wing' wine glass' | 1996 | University of Wolverhampton | Glass | |
| Gardiner J | 1996-Isle of Purbeck CD Rom | 1996 | Thames Valley University | Gardiner J | |
| Garcia D R | The Next Five Minutes (2) | 1996 | University of Portsmouth | Centre for New Media Research | |
| Gant R | The Talascape Project | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Gant R | The Big Squeeze | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Gant N | Seats of Desire | 1996 | University of Brighton | Materials Practices and Processes | T Dean |
| Gamman LP | Visual Seduction and Perverse Compliance | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gamman LP | Gone Shopping: the Story of Shirley Pitts, Queen of Thieves cc of printout of citations | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| GUY A | The Power of Images - Die Kraft der Bilder | 1996 | University of Dundee | Contemporary Practice | Alison Watt Ken Currie Jock McFadyen |
| GUY A | 'Das Abenteur der Malerei ' The Adventure of Painting' - A Journey into the Art of the Nineties' | 1996 | University of Dundee | Contemporary Practice | Michael C Martin Jonathan Lasker Bernard Frieze |
| GRANDFIELD G | THE COMPLETE ENTERTAINMENT [G GREENE] - | 1996 | Middlesex University | ||
| GODFREY-ISAACS L | Here to Stay | 1996 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| GEORGIOU D. | Screen memories: snaps, shrines, objects and other things | 1996 | Coventry University | Visual Arts | |
| GATES-STUART E | 'Unititled' 2 part piece installation. Digital Image Print - Sculpture - Lead covered wooden press containing archival digital material. | 1996 | University of Lincoln | ||
| GATES-STUART E | The Virtual Umbrella | 1996 | University of Lincoln | Clive Barstow | |
| GARDNER D | Vox Humana | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Fulcher R | VUE | 1996 | University of Sunderland | Fine Art | |
| Freshwater S | Under Construction. | 1996 | University of Hertfordshire | ||
| Frayling C | Ridley Scott | 1996 | Royal College of Art | Communications | |
| Frayling C | Nightmare - the birth of horror | 1996 | Royal College of Art | Communications | |
| Fraser S | 'Jewelry in europe and america' | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Fraser D | Cisti Nua | 1996 | University of Ulster | ||
| Franklin A | The European Ceramic Work Centre | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Franklin A | 'Harbour' | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Francis M | The Jumping Man | 1996 | University of Brighton | Fine Art Practices | |
| Fozzard GJ | Simulation of Flowlines in Clothing Manufacture. Part 2: Credibility Issues and Experimentation | 1996 | De Montfort University | Spragg, J. Tyler, D. |
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| Fox A | Shoreditch Biennale | 1996 | Royal College of Art | Fine Art | |
| Fortnum R | Third Person | 1996 | Wimbledon School of Art | Painting | |
| Forresta D | New Ideas in Science and Art, The Prague Conference | 1996 | Wimbledon School of Art | Research Centre | The Council of Europe The Czech Presidency |
| Ford PB | 'Xenex' 4,8,16 zone fire detection control panels | 1996 | De Montfort University | ||
| Forbes Visser K | Neue Spiele | 1996 | Edinburgh College of Art | Fine Art | |
| Fleming K | Anchor Award for European Embroidery Design | 1996 | University of Ulster | ||
| Flavell M R | International New Glass | 1996 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Flannigan M | Moyna Flannigan, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Fisher T | The Culture of Design - Teamwork and the Designers' Professional Identity | 1996 | Sheffield Hallam University | Applied Design Policy | |
| Finn-Kelcey R | British Art Show 4 | 1996 | The London Institute | Fine Art | |
| Fijalkowski K M | Years of Long Days: Surrealism in Czechoslovakia | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Richardson, M. |
| Fiddis C | A Software Teaching Support for Ceramic Education | 1996 | University of Ulster | ||
| Fern D | Pulse Sampler | 1996 | Royal College of Art | Communications | |
| Fereday G. | RECENT WORKS BY LIZ CLARK AND GWEN FEREDAY | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Fearon J E | Rennaisance Art Awards Exhibition | 1996 | Bolton Institute of HE | ||
| Fearon J E | Royal College of Art, MA Centenary Degree Exhibition | 1996 | Bolton Institute of HE | ||
| Fearon J E | New Work One Person Exhibition | 1996 | Bolton Institute of HE | ||
| Fearns R | Perfect Worlds (second version) | 1996 | Bath Spa University College | Atkinson, N. | |
| Farrer JM | Spring/Summer Knitwear Collection for Burton Menswear - The Burton Group | 1996 | The London Institute | Fashion and Textiles | |
| Farley P | Design for Perofrmance: From Diaghilev to the Pet Shop Boys | 1996 | Wimbledon School of Art | Theatre Design | Peter Docherty and Tim White Sir John Drummond Pamela Howard |
| Falconbridge BW | Brian Falconbridge: Sculpture and Drawings. | 1996 | Goldsmiths College | ||
| FURNEAUX SH | Kissing | 1996 | University of Oxford | ||
| FOLLETT G L P | IDEAS (Industry Design Education Action Scotland) | 1996 | University of Dundee | Industry and the Public Sector | Andy Rice Julian Malins Tony Franks |
| FLACK S R | NB | 1996 | University of Dundee | Digital Technology | |
| FISHER G R | La Peshce | 1996 | University of Dundee | Contemporary Practice | |
| FILLINGHAM P | The Bookshop Piece | 1996 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| FEIST A. | The Value of Music | 1996 | City University | Laing D. Dane C. |
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| Evans Milne R | Frames of Reference | 1996 | Bath Spa University College | ||
| Entwistle T | 'Windblown'Earth Art | 1996 | Leeds Metropolitan University | Environmental Art and Design | |
| English S G | Uniflood - Covert Lighting | 1996 | University of Northumbria at Newcastle | Product Design (4b) | |
| Emery S | Branding for Alex Reece, Island Records/Polygram | 1996 | University of Brighton | Visual Communication Design | R Bonner Morgan |
| Ellis E | Londons New Architecture by Bus and Tube. Original prints: 'National Gallery', 'Lords', 'Embankment Place', 'Waterloo', 'Tatepool', '1 Finsbury Avenue', 'Sterling Hilton Heathrow', 'Sackler Gallery', and 'Lloyds' | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ellard GR | Passagen | 1996 | The London Institute | Fine Art | Stephen Johnstone |
| Eglin P M | Exhibition of the Jerwood Prize for Applied Arts: Ceramics, 1996 | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Egerton F | Frank Egerton One man Exhibition | 1996 | Liverpool Hope | ||
| Egan K | Cosmos | 1996 | Manchester Metropolitan University | ||
| Egan K | Space Pieces Bridgewater Hall | 1996 | Manchester Metropolitan University | ||
| Edmond T A | Artist of the Day | 1996 | University of Reading | ||
| Eccleston T | Up, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Earley RL | Duel: Autumn/Winter 1996 Collection | 1996 | The London Institute | Fashion and Textiles | Giovanna Palmiero |
| EVELEIGH A | IDENTITY PARADE | 1996 | Middlesex University | ||
| EISENMANN M | Prototype for an Amene Landscape: Black Forest | 1996 | University of Lincoln | ||
| EISENMANN M | Sechs Maler......Paintings | 1996 | University of Lincoln | ||
| Dye M | Omega | 1996 | Kingston University | ||
| Dye M | Arabesque | 1996 | Kingston University | ||
| Dye D M | 'Ultra' | 1996 | University of Northumbria at Newcastle | Installation (2b) | |
| Durling D L | Personality and learning preferences of students in design and design-related disciplines | 1996 | Staffordshire University | ARi, School of Art + Design | N. Cross J. Johnson |
| Dunbar T | An Exhibition, an Eclipse and the Hermeneutics of Painting | 1996 | Manchester Metropolitan University | ||
| Dumbar G | Behind the Seen | 1996 | Royal College of Art | Communications | |
| Dray A | Option and Vision | 1996 | Kingston University | ||
| Dray A | 'Recoil', 'Onview; and 'Safelink'. | 1996 | Kingston University | ||
| Dover P | Printmaking Today | 1996 | Liverpool Hope | ||
| Dorsett C J | Divers Memories/Muistoja Syv | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Dolphin Wilding J | Recycling: Forms for the Next Century - Austerity for Posterity | 1996 | Kingston University | ||
| Dodds R | Playback | 1996 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Chandler, R original writer |
| Dodd I | Objects of Our Time | 1996 | The London Institute | Fashion and Textiles | |
| Docherty PA | Design for Performance from Diaghilev to the Pet Shop Boys | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Docherty PA | Rosalinda | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Dixon S | The Tib Street Redevelopment Project | 1996 | Manchester Metropolitan University | ||
| Dinan Spencer C | The Seal Singer | 1996 | The London Institute | Media and Communication | |
| Diggle J | A Year and a Day | 1996 | Robert Gordon University | Practices enabled through New Media Technology | |
| Di Girolamo M | The 228th Royal Academy of Arts Summer Exhibition 1996 | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Deville N. | STAGE | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Derbyshire A | 'The Examination and Conservation of the Raphael Cartoons' | 1996 | Royal College of Art | Conservation | |
| Denton HG | Good practice in the development of teamworking within engineering design courses | 1996 | Loughborough University | Design Education | |
| Demaid APA | Composing and combining complex designs from different project perspectives | 1996 | Open University | Design and innovation management | J. Zucker |
| Dehn J | Rematerialize: A Travelling Exhibition on Recycled Materials | 1996 | Kingston University | ||
| Dehn J | Barbie's Green Chair | 1996 | Kingston University | ||
| Deacon R | Richard Deacon: Esculturas 1984-95 | 1996 | The London Institute | Fine Art | |
| De Ville N | Small Truths - Repetition and the Obsessional in Contemporary Art. | 1996 | Goldsmiths College | ||
| De Quin R | Computer engraved + folded shallow metal tray in gilding metal with gold leaf | 1996 | London Guildhall University | ||
| De Oliveira N | Possession, Sexuality and Passion | 1996 | London Guildhall University | ||
| Day G | Perfect Form | 1996 | Bath Spa University College | ||
| Dawson J | Finnish Post-War Glass 1945-1996 | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Dawson G | The Imaginative Geography of Masculine Adventure | 1996 | University of Brighton | Memory, Identity and History | |
| Davison M A | 'Hypothetical'. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Davies P A | Recent Paintings | 1996 | University of Brighton | Fine Art Practices | |
| Davies P | Artists Studio Development | 1996 | University of Sunderland | Fine Art | |
| Davies H | 'Silver to Silicon' | 1996 | Napier University | Photographic Practice | Arabella Plouviez Martin Lister editor Andrew Dewdney editor |
| Davies D R | New Paintings, Drawings and Prints | 1996 | University of Portsmouth | Centre for Images in Practice | |
| Davey G | Commission by Public Art Development Trust for the Newcastle Drawdock, Isle of Dogs, London | 1996 | University of East London | EDAW | |
| Dalton P | Feminism and Art Education | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Dakers CN | Leighton's Secret Life and Frederic, Lord Leighton and the Mason Family | 1996 | The London Institute | Fashion and Textiles | |
| DYSON G | sine | 1996 | University of Lincoln | ||
| DUPRAS M | Contes de la Memoire | 1996 | University of West of England, Bristol | Digital Media Research Centre | Jon Appleton |
| DUNHILL M | Personal choice | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DIAMOND S | Draw | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| DEGEN P | NEW TIMES AND NEW THINKING - JEWELLERY IN EUROPE AND AMERICA | 1996 | Middlesex University | ||
| DEAKIN A | You are Now Entering the State of Love | 1996 | Middlesex University | ||
| DE FREITAS L | LOOKING IN WONDERLAND:THE ILLUSTRATIONS OF THE ALICE BOOKS BY SIR JOHN TENNIEL | 1996 | Middlesex University | ||
| DE FREITAS L | ANIMALS IN ARCADY: THE WOOD ENGRAVED ILLUSTRATIONS TO AESOP BY AGNES MILLER PARKER | 1996 | Middlesex University | ||
| DE FREITAS L | SUBMARINE DREAMS: LITHOGRAPHS AND LETTERS | 1996 | Middlesex University | ||
| DACK J | The Consequences of Digital Recording: Behind the Veil | 1996 | Middlesex University | ||
| DACK J | Serial Thought - Past and Future | 1996 | Middlesex University | ||
| Curtis D | Directory of British Avant Garde Film and Video Artists | 1996 | The London Institute | Media and Communication | |
| Curtis D | L'Art du Movement | 1996 | The London Institute | Media and Communication | |
| Curry A | Set and costume design for The Rise and Fall of Little Voice | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Curry A | Costume design for Listen to the Wind | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Currall A | Dimensions: F | 1996 | Glasgow School of Art | Fine Art | |
| Cummings K.R. | Craft: The Workmanship of Risk, Certainty and Opportunity | 1996 | University of Wolverhampton | Glass | |
| Cummings K.R. | Three Glass and Metal Sculptures: 'Tallis', 'Stem', and 'Windfall'. | 1996 | University of Wolverhampton | Glass | |
| Cummings A | Conservation and restoration of a portrait of Earl of Warwick | 1996 | Royal College of Art | Conservation | |
| Culbert W F | Light Vessels, Jars and Plains | 1996 | University of Reading | ||
| Crumplin C | Remaking Reality | 1996 | Bath Spa University College | Dalwood, D. Hoberman, N. Kirk, J. |
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| Cruise C J | 'Artists' clothes: some observations on male artists and their clothes in the nineteenth century'. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Cruise C J | ''Lovely devils': Simeon Solomon and Pre-Raphaelite masculinity. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Crow D | Experimental Typography | 1996 | Liverpool John Moores University | Graphic Arts | |
| Cross NG | Analysing Design Activity | 1996 | Open University | Design thinking and communication | |
| Crone D | Art Beyond Conflict | 1996 | University of Ulster | ||
| Creed C | Sunlight in Dwelling Validation of Insolation | 1996 | University of Portsmouth | Centre for Sound and Experimental Environments | Roger Day |
| Creed C | Cardiology Across Europe, | 1996 | University of Portsmouth | Centre for New Media Research | Dr P Newland C Golya |
| Cousens C | Textile and Silver Necklaces | 1996 | University of Brighton | Natural and Constructed Environments | |
| Cousens C | Commission - 3 necklaces | 1996 | University of Brighton | Natural and Constructed Environments | |
| Cosgrove P | Full Fathom Five, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Corke C | Concepts, Contexts and Creativity : an Emerging Language of Interactivity | 1996 | Liverpool John Moores University | International Centre for Digital Content | |
| Cooper TJ | Prospect 96 - Photographie in den Genwartskunst, group exhibition. | 1996 | Glasgow School of Art | Fine Art | |
| Cooper E | New Ceramics: Emmanuel Cooper | 1996 | Royal College of Art | Applied Art | |
| Cooper A M | ZXA Fire Control Panel, Morley Electronic Fire Systems | 1996 | University of Northumbria at Newcastle | Photography (1b) | Bailey, S |
| Cook JH | Online Learning for Design Students | 1996 | De Montfort University | Zhao, Z Higgett, N |
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| Connolly RB | Over View | 1996 | University of Ulster | ||
| Comninos P. | Incredible Suckers. | 1996 | Bournemouth University | ||
| Collins S.A.R. | Triplicate | 1996 | University College London | Fine Art Media | |
| Collins S.A.R. | Objekt:Video | 1996 | University College London | Fine Art Media | |
| Collins H | A Worldwide Sense of Homesickness | 1996 | Royal College of Art | Fine Art | |
| Collins J | The Modular Condition: Technocracy, art and cultural politics. | 1996 | University of Plymouth | Art Process | |
| Coles A. | EX-CAVATING MODERNISM | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Coldwell P | Freud's Coat | 1996 | The London Institute | Fine Art | |
| Colbeck J | Ann Clark, Kenneth Clark, John Colbeck and Pietro Maddalena | 1996 | University of Brighton | Materials Practices and Processes | |
| Coates N | Living Bridges | 1996 | Royal College of Art | Architectural Design | |
| Clewer C | Proper | 1996 | University of Southampton | ||
| Clegg T | Play boxes I, II and III | 1996 | Royal College of Art | Applied Art | |
| Clegg RDPC | Young and Famous | 1996 | The London Institute | Fine Art | |
| Clarkson nee Stevens B | Crossing Strands - Innovation in Contemporary Textiles | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Clarkson C | A Stiff-Board Vellum Binding in which the Covering has Been Slotted Across the Spine to Accommodate Raised Bands | 1996 | The London Institute | Media and Communication | |
| Clarkson C | The Safe Handling and Display of Medieval Manuscripts and Early Printed Books | 1996 | The London Institute | Media and Communication | |
| Clarkson C | Further Studies in Anglo-Saxon and Norman Bookbinding: Board Attachment Methods Re-examined | 1996 | The London Institute | Media and Communication | |
| Clarke S R I | Carrion Culture Poster Set-1 | 1996 | University of Portsmouth | Centre for Images in Practice | S Cleaver R Simms T Credland |
| Clarke P | Letters to Language | 1996 | University of Central Lancashire | ||
| Clark S | Tender | 1996 | Edinburgh College of Art | Fine Art | |
| Clark R | 'Plans for the Real World II', one-person exhibition. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clare DJ | Developing environmental understandings through design and technology education. | 1996 | Goldsmiths College | Rogers, M. | |
| Chuhan J | In the Looking Glass : Contemporary Self Portraits by Women Artists | 1996 | Liverpool John Moores University | Centre for Art International Research | Hambling,M Jones,L Wilson,S |
| Chowles S M | A Dream of Passion | 1996 | University of Brighton | Materials Practices and Processes | R Munday |
| Chowles S M | Symbiosis | 1996 | University of Brighton | Materials Practices and Processes | R Munday |
| Chowdhary LC | Metropolis | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Chinnery CY | Mother | 1996 | Oxford Brookes University | Creative Practice | |
| Chinneck J | 'Wish You Were Here?' | 1996 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Cheesman D | 'New Work' | 1996 | Wimbledon School of Art | Sculpture | |
| Cheeseman D | David Cheeseman | 1996 | University of Reading | ||
| Cheeseman D | David Cheeseman | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Chatwin P | Shifting Planes | 1996 | Manchester Metropolitan University | Martin P | |
| Chapman R | Thaw | 1996 | University of Huddersfield | ||
| Chapman J | Close Up West | 1996 | The London Institute | Media and Communication | |
| Chapman J | Chaucer- Life and Times | 1996 | The London Institute | Media and Communication | Martin Clarke |
| Chandler D | The Shipping Forecast | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chalk M | Solo Exhibition of reliefs and sculpture. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chadwick J | Felt, Non Felt | 1996 | Kingston University | ||
| Chadwick J | Quinton and Chadwick's Knitwear Collection | 1996 | Kingston University | ||
| Catto MA | Painting and Sculpture in Northern Ireland | 1996 | University of Ulster | ||
| Casey B | Nowt So Queer As Folk Calender | 1996 | University of Central Lancashire | ||
| Casey B | Cock a doodle | 1996 | University of Central Lancashire | ||
| Carter T | American Dream. | 1996 | Goldsmiths College | ||
| Carter T | Dreaming Holbein. | 1996 | Goldsmiths College | ||
| Carrick C R | Circuit Ouvert | 1996 | The London Institute | Fine Art | |
| Carlisle A | Hear Me, See You | 1996 | University of Wales College, Newport | Photography | |
| Campbell RI | Creating a Database of Rapid Prototyping System Capabilities | 1996 | Loughborough University | Design Research | Bernie, M.R.N |
| Campbell D | Plotting Polke. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Campany D. | DOCUMENTS OF THE IMPOSSIBLE | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Cameron AJ | The Californian Ideology | 1996 | University of Westminster | Hypermedia | Barbrook R |
| Callinicos E | Objects of Our Time | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Callinicos E | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Cairns J | Him or Her | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Cairns B | The Power of Words and Signs: A is for Alien Abduction: group exhibition | 1996 | Glasgow School of Art | Principles of Drawing | |
| COWAN J | PASSAGES AND INCIDENTS | 1996 | Middlesex University | ||
| COOMBS D | Young British Artists VI | 1996 | University of Oxford | ||
| COLVIN C M | Pseudologica Fantastica | 1996 | University of Dundee | Digital Technology | |
| COLE R | Second Impressions | 1996 | University of Lincoln | ||
| CAIRNS B | Shortland Street: production Text and Audience | 1996 | University of Lincoln | Helen Martin | |
| Byrne JM | Modernism and Meaning : Some Problems with Reading the Intervention of British Video Art into the Gallery Space | 1996 | Liverpool John Moores University | Art and Design History | |
| Butterworth E | Elizabeth Butterworth New Work | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butterworth E | Macaws - limited edition prints | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butler SK | Between Frames | 1996 | University of Wales Institute, Cardiff | Fine Art | S Sontag L Lippard L Mulvey |
| Butler P. | PAUL BUTLER: OIL PAINTINGS | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Burton A | All Afloat | 1996 | University of Newcastle | ||
| Burnett G | Craft Culture and Technology | 1996 | Robert Gordon University | Making and Contemporary Culture | |
| Burgin V | Some Cities, London. | 1996 | Goldsmiths College | ||
| Burgin V | In/Different Spaces: Place and Memory in Visual Culture. | 1996 | Goldsmiths College | ||
| Bunnell K | Objects of our Time | 1996 | Falmouth College of Arts | ||
| Bunnell K | Ceramic Designer/Maker: Ceramic Design Innovation Through New Technology. | 1996 | Falmouth College of Arts | ||
| Bunnell K | Hot off the Press: Ceramics and Print | 1996 | Falmouth College of Arts | ||
| Buckley T | Leather Staining, Dyeing and Decorating | 1996 | The London Institute | Media and Communication | |
| Bryson D | Acromegaly, Mr Punch and Caricature. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bruton J | The Question of Scale | 1996 | University of Southampton | ||
| Brown R | Enhancing design effectiveness in very small companies | 1996 | University of Wales Institute, Cardiff | PDR | A Mumby A Lewis |
| Brown R | Realistic animation of human figures using artificial neural networks | 1996 | University of Wales Institute, Cardiff | PDR | Z Taha D Wright |
| Brown C | The Jerwood Prize for Applied Arts: Ceramics | 1996 | University of Westminster | Ceramics | |
| Brooks PR | Peepshow | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Brooks PR | A Plague on Both Your Houses | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Britton A | Alison Britton | 1996 | Royal College of Art | Applied Art | |
| Bristow M | Flexible 2 Pan European Art | 1996 | Chester College of HE | ||
| Brisley S.J. | Black | 1996 | University College London | Fine Art Media | |
| Brindley TS | Remaking Planning | 1996 | De Montfort University | Rydin, Y. Stoker, G. |
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| Brigdale S | Another Place | 1996 | Southampton Institute | ||
| Brettle J | Shadows in the Water: Contemporary Photography from Scotland | 1996 | Edinburgh College of Art | Fine Art | |
| Brettle J | LUMINOUS: Northern Gallery for Contemporary Art, Sunderland. Visual Arts UK | 1996 | Edinburgh College of Art | Fine Art | |
| Brett G | Susan Hiller | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brett DB | The Construction of Heritage | 1996 | University of Ulster | ||
| Brennand-Wood M | Material Evidence : Improvisations on a Historical Theme | 1996 | University of Ulster | ||
| Boyle GA | The Development and Application of an Urban Energy Model | 1996 | Open University | Design for sustainability | H Titheridge |
| Boyle GA | Renewable Energy: Power for a Sustainable Future | 1996 | Open University | Design for sustainability | |
| Boylan A | Cisti Nua: New Treasures | 1996 | University of Ulster | ||
| Boyce-Kwok S | Interzones | 1996 | University of East London | ||
| Bowman S | Women and Indigenous Textiles - Aesthetics and Economic Enterprise | 1996 | University of East London | ||
| Bowen S | Double Summertime residency and exhibition | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| Bourke R | 'Spa: An Erasure' | 1996 | Dartington College of Arts | ||
| Boult J | The Electronic Home | 1996 | Brunel University | Design Process | |
| Borrelli M | Last Dance | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Borland C | From Life, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Booth R | Roberta Booth, Paintings from 1974 to 1989 | 1996 | Anglia Polytechnic University | ||
| Bonham Carter E | Andata e Ritorno | 1996 | University of Reading | Maria Chevska Stephen Farthing Hugie ODonoghue |
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| Biswas S | White Noise | 1996 | University of Southampton | ||
| Biswas S | Scarred Surface | 1996 | University of Southampton | ||
| Bishop D | Monitor as Material | 1996 | Royal College of Art | Design for Manufacture | |
| Billett EH | Eco-Design:Practical Tools for Designers | 1996 | Brunel University | Environmentally Sensitive Design | |
| Biggs S | Book of Shadows | 1996 | Sheffield Hallam University | ||
| Bielz G A | 'Kid-ding' | 1996 | Wimbledon School of Art | Painting | Arsenije Jovanovic Rainer Ganahl Gottfried Bechtold |
| Bielz G A | Rays, an additional catastrophe | 1996 | Wimbledon School of Art | Painting | Lucio Fontana Nam June Paik Piero Manzoni |
| Biagioli M. | FORM FOLLOWS FUNCTION: TYPE DESIGN SINCE 1440 | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Bewley DJ | Shane Cullen Fragmens sur les Institutions Republicaines (panels 1-48) | 1996 | Manchester Metropolitan University | Herbert S | |
| Bewley DJ | Stefan Gec Buoy | 1996 | Manchester Metropolitan University | Herbert S | |
| Bevan P | Sculpture: 1989 - 1996. Between Visits to India - The Body as a Place, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Bevan A | Soundings | 1996 | Edinburgh College of Art | Fine Art | |
| Bestley R | Design, Intervention and the Situationist Movement | 1996 | The London Institute | Media and Communication | |
| Best A | Texaco Love | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Bessey P | Digital Mechanical Lock Mechanism | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Bessey P | Infant Safety Carseat | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Bergne S | LID | 1996 | Royal College of Art | Design for Manufacture | |
| Bergne S | Mr Mause | 1996 | Royal College of Art | Design for Manufacture | |
| Bender R | Glass work for Birmingham City Museum | 1996 | Swansea Institute of Higher Education | Design | |
| Beech W K | Art Bypass - A Road Work | 1996 | University of Brighton | Natural and Constructed Environments | C Secrett - Co-Producer C Patey - Artistic Director R Lamb - Creative Consultant |
| Beech D | Spectres of the Aesthetic | 1996 | University of Wolverhampton | Fine Art | John Roberts |
| Beavan J | Bewegung Europaische Keramik (Movement European Ceramics) | 1996 | Falmouth College of Arts | ||
| Bate DH | Picture Shock | 1996 | University of Westminster | Visual Media | |
| Batchelor R | Mass Production, Design and Us | 1996 | Buckinghamshire Chilterns University College | Design Culture | |
| Barnett P | Under Construction: Exploring Process in Contemporary Textiles. | 1996 | Goldsmiths College | ||
| Barnard M | 'Fashion as Communication.' | 1996 | University of Derby | Centre for Cultural History and Critical Theory | |
| Barker J | Tapestry for Scottish Office | 1996 | Glasgow School of Art | The Decorative Arts | |
| Barker J | Woven Image: Contemporary British Tapestry: group exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| Barker I | Society of Graphic Fine Art 75th Annual Exhibition | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker DS | They Think of China as Cups | 1996 | University of Ulster | ||
| Barfield N | Transformations - The Fine Art Print and the Computer | 1996 | Wimbledon School of Art | Paul Coldwell Jeffrey Edwards Professor Eileen Hogan |
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| Barfield N | Autographic Halftoning for Artist-Printmakers | 1996 | Wimbledon School of Art | George Whale | |
| Barbrook RA | The Californian Ideology | 1996 | University of Westminster | Hypermedia | Cameron A |
| Barber J. G. | A RETROSPECTIVE (INCL. THE WEATHER/THE KITE/ANSAPHONE) | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Bannister A G | Anchor | 1996 | Nottingham Trent University | Visual Arts | |
| Bannister A G | One-video based work (untitled) | 1996 | Nottingham Trent University | Visual Arts | |
| Banner F | Spellbound: Art and Film | 1996 | The London Institute | Fine Art | |
| Banks G | Design of a Family of Motor Housings | 1996 | University of Wales Institute, Cardiff | PDR | |
| Ball L M | Helping Students to Learn Independently in the Crafts | 1996 | University of Brighton | Pedagogic Research | |
| Baldacchino J | Post-Marxist Marxism: Questioning The Answer: Difference and Realism after Lukacs and Adorno | 1996 | Robert Gordon University | Culturally Responsive Practices | |
| Bal Y | Executive producer and artistic adviser for Doina and Nicolo, 21 min. video (Betacam) documentary which explores personal relationships in the context of disability. | 1996 | London Guildhall University | ||
| Baines P | Raw Creation | 1996 | The London Institute | Media and Communication | |
| Baines M | Themes and Variations - An exhibition of some buildings by Gillespie Kidd and Coia | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| BURNS J. | Tramadol | 1996 | Coventry University | Design | |
| BURNS J. | Unilever Multimedia Products | 1996 | Coventry University | Design | |
| BURFORD N | Supporting Truss for Example a Shelter Structure | 1996 | University of Dundee | Industry and the Public Sector | Fish, D C E Smith, F W |
| BULLEY E | 'CEDE' Paintings | 1996 | University of Lincoln | ||
| BULLEY E | 'Ceaselessly' Painting | 1996 | University of Lincoln | ||
| BULLEY E | 'Earthed' Paintings | 1996 | University of Lincoln | ||
| BULL MG | The Ecstasy of Philistinism | 1996 | University of Oxford | ||
| BRADLEY P | An Urban Game for City Dwellers | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BONAVENTURA P | Even: Dorothy Cross | 1996 | University of Oxford | Tessa Jackson James Conway Marian Dunlea |
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| BODMAN S | Bound to Happen | 1996 | University of West of England, Bristol | Centre for Fine Print Research | |
| BIRCH A.R. | Gamebird shooting stick | 1996 | Coventry University | Design | |
| BIGGS I | Wild conversations/peripheral visions: towards another education | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| BELL S. | The South Seas and a box of paints | 1996 | Coventry University | Design | BEWICK, P. MUSCAT, C. BORLENGHI, P. |
| BELL S. | Looking at landscape | 1996 | Coventry University | Design | DAVIDSON, R. GREEN, J. |
| BEHRENS R H H | A Voyage to Naboland | 1996 | University of Dundee | Contemporary Practice | |
| BANCROFT HUNT N | Warriors: Warfare and the Native Americans | 1996 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Axford NR | Fourier Theory Explanation for a Sampling Theorem demonstrated by a Laboratory Experiment | 1996 | University of Westminster | Imaging Technology | Sharma A Tong B |
| Axford NR | The Aliasing Phenomenon | 1996 | University of Westminster | Imaging Technology | Sharma A Tong B |
| Averill S. | Solo Exhibition: Recent Paintings | 1996 | Falmouth College of Arts | ||
| Attridge GG | Characteristics of CRT Monitors for the Display of Still Images | 1996 | University of Westminster | Imaging Technology | Ford AM Jacobson RE |
| Attridge GG | A Summary of Applications of Colour Reproduction: Indices to Imaging Systems | 1996 | University of Westminster | Imaging Technology | Pointer MR Jacobson RE |
| Attridge GG | Assessment of a CRT Display System | 1996 | University of Westminster | Imaging Technology | Ford AM Jacobson RE |
| Attenburrow D H | Sketchbook: Fact or Fallacy (The sketchbook as a realistic tool for product designers) | 1996 | University College Northampton | Design for Industry and Commerce | |
| Attenburrow D H | Recycling and secondary use in Pallet Timber Furniture Design | 1996 | University College Northampton | Design for Industry and Commerce | |
| Ashworth J | Christmas on BBC1 Campaign | 1996 | Royal College of Art | Animation | |
| Arad R | Bookworm | 1996 | Royal College of Art | Design for Manufacture | |
| Andrews M J | Hare + Co., commercial wood-engravers: Jabez Hare, founder of the firm, and his letters 1846 to 1847 | 1996 | University of Reading | ||
| Anderson P | On a Clear Day | 1996 | The London Institute | Media and Communication | |
| Anderson P | Gravitaz | 1996 | The London Institute | Media and Communication | |
| Anderson P | Boy | 1996 | Kingston University | ||
| Anderson J | A Thousand Prayers an Empty Vessel. | 1996 | Goldsmiths College | ||
| Anderson J | Sculpture and Drawings. | 1996 | Goldsmiths College | ||
| Allsop D | Positionen - Reisen an die Grenzen der Malerei | 1996 | Royal College of Art | Fine Art | |
| Allan J | (I) Exploring Common Ground: Artists Working with Elderly People (ii) Creating Common Ground: Art with the Elderly in Residential Care | 1996 | Glasgow School of Art | Design | Sarah Hall Jenny Kerwood Deirdre Nelson |
| Aldrich W | Fabric, Form and Flat Pattern Cutting | 1996 | Nottingham Trent University | Fashion and Textiles | |
| Ainsworth MD | Arts Fest '96 | 1996 | University of Ulster | ||
| Ainsley S | Mapping the Difference, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Aiken J.C. | L'Imaginaire Irlandais | 1996 | University College London | Sculpture | |
| Aggs C | 'Sunrise - West Sussex' Commissioned painting. Oil on canvas. (200cmx175cms) | 1996 | University College Chichester | Painting | |
| Adams S R | Stonewalling criticism: the morphology of nature and Andy Goldsworthy's Sheepfolds. | 1996 | University of Hertfordshire | ||
| Adams BC | The use of computer technology in craft practice. | 1996 | University of Plymouth | Centre for Visual Computing | Woolner, M. |
| Adams BC | Computer Technology in Designer Maker Practice | 1996 | University of Plymouth | Centre for Visual Computing | Woolner, M. Polletti, H. |
| Ackling RW | Roger Ackling: Walking From Wakayama in the KII Peninsula May 1996 | 1996 | The London Institute | Fine Art | |
| Ackling RW | For Masahiro Toda | 1996 | The London Institute | Fine Art | |
| Aarons A | Is this Art? | 1996 | Anglia Polytechnic University | ||
| de Cordova D | Confluence | 1995 | Wimbledon School of Art | Sculpture | Katherine MacCarthy Anne Marie Watkins Brian McCann |
| Zschenderlein H | Pieces of the Moon | 1995 | University of Brighton | Visual and Performing Arts | |
| Wright E | General Release | 1995 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Woudhuysen J | The Future of Older People in Western Europe 1995-2010 | 1995 | De Montfort University | ||
| Worrall P | Collaborative Textile Collection. Taiwan Textile Federation | 1995 | Liverpool John Moores University | Fashion and Textiles | |
| Woropay V | Sacred Sites | 1995 | Wimbledon School of Art | Sculpture | Rachel Fenner David Mackie Dylan Wyn Jones |
| Wormald PW | The Internet for Industrial Design Students: A Case Study in Nini, P.J. (ed), Natural Resources | 1995 | Loughborough University | Design Research | |
| Withnall M | Hospital drinks trolley | 1995 | Royal College of Art | Design for Manufacture | |
| Wilson A | Changing Wind | 1995 | University of Brighton | Materials Practices and Processes | |
| Wilson A | Anglo-Korean Trio Exhibition: Paintings and Prints | 1995 | University of Brighton | Fine Art Practices | |
| Williams V | Warworks:Women, Photography and the Art of War | 1995 | The London Institute | Media and Communication | Anna Fox |
| Williams G | Flowering of the English Baroque | 1995 | Royal College of Art | Fine Art | |
| Williams E V | Strange Territory (new installation version) | 1995 | University of Reading | ||
| Williams E V | Journey into Space | 1995 | University of Reading | ||
| Williams D | The European Face | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Williams D | Set of 12 Greetings Cards: Here Comes the Bride; Bareback Birthday; Lion Tamer; L'amour Fort; Flown; Cattle Juggler; Circus Wedding; Stroll in the Park; Cake parade; Love is in the Air; Pantomime Foals; and Flying Lesson. | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Wilding A | Echo | 1995 | Royal College of Art | Fine Art | |
| Whitehead B. | SPECIALIST HAIRCARE RANGE | 1995 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| White K | Autour des Cahiers de Geopoetique | 1995 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Wheeler S | Illustrations for the Royal Horticultural Societies Manual of Grasses | 1995 | University of Sunderland | Design | |
| West N F | Komunikachie photography | 1995 | University of Northumbria at Newcastle | Photography (1b) | Benicka, L |
| Welsford A | P.O.E.T. | 1995 | De Montfort University | ||
| Webb T | 15th February | 1995 | Royal College of Art | Animation | |
| Wayman M | The Effects of Modularisation and Credit Accumulation and Transfer on Fashion and Textiles Courses | 1995 | Manchester Metropolitan University | Brindle G | |
| Wayman M | The Challenge of Change and Its Effects on UK Textiles and Fashion Education | 1995 | Manchester Metropolitan University | ||
| Watkins P | 'Computing the Value of CAD' | 1995 | Royal College of Art | Design for Manufacture | |
| Wallinger M | Mark Wallinger | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Walker S F | Building bridges: multilingual resources for children | 1995 | University of Reading | V. Edwards | |
| Walker I | Desert Stories: Faith in Facts | 1995 | University of Wales College, Newport | Photography | Lister M (Ed) |
| WRIGHT I. | New product engineering: the quality paradox | 1995 | Coventry University | The Design Institute | SWAIN, E. |
| WRIGHT I. | The effect of distribution bar shape on yarn tension control when spinning conical packages | 1995 | Coventry University | The Design Institute | OKELLO, J. |
| WILLIAMS M.D. | Sala Goya | 1995 | Coventry University | Design | |
| WARD R | Conventions, Objects and Fields | 1995 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| WALLINGER M | The Turner Prize | 1995 | University of Oxford | ||
| WALLINGER M | Mark Wallinger | 1995 | University of Oxford | ||
| WALLER R. | Information design: how the disciplines work together | 1995 | Coventry University | The Design Institute | |
| Virtue JA | John Virtue - New Works | 1995 | University of Plymouth | Art Process | |
| Viner DJ | Vertellingen Met Water | 1995 | The London Institute | Fine Art | |
| Verran V | Recent Paintings | 1995 | Falmouth College of Arts | ||
| Verran V | At the edge: the new paintings of Virginia Verran | 1995 | The London Institute | Fine Art | |
| Veness AD | Peter's Court | 1995 | University of Southampton | ||
| Veness AD | Caf | 1995 | University of Southampton | ||
| Vargo A | Lightwaves | 1995 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Vargo, V. |
| Turk GJT | Turkish | 1995 | The London Institute | Fine Art | |
| Treen C | 1995 | Leeds Metropolitan University | Environmental Art and Design | ||
| Treen C | 1995 | Leeds Metropolitan University | Environmental Art and Design | ||
| Travers K | 'Donkey Work' | 1995 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Travers K | 'Sunny Havens' (a.k.a. 'Meat!') | 1995 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Townsend S | Arts Editor: Visual Arts | 1995 | The London Institute | Fine Art | |
| Todd G | The Persistence of Painting | 1995 | Edinburgh College of Art | Fine Art | |
| Toal D | Art War, series of TV programmes | 1995 | University of Portsmouth | Memory, Identity and Material Culture | Jeff Keen |
| Tisdall C | Beuys and the Celtic world | 1995 | Oxford Brookes University | Theory | |
| Tisdall C | Grist to the Mill: Selected Writings 1970-1995 | 1995 | Oxford Brookes University | Theory | |
| Thorpe A. | ON THE GROUND | 1995 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Thompson V | EMI Archive - commissioned interior design and fitting out | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Thompson V | Caribbean Heritage Project Commission - commissioned project design and strategic plan | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Thomas PD | The definition of crash parameters for an advanced frontal crash test based on real world crashes | 1995 | Loughborough University | Design Ergonomics | |
| Thomas KR | From Despair to Where | 1995 | University of Westminster | Visual Media | |
| Thomas KR | Melodrama and the Negotiation of Morality | 1995 | University of Westminster | Visual Media | |
| Ten Hompel S | 30 pieces (concrete, found objects, gold, steel, glass etc.) varying in size 1m. 20cms x 10cm x 10cms. | 1995 | London Guildhall University | ||
| Tebby S | Tidal Reach - water feature and surrounding paving, using blue and green Burlington slate | 1995 | De Montfort University | ||
| THOMPSON J | RICHARD DEACON | 1995 | Middlesex University | P L TAZZI P SCHJEDAHL |
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| THOMA A | Der 23 Februar 1945 - 50 Jahre danach | 1995 | Bretton Hall | FINE ART (PAINTING) | |
| THOMA A | Andrea Thoma | 1995 | Bretton Hall | FINE ART (PAINTING) | |
| TCHERNAKOVA A | The Cherry Orchard | 1995 | University of Lincoln | ||
| Sykes S | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Sutton T | Recent works | 1995 | The London Institute | Fine Art | |
| Stubbs N | The White Room (drama, 14 mins, 16mm film, 1995) | 1995 | Staffordshire University | ARi, School of Art + Design | R. Tillotson |
| Stuart A | The Black Film Bulletin | 1995 | The London Institute | Fashion and Textiles | |
| Stroud RR | The classification of metal transfer mode using neural networks | 1995 | Brunel University | Environmentally Sensitive Design | D Vincent JR McCardle |
| Stewart WR | Packaging as a Marketing Tool | 1995 | Sheffield Hallam University | ||
| Startup J | International Design Resource Awards Exhibition | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Starr G | Visit to a Small Planet | 1995 | The London Institute | Fine Art | |
| Starkey P | Making Sense | 1995 | University of Wales Institute, Cardiff | Ceramics | |
| St George A | A History of Norton Rose | 1995 | De Montfort University | ||
| St George A | History's Turning Points | 1995 | De Montfort University | Guest, R. | |
| Spittler U | Redefining German Identity: Case Studies in Berlin | 1995 | University of Brighton | Memory, Identity and History | G Knischewski |
| Somerville P | Untitled | 1995 | North East Wales Institute of Higher Education | Art and Design | |
| Snell R | UK Patent GB 2270467B Seating patent for Radius lecture theatre and auditorium seating | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | Rowe, D |
| Smith T | Capital | 1995 | University of Gloucestershire | ||
| Smith MM | Life as a Drawing | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Smith MM | The Cutty Stool | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Smith M | Martin Smith | 1995 | Royal College of Art | Applied Art | |
| Smith K | 'Care and Control' | 1995 | University of Northumbria at Newcastle | Installation (2b) | Montair, P |
| Slade-Brooking C. L. | FRA APOTEKETS URTELOFT | 1995 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Singh G | Post Conference Report | 1995 | University of Sunderland | Design | Arganbright Barrientos Beck |
| Simpson P | Captured Exhibition Installation | 1995 | Glasgow School of Art | Cities and Environments | Nicola Atkinson-Griffith |
| Sider L. | INSTITUTE BENJAMENTA | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | Keith Griffiths The Brothers Quay |
| Shreeve N | Pair of Gilt Console Tables with elaborately carved Eagle Bases and a Set of Chairs with arms carved as Swans | 1995 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Sherrell J P | Foreign Bodies | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Sheridan T | Chocolate Acrobats | 1995 | The London Institute | Fine Art | |
| Shankie J | There Is No Need for You to Leave The House, solo exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Seymour R | Baby-G Watches | 1995 | Royal College of Art | Design for Manufacture | |
| Senior G | Crossing Open Ground (exhibition and artist's book of same title). | 1995 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Selby A | Irish Stews (illustration commission) | 1995 | Loughborough University | Illustration | |
| Seddon J | Women Designers in Britain in the 1920s and 1930s: Defining the Professional and Redefining Design | 1995 | University of Brighton | Design History, Criticism and Theory | S Worden |
| Seawright P | Police Force | 1995 | University of Wales College, Newport | Photography | |
| Scott G A | Basket Power and Market Forces: the Women's Co-operative Guild 1883-1920 | 1995 | University of Brighton | Design History, Criticism and Theory | |
| Scott DT | Wheel thrown and hand made teapots | 1995 | Loughborough University | Fine and Applied Arts | |
| Sandle M | One Man Exhibition, Sculpture and Drawings | 1995 | De Montfort University | ||
| Sanderson LV | These Colours Run | 1995 | Sheffield Hallam University | ||
| SWIFT D G | Designers Habitats | 1995 | University of Dundee | Contemporary Practice | Janice Kirkpatrick Crolyn Primett |
| SHAW P | FRUIT AND VEG; OR, GROW YOUR OWN INK | 1995 | Middlesex University | ||
| SCULLION L | The Gifted Child | 1995 | University of Dundee | Coastal/Indigenous Cultures | Dalziel, M |
| SCULLION L | Sargassum | 1995 | University of Dundee | Coastal/Indigenous Cultures | Dalziel, M |
| SCOBIE L M | Artsbeast | 1995 | University of Dundee | Contemporary Practice | |
| SCOBIE L M | Triennale de La Porcelaine | 1995 | University of Dundee | Contemporary Practice | Tomoko Nishimura Peter Lane Vincent Kempenaers |
| SCHEIN F. | The discoveries (Parque subway station) | 1995 | Coventry University | Visual Arts | MATTA, F. JORGE, C.S. |
| Ryan D | Lenguaje Silencio | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Rust I | Womenswear Jeans Collection - Calvin Klein | 1995 | Royal College of Art | Design for Manufacture | |
| Russell B | Bruce Russell: Recent Paintings | 1995 | Kingston University | ||
| Rushby R | Enamelled box and 11 pieces of enamelled silver and gold jewellery | 1995 | London Guildhall University | ||
| Royffe C D | 'Shelter and Energy Conservation: A Feasibility Study' | 1995 | Leeds Metropolitan University | Environmental Art and Design | |
| Roy I B | Towards an Archaeology of the North | 1995 | University of Brighton | Natural and Constructed Environments | |
| Ross White M | Bridging Cultures | 1995 | Bath Spa University College | ||
| Ross J C | 1995 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Rose C | Earthworks | 1995 | University of Sunderland | Fine Art | |
| Roper G S | Roper: recent works | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Roper G S | 'The Moon Garden' a Japanese garden at Westlakes' | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Ryu Group School of Art Conte-Helm, M |
| Rogers K. | THE (FRIBOURG) INCIDENT | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Roddis JN | Exemplar | 1995 | Sheffield Hallam University | ||
| Robson D G | The Architecture of Karljosef Schattner | 1995 | University of Brighton | Natural and Constructed Environments | T Stelling |
| Robertson S | European Investment Bank | 1995 | University of Brighton | Natural and Constructed Environments | D Lasdun |
| Robertshaw S | The Nature of History | 1995 | Liverpool John Moores University | International Centre for Digital Content | |
| Richon O | After DL | 1995 | Royal College of Art | Critical Practice | |
| Richon O | The Hunt | 1995 | Royal College of Art | Critical Practice | |
| Richardson C | Put to Sleep | 1995 | Oxford Brookes University | Creative Practice | Edward Jessen (composer) |
| Richards P.J. | Paul Richards | 1995 | University College London | Painting | |
| Rice B W | Paintings 1981 - 1995 | 1995 | University of Brighton | Natural and Constructed Environments | |
| Rice B W | A Pictorial History of Santa Claus | 1995 | University of Brighton | Visual Communication Design | |
| Ribas X | Pefecta Distraccion | 1995 | University of Brighton | Natural and Constructed Environments | |
| Ribas X | Bilinguale und bikulturelle Konfliktivitat aus der Sicht des Fotografen | 1995 | University of Brighton | Natural and Constructed Environments | |
| Rhodes EA | Emerging corporate strategies, teams and the changing role of design | 1995 | Open University | Design and innovation management | R. Carter |
| Reeves D | Obsessive Becoming | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Read J | 10+ | 1995 | Edinburgh College of Art | Fine Art | |
| Rawson G | Deconstructing South Kensington. F.H Newberys Regime at Glasgow School of Art 1885-1901. | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Ramond P | Marquetery | 1995 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| ROSS A R | Lions and Thistles | 1995 | University of Dundee | Contemporary Practice | |
| ROBB A M | In the Mind's Eye | 1995 | University of Dundee | Contemporary Practice | |
| RICHARDS C.J. | The presentation of time in interactive animated systems diagrams | 1995 | Coventry University | The Design Institute | FISCHER, D.H. |
| Quinn L | Submerged Identities | 1995 | Sheffield Hallam University | ||
| Quinn J | Future Sound of London (FSOL) | 1995 | University of Westminster | Hypermedia | |
| Putnam T J | Between Taste and Tradition: decorative order in the modern home | 1995 | University of Portsmouth | Memory, Identity and Material Culture | |
| Punton L | Where Deer Sleep, solo exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Punton L | Shadows In The Water, touring group exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Punt M | CD ROM: Radical Nostalgia? | 1995 | University of Wales College, Newport | CAiiA | |
| Prowse P. | Carmina Burana | 1995 | University College London | Theatre Design | |
| Proud D.R. | Urban Turban | 1995 | University College London | Fine Art Media | |
| Price M L | Student satisfaction with distance education and medium of instruction: Is there a relationship? | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Press MPO | The Design Agenda | 1995 | Sheffield Hallam University | Rachel Cooper | |
| Preece L | The Beaver Pool | 1995 | University of Brighton | Fine Art Practices | |
| Preece L | Illuminations | 1995 | University of Brighton | Fine Art Practices | |
| Powell N A | Foreign Bodies. | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Poulton A | Three dobby woven fabrics | 1995 | University of Southampton | ||
| Potter R | Home Truths | 1995 | Wimbledon School of Art | Photography | |
| Potter R | Alan and Louis/Baskerville Hall | 1995 | Wimbledon School of Art | Photography | |
| Poston D | Factfile on Jewellery | 1995 | Loughborough University | Fine and Applied Arts | Wilson, M. |
| Porter M L | Quantifying and Qualifying the Value of Ergonomics to Business | 1995 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Plouviez A | A Perfect Society | 1995 | University of Sunderland | Photography | Davies H |
| Pirie I | Artistic Research Procedure: Research at the Edge of Chaos? | 1995 | Robert Gordon University | Learning Strategies | Gray, C. |
| Pippin S | Addendum | 1995 | Southampton Institute | ||
| Pippin S | De L | 1995 | Southampton Institute | ||
| Petrie K | Vizard, Lake, and Corridor | 1995 | University of Sunderland | Institute for International Research in Glass | |
| Pepperell R | The Post-Human Condidtion | 1995 | University of Wales College, Newport | CAiiA | |
| Penny S | Critical Issues in Electronic Media | 1995 | University of Portsmouth | Centre for New Media Research | |
| Penny S | Petit Mal 1-4, | 1995 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Pennie M | Michael Pennie: Carving and Drawing 1976-1995 | 1995 | Bath Spa University College | ||
| Penney W | 21st International Biennial of Graphic Art | 1995 | University of Ulster | ||
| Peart T | Twenty seven drawings and paintings | 1995 | Cumbria College of Art + Design | ||
| Peaker G | 'Benjamin's Objects'. | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Patten B | Processional Vestment and Pulpit Fall | 1995 | Bolton Institute of HE | ||
| Padovani C | Siezed | 1995 | University of Southampton | ||
| PROUD P T | A Path for Life | 1995 | University of Dundee | Contemporary Practice | |
| PHILLIPSON M | TECHNO-OPTICS, CORK STREET AND A POWER STATION: DILEMMAS OF ART PRACTICE AND RECUPERATION | 1995 | Middlesex University | C FISHER | |
| PHILLIPSON M | MANAGING 'TRADITION': THE PLIGHT OF AESTHETIC PRACTICES AND THEIR ANALYSIS IN A TECHNOSCIENTIFIC CULTURE | 1995 | Middlesex University | ||
| Owen M | ARTRESEARCH in Venice | 1995 | Southampton Institute | ||
| Osmond O R | Machynlleth Fenws | 1995 | Swansea Institute of Higher Education | Land and Landscape | |
| Onishi M | 'Creators from Japan' | 1995 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Oliver J | Obverse/Reverse Touring Medals Exhibition | 1995 | De Montfort University | ||
| Ogilvie E | Island Within | 1995 | Edinburgh College of Art | Fine Art | |
| Odundo M. A. | CERAMIC GESTURES - NEW VESSELS BY MAGDALENE ODUNDO | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| O'Brien A | 'Derelict histories: A Politics of Scale Revisited' | 1995 | Napier University | Critical Theory of Practice | |
| Newton S J | The Politics and Psychoanalysis of Primitivism publication | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Newton S J | Documents of a Decade | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Newland P M | Managing Scale, Complexity, Uncertainty and Chaos in the Context of an Emotionally Charged and Time Critical Event - ICCARUS and the Elements of (In)variance | 1995 | University of Portsmouth | Centre for New Media Research | J Powell |
| Nash D JE | 'M | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Muthesius A. M. | STUDIES IN BYZANTINE AND ISLAMIC SILK WEAVING | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Murray M | John Kobal Portrait Awards 95 | 1995 | University of Gloucestershire | ||
| Mosley J M | Introduction and notes to: The manuel typographique of Pierre-Simon Fournier le jeune (etc) | 1995 | University of Reading | ||
| Moriarty C | The Absent Dead and Figurative Sculpture | 1995 | University of Brighton | Memory, Identity and History | |
| Moore S | The Symphony Range | 1995 | University of Ulster | William Lee | |
| Montgomery JAI | Engineering Excellence: In Northern Ireland | 1995 | University of Ulster | ||
| Mitchell J R. | 'Projected Piers' Series II | 1995 | Wimbledon School of Art | Painting | John Cobb Yuki Katayama Jane Dickson |
| Mitchell J | True Brit: Con-Text | 1995 | University of Reading | ||
| Millar L. | BRITISH TAPESTRY EXHIBITION | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Mendelle N | 'Algeriennes, hier et aujourd'hui' | 1995 | Napier University | Documentary and Experimental Film | |
| Melia P D | David Hockney: A Drawing Retrospective | 1995 | Staffordshire University | ARi, School of Art + Design | Ulrich Luckhardt |
| Medcalf G | Inaugural exhibition | 1995 | The London Institute | Fine Art | |
| McNiven A | 50 x 50 x 50 x 50 | 1995 | Edinburgh College of Art | Fine Art | |
| McLaughlin N W | What | 1995 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| McKenzie Smith S | Desire Line | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| McKee F | Every Creeping Thing: the Anxieties of Collecting, essay in exhibition catalogue | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKeating JE | Contemporary Embroidery | 1995 | Manchester Metropolitan University | ||
| McIver L | 'The Pledge of Fidelity' | 1995 | Napier University | Photographic Practice | |
| McGrath R | 'Geographies of the Body' | 1995 | Napier University | Critical Theory of Practice | |
| McGrath R | 'Rereading Edward Weston' | 1995 | Napier University | Critical Theory of Practice | Heron, L Williams, V |
| McGoldrick R | Graphite grey sited public sculptures on an East London Theme | 1995 | London Guildhall University | ||
| McGoldrick R | 2 sculptures for public sites. Graphite grey Hawksmooresque console brackets with light reflecting gilded balls, in 70s landscaping, presaging the pieces in outcome 3. The materials (wood, marble dust, plaster, gilding) and small scale, implying an interi | 1995 | London Guildhall University | ||
| McDowell C | The Literary Companion to Fashion | 1995 | The London Institute | Fashion and Textiles | |
| McConachie A | British Glass | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| McCann B | Confluence | 1995 | Kingston University | ||
| McCall A | Elements of Change | 1995 | Glasgow School of Art | The Decorative Arts | |
| Mathison F | IV Triennale Internationale des Mini-Textiles, Apocalypses | 1995 | Edinburgh College of Art | Fine Art | |
| Masters R | Exhibition of Recent Work | 1995 | University of Sunderland | Fine Art | |
| Masters R | Ray Masters - Selected Works 1985-1995 | 1995 | University of Sunderland | Fine Art | |
| Masi D. | Denis Masi: Window Work | 1995 | University College London | Fine Art Media | |
| Masi D | Denis Masi: Window Work | 1995 | Wimbledon School of Art | ||
| Martin PL | Spatial Design Beyond Three-Dimensional Form | 1995 | De Montfort University | ||
| Marshall N D | New Tech Styles: Technology and Innovation in Contemporary Textiles | 1995 | University of Brighton | Materials Practices and Processes | |
| Marshall N D | The design, development and production of constructed textiles using non-yarn forms | 1995 | University of Brighton | Materials Practices and Processes | |
| Manchot M | Poste Restante | 1995 | The London Institute | Fine Art | |
| Malem W | Calissa knitwear Spring - Summer 1996 collection | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Magee JP | On Dog Hair and Sand | 1995 | Manchester Metropolitan University | Umney D | |
| Macleod K | The Teaching Subject: Reviewing Art History within Postmodernism. | 1995 | University of Plymouth | Art Process | |
| Maccaulay J | The Hill House | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Macbeth P A | 'Provence' + 'Seville' Bed Linen for Habitat UK | 1995 | University of Huddersfield | ||
| MacGregor B | From Focus Groups to Edit Groups: A New Method of Reception Analysis | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| MacDonald A | Creative City: Changing Glasgow by Design | 1995 | Glasgow School of Art | Cities and Environments | |
| MOODY E.H. | Reconstituted in the City. One man exhibition with video evidence | 1995 | City University | ||
| MODEEN M | Graces, Fates and Furies | 1995 | University of Dundee | Contemporary Practice | |
| MEY K | Das Verbindende trennen und das Trennende verbinden? Kuenstlerinnen in Deutschland nach der Wiedervereinigung | 1995 | University of Dundee | Critical, Historical and Theoretical Debate | Peitsch, H Westphalen J V Kolbe, U |
| MCMURDO W A | In a Shaded Place | 1995 | University of Dundee | Digital Technology | |
| MCGILVRAY R | City of Aberdeen Public Art Programme - City Centre Study - Report and Exhibition | 1995 | University of Dundee | Industry and the Public Sector | |
| MCARTHUR E C | Shadows in the Water | 1995 | University of Dundee | Critical, Historical and Theoretical Debate | |
| MANLEY B | New London | 1995 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MALLINDER H | Modelling of Large Waterfalls using String Textures | 1995 | Middlesex University | ||
| MALLINDER H | A Three Dimensional Sketching Tool | 1995 | Middlesex University | H Jones J Jones-Morris H Polletti |
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| MACLEAN W J | Worlds in a Box | 1995 | University of Dundee | Coastal/Indigenous Cultures | Cornell, J Duchamp, M Rauschenberg, R |
| MACDONALD M J S | The Visual Thinker: Patrick Geddes | 1995 | University of Dundee | Critical, Historical and Theoretical Debate | Johnston, A Macmillan, D Harada, M |
| Lyons AR | Implementing Information Technology in Built Environment Courses | 1995 | De Montfort University | Seden, R. Ashton, R. |
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| Loughlin S. | AMNESTY INTERNATIONAL HUMAN RIGHTS | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Lomax Y | The World is Indeed a Fabulous Tale: Yves Lomax - a practice around Photography | 1995 | Royal College of Art | Critical Practice | |
| Lomax Y | Sometime(s) | 1995 | Royal College of Art | Critical Practice | |
| Lochore B | Moby Dick | 1995 | The London Institute | Fine Art | |
| Lloyd Lewis P | The Entire Milk | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Lloyd D | Portrait of the Forest | 1995 | University of Gloucestershire | ||
| Lintern D | The Pigeon Banquet | 1995 | Wimbledon School of Art | Theatre Design | Theatre Pod Waterman's Arts Centre Halldor Laxness |
| Liggins A M | On the Beaten Track | 1995 | Swansea Institute of Higher Education | Land and Landscape | |
| Leslie J | Self Evident | 1995 | Manchester Metropolitan University | ||
| Lee RA | Building Better Humans | 1995 | Oxford Brookes University | Creative Practice | |
| Lawrence E | Calanais | 1995 | Edinburgh College of Art | Fine Art | |
| Lawler T | Veiled Allusions: Images from Text | 1995 | Kingston University | ||
| Law J | Light and Reflections | 1995 | Bath Spa University College | ||
| Law J | Towards a European Model of Design Management | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Lansley E | Breaking Boundaries | 1995 | University of Brighton | Natural and Constructed Environments | |
| Landrum A | Moby Dick | 1995 | Bath Spa University College | Airo, M. Banner, F. Bartolini, M. |
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| Landrum A | Alex Landrum | 1995 | Bath Spa University College | ||
| Landen C | Familiar British Wildlife | 1995 | University of Wales College, Newport | Photography | |
| Kyte R | Execution of 4 trophies for Playwright of the Year Award (winner and 3 nominees): sterling silver + bronze statuettes on machined hardwood bases. | 1995 | London Guildhall University | ||
| Kippin J | Nostalgia for the Future, John Kippin: Photographs 1988-94 | 1995 | University of Sunderland | Photography | |
| Kinnell F | Exhibition British/Dutch Artists | 1995 | De Montfort University | ||
| Kinnell F | Effects of Modular Course Structures on the Education and Practice of Printmaking | 1995 | De Montfort University | ||
| Kingston A M | 'Freedom' | 1995 | Wimbledon School of Art | Research Centre | Willie Doherty Keith Piper Mona Hatoum |
| Kennett CP | Criticism and Theory | 1995 | University of Westminster | Sound Media | |
| Kennard P | Placards | 1995 | Royal College of Art | Critical Practice | |
| Kelly P | Pathology | 1995 | Liverpool John Moores University | International Centre for Digital Content | Bradley,I |
| Kelly B | The Basement | 1995 | Kingston University | ||
| Keegan S P | The Fisherman's Tale | 1995 | North East Wales Institute of Higher Education | Art and Design | |
| Keane T | Deviant Beauty | 1995 | The London Institute | Fine Art | |
| Karakashian S | Ariadne's Gone Virtual | 1995 | University of Hertfordshire | ||
| Jurack B | Groene Aardapples and other Sculptures | 1995 | University of Newcastle | ||
| Judge V | Heavens Embroidered Cloths, group exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Judge V | Shadows In The Water, touring group exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Joseph J E | London Subjects | 1995 | Wimbledon School of Art | Painting | |
| Joseph J E | Portrait of the Artist | 1995 | Wimbledon School of Art | Painting | Francis Dodd Max Lieberman Michael Ayrton |
| Jones L. | John Moores Liverpool Exhibition 19 | 1995 | University College London | Painting | |
| Jones C | New Perspectives/Building Bridges | 1995 | University of Newcastle | Viktor Hulik | |
| Johnson A | An Optimum Colour Reproduction System | 1995 | The London Institute | Media and Communication | |
| Jaray T. | Lampstandards for Cardiff Bay | 1995 | University College London | Painting | |
| Jaray T. | Gas Hall Gallery Forecourt | 1995 | University College London | Painting | |
| James JP | The Fletcher Challenge. | 1995 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| James D | The Upholsterers Pocket Reference Book | 1995 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Jackman J | Investigation into the Visual Quality of Fractal Images | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| JOHNSON N M | Weather Titles | 1995 | University of Dundee | Digital Technology | |
| Ingram J | Strategic Design Management in Small Manufacturing Companies: A Case Study | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Ingman B | When Martha's Away | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Inglis J | Pictures at an Exhibition | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Ingham K | BBC 2 The Late Show - Russell Celyn Jones | 1995 | Swansea Institute of Higher Education | Image and Text | |
| IRVINE Z | Audio Arts Magazine | 1995 | University of Dundee | Digital Technology | William Furlong |
| Hutchinson T | Self Storage | 1995 | The London Institute | Media and Communication | Jason Edwards |
| Hutchinson S | Garden of the Senses | 1995 | University of Brighton | Fine Art Practices | |
| Howes A | 'Kaddish' | 1995 | Napier University | Documentary and Experimental Film | |
| Howes A | Kaddish | 1995 | The London Institute | Fine Art | Richard Wolfson Andy Saunders |
| Howell AM | Commentary on Klein | 1995 | The London Institute | Fine Art | |
| Howard J | Decentricity | 1995 | Oxford Brookes University | Curatorial Projects | Anthony Howell |
| Howard C J | Golf Cart Battery Charger | 1995 | University of Huddersfield | ||
| Howard C J | Motorway Emergency Cone Light | 1995 | University of Huddersfield | ||
| Hosie D | London to LA | 1995 | Edinburgh College of Art | Fine Art | |
| Hooper R | International Woodturning Exchange - Joint Exhibition of Residents | 1995 | Liverpool Hope | ||
| Holt RB | Castles in the air from B+Q to Homecare (sub title - Big Frieze) | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Hollyhead B | Estee Lauder Inc | 1995 | University of Brighton | Visual Communication Design | |
| Hodgson J | White Cube, Black Square | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Hodgson C | Grafica Internacional Faber Castell | 1995 | Kingston University | ||
| Hodgson AR | Developing links between computer aided learning and technology teaching | 1995 | Loughborough University | Design Education | |
| Hodgkinson M | 'Emanations' | 1995 | Wimbledon School of Art | Sculpture | Daryl Viner Alison Wilding Jo Stockham |
| Hinchliffe-McCutcheon J L | 'Schmuckpaket' ('Jewellery Parcel') | 1995 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | Teipel, M |
| Hinchliffe-McCutcheon J L | 'Priestory Du | 1995 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Hilton K H | Dolphin Exercise Pod | 1995 | University of Northumbria at Newcastle | Product Design (4b) | |
| Hill JR | Head injuries in lateral impact collisions | 1995 | Loughborough University | Design Ergonomics | Morris, A.P. Hasson, A. Mackay, M. |
| Hill JR | The limitations of current seat belts in Europe. Some population considerations | 1995 | Loughborough University | Design Ergonomics | Mackay, M. |
| Higgott AN | Form and Technology: the Idea of a New Architecture | 1995 | University of East London | ||
| Heywood I | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Herrmann M. | A VISION FOR THE 21ST CENTURY: THE EARTH CENTRE ECOLOGY PARK | 1995 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Herbert A.T. | The Decorative Tile in Architecture and Interiors | 1995 | University of Wolverhampton | Ceramics | Kathryn Huggins |
| Healey M | Sportraits | 1995 | Cumbria College of Art + Design | ||
| Haywood T | 'Info-Rich Info-Poor' | 1995 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hastings M | CM9 CoverMaster | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Haslam A | Make It Work Children's History Series | 1995 | The London Institute | Media and Communication | |
| Harvey M | Young British Artists IV | 1995 | The London Institute | Fine Art | |
| Hartwell DW | New Directions in Design Management: The Development of Conceptual Models for Interior Designers | 1995 | De Montfort University | Holland, R.J. | |
| Hart WA | Continuity and Discontinuity in Sierra Leone Art History | 1995 | University of Ulster | ||
| Hart WA | African Art in the National Museum of Ireland | 1995 | University of Ulster | ||
| Hart J | The Persona Non Grata Who Lives on the Web | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Harrow D | London Taxi Cab Development | 1995 | Royal College of Art | Design for Manufacture | |
| Harris D. I. | The Figure as a Metaphor | 1995 | Wimbledon School of Art | Painting | |
| Harper J W | The River and Figurative. | 1995 | University College Northampton | Fine Art Practices | |
| Harland EJ | Lucid II | 1995 | University of Southampton | ||
| Hardstaff S | Country Blues Hard Hitters Vol 1 + 2 | 1995 | Liverpool John Moores University | Audio-visual | Ioan Griffiths |
| Hardstaff S | South Atlantic Souvenirs Political Postcards Series 2 | 1995 | Liverpool John Moores University | Audio-visual | R Walker |
| Hardaker CH | Computer Aided Designers? A Study of Garment Designers' Attitudes Towards Computer Aided Design | 1995 | De Montfort University | Fozzard, G.J. | |
| Hansbro BP | Canterbury From the East | 1995 | University of Southampton | ||
| Hampson M | Solo exhibition | 1995 | The London Institute | Fine Art | |
| Hampson M | Mark Hampson | 1995 | The London Institute | Fine Art | |
| Hakim-Dowek L | Journey: Going back to Beirut | 1995 | University of Portsmouth | Memory, Identity and Material Culture | |
| HILL D | Harewood Masterpieces: English watercolours and drawings | 1995 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| HEYWOOD A | SEE | 1995 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| Gupta S | Trespass 1 | 1995 | University of Southampton | ||
| Gupta S | Trespass 3 | 1995 | University of Southampton | ||
| Griffiths K. | INSTITUTE BENJAMENTA | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | The Brothers Quay Larry Sider |
| Graham B | The Panic Button: Back to the Future of Pornography | 1995 | University of Sunderland | Photography | |
| Gornick N | New Design Professionals Development of Design Management Courses | 1995 | Brunel University | Design Pedagogy | |
| Goodman G | Loose Connections - six British artists | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Golding M | 'Means of Exchange' | 1995 | University of Northumbria at Newcastle | Photography (1b) | |
| Goddard J. | Video Positive | 1995 | University College London | Fine Art Media | |
| Ginsborg M | Between the Leaves | 1995 | Wimbledon School of Art | Painting | |
| Ginsborg M | Untitled 3-D Wall Relief | 1995 | Wimbledon School of Art | Painting | Nigel Hall Keith Milow Deanna Petherbridge |
| Gillanders R | 'Photography in Scotland: the Human Face' | 1995 | Napier University | Photographic Practice | Sara Stevenson |
| Gibbons J | Beginning | 1995 | University of Southampton | ||
| Geesin R | Hot Keys | 1995 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Gaynor M | GroBe Kunstaustelung NWR Dusseldorf | 1995 | Southampton Institute | ||
| Gaynor M | Not Waving | 1995 | Southampton Institute | ||
| Garner SW | Using discourse analysis as an indicator of design progression. | 1995 | Open University | Design thinking and communication | J.H. Connolly A.A. Clarke |
| Garfoot S | 'Boa' Range | 1995 | University of Wolverhampton | Glass | |
| Garcia D R | The Digital Underpass | 1995 | University of Portsmouth | Centre for New Media Research | |
| Gallaccio A | Brilliant: New Art From London | 1995 | The London Institute | Fine Art | |
| GUILLE J | SOUTHERN AFRICAN TEXTILES TODAY: DESIGN, INDUSTRY AND COLLECTIVE ENTERPRISES | 1995 | Middlesex University | ||
| Furneaux P | Colores de Unextrano Otono | 1995 | Edinburgh College of Art | Fine Art | |
| Freeman H | Supporting the Process of Courseware Development | 1995 | De Montfort University | Ryan, S | |
| Frayling C | Things to come | 1995 | Royal College of Art | Communications | |
| Fraser D | Exploring the Lathe | 1995 | University of Ulster | ||
| Francis M | Brick Lane | 1995 | University of Brighton | Memory, Identity and History | |
| Fowler P | Cytofocus | 1995 | Liverpool John Moores University | International Centre for Digital Content | C Corke |
| Fowler P | Planet Number | 1995 | Liverpool John Moores University | International Centre for Digital Content | |
| Fowler P | Planet Shape | 1995 | Liverpool John Moores University | International Centre for Digital Content | |
| Forresta D | The New Space of Communication, the Interface with Culture and Artistic Creativity. | 1995 | Wimbledon School of Art | Research Centre | Alain Mergier Bernhard Serexhe |
| Filmer N | A Long False Equator | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Ferry DD | The Lake District | 1995 | University of Southampton | ||
| Ferry DD | The Glory of Scotland. | 1995 | University of Southampton | ||
| Fern D | Forgotten Picture | 1995 | Royal College of Art | Communications | |
| Fereday G. | THREADLINES | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Fearns R | Perfect Worlds | 1995 | Bath Spa University College | Atkinson, N. | |
| Fearns R | Jacobs Ladders + Galleries | 1995 | Bath Spa University College | ||
| Farshad F | N-touch | 1995 | The London Institute | Fashion and Textiles | Frank Rickett |
| FITZPATRICK D. | Argyll and Sutherland Highlanders Museum | 1995 | Coventry University | Design | |
| Evans M | Southwark Open Exhibition | 1995 | University College Northampton | Fine Art Practices | |
| Elson J | Bus Stops | 1995 | Kingston University | ||
| Ellis P | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Ellis E | 'Jasmine', 'Snowdrops', 'Sprawly Mulga Katatjuta', 'Two Sprawly Mulgas Ulured', 'Bookpile' and 'Freesia Dark'. | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Egerton F | Out of this world the influence of nature in crafts and design.One major piece of automaton | 1995 | Liverpool Hope | ||
| Edmonds F. A. | SEEING BELIEVING | 1995 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Edmond T A | Terry Edmond-Recent Paintings | 1995 | University of Reading | ||
| Edge S | 'The Use of Generative Technology for Interior Design' | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Eccleston T | Politique, group exhibition of publicly sited works | 1995 | Glasgow School of Art | Fine Art | |
| Eastman K | 49th International Ceramic Art Competition | 1995 | Glasgow School of Art | The Decorative Arts | |
| Dyson M C | Multimedia in museums: the need for a descriptive framework | 1995 | University of Reading | M. Andrews S. Leontopoulou |
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| Dye M | Meridio Soft | 1995 | Kingston University | ||
| Dye D M | Steps an installation | 1995 | University of Northumbria at Newcastle | Installation (2b) | |
| Dunbar L | New Work On Paper | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Dumbar G | Corporate Identity for the Dutch Police | 1995 | Royal College of Art | Communications | |
| Duff L | A Trip on the Douro | 1995 | Kingston University | ||
| Dolphin Wilding J | Out of This World: The Influence of Nature in Crafts and Design 1880-1995 | 1995 | Kingston University | ||
| Dieterich V | Memory | 1995 | Sheffield Hallam University | ||
| Deville N. | FIVE EASY PIECES | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Deliss C | Seven Stories about Modern Art in Africa | 1995 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Deepwell C | New Feminist Art Criticism : Critical Strategies | 1995 | University of Ulster | ||
| De Cordova D | Confluence | 1995 | Royal College of Art | Fine Art | |
| Day G | Urban Yantras | 1995 | Bath Spa University College | ||
| Davies J | John Davies: Recent Sculptures and Drawings | 1995 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies H | 'A Perfect Society' | 1995 | Napier University | Photographic Practice | Arabella Plouviez |
| Davies G | Pastel Drawings | 1995 | Lancaster University | Paul Gladwyn | |
| Darley A. D. | RECENT EXPERIMENTAL, NONFICTION ANIMATION IN THE UK | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Danvers TJ | The Knowing Body: Art as an Integrative System of Knowledge | 1995 | University of Plymouth | Art Process | |
| Dalton P | Modernism, Art Education and Sexual Difference | 1995 | University of Central England in Birmingham | Art Education Research Group | |
| Dallas S | Development of seamless bodywear for Courtaulds Lingerie | 1995 | Royal College of Art | Design for Manufacture | |
| DEVANE J. | BP national portrait competition | 1995 | Coventry University | Visual Arts | |
| Crowther P D | The Contemporary Sublime: Sensibilities of Transcendence and Shock | 1995 | University of Central Lancashire | ||
| Crowley G | Introducing De Sade | 1995 | Royal College of Art | Fine Art | |
| Crowley G | Cagnes sur Mer International Festival of Painting | 1995 | Royal College of Art | Fine Art | |
| Cross S | Susan Cross New Jewellery | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cox PRC | An Englishman an Irishman and a Frenchman | 1995 | The London Institute | Fashion and Textiles | Kenechi Nakayama |
| Courtenay PJ | Suburbs of Europe Project | 1995 | The London Institute | Fine Art | |
| Corke C | Cytofocus | 1995 | Liverpool John Moores University | International Centre for Digital Content | Fowler,P. |
| Cooper TJ | Simply Counting Waves, solo exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Coomber S | Homewares Collection for Country Road, Australia | 1995 | Kingston University | ||
| Cooke J | Night | 1995 | University of Brighton | Natural and Constructed Environments | |
| Cooke CAC | Russian Avant-Garde: Theories of Art, Architecture and the City | 1995 | Open University | Design thinking and communication | |
| Convery F | Francis Convery New Painting | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Colbeck J | Ceramique Demarches Paralleles | 1995 | University of Brighton | Materials Practices and Processes | |
| Colbeck J | Ceramic Arts | 1995 | University of Brighton | Materials Practices and Processes | |
| Cohen B. | Bernard Cohen - Artist in Focus | 1995 | University College London | Painting | |
| Cocks MJA | The Creative Use of CAD/CAM in Textile Design | 1995 | The London Institute | Fashion and Textiles | |
| Cockram M G | Shadow on the Lung of Modernism, | 1995 | University of Portsmouth | Art and Philosophy | |
| Chesterman J | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Chatwin P | Soul's Spaces | 1995 | Manchester Metropolitan University | Martin P | |
| Charnley D | Production Design as Process | 1995 | Buckinghamshire Chilterns University College | Design Culture | |
| Charnley D | 'High Hopes' | 1995 | Buckinghamshire Chilterns University College | Design Culture | |
| Chappell A | Medigrip Child Safety Cap Opening Aid for those with Limited Hand Dexterity | 1995 | Brunel University | Design Pedagogy | |
| Chapman J | Forever England | 1995 | The London Institute | Media and Communication | Martin Clarke |
| Chapman B | 4 magnified time-pieces in aluminium + nylon | 1995 | London Guildhall University | ||
| Chandra M | Travels in a New World | 1995 | Royal College of Art | Critical Practice | |
| Chance V | An Invitation to Waltz | 1995 | De Montfort University | ||
| Chambers S | This Man is not a Leopard | 1995 | Royal College of Art | Fine Art | |
| Cartwright AR | Furniture Today - Its Design and Craft (exhibition) | 1995 | Loughborough University | Fine and Applied Arts | |
| Carrick C R | Torre De Torrent | 1995 | The London Institute | Fine Art | |
| Cairns J | 'Picture This' by Wet Wet Wet | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Cain J | 1995 | Leeds Metropolitan University | Visual Arts | ||
| CURRAN M | POINTS DE VUE (IMAGES D'EUROPE) | 1995 | Middlesex University | ||
| COLVIN C M | Photography after Photography (Memory and Representation in the Digital Age) | 1995 | University of Dundee | Digital Technology | Burgin, V Burson, N van Lansweerde, I |
| COLLINS B C | Illustration for European Commission Calendar | 1995 | University of Dundee | Contemporary Practice | Marcus Rasp |
| CATTRELL A | Scandex | 1995 | University of Oxford | ||
| CARR R J M B | Inuit Printmaking | 1995 | University of Dundee | Coastal/Indigenous Cultures | |
| Butler P. | JOHN MOORES LIVERPOOL EXHIBITION 19 | 1995 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Bushe R | 'Robbie Bushe' Solo exhibition. 20 acrylics, watercolours, drawings and prints. Various dimensions. Photographic record of works available. | 1995 | University College Chichester | Painting | |
| Burstow R | 'Symbols for '51: The Royal Festival Hall, Skylon and Sculptures for the Festival of Britain' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Buck R | 'Wazungu Kids' | 1995 | Napier University | Documentary and Experimental Film | Wendy McEvoy David Eadington |
| Bryson W.N. | Philostratus and the Imaginary Museum | 1995 | University College London | Art History and Theoretical Studies | |
| Bruton J | A Question of Scale | 1995 | The London Institute | Fine Art | |
| Brownsword N | Fletcher Challenge Ceramics Award | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Brown M | Community Voices | 1995 | University of Ulster | Kesang Penchen Kumari Sanden |
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| Brotherston W | Scandex: Exhibition of Contemporary Scottish Sculpture | 1995 | Edinburgh College of Art | Fine Art | |
| Britton A | Form and Fiction | 1995 | Royal College of Art | Applied Art | |
| Brisley S.J. | Body Performance | 1995 | University College London | Fine Art Media | |
| Briggs P M | Venetian Ship | 1995 | Nottingham Trent University | Design | |
| Briggs P M | 5 Ships | 1995 | Nottingham Trent University | Design | |
| Brewill PJ | Luxury Liner | 1995 | University of Southampton | ||
| Brett G | Exploding Galleries: The Art of David Medalla | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Bradley I | Pathology CD-ROM | 1995 | Liverpool John Moores University | International Centre for Digital Content | P.Kelly |
| Boyd S C | Beyond the WOW Factor. | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Bowen S | From Pools and Oceans, solo exhibition | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Boult J | Jordan Amigo Toothbrushes | 1995 | Brunel University | Design Process | |
| Boshier C | Christine Boshier | 1995 | University of Newcastle | ||
| Borrelli M | Abakus | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Bonnell M | LAMU | 1995 | Bath Spa University College | ||
| Bonnell M | Brought to Book | 1995 | Bath Spa University College | Jarman, D. Beattie, B. Hamilton-Finlay, I. |
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| Bonham Carter E | A Question of Scale | 1995 | University of Reading | Rosa Lee Peter Doig Basil Beatie |
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| Blundell S | Should we always be promoting deep approaches to learning? An evaluation of the improving student learning questionnaire in practice | 1995 | University of Central England in Birmingham | Art Education Research Group | |
| Blakemore J | 'John Blakemore'. | 1995 | University of Derby | Centre for Research in Film and Photography | |
| Blake Q | Clown | 1995 | Royal College of Art | Communications | |
| Bishop D | 9 things to make and do | 1995 | Royal College of Art | Design for Manufacture | |
| Bicknell J | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Bevan Baker R | Selkie Dancing | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bessey P | Wipes Dispensing Container | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Bergmann G | History Lesson Again (Bloody) | 1995 | Brunel University | Polymedia Design | |
| Bell J | Gardens underneath which rivers flow | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Bell D | 'Picturing The Landscape: die Gruene Insel - Tourist Images Of Ireland' | 1995 | Napier University | Critical Theory of Practice | |
| Beggs G | Modern Drawings 8 landscape drawings of East Sussex scenes av. 76x54 cms. | 1995 | London Guildhall University | ||
| Baynes K | Education on the natural heritage for pre-school children | 1995 | Loughborough University | Design Education | Brochocka, K. |
| Barnard M | 'Advertising: The Rhetorical Imperative' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Bainbridge E | British Art from the 1980s and 1990s from the Weltkunst Collection. | 1995 | University of Sunderland | Fine Art | |
| BLOUNT G.N. | Computerised blank shape prediction for sheet metal components having doubly-curved surfaces | 1995 | Coventry University | The Design Institute | FISHER, B. |
| BIRCH A.R. | Rigid inner core plastic moulding | 1995 | Coventry University | Design | |
| Aytoun Ellis M | BP Portrait Award | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Ayers A R | Shifting Ground | 1995 | Nottingham Trent University | Visual Arts | |
| Attenburrow D H | Design research and the Educational Interface (Get your research to work for you) | 1995 | University College Northampton | Design for Industry and Commerce | |
| Astles CA | Eva Luna | 1995 | University of Plymouth | Theatre + Performance | |
| Arthur E | Embroidery 1600 - 1700 at the Burrell Collection | 1995 | Glasgow School of Art | The Decorative Arts | |
| Arthur E | Seventeenth Century Embroideries in the Burrell Collection | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Arney V | Remarkable Phenomena | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Angus J | Research, Design + Development Consultancy to Studio Sabbatini, Italy. | 1995 | University of Derby | ||
| Andrews M J | Sweet Cork of Thee, and the popular books of Robert Gibbings | 1995 | University of Reading | ||
| Allsop D | Lacunae | 1995 | Royal College of Art | Fine Art | |
| Allen L | Salmonberries: consuming kd lang | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Ali-MacLachlan I | PCT/GB95/01327. UK Design 2044278. STS Modular utility belt for Armourshield Ltd, Manchester | 1995 | Glasgow School of Art | Design | Michael Sacks David Clark |
| Alexander G | Machinations | 1995 | Wimbledon School of Art | Theatre technical arts | Tim Hunkin Paul Spooner Elizabeth Queenan |
| Ainsworth MD | John Moores Liverpool Exhibition | 1995 | University of Ulster | ||
| Adzhiev V. | Function Representation in Geometric Modeling: Concepts, Implementation and Applications. | 1995 | Bournemouth University | Pasko, A. Sourin, A. Savchenko, V. |
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| Adamson E | C A Exposicion | 1995 | Edinburgh College of Art | Fine Art | |
| Adams CG | Information and Reality: Korean Contemporary Art. | 1995 | University of Plymouth | Site, Space, Location, Place | |
| Adams CG | Beyond the Borders | 1995 | University of Plymouth | Site, Space, Location, Place | |
| de La Haye A | Chanel: The Couturiere at Work | 1994 | The London Institute | Fashion and Textiles | Shelley Tobin |
| Wozencroft J | The Graphic Language of Neville Brody 2 | 1994 | Royal College of Art | Communications | |
| Wozencroft J | Seeing the future today | 1994 | Royal College of Art | Communications | |
| Worthington C | Baby Monthly | 1994 | London Guildhall University | ||
| Woodman J | Spirit of Nature | 1994 | Cumbria College of Art + Design | Roger Polley (external) | |
| Withnall M | Marine safety beacon | 1994 | Royal College of Art | Design for Manufacture | |
| Withnall M | Photographic Staging System | 1994 | Royal College of Art | Design for Manufacture | |
| Willmoth S P J | Circumnavigation: the poetics of exploration in the work of Ana Maria Pacheco. | 1994 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Williams D | Is: Ecstasies I - XXII | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Wilding A | Exposure | 1994 | Royal College of Art | Fine Art | |
| Whitehead B. S. | WRITE FOR US | 1994 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whistler D | Shadows on the Western Front (produced, directed and photographed). | 1994 | University of Central England in Birmingham | Visual Communication Research Group | |
| West N F | Performing Daily an exhibition of West, Chandra, Grayson, Misenberger and Farley | 1994 | University of Northumbria at Newcastle | Photography (1b) | Tregaskis, K |
| Webb T | A is for Autism | 1994 | Royal College of Art | Animation | |
| Waugh A | The Blue Note Club | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Watkins D | A New Century in European Design | 1994 | Royal College of Art | Applied Art | |
| Watkins D | The Best in Contemporary Jewellery | 1994 | Royal College of Art | Applied Art | |
| Watanabe T | Owen Jones: The Grammar of Ornament : 'Orientalism' Substituted? | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Walter J | 'Contemporary Ceramics' Solo Exhibition. | 1994 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Waddell G | Design of Linnaeus writing table, wardrobe, bedside table, mirror and bed. | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waddell G | CAD for Clothing and Textiles | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waddell G | Design of 'Sandemar' bed and wardrobe | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waddell G | Design of 'Gripsholm' breakfast table | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| WOOD T | The Spirit of Place | 1994 | Bretton Hall | FINE ART (PAINTING) | |
| WILKES C | Direcor Wilkes Gallery Projects | 1994 | University of Dundee | Contemporary Practice | |
| WILKES C | Lovecraft | 1994 | University of Dundee | Contemporary Practice | Jim Isermann Tom Friedmann Lily van der Stokker |
| WILKES C | 'Hammer-a Nail-In ,/Celtic Cross ' Collaboration with Yoko Ono | 1994 | University of Dundee | Contemporary Practice | Yoko Ono |
| WALKER-BARKER D | David Walker-Barker | 1994 | Bretton Hall | FINE ART (PAINTING) | |
| Votolato G | My Own Private Chevrolet | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Vaughan S | Lerner womenswear collection autumn/winter 1994 | 1994 | The London Institute | Fashion and Textiles | |
| Vaughan S | Lerner womenswear collection spring/summer 1994 | 1994 | The London Institute | Fashion and Textiles | |
| Unsworth J | The Delights of Eden | 1994 | University of Southampton | ||
| Tyrrell J | Exhibition of designs and models | 1994 | University of Sunderland | Design | |
| Tucker M E | From Frans Widerberg: Bilder, En Reise | 1994 | University of Brighton | Fine Art Practices | |
| Townsend S | Women's Art Magazine | 1994 | The London Institute | Fine Art | |
| Ting P | Topiary | 1994 | University of Central Lancashire | ||
| Tillotson E | Sculpture - Drawings | 1994 | University of Sunderland | Fine Art | |
| Thapalyal RI | Elements of change: group exhibition | 1994 | Glasgow School of Art | The Decorative Arts | |
| Ten Hompel S | Liebfraumilch | 1994 | London Guildhall University | ||
| Tebby S | Geometric Mosaics of Roman Britain | 1994 | De Montfort University | ||
| TOVEY M.J. | Form creation techniques for automotive CAD | 1994 | Coventry University | The Design Institute | |
| Sutton T | Shaped Paintings - Painted Shapes | 1994 | The London Institute | Fine Art | |
| Sutherland P | Soundings: Cross Channel Photographic Mission | 1994 | The London Institute | Media and Communication | |
| Strowbridge B | The Madness of King George | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Stockwell S. J. | SUSAN STOCKWELL - SITE SPECIFIC INSTALLATION | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stiven C | Witnesses of Existence - a British Affirmation | 1994 | Edinburgh College of Art | Fine Art | |
| Stevens P | F1 Supercar Derivatives | 1994 | Royal College of Art | Design for Manufacture | |
| Spanyol J | Glow | 1994 | University of Central England in Birmingham | Visual Communication Research Group | |
| Soroka J | Scottish Spirit | 1994 | Edinburgh College of Art | Fine Art | |
| Soroka J | Bronfman Award Recipients from BritishColumbia and their Commonwealth Colleagues | 1994 | Edinburgh College of Art | Fine Art | |
| Smith M | Corpus, solo exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Smith M | Gridpoint, solo permanent publicly sited commission | 1994 | Glasgow School of Art | Fine Art | |
| Sly A | 'Runaway Rotovator' | 1994 | Wimbledon School of Art | Theatre technical arts | |
| Slade-Brooking C. L. | THE BORDER BOOK | 1994 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Slade-Brooking C. L. | BBC GARDENERS' WORLD MAGAZINE | 1994 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Siodmok P M | Moss Miami Orthopaedic Spinal Instrumentation. | 1994 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Bailey, S Cooper, A Rutherford, S |
| Sider L. | LONDON | 1994 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | Keith Griffiths Patrick Keiller |
| Shreeve N | Two pairs of Boulle Cabinets and a Boulle Clock | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Seddon J | An Interview with Ursula Mommens PotterSadie Speight and the Flat Book | 1994 | University of Brighton | Design History, Criticism and Theory | |
| Sear H | Gone to Earth | 1994 | University of Reading | ||
| Sear H | Gone to Earth | 1994 | The London Institute | Fine Art | |
| Scott PC | Ceramics and Print | 1994 | University of Newcastle | ||
| Schmidt E | Lapis Lazuli | 1994 | Oxford Brookes University | Creative Practice | |
| Schmidt E | Baumkreutz | 1994 | Oxford Brookes University | Social Sculpture Research Unit | Johannes Stuttgen Walter Dahn Felix Droese |
| Saunders C | Front Crawl | 1994 | London Guildhall University | ||
| Sanderson L V | 'These Colours Run ' | 1994 | Wimbledon School of Art | Painting | |
| SPENS M | The Complete Landscapes and Gardens of Geoffrey Jellico (1900-96) | 1994 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SPENS M | The Viipuri Library (1927-35) by Alvar Aalto | 1994 | University of Dundee | Critical, Historical and Theoretical Debate | |
| SCULLION L | The Horn | 1994 | University of Dundee | Industry and the Public Sector | Dalziel, M |
| SCRIVENER S. | The Lookingglass distributed shared workspace | 1994 | Coventry University | The Design Institute | CLARK, S.M. KEEN, N. |
| Rushby R | 3 cloisonn | 1994 | London Guildhall University | ||
| Royffe C D | 1994 | Leeds Metropolitan University | Environmental Art and Design | ||
| Rowe M | New Century in European Design | 1994 | Royal College of Art | Applied Art | |
| Rowe M | Candelabra | 1994 | Royal College of Art | Applied Art | |
| Ross White M | Idyllium: A Paradise Garden | 1994 | Bath Spa University College | ||
| Ross M | fall | 1994 | University of Newcastle | ||
| Rose C J | Conservation by Design | 1994 | University of Brighton | Materials Practices and Processes | |
| Rolfe N | Mid Term Retrospective | 1994 | Royal College of Art | Fine Art | |
| Roberts J | Art has no History! The Making and Unmaking of Modern Art | 1994 | University of Wolverhampton | Fine Art | |
| Richon O | Oralit | 1994 | Royal College of Art | Critical Practice | |
| Richardson C | 'We have made these things to fall from' and 'The artist Craig Richardson having an argument with the curator Jonathan Watkins' | 1994 | Oxford Brookes University | Creative Practice | |
| Richards BGR | Crystal Palace en miniature | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Ribas X | SimCity: Simulation des offentlichen Raumes | 1994 | University of Brighton | Natural and Constructed Environments | |
| Renshaw T | RSI-Tim Renshaw | 1994 | University of Reading | ||
| Reeves D | Above Memory and Transformation | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Reas P | I Can Help | 1994 | University of Brighton | Visual Communication Design | |
| Reas P | Nissan Micra | 1994 | University of Brighton | Visual Communication Design | |
| Reas P | My Father, My Son | 1994 | University of Brighton | Visual Communication Design | |
| Read SA | Standing Wave | 1994 | The London Institute | Fine Art | |
| Rana M | BRICK | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Ramsey BJ | Electrical Circuit | 1994 | Brunel University | Environmentally Sensitive Design | P Evans D Harrison |
| Ramond P | Chefs d'Oeuvre Marqueteurs: des origines a Louis XIV | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Ramond P | Chefs d'Oeuvre des Marqueteurs: de la Regence a nos jours | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| READ S | STANDING WAVE | 1994 | Middlesex University | ||
| Quinn M J | 'The Swastika: Constructing the Symbol' | 1994 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Quemby S | Printmaking from England | 1994 | Wimbledon School of Art | ||
| Purbrick L | The South Kensington Museum: The building of the house of Henry Cole | 1994 | University of Brighton | Design History, Criticism and Theory | |
| Punton L | Revisions, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Prendiville AN | Trends in New Product Development in UK High Technology Industries | 1994 | University of East London | R Davis-Cooper T Jones |
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| Preece L | The Acquisition of Knowledge: Library Steps figure II and III | 1994 | University of Brighton | Fine Art Practices | |
| Poston D | The Blacksmith and the Farmer | 1994 | Loughborough University | Fine and Applied Arts | |
| Poston D | What is Jewellery? | 1994 | Loughborough University | Fine and Applied Arts | |
| Porter LJ | Teaching Design and Technology - Has the emphasis changed? | 1994 | Brunel University | Design Pedagogy | |
| Piddington A | Shuttlecock | 1994 | Kingston University | ||
| Phillips K | Works on Paper | 1994 | Cumbria College of Art + Design | ||
| Petry M | Installation Art | 1994 | University of Wolverhampton | Fine Art | Nicolas de Oliveira Nicola Oxley |
| Petry M | The Chemistry of Love III | 1994 | University of Wolverhampton | Fine Art | |
| Petrova S | Stanislav Libensky Jaroslava Brychtova | 1994 | University of Sunderland | Institute for International Research in Glass | |
| Petherbridge D | Drawing Allusions | 1994 | Royal College of Art | Critical Practice | |
| Pennie M | Lobi | 1994 | Bath Spa University College | ||
| Patten B | What is Embroidery for? | 1994 | Bolton Institute of HE | ||
| Patrizio A | Art Unlimited. Multiples in the 1960s and 1990s from the Arts Council Collection | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curators Lane, H Martin, P Johnstone, I White, N |
| Paolozzi E | Eduardo Paolozzi: 70th Birthday Exhibition | 1994 | Edinburgh College of Art | Fine Art | |
| PAYNE M S | Ice Aesthetic Rebound (Works After A Trip to Alaska) | 1994 | University of Dundee | Coastal/Indigenous Cultures | |
| Oxley Nici | Installation Art | 1994 | London Guildhall University | ||
| Oulton T | 'Marking Time' | 1994 | University of Northumbria at Newcastle | Painting (1a) | |
| Orr C | The Small Titanic and Other Works | 1994 | Royal College of Art | Fine Art | Kevin Whately |
| Onwin G | Flammable Solid / Flammable Liquid | 1994 | Edinburgh College of Art | Fine Art | |
| Olver E | Jewellery Design: The Artisan's Reference | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Oliver V | Vaughan Oliver: Visceral Pleasures | 1994 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | Poyner, Rick |
| Ogden S | Five Porcelain Caskets | 1994 | Cumbria College of Art + Design | ||
| ORourke D | Superman: Televising Burns | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| ORourke D | Dreamstate, The New Scottish Poetry | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| O'Donnell H | Solo exhibition | 1994 | The London Institute | Fine Art | |
| O'Donnell H | The Computer in the Studio | 1994 | The London Institute | Fine Art | |
| O'Brien K | 1994 | Leeds Metropolitan University | Visual Arts | ||
| O'Brien K | Artists from Europe: Works from the Leeds European Find Art Symposium 1994 | 1994 | Leeds Metropolitan University | Visual Arts | |
| Noszlopy G | Botticelli's 'Pallas and the Centaur: An Aspect of the Revival of Late-Antique and Trecento Exegetic Allegory in the Medici Circle | 1994 | University of Central England in Birmingham | Art Education Research Group | |
| Newland P M | Informing Multimedia: a sensitive interface to data for construction design professionals. | 1994 | University of Portsmouth | Centre for New Media Research | J Powell |
| Nelson M | Tourist Hotel | 1994 | Edinburgh College of Art | Fine Art | |
| Nash D JE | Spirit of three seasons | 1994 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Myerson J | Design Renaissance: Selected Papers from the International Design Congress, Glasgow, 1993 | 1994 | Royal College of Art | Inclusive Design | |
| Mulholland N | The Fall and Rise of Crisis Criticism | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Mulholland N | Knock it Out | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Muirhead TW | James Stirling, Michael Wilford and Associates: Buildings and Projects 1975-1992 | 1994 | De Montfort University | Maxwell, R. Wilford, M. Stirling, J. |
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| Mostaghimi B | Textile Development | 1994 | University of Brighton | Materials Practices and Processes | |
| Morris L E | EAST International: 1994-2000/Riverside1999-2000 | 1994 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Morris D | Health + Safety Awareness Campaign | 1994 | Buckinghamshire Chilterns University College | Visual Communication | Phil Giggle |
| Moore D | Terra Incognita | 1994 | Edinburgh College of Art | Fine Art | |
| Montgomery I | Fifth Centennial Exhibition: Selected Scottish Paintings | 1994 | Edinburgh College of Art | Fine Art | |
| Mitchell L | Museum of Dentistry | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Milligan, A |
| Mitchell J | Abandon | 1994 | University of Reading | ||
| Mills R | Royal Shakespeare Company Printed Material | 1994 | Royal College of Art | Communications | |
| Mills R | Eno I and Eno II | 1994 | Royal College of Art | Communications | |
| Mee JM | Princess for a Day? | 1994 | De Montfort University | Safronova, Dr I | |
| Medcalf G | Artist in Residence | 1994 | The London Institute | Fine Art | |
| McNiven A | Whitechapel Open 1994 | 1994 | Edinburgh College of Art | Fine Art | |
| McNally NP | Designing for the elderly: The Blindcraft project | 1994 | Glasgow School of Art | Design | |
| McNally NP | Integrating two design cultures | 1994 | Glasgow School of Art | Educational Theory and Practice | |
| McMullen K | Lucky Man | 1994 | The London Institute | Media and Communication | |
| McKitterick J | Aitch Menswear for Ben Sherman Spring/Summer 1995 | 1994 | Kingston University | ||
| McKitterick J | Body Rap Collection Autumn/Winter 1994 | 1994 | Kingston University | ||
| McKean J M L | Crystal Palace | 1994 | University of Brighton | Design History, Criticism and Theory | |
| McKay C M | Scientific Fieldwork and Aesthetic Reflection | 1994 | University of Sunderland | Photography | |
| McIver L | 'Jesus, Mary and Joseph!' | 1994 | Napier University | Photographic Practice | Patrick Macklin |
| McHugh C | Fabrica - Co-founder + Joint Artistic Director of Contemporary Art Gallery in Central Brighton. 1994-1997Design of exhibitions and events / curation. | 1994 | University College Chichester | Design of exhibitions and events / curation | |
| McCaughey P | No Way Back, group exhibition of publicly sited works. | 1994 | Glasgow School of Art | Fine Art | |
| McCann B | Amongst the Clues | 1994 | Royal College of Art | Fine Art | |
| McBride C | New Art in Scotland - Part II, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Marshall N D | Untitled works | 1994 | University of Brighton | Materials Practices and Processes | |
| Marriott M | TGI Woody | 1994 | Royal College of Art | Design for Manufacture | |
| Mantripp C | Three Fireplaces | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Manning A | Paper After the Year 2000 | 1994 | The London Institute | Media and Communication | |
| Mach D | Fully Furnished | 1994 | Edinburgh College of Art | Fine Art | |
| Maccaulay J | 1994 | Glasgow School of Art | Historical and Critical Enquiry | ||
| Maccallum C | Louis Visconti et le Faubourg-Saint Honore: Visconti et l'Ambassade de Grande-Bretagne; l'hotel Pontalba | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| Maccallum C | Made in Scotland: la Gare du Nord | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| MacGregor B | The Multimedia Microwave Oven: Reflections on Audio-Visual Delivery Systems | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| MULHALL S. | Dispatches | 1994 | Coventry University | LYNCH, K. PIERCY, S. O'SULLIVAN, O. |
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| Lyons AR | Integration of Computing and Architectural Design | 1994 | De Montfort University | Doidge, C.W. | |
| Lord J | King Arthur and his Knights | 1994 | University of Brighton | Visual Communication Design | |
| Lomax Y | Telling Times: Tales of Photography and Other Stories | 1994 | Royal College of Art | Critical Practice | |
| Lomax T. | Urban Learning Foundation | 1994 | University College London | Sculpture | |
| Logan P J | 1994 | Leeds Metropolitan University | Design | ||
| Lievesley M A | Patent Numbers: Completed | 1994 | University of Northumbria at Newcastle | Product Design (4b) | |
| Leighton P | Saw Tooth Ramps and the M8 Project launch exhibition | 1994 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Lee R | A Question of the Spiritual | 1994 | Cumbria College of Art + Design | ||
| Lawler T | These are the Breaks | 1994 | Kingston University | ||
| Landrum A | Recent Painting | 1994 | Bath Spa University College | Crosby, C. Joseph, P. Martin, J. |
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| Lancaster J | Beyond the Surface | 1994 | De Montfort University | ||
| Kyte R | 1:9.5 detailed model `Vee twin HRD | 1994 | London Guildhall University | ||
| Klimowski A | The Depository: A dream book | 1994 | Royal College of Art | Communications | |
| Kirkwood I | Ian Kirkwood: Paintings | 1994 | De Montfort University | ||
| Kinnell F | The Student Experience | 1994 | De Montfort University | ||
| Kingston A M | 'Ansuya Blom' | 1994 | Wimbledon School of Art | Research Centre | |
| Kerr S | Tool | 1994 | Bolton Institute of HE | ||
| Kerr S | Master of Fine Arts (Film Making) Chicago | 1994 | Bolton Institute of HE | ||
| Kermik J | From Dreams to Reality Location: Baltic/Scandinavian Design and Craft Exhibition | 1994 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Kemp SWJ | Full English Breakfast | 1994 | The London Institute | Media and Communication | |
| Kemp SWJ | Munford | 1994 | The London Institute | Media and Communication | |
| Kaylan M | Bird in a Ribcage | 1994 | University of Brighton | Visual and Performing Arts | W Cowie E Aggiss |
| Katz J | Cactus EnvironmentMan Looking to Sea | 1994 | University of Brighton | Fine Art Practices | |
| Kalkhof P | Colour and Space (Farbe und Raum) | 1994 | University of Reading | ||
| KEILLER P | LONDON - 35MM COLOUR FILM | 1994 | Middlesex University | ||
| Johnston C | Colour and Textiles trends for Womenswear | 1994 | Royal College of Art | Design for Manufacture | |
| Johnston A | Alan Johnston 'Haus Wittgenstein - Inverleith House' | 1994 | Edinburgh College of Art | Fine Art | |
| Jennings C | Paradise Garden (installation 3 paintings (72 | 1994 | London Guildhall University | ||
| Jeff P A | The Mal Pope Show | 1994 | Swansea Institute of Higher Education | Design | McDonough, E |
| Jacobs S.M. | Three Birds Alighting on a Field | 1994 | University College London | Theatre Design | |
| Jackowski A | Reveries of Dispossession | 1994 | University of Brighton | Memory, Identity and History | |
| JOURNEAUX J. | The abstract image | 1994 | Coventry University | Visual Arts | LEWIS, S. |
| Ingram J | Inside Out or Outside In: Design management research, a comparison of two methods | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Davies-Cooper |
| Ingram J | Developing Funded Design Research out of Student Design Projects | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Inglis J | Carnival | 1994 | University of Central England in Birmingham | Fine Art Research Group | |
| Ingham K | High Winds and Acts of God | 1994 | Swansea Institute of Higher Education | Land and Landscape | |
| IVEY M J | L'Echasse | 1994 | University of Dundee | Contemporary Practice | Patrig Ar Goarnig Svend Christensen Heiki Kongi |
| Hunter M | Plastik in Museumgarten | 1994 | Edinburgh College of Art | Fine Art | |
| Human J | Landscape for QEII | 1994 | Anglia Polytechnic University | ||
| Hooper R | Challenge V : International Lathe Turned Objects | 1994 | Liverpool Hope | ||
| Holt RB | Installation of 11 Canvas Works | 1994 | Liverpool John Moores University | Painting and Sculpture | |
| Hollyhead B | Abbey National | 1994 | University of Brighton | Visual Communication Design | |
| Holdaway M | Whitechapel Open Exhibition | 1994 | De Montfort University | ||
| Holdaway M | Stanley Picker Trust Sculpture Masterclass, Open Tutorial with William Tucker, Elizabeth Rosser and Max Holdaway | 1994 | De Montfort University | ||
| Hines A | Globalization and the Seductive Search for Competitive Advantage - Myth or Reality? | 1994 | The London Institute | Fashion and Textiles | |
| Hiller S | Dream Machines | 1994 | University of Newcastle | ||
| Heyer A | Riviera: Seven artists from Glasgow | 1994 | The London Institute | Fine Art | |
| Heyer A | Riviera, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Healey M | Sixty seconds that will shake the world | 1994 | Cumbria College of Art + Design | ||
| Healey M | The Disaster Squad | 1994 | Cumbria College of Art + Design | ||
| Hatt CAE | 'Being There' | 1994 | Wimbledon School of Art | Painting | Andrew Bick Jane Wilbraham Paola Pezzi |
| Hatt CAE | 10 Jahre Kunstlerforderung der Stiftung Vordemberge-Gildewart | 1994 | Wimbledon School of Art | Painting | Peter Fischli Guido Geelen Maix Mayer |
| Hatt C | Ausgew | 1994 | The London Institute | Fine Art | |
| Harrison J P | A Sense of Place | 1994 | University of Portsmouth | Memory, Identity and Material Culture | Peter Mason |
| Harrison J P | She Calls Her Song | 1994 | University of Portsmouth | Memory, Identity and Material Culture | |
| Harper J W | 'House' (3 photo-constructed panels) | 1994 | University College Northampton | Fine Art Practices | |
| Harold J M | 'Mysteries of the Heart' 'The Reading Room Project' | 1994 | University of Northumbria at Newcastle | Photography (1b) | |
| Hare W | Mercure d'Ecosse. The Rev'd Robert Walker | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Hardie G M | Les Ciutats il-lustrades | 1994 | University of Brighton | Visual Communication Design | |
| Hancock L | Cirque du Soleil | 1994 | De Montfort University | ||
| Hamlyn J | 'CONCERTS DAILY AT 11AM + 8PM', 'Ends' | 1994 | Robert Gordon University | Making and Contemporary Culture | |
| Hamlyn J | Riviera, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Hakim-Dowek L | Mixed Media Series | 1994 | University of Portsmouth | Memory, Identity and Material Culture | |
| HOSKINS L | THE PAPERED WALL: HISTORY, PATTERNS AND TECHNIQUES | 1994 | Middlesex University | ||
| HEYWOOD A | Jacked Car | 1994 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| HARKNESS A | On Appraisal | 1994 | University of Lincoln | ||
| Grigor M | 1994 | Glasgow School of Art | Historical and Critical Enquiry | ||
| Griffiths K. | LONDON | 1994 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | Patrick Keiller Larry Sider |
| Griffith O | Jurgen Partenheimer: The Axis of Delicate Balance | 1994 | Edinburgh College of Art | Fine Art | |
| Grant JM | Momento Mori | 1994 | University of Plymouth | Site, Space, Location, Place | |
| Gooding M | Kim Lim | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Gooding M | Patrick Heron | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Gooding M | Patrick Heron | 1994 | Wimbledon School of Art | Research Centre | |
| Gooding M | Kim Lim | 1994 | Wimbledon School of Art | Research Centre | |
| Gilchrist B | A Way of Asking for Reasons | 1994 | Oxford Brookes University | Creative Practice | |
| Gibson L | 'Crash Subjectivity' | 1994 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Gibbs E | SQALLP / Systems questioning art live/life project | 1994 | University of Wales Institute, Cardiff | Fine Art | |
| Garfoot S | 'Saga' Range | 1994 | University of Wolverhampton | Glass | |
| Gardiner J | Digital Photo Illustration | 1994 | Bath Spa University College | ||
| Ganz A J | Inter-Act Project | 1994 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Gale D | The Empress | 1994 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Furlong W | Sound Garden | 1994 | Wimbledon School of Art | Research Centre | |
| Friend M | Country Pursuits | 1994 | The London Institute | Media and Communication | |
| Friend M | Beyond the Front Line | 1994 | The London Institute | Media and Communication | |
| Frew C | Zingmagazine - A Curatorial Crossing | 1994 | Edinburgh College of Art | Fine Art | |
| Fraser SJH | Day of Record | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Fraser D | Organic Surfaces | 1994 | University of Ulster | ||
| Fox A | Friendly Fire | 1994 | Royal College of Art | Fine Art | |
| Fox A | A Positive View | 1994 | The London Institute | Fine Art | |
| Fleming M | 1994 | Leeds Metropolitan University | Visual Arts | ||
| Fleming M | 1994 | Leeds Metropolitan University | Visual Arts | ||
| Finnemore P | Inheritance | 1994 | Swansea Institute of Higher Education | Photography | |
| Fereday G. | OPEN STUDIOS | 1994 | The Surrey Institute of Art + Design University College | Crafts | |
| English S G | DE69504364T, ZA9703665, AU715920, CN1225741, BR9709197, SI789914T, ES2125054T, CA2253286, EP0896719, CZ9701358, DE69504364D, AT170321T, US5788068, CN1171163, BR9509593, HU77142, AU2515897, CA2204373, WO9741563, GB2312665, PL319981, EP0789914, GB2291640, Z | 1994 | University of Northumbria at Newcastle | Product Design (4b) | |
| Ellis P | 1994 | Leeds Metropolitan University | Visual Arts | ||
| Ellis E | A Fine Line - Commercial Wood Engraving in Britain | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Edmonds F. A. | IMAGES OF THE EARTH | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Eccleston T | The Aberrant Object: Women, Dada and Surrealism, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Dupre F | A Different Kind of Show | 1994 | University of Central England in Birmingham | Fine Art Research Group | |
| Dunne A | Hertzian Tales | 1994 | Royal College of Art | Computer Related Design | |
| Dunne A | Hertzian Tales; electronic products, aesthetic experience and critical design | 1994 | Royal College of Art | Computer Related Design | |
| Dumbar G | Fly Opera | 1994 | Royal College of Art | Communications | |
| Douglas M | Corporate Identity | 1994 | Brunel University | Polymedia Design | |
| Douglas M | 1994 | Brunel University | Polymedia Design | ||
| Doig P | The Turner Prize | 1994 | Royal College of Art | Fine Art | |
| Doidge CW | Post-Occupancy Review of Buildings | 1994 | De Montfort University | Henderson, D.G. | |
| Docherty CA | Stylistic Change in Womenswear Products, Part II: An Exploration of the Relationship Between Hem Length and Various Economic Indicators | 1994 | De Montfort University | Hann, M.A. | |
| Dingwall H | Saut Perilleux donne Carte Blanche | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dinan Spencer C | Donkey Magic | 1994 | The London Institute | Media and Communication | Caroline Sutherland |
| Dinan Spencer C | A Treasury of Stories for Under Fives | 1994 | The London Institute | Media and Communication | |
| Dillon P | Trend information and Textile Collections Commissioned by the Taiwan Textile Federation (TTF) | 1994 | Liverpool John Moores University | Fashion and Textiles | |
| Deville N. | LOSS OF HEAT | 1994 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Denton HG | The role of group/team work in design and technology: Some possibilities and problems, Banks, F. (ed), Teaching Technology | 1994 | Loughborough University | Design Education | |
| Delano A | Our Man in the Land of Scoop | 1994 | The London Institute | Media and Communication | |
| Dawson G | Soldier Heroes: British Adventure, Empire and the Imagining of Masculinities | 1994 | University of Brighton | Memory, Identity and History | |
| Davis M | Glass Gardens | 1994 | University of Sunderland | Institute for International Research in Glass | |
| Davies P | Visual Arts Development Study | 1994 | University of Sunderland | Fine Art | |
| Davies H | 'Home from Home' | 1994 | Napier University | Photographic Practice | |
| Crumplin C | Chance Choice and Irony | 1994 | Bath Spa University College | Adams, M. Frize, B. Lasker, J. |
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| Crowther P D | New Art from Eastern Europe: Identify and Conflict | 1994 | University of Central Lancashire | ||
| Craxford A | 34 pieces of engraved and hand-carved jewellery in precious metals with precious and semi-precious stones. | 1994 | London Guildhall University | ||
| Cowie W S | Hi Jinx The Fetching Bride | 1994 | University of Brighton | Visual and Performing Arts | E Aggiss |
| Cowie W S | Beethoven in Love | 1994 | University of Brighton | Visual and Performing Arts | E Aggiss E Bentley |
| Courtenay PJ | Home | 1994 | The London Institute | Fine Art | Tony Potts George McKane The Yellow House |
| Coulter-Smith G | Mike Parr: The Self Portrait Project. | 1994 | Southampton Institute | ||
| Cooper SA | Made in Greenwich | 1994 | University of Southampton | ||
| Cooke J | St Peter's from International Factors Brighton | 1994 | University of Brighton | Visual Communication Design | |
| Collins J | The Knocky | 1994 | Wimbledon School of Art | Theatre Design | Roxana Silbert Dominic Tickell |
| Collins H | Signs of Life | 1994 | Royal College of Art | Fine Art | |
| Cohen B. | Bernard Cohen: Thirty Five Years of Drawing | 1994 | University College London | Painting | |
| Clegg RDPC | An American Passion: The Kasen Summer Collection of Contemporary British Painting | 1994 | The London Institute | Fine Art | |
| Clarkson nee Stevens B | Embroidered Samplers in England | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Clarke S R I | Creative Design Practices in Hypermedia | 1994 | University of Portsmouth | Centre for New Media Research | S Jain P Burrell |
| Clarke R | East Open | 1994 | De Montfort University | ||
| Clark S | Samantha Clark | 1994 | Edinburgh College of Art | Fine Art | |
| Clark R | 'My Little World', one-person exhibition | 1994 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Cherry N | Jewellery and Metalwork | 1994 | University of Central England in Birmingham | Jewellery Research Group | |
| Chatwin P | Towards a New Century in European Design | 1994 | Manchester Metropolitan University | Martin P | |
| Chapman J | Maths Everywhere | 1994 | The London Institute | Media and Communication | Martin Clarke |
| Chandler D | Boxer: an anthology of writing on boxing and visual culture | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chaimowicz M C | Peintures et Objets, Marc Camille Chaimowicz | 1994 | University of Reading | ||
| Cawthorne DA | Analytical Investigation of the Steady State Behaviour of Dynamic and Diffusive Insulation | 1994 | De Montfort University | Taylor, B.J. Imbabi, M.S. |
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| Cassim J | Art + the Inner Eye # 1 | 1994 | Royal College of Art | Inclusive Design | |
| Carlisle A | Distant Voices | 1994 | University of Wales College, Newport | Photography | Keith Arnatt Kieran Lyons Eileen Little |
| Campany D. | AUTO INTERVIEW | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Cakin AS | Inquiry by Design | 1994 | De Montfort University | ||
| Cairns B | Poster for Seattle International Film Festival | 1994 | Glasgow School of Art | Principles of Drawing | |
| CONWAY R | MAXIMUM EXPOSURE | 1994 | Middlesex University | ||
| CHISHOLM R G | A preproduction prototype for a yacht | 1994 | University of Dundee | Industry and the Public Sector | W A Simpson Marine, Dundee |
| Butterworth E | Elizabeth Butterworth - Solo Show | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butler P. | EAST INTERNATIONAL | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Bushe R | 'Robbie Bushe - New Pictures' - 60 oils, acrylics, watercolours, drawings and prints. Dimension between 18x14 ins and 60x60 ins. | 1994 | University College Chichester | Painting | |
| Burton A | Walls, Mountains, Millstones | 1994 | University of Newcastle | ||
| Burrows M W | Matthew Burrows | 1994 | University of Huddersfield | ||
| Burrows M W | Matt Burrows | 1994 | University of Huddersfield | ||
| Buckley S | Excursions: Small Paintings by Stephen Buckley | 1994 | University of Reading | ||
| Bruton J | Images from Birmingham: Contemporary Painting | 1994 | The London Institute | Fine Art | |
| Bruton J | Images from Birmingham: Contemporary Painting | 1994 | University of Southampton | ||
| Brock PM | Expofil | 1994 | The London Institute | Fashion and Textiles | |
| Britton A | The Raw and the Cooked - New Work in Clay in Britain | 1994 | Royal College of Art | Applied Art | |
| Brind S | Mysteries of the Heart, solo exhibition | 1994 | Glasgow School of Art | Fine Art | Jim Harold |
| Briggs P M | The Golden Hind | 1994 | Nottingham Trent University | Design | |
| Brierley ES | The Boundaries of Architectural Research | 1994 | De Montfort University | ||
| Brettle J L | Public Bodies, Private States - New Views on Photography, Representation and Gender | 1994 | University of Northumbria at Newcastle | Photography (1b) | Rice, S |
| Brettle J | Public Bodies - Private States: New Views on Photography Representation and Gender | 1994 | Edinburgh College of Art | Fine Art | |
| Brettle J | HISTORY: Image Based Art in Britain in the Late 20th Century | 1994 | Edinburgh College of Art | Fine Art | |
| Bradac J | Solo exhibition | 1994 | The London Institute | Fine Art | |
| Bradac J | Artists Book Exhibition | 1994 | The London Institute | Fine Art | |
| Bradac J | Artists' Book Fair | 1994 | The London Institute | Fine Art | |
| Bonnell M | LAMU B | 1994 | Bath Spa University College | ||
| Blamey D. | LOOKING AT WORDS: READING PICTURES | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Black S | Scanning the Inner Fabric | 1994 | The London Institute | Fashion and Textiles | |
| Bevan P | Small World, Small Works | 1994 | Southampton Institute | ||
| Bevan A | The Sum of All Parts | 1994 | Edinburgh College of Art | Fine Art | |
| Bergne S | Street of Young Designers | 1994 | Royal College of Art | Design for Manufacture | |
| Bell J | The successful hanging of a harp: a glance at willows | 1994 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Beech D | Francis Picabia: Another Failure to Interpret the Work | 1994 | University of Wolverhampton | Fine Art | Mark Hutchinson |
| Baynes K | Design Works (Exhibition design) | 1994 | Loughborough University | Design Education | |
| Baxter H | Torquatto Tasso by Goethe | 1994 | Wimbledon School of Art | Theatre costume | Robert David Macdonald Julian McGowan |
| Bate DH | Mise-en-Scene of Desire | 1994 | University of Westminster | Visual Media | |
| Batchelor R | 'Not Looking at Kettles' | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Batchelor R | Henry Ford - Mass Production, Modernism and Design | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Baker-Brown D | FutureHouse | 1994 | University of Brighton | Materials Practices and Processes | I McKay |
| Baker-Brown D | CityVision | 1994 | University of Brighton | Natural and Constructed Environments | I McKay |
| Bailey S | Microsource - X Ray Emittor and Control Panel | 1994 | University of Northumbria at Newcastle | Automotive Design (4a) | Siodmok, P Cooper, A |
| BELL R | Artist as Teacher | 1994 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Ashley-Smith J | Let's be Honest: Realistic Environmental Parameters for Loaned Objects | 1994 | Royal College of Art | Conservation | |
| Ashley M | From Cuneiform to DTP: Is there a pattern? | 1994 | The London Institute | Media and Communication | |
| Archer MG | Installation Art | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Aggiss E | Falling Apart at the Seams (so it seems) | 1994 | University of Brighton | Visual and Performing Arts | W Cowie |
| Aggiss E | Absurditties | 1994 | University of Brighton | Visual and Performing Arts | W Cowie |
| Aggiss E | Beethoven in Love | 1994 | University of Brighton | Visual and Performing Arts | W Cowie - Composer B Bentley - Director |
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