| Author |
Title |
Date |
Place of Publication |
Research Group |
Co-Authors |
| Woodham J M |
An Episode in Post-Utility Design Management: the Council of Industrial Design and the Co-operative Wholesale Society |
1999 |
University of Brighton |
20th Century Design and Film Archives |
|
| Woodham J M |
Managing British Design Reform I: Fresh Perspectives on the Early Years of the Council of Industrial Design |
1996 |
University of Brighton |
20th Century Design and Film Archives |
|
| Woodham J M |
Twentieth Century Design |
1997 |
University of Brighton |
20th Century Design and Film Archives |
|
| Whitworth L K |
How German is She? Postwar West German Reconstruction and the consuming woman |
2000 |
University of Brighton |
20th Century Design and Film Archives |
|
| Whitworth L K |
Living in a Material World |
1999 |
University of Brighton |
20th Century Design and Film Archives |
|
| Whitworth L K |
Shop/Shopfloor: Men's Sense of Belonging in 1930s Coventry |
2000 |
University of Brighton |
20th Century Design and Film Archives |
|
| Van Dooren I |
Charles Peace, der Fall und die Filme |
1997 |
University of Brighton |
20th Century Design and Film Archives |
|
| Van Dooren I |
Ladies and Gentlemen, Hats off, Please! Dutch film lecturing and the case of Cor Schuring |
1996 |
University of Brighton |
20th Century Design and Film Archives |
Ivo Blom |
| Van Dooren I |
Travelling Times |
1996 |
University of Brighton |
20th Century Design and Film Archives |
|
| Van Dooren I |
Leinwandreisen um die Welt |
1999 |
University of Brighton |
20th Century Design and Film Archives |
|
| Moriarty C |
A Back Room Service? The Council of Industrial Design Photographic Library 1945-1965 |
2000 |
University of Brighton |
20th Century Design and Film Archives |
|
| Lacey J |
Seeing through Happiness: Hollywood Musicals and the Construction of the American Dream in Liverpool in the 1950s |
1999 |
University of Brighton |
20th Century Design and Film Archives |
|
| Gray W F |
Smith versus Melbourne-Cooper: History and Counter-History |
1999 |
University of Brighton |
20th Century Design and Film Archives |
|
| Gray W F |
Smith the Showman: The Early Years of George Albert Smith |
1998 |
University of Brighton |
20th Century Design and Film Archives |
|
| Gray W F |
James Williamson's 'Composed Picture': Attack on a china mission - Bluejackets to the Rescue (1900) |
1998 |
University of Brighton |
20th Century Design and Film Archives |
|
| Gray W F |
West Sussex Cinema |
1996 |
University of Brighton |
20th Century Design and Film Archives |
A Eyles A Readman |
| ten Hompel S |
Objects of Our Time |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| ten Hompel S |
Metalmorphosis |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| ten Hompel S |
Contemporary British Silver |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| ten Hompel S |
A Feast of Silver: Marked for the Millennium |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Zimmerman AL |
Science without Effect |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Zimmerman AL |
Nothing exists in degrees of overexposure |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Zimmerman AL |
Vision Machine |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Zimmerman AL |
Six Ordinary Happenings |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Waugh A |
Cantaloupe Bar and Grill |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
Anthony Thistleton |
| Waugh A |
The Light |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
Anthony Thistleton |
| Waugh A |
The Blue Note Club |
1994 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Waugh A |
Anya Hindmarch |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
Anthony Thistleton |
| Watson LJ |
Mens and Womens Jewellery for Wedgwood |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Watson LJ |
Exhibition and Workshop |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Watson LJ |
New Jewellery Collections |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Watson LJ |
World Gold Council Commission |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Treplin A |
The Coronation of poppea |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Treplin A |
The Three Sisters |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Treplin A |
Eurydice |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Treplin A |
Orpheus in the Underworld |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Thompson V |
British Airports Authority - commissioned design and build |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Thompson V |
EMI Archive - commissioned interior design and fitting out |
1995 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Thompson V |
Library for Centre for Language Teaching and Research - commissioned design and fitting out |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Thompson V |
Caribbean Heritage Project Commission - commissioned project design and strategic plan |
1995 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Strowbridge B |
The Madness of King George |
1994 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Strowbridge B |
Macbeth |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
Brigette Reiffensteul |
| Strowbridge B |
Caucasian Chalk Circle |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Strowbridge B |
Wallace and Gromit |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Stofer H |
Jewellery and Small Objects |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Stofer H |
Brick |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Stofer H |
Metalmorphosis - British Silver and Metalwork |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Stofer H |
Shelf Life |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Startup J |
Sinn and Form |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Startup J |
Bell Lamp; Gervasoni Collection |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Startup J |
Wind, Gervasoni Collection |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Startup J |
International Design Resource Awards Exhibition |
1995 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Slee R |
Jinro International Ceramic Art Exhibition |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Slee R |
A Grand Design: The Art of the Victoria and Albert Museum |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Slee R |
Firing Imagination: Ceramica Britannica |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Slee R |
The Jerwood Prize for Applied Arts: Ceramics |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Rihl LF |
Biennale Internationale Design 1998 |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
Christopher Procter |
| Rihl LF |
Design Union of Britain |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
Christopher Procter |
| Rihl LF |
International Contemporary Furniture Fair |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
Christopher Procter |
| Rihl LF |
Objects of Our Time |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
Christopher Procter |
| Richards BGR |
Phenomenal Transparency |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Richards BGR |
Crystal Palace en miniature |
1994 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Richards BGR |
RAUMstationen; Mettamorphosen des Raumes im 20 Jahrhundert |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Richards BGR |
Broadfield House Glass Museum |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Rhodes NA |
Scarlett |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Rhodes NA |
Chunk |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Rhodes NA |
Chiemsee Two |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Rhodes NA |
Airbag |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Rana M |
British Jewellery |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Rana M |
Contemporary applied Art/Metalwork aus England |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Rana M |
Only Human |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Rana M |
BRICK |
1994 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Quinn AM |
Cornucopia Bone China Giftware |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Quinn AM |
Lead Crystal Glassware 'Zest' design to compliment tableware |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Quinn AM |
Single Stem Vases |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Quinn AM |
Porcelein tableware Royal Worcester 'Essentials' |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Poncelet J |
Material Culture: The Object in British Art of the 1980s and 90s |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Poncelet J |
A Stranger Here Myself |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
Laura Ford |
| Poncelet J |
Attending to the Barely Made |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
Penelope Curtis |
| Poncelet J |
British Art Now 5 |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
Pippa Coles Matthew Higgs |
| Piper JF |
Stop Thief (Design Against Crime) |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Piper JF |
5500FF Polaroid APS Camera |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Piper JF |
Teddy Chair |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Piper JF |
Products for Life Collection of Rubber Accessories for Home and Office |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Olver E |
Generation Series |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Olver E |
De Beers Diamond Day |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Olver E |
Subject 96 |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Olver E |
Jewellery Design: The Artisan's Reference |
1994 |
The London Institute |
3-Dimensional and Environmental Design |
|
| McNicoll C |
Knick-Knacks |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| McNicoll C |
Decadence |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| McNicoll C |
Objects of Our Time |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| McNicoll C |
British Ceramics 2000.dk |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Lefteri C |
Wee Willie Winkie and Humpty Dumpty |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Lefteri C |
Wireworks |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Lefteri C |
Ben and Rosie's bunk bed |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Lefteri C |
Table-ware Mash restaurant |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Knight K |
Don Giovanni |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Knight K |
Sweeney Todd |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Knight K |
Truman Copote Talk Show and Dylan Thomas Return Journey |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
Sir Anthony Hopkins |
| Knight K |
Birdy |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Kesseler RS |
Art Athina 5 '97 |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Kesseler RS |
Le Dejeuner Sur L'Herbe |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Kesseler RS |
MOKPO International Ceramics Pre-Expo 2000 |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Kesseler RS |
Another View |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Johnston M |
Ordinary People |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Johnston M |
Activ Walking Frame |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Johnston M |
The Designer's Role in the Aging Process |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Johnston M |
Design Aid: A design resource about disabled people as consumers |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Jensen SA |
Divided by Resistance |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
Bruce Gilchrist Jonny Bradley Graham Russell |
| Jensen SA |
Elemental |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
Graham Russell Geoff Stewart David Germond |
| Jensen SA |
Vivienne Westwood - retail units and limited edition interior fitting for world wide concessions |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
Graham Russell Geoff Stewart David Germond |
| Jensen SA |
EL3 |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Hughes BR |
Pagewiz2 Colour Scanner |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Hughes BR |
In the Bag and Off the Wall; Design Against Crime initiative |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Hughes BR |
Pursuit Home Computer System |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Hughes BR |
Lightbug |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Howard P |
Happy Birthday Bertolt Brecht |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Howard P |
Concierto Barroco |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Howard P |
The Master Builder |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Howard P |
Ralph Koltai Retrospective |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Hearn K |
Strata Cast Jasper - Wedgwood |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Hearn K |
Contemporary Decorative Arts |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Hearn K |
Contemporary Decorative Arts |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Hearn K |
Learning by Experience, Waking up to New Design and Image Opportunities |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Fraser SJH |
Jewellery Moves |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Fraser SJH |
Day of Record |
1994 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Fraser SJH |
Made to Wear The Lethaby Gallery |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Fraser SJH |
Jewellery in Europe and America |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Filmer N |
Be-hind Be-fore Be-yond |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Filmer N |
A Long False Equator |
1995 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Filmer N |
Collection of Jewellery by Naomi Filmer |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Filmer N |
Naomi Filmer - work for the Jerwood Applied Arts Prize |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Docherty PA |
In the Darkness of Light |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Docherty PA |
Papillion |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Docherty PA |
Design for Performance from Diaghilev to the Pet Shop Boys |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Docherty PA |
Rosalinda |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Chowdhary LC |
Metropolis |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Chowdhary LC |
Ceramic Frieze |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
Ian Bilbey |
| Chowdhary LC |
Cast Clay Modules |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Chowdhary LC |
Ceramic tiled interior |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Chipperfield J |
22 glass dishes with commemorative inscriptions |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Chipperfield J |
The Plate Show |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Chipperfield J |
Gestaltendes Handwerk - Meister der Modern - M |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Chipperfield J |
Vom Kontinent Zur Insel |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Callinicos E |
Tectonic: Three Relationships Between Craft and Architecture |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Callinicos E |
Jerwood Applied Arts Prize 2000: Jewellery |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Callinicos E |
Jewellery Moves: Ornament for the 21st Century |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Callinicos E |
Objects of Our Time |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Brooks PR |
Naturaleza Muerta Con Insectos |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Brooks PR |
L'Ascensore |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Brooks PR |
Peepshow |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Brooks PR |
A Plague on Both Your Houses |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bright A |
Metalmorphosis - Tradition and Innovation in British Silver and Metalwork 1880-1998 |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bright A |
Steekje Los! (Slipstich: New Concepts in Knitting) |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bright A |
Sensor, Body, Sensor |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bright A |
Beyond Material: The New Crafts of the 90s |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bolton JS |
Slot and Go/Easy Load Retailing Bag Dispensing System |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bolton JS |
Pinch Pull Retailing Bag Dispensing System |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bolton JS |
V-Bag Dispensing System (Modified Pinch Pull) |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bolton JS |
Checkout Bag Dispensing System (Boxless Pinch Pull) |
2000 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bessey P |
Wipes Dispensing Container |
1995 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bessey P |
Digital Mechanical Lock Mechanism |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bessey P |
Infant Safety Carseat |
1996 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Bessey P |
Sheet Material Dispenser |
1997 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Ball R |
Golden Delicious |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Ball R |
One Table and Two Lamps |
1998 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Ball R |
100 Light Years is a Long Way |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Ball R |
Red Sky at Night |
1999 |
The London Institute |
3-Dimensional and Environmental Design |
|
| Wood M H |
Visions Norway: A Norwegian British Partnership at the Millennium |
1999 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
Brun, H J Koefoed, H Varley, W |
| Wood M H |
Norman Cornish |
1999 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
Chaplin, M |
| Wood M H |
Ducati 2000: an icon for the century |
2000 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
Walker, M |
| Wood M H |
'British Impressionism in Japan.' and' The Victorian Imagination' |
1997 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Roper G S |
'Artlanta' |
1996 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Roper G S |
Roper: recent works |
1995 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Roper G S |
'The Moon Garden' a Japanese garden at Westlakes' |
1995 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
Ryu Group School of Art Conte-Helm, M |
| Roper G S |
The Tallest Tree in the Karelian Forest |
1996 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
Hoppa, H |
| Nash D JE |
Spirit of three seasons |
1994 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Nash D JE |
Chwarel Goed / Wood Quarry |
2000 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Nash D JE |
'M |
1995 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Nash D JE |
Line of Cut sculpture exhibition |
1996 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| More J J |
'Living at Belsay' |
1996 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| More J J |
Sitooteries |
2000 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| More J J |
Creative Collaborations Exhibitions |
1996 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| More J J |
The Development of a Learning Organisation for Design Practice within the University |
1999 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Leighton P |
GSA Art in Architecture Commission - permanent public sculpture |
2000 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
Lehman Smith McLeish |
| Leighton P |
'Paraclet' |
2000 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Leighton P |
The Wyndings - Public permanent sculpture |
1999 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Leighton P |
Saw Tooth Ramps and the M8 Project launch exhibition |
1994 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Dorsett C J |
Resurrection Shuffle: A Story of Storage |
1998 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Dorsett C J |
Acts of Audience |
1997 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Dorsett C J |
'Divers Memories/Hong Kong' |
1998 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
Lam, A |
| Dorsett C J |
Divers Memories/Muistoja Syv |
1996 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Baker Alder H A |
New Images: Britain and Australia into the 21st Century |
1997 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Baker Alder H A |
'Strands 2: Contemporary British Art' |
2000 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Baker Alder H A |
'Ship' |
2000 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Baker Alder H A |
VANE 99 (Visual Arts North East) |
1999 |
University of Northumbria at Newcastle |
A + D in the Landscape/A + D Management (2c) |
|
| Topping M J |
The Development of handy 1. A robotic system to assist the severely disabled. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
J. Smith |
| Topping M J |
Handy 1 - A Rehabilitation Robotics System for the Severely Disabled, keynote lecture. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Topping M J |
HATS: Development and Clinical Evaluation of a Computerised Hand-Assessment System |
1999 |
Staffordshire University |
ARi, School of Art + Design |
O. Perlick H. Heck M. Fathmann |
| Topping M J |
HATS A High Technology Hand Assessment System |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Thompson L J |
Exhibition of glass 'Vessels'. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Thompson L J |
Pilchuck Glass Scholarship and Glass Auction, Seattle |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Thompson L J |
Glass Education: A British Perspective. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
S. Pattani |
| Thompson L J |
Gallery refurbishment, Bluecoat Display Centre, Liverpool |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Stubbs N |
The White Room (drama, 14 mins, 16mm film, 1995) |
1995 |
Staffordshire University |
ARi, School of Art + Design |
R. Tillotson |
| Stubbs N |
La Mere Sauvage (drama, 30 mins, 16mm film, 1997) |
1997 |
Staffordshire University |
ARi, School of Art + Design |
E. Wass |
| Stubbs N |
Seavitamins (documentary, 10 mins, 16mm film, 1998) |
1998 |
Staffordshire University |
ARi, School of Art + Design |
K. Chang |
| Stubbs N |
Matinee (drama, 3mins, 35mm film, 2000) |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Smith J |
A Study to Compare the Food Scooping Performance of the 'Handy 1' Robotic Aid to Eating, using Two Different Dish Designs. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
M J Topping J Makin |
| Smith J |
The Development of Handy 1, a Rehabilitation Robotics System. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
M J Topping |
| Smith J |
Study to Determine the main Factors Leading to the overall success of the Handy 1 Robotic System. |
1997 |
Staffordshire University |
ARi, School of Art + Design |
M J Topping |
| Smith J |
The Introduction of a Robotic Aid to Drawing into a School for Physically Handicapped Children: a Case Study. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
M J Topping |
| Sherrell J P |
Foreign Bodies |
1995 |
Staffordshire University |
ARi, School of Art + Design |
|
| Sherrell J P |
Jennifer Sherrell, Prints. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Sherrell J P |
Critical Mass |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Sherrell J P |
Cool Green. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Shave T J |
Cool Green. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Shave T J |
Loaded. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Shave T J |
Bad Faith. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Shave T J |
Warming Up. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Sayers P C |
Dragged. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
S. Pucill |
| Sayers P C |
Woman's Realm. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Sayers P C |
Warming Up. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
S. Schneider |
| Sayers P C |
Chronos ein-Tag. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Rooney P |
Presence: Banner Paintings and Audio Works. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Rooney P |
My Eye Hurts. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Rooney P |
Common Culture: Counter Culture |
1999 |
Staffordshire University |
ARi, School of Art + Design |
D. Campbell M. Durden |
| Rooney P |
At a Distance From (video). |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Pucill S. |
Mirrored Measure (film 16mm, 10mins). |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Pucill S. |
Swollen Stigma (film 16mm, 20mins) |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Price M L |
Dr Missy's communicating on the internet. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Price M L |
Creating and using a 'Virtual Base Room'. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
C. Chambers |
| Price M L |
Sleeping with the enemy, web based learning without a safety net. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Price M L |
Student satisfaction with distance education and medium of instruction: Is there a relationship? |
1995 |
Staffordshire University |
ARi, School of Art + Design |
|
| Powell N A |
An attempt at a Textual Analogue of a Possible Art and Language Exhibition. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
M. Corris |
| Powell N A |
Cut, Made and Unmade. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Powell N A |
Foreign Bodies. |
1995 |
Staffordshire University |
ARi, School of Art + Design |
|
| Powell N A |
'The Artist Out of Work: Art + Language 1972-81'. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Pattani S |
Lightworks: The Works of Elizabeth Swinburne. Conversations with an artist. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Pattani S |
Northlands Creative Glass Artist Residency and exhibition. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Pattani S |
Glass Education: A British Perspective. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
L Thompson |
| Pattani S |
Clear Perspectives. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Palmer M |
The Actualisation of the Virtual. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Palmer M |
The Foregrounding of the Issue of Space. |
1997 |
Staffordshire University |
ARi, School of Art + Design |
|
| Palmer M |
The Aesthetics of Emergence. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Palmer M |
Reconsidering the Virtual. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Newton J K |
I Spy - Representations of Childhood. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
Catherine Fehily Jane Fletcher |
| Newton J K |
The Future Looms |
1999 |
Staffordshire University |
ARi, School of Art + Design |
Catherine Fehily |
| Newton J K |
Shifting Horizons - Women's Landscape Photography Now. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
Catherine Fehily Liz Wells |
| Newton J K |
In Spite of Appearances. |
1997 |
Staffordshire University |
ARi, School of Art + Design |
Catherine Fehily |
| Melia P D |
Peter Greenaway: The Framer Framed. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
K Griffiths D Pascoe M O'Pray |
| Melia P D |
David Hockney: You Make the Picture. Paintings and Prints 1982-1995. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Melia P D |
David Hockney: A Drawing Retrospective |
1995 |
Staffordshire University |
ARi, School of Art + Design |
Ulrich Luckhardt |
| Melia P D |
Peter Greenaway: Artworks 63-98. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
Alan Woods |
| McLaren G M |
Shaping the Future: the Ceramics Department and industry after the Second World War |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| McLaren G M |
Moving Forwards but Looking Backwards: The Dynamics of Design Change in the Early Post-war Pottery Industry. |
1997 |
Staffordshire University |
ARi, School of Art + Design |
|
| McLaren G M |
Netting Clay. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| McLaren G M |
Utility Forgot: Shaping the Future of the British Pottery Industry 1941-1945 |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Lemon E |
Artist-in-Residence. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Lemon E |
Sculpture/installation |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Lemon E |
IN-TRANSIT - Some Contemporary British Art. |
1997 |
Staffordshire University |
ARi, School of Art + Design |
|
| Lemon E |
The Box Project, Museum of Installation. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Lebbon C |
Participant research in design education. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
S. Boess |
| Lebbon C |
Wellbathing - attitudes and well-being of older consumers in relation to bathing. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
S. Boess |
| Knight L M |
'Animate! - The UK Arts Council and Channel Four Funded Commissioning Scheme. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Knight L M |
The Mare's Tale. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
M. Wouda A. Craddock M. de Vries |
| Knight L M |
Patterns of Delivering Animation Education to Pre-Degree Students as part of a School Curriculum |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Knight L M |
Flip to Zip - Methods of Introducing Animation into the Art and Design Curriculum. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Griffiths B L |
Intranet Design, Development and Evaluation. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Griffiths B L |
Developing complete MA courses within a VLE. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
P Russell P Lucking |
| Griffiths B L |
Design Guidelines: a constraint on creativity or good practice? |
1999 |
Staffordshire University |
ARi, School of Art + Design |
P Russell D Durling |
| Griffiths B L |
From formgiving to braingiving. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
D Durling |
| Grayson J |
Exhibition, Chelsea Crafts Fair 2000. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Grayson J |
Made in the Middle. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Grayson J |
The Great Exhibition. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Grayson J |
'Go By Bus' printed tin automata |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Grainger H J |
'Distressingly Banal': The architecture of early British Crematoria |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Grainger H J |
Golders Green Crematorium and the Architectural Expression of Cremation. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Grainger H J |
'One of Whom we Know but Little...' John Loughborough Pearson and the Ecclesiologists |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Grainger H J |
The Perspective Drawing and English Domestic Architecture of the 1880s. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Fehily C |
The Future Looms. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
K Newton |
| Fehily C |
In Spite of Appearances. |
1997 |
Staffordshire University |
ARi, School of Art + Design |
K Newton |
| Fehily C |
I Spy - Representations of Childhood. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
K Newton J Fletcher |
| Fehily C |
Shifting Horizons - Women's Landscape Photography Now. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
K Newton L Wells |
| Eglin P M |
Exhibition of the Jerwood Prize for Applied Arts: Ceramics, 1996 |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Eglin P M |
Workshop/residency at EKWC in Netherlands. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Eglin P M |
Group Exhibition, British Ceramics 2000. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Eglin P M |
Solo exhibition, Garth Clark Gallery, New York. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Durling D L |
Doctorates in Design: Good or Bad?, keynote lecture, 4th Asian Design Conference on Design Science 1999, Nagaoka, Japan. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Durling D L |
Computer aided instruction using styles. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Durling D L |
Personality and learning preferences of students in design and design-related disciplines |
1996 |
Staffordshire University |
ARi, School of Art + Design |
N. Cross J. Johnson |
| Durling D L |
Doctoral Education in Design: Foundations for the Future. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
K. Friedman |
| Davison M A |
'Sculpture for the Virtual World'. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Davison M A |
Fathom. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Davison M A |
'Hypothetical'. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Davison M A |
The Mule. |
1997 |
Staffordshire University |
ARi, School of Art + Design |
D. Tyman E. Rushton |
| Cruise C J |
'Artists' clothes: some observations on male artists and their clothes in the nineteenth century'. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Cruise C J |
'Error and Eros: The Fiction of Forrest Reid as a Defence of Homosexuality'. |
1997 |
Staffordshire University |
ARi, School of Art + Design |
|
| Cruise C J |
'Versions of the Annunciation: Wilde's Aestheticism and the message of beauty' |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Cruise C J |
''Lovely devils': Simeon Solomon and Pre-Raphaelite masculinity. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Cleverly J G |
Site Specific Installation. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Cleverly J G |
Exhibition of Automata. |
1997 |
Staffordshire University |
ARi, School of Art + Design |
|
| Cleverly J G |
Les Nouveaux Alchimistes. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Cleverly J G |
Crafting Participation: Interaction With and Around, Aesthetic, Tangible Artefacts. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
D. vom Lehn C. Heath P. Luff |
| Campbell D |
Plotting Polke. |
1996 |
Staffordshire University |
ARi, School of Art + Design |
|
| Campbell D |
Common Culture: Counter Culture |
1999 |
Staffordshire University |
ARi, School of Art + Design |
Paul Rooney Mark Durden |
| Campbell D |
Thankyouverymuch...huh,huh! |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Campbell D |
Common Culture |
2000 |
Staffordshire University |
ARi, School of Art + Design |
Paul Rooney Mark Durden |
| Boyd S C |
Proximity. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Boyd S C |
European Rustic. |
1999 |
Staffordshire University |
ARi, School of Art + Design |
|
| Boyd S C |
Cool Green. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Boyd S C |
Beyond the WOW Factor. |
1995 |
Staffordshire University |
ARi, School of Art + Design |
|
| Ashton P C |
Doing the Right Thing. Social Processes in Design Learning. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
D Durling |
| Ashton P C |
Learning Theory Through Practice. |
1998 |
Staffordshire University |
ARi, School of Art + Design |
|
| Ashton P C |
Collective Action for Design Learning. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Ashton P C |
The Social Aspects of Design Learning - Assessing the Value of the Studio in Undergraduate Design Education. |
2000 |
Staffordshire University |
ARi, School of Art + Design |
|
| Webb T |
Six of One |
2000 |
Royal College of Art |
Animation |
|
| Webb T |
A is for Autism |
1994 |
Royal College of Art |
Animation |
|
| Webb T |
Silence |
1997 |
Royal College of Art |
Animation |
|
| Webb T |
15th February |
1995 |
Royal College of Art |
Animation |
|
| Lingford R |
Death and the Mother |
1999 |
Royal College of Art |
Animation |
|
| Lingford R |
'Kentridge at the Serpentine' |
1999 |
Royal College of Art |
Animation |
|
| Lingford R |
Pleasures of War |
1998 |
Royal College of Art |
Animation |
|
| Lingford R |
What She Wants |
1997 |
Royal College of Art |
Animation |
|
| Ashworth J |
Representations of Water in Model Animation, or: How Mermaids Breed |
2000 |
Royal College of Art |
Animation |
|
| Ashworth J |
Eggs, Fish and Blood |
1999 |
Royal College of Art |
Animation |
|
| Ashworth J |
Ceremony of Innocence |
1997 |
Royal College of Art |
Animation |
|
| Ashworth J |
Christmas on BBC1 Campaign |
1996 |
Royal College of Art |
Animation |
|
| Watkins D |
A New Century in European Design |
1994 |
Royal College of Art |
Applied Art |
|
| Watkins D |
The Best in Contemporary Jewellery |
1994 |
Royal College of Art |
Applied Art |
|
| Watkins D |
Voyager : K |
2000 |
Royal College of Art |
Applied Art |
|
| Watkins D |
A Design Sourcebook |
1999 |
Royal College of Art |
Applied Art |
|
| Smith M |
Martin Smith: Ceramics |
1999 |
Royal College of Art |
Applied Art |
|
| Smith M |
Martin Smith |
1995 |
Royal College of Art |
Applied Art |
|
| Smith M |
Artisti dal Mondo: Museo Internazionale Delle Ceramiche |
1999 |
Royal College of Art |
Applied Art |
|
| Smith M |
Balance and Space: Ceramics 1976-1996 |
1997 |
Royal College of Art |
Applied Art |
|
| Rowe M |
New Century in European Design |
1994 |
Royal College of Art |
Applied Art |
|
| Rowe M |
Metalmorphosis, Tradition and Innovation in British Silver and Metalwork 1880 - 1998 |
1998 |
Royal College of Art |
Applied Art |
Clifford, H Goldscheider, I Naylor, G |
| Rowe M |
Exhibition of Finalists for the 1st European Prize for Contemporary Art and Design-led Crafts |
1998 |
Royal College of Art |
Applied Art |
|
| Rowe M |
Candelabra |
1994 |
Royal College of Art |
Applied Art |
|
| Ramshaw W |
Millennium Medals |
1999 |
Royal College of Art |
Applied Art |
|
| Ramshaw W |
Millennium Exhibition |
2000 |
Royal College of Art |
Applied Art |
|
| Ramshaw W |
Double Screen EH9681 |
1996 |
Royal College of Art |
Applied Art |
|
| Ramshaw W |
Picasso's Ladies |
1998 |
Royal College of Art |
Applied Art |
|
| Margetts M |
Beyond Material: new craft of the 1990s |
1998 |
Royal College of Art |
Applied Art |
|
| Margetts M |
Only Human |
1999 |
Royal College of Art |
Applied Art |
|
| Margetts M |
Embody |
1998 |
Royal College of Art |
Applied Art |
|
| Margetts M |
Objects of Our Time |
1996 |
Royal College of Art |
Applied Art |
|
| Cooper E |
Ten Thousand Years of Pottery |
2000 |
Royal College of Art |
Applied Art |
|
| Cooper E |
(Un)limited: Repetition and Change in International Craft |
2000 |
Royal College of Art |
Applied Art |
|
| Cooper E |
New Ceramics: Emmanuel Cooper |
1996 |
Royal College of Art |
Applied Art |
|
| Cooper E |
Emmanuel Cooper - Ceramics |
2000 |
Royal College of Art |
Applied Art |
|
| Clegg T |
Tessa Clegg: Hidden Secrets |
1999 |
Royal College of Art |
Applied Art |
|
| Clegg T |
Tessa Clegg: New works |
1998 |
Royal College of Art |
Applied Art |
|
| Clegg T |
Play boxes I, II and III |
1996 |
Royal College of Art |
Applied Art |
|
| Clegg T |
The Jerwood Prize for Applied Arts 1998: Glass |
1998 |
Royal College of Art |
Applied Art |
|
| Britton A |
The Raw and the Cooked - New Work in Clay in Britain |
1994 |
Royal College of Art |
Applied Art |
|
| Britton A |
Form and Fiction |
1995 |
Royal College of Art |
Applied Art |
|
| Britton A |
Alison Britton |
1996 |
Royal College of Art |
Applied Art |
|
| Britton A |
Alison Britton |
2000 |
Royal College of Art |
Applied Art |
|
| Boekhoudt O |
Design for the body |
1999 |
Royal College of Art |
Applied Art |
|
| Boekhoudt O |
Jewels of Mind and Mentality 1950-2000 |
2000 |
Royal College of Art |
Applied Art |
|
| Boekhoudt O |
Solo exhibition |
2000 |
Royal College of Art |
Applied Art |
|
| Boekhoudt O |
Onno Boekhoudt - why not jewellery? |
1997 |
Royal College of Art |
Applied Art |
|
| TURRELL E |
Crossing Boundaries |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| TURRELL E |
18th New Millennium Korea Enamelling Artist Association Exhibition |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| TURRELL E |
Fired With Colour - Aspects of Enamelling in Britain |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| TURRELL E |
Donors Recognition Panels |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| SMITH HR |
Royal West of England Academy 5th Open Print Exhibition |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| SMITH HR |
Undercurrents |
1998 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| SMITH HR |
Paperclay Plus |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| SMITH HR |
Album |
1999 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| KEELER W |
Walter Keeler: Auf Neuen Wegan Ink and Crocus |
1998 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| KEELER W |
Ceramics in Space |
1999 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| KEELER W |
Walter Keeler Solo Exhibition of Recent Ceramics |
1999 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| KEELER W |
(Un)limited: Repetition and Change in International Craft |
1999 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| JUPP M |
Mo Jupp: Solo Exhibition |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| JUPP M |
British Ceramics.2000.dk |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| JUPP M |
Millennium Mug Project |
1999 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| JUPP M |
Mo Jupp Show Case |
1999 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| HOMOKY N |
Clay into Art: group exhibition |
1998 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| HOMOKY N |
Solo Exhibition: Nicholas Homoky |
1997 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| HOMOKY N |
Colour and Fire: defining moments in studio ceramics 1950-2000 |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| HOMOKY N |
Solo Exhibition: Nicholas Homoky |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| HAIGH J |
Gardens and Flowers in Embroidery |
1999 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| HAIGH J |
Japanese Inspirations |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| HAIGH J |
Crazy Patchwork |
1998 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| HAIGH J |
Flora |
2000 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| BIGGS I |
Ken Kiff: Prints |
1999 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| BIGGS I |
Ken Kiff |
1999 |
University of West of England, Bristol |
Applied Arts + Crafts |
|
| Yair K |
Through the Glass Ceiling |
1998 |
Sheffield Hallam University |
Applied Design Policy |
|
| Yair K |
Crafting Competitive Advantage: Crafts Knowledge as a Strategic Resource |
1999 |
Sheffield Hallam University |
Applied Design Policy |
Mike Press Anne Tomes |
| Fisher T |
The Culture of Design - Teamwork and the Designers' Professional Identity |
1996 |
Sheffield Hallam University |
Applied Design Policy |
|
| Cooper TH |
Creating an Economic Infrastructure for Sustainable Product Design |
1999 |
Sheffield Hallam University |
Applied Design Policy |
|
| Sall C |
Life's a Beach |
1998 |
Royal College of Art |
Architectural Design |
|
| Sall C |
Roadworks |
1996 |
Royal College of Art |
Architectural Design |
|
| Sall C |
Nerve |
1999 |
Royal College of Art |
Architectural Design |
|
| Kerr J |
Back to the Future |
2000 |
Royal College of Art |
Architectural Design |
|
| Kerr J |
Millennium Products |
1998 |
Royal College of Art |
Architectural Design |
|
| Kerr J |
The Unknown City: Contesting Architecture and Social Space |
2000 |
Royal College of Art |
Architectural Design |
Borden, I Rendell, J |
| Kerr J |
Beyond the Empire of the Signs |
2000 |
Royal College of Art |
Architectural Design |
Fraser, M |
| French H |
Architecture: A Crash Course |
1998 |
Royal College of Art |
Architectural Design |
|
| French H |
Living Together and The Garden City |
2000 |
Royal College of Art |
Architectural Design |
|
| Coates N |
The Body Zone |
2000 |
Royal College of Art |
Architectural Design |
|
| Coates N |
Living Bridges |
1996 |
Royal College of Art |
Architectural Design |
|
| Coates N |
National Centre for Popular Music |
1998 |
Royal College of Art |
Architectural Design |
|
| Coates N |
Geffrye Museum 20th Century Gallery extension, London |
1998 |
Royal College of Art |
Architectural Design |
|
| Adjaye D |
Elektra House |
2000 |
Royal College of Art |
Architectural Design |
|
| Adjaye D |
Social |
1999 |
Royal College of Art |
Architectural Design |
|
| Adjaye D |
SHAD, A Reading Pavilion |
2000 |
Royal College of Art |
Architectural Design |
|
| Adjaye D |
Chris Ofili House and Studio |
1999 |
Royal College of Art |
Architectural Design |
|
| Swift J |
Art Education: A Contested Field of Study |
1999 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Swift J |
Directions: Towards a New Art Education |
1999 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Swift J |
Changing Fortunes - The Birmingham School of Art Building 1880-1995 |
1996 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Swift J |
Critical Studies: A Trojan Horse for an Alternative Cultural Agenda |
1996 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Stanley N |
Souvenirs, ethics and aesthetics: some contemporary dilemmas in the South Pacific |
2000 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Stanley N |
Moving People, Moving Experiences: Novel Strategies in Museum Practice |
2000 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Stanley N |
The South-East Asian 'Living Museum' and its Antecedents |
1997 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Stanley N |
Being Ourselves For You: the Global Display of Cultures |
1998 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Noszlopy G |
Voa Salutis Et Glorificationis: Note on Rembrandt's The Three Crosses, Longinus and the Gonzaga |
1996 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Noszlopy G |
EDMA: Life and Work 1924-1997 |
1998 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Noszlopy G |
Public Sculptures of Birmingham including Sutton Coldfield. |
1998 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Noszlopy G |
Botticelli's 'Pallas and the Centaur: An Aspect of the Revival of Late-Antique and Trecento Exegetic Allegory in the Medici Circle |
1994 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Davies T |
'Competence and Creativity: The Politics of Art Education' |
1998 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Davies T |
'Cultural Identity, Digital Media and Art' |
2000 |
University of Central England in Birmingham |
Art Education Research Group |
Peter Worrall |
| Davies T |
'Wising-up' or 'Dumbing-down?' |
2000 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Davies T |
'Electric Studio - New Practice in ICT art and design' |
1999 |
University of Central England in Birmingham |
Art Education Research Group |
Peter Worrall Lucia Pimentel |
| Dalton P |
Four prints in Exposition de Grabado Contemporaneo |
1998 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Dalton P |
Feminism and Art Education |
1996 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Dalton P |
Oedipal Dramas in Art Education |
1999 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Dalton P |
Modernism, Art Education and Sexual Difference |
1995 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Cipriani G |
Art, Space and Time |
2000 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Cipriani G |
Meaning in Form |
1999 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Cipriani G |
Art, Theory and Experience The figural in Painting: An Organic Inquiry Into Visual Meaning |
2000 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Cipriani G |
Hermeneutics and Art. Objectification of Experience? |
1999 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Broom K |
Taking the Sheet; an exploration of a contemporary art practice and its relevance to counselling, psychotherapy and identity |
1999 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Broom K |
Playing with Emergency A Case Study Of Reversal Theory in Artrwork. |
2000 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Broom K |
Art Practice Within The Probation Service |
1999 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Broom K |
Lightworks Two Dialogues of Narrative and Perception |
2000 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Blundell S |
Integrity of the Subject |
2000 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Blundell S |
Should we always be promoting deep approaches to learning? An evaluation of the improving student learning questionnaire in practice |
1995 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Blundell S |
The Contribution of Art Professional Development to the Future Health of Art Education |
1999 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Blundell S |
Making the Invisible Visible |
1998 |
University of Central England in Birmingham |
Art Education Research Group |
|
| Sleeman A.J. |
In the Queen's Parlour, inspired by Tea and made of Gentlemen: British Sculpture in the Twentieth Century as 'Sculpture Anglaise'. |
1997 |
University College London |
Art History and Theoretical Studies |
|
| Sleeman A.J. |
Project for Frieze by Philip J. Reilly |
1996 |
University College London |
Art History and Theoretical Studies |
|
| Sleeman A.J. |
More and Less: The Early Work of Richard Long |
1997 |
University College London |
Art History and Theoretical Studies |
|
| Sleeman A.J. |
Entries for 'Petit dictionnaire des sculpteurs Britanniques du XXe si |
1996 |
University College London |
Art History and Theoretical Studies |
|
| Renton A. |
Bankside Browser |
1999 |
University College London |
Art History and Theoretical Studies |
|
| Renton A. |
Jo |
1999 |
University College London |
Art History and Theoretical Studies |
|
| Renton A. |
Browser |
1997 |
University College London |
Art History and Theoretical Studies |
|
| Renton A. |
Manifesta 1: European Art Biennial |
1996 |
University College London |
Art History and Theoretical Studies |
|
| Bryson W.N. |
The Natural Attitude |
1999 |
University College London |
Art History and Theoretical Studies |
|
| Bryson W.N. |
Everything We Look At Is A Kind Of Troy |
2000 |
University College London |
Art History and Theoretical Studies |
|
| Bryson W.N. |
Philostratus and the Imaginary Museum |
1995 |
University College London |
Art History and Theoretical Studies |
|
| Bryson W.N. |
Semiotics and Art History: A Discussion of Contexts and Senders |
1998 |
University College London |
Art History and Theoretical Studies |
Mieke Bal |
| Virtue JA |
John Virtue. Exe Estuary 1997-2000. |
1999 |
University of Plymouth |
Art Process |
|
| Virtue JA |
John Virtue - New Works |
1995 |
University of Plymouth |
Art Process |
|
| Virtue JA |
John Virtue New Paintings |
2000 |
University of Plymouth |
Art Process |
|
| Virtue JA |
John Virtue. New Paintings 1998-2000 |
2000 |
University of Plymouth |
Art Process |
|
| Miles MFR |
The Uses of Decoration: Essays in the architectural everyday |
2000 |
University of Plymouth |
Art Process |
|
| Miles MFR |
Art, Space and the City |
1997 |
University of Plymouth |
Art Process |
|
| Miles MFR |
City Cultures Reader |
2000 |
University of Plymouth |
Art Process |
|
| Miles MFR |
Another Hero? Public Art and Gendered City. |
1997 |
University of Plymouth |
Art Process |
|
| Macleod K |
The Relationship of Making to Writing |
1999 |
University of Plymouth |
Art Process |
|
| Macleod K |
Research in Fine Art: theory, judgement and discourse. |
1996 |
University of Plymouth |
Art Process |
|
| Macleod K |
What would falisify an art practice? Research Degrees in Fine Art. |
2000 |
University of Plymouth |
Art Process |
|
| Macleod K |
The Teaching Subject: Reviewing Art History within Postmodernism. |
1995 |
University of Plymouth |
Art Process |
|
| Eastwood SJ |
OMSK in Tokyo |
2000 |
University of Plymouth |
Art Process |
|
| Eastwood SJ |
Screen into the Space and the Space into the Screen: An History of OMSK |
1999 |
University of Plymouth |
Art Process |
|
| Eastwood SJ |
Approaches to Autism |
1998 |
University of Plymouth |
Art Process |
|
| Eastwood SJ |
ATOMsk |
2000 |
University of Plymouth |
Art Process |
|
| Danvers TJ |
Map - Land and Landscape in Contemporary Art |
1999 |
University of Plymouth |
Art Process |
|
| Danvers TJ |
The Knowing Body: Art as an Integrative System of Knowledge |
1995 |
University of Plymouth |
Art Process |
|
| Danvers TJ |
John Danvers Recent Works on Paper. |
1999 |
University of Plymouth |
Art Process |
|
| Danvers TJ |
Thinking Flesh and Feeling Bone: Language, Experience and Art Practice. |
1998 |
University of Plymouth |
Art Process |
|
| Cook CP |
Graphites + Related Works |
1999 |
University of Plymouth |
Art Process |
|
| Cook CP |
De Peus a Terra/Down to Earth |
1997 |
University of Plymouth |
Art Process |
Manocci, L. Kiff, K. Cooper, E. |
| Cook CP |
Graphites from Bundanon |
2000 |
University of Plymouth |
Art Process |
|
| Cook CP |
West by South West |
1999 |
University of Plymouth |
Art Process |
Derges, S. Porter, M. Virtue, J. |
| Collins J |
Introducing Derrida |
2000 |
University of Plymouth |
Art Process |
|
| Collins J |
The Modular Condition: Technocracy, art and cultural politics. |
1996 |
University of Plymouth |
Art Process |
|
| Collins J |
Media Studies. |
1997 |
University of Plymouth |
Art Process |
|
| Collins J |
Heidegger and the Nazis. Postmodern Encounters. |
2000 |
University of Plymouth |
Art Process |
|
| Butler J |
West by South West |
1999 |
University of Plymouth |
Art Process |
Worts, M. |
| Butler J |
John Virtue: Exe Estuary Paintings 1997/8 |
1998 |
University of Plymouth |
Art Process |
|
| Butler J |
Justin Knowles Beyond Systems Artform Concepts 1967-98. |
1998 |
University of Plymouth |
Art Process |
|
| Butler J |
Window Sills |
2000 |
University of Plymouth |
Art Process |
|
| Bennett S |
Traces |
1999 |
University of Plymouth |
Art Process |
|
| Bennett S |
Windowsills: Art of Locality. |
2000 |
University of Plymouth |
Art Process |
|
| Bennett S |
Crossing the Line. |
2000 |
University of Plymouth |
Art Process |
|
| Bennett S |
21 |
1999 |
University of Plymouth |
Art Process |
|
| Summers A |
Showdiary |
2000 |
North East Wales Institute of Higher Education |
Art and Design |
D Gill |
| Summers A |
LEAPs |
1999 |
North East Wales Institute of Higher Education |
Art and Design |
D Gill |
| Somerville P |
Untitled |
1998 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Somerville P |
Untitled |
1998 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Somerville P |
Untitled commission |
2000 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Somerville P |
Untitled |
1995 |
North East Wales Institute of Higher Education |
Art and Design |
|
| McClenaghen J |
The Roebuck Collection |
1996 |
North East Wales Institute of Higher Education |
Art and Design |
|
| McClenaghen J |
John McClenaghen |
2000 |
North East Wales Institute of Higher Education |
Art and Design |
|
| McClenaghen J |
Elements of landscape |
2000 |
North East Wales Institute of Higher Education |
Art and Design |
|
| McClenaghen J |
The Spirit of Bradford |
1997 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Liggett S |
Eros 1 |
1996 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Liggett S |
Recent Painting |
1998 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Liggett S |
Vanquished by Repetition |
1997 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Liggett S |
Three Young Painters |
1999 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Keegan S P |
Figuratively speaking |
1997 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Keegan S P |
300 tons of clay |
1997 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Keegan S P |
Showcase |
2000 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Keegan S P |
The Fisherman's Tale |
1995 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Bird-Jones C |
Farmers daughters |
2000 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Bird-Jones C |
Glass:Laboratory of the Spirit |
1999 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Bird-Jones C |
6th International Shoebox Exhibition |
1997 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Bird-Jones C |
International Womens' Stained Glass |
2000 |
North East Wales Institute of Higher Education |
Art and Design |
|
| Williams R |
The Krazy Kat Problem |
1997 |
Liverpool John Moores University |
Art and Design History |
|
| Williams R |
After Modern Sculpture : Art in the United States and Europe 1965 - 70 |
2000 |
Liverpool John Moores University |
Art and Design History |
|
| Sheldon JL |
Matisse and the Problem of Expression in Early 20th Century Art |
1996 |
Liverpool John Moores University |
Art and Design History |
|
| Sheldon JL |
E556 Working with Modern Art : Study Guide |
1996 |
Liverpool John Moores University |
Art and Design History |
P Meecham |
| Sheldon JL |
Modern Art : A Critical Introduction |
2000 |
Liverpool John Moores University |
Art and Design History |
P Meecham |
| Sheldon JL |
Amrit and Rabindra Kaur Singh |
1997 |
Liverpool John Moores University |
Art and Design History |
|
| Roberts E |
The Liverpool Academy and Other exhibitions of Contemporary Art in Liverpool 1774-1867. A History and Index of Artists and Works exhibited |
1998 |
Liverpool John Moores University |
Art and Design History |
E Morris |
| Roberts E |
'Barbara Hepworth Speculatively perceived within an international context' |
1996 |
Liverpool John Moores University |
Art and Design History |
|
| Dimitrakaki A |
Private Views : Spaces and Gender in Contemporary Art from Britain and Estonia. |
2000 |
Liverpool John Moores University |
Art and Design History |
Pam Skelton, The London Institute Mare Tralla,Estonian Academy of Arts, Tallinn |
| Dimitrakaki A |
Elements of A Secret History : Women, Art and Gender in Modern Greece |
1997 |
Liverpool John Moores University |
Art and Design History |
|
| Byrne JM |
'Mediated Nations' and 'Virtual Interventions : Digital Avant-Gardes' |
1998 |
Liverpool John Moores University |
Art and Design History |
|
| Byrne JM |
Re-Mapping Modernity : From Analogic Image to Digital Dream |
1997 |
Liverpool John Moores University |
Art and Design History |
|
| Byrne JM |
Cybersublime : Representing the Unrepresentable in Digital Art and Politics |
1999 |
Liverpool John Moores University |
Art and Design History |
|
| Byrne JM |
Modernism and Meaning : Some Problems with Reading the Intervention of British Video Art into the Gallery Space |
1996 |
Liverpool John Moores University |
Art and Design History |
|
| Walden J |
The Trauma that is Art |
1998 |
University of Portsmouth |
Art and Philosophy |
|
| Walden J |
It's Extraordinary How Beautiful Your Skin Is |
2000 |
University of Portsmouth |
Art and Philosophy |
|
| Walden J |
A Telephonic Exchange, Uncommon Denominators |
1999 |
University of Portsmouth |
Art and Philosophy |
|
| Walden J |
Sensations in Differ-ance |
2000 |
University of Portsmouth |
Art and Philosophy |
|
| Thompson A |
Cool Tears: Life/Live |
1996 |
University of Portsmouth |
Art and Philosophy |
Simon Bedwell |
| Thompson A |
Get Together |
1999 |
University of Portsmouth |
Art and Philosophy |
Simon Bedwell |
| Thompson A |
Press Release (NY Faxbak) |
1999 |
University of Portsmouth |
Art and Philosophy |
Simon Bedwell |
| Thompson A |
Field of Dreams |
2000 |
University of Portsmouth |
Art and Philosophy |
Simon Bedwell |
| Stehli J |
It Took Ages |
1998 |
University of Portsmouth |
Art and Philosophy |
|
| Stehli J |
Strip Series in A Shot in the Head |
2000 |
University of Portsmouth |
Art and Philosophy |
|
| Stehli J |
Exposure |
2000 |
University of Portsmouth |
Art and Philosophy |
|
| Stehli J |
Table I, Table II, Chair |
1998 |
University of Portsmouth |
Art and Philosophy |
|
| Kay E |
Shakespeare from Memory |
1998 |
University of Portsmouth |
Art and Philosophy |
|
| Kay E |
The Bible from Memory in Abacadabra: International Contemporary Art |
1999 |
University of Portsmouth |
Art and Philosophy |
|
| Kay E |
Orbis Terrarum |
2000 |
University of Portsmouth |
Art and Philosophy |
|
| Kay E |
Works in 6th International Istanbul Biennial |
1999 |
University of Portsmouth |
Art and Philosophy |
|
| Jones A D |
Jemima Stehli: On all fours naked in high heels - a critical position? |
1999 |
University of Portsmouth |
Art and Philosophy |
|
| Jones A D |
Destabilising Sender: Jemima Stehli's Ingratiating objection |
2000 |
University of Portsmouth |
Art and Philosophy |
|
| Jones A D |
The problems of every day life |
2000 |
University of Portsmouth |
Art and Philosophy |
|
| Jones A D |
It |
1998 |
University of Portsmouth |
Art and Philosophy |
|
| Cockram M G |
All you need is love but can we picture this? |
2000 |
University of Portsmouth |
Art and Philosophy |
|
| Cockram M G |
Uncommon denomintators |
1999 |
University of Portsmouth |
Art and Philosophy |
|
| Cockram M G |
Shadow on the Lung of Modernism, |
1995 |
University of Portsmouth |
Art and Philosophy |
|
| Cockram M G |
Good Timing, |
1998 |
University of Portsmouth |
Art and Philosophy |
|
| Ruthven R J |
Image Nations, group exhibition, Eye Rhymes |
1997 |
University of Portsmouth |
Art and Science |
|
| Ruthven R J |
Improbable Events, group exhibitions |
1998 |
University of Portsmouth |
Art and Science |
|
| Ruthven R J |
History of Space Art, exhibition |
1999 |
University of Portsmouth |
Art and Science |
|
| Ruthven R J |
Reaching for the Stars, exhibition |
2000 |
University of Portsmouth |
Art and Science |
|
| Devine K J |
A Marriage of Images, (Group Exhibition) and Quantum Chess (Essay published in the Exhibition Catalogue) |
1998 |
University of Portsmouth |
Art and Science |
Professor Bruce Russell Professor Reg Davies Robert Ruthven |
| Symons S |
Behaviour Synthesis Architecture in Digital Installation |
1999 |
Liverpool John Moores University |
Audio-visual |
|
| Symons S |
Urban Genome |
2000 |
Liverpool John Moores University |
Audio-visual |
|
| Sharkya V |
Vanilla Spray |
1999 |
Liverpool John Moores University |
Audio-visual |
|
| Sharkya V |
Matrix |
1999 |
Liverpool John Moores University |
Audio-visual |
Jeck,P Willschutz,G |
| Hardstaff S |
Country Blues Hard Hitters Vol 1 + 2 |
1995 |
Liverpool John Moores University |
Audio-visual |
Ioan Griffiths |
| Hardstaff S |
Six works for Merseyside Music Development Agency |
1998 |
Liverpool John Moores University |
Audio-visual |
Mike Badger Nonconform Design Ltd |
| Hardstaff S |
South Atlantic Souvenirs Political Postcards Series 2 |
1995 |
Liverpool John Moores University |
Audio-visual |
R Walker |
| Hardstaff S |
Thirty Years Ago Today |
1997 |
Liverpool John Moores University |
Audio-visual |
Bryan Biggs Rick Walker |
| Fallows C |
Sound Drifting : I Silenzi Parlano Tra Loro |
1999 |
Liverpool John Moores University |
Audio-visual |
Grundmann, H |
| Fallows C |
'Spring Reverb' |
2000 |
Liverpool John Moores University |
Audio-visual |
|
| Fallows C |
Realtime 2.0 |
1997 |
Liverpool John Moores University |
Audio-visual |
|
| Fallows C |
Audio Research Editions |
1998 |
Liverpool John Moores University |
Audio-visual |
|
| Eastley M |
Six installations for Sonic Boom |
2000 |
Liverpool John Moores University |
Audio-visual |
|
| Eastley M |
Dreaming of Inscriptions On and Through Skin |
2000 |
Liverpool John Moores University |
Audio-visual |
Toop,D. |
| Eastley M |
Day For Night |
2000 |
Liverpool John Moores University |
Audio-visual |
Cusack,P. |
| Eastley M |
Another Strange Attraction |
2000 |
Liverpool John Moores University |
Audio-visual |
|
| Creed R |
Zero - March of the Mud Beetles |
2000 |
Liverpool John Moores University |
Audio-visual |
|
| Barraclough J |
The Right One |
2000 |
Liverpool John Moores University |
Audio-visual |
Nedkova, I |
| Barraclough J |
Virtual Revolutions |
2000 |
Liverpool John Moores University |
Audio-visual |
Nedkova, I |
| Siodmok P M |
MHe 900 Motorbike |
1998 |
University of Northumbria at Newcastle |
Automotive Design (4a) |
Critchley, P Museio, P Hooper, B |
| Bailey S |
Challenger range of floodlighting AL 5700 and AL 5900 |
2000 |
University of Northumbria at Newcastle |
Automotive Design (4a) |
|
| Bailey S |
Microsource - X Ray Emittor and Control Panel |
1994 |
University of Northumbria at Newcastle |
Automotive Design (4a) |
Siodmok, P Cooper, A |
| Bailey S |
The Enclosed Plain |
2000 |
University of Northumbria at Newcastle |
Automotive Design (4a) |
Mosley and Gillat |
| Bailey S |
Powertrak - Underfloor power distribution system |
1999 |
University of Northumbria at Newcastle |
Automotive Design (4a) |
|
| Bailey M |
Radio/cassette player for the Rolls-Royce Silver Seraph |
1997 |
University of Northumbria at Newcastle |
Automotive Design (4a) |
|
| Bailey M |
Getting it Right for Passengers |
2000 |
University of Northumbria at Newcastle |
Automotive Design (4a) |
|
| Bailey M |
The Tourer for the Next Millennium |
1998 |
University of Northumbria at Newcastle |
Automotive Design (4a) |
|
| Weaver C |
My Life is an Embroidery and Elizabeth Wardle and the Leek Embroidery Society |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Weaver C |
Enid Marx: designing textiles for the utility furniture design advisory panel |
1999 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Weaver C |
Marx, Enid (Crystal, Dorothy), British painter and designer, 1902 |
1997 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Weaver C |
Enid Marx at the Central School in the 1920's |
2000 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Waddell G |
Design of Linnaeus writing table, wardrobe, bedside table, mirror and bed. |
1994 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Waddell G |
CAD for Clothing and Textiles |
1994 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Waddell G |
Design of 'Sandemar' bed and wardrobe |
1994 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Waddell G |
Design of 'Gripsholm' breakfast table |
1994 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Trambusti B |
Design for Puffa range of equestrian clothing |
1997 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Trambusti B |
Design of Sisley Spring and Summer collections 1998. |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
K Trambusti as Addendym Design Consultancy |
| Trambusti B |
Design of Sisley Spring - Summer collection, 1999 |
1999 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
K Trambusti as Addendum Design Consultancy |
| Trambusti B |
Design of Sisley Autumn - Winter collection, 1997/98 |
1997 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
K Trambusti as Addendym Design Consultancy |
| Snell R |
Interaction: developing links between the furniture industry and H/FE in the areas of design, technology and manufacture |
1996 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
Rhonda Lane |
| Snell R |
UK Patent GB 2270467B Seating patent for Radius lecture theatre and auditorium seating |
1995 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
Rowe, D |
| Snell R |
Design Direction for Vivendi restaurant seating |
2000 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
J. Coleman |
| Snell R |
Design direction for Air-O cafe seating |
2000 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
R. Bennet |
| Rowe D |
Opus Double Bass Stool |
1997 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Rowe D |
Cano restaurant chair |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Rowe D |
Collaborative Furniture Projects at BIAD |
1997 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Rowe D |
Opus Choral Seating - tip-up seat |
1997 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Newport R |
Plastics and Design |
1997 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Newport R |
UK Patent GB 2 292 204 B Connecting Element The invention relates to a rotary coupling and to a connecting element. |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Newport R |
Human Powered Vehicles for Third-Agers as a Mode of Local Transport |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
P. Hwang L .Nayak |
| Newport R |
Managing New Product Innovation |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
Robert Jerrard M.Trueman |
| Muston D |
UK Design Registration: 2056017. Minicam Security Camera |
1996 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Muston D |
Design Project Supervision and Assessment, Alternative Approaches for Developing Quality in the Learning Experience |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
John Law |
| Muston D |
DB 2441/DB 2440 LT Integrated Radio Data Modem |
1996 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Muston D |
System GC200 Genset controllers |
1996 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Malem W |
Nico-Nico Autumn / Winter 1998 collection |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Malem W |
Nico Nico Spring / Summer 1999 collection Cruise |
1999 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Malem W |
Calissa knitwear Spring - Summer 1996 collection |
1995 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Malem W |
Ootie Spring / Summer 2001 childrenswear collection |
2000 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Law J |
One Phone Number for Europe: cultural diversity, technology and innovation |
1999 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Law J |
Developing New Markets: a role for interactive design tools |
2000 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
David Hands |
| Law J |
Designing in Quality through Industrial Design |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
Prof John Humpherson |
| Law J |
Towards a European Model of Design Management |
1995 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Jerrard R |
The Fashion Designer in the Technological Workplace |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
S. Bell |
| Jerrard R |
Researching Designing: cycles of design research |
2000 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Jerrard R |
Quantifying the Unquantifiable: An Enquiry Into The Design Process |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Jerrard R |
Design and Ethnicity: the failure of West Midlands Clothing Enterprises to enter the Design Market |
1999 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
Joy Husband |
| Ingram J |
Inside Out or Outside In: Design management research, a comparison of two methods |
1994 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
R. Davies-Cooper |
| Ingram J |
Developing Funded Design Research out of Student Design Projects |
1994 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Ingram J |
Developing Publishing Opportunities for Industrial Design Research |
2000 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
R. Cooper |
| Ingram J |
Strategic Design Management in Small Manufacturing Companies: A Case Study |
1995 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Hastings M |
Design, Wolverton Town Square |
2000 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Hastings M |
New Imp Box locator |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Hastings M |
CM9 CoverMaster |
1995 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Hastings M |
New Avenger |
1996 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Hands D |
Design In-House: 12 Case Studies describing how the TCS has improved in-house design capability |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
Tom Inns |
| Hands D |
Manchester: a guide to recent architecture |
2000 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
S. Parker |
| Edge S |
Exhibition Stand for Delanotech (Europe) Ltd |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Edge S |
Penthouse 6 |
1999 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
K. Singh for Deakon Edge |
| Edge S |
'The Use of Generative Technology for Interior Design' |
1995 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Edge S |
Cafe Ikon for Ikon Gallery |
1998 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
K. Singh for Deacon Edge |
| Curry A |
Set and costume design for The Rise and Fall of Little Voice |
1996 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Curry A |
Costume design for Listen to the Wind |
1996 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Curry A |
Costume design for The Boys in the Band |
1997 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Curry A |
Theatre and costume designs in Time + Space |
1999 |
University of Central England in Birmingham |
Birmingham Centre for Design Research |
|
| Winters EJ |
Sacraria, Tragedy and the Interior Narrative |
2000 |
University of Westminster |
CARTE |
|
| Winters EJ |
Architecture and Human Purposes |
1999 |
University of Westminster |
CARTE |
|
| Winters EJ |
On Aesthetic Appreciation |
1998 |
University of Westminster |
CARTE |
|
| Winters EJ |
Pictorial Variations |
1998 |
University of Westminster |
CARTE |
|
| Ride P |
Life After Me |
1999 |
University of Westminster |
CARTE |
|
| Ride P |
Discrete Packets |
2000 |
University of Westminster |
CARTE |
|
| Ride P |
Demonstrations and Details from the Facts of Life |
2000 |
University of Westminster |
CARTE |
|
| Ride P |
Dominique Blain |
1997 |
University of Westminster |
CARTE |
|
| Kemp SD |
Feminisms |
1998 |
University of Westminster |
CARTE |
Squires J |
| Kemp SD |
Myra, Myra on the Wall: the Fascination of Faces |
1998 |
University of Westminster |
CARTE |
|
| Punt M |
Accidental Machines:Understanding How We Understand New Technologies |
1998 |
University of Wales College, Newport |
CAiiA |
|
| Punt M |
Post Classical Cinema and the Digital Image |
2000 |
University of Wales College, Newport |
CAiiA |
|
| Punt M |
CD ROM: Radical Nostalgia? |
1995 |
University of Wales College, Newport |
CAiiA |
|
| Punt M |
The Postdigital membrane: connecting imagination, technology and desire. |
2000 |
University of Wales College, Newport |
CAiiA |
R Pepperell |
| Pepperell R |
The Postdigital Membrane: Connecting magination, technology and desire |
2000 |
University of Wales College, Newport |
CAiiA |
M Punt |
| Pepperell R |
The Post-Human Condidtion |
1995 |
University of Wales College, Newport |
CAiiA |
|
| Pepperell R |
The Post-Human Conception of Consciousness: a 10-point guide |
2000 |
University of Wales College, Newport |
CAiiA |
|
| Pepperell R |
Cyborg Guides and Musical Pods |
1999 |
University of Wales College, Newport |
CAiiA |
|
| Ascott R |
The Technoetic Dimension of Art |
1998 |
University of Wales College, Newport |
CAiiA |
|
| Ascott R |
Art + Telematics: toward the Construction of a New Aesthetics. |
1998 |
University of Wales College, Newport |
CAiiA |
|
| Ascott R |
Reframing Consciousness:art, mind and technology |
1999 |
University of Wales College, Newport |
CAiiA |
|
| Ascott R |
Art-ID/Cyb-ID: Identities in Cyberspace. |
1999 |
University of Wales College, Newport |
CAiiA |
Josep Giribet |
| Chuhan J |
Links in the World of Mind |
1999 |
Liverpool John Moores University |
Centre for Art International Research |
|
| Chuhan J |
Lines of Desire : International Drawing Exhibition |
1998 |
Liverpool John Moores University |
Centre for Art International Research |
Donagh,R Kazi,D Rego,P |
| Chuhan J |
In the Looking Glass : Contemporary Self Portraits by Women Artists |
1996 |
Liverpool John Moores University |
Centre for Art International Research |
Hambling,M Jones,L Wilson,S |
| Barraclough J |
Lines of Desire |
1998 |
Liverpool John Moores University |
Centre for Art International Research |
|
| VOSS R |
Furniture |
1999 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| VOSS R |
Black and Blue |
1998 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| VOSS R |
These Days: new work by Roy Voss |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| VOSS R |
Craft |
1997 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| URE A |
Really out of Order |
1997 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| URE A |
Three Scottish Artists |
1998 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| URE A |
Royal Scottish Academy: Annual Exhibition |
1996 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| URE A |
New Paintings by Simon Callery, Jane Harris, Mandy Ure, Roy Voss |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| OBRIEN T |
Souvenir |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| OBRIEN T |
Plot |
1998 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| OBRIEN T |
Still |
1997 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| OBRIEN T |
Beyond Borders |
1996 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| MORGAN S |
My Father |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| MORGAN S |
Memory and Identity in the Urban Landscape. A Tale of Two Barons |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| MORGAN S |
The ghost in the luggage: Wallace + Braveheart: post-colonial |
1999 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| MORGAN S |
Memory and the Merchants: commemoration and civic identity |
1998 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| LOWE N |
The Sitting Room |
1997 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| LOWE N |
Who is Speaking? Who is being Heard? |
1999 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| LOWE N |
Bed |
1998 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| LOWE N |
La formation et la vie professionnelle de l |
1998 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| GOUGH P |
Rendez-vous: Canadian Battlefields re-visited. Images of Venerated Sites by Paul Gough |
1999 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| GOUGH P |
Memorial Gardens as Dramaturgical Space |
1998 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| GOUGH P |
From Heroes Groves to Parks of Peace: landscapes of remembrance, protest and peace |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| GOUGH P |
Dead Ground and Other Sites of Memory |
1998 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| DUNHILL M |
Plot |
1998 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| DUNHILL M |
Souvenir |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| DUNHILL M |
Sonnenwegateliers |
1997 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| DUNHILL M |
Personal choice |
1996 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| CLAMP RS |
Public Art Project: Artist in Residence, Michael Disley |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| CLAMP RS |
Public Art Project: Cheltenham |
1999 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| CLAMP RS |
Portishead Quays: Public Arts Strategy |
1999 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| CLAMP RS |
Public Art Project: Ann Christopher, Sculptor |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| BIGGS I |
The State of the Art: Art Education and Radical Imagination |
2000 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| BIGGS I |
Wild conversations/peripheral visions: towards another education |
1996 |
University of West of England, Bristol |
Centre for Contextual, Public + Commemorative Art |
|
| Swales V |
Fostering Cultural Imagination in Design Research |
1999 |
University of Portsmouth |
Centre for Creative Empowerment |
|
| Swales V |
The Team in the Stand building new community heritage sites through interactive multi media |
1999 |
University of Portsmouth |
Centre for Creative Empowerment |
Chris Golya |
| Swales V |
Catherine Yass: Portraits, |
1996 |
University of Portsmouth |
Centre for Creative Empowerment |
L Moran, Exhibitions Officer, Aspex VisualArts Tru |
| Stansfield Smith C |
Hackney Community College Building Design |
1998 |
University of Portsmouth |
Centre for Creative Empowerment |
Hampshire County Council Architects |
| Stansfield Smith C |
Portland Building, University of Portsmouth |
1996 |
University of Portsmouth |
Centre for Creative Empowerment |
Hampshire County Council |
| Stansfield Smith C |
Architecture Education for the 21st Century |
1999 |
University of Portsmouth |
Centre for Creative Empowerment |
RIBA committee |
| Stansfield Smith C |
Dados, Dinosaurs or Doves? Architecture: Past, Present and Future |
1998 |
University of Portsmouth |
Centre for Creative Empowerment |
|
| Putnam T J |
Graduate Career Patterns in the Cultural Industries |
2000 |
University of Portsmouth |
Centre for Creative Empowerment |
L Nolan S Lindsay J Ryan |
| Pardey J G |
Facade and Frame |
2000 |
University of Portsmouth |
Centre for Creative Empowerment |
|
| Jain S |
The EMMA Forum Information Exchange, collaboration and connectivity |
2000 |
University of Portsmouth |
Centre for Creative Empowerment |
S Clarke |
| Devine K J |
Secrets, works in group exhibition |
2000 |
University of Portsmouth |
Centre for Creative Empowerment |
|
| Devine K J |
The Union Street Haphazard History Machine, interactive installation |
2000 |
University of Portsmouth |
Centre for Creative Empowerment |
Martin Sumner |
| Devine K J |
Enigmatic Communities of Colour |
1999 |
University of Portsmouth |
Centre for Creative Empowerment |
|
| Peaker G |
'Bridges over Troubled Walter'. |
2000 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Peaker G |
'Natural History: Kitaj, Allegory and Memory'. |
2000 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Peaker G |
'Benjamin's Objects'. |
1995 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Peaker G |
'The Art of Interruption'. |
1999 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Mitchell S |
'Chagall Talks to Bakhtin'. |
1998 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Mitchell S |
Chapter One of Pushkin's 'Eugene Onegin' in Modern Poetry in Translation, Summer 1997 |
1997 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Mitchell S |
'Mikhail Alexandrovich Lifshits' (1905-1983) |
1997 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Mitchell S |
Pushkin's 'Mozart and Salieri' |
1997 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Durden M |
'Viewing Positions' article on Steve McQueen. |
2000 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Durden M |
'Common Culture' Solo Exhibition. |
1999 |
University of Derby |
Centre for Cultural History and Critical Theory |
David Campbell. Paul Rooney |
| Durden M |
'Common Culture'. Solo Exhibition. |
2000 |
University of Derby |
Centre for Cultural History and Critical Theory |
David Campbell Paul Rooney |
| Durden M |
'Face-on', Exhibition, Curated with Craig Richardson. |
2000 |
University of Derby |
Centre for Cultural History and Critical Theory |
Craig Richardson |
| Burstow R |
'Symbols for '51: The Royal Festival Hall, Skylon and Sculptures for the Festival of Britain' |
1995 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Burstow R |
'Materialising Memory : Mementoes, Memorials and Modernism'. |
2000 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Burstow R |
'The Limits of Modernist Art as a Weapon of the Cold War: Re-assessing the unknown patron of the Monument to the Unknown Political Prisoner'. |
1997 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Burstow R |
'Participation and Pageant: The Miralda Honeymoon Project'. |
1998 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Barnard M |
'Advertising: The Rhetorical Imperative' |
1995 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Barnard M |
'Art, Design and Visual Culture'. |
1998 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Barnard M |
'Fashion as Communication.' |
1996 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| Barnard M |
'Approaches to Understanding Visual Culture' |
2000 |
University of Derby |
Centre for Cultural History and Critical Theory |
|
| WARD J |
Inside Cover |
2000 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| WARD J |
Please Touch |
2000 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| WARD J |
The Artists |
2000 |
University of West of England, Bristol |
Centre for Fine Print Research |
Stephen Hoskins |
| WARD J |
This is not a book |
1998 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| VAN DER LEM P |
Search and research in Fine Print: creating practice based and theoretical research for the discipline of Fine Print |
1999 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| PARRAMAN C |
The Photomechanical Print as a Conservable Output |
2000 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| PARRAMAN C |
In Search of the Organic Dot |
1999 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| PARRAMAN C |
A Survey of Photomechanical Prints |
2000 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| PARRAMAN C |
Circular Walk |
1998 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| HOSKINS S |
Prints that Fly |
1999 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| HOSKINS S |
Three Prints: G.S.9. (1996) G.S.10. (1996) G.S.T. (1997) |
1997 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| HOSKINS S |
Routes to Pollution Minimisation in the Ceramic Transfer Industry: synergy of art and Science |
1998 |
University of West of England, Bristol |
Centre for Fine Print Research |
R Anderton A G W Hodson A M Logan |
| HOSKINS S |
Kite Book |
2000 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| BODMAN S |
A Case of Discovery |
2000 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| BODMAN S |
GM Future |
2000 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| BODMAN S |
Books by Artists |
1999 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| BODMAN S |
Bound to Happen |
1996 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| ANDERTON R |
Think it-Ink it: water-based screenprinting: a visual demonstration |
1997 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| ANDERTON R |
WO 9855327 Novel Methods of Water-based Screenprinted Ceramic Transfers |
1998 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| ANDERTON R |
World Etching |
2000 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| ANDERTON R |
Flexo and Helio: innovative methods of printing |
1999 |
University of West of England, Bristol |
Centre for Fine Print Research |
|
| Stickley P |
South African Print Exchange |
1996 |
University of Portsmouth |
Centre for Images in Practice |
|
| Stickley P |
Open Event |
2000 |
University of Portsmouth |
Centre for Images in Practice |
|
| Stickley P |
Indeterminate Immediate |
2000 |
University of Portsmouth |
Centre for Images in Practice |
|
| Stickley P |
Secrets |
2000 |
University of Portsmouth |
Centre for Images in Practice |
|
| Mair J H |
The Book of Destinies (A Practical Guide to Predicting the Future) |
1997 |
University of Portsmouth |
Centre for Images in Practice |
|
| Mair J H |
Jacqueline Mair |
1997 |
University of Portsmouth |
Centre for Images in Practice |
|
| Mair J H |
Passage From India |
1999 |
University of Portsmouth |
Centre for Images in Practice |
|
| Mair J H |
Solo exhibition, new to celebrate the new building |
1998 |
University of Portsmouth |
Centre for Images in Practice |
|
| Harrison J P |
Photographs selected for Women's Artists Diary |
1999 |
University of Portsmouth |
Centre for Images in Practice |
|
| Harrison J P |
Health Education Authority Opposites and Numbers |
1999 |
University of Portsmouth |
Centre for Images in Practice |
|
| Davies D R |
Recent Works |
1997 |
University of Portsmouth |
Centre for Images in Practice |
|
| Davies D R |
Invisible Lives |
1999 |
University of Portsmouth |
Centre for Images in Practice |
|
| Davies D R |
New Paintings, Drawings and Prints |
1996 |
University of Portsmouth |
Centre for Images in Practice |
|
| Davies D R |
Screenplay |
1998 |
University of Portsmouth |
Centre for Images in Practice |
M Buchanan-Dick |
| Clarke S R I |
Feeding Squirrels to the Nuts 11 |
1998 |
University of Portsmouth |
Centre for Images in Practice |
T Credland Karen Eliot |
| Clarke S R I |
Carrion Culture Poster Set-1 |
1996 |
University of Portsmouth |
Centre for Images in Practice |
S Cleaver R Simms T Credland |
| Clarke S R I |
A Politics of Time, |
1999 |
University of Portsmouth |
Centre for Images in Practice |
S Cleaver R Simms R Bestley |
| Batey J C |
Confidence, Artist's Book |
1999 |
University of Portsmouth |
Centre for Images in Practice |
|
| Batey J C |
Visual Language of Number web gallery and research space |
1998 |
University of Portsmouth |
Centre for Images in Practice |
Maureen O'Neill |
| Batey J C |
Images in Practice collaborative net research centre |
1997 |
University of Portsmouth |
Centre for Images in Practice |
Chris Mullen Maureen O'Neill |
| Batey J C |
Children's Rights Visualised, website |
1999 |
University of Portsmouth |
Centre for Images in Practice |
Maureen O'Neill |
| Penny S |
Critical Issues in Electronic Media |
1995 |
University of Portsmouth |
Centre for New Media Research |
|
| Newland P M |
Managing Scale, Complexity, Uncertainty and Chaos in the Context of an Emotionally Charged and Time Critical Event - ICCARUS and the Elements of (In)variance |
1995 |
University of Portsmouth |
Centre for New Media Research |
J Powell |
| Newland P M |
Informing Multimedia: a sensitive interface to data for construction design professionals. |
1994 |
University of Portsmouth |
Centre for New Media Research |
J Powell |
| Newland P M |
Interface Design: Seeking an Appropriate Analysis Framework, |
1999 |
University of Portsmouth |
Centre for New Media Research |
|
| Newland P M |
A Web of Senses in an Autistic Universe |
1997 |
University of Portsmouth |
Centre for New Media Research |
Ron Geesin |
| McCartney K E |
Testing the Benefits of Animation |
1997 |
University of Portsmouth |
Centre for New Media Research |
A Jacobs |
| McCartney K E |
Research Training for Designers |
2000 |
University of Portsmouth |
Centre for New Media Research |
|
| McCartney K E |
Smart Homes for Disabled People, design studies for Housing Corporation Innovation Fund |
1999 |
University of Portsmouth |
Centre for New Media Research |
|
| McCartney K E |
Three Dimensional CAAD Modelling ... for Conceptual Design : Technical constraints and local planning attributes as parameters for conceptual design support and evaluation |
1997 |
University of Portsmouth |
Centre for New Media Research |
A Ismail |
| Jain S |
Below the Surface : New aesthetics in immersive experiences for trans cultural groups |
1997 |
University of Portsmouth |
Centre for New Media Research |
|
| Jain S |
Conference Presentation animation design |
1998 |
University of Portsmouth |
Centre for New Media Research |
|
| Jain S |
IMS World Interactive Guide |
1996 |
University of Portsmouth |
Centre for New Media Research |
|
| Garcia D R |
Net Congestion Reader |
2000 |
University of Portsmouth |
Centre for New Media Research |
Hyde A Kluitenberge E Harger H |
| Garcia D R |
The Translation Machine |
1997 |
University of Portsmouth |
Centre for New Media Research |
|
| Garcia D R |
The Digital Underpass |
1995 |
University of Portsmouth |
Centre for New Media Research |
|
| Garcia D R |
The Next Five Minutes (2) |
1996 |
University of Portsmouth |
Centre for New Media Research |
|
| Creed C |
Medical Data in Drug Development |
1997 |
University of Portsmouth |
Centre for New Media Research |
P Newland |
| Creed C |
Cardiology Across Europe, |
1996 |
University of Portsmouth |
Centre for New Media Research |
Dr P Newland C Golya |
| Clarke S R I |
Creative Design Practices in Hypermedia |
1994 |
University of Portsmouth |
Centre for New Media Research |
S Jain P Burrell |
| Thoquenne M |
'Sylvie', Documentary. |
1997 |
University of Derby |
Centre for Research in Film and Photography |
|
| Thoquenne M |
'Sylvie', feature length documentary broadcast on Canal Plus Television, France. |
1998 |
University of Derby |
Centre for Research in Film and Photography |
|
| Thoquenne M |
'Visions of Joan', Commission to write feature script drama. |
1997 |
University of Derby |
Centre for Research in Film and Photography |
|
| Thoquenne M |
'Sylvie', Commission to write and direct feature documentary. |
1996 |
University of Derby |
Centre for Research in Film and Photography |
|
| Shimshon O |
'Spirit Level' Exhibition (SOLO) |
2000 |
University of Derby |
Centre for Research in Film and Photography |
|
| Shimshon O |
'PELES MAIM' Exhibition (Solo). |
1999 |
University of Derby |
Centre for Research in Film and Photography |
|
| Shimshon O |
'The Shape of Light' Group Exhibition. |
1998 |
University of Derby |
Centre for Research in Film and Photography |
Lynn Silverman |
| Shimshon O |
'Spirit Level' Exhibition (SOLO). |
2000 |
University of Derby |
Centre for Research in Film and Photography |
|
| Kinsey J |
'Greenfingers', Group Exhibition. (July - Aug). |
1999 |
University of Derby |
Centre for Research in Film and Photography |
|
| Kinsey J |
'Life After Death', Joint Exhibitor. |
1996 |
University of Derby |
Centre for Research in Film and Photography |
|
| Kinsey J |
'Allotment' Group Exhibtion, 18 September-24 October. |
1998 |
University of Derby |
Centre for Research in Film and Photography |
|
| Kinsey J |
'Theme Park', Solo Exhibition/Touring. |
1999 |
University of Derby |
Centre for Research in Film and Photography |
|
| Hill AA |
Retrospective presentations of films, performance and installation work. |
2000 |
University of Derby |
Centre for Research in Film and Photography |
|
| Hill AA |
'Laws of Nature', a 25 minute experimental landscape film, broadcast by Channel 4 |
1997 |
University of Derby |
Centre for Research in Film and Photography |
|
| Hill AA |
One Person Presentation of films and performance works as part of Artists Film and Video series. |
1998 |
University of Derby |
Centre for Research in Film and Photography |
|
| Hill AA |
Anthology of Films published on videotape - includes 7 short films from 1984-1997. |
1998 |
University of Derby |
Centre for Research in Film and Photography |
|
| Goto J |
'The Framer Collections', Solo Exhibition. |
1997 |
University of Derby |
Centre for Research in Film and Photography |
|
| Goto J |
'The Commissar of Space', Solo Exhibition. |
1998 |
University of Derby |
Centre for Research in Film and Photography |
|
| Goto J |
'Capital Arcade', Solo Exhibition. |
1999 |
University of Derby |
Centre for Research in Film and Photography |
|
| Goto J |
'Photoworks', Solo Exhibition, Artist in Residence.'Architects + Architecture', 2-Person Exhibition with John Lessore.4 Group Portrait. |
1999 |
University of Derby |
Centre for Research in Film and Photography |
|
| Blakemore J |
'John Blakemore'. |
1995 |
University of Derby |
Centre for Research in Film and Photography |
|
| Blakemore J |
'Tulipa'. |
1998 |
University of Derby |
Centre for Research in Film and Photography |
|
| Blakemore J |
The Photographs of John Blakemore |
1998 |
University of Derby |
Centre for Research in Film and Photography |
|
| Baker C |
'A Thousand Hounds'. |
2000 |
University of Derby |
Centre for Research in Film and Photography |
|
| Baker C |
'New Natural History'. |
1999 |
University of Derby |
Centre for Research in Film and Photography |
|
| Baker C |
'Pets - The Animal Inside', Solo Exhibition. |
1999 |
University of Derby |
Centre for Research in Film and Photography |
|
| Baker C |
'Puppy Love'. |
1998 |
University of Derby |
Centre for Research in Film and Photography |
|
| Penny S |
Fugitive, |
1997 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
|
| Penny S |
Traces |
1999 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
Jeffrey Smith Andre Bernhardt |
| Penny S |
Petit Mal 1-4, |
1995 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
|
| Pardey J G |
Refurbishment and Extension of Basil Spence House |
1999 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
|
| Pardey J G |
Grande Arcade |
1999 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
Colin Stansfield Smith |
| Pardey J G |
House/Studio Design |
1998 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
|
| Kunath S C |
Flight |
1997 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
|
| Kunath S C |
The Big Gig |
1998 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
|
| Kunath S C |
Shiny Blackness: new horspiel or sound art |
1998 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
|
| Kunath S C |
Kurt Schwitters |
1999 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
|
| Geesin R |
Sound A-Maze |
1998 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
Dr. C Creed |
| Geesin R |
The Singing Bridge |
1997 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
Chris Wilkinson Brian Johnson |
| Geesin R |
Tri-Aura |
1996 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
Dr Frances Geesin |
| Geesin R |
Hot Keys |
1995 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
|
| Creed C |
Problems of Action and Observation in an Autistic Universe |
2000 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
P Newland R Geesin |
| Creed C |
Sunlight in Dwelling Validation of Insolation |
1996 |
University of Portsmouth |
Centre for Sound and Experimental Environments |
Roger Day |
| Rodrigues CA |
Agent Provocateur: Questions of human machine agency and online ethnography. |
1999 |
University of Plymouth |
Centre for Visual Computing |
Cox, G. |
| Rodrigues CA |
The Work of Art in the Age of Mechanical Reproduction |
2000 |
University of Plymouth |
Centre for Visual Computing |
Cox, G. Stancer, P. |
| Rodrigues CA |
Chinatown and Nose-Room. |
2000 |
University of Plymouth |
Centre for Visual Computing |
|
| Rodrigues CA |
Tuning in. Exhibition at Sea |
1998 |
University of Plymouth |
Centre for Visual Computing |
|
| Mealing SP |
Do you see what I'm saying? |
2000 |
University of Plymouth |
Centre for Visual Computing |
|
| Mealing SP |
ud2k - Designing the Design Student |
2000 |
University of Plymouth |
Centre for Visual Computing |
|
| Mealing SP |
Kiki - a computer drawing model. |
1998 |
University of Plymouth |
Centre for Visual Computing |
|
| Mealing SP |
Extrapolation to Future Novelties. |
1997 |
University of Plymouth |
Centre for Visual Computing |
|
| Honeywill P W |
Designing Icons for the Graphical User Interface |
1999 |
University of Plymouth |
Centre for Visual Computing |
|
| Honeywill P W |
Evaluating Appropriate Interface Metaphors. |
2000 |
University of Plymouth |
Centre for Visual Computing |
|
| Honeywill P W |
Digital Design: Using QuarkXPress 4 |
1997 |
University of Plymouth |
Centre for Visual Computing |
Lockhart, A. |
| Honeywill P W |
A Comparison between Maya Hieroglyphs and Computer Icons |
1999 |
University of Plymouth |
Centre for Visual Computing |
|
| Cox GF |
The Digital Crowd: some questions on globalisation and agency. |
1999 |
University of Plymouth |
Centre for Visual Computing |
|
| Cox GF |
Manifest |
1999 |
University of Plymouth |
Centre for Visual Computing |
Brennan, T. |
| Cox GF |
The Impossibility of Art Education |
1999 |
University of Plymouth |
Centre for Visual Computing |
Hollands, H. de Rijke, V. |
| Cox GF |
The violent silence of the nose. |
2000 |
University of Plymouth |
Centre for Visual Computing |
|
| Beardon CE |
Computers and networks in the age of globalisation. |
2000 |
University of Plymouth |
Centre for Visual Computing |
Rasmussen, L B Munari, S |
| Beardon CE |
Computer use by artists and designers: some perspectives on two design traditions. |
1997 |
University of Plymouth |
Centre for Visual Computing |
Gollifer, S. Rose, C. Worden, S. |
| Beardon CE |
What does it mean to be virtual? |
1997 |
University of Plymouth |
Centre for Visual Computing |
|
| Beardon CE |
The Visual Assistant |
2000 |
University of Plymouth |
Centre for Visual Computing |
Gollifer, C. Rose, C. Worden, S. |
| Adams BC |
The use of computer technology in craft practice. |
1996 |
University of Plymouth |
Centre for Visual Computing |
Woolner, M. |
| Adams BC |
Computer Technology in Designer Maker Practice |
1996 |
University of Plymouth |
Centre for Visual Computing |
Woolner, M. Polletti, H. |
| Adams BC |
Principles of Modelling + Rendering with 3D Studio |
1998 |
University of Plymouth |
Centre for Visual Computing |
Mealing, S. Woolner, M. |
| Adams BC |
Intersculpt 99 - the CALM Project |
1999 |
University of Plymouth |
Centre for Visual Computing |
|
| Wood ND |
Lead glazes in antiquity - methods of production and reasons for use |
1998 |
University of Westminster |
Ceramics |
Tite MS Freeston IC Mason R |
| Wood ND |
Chinese Glazes - Their Origins, Chemistry and Recreation |
1999 |
University of Westminster |
Ceramics |
|
| Wood ND |
Plate tectonics and Chinese ceramics - new insights into the origins of China's ceramic raw materials |
2000 |
University of Westminster |
Ceramics |
|
| Wood ND |
Early polychrome glazes on a Chinese ceramic bead of the Warring States period |
1999 |
University of Westminster |
Ceramics |
Freestone I Stapleton C Gu Taoxi Kexue Jishu |
| Starkey P |
Catalogue for Exhibition 'Songs in Salt' |
1997 |
University of Wales Institute, Cardiff |
Ceramics |
M Canon J Hamlyn P Meanley |
| Starkey P |
The Cat Scratched Little Johnny - Ceramics in Wales |
1999 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Starkey P |
Below the Salt - A critical discussion of the symposium on contemporary British saltglaze, 'Visions and Traditions,' Leeuwarden, Holland |
1997 |
University of Wales Institute, Cardiff |
Ceramics |
N Upfold |
| Starkey P |
Making Sense |
1995 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Pearson L.F |
Decorative Ceramics in the Buildings of the British Brewing History |
2000 |
University of Wolverhampton |
Ceramics |
|
| Pearson L.F |
British Breweries: an Architectural History |
2000 |
University of Wolverhampton |
Ceramics |
|
| Pearson L.F |
Minton Tiles in the Churches of Staffordshire |
2000 |
University of Wolverhampton |
Ceramics |
|
| Pearson L.F |
Northern City: An Architectural History of Newcastle Upon Tyne |
1996 |
University of Wolverhampton |
Ceramics |
|
| Jones J |
Interpreting Ceramics - An International referred electronic journal for ceramics |
2000 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Jones J |
Ceramics Contemporaries 3 - Ceramics in Education |
1999 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Jones J |
Listening to Bernard Leach: Exploring the testimony of a studio potter |
1999 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Jones J |
Grayson Perry: The Pot is the Man |
1999 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Jones D |
Thirty Ceramic Vessels |
2000 |
University of Wolverhampton |
Ceramics |
|
| Jones D |
Raku - Investigations into Fire |
1999 |
University of Wolverhampton |
Ceramics |
|
| Jones D |
Raku:Investigations into Fire |
2000 |
University of Wolverhampton |
Ceramics |
Barry Wilson |
| Jones D |
Twenty Five Clay Vessels |
1997 |
University of Wolverhampton |
Ceramics |
|
| Hose M |
Interpreting Ceramics |
2000 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Hose M |
Industry: A Resource for Artists |
1996 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Hose M |
Ewen Henderson Paintings |
2000 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Hose M |
Regarding the Function of Objects: Recent sculpture by Cecile Johnson Soliz |
1999 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Herbert A.T. |
The Manufacture and Design of Victorian Tiles in Relation to their Conservation |
1996 |
University of Wolverhampton |
Ceramics |
|
| Herbert A.T. |
The Role of Ceramic Tiles in Architecture in the Twentieth Century |
1999 |
University of Wolverhampton |
Ceramics |
|
| Herbert A.T. |
The Decorative Tile in Architecture and Interiors |
1995 |
University of Wolverhampton |
Ceramics |
Kathryn Huggins |
| Heeney G |
Shaping Earth |
2000 |
University of Wolverhampton |
Ceramics |
Dennis Farrell |
| Heeney G |
Insight |
1999 |
University of Wolverhampton |
Ceramics |
|
| Heeney G |
'Rhiannon'. Sculpture/Seating. |
1999 |
University of Wolverhampton |
Ceramics |
|
| Heeney G |
Glan Glwyd Goddess Archway. Carved Brick. |
2000 |
University of Wolverhampton |
Ceramics |
|
| Hall M |
Approaches to Re-inventing Studio Practice |
2000 |
University of Wales Institute, Cardiff |
Ceramics |
P Castle |
| Hall M |
New Works |
2000 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Hall M |
New Works |
1998 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Hall M |
New Works |
2000 |
University of Wales Institute, Cardiff |
Ceramics |
|
| De Waal E |
Bernard Leach |
1998 |
University of Westminster |
Ceramics |
|
| De Waal E |
Solo Exhibition |
1998 |
University of Westminster |
Ceramics |
|
| De Waal E |
Modern Home - An Intervention at High Cross House |
1999 |
University of Westminster |
Ceramics |
|
| De Waal E |
Ceramics: A Design Sourcebook |
1999 |
University of Westminster |
Ceramics |
|
| Coward T |
The Role of Regional Characteristics in Industrial Design Education |
1997 |
University of Wales Institute, Cardiff |
Ceramics |
S Ruano |
| Coward T |
Limits and Freedoms: Design in a defined context |
1999 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Coward T |
Drivers and Shapers |
2000 |
University of Wales Institute, Cardiff |
Ceramics |
|
| Coward T |
Designing a Learning Environment for Three Dimensional Thinkers |
2000 |
University of Wales Institute, Cardiff |
Ceramics |
S Gill |
| Brown C |
Fragments of Narrative |
2000 |
University of Westminster |
Ceramics |
|
| Brown C |
The Nude in Clay 2 |
1998 |
University of Westminster |
Ceramics |
|
| Brown C |
The Jerwood Prize for Applied Arts: Ceramics |
1996 |
University of Westminster |
Ceramics |
|
| Brown C |
Crafts Council Showcase |
1997 |
University of Westminster |
Ceramics |
|
| Wright A |
Varndal Street Housing |
1999 |
Glasgow School of Art |
Cities and Environments |
Partner, Wright and Wright Architects |
| Sutherland C |
205 High Street Wood Green London |
2000 |
Glasgow School of Art |
Cities and Environments |
Hussey, C |
| Simpson P |
MATURE - Mission for Application of Technology to Urban Review and Engineering |
2000 |
Glasgow School of Art |
Cities and Environments |
Muni Ganji Peter Siegenthlaer |
| Simpson P |
House form and construction methods - New Urban Traditions of Popular Housing in Columbia and Mexico |
2000 |
Glasgow School of Art |
Cities and Environments |
|
| Simpson P |
Baghdad Courtyard House |
1996 |
Glasgow School of Art |
Cities and Environments |
R. Hanna |
| Simpson P |
Captured Exhibition Installation |
1995 |
Glasgow School of Art |
Cities and Environments |
Nicola Atkinson-Griffith |
| Sharpe T |
Integrated solar thermal upgrading of multi-storey housing blocks in Glasgow |
1998 |
Glasgow School of Art |
Cities and Environments |
C D A Porteous K MacGregor |
| Sharpe T |
Experimental hybrid PV dynamic insulation wall in Scotland |
2000 |
Glasgow School of Art |
Cities and Environments |
C. Porteous |
| Sharpe T |
A proposal for an Air and Water Preheating Solar Attic in Glasgow |
1996 |
Glasgow School of Art |
Cities and Environments |
C. Porteous D. McDonald |
| Sharpe T |
Design Participation in Housing in Glasgow |
1999 |
Glasgow School of Art |
Cities and Environments |
|
| Porter D |
Housing ...best before (Wohnbau ...haltbar bis)as Wohnen, Ubereinstimmen un Ausbilden (Housing, Consensus and Education) |
1999 |
Glasgow School of Art |
Cities and Environments |
|
| Porteous C |
Do sunspaces work in Scotland? Lessons learnt from CEC solar energy demonstration in Glasgow |
1997 |
Glasgow School of Art |
Cities and Environments |
|
| Porteous C |
Performance of moveable insulation on an experimental window in Glasgow |
1999 |
Glasgow School of Art |
Cities and Environments |
|
| Porteous C |
Solar recladding of housing blocks - the Glasgow example |
1998 |
Glasgow School of Art |
Cities and Environments |
|
| Porteous C |
Performance of a thermally efficient timber window with integral solar air collector |
1997 |
Glasgow School of Art |
Cities and Environments |
|
| McKenzie R |
Dangerous Ground: Sculpture in the City |
1999 |
Glasgow School of Art |
Cities and Environments |
Andrew Guest |
| McCaughey P |
Borrowed Light, solo exhibition of publicly sited works |
1996 |
Glasgow School of Art |
Cities and Environments |
Stephen Skrynka |
| Macmillan A |
Scotland: The Firth of Clyde |
1997 |
Glasgow School of Art |
Cities and Environments |
Baines, M Page. A |
| MacDonald A |
Creative City: Changing Glasgow by Design |
1995 |
Glasgow School of Art |
Cities and Environments |
|
| Hermansen C |
Evaluation of Gro Grant for owner occupation |
1996 |
Glasgow School of Art |
Cities and Environments |
K. Gibb M. Keoghan K. Kintrea |
| Hermansen C |
Mac Journal 3 and 4 |
1997 |
Glasgow School of Art |
Cities and Environments |
M. Hvattum |
| Harding D |
The Ill Clad City: Glasgow turns its back on Public Art |
1997 |
Glasgow School of Art |
Cities and Environments |
|
| Harding D |
Public Art in the British New Towns, essay on CD Rom |
1996 |
Glasgow School of Art |
Cities and Environments |
|
| Hanna R |
The relationship between thermal comfort and user satisfaction in Hot Dry Climates |
1996 |
Glasgow School of Art |
Cities and Environments |
|
| Eccleston T |
City Provoked: Flinders Street Station, solo exhibition of publicly sited works |
1997 |
Glasgow School of Art |
Cities and Environments |
|
| Booth S |
Interior design of The Lighthouse: Scotlands Centre for Architecture, Design and the City |
1999 |
Glasgow School of Art |
Cities and Environments |
Javier Mariscal, Barcelona |
| Barclay C |
Millenium Park Project, solo permanent publicly sited commission |
1999 |
Glasgow School of Art |
Cities and Environments |
Stephen Bridge Chris Platt |
| Baker P.H. |
An investigation into the use of a supply air window as a heat reclaim device |
1999 |
Glasgow School of Art |
Cities and Environments |
McEvoy, M.E. |
| Baker P.H. |
Photovoltaics: integration into buildings Digest 438 |
1999 |
Glasgow School of Art |
Cities and Environments |
Stirling, C. |
| Baker P.H. |
Risks, durability + performance of advanced glazing systems - thermal performance of window systems |
1997 |
Glasgow School of Art |
Cities and Environments |
|
| Baker P.H. |
Advanced Envelopes, IEA Annex 32, Volume III |
2000 |
Glasgow School of Art |
Cities and Environments |
Saelens, D. Grace, M. Inoue, T. |
| Bain L |
Lowry Centre, Salford |
2000 |
Glasgow School of Art |
Cities and Environments |
Michael Wilford and Partners |
| Bain L |
The British Embassy Berlin |
1999 |
Glasgow School of Art |
Cities and Environments |
Michael Wilford and Partners |
| Bain L |
5-7 Carleton Gardens |
1999 |
Glasgow School of Art |
Cities and Environments |
Michael Wilford and Partners |
| Alexander I |
Homes for the future |
1999 |
Glasgow School of Art |
Cities and Environments |
McKeown, H |
| Alexander I |
Graham Square, Glasgow |
1998 |
Glasgow School of Art |
Cities and Environments |
McKeown, H |
| WATSON A J |
Singing for Dead Singers, 5 Exhibitions By Arthur Watson |
2000 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| WATSON A J |
A History of Scottish Performance |
1998 |
University of Dundee |
Coastal/Indigenous Cultures |
Fahrenholz, M Currie, A Woods, A |
| WATSON A J |
2 Seaport Songs |
1998 |
University of Dundee |
Coastal/Indigenous Cultures |
Mooney, J D Howard, I Tolj, S |
| WALKER D B |
The Use of Shingles as a Roof Covering in Medieval Scotland |
2000 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| WALKER D B |
The Hebridean Blackhouse: A Guide to materials, construction and maintenance |
1996 |
University of Dundee |
Coastal/Indigenous Cultures |
Christopher McGregor |
| WALKER D B |
Earth Structures and Construction in Scotland: A Guide to the recognition and conservation of earth technology in Scottish buildings |
1996 |
University of Dundee |
Coastal/Indigenous Cultures |
Christopher McGregor Rebecca Little |
| WALKER D B |
Thatch and Thatching Techniques: A Guide to Conserving Scottish Thatching Traditions |
1996 |
University of Dundee |
Coastal/Indigenous Cultures |
Christopher McGregor Gregor Stark |
| SUMMERTON E |
Line Controller |
1998 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| SUMMERTON E |
Magnetic Landscape |
1998 |
University of Dundee |
Coastal/Indigenous Cultures |
Moira Scott |
| SCULLION L |
The Gifted Child |
1995 |
University of Dundee |
Coastal/Indigenous Cultures |
Dalziel, M |
| SCULLION L |
Sargassum |
1995 |
University of Dundee |
Coastal/Indigenous Cultures |
Dalziel, M |
| SCULLION L |
The Pressure of Spring |
1999 |
University of Dundee |
Coastal/Indigenous Cultures |
Dalziel, M |
| PAYNE M S |
Black and White |
1999 |
University of Dundee |
Coastal/Indigenous Cultures |
Casey Ginther Dawn Gavin |
| PAYNE M S |
Colourwave |
1996 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| PAYNE M S |
Rain Shadow, (Geographic Umbrella) |
1999 |
University of Dundee |
Coastal/Indigenous Cultures |
Mary Sue Foster Marjorie Schick Elisa Stalker |
| PAYNE M S |
Ice Aesthetic Rebound (Works After A Trip to Alaska) |
1994 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| MODEEN M |
The Eternal Contemporary |
1998 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| MACLEAN W J |
Land Raid Cairn Memorials |
1999 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| MACLEAN W J |
Worlds in a Box |
1995 |
University of Dundee |
Coastal/Indigenous Cultures |
Cornell, J Duchamp, M Rauschenberg, R |
| MACLEAN W J |
Atlantic Messengers |
1998 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| MACLEAN W J |
Cardinal Points |
2000 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| GATT E E |
Soapmarine Dispensers |
1997 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| FINLAY A |
Flowers of the North Sea |
1999 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| DALZIEL M N |
Songs of the Sea |
1998 |
University of Dundee |
Coastal/Indigenous Cultures |
Scullion, L Bryers, G Armstrong, C |
| DALZIEL M N |
The Way Stations |
1997 |
University of Dundee |
Coastal/Indigenous Cultures |
Scullion, L |
| DALZIEL M N |
Another Place |
2000 |
University of Dundee |
Coastal/Indigenous Cultures |
Scullion, L Chaston, R |
| DALZIEL M N |
Endlessly |
1997 |
University of Dundee |
Coastal/Indigenous Cultures |
Scullion, L Chaston, R |
| CARR R J M B |
Inuit Printmaking |
1995 |
University of Dundee |
Coastal/Indigenous Cultures |
|
| BEHRENS R H H |
Scottish Spirit (21 artists from the Society of Scottish Artists) |
1998 |
University of Dundee |
Coastal/Indigenous Cultures |
Joanne Soroka Ian McCulloch Philip Reeves |
| Wozencroft J |
The Graphic Language of Neville Brody 2 |
1994 |
Royal College of Art |
Communications |
|
| Wozencroft J |
Seeing the future today |
1994 |
Royal College of Art |
Communications |
|
| Wozencroft J |
Joy Division 'Heart and Soul' box set |
1997 |
Royal College of Art |
Communications |
|
| Wozencroft J |
Touch and Fuse |
1999 |
Royal College of Art |
Communications |
|
| Willis J |
From the Beginning |
1998 |
Royal College of Art |
Communications |
|
| Willis J |
Rhythms of Life |
1999 |
Royal College of Art |
Communications |
|
| Rees A |
'Cinema and the Avant Garde' and 'Avant-Garde Film 1960-1995' |
1999 |
Royal College of Art |
Communications |
|
| Rees A |
Entries on 'Steve Littman', 'Jeff Keen', 'Jayne Parker', 'Guy Sherwin', 'John Smith' |
1999 |
Royal College of Art |
Communications |
|
| Rees A |
A History of Experimental Film and Video |
1999 |
Royal College of Art |
Communications |
|
| Rees A |
'Digital Daze' |
1998 |
Royal College of Art |
Communications |
|
| Mills R |
Pearl and Umbra and Strange Familiar |
1999 |
Royal College of Art |
Communications |
|
| Mills R |
Mantle |
2000 |
Royal College of Art |
Communications |
|
| Mills R |
Royal Shakespeare Company Printed Material |
1994 |
Royal College of Art |
Communications |
|
| Mills R |
Eno I and Eno II |
1994 |
Royal College of Art |
Communications |
|
| Klimowski A |
Walter Benjamin for Beginners |
1998 |
Royal College of Art |
Communications |
Caygill, H Coles, A Appignanesi, R |
| Klimowski A |
Klimowski: inne obszary, inne formaty |
1996 |
Royal College of Art |
Communications |
|
| Klimowski A |
Andrzej Klimowski: the Deflected Gaze |
2000 |
Royal College of Art |
Communications |
|
| Klimowski A |
The Depository: A dream book |
1994 |
Royal College of Art |
Communications |
|
| Kitching A |
New Library - The People's Network: Report to HM Government |
1997 |
Royal College of Art |
Communications |
|
| Kitching A |
Typography - Alan Kitching |
1997 |
Royal College of Art |
Communications |
|
| Kitching A |
Alan Kitching Typographic Timelord |
1999 |
Royal College of Art |
Communications |
|
| Kitching A |
Royal Mail Millennium Stamp |
1999 |
Royal College of Art |
Communications |
|
| Garrett M |
Website for Saatchi and Saatchi |
1997 |
Royal College of Art |
Communications |
|
| Garrett M |
Wellcome Wing, Science Museum Website |
2000 |
Royal College of Art |
Communications |
|
| Frayling C |
Ridley Scott |
1996 |
Royal College of Art |
Communications |
|
| Frayling C |
Nightmare - the birth of horror |
1996 |
Royal College of Art |
Communications |
|
| Frayling C |
Things to come |
1995 |
Royal College of Art |
Communications |
|
| Frayling C |
Sergio Leone - something to do with death |
1999 |
Royal College of Art |
Communications |
|
| Fern D |
MAP/Making |
1999 |
Royal College of Art |
Communications |
|
| Fern D |
Forgotten Picture |
1995 |
Royal College of Art |
Communications |
|
| Fern D |
Pulse Sampler |
1996 |
Royal College of Art |
Communications |
|
| Fern D |
The Museum of the New Millennium |
1999 |
Royal College of Art |
Communications |
|
| Dumbar G |
Fly Opera |
1994 |
Royal College of Art |
Communications |
|
| Dumbar G |
Studio Dumbar |
1998 |
Royal College of Art |
Communications |
|
| Dumbar G |
Corporate Identity for the Dutch Police |
1995 |
Royal College of Art |
Communications |
|
| Dumbar G |
Behind the Seen |
1996 |
Royal College of Art |
Communications |
|
| Blake Q |
The Learning Journey |
2000 |
Royal College of Art |
Communications |
|
| Blake Q |
Un Bateau Dans le Ciel |
2000 |
Royal College of Art |
Communications |
|
| Blake Q |
Words and Pictures |
2000 |
Royal College of Art |
Communications |
|
| Blake Q |
Clown |
1995 |
Royal College of Art |
Communications |
|
| Raby F |
Fields and Thresholds (Testpieces) |
1996 |
Royal College of Art |
Computer Related Design |
|
| Raby F |
Park Interactives (Adult Furniture) |
2000 |
Royal College of Art |
Computer Related Design |
|
| Raby F |
Fields and Thresholds (Prototypes ), Oslo |
1996 |
Royal College of Art |
Computer Related Design |
|
| Raby F |
Project #26765: FLIRT, Flexible information and recreation for mobile users |
2000 |
Royal College of Art |
Computer Related Design |
|
| Kitchen S |
'Spring' and 'Monster' |
2000 |
Royal College of Art |
Computer Related Design |
|
| Kitchen S |
'Responsive Space' |
1999 |
Royal College of Art |
Computer Related Design |
|
| Kitchen S |
'Filing cabinets and door handles' |
1998 |
Royal College of Art |
Computer Related Design |
|
| Kitchen S |
'Naked' |
1999 |
Royal College of Art |
Computer Related Design |
|
| Hooker B |
MSET - Multimedia Services and Enabling Technologies |
2000 |
Royal College of Art |
Computer Related Design |
|
| Hooker B |
WAP Furniture |
2000 |
Royal College of Art |
Computer Related Design |
|
| Hooker B |
Web-based computer games |
1998 |
Royal College of Art |
Computer Related Design |
|
| Hooker B |
No 1, Ozone Terrace |
1998 |
Royal College of Art |
Computer Related Design |
|
| Hamilton R |
Field |
2000 |
Royal College of Art |
Computer Related Design |
|
| Gaver W |
Auditory interfaces |
1997 |
Royal College of Art |
Computer Related Design |
|
| Gaver W |
Projected Realities: Conceptual Design for Conceptual Effect |
1999 |
Royal College of Art |
Computer Related Design |
|
| Gaver W |
Alternatives: Exploring information appliances through conceptual design proposals. |
2000 |
Royal College of Art |
Computer Related Design |
|
| Gaver W |
Beyond the Snapshot: From Speculation to Prototypes in Audiophotography |
2000 |
Royal College of Art |
Computer Related Design |
Martin, H |
| Dunne A |
Hertzian Tales |
1994 |
Royal College of Art |
Computer Related Design |
|
| Dunne A |
Placebo |
2000 |
Royal College of Art |
Computer Related Design |
|
| Dunne A |
Hertzian Tales; electronic products, aesthetic experience and critical design |
1994 |
Royal College of Art |
Computer Related Design |
|
| Dunne A |
Weeds, Aliens and Other Stories |
1998 |
Royal College of Art |
Computer Related Design |
|
| Brown R |
Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy |
2000 |
Royal College of Art |
Computer Related Design |
|
| Brown R |
Neural Net Starfish |
2000 |
Royal College of Art |
Computer Related Design |
|
| Brown R |
Alembic |
1997 |
Royal College of Art |
Computer Related Design |
|
| Brown R |
Biotica |
1999 |
Royal College of Art |
Computer Related Design |
|
| Phenix A |
Solubility parameters and the cleaning of paintings: an update and review |
1998 |
Royal College of Art |
Conservation |
|
| Phenix A |
The Science and Technology of the Cleaning of Pictures: Past, Present and Future |
1998 |
Royal College of Art |
Conservation |
|
| Lindsay W |
An Evaluation of Geology and Weathering in the Preservation of Marl Objects |
2000 |
Royal College of Art |
Conservation |
Ventikou, M Halls, C Batchelder, M |
| Lindsay W |
A New Specimen of Ankarapithecus meteai from the Sinap Formation of Central Anatolia |
1996 |
Royal College of Art |
Conservation |
Alpagut, B Andrews, P Fortelius, M |
| Lindsay W |
Displaying Dinosaurs at the Natural History Museum |
1996 |
Royal College of Art |
Conservation |
Larkin, N Smith, N |
| Lindsay W |
Postcranial Remains of Baphetes and their bearing on the Relationships of the Baphetidae (=Loxommatidea) |
1998 |
Royal College of Art |
Conservation |
Milner, AC |
| Derbyshire A |
'The Examination and Conservation of the Raphael Cartoons' |
1996 |
Royal College of Art |
Conservation |
|
| Derbyshire A |
A Proposed Practical Lighting Policy for Works of Art on Paper at the Victoria and Albert Museum |
1999 |
Royal College of Art |
Conservation |
|
| Derbyshire A |
Pigment Analysis of Portrait Miniatures using Raman Microscopy |
1998 |
Royal College of Art |
Conservation |
|
| Cummings A |
Conservation and restoration of a portrait of Earl of Warwick |
1996 |
Royal College of Art |
Conservation |
|
| Cummings A |
Topographical Studies in the Conservationof Statuary Materials |
2000 |
Royal College of Art |
Conservation |
Gaspar, P McPhail, D Hubbard, C |
| Bracker A |
Lost Property: Lisa Lyon in Artforum |
1998 |
Royal College of Art |
Conservation |
|
| Balfour D |
'The first non-intrusive upholstery treatment at the Victoria and Albert Museum' |
1999 |
Royal College of Art |
Conservation |
Metcalf, S Collard, F |
| Ashley-Smith J |
Let's be Honest: Realistic Environmental Parameters for Loaned Objects |
1994 |
Royal College of Art |
Conservation |
|
| Ashley-Smith J |
Can high productivity be productive? |
1997 |
Royal College of Art |
Conservation |
Hillyer, L |
| Ashley-Smith J |
Risk Assessment for Object Conservation |
1999 |
Royal College of Art |
Conservation |
|
| Ashley-Smith J |
Risk Analysis |
1997 |
Royal College of Art |
Conservation |
|
| Parker D R |
A window on the world: the work of Roy Wenzel |
2000 |
University College Northampton |
Contemporary Art Criticism |
|
| Parker D R |
The Stuff of Life: the Life of Stuff the Material Imagination. Roy Wenzel A Psychological Perspective |
2000 |
University College Northampton |
Contemporary Art Criticism |
|
| Esser-Hall G M |
Perpetual Beginnings: The Role of Phenomenological Hermeneutics in Art Education |
2000 |
University College Northampton |
Contemporary Art Criticism |
|
| Esser-Hall G M |
Untersuchung zu Formen visueller Texinterpretation im Englischen Kinderbuch von 1846-1890 [Visual text interpretation in English childrens' books from 1846-1890]. |
1997 |
University College Northampton |
Contemporary Art Criticism |
|
| Corris M |
We have submerged victoriously |
1999 |
University College Northampton |
Contemporary Art Criticism |
|
| Corris M |
The Artist Out of Work: Art + Language, 1972-1981 |
1999 |
University College Northampton |
Contemporary Art Criticism |
|
| WILKES C |
Becks Future |
1999 |
University of Dundee |
Contemporary Practice |
Roderick Buchanan David Shrigley Martin Boyce |
| WILKES C |
Direcor Wilkes Gallery Projects |
1994 |
University of Dundee |
Contemporary Practice |
|
| WILKES C |
Lovecraft |
1994 |
University of Dundee |
Contemporary Practice |
Jim Isermann Tom Friedmann Lily van der Stokker |
| WILKES C |
'Hammer-a Nail-In ,/Celtic Cross ' Collaboration with Yoko Ono |
1994 |
University of Dundee |
Contemporary Practice |
Yoko Ono |
| WATSON A J |
Colour Printer's Hat |
1998 |
University of Dundee |
Contemporary Practice |
McCulloch, I Daniels, H Howard, I |
| TAYLOR B |
'Serious Fun' TV commercial |
2000 |
University of Dundee |
Contemporary Practice |
Chris Gallagher |
| TAYLOR B |
Let's Go |
1998 |
University of Dundee |
Contemporary Practice |
John Banks |
| TAYLOR B |
'Consult' a two-minute running presentation profiling the work of TPS Consult Architecture + Interior Design |
1997 |
University of Dundee |
Contemporary Practice |
Gary Gowans |
| TAYLOR B |
Spin |
1998 |
University of Dundee |
Contemporary Practice |
Chris Gallagher |
| TAYLOR A |
Vision und Industrielle |
1997 |
University of Dundee |
Contemporary Practice |
Professor Norma Starszakowna |
| TAYLOR A |
Arrow Textiles |
1997 |
University of Dundee |
Contemporary Practice |
|
| TAYLOR A |
Printbank Design Group |
1998 |
University of Dundee |
Contemporary Practice |
Professor Norma Starszakowna Brian Bolger Frances Stevenson |
| TAYLOR A |
Value Added |
1996 |
University of Dundee |
Contemporary Practice |
Anne Marie Shillito Teena Ramsay John Maguire |
| SWIFT D G |
|
2000 |
University of Dundee |
Contemporary Practice |
Wolfgang Losche Marianne V Pasqualino Atsuhiko Musashi |
| SWIFT D G |
Zofias Dance |
2000 |
University of Dundee |
Contemporary Practice |
Shona McInver Eiko Fan Richard Demaro |
| SWIFT D G |
Alloy V |
1998 |
University of Dundee |
Contemporary Practice |
Michelle Lorrie Helen Bennett |
| SWIFT D G |
Designers Habitats |
1995 |
University of Dundee |
Contemporary Practice |
Janice Kirkpatrick Crolyn Primett |
| SUMMERTON E |
Footsteps |
1998 |
University of Dundee |
Contemporary Practice |
Bettina Schiling Eva Kohler Christine Koch |
| SUMMERTON E |
The Strict Nature Reserve |
2000 |
University of Dundee |
Contemporary Practice |
|
| STEEL E R |
MACALLAN/SOS Short Story award illustration |
1997 |
University of Dundee |
Contemporary Practice |
|
| STEEL E R |
The Working Countryside (CD-rom) |
2000 |
University of Dundee |
Contemporary Practice |
Shaw Multimedia Services |
| STEEL E R |
Elements of Desire |
1999 |
University of Dundee |
Contemporary Practice |
Diane Barrie |
| STEEL E R |
To Boldly Sew - Textiles for the 21st Century |
2000 |
University of Dundee |
Contemporary Practice |
Pauline Hann Hilda Peters |
| SHEMILT E |
Intangible Bodies |
1999 |
University of Dundee |
Contemporary Practice |
Stephen Partridge |
| SHEMILT E |
Behind Appearance |
1997 |
University of Dundee |
Contemporary Practice |
|
| SCOBIE L M |
Artsbeast |
1995 |
University of Dundee |
Contemporary Practice |
|
| SCOBIE L M |
Triennale de La Porcelaine |
1995 |
University of Dundee |
Contemporary Practice |
Tomoko Nishimura Peter Lane Vincent Kempenaers |
| SCOBIE L M |
Gold Coast Ceramic Award |
1999 |
University of Dundee |
Contemporary Practice |
Renate Balda Gary Bish Dubhe Carreno |
| SCOBIE L M |
Ceramics Monthly International Competition |
1999 |
University of Dundee |
Contemporary Practice |
Jim Koudelka Mikang im Jeanne Opgenhaffen |
| ROSS A R |
Reflexions |
2000 |
University of Dundee |
Contemporary Practice |
|
| ROSS A R |
Aurora |
1999 |
University of Dundee |
Contemporary Practice |
|
| ROSS A R |
Lions and Thistles |
1995 |
University of Dundee |
Contemporary Practice |
|
| ROSS A R |
Two Scottish Artists |
1996 |
University of Dundee |
Contemporary Practice |
|
| ROBB A M |
I Live Now |
1999 |
University of Dundee |
Contemporary Practice |
Ian Howard Derrick Guild |
| ROBB A M |
Four Scottish Artists |
1996 |
University of Dundee |
Contemporary Practice |
Calum Colvin Grant Clifford Elaine Shemilt |
| ROBB A M |
In the Mind's Eye |
1995 |
University of Dundee |
Contemporary Practice |
|
| ROBB A M |
Talent |
1996 |
University of Dundee |
Contemporary Practice |
Wayne Thiebaud Richard Estes John Chamberlain |
| RICE A |
Corporate Communications for the Electronic and Photonic Information Centre |
2000 |
University of Dundee |
Contemporary Practice |
|
| RICE A |
Financial Tool Modelling Design Activity |
1998 |
University of Dundee |
Contemporary Practice |
|
| RICE A |
Millenium Corridor Project, British Forces, Falkland Islands |
1999 |
University of Dundee |
Contemporary Practice |
Gary Gowans Roland Ashcroft Gary Fisher |
| RICE A |
IDEAS (Industry + Design Education Action for Scotland) Part 1 |
1996 |
University of Dundee |
Contemporary Practice |
Georgina Follett Julian Malins Tony Franks |
| RAMSAY T K |
'Source', Scottish Applied Arts inspired by Museum Artefacts |
2000 |
University of Dundee |
Contemporary Practice |
Dorothy Hogg Simon Ward Sam Wade |
| RAMSAY T K |
Alloy V |
1999 |
University of Dundee |
Contemporary Practice |
David Swift Roger Morris Susan Barr |
| RAMSAY T K |
The International Exposition of Sculpture, Objects + Functional Art, SoFA 2000 |
2000 |
University of Dundee |
Contemporary Practice |
Caroline Broadhead David Shaner Anna Skibska |
| RAMSAY T K |
'Craftscape', Contemporary British Crafts Alive + Kicking |
2000 |
University of Dundee |
Contemporary Practice |
Simone ten Honpel Jane Wallace Elizabeth Callinicos |
| PROUD P T |
A Path for Life |
1995 |
University of Dundee |
Contemporary Practice |
|
| PROUD P T |
Source |
1999 |
University of Dundee |
Contemporary Practice |
Dorothy Hogg Deborah Fladgate Rebecca Halstead |
| PROUD P T |
Glasgow City of Architecture + Design Plate Show |
1999 |
University of Dundee |
Contemporary Practice |
Elizabeth Blackadder Ian McCulloch Elspeth Lamb |
| PROUD P T |
Charcoal Lattice |
2000 |
University of Dundee |
Contemporary Practice |
Jonathan Robertson |
| PATTISON J |
Scottish Spirit, S.S.A. in the U.S.A. |
1998 |
University of Dundee |
Contemporary Practice |
Phillip Reeves Ian McCulloch Elaine Shemilt |
| PATTISON J |
Painted Forms |
1997 |
University of Dundee |
Contemporary Practice |
|
| PATTISON J |
Colour Maps |
2000 |
University of Dundee |
Contemporary Practice |
|
| PATTISON J |
Project Keleia |
1997 |
University of Dundee |
Contemporary Practice |
Trevor Bell Emerik Bernard Johanna Rodenberg |
| MORTON V E |
Intelligible Lies |
1997 |
University of Dundee |
Contemporary Practice |
Carol Rhodes Graeme Todd |
| MORTON V E |
Victoria Morton at Gallery Enja Wonneberger |
2000 |
University of Dundee |
Contemporary Practice |
|
| MORTON V E |
Touring Solo Exhibition |
1996 |
University of Dundee |
Contemporary Practice |
Cathy Wilkes |
| MORTON V E |
Victoria Morton at Sadie Coles HQ |
2000 |
University of Dundee |
Contemporary Practice |
|
| MORRIS R C |
Acrylic Sculptural Jewellery |
2000 |
University of Dundee |
Contemporary Practice |
David Watkins Otto Kunzli Gijs Bakker |
| MORRIS R C |
New Directions |
1999 |
University of Dundee |
Contemporary Practice |
|
| MORRIS R C |
Alloy Four |
1998 |
University of Dundee |
Contemporary Practice |
Susan Barr Ann Marie Shillito Teena Ramsay |
| MORRIS R C |
Alloy Five |
1998 |
University of Dundee |
Contemporary Practice |
Susan Barr Teena Ramsay David Swift |
| MODEEN M |
Continental Shift |
1998 |
University of Dundee |
Contemporary Practice |
Fisher, P Cohen, D Garner, T |
| MODEEN M |
Graces, Fates and Furies |
1995 |
University of Dundee |
Contemporary Practice |
|
| MODEEN M |
Mary Modeen: Solo Exhibition, Public Art Commission, and Inaugural Research Fellowship |
2000 |
University of Dundee |
Contemporary Practice |
|
| MACKENNA T |
I Believe in D |
2000 |
University of Dundee |
Contemporary Practice |
Janssen, E Beuys, J Polke, S |
| MACKENNA T |
Bulk, Tracy Mackenna |
1997 |
University of Dundee |
Contemporary Practice |
|
| MACKENNA T |
Ed and Ellis in Schiedam, Tracy Mackenna and Edwin Janssen |
1998 |
University of Dundee |
Contemporary Practice |
Janssen, E |
| MACKENNA T |
Ed and Ellis in Tokyo, Tracy Mackenna and Edwin Janssen |
1998 |
University of Dundee |
Contemporary Practice |
Janssen, E |
| LAMB E P |
Later Editions |
1998 |
University of Dundee |
Contemporary Practice |
Jacki Parry Ken Curry Philip Reeves |
| LAMB E P |
Nagasawa Art Park Project Exhibition 2000 |
2000 |
University of Dundee |
Contemporary Practice |
Dean Bowen Peter Lazarov Hiroki Satake |
| KEITH J M |
Scottish Printed Textiles |
1999 |
University of Dundee |
Contemporary Practice |
Sara Keith Jan Milne Frances Stevenson |
| KEITH J M |
Handmade |
2000 |
University of Dundee |
Contemporary Practice |
Sharon Ting Jo Sheffield Janet Bolton |
| JONES P S |
The Lighthouses of Scotland |
1998 |
University of Dundee |
Contemporary Practice |
Lighthouse Board Lighthouse Museum, Fraserburgh |
| JONES P S |
Hong Kong: A visual diary by Peter Simon Jones |
1996 |
University of Dundee |
Contemporary Practice |
Chan, B De Brackhinge, N Mandarin Publishers |
| JONES P S |
A Mandarin Oriental Hotel |
1997 |
University of Dundee |
Contemporary Practice |
Tucker Design Associates Mandarin Oriental Hotels |
| JONES P S |
Illustrations for Every Living Thing by James Herriot |
1996 |
University of Dundee |
Contemporary Practice |
Michael Joseph |
| JOHNSTON K |
Valencia |
2000 |
University of Dundee |
Contemporary Practice |
Susan Thrower Yoka Stada |
| JOHNSTON K |
Jasmine Satin |
1997 |
University of Dundee |
Contemporary Practice |
Fanny Arowsen |
| JOHNSTON K |
Mardi Gras |
2000 |
University of Dundee |
Contemporary Practice |
|
| JOHNSTON K |
Fabric Designs for Mode Druck Gera GmbH, Germany |
1996 |
University of Dundee |
Contemporary Practice |
Susan Thrower |
| IVEY M J |
The House of Discourse |
1998 |
University of Dundee |
Contemporary Practice |
Christine Atha Laura Hamilton |
| IVEY M J |
The Glasgow UK City of Architecture + Design Plate Show |
1999 |
University of Dundee |
Contemporary Practice |
Elizabeth Blackadder Ian McCulloch Elspeth Lamb |
| IVEY M J |
Shopping and More |
1996 |
University of Dundee |
Contemporary Practice |
Lee Jong Soon Jurgen Baumann Lys Hansen |
| IVEY M J |
L'Echasse |
1994 |
University of Dundee |
Contemporary Practice |
Patrig Ar Goarnig Svend Christensen Heiki Kongi |
| HOWARD I G |
Diagrams Heretical |
1999 |
University of Dundee |
Contemporary Practice |
|
| HOWARD I G |
Sadastra |
1998 |
University of Dundee |
Contemporary Practice |
Slaven Tolj Robyn Denny Giancarlo Venuti |
| HOWARD I G |
Uncertain Histories |
2000 |
University of Dundee |
Contemporary Practice |
|
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