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| Art and Design - Publications | ||||
| Art and Design RDF, 6.7mb <RDF Zip, 391kb> | |||
| People, 884kb | Publications, 3.7mb | Groups, 49kb | Institutions, 28kb |
| BOTTOM |
| Author | Title | Date | Place of Publication | Research Group | Co-Authors |
| Springer P | '!' (Advertising as Art) | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Cruise C J | ''Lovely devils': Simeon Solomon and Pre-Raphaelite masculinity. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Rogers M | ''Okologie der Wahnehmung', Group show of large scale prints. | 1999 | University of Derby | Research Group for Artists Publications | |
| Willey TV | '............of a River in Epirus' - Sculpture Exhibition. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chinnery CY | '100 Christian Martyrs', 'Wannabe' and 'Dimestore Vanitas' | 1999 | Oxford Brookes University | Creative Practice | |
| Sedgwick J | '100 years of the Royal College of Art' | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chinneck J | '10th East International' and 'Riverside' | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | Piper, K Lopez, S |
| Mitchell J R. | '16 Gunmetal Frustums and Fillers: 4 Bronze Blocks with Conic Voids' | 2000 | Wimbledon School of Art | Painting | Fred Orton Malcolm Quinn |
| McIntyre K | '1980 - 1998: The Yuppie, Postmodernism, the New Millennium' | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Onishi M | '2nd International Triennial of Graphic Art' | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Pryke S | '365+' - Dinnerware range with associated items | 1996 | De Montfort University | Lundstrom, M Spets, A |
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| Thomas J | '4 Ways He Tried to Tell You' | 1999 | Wimbledon School of Art | Painting | |
| Steed J | '98 St Etienne International Design Bienniale | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Murphy J | 'A Different Constellation'. | 1998 | Goldsmiths College | ||
| Smith K | 'A Lily amongst Thorns' | 2000 | Wimbledon School of Art | Sculpture | |
| Mason R | 'A Line from East to West' | 1998 | Wimbledon School of Art | Painting | |
| Davies H | 'A Perfect Society' | 1995 | Napier University | Photographic Practice | Arabella Plouviez |
| Swift E | 'A Reflection on the Performance of Treading Water directed by VOID: Performance' | 2000 | University of Gloucestershire | ||
| Clark R | 'A Resolution Between Transience and Transcendence'. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Burrows D | 'A Summer's Day' | 2000 | Wimbledon School of Art | Theatre technical arts | David Graham-Young |
| Stanford P | 'A Survey of Fine Art Printmaking Studios in the UK' | 2000 | Wimbledon School of Art | ||
| Baker C | 'A Thousand Hounds'. | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'A Thousand Hounds- The Presence of the Dog in the History of Photography' | 2000 | Napier University | Photographic Practice | Raymond Merritt Miles Barth |
| Brown C | 'Acoustic Shadows' | 1999 | University of Derby | Research Group for Artists Publications | |
| Rogers M | 'Acoustic Shadows'. | 1999 | University of Derby | Research Group for Artists Publications | |
| McCarthy P | 'Acoustic Shadows'. | 1999 | University of Derby | Research Group for Artists Publications | |
| Barnard M | 'Advertising: The Rhetorical Imperative' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mendelle N | 'Algeriennes, hier et aujourd'hui' | 1995 | Napier University | Documentary and Experimental Film | |
| Turnbull A | 'Alison Turnbull, New Paintings' | 2000 | Wimbledon School of Art | Painting | |
| Burrows D | 'All Cloned Up' | 2000 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Mike Bennett |
| Kinsey J | 'Allotment' Group Exhibtion, 18 September-24 October. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Adam J | 'Aluminium by Design: Jewellery to Jets' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Konttinen S L | 'Amber Forever' | 2000 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Kettell R | 'An Anecdotal Eye, the Work of Thomas Bewick'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| McIver L | 'An Invitation to Kiss' | 2000 | Napier University | Documentary and Experimental Film | Pernille Spence Beverly Hood |
| MacLennan H | 'An investigation of students' changing perceptions of professional studies provision for Fine Art focussing on student experience of work placements and enterprise projects' | 1998 | University of Gloucestershire | ||
| Knight L M | 'Animate! - The UK Arts Council and Channel Four Funded Commissioning Scheme. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Robinson A F | 'Annette Robinson' [Solo exhibition] | 2000 | University College Northampton | Fine Art Practices | |
| Kingston A M | 'Ansuya Blom' | 1994 | Wimbledon School of Art | Research Centre | |
| MacLennan H | 'Antiquarian and connoisseurial interest in the northern Renaissance print in the early 19th century' | 1999 | University of Gloucestershire | ||
| Rosser E | 'Ants Growing Wings by the River' | 1997 | Wimbledon School of Art | Sculpture | Inghild Karlsen Kjell Sampkopf Per J Boym |
| Stephenson AP | 'Anxious Performances: Aestheticism, The art gallery and the ambulatory geographies of late Nineteenth Century London | 2000 | University of East London | ||
| Bourke R | 'Apoteoza'/apotheosis | 2000 | Dartington College of Arts | ||
| Barnard M | 'Approaches to Understanding Visual Culture' | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Raney K | 'Art Education and Talk: from modernist silence to post modern chatter' | 1999 | University of East London | H. Hollands | |
| TURNER J | 'Art and Engineers' Contemporary Sculpture with Victorian Engineering | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| HOLT J | 'Art for Earth's Sake: A consideration of issues raised by the Contemporary Arts of the First Peoples of North America' | 1996 | Bretton Hall | FINE ART (PAINTING) | |
| Barnard M | 'Art, Design and Visual Culture'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Sandys-Renton T | 'Artist in Residence' 1 exhibit . 'Self build-built self'. Green oak and forged/welded steel - 170x175x120cm | 2000 | University College Chichester | Sculpture | |
| Cruise C J | 'Artists' clothes: some observations on male artists and their clothes in the nineteenth century'. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Roper G S | 'Artlanta' | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Scott G A | 'As a war horse to the beat of drums': Representations of Working-Class Femininity in the Women's Co-operative Guild, 1880s to the Second World War | 1998 | University of Brighton | Design History, Criticism and Theory | |
| McDonough H | 'Atrium' | 1997 | Anglia Polytechnic University | ||
| Blackie SS | 'Back From Japan'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Smith K | 'Backspace' | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Roberts E | 'Barbara Hepworth Speculatively perceived within an international context' | 1996 | Liverpool John Moores University | Art and Design History | |
| Sandys-Renton T | 'Beastly Thoughts' 4 sculptures. 'Self Portrait as a Beast', 2000,(Charcoal, paper, steel + ceramic - c150x90x13cm); 'Beastly Thoughts' 2000, (Steel + ceramic - c66x205x16cm); 'Naked' 2000 (Steel + ceramic - approx 175x70x14cm; 'Mile High falling Angel | 2000 | University College Chichester | Sculpture | |
| Hatt CAE | 'Being There' | 1994 | Wimbledon School of Art | Painting | Andrew Bick Jane Wilbraham Paola Pezzi |
| Kettell R | 'Below the Salt', Exhibition Catalogue Design. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walter J | 'Below the Salt', exhibition with catalogue. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Peaker G | 'Benjamin's Objects'. | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Galloway L | 'Between the Foot and the Breath' | 1999 | Wimbledon School of Art | Sculpture | Phyllida Barlow Susan Hiller Yinka Shonibare |
| Hand J | 'Bird and Cat' 'Double Act'. | 1999 | Goldsmiths College | ||
| Lewandowska M | 'Blind Date'. | 1998 | Goldsmiths College | ||
| Garfoot S | 'Boa' Range | 1995 | University of Wolverhampton | Glass | |
| Chinneck J | 'Bon Voyage' | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Wootton M A | 'Bookways - The British Version' exhibition | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Warnell P | 'Borborygmus' ('Gut Reaction') at Charge Festival of Live Art | 1998 | University of Gloucestershire | ||
| Walter J | 'Brampton Pots in the Kitchen', curated exhibition with catalogue. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Milne L | 'Breugel and the Psychology of Money' | 1998 | Napier University | Critical Theory of Practice | |
| Peaker G | 'Bridges over Troubled Walter'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Smith B | 'Bridget Smith'. | 1998 | Goldsmiths College | ||
| Taylor F | 'British Art Now 1998'. | 1998 | Goldsmiths College | ||
| Wood M H | 'British Impressionism in Japan.' and' The Victorian Imagination' | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| BULLEY E | 'CEDE' Painting | 1997 | University of Lincoln | ||
| BULLEY E | 'CEDE' Paintings | 1996 | University of Lincoln | ||
| Hamlyn J | 'CONCERTS DAILY AT 11AM + 8PM', 'Ends' | 1994 | Robert Gordon University | Making and Contemporary Culture | |
| Cheesman D | 'CRAFT' | 1997 | Wimbledon School of Art | Sculpture | Thomas Grunfeld Richard Wentworth Tracy Emin |
| Goto J | 'Capital Arcade', Solo Exhibition. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Smith K | 'Care and Control' | 1995 | University of Northumbria at Newcastle | Installation (2b) | Montair, P |
| Chubb S | 'Cartographers - Geo-Gnostic Projection for the 21st Century' - 3 paintings: acrylic, poly vinyl acetate and mixed media on canvas. Dimensions: 112x112cms; 106x166cms; 125x125cms | 1997 | University College Chichester | Painting | |
| BULLEY E | 'Ceaselessly' Painting | 1996 | University of Lincoln | ||
| BEHRENS R H H | 'Celtic connections | 1998 | University of Dundee | Contemporary Practice | Andy Goldsworthy Iduardo Paolozzi Adrian Wisniewski |
| Mitchell S | 'Chagall Talks to Bakhtin'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Wayman M | 'Changing Needs' Project: Textile Design Education - What can a graduate do? | 2000 | Manchester Metropolitan University | ||
| Aggs C | 'Christopher Aggs Recent Paintings' - 20 Oil on Canvas and Oil on Board. Various dimensions. | 2000 | University College Chichester | Painting | |
| Rees A | 'Cinema and the Avant Garde' and 'Avant-Garde Film 1960-1995' | 1999 | Royal College of Art | Communications | |
| McDonough H | 'Circular Breathing' | 1996 | Anglia Polytechnic University | ||
| Porter M | 'Cliffs and Coastlines' | 2000 | Wimbledon School of Art | Painting | |
| Sturgis D | 'Close Up On Pattern'. | 1998 | Goldsmiths College | ||
| Brown V | 'Cloths of Gold.' 1 exhibit: Hand-rolled felt with gold leaf banner 30 x 200cms | 1998 | University College Chichester | Textiles | |
| Walter J | 'Collecting, the Collection and the Collector, The Pinchen Collection of Studio Pottery.', article. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chubb S | 'Collections and Reflections: The Transformative and Assimilative Uses of Art Objects' - Artist Fellowship. 4 paintings: acrylic, colour photocopy, poly vinyl acetate and photocopy transfer on canvas. Dimensions between: 21x12x4.5cms - 25x16x4.5cms | 1997 | University College Chichester | Painting and Installation | |
| Davis K | 'Come' | 1997 | Wimbledon School of Art | Sculpture | |
| Brown C | 'Coming Ready or Not' - a permanment sound piece sited on the Chiltern Sculpture Trail.'Coming Ready or Not and Other Tales' - Solo Exhibition of Drawings, Museum of Modern Art, Oxford. | 2000 | University of Derby | Research Group for Artists Publications | |
| Simpson PJ | 'Common Centre'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Durden M | 'Common Culture' Solo Exhibition. | 1999 | University of Derby | Centre for Cultural History and Critical Theory | David Campbell. Paul Rooney |
| Durden M | 'Common Culture'. Solo Exhibition. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | David Campbell Paul Rooney |
| James S | 'Commune' | 1999 | Wimbledon School of Art | Sculpture | Klaus Osterwald |
| Davies T | 'Competence and Creativity: The Politics of Art Education' | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Keskeys D | 'Computers in Art + Design Education' | 1999 | University of Gloucestershire | ||
| Watkins P | 'Computing the Value of CAD' | 1995 | Royal College of Art | Design for Manufacture | |
| Syed T | 'Configuration 0' in Unbound Geographies/Fused Histories Exhibition | 1998 | Anglia Polytechnic University | ||
| Dinsmore-Tuli U | 'Console-ing Passions: Television, Video and Feminism Conference'. | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Baker D | 'Construction Sights: the Millenium Intervention Group' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| GOWANS G M | 'Consult' - a two minute running presentation profiling the work of TPS Consult Architecture and Interior Design | 1997 | University of Dundee | Digital Technology | Brian Taylor |
| TAYLOR B | 'Consult' a two-minute running presentation profiling the work of TPS Consult Architecture + Interior Design | 1997 | University of Dundee | Contemporary Practice | Gary Gowans |
| Grinling CL | 'Consumer and interior trends and how they impact manufacturers and retailers new product development cycles'. | 1999 | Goldsmiths College | ||
| Walter J | 'Contemporary Ceramics' Solo Exhibition. | 1994 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Dale J K | 'Continental'-Bacteriological Air Purifier | 2000 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | |
| Barber AJ | 'Conversation for possibilities' | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Peacock A | 'Cooling Hot: Redundancy and Entropy in a Critique of Interactivity in Convergence'. | 1999 | University of Hertfordshire | ||
| Brown V | 'Core - Contemporary Regional Textiles'. 12 hand-rolled felt wall hangings. Varying dimensions. | 2000 | University College Chichester | Textiles | |
| Knorr K | 'Corps a Vif, Art et Anatomie'. | 1998 | Goldsmiths College | ||
| RAMSAY T K | 'Craftscape', Contemporary British Crafts Alive + Kicking | 2000 | University of Dundee | Contemporary Practice | Simone ten Honpel Jane Wallace Elizabeth Callinicos |
| Gibson L | 'Crash Subjectivity' | 1994 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Onishi M | 'Creators from Japan' | 1995 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Kelly D | 'Credit' | 2000 | Wimbledon School of Art | ||
| Milton A | 'Critical Vehicles: A Conceptual Road Map for Automotive Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Mitchell J R. | 'Crossing the Channel' | 1996 | Wimbledon School of Art | Painting | |
| TURNER J | 'Crossing' | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Davies T | 'Cultural Identity, Digital Media and Art' | 2000 | University of Central England in Birmingham | Art Education Research Group | Peter Worrall |
| Blacklock G. C. | 'Cultural Ties' | 2000 | Wimbledon School of Art | Painting | Jeff Koons Alex Katz Louis Bourgois |
| Vernon SA | 'Cutlery Art - Ancient and Modern.' | 1999 | University of Derby | ||
| McCarthy P | 'Dark Matter' Touring Group Exhibition, 1998-2000 | 1998 | University of Derby | Research Group for Artists Publications | |
| GUY A | 'Das Abenteur der Malerei ' The Adventure of Painting' - A Journey into the Art of the Nineties' | 1996 | University of Dundee | Contemporary Practice | Michael C Martin Jonathan Lasker Bernard Frieze |
| Duncan AEJ | 'Death keeps me awake: The generator that Hums in the Night' | 1997 | University of East London | ||
| Quinn M J | 'Defilades and Enfilades' | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Watson G | 'Derek Jarman: Der Schlussel ist die Kunst | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| O'Brien A | 'Derelict histories: A Politics of Scale Revisited' | 1995 | Napier University | Critical Theory of Practice | |
| Harold J M | 'Desert' a touring exhibition | 1996 | University of Northumbria at Newcastle | Photography (1b) | |
| Milton A | 'Design Futures - Future Designers' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Keskeys D | 'Design Technologies: Addressing the Pace of Change' | 2000 | University of Gloucestershire | ||
| Rodgers P | 'Designing over Networks: A Review and Example of Using Internet Collaboration and Communication Tools in Design' | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | Huxor,A.P. |
| Grover nee Rooke S | 'Development of a production process for the elimination of the wood veneer breaking in its use as a moulding cover, | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Txoperena M |
| Grover nee Rooke S | 'Development of a short-duration machining test to evaluate performance of steel and carbide and carbide tipped cutting tools' | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ivor Harris |
| Harrison P | 'Device'; 'Six Boxes (lifesize)'; 'Volunteer'; 'October 97' | 2000 | University of Wolverhampton | Fine Art | John Wood |
| Rees A | 'Digital Daze' | 1998 | Royal College of Art | Communications | |
| Thornhill PH | 'Direct Action' - Television documentary | 1999 | De Montfort University | Hurst, M | |
| Turner M | 'Dissolving the People' | 1997 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Grainger H J | 'Distressingly Banal': The architecture of early British Crematoria | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Dorsett C J | 'Divers Memories/Hong Kong' | 1998 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Lam, A |
| Faiers J | 'Do You Really Want It That Much...More' Part 2. | 1999 | Goldsmiths College | ||
| Rogers M | 'Domestic Acoustic', (Solo Exhibition). | 2000 | University of Derby | Research Group for Artists Publications | |
| Travers K | 'Donkey Work' | 1995 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Quinn M J | 'Double Indemnities' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Raney K | 'Drawing Papers' (Keynote Lecture) | 1998 | University of East London | ||
| Milne L | 'Dreams and Bruegel's Dulle Griet' | 1996 | Napier University | Critical Theory of Practice | Shetter, W van der Crysee, I |
| Goodwin D | 'Dryden Goodwin - Wait - Drawn to Know'. | 2000 | Goldsmiths College | ||
| Sturgis D | 'Dumpop'. | 1998 | Goldsmiths College | ||
| Maudsley N | 'E-Business' | 2000 | London Guildhall University | ||
| BULLEY E | 'Earthed' Paintings | 1996 | University of Lincoln | ||
| Kirkup W E | 'Echo' | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Harris JK | 'Ecstasy'. | 1998 | Goldsmiths College | ||
| Blackie SS | 'Edge Identity and Change. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Hunt MR | 'Egeo' range of glass bowl, plates and serving dishes | 2000 | De Montfort University | ||
| O'Pray ME | 'Eisenstein and Stokes on Disney: Film Animation and omnipotence' | 1997 | University of East London | ||
| Davies T | 'Electric Studio - New Practice in ICT art and design' | 1999 | University of Central England in Birmingham | Art Education Research Group | Peter Worrall Lucia Pimentel |
| Hodgkinson M | 'Emanations' | 1995 | Wimbledon School of Art | Sculpture | Daryl Viner Alison Wilding Jo Stockham |
| Rosser E | 'Epiglottis' at 'The Ugly Edge' | 1998 | Wimbledon School of Art | Sculpture | Phyllida Barlow Mark Cousins Jon Thompson |
| Cruise C J | 'Error and Eros: The Fiction of Forrest Reid as a Defence of Homosexuality'. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Hodgkinson M | 'Eternal Return' | 2000 | Wimbledon School of Art | Sculpture | |
| Pinn A | 'Evaluating The Student Experience of Learning Online' | 2000 | University of Hertfordshire | ||
| Allen K.F | 'Exorcising the Flesh' | 1998 | Wimbledon School of Art | Painting | Richard Wentworth Alex Hartley Ming de Nasty |
| Durden M | 'Face-on', Exhibition, Curated with Craig Richardson. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | Craig Richardson |
| Corner F | 'Factors affecting the Curriculum Design of British Higher Education's Visual Art Courses' | 1997 | University of Gloucestershire | ||
| Barnard M | 'Fashion as Communication.' | 1996 | University of Derby | Centre for Cultural History and Critical Theory | |
| Munslow J | 'Fashion vs clothing - are they synonymous? | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | McKelvey, K |
| Fraser S | 'Feel It, Wear It' | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Hunt MR | 'Feelings' range of cups with plastic handles and saucers | 1999 | De Montfort University | ||
| Kitchen S | 'Filing cabinets and door handles' | 1998 | Royal College of Art | Computer Related Design | |
| Leake P K | 'Fire' | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Kafi-Rezaee, R |
| Blacklock G. C. | 'Five British Abstract Artists' | 2000 | Wimbledon School of Art | Painting | Basil Beattie Albert Irvine Trevor Sutton |
| Stephenson AP | 'Frederic Leighton and the repertoires of 'masculine' artistic identity in the late Victorian Period | 1999 | University of East London | ||
| Kingston A M | 'Freedom' | 1995 | Wimbledon School of Art | Research Centre | Willie Doherty Keith Piper Mona Hatoum |
| Sandys-Renton T | 'Fresh Air '99' The Fourth Quenington Sculpture Show. 1 exhibit - 'Weighing in (excess baggage)'. Stainless steel, red sandstone - 168x107x197cm. | 1999 | University College Chichester | Sculpture | |
| Woolley M | 'From Nature to Nurture - Towards a Theory of Materials Transformation'. | 1999 | Goldsmiths College | Yam, Y. | |
| Kinmonth C | 'From the Cradle to the Grave: Aesthetics and the Irish Vernacular Interior' | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Angus J | 'Future Fashions + Fabrics: Courtaulds History of Dress Association', Annual Conference. Keynote Speech: The Future for Fashion + Textiles Manufacture in the U.K. | 2000 | University of Derby | ||
| Edwards A | 'Garston Regeneration Scheme' | 2000 | Leeds Metropolitan University | Design | |
| Baker D | 'Gaze' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| McGrath R | 'Geographies of the Body' | 1995 | Napier University | Critical Theory of Practice | |
| Kingston A M | 'Girl' | 2000 | Wimbledon School of Art | Research Centre | Nicky Hoberman Chantal Joffe Kerry Stewart |
| Kingston A M | 'Girlish' | 2000 | Wimbledon School of Art | Research Centre | Jo Lansley Helen Bendon Kerry Stewart |
| Hopkins E L | 'Glasgow' | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Grayson J | 'Go By Bus' printed tin automata | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Tunstall D | 'Goose Nights' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Peepolykus Theatre Company |
| Kinsey J | 'Greenfingers', Group Exhibition. (July - Aug). | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Bushe R | 'HINTERland' - 3 acrylics, digital/mixed media prints. Dimensions?? | 1999 | University College Chichester | Digital / Mixed media prints | |
| WILKES C | 'Hammer-a Nail-In ,/Celtic Cross ' Collaboration with Yoko Ono | 1994 | University of Dundee | Contemporary Practice | Yoko Ono |
| Vernon SA | 'Hand to Mouth'. | 1998 | University of Derby | ||
| Kettell R | 'Hand to Mouth: the Culture and Form of Eating Implements'. Exhibition catalogue and publicity design | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Adam J | 'Hand, Head and Heart, The Process of Making' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| France JM | 'Hand, Paper, Paint', one person exhibition. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Oliver J | 'Handbag' - National Touring Group | 2000 | De Montfort University | ||
| Franklin A | 'Harbour' | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hatt CAE | 'Hard Edge' | 1996 | Wimbledon School of Art | Painting | Trevor Sutton Simon Morley Trevor Clarke |
| Allen K.F | 'Having your Cake and Eating it' | 1997 | Wimbledon School of Art | Painting | |
| Charnley D | 'High Hopes' | 1995 | Buckinghamshire Chilterns University College | Design Culture | |
| Bush P | 'His Comedy'. | 1998 | Goldsmiths College | ||
| Chubb S | 'History' The Mag Collection. Image based art in Britain in the late 20th century. 3 exhibits. Paintings: acrylic and mixed media on canvas. Dimensions: 63.5x64cms; 152.5x71cms; 17.5x13.5cms | 1997 | University College Chichester | Painting | |
| Davies H | 'Home from Home' | 1994 | Napier University | Photographic Practice | |
| Turner M | 'Home: Multi-Stories' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner M | 'Hong Kong Design and the Roots of Sino-American Trade Disputes' | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Harper J W | 'House' (3 photo-constructed panels) | 1994 | University College Northampton | Fine Art Practices | |
| Turnbull A | 'Houses into Flats' | 2000 | Wimbledon School of Art | Painting | |
| Gascoigne D | 'How to Get Rid of Information' | 1998 | Kingston University | ||
| Howes A | 'Hurricane' | 1999 | Napier University | Documentary and Experimental Film | |
| Davison M A | 'Hypothetical'. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Tunstall D | 'I Weep at my Piano' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Told by an Idiot Theatre Company |
| Chalk M | 'I can know: he was there', critical essay in 'Mario Minichiello' Catalogue, CD Rom and website. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Oulton T | 'Illuminations' | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Smith K | 'Imagine There Are No Limits' | 1997 | University of Northumbria at Newcastle | Installation (2b) | |
| Gillanders R | 'Imagined Lands' | 1996 | Napier University | Photographic Practice | Alec Finlay Ian Hamilton Finlay |
| Gorlizki A | 'Import/Export' | 2000 | Wimbledon School of Art | Sculpture | |
| Thomas J | 'Important Toy' | 1997 | Wimbledon School of Art | Painting | |
| Simpson PJ | 'In Transit', Some British Contemporary Art. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Manley DJ | 'In-Transit', SomeContemporary British Art. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| France JM | 'In-transit' - Some Contemporary British Art, exhibition. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chinneck J | 'Inauthentic Contrived Attractions' | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| MOWBRAY J | 'Incisions Recesses' | 2000 | University of Lincoln | ||
| Hall R | 'Inclusion through Distinction' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Haywood T | 'Info-Rich Info-Poor' | 1995 | University of Central England in Birmingham | Visual Communication Research Group | |
| Grover nee Rooke S | 'Introduction of lightweight, low cost, hi-impact performing composites into the furniture industry - TWINTEX' | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Gorlizki A | 'Introspekive' | 2000 | Wimbledon School of Art | Sculpture | |
| Marsden MJ | 'Ionsens' | 1997 | De Montfort University | ||
| Pinn A | 'Is the role of the tutor dead in today's online culture?' | 1999 | University of Hertfordshire | ||
| Kettell R | 'It's All Greek To Me'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson PJ | 'It's All Greek To Me'. (Group Exhibition). | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Ellis E | 'Jasmine', 'Snowdrops', 'Sprawly Mulga Katatjuta', 'Two Sprawly Mulgas Ulured', 'Bookpile' and 'Freesia Dark'. | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Stanford P | 'Jazz Revelations' | 1999 | Wimbledon School of Art | Danny Corr | |
| McIver L | 'Jesus, Mary and Joseph!' | 1994 | Napier University | Photographic Practice | Patrick Macklin |
| Fraser S | 'Jewelry in europe and america' | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Chalk M | 'Joanna Mowbray: observations' critical essay in 'Joanna Mowbray 1985-2000', website/CD Rom catalogue. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blakemore J | 'John Blakemore'. | 1995 | University of Derby | Centre for Research in Film and Photography | |
| Buck R | 'John Heliker - the Inner Compass of Certainty' | 1998 | Napier University | Documentary and Experimental Film | Derek Smith |
| McHugh C | 'Journey and Memory' 5 oil paintings on wood. Photograhic record of works available. | 1996 | University College Chichester | Painting | |
| Parfitt D | 'Julie Rose Memorial Stadium Sculpture' - Public commission. Dimensions: 4 meters high | 1997 | University College Chichester | Sculpture | |
| Howes A | 'Kaddish' | 1995 | Napier University | Documentary and Experimental Film | |
| Lingford R | 'Kentridge at the Serpentine' | 1999 | Royal College of Art | Animation | |
| Stothart P | 'Keylight' image processing software | 1996 | De Montfort University | ||
| Bielz G A | 'Kid-ding' | 1996 | Wimbledon School of Art | Painting | Arsenije Jovanovic Rainer Ganahl Gottfried Bechtold |
| Springer P | 'La Card Oltre la Superficie' (Beneath the Card's Surface) | 2000 | Buckinghamshire Chilterns University College | Visual Communication | Kozak P Biagi B |
| Kovats T | 'Landscape' | 2000 | Wimbledon School of Art | Sculpture | Peter Doig Julian Opie Tacita Dean |
| Hill AA | 'Laws of Nature', a 25 minute experimental landscape film, broadcast by Channel 4 | 1997 | University of Derby | Centre for Research in Film and Photography | |
| France JM | 'Level', Retrospective Exhibition of Guest Foreign Artist Programme. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Hammick T | 'Lido' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Kinsey J | 'Life After Death', Joint Exhibitor. | 1996 | University of Derby | Centre for Research in Film and Photography | |
| Bloxam L | 'Lighting Up the Invisible' | 2000 | University of Hertfordshire | ||
| Galloway L | 'Limbo 1997' | 1997 | Wimbledon School of Art | Sculpture | Mike Bode Ceal Floyer Bill Fontana |
| Bourke R | 'Liquid Rapture: Brut' | 1998 | Dartington College of Arts | ||
| Gillanders R | 'Little Sparta: A portrait of a Garden' | 1998 | Napier University | Photographic Practice | Ian Hamilton Finlay |
| More J J | 'Living at Belsay' | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Chubb S | 'Location' -Polly Binns and Shirley Chubb. Exhibition of 33 paintings: all graphite powder, poly vinyl acetate, photocopy transfer and African beeswax on canvas. Dimensions: between11x15x5cms and 22x19x5cms | 1998 | University College Chichester | Painting and Installation | |
| Gibson L | 'Locus+ 1993-1996' | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Quickenden K | 'Lyon-faced' candlesticks and candelabra | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Nash D JE | 'M | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Pavelka M | 'Maama Nalukalala Ne'zzadde Lye' (Mother Courage and her Children by Bertolt Brecht (Luganda translation by Joanitta Bewuliara-Wandera) | 1998 | Wimbledon School of Art | Theatre Design | Jane Collins Joanitta Bewuliara-Wandera Douglas Wilson |
| Collins J | 'Maama Nalukalala Ne'zzadde Lye' a Luganda translation of 'Mother Courage and her Children' by Bertolt Brecht. | 1998 | Wimbledon School of Art | Theatre Design | Joanita Bewulira-Wandera Jessica Kaahwa Michael Pavelka |
| Mendelle N | 'Mad Mundo' | 1998 | Napier University | Documentary and Experimental Film | |
| Sayers L | 'Madame Smudge, some Fossils, and other missing links: Unearthing the Ballet Class' | 1997 | University of Gloucestershire | ||
| Parfitt D | 'Magic Carpet' - Public commission. Dimensions: 15sq. meters, 1.5 meters high. | 2000 | University College Chichester | Sculpture | |
| Willey TV | 'Making it Green' | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Thomas J | 'Maldoror' | 2000 | Wimbledon School of Art | Painting | Duncan Reekie - producer Paul Tarrago Caroline Kennedy |
| Rodgers P | 'Managing Knowledge in Dispersed Design Companies' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell,N.H.M. Clarkson,P.J. Huxor,A.P. |
| O'Brien A | 'Marketing and Managing Colonial Spectacle as National History: In the Belly of the Archive' | 1996 | Napier University | Critical Theory of Practice | |
| Oulton T | 'Marking Time' | 1994 | University of Northumbria at Newcastle | Painting (1a) | |
| Howard C J | 'Mars Attacks!' Alien Design | 1996 | University of Huddersfield | concept sketches by Tim Burton | |
| Hall S | 'Mask'. | 1998 | Goldsmiths College | ||
| Burstow R | 'Materialising Memory : Mementoes, Memorials and Modernism'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Oliver J | 'Mavericks' Jewellery for the Brave | 1998 | De Montfort University | ||
| Golding M | 'Means of Exchange' | 1995 | University of Northumbria at Newcastle | Photography (1b) | |
| Keskeys D | 'Media Technologies and an Interdisciplinary Approach to Programme Design' | 1998 | University of Gloucestershire | ||
| Byrne JM | 'Mediated Nations' and 'Virtual Interventions : Digital Avant-Gardes' | 1998 | Liverpool John Moores University | Art and Design History | |
| Comber M | 'Melanie Comber 66 degrees 33'N 18 degrees 01' W' | 2000 | Wimbledon School of Art | Painting | |
| Thornhill PH | 'Mieeow! - Maisiemac Goes to Japan' and 'Maisiemac and the Loch Ness Monster' | 2000 | De Montfort University | Hurst, M | |
| Mitchell S | 'Mikhail Alexandrovich Lifshits' (1905-1983) | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Quick C | 'Missing Pages' | 1998 | University of Central Lancashire | ||
| Bell D | 'Modernising History: The Realpolitik of Heritage and Cultural Tradition in Northern Ireland' | 1998 | Napier University | Critical Theory of Practice | David Miller |
| RINGE S | 'Modified' Kingston Art Group | 1999 | University of Lincoln | ||
| Jeffs HA | 'Monoprints'. | 1998 | Goldsmiths College | ||
| Parfitt D | 'Monument to the Third Multinational (Tatlin's Tower Revisited)' - Public commission | 1999 | University College Chichester | Sculpture | |
| Turnbull A | 'Moon' | 1999 | Wimbledon School of Art | Painting | |
| Kermik J | 'Moon'-Chair | 1998 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Ford PB | 'Multi-shot' dispenser/activator of Guinness from a 2 and 3 litre bottle | 1998 | De Montfort University | ||
| Bell D | 'Multimedia and the Crisis Economy in Japan' | 2000 | Napier University | Critical Theory of Practice | David McNeil |
| Clark R | 'My Little World', one-person exhibition | 1994 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bloxam L | 'Myoglobin' Lighting Display | 2000 | University of Hertfordshire | ||
| Harold J M | 'Mysteries of the Heart' 'The Reading Room Project' | 1994 | University of Northumbria at Newcastle | Photography (1b) | |
| Lydiat A | 'NOMENCLATURE' | 1996 | Nottingham Trent University | Visual Arts | |
| Kitchen S | 'Naked' | 1999 | Royal College of Art | Computer Related Design | |
| Peaker G | 'Natural History: Kitaj, Allegory and Memory'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| McGrath R | 'Natural Magic and Science Fiction' | 1996 | Napier University | Critical Theory of Practice | Williams, C |
| McDonough H | 'Neither here nor there' in 'Whitechapel Open' exhibition | 1998 | Anglia Polytechnic University | ||
| Kovats T | 'New Art from Britain' | 1998 | Wimbledon School of Art | Sculpture | Cornelia Parker Sarah Lucas Willie Doherty |
| Baker C | 'New Natural History' | 1999 | Napier University | Photographic Practice | Curated by Val Williams |
| Baker C | 'New Natural History'. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Dalwood D | 'New Paintings' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| O'Connor DJ | 'New Sculpture' | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Carter T | 'New Work from the Government Art Collection'. | 1998 | Goldsmiths College | ||
| Cheesman D | 'New Work' | 1996 | Wimbledon School of Art | Sculpture | |
| Batchelor R | 'Not Looking at Kettles' | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Grossman A | 'Notations: Framing the Kurdish Voice in Exile' | 2000 | Napier University | Critical Theory of Practice | O'Brien, A. |
| Danino N | 'Now I Am Yours' and 'Tremenos'. | 1997 | Goldsmiths College | ||
| Howes A | 'Nuba Conversations' | 2000 | Napier University | Documentary and Experimental Film | |
| Douglas M | 'Oceanic' range of furniture | 1997 | Brunel University | Polymedia Design | |
| Duncan AEJ | 'Of castles and Melts: Dickens and the Dark Sublime' | 1997 | University of East London | ||
| de La Hamayde S | 'Office in a Box' | 2000 | De Montfort University | ||
| Smith K | 'Ognissanti' | 1998 | Wimbledon School of Art | Sculpture | |
| Chalk M | 'Old Harbour Regeneration Project'. Public Art Commission and Design Consultancy for Landscape Architecture Department of Hull City Council. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Grossman A | 'On the Borderline' | 2000 | Napier University | Critical Theory of Practice | |
| Milne L | 'On the Brink of Time' | 2000 | Napier University | Critical Theory of Practice | |
| Stewart C | 'Once Upon a Time' | 1999 | De Montfort University | ||
| Grainger H J | 'One of Whom we Know but Little...' John Loughborough Pearson and the Ecclesiologists | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Haywood T | 'Only Connect' | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Bryson D | 'Operating Theatre for Personal Injury Cases'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Turner M | 'Originality, Imitation, and Hong Kong Registered Designs' | 1999 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Merrington K | 'Out of Body' | 1999 | Wimbledon School of Art | Research Centre | Rebecca Shaw |
| Shimshon O | 'PELES MAIM' Exhibition (Solo). | 1999 | University of Derby | Centre for Research in Film and Photography | |
| McQuillan M | 'Pablo Picasso' | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Galloway L | 'Pace' | 1998 | Wimbledon School of Art | Sculpture | Annie Cattrell |
| Newton S J | 'Painting, Psychoanalysis and Spirituality' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Leighton P | 'Paraclet' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Hunt MR | 'Paris' cafetiere coffee pot with injection moulded filter unit | 2000 | De Montfort University | ||
| Burstow R | 'Participation and Pageant: The Miralda Honeymoon Project'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Soteriou D | 'Passion for Colour' | 1999 | Liverpool Hope | ||
| Stothart P | 'Paulie' | 1997 | De Montfort University | ||
| McCann J | 'Performance Sportswear Design' Leonardo Multiplier Project. | 1998 | University of Derby | ||
| Bryson D | 'Performance Sportswear Design' Leonardo Multiplier Project. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Woodfine S | 'Perfume' | 1999 | Wimbledon School of Art | Sculpture | Georgie Hopton Glauce Cerveira |
| Bryson D | 'Personal Injury Photography - The Case for a Professional Specialisation' May 8-12 1999. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Baker C | 'Pets - The Animal Inside', Solo Exhibition. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'Pets - the Animal Inside' | 1999 | Napier University | Photographic Practice | |
| Knorr K | 'Photographier la Sculpture'. | 1998 | Goldsmiths College | ||
| Gillanders R | 'Photography in Scotland: the Human Face' | 1995 | Napier University | Photographic Practice | Sara Stevenson |
| Goto J | 'Photoworks', Solo Exhibition, Artist in Residence.'Architects + Architecture', 2-Person Exhibition with John Lessore.4 Group Portrait. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Howes A | 'Physical Cinema' | 2000 | Napier University | Documentary and Experimental Film | |
| Cheesman D | 'Picture Britannica [Art from Britain]' | 1997 | Wimbledon School of Art | Sculpture | Rachel Whiteread Damien Hirst Chris Ofili |
| Cairns J | 'Picture This' by Wet Wet Wet | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Kovats T | 'Picturia Britannica' | 1997 | Wimbledon School of Art | Sculpture | Damien Hirst Rachel Whiteread Douglas Gordon |
| Bell D | 'Picturing The Landscape: die Gruene Insel - Tourist Images Of Ireland' | 1995 | Napier University | Critical Theory of Practice | |
| Taylor F | 'Pillar to Post'. | 1998 | Goldsmiths College | ||
| Clark R | 'Plans for the Real World II', one-person exhibition. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clark R | 'Plans for the Real World', Parts 1-12 (one-person exhibition.) | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bird N C | 'Playing Detective' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Golden P R | 'Plumbers' | 1996 | Wimbledon School of Art | Painting | |
| Manley DJ | 'Porthleven is a quiet..............'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Gillanders R | 'Portrait of a Garden + Collaborations' | 1998 | Napier University | Photographic Practice | Ian Hamilton Finlay |
| Heywood I | 'Practices and Perceptions in Art and Ethics' | 1998 | Leeds Metropolitan University | Visual Arts | |
| Haywood T | 'Praise the Net and Pass The Modem: Revolutionaries and captives in the Information Society' | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| McIntyre K T | 'Premio Marco' | 1997 | University of Northumbria at Newcastle | Painting (1a) | Rego Innendort Lupertz Clementre |
| Bould M | 'Preserving Machines: Recentering the Decentered Subject in Blade Runner and Johnny Mnemonic' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hinchliffe-McCutcheon J L | 'Priestory Du | 1995 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Hopkins E L | 'Prime' | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| MacLennan H | 'Professional Studies and Careers Development in a Discipline-led Curriculum: Attitudes to Learning in Fine Art Students' | 1999 | University of Gloucestershire | ||
| Porter M | 'Profusion of Light' | 2000 | Wimbledon School of Art | Painting | |
| Mitchell J R. | 'Projected Piers series II - solo exhibition' | 1996 | Wimbledon School of Art | Painting | |
| Mitchell J R. | 'Projected Piers' Series II | 1995 | Wimbledon School of Art | Painting | John Cobb Yuki Katayama Jane Dickson |
| Rogers ME | 'Prospective Primary Teacher's Planning For Science + Technology Activities: Influences of background and World View. | 1999 | Goldsmiths College | Davies, D. | |
| Macbeth P A | 'Provence' + 'Seville' Bed Linen for Habitat UK | 1995 | University of Huddersfield | ||
| Galloway L | 'Pulse' | 1997 | Wimbledon School of Art | Sculpture | |
| Baker C | 'Puppy Love' | 1998 | Napier University | Photographic Practice | |
| Baker C | 'Puppy Love'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Willemen P | 'Questions of Modernisation in Indian Cinema' | 1998 | Napier University | Critical Theory of Practice | |
| Bielz G A | 'RAUEME' (Spaces) | 2000 | Wimbledon School of Art | Painting | |
| Hunter R | 'Re-mapping a psyche', interview with Andre Stitt | 2000 | Dartington College of Arts | ||
| Dray A | 'Recoil', 'Onview; and 'Safelink'. | 1996 | Kingston University | ||
| Corner F | 'Reconceptualising the Future: The Place of Art and Design' | 2000 | University of Gloucestershire | ||
| Pryke S | 'Reda' - Range of kitchenware (approximately 50 items) | 1999 | De Montfort University | ||
| Stephenson AP | 'Refashioning modern masculinity: Whistler, aestheticism and national identity' | 2000 | University of East London | ||
| Hunt MR | 'Reflections' range of porcelaine tableware | 2000 | De Montfort University | ||
| Milton A | 'Reinventing the Wheel: A Retroactive Manifesto for Car Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| McIver L | 'Relative Values' | 1998 | Napier University | Photographic Practice | |
| McGrath R | 'Rereading Edward Weston' | 1995 | Napier University | Critical Theory of Practice | Heron, L Williams, V |
| Kitchen S | 'Responsive Space' | 1999 | Royal College of Art | Computer Related Design | |
| Mavrogordato T | 'Revelation; Textile Artists Addressing Issues'. | 1998 | Goldsmiths College | ||
| Edwards A | 'Revisions: An Alternative History of Photography | 1999 | Leeds Metropolitan University | Design | |
| Heeney G | 'Rhiannon'. Sculpture/Seating. | 1999 | University of Wolverhampton | Ceramics | |
| Heywood I | 'Richter | 2000 | Leeds Metropolitan University | Visual Arts | |
| Martinon JP | 'Right on for the Darkness'. | 1999 | Goldsmiths College | ||
| Bushe R | 'Robbie Bushe - New Pictures' - 60 oils, acrylics, watercolours, drawings and prints. Dimension between 18x14 ins and 60x60 ins. | 1994 | University College Chichester | Painting | |
| Bushe R | 'Robbie Bushe' Solo exhibition. 20 acrylics, watercolours, drawings and prints. Various dimensions. Photographic record of works available. | 1995 | University College Chichester | Painting | |
| Bushe R | 'Robbie Bushe' - 12 acrylics, watercolours, drawongs and prints. Various dimensions. | 1998 | University College Chichester | Painting | |
| Mason R | 'Robert Mason' | 1998 | Wimbledon School of Art | Painting | |
| Porter M | 'Rocks and Coastline' | 1999 | Wimbledon School of Art | Painting | |
| Sayers L | 'Rosemary Butcher' and 'Jiri Kylian' | 1999 | University of Gloucestershire | ||
| Aggs C | 'Royal Academy Summer Exhibition' - (Edition of 50) 'Welsh Black Bull - Ashington Falcon' Edition of 50 printed in warm black ink on conservation paper, 11x12 ins. | 1997 | University College Chichester | Printmaking | |
| Sly A | 'Runaway Rotovator' | 1994 | Wimbledon School of Art | Theatre technical arts | |
| Onishi M | 'Ryu Artists Group | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Garfoot S | 'Saga' Range | 1994 | University of Wolverhampton | Glass | |
| GATES-STUART E | 'Saint John of God 1' 8th International Biennial Print and Drawing in Exhibition (Catalogue and Exhibition) | 1998 | University of Lincoln | ||
| Golding M | 'Sales Pitch/Terrano de Ventos' | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Leake P K | 'Salt Blizzard' | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Jefferson, R |
| Sturgis D | 'Same'. | 1998 | Goldsmiths College | ||
| Woodfine S | 'Sarah Woodfine' | 1999 | Wimbledon School of Art | Sculpture | |
| Woodfine S | 'Sarah Woodfine' | 2000 | Wimbledon School of Art | Sculpture | |
| Brown V | 'Satellites of Fashion.' Four hand-rolled felt hats, various dimensions | 1999 | University College Chichester | Textiles | |
| Hinchliffe-McCutcheon J L | 'Schmuckpaket' ('Jewellery Parcel') | 1995 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | Teipel, M |
| Davison M A | 'Sculpture for the Virtual World'. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Kirkup W E | 'Search' and 'Search Adelaide' | 2000 | University of Northumbria at Newcastle | Installation (2b) | |
| Sayers L | 'Sergei Diaghilev's Soviet Ballet: Le Pas d'Acier and its relationship to Russian Constructivism' | 1996 | University of Gloucestershire | ||
| TAYLOR B | 'Serious Fun' TV commercial | 2000 | University of Dundee | Contemporary Practice | Chris Gallagher |
| Stanford P | 'Seven Ages' | 2000 | Wimbledon School of Art | ||
| Taylor F | 'Seventy one hours and forty minutes' | 1997 | Wimbledon School of Art | Brian Chadwick John Miller Nigel Rolfe |
|
| Munslow J | 'Sex X Technology = 2 Zukunfts' | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| HARRISON L | 'Shadows: Jonathan Miles, Lecture Theatre One' | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Martinon JP | 'Shane Breynard - Soft Spots'. | 1999 | Goldsmiths College | ||
| Rye C | 'Shattered Anatomies' | 1997 | Napier University | Critical Theory of Practice | Heathfield, Adrian Templeton, Fiona Quick, Andrew |
| Royffe C D | 'Shelter and Energy Conservation: A Feasibility Study' | 1995 | Leeds Metropolitan University | Environmental Art and Design | |
| Porter M | 'Shining Cliff' | 1998 | Wimbledon School of Art | Painting | |
| Baker Alder H A | 'Ship' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| McDonough H | 'Short Stories' in 'Places of Life' European Women's Photography Award Exhibition | 2000 | Anglia Polytechnic University | ||
| O'Brien A | 'Silent Song' | 2000 | Napier University | Documentary and Experimental Film | Grossman, A. |
| Grossman A | 'Silent Song' | 2000 | Napier University | Documentary and Experimental Film | Aine O'Brien |
| Davies H | 'Silver to Silicon' | 1996 | Napier University | Photographic Practice | Arabella Plouviez Martin Lister editor Andrew Dewdney editor |
| Franklin A | 'Skedaddle' | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Buck R | 'Sleep' | 1998 | Napier University | Documentary and Experimental Film | Ian Cottage |
| Oulton T | 'Slow Motion' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Blacklock G. C. | 'Small Paintings - Narratives' 16 small paintings all titled Narrative with a Roman Numeral. | 2000 | Wimbledon School of Art | Painting | |
| Durgnat R | 'Some Lines of Inquiry into Post-war British Crimes' | 1997 | University of East London | ||
| Sedgwick J | 'Something Must Be Done'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| RAMSAY T K | 'Source', Scottish Applied Arts inspired by Museum Artefacts | 2000 | University of Dundee | Contemporary Practice | Dorothy Hogg Simon Ward Sam Wade |
| Bourke R | 'Spa: An Erasure' | 1996 | Dartington College of Arts | ||
| Pennell J | 'Spin-Off'. | 1998 | Goldsmiths College | ||
| Shimshon O | 'Spirit Level' Exhibition (SOLO) | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Shimshon O | 'Spirit Level' Exhibition (SOLO). | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Fallows C | 'Spring Reverb' | 2000 | Liverpool John Moores University | Audio-visual | |
| Kitchen S | 'Spring' and 'Monster' | 2000 | Royal College of Art | Computer Related Design | |
| Smith K | 'Stefano' | 1997 | Wimbledon School of Art | Sculpture | Bill Woodrow Michael Sandle Philip King |
| Bush P | 'Still Life with Small Cup'. | 1998 | Goldsmiths College | ||
| Baker Alder H A | 'Strands 2: Contemporary British Art' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Davies H | 'Strange Fruit' | 2000 | Napier University | Documentary and Experimental Film | Nigel Atkinson |
| McIntyre K | 'Structures and Practices: Towards a Discourse of the Craft Object' | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Rosser E | 'Sublime: The Darkness and the Light' | 1999 | Wimbledon School of Art | Sculpture | Susan Hiller Mark Wallinger Alison Wilding |
| James S | 'Subway Special' | 2000 | Wimbledon School of Art | Sculpture | William Furlong Tim Lewis Susan Stockwell |
| Coates-Smith W | 'Sue Coe in New York' | 2000 | Anglia Polytechnic University | ||
| Travers K | 'Sunny Havens' (a.k.a. 'Meat!') | 1995 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Aggs C | 'Sunrise - West Sussex' Commissioned painting. Oil on canvas. (200cmx175cms) | 1996 | University College Chichester | Painting | |
| Wootton M A | 'Surface@Snap exhibition of books and prints | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McGrath R | 'Surplus Bodies' | 1997 | Napier University | Critical Theory of Practice | |
| Watkins P | 'Survey of the European Yarn and Fabric Fairs For Autumn/Winter 2001/2002' | 2000 | Royal College of Art | Design for Manufacture | |
| Nicol EJ | 'Swinging the Lead', The Festival of the Sea | 1996 | University of Plymouth | Site, Space, Location, Place | |
| Thoquenne M | 'Sylvie', Documentary. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Thoquenne M | 'Sylvie', Commission to write and direct feature documentary. | 1996 | University of Derby | Centre for Research in Film and Photography | |
| Thoquenne M | 'Sylvie', feature length documentary broadcast on Canal Plus Television, France. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Burstow R | 'Symbols for '51: The Royal Festival Hall, Skylon and Sculptures for the Festival of Britain' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Woolley M | 'Taking Stock - Product Responses to the Future Retail Environment'. | 1999 | Goldsmiths College | ||
| Burrows D | 'Tartuffe' | 1997 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Barry Wickens Brian Betts |
| Gale C | 'Tattie Boggle' | 1997 | Kingston University | ||
| Travers K | 'Tell Me' video sequence | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Gregory, R Dunstar, M Lydiard, A |
| Bush P | 'The Albatross' - short Animation film. | 1998 | Goldsmiths College | ||
| O'Pray ME | 'The Animated Film' | 1998 | University of East London | ||
| Peaker G | 'The Art of Interruption'. | 1999 | University of Derby | Centre for Cultural History and Critical Theory | |
| Powell N A | 'The Artist Out of Work: Art + Language 1972-81'. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Lloyd Lewis P | 'The Blood Show' | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| McCarthy P | 'The Box Project', Group Exhibition. | 2000 | University of Derby | Research Group for Artists Publications | |
| Whiteman P | 'The Cholmondeleys' | 2000 | Wimbledon School of Art | Theatre costume | |
| Konttinen S L | 'The Coal Coast' | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Goto J | 'The Commissar of Space', Solo Exhibition. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Stanton-Wilson J | 'The Complete Artist'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Perkins G | 'The Dirt Under God's Fingernails' | 1999 | Wimbledon School of Art | Sculpture | Judy Darraghs |
| Willemen P | 'The Encyclopaedia of Indian Cinema' | 1998 | Napier University | Critical Theory of Practice | Ashish Rajadhyaksha |
| Derbyshire A | 'The Examination and Conservation of the Raphael Cartoons' | 1996 | Royal College of Art | Conservation | |
| Casey B | 'The Faith Zone' graphics | 1999 | University of Central Lancashire | ||
| Thomas J | 'The Film Couch' | 2000 | Wimbledon School of Art | Painting | |
| Goto J | 'The Framer Collections', Solo Exhibition. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Watkins P | 'The Golden Road to Samarkand' | 1999 | Royal College of Art | Design for Manufacture | |
| Buck R | 'The Hard Road to Klondike' | 1999 | Napier University | Documentary and Experimental Film | Desmond Bell |
| Bell D | 'The Hard Road to Klondike'/ Rotha Mor an tSaoil | 1999 | Napier University | Documentary and Experimental Film | Roger Buck |
| Burstow R | 'The Limits of Modernist Art as a Weapon of the Cold War: Re-assessing the unknown patron of the Monument to the Unknown Political Prisoner'. | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Harold J M | 'The Masque' | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Stewart C | 'The Mild Bunch' | 1999 | De Montfort University | ||
| Roper G S | 'The Moon Garden' a Japanese garden at Westlakes' | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Ryu Group School of Art Conte-Helm, M |
| Durgnat R | 'The Negative Vision of Robert Bresson' | 1998 | University of East London | ||
| Sly A | 'The Newmarket Stallion' | 2000 | Wimbledon School of Art | Theatre technical arts | |
| Aggs C | 'The Otter Memorial Paper' - Art Editor and essay contribution to Otter Memorial Papers. 1800 word critical essay on ceramicist and printmaker Eric James Mellon. | 2000 | University College Chichester | Painting | |
| Burrows D | 'The Passing of the Years' | 1999 | Wimbledon School of Art | Theatre technical arts | Stephanos Lazarides Richard Hudson Paul Brown |
| Sly A | 'The Pearl Diver' | 1999 | Wimbledon School of Art | Theatre technical arts | |
| Gibson L | 'The Perplexities of Waiting' | 1996 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| McIver L | 'The Pledge of Fidelity' | 1995 | Napier University | Photographic Practice | |
| Griffiths M. A. N. | 'The Probability Tree' | 2000 | Wimbledon School of Art | Painting | Tomoko Takahashi Mark Dean Roberta Smith |
| Rogers M | 'The Projected Room' | 1996 | University of Derby | Research Group for Artists Publications | |
| Whiteman P | 'The Rites of Spring' | 1999 | Wimbledon School of Art | Theatre costume | |
| Milton A | 'The Role of Conceptual Mutations in Promoting CreativityEmpty Vessels - Creating meaningless objects for meaningful design' | 1999 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Rodgers P | 'The Role of Design in Artificial Intelligence as Authored Text' | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | Huxor,A.P. |
| MacLennan H | 'The Role of Professional Studies for Fine Art' | 2000 | University of Gloucestershire | ||
| Bush P | 'The Rumour of True Things'. | 1998 | Goldsmiths College | ||
| Harold J M | 'The Sea of Possibilities, After Viewing the Morgue Series by Andres Serrano' | 1997 | University of Northumbria at Newcastle | Photography (1b) | Armstrong, Dr R |
| Quinn M J | 'The Seance of 27 August 1889 and the Problem of Historical Consciousness' | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Shimshon O | 'The Shape of Light' Group Exhibition. | 1998 | University of Derby | Centre for Research in Film and Photography | Lynn Silverman |
| Sly A | 'The Spirit of Cricket' | 1997 | Wimbledon School of Art | Theatre technical arts | |
| Parfitt D | 'The Stone Garden' - Public commission. Materials: Bath Stone + granite. Dimensions: Covering an area of approximately 1000sq. metres | 1996 | University College Chichester | Sculpture | |
| Quinn M J | 'The Swastika: Constructing the Symbol' | 1994 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Merrington K | 'The Thin Line' | 2000 | Wimbledon School of Art | Research Centre | Kevin Kaempf Marcelyn McNeil Charles Goldman |
| Rye C | 'The Turin Machine' | 1996 | Napier University | Critical Theory of Practice | |
| Kaner J | 'The Use of Dyes and Colourants in 19th Century Furniture Making' | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Edge S | 'The Use of Generative Technology for Interior Design' | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Watson G | 'The Value of Vision' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Richard Wentworth Christopher Frayling Ute Merta Banov |
| Brown C | 'The Waters', Solo Exhibition | 1997 | University of Derby | Research Group for Artists Publications | |
| Brown V | 'The Waves at Goldsmiths' - A major retrospective charting great art from the textiles course 1947 - 2000. A hand rolled felt and silk coat | 2000 | University College Chichester | Textiles | |
| Grossman A | 'The Welshification of Homely Spaces: Tracing the Uncanny' | 2000 | Napier University | Critical Theory of Practice | |
| Cheesman D | 'The Wherewithal' | 1999 | Wimbledon School of Art | Sculpture | |
| McHugh C | 'The Wide Horizon' 80 oil paintings on wood. Various dimensions. Photographic record of works available. | 1996 | University College Chichester | Painting | |
| Balfour D | 'The first non-intrusive upholstery treatment at the Victoria and Albert Museum' | 1999 | Royal College of Art | Conservation | Metcalf, S Collard, F |
| Grover nee Rooke S | 'The transfer of clean thermoplastic composites technology from the areospace, defence and automotive industries to the furniture, marine and general mouldings' | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Dowell M |
| Kinsey J | 'Theme Park', Solo Exhibition/Touring. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Sanderson L V | 'These Colours Run ' | 1994 | Wimbledon School of Art | Painting | |
| Furlong W | 'Tholsel' | 2000 | Wimbledon School of Art | Research Centre | Susan Hiller Julian Opie Michael Craig-Martin |
| Barber AJ | 'Through the Mac' | 1998 | Glasgow School of Art | Educational Theory and Practice | Baines, M |
| Baines M | 'Through the Mac' Exhibition and Catalogue | 1999 | Glasgow School of Art | Educational Theory and Practice | T. Barber |
| France JM | 'Thulso 'P' Art'. Exhibition of works from International Symposium. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Griffiths M. A. N. | 'Tne Interrupted Journey' | 1999 | Wimbledon School of Art | Painting | Rona Lee Mattias Harenstam Geir Tore Holm |
| Smith K | 'Towards the Eremitani' | 2000 | Wimbledon School of Art | Sculpture | |
| Perkins G | 'Trace' - Liverpool Biennial of Contemporary Art | 1999 | Wimbledon School of Art | Sculpture | Stan Graham Pierrick Sorrin Carsten Nicolai |
| Bird N C | 'Tracing Echos' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| McCann J | 'Training 2000' Exhibition | 1998 | University of Derby | ||
| Blakemore J | 'Tulipa'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Mendelle N | 'Turkish Delight' | 1998 | Napier University | Documentary and Experimental Film | |
| Collins J | 'Twelfth Night' | 1998 | Wimbledon School of Art | Theatre Design | |
| Dalwood D | 'Twisted: Urban and Visionary Landscapes in Contemporary Painting' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Durgnat R | 'Two Social Problem Films: Sapphire and Victim' | 1997 | University of East London | ||
| Edwards A | 'Two Thousand Lines: An open eyed collision of words and images from schools in East Leeds | 2000 | Leeds Metropolitan University | Design | |
| Dye D M | 'Ultra' | 1996 | University of Northumbria at Newcastle | Installation (2b) | |
| Pope M | 'Undressing Madame Moitessier' | 1999 | Wimbledon School of Art | Theatre costume | Kathy Adler |
| GATES-STUART E | 'Unititled' 2 part piece installation. Digital Image Print - Sculpture - Lead covered wooden press containing archival digital material. | 1996 | University of Lincoln | ||
| Bielz G A | 'Untitled', Three Drawings | 2000 | Wimbledon School of Art | Painting | Laurids Ortner Dominique Bejvl Heinz Baumueller |
| Willey TV | 'Up North' - Jeremy James and Tim Willey | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| James JP | 'Up North'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Pinn A | 'Using Cal to assist in the instruction of practical skills: a case study from Art and Design'. | 2000 | University of Hertfordshire | ||
| Bird N C | 'Vague But True' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Cruise C J | 'Versions of the Annunciation: Wilde's Aestheticism and the message of beauty' | 1999 | Staffordshire University | ARi, School of Art + Design | |
| McHugh C | 'Vestiges' Christopher McHugh + Jane Sybilla Fordham. 50 paintings on wood, stone, canvass + steel. Dimensions between 2x3ins - 48x36ins. | 2000 | University College Chichester | Painting | |
| Grimsey T | 'Video Bucket' | 2000 | De Montfort University | ||
| Leake P K | 'View of Views: People and the Changing Landscape' | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Hunter, D Growcott, C Jefferson, R |
| Durden M | 'Viewing Positions' article on Steve McQueen. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Hussey P | 'Viewpoint on Design' | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Kempadoo R | 'Virtual Exiles' | 2000 | Napier University | Photographic Practice | Hatice Abdullah |
| Barnbrook J | 'Virus Foundry' Experimental Typefaces | 1997 | Kingston University | ||
| Stanford P | 'Vision and Difference' | 1997 | Wimbledon School of Art | ||
| Thoquenne M | 'Visions of Joan', Commission to write feature script drama. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Mendelle N | 'Voices Off' | 1997 | Napier University | Documentary and Experimental Film | |
| Kirkup W E | 'Voices' | 1997 | University of Northumbria at Newcastle | Installation (2b) | |
| Sandys-Renton T | 'Voyage Around George Staunton' 2 exhibits - 'Landed Gentry' - Cement + welded copper - 84x74x29cm 'Vehicle for Thoughts of the Earth and Sea' - Galvanised steel - 155x104x51cm | 1998 | University College Chichester | Sculpture | |
| Lydiat A | 'WITHOUT' | 1999 | Nottingham Trent University | Visual Arts | |
| Perkins G | 'Warning Shots!' Contemporary Art Exploring Themes of Conflict + Violence | 2000 | Wimbledon School of Art | Sculpture | Christine Borland Fiona Banner Willie Doherty |
| Hodgkinson M | 'Water Tower Shadow' or 'Water-en Klokketore' | 1999 | Wimbledon School of Art | Sculpture | |
| Oulton T | 'Wavelength: Recent Paintings 1995-97' | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| De Ville N | 'Ways of Seeing and the Pleasures of the Visual'. | 1998 | Goldsmiths College | ||
| Buck R | 'Wazungu Kids' | 1995 | Napier University | Documentary and Experimental Film | Wendy McEvoy David Eadington |
| Escolme B | 'We are one tribe; the theatre company Blah Blah Blah and Eileen Pennington' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Tim Prentki Jan Salmon |
| Richardson C | 'We have made these things to fall from' and 'The artist Craig Richardson having an argument with the curator Jonathan Watkins' | 1994 | Oxford Brookes University | Creative Practice | |
| Collins J | 'Webster's Women' | 1999 | Wimbledon School of Art | Theatre Design | Peter Farley |
| Kinmonth C | 'West Cork Vernacular Furniture Makers: Comparative analysis of field studies in a coastal community' (Parts 1 + 2) | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Lewis S E N | 'What Skills for What Practices?' | 1999 | Nottingham Trent University | Visual Arts | |
| Hall R | 'What makes you switch on? Young People, the Internet and Cultural Participation' | 1999 | University of Central England in Birmingham | Visual Communication Research Group | Darren Newbury |
| Tunstall D | 'When Suddenly' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Kirkup W E | 'White Hysteria' | 1996 | University of Northumbria at Newcastle | Installation (2b) | |
| Comber M | 'White Out' | 1999 | Wimbledon School of Art | Painting | |
| Bould M | 'Whither our understanding of sf?' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Burrows D | 'Who's afraid of Red, White and Blue' | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Entwistle T | 'Windblown'Earth Art | 1996 | Leeds Metropolitan University | Environmental Art and Design | |
| Hammick T | 'Window' and 'Two Men in a Field' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Swallow SS | 'Winner' Crosses the line | 1997 | Brunel University | Design for Inclusion | RR Stroud JR McCardle Vincent |
| Chinneck J | 'Wish You Were Here?' | 1996 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies T | 'Wising-up' or 'Dumbing-down?' | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Rodgers P | 'Writing and Sharing Rule-Text Heuristics Supporting Dispersed Design Communities' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell, N.H.M. Huxor, A.P. |
| Salter P | 'Writing the City'; An Urban Pavilion | 1998 | University of East London | ||
| Sedgwick J | 'XXVII Fidem 2000 Internationale MedaillenKunst. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Ford PB | 'Xenex' 4,8,16 zone fire detection control panels | 1996 | De Montfort University | ||
| Blackie SS | 'Year of the Artist 2000' - Residency. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Golden P R | 'You Know I've Been at Sea before' | 1999 | Wimbledon School of Art | Painting | |
| Quick C | 'You Like Your Lights Don't You' | 1997 | University of Central Lancashire | ||
| Horrocks C | 'You want to See? Well, take a look at this! Embodied Vision and Light in Marcel Duchamp's Etant Donn | 2000 | Kingston University | ||
| Goodman G | 'Your Song Will Fill the Air' | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Onishi M | 'Zen: Hamano and Ryu' | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Gibson L | 'n' . Site Specific Sculpture Installation, May 2000 | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | Little, M |
| Allan J | (I) Exploring Common Ground: Artists Working with Elderly People (ii) Creating Common Ground: Art with the Elderly in Residential Care | 1996 | Glasgow School of Art | Design | Sarah Hall Jenny Kerwood Deirdre Nelson |
| Bennis EM | (Paradisos): Deception and Authenticity in Restoration | 2000 | Manchester Metropolitan University | ||
| Bristow M | (Un) Limited. Diversity and Change in International Contemporary Craft | 1999 | Chester College of HE | ||
| KEELER W | (Un)limited: Repetition and Change in International Craft | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| Cooper E | (Un)limited: Repetition and Change in International Craft | 2000 | Royal College of Art | Applied Art | |
| Kinchin J | (i) The Hungarian Folk Arts Debate in the British Press (ii) An Artist at Home: Philip de Laszlo in Budapest and London (iii) Hungary and Scotland: A Dialogue in the Decorative Arts | 1999 | Glasgow School of Art | Historical and Critical Enquiry | P. Stirton |
| Turnock P | (r)evolution Design Undergraduate Database | 2000 | Brunel University | Design Pedagogy | |
| Utting J.A. | +M2 (The Large Print Show) | 1997 | Falmouth College of Arts | ||
| Chance V | +M2 The Large Paint Show | 1997 | De Montfort University | ||
| Smith E | ... and then I breathed. | 1998 | Goldsmiths College | ||
| Chinnery CY | ...from the institution | 1997 | Oxford Brookes University | Creative Practice | |
| Adams H | ...if it ain't broken ... A critique of inadequate public statistics relating to the artist profession | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| O'Connell T | 0044 | 1999 | Bath Spa University College | Hapaska Seawright Francis |
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| Carson JE | 0044 | 1999 | The London Institute | Fine Art | |
| Stitt A | 0044 - Research into the assimilation of Irish artists working aborad | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| OConnell T | 0044- | 1999 | University of Reading | Siobhan Hapaska Paul Seawright Mark Francis |
|
| Carlisle A | 0044:Contemporary Irish Art From Britain | 1999 | University of Wales College, Newport | Photography | Mark Francis Kathy Prendergast Frances Hegarty |
| Degen J | 1 brooch, 5 rings, with precious stones, in gold and titaniun with stainless steel screws and rivets | 1999 | London Guildhall University | ||
| Cross D | 10 | 1998 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Cornford M R | 10 | 1998 | University of Wolverhampton | Fine Art | David Cross |
| Hatt C | 10 Artists from the British Isles | 1996 | The London Institute | Fine Art | |
| Hatt CAE | 10 Jahre Kunstlerforderung der Stiftung Vordemberge-Gildewart | 1994 | Wimbledon School of Art | Painting | Peter Fischli Guido Geelen Maix Mayer |
| Verran V | 10 Year Retrospective | 1999 | Falmouth College of Arts | ||
| Mackarell J | 10 enamel and silver decorative boxes + items of jewellery | 1998 | London Guildhall University | ||
| Read J | 10+ | 1995 | Edinburgh College of Art | Fine Art | |
| Ball R | 100 Light Years is a Long Way | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Raymond M | 100 Years of Design - Style and Fashion | 1998 | The London Institute | Fashion and Textiles | |
| Wallace-Jones H | 100% Design | 2000 | The London Institute | Fashion and Textiles | Emma Sewell |
| Sewell E | 100% Design | 2000 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Hellum A | 100% Design | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Gschwedtner G | 100% Design | 2000 | Buckinghamshire Chilterns University College | Furniture Design | Fiona Davidson |
| Dodd I | 100% Design | 1999 | The London Institute | Fashion and Textiles | |
| Kelly B | 100% Design Exhibition | 1999 | Kingston University | ||
| Guthrie K | 10th East International / Riverside | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Ogilvie S | 10th International Print Biennial, Varna | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Craxford A | 11 piece sushi + sak | 1999 | London Guildhall University | ||
| Dawson I | 111 | 1999 | University of Southampton | ||
| Mathison F | 11th Kemzetkozi Miniaturetextile Biennale | 1996 | Edinburgh College of Art | Fine Art | |
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Brigdale S | 12 Again | 1999 | Southampton Institute | ||
| Fisher C | 12 Untitled Paintings. | 2000 | Goldsmiths College | ||
| Devison N | 12/2000 | 2000 | Anglia Polytechnic University | ||
| Penney W | 12th German International Exhibition of Graphic Art | 1999 | University of Ulster | ||
| HEATHCOTE S C | 12th International Biennale of Miniature Textiles | 1998 | University of Dundee | Contemporary Practice | Masoa Yoshimura Charlotte de Loof Henryke Zaremba Jeppesen |
| Glassar B | 13th Anniversary Exhibition, Braggiotti Glass Gallery, Singel, Amsterdam | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Brennan G | 13th International Miniature Biennale | 2000 | Edinburgh College of Art | Fine Art | |
| Rhodes E. | 14th Image Forum Festival 2000 | 2000 | University College London | Fine Art Media | |
| North ME | 14th International Triennial for Original Graphic Prints | 1997 | Loughborough University | Fine and Applied Arts | |
| Kerbel J | 15 Lombard St | 2000 | Kingston University | ||
| Rushby R | 15 jewellery pieces in enamelled silver and gold | 1997 | London Guildhall University | ||
| Rushby R | 15 pieces of jewellery in enamelled silver + gold | 1998 | London Guildhall University | ||
| Webb T | 15th February | 1995 | Royal College of Art | Animation | |
| Barfield N | 16 Cycladic Heads | 1998 | Wimbledon School of Art | George Whale | |
| Murray M | 17th Association of Photographers Awards (2000) | 2000 | University of Gloucestershire | ||
| Woods R | 18 Choppers | 1997 | University of Southampton | ||
| Rirsch R | 18ct. white/yellow gold enamelled lyre set with 414 diamonds, rubies + emeralds | 1997 | London Guildhall University | ||
| TURRELL E | 18th New Millennium Korea Enamelling Artist Association Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Gardiner J | 1996-Isle of Purbeck CD Rom | 1996 | Thames Valley University | Gardiner J | |
| Ward S | 1998 Saint Etienne International Design Biennale | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Naylor P.J. | 19th Mini Print International Exhibition | 1999 | Falmouth College of Arts | ||
| Kennedy M | 19th Miniprint Internacional | 1999 | Anglia Polytechnic University | ||
| Kyte R | 1:9.5 detailed model `Vee twin HRD | 1994 | London Guildhall University | ||
| Zellweger C | 1st European Prize for Contemporary Art + Design-led Crafts 1998 | 1998 | Sheffield Hallam University | ||
| Stahl A. | 1st International Artists' Camp, Sri Lanka | 1997 | University College London | Painting | |
| Williamson M | 2 Black + White prints 16 | 1997 | London Guildhall University | ||
| Tozer J | 2 Mins Charing Cross. | 2000 | Goldsmiths College | ||
| WATSON A J | 2 Seaport Songs | 1998 | University of Dundee | Coastal/Indigenous Cultures | Mooney, J D Howard, I Tolj, S |
| De Quin R | 2 condiment sets, fork, dish, cream and sugar set, in silver | 2000 | London Guildhall University | ||
| Jennings C | 2 oil paintings 36 | 1999 | London Guildhall University | ||
| McGoldrick R | 2 sculptures for public sites. Graphite grey Hawksmooresque console brackets with light reflecting gilded balls, in 70s landscaping, presaging the pieces in outcome 3. The materials (wood, marble dust, plaster, gilding) and small scale, implying an interi | 1995 | London Guildhall University | ||
| Ramsenthaler S | 2-3-4-D | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Williamson M | 20 black-and-white photographic prints (16 @ 12 | 1997 | London Guildhall University | ||
| Yeo H | 20 pieces of jewellery in tantalum, stainless steel, platinum, 9 + 18 carat white gold, silver | 2000 | London Guildhall University | ||
| Chapman B | 20 pieces of tableware + jewellery in gold, silver + pewter | 1999 | London Guildhall University | ||
| Sutherland C | 205 High Street Wood Green London | 2000 | Glasgow School of Art | Cities and Environments | Hussey, C |
| OWEN J.K. | 2096 concept car | 1996 | Coventry University | Design | MATTHEWS, G. NEWMAN, R.M. PORTER, C.S. |
| MUMBERSON S | 20TH CENTURY URBAN MAN | 1999 | Middlesex University | ||
| Shaw L T | 20th Century Decorative Arts 96 | 1996 | Nottingham Trent University | Design | |
| COOKE R | 20th Mini Print International Cadaques 2000 | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Bennett S | 21 | 1999 | University of Plymouth | Art Process | |
| Penney W | 21st International Biennial of Graphic Art | 1995 | University of Ulster | ||
| Chipperfield J | 22 glass dishes with commemorative inscriptions | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Dawson I | 221 | 1997 | University of Southampton | ||
| Ogilvie S | 22nd International Biennial of Graphic Art, Ljubljana | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Falconbridge BW | 230th Royal Academy Summer Exhibition. | 1998 | Goldsmiths College | ||
| Falconbridge BW | 231st Royal Academy Summer Exhibition. | 1999 | Goldsmiths College | ||
| Falconbridge BW | 232nd Royal Academy Summer Exhibition. | 2000 | Goldsmiths College | ||
| Penney W | 25 April Project | 1999 | University of Ulster | Professor Bartolmeu dos Santos | |
| Geesin F | 25 Knitted zinc panels | 2000 | The London Institute | Fashion and Textiles | |
| BEHRENS R H H | 25 years of expeditions into Naboland | 2000 | University of Dundee | Contemporary Practice | Martin Kemp Tony Jones Murdo Macdonald |
| Hanson M | 25th Anniversary Exhibition | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Di Girolamo M | 283rd Exhibition of the Royal Society of British Artists | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Cohen N | 3 Generations of British Constructivism | 1998 | University College London | Painting | |
| Surridge M.S. | 3 Person Show | 2000 | Falmouth College of Arts | ||
| Rushby R | 3 cloisonn | 1994 | London Guildhall University | ||
| Oxley Nigel | 3 original etchings inspired by engravings of Rembrandt + Goya (15 x 22 | 2000 | London Guildhall University | Gordon House Eric Rimmington Humphrey Ocean |
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| De Quin R | 3 piece tea-set with glass and silver tray, three piece water set with glass and silver tray, 2 gold-plated Hamburg jugs, spiral laser-cut, hand-formed fruit/bread basket, square dish with cold-forged fork, large and small landscape salt + pepper shakers, | 1998 | London Guildhall University | ||
| Yeo H | 3 pieces of photo-etched silver jewellery from Yeo | 1997 | London Guildhall University | ||
| Craxford A | 3-piece tea -set in silver, silver-gilt and ebony | 1998 | London Guildhall University | ||
| Ten Hompel S | 30 pieces (concrete, found objects, gold, steel, glass etc.) varying in size 1m. 20cms x 10cm x 10cms. | 1995 | London Guildhall University | ||
| Manley DJ | 30 years of Cheltenham Fine Arts Fellows: 1967-1997. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Keegan S P | 300 tons of clay | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Craxford A | 34 pieces of engraved and hand-carved jewellery in precious metals with precious and semi-precious stones. | 1994 | London Guildhall University | ||
| Dunbar L | 36 Units | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Jennings C | 36 paintings, photographs + 3D displays, from 12 | 1997 | London Guildhall University | ||
| Marsden MJ | 38mm trackerball | 1998 | De Montfort University | ||
| Osfield R | 3D Restoration of Salt Structures - Case Study from the NW German Basin | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | F Schafer P A Griffiths |
| Milne J | 3D video photographic mural. | 1999 | University of Southampton | Gemma Nogueroles Anna Bordonada |
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| McClelland B | 3D-scan: 3D add-on scanning device | 2000 | University of Ulster | ||
| Eastman K | 3rd European Biennale of Ceramics | 1997 | Glasgow School of Art | The Decorative Arts | |
| Ogilvie S | 3rd International Biennale of Graphic Art | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Naylor P.J. | 3rd International Graphic Triennale | 2000 | Falmouth College of Arts | ||
| McGraw M | 3rd International Symposium of Lithography, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Salter P | 4 + 1 Peter Salter: Building Projects | 2000 | University of East London | A. Higgott R. Harbison P. Beardsell |
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| Grimsey T | 4 large scale public sculptures and seating | 2000 | De Montfort University | ||
| Chapman B | 4 magnified time-pieces in aluminium + nylon | 1995 | London Guildhall University | ||
| Brill P | 40 Rubber Planes. | 2000 | Goldsmiths College | ||
| Craxford A | 40 pieces of engraved + hand-carved jewellery in silver, cannetaille gold + precious stones | 1999 | London Guildhall University | ||
| Rhodes E. | 43rd London International Film Festival | 1999 | University College London | Fine Art Media | |
| Sandle M | 45-99 British Art | 1999 | De Montfort University | ||
| Eastman K | 49th International Ceramic Art Competition | 1995 | Glasgow School of Art | The Decorative Arts | |
| Twomey C. | 4A BIENNAL EUROPEA DE CERAMICA | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Robertson DA | 4D Design: Adding Value to Consumer Products Using Multimedia and Mechatronics Technologies | 1998 | De Montfort University | ||
| Robertson DA | 4D Design: Applied Performance in the Experience Economy | 2000 | De Montfort University | Woudhuysen, J. | |
| HARRISON D | 4D Duchamp: The Transposition of the Large Glass into Hypermedia | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| Robertson DA | 4D Product Design, Mechatronics and Multimedia Technology: Some Conceptual Challenges | 1997 | De Montfort University | ||
| Waeckerle E. | 4TH ST PETERSBURG BIENNALE | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Oxley Nigel | 5 Pillows for D | 1998 | London Guildhall University | ||
| Briggs P M | 5 Ships | 1995 | Nottingham Trent University | Design | |
| Bain L | 5-7 Carleton Gardens | 1999 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Rideal M.E.C. | 50 Ans de Tati | 1998 | University College London | Painting | |
| McNiven A | 50 x 50 x 50 x 50 | 1995 | Edinburgh College of Art | Fine Art | |
| Kinersley-Taylor J | 50 x 50: The Challenge of Constraint: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Davey Winter J | 50/50 - The Challenge of Constraint | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Twomey C. | 51 PREMIO FAENZA | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Hoberman N | 51 Premio Michetti. | 2000 | Goldsmiths College | ||
| Piper JF | 5500FF Polaroid APS Camera | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Piper T | 56 Group Wales | 1996 | University of Wales Institute, Cardiff | Fine Art | |
| Green L | 5th In Our Hands Exhibition: mixed exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Cunningham JR | 5th In our Hands Exhibition: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Ledsham JM | 5th International Betonac Prize | 2000 | University of Ulster | ||
| Ward S | 5th International Ceramics Festival 1998 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Buckley T | 5th World Biennial of the Art of Bookbinding | 1999 | The London Institute | Media and Communication | |
| Westwood M | 6 min 3 sec | 1999 | The London Institute | Fine Art | |
| Clegg RDPC | 6 min 3 sec | 1999 | The London Institute | Fine Art | |
| Aust R | 6 pieces. | 1997 | Goldsmiths College | ||
| Williamson M | 60 large format colour photographs | 1997 | London Guildhall University | ||
| Grace JF | 64 Zoo Lane, animation series (26 episode scripts, incidental music / songs) | 1998 | Loughborough University | Illustration | |
| Bird-Jones C | 6th International Shoebox Exhibition | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Smith MM | 70/2000 | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Tyrrell J | 70s and 80s the High-Tech Age | 1999 | University of Sunderland | Design | |
| Dukes P J | 71:40 | 1997 | University of Hertfordshire | ||
| Logue L | 71:40- Injection 4 a Day | 1997 | Southampton Institute | ||
| Douglas H | 72nd Annual International Competition: Photography | 1998 | The London Institute | Fine Art | |
| Ten Hompel S | 8 (table) spoons | 1999 | London Guildhall University | ||
| Mosscrop MLB | 8th Mostyn Open | 1996 | De Montfort University | ||
| Bishop D | 9 things to make and do | 1995 | Royal College of Art | Design for Manufacture | |
| Trusselle K | 9 x 9 x 9 | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| TRUSSELLE K.L. | 9 x 9 x 9 | 1996 | Coventry University | Visual Arts | GWYNNE, M.G. GRIFFIN, J. PRINCE, N. |
| Fabian A | 90s Metalwork and Jewellery Design, 100 Years at the RCA Art and Design | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| HOLLAND C.C. | @ Work opening exhibition and @ home | 1998 | Coventry University | Visual Arts | CARCASS, J. ELLUL, L. FILMER, N. |
| DEAKIN A | @nonym | 1999 | Middlesex University | ||
| Comninos P. | A Solid Volumetric Deformable Muscle Model for Computer Animation Using a Weighted Residual Method. | 2000 | Bournemouth University | You, L. H. Zhang, J.J. |
|
| Moriarty C | A Back Room Service? The Council of Industrial Design Photographic Library 1945-1965 | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Oddy N | A Beautiful Ornament in the Parlour or Boudoir | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Ichige Y | A Big Enough Umbrella. | 1997 | Goldsmiths College | ||
| Saunders C | A Book of Hours (30 min. feature film). | 2000 | London Guildhall University | Nick Bevan music Mikey Tomkins post production editing |
|
| Robinson K | A Bridge: Creating a Course in Material Culture Studies | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Curtis D | A Brief History of Art and Experiment in Animation | 1999 | The London Institute | Media and Communication | Gareth Evans |
| BODMAN S | A Case of Discovery | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Kivland S | A Case of Hysteria | 1999 | Sheffield Hallam University | ||
| Williams R | A Celebration of Craftsmanship | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham R | A Celebration of Craftsmanship | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Proctor G | A Century of Style | 1998 | Nottingham Trent University | Fashion and Textiles | Karen W. Bressler Karoline Newman |
| FURNHAM D | A Chance to Whistle | 2000 | Middlesex University | ||
| Davies G | A Cloudburst of Material Possessions | 1997 | Lancaster University | Paula Rego Michael Sandle David Mach |
|
| Nicol EJ | A Collection of Frames. A Collection of Toys. | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Hutton A | A Communications Robot | 1999 | University of Ulster | Michael Callaghan | |
| Honeywill P W | A Comparison between Maya Hieroglyphs and Computer Icons | 1999 | University of Plymouth | Centre for Visual Computing | |
| Bougourd J | A Comparison of Women's Sizing by 3D Electronic Scanning and Traditional Anthropometry | 2000 | The London Institute | Fashion and Textiles | Laura Dekker Peter Grant-Ross Janet Ward |
| Manning A | A Computational Model of Print Quality Perception | 1999 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Magee JDM | A Conscientious Vehicle | 1996 | University of Ulster | ||
| Rieser M | A Consequential Coastline | 1996 | Bath Spa University College | Hoskins, S. Hasle, D. Hales, G. |
|
| McCann B | A Continuous Present: 5 British Sculptors Revisit Rome | 1998 | Kingston University | ||
| MARKIEWICZ L | A Conversation | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MURPHY J | A Conversation Piece | 1998 | University of Oxford | Juliao Sarmento | |
| Rowland C | A Crash Course in Creative Digital Media for the Community | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Tyler DJ | A Cross-Sectoral Approach to New Product Development | 1998 | Manchester Metropolitan University | Heeley J Bhamra T |
|
| Odundo M. A. | A DIALOGUE IN CLAY | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Fereday G. | A DYEING ART: GEOMETRIC DOUBLE IKATS FROM ANDHRA PRADESH | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| BONAVENTURA P | A Day at the Races | 2000 | University of Oxford | Julian Stallabrass Pauline van Mourik Broeckman Niru Ratnam |
|
| Tyler DJ | A Decision Support System for Designing Assembly Cells in the Apparel Industry | 1997 | Manchester Metropolitan University | Kalta M Lowe T |
|
| Davies G | A Deluge of Human Indifference | 2000 | Lancaster University | ||
| Baines P | A Design (to sign roads by) | 1999 | The London Institute | Media and Communication | |
| Watkins D | A Design Sourcebook | 1999 | Royal College of Art | Applied Art | |
| Maude-Roxby A | A Dictionary of Symbols | 1997 | Sheffield Hallam University | ||
| Dupre F | A Different Kind of Show | 1994 | University of Central England in Birmingham | Fine Art Research Group | |
| Mason R | A Digital Dolly? A Subjective Survey of British Illustration in the 1990s | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Burrows M W | A Divine Comedy | 2000 | University of Huddersfield | ||
| Chowles S M | A Dream of Passion | 1996 | University of Brighton | Materials Practices and Processes | R Munday |
| McLaren JH | A Dynamic Energy Model of Mobile Phone Takeback and Recycling | 1999 | Brunel University | L Wright S Parkinson T Jackson |
|
| Lyons AR | A Dynamic Lighting System Background and Prototype | 1997 | De Montfort University | Lomas, K. Cropper, P. Mardaljeviej, J. |
|
| Fabian A | A Feast of Silver | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| ten Hompel S | A Feast of Silver: Marked for the Millennium | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Ellis E | A Fine Line - Commercial Wood Engraving in Britain | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Rosenberg T | A Foundation Course in Drawing. | 1999 | Goldsmiths College | Stanyer, P.W. | |
| Cooper SA | A Full Head of Hair | 1997 | University of Southampton | ||
| Fawkes S | A Gathering of Glass | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Thapalyal RI | A Gift for India: group exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| McKAY A | A Gift of Solitude | 2000 | University of Lincoln | ||
| Slee R | A Grand Design: The Art of the Victoria and Albert Museum | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| McGowan A | A History of Britain (published by the Daily Telegraph, weekly in 16 parts) | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Rees A | A History of Experimental Film and Video | 1999 | Royal College of Art | Communications | |
| St George A | A History of Norton Rose | 1995 | De Montfort University | ||
| Macinnes R | A History of Scottish Architecture | 1997 | Glasgow School of Art | Historical and Critical Enquiry | Miles Glendinning Angus MacKechnie |
| WATSON A J | A History of Scottish Performance | 1998 | University of Dundee | Coastal/Indigenous Cultures | Fahrenholz, M Currie, A Woods, A |
| Kikuchi Y | A Japanese William Morris: Yanagi S | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| HEALEY P | A LOCAL BOOK FOR LOCAL PEOPLE | 2000 | Middlesex University | ||
| Newell R A | A Land | 1996 | Swansea Institute of Higher Education | Land and Landscape | |
| Filmer N | A Long False Equator | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Thorpe A. | A MAP OF RECYCLED CONTENT BUILDINGS | 1998 | The Surrey Institute of Art + Design University College | Sustainable Design | Tom Paladino |
| JOHNS P | A METHOD OF JOINING METALS TOGETHER BY A PROCESS USING SILVER/GERMANIUM ALLOYS | 1996 | Middlesex University | ||
| McLean P.B. | A Machine for Learning | 1999 | University College London | Fine Art Media | |
| JONES P S | A Mandarin Oriental Hotel | 1997 | University of Dundee | Contemporary Practice | Tucker Design Associates Mandarin Oriental Hotels |
| Devine K J | A Marriage of Images, (Group Exhibition) and Quantum Chess (Essay published in the Exhibition Catalogue) | 1998 | University of Portsmouth | Art and Science | Professor Bruce Russell Professor Reg Davies Robert Ruthven |
| Rosenberg T | A Matter of Tact. A Collaborative model of research and development between industry. | 2000 | Goldsmiths College | ||
| Allington E. | A Method for Sorting Cows, Essays 1993-97 | 1997 | University College London | Sculpture | |
| Fillingham P | A Miracle. | 1997 | Goldsmiths College | ||
| Cassidy T | A Model of the Loop Formation Process on Knitting Machines using the Finite Automata Theory | 1997 | De Montfort University | Grishanov, S.A. Spencer, D. |
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| Arnold RL | A Modern System of Dressing | 1999 | The London Institute | Fashion and Textiles | |
| Egerton F | A Moving Experience Oxford Gallery High Street, Oxford. (Five major pieces of automata) | 1998 | Liverpool Hope | ||
| Anderson P | A Multidisciplinary Approach to Masters Education in Digital Research | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Bunnell K | A New Agenda for Creative Enterprise | 2000 | Falmouth College of Arts | ||
| Watkins D | A New Century in European Design | 1994 | Royal College of Art | Applied Art | |
| Gornick N | A New Management Role: The Designer as Strategist | 1998 | Brunel University | Design Pedagogy | |
| Lindsay W | A New Specimen of Ankarapithecus meteai from the Sinap Formation of Central Anatolia | 1996 | Royal College of Art | Conservation | Alpagut, B Andrews, P Fortelius, M |
| Ingman B | A Night on the Tiles | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Axford NR | A Novel Approach to the Derivation of Expressions for the Geometrical MTF in Sampled Systems | 1999 | University of Westminster | Imaging Technology | Fagard-Jenkin RB Jacobson RE |
| Ramsey BJ | A Novel Circuit Fabrication Technique using Offset Lithography | 1997 | Brunel University | Environmentally Sensitive Design | P Evans D harrison |
| READ S | A PROFILE OF THE RIVER THAMES | 1996 | Middlesex University | ||
| PROUD P T | A Path for Life | 1995 | University of Dundee | Contemporary Practice | |
| Cawthorne DA | A Pedagogy of Environmental Design | 2000 | De Montfort University | ||
| Plouviez A | A Perfect Society | 1995 | University of Sunderland | Photography | Davies H |
| Binns P | A Personal Landscape' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| GANGE J | A Phenomenology of Slow-Motion | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Rice B W | A Pictorial History of Santa Claus | 1995 | University of Brighton | Visual Communication Design | |
| Ferry DD | A Picture Book of the Lake District | 1997 | University of Southampton | ||
| Brooks PR | A Plague on Both Your Houses | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Robertson C | A Poetics of Water | 1999 | Wimbledon School of Art | Elizabeth Ogilivie | |
| Ogilvie E | A Poetics of Water | 1999 | Edinburgh College of Art | Fine Art | |
| Clarke S R I | A Politics of Time, | 1999 | University of Portsmouth | Centre for Images in Practice | S Cleaver R Simms R Bestley |
| CHISHOLM R G | A Portfolio of Street Furniture Products | 1999 | University of Dundee | Industry and the Public Sector | Gary Carling |
| MURPHY J | A Portrait of the Artist as a Deaf Man | 1996 | University of Oxford | ||
| Fox A | A Positive View | 1994 | The London Institute | Fine Art | |
| Read SA | A Profile of the River Thames | 1996 | The London Institute | Fine Art | Mildenhall Monumentals |
| Gaughan M | A Progressive Dematerialisation of Labour Power: A Problem for Visual Representation in Germany in the 1920s | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Derbyshire A | A Proposed Practical Lighting Policy for Works of Art on Paper at the Victoria and Albert Museum | 1999 | Royal College of Art | Conservation | |
| Onwin G | A Quality of Light | 1997 | Edinburgh College of Art | Fine Art | |
| Hugonin J W | A Quality of Light | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Robertson C | A Quality of Light, Exploration of the quality of light in art | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Franks A M | A Question of Identity - a world without borders | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bruton J | A Question of Scale | 1995 | The London Institute | Fine Art | |
| Bonham Carter E | A Question of Scale | 1995 | University of Reading | Rosa Lee Peter Doig Basil Beatie |
|
| Lee R | A Question of the Spiritual | 1994 | Cumbria College of Art + Design | ||
| Barber J. G. | A RETROSPECTIVE (INCL. THE WEATHER/THE KITE/ANSAPHONE) | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Bibb RJ | A Rapid Prototyping Design Advice System for SME's. | 2000 | University of Wales Institute, Cardiff | PDR | R Brown D Wright |
| Best A | A Real Pony Race for a Bridle, '97 | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Fuyuan L | A Real-time 3D Audio System for Virtual Cockpit | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Davies P | A Review of Artists Earnings for Exhibitions and Commissions | 1997 | University of Sunderland | Fine Art | |
| Porter LJ | A Review on STEP Design and Technology: Resistant Materials | 1996 | Brunel University | Design Pedagogy | J Davies A Goodlier |
| JOHNS P | A SILVER/GERMANIUM ALLOY | 1996 | Middlesex University | ||
| FORD L | A STRANGER HERE MYSELF | 1998 | Middlesex University | ||
| Harrison J P | A Sense of Place | 1994 | University of Portsmouth | Memory, Identity and Material Culture | Peter Mason |
| Cunningham JR | A Sense of Place: joint exhibition | 1997 | Glasgow School of Art | The Decorative Arts | Linda Green |
| Green L | A Sense of Place: two-person exhibiton | 1997 | Glasgow School of Art | The Decorative Arts | Jack Cunningham |
| Seers L | A Shot in the Head - Group Exhibition | 2000 | De Montfort University | ||
| Newman HJE | A Shot in the Head: The Lisson Summer Show | 2000 | The London Institute | Fine Art | |
| Ross M | A Show about Time | 1998 | University of Newcastle | ||
| Hodgson J | A Sign of Things to Come | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Triantaphillidou S | A Simple Method for the Measurement of Modulation Transfer Functions of Displays | 2000 | University of Westminster | Imaging Technology | Jacobson RE |
| Hagan SK | A Snake in the Grass: Ethics vs. Aesthetics in Sustainable Architecture | 2000 | University of East London | ||
| Thompson A | A Soft Touch | 2000 | Brunel University | Design for Inclusion | S SWallow |
| Swallow SS | A Soft Touch | 2000 | Brunel University | Design for Inclusion | A P Thompson |
| Fiddis C | A Software Teaching Support for Ceramic Education | 1996 | University of Ulster | ||
| Cotterrell D | A Splash of Colour | 1998 | University of Hertfordshire | ||
| MATTHEWS R D | A Square of Ground | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Fairclough L. | A Square of Ground | 2000 | University College London | Fine Art Media | |
| Carter P | A Square of Ground | 2000 | Edinburgh College of Art | Fine Art | |
| Clarkson C | A Stiff-Board Vellum Binding in which the Covering has Been Slotted Across the Spine to Accommodate Raised Bands | 1996 | The London Institute | Media and Communication | |
| Wyman A | A Stitch in Time | 1997 | Cumbria College of Art + Design | ||
| Hague J A | A Stitch in Time | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Eachus PA | A Storm in Paradise - The Saving Angel | 1997 | The London Institute | ||
| Poncelet J | A Stranger Here Myself | 1997 | The London Institute | 3-Dimensional and Environmental Design | Laura Ford |
| Keir S | A Strangers Taste | 1999 | The London Institute | Fashion and Textiles | Siobhan Davies |
| Smith J | A Study to Compare the Food Scooping Performance of the 'Handy 1' Robotic Aid to Eating, using Two Different Dish Designs. | 1996 | Staffordshire University | ARi, School of Art + Design | M J Topping J Makin |
| Attridge GG | A Summary of Applications of Colour Reproduction: Indices to Imaging Systems | 1996 | University of Westminster | Imaging Technology | Pointer MR Jacobson RE |
| Pierse S J | A Sunburnt Country, Australian Landscapes | 1997 | University of Wales, Aberystwyth | Alison Hall | |
| PARRAMAN C | A Survey of Photomechanical Prints | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Ali-MacLachlan I | A Synchronous Feedback System for Distance Collaborative Projects. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| BUSS D | A Tale of Two Cities: Complementary Colour in the Environments of Two Moroccan Imperial Cities | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GANGE J | A Technics of Slow-Motion - art Technology and Technique | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Walden J | A Telephonic Exchange, Uncommon Denominators | 1999 | University of Portsmouth | Art and Philosophy | |
| BRADLEY P | A Temporary World: A Commentary on Some Urban Games and City Dwellers | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Petry M | A Thing of Beauty is... | 1997 | University of Wolverhampton | Fine Art | |
| Anderson J | A Thousand Prayers an Empty Vessel. | 1996 | Goldsmiths College | ||
| Anderson J | A Thousand Prayers. | 1997 | Goldsmiths College | ||
| MALLINDER H | A Three Dimensional Sketching Tool | 1995 | Middlesex University | H Jones J Jones-Morris H Polletti |
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| Salisbury M | A Timeless Landscape | 2000 | Anglia Polytechnic University | ||
| Kyte R | A Timepiece for the Millennium. Chronometer in gold and silver set with diamonds, mounted in a black slate surround, which records time and celestial and solar positions. | 2000 | London Guildhall University | ||
| Dinan Spencer C | A Treasury of Stories for Under Fives | 1994 | The London Institute | Media and Communication | |
| Duff L | A Trip on the Douro | 1995 | Kingston University | ||
| Herrmann M. | A VISION FOR THE 21ST CENTURY: THE EARTH CENTRE ECOLOGY PARK | 1995 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| BEHRENS R H H | A Voyage to Naboland | 1996 | University of Dundee | Contemporary Practice | |
| Gilchrist B | A Way of Asking for Reasons | 1994 | Oxford Brookes University | Creative Practice | |
| Newland P M | A Web of Senses in an Autistic Universe | 1997 | University of Portsmouth | Centre for New Media Research | Ron Geesin |
| Collins H | A Worldwide Sense of Homesickness | 1996 | Royal College of Art | Fine Art | |
| Diggle J | A Year and a Day | 1996 | Robert Gordon University | Practices enabled through New Media Technology | |
| Rirsch R | A collection of silver rings, brooches and necklaces set with cabochons and garnets of varying sizes. | 1999 | London Guildhall University | ||
| Tamburic S | A comparison of different in vitro methods for measuring mucoadhesive performance | 1997 | The London Institute | Fashion and Textiles | D.Q.M. Craig, University of London |
| Pope M | A costume research and interpretation project based on paintings in the National Gallery | 1997 | Wimbledon School of Art | Theatre costume | |
| Herring H | A database for modelling energy use in the non-domestic building stock of England and Wales | 2000 | Open University | Design for sustainability | H.Bruhns J.P. Steadman |
| Drew L | A disciplined approach: Learning to practice as design teachers in the University | 2000 | University of Brighton | Pedagogic Research | |
| Swindells S P | A distributionce of memory on the acropolis | 1999 | University of Huddersfield | ||
| Stiff P | A footnote kicks him: how books make readers work | 1997 | University of Reading | ||
| Young M | A guide to Methodology in Ergonomics - Designing for Human Use | 1999 | Brunel University | Interaction Design | N Stanton |
| Webb T | A is for Autism | 1994 | Royal College of Art | Animation | |
| BONAVENTURA P | A matter of life and death | 2000 | University of Oxford | Nikos Papastergiadis John Berger Don Miller |
|
| Barker I | A modification to the Codman Microsensor Skull Bolt Kit | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Osfield R | A new technique for Integration of 3D Structural Modelling and Fracture Prediction - a Cast example from the East Brae Field | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | S J Kape P Allen W D de Boer |
| ANDERSON M | A pictorial investigation of the work for organ by Oliver Messiaen: La Nativite du Seigneur | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| CHISHOLM R G | A preproduction prototype for a yacht | 1994 | University of Dundee | Industry and the Public Sector | W A Simpson Marine, Dundee |
| Sharpe T | A proposal for an Air and Water Preheating Solar Attic in Glasgow | 1996 | Glasgow School of Art | Cities and Environments | C. Porteous D. McDonald |
| Crooks R | A range of one-off pieces and production items | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | Stewart Hearn |
| Simpson P | A re-vision of Ukraninian identity: Tatyana Yablanskaya's Corn 1949 | 2000 | University of Hertfordshire | ||
| Rooney J | A review of a family of self-deploying tensegrity structures with elastic ties. | 2000 | Open University | Design for advanced products | J. Duffy B Knight CD Crane |
| WRIGHT I. | A review of research into engineering change management: implications for product design | 1997 | Coventry University | The Design Institute | |
| Skingle S | A semblance of Order. 20 book-sized sculptures and wall-reliefs in plaster, wood and metal, installed on the existing nails and ledges of the gallery's Elizabethan panelling and brickwork. | 1996 | London Guildhall University | ||
| Atkin J | A series of twelve plaster reliefs | 2000 | Loughborough University | Fine and Applied Arts | |
| Graham B | A study of audience relationships with interactive computer-based visual artworks | 1999 | University of Sunderland | Photography | |
| CHISHOLM R G | A study of the dynamics, image and function of objects and the space they occupy | 1999 | University of Dundee | Industry and the Public Sector | |
| YEADON J.D. | A tragical comedy or comical tragedy | 1997 | Coventry University | Visual Arts | |
| Parker D R | A window on the world: the work of Roy Wenzel | 2000 | University College Northampton | Contemporary Art Criticism | |
| Yeo H | A.M., P.M (collection of 17 reversible pieces of jewellery in silver, 18 ct. gold, diamonds) | 2000 | London Guildhall University | ||
| SHERWIN G | ACCOMPANIMENT TO A CINEMATOGRAPHIC SCENE [SCHOENBERG] - 16 MM FILM | 1999 | Middlesex University | ||
| Stockwell S. J. | ACCUMULATIONS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Makhoul B | ACE: Arts Council Collection New Purchases | 1996 | Sheffield Hallam University | ||
| SAUNDERS R. | ACECA | 1997 | Coventry University | Design | |
| SAUNDERS R. | ACECA 4 seater grand touring car | 2000 | Coventry University | Design | |
| Whitehead B. | ADVANCE WHITE | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| GUILLE J | AFRICAN PRINTS:CHITENGE CLOTHS IN CENTRAL AND SOUTHERN AFRICA | 1997 | Middlesex University | ||
| QUINE M | AIMAC CONFERENCE PAPERS. Contributing Editor | 1996 | City University | Laszlo, H. | |
| Whitehead B. S. | ALFRED DUNHILL | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| DEGEN P | ALLES SCHMUCK | 2000 | Middlesex University | ||
| Loughlin S. | AMNESTY INTERNATIONAL HUMAN RIGHTS | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| WADE E | AMPHIBIA ANUDA RANIDAE | 2000 | Middlesex University | ||
| SPENCE P J | AN INVITATION TO KISS | 2000 | University of Dundee | Digital Technology | John Scott Daniel Reeves |
| COWAN J | ANABALEPS - GROUP SHOW | 2000 | Middlesex University | ||
| Young A.N.J. | ANALYSIS OF THE AEA CLAIMS THAT THE PROPOSED EUROPEAN DIRECTIVE ON WASTE FROM ELECTRICAL AND ELECTRONIC EQUIPMENT (WEEE DIRECTIVE) WILL CONFLICT WITH THE WTO TRADE RULES | 1999 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| FORD L | ANIMAL - GROUP SHOW | 2000 | Middlesex University | ||
| DE FREITAS L | ANIMALS IN ARCADY: THE WOOD ENGRAVED ILLUSTRATIONS TO AESOP BY AGNES MILLER PARKER | 1996 | Middlesex University | ||
| Unger G | ANWB typeface | 1996 | University of Reading | ||
| Paul JS | AQUABAC Instruction Manual and Design Reports for BACKUP and National Lottery | 2000 | Brunel University | Design for Inclusion | J Burkitt P Isherwood |
| Grego P | ARCADE 11 | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| LEMKE H | ARKIVE I-X | 1999 | University of Lincoln | ||
| Benson SL | ARKIVE II ashes dances roses | 1998 | Sheffield Hallam University | Anne Grebby Helmut Lemke |
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| Knorr K. H. | ART LOVERS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Campany D. | ART PHOTOGRAPHED: SOME THOUGHTS ON PAINTING AND THE BOOK | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Harrison D. M. | ART TEXTILES | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| MUMBERSON S | ART WITH THE HELP OF A COMPUTER | 2000 | Middlesex University | ||
| IRVINE Z | ARTISTS BOOKS (Wind; Windhosen; By Air and Sea; Fiesta and Windroses) | 1997 | University of Dundee | Digital Technology | |
| Hindle Y | ARTLANTA | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Edmonds F. A. | ARTMONSKY SUMMER SHOW | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Owen M | ARTRESEARCH in Venice | 1995 | Southampton Institute | ||
| SHERWIN G | AT THE ACADEMY 7 CYCLES 1 [16MM FILMS] | 2000 | Middlesex University | ||
| Eastwood SJ | ATOMsk | 2000 | University of Plymouth | Art Process | |
| Campany D. | AUTO INTERVIEW | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Borrelli M | Abakus | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Mitchell J | Abandon | 1994 | University of Reading | ||
| Fortnum R | Abbey Award | 1997 | Wimbledon School of Art | Painting | Gillian Ayres Edward Allington Moyra Flanningan |
| Hollyhead B | Abbey National | 1994 | University of Brighton | Visual Communication Design | |
| Cargill I | Aberdeen University Prospectuses | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Draper C | About Collage | 2000 | Kingston University | ||
| Reeves D | Above Memory and Transformation | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Willberg P | Abracadabra: International Contemporary Art | 1999 | The London Institute | Media and Communication | |
| Hollingsworth S M | Absolut Open | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Birrell R | Absolut Open 1999, New Art from Scotland, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Charnley D | Absolut Secret | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Hodgson C | Absolute Earth | 2000 | Kingston University | ||
| Dagg K | Absolute Open | 1999 | Edinburgh College of Art | Fine Art | |
| Hunter J | Absolute Open - New Art From Scotland | 1999 | Edinburgh College of Art | Fine Art | |
| Webb G | Abstract Art | 2000 | University of Reading | Simon Bill Keith Farquhar DJ Simpson |
|
| Petry M | Abstract Eroticism | 1996 | University of Wolverhampton | Fine Art | |
| Innes C | Abstract Painting Once Removed, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Green D | Abstract Paintings and Arbitrary Objects | 1999 | University of Brighton | Fine Art Practices | |
| Butler K | Abstraction and Blind Sitings - A collaboration between two artists geographically displaced from the sites | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Aggiss E | Absurditties | 1994 | University of Brighton | Visual and Performing Arts | W Cowie |
| Trodd C | Academic Cultures: The Royal Academy and the Commerce of Discourse in Victorian London | 2000 | University of Sunderland | Fine Art | |
| Wilson A | Access Ramp Railings and Gateway for Swindon Dance Studio | 1997 | University of Brighton | Materials Practices and Processes | |
| Devison N | Access all Areas | 1999 | Anglia Polytechnic University | ||
| Punt M | Accidental Machines:Understanding How We Understand New Technologies | 1998 | University of Wales College, Newport | CAiiA | |
| Johnson SW | Ace! Arts Council Collection New Purchases | 1996 | The London Institute | Fine Art | |
| McCARTHY P J | Acoustic Shadows | 1999 | University of Lincoln | ||
| MacWilliam S J I | Acoustic Shadows: Cast Behind The Curtain | 1999 | Nottingham Trent University | Visual Arts | |
| Bryson D | Acromegaly, Mr Punch and Caricature. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| MORRIS R C | Acrylic Sculptural Jewellery | 2000 | University of Dundee | Contemporary Practice | David Watkins Otto Kunzli Gijs Bakker |
| Smith P M | Action (Solo exhibition) | 2000 | Anglia Polytechnic University | ||
| Norman EW | Action Research Concerning Technology for Design and Associated Pedagogy | 1999 | Loughborough University | Design Education | |
| Johnston M | Activ Walking Frame | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Harrison DJ | Active Disassembly | 1998 | Brunel University | Environmentally Sensitive Design | J Chiodo E Billett |
| Chiodo JD | Active Disassembly | 1998 | Brunel University | E Billett D Harrison |
|
| Dorsett C J | Acts of Audience | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Davis M | Acts of Light | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Chodzko A | Adam Chodzko: Photographs, Sculpture and Video Projection | 1999 | The London Institute | Fine Art | |
| Robinson P I | Adapt Alumnus UfI | 2000 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | Agnelli, P Young, R |
| SCHENK P M | Adaptability to Change: Teaching Drawings to Designers | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Pippin S | Addendum | 1995 | Southampton Institute | ||
| Telford SJ | Addressing the Century - 'Dressing Room' Section (exhibition) | 1998 | Loughborough University | Textiles | |
| Rees DD | Addressing the Century - 100 Years of Art + Fashion | 1998 | The London Institute | Fashion and Textiles | Simon Munro |
| Munro S | Addressing the Century - 100 Years of Art + Fashion | 1998 | Kingston University | ||
| LEHMANN U | Addressing the Century: 100 Years of Art + Fashion | 1999 | Kent Institute of Art + Design | ||
| Chalayan H | Addressing the Century: 100 Years of Art and Fashion | 1998 | The London Institute | Fashion and Textiles | |
| Baker P.H. | Advanced Envelopes, IEA Annex 32, Volume III | 2000 | Glasgow School of Art | Cities and Environments | Saelens, D. Grace, M. Inoue, T. |
| Pennie M | Adventures with Lobi | 1998 | Bath Spa University College | ||
| Leonidas G | Aegis | 2000 | University of Reading | ||
| IRVINE Z | Aeolus / Pocketbook CDs | 1999 | University of Dundee | Digital Technology | |
| Lancaster J | Affinities | 1997 | De Montfort University | ||
| Bevan P | Affinity, Iwate Arts Festival, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Black H | Afloat | 1998 | Wimbledon School of Art | Sculpture | |
| Hart WA | African Art in the National Museum of Ireland | 1995 | University of Ulster | ||
| Forbes Visser K | After Candide | 1998 | Edinburgh College of Art | Fine Art | |
| Richon O | After DL | 1995 | Royal College of Art | Critical Practice | |
| Ichige Y | After Dark. | 1996 | Goldsmiths College | ||
| Harland EJ | After IV | 1998 | University of Southampton | ||
| Wright A | After Image | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Wright A | After Image | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| WRIGHT A | After Image | 1998 | University of Lincoln | ||
| Williams R | After Modern Sculpture : Art in the United States and Europe 1965 - 70 | 2000 | Liverpool John Moores University | Art and Design History | |
| GERSHT O | After Wars | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Chalayan H | After Words | 2000 | The London Institute | Fashion and Textiles | |
| Walker A J | Afternoon Tea and Chillies | 1998 | Wimbledon School of Art | Tran Van Thao | |
| Wootton M A | AgB International Graphic Fine Artists touring exhibition | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Hunter R | Against Belief in Ossification | 2000 | Dartington College of Arts | ||
| Rodrigues CA | Agent Provocateur: Questions of human machine agency and online ethnography. | 1999 | University of Plymouth | Centre for Visual Computing | Cox, G. |
| Burton R | Agricultural/Rural Exhibition Consultation | 2000 | University of Sunderland | Design | |
| Rees DD | Ail | 1999 | The London Institute | Fashion and Textiles | Simon Munro |
| Munro S | Ail (Second) | 1999 | Kingston University | ||
| Viner DJ | Air Moves | 1998 | The London Institute | Fine Art | |
| Rhodes NA | Airbag | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Dean T | Airshot Range | 1997 | University of Brighton | Materials Practices and Processes | N Gant |
| Mortimer R | Airshow | 2000 | The London Institute | Media and Communication | |
| Gant N | Airwave Table | 1997 | University of Brighton | Materials Practices and Processes | T Dean |
| McKitterick J | Aitch Menswear for Ben Sherman Spring/Summer 1995 | 1994 | Kingston University | ||
| Miller A | Alain Miller. | 1999 | Goldsmiths College | ||
| Currall A | Alan Currall, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Tucker M E | Alan Davie Drawings | 1997 | University of Brighton | Fine Art Practices | P Elliott |
| Johnston A | Alan Johnston | 1998 | Edinburgh College of Art | Fine Art | |
| Johnston A | Alan Johnston 'Haus Wittgenstein - Inverleith House' | 1994 | Edinburgh College of Art | Fine Art | |
| Kitching A | Alan Kitching Typographic Timelord | 1999 | Royal College of Art | Communications | |
| Smith A | Alan Smith: Orme Series | 1998 | University of Gloucestershire | ||
| Potter R | Alan and Louis/Baskerville Hall | 1995 | Wimbledon School of Art | Photography | |
| van Dooren D | Alberto Aspesi | 2000 | The London Institute | Media and Communication | |
| SMITH HR | Album | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| Jackowski A | Albums + Aliens | 1997 | University of Brighton | Memory, Identity and History | |
| Brown R | Alembic | 1997 | Royal College of Art | Computer Related Design | |
| Landrum A | Alex Landrum | 1995 | Bath Spa University College | ||
| Stamp G | Alexander Greek Thomson. (paperback title: Alexander Thomson. The Unknown Genius) | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Tchalenko J | Alexander Iyas | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Bonham Carter E | Alexandra Drysdale and Eliza Bonham Carter | 1997 | University of Reading | Alexandra Drysdale | |
| Fuyuan L | Algorithm and Implementation of Sound Spatialisation via Loud-speaker array | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Britton A | Alison Britton | 1996 | Royal College of Art | Applied Art | |
| Britton A | Alison Britton | 2000 | Royal College of Art | Applied Art | |
| Turnbull A | Alison Turnbull | 1997 | Wimbledon School of Art | Painting | |
| Crawford A | Alistair Crawford: A Return to Wales | 2000 | University of Wales, Aberystwyth | ||
| Wilson AJH | Alistair Wilson | 1996 | University of Ulster | ||
| Burton A | All Afloat | 1996 | University of Newcastle | ||
| May N | All Routes Open | 1998 | Cumbria College of Art + Design | ||
| Davis G | All Umbrellas in London: Homosexuality and British Film | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| HARVEY V. | All around the world | 2000 | Coventry University | Visual Arts | |
| Smith MM | All in the Mind | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| MacKinnon-Day P | All in the Mind | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| Westwood M | All the Details Differ | 1998 | The London Institute | Fine Art | |
| Worthington C | All you can eat (video short, 17min.): director | 1998 | London Guildhall University | ||
| Cockram M G | All you need is love but can we picture this? | 2000 | University of Portsmouth | Art and Philosophy | |
| Richon O | Allegories | 2000 | Royal College of Art | Critical Practice | |
| MORRIS R C | Alloy Five | 1998 | University of Dundee | Contemporary Practice | Susan Barr Teena Ramsay David Swift |
| MORRIS R C | Alloy Four | 1998 | University of Dundee | Contemporary Practice | Susan Barr Ann Marie Shillito Teena Ramsay |
| BARR S | Alloy IV | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay Ann-Marie Shillito |
| SWIFT D G | Alloy V | 1998 | University of Dundee | Contemporary Practice | Michelle Lorrie Helen Bennett |
| RAMSAY T K | Alloy V | 1999 | University of Dundee | Contemporary Practice | David Swift Roger Morris Susan Barr |
| BARR S | Alloy V | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay David Swift |
| Doig P | Almost Grown | 2000 | Royal College of Art | Fine Art | |
| Ward R | Almost True | 2000 | University of Sunderland | Fine Art | |
| HOLT J | Alnoor Mitha, Deeply Rooted in the Inner Life | 1996 | Bretton Hall | FINE ART (PAINTING) | |
| Male A | Along the Luangwa | 1999 | Falmouth College of Arts | Schuyler Bull | |
| Partridge J | Altar and Cross | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Smith AE | Altered States | 1999 | The London Institute | Fashion and Textiles | |
| Gaver W | Alternatives: Exploring information appliances through conceptual design proposals. | 2000 | Royal College of Art | Computer Related Design | |
| Grimes O | Amadora 2000: Vll Bienal Internaional Gravura | 2000 | The London Institute | Fine Art | |
| Esche C | Amateur / Eldsjal - Variable research initiatives 1900 + 2000 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curators Mark Kremer Adam Szymczyk |
| Esche C | Amateur/Eldsjal - variable research initiatives 1900 and 2000 | 2000 | The London Institute | Fine Art | |
| Votolato G | American Design in the Twentieth Century | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Carter T | American Dream. | 1996 | Goldsmiths College | ||
| Cairns B | American Illustration 19 | 1999 | Glasgow School of Art | Principles of Drawing | |
| Dakers CN | Among the Philistines: Sigismund Goetze and the Decoration of the Foreign Office | 1998 | The London Institute | Fashion and Textiles | |
| McCann B | Amongst the Clues | 1994 | Royal College of Art | Fine Art | |
| Sheldon JL | Amrit and Rabindra Kaur Singh | 1997 | Liverpool John Moores University | Art and Design History | |
| Palova Z | Amygdale | 1999 | University of Sunderland | Institute for International Research in Glass | |
| PORTER C.S. | An 'inside - out' approach to automotive design | 1997 | Coventry University | The Design Institute | PORTER, J.M. |
| Cummins S | An Abbey Award in Painting at the British School at Rome | 1998 | Nottingham Trent University | Visual Arts | |
| HUXOR A | An Active Worlds Interface to Basic Support for Co-operative Working (BSCW) to Enhance Chance Encounters | 1999 | Middlesex University | ||
| SPICER A | An Ambivalent Archetype: Masculinity, Performance and the New Zealand Films of Bruno Lawrence | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Clegg RDPC | An American Passion: The Kasen Summer Collection of Contemporary British Painting | 1994 | The London Institute | Fine Art | |
| Brown C | An Anamorphic Alphabet | 1999 | Liverpool John Moores University | Graphic Arts | |
| Dunbar T | An Anxious Optimism | 1997 | Manchester Metropolitan University | ||
| McKean J M L | An Appraisal of the Royal Festival Hall | 1996 | University of Brighton | Design History, Criticism and Theory | |
| Guthrie K | An Artist's Impression | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Cox PRC | An Englishman an Irishman and a Frenchman | 1995 | The London Institute | Fashion and Textiles | Kenechi Nakayama |
| Wormald PW | An Enquiry into the Present and Future Role of Three Dimensional Computer Modelling as the Primary Modelling Medium for Industrial Designers in Yu-Tung, L., Jin-Yeu, T. and June-Hao, H., (eds) | 1997 | Loughborough University | Design Research | |
| Woodham J M | An Episode in Post-Utility Design Management: the Council of Industrial Design and the Co-operative Wholesale Society | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Rutherford S | An Ergonomics Analysis of Tumble Dryer Interfaces | 1998 | Nottingham Trent University | Design | |
| Lindsay W | An Evaluation of Geology and Weathering in the Preservation of Marl Objects | 2000 | Royal College of Art | Conservation | Ventikou, M Halls, C Batchelder, M |
| Triantaphillidou S | An Evaluation of MTF Determination Methods for 35mm Film Scanners | 1999 | University of Westminster | Imaging Technology | Jacobson RE Fagard-Jenkin R |
| Kimbell RA | An Evaluation of the Technology Education Project: South Africa, NW Province. | 1999 | Goldsmiths College | Stables, K. | |
| Newman HJE | An Evening with Hayley Newman | 1998 | The London Institute | Fine Art | |
| Barker DS | An Exhibition of Works by David Barker and Kate Barker | 1998 | University of Ulster | ||
| Dunbar T | An Exhibition, an Eclipse and the Hermeneutics of Painting | 1996 | Manchester Metropolitan University | ||
| Furlong W | An Imagery of Absence | 1998 | Wimbledon School of Art | Research Centre | |
| Soden JA | An Integrated Computer System for the Design and Analysis of 3D Woven Engineering Composites | 1998 | University of Ulster | BJ Hill R McIlhagger L Miller |
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| Seddon J | An Interview with Ursula Mommens PotterSadie Speight and the Flat Book | 1994 | University of Brighton | Design History, Criticism and Theory | |
| Smith A | An Introduction to Textile Materials: Their Structure, Properties and Deterioration | 1999 | The London Institute | Media and Communication | |
| Higgett N P | An Investigation into the Application of a Virtual Environment for Fire Evacuation Mission Rehearsal Training | 1998 | De Montfort University | Bhuller, S. | |
| COLLINS N | An Investigation into the Existence of Z Chords | 2000 | Middlesex University | ||
| Bibb RJ | An Investigation of three-dimensional scanning of human body parts and its use in the design and manufacture of prostheses. | 2000 | University of Wales Institute, Cardiff | PDR | P Freeman R Brown A Sugar |
| Chance V | An Invitation to Waltz | 1995 | De Montfort University | ||
| Anderson P | An Islands Language | 1998 | The London Institute | Media and Communication | |
| Johnson A | An Optimum Colour Reproduction System | 1995 | The London Institute | Media and Communication | |
| Stewart C | An Ordinary God | 2000 | De Montfort University | ||
| BRADLEY P | An Urban Game for City Dwellers | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | An Urban Game for City Dwellers | 1998 | University of Lincoln | ||
| SCHENK P M | An analysis of the changing role of drawing in the graphic design process since the mid-eighties, with particular regard to the impact of technological change | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Powell N A | An attempt at a Textual Analogue of a Possible Art and Language Exhibition. | 1999 | Staffordshire University | ARi, School of Art + Design | M. Corris |
| Short C | An examination of the relations of the philosophy of Friedrick Nietzsche to the theme of the apocalypse in Wassily Kandinsky's texts and images | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Lochun D | An initial investigation into the Low Cost Manufacture of Diffraction Objects | 2000 | Brunel University | B Ramsey D Harrison |
|
| Leonidas G | An introduction to Greek type design | 2000 | University of Reading | ||
| Tamburic S | An investigation into interactions between polyacrylic polymers and non-ionic surfactant: an emulsion preformulation study | 1999 | The London Institute | Fashion and Textiles | S. Simovic J. Milic D. Rajic |
| Baker P.H. | An investigation into the use of a supply air window as a heat reclaim device | 1999 | Glasgow School of Art | Cities and Environments | McEvoy, M.E. |
| Freeman P | An investigation of 3-dimensional scanning of human body parts and its use in the design and manufacture of protheses | 2000 | University of Wales Institute, Cardiff | PDR | R Bibb R Brown A Sugar |
| Rooney J | An investigation of a special motion of an octahedron manipulator using screw theory. | 1998 | Open University | Design for advanced products | J. Duffy B. Knight CD. Crane |
| Carnduff T | An object versioning system to support collaborative design within a concurrent engineering context | 1997 | University of Wales Institute, Cardiff | PDR | I Santoyridis WA Gray JC Miles |
| Carnduff T | An object-orientated database system to support concurrent design | 2000 | University of Wales Institute, Cardiff | PDR | WA Gray JC Miles A Al-Khudair |
| Frampton RJ | An overview of upper extremity injuries to car occupants in UK vehicle crashes | 1997 | Loughborough University | Design Ergonomics | Morris, A.P. Thomas, P.D. Bodiwala, G.G. |
| Mosscrop MLB | Anaesthetics | 1998 | De Montfort University | ||
| Whiteley G | Analogy, Complexity and Holism - Drawing as 3-D Modelling | 1998 | Sheffield Hallam University | Chris Rust | |
| Cross NG | Analysing Design Activity | 1996 | Open University | Design thinking and communication | |
| Ruckman JYE | Analysis of Simultaneous Heat and Waterproof Transfer Through Waterproof Breathable Fabrics | 1997 | Manchester Metropolitan University | ||
| Cawthorne DA | Analytical Investigation of the Steady State Behaviour of Dynamic and Diffusive Insulation | 1994 | De Montfort University | Taylor, B.J. Imbabi, M.S. |
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| Bodimeade N | Anatomising the Liferoom | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bannister A G | Anchor | 1996 | Nottingham Trent University | Visual Arts | |
| Fleming K | Anchor Award for European Embroidery Design | 1996 | University of Ulster | ||
| Wiltshire H | And When I Got There | 1999 | Royal College of Art | Fine Art | |
| ROBERTSON J A | And we shall soon reach Heaven | 1998 | University of Dundee | Digital Technology | Owen Logan Philippa Hall |
| Bonham Carter E | Andata e Ritorno | 1996 | University of Reading | Maria Chevska Stephen Farthing Hugie ODonoghue |
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| THOMA A | Andrea Thoma | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| THOMA A | Andrea Thoma | 1995 | Bretton Hall | FINE ART (PAINTING) | |
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1998 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Bick A | Andrew Bick: Paintings | 2000 | Kingston University | ||
| Bick A | Andrew Bick: Paintings | 1998 | Kingston University | ||
| Todd G | Andrew Mummery Gallery, London | 1998 | Edinburgh College of Art | Fine Art | |
| Stephens JR | Andrew Sneddon + John Stephens - Printmaking two-person exhibition | 2000 | Chester College of HE | ||
| Stahl A. | Andrew Stahl | 1998 | University College London | Painting | |
| Stahl A. | Andrew Stahl, London UK, New Work | 2000 | University College London | Painting | |
| Stonyer A | Andrew Stonyer | 1999 | University of Gloucestershire | ||
| Klimowski A | Andrzej Klimowski: the Deflected Gaze | 2000 | Royal College of Art | Communications | |
| Stezaker J | Angels | 1999 | Royal College of Art | Fine Art | |
| Robertson S | Anglo World Language School | 1998 | University of Brighton | Natural and Constructed Environments | P Gammon A Price |
| Wilson A | Anglo-Korean Trio Exhibition: Paintings and Prints | 1995 | University of Brighton | Fine Art Practices | |
| Frew C | Angus Hood and Christine Frew | 1998 | Edinburgh College of Art | Fine Art | |
| Unsworth J | Animal | 1998 | University of Southampton | ||
| Thomson J | Animal + Vegetable = Mineral | 1999 | Southampton Institute | ||
| Baynes K | Animal Magic (Exhibition design) | 1997 | Loughborough University | Design Education | Brochocka, K. Patterson, D. Meechan, C. |
| Granger S | Animal Paintings | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Gascoigne D | Animated Film for Powergen | 2000 | Kingston University | ||
| Gascoigne D | Animated Film for Watermans Pens | 1997 | Kingston University | ||
| Gascoigne D | Animated Film of Chaucer's 'The Franklin's Tale' | 1998 | Kingston University | ||
| Stothart P | Animated product information | 2000 | De Montfort University | ||
| Colbeck J | Ann Clark, Kenneth Clark, John Colbeck and Pietro Maddalena | 1996 | University of Brighton | Materials Practices and Processes | |
| Hand J | Anna O | 1996 | Goldsmiths College | Gange, J. | |
| Saunders C | Annabel (6 min. video short). | 1997 | London Guildhall University | ||
| Heyer A | Annette Heyer, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Heyer A | Annette Heyer, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Heyer A | Annette Heyer: new work | 1998 | The London Institute | Fine Art | |
| Meacher N | Annual Exhibition of Original Paintings by The President and Invited Members of The Royal Institute of Painters in Water Colours | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Minott P | Annual Report and Accounts, Gilts: An Investors Guide, Gilt ReviewAnnual Report and Accounts, Gilts: An Investors Guide, Gilt Review | 1999 | Bath Spa University College | ||
| Hood B | Anonymous Drawing Room | 1997 | Edinburgh College of Art | Fine Art | |
| Bezencenet S | Another Frame | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Dobai S | Another Girl Another Planet | 1999 | The London Institute | Fine Art | |
| Miles MFR | Another Hero? Public Art and Gendered City. | 1997 | University of Plymouth | Art Process | |
| Nelson M | Another Place | 2000 | The London Institute | Fine Art | |
| DALZIEL M N | Another Place | 2000 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Chaston, R |
| Brigdale S | Another Place | 1996 | Southampton Institute | ||
| Eastley M | Another Strange Attraction | 2000 | Liverpool John Moores University | Audio-visual | |
| Kesseler RS | Another View | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Saville J. | Ant Noises Part 1 and 2 | 2000 | University College London | Painting | |
| Turk GJT | Ant Noises at the Saatchi Gallery Part 1 and Part 2 | 2000 | The London Institute | Fine Art | |
| Hill AA | Anthology of Films published on videotape - includes 7 short films from 1984-1997. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Bould M | Anti-Bodies | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Derges S | Anti-Memory: Contemporary Photography II | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Matthee J | Antigone's Cut. | 1997 | Goldsmiths College | ||
| Matthee J | Antigone's Cut. | 1999 | Goldsmiths College | ||
| Sonnabend Y. | Antony and Cleopatra | 1999 | University College London | Theatre Design | |
| HOLT J | Anwar Shemza: A Search for the Significant | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| De Briey N | Anxious Words, group exhibiton | 2000 | Glasgow School of Art | Fine Art | |
| Gussin GPG | Any Object in the Universe | 1998 | The London Institute | Fine Art | |
| Bewley DJ | Anya Gallaccio - Two Sisters | 1998 | Manchester Metropolitan University | Herbert S | |
| Waugh A | Anya Hindmarch | 2000 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Quinn J | Apache Cocoon | 1998 | University of Westminster | Hypermedia | |
| Pilsl C | Aperture | 1999 | Southampton Institute | ||
| Newling J B | Aperture | 2000 | Nottingham Trent University | Visual Arts | |
| Oxborrow L | Apparel Production Channels | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Whiteley G | Application no. 9925516.8 for Wrist Prosthesis | 1999 | Sheffield Hallam University | Industrial Design | |
| Whiteley G | Application no.9921374.6 for an Elbow Prosthesis | 1999 | Sheffield Hallam University | ||
| Lievesley M A | Application publication date: GB2322299A (25/02/97). Fire Retardant Litter Bin | 1997 | University of Northumbria at Newcastle | Product Design (4b) | Palmer, T E Bray, D A |
| Roddis JN | Applications PCT/GB00/03347(International) and 9920843.1 (UK) for 'TTURA' Glass + Resin Composite | 2000 | Sheffield Hallam University | ||
| Jacobson R | Applications of Imaging Science to Investigations of GRB Optical Counterpoints | 1999 | University of Westminster | Imaging Technology | Fagard-Jenkin RB Axford NR Hudec R |
| Ganter J | Appositions | 2000 | Edinburgh College of Art | Fine Art | |
| Ganter J | Appositions 1-5 | 2000 | Edinburgh College of Art | Fine Art | |
| Hanna R | Appraisal of Design Studio Methodologies | 1998 | Glasgow School of Art | Educational Theory and Practice | A. Barber |
| Barber AJ | Appraisal of Design Studio Methodologies | 1998 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Eastwood SJ | Approaches to Autism | 1998 | University of Plymouth | Art Process | |
| Hall M | Approaches to Re-inventing Studio Practice | 2000 | University of Wales Institute, Cardiff | Ceramics | P Castle |
| Hill PJ | Approaching Photography | 1999 | De Montfort University | Hughes, C. | |
| Farrelly L | April Greiman: Floating Ideas into Time and Space | 1998 | The London Institute | ||
| Hardie A | ArCade II | 1997 | University of Reading | James Faure Walker Sue Gollifer Eva Sutton |
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| Gollifer S C | ArCade II, the Second International Open UK Exhibition of Electronic Fine Art Prints | 1997 | University of Brighton | Fine Art Practices | |
| Dye M | Arabesque | 1996 | Kingston University | ||
| Vanke F | Arabesques: North Africa, Arabia and Europe | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| McCaughey P | Arc, solo exhibition of publicly sited works | 1999 | Glasgow School of Art | Fine Art | |
| McGraw M | Arcade II, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Knowles D | Arcadia Group plc - Dorothy Perkins Division, Ladies Knitwear Winter 2000 | 2000 | Kingston University | ||
| Atherton B | Archaeology + Reconstruction, solo exhibition | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Robinson K | Archaeology's Photographic Image | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| McCall A | Archie McCall: Ceramics: solo exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| McCall A | Archie McCall: Exhibition of Ceramics: solo exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| Swinson J | Architechs dream of nightmare cities - Cities on the Move at the Hayward. | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Woodley G | Architectonic drawing | 1998 | The London Institute | Fine Art | |
| Hanna R | Architectural Science and Research: Integration into Design | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| CARR R J M B | Architecture + Planning in Scotland | 1999 | University of Dundee | Contemporary Practice | |
| Stansfield Smith C | Architecture Education for the 21st Century | 1999 | University of Portsmouth | Centre for Creative Empowerment | RIBA committee |
| Winters EJ | Architecture and Human Purposes | 1999 | University of Westminster | CARTE | |
| Boddington A D M | Architecture of the Borderlands | 1999 | University of Brighton | Natural and Constructed Environments | T Cruz |
| French H | Architecture: A Crash Course | 1998 | Royal College of Art | Architectural Design | |
| Hunter J | Arena | 2000 | Edinburgh College of Art | Fine Art | |
| FITZPATRICK D. | Argyll and Sutherland Highlanders Museum | 1995 | Coventry University | Design | |
| Karakashian S | Ariadne's Gone Virtual | 1995 | University of Hertfordshire | ||
| Tuckett S M | Ariadne: Reading the Cloth | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Trangmar SRA | Ariadnes Dream and Double Duration | 2000 | The London Institute | Fine Art | |
| Swan A | Arkitex | 1999 | The London Institute | Fashion and Textiles | |
| Semple R | Arms Dishes Pair | 1996 | Liverpool Hope | ||
| TAYLOR A | Arrow Textiles | 1997 | University of Dundee | Contemporary Practice | |
| Senior DP | Art + Hospitals: The Changing Culture of Healthcare | 2000 | Manchester Metropolitan University | ||
| Ascott R | Art + Telematics: toward the Construction of a New Aesthetics. | 1998 | University of Wales College, Newport | CAiiA | |
| Cassim J | Art + the Inner Eye # 1 | 1994 | Royal College of Art | Inclusive Design | |
| Smith A | Art 1996 Chicago | 1996 | University of Gloucestershire | ||
| Kesseler RS | Art Athina 5 '97 | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Wright A | Art Bar Terrace | 1997 | Glasgow School of Art | Design | Partner, Wright and Wright Architects |
| Crone D | Art Beyond Conflict | 1996 | University of Ulster | ||
| Beech W K | Art Bypass - A Road Work | 1996 | University of Brighton | Natural and Constructed Environments | C Secrett - Co-Producer C Patey - Artistic Director R Lamb - Creative Consultant |
| Deepwell C | Art Criticism and Africa | 1997 | University of Ulster | ||
| Swift J | Art Education: A Contested Field of Study | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Toren A | Art Focus 3 | 1999 | University of Reading | Per Kirkeby Ilya Kabakov Mark Wallinger |
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| Robinson A F | Art Futures | 1999 | University College Northampton | Fine Art Practices | |
| Woodfield R A | Art History as Cultural History: Warburg's Projects | 2000 | Nottingham Trent University | Visual Arts | |
| Macmillan A | Art Lovers Houses and the Modern Movement | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Brett DB | Art Nouveau | 1997 | University of Ulster | ||
| Ainsley S | Art Outside The Gallery | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Broom K | Art Practice Within The Probation Service | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Gingell J | Art Schools: Art Education and the Artist in the New Century | 1998 | University of Wales Institute, Cardiff | Fine Art | H Adams |
| VOORSANGER J | Art Stars | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Mitchison LS | Art Textiles | 1996 | Manchester Metropolitan University | ||
| Davey Winter J | Art Textiles | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Mitchison LS | Art Textiles (2): The Second Major Survey of Artists Working with Textiles | 2000 | Manchester Metropolitan University | ||
| Freshwater S | Art Textiles of the world. | 1999 | University of Hertfordshire | ||
| Patrizio A | Art Unlimited. Multiples in the 1960s and 1990s from the Arts Council Collection | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curators Lane, H Martin, P Johnstone, I White, N |
| Toal D | Art War, series of TV programmes | 1995 | University of Portsmouth | Memory, Identity and Material Culture | Jeff Keen |
| Rice B W | Art and Archaeology | 1998 | University of Brighton | Natural and Constructed Environments | |
| Jones TE | Art and Lifelong Learning | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Crowther P D | Art and the Reconfiguration of Contemporary Experience | 1999 | University of Central Lancashire | ||
| Ballantyne T | Art for Youth | 2000 | University of Gloucestershire | ||
| Roberts J | Art has no History! The Making and Unmaking of Modern Art | 1994 | University of Wolverhampton | Fine Art | |
| Dahn J | Art in Theory 1648 | 2000 | Bath Spa University College | Harrison, C. Wood, P. Gaiger, J. |
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| Kaylan M | Art of 96 - Transmutations Live Arts Festival | 1996 | University of Brighton | Visual and Performing Arts | |
| Archer MG | Art since 1960 | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| ARCHER MG | Art since 1960 | 1997 | University of Oxford | ||
| Freshwater S | Art textiles 2 | 2000 | University of Hertfordshire | ||
| Senior DP | Art, Culture and Health | 1998 | Manchester Metropolitan University | ||
| Jardine B | Art, Lies and Documentation: The Points of Origin and Destination Determine the Direction of Action | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Cipriani G | Art, Space and Time | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Miles MFR | Art, Space and the City | 1997 | University of Plymouth | Art Process | |
| Cipriani G | Art, Theory and Experience The figural in Painting: An Organic Inquiry Into Visual Meaning | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Ascott R | Art-ID/Cyb-ID: Identities in Cyberspace. | 1999 | University of Wales College, Newport | CAiiA | Josep Giribet |
| Sutherland C | Art.tm Gallery renovation | 1998 | Glasgow School of Art | Design | Hussey, C |
| Deliss C | Arte al Centro | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Harris D. I. | Arte-Monaco | 1999 | Wimbledon School of Art | Painting | Jean Tinguely Peter Newman Vic Muniz |
| CZARNECKI G | Arteries | 2000 | University of Dundee | Digital Technology | Susan Collins Suky Best Sophie Tennant |
| Salisbury M | Articles in Line: 'Born Romantic'; 'Tabitha Salmon'; Sipan, John Minton in Jamaica' | 2000 | Anglia Polytechnic University | ||
| King M | Artificial Consciousness -artificial art | 1997 | London Guildhall University | ||
| Lewandowski S | Artist In Residence | 1999 | Nottingham Trent University | Visual Arts | Marcus Coates Calum Stirling |
| BELL R | Artist as Teacher | 1994 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Medcalf G | Artist in Residence | 1994 | The London Institute | Fine Art | |
| Sinclair R | Artist in Residence - Textile Designer. | 2000 | Goldsmiths College | ||
| Edmond T A | Artist of the Day | 1996 | University of Reading | ||
| Lemon E | Artist-in-Residence. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Douglas H | Artist/Author Contemporary Artist Books | 1998 | The London Institute | Fine Art | Telfer Stokes |
| Phillpot C | Artist/Author: Contemporary Artists Books | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | Cornelia Lauf |
| Smith M | Artisti dal Mondo: Museo Internazionale Delle Ceramiche | 1999 | Royal College of Art | Applied Art | |
| Smy E | Artistic Application of Sol-Gel; Rapid Drying of Colloidal Alkali Silicate Gels with the use of a Domestic Pressure Cooker. | 2000 | University of Hertfordshire | ||
| Pirie I | Artistic Research Procedure: Research at the Edge of Chaos? | 1995 | Robert Gordon University | Learning Strategies | Gray, C. |
| Bradac J | Artists Book Exhibition | 1994 | The London Institute | Fine Art | |
| Shawcross N | Artists Century : Irish Self Portraits and Selected Works, 1900-2000 | 2000 | University of Ulster | ||
| Thomson J.R. | Artists Entertainment Network | 2000 | University College London | Fine Art Media | |
| MOWBRAY J | Artists Exhibiting at Roche Court | 2000 | University of Lincoln | ||
| McBride C | Artists Flags for Scotland, group exhibition of publicly sited works. | 1997 | Glasgow School of Art | Fine Art | |
| Davies P | Artists Studio Development | 1996 | University of Sunderland | Fine Art | |
| O'Brien K | Artists from Europe: Works from the Leeds European Find Art Symposium 1994 | 1994 | Leeds Metropolitan University | Visual Arts | |
| Great-Rex E | Artists working at Cone Editions Press | 1996 | University of East London | ||
| Bradac J | Artists' Book Fair | 1994 | The London Institute | Fine Art | |
| Rhodes E. | Artists' Film and Video Series | 1997 | University College London | Fine Art Media | |
| Leighton TM | Artists' Projects: Dundee Contemporary Arts 19/3/99-9/5/99 | 1999 | Manchester Metropolitan University | ||
| Thompson B | Artlanta | 1996 | University of Sunderland | Fine Art | |
| Lees - Maffei G | Artmanship and Craftistry: Practice, Gender, Hierarchy | 1999 | University of Hertfordshire | ||
| Skingle S | Artnet exhibition. 9 sculptures in modern builder's materials, based on the paintings of Wm. Larkin displayed at the Ranger's Ho. | 1999 | London Guildhall University | ||
| Davison R | Artnet: Four Artists Present New Work | 1999 | University of Gloucestershire | ||
| Townsend S | Arts Editor: Visual Arts | 1995 | The London Institute | Fine Art | |
| Ainsworth MD | Arts Fest '96 | 1996 | University of Ulster | ||
| Cosgrove P | Arts Festival of Atlanta: Art in Odd Places, group exhibition of publicly sited works | 1997 | Glasgow School of Art | Fine Art | |
| Stewart S | Arts and Crafts and the Purists; two contrasting approaches to design for the British fashion environment | 1998 | Glasgow School of Art | Design | |
| Taylor M | Arts at the Turret | 2000 | Bolton Institute of HE | ||
| SCOBIE L M | Artsbeast | 1995 | University of Dundee | Contemporary Practice | |
| Norman-Smith C | Artwood: an on-line multi-lingual glossary of art terms | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | Gillet D |
| Bickers P | As Others See Us: towards a history of recent art from Britain | 1997 | University of Westminster | Visual Media | |
| Heyer A | As for the Future | 2000 | The London Institute | Fine Art | |
| Carson JE | As it is | 2000 | The London Institute | Fine Art | |
| Gibbons J | Ascension | 1996 | University of Southampton | ||
| Stitt A | Asian Performance Series- Examination of emerging South East Asian Performance Art | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Docherty M | Aspects of Contemporary Art in Scotland | 2000 | Edinburgh College of Art | Fine Art | |
| Baurley SL | Aspects of Contemporary Japanese Textiles | 1997 | The London Institute | Fashion and Textiles | |
| Hancock L | Aspects of Landscape | 1999 | De Montfort University | ||
| Hancock L | Aspects of Landscapes | 1998 | De Montfort University | ||
| Steiner S | Aspects of the Rustic as Trope | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Oliver V | Aspesi Advertising Campaign | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Fagence Cooper S | Aspiring to the Condition of Music: Painting in Britain 1860-1900 | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Devison N | Assembly | 2000 | Anglia Polytechnic University | ||
| Kimbell RA | Assessing Technology: International trends in curriculum and assessment. | 1997 | Goldsmiths College | ||
| Carnduff T | Assessing a versioning system for collaborative engineering design with a bridge design experiment | 1999 | University of Wales Institute, Cardiff | PDR | I Santoyridis WA Gray |
| Saxton J | Assessment and Evaluation in Technology Education. | 1998 | Goldsmiths College | ||
| Oak A V | Assessment and understanding: an analysis of talk in the design education critique | 1998 | University College Northampton | Design for Industry and Commerce | |
| Bennis EM | Assessment of Cultural Distinctiveness | 1997 | Manchester Metropolitan University | ||
| Attridge GG | Assessment of a CRT Display System | 1996 | University of Westminster | Imaging Technology | Ford AM Jacobson RE |
| Ogawa S | Assymetric Cube | 2000 | Edinburgh College of Art | Fine Art | |
| STEWART C | Asylum | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | Inventories exhibition curated by Val Williams |
| Painter C | At Home with Art | 1999 | Wimbledon School of Art | Research Centre | Angela Bulloch Tony Cragg Richard Deacon |
| Painter C | At Home with Constable's Cornfield. | 1996 | Wimbledon School of Art | Research Centre | |
| Rooney P | At a Distance From (video). | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Stamp G | At once classical and picturesque, Alexander Thomson's Holmwood | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Verran V | At the edge: the new paintings of Virginia Verran | 1995 | The London Institute | Fine Art | |
| White K | Atlan : catalogue raisonn | 1996 | Edinburgh College of Art | Curatorial and Theoretical Research | Polieri, J |
| Seaton D | Atlantic Fusion | 1997 | University of Hertfordshire | ||
| Amado I | Atlantic Fusion | 1997 | University of Southampton | ||
| MACLEAN W J | Atlantic Messengers | 1998 | University of Dundee | Coastal/Indigenous Cultures | |
| Veness AD | Attendant | 1996 | University of Southampton | ||
| Poncelet J | Attending to the Barely Made | 2000 | The London Institute | 3-Dimensional and Environmental Design | Penelope Curtis |
| Shackleton J | Attention Points in Street Furniture Design | 2000 | Brunel University | Design Process | Hong Sang-Hee K Sugiyama M Watanbe |
| Magee JDM | Audi A2 Instrument Panel | 1999 | University of Ulster | GE Polymer Design Assoc | |
| QUINE M | Audiences for Live Theatre in Britain: the present situation and some implications | 2000 | City University | ||
| IRVINE Z | Audio Arts Magazine | 1995 | University of Dundee | Digital Technology | William Furlong |
| Furlong W | Audio Arts in Bregenz (1973-1998) | 1998 | Wimbledon School of Art | Research Centre | |
| Fallows C | Audio Research Editions | 1998 | Liverpool John Moores University | Audio-visual | |
| Smith N J | Audio Wireless Intercom Base Station | 1996 | University of Northumbria at Newcastle | ||
| Gaver W | Auditory interfaces | 1997 | Royal College of Art | Computer Related Design | |
| Bradley I | Audobon CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | Jason Taylor |
| EISENMANN M | Auerbachs Keller II (Paintings, Objects) | 1998 | University of Lincoln | ||
| Simpson J | Aurier, Symbolism and the Visual Arts | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Chapman R | Aurifiction and Aurifaction | 1999 | University of Huddersfield | Dr Jane Nicklin, Biologist, Birkbeck College Other staff at same institution |
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| ROSS A R | Aurora | 1999 | University of Dundee | Contemporary Practice | |
| Butler S | Aurum | 2000 | Royal College of Art | Critical Practice | |
| Butler SK | Aurum - A series of site specific works responding to the history of Harewood House | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Hatt C | Ausgew | 1994 | The London Institute | Fine Art | |
| Middlemiss J.M. | Ausstellung Exhibition: Keramion | 2000 | Falmouth College of Arts | ||
| Bowman S | Australia Dreaming: Australia Out to Dry | 2000 | University of East London | ||
| Burnett G | Australian Cultural Issues Redefined by Digitally Crafted Domestic Objects | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| BOYD-DAVIS S | Authoring and Design for the World Wide Web | 1998 | Middlesex University | M Tessier | |
| Seers L | Auto Cannibal | 1999 | De Montfort University | ||
| Hegarty FT | Auto Portrait #1 | 1999 | Sheffield Hallam University | ||
| Jefferies JK | Autobiographical Patterns 2 | 1999 | Goldsmiths College | ||
| Jackson B | Autograph Collection | 1999 | Royal College of Art | Design for Manufacture | |
| Barfield N | Autographic Halftoning for Artist-Printmakers | 1996 | Wimbledon School of Art | George Whale | |
| Young M | Automobile Automation | 1997 | Brunel University | Interaction Design | N Stanton |
| BLOUNT G.N. | Automotive body panel surface classification | 1998 | Coventry University | The Design Institute | WAGIMIN, D. JONES, R.M. |
| Lock G | Autoparts | 2000 | Chester College of HE | ||
| White K | Autour des Cahiers de Geopoetique | 1995 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Ayers A R | Axes Maceration - Perfect Impossible | 1999 | Nottingham Trent University | Visual Arts | Clare Roudenko-Bertin Materia Prima Paul-Armand Gette |
| OWEN P | B.O.N.G.0 | 1997 | University of Lincoln | ||
| Ingham K | BBC 2 The Late Show - Russell Celyn Jones | 1995 | Swansea Institute of Higher Education | Image and Text | |
| Slade-Brooking C. L. | BBC GARDENERS' WORLD MAGAZINE | 1994 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| HEALEY P | BEST CUB JOKES | 1999 | Middlesex University | ||
| BROADHEAD C | BODYSCAPE - SOLO RETROSPECTIVE [25 YEARS] EXHIBITION | 1999 | Middlesex University | ||
| Johanknecht S | BOP: Books, Objects Print | 2000 | The London Institute | Fine Art | |
| KIRKBY B | BOUDICCA - COLLECTION 2000 | 2000 | Middlesex University | ||
| KIRKBY B | BOUDICCA - COLLECTION 2001 | 2000 | Middlesex University | ||
| Hosie D | BP Portrait Award | 1996 | Edinburgh College of Art | Fine Art | |
| Aytoun Ellis M | BP Portrait Award | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Goodman G | BP Portrait Award 1997 | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| DEVANE J. | BP national portrait competition | 1995 | Coventry University | Visual Arts | |
| Rana M | BRICK | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| FORD L | BRITISH ART SHOW TOURING SURVEY EXHIBITION - GROUP EXHIBITION | 2000 | Middlesex University | ||
| Foster A. | BRITISH ARTISTS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Odundo M. A. | BRITISH KERAMIK / BRITISH CERAMICS.2000.DK | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Harrison D. M. | BRITISH QUILT EXHIBITION, JAPAN 2000 | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Millar L. | BRITISH TAPESTRY EXHIBITION | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Makem OM | BWD Rensburg Stock Brokers | 1998 | University of Ulster | ||
| Muthesius A. M. | BYZANTINE SILK WEAVING AD400 TO AD1200 | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Muthesius A. M. | BYZANTINE SILKS IN VIKING HANDS | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Worthington C | Baby Monthly | 1994 | London Guildhall University | ||
| Seymour R | Baby-G Watches | 1995 | Royal College of Art | Design for Manufacture | |
| ANDERSON M | Back From The Digital | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| Hunter M | Back to NYK: Baumert - Hoffman - Hunter | 1998 | Edinburgh College of Art | Fine Art | |
| TURNER J | Back to Source | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Kerr J | Back to the Future | 2000 | Royal College of Art | Architectural Design | |
| Pucill SA | Backcomb | 1997 | University of Westminster | Fine Art | |
| Goodden N | Backspace | 1998 | University of Gloucestershire | ||
| Smith K | Backspace. | 1998 | Goldsmiths College | ||
| Mladovsky J | Bad Boss (exhibition and publication). | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Szirtes, G. Miler, M. |
| Leake P K | Bad Dolly | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Jefferson, R |
| Shave T J | Bad Faith. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Deepwell C | Bad Girls? Feminist Identity Politics in the 1990's | 1997 | University of Ulster | ||
| Tchalenko J | Bad at Writing, Good at Drawing | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Simpson P | Baghdad Courtyard House | 1996 | Glasgow School of Art | Cities and Environments | R. Hanna |
| Thompson A | Bags O' Fun | 2000 | Brunel University | Design for Inclusion | |
| Alaka A | Baked Goods | 1997 | Brunel University | Design Process | |
| Smith M | Balance and Space: Ceramics 1976-1996 | 1997 | Royal College of Art | Applied Art | |
| Landry CR | Balancing Act: 21 strategic dilemmas in cultural policy | 1999 | The London Institute | Media and Communication | |
| Lees - Maffei G | Balancing the Object: The reinvention of Alessi | 1997 | University of Hertfordshire | ||
| Kelly C | Ballads | 2000 | The London Institute | Fine Art | |
| KELLY C | Ballads - Coisceim Dance Theatre | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Gardiner J | Ballard Point | 2000 | Bath Spa University College | ||
| Gardiner J | Ballard Point Exhibition | 2000 | Thames Valley University | Gardiner J | |
| Simpson J | Balzac and the Symbolist Cathedral | 1998 | Buckinghamshire Chilterns University College | Visual Arts | Farrant, Tim |
| Shipsides D | Bamboo Support | 2000 | University of Ulster | ||
| Kemp SWJ | Bandstand | 1998 | The London Institute | Media and Communication | |
| Blair N S P | Bang! Bang! Market Research: You're Dead | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Macbeth P A | Bank Holiday | 2000 | University of Huddersfield | Colin Higgins Samantha Kauffmann |
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| Renton A. | Bankside Browser | 1999 | University College London | Art History and Theoretical Studies | |
| Davidmann S | Bankside Browser | 1999 | Oxford Brookes University | Creative Practice | |
| De Ville N | Bankside and the Museum of Modern Art: Experience, Interpretation and Some Conventions. | 1999 | Goldsmiths College | ||
| Hardie G M | Banque Generale du Luxembourg | 2000 | University of Brighton | Visual Communication Design | |
| Robertson C | Barbara Rae Interactive Online Portfolio | 2000 | Wimbledon School of Art | Barbara Rae CBE DLitt RA Napier University, Edinburgh |
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| Dehn J | Barbie's Green Chair | 1996 | Kingston University | ||
| van Dooren D | Bareback | 1999 | The London Institute | Media and Communication | |
| Twyman M L | Baron Taylors voyages pittoresques et romantiques dans lancienne France | 1998 | University of Reading | ||
| FAITHFULL D R | Barox/Pieces of Silver | 2000 | University of Dundee | Contemporary Practice | Morning Star David Bellingham |
| Lewis A | Barriers between design and business strategy | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Atherton B | Barry Atherton Gicl | 1997 | Glasgow School of Art | Fine Art | |
| Whiteman P | Barry Humphries 'Dame Edna Dress' | 1999 | Wimbledon School of Art | Theatre costume | |
| Gingell J | Barry Job: The Barry phenomenon - gentrification, communication and the artist | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Dos Santos B. | Bartolomeu Dos Santos: Aquatintaradierungen und Aquarelle | 1998 | University College London | Fine Art Media | |
| Dos Santos B. | Bartolomeu Dos Santos: Entre Terra e Mar, Obras Recentes | 1998 | University College London | Fine Art Media | |
| Tozer J | Based on a True Story. | 1996 | Goldsmiths College | ||
| Scott G A | Basket Power and Market Forces: the Women's Co-operative Guild 1883-1920 | 1995 | University of Brighton | Design History, Criticism and Theory | |
| Schmidt E | Baumkreutz | 1994 | Oxford Brookes University | Social Sculpture Research Unit | Johannes Stuttgen Walter Dahn Felix Droese |
| Filmer N | Be-hind Be-fore Be-yond | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Astfalck J | Be.twikst | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Simcock M | Beading and Embriodery. Couture collection of scarves and stoles. | 1996 | University of Southampton | ||
| Raban W | Beating the Bridges | 1997 | The London Institute | Media and Communication | |
| Cooke CAC | Beauty as a route to 'the radiant future': responses of Soviet architecture | 1997 | Open University | Design thinking and communication | |
| Robinson H | Beauty, the universal, the divine: Irigaray's re-valuings | 1998 | University of Ulster | ||
| Newman HJE | Beck's Futures | 2000 | The London Institute | Fine Art | |
| Arnold E.M. | Beck's Futures | 2000 | University College London | Painting | |
| WILKES C | Becks Future | 1999 | University of Dundee | Contemporary Practice | Roderick Buchanan David Shrigley Martin Boyce |
| Wright E | Becks Futures | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Carter P | Become Like Me | 2000 | Edinburgh College of Art | Fine Art | |
| Hunter R | Become like me | 2000 | Edinburgh College of Art | Fine Art | |
| McKean J M L | Becoming an Architect in Europe between the wars | 1996 | University of Brighton | Design History, Criticism and Theory | |
| LOWE N | Bed | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Wright R | Bedhead | 1999 | Sheffield Hallam University | ||
| Toren A | Beeld + Basis | 1998 | University of Reading | Joseph Semah Till Velten Linda Cassens |
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| Bevan Baker R | Beelines | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cowie W S | Beethoven in Love | 1994 | University of Brighton | Visual and Performing Arts | E Aggiss E Bentley |
| Aggiss E | Beethoven in Love | 1994 | University of Brighton | Visual and Performing Arts | W Cowie - Composer B Bentley - Director |
| Wiltshire H | Before I Arrived | 1999 | Royal College of Art | Fine Art | |
| Arad R | Before and After Now | 2000 | Royal College of Art | Design for Manufacture | |
| Gibbons J | Beginning | 1995 | University of Southampton | ||
| Symons S | Behaviour Synthesis Architecture in Digital Installation | 1999 | Liverpool John Moores University | Audio-visual | |
| Stanton NA | Behavioural compensation by drivers of a simulator when using a vision enhancement system | 2000 | Brunel University | Interaction Design | M Pinto |
| SHEMILT E | Behind Appearance | 1997 | University of Dundee | Contemporary Practice | |
| Cobbold S | Behind Closed Doors | 1999 | Chester College of HE | ||
| Dumbar G | Behind the Seen | 1996 | Royal College of Art | Communications | |
| Higgins D J | Beighton 1998 | 1998 | Nottingham Trent University | Visual Arts | |
| Stanley N | Being Ourselves For You: the Global Display of Cultures | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Startup J | Bell | 2000 | Kingston University | ||
| Startup J | Bell Lamp; Gervasoni Collection | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Starkey P | Below the Salt - A critical discussion of the symposium on contemporary British saltglaze, 'Visions and Traditions,' Leeuwarden, Holland | 1997 | University of Wales Institute, Cardiff | Ceramics | N Upfold |
| Jain S | Below the Surface : New aesthetics in immersive experiences for trans cultural groups | 1997 | University of Portsmouth | Centre for New Media Research | |
| Lefteri C | Ben and Rosie's bunk bed | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Simpson M | Bench Paintings 1992-1995 | 1996 | Bath Spa University College | ||
| Vargo A | Benchmark Film Productions | 1997 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Vargo, V. |
| Masi D. | Berlin Suite: Ian Colverson and Denis Masi | 1999 | University College London | Fine Art Media | |
| Masi D | Berlin Suite: Ian Colverson and Denis Masi. | 1999 | Wimbledon School of Art | Ian Colverson | |
| Cohen B. | Bernard Cohen | 1999 | University College London | Painting | |
| Cohen B. | Bernard Cohen - Artist in Focus | 1995 | University College London | Painting | |
| Cohen B. | Bernard Cohen - Paintings of the Nineties | 1998 | University College London | Painting | |
| Cohen B. | Bernard Cohen: Thirty Five Years of Drawing | 1994 | University College London | Painting | |
| De Waal E | Bernard Leach | 1998 | University of Westminster | Ceramics | |
| Ichige Y | Berrnardo Giorgi E Yasu Ichige. | 1999 | Goldsmiths College | ||
| Robinson P I | Berwick Retex | 2000 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | Lievesley, M Cornford, J |
| OAKENFULL M | Beside the Seaside | 1998 | University of Lincoln | ||
| Porter M L | Best buy Ergonomic Products and The Anthropometry of theFingers of Children | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Bowen J.R. | Bestiary | 1999 | University College London | Painting | |
| Walsh R | Better After Death | 1997 | University of Newcastle | ||
| SLESS D. | Better information presentation: satisfying consumers? | 1996 | Coventry University | The Design Institute | |
| Jackson B | Betty Jackson Summer Collection 2000 | 2000 | Royal College of Art | Design for Manufacture | |
| Booth P.M. | Between East and West | 2000 | Falmouth College of Arts | ||
| Butler SK | Between Frames | 1996 | University of Wales Institute, Cardiff | Fine Art | S Sontag L Lippard L Mulvey |
| Coulter-Smith G | Between Marx and Derrida: Baudrillard, Art and Technology | 1997 | Southampton Institute | ||
| Green D | Between Object and Image | 1999 | University of Brighton | Fine Art Practices | |
| Padovani C | Between Sense and Place | 1997 | University of Southampton | ||
| Mitchell V | Between Sense and Place | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Putnam T J | Between Taste and Tradition: decorative order in the modern home | 1995 | University of Portsmouth | Memory, Identity and Material Culture | |
| HENDERSON K | Between the Eyebrows Evil Shaved | 1999 | University of Dundee | Contemporary Practice | John Armleder Yan Duyvendak Swetlana Heger |
| HENDERSON K | Between the Eyes Evil Shared | 1999 | University of Dundee | Contemporary Practice | Julie Henderson Alan Woods Christopher Chapman |
| Ginsborg M | Between the Leaves | 1995 | Wimbledon School of Art | Painting | |
| Dagg K | Between the Water | 2000 | Edinburgh College of Art | Fine Art | |
| Tisdall C | Beuys and the Celtic world | 1995 | Oxford Brookes University | Theory | |
| Sear H | Bewalse Einer Exisienz - Photographs | 1999 | University of Reading | Marcus Coates Anne Hardy Sophie Rickett |
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| Taylor S | Beware of the Dog | 1999 | Southampton Institute | ||
| Beavan J | Bewegung Europaische Keramik (Movement European Ceramics) | 1996 | Falmouth College of Arts | ||
| Sear H | Beweise einer Existenz | 1999 | The London Institute | Fine Art | |
| Cobbold S | Beyond | 2000 | Chester College of HE | ||
| Boys J | Beyond 'Point and Click': Making Teaching and Learning Really Interactive | 1999 | De Montfort University | ||
| OBRIEN T | Beyond Borders | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Bruce HJ | Beyond Boundaries: Contemporary Textiles by Ten Members of the '62 Group | 1998 | University of Ulster | ||
| GANGE J | Beyond Identity? - the Beyond in Beyond Japan | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by Juliet Steyn |
| Boys J | Beyond Maps and Metaphors: Re-thinking Architecture and Gender | 1998 | De Montfort University | ||
| Bright A | Beyond Material: The New Crafts of the 90s | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Margetts M | Beyond Material: new craft of the 1990s | 1998 | Royal College of Art | Applied Art | |
| Rodriguez J | Beyond Portrait Photography | 1999 | The London Institute | Media and Communication | |
| Boyle GA | Beyond Single Vision | 2000 | Open University | Design for sustainability | C Thomas D Wield |
| Ling M | Beyond Words Calligraphy exhibition | 1999 | University of Sunderland | Design | |
| Adams CG | Beyond the Borders | 1995 | University of Plymouth | Site, Space, Location, Place | |
| Kerr J | Beyond the Empire of the Signs | 2000 | Royal College of Art | Architectural Design | Fraser, M |
| Wilkinson M | Beyond the Fridge: Collaboration as a Paradigm for Innovation | 1999 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Sale R | Beyond the Fridge: Collaboration as a Paradigm for Innovation | 1999 | University of East London | M. Wilkinson | |
| Friend M | Beyond the Front Line | 1994 | The London Institute | Media and Communication | |
| Tabrizian M | Beyond the Limits | 2000 | University of Westminster | Visual Media | |
| Astles CA | Beyond the Mask | 1998 | University of Plymouth | Theatre + Performance | |
| Marrs R | Beyond the Millenium | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Gaver W | Beyond the Snapshot: From Speculation to Prototypes in Audiophotography | 2000 | Royal College of Art | Computer Related Design | Martin, H |
| Lancaster J | Beyond the Surface | 1994 | De Montfort University | ||
| Boyd S C | Beyond the WOW Factor. | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Cherry N | Beyond the Wire | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Wilkinson M | Beyond the fridge: a trans-sectoral collaborative partnership | 1999 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Moore D | Bias | 1998 | Edinburgh College of Art | Fine Art | |
| Oddy N | Bicycles | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Fairclough L. | Bicycling from Hong Kong to Tibet | 1997 | University College London | Fine Art Media | |
| Rihl LF | Biennale Internationale Design 1998 | 1998 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Ginsborg M | Biennale Internazionale dell' Arte Contemporanea, Firenze. | 1997 | Wimbledon School of Art | Painting | Sheila Girling Pasquale Celona Yvonne Schultz |
| James S | Biennial Outdoor Exhibition of Sculpture | 1997 | Wimbledon School of Art | Sculpture | Charles Hadcock John Maine Ed Allington |
| Flower T J | Big Skies, Art crossing the border | 2000 | University of Brighton | Natural and Constructed Environments | |
| Ward R | Bigg Market | 1997 | University of Sunderland | Fine Art | |
| Ribas X | Bilinguale und bikulturelle Konfliktivitat aus der Sicht des Fotografen | 1995 | University of Brighton | Natural and Constructed Environments | |
| Culbert W F | Bill Culbert | 1997 | University of Reading | ||
| Culbert W F | Bill Culbert: Incident in Marlowes Office | 1997 | University of Reading | ||
| Roberts J | Bill Woodrow: Fool's Gold | 1996 | University of Wolverhampton | Fine Art | |
| McKitterick J | Billy Doll | 1997 | Kingston University | ||
| McKitterick J | Billy Opens his Closet for LIFEbeat - exhibition /event | 1998 | Kingston University | ||
| Smith W | Billy the Conkeror | 1999 | University of Brighton | Visual Communication Design | |
| Harley K | Binary Propositions | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Grego P | Binary Propositions | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Crutchley R | Binary Propositions | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Mitchell J | Binocular | 1997 | University of Reading | Gareth Fisher | |
| FISHER G R | Binocular | 1997 | University of Dundee | Contemporary Practice | John Mitchell |
| MCARTHUR E C | Binocular: Gareth Fisher and John Mitchell | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Seymour R | Bioform Bra | 2000 | Royal College of Art | Design for Manufacture | |
| Montag D. | Bioglyphs: Art from Living Matter | 2000 | Falmouth College of Arts | ||
| Brown R | Biotica | 1999 | Royal College of Art | Computer Related Design | |
| Kaylan M | Bird in a Ribcage | 1994 | University of Brighton | Visual and Performing Arts | W Cowie E Aggiss |
| Lomax T. | Bird/Man | 1997 | University College London | Sculpture | |
| Knight K | Birdy | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Broadway G | Birmingham Frequencies | 1999 | University of Sunderland | Photography | Clark S Parkin M |
| Higgott AN | Birmingham: Building the Modern City | 2000 | University of East London | ||
| WALLER J.N. | Birth | 1997 | Coventry University | Visual Arts | |
| WALLER J.N. | Birth | 1998 | Coventry University | Visual Arts | |
| Marriott M | Biscuit | 2000 | Royal College of Art | Design for Manufacture | |
| Huth G | Bishop/Merrit Scholarship from Haystack Mountain School of Crafts and Research Grant | 1999 | Liverpool Hope | ||
| Turner J | BitBiz | 2000 | Liverpool John Moores University | International Centre for Digital Content | G Price |
| Price G | BitBiz | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Brisley S.J. | Black | 1996 | University College London | Fine Art Media | |
| Gussin GPG | Black Box Recorder | 2000 | The London Institute | Fine Art | |
| FAGEN G R | Black Box Recorder | 2000 | University of Dundee | Digital Technology | Doiuglas Gordon Graham Gussin Rachel Lowe |
| Dobai S | Black Box Recorder | 2000 | The London Institute | Fine Art | |
| DEAN MWJ | Black Box Recorder | 2000 | University of Oxford | ||
| von Weiler C | Black Box recorder: Video Art from Britain | 2000 | University of Gloucestershire | ||
| Bailey DA | Black Photography und Europa: Black Photographic Practices and Europe | 1997 | University of East London | ||
| VOSS R | Black and Blue | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| PAYNE M S | Black and White | 1999 | University of Dundee | Coastal/Indigenous Cultures | Casey Ginther Dawn Gavin |
| Eatock D | Black | Blank | 2000 | University of Brighton | Visual Communication Design | |
| Hollyhead B | Blackburn Rovers | 1998 | University of Brighton | Visual Communication Design | |
| Rome R | Blackstone River North | 1999 | Royal College of Art | Fine Art | |
| McNiven A | Bleibe | 2000 | Edinburgh College of Art | Fine Art | |
| Smith JA | Blight | 1996 | University of East London | ||
| Smith J | Blight | 1997 | The London Institute | Media and Communication | composer, Jocelyn Pook |
| Buchler P | Blind Spot | 1998 | Manchester Metropolitan University | ||
| Harrison MF | Blonde Bombshells | 1999 | Manchester Metropolitan University | ||
| COOKE R | Blood on the Floor | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| de La Hamayde S | Blowtorch | 2000 | De Montfort University | ||
| WENTWORTH R | Blue | 2000 | University of Oxford | ||
| Lalic M | Blue | 2000 | Bath Spa University College | Albers, J. Hirst, D. Picasso, P. |
|
| Thompson E | Blue - Themed Inaugural Exhibition | 2000 | De Montfort University | ||
| Hodkinson J | Blue Artreach Touring Exhibition | 1996 | University of Central Lancashire | ||
| CATTRELL A | Blue Chamber | 2000 | University of Oxford | ||
| Roy I B | Blue Horizons: Images from a Golden Age of Travel | 1999 | University of Brighton | Natural and Constructed Environments | D Patterson M McQueen |
| FILLINGHAM P | Blue Installation | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| Head T.D. | Blue Skies | 1997 | University College London | Fine Art Media | |
| Buckley J | Blue Velvet | 1998 | Robert Gordon University | Practices enabled through New Media Technology | Hamlyn, J. |
| Neudecker M | Blue. Borrowed and New. An examination of the colour blue in art | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Harrison P | Boat | 1998 | University of Wolverhampton | Fine Art | John Wood |
| Gant N | Bobo - Inspiration | 1999 | University of Brighton | Materials Practices and Processes | T Dean |
| MEY K | Bodies of Substance | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | Doris Berger Val Welsh Sarah Wilson |
| Brisley S.J. | Body Performance | 1995 | University College London | Fine Art Media | |
| McKitterick J | Body Rap Collection Autumn/Winter 1994 | 1994 | Kingston University | ||
| Bougourd J | Body Scanners in the Clothing Industry | 2000 | The London Institute | Fashion and Textiles | Ian Dewar, Managing Director, CAD for CAD |
| Randall-Page P | Body and Soul | 1996 | Dartington College of Arts | ||
| Gibbons J | Body and Soul | 1996 | University of Southampton | ||
| HAVERS A.J. | Body icons | 2000 | Coventry University | Visual Arts | |
| MacLennan AM | Body of (D)Earth | 1997 | University of Ulster | ||
| Whalley S | Bodysnatchers | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| STEWART C | Bomb Blast | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Beazley S | Bonded interior fabrics for Christian Fischbacher | 1999 | University of Southampton | ||
| Simpson J | Bonnard and the Graphic Arts | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Noble I | Book design | 1996 | The London Institute | Media and Communication | |
| Noble I | Book design | 1997 | The London Institute | Media and Communication | |
| Noble I | Book design | 1996 | The London Institute | Media and Communication | |
| Biggs S | Book of Shadows | 1996 | Sheffield Hallam University | ||
| HOLDEN J | Book-Out of Control | 1997 | University of Lincoln | ||
| HOLDEN J | Book: Surface: Contemporary Photographic Practice | 1996 | University of Lincoln | ||
| Spanyol J | Bookcase | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hamlyn J | Bookends | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Hamlyn J | Bookends, publicly sited commission | 1998 | Glasgow School of Art | Fine Art | |
| Goodden N | Books as Art | 1998 | University of Gloucestershire | ||
| Kelly D | Books by Artists | 2000 | Wimbledon School of Art | Sarah Bodman | |
| BODMAN S | Books by Artists | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| Phillpot C | Bookworks et Cetera | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Arad R | Bookworm | 1996 | Royal College of Art | Design for Manufacture | |
| VAN KOTEN H H | Bop, halogen table lamp | 1997 | University of Dundee | Industry and the Public Sector | Ian Carnduff |
| Tillotson E | Border Axis | 2000 | University of Sunderland | Fine Art | |
| Thompson B | Border Axis | 2000 | University of Sunderland | Fine Art | |
| Walker A J | Borderlands | 1999 | Wimbledon School of Art | ||
| Simpson P | Borderlands | 1999 | University of Hertfordshire | ||
| Beauchamp PM | Borders - An exploration of the cultural territories of Croatia and Wales | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Shepherd D | Borders - Site-specific installation responding to Scott Harbour, Cardiff | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| McCaughey P | Borrowed Light, solo exhibition of publicly sited works | 1996 | Glasgow School of Art | Cities and Environments | Stephen Skrynka |
| Robertson GD | Bothwell Evangelical Church Scotland. | 1996 | Glasgow School of Art | Design | |
| Noszlopy G | Botticelli's 'Pallas and the Centaur: An Aspect of the Revival of Late-Antique and Trecento Exegetic Allegory in the Medici Circle | 1994 | University of Central England in Birmingham | Art Education Research Group | |
| Quickenden K | Boulton and Fothergill's bullion supplies for assay silver | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| BODMAN S | Bound to Happen | 1996 | University of West of England, Bristol | Centre for Fine Print Research | |
| Wilson K | Bournville Lecture, Leaning Rail, Puddle | 1999 | University of Westminster | Fine Art | |
| Mitchell J | Box Project | 2000 | University of Reading | Phyllida Barlow Ron Haselden Richard Wentworth |
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| Oxley Nici | Box Project: a collection of small format (A5) boxes that have been `customised' by invited artists, curators, critics and performers. | 2000 | London Guildhall University | ||
| Jardine B | Box and Cox | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Chandler D | Boxer: an anthology of writing on boxing and visual culture | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| McDade S | Boxes | 1997 | Southampton Institute | ||
| Anderson P | Boy | 1996 | Kingston University | ||
| Lochore B | Brad Lochore Paintings | 1998 | The London Institute | Fine Art | |
| Zeegan L I | Brain Box | 2000 | University of Brighton | Visual Communication Design | |
| Pavitt J | Brand.New | 2000 | University of Brighton | Visual Communication Design | G Williams |
| Douglas M | Branded Furniture | 1999 | Brunel University | Polymedia Design | |
| Emery S | Branding for Alex Reece, Island Records/Polygram | 1996 | University of Brighton | Visual Communication Design | R Bonner Morgan |
| Mee JM | Bras - A Twentieth Century Phenomenon? | 2000 | De Montfort University | ||
| McKenzie R | Brave New Worlds, archival exhibition | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Christian Hermansen |
| Amado I | Bread Matters | 2000 | University of Southampton | ||
| Throp M | Bread Matters. | 2000 | Goldsmiths College | ||
| GUILD D | Bread Paintings | 2000 | University of Dundee | Contemporary Practice | |
| Lansley E | Breaking Boundaries | 1995 | University of Brighton | Natural and Constructed Environments | |
| Wormald PW | Breaking Down Barriers to Undergraduate Design Students' Creativity and their Understanding of Product Meaning | 1999 | Loughborough University | Design Research | McDonagh-Philip, D.C. |
| Sale R | Breaking down the Barriers | 1999 | University of East London | ||
| Richards A. | Breaking into Waves | 1996 | The Surrey Institute of Art + Design University College | ||
| FISHER G R | Breath Poems | 1997 | University of Dundee | Contemporary Practice | Giovanni Tamburelli |
| Lansley E | Breathe | 1997 | University of Brighton | Natural and Constructed Environments | |
| Beban B | Breda Beban + Hrvoje Horvatic (1958-1997) - retrospective | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Chalkley BD | Brian Dawn Chalkley | 1999 | The London Institute | Fine Art | |
| Falconbridge BW | Brian Falconbridge: Sculpture and Drawings. | 1996 | Goldsmiths College | ||
| Stofer H | Brick | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Francis M | Brick Lane | 1995 | University of Brighton | Memory, Identity and History | |
| Elson J | Bricklayers mortar board and stand | 2000 | Kingston University | ||
| Clark D J | Bridge 2000-1 | 2000 | Bolton Institute of HE | ||
| Weileder W | Bridges | 1998 | University of Newcastle | ||
| Walker A J | Bridges | 1997 | Wimbledon School of Art | Kei Ito Seiji Okumiya Tokumi Ayzen |
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| Riley B | Bridget Riley: Paintings from the 1960's and 70's | 1999 | De Montfort University | ||
| Riley B | Bridget Riley: Reconnaissance | 2000 | De Montfort University | ||
| Riley B | Bridget Riley: Selected Paintings 1961-1999 | 2000 | De Montfort University | ||
| Ross White M | Bridging Cultures | 1995 | Bath Spa University College | ||
| Dolphin Wilding J | Bridging the Gap (Ha-Ha!) Thanksgiving Banquet | 2000 | Kingston University | ||
| Lowe B. | Brighid Lowe | 1999 | University College London | Fine Art Media | |
| Gallaccio A | Brilliant: New Art From London | 1995 | The London Institute | Fine Art | |
| McGraw M | Brisbane Artists, Books and Multiples, group exhibiton | 1998 | Glasgow School of Art | Fine Art | |
| Woodham J M | Britain Can Make It and the History of DesignThe Politics of Persuasion: State Industry and Good Design at the Britain Can Make It ExhibitionPutting the Industrial into Design: Early Problems Facing the Council of Industrial Design | 1997 | University of Brighton | Design History, Criticism and Theory | |
| Penney W | Britain Meets the Bay | 1997 | University of Ulster | ||
| SAUNDERS R. | Britax / contour business class seat | 1997 | Coventry University | Design | HORROCKS, L. GRANADAS, R. |
| Thompson V | British Airports Authority - commissioned design and build | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Belton EK | British Airways Collection | 1999 | The London Institute | Fine Art | |
| Wolff M | British Airways Plc - commissioned redesign of visual identity and marketing | 1997 | The London Institute | Media and Communication | |
| COOMBS D | British Art | 2000 | University of Oxford | ||
| Poncelet J | British Art Now 5 | 1999 | The London Institute | 3-Dimensional and Environmental Design | Pippa Coles Matthew Higgs |
| Lochore B | British Art Part II - Paintings | 2000 | The London Institute | Fine Art | |
| Finn-Kelcey R | British Art Show 4 | 1996 | The London Institute | Fine Art | |
| Nelson M | British Art Show 5 | 2000 | The London Institute | Fine Art | |
| Illner A A | British Art and Design Festival | 1998 | University of Hertfordshire | ||
| Bainbridge E | British Art from the 1980s and 1990s from the Weltkunst Collection. | 1995 | University of Sunderland | Fine Art | |
| Curtis D | British Avant Garde Film 1920 -1975 | 1998 | The London Institute | Media and Communication | |
| Pearson L.F | British Breweries: an Architectural History | 2000 | University of Wolverhampton | Ceramics | |
| Eastman K | British Ceramics 2000 - dk | 2000 | Glasgow School of Art | The Decorative Arts | |
| McNicoll C | British Ceramics 2000.dk | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Brownsword N | British Ceramics DK 2000 | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| JUPP M | British Ceramics.2000.dk | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| COOKE R | British Contemporary Printmakers | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Black H | British Contemporary Sculpture, Drawings and Models | 1999 | Wimbledon School of Art | Sculpture | Peter Burke Michael Sandle Keir Smith |
| Shaw L T | British Council - Creative Mission To Tokyo Japan | 2000 | Nottingham Trent University | Design | |
| Munro S | British Designers: From Monarchy to Anarchy | 2000 | Kingston University | ||
| Rees DD | British Designers: From Monarchy to Anarchy | 2000 | The London Institute | Fashion and Textiles | Simon Munro |
| Jaray T. | British Embassy Forecourt, Moscow | 1999 | University College London | Painting | |
| KING D.A. | British Figurative Art | 1998 | Coventry University | Visual Arts | CARO, A. KING, P. PAOLOZZI, E. |
| de Cordova D | British Figurative Art- Part Two: Sculpture | 1998 | Wimbledon School of Art | Sculpture | Anthony Green Anthony Caro Eduardo Paolozzi |
| Williams G | British Figurative Art: Part Two - Sculpture | 1998 | Royal College of Art | Fine Art | |
| De Cordova D | British Figurative Art: Part Two - Sculpture | 1998 | Royal College of Art | Fine Art | |
| McConachie A | British Glass | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cross S | British Gold - Italian Gold | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Rana M | British Jewellery | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Illner A A | British Jewellery in Berlin | 2000 | University of Hertfordshire | ||
| Delano A | British Journalists | 1998 | The London Institute | Media and Communication | John Henningham |
| Lord J | British Myths and Legends | 1998 | University of Brighton | Visual Communication Design | |
| WOOD T | British Portraits | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| Setterington L | British Quilt Exhibition Japan 2000 | 2000 | Manchester Metropolitan University | ||
| Rolph D | British School at Rome | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hollins WJ | British Standards Institute BS7000 Part 1 | 1999 | Brunel University | Design Pedagogy | |
| Kirk C | British Studio Glass | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Hurtado R | British Weather Attracts Strange Visitors. | 1999 | Goldsmiths College | Feo, R. Santos, F. |
|
| Denison L | British and European Design Group | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Yasuda T | Britisk Keramik : British Ceramics.2000.dk | 2000 | University of Ulster | ||
| Guthrie K | Broadcast | 1999 | University of Central England in Birmingham | Fine Art Research Group | Nina Pope |
| Richards BGR | Broadfield House Glass Museum | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Nicol K | Brocade fabric for Matthew Williamson, Autumn/Winter 1999 | 1999 | Royal College of Art | Design for Manufacture | |
| Hardie G M | Broken Books | 1997 | University of Brighton | Visual Communication Design | |
| Petrie K | Brompton Head and Meatdish. | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Soroka J | Bronfman Award Recipients from BritishColumbia and their Commonwealth Colleagues | 1994 | Edinburgh College of Art | Fine Art | |
| Sandle M | Bronze | 2000 | De Montfort University | ||
| Burton A | Bronze | 2000 | University of Newcastle | ||
| Williams G | Bronze 2000 exhibitions | 2000 | Royal College of Art | Fine Art | |
| Davies J | Bronze: Contemporary British Sculpture | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Boylan A | Brooch and Tie Pin | 1998 | University of Ulster | ||
| Degen J | Brooch in stainless steel with 4 multi-anodized titanium panels (75mm.x75mm.x7mm.) | 1999 | London Guildhall University | ||
| Clark S | Brood | 1998 | Edinburgh College of Art | Fine Art | |
| FLACK S R | Brother 52 | 1997 | University of Dundee | Digital Technology | |
| Bonnell M | Brought to Book | 1995 | Bath Spa University College | Jarman, D. Beattie, B. Hamilton-Finlay, I. |
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| Renton A. | Browser | 1997 | University College London | Art History and Theoretical Studies | |
| Craighead AM | BrowserArchaeology | 2000 | University of Westminster | Fine Art | |
| McLean P.B. | Bruce McLean | 1998 | University College London | Fine Art Media | |
| McLean P.B. | Bruce McLean, Works 1969-1999 | 2000 | University College London | Painting | |
| Russell B | Bruce Russell: Recent Paintings | 1995 | Kingston University | ||
| Russell B | Bruce Russell: Recent Paintings | 1997 | Kingston University | ||
| Russell B | Bruce Russell: Recent Paintings | 1998 | Kingston University | ||
| Clarke L | Brundy | 2000 | De Montfort University | ||
| MANLEY B | Bryn Manley - There are Places I Remember | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Foster N | Bubble Reef | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Taylor |
| Paxon A | Bubbleicious: Contemporary British Plastic Jewellery: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Mallet L | Bucks Peasants, volume one + Peasant Sandwich | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| ROBINSON M | Building | 1998 | Middlesex University | A Deakin A Fifield |
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| Snaebjornsdottir B | Building A Balcony, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Macinnes R | Building A Nation. The Story of Scotland | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Miles Glendinning Angus MacKechnie |
| Lee RA | Building Better Humans | 1995 | Oxford Brookes University | Creative Practice | |
| Walker S F | Building bridges: multilingual resources for children | 1995 | University of Reading | V. Edwards | |
| SLESS D. | Building the bridge across the years and disciplines | 1998 | Coventry University | The Design Institute | |
| MACKENNA T | Bulk, Tracy Mackenna | 1997 | University of Dundee | Contemporary Practice | |
| Rolph D | Bureau de Change | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Power M | Buren/Neighbours | 2000 | University of Brighton | Memory, Identity and History | |
| Owen M | Burial | 1999 | Southampton Institute | ||
| Gunn J | Burning Bright | 2000 | Wimbledon School of Art | Theatre Design | Alison Peebles Andrew Poppy |
| Elson J | Bus Stops | 1995 | Kingston University | ||
| BLOUNT G.N. | Business model approach: design 'versus' economic considerations for automotive recycling | 2000 | Coventry University | The Design Institute | HARRISON, L.A.J. |
| Lesdema E | Butchery By Light | 1999 | Southampton Institute | ||
| Mullen C W | Butterflies in the Stomach | 2000 | University of Brighton | Visual Communication Design | |
| Palmer R | Buttock + Tongue, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Wyman A | Button Up | 2000 | Cumbria College of Art + Design | ||
| Cowan ER | By Design: Urban Design in the Planning System: Towards Better Practice | 2000 | De Montfort University | Campbell, K. | |
| Biddulph JC | By The Way | 1998 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Coldwell P | By This I Mean | 1999 | The London Institute | Fine Art | |
| Murray V | By the Way | 1999 | University of Central Lancashire | ||
| Adamson E | C A Exposicion | 1995 | Edinburgh College of Art | Fine Art | |
| Cocks MJA | C'AD Infinitum | 1998 | The London Institute | Fashion and Textiles | |
| Trowles P | C. R Mackintosh: The European Connection | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Harris TJ | C.Net 2000 | 1999 | Brunel University | ||
| Sinclair R | CAD Infinitum. | 1998 | Goldsmiths College | ||
| Waddell G | CAD for Clothing and Textiles | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Hodgson AR | CAD/CAM Accelerator | 1999 | Loughborough University | Design Education | Bates, D.J. |
| Hodgson AR | CAD/CAM Achiever | 2000 | Loughborough University | Design Education | Bates, D.J. |
| Gray S | CAD/CAM in Clothing and Textiles | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Singh G | CADE 1999 International Conference | 1999 | University of Sunderland | Design | |
| Jackman J | CALM Project Sculptures | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| McClelland B | CCC Camera | 1996 | University of Ulster | ||
| Punt M | CD ROM: Radical Nostalgia? | 1995 | University of Wales College, Newport | CAiiA | |
| DAVY M | CDAK Communication Design Association of Korea | 2000 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| Odundo M. A. | CERAMIC GESTURES - NEW VESSELS BY MAGDALENE ODUNDO | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Whitehead B. | CHILDREN'S TOTAL CARE TOOTHPASTE | 1997 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| CHELL E | CHORA | 1999 | Kent Institute of Art + Design | ||
| CURRAN M | CLOSING CLOSE/BY | 2000 | Middlesex University | ||
| Hastings M | CM9 CoverMaster | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| EVELEIGH A | COASTING ALONG | 1998 | Middlesex University | ||
| Maudsley N | COMA: 12 minute digital film. | 1999 | London Guildhall University | ||
| Campany D. | CONCEPTUAL ART HISTORY OR, A HOME FOR HOMES FOR AMERICA | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| ASTBURY P | CONTEMPORARY BRITISH CERAMICS - GROUP EXHIBITION | 2000 | Middlesex University | ||
| Follen S. | CONTOURS | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Henshaw J. G. | COVER DESIGNS: ANNUAL PROSPECTUS, CONCERT DIARY AND PROMOTIONAL MATERIAL | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Kerbel J | CRASH! Corporatism and Complicity | 1999 | Kingston University | ||
| WRIGHT J | CROCK | 1998 | Middlesex University | ||
| Quinn J | CRUDLET | 2000 | University of Westminster | Hypermedia | |
| Cakin AS | CUDE: Clients and Users in Design Education | 1999 | De Montfort University | ||
| Alexander G | Cabaret Mechanical Movement - Understanding Movement and Making Automata. | 1998 | Wimbledon School of Art | Theatre technical arts | Aidan Lawrence Onn |
| Katz J | Cactus EnvironmentMan Looking to Sea | 1994 | University of Brighton | Fine Art Practices | |
| Giles K W | Cadaverous Caverns: Shelley and Serrano | 1998 | University of Sunderland | Photography | |
| Veness AD | Caf | 1995 | University of Southampton | ||
| Edge S | Cafe Ikon for Ikon Gallery | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | K. Singh for Deacon Edge |
| Crowley G | Cagnes sur Mer International Festival of Painting | 1995 | Royal College of Art | Fine Art | |
| Lawrence E | Calanais | 1995 | Edinburgh College of Art | Fine Art | |
| Sykas PA | Calico Catalogues: Nineteenth-Century Printed Dress Fabrics from Pattern Books | 1999 | Manchester Metropolitan University | ||
| Malem W | Calissa knitwear Spring - Summer 1996 collection | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Eatock D | Call for Entries... A feature article without content | 2000 | University of Brighton | Visual Communication Design | |
| Ling M | Calligraphy and Lettering Arts Society (CLAS) | 2000 | University of Sunderland | Design | |
| Innes C | Callum Innes, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Innes C | Callum Innes, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Innes C | Callum Innes: Watercolours, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| MacGregor B | Calum Colvin's Sacred and Profane | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Emery S | Camden Mix | 1997 | University of Brighton | Visual Communication Design | R Morgan I Wright |
| Birdsey CL | Camera Work | 1998 | University of Westminster | Imaging Technology | Triantaphillidou S Golding A Jacobson RE |
| Sonnabend Y. | Camino Real | 1997 | University College London | Theatre Design | |
| Rushton E | Campaign | 2000 | Falmouth College of Arts | ||
| Crow D | Campaign for Digital Disarmament | 2000 | Liverpool John Moores University | Graphic Arts | J Hitchen J Young M O'Shaugnessy |
| Bicknell J | Campi di Oscillazione | 2000 | Leeds Metropolitan University | Visual Arts | |
| Brown SC | Campus Re-engineering | 2000 | De Montfort University | ||
| Ashley-Smith J | Can high productivity be productive? | 1997 | Royal College of Art | Conservation | Hillyer, L |
| Mabb D | Canada Seen from a Great Height | 1999 | Goldsmiths College | ||
| Kerr S | Canal | 1998 | Bolton Institute of HE | ||
| Rowe M | Candelabra | 1994 | Royal College of Art | Applied Art | |
| Rowe D | Cano restaurant chair | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waugh A | Cantaloupe Bar and Grill | 1997 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Hansbro BP | Canterbury From the East | 1995 | University of Southampton | ||
| BURFORD N | Cantilever Support and Erectable Structures | 2000 | University of Dundee | Industry and the Public Sector | Smith, F W |
| Smith T | Capital | 1995 | University of Gloucestershire | ||
| Unger G | Capitolium | 1998 | University of Reading | ||
| Fox S | Capsule Collection for The Jerwood Fashion Prize | 1999 | The London Institute | Fashion and Textiles | |
| Huth G | Capture of Europa | 1999 | Liverpool Hope | ||
| Simpson P | Captured Exhibition Installation | 1995 | Glasgow School of Art | Cities and Environments | Nicola Atkinson-Griffith |
| Saunders S | Car Design (Ariel Atom) | 1999 | University of Plymouth | Design + Innovation | |
| Elwes C | Car Park | 1998 | The London Institute | Fine Art | Pierre d'Avoine |
| Saunders S | Car body design (Alfa Romeo) | 1997 | University of Plymouth | Design + Innovation | |
| Saunders S | Car design (Mini) | 1996 | University of Plymouth | Design + Innovation | |
| Garfoot S | Carafe No. 21 and 'Blue Wing' wine glass' | 1996 | University of Wolverhampton | Glass | |
| Lintern D | Carbon Miranda | 1996 | Wimbledon School of Art | Theatre Design | Robert Young Theatre Pod Mehmet Ergen |
| MACLEAN W J | Cardinal Points | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| Creed C | Cardiology Across Europe, | 1996 | University of Portsmouth | Centre for New Media Research | Dr P Newland C Golya |
| BELL S. | Care and repair of antiques and collectables | 1997 | Coventry University | Design | WAINWRIGHT, J. MILLER, J. ALLEN, G.E. |
| Thompson V | Caribbean Heritage Project Commission - commissioned project design and strategic plan | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| COLLINS N | Caring for the Instrumentalist in Automatic Orchestration | 2000 | Middlesex University | ||
| SCHEIN F. | Carl von Linne, or the art of looking (Universitet subway station) | 1998 | Coventry University | Visual Arts | WRETMAN, F. REITER, B. RIBEIRO, M.J. |
| von Weiler C | Carl von Weiler | 1998 | University of Gloucestershire | ||
| von Weiler C | Carl von Weiler | 2000 | University of Gloucestershire | ||
| Horn D | Carmen + Madam Butterfly | 1999 | Wimbledon School of Art | Theatre Design | |
| Prowse P. | Carmina Burana | 1995 | University College London | Theatre Design | |
| Horn D | Carnaby Street | 1997 | Wimbledon School of Art | Theatre Design | |
| Doherty WJ | Carnegie International 1999/2000 | 1999 | University of Ulster | ||
| Inglis J | Carnival | 1994 | University of Central England in Birmingham | Fine Art Research Group | |
| Jeffries N.F. | Carnivalesque | 2000 | University College London | Painting | |
| Rhodes C | Carol Rhodes, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Robertson C | Carol Robertson - New Paintings | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Hodgson C | Carole Hodgson: Sculpture and Works on Paper | 1999 | Kingston University | ||
| De Lannoy C. | Caroline De Lannoy | 2000 | University College London | Painting | |
| Atkinson A | Carribbean (ceramic tableware) | 1997 | Loughborough University | Fine and Applied Arts | |
| Karakashian S | Carrier Exhibition | 2000 | University of Hertfordshire | ||
| Roberts M | Carrier. | 2000 | Goldsmiths College | ||
| Mukherjee R | Carrier. | 2000 | Goldsmiths College | Roberts, M. | |
| Bestley R | Carrion Culture - Consuming Cultures Carcass | 1997 | The London Institute | Media and Communication | |
| Clarke S R I | Carrion Culture Poster Set-1 | 1996 | University of Portsmouth | Centre for Images in Practice | S Cleaver R Simms T Credland |
| Speed S | Cartographic Arrest: Harvey, Raleigh, Drayton and the Mapping of Sense | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Walker I | Caryatid | 1998 | University of Wales College, Newport | Photography | |
| Allen K.F | Case Histories | 2000 | Wimbledon School of Art | Painting | Kei Ito Jenny Meredeth Marcus Rowlands |
| Stewart S | Case Study 1 Crosmyloof Resource Centre | 1999 | Glasgow School of Art | Design | R Pollock |
| Gillham W | Case Study Research Methods | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Frampton RJ | Case reports of possible noise trauma after inflation of air bags in low speed car crashes | 1999 | Loughborough University | Design Ergonomics | Buckley, G. Setchfield, N. |
| BLOUNT G.N. | Case-based prosthetic socket design | 2000 | Coventry University | The Design Institute | VINNEY, J. .E. NOROOZI, S. SEWELL, P. |
| HOLLAND C.C. | Casket | 2000 | Coventry University | Visual Arts | DUNCAN, T. |
| Pucill SA | Cast | 2000 | University of Westminster | Fine Art | |
| Pennell JD | Cast | 2000 | The London Institute | Fine Art | |
| Chowdhary LC | Cast Clay Modules | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Hoek K. | Cast and Casting | 2000 | University College London | Fine Art Media | |
| Rieser M | Castle Park: Public Art in Practice | 2000 | Napier University | Photographic Practice | Swingler, S Price, D |
| Dakers CN | Castles in the Air: Philip Webb's rejected commission for the Earl and Countess of Airlie | 2000 | The London Institute | Fashion and Textiles | |
| Holt RB | Castles in the air from B+Q to Homecare (sub title - Big Frieze) | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Throp M | Catalogue essay | 1999 | Goldsmiths College | ||
| Starkey P | Catalogue for Exhibition 'Songs in Salt' | 1997 | University of Wales Institute, Cardiff | Ceramics | M Canon J Hamlyn P Meanley |
| FORBES R | Catalogue of Disasters and Other Paintings | 1997 | University of Dundee | Contemporary Practice | |
| Bodimeade N | Catchcrop | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| CARR R J M B | Catching up with Sottsass | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Yass CM | Catherine Yass | 2000 | The London Institute | Fine Art | |
| Swales V | Catherine Yass: Portraits, | 1996 | University of Portsmouth | Centre for Creative Empowerment | L Moran, Exhibitions Officer, Aspex VisualArts Tru |
| Strowbridge B | Caucasian Chalk Circle | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Dalwood D | Caught painting exhibition | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Calcutt J | Causing Scenes - John Calcutt on Graham Fagen | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Prowse P. | Cavalcade | 1999 | University College London | Theatre Design | |
| Johnson Soliz CA | Cecile Johnson Soliz - Concept: Heat | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Chaimowicz M C | Celebration? Realife Revisted | 2000 | University of Reading | ||
| Gray C | Celestial Navigator | 1997 | Robert Gordon University | Culturally Responsive Practices | |
| Yass CM | Cell | 1999 | The London Institute | Fine Art | |
| Palmer R | Cell, solo exhibiton | 2000 | Glasgow School of Art | Fine Art | |
| HARVEY V. | Cellnet commission | 1998 | Coventry University | Visual Arts | |
| Hunter J | Celtic Connection | 1998 | Edinburgh College of Art | Fine Art | |
| Moore D | Celtic Connections | 1998 | Edinburgh College of Art | Fine Art | |
| Howes J C | Celtic Exchange | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| CHARNLEY C | Cement Mixer with Roses | 1998 | University of Lincoln | ||
| Richardson R | Censorship Communications | 1996 | De Montfort University | ||
| HOLLAND C.C. | Centenary mace | 1998 | Coventry University | Visual Arts | |
| Lewis M | Centrale and After (Made For TV) | 1999 | The London Institute | Fine Art | |
| Smith N J | Centrum - Spinal Positioning System for Surgery | 1998 | University of Northumbria at Newcastle | Nassor, R | |
| Colbeck J | Ceramic Arts | 1995 | University of Brighton | Materials Practices and Processes | |
| Bunnell K | Ceramic Designer/Maker: Ceramic Design Innovation Through New Technology. | 1996 | Falmouth College of Arts | ||
| Mitchell C | Ceramic Focus Exhibition | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Chowdhary LC | Ceramic Frieze | 1998 | The London Institute | 3-Dimensional and Environmental Design | Ian Bilbey |
| Bugg R | Ceramic Millenium, Amsterdam Galleries Exhibitions. | 1999 | Wimbledon School of Art | Sculpture | Nick Renshaw Irene Vonk Netty Van Den Heuval |
| Ogden S | Ceramic Porcelain Reliquary | 1998 | Cumbria College of Art + Design | ||
| James JP | Ceramic Sculpture. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chowdhary LC | Ceramic tiled interior | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Scott DT | Ceramics | 1998 | Loughborough University | Fine and Applied Arts | |
| Jones J | Ceramics Contemporaries 3 - Ceramics in Education | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| SCOBIE L M | Ceramics Monthly International Competition | 1999 | University of Dundee | Contemporary Practice | Jim Koudelka Mikang im Jeanne Opgenhaffen |
| BELL R | Ceramics Monthly International Competition | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Scott PC | Ceramics and Print | 1994 | University of Newcastle | ||
| Dahn J | Ceramics as Performance | 1999 | Bath Spa University College | ||
| Lees N | Ceramics from Wales | 1998 | Bath Spa University College | Keeler, W. Curneen, C. Hall, M. |
|
| KEELER W | Ceramics in Space | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| De Waal E | Ceramics: A Design Sourcebook | 1999 | University of Westminster | Ceramics | |
| Colbeck J | Ceramique Demarches Paralleles | 1995 | University of Brighton | Materials Practices and Processes | |
| Ashworth J | Ceremony of Innocence | 1997 | Royal College of Art | Animation | |
| Davies T | Certain Welsh Artists | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Jones GP | Certain Welsh Artists - Custodial Aesthetics in Contemporary Welsh Art | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Davies TDE | Certain Welsh Artists - Custodial Aesthetics in Contemporary Welsh Art | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Rirsch R | Chain-of-office for a Middle Eastern Kingdom in white/yellow gold, with enamelled motifs, set with 400 gemstones (diamonds, rubies + emeralds) | 1997 | London Guildhall University | ||
| Stehli J | Chair 1999/8. | 2000 | Goldsmiths College | ||
| Hogan E | Chairs and Shadows | 1999 | Wimbledon School of Art | Painting | |
| Robertson GD | Challenge House | 2000 | Glasgow School of Art | Design | |
| Hooper R | Challenge V : International Lathe Turned Objects | 1994 | Liverpool Hope | ||
| Brown SC | Challenge and Change in a Traditional Setting | 2000 | De Montfort University | ||
| Bailey S | Challenger range of floodlighting AL 5700 and AL 5900 | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Brown M | Challenging Homelessness; a participatory media project | 2000 | University of Ulster | ||
| Quick C | Champion | 1997 | University of Central Lancashire | ||
| Crumplin C | Chance Choice and Irony | 1994 | Bath Spa University College | Adams, M. Frize, B. Lasker, J. |
|
| Maudsley N | Chance Encounter 7 minute computer animation based around the body and the representation of sexuality. Distributed by LondonElectronic Arts, Lux Center, Hoxton Square, London | 1997 | London Guildhall University | ||
| de La Haye A | Chanel: The Couturiere at Work | 1994 | The London Institute | Fashion and Textiles | Shelley Tobin |
| Egan K | Change | 1997 | Manchester Metropolitan University | ||
| Jones RM | Changes in Regional Employment in the UK Clothing Industry, 1971-1991 | 1996 | Manchester Metropolitan University | ||
| Doust R | Changing Faces, A Decade at The Royal National Theatre | 1997 | The London Institute | Media and Communication | |
| Swift J | Changing Fortunes - The Birmingham School of Art Building 1880-1995 | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Hunter S | Changing Perspectives | 1997 | Edinburgh College of Art | Fine Art | |
| Newbury D | Changing Practices: Art Education and Popular Visual Culture | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Goetz L | Changing Rooms | 2000 | University of Sunderland | Fine Art | |
| Wilson A | Changing Wind | 1995 | University of Brighton | Materials Practices and Processes | |
| Merali S | Channels, Echoes and Empty Chairs | 1996 | University of Westminster | Fine Art | |
| Mellor D | Chantal Joffe and Dawn Mellor | 1997 | Royal College of Art | Fine Art | |
| Dinsmore-Tuli U | Chaos, order and plastic boxes: the significance of videotapes for the people who collect them. | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Mitchell S | Chapter One of Pushkin's 'Eugene Onegin' in Modern Poetry in Translation, Summer 1997 | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Vaughan S | Charactere womenswear collection | 1996 | The London Institute | Fashion and Textiles | Suesan Faulkner Design studio |
| Evans P | Characterisation of Offset Lithographic Films using Micro-electronic Test Structures | 1999 | Brunel University | Environmentally Sensitive Design | B Ramsey Walton A J D Harrison |
| Attridge GG | Characteristics of CRT Monitors for the Display of Still Images | 1996 | University of Westminster | Imaging Technology | Ford AM Jacobson RE |
| PROUD P T | Charcoal Lattice | 2000 | University of Dundee | Contemporary Practice | Jonathan Robertson |
| ROBERTSON J A | Charcoal Making in Thailand | 1999 | University of Dundee | Digital Technology | |
| Rawson G | Charles Heath Wilson, Missionary of Art | 2000 | Glasgow School of Art | Historical and Critical Enquiry | George Fairfull Smith Sally Rush |
| Van Dooren I | Charles Peace, der Fall und die Filme | 1997 | University of Brighton | 20th Century Design and Film Archives | |
| Trowles P | Charles Rennie Mackintosh | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Hiroki Kimura |
| Aylin KL | Charles Rennie Mackintosh: Art, Architecture and Design | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| McKean J M L | Charles Rennie Mackintosh: Architect, Artist, Icon | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Trowles P | Charles Rennie Mackintosh: The Italian Connection | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stiven C | Charles Stiven | 1999 | Edinburgh College of Art | Fine Art | |
| Stiven C | Charles Stiven | 2000 | Edinburgh College of Art | Fine Art | |
| Lawrence E | Chart | 1999 | Edinburgh College of Art | Fine Art | |
| Chapman J | Chaucer- Life and Times | 1996 | The London Institute | Media and Communication | Martin Clarke |
| Tibbs B | Checklist | 1999 | Kingston University | ||
| Gallacher A | Checknote | 1998 | Glasgow School of Art | Design | |
| Bolton JS | Checkout Bag Dispensing System (Boxless Pinch Pull) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Ramond P | Chefs d'Oeuvre Marqueteurs: des origines a Louis XIV | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Ramond P | Chefs d'Oeuvre des Maraqueteurs: marqueteurs d'exception | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Ramond P | Chefs d'Oeuvre des Marqueteurs: de la Regence a nos jours | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Cruz J | Chekhov Wall Drawings. | 2000 | Goldsmiths College | ||
| THOMPSON K. | Chelsea craft fair | 2000 | Coventry University | Visual Arts | ADAM, J. STOYEL, J. WILDING, J.D. |
| Connearn D | Cheltenham Drawing Open | 2000 | Edinburgh College of Art | Fine Art | |
| Woodfine S | Cheltenham Open Drawing | 1998 | Wimbledon School of Art | Sculpture | David Connearn Judy Inglis Alison Harper |
| Stephens JR | Cheltenham Open Drawing 1977 Group exhibition | 1997 | Chester College of HE | ||
| Manley DJ | Cheltenham Open Drawing 1997. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Smith A | Cheltenham Open Drawing Exhibition | 1998 | University of Gloucestershire | ||
| Simpson M | Cheltenham Open Drawing Exhibition | 2000 | Bath Spa University College | Harris, J. Cooper, E. Connearn, D. |
|
| Rosenbloom P | Cheltenham Open Drawing Exhibition | 1999 | University of Gloucestershire | ||
| Wright L. | Cheltenham Open Drawing Exhibition 2000 | 2000 | Falmouth College of Arts | ||
| Thomas P | Cheltenham Open Drawing Exhibition 2000 | 2000 | University of Gloucestershire | ||
| DEVANE J. | Cheltenham open drawing exhibition | 1998 | Coventry University | Visual Arts | INGLIS, J. ROSENBLOOM, P. JONES, W. |
| Jones SEG | Chesterfield Starfield | 2000 | The London Institute | Media and Communication | |
| Smith L | Chests for Treasure | 1996 | Robert Gordon University | Making and Contemporary Culture | |
| Rhodes NA | Chiemsee Two | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Dillon J | Child's floor seat | 2000 | Royal College of Art | Design for Manufacture | |
| Cornford M R | Childhood's End | 2000 | University of Wolverhampton | Fine Art | David Cross |
| Willmoth S P J | Childhoods End - Cornford and Cross | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Sneddon S G | Children | 2000 | Sheffield Hallam University | ||
| MOAR M | Children's Creation of Shared 3D Worlds | 2000 | Middlesex University | F Bailey | |
| Machin D | Children's Demon TV - Reality, Freedom, Panic: Children's Discussion of the Demon Headmaster | 1999 | The London Institute | Media and Communication | Maire Messenger Davies |
| Batey J C | Children's Rights Visualised, website | 1999 | University of Portsmouth | Centre for Images in Practice | Maureen O'Neill |
| SHEMILT E | Chimera | 1998 | University of Dundee | Digital Technology | Stephen Partridge |
| PARTRIDGE S | Chimera | 1998 | University of Dundee | Digital Technology | Elaine Shemilt |
| Dickie P | Chimes at Midnight - Chichester | 1998 | Wimbledon School of Art | Theatre costume | |
| Rodrigues CA | Chinatown and Nose-Room. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Wood ND | Chinese Glazes - Their Origins, Chemistry and Recreation | 1999 | University of Westminster | Ceramics | |
| Mitchell I | Chinese Whispers | 2000 | Liverpool John Moores University | Graphic Arts | Erik van Blokland ,The Hague, Netherlands Tobias Frere-Jones ,Hoefler Type, USA Yaki Mokho, Vital, Tel Aviv, Israel |
| Poston D | Chini Ya Mwembe | 1999 | Loughborough University | Fine and Applied Arts | |
| Sheridan T | Chocolate Acrobats | 1995 | The London Institute | Fine Art | |
| Barnett P | Chohreh Feyzdjou | 1998 | Goldsmiths College | ||
| GUILD D | Choice Bread | 1997 | University of Dundee | Contemporary Practice | |
| Davies TDE | Chora | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Davies T | Chora | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Ofili C | Chris Ofili | 1998 | Royal College of Art | Fine Art | |
| Adjaye D | Chris Ofili House and Studio | 1999 | Royal College of Art | Architectural Design | |
| Tangye HR | Christian Dior | 1998 | The London Institute | Fashion and Textiles | |
| Borland C | Christine Borland, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Boshier C | Christine Boshier | 1995 | University of Newcastle | ||
| Ashworth J | Christmas on BBC1 Campaign | 1996 | Royal College of Art | Animation | |
| Batchelor D | Chromophobia | 2000 | Royal College of Art | Critical Practice | |
| Le Grice M | Chronos Fragmented and The Chronos Project | 1997 | The London Institute | Media and Communication | |
| Sayers P C | Chronos ein-Tag. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Withers R | Chuck Close | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Sara Arrhenius John Peter Nilsson Lars Bang Larson |
| Rhodes NA | Chunk | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Nash D JE | Chwarel Goed / Wood Quarry | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Sonnabend Y. | Cinderella | 1997 | University College London | Theatre Design | |
| Sargeant J | Cinema Contra Cinema: The Collected Essays of Jack Sargeant | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| McMullen K | Cinq Plus Un: Une Saison de Six films par Ken McMullen | 1997 | The London Institute | Media and Communication | |
| Chaimowicz M C | Cinq Propositions, Marc Camille Chaimowicz | 2000 | University of Reading | ||
| Carrick C R | Circuit Ouvert | 1996 | The London Institute | Fine Art | |
| PARRAMAN C | Circular Walk | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| Willmoth S P J | Circumnavigation: the poetics of exploration in the work of Ana Maria Pacheco. | 1994 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Seddon P J | Circumstantial Evidence | 1996 | University of Brighton | Memory, Identity and History | D Green |
| Gernand B | Cire Perdue Retrouvee | 1998 | The London Institute | Fine Art | |
| Hancock L | Cirque du Soleil | 1994 | De Montfort University | ||
| Fraser D | Cisti Nua | 1996 | University of Ulster | ||
| Boylan A | Cisti Nua: New Treasures | 1996 | University of Ulster | ||
| Cooke CAC | Cities of socialism: technology and ideology in the Soviet Union of the 1920s | 2000 | Open University | Design thinking and communication | |
| Hagan SK | Cities of the field: Cyberspace and urban space | 2000 | University of East London | ||
| Minott P | Citigroup | 2000 | Bath Spa University College | Jones, J. | |
| Wolff M | Citigroup Inc. - commissioned design and worldwide branding | 2000 | The London Institute | Media and Communication | |
| Miles MFR | City Cultures Reader | 2000 | University of Plymouth | Art Process | |
| Murray V | City Mapping Hull | 2000 | University of Central Lancashire | ||
| Biddulph JC | City Mapping: Hull | 2000 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Eccleston T | City Provoked: Flinders Street Station, solo exhibition of publicly sited works | 1997 | Glasgow School of Art | Cities and Environments | |
| OWEN P | City Racing as one of six artists run organisations | 1997 | University of Lincoln | ||
| Aiken J.C. | City as Shape | 1999 | University College London | Sculpture | |
| MCGILVRAY R | City of Aberdeen Public Art Programme - City Centre Study - Report and Exhibition | 1995 | University of Dundee | Industry and the Public Sector | |
| Dos Santos B. | City of Macau Museum | 1997 | University College London | Fine Art Media | |
| Baker-Brown D | CityVision | 1994 | University of Brighton | Natural and Constructed Environments | I McKay |
| Martina T | Citybites | 1997 | University College Northampton | Fine Art Practices | |
| Colson R | Cityscapes: A one man exhibition at the Solomon Gallery, Dublin, containing a survey of his paintings of Paris, New York, Dublin and London | 1997 | Thames Valley University | Colson R | |
| Taylor S | Classifications I and II. | 1997 | Goldsmiths College | ||
| Lintern D | Classifieds | 2000 | Wimbledon School of Art | Theatre Design | |
| Meyrick R K | Claudia Williams | 2000 | University of Wales, Aberystwyth | ||
| Friend M | Claustrophobia | 1998 | The London Institute | Media and Communication | |
| Goldsworthy A C | Clay Hole | 1997 | University of Hertfordshire | ||
| Goldsworthy A C | Clay Wall/Slate Walls | 1998 | University of Hertfordshire | ||
| HOMOKY N | Clay into Art: group exhibition | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| Scott DT | Clays and glazes in studio ceramics | 1999 | Loughborough University | Fine and Applied Arts | |
| Beauchamp PM | Clean Slate | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| St George A | Clear English | 1996 | De Montfort University | St George, F. | |
| Pattani S | Clear Perspectives. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Luna P F | Clearly defined: continuity and innovation in the typography of English dictionaries | 2000 | University of Reading | ||
| Kirwan R | Clem Crosby, Sybille Berger, Richard Kirwan. | 2000 | Goldsmiths College | ||
| Porter M | Cliffs and Coastlines | 2000 | Falmouth College of Arts | ||
| Brownsword N | Close - Last in the 3Up Series | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Cummins S | Close To Home | 1998 | Nottingham Trent University | Visual Arts | Sonia Boyce Rachael Evans Elisa Sighicelli |
| Head T.D. | Close Up | 2000 | University College London | Fine Art Media | |
| Chapman J | Close Up West | 1996 | The London Institute | Media and Communication | |
| Whittaker E | Close to Home | 1998 | Bath Spa University College | Hale, M. Harloud, B. Muske, E. |
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| MUSKE E | Close to Home | 1998 | University of Lincoln | ||
| Allan J | Closing the Loop: Some Proposals for Effective Delivery of History and Theory to Studio Students | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| You L.H. | Cloth Deformation Modelling Using a Plate Bending Model. | 1999 | Bournemouth University | Zhang, J.J. Comninos, P. |
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| Setterington L | Cloths of Gold | 1998 | Manchester Metropolitan University | ||
| Blake Q | Clown | 1995 | Royal College of Art | Communications | |
| Casey B | Cock a doodle | 1996 | University of Central Lancashire | ||
| Fox A | Cockroach Diary | 1999 | Royal College of Art | Fine Art | |
| Fox A | Cockroach Diary | 1999 | The London Institute | Fine Art | Richard Billingham |
| Shackleton J | Cognitive categorisation in Japanese recreational vehicle design (2) | 1996 | Brunel University | Design Process | S Kazou W Makoto |
| Shackleton J | Cognitive categorisation in Japanese recreational vehicle design (3) | 1996 | Brunel University | Design Process | K Sugiyama M Watanbe |
| Martinec R | Cohesion in Action | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Stewart C | Coil | 1999 | De Montfort University | ||
| Emery S | Coil | 1998 | University of Brighton | Visual Communication Design | R B Morgan |
| Crumplin C | Colin Crumplin | 1998 | Bath Spa University College | ||
| Crumplin C | Colin Crumplin Paintings 1990-1997 | 1997 | Bath Spa University College | ||
| Smith C | Colin Smith Paintings (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Smith C | Colin Smith Paintings (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Smith C | Colin Smith Recent Paintings (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Clarke P | Collaboration - a project by Pete Clarke + Georg Gartz | 2000 | University of Central Lancashire | Georg Gartz | |
| Taylor F | Collaborations into the 21st Century - British Art Now x 2 | 1999 | The London Institute | Fine Art | |
| Wilkinson M | Collaborative Envisioning - A Strategy for Future Innovation | 2000 | University College Northampton | Design for Industry and Commerce | Sale, R |
| Sale R | Collaborative Envisioning - a strategy for future innovation | 2000 | University of East London | Wilkinson, M. | |
| Rowe D | Collaborative Furniture Projects at BIAD | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Worrall P | Collaborative Textile Collection. Taiwan Textile Federation | 1995 | Liverpool John Moores University | Fashion and Textiles | |
| HEATHCOTE S C | Collaborative industrial product development for Shirin Guild, Fashion Designer, London | 2000 | University of Dundee | Contemporary Practice | Shirin Guild Esk Valley Knitwear Co Ltd |
| Brennan G | Collectanea (a collection of passages) | 1998 | Edinburgh College of Art | Fine Art | |
| Kimbell RA | Collected Research Papers for the Design + Technology International Millennium Conference 2000. | 2000 | Goldsmiths College | ||
| Millar RI | Collection 2000: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Miles JR | Collection for autumn/winter 1999/2000 | 1998 | University of Southampton | ||
| Miles JR | Collection for autumn/winter 1999/2000 | 1998 | University of Southampton | ||
| Miles JR | Collection for spring/summer 1998 | 1997 | University of Southampton | ||
| Miles JR | Collection for spring/summer 2000 | 1999 | University of Southampton | ||
| Ednie JL | Collection of 6 handwoven dobby fabrics for Calvin Klein, New York | 1998 | University of Southampton | ||
| Worrall P | Collection of Fabrics for Focus | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Worrall P | Collection of Handstitched Fabrics | 1999 | Liverpool John Moores University | Fashion and Textiles | |
| Filmer N | Collection of Jewellery by Naomi Filmer | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Ednie JL | Collection of computer assisted Jacquard fabrics for Braghenti (division of Ratti Spa) | 2000 | University of Southampton | ||
| Ednie JL | Collection of computer assisted Jacquard fabrics for Braghenti (division of Ratti Spa) | 2000 | University of Southampton | ||
| Marriott M | Collection of designs for SCP 1996-2000 | 1996 | Royal College of Art | Design for Manufacture | |
| Swan A | Collection of drapery fabrics | 1998 | The London Institute | Fashion and Textiles | |
| Swan A | Collection of fabrics | 2000 | The London Institute | Fashion and Textiles | Annette Poulton |
| Thrower S | Collection of printed textile designs for Stork, Netherlands | 1999 | University of Southampton | ||
| Yates M | Collection of printed textile designs. | 1999 | University of Southampton | ||
| Gilroy D | Collection of womens shoes for All Saints | 1999 | University of Southampton | ||
| Gilroy D | Collection of womens shoes for Office | 1998 | University of Southampton | ||
| Gilroy D | Collection of womenswear for Jones | 1999 | University of Southampton | ||
| Gilroy D | Collection of womenswear for Jones | 1998 | University of Southampton | ||
| Ashton P C | Collective Action for Design Learning. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Conekin BE | Colloquium on Exhibiting Britain: An historical, comparative examination of the 1851, 1951 and Millennium Exhibitions | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Allen L | Colonial Fantasies: Virtual Spaces and Digital Femininities | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Chalkley BD | Colony Room Club Show, 50th Anniversary, Art Exhibition 1948-1998 | 1998 | The London Institute | Fine Art | |
| Furneaux P | Colores de Unextrano Otono | 1995 | Edinburgh College of Art | Fine Art | |
| Johnson A | Colour Management in Graphic Arts and Publishing | 1996 | The London Institute | Media and Communication | |
| PATTISON J | Colour Maps | 2000 | University of Dundee | Contemporary Practice | |
| Johnson A | Colour Measurement - Does it Meet the Needs of the Printing and Publishing Industries | 1998 | The London Institute | Media and Communication | |
| WATSON A J | Colour Printer's Hat | 1998 | University of Dundee | Contemporary Practice | McCulloch, I Daniels, H Howard, I |
| Kirwan R | Colour Reproduction of Painting | 1996 | Goldsmiths College | ||
| Kalkhof P | Colour and Space (Farbe und Raum) | 1994 | University of Reading | ||
| HOMOKY N | Colour and Fire: defining moments in studio ceramics 1950-2000 | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Johnston C | Colour and Textiles trends for Womenswear | 1994 | Royal College of Art | Design for Manufacture | |
| Vaughan S | Colour palettes for Italian yarn company, Filpucci | 1997 | The London Institute | Fashion and Textiles | Suesan Faulkner Design studio |
| Turner D | Colour photographs | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| PAYNE M S | Colourwave | 1996 | University of Dundee | Coastal/Indigenous Cultures | |
| Singh G | Combining Pedagogy with technology - multimedia for Children | 2000 | University of Sunderland | Design | |
| Page ME | Combining physical, physiological and subjective data in the evaluation of product usability, in: P.W.Jordan (ed), Usability Evaluation in Industry | 1996 | Loughborough University | Design Ergonomics | Galer, I.A. |
| Kelly C | Comedy of Errors | 2000 | The London Institute | Fine Art | |
| KELLY C | Comedy of Errors | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Great-Rex E | Comic Group Show | 1998 | University of East London | ||
| Sabin RJ | Comics As Culture | 1999 | The London Institute | Media and Communication | |
| Sabin RJ | Comics, Comix and Graphic Novels | 1996 | The London Institute | Media and Communication | |
| Morris R | Coming into Focus | 2000 | Brunel University | Polymedia Design | |
| Stonyer A | Coming to our Senses | 2000 | University of Gloucestershire | ||
| Spittler U | Coming to terms with the past: Reconstructing the Berlin Wall | 2000 | University of Brighton | Memory, Identity and History | G Knischewski |
| Howell AM | Commentary on Klein | 1995 | The London Institute | Fine Art | |
| Connearn D | Commission | 1997 | Edinburgh College of Art | Fine Art | |
| Cousens C | Commission - 3 necklaces | 1996 | University of Brighton | Natural and Constructed Environments | |
| Davey G | Commission by Public Art Development Trust for the Newcastle Drawdock, Isle of Dogs, London | 1996 | University of East London | EDAW | |
| Cobbold S | Commission, permanent exhibition | 1999 | Chester College of HE | ||
| Woodman J | Commission: Vision of Lincoln Exhibition: Poetry of Place | 1996 | Cumbria College of Art + Design | ||
| Brotherston W | Commissioned sculptures | 2000 | Edinburgh College of Art | Fine Art | |
| McCarthy P | Commissioned work/Solo Exhibition. | 1997 | University of Derby | Research Group for Artists Publications | |
| McDonald G | Common Complaints | 1998 | Southampton Institute | ||
| McDonald G | Common Complaints | 1998 | Southampton Institute | ||
| Campbell D | Common Culture | 2000 | Staffordshire University | ARi, School of Art + Design | Paul Rooney Mark Durden |
| Rooney P | Common Culture: Counter Culture | 1999 | Staffordshire University | ARi, School of Art + Design | D. Campbell M. Durden |
| Campbell D | Common Culture: Counter Culture | 1999 | Staffordshire University | ARi, School of Art + Design | Paul Rooney Mark Durden |
| Cairns J | Common Ground | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Romans PA | Common Law | 1999 | The London Institute | Media and Communication | |
| Downes G H | Commune: Klaus Osterwald and Stephanie James | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| McComish L | Communication | 1998 | University of Ulster | Adele Crothers | |
| Garner SW | Communication in design | 1996 | Open University | Design thinking and communication | M.A. Evans |
| Mladovsky J | Communism | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Brindley TS | Community Roles in Urban Regeneration: New Partnerships on London's South Bank | 2000 | De Montfort University | ||
| Brown M | Community Voices | 1995 | University of Ulster | Kesang Penchen Kumari Sanden |
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| CHEVSKA ME | Company: Maria Chevska | 1999 | University of Oxford | ||
| Tebby S | Comparative Analytical Drawings and Methods of Construction for some Circular Mosaics in the Roman Empire | 1997 | De Montfort University | ||
| FEIST A. | Comparing the performing arts in Britain, the US and Germany: making the most of secondary data | 1998 | City University | ||
| Ure J | Competitiveness Through Networked Collaboration (Competitividad a Taves de la Cooperacion Online) | 1999 | Robert Gordon University | Learning Strategies | |
| Hague J A | Competitiveness and Management Organisation in Textiles and Clothing SMEs: A Guide To Change | 1998 | Nottingham Trent University | Fashion and Textiles | J. McLellan |
| Magee JDM | Complete Front End/Rear End Body Work (Plastics) | 1998 | University of Ulster | ||
| Brown C | Complete W Somerset Maugham | 1998 | Liverpool John Moores University | Graphic Arts | |
| Johnson JH | Complexity Science for the Design of Swarm Robot Control Systems | 2000 | Open University | Design for advanced products | M. Sugisaka |
| Sandino L | Complexity and Ambiguity: The Ceramics of Alison Britton | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Demaid APA | Composing and combining complex designs from different project perspectives | 1996 | Open University | Design and innovation management | J. Zucker |
| Cameron AJ | Composition Station | 2000 | University of Westminster | Hypermedia | |
| Kennett CP | Compromise, conflation and contextualism in English music(ology) | 2000 | University of Westminster | Sound Media | |
| Thomson G | Computer Aided Calligraphy 1 | 2000 | Cumbria College of Art + Design | ||
| Thomson G | Computer Aided Calligraphy 2 | 2000 | Cumbria College of Art + Design | ||
| Saunders S | Computer Aided Design and Styling Tools in Automotive Design | 1996 | University of Plymouth | Design + Innovation | C.S. Porter |
| Hardaker CH | Computer Aided Designers? A Study of Garment Designers' Attitudes Towards Computer Aided Design | 1995 | De Montfort University | Fozzard, G.J. | |
| Adams BC | Computer Technology in Designer Maker Practice | 1996 | University of Plymouth | Centre for Visual Computing | Woolner, M. Polletti, H. |
| Rose C J | Computer Use by Artists and Designers: Some perspectives on two design traditions | 1997 | University of Brighton | Pedagogic Research | C Beardon S Gollifer S Worden |
| Gollifer S C | Computer Use by Artists and Designers: Some perspectives on two design traditions | 1997 | University of Brighton | Pedagogic Research | C Beardon C Rose S Worden |
| Thomson G | Computer aided calligraphy: Where write isn't wrong | 1999 | Cumbria College of Art + Design | ||
| Porter JM | Computer aided design and human models, in: Karwowski, W. and Marras, W. (eds), Handbook of Occupational Ergonomics | 1999 | Loughborough University | Design Ergonomics | Case, K. Freer, M. |
| Durling D L | Computer aided instruction using styles. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| De Quin R | Computer engraved + folded shallow metal tray in gilding metal with gold leaf | 1996 | London Guildhall University | ||
| Beardon CE | Computer use by artists and designers: some perspectives on two design traditions. | 1997 | University of Plymouth | Centre for Visual Computing | Gollifer, S. Rose, C. Worden, S. |
| BLOUNT G.N. | Computerised blank shape prediction for sheet metal components having doubly-curved surfaces | 1995 | Coventry University | The Design Institute | FISHER, B. |
| Whalley S | Computers and Printmaking | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Barfield N | Computers and Printmaking | 1999 | Wimbledon School of Art | Richard Hamilton Kathy Prendergast Grenville Davey |
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| Beardon CE | Computers and networks in the age of globalisation. | 2000 | University of Plymouth | Centre for Visual Computing | Rasmussen, L B Munari, S |
| Barber AJ | Computers as the Sole Design Tool | 1997 | Glasgow School of Art | Educational Theory and Practice | R. Hanna, R. Qaqish |
| Maccallum C | Computers in Architecture at the Mackintosh School of Architecture | 1998 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Diggle J | Computers in Art and Design Education (CADE) 1997 CD Rom | 1998 | Robert Gordon University | Learning Strategies | |
| Anderson P | Concept Investigation Into Head-Mounted Displays. Confidential Report | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| TOVEY M.J. | Concept design and sketch mapping | 1999 | Coventry University | The Design Institute | HARRIS, G.J. |
| HUTTON G | Concepts and Material Associations in the Work of Gigon Guyer | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Charles Rattray |
| Corke C | Concepts, Contexts and Creativity : an Emerging Language of Interactivity | 1996 | Liverpool John Moores University | International Centre for Digital Content | |
| Johanknecht S | Concerning Memory | 2000 | The London Institute | Fine Art | |
| Rideal M.E.C. | Concerning the Photo-Booth | 2000 | University College London | Painting | |
| King M | Concerning the Spiritual in 20th Century Art + Science | 1998 | London Guildhall University | ||
| Howard P | Concierto Barroco | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Demaid APA | Concurrent design | 1997 | Open University | Design and innovation management | C. Eckert |
| Harrison DJ | Conductive Lithographic Films | 1996 | Brunel University | Environmentally Sensitive Design | B Ramsey P Evans |
| Swallow SS | Conductive Textile | 2000 | Brunel University | Design for Inclusion | |
| Thompson A | Conductive Textiles/Fabrics Pressure Sensor | 2000 | Brunel University | Design for Inclusion | S Swallow J Burkitt |
| Jain S | Conference Presentation animation design | 1998 | University of Portsmouth | Centre for New Media Research | |
| Batey J C | Confidence, Artist's Book | 1999 | University of Portsmouth | Centre for Images in Practice | |
| de Cordova D | Confluence | 1995 | Wimbledon School of Art | Sculpture | Katherine MacCarthy Anne Marie Watkins Brian McCann |
| McCann B | Confluence | 1995 | Kingston University | ||
| De Cordova D | Confluence | 1995 | Royal College of Art | Fine Art | |
| Welsford A | Connections | 1996 | De Montfort University | ||
| Fleming K | Connections | 1998 | University of Ulster | ||
| Castle J | Connections | 2000 | University of Gloucestershire | ||
| Downes G H | Connections: Drawing in Art and Design | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Boorman, H. Rohr, D. Smith, K. |
| Green L | Connections: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | |
| Orta L | Connector Sector 1 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Kelly C | Conor Kelly | 1999 | The London Institute | Fine Art | |
| Howes J C | Conservation Crop | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Cummings A | Conservation and restoration of a portrait of Earl of Warwick | 1996 | Royal College of Art | Conservation | |
| Kaner J | Conservation and restoration of furniture from the Victoria + Albert Museum | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Rose C J | Conservation by Design | 1994 | University of Brighton | Materials Practices and Processes | |
| Buck L | Conservation of Modern Materials in Twentieth Century Furniture | 1998 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Kaner J | Conservation of Twentieth Century Furniture from Brighton Art Gallery + Museum | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Sinden AA | Conservatory | 1997 | University of East London | Lulu Quinn Ian Bourn George Saxon |
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| Quinn L | Conservatory | 1997 | Sheffield Hallam University | ||
| SAXON G | Conservatory - 'A Place For Tender Things' | 1997 | University of Lincoln | ||
| Kaner J | Conserving Early Plastics Found in Historic Furniture: an investigation into their history and manufacture | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Steiner S | Consolation Prize; Mike Kelley: The Use-Value of Irony or Sexual Revoloution the Monkish Way' / John Miller: Game Show Pastoral | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Watt DS | Consolidation and Repair of Standing Ruins: Medieval Churches in Norfolk - Parts I + II | 1996 | De Montfort University | ||
| Fozzard GJ | Constraint Based Reactive Rescheduling in a Stochastic Enviroment | 1997 | De Montfort University | Spragg, J. Tyler, D. |
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| Martinec R | Construction of Identity in Michael Jacksons Jam | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Bestley R | Consultancy | 1998 | The London Institute | Media and Communication | |
| Parry J | Consument Art 99, Kunstmarkt: Original-Druckgraphik aus Glasgow, group exhibition. | 1999 | Glasgow School of Art | Fine Art | |
| Page ME | Consumer products - more by accident than design? In: Dr. Neville Stanton (ed), Human Factors in Consumer Products | 1998 | Loughborough University | Design Ergonomics | |
| Page ME | Consumers and self assembly products - problems and solutions | 1997 | Loughborough University | Design Ergonomics | Haines, V.J. Grant, R.H. Clift, L. |
| Jordan J | Consuming Desire | 1999 | Sheffield Hallam University | ||
| BARR S | Contemplation | 2000 | University of Dundee | Contemporary Practice | Teena Ramsay |
| McGoldrick R | Contemplative graphite grey human scale sculpture (6 | 1997 | London Guildhall University | ||
| Williamson R | Contemporary Applied Arts - 50 Years of Craft | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Davies TDE | Contemporary Art From Wales - An examination of contemporary, conceptually based art | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Davies T | Contemporary Art from Wales - An examination of contemporary, conceptually based art | 1998 | Swansea Institute of Higher Education | Land and Landscape | |
| Chesterman J | Contemporary Arts Society Group Exhibition | 2000 | Leeds Metropolitan University | Visual Arts | |
| Stewart S | Contemporary Barrier Free Living in Scotland | 1996 | Glasgow School of Art | Design | A Page |
| Grimes O | Contemporary British Graphic Fine Artists | 1996 | The London Institute | Fine Art | |
| Setch T | Contemporary British Landscape | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Buck J | Contemporary British Sculpture | 2000 | Southampton Institute | ||
| ten Hompel S | Contemporary British Silver | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Hearn K | Contemporary Decorative Arts | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Hearn K | Contemporary Decorative Arts | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Huth G | Contemporary Decorative Arts Exhibition at Sotherby's | 1998 | Liverpool Hope | ||
| Taylor LA | Contemporary Decorative Arts: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Green L | Contemporary Decorative Arts: mixed exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| McKeating JE | Contemporary Embroidery | 1995 | Manchester Metropolitan University | ||
| Startup J | Contemporary Furniture: Design From the East End | 2000 | Kingston University | ||
| Gonet D A | Contemporary Machine Embroidary | 1996 | Nottingham Trent University | Fashion and Textiles | |
| WRIGHT A | Contemporary Photographers | 1997 | University of Lincoln | ||
| Patrizio A | Contemporary Sculpture in Scotland | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Fawkes S | Contemporary Sculptures in Crystal and Glass from 17 countries between the mediterranean and the arctic circle | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Richards M | Contemporary Television: Eastern Perspectives | 1996 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Rana M | Contemporary applied Art/Metalwork aus England | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Smith T | Contents | 1998 | University of Gloucestershire | ||
| Lewandowska M | Contents, Tiensevest 31. | 1997 | Goldsmiths College | ||
| DUPRAS M | Contes de la Memoire | 1996 | University of West of England, Bristol | Digital Media Research Centre | Jon Appleton |
| MODEEN M | Continental Shift | 1998 | University of Dundee | Contemporary Practice | Fisher, P Cohen, D Garner, T |
| Fisher E | Continental Shift: six American artists in Britain | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Hart WA | Continuity and Discontinuity in Sierra Leone Art History | 1995 | University of Ulster | ||
| Wilding A | Contract | 2000 | Royal College of Art | Fine Art | |
| Hawthorn M | Contrition | 1996 | University of Gloucestershire | ||
| Zheng J. J. | Control Point Surfaces over Non-Four-Sided Areas. | 1997 | Bournemouth University | Ball, A.A. | |
| Stevenson M | Controlling the Chaos. | 1996 | University of Plymouth | Design + Innovation | Jeremiah, D. |
| Bugg R | Conundrum, | 2000 | Wimbledon School of Art | Sculpture | Jude Kerr |
| WARD R | Conventions, Objects and Fields | 1995 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Verhoeven J | Conversation Piece | 2000 | The London Institute | Fashion and Textiles | |
| Sherrell J P | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Shave T J | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Boyd S C | Cool Green. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Russell J | Cool Tears (Life/Live) | 1997 | The London Institute | Fine Art | Simon Bedwell Milly Thompson Simon Martin |
| Russell J | Cool Tears (Life/Live) | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Thompson A | Cool Tears: Life/Live | 1996 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Bellingham DA | Copenhagen Sections | 2000 | Manchester Metropolitan University | ||
| Mackarell J | Copper + enamel wall panel 12 feet X 6 feet | 1997 | London Guildhall University | ||
| Hunter C | Copperwheat Blundell | 1998 | The London Institute | Fashion and Textiles | |
| Unger G | Coranto | 1999 | University of Reading | ||
| Stephens JR | Core group exhibition | 1996 | Chester College of HE | ||
| Knight C | Corked flask Exhibition 1996 | 1996 | Liverpool Hope | ||
| Lewin A | Cornershop (A cross-arts gallery and exhibition space) | 1997 | Dartington College of Arts | ||
| Quinn AM | Cornucopia Bone China Giftware | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| RICE A | Corporate Communications for the Electronic and Photonic Information Centre | 2000 | University of Dundee | Contemporary Practice | |
| Tibbs B | Corporate Design for Royal British Legion Security | 1998 | Kingston University | ||
| Douglas M | Corporate Identity | 1994 | Brunel University | Polymedia Design | |
| Dumbar G | Corporate Identity for the Dutch Police | 1995 | Royal College of Art | Communications | |
| HERBERT D J | Corporate Identity for the University of Dundee | 1999 | University of Dundee | Industry and the Public Sector | Bill Barr Gary Gowans Jim Campbell |
| Petherbridge D | Corps | 1998 | Royal College of Art | Critical Practice | |
| Smith M | Corpus, solo exhibition | 1994 | Glasgow School of Art | Fine Art | |
| WOOD T | Corpus; Paintings and Drawings by Tom Wood | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| Whittaker E | Correctional Facility Newark, New Jersey, USA | 2000 | Bath Spa University College | ||
| Cross D | Cosmopolitan | 2000 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Cornford M R | Cosmopolitan | 1998 | University of Wolverhampton | Fine Art | David Cross |
| Egan K | Cosmos | 1996 | Manchester Metropolitan University | ||
| Ferguson A | Costume design and production | 2000 | Glasgow School of Art | The Decorative Arts | |
| Curry A | Costume design for Listen to the Wind | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Curry A | Costume design for The Boys in the Band | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Pope M | Costume presentations at the National Gallery | 2000 | Wimbledon School of Art | Theatre costume | |
| Jacobs S.M. | Costumes for Shakespeare | 2000 | University College London | Theatre Design | |
| Keane T | Couch - as in Warhol | 2000 | The London Institute | Fine Art | Rachel Armstrong |
| Hardstaff S | Country Blues Hard Hitters Vol 1 + 2 | 1995 | Liverpool John Moores University | Audio-visual | Ioan Griffiths |
| Friend M | Country Pursuits | 1994 | The London Institute | Media and Communication | |
| Godfrey A | Couture Embroidery | 1999 | The London Institute | Fashion and Textiles | |
| Martina T | Covent Garden Piazza exhibition | 1999 | University College Northampton | Fine Art Practices | |
| OAKENFULL M | Cox's Yard | 1998 | University of Lincoln | ||
| VOSS R | Craft | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Cheeseman D | Craft | 1997 | University of Reading | Amikam Toren Tracey Emin Richard Wentworth |
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| Cheeseman D | Craft | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Burnett G | Craft Culture and Technology | 1996 | Robert Gordon University | Making and Contemporary Culture | |
| McIntyre K | Craft and Consumerism: Just what is it that makes the Crafts so different, so appealing? | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Binns D S | Craft and Design | 2000 | University of Central Lancashire | ||
| Cummings K.R. | Craft: The Workmanship of Risk, Certainty and Opportunity | 1996 | University of Wolverhampton | Glass | |
| Yair K | Crafting Competitive Advantage: Crafts Knowledge as a Strategic Resource | 1999 | Sheffield Hallam University | Applied Design Policy | Mike Press Anne Tomes |
| Cleverly J G | Crafting Participation: Interaction With and Around, Aesthetic, Tangible Artefacts. | 1999 | Staffordshire University | ARi, School of Art + Design | D. vom Lehn C. Heath P. Luff |
| Brown C | Crafts Council Showcase | 1997 | University of Westminster | Ceramics | |
| Cook JH | Crafts and Design Management in Education: The De Montfort University Experience | 1998 | De Montfort University | ||
| Mitchell C | Craig Mitchell | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Clausen S | Crash (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| HAIGH J | Crazy Patchwork | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| Higgs M | Cream: Contemporary Art in Culture | 1998 | Royal College of Art | Critical Practice | |
| Read J | Created Space | 1999 | Edinburgh College of Art | Fine Art | |
| Birdsey CL | Creating Accessible Digital Imagery | 2000 | University of Westminster | Imaging Technology | |
| Young R A | Creating Enhanced User Experiences | 2000 | University of Northumbria at Newcastle | Theoretical Studies (5b) | Van der Veen, G J Illman, M E Rowley, F J B |
| Saxton J | Creating New Futures | 1998 | Goldsmiths College | ||
| Campbell RI | Creating a Database of Rapid Prototyping System Capabilities | 1996 | Loughborough University | Design Research | Bernie, M.R.N |
| Cooper TH | Creating an Economic Infrastructure for Sustainable Product Design | 1999 | Sheffield Hallam University | Applied Design Policy | |
| Price M L | Creating and using a 'Virtual Base Room'. | 2000 | Staffordshire University | ARi, School of Art + Design | C. Chambers |
| Macklin P | Creation of a visual identity through graphic and artistic design for Candide 2000: a theatrical production. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Taylor LA | Creation of wall panels from interpretations of original drawings by C R Mackintosh for the Music Room of House for an Art Lover. | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Alison Harley |
| Harley A | Creation of wall panels from interpretations of original drawings by C R Mackintosh for the Music Room of House for an Art Lover. | 1999 | Glasgow School of Art | The Decorative Arts | Lindsay Taylor |
| MacDonald A | Creative City: Changing Glasgow by Design | 1995 | Glasgow School of Art | Cities and Environments | |
| More J J | Creative Collaborations Exhibitions | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Clarke S R I | Creative Design Practices in Hypermedia | 1994 | University of Portsmouth | Centre for New Media Research | S Jain P Burrell |
| Hartwell DW | Creative Thinking | 1997 | De Montfort University | ||
| Cross NG | Creativity in design: analyzing and modelling the creative leap | 1997 | Open University | Design thinking and communication | |
| Wallinger M | Credo - solo show | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| WARD R | Crimsworth | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| St George A | Crisis Management and Crisis Communications in the Digital Age | 2000 | De Montfort University | ||
| Frew C | Criss Cross: Some New Yorkers III | 1999 | Edinburgh College of Art | Fine Art | |
| Medcalf G | Critical Faculty | 1998 | The London Institute | Fine Art | |
| Eachus PA | Critical Intervention: Eviland With Out (but what if for a moment) Publication | 1998 | The London Institute | ||
| Stables K | Critical Issues To Consider When Introducing Technology Education into The Curriculum of Young Learners. | 1997 | Goldsmiths College | ||
| Penny S | Critical Issues in Electronic Media | 1995 | University of Portsmouth | Centre for New Media Research | |
| Kirkham DA | Critical Issues in Healthcare Information System Design and Development | 1998 | De Montfort University | ||
| Sherrell J P | Critical Mass | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Swift J | Critical Studies: A Trojan Horse for an Alternative Cultural Agenda | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Kennett CP | Criticism and Theory | 1995 | University of Westminster | Sound Media | |
| Braddock SE | Cross-Cultural Trends in Fiber Arts: A Global Horizon | 2000 | Goldsmiths College | ||
| Lansley E | Crosscurrents | 1996 | University of Brighton | Natural and Constructed Environments | |
| Selwood S J | Crosscurrents - Exhibition of British and American Ceramics | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| TURRELL E | Crossing Boundaries | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Senior G | Crossing Open Ground (exhibition and artist's book of same title). | 1995 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Clarkson nee Stevens B | Crossing Strands - Innovation in Contemporary Textiles | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Henderson D | Crossing the Abyss: Identifying Career Ambiguities Within Art and Design Studies in Higher Education | 2000 | Robert Gordon University | Learning Strategies | Bouette, M. |
| Bennett S | Crossing the Line. | 2000 | University of Plymouth | Art Process | |
| Shonibare Y | Crossings | 2000 | The London Institute | Fine Art | |
| Newling J B | Crossings | 1999 | Nottingham Trent University | Visual Arts | |
| Whistler D | Crusader of the Ganges (produced, directed and photographed). | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Gingell J | Crystal Beacon - Sculpture Contribution to the Reading City Centre Regeneration | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| McKean J M L | Crystal Palace | 1994 | University of Brighton | Design History, Criticism and Theory | |
| Richards BGR | Crystal Palace en miniature | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Thomson A | Cube | 1998 | University of Newcastle | Daniel von Sturmer Leslie Eastman |
|
| Cooke J | Cube Houses, Rotterdam | 2000 | University of Brighton | Natural and Constructed Environments | |
| Earl CF | Cues and contingencies in shape computation | 2000 | Open University | Design for advanced products | |
| Binnion S | Cultivate | 2000 | University College Northampton | ||
| Osmond O R | Cultural Alzheimers | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| FEIST A. | Cultural Employment in Europe | 2000 | City University | ||
| Tyrrell J | Cultural Exchange Programme. Habitation | 1998 | University of Sunderland | Design | |
| Hartwell DW | Cultural Shifts in Higher Education | 1999 | De Montfort University | Hill, G. | |
| Lewis A | Cultural issues in implementing changes to new product development process in a small to medium sized enterprise (SME) | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Phillips WE | Cultural issues in implementing concurrent engineering in an SME: A case study | 2000 | University of Wales Institute, Cardiff | PDR | A Filson A Lewis |
| Ryan S | Culture Change in a Conventional University: Introducing Resource Based Learning | 1998 | De Montfort University | Freeman, H Scott, B |
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| Trodd C | Culture and Energy : Ford Madox Brown, Thomas Carlyle and the Cromwellian Grotesque | 2000 | University of Sunderland | Fine Art | |
| Lee R | Cumbria Wendland | 1999 | Cumbria College of Art + Design | ||
| Wade G | Curating in the 21st Century | 2000 | University of Wolverhampton | Fine Art | |
| Barnett P | Curator - Textures of Memory: The Poetics Cloth. | 1999 | Goldsmiths College | ||
| Graham B | Curatorial Resource for Upstart Media Bliss | 2000 | University of Sunderland | Photography | |
| Partridge J | Curators Focus: Turning in Context | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Barker J | Current Context: New Ways of Seeing: group exhibiton | 1999 | Glasgow School of Art | The Decorative Arts | |
| Hill JR | Current and future occupant restraint systems | 1998 | Loughborough University | Design Ergonomics | Mackay, M. Hassan, A.M. |
| Forster J | Current: an Exploration in Light Sound Form | 2000 | University of Gloucestershire | ||
| Southee DJ | Curriculum Innovation - Technology Majors | 1999 | Brunel University | ||
| Stewart N | Curtain Call | 2000 | Sheffield Hallam University | ||
| Atkin J | Cut (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Powell N A | Cut, Made and Unmade. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Dagworthy W | Cutting Edge | 1997 | Royal College of Art | Design for Manufacture | |
| Barbrook RA | Cyber-communism: how the Americans are superseding capitalism in cyberspace | 2000 | University of Westminster | Hypermedia | |
| WOLMARK J | Cyberpunk, Cyborgs and Feminist Science Fiction | 1997 | University of Lincoln | ||
| WOLMARK J | Cybersexualities: A Reader in Feminist Theory Cyborgs and Cyberspace | 1999 | University of Lincoln | ||
| Byrne JM | Cybersublime : Representing the Unrepresentable in Digital Art and Politics | 1999 | Liverpool John Moores University | Art and Design History | |
| Seymour R | Cyborg Computer Joystick | 1997 | Royal College of Art | Design for Manufacture | |
| Pepperell R | Cyborg Guides and Musical Pods | 1999 | University of Wales College, Newport | CAiiA | |
| Chamberlain PM | Cyclops Floor Lamp | 1997 | Sheffield Hallam University | ||
| Holland L | Cyfuniad International Artists Workshop, Wales | 1999 | Liverpool Hope | ||
| Fowler P | Cytofocus | 1995 | Liverpool John Moores University | International Centre for Digital Content | C Corke |
| Corke C | Cytofocus | 1995 | Liverpool John Moores University | International Centre for Digital Content | Fowler,P. |
| Dale J K | D+AD Design Award Trophy | 2000 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | |
| Forbes Visser K | DANDY | 1998 | Edinburgh College of Art | Fine Art | |
| Prevoo D. | DAPHNE PREVOO | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| DUNCE B | DAVID JONES: AN INTERPRETATION OF HIS POETRY AND WRITING BY CONTEMPORARY LETTERING ARTISTS | 1999 | Middlesex University | ||
| Sider L. | DAVID LYNCH | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Muston D | DB 2441/DB 2440 LT Integrated Radio Data Modem | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| English S G | DE69504364T, ZA9703665, AU715920, CN1225741, BR9709197, SI789914T, ES2125054T, CA2253286, EP0896719, CZ9701358, DE69504364D, AT170321T, US5788068, CN1171163, BR9509593, HU77142, AU2515897, CA2204373, WO9741563, GB2312665, PL319981, EP0789914, GB2291640, Z | 1994 | University of Northumbria at Newcastle | Product Design (4b) | |
| Griffiths K. | DEAD PAN | 1997 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Harding D | DECADEnt: Public Art - Contentious Term and Contested Practice | 1996 | Glasgow School of Art | Educational Theory and Practice | Pavel Buchler |
| MANHEIM J | DEEP THEATRE | 2000 | Middlesex University | ||
| Maccallum C | DEFLECT: A Computer Aided Learning Package for Teaching Structural Design - Phase 2, | 1997 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Richards A. | DESIGN WORLD 2000 | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| Baker A. | DESIGNER LABELS | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Whitehead B. S. | DIRECT RESPONSE ADVERTISING CAMPAIGN | 1997 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Poulson DF | DISCUS - Using Internet Based Technology to Support the Practical Aspects of Care | 1999 | Loughborough University | Design Ergonomics | Nicolle, C.A. |
| Dray A | DIVA (Digitally Integrated Video and Audio) | 2000 | Kingston University | ||
| Romans PA | DJED | 1996 | The London Institute | Media and Communication | |
| Warren-Fisher R | DNP Duo Dojima | 1997 | Bath Spa University College | ||
| ASTBURY P | DOCUMENT; PART OF 'PULSE' | 1999 | Middlesex University | ||
| Campany D. | DOCUMENTS OF THE IMPOSSIBLE | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Follen S. | DOMAIN | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Boyle GA | DREAM-World: a Simple Model of Energy-Related Carbon Emissions in the 20th and 21st Centuries | 2000 | Open University | Design for sustainability | |
| BROADHEAD C | DRESS WITH BLACK HOLES | 2000 | Middlesex University | ||
| Foster A. | DRESSING FOR ART'S SAKE: GWEN JOHN, THE BON MARCHE AND THE SPECTACLE OF THE WOMAN ARTIST IN PARIS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Gaughan M | Dada Poetics: Flight out of Sign | 1996 | University of Wales Institute, Cardiff | Fine Art | |
| Stansfield Smith C | Dados, Dinosaurs or Doves? Architecture: Past, Present and Future | 1998 | University of Portsmouth | Centre for Creative Empowerment | |
| Crutchley R | Daimler Marker | 1997 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Alaka A | Dairy | 1998 | Brunel University | Design Process | |
| Conreen MJ | Dali Desk Video and Multimedia Conferencing System. | 1997 | Goldsmiths College | Marden, A. | |
| Conreen MJ | Dali Desk Video and Multimedia Conferencing System. | 1997 | Goldsmiths College | Marden, A. | |
| Magee JP | Damage | 1997 | Manchester Metropolitan University | Magee J | |
| McKenzie R | Dangerous Ground: Sculpture in the City | 1999 | Glasgow School of Art | Cities and Environments | Andrew Guest |
| Skelton PJS | Dangerous Places - Ponar | 1996 | The London Institute | Fine Art | |
| COOMBS D | Daniel Coombs | 2000 | University of Oxford | ||
| COOMBS D | Daniel Coombs | 1999 | University of Oxford | ||
| Kappenberg C | Daniel Halbermensch | 1998 | The London Institute | Fine Art | |
| Graham C | Dare. 35 mm. 2 min. film for auditorium/internet (director, screenplay) | 1998 | London Guildhall University | ||
| McCARTHY P J | Dark Matter | 1998 | University of Lincoln | ||
| Toal D | Dark Matter, video/multimedia | 1999 | University of Portsmouth | Memory, Identity and Material Culture | Red Earth |
| Hughes S | Dark Matter: a Visual Exploration of New Physics | 1998 | Kingston University | ||
| MEY K | Das Verbindende trennen und das Trennende verbinden? Kuenstlerinnen in Deutschland nach der Wiedervereinigung | 1995 | University of Dundee | Critical, Historical and Theoretical Debate | Peitsch, H Westphalen J V Kolbe, U |
| Aylieff F | Dashed, Speckled + Brushed | 1998 | Bath Spa University College | ||
| Kirby J | Data Modelling | 1999 | University of Brighton | Natural and Constructed Environments | |
| Kappo D | Dave and Joe 40 Degrees | 1997 | The London Institute | Fashion and Textiles | |
| Kappo D | Dave and Joe Collections | 1998 | The London Institute | Fashion and Textiles | |
| Kappo D | Dave and Joe Collections | 2000 | The London Institute | Fashion and Textiles | |
| Kappo D | Dave and Joe Collections | 1999 | The London Institute | Fashion and Textiles | |
| Binns D S | David Binns | 2000 | University of Central Lancashire | ||
| Burrows D | David Burrows Solo Show at Praz-Delavallade | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Burrows D | David Burrows solo show and It boy ontology Audio CD | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Cheeseman D | David Cheeseman | 1996 | University of Reading | ||
| Cheeseman D | David Cheeseman | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Connearn D | David Connearn | 1999 | Edinburgh College of Art | Fine Art | |
| Crone D | David Crone Paintings 1963-1999 | 1999 | University of Ulster | ||
| Harding D | David Harding and Nicholas de Serra | 1997 | Bath Spa University College | Serra, N. | |
| Hepher D. | David Hepher: A Retrospective | 1996 | University College London | Painting | |
| Hepher D. | David Hepher: An Elegy to Tall Buildings | 1999 | University College London | Painting | |
| Melia P D | David Hockney: A Drawing Retrospective | 1995 | Staffordshire University | ARi, School of Art + Design | Ulrich Luckhardt |
| Melia P D | David Hockney: You Make the Picture. Paintings and Prints 1982-1995. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Hosie D | David Hosie | 1998 | Edinburgh College of Art | Fine Art | |
| Hosie D | David Hosie, EdinburghAndreas Rickenbacher, Basel | 2000 | Edinburgh College of Art | Fine Art | |
| Stoddart A | David Hume Monument, Edinburgh | 1997 | Glasgow School of Art | Fine Art | |
| Price-Owen A L | David Jones and the Age of Multiplicity | 1997 | Swansea Institute of Higher Education | Image and Text | |
| Price-Owen A L | David Jones and typography/typoetry | 2000 | Swansea Institute of Higher Education | Image and Text | |
| Price-Owen A L | David Jones: Diversity in Unity | 2000 | Swansea Institute of Higher Education | Image and Text | Dilworth, T Humfrey, B Thomas, R S |
| Lloyd D | David Lloyd | 1997 | University of Gloucestershire | ||
| Rayson D | David Rayson - New Work. | 2000 | Goldsmiths College | ||
| Turner D | David Turner, Solo Exhibition | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| WALKER-BARKER D | David Walker-Barker | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| WALKER-BARKER D | David Walker-Barker | 1994 | Bretton Hall | FINE ART (PAINTING) | |
| Eastley M | Day For Night | 2000 | Liverpool John Moores University | Audio-visual | Cusack,P. |
| Richardson C | Day Loves Night | 1997 | Oxford Brookes University | Creative Practice | |
| Oxley Nici | Day for Night. An exhibition of 6 projects for portakabin buildings at a temporary location | 1999 | London Guildhall University | ||
| Fraser SJH | Day of Record | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Maude-Roxby A | Dayroom | 1999 | Sheffield Hallam University | ||
| Olver E | De Beers Diamond Day | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Pippin S | De L | 1995 | Southampton Institute | ||
| Jordan J | De La Accion Directa Como una de las Bellas Artes (Direct Action as one of the Fine Arts) | 2000 | Sheffield Hallam University | ||
| Cook CP | De Peus a Terra/Down to Earth | 1997 | University of Plymouth | Art Process | Manocci, L. Kiff, K. Cooper, E. |
| STEYN J. | De-Composition: Culture + Industry towards 2000. Joint Curator | 1997 | City University | ||
| GOUGH P | Dead Ground and Other Sites of Memory | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Chalkley BD | Death Race 2000 | 2000 | The London Institute | Fine Art | |
| Kandhola M P | Death and the Illustration of Life | 1998 | Nottingham Trent University | Visual Arts | |
| Lingford R | Death and the Mother | 1999 | Royal College of Art | Animation | |
| Ingham K | Death's Witness | 2000 | Swansea Institute of Higher Education | Photography | |
| Sargeant J | Deathtripping: the Cinema of Transgression | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| McNicoll C | Decadence | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Schoeser M | Decadence - Views from the Edge of the Century | 1999 | The London Institute | Fashion and Textiles | |
| Wilson A | Decadence? Views from the edge of the century | 1999 | University of Brighton | Materials Practices and Processes | |
| Lawler T | Deceit | 1996 | Kingston University | ||
| Howard J | Decentricity | 1995 | Oxford Brookes University | Curatorial Projects | Anthony Howell |
| Saxton J | Decisions by Design. | 1997 | Goldsmiths College | Kimbell, R. Mahony, P. Miller, S. |
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| Rawson G | Deconstructing South Kensington. F.H Newberys Regime at Glasgow School of Art 1885-1901. | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Van Liefferinge K | Decorative Arts Today | 1996 | Leeds Metropolitan University | Design | |
| Pearson L.F | Decorative Ceramics in the Buildings of the British Brewing History | 2000 | University of Wolverhampton | Ceramics | |
| Pilgrim G | Deep Blue Sea | 1997 | Wimbledon School of Art | Theatre Design | Marianne Elliott |
| Heath VK | Deep Freeze | 1998 | Sheffield Hallam University | ||
| Hubbard S. | Deep Space One | 2000 | Bournemouth University | ||
| Casey B | Deepdale Stadium | 2000 | University of Central Lancashire | ||
| Swales V | Defaire et faire les habitudes dans le demenagement | 1999 | University of Portsmouth | Memory, Identity and Material Culture | T Putnam |
| Thomson A | Deferred Authorship | 1999 | University of Newcastle | Kim Jin Hee | |
| Thomson A | Deferred/Differed Presence | 1998 | University of Newcastle | David Thomas | |
| Simpson J | Defiant Acts: the Theatre d'Art, Decors and the Symbolist 'Total Work' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Green P | Defining Colour Gamut Boundaries with a Test Target | 2000 | The London Institute | Media and Communication | |
| de La Haye A | Defining Dress: Fashion as Image, Object + Identity | 1999 | The London Institute | Fashion and Textiles | Professor Elizabeth Wilson |
| Cotterrell D | Defying Dog | 2000 | University of Hertfordshire | ||
| BELL S. | Degas calendar | 1997 | Coventry University | Design | |
| Syed T | Delilah | 1998 | Anglia Polytechnic University | ||
| Seden MR | Delivering Automated Innovative Assessment in a Varied Curriculum | 1999 | De Montfort University | ||
| Sinden AA | Deluge | 1998 | University of East London | ||
| Davies G | Deluge Drawings | 1997 | Lancaster University | ||
| Mason R | Dem Tod Leben Einhauchen | 2000 | Wimbledon School of Art | Painting | Peter J.Bogner Esti S.Dunow Patrick Hirt |
| PHIPPARD P | Demented but clean and useful: Documenting the North Riding Asylum, 1889 | 1996 | University of Lincoln | ||
| Robinson K | Democratic Archaeology at Sedgeford | 1999 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Jones RM | Demographics: The Distribution of Income and Wealth and the Marketing of Fashion in the UK | 1999 | Manchester Metropolitan University | ||
| Ride P | Demonstrations and Details from the Facts of Life | 2000 | University of Westminster | CARTE | |
| Sandle M | Den Haag Sculptuur | 1999 | De Montfort University | ||
| Allington E. | Den Haag Sculptuur 1999 | 1999 | University College London | Sculpture | |
| Slight N | Denied Access | 1998 | University of Gloucestershire | ||
| Masi D. | Denis Masi: Window Work | 1995 | University College London | Fine Art Media | |
| Masi D | Denis Masi: Window Work | 1995 | Wimbledon School of Art | ||
| Earl CF | Densely packed rectangulations | 1998 | Open University | Design for advanced products | R. Krishnamurti |
| Sitar R | Departure Lounge1999 | 1999 | Bolton Institute of HE | ||
| Harrison E | Deptford X | 2000 | The London Institute | Fine Art | |
| Turner A | Depths in Metres | 1999 | Southampton Institute | ||
| THOMA A | Der 23 Februar 1945 - 50 Jahre danach | 1995 | Bretton Hall | FINE ART (PAINTING) | |
| Goodman G | Der Rettende Engel | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Griffith O | Der Schauplatz der Wunsche | 1996 | Edinburgh College of Art | Fine Art | |
| Hoberman N | Der abgelenkte Blick. | 2000 | Goldsmiths College | ||
| O'Pray ME | Derek Jarman: Dreams of England | 1996 | University of East London | ||
| Sprawson D H | Derek Sprawson - Recent Paintings | 1997 | Nottingham Trent University | Visual Arts | |
| Walker I | Desert Stories: Faith in Facts | 1995 | University of Wales College, Newport | Photography | Lister M (Ed) |
| Lea-Greenwood G | Deshopping: the Art of Illicit Consumption | 1999 | Manchester Metropolitan University | Schmidt R Sturrock F Ward P |
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| Crabbe A | Design + Manufacture of contact Lens Disinfection Systems | 1997 | Nottingham Trent University | Fashion and Textiles | P.Thompson |
| Lawler T | Design + Technology Project Work as a means of developing a collaborative creative risk taking environment. | 2000 | Goldsmiths College | ||
| Press MPO | Design Against Crime | 2000 | Sheffield Hallam University | S Learmont R Cooper |
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| Baurley SL | Design Against Crime | 2000 | The London Institute | Fashion and Textiles | |
| Gamman LP | Design Against Crime:Two exhibitions | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Johnston M | Design Aid: A design resource about disabled people as consumers | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| INNS T G | Design Atlas: an audit process for assessing the capability of an organisation for managing design activity | 1999 | University of Dundee | Industry and the Public Sector | Design Council Scottish Design Northern Ireland Design Directorate |
| Chowles S M | Design Commission | 1997 | University of Brighton | Materials Practices and Processes | |
| McCann J | Design Commission for Andy Spink. Designed Artifact: Garment(s). | 1998 | University of Derby | ||
| Wormald PW | Design Competitions at Undergraduate level: Are there benefits to be gained? in Swann, C. and Young, E. (eds) | 2000 | Loughborough University | Design Research | McDonagh-Philp, D.C. |
| Kelly B | Design Council Offices | 1997 | Kingston University | ||
| Snell R | Design Direction for Vivendi restaurant seating | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | J. Coleman |
| De Groot C | Design Fields | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Nicolle CA | Design Guidelines for Route Guidance Systems: Development Process and an Empirical Example for Timing of Guidance Instructions in Noy, Y.I. (ed) Ergonomics and Safety of Intelligent Driver Interfaces | 1997 | Loughborough University | Design Ergonomics | Ross, T. Vaughan, G.M. |
| Griffiths B L | Design Guidelines: a constraint on creativity or good practice? | 1999 | Staffordshire University | ARi, School of Art + Design | P Russell D Durling |
| Hands D | Design In-House: 12 Case Studies describing how the TCS has improved in-house design capability | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | Tom Inns |
| INNS T G | Design In-house: 12 case studies describing how the TCS (Teaching Company Scheme) has improved design capability | 1998 | University of Dundee | Industry and the Public Sector | David Hands |
| Hartwell DW | Design Methodology: A Suggested Approach to Self-Analysis for Product Design Undergraduates | 1996 | De Montfort University | ||
| Stables K | Design Museum National Outreach Project: Evaluation Report. | 2000 | Goldsmiths College | ||
| Sharpe T | Design Participation in Housing in Glasgow | 1999 | Glasgow School of Art | Cities and Environments | |
| Muston D | Design Project Supervision and Assessment, Alternative Approaches for Developing Quality in the Learning Experience | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | John Law |
| Myerson J | Design Renaissance: Selected Papers from the International Design Congress, Glasgow, 1993 | 1994 | Royal College of Art | Inclusive Design | |
| HERBERT D J | Design Research Promotional Publication | 1998 | University of Dundee | Industry and the Public Sector | Georgina Follett Andy Rice |
| WORDEN S | Design Research in New Media: Strength through Collaboration and Partnership | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Prendiville AN | Design Research: its impact on the Specification of Revenue Collection Systems in Public Transport | 1996 | University of East London | ||
| Angus J | Design Residency (for prototype evaluation of Shima Seiki 'First' Whole garment equipment). | 2000 | University of Derby | ||
| Rihl LF | Design Union of Britain | 1999 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Zeegan L I | Design Week Magazine | 2000 | University of Brighton | Visual Communication Design | |
| Baynes K | Design Works (Exhibition design) | 1994 | Loughborough University | Design Education | |
| Soden JA | Design and CAD Innovation in Woven Textile Research | 2000 | University of Ulster | ||
| Maguire P J | Design and Cultural Politics in Post-War Britain | 1997 | University of Brighton | Design History, Criticism and Theory | J Woodham |
| Jerrard R | Design and Ethnicity: the failure of West Midlands Clothing Enterprises to enter the Design Market | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | Joy Husband |
| Lloyd D | Design and Interpretation at Canterbury Cathedral | 1998 | University of Gloucestershire | ||
| Corke C | Design and Technology | 1998 | Liverpool John Moores University | International Centre for Digital Content | |
| Zanker NP | Design and Technology Teacher Training at Loughborough University: Principles and Practice, Theverkauf, W.E. and Graube, G (eds) | 2000 | Loughborough University | Design Education | Denton, H.G. |
| Thomas NG | Design and Testing of a Hip Fracture Protector | 2000 | University of Wales Institute, Cardiff | PDR | |
| Roy R | Design and innovation in successful product competition | 1997 | Open University | Design and innovation management | J. Riedel |
| Mackarell J | Design concept + enamelling for silver teapot + water jug, with wood/leather carrying case | 1998 | London Guildhall University | ||
| Freeman P | Design cycle compression via laser clad rapid tooling | 2000 | University of Wales Institute, Cardiff | PDR | C Adams R Brown A Lewis |
| Snell R | Design direction for Air-O cafe seating | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Bennet |
| Calver V | Design for 'Creation Bauman', Germany | 2000 | University of Southampton | ||
| Torrens GE | Design for Ageing and Disability at Key Stage 4: An introduction to the nature of designing, available teaching materials and resources | 1998 | Loughborough University | Design Ergonomics | |
| Docherty PA | Design for Performance from Diaghilev to the Pet Shop Boys | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Farley P | Design for Perofrmance: From Diaghilev to the Pet Shop Boys | 1996 | Wimbledon School of Art | Theatre Design | Peter Docherty and Tim White Sir John Drummond Pamela Howard |
| Trambusti B | Design for Puffa range of equestrian clothing | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Southwell M | Design for Sustainable Development: A gendered perspective. | 2000 | Goldsmiths College | ||
| Roy R | Design for environment in practice - development of the Hoover New Wave washing machine range | 1997 | Open University | Design and innovation management | |
| Coleman R | Design for later life: beyond a problem orientation | 2000 | Royal College of Art | Inclusive Design | |
| Boekhoudt O | Design for the body | 1999 | Royal College of Art | Applied Art | |
| Coleman R | Design fur die Zunkunft | 1999 | Royal College of Art | Inclusive Design | |
| Docherty CA | Design in Britain 2000 - Facts, Figures and Quotable Quotes | 1999 | De Montfort University | Woudhuysen, J. | |
| Woudhuysen J | Design in Britain 2000: Facts, Figures and Quotable Quotes | 1999 | De Montfort University | Docherty, C. | |
| Hogg D | Design in Great Britain | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Blair N S P | Design in the UK Economy | 1997 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Waddell G | Design of 'Gripsholm' breakfast table | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Waddell G | Design of 'Sandemar' bed and wardrobe | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Stroud RR | Design of Electronic Hardware + Micro-controller software for Moo a childs toy | 1999 | Brunel University | Environmentally Sensitive Design | |
| Banks G | Design of Infra-red Remote Control Drive Controllers | 1998 | University of Wales Institute, Cardiff | PDR | |
| Robertson P | Design of Leisure Games Software - SIM City 2000 UK Edition | 2000 | University of Central Lancashire | C Arundell, Kent Institute of Art and Design | |
| ROBERTSON P | Design of Leisure Games Software - SIM City UK Edition | 2000 | Kent Institute of Art + Design | Clive Arundell | |
| ARUNDELL C | Design of Leisure Games Software - SIM City UK Edition | 2000 | Kent Institute of Art + Design | Peter Robertson University of Central Lancashire | |
| Waddell G | Design of Linnaeus writing table, wardrobe, bedside table, mirror and bed. | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Luna P F | Design of Oxford English and bilingual dictionaries | 1997 | University of Reading | ||
| Luna P F | Design of Oxford University Press corporate identity | 1998 | University of Reading | ||
| Jenkins P | Design of Remote Controller for a Lighting System | 2000 | University of Wales Institute, Cardiff | PDR | |
| Trambusti B | Design of Sisley Autumn - Winter collection, 1997/98 | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | K Trambusti as Addendym Design Consultancy |
| Trambusti B | Design of Sisley Spring - Summer collection, 1999 | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | K Trambusti as Addendum Design Consultancy |
| Trambusti B | Design of Sisley Spring and Summer collections 1998. | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | K Trambusti as Addendym Design Consultancy |
| BOYD-DAVIS S | Design of Virtual Environments | 1998 | Middlesex University | A Huxor J Lansdown |
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| Thomas NG | Design of a Complex Gas Analysis Product | 2000 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of a Drive Control Unit | 1997 | University of Wales Institute, Cardiff | PDR | |
| Jenkins P | Design of a Driving Aid for People with Restricted Physical Movement | 2000 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of a Family of Motor Housings | 1996 | University of Wales Institute, Cardiff | PDR | |
| Jenkins P | Design of a Foil-sided Bottle | 2000 | University of Wales Institute, Cardiff | PDR | |
| Thomas NG | Design of a Hospital Day Chair | 2000 | University of Wales Institute, Cardiff | PDR | |
| Williamson T | Design of a Medical Pump | 1999 | University of Wales Institute, Cardiff | PDR | |
| Freeman P | Design of a Prototype Overmoulded Metal Automotive Part | 2000 | University of Wales Institute, Cardiff | PDR | |
| Walker P | Design of a Safety Knife for use in Industrial Applications | 2000 | University of Wales Institute, Cardiff | PDR | |
| Banks G | Design of a Thermal Imaging Unit | 1997 | University of Wales Institute, Cardiff | PDR | |
| Walker P | Design of an Electronic Lift Controller | 1996 | University of Wales Institute, Cardiff | PDR | |
| Jenkins P | Design of an Intravenous Drip Monitor | 2000 | University of Wales Institute, Cardiff | PDR | |
| Logan DJ | Design of intensified charged coupled device for the scientific/manufacturing marketplace | 2000 | University of Ulster | ||
| Crabbe A | Design of the Micro Clens microwave disinfection system for soft contact lenses | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Attenburrow D H | Design research and the Educational Interface (Get your research to work for you) | 1995 | University College Northampton | Design for Industry and Commerce | |
| Yair K | Design through making: crafts knowledge as facilitator to collaborative new product development | 1999 | Sheffield Hallam University | Mike Press Anne Tomes |
|
| Press MPO | Design through making: crafts knowledge as facilitator to collaborative new product development. | 1999 | Sheffield Hallam University | Anne Tomes Karen Yair |
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| Logan DJ | Design to manufacture of a high resolution computer video switch for sale primarily in the North American market place | 1998 | University of Ulster | ||
| Bestley R | Design, Intervention and the Situationist Movement | 1996 | The London Institute | Media and Communication | |
| Hastings M | Design, Wolverton Town Square | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Swan A | Design, black and white dobby weave | 2000 | University of Southampton | ||
| GATES-STUART E | Design, paraspace and the unreadablity of texts Sydney Design 99 | 1999 | University of Lincoln | Jenny Wolmark Jean Cherry |
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| Fletcher K | Design, the environment and textiles: developing strategies for environmental impact reduction. | 1998 | Goldsmiths College | ||
| Grey J J | Designer Bookbinders in North America 2000/2001 | 2000 | University of Brighton | Materials Practices and Processes | |
| Taylor D | Designer Drugs: the art and design of selling drugs awareness | 1998 | Buckinghamshire Chilterns University College | Design Culture | Ciaran O'Hagan |
| Kusters C | Designer Profile: The Life and Work of Mitsuo Katsui | 1997 | The London Institute | Media and Communication | |
| SWIFT D G | Designers Habitats | 1995 | University of Dundee | Contemporary Practice | Janice Kirkpatrick Crolyn Primett |
| Southwell M | Designers' perception of development - development's perception of design | 2000 | Goldsmiths College | ||
| Thompson GR | Designing Designers | 2000 | Brunel University | Environmentally Sensitive Design | |
| Honeywill P W | Designing Icons for the Graphical User Interface | 1999 | University of Plymouth | Centre for Visual Computing | |
| Coward T | Designing a Learning Environment for Three Dimensional Thinkers | 2000 | University of Wales Institute, Cardiff | Ceramics | S Gill |
| Chiodo JD | Designing a better tomorrow today with self-disassembling electronics | 1999 | Brunel University | EH Billett | |
| Billett EH | Designing a better tomorrow today with self-disassembling electronics | 1999 | Brunel University | Environmentally Sensitive Design | J Chiodo |
| Reynolds L J | Designing air traffic control systems | 1998 | University of Reading | ||
| SLESS D. | Designing and evaluating forms in large organizations | 1999 | Coventry University | The Design Institute | |
| Coleman R | Designing for our future selves. The Bernard Isaacs Memorial Lecture | 1999 | Royal College of Art | Inclusive Design | |
| McNally NP | Designing for the elderly: The Blindcraft project | 1994 | Glasgow School of Art | Design | |
| PORTER C.S. | Designing for usability; input of ergonomics information at an appropriate point, and appropriate form, in the design process | 1999 | Coventry University | The Design Institute | PORTER, J.M. |
| Law J | Designing in Quality through Industrial Design | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | Prof John Humpherson |
| PORTER C.S. | Designing small electronic products; is inclusive design possible? | 2000 | Coventry University | The Design Institute | NEWMAN, R.M. |
| Richards A. | Designing with Crepons | 1999 | The Surrey Institute of Art + Design University College | ||
| Matlow EG | Designing women: gender issues in graphic design education | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Lawler T | Designit Together. | 1998 | Goldsmiths College | Stables, K. | |
| Beazley S | Designs for 'Creation Bauman', Germany | 2000 | University of Southampton | ||
| Makem OM | Designs for 'Cuba' Retail Outlet | 1996 | University of Ulster | ||
| Thrower S | Designs for Traidcraft, Tyne and Wear, UK. | 1999 | University of Southampton | ||
| Kirkham DA | Designs on Competitiveness | 1999 | De Montfort University | ||
| Williams R | Designs on Environment | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham R | Designs on Environment | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hardaker CH | Designs on the Web: A Case Study of Online Learning for Design Students | 2000 | De Montfort University | Brown, S.C. Higgett, N.P. |
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| Morris S | Desire | 1999 | The London Institute | Fine Art | |
| McKenzie Smith S | Desire Line | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Docherty CA | Desire, Delight, Design: 78 Scottish Innovations | 2000 | De Montfort University | Hetherington, A | |
| Goatman M | Desk Top Controller SRD1000 (Mass Production) | 1998 | University of Hertfordshire | ||
| Wilding A | Desormais - Two Sculptures, at Transpennine '98 | 1998 | Royal College of Art | Fine Art | |
| Morten G | Despre Limite (Crossing Borders) | 1999 | University of Sunderland | Fine Art | Morten J |
| Jones A D | Destabilising Sender: Jemima Stehli's Ingratiating objection | 2000 | University of Portsmouth | Art and Philosophy | |
| Hvattum M | Det monumentael og det instrumentelle (Instrumentality and Monumentality) | 1996 | Glasgow School of Art | Design | |
| Reid C | Detail (For lack of an overview) | 1999 | Wimbledon School of Art | Painting | Madeline Strindberg Nicole Jolicoeur Roberto Martinez |
| Clarkson nee Stevens B | Deux Anglaises en Provence | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| McCann B | Deux Milles Coups/2000 Blows | 2000 | Kingston University | ||
| MacDonald A | Developing Aesthetic Intelligence as a Cultural Tool for Engineering Designers. | 1999 | Glasgow School of Art | Design | |
| Kirkham DA | Developing Business and Management Subject Models within Art and Design Higher Education | 2000 | De Montfort University | ||
| Ingram J | Developing Funded Design Research out of Student Design Projects | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Fiddis C | Developing Multimedia (self directed learning) Program for Ceramics | 1999 | University of Ulster | ||
| Law J | Developing New Markets: a role for interactive design tools | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | David Hands |
| Farshad F | Developing Online | 1997 | The London Institute | Fashion and Textiles | Frank Rickett |
| Ingram J | Developing Publishing Opportunities for Industrial Design Research | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Cooper |
| Mitchell L | Developing Technological Capability | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | McLaren, S |
| Sinclair R | Developing Technology Literacy through Textiles/Textiles Industrial Perspective | 1998 | Goldsmiths College | ||
| MacDonald A | Developing a Qualitative Sense | 1998 | Glasgow School of Art | Design | |
| Gillham W | Developing a Questionnaire | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| BURFORD N | Developing a new military shelter system - a case study in innovation | 1999 | University of Dundee | Industry and the Public Sector | Smith, F W |
| Denton HG | Developing capability and good practice in team based design work in undergraduate engineering design, The Swedish Industrial Design Foundation (eds). | 1997 | Loughborough University | Design Education | |
| Griffiths B L | Developing complete MA courses within a VLE. | 2000 | Staffordshire University | ARi, School of Art + Design | P Russell P Lucking |
| Elliott DA | Developing criteria for sustainable energy technology | 1997 | Open University | Design for sustainability | A. Clarke |
| Clare DJ | Developing environmental understandings through design and technology education. | 1996 | Goldsmiths College | Rogers, M. | |
| Hodgson AR | Developing links between computer aided learning and technology teaching | 1995 | Loughborough University | Design Education | |
| Hughes J | Developing new printing techniques for Designer Georgina von Etzdorf. | 1999 | Glasgow School of Art | Design | |
| WOODCOCK A. | Developing practice with theory in HCI: applying models of spatial cognition for the design of pictorial databases | 1996 | Coventry University | The Design Institute | SCRIVENER, S. LANSDALE, M.W. |
| Hughes J | Developing printing techniques for Knitwear Designer Alan Gallacher | 2000 | Glasgow School of Art | Design | |
| Rogers ME | Development education through design and technology | 1997 | Goldsmiths College | ||
| Mostaghimi B | Development of Polyester Crepe dyeing techniques | 1998 | University of Brighton | Materials Practices and Processes | |
| Otieno RB | Development of a Conceptual Framework for the Determination of Marketing Strategy: Indications from In-depth Interviews in Clothing Firms | 2000 | Manchester Metropolitan University | ||
| Lawrence CN | Development of a Flexible Access Model for Teaching Introductory Design Studies | 1997 | University of Ulster | RG Baird | |
| Bibb RJ | Development of a Rapid Prototyping Design Advice System | 1999 | University of Wales Institute, Cardiff | PDR | Z Taha D Wright R Brown |
| Williamson T | Development of a Virtual Product and Product Assembly | 2000 | University of Wales Institute, Cardiff | PDR | |
| Simpson GB | Development of a finite element model of a transtibial socket with polyurethane liner | 1999 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Wright DK | Development of a rapid prototyping design advice system | 1999 | Brunel University | Interaction Design | R Bibb Z Taha R Brown |
| Simpson GB | Development of a three-dimensional non-linear finite element model of a transtibial socket | 1999 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Dallas S | Development of seamless bodywear for Courtaulds Lingerie | 1995 | Royal College of Art | Design for Manufacture | |
| VAN DER LEM P | Development of the PhD for the Visual Arts | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Freeman P | Development of the Versatool (TM) Process | 1997 | University of Wales Institute, Cardiff | PDR | |
| Hodgson AR | Developments in the teaching of 3D computer aided design and manufacture, Smith J.S. and Norman E.W.L., (eds) | 1998 | Loughborough University | Design Education | Bates, D.J. King, M.R. |
| Thapalyal RI | Devi Prasad: The Culture of Making | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Keane T | Deviant Beauty | 1995 | The London Institute | Fine Art | |
| Goldsmith S | Dew Point | 1999 | University of Southampton | ||
| Fozzard GJ | Dexis Image Modeller and Texton Mapping Software Libraries | 1999 | De Montfort University | ||
| Griffith O | Diagram and model (schrijven en tekenen) | 1997 | Edinburgh College of Art | Fine Art | |
| HOWARD I G | Diagrams Heretical | 1999 | University of Dundee | Contemporary Practice | |
| Clausen S | Dial M......for (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Docherty M | Dialog | 2000 | Edinburgh College of Art | Fine Art | |
| THOMA A | Dialogue in Place | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| Keelan SH | Dialogue of the Present: the work of 18 Arab Women Artists | 1999 | Kingston University | ||
| Hill PJ | Dialogue with Photography | 1998 | De Montfort University | Cooper, T. | |
| Hardie A | Dialogues | 1999 | University of Reading | Paul Johnson Yumi Kabe Emmanuelle Waeckerle |
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| Ramsenthaler S | Dialogues '99 | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Nash M | Dialogues with Stuart Hall | 1996 | University of East London | Isaac Julien | |
| McDermott C | Diana: A Celebration | 1997 | Kingston University | ||
| Skingle D | Diary : 1 digitally enhanced and manipulated image ink-jet printed on Arches vellum. Size depends on printer command. | 1999 | London Guildhall University | ||
| Tillers I | Diaspora in Context | 1996 | Southampton Institute | ||
| Johnston L | Dichroic Installation | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Dower S | Dick Donkeys Dawn | 1998 | The London Institute | Fine Art | Georgina Starr Oliver Hangl |
| Hand J | Dictionary Entries 'Narcissim' 'Dance' 'Performance' | 1999 | Goldsmiths College | ||
| Male A | Did Dinosaurs Live in Your Backyard? | 1998 | Falmouth College of Arts | Melvin Berger Gilda Berger |
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| Lipski E | Die Farben Schwarz | 1999 | The London Institute | Fine Art | |
| Dieterich V | Die Prasenz des Abwesenden 1 | 1999 | Sheffield Hallam University | ||
| Dieterich V | Die Prasenz des Abwesenden 2 | 1999 | Sheffield Hallam University | ||
| Jacobs S.M. | Die Soldaten | 1996 | University College London | Theatre Design | |
| Webb G | Die Young Stay Pretty | 1998 | University of Reading | Peter Davies Martin Maloney Steven Gontarski |
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| Prowse P. | Die Zauberfl | 1999 | University College London | Theatre Design | |
| Malik S | Differantial Technics. | 1996 | Goldsmiths College | ||
| Barbrook RA | Digital Artisan's Manifesto | 1997 | University of Westminster | Hypermedia | |
| Great-Rex E | Digital Collaborations | 1997 | University of East London | ||
| Vince J. | Digital Convergence: The Information Revolution. | 1999 | Bournemouth University | Earnshaw, R. | |
| Honeywill P W | Digital Design: Using QuarkXPress 4 | 1997 | University of Plymouth | Centre for Visual Computing | Lockhart, A. |
| JOHNSON N M | Digital Gateway | 1999 | University of Dundee | Digital Technology | |
| Green P | Digital Graphic Networks | 1999 | The London Institute | Media and Communication | |
| Bessey P | Digital Mechanical Lock Mechanism | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Hutton A | Digital Media and Design | 1999 | University of Ulster | ||
| Vince J. | Digital Media: The Future. | 2000 | Bournemouth University | Earnshaw, R. | |
| Chapman J | Digital Multimedia | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Chapman, N |
| Smith N J | Digital Paint Drying Systems | 1999 | University of Northumbria at Newcastle | Graham, T | |
| Faure-Walker J | Digital Painting: Facing the Problem | 1999 | Kingston University | ||
| Gardiner J | Digital Photo Illustration | 1994 | Bath Spa University College | ||
| Green P | Digital Photography | 1999 | The London Institute | Media and Communication | Anthony Hamber |
| Taylor F | Digital Portfolio Exhibition | 2000 | Wimbledon School of Art | John Hilliard Bruce McLean Denis Masi |
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| Morris D | Digital Printing Awards | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Gollifer S C | Digital Printmaking Atelier | 1998 | University of Brighton | Fine Art Practices | |
| Smith N E | Digital Works Light Boxes and Pictures. Constructing A New Space. The New Art Gallery, Walsall | 2000 | Nottingham Trent University | Visual Arts | Roger Beecroft |
| Marsden MJ | Digital measurement of load in a hand held wrench | 1999 | De Montfort University | ||
| Selley G | Digitisation in Art and Design (DIAD) | 1999 | The London Institute | Media and Communication | Mark Gaved Pat Batley No |
| Williamson T | Digitised data integration issues in rapid prototyping and tooling | 2000 | University of Wales Institute, Cardiff | PDR | R Brown R Bibb |
| Ktori A | Digitising Sound | 2000 | University of Westminster | Sound Media | |
| Currall A | Dimensions: F | 1996 | Glasgow School of Art | Fine Art | |
| Gschwedtner G | Dining Chair | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Gale D | Dining with Alice | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| WILKES C | Direcor Wilkes Gallery Projects | 1994 | University of Dundee | Contemporary Practice | |
| Brown R | Direct rapid tooling techniques and their impact on product design | 1999 | University of Wales Institute, Cardiff | PDR | C Adams |
| Farrer JM | Direction Collections Entertainment, Leisure and Christmas Gifts | 1999 | The London Institute | Fashion and Textiles | |
| Farrer JM | Direction Collections Spring/Summer Concepts | 2000 | The London Institute | Fashion and Textiles | |
| Swift J | Directions: Towards a New Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Bal Y | Director for Young Filmmakers, The Eclectix Project, 30 min. BBC TV documentary (Betacam/D3), + project design as founding member of Eclectix Project Management Committee. | 1998 | London Guildhall University | ||
| Curtis D | Directory of British Avant Garde Film and Video Artists | 1996 | The London Institute | Media and Communication | |
| Paul JS | Directory of Equipment and Services Making Disability Plain Sailing | 1999 | Brunel University | Design for Inclusion | G Kay M Elam |
| Cannon Jones A | Dirk Bikkemberg Autumn/Winter Menswear Collection | 1998 | The London Institute | Fashion and Textiles | |
| Taylor S | Dirty Knicker Girl | 1996 | Southampton Institute | ||
| Hand J | Disappearing Acts: An Impossibility of Identity | 1997 | Goldsmiths College | ||
| Hatfield J | Disappearing Digitally?: Gender in the Digital Domain | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Ride P | Discrete Packets | 2000 | University of Westminster | CARTE | |
| Lacey J | Discursive Mothers and Academic Fandom. Class, Generation and the Production of Theory | 1999 | University of Brighton | Memory, Identity and History | |
| Bergmann G | Discussing History and Memory in the Art of Gordon Bennett | 2000 | Brunel University | Polymedia Design | V Strang |
| Williams R | Disjacta Reliquae: The Tate Thames Dig | 1999 | Cumbria College of Art + Design | Professor Lord Colin Renfrew Alex Coles Emi Fontana |
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| MULHALL S. | Dispatches | 1994 | Coventry University | LYNCH, K. PIERCY, S. O'SULLIVAN, O. |
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| Kennard P | Dispatches from an Unofficial War Artist | 2000 | Royal College of Art | Critical Practice | |
| SETH J | Dispersal | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| TRUSSELLE K.L. | Displaced | 1998 | Coventry University | Visual Arts | BELTON, K. PRINCE, N. WADE, G. |
| Harley K | Displaced | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Grego P | Displaced | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Crutchley R | Displaced | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Belton EK | Displaced | 1998 | The London Institute | Fine Art | |
| Jardine B | Displaced: Always on my mind/You make me sick. Little Death. Immaculate Conception. | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| McDade S | Displacement | 2000 | Southampton Institute | ||
| McDade S | Displacement | 2000 | Southampton Institute | ||
| Hill PJ | Displacements | 1998 | De Montfort University | ||
| Dines NE | Displacements/Threshold | 1999 | The London Institute | Fine Art | |
| Lindsay W | Displaying Dinosaurs at the Natural History Museum | 1996 | Royal College of Art | Conservation | Larkin, N Smith, N |
| PHIPPARD P | Displays her body in the most reckless manner | 1997 | University of Lincoln | ||
| Ali-MacLachlan I | Disrupting Isolation: Exposing Distance Learning Students to Cultural Differences. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Robinson H | Disruptive Women Artists : An Irigarayan Reading of Irish Visual Culture | 2000 | University of Ulster | ||
| Cameron AJ | Dissimulations - the illusion of interactivity | 1997 | University of Westminster | Hypermedia | |
| Whiting B.M. | Distance Yourself Young Man | 2000 | Falmouth College of Arts | ||
| Carlisle A | Distant Voices | 1994 | University of Wales College, Newport | Photography | Keith Arnatt Kieran Lyons Eileen Little |
| Atkin J | Distant Voices (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| DIGNAN P | Distilled | 1999 | University of Dundee | Contemporary Practice | Cluett, C |
| Saxton J | Distinctive Skills and Implicit Practices | 2000 | Goldsmiths College | Kimbell, R. Miller, S. |
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| Cowie W S | Divagate | 1998 | University of Brighton | Visual and Performing Arts | E Aggiss |
| Hindle Y | Divers Memories Project | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Dye D M | Divers Memories/Hong Kong | 1998 | University of Northumbria at Newcastle | Installation (2b) | |
| Dorsett C J | Divers Memories/Muistoja Syv | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Rosser E | Divers memories at MOST (New Territories, China) | 1998 | Wimbledon School of Art | Sculpture | Chris Dorsett Siu King Chung David Dye |
| Hall R | Diverse Encounters | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Vanke F | Diverse Routes | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Hare W | Divided Self, United Vision: The Expressionist Art of Lys Hansen | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Jensen SA | Divided by Resistance | 1996 | The London Institute | 3-Dimensional and Environmental Design | Bruce Gilchrist Jonny Bradley Graham Russell |
| Gilchrist B | Divided by Resistance | 1996 | Oxford Brookes University | Creative Practice | Jonny Bradley (computer programmer) |
| Davies R | Dividing Line | 1998 | Kingston University | ||
| Sinclair R | Do All Oceans Have Walls, group exhibition of publicly sited works | 1998 | Glasgow School of Art | Fine Art | |
| Miller A | Do Paintings Dream About Veronese Green. | 1999 | Goldsmiths College | ||
| OConnell T | Do Touch, Do Not Touch | 1997 | University of Reading | ||
| Faiers J | Do You Really Want It That Much More? ...More! | 1999 | Goldsmiths College | Eichelmann, V. | |
| Faiers J | Do You Really Want It That Much? ...More Part 3. | 2000 | Goldsmiths College | ||
| Drew L | Do development interventions shape conceptions of teaching in Art and Design? | 2000 | University of Brighton | Pedagogic Research | |
| McConnell A | Do fire-fighters develop specific ventilatory responses in order to cope with exercise whilst wearing self-contained breathing apparatus? | 1999 | Brunel University | Design for Inclusion | |
| Porteous C | Do sunspaces work in Scotland? Lessons learnt from CEC solar energy demonstration in Glasgow | 1997 | Glasgow School of Art | Cities and Environments | |
| Orr C | Do the locomotion with me | 1999 | Royal College of Art | Fine Art | |
| O'Connell T | Do touch, do not touch | 1997 | Bath Spa University College | ||
| Mealing SP | Do you see what I'm saying? | 2000 | University of Plymouth | Centre for Visual Computing | |
| Poulton A | Dobby woven upholstory designs | 1999 | University of Southampton | ||
| Roberts S | Dockers DVD | 2000 | Liverpool John Moores University | International Centre for Digital Content | G Price |
| Price G | Dockers DVD | 2000 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Thomas NG | Docking Station for housing various Ultrasonic Measuring Devices | 1998 | University of Wales Institute, Cardiff | PDR | |
| Durling D L | Doctoral Education in Design: Foundations for the Future. | 2000 | Staffordshire University | ARi, School of Art + Design | K. Friedman |
| Durling D L | Doctorates in Design: Good or Bad?, keynote lecture, 4th Asian Design Conference on Design Science 1999, Nagaoka, Japan. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| MATTHEWS G | Doctorates in Design: Why we need a research culture in design | 1996 | University of Lincoln | ||
| Noble I | Document: We Interrupt the Programme | 2000 | The London Institute | Media and Communication | Russell Bestley |
| Bestley R | Document: We Interrupt the Programme | 2000 | The London Institute | Media and Communication | Ian Noble |
| Newton S J | Documents of a Decade | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Cummings N | Documents: Adrift in Taste | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Marysia Lewandowska |
| Herring H | Does energy efficiency save energy? The debate and its consequences. | 1999 | Open University | Design for sustainability | |
| Ledger RA | Dog Ownership: Expectations and Requirements | 1998 | Brunel University | Interaction Design | |
| Taylor E P | Doing the Laundry? An assessment of the past and present of Object-based Dress History | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Ashton P C | Doing the Right Thing. Social Processes in Design Learning. | 2000 | Staffordshire University | ARi, School of Art + Design | D Durling |
| Hilton K H | Dolphin Exercise Pod | 1995 | University of Northumbria at Newcastle | Product Design (4b) | |
| Power M | Dome | 1998 | University of Brighton | Visual Communication Design | |
| Kennard P | Domesday Book | 1999 | Royal College of Art | Critical Practice | |
| Ride P | Dominique Blain | 1997 | University of Westminster | CARTE | |
| Bruton J | Domino | 1999 | University of Southampton | ||
| Knight K | Don Giovanni | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| BRADLEY P | Don Hans Van Der Laan | 2000 | University of Lincoln | ||
| Banner F | Don't Look Back | 1999 | The London Institute | Fine Art | |
| Mitchell I | Don't Panic - This is Beaufonts | 2000 | Liverpool John Moores University | Graphic Arts | |
| Lewandowski S | Don't Worry | 2000 | Nottingham Trent University | Visual Arts | |
| GERSHT O | Don't Worry | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Phillips ML | Donald Rodney: Autoicon | 2000 | University of Plymouth | STAR | Cox G |
| Dinan Spencer C | Donkey Magic | 1994 | The London Institute | Media and Communication | Caroline Sutherland |
| Bigwood DA | Donna Karan | 1998 | The London Institute | Fashion and Textiles | |
| Wilson LJ | Donna Karan Phase 1 | 1997 | The London Institute | Fashion and Textiles | |
| Wilson LJ | Donna Karan Phase 2 | 1998 | The London Institute | Fashion and Textiles | |
| Wilson LJ | Donna Karan Phase 3 | 1998 | The London Institute | Fashion and Textiles | |
| Wilson LJ | Donna Karan Phase 4 | 1999 | The London Institute | Fashion and Textiles | |
| Bell J | Donnelly Gallery Garden | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| TURRELL E | Donors Recognition Panels | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Hyatt J | Doria Hemming | 1999 | Manchester Metropolitan University | Sanders-Wood T Twigge S |
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| Ramshaw W | Double Screen EH9681 | 1996 | Royal College of Art | Applied Art | |
| Bowen S | Double Summertime residency and exhibition | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| Allsop D | Douglas Allsop | 1999 | Royal College of Art | Fine Art | |
| Gordon D | Douglas Gordon, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| OAKENFULL M | Dover Castle | 1998 | University of Lincoln | ||
| Smith A | Down Among the Molecules: Chemical Analysis in the Study of Historic and Archaeological Textiles | 2000 | The London Institute | Media and Communication | |
| West N F | Down the Line Jatulintarha project | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Baxter H | Dr Faustus by Christopher Marlowe | 1997 | Wimbledon School of Art | Theatre costume | Jonathon Best |
| Price M L | Dr Missy's communicating on the internet. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Sayers P C | Dragged. | 1998 | Staffordshire University | ARi, School of Art + Design | S. Pucill |
| Vyner T | Dragon Mountain | 1996 | Bath Spa University College | ||
| Davies P A | Dramatic Perspectives | 2000 | University of Brighton | Fine Art Practices | |
| DIAMOND S | Draw | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Reich J | Draw Cards | 1998 | Anglia Polytechnic University | ||
| Petherbridge D | Drawing Allusions | 1994 | Royal College of Art | Critical Practice | |
| Rohr D | Drawing Connections (drawings and monograph essay) | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Mottram JA | Drawing across boundaries, Mottram, J.A. and Whale, G. (eds) | 2000 | Loughborough University | Drawing | |
| JOURNEAUX J. | Drawing across the board | 1999 | Coventry University | Visual Arts | |
| Shaw R | Drawing and Learning: TLTP3 Project 2 (Interactive Multimedia Learning) | 1999 | Glasgow School of Art | Principles of Drawing | |
| SCHENK P M | Drawing for design: the impact of computer-assisted design on the role of drawing for communication designers in commercial practice | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Henderson DG | Drawing on London: Worked Examples | 1996 | De Montfort University | ||
| Lowe J | Drawing the Poetic into the Law of the Architect | 1998 | University of Brighton | Natural and Constructed Environments | |
| Ward R | Drawings | 1997 | University of Sunderland | Fine Art | |
| Gluzberg M | Drawings individually titled. | 1998 | Goldsmiths College | ||
| Midgley J | Drawn from Experience. Artists residence at Royal Liverpool + Broadgreen University Hospital. | 1999 | Liverpool John Moores University | Graphic Arts | |
| Joseph J E | Drawn in Place | 1997 | Wimbledon School of Art | Painting | |
| Rome R | Dream Boat | 1998 | Royal College of Art | Fine Art | |
| Hiller S | Dream Machines | 1994 | University of Newcastle | ||
| Connearn D | Dream Machines | 2000 | Edinburgh College of Art | Fine Art | |
| Harris MC | Dream Machines (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Shankie J | Dream Machines, touring group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Robson E H N | Dream, Dreamt, .....still Dreaming! | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Theatre Encorps Dr Ana Sanchez-Colberg Brudermann and Papp |
| Carter T | Dreaming Holbein. | 1996 | Goldsmiths College | ||
| Holland D | Dreaming is Free, Two person exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Eastley M | Dreaming of Inscriptions On and Through Skin | 2000 | Liverpool John Moores University | Audio-visual | Toop,D. |
| Hanna S J | Dreamplay | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| ORourke D | Dreamstate, The New Scottish Poetry | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| Pilgrim G | Dreamwork' | 1998 | Wimbledon School of Art | Theatre Design | Theatre de Complicite Black Theatre Co-op Moti-Roti |
| Taylor E P | Dress, Etiquette and Colonialism: the clothing of British Women in Cyprus, 1878-1918 | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Shonibare Y | Dressing Down | 1999 | The London Institute | Fine Art | |
| Haselden R | Drewen Horse | 1997 | University of Reading | ||
| Morris L E | Drinking with Gilbert and George 1972-1978 | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Withnall M | Drinks carbonator | 1997 | Royal College of Art | Design for Manufacture | |
| Holt RB | Drive : A Folly in Excess of Utility | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Coward T | Drivers and Shapers | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Goodwin D | Dryden Goodwin - New Work. | 1999 | Goldsmiths College | ||
| Dines NE | Drying Up and Pulling Away/ Private Views | 1998 | The London Institute | Fine Art | |
| Wood M H | Ducati 2000: an icon for the century | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Walker, M |
| Earley RL | Duel: Autumn/Winter 1996 Collection | 1996 | The London Institute | Fashion and Textiles | Giovanna Palmiero |
| Harris M | Dumbfounded - Ways of Communicating | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Galloway L | Dumfounded | 1999 | De Montfort University | ||
| Hollis E | Dundee Contemporary Arts (RIAS Competition Winner and Lottery-funded Project) | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Woodley G. | Duodecahydron | 1998 | University College London | Painting | |
| Woodley G | Duodecahydron | 1998 | The London Institute | Fine Art | |
| Taylor A | Durham Cathedral Artists in Residence | 1996 | University of Gloucestershire | ||
| Burton A | Durham Cow | 1997 | University of Newcastle | ||
| Henderson D | Dusk (a suite of nine prints) | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| McCann B | Dusting the Giant | 1999 | Royal College of Art | Fine Art | |
| McCann B | Dusting the Giant | 1999 | Kingston University | ||
| Ashley M | Dutch global investment bank - commissioned redesign of brand identity | 2000 | The London Institute | Media and Communication | |
| Mostaghimi B | Dye Techniques | 1997 | University of Brighton | Materials Practices and Processes | |
| Fisher C | Dyptich (Untitled). | 1997 | Goldsmiths College | ||
| Fisher C | Dyptich. | 1997 | Goldsmiths College | ||
| Sheldon JL | E556 Working with Modern Art : Study Guide | 1996 | Liverpool John Moores University | Art and Design History | P Meecham |
| Butler P. | EAST INTERNATIONAL | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Morris L E | EAST International: 1994-2000/Riverside1999-2000 | 1994 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| EVELEIGH A | EASTER IN OSTEND | 1997 | Middlesex University | ||
| HEYWOOD A | ECCE HOMO | 1997 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Curated by Ali van der Berg |
| Twomey C. | EDINBURGH MAKERS | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Noszlopy G | EDMA: Life and Work 1924-1997 | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Hutchinson T | EIDOS Multimedia Symposium | 1998 | The London Institute | Media and Communication | Jason Edwards |
| Jensen SA | EL3 | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Littman S. G. | ELECTRALUX ENLIGHTENMENT | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Sutherland C | EMAP International Construction Tower | 1997 | Glasgow School of Art | Design | Hussey, C |
| Thompson V | EMI Archive - commissioned interior design and fitting out | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Thorpe A. | ENCOMPASS. ACTUAL PRODUCTS, VIRTUAL TOURS | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| MCMURDO W A | ESP | 1999 | University of Dundee | Digital Technology | Hiller, S Catling, B |
| Twomey C. | EUROPAISCHE KERAMIK '99 | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Harrison D. M. | EUROPEAN ART QUILTS | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Aiken J.C. | EV+A Exhibition of Visual Art (International Invited Section) | 1998 | University College London | Sculpture | |
| Hunter R | EVA + ( Exhibition of unusual art) | 1998 | Edinburgh College of Art | Fine Art | |
| Coles A. | EX-CAVATING MODERNISM | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Henshaw J. G. | EXPLODING PALMS AND OTHER DRAWINGS | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Sawdon Smith R. T. | EXPOSURE | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| MacWilliam S J I | Ear Piece | 1999 | Nottingham Trent University | Visual Arts | |
| Steiner S | Ear-Marked: Notes | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Hart WA | Early Nineteenth Century Chiefs' Horns from Coastal Liberia | 1999 | University of Ulster | ||
| Twyman M L | Early lithographed music: a study based on the H. Baron collection | 1996 | University of Reading | ||
| FITZPATRICK D. | Early people: Scotland's inhabitants 800BC-110AD | 1998 | Coventry University | Design | |
| Wood ND | Early polychrome glazes on a Chinese ceramic bead of the Warring States period | 1999 | University of Westminster | Ceramics | Freestone I Stapleton C Gu Taoxi Kexue Jishu |
| SLESS D. | Early travels through information design | 1996 | Coventry University | The Design Institute | |
| WALKER D B | Earth Structures and Construction in Scotland: A Guide to the recognition and conservation of earth technology in Scottish buildings | 1996 | University of Dundee | Coastal/Indigenous Cultures | Christopher McGregor Rebecca Little |
| Higgins P | Earth Today and Tomorrow | 1998 | Kingston University | ||
| Aytoun Ellis M | Earth, Mountains, Rivers | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Rose C | Earthworks | 1995 | University of Sunderland | Fine Art | |
| Baldacchino J | Easels of Utopia: Art's Fact Returned | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| O'Neill A | East End | 1998 | The London Institute | Fashion and Textiles | Chris Clunn |
| Simpson M | East International | 1998 | Bath Spa University College | McGinn, M. Griffiths, C. Bohn, K. |
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| Robinson A F | East International | 1996 | University College Northampton | Fine Art Practices | |
| Hatt C | East International 1996 | 1996 | The London Institute | Fine Art | |
| Granger S | East International 1997 (group exhibition by selection from international open submission). Selectors: Nicholas Logsdail and Tacita Dean. | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Hatt CAE | East International 96 | 1996 | Wimbledon School of Art | Painting | Martin Creed Keith Wilson Leo de Goede |
| Landrum A | East International 97 | 1997 | Bath Spa University College | Batchelor, D. Barlow, P. Hosking, M. |
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| Chance V | East International Open Exhibition | 2000 | De Montfort University | ||
| Marchant A | East Londoners - Research project using family albums from the residents of East London | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Clarke R | East Open | 1994 | De Montfort University | ||
| Draycott PA | EastEnders | 1998 | De Montfort University | ||
| Hansbro BP | Eastbury Manor | 1998 | University of Southampton | ||
| Tillotson E | Eastwest Prints | 1998 | University of Sunderland | Fine Art | |
| Rutherford S | Easy-View Mirror Set | 2000 | Nottingham Trent University | Design | |
| Wallinger M | Ecce Homo | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| WALLINGER M | Ecce Homo | 1999 | University of Oxford | ||
| Haselden R | Echelle at Canterbury | 2000 | University of Reading | ||
| Wilding A | Echo | 1995 | Royal College of Art | Fine Art | |
| Lee J | Echo | 1996 | Nottingham Trent University | Visual Arts | Ron Haselden Shelagh Wakely Sharon Kivland |
| Doig P | Echo Lake | 2000 | Royal College of Art | Fine Art | |
| Hodgson C | Echoes | 1997 | Kingston University | ||
| Haley DH | Eco-Art/Eco-Culture: Restoration in Perspective | 2000 | Manchester Metropolitan University | ||
| Billett EH | Eco-Design: Technological and materials implications | 1999 | Brunel University | Environmentally Sensitive Design | |
| Billett EH | Eco-Design:Practical Tools for Designers | 1996 | Brunel University | Environmentally Sensitive Design | |
| Chick A | Eco-design Survey: A Study of The Chartered Society of Designers Membership | 1997 | Kingston University | ||
| Brown C | Economist - Books and Multimedia supplement. | 2000 | Liverpool John Moores University | Graphic Arts | |
| MACKENNA T | Ed and Ellis in Schiedam, Tracy Mackenna and Edwin Janssen | 1998 | University of Dundee | Contemporary Practice | Janssen, E |
| MACKENNA T | Ed and Ellis in Tokyo, Tracy Mackenna and Edwin Janssen | 1998 | University of Dundee | Contemporary Practice | Janssen, E |
| Meyrick R K | Edgar Holloway and Friends: an artist's collection of prints from the Thirties | 1999 | University of Wales, Aberystwyth | ||
| Smith N E | Edges and Boundaries | 1997 | Nottingham Trent University | Visual Arts | |
| Brotherston W | Edinburgh College of Art in Krefeld: Aspects of Contemporary Art in Scotland | 2000 | Edinburgh College of Art | Fine Art | |
| Patterson Z | Edinburgh Makers | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| McConachie A | Edinburgh Makers | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Mowatt S | Edinburgh Makers 1999 | 1999 | Edinburgh College of Art | Fine Art | |
| CHAPLIN S | Edo's Endgame: Real or Virtual? | 1997 | Middlesex University | ||
| Paolozzi E | Eduardo Paolozzi: 70th Birthday Exhibition | 1994 | Edinburgh College of Art | Fine Art | |
| Beauchamp PM | Educating Barbie | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Harris M | Educating Barbie - An investigation of concepts concerning painting without the inclusion of paintings | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| BOYD-DAVIS S | Educating the Multimedia Designer | 2000 | Middlesex University | ||
| Malins J | Educating the practice based researcher: developing new environments for collaborative and constructive learning | 2000 | Robert Gordon University | Learning Strategies | Gray, C. |
| Baynes K | Education on the natural heritage for pre-school children | 1995 | Loughborough University | Design Education | Brochocka, K. |
| Allington E. | Edward Allington: Pictured Bronzes | 1997 | University College London | Sculpture | |
| CHELL E | Edward Chell Paintings | 1997 | Kent Institute of Art + Design | ||
| Phillpot C | Edward Ruscha Editions 1959-1999 Catalogue Raisonne | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chandler D | Edward Weston | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Whittaker E | Edward Whittaker | 1999 | Bath Spa University College | ||
| Zanker NP | Effective Information and Communication Technology | 2000 | Loughborough University | Design Education | |
| Frampton RJ | Effectiveness of airbag restraints in frontal crashes - what European field studies tell us | 2000 | Loughborough University | Design Ergonomics | Welsh, R.H. Kirk, A.R. Fay, P. |
| Kinnell F | Effects of Modular Course Structures on the Education and Practice of Printmaking | 1995 | De Montfort University | ||
| Ashworth J | Eggs, Fish and Blood | 1999 | Royal College of Art | Animation | |
| Short C | Egon Schiele | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Skingle S | Eight A3 sized sculptures displayed in the ch | 1998 | London Guildhall University | ||
| Morris N | Eight Days A Week : Cologne in Liverpool 2000 | 2000 | Liverpool John Moores University | Graphic Arts | Bryan Biggs |
| Phillips K | Eight Works on Paper | 1996 | Cumbria College of Art + Design | ||
| Poulton A | Eight dobby weave fabrics | 1998 | University of Southampton | ||
| Lawrence E | Eileen Lawrence | 1997 | Edinburgh College of Art | Fine Art | |
| You L.H. | Elastic-Plastic Stresses in a Rotating Solid Disk. | 1999 | Bournemouth University | Zhang, J.J. | |
| Nicolle CA | Elderly and Disabled Travelers: Intelligent Transport Systems Designed for the 3rd Millennium. With Reply to Comments. | 1999 | Loughborough University | Design Ergonomics | Peters, B. |
| Batchelor D | Electric Colour Tower | 2000 | Royal College of Art | Critical Practice | |
| Goddard J. | Electric Theatre: Technologies of Space | 1996 | University College London | Fine Art Media | |
| Ramsey BJ | Electrical Circuit | 1994 | Brunel University | Environmentally Sensitive Design | P Evans D Harrison |
| Rhodes EA | Electronic commerce technologies and changing product distribution | 1998 | Open University | Design and innovation management | R. Carter |
| St James M | Electronically Yours | 1998 | The London Institute | Fine Art | |
| Adjaye D | Elektra House | 2000 | Royal College of Art | Architectural Design | |
| Elliott T A | Elematrix | 2000 | Wimbledon School of Art | Research Centre | Tim Noble Sue Webster Willaim Pye |
| Jensen SA | Elemental | 1998 | The London Institute | 3-Dimensional and Environmental Design | Graham Russell Geoff Stewart David Germond |
| Mukaide K | Elemental Traces | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson Z | Elementral Traces | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dimitrakaki A | Elements of A Secret History : Women, Art and Gender in Modern Greece | 1997 | Liverpool John Moores University | Art and Design History | |
| McCall A | Elements of Change | 1995 | Glasgow School of Art | The Decorative Arts | |
| STEEL E R | Elements of Desire | 1999 | University of Dundee | Contemporary Practice | Diane Barrie |
| Catto MA | Elements of Irish Art | 1999 | University of Ulster | Ian Kirk-Smith, producer Bruce Arnold, script |
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| Thapalyal RI | Elements of change: group exhibition | 1994 | Glasgow School of Art | The Decorative Arts | |
| McClenaghen J | Elements of landscape | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Johnson JH | Elicitation of rules for graphic design evaluation | 1996 | Open University | Design for advanced products | G. Glaze N.G. Cross |
| Renshaw T | Eliminate the Negative | 1998 | University of Reading | Jane Harris Vanessa Jackson Rosa Lee |
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| Butterworth E | Elizabeth Butterworth - Solo Show | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butterworth E | Elizabeth Butterworth New Work | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Butterworth E | Elizabeth Butterworth Paintings, Drawings and Prints | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Fagence Cooper S | Ellen Mary Rope: The Poet Sculptor | 1997 | Buckinghamshire Chilterns University College | Design Culture | Joanna Barnes Leonie Haywood Martin Levy |
| Riddy J | Elsewhere | 1998 | The London Institute | Fine Art | |
| Cocks MJA | Eltham Palace | 1999 | The London Institute | Fashion and Textiles | |
| Henderson DG | Embedding Change: A Case Study of the CUDE Experience | 2000 | De Montfort University | ||
| Ryan S | Embedding and Evaluating CBL Materials in Science Education | 1997 | De Montfort University | Patel, D Scott, B |
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| Vincentelli M M | Embodiments: women's ceramic traditions and the work of Gabriele Koch and Vilma Henkelman | 2000 | University of Wales, Aberystwyth | ||
| Margetts M | Embody | 1998 | Royal College of Art | Applied Art | |
| Field B | Embracing the Informal Sector: A More Inclusive and Sustainable Approach to Third World Planning | 1998 | De Montfort University | ||
| Buck J | Embracing the Sea | 1998 | Southampton Institute | ||
| Clarkson nee Stevens B | Embroidered Samplers in England | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Calver V | Embroidered designs for fashion and furnishing fabrics for Jacob Schlaepfer, Switzerland | 1999 | University of Southampton | ||
| Nicol K | Embroidered fabric for Clements Ribeiro, Autumn/Winter 1997 | 1997 | Royal College of Art | Design for Manufacture | |
| Beazley S | Embroidered fabrics for Weisbrod Zurrer. | 2000 | University of Southampton | ||
| Arthur E | Embroidery 1600 - 1700 at the Burrell Collection | 1995 | Glasgow School of Art | The Decorative Arts | |
| Nicol K | Embroidery and embellishment of fabrics for John Rocha, Spring/Summer 1999 | 1999 | Royal College of Art | Design for Manufacture | |
| Ainsworth MD | Emerging Art II | 2000 | University of Ulster | ||
| Homma McLaughlin K | Emerging Images: Contemporary Expressions through Japanese handmade paper. | 2000 | University of Hertfordshire | ||
| Rhodes EA | Emerging corporate strategies, teams and the changing role of design | 1995 | Open University | Design and innovation management | R. Carter |
| Rose EE | Emma Rose: Paintings | 1999 | Lancaster University | ||
| Talbot E | Emma Talbot | 1998 | University of Gloucestershire | ||
| Cooper E | Emmanuel Cooper - Ceramics | 2000 | Royal College of Art | Applied Art | |
| Stuart A | Empire Line Dress | 1998 | The London Institute | Fashion and Textiles | |
| Chapman R | Empiric | 1997 | University of Huddersfield | ||
| Boddington A D M | En Route: Airport as Cultural Landscape | 2000 | University of Brighton | Natural and Constructed Environments | |
| Rushby R | Enamelled box and 11 pieces of enamelled silver and gold jewellery | 1995 | London Guildhall University | ||
| Martin TD | Enantiomorphic Chambers | 1999 | De Montfort University | ||
| Butler K | Encampment - The development of temporary site based work | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Hunter M | Encountering British Art | 1997 | Edinburgh College of Art | Fine Art | |
| Kirwan R | Encounters. | 2000 | Goldsmiths College | ||
| Ball L M | Encouraging Graduate Business Start Up in Art and DesignA Framework for Personal and Professional Development | 2000 | University of Brighton | Pedagogic Research | |
| BANCROFT HUNT N | Encyclopaedia of the Native Americans | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Currall A | Encyclopaedia, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Male A | Encycopedia of Science: The Living World | 2000 | Falmouth College of Arts | ||
| DALZIEL M N | Endlessly | 1997 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Chaston, R |
| Elliott DA | Energy, Society and Environment | 1997 | Open University | Design for sustainability | |
| Holland RJ | Engendering an Entrepreneurial Spirit through Design and Design Managment | 1998 | De Montfort University | ||
| Montgomery JAI | Engineering Excellence: In Northern Ireland | 1995 | University of Ulster | ||
| BOWSHER G. | Engineering design of Thrust SSC | 1997 | Coventry University | Design | AYERS, R. ROWBOTTOM, T. NOBLE, R. |
| Ruckman JYE | Engineering of Clothing Systems for Improved Thermophysical Comfort | 1999 | Manchester Metropolitan University | ||
| Peasgood D | English Accents Show | 1999 | The London Institute | Fashion and Textiles | |
| Cosserat K | English Accents Show | 1999 | The London Institute | Fashion and Textiles | |
| Midgley J | English Artists | 1997 | Liverpool John Moores University | Graphic Arts | |
| Pennell R. | Engraved Windows, Screens and Panels, Site-Specific | 2000 | University of Wolverhampton | Glass | |
| Pennell R. | Engraved glass vessel | 2000 | University of Wolverhampton | Glass | |
| Brown R | Enhancing design effectiveness in very small companies | 1996 | University of Wales Institute, Cardiff | PDR | A Mumby A Lewis |
| Weaver C | Enid Marx at the Central School in the 1920's | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Weaver C | Enid Marx: designing textiles for the utility furniture design advisory panel | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Turner A | Enigma of Arrival | 1996 | Southampton Institute | ||
| Devine K J | Enigmatic Communities of Colour | 1999 | University of Portsmouth | Centre for Creative Empowerment | |
| Mills R | Eno I and Eno II | 1994 | Royal College of Art | Communications | |
| Shaw R | Enriching Drawing | 1999 | Glasgow School of Art | Principles of Drawing | |
| Arthur E | Entertaining Royalty: British Needlework in the Burrell Collection | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Jaray T. | Entrance Square for Leeds General Infirmary | 1998 | University College London | Painting | |
| Sleeman A.J. | Entries for 'Petit dictionnaire des sculpteurs Britanniques du XXe si | 1996 | University College London | Art History and Theoretical Studies | |
| Rees A | Entries on 'Steve Littman', 'Jeff Keen', 'Jayne Parker', 'Guy Sherwin', 'John Smith' | 1999 | Royal College of Art | Communications | |
| Crisp A | Environment in Engineering Education, New Approaches To Curricula Content | 1999 | Nottingham Trent University | Design | I.Solomonides |
| Rogers ME | Environmental Education, Technology and Initial Teacher Education | 1996 | Goldsmiths College | ||
| Chick A | Environmental Reporting: A Guide for Environmental Managers and Designers | 1997 | Kingston University | ||
| Fletcher K | Environmentally responsible design in textiles | 1999 | Goldsmiths College | ||
| Dehn J | Equipped for the Future - Developing Designs with IKEA | 2000 | Kingston University | ||
| Linklater R | Ercole Amante by Cavalli | 1999 | Nottingham Trent University | Design | Boston Early Music Festival |
| Brown R | Ergonomic data fro elderly people and their application in rehablitation design | 1997 | University of Wales Institute, Cardiff | PDR | N Rogers J Ward DK Wright |
| Bainbridge E | Eric Bainbridge Works 1991-97 | 1997 | University of Sunderland | Fine Art | |
| Bainbridge E | Eric Bainbridge: Works 1991-1997 | 1997 | Royal College of Art | Fine Art | |
| Coates-Smith W | Eric Fraser, Designer and Illustrator, ed Sylvia Backmeyer | 1998 | Anglia Polytechnic University | Sylvia Backemeyer | |
| Woodfield R A | Ernst Gombrich, Dal mio temp: Citta maestri, incontri, a cura di Woodfield | 1999 | Nottingham Trent University | Visual Arts | |
| Liggett S | Eros 1 | 1996 | North East Wales Institute of Higher Education | Art and Design | |
| Best A | Error 404, 2000 e-2.org | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Matlow EG | Escape from the Flatlands: the impact of new technologies on Graphic Design education | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Eacott JF | Escape to Life | 2000 | University of Westminster | Sound Media | |
| Shanahan P.N. | Esperantis | 2000 | Falmouth College of Arts | ||
| Cox C | Essays on contemporary fashion designers | 1998 | The London Institute | Fashion and Textiles | |
| Vince J. | Essential Computer Animation. | 2000 | Bournemouth University | ||
| Martin TD | Essential Surrealists | 1999 | De Montfort University | ||
| Logue L | Estate | 1999 | Southampton Institute | ||
| Hollyhead B | Estee Lauder Inc | 1995 | University of Brighton | Visual Communication Design | |
| Thompson E | Estelle Thompson '94-'96 | 1996 | De Montfort University | ||
| Thompson E. | Estelle Thompson: Fuse Paintings | 1998 | University College London | Painting | |
| Thompson E. | Estelle Thompson: Recent Paintings 1999-2000 | 2000 | University College London | Painting | |
| Thompson E. | Estelle Thompson: Recent Paintings and Prints | 1999 | University College London | Painting | |
| Hare W | Et in Nabolandia Ego | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Oxley Nigel | Etchings of prints by John Piper (Oxley | 1999 | London Guildhall University | ||
| Oxley Nigel | Etchings with Nigel Oxley (collaborative illustrations + commentary). | 1998 | London Guildhall University | ||
| Grace JF | Ethelbert the tiger, animation series (14 episode scripts) | 2000 | Loughborough University | Illustration | |
| de La Haye A | Ethnic Minimalism: A contextual analysis of designs by Shirin Guild | 1999 | The London Institute | Fashion and Textiles | |
| Palmer E | Eugene Palmer Recent Paintings | 1999 | The London Institute | Fine Art | |
| Calver V | Eugenia' co-ordinated designs for the Sheriden range of bedlinens | 1999 | University of Southampton | ||
| MARKIEWICZ L | Euphoria | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Fleming K | European Art Quilt | 1997 | University of Ulster | ||
| Frew C | European Couples and Others | 1997 | Edinburgh College of Art | Fine Art | |
| Robertson S | European Investment Bank | 1995 | University of Brighton | Natural and Constructed Environments | D Lasdun |
| Trangmar SRA | European Photography Award Exhibition / Exposures | 1996 | The London Institute | Fine Art | |
| Fleming K | European Quilt Triennale | 2000 | University of Ulster | ||
| Boyd S C | European Rustic. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Treplin A | Eurydice | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Head T.D. | Eurythmics Peace Tour (Designs) | 1999 | University College London | Fine Art Media | |
| Astles CA | Eva Luna | 1995 | University of Plymouth | Theatre + Performance | |
| Honeywill P W | Evaluating Appropriate Interface Metaphors. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Oak A V | Evaluating voices: Assessment talk in design and architecture education | 2000 | University College Northampton | Design for Industry and Commerce | |
| Hermansen C | Evaluation of Gro Grant for owner occupation | 1996 | Glasgow School of Art | Cities and Environments | K. Gibb M. Keoghan K. Kintrea |
| Jacobson R | Evaluation of the Effects of Compression on the Quality of Images on a Soft Display | 1997 | University of Westminster | Imaging Technology | Ford AM Attridge GG |
| Onwin G | Evaporates | 1997 | Edinburgh College of Art | Fine Art | |
| MUSKE E | Eve Muske/Helen Ireland | 1996 | University of Lincoln | ||
| BONAVENTURA P | Even: Dorothy Cross | 1996 | University of Oxford | Tessa Jackson James Conway Marian Dunlea |
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| Tait N | Ever get the feeling you''''ve been cheated | 2000 | The London Institute | Fine Art | |
| McKee F | Every Creeping Thing: the Anxieties of Collecting, essay in exhibition catalogue | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Richards M | Everyday Television: Studies of British Television | 1996 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Bryson W.N. | Everything We Look At Is A Kind Of Troy | 2000 | University College London | Art History and Theoretical Studies | |
| Lebbon C | Evidence based Design Methods Within a User-Centred Approach | 1999 | Royal College of Art | Inclusive Design | McDonagh-Philip Torrens, G |
| Bellingham DA | Evolution Isn't Over Yet | 1999 | Manchester Metropolitan University | ||
| Carter P | Evolution Isn't Over Yet.. | 1999 | Edinburgh College of Art | Fine Art | |
| Ramsay G | Evolution isn't Over Yet, group exhibition | 2000 | Glasgow School of Art | Fine Art | John Beagles |
| Ursitti C | Evolution isnt Over Yet, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Hose M | Ewen Henderson Paintings | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Rayson D | Examining Pictures, Exhibiting Paintings. | 1999 | Goldsmiths College | ||
| Rayson D | Examining Pictures: Exhibiting Paintings | 1999 | Royal College of Art | Fine Art | |
| Fillingham P | Excellent. | 2000 | Goldsmiths College | ||
| Keane J | Exchange Rates | 2000 | The London Institute | Fine Art | |
| Sacks S | Exchange Values: Images of Invisible Lives | 1996 | Oxford Brookes University | Social Sculpture Research Unit | |
| Buckley S | Excursions: Small Paintings by Stephen Buckley | 1994 | University of Reading | ||
| Kyte R | Execution of 4 trophies for Playwright of the Year Award (winner and 3 nominees): sterling silver + bronze statuettes on machined hardwood bases. | 1995 | London Guildhall University | ||
| Bal Y | Executive producer + artistic adviser for A Day, A Year | 1997 | London Guildhall University | ||
| Bal Y | Executive producer and artistic adviser for Doina and Nicolo, 21 min. video (Betacam) documentary which explores personal relationships in the context of disability. | 1996 | London Guildhall University | ||
| Roddis JN | Exemplar | 1995 | Sheffield Hallam University | ||
| Denison L | Exhibition | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Denison L | Exhibition | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Kinnell F | Exhibition British/Dutch Artists | 1995 | De Montfort University | ||
| Klein D V | Exhibition International New Glass | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Edge S | Exhibition Stand for Delanotech (Europe) Ltd | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Watson LJ | Exhibition and Workshop | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Riley B | Exhibition at Tate Modern | 2000 | De Montfort University | ||
| Barnett P | Exhibition catalogue essay | 1998 | Goldsmiths College | ||
| Ling M | Exhibition catalogues | 1999 | University of Sunderland | Design | |
| Cleverly J G | Exhibition of Automata. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Rowe M | Exhibition of Finalists for the 1st European Prize for Contemporary Art and Design-led Crafts | 1998 | Royal College of Art | Applied Art | |
| Rose EE | Exhibition of Monoprints | 1996 | Lancaster University | ||
| Kirkwood I | Exhibition of Paintings | 1996 | De Montfort University | ||
| Morris D | Exhibition of Public Service Issues - Domestic Violence | 1999 | Buckinghamshire Chilterns University College | Visual Communication | Phil Giggle |
| Croft P J | Exhibition of Recent Drawings and Prints | 1998 | University of Wales, Aberystwyth | ||
| Masters R | Exhibition of Recent Work | 1995 | University of Sunderland | Fine Art | |
| Jeal D | Exhibition of Sculpture | 2000 | Anglia Polytechnic University | ||
| Tyrrell J | Exhibition of designs and models | 1994 | University of Sunderland | Design | |
| Thompson L J | Exhibition of glass 'Vessels'. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Ferguson A | Exhibition of knitted design work | 1998 | Glasgow School of Art | Design | |
| Eglin P M | Exhibition of the Jerwood Prize for Applied Arts: Ceramics, 1996 | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Grayson J | Exhibition, Chelsea Crafts Fair 2000. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Lewis S E N | Exhibition-Small Works | 1999 | Nottingham Trent University | Visual Arts | Group Exhibition |
| Fox S | Exhibition: Lost and Found: critical voices in new British design | 1999 | The London Institute | Fashion and Textiles | |
| Chalayan H | Exhibition: Lost and Found: critical voices in new British design | 2000 | The London Institute | Fashion and Textiles | |
| Read J | Existing Bodies | 2000 | Edinburgh College of Art | Fine Art | |
| Toop D | Exotica: Fabricated Soundscapes in a Real World | 1999 | The London Institute | Fine Art | |
| Morris S | Experience: 4 Essays On Experience | 2000 | The London Institute | Fine Art | Darian Leader Kate Love Anthony Neaton-Armstrong |
| De Groot C | Experiencing The Phenomenological Object | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Stockham J | Experiment GB | 1997 | Royal College of Art | Fine Art | |
| SZULAKOWSKA U | Experimental Art in Queensland 1975 - 1995 | 1998 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| Godfrey A | Experimental Embroidery | 1998 | The London Institute | Fashion and Textiles | Polly Kenny |
| Rust CM | Experimental Making in Multi-Disciplinary Research | 2000 | Sheffield Hallam University | Graham Whiteley Adrian Wilson |
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| Lee R M | Experimental Mixed Media Wire Knitted Structures | 1999 | Cumbria College of Art + Design | ||
| Douglas H | Experimental Narrative and Artists' Books | 1999 | The London Institute | Fine Art | |
| Crow D | Experimental Typography | 1996 | Liverpool John Moores University | Graphic Arts | |
| Sharpe T | Experimental hybrid PV dynamic insulation wall in Scotland | 2000 | Glasgow School of Art | Cities and Environments | C. Porteous |
| Harrison DJ | Experiments in Virtual Reality | 1996 | Brunel University | Environmentally Sensitive Design | M Jaques |
| Eatock D | Experiments with graphic language and design | 1999 | University of Brighton | Visual Communication Design | |
| Cross NG | Expert Designers | 1998 | Open University | Design thinking and communication | A Clayburn Cross |
| Brett G | Exploding Galleries: The Art of David Medalla | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Springer P | Exploring Design - Concepts (Design Scenarios) | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Turnock P | Exploring Design and Innovation | 2000 | Brunel University | Design Pedagogy | A Chappell E TAbor P Isherwood |
| Tabor EC | Exploring Design and Innovation | 2000 | Brunel University | Design Pedagogy | A Chappell P Isherwood N Stanton |
| Isherwood P | Exploring Design and Innovation - fresh ideas for creative curriculum development | 2000 | Brunel University | Design Pedagogy | A Chappell E Tabor N Stanton |
| Chappell A | Exploring Design and Innovation - fresh ideas for creative curriculum development | 2000 | Brunel University | Design Pedagogy | E Tabor P Isherwood N Stanton |
| Mitchell L | Exploring Everyday Products | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Fraser D | Exploring the Lathe | 1995 | University of Ulster | ||
| Dyson M C | Exploring the effect of layout on reading from screen | 1998 | University of Reading | G. J. Kipping | |
| Porter JM | Exploring the optimum posture for driver comfort | 1998 | Loughborough University | Design Ergonomics | Gyi, D.E. |
| Brock PM | Expofil | 1994 | The London Institute | Fashion and Textiles | |
| RINGE S | Export | 1997 | University of Lincoln | ||
| Chalayan H | Exposing Meaning in Fashion Through Presentation | 1999 | The London Institute | Fashion and Textiles | |
| Lawler T | Exposing and improving the metacognition of designing through practical structured workshops. | 1997 | Goldsmiths College | ||
| Lawler T | Exposing the gender effects of design + technology project work by comparing strategies for presenting and managing pupils' work. | 1999 | Goldsmiths College | ||
| Wilding A | Exposure | 1994 | Royal College of Art | Fine Art | |
| Stehli J | Exposure | 2000 | University of Portsmouth | Art and Philosophy | |
| Hill PJ | Exposure! - Celebrations of the Year of Photography | 1998 | De Montfort University | ||
| Robertson GD | Extension to Nursing Wing, Crookfur Cottage Homes, Newton Mearns | 2000 | Glasgow School of Art | Design | |
| Cartwright AR | Exterior terrace furniture (commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Dines NE | External Fixators and Arrangement | 2000 | The London Institute | Fine Art | |
| Doherty WJ | Extracts from a File | 2000 | University of Ulster | ||
| Mealing SP | Extrapolation to Future Novelties. | 1997 | University of Plymouth | Centre for Visual Computing | |
| Miller A | Eye Love Eye. | 1997 | Goldsmiths College | ||
| Turner A | Eye to I | 1998 | Southampton Institute | ||
| McDade S | Eye to I | 1998 | Southampton Institute | ||
| Gaynor M | Eye to I | 1998 | Southampton Institute | ||
| HOLDEN J | Eyes Only | 2000 | University of Lincoln | ||
| Lindley J | Eyeworks Opticians | 2000 | University of Hertfordshire | ||
| Stevens P | F1 Supercar Derivatives | 1994 | Royal College of Art | Design for Manufacture | |
| MOONEY J | FACE -TO-FACE - SOLO EXHIBITION | 1998 | Middlesex University | ||
| Buchan S. H. | FANTAZJE FILMOWE. WARIACJE NA TEMAT ULISSESA (LITERARY CINEMATICS: CINEMATIC METAMORPHOSIS IN JAMES JOYCE'S ULYSSES) | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Meigh-Andrews C C | FENETRE DIGITALE | 2000 | University of Central Lancashire | ||
| Wood R.M. | FIDEM 1999 | 1999 | Falmouth College of Arts | ||
| SHERWIN G | FILTER BEDS - 16MM FILM | 1998 | Middlesex University | ||
| JOHNSON N M | FIRE-FLY I + II (Pteroptyx Malaccae) | 1998 | University of Dundee | Digital Technology | |
| Rowland C | FIREFLAY: Using Particle Dynamics for Human Representation | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| JOHNS P | FIRESTAIN RESISTANT SILVER ALLOYS | 1998 | Middlesex University | ||
| JOHNS P | FIRESTAIN RESISTANT SILVER ALLOYS | 1997 | Middlesex University | ||
| Rowland C | FISHION, solo exhibition | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Deville N. | FIVE EASY PIECES | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Tyler DJ | FLEAS: A Flowline Environment for Automated Supervision | 1997 | Manchester Metropolitan University | Fozzard G Spragg JE |
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| Fozzard GJ | FLEAS: A Flowline Environment for Automated Supervison | 1999 | De Montfort University | Spragg, J. Tyler, D. |
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| SHAW P | FLORA TINCTORIA GRAFICA - PHYTOMOGRAPHIC AND LARGE FORMAT INKJET PRINTS | 2000 | Middlesex University | ||
| Biagioli M. | FORM FOLLOWS FUNCTION: TYPE DESIGN SINCE 1440 | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Frank C | FRA 335, 336, 339, 340, 534, 313, 333, 303, 345, 344, 342, 159 (textile designs) | 1999 | Loughborough University | Textiles | |
| Frank C | FRA 361, 375, 374, 378, 368, 364, 2011, 405, 410, 408 (textile designs) | 2000 | Loughborough University | Textiles | |
| Frank C | FRA 415, 407, 409, 412 (textile designs) | 2000 | Loughborough University | Textiles | |
| Frank C | FRA 428 (textile design) | 2000 | Loughborough University | Textiles | |
| Slade-Brooking C. L. | FRA APOTEKETS URTELOFT | 1995 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Rampley M. | FROM SYMBOL TO ALLEGORY: ABY WARBURG'S THEORY OF ART | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| SHAW P | FRUIT AND VEG; OR, GROW YOUR OWN INK | 1995 | Middlesex University | ||
| COWAN J | FURNITURE | 1999 | Middlesex University | ||
| JOHNSTON K | Fabric Designs for Mode Druck Gera GmbH, Germany | 1996 | University of Dundee | Contemporary Practice | Susan Thrower |
| Wells K | Fabric Dyeing and Printing | 1997 | De Montfort University | ||
| Bowman J | Fabric designs 12.B.688, 2000 | 2000 | Loughborough University | Textiles | |
| Braddock SE | Fabric of Fashion. | 2000 | Goldsmiths College | O'Mahony, M. | |
| Braddock SE | Fabric of Fashion. | 2000 | Goldsmiths College | ||
| Aldrich W | Fabric, Form and Flat Pattern Cutting | 1996 | Nottingham Trent University | Fashion and Textiles | |
| McHugh C | Fabrica - Co-founder + Joint Artistic Director of Contemporary Art Gallery in Central Brighton. 1994-1997Design of exhibitions and events / curation. | 1994 | University College Chichester | Design of exhibitions and events / curation | |
| Sanderson LV | Fabrication | 2000 | Sheffield Hallam University | Neil Conroy | |
| Sanderson LV | Fabrication and Reality | 1998 | Sheffield Hallam University | Neil Conroy | |
| Walker S F | Fabula project | 2000 | University of Reading | ||
| Pardey J G | Facade and Frame | 2000 | University of Portsmouth | Centre for Creative Empowerment | |
| Richardson C | Face On | 2000 | Oxford Brookes University | Curatorial Projects | Mark Durden |
| Wright A | Face Value | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Mooney J | Face to Face | 1998 | Royal College of Art | Fine Art | |
| Hood B | Face2Face | 1998 | Edinburgh College of Art | Fine Art | |
| SAXON G | Facing Things-Video Installation at L-Art Gallery Making Connections - Curated Video Programme of British Work and Retrospective | 2000 | University of Lincoln | ||
| Allen T | Fact + Value: New Positions in Sculpture and Painting | 2000 | Kingston University | ||
| Poston D | Factfile on Jewellery | 1995 | Loughborough University | Fine and Applied Arts | Wilson, M. |
| Corner F | Factors affecting the Curriculum Design of British Higher Education | 1998 | London Guildhall University | ||
| Zellweger C | Facts, fakes and beauty | 1999 | Sheffield Hallam University | ||
| Forster J | Fade Away and Radiate | 1999 | University of Gloucestershire | ||
| Whittaker P | Failure, Aporia and Death | 1999 | University of Southampton | ||
| Watt DS | Fakenham Gasworks: Over 150 years of History | 1999 | De Montfort University | ||
| SHEMILT E | Falkland Islands/Project Atlantis | 1999 | University of Dundee | Industry and the Public Sector | Brig Nicolls Andy Rice Gary Fisher |
| Gussin GPG | Fall (7200-1) | 1997 | The London Institute | Fine Art | |
| Thompson GA | Fall-Out | 1996 | The London Institute | Fine Art | |
| Aggiss E | Falling Apart at the Seams (so it seems) | 1994 | University of Brighton | Visual and Performing Arts | W Cowie |
| Adams H | Falls the Shadow - Disjunctions between artists practice and systems of public arts support in the UK | 1999 | University of Wales Institute, Cardiff | Fine Art | J Summerton |
| TRUSSELLE K.L. | Falsework | 2000 | Coventry University | Visual Arts | ALLEN, T. CRUTCHLEY, R.H. CHORLTON, G. |
| Crutchley R | Falsework | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Landen C | Familiar British Wildlife | 1995 | University of Wales College, Newport | Photography | |
| Stewart N | Familiar Image | 1997 | Sheffield Hallam University | ||
| Courtenay PJ | Families | 1999 | The London Institute | Fine Art | Tony Potts George McKane Teatru Wybrzeze |
| Rodriguez J | Families + How to Survive Them [Rachel Billington]; Against the Grain [William Klein]; Pay + Display [menswear ad photography]; The Art of Business [Citibank prize for photography/Rineke Dijkstra] | 1999 | The London Institute | Media and Communication | |
| Holland D | Family Credit, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Booth S | Fancy Goods: Exhibition of British Design: group exhibition | 1997 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Belton EK | Fantastic Overload | 1999 | The London Institute | Fine Art | |
| Harrison MF | Fantasy Football Art League | 1998 | Manchester Metropolitan University | ||
| Bird-Jones C | Farmers daughters | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Breward C J | Fashion + the Man: From Suburb to Street. The Spaces of Masculine Consumption 1870-1914 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Gibson PM | Fashion Cultures: Theories, Explorations and Analysis | 2000 | The London Institute | Fashion and Textiles | Stella Bruzzi |
| Bolton A | Fashion In Motion | 1999 | The London Institute | Fashion and Textiles | |
| McKelvey K A | Fashion Source Book | 1996 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Jobling P | Fashion Spreads - Words and Image in Fashion Photography since 1980 | 1999 | University of Brighton | Design History, Criticism and Theory | |
| McDowell C | Fashion Today | 2000 | The London Institute | Fashion and Textiles | |
| Cox C | Fashion entries | 1999 | The London Institute | Fashion and Textiles | |
| Fox S | Fashion in Motion | 2000 | The London Institute | Fashion and Textiles | |
| Anderson F | Fashioning the Gentleman: A Study of Henry Poole and Co., Savile Row Tailors 1861-1900 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Conekin BE | Fashioning the Playboy: Messages of Style and Masculinity in the pages of Playboy Magazine, 1953 - 1963 | 2000 | The London Institute | Fashion and Textiles | |
| Smith D | Fast Forward | 1999 | The London Institute | Fine Art | Olaf Parker Sue Denny |
| Jackman J | Fast-UK (Fine Art Sculptors and Technology in the United Kingdom) | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Strutton J | Father Son and Scary Ghost | 2000 | Royal College of Art | Fine Art | |
| Roberts J | Father of Creation, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Nicol EJ | Fathom. | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Davison M A | Fathom. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Reid H F | Fatigue: its relevance to furniture | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam J Perkins M |
| Smith T | Fault Line | 1999 | University of Gloucestershire | ||
| McKay C M | Fearful Dunderheads, Kandinsky and the Cultural Referents of Criminal Anthropology | 1996 | University of Sunderland | Photography | |
| Gordon D | Feature Film, solo permanent exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Lowe J | Federation Square, International Architectural Design Competition | 1997 | University of Brighton | Natural and Constructed Environments | A Hawker J Wernick Lyon Architects |
| Chatwin P | Feed the Fury: Art Meets Science | 1998 | Manchester Metropolitan University | Martin P | |
| Clarke S R I | Feeding Squirrels to the Nuts 11 | 1998 | University of Portsmouth | Centre for Images in Practice | T Credland Karen Eliot |
| New S | Feeling Poorly | 2000 | University of Gloucestershire | ||
| Kirwan R | Feeringbury VIII: Cultivated. | 1998 | Goldsmiths College | ||
| Aylieff F | Felicity Aylieff: new work, an evolution | 2000 | Bath Spa University College | ||
| Chadwick J | Felt, Non Felt | 1996 | Kingston University | ||
| Homma McLaughlin K | Female Artists + their Works from Collection | 1997 | University of Hertfordshire | ||
| McKeown RA | Female Jewish Comedians:Grotesque Mimesis and Transgressing Stereotypes. | 1999 | University of Plymouth | Theatre + Performance | |
| Morra G | Feminine Babel: writing between the ruins | 1996 | Oxford Brookes University | Theory | |
| PHOCA S | Feminism + Gender | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Dalton P | Feminism and Art Education | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Scott G A | Feminism and the Politics of Working Women: the Women's Co-operative Guild 1880s to the Second World War | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Kemp SD | Feminisms | 1998 | University of Westminster | CARTE | Squires J |
| McNiven A | Ferne im Innern | 1996 | Edinburgh College of Art | Fine Art | |
| Gibson PM | Fewer Weddings and More Funerals: Changes in the Heritage Film | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Turnock P | Fibreglass Sculpture | 1997 | Brunel University | Design Pedagogy | Cyclops P Hines |
| Hamilton R | Field | 2000 | Royal College of Art | Computer Related Design | |
| Thompson A | Field of Dreams | 2000 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Russell J | Field of Dreams | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Raby F | Fields and Thresholds (Prototypes ), Oslo | 1996 | Royal College of Art | Computer Related Design | |
| Raby F | Fields and Thresholds (Testpieces) | 1996 | Royal College of Art | Computer Related Design | |
| Montgomery I | Fifth Centennial Exhibition: Selected Scottish Paintings | 1994 | Edinburgh College of Art | Fine Art | |
| Franks A M | Fifth International Triennale of Contemporary Porcelain | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Keegan S P | Figuratively speaking | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Hanna S J | Figured Bass | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Hanna, T. Winter, H. |
| Rhodes E. | Film Screening | 1997 | University College London | Fine Art Media | |
| Dinsmore-Tuli U | Films at Home: Putting Domestic Audiences in the Picture. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Sherwin G | Filter Beds | 1998 | University of Wolverhampton | Fine Art | |
| RICE A | Financial Tool Modelling Design Activity | 1998 | University of Dundee | Contemporary Practice | |
| Williams D | Findings...Bitter-Sweet | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Brown JK | Fine Art Sculpture and Computing Technology | 1999 | Manchester Metropolitan University | ||
| Perkins M | Finite Element Analysis as a Design tool for Circular Saw Blades | 1999 | Brunel University | Environmentally Sensitive Design | H Iroas T Nicholls |
| Dawson J | Finnish Post-War Glass 1945-1996 | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Mathison F | Fiona Mathison | 1999 | Edinburgh College of Art | Fine Art | |
| Robertson FG | Fiona Robertson, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| TURRELL E | Fired With Colour - Aspects of Enamelling in Britain | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| FOLLETT G L P | Fired with Colour | 2000 | University of Dundee | Industry and the Public Sector | Wendy Ramshaw Fred Rich Ros Conway |
| BARR S | Fired with Colour | 2000 | University of Dundee | Contemporary Practice | Ros Conway Jane Short Georgina Follett |
| Raban W | Firestation | 2000 | The London Institute | Media and Communication | |
| Slee R | Firing Imagination: Ceramica Britannica | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Till N J T | First Class Evening Entertainments (Part One) | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | English National Opera Studio VOCEM electric voice theatre Anthony Howell |
| McKAY A | First Cut '98 4 Short Films by Filmmakers New to Broadcast | 1998 | University of Lincoln | ||
| MANLEY B | First International Drawing Exhibition, Wrocklaw, Poland | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Rust CM | First Make Something - principled, creative design as a tool for multi-disciplinary research in clinical engineering | 1999 | Sheffield Hallam University | Adrian Wilson Graham Whiteley |
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| Smith M | First Season - Art In The Park, group exhibition of publicly sited works | 1999 | Glasgow School of Art | Fine Art | |
| Paul JS | Fish Buoyancy Aids | 1999 | Brunel University | Design for Inclusion | T Fish |
| Whiteley NS | Five Artists' Valuation of the Visual | 1999 | Lancaster University | ||
| Cummings K.R. | Five Glass and Metal Sculptures: 'Garner', 'Bole', 'Rigger', 'Wedge' and 'Pina'. | 1998 | University of Wolverhampton | Glass | |
| Ogden S | Five Porcelain Caskets | 1998 | Cumbria College of Art + Design | ||
| Ogden S | Five Porcelain Caskets | 1994 | Cumbria College of Art + Design | ||
| Honeyman R | Five painted designs for stitched textiles | 2000 | Cumbria College of Art + Design | ||
| Moore S | Fixon (Innovative Tape Dispenser) | 1996 | University of Ulster | William Lee | |
| Onwin G | Flammable Solid / Flammable Liquid | 1994 | Edinburgh College of Art | Fine Art | |
| Brill P | Flawed. | 2000 | Goldsmiths College | ||
| Brownsword N | Fletcher Challenge Ceramics Award | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Lees N | Fletcher Challenge Ceramics Award Exhibition | 1998 | Bath Spa University College | Fouilhoux, J.F. Troy, J. Bryars, J. |
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| Bristow M | Flexible 2 Pan European Art | 1996 | Chester College of HE | ||
| Austin N | Flexible Furniture | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| ANDERTON R | Flexo and Helio: innovative methods of printing | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| MCCONNELL-WOOD T | Flicker | 1999 | University of Dundee | Digital Technology | |
| Sherwin G | Flight | 1998 | University of Wolverhampton | Fine Art | |
| Kunath S C | Flight | 1997 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Knight L M | Flip to Zip - Methods of Introducing Animation into the Art and Design Curriculum. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Talbot E | Flirt | 2000 | University of Gloucestershire | ||
| HAIGH J | Flora | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Lloyd D | Flora Britanica | 2000 | University of Gloucestershire | ||
| Buckley J | Flow | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Broadway G | Flow | 2000 | University of Sunderland | Photography | Clark S |
| Stephen'Cran J | Flower Power | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| COX L | FlowerField + Skies over FlowerField | 1998 | University of Dundee | Digital Technology | |
| Williams G | Flowering of the English Baroque | 1995 | Royal College of Art | Fine Art | |
| Clarke P | Flowers and Follies | 1999 | University of Central Lancashire | ||
| FINLAY A | Flowers of the North Sea | 1999 | University of Dundee | Coastal/Indigenous Cultures | |
| Dumbar G | Fly Opera | 1994 | Royal College of Art | Communications | |
| Baker S C | Flying, stealing:Design's improper criticism | 1997 | University of Central Lancashire | ||
| Fisher E | Focus Print: A Series of Events on Contemporary Printmaking | 1999 | Robert Gordon University | Learning Strategies | |
| Palmer E | Foil | 2000 | The London Institute | Fine Art | |
| Haughton D | Foil 3 | 2000 | Kingston University | ||
| Buckley J | Fold | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Mitchell V | Folding and Unfolding the Textile Membrane; Between Bodies and Architecture | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Clark D J | Folly Gallery | 1998 | Bolton Institute of HE | ||
| GUILD D | Food for Thought | 1999 | University of Dundee | Contemporary Practice | Claus Oldenburg Nan Goldin Tom Sachs |
| Throp M | Footnotes. | 1998 | Goldsmiths College | ||
| SUMMERTON E | Footsteps | 1998 | University of Dundee | Contemporary Practice | Bettina Schiling Eva Kohler Christine Koch |
| Dagg K | Footsteps | 1998 | Edinburgh College of Art | Fine Art | |
| Robertson FG | Footsteps, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Hegarty FT | For Dublin | 1997 | Sheffield Hallam University | Andrew Stones | |
| Ackling RW | For Masahiro Toda | 1996 | The London Institute | Fine Art | |
| Doust R | For UKDS (Industrial Electricity Usage monitoring company) | 1998 | The London Institute | Media and Communication | |
| Brett G | Force Fields: Phases of the Kinetic | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Woods R | Ford Cargo | 1996 | University of Southampton | ||
| McLaren JH | Forecasting Future Sustainable Telecommunication Services - a Life Cycle Approach | 1999 | Brunel University | D Harrison Jones Elies |
|
| Sherrell J P | Foreign Bodies | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Powell N A | Foreign Bodies. | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Jurack B | Foreign Investment - Breeding Civilisation and its Discontents | 1997 | University of Newcastle | ||
| De Oliveira N | Forensic: an international exhibition of installation art on the relationship between scientific research and artistic processes. | 2000 | London Guildhall University | ||
| DUPRAS M | Forest of Dean Sculpture Trail Website | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Gluzberg M | Forest of Oblivion. | 1999 | Goldsmiths College | ||
| Chapman J | Forever England | 1995 | The London Institute | Media and Communication | Martin Clarke |
| Taylor F | Forgeries, explosions and misrepresentations. | 1999 | Wimbledon School of Art | Edwin Aitken Kate Scrivener Michael Wilson |
|
| Skingle D | Forgotten Garden: 1 digitally enhanced and manipulated image ink-jet printed onto Arches vellum. Size depends on printer command. | 1997 | London Guildhall University | ||
| Fern D | Forgotten Picture | 1995 | Royal College of Art | Communications | |
| Britton A | Form and Fiction | 1995 | Royal College of Art | Applied Art | |
| Higgott AN | Form and Technology: the Idea of a New Architecture | 1995 | University of East London | ||
| TOVEY M.J. | Form creation techniques for automotive CAD | 1994 | Coventry University | The Design Institute | |
| McDowell C | Forties Fashion and the New Look | 1997 | The London Institute | Fashion and Textiles | |
| McKeag D | Fortress Lock | 1996 | University of Ulster | ||
| Lesdema E | Fortunes of War | 1998 | Southampton Institute | ||
| Cotterrell D | Forty Days | 2000 | University of Hertfordshire | ||
| Lees N | Fossil Future | 1999 | Bath Spa University College | ||
| Swales V | Fostering Cultural Imagination in Design Research | 1999 | University of Portsmouth | Centre for Creative Empowerment | |
| Chodzko A | Found Wanting | 2000 | The London Institute | Fine Art | |
| O'Donnell H | Founders and Heirs of the New York School | 1997 | The London Institute | Fine Art | |
| Bowen J.R. | Fountain of Love | 1999 | University College London | Painting | |
| Morris M | Four Artists from Britain | 1998 | The London Institute | Fine Art | |
| Rennie C | Four Glass Sculptures | 1997 | University of Wolverhampton | Glass | |
| ROBB A M | Four Scottish Artists | 1996 | University of Dundee | Contemporary Practice | Calum Colvin Grant Clifford Elaine Shemilt |
| Maguire R | Four Seasons | 2000 | Southampton Institute | ||
| Eachus PA | Four Silences (after Blanchot) | 1999 | The London Institute | ||
| Masters R | Four Works | 1998 | University of Sunderland | Fine Art | |
| Dalton P | Four prints in Exposition de Grabado Contemporaneo | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Hugonin J W | Fourfold Four Directions | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Axford NR | Fourier Theory Explanation for a Sampling Theorem demonstrated by a Laboratory Experiment | 1996 | University of Westminster | Imaging Technology | Sharma A Tong B |
| Hannavy J M | Fox Talbot | 1997 | Bolton Institute of HE | ||
| Parker J. | Foxfire Eins | 2000 | University College London | Fine Art Media | |
| Gale C | Foxtrot | 1997 | Kingston University | ||
| Cusack P | Fr | 1997 | The London Institute | Fine Art | Ron Haselden |
| Haselden R | FrJacques et autre pieces | 1997 | University of Reading | ||
| Tuckett S M | Fragile Futures | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Plouviez A | Fragmented Journeys | 1999 | University of Sunderland | Photography | |
| Seawright P | Fragments of Documentary and Memory, The Third Tokyo International Photo-Biennale. April-May 1999 | 1999 | University of Wales College, Newport | Photography | Hannah Starkey Sarah Jones Joachim Schmid |
| Brown C | Fragments of Narrative | 2000 | University of Westminster | Ceramics | |
| Leverett D. | Fragments of the Land | 1998 | University College London | Painting | |
| Smith M M | Fragments used for servile purposes: the St Bride Library frisket for early red-printing | 2000 | University of Reading | ||
| Higgins D J | Frame | 2000 | Nottingham Trent University | Visual Arts | Uta Barth Carl Potter |
| Downes G H | Framed - Colin Nicholas | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Evans Milne R | Frames of Reference | 1996 | Bath Spa University College | ||
| Woodfield R A | Framing Formalism: Riegl's Work | 2000 | Nottingham Trent University | Visual Arts | |
| Convery F | Francis Convery New Painting | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Rawson G | Francis H Newbery: Artist + Art Educationist, 1855 - 1946 | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Beech D | Francis Picabia: Another Failure to Interpret the Work | 1994 | University of Wolverhampton | Fine Art | Mark Hutchinson |
| Egerton F | Frank Egerton One man Exhibition | 1996 | Liverpool Hope | ||
| Sprio M | Frank Kapra and Anthony Minghella - comparative links through masculinity, family and community | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Sprawson D H | Frank Stella 'Die Marquise Von O' | 1999 | Nottingham Trent University | Visual Arts | |
| Julien I | Frantz Fanon, Black Skin White Mask | 1997 | Oxford Brookes University | Creative Practice | |
| Nash M | Franz Fanon: Black Skin White Mask | 1996 | University of East London | ||
| Aylieff F | Frauen in Europa 5 Sept-7 Oct | 1998 | Bath Spa University College | Britton, A. Lowndes, G. Manz, B. |
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| Chapman NS | Freaks Perfect Organisms and the Failure of the Project | 1998 | The London Institute | Fine Art | |
| Mulvey JF | Free Fall Series 1-8 | 1999 | University of Westminster | Fine Art | |
| You L.H. | Free Form Surface Generation Using an Analytical Solution to a Fourth Order Partial Differential Equation. | 2000 | Bournemouth University | Zhang, J.J. | |
| Mulvey JF | Freefall Series | 2000 | University of Westminster | Fine Art | |
| Wright DK | Freehand drawing system using a fuzzy logic concept | 1999 | Brunel University | Interaction Design | |
| Sheridan T | Freelance commercials director | 2000 | The London Institute | Media and Communication | |
| Mosley J M | French Academicians and modern typography: designing new types in the 1690s | 1997 | University of Reading | ||
| Burton R | French Rural Life and Agricultural Exhibition | 1998 | University of Sunderland | Design | |
| Merrington K | Frenzy | 2000 | Wimbledon School of Art | Research Centre | |
| Ramsey BJ | Frequency Selective Filter Structures | 1999 | Brunel University | Environmentally Sensitive Design | P Evans D Harrison |
| Harrison DJ | Frequency Selective Filter Structures | 1999 | Brunel University | Environmentally Sensitive Design | P Evans B Ramsey |
| Chappell A | Fresheners | 1997 | Brunel University | Design Pedagogy | |
| Coldwell P | Freud's Coat | 1996 | The London Institute | Fine Art | |
| Fox A | Friendly Fire | 1994 | Royal College of Art | Fine Art | |
| Tillotson E | Friends From the North | 1997 | University of Sunderland | Fine Art | |
| Machin D | From 'interpretative communities' to 'communities of improvisation' | 2000 | The London Institute | Media and Communication | Michael Carrithers |
| Vyner T | From Beirut to Baalbek | 2000 | Bath Spa University College | Dyson, J. | |
| Seaton D | From Below | 2000 | University of Hertfordshire | ||
| Ashley M | From Cuneiform to DTP: Is there a pattern? | 1994 | The London Institute | Media and Communication | |
| Thomas KR | From Despair to Where | 1995 | University of Westminster | Visual Media | |
| Kermik J | From Dreams to Reality Location: Baltic/Scandinavian Design and Craft Exhibition | 1994 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| MacGregor B | From Focus Groups to Edit Groups: A New Method of Reception Analysis | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Tucker M E | From Frans Widerberg: Bilder, En Reise | 1994 | University of Brighton | Fine Art Practices | |
| MUSKE E | From Here | 1998 | University of Lincoln | ||
| Kerbel J | From Here to Betweenity: JKJK: Janice Kerbel/Joachim Koestler | 2000 | Kingston University | ||
| Gupta S | From Here to Eternity | 1999 | University of Southampton | ||
| GOUGH P | From Heroes Groves to Parks of Peace: landscapes of remembrance, protest and peace | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Green D | From History Painting to the History of Painting and back again: reflections on the work of Gerhard Richter | 2000 | University of Brighton | Memory, Identity and History | |
| Malins J | From Image to Object: Old Signs, New Meanings | 1999 | Robert Gordon University | Making and Contemporary Culture | Gray, C. Ross, J. Burman, B. |
| Borland C | From Life, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Harper J W | From Light: John Harper | 1998 | University College Northampton | Fine Art Practices | |
| Harding A | From Monologue to Conversation - A Report from Atlanta | 1997 | Goldsmiths College | ||
| Julier G | From Object to Experience' | 2000 | Leeds Metropolitan University | Design | |
| Wright DK | From On-line sketching to 2D and 3D geometry: a system based on fuzzy knowledge | 2000 | Brunel University | Interaction Design | Sheng-Feng Qin I N Jordanov |
| McFadyen J. | From Orkney and Other Places | 1999 | University College London | Painting | |
| Bowen S | From Pools and Oceans, solo exhibition | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Golden P | From The Corner Of It All | 1997 | University of Reading | ||
| Tozer J | From Today Painting is Dead. | 1998 | Goldsmiths College | ||
| Croft P J | From Tokyo to Tamarind | 2000 | University of Wales, Aberystwyth | ||
| Macdonald J | From Wall to Window | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Tallentire A | From Where To Here | 1999 | The London Institute | Fine Art | |
| Griffiths B L | From formgiving to braingiving. | 2000 | Staffordshire University | ARi, School of Art + Design | D Durling |
| Burke C P | From functionalism to information design | 1998 | University of Reading | ||
| OWEN J.K. | From imagine to image: an examination of visual realisation of 3D forms | 1998 | Coventry University | Design | TOVEY, M.J. DEKKER, K. |
| Jordanov I | From on-line sketching to 2D and 3D geometry: A system based on fuzzy knowledge | 2000 | University of Wales Institute, Cardiff | PDR | SF Qin D Wright |
| Willis J | From the Beginning | 1998 | Royal College of Art | Communications | |
| Cherry N | From the Centre to the Edge | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Flower T J | From the EarthSeptember | 2000 | University of Brighton | Natural and Constructed Environments | |
| Hiller S | From the Freud Museum | 1996 | University of Newcastle | ||
| Pavitt J | From the Garden to the Factory: Urban Visions in Czechoslovakia between the Wars | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Keelan SH | From the Interior: Female Perspectives on Figuration: East Meets West | 1997 | Kingston University | ||
| LOWRY J | From the Site of Desire to the Scene of Destruction: Photography and Work of Cindy Sherman | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| HUTTON G | From the Skin-In | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| WORDEN S | From the exploratory to the declarative: Interpreting the World Wide Web | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| Saunders C | Front Crawl | 1994 | London Guildhall University | ||
| Bezencenet S | Frontier Dreams I | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bezencenet S | Frontier Dreams, Wilderness Dreams, Trespass | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Macmillan A | Frontiers of the West - Glasgow and Chicago. The pioneering architectures of Thomson, Mackintosh and Wright | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Alaka A | Frozen Foods | 1997 | Brunel University | Design Process | |
| Penny S | Fugitive, | 1997 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Kemp SWJ | Full English Breakfast | 1994 | The London Institute | Media and Communication | |
| Cosgrove P | Full Fathom Five, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Mach D | Fully Furnished | 1994 | Edinburgh College of Art | Fine Art | |
| Adzhiev V. | Function Representation in Geometric Modeling: Concepts, Implementation and Applications. | 1995 | Bournemouth University | Pasko, A. Sourin, A. Savchenko, V. |
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| Shankland S | Fundamental Images | 1998 | The London Institute | Fine Art | |
| Taylor A | Furies | 1997 | University of Gloucestershire | ||
| Inglis J | Furies | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| VOSS R | Furniture | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Nixon L | Furniture | 1999 | Kingston University | ||
| Buck L | Furniture Design with Composite Materials | 2000 | Buckinghamshire Chilterns University College | Furniture Technology | Prof Reid |
| Perkins M | Furniture Industry - Regaining the Competitive Edge | 1997 | Brunel University | Environmentally Sensitive Design | J Ratnasingham HF Reid |
| Dean T | Furniture Range | 1998 | University of Brighton | Materials Practices and Processes | N Gant |
| Norman-Smith C | Furniture Restoration and Conservation Practices | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | David Gillet |
| Cartwright AR | Furniture Today - Its Design and Craft (exhibition) | 1995 | Loughborough University | Fine and Applied Arts | |
| Roddis JN | Furniture, Design and the Environment, Innovation and Legislation: A case study of a design-led research programme investigating the use of waste glass in open-loop solutions | 1999 | Sheffield Hallam University | Paul Chamberlain | |
| Lewandowska M | Furniture. | 1999 | Goldsmiths College | ||
| Clarkson C | Further Studies in Anglo-Saxon and Norman Bookbinding: Board Attachment Methods Re-examined | 1996 | The London Institute | Media and Communication | |
| Thompson E | Fuse Paintings | 1998 | De Montfort University | ||
| Ginsborg M | Fusion | 2000 | Wimbledon School of Art | Painting | Paul Huxley Calum Colvin Kate Davis |
| Farrelly L | Future Present | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Nick Skeens |
| Quinn J | Future Sound of London (FSOL) | 1995 | University of Westminster | Hypermedia | |
| Stephen'Cran J | Future fashions and fabrics - Invited lecturer | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Baker-Brown D | FutureHouse | 1994 | University of Brighton | Materials Practices and Processes | I McKay |
| Barber J. G. | GEORGE BARBER: A LONDON ELECTRONIC ARTS ANTHOLOGY | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Davey Winter J | GET REAL Romanticism and New Landscapes in Art | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| STUBBS M D | GIFT | 2000 | University of Dundee | Digital Technology | Metamedia Production Ulf Langheinrich |
| BODMAN S | GM Future | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Russell B | GMT: Glyphs, Morphs and Tropes | 1999 | Kingston University | ||
| EVELEIGH A | GOP DE SCHAAL VAN RICHTER | 1998 | Middlesex University | ||
| Buchan S. H. | GRAPHIC AND LITERARY METAMORPHOSIS: ANIMATION TECHNIQUE AND JAMES JOYCE'S ULYSSES | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Leighton P | GSA Art in Architecture Commission - permanent public sculpture | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Lehman Smith McLeish |
| Stevens P | GT One Road and Race Car Interior | 1998 | Royal College of Art | Design for Manufacture | |
| Foster A. | GWEN JOHN | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Foster A. | GWEN JOHN'S SELF-PORTRAIT: ART, IDENTITY AND WOMEN STUDENTS AT THE SLADE SCHOOL | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Gamman LP | Gagging for It - Desire and Art | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| ASHCROFT R J | Galleries for Millennium Corridor | 1999 | University of Dundee | Industry and the Public Sector | Gareth Fisher |
| Devison N | Gallery Artist | 2000 | Anglia Polytechnic University | ||
| Reich J | Gallery Artists | 1996 | Anglia Polytechnic University | ||
| Todd G | Gallery SIDE 2 | 2000 | Edinburgh College of Art | Fine Art | |
| Thompson L J | Gallery refurbishment, Bluecoat Display Centre, Liverpool | 1998 | Staffordshire University | ARi, School of Art + Design | |
| McDowell C | Galliano | 1997 | The London Institute | Fashion and Textiles | |
| Tangye HR | Galliano Book | 1997 | The London Institute | Fashion and Textiles | |
| BIRCH A.R. | Gamebird shooting stick | 1996 | Coventry University | Design | |
| Hunter R | Gang Warfare at the Pompidou | 1996 | Edinburgh College of Art | Fine Art | |
| Robinson A F | Ganglion Blue | 1999 | University College Northampton | Fine Art Practices | |
| Stezaker J | Garden | 1996 | Royal College of Art | Fine Art | |
| Bennis EM | Garden Assessment, Classification and Funding | 1998 | Manchester Metropolitan University | ||
| Hutchinson S | Garden of the Senses | 1995 | University of Brighton | Fine Art Practices | |
| Atkinson A | Gardeners Journal (ceramic tableware) | 1998 | Loughborough University | Fine and Applied Arts | |
| HAIGH J | Gardens and Flowers in Embroidery | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| Bell J | Gardens underneath which rivers flow | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| STALLABRASS JP | Gargantua: Manufactured Mass Culture | 1996 | University of Oxford | ||
| Lee R M | Garment Design | 1997 | Cumbria College of Art + Design | ||
| Farrer JM | Garments and Yarns for Spring/Summer 99 Season and Autumn/Winter 1998/99 and Spring/Summer 99 Yarn Range for British Crepe | 1997 | The London Institute | Fashion and Textiles | |
| Gonet D A | Garments for Fashion Show - Macrame details/embellishment | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Willberg P | Gary Hume: British Pavilion XLVIII Venice Biennale | 1999 | The London Institute | Media and Communication | |
| Jaray T. | Gas Hall Gallery Forecourt | 1995 | University College London | Painting | |
| Withers R | Gavin Turk | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Patricia Gronzka Jorg Helser Neal Brown |
| Baker D | Gaze: The Anxious Sign | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Hurlstone IN | Gaze: solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Shipsides D | Gecko Roof | 2000 | University of Ulster | ||
| Coates N | Geffrye Museum 20th Century Gallery extension, London | 1998 | Royal College of Art | Architectural Design | |
| Hinchcliffe TF | Gender and the Architect: Women clients of French Architects during the Enlightenment | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Adams S R | Gendering Landscape Art | 2000 | University of Hertfordshire | ||
| Bickers P | General Assembly: The Power of Association | 1998 | University of Westminster | Visual Media | |
| Mabb D | General Property - 1989 - 1999 (33 works). | 1999 | Goldsmiths College | ||
| Wright E | General Release | 1995 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Thomson A | General Review of Gain and Loss | 1997 | University of Newcastle | Daniel von St Leslie Eastman |
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| Earl CF | Generated designs: structure and composition. | 1999 | Open University | Design for advanced products | |
| Olver E | Generation Series | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Ellard GR | Geneva Express | 1997 | The London Institute | Fine Art | Stephen Johnstone |
| Johnstone S | Geneva Express. | 2000 | Goldsmiths College | ||
| Comninos P. | Geometric Modelling and Deformation of Sheet Materials. | 1998 | Bournemouth University | Zhang, J.J. | |
| Tebby S | Geometric Mosaics of Roman Britain | 1994 | De Montfort University | ||
| Hall S | Geometry as a form of Diagrammatic Ideology in the Framing of Human Thought. | 2000 | Goldsmiths College | ||
| Stamp G | George Gilbert Scott, the Memorial Competition, and the Critics | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| HERBERT D J | Georgina Follett | 2000 | University of Dundee | Industry and the Public Sector | Professor Georgina Follett Shannon Tofts Andy Rice |
| Hemsworth G | Gerard Hemsworth. | 1998 | Goldsmiths College | ||
| Spittler U | German Attitudes towards Europe: Continuity and Change | 2000 | University of Brighton | Memory, Identity and History | G Knischewski |
| Ashley M | German global investment bank - commissioned visual audit | 1998 | The London Institute | Media and Communication | |
| Burke C P | German hybrid typefaces of the early twentieth century | 1998 | University of Reading | ||
| Gernand B | Gernand Ceramic Sculpture | 1997 | The London Institute | Fine Art | |
| Cummings N | Gesichter und Dinge - Zeitgen | 1998 | The London Institute | Fine Art | Marysia Lewandowska |
| Chipperfield J | Gestaltendes Handwerk - Meister der Modern - M | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Marrs R | Get Professional | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Binns P | Get Real, Romanticism and New Landscapes in Art | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Thompson A | Get Together | 1999 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Harris MC | Get Together. Kunst Als Teamwork (exhibition) | 1999 | Loughborough University | Fine and Applied Arts | |
| Speed S | Getting Real with the Body | 1996 | Buckinghamshire Chilterns University College | Design Culture | |
| Buck L | Getting a Grip: Abandoning Tyres Could Give Motorcycle Wheels the Edge | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | Steve Dixon |
| Halstead JD | Getting into the Groove? | 2000 | University of Westminster | Sound Media | |
| Bailey M | Getting it Right for Passengers | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Hollins WJ | Getting the Right Product | 1996 | Brunel University | Design Pedagogy | |
| RICHARDS C.J. | Getting the picture: diagram design and the information revolution | 2000 | Coventry University | The Design Institute | |
| Hawley S | Ghost | 1999 | Sheffield Hallam University | Fine Art | |
| Buchler P | Ghost Stories: Stray Thoughts on Photography and Film | 1999 | Manchester Metropolitan University | ||
| Allen T | Ghost Train | 2000 | Kingston University | ||
| Hutchinson J A | Gift | 2000 | University of Sunderland | Fine Art | |
| Bigwood DA | Gil Sander | 1998 | The London Institute | Fashion and Textiles | |
| Wainwright C | Gilt | 2000 | The London Institute | Fine Art | |
| Hanson M | Gioiella: Arte Programmata E Cinetica | 1996 | University of Central England in Birmingham | Jewellery Research Group | |
| BAKER R | GirM Video, Liquid Hacking(www.obn.de) | 2000 | University of Lincoln | ||
| de Cordova D | Girl | 2000 | Wimbledon School of Art | Sculpture | Kate Belton Mikey Cuddihy Jennet Thomas |
| De Cordova D | Girl | 2000 | Royal College of Art | Fine Art | |
| Whiteman P | Gladiator | 1998 | Wimbledon School of Art | Theatre costume | |
| Thompson GA | Gladstone Thompson | 1998 | The London Institute | Fine Art | |
| Heeney G | Glan Glwyd Goddess Archway. Carved Brick. | 2000 | University of Wolverhampton | Ceramics | |
| McNally NP | Glasgow Art Fair: The Art of Design Showcase: group exhibition | 1999 | Glasgow School of Art | Design | |
| PROUD P T | Glasgow City of Architecture + Design Plate Show | 1999 | University of Dundee | Contemporary Practice | Elizabeth Blackadder Ian McCulloch Elspeth Lamb |
| Hare W | Glasgow belongs to Whom? Civic Identity in the Visual Arts in Scotland | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Kinchin J | Glasgow: The Dark Daughter of the North | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Bender R | Glass Block | 1999 | Swansea Institute of Higher Education | Design | |
| Bender R | Glass Design in Architecture | 1999 | Swansea Institute of Higher Education | Design | |
| Thompson L J | Glass Education: A British Perspective. | 2000 | Staffordshire University | ARi, School of Art + Design | S. Pattani |
| Pattani S | Glass Education: A British Perspective. | 2000 | Staffordshire University | ARi, School of Art + Design | L Thompson |
| Davis M | Glass Gardens | 1994 | University of Sunderland | Institute for International Research in Glass | |
| Garfoot S | Glass Sculpture: 'Flow' | 2000 | University of Wolverhampton | Glass | |
| McConachie A | Glass UK | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cook JH | Glass UK - British Contemporary Glass | 1998 | De Montfort University | ||
| Smith L | Glass plaque/installation to commemorate the inauguration of the Research Institute of Irish and Scottish Studies, University of Aberdeen | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Bender R | Glass work for Birmingham City Museum | 1996 | Swansea Institute of Higher Education | Design | |
| Bird-Jones C | Glass:Laboratory of the Spirit | 1999 | North East Wales Institute of Higher Education | Art and Design | |
| ROBINSON M | Glitches in the Fake Plastic | 1999 | Middlesex University | A Deakin S King |
|
| Bowman S | Global City | 2000 | University of East London | S. West | |
| Warren-Fisher R | Global Exhibition | 1997 | Bath Spa University College | Valicenti, R. Vaughan, O. Why Not Associates |
|
| Haywood T | Global Networks and the Myth of Equality: Trickle Down or Trickle Away? | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Alexander G | Global Virtual Exhibition | 1999 | Wimbledon School of Art | Theatre technical arts | Carlos Zapata John Lumbus Aidan Lawrence Onn |
| Lees - Maffei G | Global warming: chinoiserie as a case study of fashion reportage, 1980-1998 | 1999 | University of Hertfordshire | ||
| Hines A | Globalization and the Seductive Search for Competitive Advantage - Myth or Reality? | 1994 | The London Institute | Fashion and Textiles | |
| Mason PW | Gloucester Cathedral Residency | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Spanyol J | Glow | 1994 | University of Central England in Birmingham | Visual Communication Research Group | |
| Jones GP | Glyn Jones at Euro Celtic Art | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Williams G | Glynn Williams new work: Still life with shadows and echo | 2000 | Royal College of Art | Fine Art | |
| Webster C P | Gnosis | 1999 | University of Wales, Aberystwyth | ||
| Stitt A | God is Sexy - An exploration of fundamentalism | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| BANCROFT HUNT N | Gods + Myths of the Aztecs | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Kinchin J | Godwin and Modernism | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Mulrine S | Gogol: Three Plays | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Merali S | Going Native | 1997 | University of Westminster | Fine Art | |
| SCOBIE L M | Gold Coast Ceramic Award | 1999 | University of Dundee | Contemporary Practice | Renate Balda Gary Bish Dubhe Carreno |
| Ball R | Golden Delicious | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Grainger H J | Golders Green Crematorium and the Architectural Expression of Cremation. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Goldsworthy A C | Goldsworthy | 1998 | University of Hertfordshire | ||
| Howard C J | Golf Cart Battery Charger | 1995 | University of Huddersfield | ||
| Woodfield R A | Gombrich on Art and Psychology | 1996 | Nottingham Trent University | Visual Arts | |
| Gamman LP | Gone Shopping: the Story of Shirley Pitts, Queen of Thieves cc of printout of citations | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Sear H | Gone to Earth | 1994 | University of Reading | ||
| Sear H | Gone to Earth | 1994 | The London Institute | Fine Art | |
| Cox C | Good Hair Days: A History of British Hairstyling | 1999 | The London Institute | Fashion and Textiles | |
| Cockram M G | Good Timing, | 1998 | University of Portsmouth | Art and Philosophy | |
| Roddis JN | Good Vibrations: A case study of design-led collaborative new product development in the field of vibro sound therapy | 1999 | Sheffield Hallam University | Paul Chamberlain Mike Press |
|
| Denton HG | Good practice in the development of teamworking within engineering design courses | 1996 | Loughborough University | Design Education | |
| BALCIOGLU T | Goodbye the Old Duality: Theory + Practice, Welcome the New Triumvirate: Theory, Practice + Communication | 1999 | Kent Institute of Art + Design | ||
| Buck J | Goodwood Goddess | 2000 | Southampton Institute | ||
| Zschenderlein H | Gourmand | 1996 | University of Brighton | Visual and Performing Arts | |
| MODEEN M | Graces, Fates and Furies | 1995 | University of Dundee | Contemporary Practice | |
| Putnam T J | Graduate Career Patterns in the Cultural Industries | 2000 | University of Portsmouth | Centre for Creative Empowerment | L Nolan S Lindsay J Ryan |
| Gornick N | Graduate Employment and the Development of Design Management Courses in UK Colleges of Art + Design | 1996 | Brunel University | Design Pedagogy | |
| Hardie A | Graffik 97 | 1997 | University of Reading | Sandra Baxter Peter Ford Barry Lockwood |
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| Taylor M | Grafica | 2000 | The London Institute | Fine Art | |
| Hodgson C | Grafica Internacional Faber Castell | 1995 | Kingston University | ||
| Day G | Graham Day: Retro Perspective | 1997 | Bath Spa University College | ||
| FAGEN G R | Graham Fagen, Plant Installation + Archive | 2000 | University of Dundee | Digital Technology | |
| Ramsay G | Graham Ramsay, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Alexander I | Graham Square, Glasgow | 1998 | Glasgow School of Art | Cities and Environments | McKeown, H |
| Leonidas G | Gramatosires ke politismiki taftotita [Typefaces and Cultural Identity] | 2000 | University of Reading | ||
| Pardey J G | Grande Arcade | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | Colin Stansfield Smith |
| Utting J.A. | Graphic Art of Small Formats | 1998 | Falmouth College of Arts | ||
| Triggs T | Graphic Design | 2000 | Kingston University | ||
| Jobling P | Graphic Design - reproduction and representation since 1800 | 1996 | University of Brighton | Design History, Criticism and Theory | D Crowley |
| Brown B | Graphic Memory | 2000 | University of Brighton | Memory, Identity and History | |
| Aylin KL | Graphic design of a series of interactive effects | 2000 | Glasgow School of Art | Design | |
| Aylin KL | Graphic design of programme of wire interactive effects | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Bonnell M | Graphics! British Art Now | 1999 | Bath Spa University College | Doig, P. O'Donoghue, H. Hume, G. |
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| McGoldrick R | Graphite grey sited public sculptures on an East London Theme | 1995 | London Guildhall University | ||
| Cook CP | Graphites + Related Works | 1999 | University of Plymouth | Art Process | |
| Cook CP | Graphites from Bundanon | 2000 | University of Plymouth | Art Process | |
| Wynne J | Grasping and Clinging | 2000 | The London Institute | Fine Art | Denise Hawrysio |
| Whitaker D | Grassroots No. 18 | 2000 | Wimbledon School of Art | Painting | Arthur Morgan Alan Hepburn Noel Haring |
| Montgomery I | Grave Goods | 1996 | Edinburgh College of Art | Fine Art | |
| Gale D | Grave New World | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Anderson P | Gravitaz | 1996 | The London Institute | Media and Communication | |
| Jones C | Gravity | 2000 | University of Newcastle | ||
| Jones J | Grayson Perry: The Pot is the Man | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Patrizio A | Great Britain Pavilion - 23rd International Biennale of Graphic Arts, Llubljana | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Trowles P | Great Building: Shame About the Students! C.R Mackintoshs Glasgow School of Art | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Biggs S | Great Wall of China | 1999 | Sheffield Hallam University | ||
| Lee R | Green Man in the Landscape | 2000 | Cumbria College of Art + Design | ||
| FINLAY A | Green Waters | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | Stephen, I Finlay, I H Rich, G |
| McLaughlin N W | Greenback | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Anderson P | Greenman | 1998 | Kingston University | ||
| GRYLLS V | Greenwich Mean Time 2000 | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Baker-Brown D | Greenwich Millennium Village | 1997 | University of Brighton | Natural and Constructed Environments | I McKay R Erskine |
| Smith M | Gridpoint, solo permanent publicly sited commission | 1994 | Glasgow School of Art | Fine Art | |
| Mantripp C | Grinling Gibbons Exhibition | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Tisdall C | Grist to the Mill: Selected Writings 1970-1995 | 1995 | Oxford Brookes University | Theory | |
| Senior G | Grizedale: drawings and sculptures made from local forest materials | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Gaynor M | GroBe Kunstaustelung NWR Dusseldorf | 1995 | Southampton Institute | ||
| Jurack B | Groene Aardapples and other Sculptures | 1995 | University of Newcastle | ||
| Masters R | Gross Britannien Konstruktiv-Konkret | 1998 | University of Sunderland | Fine Art | |
| Hatt C | Grossbritannien Konstrukiv - Koncret | 1998 | The London Institute | Fine Art | |
| Aggiss E | Grotesque Dancer | 1998 | University of Brighton | Visual and Performing Arts | W Cowie |
| Harvey J | Ground | 1998 | Edinburgh College of Art | Fine Art | |
| Thomson J.R. | Ground Control | 1997 | University College London | Fine Art Media | |
| Craighead AM | Ground Control | 1997 | University of Westminster | Fine Art | |
| HUXOR A | Grounding and Awareness Management: Two Architectural Principles for Collaborative Virtual Worlds | 1998 | Middlesex University | ||
| Gonet D A | Group Exhibition | 1998 | Nottingham Trent University | Fashion and Textiles | Jo Buckley |
| Brown C | Group Exhibition in Public Gallery | 1998 | University of Derby | Research Group for Artists Publications | |
| Eglin P M | Group Exhibition, British Ceramics 2000. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Souleles N | Group Learning in Interactive Multimedia | 1998 | Cumbria College of Art + Design | ||
| Lock G | Group Show | 1996 | Chester College of HE | ||
| Johnson SW | Group exhibition | 1997 | The London Institute | Fine Art | |
| Milne J | Group exhibition sponsored by Forum D'Art Contemporain, CVC and Serveis Globals | 2000 | University of Southampton | ||
| Davies J | Group exhibition, Association of Illustrators | 2000 | University of Plymouth | Design + Innovation | |
| Evans M | Group show | 1998 | University College Northampton | Fine Art Practices | |
| Selby A | Growth Hormone Replacement Treatment Guide (illustration commission) | 1998 | Loughborough University | Illustration | |
| Palova Z | Guardian | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Johnson A | Guidelines for Choosing the Correct Viewing Conditions for Colour Publishing | 1998 | The London Institute | Media and Communication | Marcus Scott-Taggart |
| Giles K W | Guns and Gazes: Whos Killing Whom in Natural Born Killers | 1998 | University of Sunderland | Photography | |
| Beggs G | Guy Beggs: 8 oil paintings 102 x 117cms to 117 x 117cms | 2000 | London Guildhall University | ||
| Beggs G | Guy Beggs: 37 paintings (av. 22x33 cms. - 153x153 cms.) + 11 drawings (av. 46x61 cms.- 153x63 cms.) of Australasian themes. | 1997 | London Guildhall University | ||
| Finnemore P | Gwendraeth House | 2000 | Swansea Institute of Higher Education | Photography | |
| Jeffs HA | H.Jeffs - works | 1996 | Goldsmiths College | ||
| Bruce HJ | H.R.Lilley Artist and Designer 1886-1970 | 1997 | University of Ulster | ||
| Topping M J | HATS A High Technology Hand Assessment System | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Topping M J | HATS: Development and Clinical Evaluation of a Computerised Hand-Assessment System | 1999 | Staffordshire University | ARi, School of Art + Design | O. Perlick H. Heck M. Fathmann |
| MYERS J | HEARSAY | 1999 | Middlesex University | ||
| Stockwell S. J. | HERE: ARTISTS' INTERVENTIONS AT THE ALDRICH MUSEUM | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| WADE E | HERMIRHAGERRHIS KELLERI | 2000 | Middlesex University | ||
| Brettle J | HISTORY: Image Based Art in Britain in the Late 20th Century | 1994 | Edinburgh College of Art | Fine Art | |
| SETH J | HOME 2 | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| GODFREY-ISAACS L | HOME 2 | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| GODFREY-ISAACS L | HOME 3 | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Elizabeth Wright |
| Biagioli M. | HUMBLE SERVANT OF THE PRINTED WORD: ANTJE LINGNER | 2000 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Taylor E P | Habillement, dissidence et consommation de masses en Grande-Bretagne | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Henderson DG | Habitat Global Urban Observatory Programme: The Role of Non-Governmental Organisations | 1998 | De Montfort University | Khambatta, R. | |
| Ursitti C | Habitat, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Stansfield Smith C | Hackney Community College Building Design | 1998 | University of Portsmouth | Centre for Creative Empowerment | Hampshire County Council Architects |
| Swindells S P | Haeccietas Star | 1999 | University of Huddersfield | ||
| Patrizio A | Half-Life: Works by Stefan Gec | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Jones SEG | Halo | 1998 | The London Institute | Media and Communication | |
| Biggs S | Halo | 1998 | Sheffield Hallam University | ||
| Kikuchi Y | Hamada and the Mingei Movement | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Hussey P | Hambledon Church Altar | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Martin PL | Hand in Glove | 2000 | De Montfort University | ||
| Rolfe N | Hand on Face | 1998 | Royal College of Art | Fine Art | |
| Beban B | Hand on the Shoulder | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Torrens GE | Hand performance assessment of ten people with Rheumatoid Arthritis when using a range of specified saucepans | 2000 | Loughborough University | Design Ergonomics | Hann, J. Webley, M. Joy, J. |
| Cooper E | Hand to Hand | 1999 | Royal College of Art | Fine Art | |
| Vernon S.A. | Hand to Mouth: The culture and form of eating implements | 1998 | Falmouth College of Arts | ||
| OLIVER J. | Handbag | 2000 | Coventry University | Visual Arts | CRAWFORD, S. GIBBS, J. |
| Egan K | Handbag | 1998 | Manchester Metropolitan University | Lawty S Jaffries J |
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| Lochun D | Handbook of Conductive Lithographic Films | 2000 | Brunel University | BJ Ramsey Evans P S A DJ Harrison |
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| KEITH J M | Handmade | 2000 | University of Dundee | Contemporary Practice | Sharon Ting Jo Sheffield Janet Bolton |
| Topping M J | Handy 1 - A Rehabilitation Robotics System for the Severely Disabled, keynote lecture. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Collins H | Hannah Collins: Filming Things | 1997 | Royal College of Art | Fine Art | |
| Howard P | Happy Birthday Bertolt Brecht | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Orr C | Happy Days | 1999 | Royal College of Art | Fine Art | |
| Clark D J | Happy Valley | 1999 | Bolton Institute of HE | ||
| Robertson H | Hard Edge, Soft Edge | 1998 | The London Institute | Fine Art | |
| Andrews M J | Hare + Co., commercial wood-engravers: Jabez Hare, founder of the firm, and his letters 1846 to 1847 | 1996 | University of Reading | ||
| HILL D | Harewood Masterpieces: English watercolours and drawings | 1995 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| Hardie A | Harlech Printmaking 2000 | 2000 | University of Reading | Ken Kiff Ana Maria Pacheco Andrew Smith |
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| Davis M | Harmony in Glass | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Oddy N | Harry Gall Inglis and the Contour Roadbooks | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| EISENMANN M | Harry Koegler und dreizehn seiner ehemaligen Studenten | 2000 | University of Lincoln | ||
| Taylor M | Hayvend Box Project - Multiple | 2000 | Bolton Institute of HE | ||
| Hill JR | Head injuries in lateral impact collisions | 1995 | Loughborough University | Design Ergonomics | Morris, A.P. Hasson, A. Mackay, M. |
| Morris D | Health + Safety Awareness Campaign | 1994 | Buckinghamshire Chilterns University College | Visual Communication | Phil Giggle |
| Harrison J P | Health Education Authority Opposites and Numbers | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Taylor D | Health Education, Club Culture and Modern Advertising Methods. | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Davis G | Health and Safety in the Home: Todd Hayne's Clinical White World | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Carlisle A | Hear Me, See You | 1996 | University of Wales College, Newport | Photography | |
| Harris TJ | Heart Monitoring Apparatus | 1999 | Brunel University | L gamlyn P Needham O'Sullivan |
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| Harris TJ | Heart Monitoring Apparatus | 1998 | Brunel University | L Gamlyn P Needham O'Sullivan |
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| Webb G | Heart and Soul | 2000 | University of Reading | Dexter Dallwood Michael Raedecker David Thorpe |
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| HARVEY V. | Heart line and lifetime | 2000 | Coventry University | Visual Arts | |
| DEVANE J. | Heart of England biennial exhibition | 1999 | Coventry University | Visual Arts | SHAW, G. YATES, C.A. HICKLING, J. |
| Murray M | Heartlands People | 1998 | University of Gloucestershire | ||
| Spencer B | Heavens Above in John Moores 21 | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Judge V | Heavens Embroidered Cloths, group exhibition | 1995 | Glasgow School of Art | Fine Art | |
| FAIRNINGTON M | Heavier than Air | 1998 | University of Oxford | ||
| Comber M | Heavy Breathing | 1998 | Wimbledon School of Art | Painting | |
| Collins J | Heidegger and the Nazis. Postmodern Encounters. | 2000 | University of Plymouth | Art Process | |
| Brock PM | Heimtextil | 2000 | The London Institute | Fashion and Textiles | |
| SCHEIN F. | Heinrich Heine at Westhafen: monsieur un rein | 2000 | Coventry University | Visual Arts | REITER, B. FONTAINE, C. |
| Robertson H | Helen Robertson - Solo Exhibition | 1999 | The London Institute | Fine Art | |
| Sear H | Helen Sear - Landscapes | 2000 | The London Institute | Fine Art | |
| PHOCA S | Helene Cixous in Conversation with Sophia Phoca | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Prince N | Hello....clk... whrr...Buzz...Nice to Meet You | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| McKenzie Smith S | Help Yourself; Desire Line Suite | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Ball L M | Helping Students to Learn Independently in the Crafts | 1996 | University of Brighton | Pedagogic Research | |
| Fijalkowski K M | Henri Chopin: Sonic Memory | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Batchelor R | Henry Ford - Mass Production, Modernism and Design | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Kondracki H | Henry Kondracki | 1998 | Edinburgh College of Art | Fine Art | |
| Conekin BE | Henry Moore, More British?: The Place of Henry Moore in the Festival of Britain, 1951 | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Pavelka M | Henry V by William Shakespeare | 1997 | Wimbledon School of Art | Theatre Design | Edward Hall Propellor Theatre Company Watermill Theatre |
| Williams R | Herbert Hampton and the New Sculpture in Lancaster: The Victoria Monument and the Ashton Memorial | 1997 | Cumbria College of Art + Design | Elizabeth Roberts (editor) | |
| GARDINER L | Here Come Poppy and Max | 2000 | University of Dundee | Contemporary Practice | |
| Cruz J | Here and Now - Experiences in Sculpture. | 1999 | Goldsmiths College | Hopper, R. Worthington, G. |
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| GODFREY-ISAACS L | Here to Stay | 1996 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Jackman J | Here's How | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Calcutt J | Here, There and Everywhere | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Binnion S | Hereford Photography Festival | 2000 | University College Northampton | ||
| Watson G | Herman Nitsch, Chris Burden | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Cipriani G | Hermeneutics and Art. Objectification of Experience? | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Bullen DW | Hermetica | 1999 | University of Brighton | Fine Art Practices | |
| Creed R | Heroes | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Roberts J | Heroes and Villains, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Arnold RL | Heroin Chic | 1999 | The London Institute | Fashion and Textiles | |
| Dunne A | Hertzian Tales | 1994 | Royal College of Art | Computer Related Design | |
| Dunne A | Hertzian Tales; electronic products, aesthetic experience and critical design | 1994 | Royal College of Art | Computer Related Design | |
| CHAPLIN S | Heterotopia Deserta: Las Vegas and Other Spaces | 2000 | Middlesex University | ||
| Cowie W S | Hi Jinx The Fetching Bride | 1994 | University of Brighton | Visual and Performing Arts | E Aggiss |
| Lane C | Hidden Lives | 1999 | The London Institute | Fine Art | |
| Lee R | Hidden Seas/Surface Waters | 1999 | Dartington College of Arts | ||
| Tozer J | High 'Art' - 'Low' Culture. | 1999 | Goldsmiths College | ||
| STALLABRASS JP | High Art Lite: British Art in the 1990s | 1999 | University of Oxford | ||
| Ray SF | High Speed Photography and Photonics | 1997 | University of Westminster | Imaging Technology | |
| Ingham K | High Winds and Acts of God | 1994 | Swansea Institute of Higher Education | Land and Landscape | |
| Nixon L | High-Rise | 1996 | Kingston University | ||
| Shillito A | Highlights - Design aus Grossbritannien | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Booth S | Highlights: Design from Great Britain: group exhibition | 1997 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Tebby S | Hill, Beck + Marsh 1991-93: An environmental sculptural landscaping scheme with water features for two courtyards at Quarry House, Leeds: A Case Study | 1997 | De Montfort University | ||
| Cairns J | Him or Her | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Pengelly J | Hinterland | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Fisher E | Hinterland | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Newsham I A | Hippo Tales | 2000 | University College Northampton | Design for Industry and Commerce | |
| Lipski E | Hiroshima Art Document 1996 | 1996 | The London Institute | Fine Art | |
| Graham C | His | 1997 | London Guildhall University | ||
| Bergmann G | His story(s): Reference in the Work of Gordon Bennett | 2000 | Brunel University | Polymedia Design | |
| Lancaster J | Historic | 1997 | De Montfort University | ||
| Thomas P | Histories: Four British Painters | 1997 | University of Gloucestershire | ||
| Benson SL | History - Image-based work in Britain in the late 20th century. | 1997 | Sheffield Hallam University | ||
| Robertson C | History - Museum and Art Gallery Collection | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Grant C | History - The Mag Collection | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hodgson J | History Lesson | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Bergmann G | History Lesson Again (Bloody) | 1995 | Brunel University | Polymedia Design | |
| Seddon P J | History Painting Reassessed The representation of history in contemporary art | 2000 | University of Brighton | Memory, Identity and History | D Green |
| MIDDLETON N. | History Zone | 1999 | Coventry University | Design | PRENTICE, K. SHARPE, R. JACKSON, B. |
| Ruthven R J | History of Space Art, exhibition | 1999 | University of Portsmouth | Art and Science | |
| St George A | History's Turning Points | 1995 | De Montfort University | Guest, R. | |
| LOWRY J | History, Allegory, Technologies of Vision | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | D Green P Sneddon |
| Brettle J L | History: Image Based Art in Britain in the Late 20th Century, survey of 101 artists. | 1997 | University of Northumbria at Newcastle | Photography (1b) | |
| HARKNESS A | History: The Mag Collection - Image Based Art in Britain in the Late 20th Century | 1998 | University of Lincoln | ||
| Brennan G | Hitec - Lotec | 2000 | Edinburgh College of Art | Fine Art | |
| Shillito A | Hitec- Lotec Project | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Makhoul B | Hold | 2000 | Sheffield Hallam University | ||
| Ellard GR | Holding Pattern | 2000 | The London Institute | Fine Art | Stephen Johnstone Tom de Paor |
| Johnstone SW | Holding Pattern Permanent Public Artwork | 2000 | University of Southampton | ||
| Stezaker J | Holy Land Series | 2000 | Royal College of Art | Fine Art | |
| Gant R | Homage to Swallows | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Whitaker D | Homage to the Mountain No.3 | 2000 | Wimbledon School of Art | Painting | |
| Courtenay PJ | Home | 1994 | The London Institute | Fine Art | Tony Potts George McKane The Yellow House |
| Kerbel J | Home Fittings | 1999 | Kingston University | ||
| Potter R | Home Truths | 1995 | Wimbledon School of Art | Photography | |
| Courtenay PJ | Home and Away | 1997 | The London Institute | Fine Art | Tony Potts George McKane Teatru Wybrzeze |
| Barclay C | Homemaking, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Hughes J | Homes + Interiors Scotland | 1998 | Glasgow School of Art | Design | |
| Friend M | Homes and Gardens | 1998 | The London Institute | Media and Communication | |
| Robson D G | Homes for the Third Age - a design guide for sheltered housing | 1997 | University of Brighton | Natural and Constructed Environments | A Nicholson N Barker - (Supervised author) |
| Alexander I | Homes for the future | 1999 | Glasgow School of Art | Cities and Environments | McKeown, H |
| Guthrie K | Homespun | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Coomber S | Homewares Collection for Country Road, Australia | 1995 | Kingston University | ||
| Stitt A | Homework - An exploration of the process and documentation of performance art | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| SAXON G | Homo-Cyte | 1999 | University of Lincoln | ||
| CZARNECKI G | Homocyte | 1998 | University of Dundee | Digital Technology | |
| Morris N | Honeyman | 1997 | Liverpool John Moores University | Graphic Arts | |
| JONES P S | Hong Kong: A visual diary by Peter Simon Jones | 1996 | University of Dundee | Contemporary Practice | Chan, B De Brackhinge, N Mandarin Publishers |
| Stewart EP | Hooded/Bared, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Stephanie Smith |
| Smith S | Hooded/Bared, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Edward Stewart |
| Brownsword N | Hoogrood | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Newsham I A | Horrible Haircut | 2000 | University College Northampton | Design for Industry and Commerce | |
| CHARNLEY C | Horticulture1 and Horticulture 2 | 1997 | University of Lincoln | ||
| Orta L | Hortirecycling Enterprise Act II | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Withnall M | Hospital drinks trolley | 1995 | Royal College of Art | Design for Manufacture | |
| Geesin R | Hot Keys | 1995 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Lee R | Hot Off the Press | 1997 | Cumbria College of Art + Design | ||
| Scott PC | Hot off the Press, Ceramics and Print | 1996 | University of Newcastle | Bennett T | |
| Bunnell K | Hot off the Press: Ceramics and Print | 1996 | Falmouth College of Arts | ||
| MAIR G | Hotel Central | 2000 | University of Dundee | Digital Technology | Matt Hulse |
| Macmillan A | House for an Art Lover. The Realisation | 1996 | Glasgow School of Art | Historical and Critical Enquiry | R Bilcliffe |
| Simpson P | House form and construction methods - New Urban Traditions of Popular Housing in Columbia and Mexico | 2000 | Glasgow School of Art | Cities and Environments | |
| Irving I | House in the Woods: 5 Contemporary German Sculptors | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Pardey J G | House/Studio Design | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Orlow U | Housed Memory | 2000 | The London Institute | Fine Art | |
| Porter D | Housing ...best before (Wohnbau ...haltbar bis)as Wohnen, Ubereinstimmen un Ausbilden (Housing, Consensus and Education) | 1999 | Glasgow School of Art | Cities and Environments | |
| Page A | Housing the Third Age A study of Northern European housing models for an ageing population in the 1990 | 1996 | Glasgow School of Art | Design | Stewart, S |
| Buckley T | How Books Should Open and Feel | 2000 | The London Institute | Media and Communication | |
| Pavelka M | How Full is Empty ? 2 | 1999 | Wimbledon School of Art | Theatre Design | Marie Aggas Erofili Politopoulou Society of British Theatre Designers |
| Whitworth L K | How German is She? Postwar West German Reconstruction and the consuming woman | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Gunn J | How High is Up | 2000 | Wimbledon School of Art | Theatre Design | Sean McClevy |
| MCCONNELL-WOOD T | How High the Castle Walls | 1997 | University of Dundee | Digital Technology | Shiona McCubbin |
| Jeffs HA | Howard Jeffs Works | 1996 | Goldsmiths College | ||
| Higgins D J | Human | 1996 | Nottingham Trent University | Visual Arts | Susan Trangmar |
| Newport R | Human Powered Vehicles for Third-Agers as a Mode of Local Transport | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | P. Hwang L .Nayak |
| Hawley S | Human and Natural History | 1997 | Sheffield Hallam University | ||
| Duncan AEJ | Humanscope project: A collaboration between patients in Haemato-oncology and the Artist Andrea Duncan | 1999 | University of East London | ||
| Short LA | Humansim 2020? | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Mullen C W | Humphrey Spender - Flash and Filigree | 1999 | University of Brighton | Visual Communication Design | |
| Mabbutt M | Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Taylor A | Hunting Art Prizes 1999 | 1999 | University of Gloucestershire | ||
| Taylor A | Hunting Art Prizes 2000 | 2000 | University of Gloucestershire | ||
| Hunter C | Hussein Chalayan | 1998 | The London Institute | Fashion and Textiles | |
| Hvattum M | Hva er god boligsak (Towards Good Housing) | 1996 | Glasgow School of Art | Design | Prof. S. E. Svendsun |
| Adams CG | Hwang Young-Sung. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Ward S | Hybrid (solo exhibition), Shigaraki International Residency Japan | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Adzhiev V. | Hybrid Systems of Architecture for Volume Modeling. | 2000 | Bournemouth University | Kazakov, M. Pasko, A. Savchenko, V. |
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| McLaughlin N W | Hybridity and National Musics: the case of Irish Rock | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Karakashian S | Hybridized | 2000 | University of Hertfordshire | ||
| Smith N J | Hydroquad | 1999 | University of Northumbria at Newcastle | Graham, T | |
| HARRISON D | Hypermedia as Art System | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| Starr G | Hypnodreamdruff | 1996 | The London Institute | Fine Art | |
| Wright A | I | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Carlisle A | I AM | 2000 | University of Wales College, Newport | Photography | |
| Gale D | I Am Dandy | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| MACKENNA T | I Believe in D | 2000 | University of Dundee | Contemporary Practice | Janssen, E Beuys, J Polke, S |
| Brill P | I Believe in Durer. | 2000 | Goldsmiths College | ||
| Waeckerle E. | I CONFESS | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Reas P | I Can Help | 1994 | University of Brighton | Visual Communication Design | |
| Fisher T | I Designer, You Nerd | 1997 | Sheffield Hallam University | Gill Chapman P Reavey Peter Ashworth |
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| Burrows D | I Hate You In June | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| ROBB A M | I Live Now | 1999 | University of Dundee | Contemporary Practice | Ian Howard Derrick Guild |
| Dalwood A | I Miedzynarodowe Spotkania Sztuki Katowice '97 | 1997 | University of Hertfordshire | ||
| Newton J K | I Spy - Representations of Childhood. | 2000 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily Jane Fletcher |
| Fehily C | I Spy - Representations of Childhood. | 2000 | Staffordshire University | ARi, School of Art + Design | K Newton J Fletcher |
| McInnerney M | I Want to Take You Higher | 1997 | Bath Spa University College | Mouse, S. Whitaker, B. Griffin, R. |
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| Brill P | I believe in D | 2000 | London Guildhall University | ||
| Barnbrook J | I want to spend the rest of my life everywhere, with everyone, one to one, always, forever now. | 1997 | Kingston University | ||
| Seaton D | I.M.M.S | 1996 | University of Hertfordshire | ||
| Giggle P | ICOGRADA Design Conference | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Norman EW | IDATER 2000: International Conference on Design and Technology Educational Research and Curriculum Development | 2000 | Loughborough University | Design Education | Roberts, P.H. |
| Roberts PH | IDATER 99: International Conference on Design and Technology Educational Research and Curriculum Development | 1999 | Loughborough University | Design Education | Norman, E.W. |
| RICE A | IDEAS (Industry + Design Education Action for Scotland) Part 1 | 1996 | University of Dundee | Contemporary Practice | Georgina Follett Julian Malins Tony Franks |
| FOLLETT G L P | IDEAS (Industry Design Education Action Scotland) | 1996 | University of Dundee | Industry and the Public Sector | Andy Rice Julian Malins Tony Franks |
| FOLLETT G L P | IDEAS (Industry Design Education Action Scotland) | 1997 | University of Dundee | Industry and the Public Sector | Andy Rice Julian Malins Tony Franks |
| EVELEIGH A | IDENTITY PARADE | 1996 | Middlesex University | ||
| Edmonds F. A. | IMAGES OF THE EARTH | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Jain S | IMS World Interactive Guide | 1996 | University of Portsmouth | Centre for New Media Research | |
| Prevoo D. | IN-SITE | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Lemon E | IN-TRANSIT - Some Contemporary British Art. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Loughlin S. | INSTINET | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Sider L. | INSTITUTE BENJAMENTA | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | Keith Griffiths The Brothers Quay |
| Griffiths K. | INSTITUTE BENJAMENTA | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | The Brothers Quay Larry Sider |
| Young A.N.J. | INTEGRATED PRODUCT POLICY (IPP) AND ECO-PRODUCT DEVELOPMENT (EPD) IN THE ELECTRONICS SECTOR | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | Alesksandra Kielkiewicz-Young |
| MOONEY J | INTER VIEWS/CLOSE TO HOME | 1998 | Middlesex University | ||
| Colson R | INTER-AKT | 2000 | Thames Valley University | Colson R | |
| Wilson R | INTERELIA issues 1, 2 + 3 | 1996 | Manchester Metropolitan University | ||
| Sawdon Smith R. T. | INTO THE LIGHT | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Siodmok P M | IQ Range Intelligent, Non Intrusive User Friendly, Electric Valve Actuators. | 1999 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Hooper, B |
| Johnston ID | IRON, catalogue essay | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Grant JM | ISEA International Symposium of Electronic Art: Digital Summer | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Law J | ISEA96 | 1996 | Bath Spa University College | ||
| Mathison F | IV Triennale Internationale des Mini-Textiles, Apocalypses | 1995 | Edinburgh College of Art | Fine Art | |
| Stewart I | Iain Stewart: Recent Works | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Dawson I | Ian Dawson | 2000 | University of Southampton | ||
| Kirkwood I | Ian Kirkwood: Paintings | 1994 | De Montfort University | ||
| Ten Brink J | Icarus | 2000 | University of Westminster | Visual Media | |
| PAYNE M S | Ice Aesthetic Rebound (Works After A Trip to Alaska) | 1994 | University of Dundee | Coastal/Indigenous Cultures | |
| Anderson J | Icons. | 1997 | Goldsmiths College | ||
| SCHEIN F. | Id | 1996 | Coventry University | ||
| Adamson E | Ideas Are Insects | 1999 | Edinburgh College of Art | Fine Art | |
| Short J | Ideas in IKAT. | 1997 | Goldsmiths College | ||
| FAITHFULL D R | Identity for the Aviemore and Cairngorm Area | 1997 | University of Dundee | Contemporary Practice | The Aviemore Partnership Arron Lawton Associates Scottish Natural Heritage |
| Purbrick L | Ideologically Technical: Illustration, Automation and Spinning Cotton around the middle of the Nineteenth Century | 1998 | University of Brighton | Design History, Criticism and Theory | |
| Ross White M | Idyllium: A Paradise Garden | 1994 | Bath Spa University College | ||
| BEDWELL S | If Hope was a Time Machine | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Bedwell S | If Hope was a Time Machine. | 1999 | Goldsmiths College | ||
| Ursitti C | If I Ruled The World, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Snaebjornsdottir B | If I Ruled The World, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Wilson M | If I Ruled the World | 2000 | Cumbria College of Art + Design | ||
| Stockham J | If Not Now When? | 1999 | Royal College of Art | Fine Art | |
| Parris J | If You Love Me | 1999 | The London Institute | Fine Art | |
| Brettle J L | Il Camino Astratto | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Morris D | Il Mana di Nancy Marotta | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Davies J | Il San Gottardo - Documentation of the mountain range | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Preece L | Illuminations | 1995 | University of Brighton | Fine Art Practices | |
| Vyner T | Illustrated Effort | 1996 | Bath Spa University College | ||
| Lord J | Illustrating Books for Children | 1998 | University of Brighton | Visual Communication Design | |
| McKelvey K A | Illustrating Fashion | 1997 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Munslow, J |
| Wheeler S | Illustration and Design for Promotional Folder for the Centre for Protein Engineering | 1997 | University of Sunderland | Design | |
| Lord J | Illustration and Visual Communication; Some aspects of what an illustrator has to think about when creating children's picture books | 1997 | University of Brighton | Visual Communication Design | |
| Mason R | Illustration as Incest | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| COLLINS B C | Illustration for European Commission Calendar | 1995 | University of Dundee | Contemporary Practice | Marcus Rasp |
| Williams D | Illustrations | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Williams D | Illustrations | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Wheeler S | Illustrations and Design for a European Union Report | 1996 | University of Sunderland | Design | |
| Whistler D | Illustrations for A Time of Gifts by Patrick Leigh Fermor | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| JONES P S | Illustrations for Every Living Thing by James Herriot | 1996 | University of Dundee | Contemporary Practice | Michael Joseph |
| WILLIAMS M.D. | Illustrations for Experiment Magazine | 1998 | Coventry University | Design | |
| Cairns B | Illustrations for Jack Chia MPH Annual Report 1998 | 1998 | Glasgow School of Art | Principles of Drawing | |
| GOWANS G M | Illustrations for Print + Electronic Publication | 1999 | University of Dundee | Digital Technology | Andy Rice Georg J Krinke |
| Gale C | Illustrations for the BT Intranet Site | 1999 | Kingston University | ||
| Wheeler S | Illustrations for the Royal Horticultural Societies Manual of Grasses | 1995 | University of Sunderland | Design | |
| Salisbury M | Illustrations in Carnival by Julie Sykes | 2000 | Anglia Polytechnic University | ||
| Salisbury M | Illustrations in People in History by Fiona MacDonald | 1998 | Anglia Polytechnic University | ||
| Prophet J. | Imag(in)ing the Cyborg | 1999 | University College London | Fine Art Media | |
| Ruthven R J | Image Nations, group exhibition, Eye Rhymes | 1997 | University of Portsmouth | Art and Science | |
| Harvey J | Image of the Invisible: The Visualization of Religion in the Welsh Nonconformist Religion | 1999 | University of Wales, Aberystwyth | ||
| Davies J | Images - Best of British Illustration | 1998 | University of Plymouth | Design + Innovation | |
| Selby A | Images 23 The best of British Illustration | 1999 | Loughborough University | Illustration | |
| Bruton J | Images from Birmingham: Contemporary Painting | 1994 | The London Institute | Fine Art | |
| Bruton J | Images from Birmingham: Contemporary Painting | 1994 | University of Southampton | ||
| Crawford A | Images from the Past: the archaeology of Sardinia at the end of the 19th century in the unpublished photographs of the Dominican Father Peter Paul Mackay | 2000 | University of Wales, Aberystwyth | A Romagnino R Zucca |
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| Batey J C | Images in Practice collaborative net research centre | 1997 | University of Portsmouth | Centre for Images in Practice | Chris Mullen Maureen O'Neill |
| Jeff P A | Images of 1997 | 1997 | Swansea Institute of Higher Education | Photography | |
| Harvey J | Images of God: artistic inspiration and Pentecostal theology (case study) | 1997 | University of Wales, Aberystwyth | ||
| Seddon P J | Images of the ear: History painting and historiographical practices | 1996 | University of Brighton | Memory, Identity and History | |
| DEAN MWJ | Imaginaria 99 | 1999 | University of Oxford | ||
| Smith K | Imagine there are no Limits. | 1997 | Goldsmiths College | ||
| Hatfield J | Imaging the Unseeable | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Sprake J | Imagining London through non-idle pictures. | 2000 | Goldsmiths College | ||
| Sprake J | Imagining London. | 2000 | Goldsmiths College | ||
| Tillers I | Imant Tillers and the Book of Power | 1998 | Southampton Institute | Curnow, W. | |
| Price G | Imaru | 2000 | Liverpool John Moores University | International Centre for Digital Content | |
| Newling J B | Immanent | 2000 | Nottingham Trent University | Visual Arts | |
| Harrison E | Immediate Occupation | 1999 | The London Institute | Fine Art | |
| Kennedy M | Impact on Spike Island | 1999 | Anglia Polytechnic University | ||
| Fijalkowski K M | Impasse Angelique | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| FAGEN G R | Imperial War Museum Artist in Kosovo. 'Theatre' | 2000 | University of Dundee | Digital Technology | |
| Woodley G. | Impingement No. 33 | 1997 | University College London | Painting | |
| Woodley G | Impingement No.33 | 1997 | The London Institute | Fine Art | |
| Lyons AR | Implementing Information Technology in Built Environment Courses | 1995 | De Montfort University | Seden, R. Ashton, R. |
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| Gaughan M | Imprinting Stoff: Kurt Schwitters's Verbal Art 1919-1921 | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Bowen J.R. | Imprints | 1998 | University College London | Painting | |
| Ruthven R J | Improbable Events, group exhibitions | 1998 | University of Portsmouth | Art and Science | |
| Geesin F | Improved Fabric Antenna + Sliding Switch | 2000 | The London Institute | Fashion and Textiles | PJ Massey CR Van Heerden NA Tilbury |
| Robertson P | Improved Technology Adoption by Small Groups of Manufacturing Enterprises | 1997 | University of Central Lancashire | CM Kirk, Massey University CM Gomes, Massey University |
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| ROBERTSON P | Improved Technology Adoption by Small Groups of Manufacturing Enterprises | 1997 | Kent Institute of Art + Design | C M Kirk Massey University C M Gomes Massey University |
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| Stroud RR | Improved manufacturing in welding by innovative use of neural networks in real time | 1996 | Brunel University | Environmentally Sensitive Design | Not Given Not Given Not Given |
| Zanker NP | Improving ICT Entitlement through a Multiple Capability Model, Kimbell, R. (ed) | 2000 | Loughborough University | Design Education | |
| Prendiville AN | Improving public transport through Design and Marketing led specification - case studies from the EU | 2000 | University of East London | ||
| Cusack P | Improvisations Various (Fluxus - Instant Soundtrack for a Silent Movie) | 1997 | The London Institute | Fine Art | Mario Schia Alquimia Pasquale Innarella |
| Collins S.A.R. | In Conversation | 1997 | University College London | Fine Art Media | |
| O'Connell T | In Dublin | 1999 | Bath Spa University College | ||
| Bruton J | In Front | 1999 | The London Institute | Fine Art | |
| MacDonald A | In Partnership with Industry: The Educational/Industrial Interface | 1997 | Glasgow School of Art | Educational Theory and Practice | L ONeil |
| Harrison E | In Quarantine | 1999 | The London Institute | Fine Art | |
| K U | In Residence, in Transit | 1997 | University of Gloucestershire | ||
| Sprung S | In Search of Da Cat | 1998 | Sheffield Hallam University | ||
| PARRAMAN C | In Search of the Organic Dot | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| Whalley S | In Sickness and in Health | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Newton J K | In Spite of Appearances. | 1997 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily |
| Fehily C | In Spite of Appearances. | 1997 | Staffordshire University | ARi, School of Art + Design | K Newton |
| Johnson Soliz CA | In The Midst of Things | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Cranston A | In The Summertime | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Pinsky M | In Transit | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Verran V | In Transit: Some Contemporary Art British Art | 1997 | The London Institute | Fine Art | |
| Gray S | In Virtual Fashion | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Gregory J | In Visible Light: Photography and Classification in Art, Science and the Everyday | 1997 | The London Institute | Fine Art | |
| Bailey DA | In Visible Light: Photography and Classification in Art, Science and the Everyday | 1997 | University of East London | ||
| OConnell T | In Visible Space | 1996 | University of Reading | ||
| Robertson C | In a Marine Light | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| MCMURDO W A | In a Shaded Place | 1995 | University of Dundee | Digital Technology | |
| Leonidas G | In search of the digital Cresci? Don Knuths Digital Typography | 2000 | University of Reading | ||
| Hughes BR | In the Bag and Off the Wall; Design Against Crime initiative | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Docherty PA | In the Darkness of Light | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Breward C J | In the Eye of the Storm: Oxford Circus + the Fashioning of Modernity | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Eacott JF | In the Footsteps of Alexander the Great | 1997 | University of Westminster | Sound Media | |
| Chuhan J | In the Looking Glass : Contemporary Self Portraits by Women Artists | 1996 | Liverpool John Moores University | Centre for Art International Research | Hambling,M Jones,L Wilson,S |
| Jones L. | In the Looking Glass, An Exhibition of Contemporary Self Portraits by Women Artists | 1996 | University College London | Painting | |
| Mabbutt M | In the Looking Glass: Contemporary Self-Portraits by Women Artists | 1996 | Falmouth College of Arts | ||
| Wade G | In the Midst of Things | 1999 | University of Wolverhampton | Fine Art | Nigel Prince |
| Prince N | In the Midst of Things | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Harley K | In the Midst of Things | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| ROBB A M | In the Mind's Eye | 1995 | University of Dundee | Contemporary Practice | |
| Whistler D | In the Path of the Sun (directed and photographed). | 1996 | University of Central England in Birmingham | Visual Communication Research Group | |
| Reid C | In the Place of an Object | 2000 | Wimbledon School of Art | Painting | Bice Benvenuto Darian Leader Parveen Adams |
| Sleeman A.J. | In the Queen's Parlour, inspired by Tea and made of Gentlemen: British Sculpture in the Twentieth Century as 'Sculpture Anglaise'. | 1997 | University College London | Art History and Theoretical Studies | |
| New S | In the Shadow | 2000 | University of Gloucestershire | ||
| K U | In the Sticks | 1998 | University of Gloucestershire | ||
| Parker D R | In two minds | 1996 | University College Northampton | Fine Art Practices | |
| O'Connell T | In visible space | 1996 | Bath Spa University College | ||
| Connolly RB | In-Tension V | 1997 | University of Ulster | ||
| Burgin V | In/Different Spaces: Place and Memory in Visual Culture. | 1996 | Goldsmiths College | ||
| Shaw L T | Inaugural Show | 1996 | Nottingham Trent University | Design | |
| Medcalf G | Inaugural exhibition | 1995 | The London Institute | Fine Art | |
| Elliott T A | Incident | 1999 | Wimbledon School of Art | Research Centre | |
| Coleman R | Inclusive Design | 1999 | Royal College of Art | Inclusive Design | |
| Renshaw T | Incorporate 3 | 2000 | University of Reading | Sue Arrowsmith Jocelyn Clarke Stuart Cumberland |
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| Comninos P. | Incredible Suckers. | 1996 | Bournemouth University | ||
| Faiers J | Incroci/Interrelations Among Different Practices. | 1999 | Goldsmiths College | ||
| Forbes Visser K | Independent Life | 1997 | Edinburgh College of Art | Fine Art | |
| Stickley P | Indeterminate Immediate | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Ryan D | Indeterminate Relations | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Jones C | Index | 2000 | University of Newcastle | ||
| Beale J | Indian Exchange | 2000 | University of Gloucestershire | ||
| Coldwell P | Indian Printmaker's Guild 10th Anniversary Exhibition | 2000 | The London Institute | Fine Art | |
| FORBES R | Indian Summer | 2000 | University of Dundee | Contemporary Practice | |
| Peasgood D | Indigo Exhibition | 1998 | The London Institute | Fashion and Textiles | |
| Cosserat K | Indigo Exhibition | 1998 | The London Institute | Fashion and Textiles | |
| Brock PM | Indigo/Decosit | 1998 | The London Institute | Fashion and Textiles | |
| Brind S | Individuals In Foreign Lands | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Whiting B.M. | Industria Art, Second Contemporary Art Show | 1999 | Falmouth College of Arts | ||
| Hose M | Industry: A Resource for Artists | 1996 | University of Wales Institute, Cardiff | Ceramics | |
| Bessey P | Infant Safety Carseat | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Anderson P | Infanta | 1998 | Kingston University | ||
| Lewin A | Infinite Fracture | 2000 | Dartington College of Arts | ||
| Hollingsworth S M | Infinitude | 1998 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Hood B | Infinitude - New Media Artworks | 2000 | Edinburgh College of Art | Fine Art | |
| Stiff P | Information Design Journal | 2000 | University of Reading | ||
| Adams CG | Information and Reality: Korean Contemporary Art. | 1995 | University of Plymouth | Site, Space, Location, Place | |
| Clare DJ | Information and communications technology: teachers' and students' perceptions and implications for teacher education. | 2000 | Goldsmiths College | Backwell, J. | |
| WALLER R. | Information design: how the disciplines work together | 1995 | Coventry University | The Design Institute | |
| Newland P M | Informing Multimedia: a sensitive interface to data for construction design professionals. | 1994 | University of Portsmouth | Centre for New Media Research | J Powell |
| DIGNAN P | Infusion/Fix 2000/Millenium Review of Live Art | 2000 | University of Dundee | Digital Technology | Rooney, P Harahan, S Mass, T |
| Powell G | Ingram Micro brochures | 1999 | The London Institute | Media and Communication | |
| Powell G | Ingram Micro brochures | 1999 | University of Brighton | Visual Communication Design | |
| DIAMOND S | Ingress | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Finnemore P | Inheritance | 1994 | Swansea Institute of Higher Education | Photography | |
| Thomas PD | Injury patterns in side collisions - a new look with reference to current test methods and injury criteria | 1999 | Loughborough University | Design Ergonomics | Frampton, R.J. |
| Randall-Page P | Inner Compusion | 2000 | Dartington College of Arts | ||
| O'Sullivan T | Inner becomes outer and outer becomes other | 2000 | Cumbria College of Art + Design | ||
| Dawson J | Innovation and Diversity: 75 Years of Swedish Glass 1925-2000 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Dawson J | Innovation and Diversity: 75 Years of Swedish Glass 1925-2000 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Lewis A | Innovation from a small company perspective - An emprical investigation of new product development strategies in SME's | 2000 | University of Wales Institute, Cardiff | PDR | A Filson |
| Garner SW | Innovation, collaboration and modelling: issues for computer-based design teams | 1997 | Open University | Design thinking and communication | |
| GILLIES P | Innovations and Transformations in Printmaking | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| Landry CR | Innovative and Sustainable Cities | 1997 | The London Institute | Media and Communication | Sir Peter Hall |
| CHISHOLM R G | Innovative composite furniture | 1998 | University of Dundee | Industry and the Public Sector | Helen McCoig |
| Rooney J | Innovative deployable antenna developments using tensegrity design | 2000 | Open University | Design for advanced products | B. Knight J. Duffy CD Crane |
| Gray C | Inquiry Through Practice: developing appropriate research strategies | 1998 | Robert Gordon University | Learning Strategies | |
| Cakin AS | Inquiry by Design | 1994 | De Montfort University | ||
| Williams E V | Inscriptions | 1996 | University of Reading | ||
| STEWART C | Insecurity | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Duncan AEJ | Inside - Outside - Permutation: Science and the Body in Contemporary Art | 2000 | University of East London | ||
| WARD J | Inside Cover | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Kelly D | Inside Cover | 2000 | Wimbledon School of Art | Nick Austin Stephen Bury David Rees Davies |
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| Chuhan J | Inside Out | 1998 | Liverpool John Moores University | Painting and Sculpture | Billingham,R Bevan,T Boyce,S |
| Ingram J | Inside Out or Outside In: Design management research, a comparison of two methods | 1994 | University of Central England in Birmingham | Birmingham Centre for Design Research | R. Davies-Cooper |
| Wilkinson M | Inside out and outside in - taking product design education into the real world and bringing the real world into product design education | 2000 | University College Northampton | Design for Industry and Commerce | Sale, R Thomas, V |
| Flower T J | Inside/Outside | 1998 | University of Brighton | Natural and Constructed Environments | |
| Mosscrop MLB | Insight | 1998 | De Montfort University | ||
| Heeney G | Insight | 1999 | University of Wolverhampton | Ceramics | |
| Thompson GA | Installation | 1999 | The London Institute | Fine Art | |
| Petry M | Installation Art | 1994 | University of Wolverhampton | Fine Art | Nicolas de Oliveira Nicola Oxley |
| Oxley Nici | Installation Art | 1994 | London Guildhall University | ||
| Archer MG | Installation Art | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| PARTRIDGE S | Installation Series | 1997 | University of Dundee | Digital Technology | |
| Holt RB | Installation of 11 Canvas Works | 1994 | Liverpool John Moores University | Painting and Sculpture | |
| Jeal D | Installation of Callitactil and Escrito de Campo | 1999 | Anglia Polytechnic University | ||
| Aust R | Installation. | 2000 | Goldsmiths College | ||
| Tallentire A | Instances | 1999 | The London Institute | Fine Art | |
| Ali-MacLachlan I | Institutional Collaboration Over Networks ICON 2: A Remote Design Project | 1999 | Glasgow School of Art | Educational Theory and Practice | A. Thomson L. M. Campbell |
| Field B | Institutional Deficiencies and Capacity Building Constraints: The Dilemma for Environmentally Sustainable Development in Africa | 1997 | De Montfort University | ||
| Stiff P | Instructing the printer: what specification tells about typographic designing | 1996 | University of Reading | ||
| Robson E H N | Intaglio | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Dale Thompson Vicki Feaver Ross Cameron |
| SHEMILT E | Intangible Bodies | 1999 | University of Dundee | Contemporary Practice | Stephen Partridge |
| Sharpe T | Integrated solar thermal upgrading of multi-storey housing blocks in Glasgow | 1998 | Glasgow School of Art | Cities and Environments | C D A Porteous K MacGregor |
| Fuyuan L | Integrating Interactive Visual and Auditory Feedback | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Peng Xiaoyuan Wang Xingren |
| McNally NP | Integrating two design cultures | 1994 | Glasgow School of Art | Educational Theory and Practice | |
| Lyons AR | Integration of Computing and Architectural Design | 1994 | De Montfort University | Doidge, C.W. | |
| Blundell S | Integrity of the Subject | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Wright R | Intelligence | 2000 | Edinburgh College of Art | Fine Art | |
| Esche C | Intelligence - New British Art 2000 | 2000 | The London Institute | Fine Art | Virginia Button |
| Shonibare Y | Intelligence: New British Art 2000 | 2000 | The London Institute | Fine Art | |
| Lowe B. | Intelligence: New British Art 2000 | 2000 | University College London | Fine Art Media | |
| Johnston A | Intelligence: New British Art 2000 | 2000 | Edinburgh College of Art | Fine Art | |
| Esche C | Intelligence: New British Art 2000 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curator Virginia Button |
| Cawthorne DA | Intelligent Daylighting Design and Control in UK Buildings | 1997 | De Montfort University | ||
| Johnson JH | Intelligent support for communication in design teams: garment shape specifications in the knitwear industry | 2000 | Open University | Design for advanced products | C. Eckert N.G. Cross |
| MORTON V E | Intelligible Lies | 1997 | University of Dundee | Contemporary Practice | Carol Rhodes Graeme Todd |
| BONAVENTURA P | Intensities | 1997 | University of Oxford | Edward King | |
| Mooney J | Inter Views/Close to Home | 1998 | Royal College of Art | Fine Art | |
| Ganz A J | Inter-Act Project | 1994 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| ROBINSON M | Inter-Meta | 1998 | Middlesex University | ||
| Snell R | Interaction: developing links between the furniture industry and H/FE in the areas of design, technology and manufacture | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | Rhonda Lane |
| Colson R | Interactive Guide to Joyce's Ulysses. Dyson Gallery, Design Museum | 1999 | Thames Valley University | Colson R | |
| Rieser M | Interactive Narratives: A Form of Fiction? | 1997 | Napier University | Critical Theory of Practice | |
| Walker S F | Interactive multimedia in primary schools: children's use and understanding of information texts on CD-ROM, and implications for teachers and designers | 1999 | University of Reading | L. Reynolds V. Edwards |
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| Lewandowska M | Interarchiv. | 1999 | Goldsmiths College | ||
| Archer M | Interface (15 ton granite sculpture) | 1999 | Loughborough University | Fine and Applied Arts | |
| Newland P M | Interface Design: Seeking an Appropriate Analysis Framework, | 1999 | University of Portsmouth | Centre for New Media Research | |
| Gyi DE | Interface pressure and the prediction of car seat discomfort | 1999 | Loughborough University | Design Ergonomics | Porter, J.M. |
| Marchant A | Interior - An exploration of Interior spaces - both architectural and biological | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| PAUL J M | Interior Design Research: A Challenge for the Future | 1997 | University of Dundee | Industry and the Public Sector | Dr Nomana Anjum Roland Ashcroft |
| Plunkett D | Interior Design: Airport International Arrivals Area | 1999 | Glasgow School of Art | Design | P. Macklin |
| Smith N E | Interior Landscapes | 1996 | Nottingham Trent University | Visual Arts | |
| Booth S | Interior design of The Lighthouse: Scotlands Centre for Architecture, Design and the City | 1999 | Glasgow School of Art | Cities and Environments | Javier Mariscal, Barcelona |
| Aarons A | Interior of Princes Street Synagogue | 1998 | Anglia Polytechnic University | ||
| Prophet J. | Internal Organs of a Cyborg | 1998 | University College London | Fine Art Media | |
| Prophet J | Internal Organs of a Cyborg | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| McKenzie Smith S | International Biennale Exhibition of Contemporary Art: Florence Biennale 1999 | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| ROBISON J | International Ceramics Symposium and Exhibition | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Franks A M | International Contemporary Ceramics 2000 | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Rihl LF | International Contemporary Furniture Fair | 1996 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Booth S | International Contemporary Furniture Fair | 1999 | Glasgow School of Art | Design | Mark Hale of I.W.d |
| Hinchliffe-McCutcheon J L | International Contemporary Jewellery | 1999 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Smith L | International Design Biennale 98, St Etienne, France | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Startup J | International Design Resource Awards Exhibition | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Starszakowna N | International Exhibition + Symposium | 1997 | The London Institute | Fashion and Textiles | |
| McConachie A | International Glaskunst Triennale | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Flavell M R | International New Glass | 1996 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Klein D V | International New Glass 1998 | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Klein D V | International New Glass 1998 | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Klein D V | International New Glass/Venezia Aperto Vetro | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Hilton K H | International Patent numbers: Completed 9406880.6. Nu-Cidex Sterilising Mixing Container | 1996 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Wilson Warburton, N |
| Kusters C | International Poster Exhibition | 2000 | The London Institute | Media and Communication | |
| Dunbar L | International Print Triennale, Cracow, Poland | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| North ME | International Print Triennial 2000, 'Bridge to the Future' | 2000 | Loughborough University | Fine and Applied Arts | |
| Utting J.A. | International Small Engraving Salon | 2000 | Falmouth College of Arts | ||
| Naylor P.J. | International Small Engraving Salon | 2000 | Falmouth College of Arts | ||
| Ellis E | International Triennial Woodcut and Wood Engraving | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Palmer R | International Waters, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Bird-Jones C | International Womens' Stained Glass | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Hooper R | International Woodturning Exchange - Joint Exhibition of Residents | 1995 | Liverpool Hope | ||
| Griffiths A | International Wool Secretariat Knitwear Collection | 1997 | University of Southampton | ||
| VAN DER LEM P | International co-operation and developing national and international standards of work and digital publishing and visual gallery systems | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| MOWBRAY J | International collaboration Sculpture, Dance, Performance with commissioning of video/film and music/phone Art | 2000 | University of Lincoln | ||
| FEIST A. | International data on public spending on the arts in eleven countries | 1998 | City University | Fisher R Gordon C Morgan C. |
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| WILLIAMS M.D. | International doodlebug day exhibition | 2000 | Coventry University | Design | HIROSUKE, U.A. IBBOTSON, B. |
| Morris L E | International/Provincial: Every Art School Needs a Dealer | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Thompson, J. Wentworth, R. Harrison, C. |
| Kirk C | Internationale Glaskunst Triennale | 1999 | University of Sunderland | Institute for International Research in Glass | |
| McGowan A | Interpretation of Faust Part-One | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Hose M | Interpreting Ceramics | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Jones J | Interpreting Ceramics - An International referred electronic journal for ceramics | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Biggs M A R | Interpreting Wittgenstein's Graphics | 1999 | University of Hertfordshire | ||
| Tallentire A | Interruptions V (installation) and Anne Tallentire (monograph) | 1998 | The London Institute | Fine Art | J.S.Seth |
| Adams BC | Intersculpt 99 - the CALM Project | 1999 | University of Plymouth | Centre for Visual Computing | |
| Bevan P | Interval | 1998 | Southampton Institute | ||
| Simpson M | Intervention at La Tourette. | 2000 | Goldsmiths College | ||
| STEWART C | Interview | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Harland E | Interviews and Close to Home | 1998 | The London Institute | Fine Art | |
| Hart J | Interviews with: Ken McMullen; Tatsuo Miyajima; Neville Brody; AntiRom; Peter Newman; feature on use of photography in OJ Simpson trial | 1997 | The London Institute | ||
| Boyce-Kwok S | Interzones | 1996 | University of East London | ||
| Hawthorn M | Intimata at Koln | 2000 | University of Gloucestershire | ||
| Cassim J | Into the Light- Museums + their Visually Impaired Visitors | 1998 | Royal College of Art | Inclusive Design | |
| Ogilvie E | Into the Oceanic | 2000 | Edinburgh College of Art | Fine Art | |
| GODFREY-ISAACS L | Into the Public Realm: Art, Institutions and People | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Leslie J | Into the Void | 1996 | Manchester Metropolitan University | ||
| Morten G | Intoarcerea (The Way Back) | 1996 | University of Sunderland | Fine Art | |
| Griffiths B L | Intranet Design, Development and Evaluation. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Doidge CW | Introducing Alternative Formats for the Design Project Review | 2000 | De Montfort University | Brindley, T. Willmott, R |
|
| Brindley TS | Introducing Alternative Formats for the Design Project Review | 2000 | De Montfort University | Doidge, C.W. Willmott, R. |
|
| Hogg D | Introducing Contemporary British Jewellery | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Crowley G | Introducing De Sade | 1995 | Royal College of Art | Fine Art | |
| Collins J | Introducing Derrida | 2000 | University of Plymouth | Art Process | |
| PHOCA S | Introducing Post Feminism | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | Rebecca Wright |
| Geraghty A | Introducing Thomas Laine: draughtsman to Sir Christopher Wren | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Torrens GE | Introducing User-Centred Factors Into A Value Analysis Methodology Approach To The Development Of A Health and Beauty Care Product | 1998 | Loughborough University | Design Research | O'Hare, F.P. |
| Mosley J M | Introduction and notes to: The manuel typographique of Pierre-Simon Fournier le jeune (etc) | 1995 | University of Reading | ||
| Adams S R | Introduction to Gendering Landscape Art | 2000 | University of Hertfordshire | Dr A. Greutzner-Robins | |
| Mosley J M | Introduction to J.M. Funcke, Kurtze Anleitung zur Form- und Stahl-Schneiden (Erfurt, 1740) | 1998 | University of Reading | ||
| CARR R J M B | Inuit Printmaking | 1995 | University of Dundee | Coastal/Indigenous Cultures | |
| Goddard J. | Invasioon: Saaremaa Biennaal 1997 | 1997 | University College London | Fine Art Media | |
| Lebbon C | Investigating Industry Attitudes to Universal Design | 2000 | Royal College of Art | Inclusive Design | Keates, S Clarkson, J |
| Watt DS | Investigating the Effects of Humidity and Salt Crystallisation on Medieval Masonry | 2000 | De Montfort University | Colston, B.J. | |
| Khan T | Investigating the change in wear behaviour of a tool steel after surface melting and gaseous alloying | 1999 | Brunel University | Environmentally Sensitive Design | SA Rizvi |
| Jackman J | Investigation into the Visual Quality of Fractal Images | 1995 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Yass CM | Invisible City | 1998 | The London Institute | Fine Art | |
| Lane C | Invisible Crowds | 1996 | The London Institute | Fine Art | |
| Ogawa S | Invisible Language | 1996 | Edinburgh College of Art | Fine Art | |
| Davies D R | Invisible Lives | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Binns D S | Invited guest artist at an International Ceramics Symposium | 2000 | University of Central Lancashire | ||
| Selby A | Irish Stews (illustration commission) | 1995 | Loughborough University | Illustration | |
| Kinmonth C | Irish Vernacular Furniture: Inventories and Illustrations in Interdisciplinary Methodology | 1996 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Wilson A | Iron Ladder series - painting and prints | 1997 | University of Brighton | Fine Art Practices | |
| Anderson W | Is Art Beneath You | 1998 | The London Institute | Fine Art | Alice Evans |
| Tredre R | Is Big Better for Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Sheridan T | Is It the Design on the Wrapper? | 1997 | The London Institute | Fine Art | |
| Viner DJ | Is Tall Better Than Small? | 2000 | The London Institute | Fine Art | |
| Young M | Is Utility in the Mind of the Beholder? A review of Ergonomics Methods. | 1998 | Brunel University | Interaction Design | N Stanton |
| Herring H | Is energy efficiency environmentally friendly? | 2000 | Open University | Design for sustainability | |
| Malik S | Is the Internet a Rhizome? Cyberspace and the Deleuze-Guattari Machine. | 1997 | Goldsmiths College | ||
| Halstead JD | Is the Musical Mind Male? | 1996 | University of Westminster | Sound Media | |
| Aarons A | Is this Art? | 1996 | Anglia Polytechnic University | ||
| Williams D | Is: Ecstasies I - XXII | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Tyrrell J | Isambard Kingdom Brunel:Recent Works | 2000 | University of Sunderland | Design | |
| Hoek K. | Ishihara on the Moon | 1997 | University College London | Fine Art Media | |
| Raban W | Island Race | 1996 | The London Institute | Media and Communication | |
| Ogilvie E | Island Within | 1995 | Edinburgh College of Art | Fine Art | |
| Hamlyn J | Islands Gallery; Waterfalls, Fireflies II; Marksmanship | 1999 | Robert Gordon University | Practices enabled through New Media Technology | |
| Bullen DW | Isola | 1997 | University of Brighton | Fine Art Practices | |
| Lawrence E | Isthmus | 1999 | Edinburgh College of Art | Fine Art | |
| Jones A D | It | 1998 | University of Portsmouth | Art and Philosophy | |
| Whittaker P | It Always Rains. | 1997 | University of Southampton | ||
| Machin D | It Helps People Make Their Decisions. Dating Games, Public Service Broadcasting and the Negotiating of Identity in Middle-Childhood | 2000 | The London Institute | Media and Communication | Maire Messenger Davies |
| Stehli J | It Took Ages | 1998 | University of Portsmouth | Art and Philosophy | |
| Parris J | It Took Ages | 1998 | The London Institute | Fine Art | Jamima Stehli |
| Strutton J | It looks like rain | 1999 | Royal College of Art | Fine Art | |
| Finn-Kelcey R | It pays to pray | 1999 | The London Institute | Fine Art | |
| Walden J | It's Extraordinary How Beautiful Your Skin Is | 2000 | University of Portsmouth | Art and Philosophy | |
| Eacott JF | It's What You Make It | 1999 | University of Westminster | Sound Media | |
| Oak A V | It's a Nice Idea, but it's not actually Real: Assessing the Objects and Activities of Design | 2000 | University College Northampton | Design for Industry and Commerce | |
| Warren RJ | It's a curse, it's a burden | 1998 | The London Institute | Fine Art | |
| WARREN RJ | It's a curse, it's a burden | 1998 | University of Oxford | ||
| MOAR M | Iterated Function Systems and Non-Affine Transformations: Examples in 2D and 3D | 1999 | Middlesex University | H Jones | |
| SETH J | Itinerary | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| Martin TD | Its Sculpture Baby, In the Place of an Object | 2000 | De Montfort University | ||
| Robertson FG | Ive Sort of Lost It Now, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Smith M | Iwate Art Festival: Celtic Connections, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Paul R | Iwate Art Festival: Later Editions - Prints from Glasgow, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McGraw M | Iwate Art Festival: Later Editions - Prints from Glasgow, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Parry J | Iwate Art Festival: Ways of Editing, solo exhibition. | 1998 | Glasgow School of Art | Fine Art | |
| Bevan P | Iwate Town 25th International Stone Sculpture Symposium, permanent publicly sited commission | 1998 | Glasgow School of Art | Fine Art | |
| Murphy J | J. Murphy | 1996 | Goldsmiths College | ||
| Howard C J | JCB Cab Interior | 1997 | University of Huddersfield | Gordon McNaboe | |
| Mowat I | JL Plus (Diffusion Line) Cashmere Womenswear | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| FORD L | JOHN BULL | 2000 | Middlesex University | ||
| Henshaw J. G. | JOHN HENSHAW: PAINTINGS AND DRAWINGS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler P. | JOHN MOORES LIVERPOOL EXHIBITION 19 | 1995 | The Surrey Institute of Art + Design University College | Visual Arts | |
| HEYWOOD A | Jacked Car | 1994 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| Parry J | Jacki Parry, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| OLIVER J. | Jacky Oliver: Inside out | 2000 | Coventry University | ||
| Fearns R | Jacobs Ladders + Galleries | 1995 | Bath Spa University College | ||
| Mair J H | Jacqueline Mair | 1997 | University of Portsmouth | Centre for Images in Practice | |
| Keelan SH | Jacqueline Morreau: Themes and Variations | 1996 | Kingston University | ||
| Sayers L | Jakulov's set design for Prokofiev's 'Le Pas d'Acier' | 2000 | University of Gloucestershire | ||
| Weileder W | Jam | 2000 | University of Newcastle | ||
| Castle J | James Castle, Sculpture + Drawings: Mick Maslen, Painting + Drawings | 1997 | University of Gloucestershire | Mick Maslen | |
| Fearon J E | James Fearon One Person Exhibition | 1997 | Bolton Institute of HE | ||
| Maccaulay J | James Gillespie Graham and A W N Pugin, Some Perthshire Connections | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Wynne J | James Kamotho Kimano | 1998 | The London Institute | Fine Art | |
| Muirhead TW | James Stirling, Michael Wilford and Associates: Buildings and Projects 1975-1992 | 1994 | De Montfort University | Maxwell, R. Wilford, M. Stirling, J. |
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| Gray W F | James Williamson's 'Composed Picture': Attack on a china mission - Bluejackets to the Rescue (1900) | 1998 | University of Brighton | 20th Century Design and Film Archives | |
| New S | Jammy Lips | 1999 | University of Gloucestershire | ||
| Lipski E | Jan Fabre, Rob Scholte, Edward Lipski | 1997 | The London Institute | Fine Art | |
| Tucker M E | Jan Garbarek: Deep Song | 1998 | University of Brighton | Visual and Performing Arts | |
| Mladovsky J | Jan Mladovsky - Recent Works (Emil Filla Gallery, Prague and Die Aktualitat des Schoenen Gallery, Liberec) | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Mladovsky J | Jan Mladovsky - Recent Works/Czech Museum | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Adam J | Jane Adam | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Harris JK | Jane Harris - New Works. | 1999 | Goldsmiths College | ||
| Harris JK | Jane Harris. | 1996 | Goldsmiths College | ||
| Mitchell V | Janis Jefferies, Selvedges | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Maharaj, S. Jefferies, J. |
| Utting J.A. | Japanese Connections | 2000 | Falmouth College of Arts | ||
| Booth P.M. | Japanese Connections | 2000 | Falmouth College of Arts | ||
| HAIGH J | Japanese Inspirations | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| JOHNSTON K | Jasmine Satin | 1997 | University of Dundee | Contemporary Practice | Fanny Arowsen |
| Brooks J | Jason Brooks | 1997 | University of Gloucestershire | ||
| Beban B | Jason's Dream | 1998 | Sheffield Hallam University | Hrvoje Horvatic | |
| Parker J. | Jayne Parker | 1998 | University College London | Fine Art Media | |
| STEYN J. | Jean Baudrillard: 'Then we too shall see the stars fade away' | 1999 | City University | ||
| Parris J | Jeanette Parris | 1998 | The London Institute | Fine Art | |
| YEADON J.D. | Jemima Brown + John Yeadon | 1999 | Coventry University | Visual Arts | BROWN, J. |
| Stehli J | Jemima Stehli. | 2000 | Goldsmiths College | ||
| Jones A D | Jemima Stehli: On all fours naked in high heels - a critical position? | 1999 | University of Portsmouth | Art and Philosophy | |
| Sherrell J P | Jennifer Sherrell, Prints. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Cross D | Jerusalem | 2000 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Hogg D | Jerwood Applied Arts Prize | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Zellweger C | Jerwood Applied Arts Prize 2000 | 2000 | Sheffield Hallam University | ||
| Callinicos E | Jerwood Applied Arts Prize 2000 | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Hanson M | Jerwood Applied Arts Prize 2000 (Jewellery) | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Adam J | Jerwood Applied Arts Prize 2000 (Jewellery) | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Callinicos E | Jerwood Applied Arts Prize 2000: Jewellery | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Hugonin J W | Jerwood Painting Prize | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Brennand-Wood M | Jerwood Prize for Applied Arts - Textiles | 1997 | University of Ulster | ||
| Marriott M | Jerwood Prize for Applied Arts 1999: Furniture | 1999 | Royal College of Art | Design for Manufacture | |
| Cousens C | Jerwood Prize for Applied Arts 2000 | 2000 | University of Brighton | Natural and Constructed Environments | |
| Hardie G M | Jet Travel | 1999 | University of Brighton | Visual Communication Design | |
| Krysa J | Jeux D'Amour | 2000 | University of Plymouth | STAR | Vallet E Vlkova M |
| Olver E | Jewellery Design: The Artisan's Reference | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Shillito A | Jewellery Moves | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Patterson Z | Jewellery Moves | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| GATT E E | Jewellery Moves | 1998 | University of Dundee | Contemporary Practice | Onno Boekhoudt Wendy Ramsaw Arlene Fisch |
| Fraser SJH | Jewellery Moves | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Fraser S | Jewellery Moves | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Cross S | Jewellery Moves | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cousens C | Jewellery Moves | 1998 | University of Brighton | Natural and Constructed Environments | |
| Callinicos E | Jewellery Moves | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Smith L | Jewellery Moves - The Changing Room | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Cunningham JR | Jewellery Moves: International Jewellery Exhibition: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Callinicos E | Jewellery Moves: Ornament for the 21st Century | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Cherry N | Jewellery and Metalwork | 1994 | University of Central England in Birmingham | Jewellery Research Group | |
| Stofer H | Jewellery and Small Objects | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Cherry N | Jewellery and vessels | 1998 | University of Central England in Birmingham | Jewellery Research Group | |
| FOLLETT G L P | Jewellery by Georgina Follett | 2000 | University of Dundee | Industry and the Public Sector | |
| Fraser SJH | Jewellery in Europe and America | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Spiller E. | Jewelry in Europe and America: New Times, New Thinking | 1996 | Falmouth College of Arts | ||
| Boekhoudt O | Jewels of Mind and Mentality 1950-2000 | 2000 | Royal College of Art | Applied Art | |
| SPENS M | Jewish Museum, Berlin by Daniel Libeskind | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Higgs M | Jim Shaw 'Thrift Store Paintings'. | 2000 | Goldsmiths College | ||
| Higgs M | Jim Shaw: 'Thrift Store Paintings' | 2000 | Royal College of Art | Critical Practice | |
| Slee R | Jinro International Ceramic Art Exhibition | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Renton A. | Jo | 1999 | University College London | Art History and Theoretical Studies | |
| MOWBRAY J | Joanna Mowbray: New Steel Sculpture and Drawings. Lecture Through and Around - November Lecture Series | 1996 | University of Lincoln | ||
| Short J | Joanna Short | 1996 | Goldsmiths College | ||
| Short J | Joanna Short - works | 1998 | Goldsmiths College | ||
| Dillon J | Jobbar office chairs | 2000 | Royal College of Art | Design for Manufacture | |
| HARKNESS A | John Berger; A Painter of our Time | 1999 | University of Lincoln | ||
| Moffat A | John Byrne and Painting - An Enduring Passion, essay in exhibition catalogue | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Shipsides D | John Cabot's Court/Performing Generations | 1997 | University of Ulster | ||
| Danvers TJ | John Danvers Recent Works on Paper. | 1999 | University of Plymouth | Art Process | |
| Davies J | John Davies: Drawings and Sculptures | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies J | John Davies: Recent Sculpture | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies J | John Davies: Recent Sculptures and Drawings | 1995 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Morris R | John Dillwyn Llewelyn and the Electric Boat | 1997 | Brunel University | Polymedia Design | |
| Meyrick R K | John Elwyn | 2000 | University of Wales, Aberystwyth | ||
| Evans C | John Galliano: Modernity and Spectacle | 2000 | The London Institute | Fashion and Textiles | |
| Wallace M | John Hilliard | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Hilliard J. | John Hilliard | 1999 | University College London | Fine Art Media | |
| Hilliard J. | John Hilliard - Works 1969 to 2000 | 2000 | University College London | Fine Art Media | |
| Hilliard J. | John Hilliard-Fotografie als Konzept (Retrospective) | 1999 | University College London | Fine Art Media | |
| Hilliard J. | John Hilliard: Works 1990-1996 | 1997 | University College London | Fine Art Media | |
| Morris D | John Holden - David Morris - Two Artists from Liverpool | 1998 | Liverpool John Moores University | Painting and Sculpture | John Holden Nicholas Usherwood |
| Keane J | John Keane: A Painter in Focus | 1997 | The London Institute | Fine Art | |
| Sargeant N | John Kobal Photographic Award '98 | 1998 | University of Gloucestershire | ||
| Murray M | John Kobal Portrait Awards 95 | 1995 | University of Gloucestershire | ||
| Murray M | John Kobal Portrait Awards 97 | 1997 | University of Gloucestershire | ||
| McClenaghen J | John McClenaghen | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Verran V | John Moore's 20 | 1997 | Falmouth College of Arts | ||
| Donachie KM | John Moores 21 | 1999 | The London Institute | Fine Art | |
| Verran V | John Moores Liverpool Exhibition | 1997 | The London Institute | Fine Art | |
| Ainsworth MD | John Moores Liverpool Exhibition | 1995 | University of Ulster | ||
| Jones L. | John Moores Liverpool Exhibition 19 | 1995 | University College London | Painting | |
| Hughes S | John Moores Liverpool Exhibition 20 | 1997 | Kingston University | ||
| Haughton D | John Moores Liverpool Exhibition 20 | 1997 | Kingston University | ||
| Brooks J | John Moores Liverpool Exhibition 20 | 1997 | University of Gloucestershire | ||
| MURPHY J | John Murphy | 1997 | University of Oxford | ||
| Murphy J | John Murphy. | 1997 | Goldsmiths College | ||
| Ryan D | John Riddy: Photographs | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Riddy J | John Riddy: Photographs | 2000 | The London Institute | Fine Art | |
| Riddy J | John Riddy: Rome | 1999 | The London Institute | Fine Art | |
| Farshad F | John Rocha | 1997 | The London Institute | Fashion and Textiles | Frank Rickett |
| Cannon Jones A | John Rocha Autumn/Winter Menswear Collection | 1999 | The London Institute | Fashion and Textiles | |
| Cannon Jones A | John Rocha Spring/Summer Menswear Collection | 2000 | The London Institute | Fashion and Textiles | |
| Hannavy J M | John Smith and England's Union Cases | 1997 | Bolton Institute of HE | ||
| Coulter-Smith G | John Thomson: Narrative Sculpture | 1999 | Southampton Institute | ||
| Virtue JA | John Virtue - New Works | 1995 | University of Plymouth | Art Process | |
| Virtue JA | John Virtue New Paintings | 2000 | University of Plymouth | Art Process | |
| Virtue JA | John Virtue. Exe Estuary 1997-2000. | 1999 | University of Plymouth | Art Process | |
| Virtue JA | John Virtue. New Paintings 1998-2000 | 2000 | University of Plymouth | Art Process | |
| Butler J | John Virtue: Exe Estuary Paintings 1997/8 | 1998 | University of Plymouth | Art Process | |
| Pennell JD | Join the Dots | 1996 | The London Institute | Fine Art | |
| Harland E | Join the Dots | 1996 | The London Institute | Fine Art | |
| Bell J | Jonathan Bell's House and Garden | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Chapman J | Jonathan Chapman: Still Lifes | 2000 | University College Northampton | Fine Art Practices | |
| Lawler T | Jonathan Creek | 1999 | Kingston University | ||
| Boult J | Jordan Amigo Toothbrushes | 1995 | Brunel University | Design Process | |
| Martinon JP | Jordan Baseman - Blunt Objects. | 1997 | Goldsmiths College | ||
| Withers R | Joseph Beuys | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Lars Nittve Michael Craig-Martin David Batchelor |
| Anderson W | Joseph Beuys Drawings | 1999 | The London Institute | Fine Art | |
| Tisdall C | Joseph Beuys: We Go This Way | 1998 | Oxford Brookes University | Social Sculpture Research Unit | |
| Watanabe T | Josiah Conder's Rokumeikan: Architecture and National Representation in Meiji Japan | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Short C | Journal 491: Art Fragments | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Sprung S | Journey Through the Night | 2000 | Sheffield Hallam University | ||
| Harrow D | Journey Zone | 1999 | Royal College of Art | Design for Manufacture | |
| Williams E V | Journey into Space | 1995 | University of Reading | ||
| Ten Brink J | Journey through the Night | 2000 | University of Westminster | Visual Media | |
| Sinclair R | Journey to the Edge of The World, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Toal D | Journey's End, video | 2000 | University of Portsmouth | Memory, Identity and Material Culture | |
| Hakim-Dowek L | Journey: Going back to Beirut | 1995 | University of Portsmouth | Memory, Identity and Material Culture | |
| Cunningham JR | Journey: solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Kappenberg C | Journeys | 2000 | The London Institute | Fine Art | |
| Wozencroft J | Joy Division 'Heart and Soul' box set | 1997 | Royal College of Art | Communications | |
| De Quin R | Jug, 2 beaker set on tray (from Crafts Council permanent collection) in silver and glass, pen tray and letter opener, in silver, pomander box in silver with gold-plated interior. | 1998 | London Guildhall University | ||
| Healey M | Jump to Cow Heaven | 1997 | Cumbria College of Art + Design | ||
| Griffith O | Jurgen Partenheimer: The Axis of Delicate Balance | 1994 | Edinburgh College of Art | Fine Art | |
| Page A | Just Another Disability; making design dementia friendly - conference proceedings of a European conference held on 1 and 2 October 1999 | 1999 | Glasgow School of Art | Design | Stewart, S |
| Porter M L | Justifying the Incorporation of Ergonomics into Organisational Strategy | 1998 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Butler J | Justin Knowles Beyond Systems Artform Concepts 1967-98. | 1998 | University of Plymouth | Art Process | |
| Montag D. | K Exhibition | 2000 | Falmouth College of Arts | ||
| MUMBERSON S | KACK HANDED | 2000 | Middlesex University | ||
| Selley G | KAMP (Knowledge Assurance for Multimedia Publishing) | 1996 | The London Institute | Media and Communication | No No No |
| Swindells S P | KAYAK | 2000 | University of Huddersfield | Dutton + Peacock S.o.D. |
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| Paul JS | KITE Design | 2000 | Brunel University | Design for Inclusion | P Isherwood |
| Howes A | Kaddish | 1995 | The London Institute | Fine Art | Richard Wolfson Andy Saunders |
| YEADON J.D. | Kaleidoscope | 1997 | Coventry University | Visual Arts | SUTHERLAND, G. PIPER, J. HATUM, M. |
| Griffith O | Kamel + Fisch: A Radio Play | 1998 | Edinburgh College of Art | Fine Art | Sauer, M |
| Ogilvie S | Kanagawa International Print Triennial | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Homma McLaughlin K | Kaori Homma | 1997 | University of Hertfordshire | ||
| Homma McLaughlin K | Kaori Homma | 1997 | University of Hertfordshire | ||
| Stehli J | Karen 2000. | 2000 | Goldsmiths College | ||
| Roberts M | Katak. | 2000 | Goldsmiths College | ||
| Peacock JR | Kayakoy | 2000 | Sheffield Hallam University | Percy Peacock Steve Swindells |
|
| Dutton S | Kayakoy | 2000 | Sheffield Hallam University | Percy Peacock Steve Swindells |
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| Tangye HR | Keiichi Yoshida | 1999 | The London Institute | Fashion and Textiles | |
| Mukaide K | Keiko Mukaide | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Farquhar K | Keith Farquhar | 1998 | Edinburgh College of Art | Fine Art | |
| McIntyre K T | Keith McIntyre: New Paintings | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| BIGGS I | Ken Kiff | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| BIGGS I | Ken Kiff: Prints | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| Colbeck J | Keramikbiennale 2000 | 2000 | University of Brighton | Materials Practices and Processes | |
| Aarons A | Kettle's Yard Open | 1998 | Anglia Polytechnic University | ||
| Lewis A | Key issues in managing the product development process in very small manufacturing companies | 1999 | University of Wales Institute, Cardiff | PDR | R Brown |
| Hughes S | Khoj 1997 | 1997 | Kingston University | ||
| McKee F | Kidnapping Douglas Gordon | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Jan Debbaut Douglas Gordon |
| NEVIN P | Kids Room | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Mealing SP | Kiki - a computer drawing model. | 1998 | University of Plymouth | Centre for Visual Computing | |
| Porter M | Kilkenny Arts Festival | 1999 | Falmouth College of Arts | ||
| Matthee J | Killer Kitten. | 2000 | Goldsmiths College | ||
| McMullan S | Killing Your Darlings, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Gooding M | Kim Lim | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Gooding M | Kim Lim | 1994 | Wimbledon School of Art | Research Centre | |
| Pennell J | Kind of English. | 1997 | Goldsmiths College | ||
| Degen J | Kinetic titanium brooch | 1998 | London Guildhall University | ||
| Lord J | King Arthur and his Knights | 1994 | University of Brighton | Visual Communication Design | |
| FURNEAUX SH | Kisses | 2000 | University of Oxford | ||
| FURNEAUX SH | Kissing | 1996 | University of Oxford | ||
| Grant JM | Kissing the Dust. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| HOSKINS S | Kite Book | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Kusters C | Klein Aber Fein | 1999 | The London Institute | Media and Communication | |
| LEMKE H | Kleine Kuechenlieder fuer mittlers Kammerochester | 2000 | University of Lincoln | ||
| Klimowski A | Klimowski: inne obszary, inne formaty | 1996 | Royal College of Art | Communications | |
| Wade G | Kling Klang | 1998 | University of Wolverhampton | Fine Art | |
| McNicoll C | Knick-Knacks | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Barnes RAM | Knit Collection for Autumn/Winter 2001/2002. | 2000 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Fall/Winter 98/99. | 1997 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Spring/Summer 2000. | 2000 | Goldsmiths College | ||
| Barnes RAM | Knit Collection for Spring/Summer 2001. | 2000 | Goldsmiths College | ||
| HEATHCOTE S C | Knitted Fashion Accessories Commission | 1999 | University of Dundee | Contemporary Practice | |
| Dallas S | Knitted Lambswool blankets / throws | 1999 | Royal College of Art | Design for Manufacture | |
| Dawber C | Knitted Menswear Collection. | 1998 | Liverpool John Moores University | Fashion and Textiles | |
| Payne J | Knitted fabrics | 1997 | University of Southampton | ||
| Payne J | Knitted fabrics for Stoll. | 1996 | University of Southampton | ||
| Mowat I | Knitwear Collection for Alexander McQueen | 1997 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mowat I | Knitwear Collection for Givenchy Couture, Paris | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Mowat I | Knitwear Collection for Hussein Chalayan | 1996 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Ferguson A | Knitwear designs | 1997 | Glasgow School of Art | Design | |
| Mulholland N | Knock it Out | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Rust CM | Knowledge and the Artefact | 2000 | Sheffield Hallam University | Scott Hawkins Graham Whiteley Adrian Wilson |
|
| Purbrick L | Knowledge is Property: Looking at Exhibits and Patents in 1851 | 1997 | University of Brighton | Design History, Criticism and Theory | |
| Turner J | Knowsley Woods | 1999 | Liverpool John Moores University | International Centre for Digital Content | N Foster |
| Foster N | Knowsley Woods | 1999 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Hart WA | Kololewengoi and the Myth of the Big Thing | 2000 | University of Ulster | ||
| Judge V | Kommunikation durch Bilder, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| West N F | Komunikachie photography | 1995 | University of Northumbria at Newcastle | Photography (1b) | Benicka, L |
| Kondracki H | Kondracki's Edinburgh | 2000 | Edinburgh College of Art | Fine Art | |
| Thompson GA | Krijn de Koning and Gladstone Thompson: A Collaborative Work | 1997 | The London Institute | Fine Art | Krijn de Koning |
| White H | Kunst Hautnah | 2000 | Sheffield Hallam University | Metalwork + Jewellery | |
| Bugg R | Kunst RAI | 1999 | Wimbledon School of Art | Sculpture | Theo Philips Jeff Haines |
| Lloyd Lewis P | Kunst and Papier auf dem Laufsteg | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Wilson AJH | Kunst aus Ireland, Nordireland, Schottland | 1997 | University of Ulster | ||
| Le Grice M | Kunst im Reiche der Hydra-medien | 1998 | The London Institute | Media and Communication | |
| Kunath S C | Kurt Schwitters | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Middlemiss J.M. | Kutani International Decorative Ceramics Competition | 1997 | Falmouth College of Arts | ||
| Curtis D | L'Art du Movement | 1996 | The London Institute | Media and Communication | |
| FURNHAM D | L'Artiste, le Fermier et le Paysage | 1998 | Middlesex University | ||
| Brooks PR | L'Ascensore | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| IVEY M J | L'Echasse | 1994 | University of Dundee | Contemporary Practice | Patrig Ar Goarnig Svend Christensen Heiki Kongi |
| von Weiler C | L'H du Siege, Acte de Naissance | 2000 | University of Gloucestershire | ||
| Mach D | L'Homme Qui Marche | 2000 | Edinburgh College of Art | Fine Art | |
| Aiken J.C. | L'Imaginaire Irlandais | 1996 | University College London | Sculpture | |
| Grey J J | L'Infinito | 1998 | University of Brighton | Materials Practices and Processes | |
| Thomson G | L'art de la Lettre (Work of the Society of Calligraphers of Montreal and George Thomson) | 2000 | Cumbria College of Art + Design | ||
| HALES C | LAB002 | 1996 | University of West of England, Bristol | Digital Media Research Centre | |
| Bonnell M | LAMU | 1995 | Bath Spa University College | ||
| Bonnell M | LAMU B | 1994 | Bath Spa University College | ||
| Baker A. | LEADING LIGHTS | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Summers A | LEAPs | 1999 | North East Wales Institute of Higher Education | Art and Design | D Gill |
| KIRKBY B | LEAVE | 2000 | Middlesex University | ||
| SMITH K | LETTERS OF INDULGENCE | 1997 | Middlesex University | J Tankard | |
| Toren A | LEmpreinte | 1997 | University of Reading | Marcel Duchamp Jasper Johns Pablo Picasso |
|
| Bergne S | LID | 1996 | Royal College of Art | Design for Manufacture | |
| Buchler P | LIVE | 1999 | Manchester Metropolitan University | ||
| HOSKINS L | LIVING ROOM: TWENTIETH CENTURY INTERIORS AT THE GEFFRYE MUSEUM | 1998 | Middlesex University | ||
| Sinclair R | LKW, Things Between Life, Art + Work, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Sider L. | LONDON | 1994 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | Keith Griffiths Patrick Keiller |
| Griffiths K. | LONDON | 1994 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | Patrick Keiller Larry Sider |
| KEILLER P | LONDON - 35MM COLOUR FILM | 1994 | Middlesex University | ||
| Waeckerle E. | LOOK OUT ART-SOCIETY-POLITICS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blamey D. | LOOKING AT WORDS: READING PICTURES | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| DE FREITAS L | LOOKING IN WONDERLAND:THE ILLUSTRATIONS OF THE ALICE BOOKS BY SIR JOHN TENNIEL | 1996 | Middlesex University | ||
| Deville N. | LOSS OF HEAT | 1994 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Young A.N.J. | LOST IN TRANSITION: LOCAL MARKETS AND SUSTAINABLE PRACTICES | 1998 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Haslam A | LS Lowry a biography | 1999 | The London Institute | Media and Communication | |
| Brettle J | LUMINOUS: Northern Gallery for Contemporary Art, Sunderland. Visual Arts UK | 1996 | Edinburgh College of Art | Fine Art | |
| Van Liefferinge K | LUX | 1998 | Leeds Metropolitan University | Design | |
| Morris D | La Barca dei Folli | 1996 | Liverpool John Moores University | Painting and Sculpture | Gino Marotta |
| Kivland S | La Bonheur des Femmes (The Scent of a Woman) | 2000 | Sheffield Hallam University | ||
| Linklater R | La Dirindina - Domencio Scarlatti | 1998 | Nottingham Trent University | Design | Opera Restor'd |
| Smith D | La F | 1998 | The London Institute | Fine Art | |
| Newman MOJ | La Forme | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Stubbs N | La Mere Sauvage (drama, 30 mins, 16mm film, 1997) | 1997 | Staffordshire University | ARi, School of Art + Design | E. Wass |
| FISHER G R | La Peshce | 1996 | University of Dundee | Contemporary Practice | |
| Mukherjee R | La Prenda (The Jewel). | 1997 | Goldsmiths College | ||
| Kippin J | La Promenade des Anglais Septembre de la Photo | 1996 | University of Sunderland | Photography | |
| Counsell M.J.E. | La R | 2000 | University College London | Sculpture | |
| Chaimowicz M C | La Suite de Varsovie de Marc Camille Chaimowicz | 1997 | University of Reading | ||
| Kivland S | La Valeur d'Echange | 1999 | Sheffield Hallam University | ||
| Hepher D. | La Ville Moderne en Europe 1870-1996 | 1996 | University College London | Painting | |
| LOWE N | La formation et la vie professionnelle de l | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Hancock L | Labour Intensive | 2000 | De Montfort University | ||
| Maguire P J | Labour and the Law:The Politics of British Industrial Relations | 1996 | University of Brighton | Design History, Criticism and Theory | |
| Black H | Labour of Love | 2000 | Wimbledon School of Art | Sculpture | Anthony Caro Stephen Cox Edward Allington |
| Allsop D | Lacunae | 1995 | Royal College of Art | Fine Art | |
| Van Dooren I | Ladies and Gentlemen, Hats off, Please! Dutch film lecturing and the case of Cor Schuring | 1996 | University of Brighton | 20th Century Design and Film Archives | Ivo Blom |
| Jaray T. | Lampstandards for Cardiff Bay | 1995 | University College London | Painting | |
| MACLEAN W J | Land Raid Cairn Memorials | 1999 | University of Dundee | Coastal/Indigenous Cultures | |
| Seddon P J | Landed Gentry | 1998 | University of Brighton | Memory, Identity and History | |
| Sacks S | Landing Strip for Souls: Finding our Way Towards Democracy | 2000 | Oxford Brookes University | Social Sculpture Research Unit | |
| Flower T J | Landlines | 2000 | University of Brighton | Natural and Constructed Environments | |
| Hodkinson J | Landmarks | 1999 | University of Central Lancashire | ||
| Martin TD | Landmarks in Western Art | 1999 | De Montfort University | ||
| Kovats T | Landscape | 2000 | The London Institute | Fine Art | |
| Neudecker M | Landscape - An examination of the perception of a 'scene' and its representation | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Rayson D | Landscape - The British Council Collection. | 2000 | Goldsmiths College | ||
| Newell R A | Landscape - painting and Teaching in Wales, a personal statement | 2000 | Swansea Institute of Higher Education | Drawing | |
| Human J | Landscape for QEII | 1994 | Anglia Polytechnic University | ||
| Ten Hompel S | Landscape in 3 parts | 2000 | London Guildhall University | ||
| Robertson C | Landscape with Figure and DogsJenny + Feeding | 2000 | Wimbledon School of Art | Victoria Crowe ARSA RSW | |
| Brill P | Landscape. Landscape in a non-traditional manner; video and 'text paintings' | 2000 | London Guildhall University | ||
| Lowe J | Landscape? Forming and In-forming of Architectural Space | 2000 | University of Brighton | Natural and Constructed Environments | |
| Sear H | Landscapes | 2000 | University of Reading | ||
| Adamson E | Landscapes | 2000 | Edinburgh College of Art | Fine Art | |
| Snell R | Landscapes from the Border | 1999 | Bath Spa University College | ||
| LEHMANN U | Language of Pursuit - Cary Grant's clothes in Alfred Hitchock's North by Northwest | 1999 | Kent Institute of Art + Design | ||
| Kelly W | Language, Cartographie et Pouvoir/Language, Mapping and Power | 1996 | University of Ulster | ||
| Schmidt E | Lapis Lazuli | 1994 | Oxford Brookes University | Creative Practice | |
| Macklin P | Lapland @ The British Council. Exhibition design/curation | 1998 | Glasgow School of Art | Design | H. Pizey |
| Punton L | Lapplands Konstnarskoloni, group exhibition | 1997 | Glasgow School of Art | Fine Art | Olle Magnusson |
| Pointer MR | Large Colour Differences in Colour Reproduction - The Relationship Between Print Acceptability and Colour Difference | 1996 | University of Westminster | Imaging Technology | Attridge GG |
| Kratochvil J | Large Detector with Unravelling Evidence. | 1998 | Goldsmiths College | ||
| Kratochvil J | Large Detector. | 1997 | Goldsmiths College | ||
| Marrs R | Large Format Digital Printing | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| ROBISON J | Large Scale Ceramics | 1997 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Male A | Large as life: Startling Comparisons of Animals at Life Size | 2000 | Falmouth College of Arts | Steve Parker | |
| Robertson C | Lascaux Acrylic Hard Resist | 1999 | Wimbledon School of Art | Robert Adam Lascaux Colours and Reestauro |
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| Beazley S | Laser cut interior fabrics for Christian Fischbacher | 2000 | University of Southampton | ||
| Kirkwood I | Last Dance | 1996 | De Montfort University | ||
| Borrelli M | Last Dance | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Goetz L | Last Orders | 2000 | University of Sunderland | Fine Art | |
| Convery F | Late Summer | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Montgomery I | Later Editions | 1998 | Edinburgh College of Art | Fine Art | |
| LAMB E P | Later Editions | 1998 | University of Dundee | Contemporary Practice | Jacki Parry Ken Curry Philip Reeves |
| White K | Latitude Atlantique | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Pippin S | Laundromat - Locomotion | 1998 | Southampton Institute | ||
| Bewley DJ | Laura Vickerson - Fairy Tales and Factories | 1999 | Manchester Metropolitan University | Herbert S | |
| MacWilliam S J I | Laurieston House | 1999 | Nottingham Trent University | Visual Arts | |
| Hurtado R | Lavazza Take-Away Coffee Place. | 2000 | Goldsmiths College | Feo, R. Santos, F. |
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| Crone D | Le 29eme Festival International de la Peinture de Cagnes-Sur-Mer | 1997 | University of Ulster | ||
| Kesseler RS | Le Dejeuner Sur L'Herbe | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| McCRACKEN P | Le Donne Artiste:Problemi della Visibilita | 2000 | University of Lincoln | ||
| Shinkle EB | Le Jardin de Brunelleschi | 2000 | University of Westminster | Visual Media | |
| Stevens P | Le Mans Racing Car | 1999 | Royal College of Art | Design for Manufacture | |
| Davies J | Le Temps Vite - An exploration of time | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| White K | Le chemin des cretes. Avec Robert Louis Stevenson a travers les Cevennes | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Quinn AM | Lead Crystal Glassware 'Zest' design to compliment tableware | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Wood ND | Lead glazes in antiquity - methods of production and reasons for use | 1998 | University of Westminster | Ceramics | Tite MS Freeston IC Mason R |
| Ashton P C | Learning Theory Through Practice. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Hearn K | Learning by Experience, Waking up to New Design and Image Opportunities | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Henderson D | Learning for living through Art and Design - workshop report | 1996 | Robert Gordon University | Learning Strategies | |
| Cakin AS | Learning from Stowe: A Studio Based Teaching.Learning Initiative | 1999 | De Montfort University | ||
| Roberts PH | Learning through making | 1998 | Loughborough University | Design Education | Baynes, K. Tyers, J. Zanker, F.O. |
| Stanton NA | Learning to Predict Human Error: Issues of Reliability, Validity and Acceptability | 1998 | Brunel University | Interaction Design | S Stevenage |
| Zhang J. J. | Least Distorted Bump Mapping onto Surface Patches. | 1998 | Bournemouth University | ||
| Buckley T | Leather Staining, Dyeing and Decorating | 1996 | The London Institute | Media and Communication | |
| Moore D | Leaving Notes | 1998 | Edinburgh College of Art | Fine Art | |
| HAVERS A.J. | Lederkopfe | 1997 | Coventry University | Visual Arts | |
| Aubrey K | Lednicke - Rovne Glass Symposium | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Thornhill PH | Leech Hill - 'May Pox' | 2000 | De Montfort University | Hurst, M | |
| Lomax T. | Leeds City Hospital Project | 1998 | University College London | Sculpture | |
| DYSON G | Leg Pulling | 1998 | University of Lincoln | ||
| Dakers CN | Leighton's Secret Life and Frederic, Lord Leighton and the Mason Family | 1996 | The London Institute | Fashion and Textiles | |
| Van Dooren I | Leinwandreisen um die Welt | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Ryan D | Lenguaje Silencio | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Chapman B | Leon Appleby Millenium Sculpture: permanent installation in silver, wood bronze, iron and limewood, in public area of Pennybank Chambers workshop complex, Clerkenwell | 1999 | London Guildhall University | ||
| Ferris M | Leonardo | 2000 | University of Hertfordshire | ||
| Vaughan S | Lerner womenswear collection autumn/winter 1994 | 1994 | The London Institute | Fashion and Textiles | |
| Vaughan S | Lerner womenswear collection spring/summer 1994 | 1994 | The London Institute | Fashion and Textiles | |
| Fox A | Les 13 | 1999 | The London Institute | Fine Art | |
| McDonald G | Les Anglais vus par les Anglais | 1998 | Southampton Institute | ||
| McQuillan M | Les Bals du Comte d'Orgel; Masquerades and Spectacle after the Great War | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Hardie G M | Les Ciutats il-lustrades | 1994 | University of Brighton | Visual Communication Design | |
| Cleverly J G | Les Nouveaux Alchimistes. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Kivland S | Les Passages Couverts | 1998 | Sheffield Hallam University | ||
| McInnerney M | Les Sixties | 1996 | Bath Spa University College | Hamilton, R. Boyle, M. Henri, A. |
|
| McInnerney M | Les Sixties, Britain and France 1962-1973, The Utopian Years | 1997 | Bath Spa University College | ||
| GERZ J. | Les mots de Paris | 2000 | Coventry University | Visual Arts | |
| Mitchison LS | Lesley Mitchison | 1999 | Manchester Metropolitan University | ||
| Dewberry E | Lessons from ecodesign. | 2000 | Goldsmiths College | ||
| TAYLOR B | Let's Go | 1998 | University of Dundee | Contemporary Practice | John Banks |
| Ashley-Smith J | Let's be Honest: Realistic Environmental Parameters for Loaned Objects | 1994 | Royal College of Art | Conservation | |
| Baines P | Letterforms Surround Us | 1999 | The London Institute | Media and Communication | |
| Moon M | Letters from India | 1996 | University of Reading | ||
| Richardson R | Letters of Invitation | 1998 | De Montfort University | ||
| Clarke P | Letters to Language | 1996 | University of Central Lancashire | ||
| DIGNAN P | Level | 2000 | University of Dundee | Digital Technology | Jordan, M France, J Fahrenholz, M |
| Zanker NP | Levels of computer use and access, at home, by years 9 and 10 pupils: an initial comparison of the types of computer used in the home and school environments, Smith, J.S. (ed) | 1996 | Loughborough University | Design Education | |
| KING D.A. | Lewes Sculpture Trail | 1997 | Coventry University | Visual Arts | KNEALE, B. UNSWORTH, J. HARRISON, T. |
| Johnston C | Liberty Ready-to-Wear Collection | 1999 | Royal College of Art | Design for Manufacture | |
| Johnston C | Liberty Wholesale Fabric Collection | 2000 | Royal College of Art | Design for Manufacture | |
| Griffiths A | Liberty of London Knitted Menswear Collection Spring/Summer 1998 | 1997 | University of Southampton | ||
| Wilson K | Library and Puddle | 1999 | University of Westminster | Fine Art | |
| Thompson V | Library for Centre for Language Teaching and Research - commissioned design and fitting out | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Law J | Licht + Visuelle Texte | 1999 | Bath Spa University College | Hamilton Finlay, I. Sedgeley, P. Gappmayer, H. |
|
| Burgin V | Lichtung. | 1999 | Goldsmiths College | ||
| Ten Hompel S | Liebfraumilch | 1994 | London Guildhall University | ||
| Wright R | Life / Live | 1996 | Edinburgh College of Art | Fine Art | |
| Ride P | Life After Me | 1999 | University of Westminster | CARTE | |
| McLaren JH | Life Cycle Modelling of Consumer Electronic Products with Convergent Functionality | 1998 | Brunel University | S Cowell E Jones D Harrison |
|
| Price G | Life Skills | 1999 | Liverpool John Moores University | International Centre for Digital Content | J Taylor |
| Wilson A | Life Span | 2000 | University of Brighton | Materials Practices and Processes | Bruce Williams |
| Smith MM | Life as a Drawing | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Sall C | Life's a Beach | 1998 | Royal College of Art | Architectural Design | |
| Riddy J | Life:Live | 1996 | The London Institute | Fine Art | Thomas A. Clark Shelagh Wakely Ian Whittlesea |
| HAVERS A.J. | Lifelines | 1997 | Coventry University | Visual Arts | |
| Bevan A | Lifting Light | 1997 | Edinburgh College of Art | Fine Art | |
| Aubrey K | Light | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Johnston L | Light Matrix | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Malik S | Light Memories: Modernity, Photography and Mass Production. | 1997 | Goldsmiths College | ||
| Head T.D. | Light Rain | 1998 | University College London | Fine Art Media | |
| Jacobson R | Light Stability of Colour Hardcopy Materials | 1996 | University of Westminster | Imaging Technology | Attridge GG McDermott D Mitchell C |
| Petrova S | Light Transfigured, Contemporary Czech Glass Sculpture 2000-2001 | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Palova Z | Light Transformer | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Culbert W F | Light Vessels, Jars and Plains | 1996 | University of Reading | ||
| Law J | Light and Reflections | 1995 | Bath Spa University College | ||
| Mabbutt M | Light and Splendour | 1997 | Falmouth College of Arts | ||
| MACLEAN M. | Light sensitive | 1998 | Coventry University | Visual Arts | MANSCHOT, M. MURPHY, C. ODENSTRAND, M. |
| Hughes BR | Lightbug | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Bloxam L | Lighting installation | 2000 | University of Hertfordshire | ||
| Bloxam L | Lighting installation | 1998 | University of Hertfordshire | ||
| Sitar R | Lightness and Weight 1996 | 1996 | Bolton Institute of HE | ||
| MALLINDER H | Lightning Strikes: An Installation | 2000 | Middlesex University | B Evans H Jones |
|
| Vargo A | Lightwaves | 1995 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Vargo, V. |
| Payne J | Lightweight sheer fabrics | 2000 | University of Southampton | ||
| OWEN J.K. | Lightweight sports car (LSC) | 1996 | Coventry University | Design | PORTER, C.S. SAUNDERS, S.J. |
| Ballantyne T | Lightworks | 2000 | University of Gloucestershire | ||
| Broom K | Lightworks Two Dialogues of Narrative and Perception | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Pattani S | Lightworks: The Works of Elizabeth Swinburne. Conversations with an artist. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Swallow PG | Lime and Lime Mortars Part 2 | 1996 | De Montfort University | Carrington, D. | |
| Westwood M | Limit Less | 1999 | The London Institute | Fine Art | |
| Warren RJ | Limit Less | 1999 | The London Institute | Fine Art | |
| Tait N | Limit Less | 1999 | The London Institute | Fine Art | |
| Donachie KM | Limit Less | 1999 | The London Institute | Fine Art | |
| Coward T | Limits and Freedoms: Design in a defined context | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Strindberg M | Limp | 2000 | University of Brighton | Fine Art Practices | |
| SUMMERTON E | Line Controller | 1998 | University of Dundee | Coastal/Indigenous Cultures | |
| Nash D JE | Line of Cut sculpture exhibition | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Roberts M | Lineaments of the LWA. | 2000 | Goldsmiths College | ||
| HUTTON G | Linear Link | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | Charles Rattray |
| Merrington K | Lines of Desire | 1998 | Wimbledon School of Art | Research Centre | Jagjit Chuhan Paula Rego Rekha Rodwittiya |
| Barraclough J | Lines of Desire | 1998 | Liverpool John Moores University | Centre for Art International Research | |
| Creed R | Lines of Desire : International Drawing Exhibition | 1998 | Liverpool John Moores University | Painting and Sculpture | Maher,A Rego,P Sur,D |
| Chuhan J | Lines of Desire : International Drawing Exhibition | 1998 | Liverpool John Moores University | Centre for Art International Research | Donagh,R Kazi,D Rego,P |
| Sanderson L V | Lines of Desire; an International Drawing exhibition | 1998 | Wimbledon School of Art | Painting | Neil Conroy Paula Rego Ansuya Blom |
| Kelly C | Lines of Incidence | 2000 | The London Institute | Fine Art | |
| KELLY C | Lines of Incidence | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Proctor G | Lingerie | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Cox C | Lingerie: A Lexicon of Style | 2000 | The London Institute | Fashion and Textiles | |
| Chuhan J | Links in the World of Mind | 1999 | Liverpool John Moores University | Centre for Art International Research | |
| FITZPATRICK D. | Linn Records | 1999 | Coventry University | Design | |
| Nelson M | Lion Heart | 1997 | Edinburgh College of Art | Fine Art | |
| Nelson M | Lionheart | 1997 | The London Institute | Fine Art | |
| ROSS A R | Lions and Thistles | 1995 | University of Dundee | Contemporary Practice | |
| DERGES S | Liquid Form | 1999 | University of Oxford | Martin Kemp | |
| Bourke R | Liquid Rapture: 'Dark Bride' | 1998 | Dartington College of Arts | ||
| Potter R | Listening and Hearing | 1998 | Wimbledon School of Art | Photography | |
| Jones J | Listening to Bernard Leach: Exploring the testimony of a studio potter | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Evans P | Lithographic Technology for Microwave Integrated Circuits | 1997 | Brunel University | Environmentally Sensitive Design | B Ramsey Shepherd P R DJ Harrison |
| HOLDEN J | Little Boxes-Photography, Reproduction and the Gallery | 1998 | University of Lincoln | ||
| WENTWORTH R | Little Differences: Richard Wentworth at Christ Church Picture Gallery | 1996 | University of Oxford | ||
| Tredre R | Little by Little Designers take to Websales | 2000 | The London Institute | Fashion and Textiles | |
| Turner J | Littlewoods Electronic Manual | 1999 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Roberts S | Littlewoods Electronic Manual | 1999 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| Wilson M | Littoral | 1999 | Cumbria College of Art + Design | ||
| Fillingham P | Live Life/Sound Work. | 1997 | Goldsmiths College | ||
| Chapman NS | Live chat: Talking Oneself In and Out of Situations | 1999 | The London Institute | Fine Art | |
| MacGregor B | Live direct and biased? Making television news in the satellite age. | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hitchen J | Live from the Vinyl Junkyard - the Ultimate Mix | 1998 | Liverpool John Moores University | Graphic Arts | B Biggs C Fallows |
| Raban W | Live in Your Head: Concept and Experiment in Britain 1965-1975 | 2000 | The London Institute | Media and Communication | |
| Phillpot C | Live in Your Head: Concept and Experiment in Britain 1965-75 | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Andrea Tarsia |
| Brisley S.J. | Live in Your Head: Concept and Experiment in Britain, 1965-1975 | 2000 | University College London | Fine Art Media | |
| Dye D M | Live in Your Mind - A survey of British Conceptual Art 1966-75 | 2000 | University of Northumbria at Newcastle | Installation (2b) | |
| Butler K | Live on Ice | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Clarke J | Live/work: Green Environments | 2000 | University of Brighton | Natural and Constructed Environments | J Kirby |
| Hunter R | Liverpool Biennale- Tracey | 1999 | Edinburgh College of Art | Fine Art | |
| Roberts S | Liverpool Football Club Interactive CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | I Bradley |
| Bradley I | Liverpool Football Club Interactive CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | Steve Roberts |
| Kelly P | Liverpool Football Club Interactive Kiosk | 1997 | Liverpool John Moores University | International Centre for Digital Content | |
| Coates N | Living Bridges | 1996 | Royal College of Art | Architectural Design | |
| Logan DJ | Living Dining/Bedroom ranges of furniture in solid white oak | 1999 | University of Ulster | ||
| Plunkett D | Living Room | 1999 | Glasgow School of Art | Historical and Critical Enquiry | L. Hamilton |
| Marchant A | Living Room - An interface between the artist and public on an East London Housing Estate | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Millar RI | Living Silver: group exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| French H | Living Together and The Garden City | 2000 | Royal College of Art | Architectural Design | |
| Maude-Roxby A | Living and Working | 1999 | Sheffield Hallam University | ||
| Whitworth L K | Living in a Material World | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Douglas H | Livres d'artistes. L'invention d'un genre 1960-1980 | 1997 | The London Institute | Fine Art | |
| Adamson E | Liz Adamson + Marianne Kohler | 1999 | Edinburgh College of Art | Fine Art | |
| Arnold E.M. | Liz Arnold | 2000 | University College London | Painting | |
| Arnold E.M. | Liz Arnold | 1999 | University College London | Painting | |
| Arnold E.M. | Liz Arnold | 1999 | University College London | Painting | |
| Rideal M.E.C. | Liz Rideal: New Work | 1999 | University College London | Painting | |
| Dillon J | Lloyd Loom Chairs | 1999 | Royal College of Art | Design for Manufacture | |
| Zhang J. J. | Load Analysis with Varying Mesh Stiffness. | 1999 | Bournemouth University | Esat, I. Shi, Y. |
|
| Shave T J | Loaded. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Pennie M | Lobi | 1994 | Bath Spa University College | ||
| Dalwood A | Location Matters | 2000 | University of Hertfordshire | ||
| Renshaw T | Lock-Up | 2000 | University of Reading | Guendalina Salini | |
| Lindley J | Locking Spectacle Frame Display For Opticians | 2000 | University of Hertfordshire | ||
| Finnemore P | Locws International - Art across a City | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Bigwood DA | Loewe | 1998 | The London Institute | Fashion and Textiles | |
| Spencer B | Londinium to London | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Gallacher A | London Fashion Week | 1998 | Glasgow School of Art | Design | |
| Donachie KM | London Now | 1998 | The London Institute | Fine Art | |
| Clegg RDPC | London Now | 1998 | The London Institute | Fine Art | |
| Belton EK | London Now | 1998 | The London Institute | Fine Art | |
| Diggle J | London Panorama 2000 | 2000 | Robert Gordon University | Practices enabled through New Media Technology | Liebens, D. |
| Sargeant N | London Photographic Awards 3 | 2000 | University of Gloucestershire | ||
| Keskeys D | London Photographic Awards 4 | 2000 | University of Gloucestershire | ||
| Liggins A M | London Photographic Awards III | 1999 | Swansea Institute of Higher Education | Image and Text | |
| Maguire R | London Photographics Awards | 2000 | Southampton Institute | ||
| Joseph J E | London Subjects | 1995 | Wimbledon School of Art | Painting | |
| Harrow D | London Taxi Cab Development | 1995 | Royal College of Art | Design for Manufacture | |
| Hosie D | London to LA | 1995 | Edinburgh College of Art | Fine Art | |
| Paolozzi E | London to Paris | 2000 | Edinburgh College of Art | Fine Art | |
| Whittaker E | London:Post Colonial City | 1999 | Bath Spa University College | Gilroy, P. Goty, W. Yokomitsu, M. |
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| Ellis E | Londons New Architecture by Bus and Tube. Original prints: 'National Gallery', 'Lords', 'Embankment Place', 'Waterloo', 'Tatepool', '1 Finsbury Avenue', 'Sterling Hilton Heathrow', 'Sackler Gallery', and 'Lloyds' | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Campbell RI | Long-Fibre Reinforced Composite Material Models using a Deposition-based RP Process | 1998 | Loughborough University | Design Research | Cordon, T.J. Novara, A. |
| Stevenson M | Longbow | 2000 | University of Plymouth | Design + Innovation | |
| Williams V | Look At Me: Fashion and Photography in Britain 1960 - 1998 | 1998 | The London Institute | Media and Communication | Brett Rogers |
| Myerson J | Look Inside: New British Interiors for People | 1996 | Royal College of Art | Inclusive Design | |
| Higgs M | Look Now, Pay Later. | 2000 | Goldsmiths College | ||
| Douglas N | Look Out: Art, Society, Politics | 2000 | University College London | Fine Art Media | |
| Yair K | Look Who's Talking: Developing Communication and Negotiation Skills through Design Education | 2000 | Sheffield Hallam University | Mike Press | |
| Manchot M | Look at You Loving Me | 1998 | The London Institute | Fine Art | |
| McFadyen J. | Looking Out To Sea | 1998 | University College London | Painting | |
| BELL S. | Looking at landscape | 1996 | Coventry University | Design | DAVIDSON, R. GREEN, J. |
| Goodman G | Loose Connections - six British artists | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Astles CA | Lorca, Don Cristobal and the Carnivalesque. 100 Years of Lorca. | 1999 | University of Plymouth | Theatre + Performance | |
| Peasgood D | Los Angeles Textile Show | 2000 | The London Institute | Fashion and Textiles | |
| Stewart WR | Los Valores Del Diseno y la Communicacion | 1998 | Sheffield Hallam University | ||
| Robertshaw S | Loss | 1998 | Liverpool John Moores University | International Centre for Digital Content | |
| Patterson I | Lost | 2000 | Edinburgh College of Art | Fine Art | |
| Kovats T | Lost | 2000 | Wimbledon School of Art | Sculpture | Agnes Martin Louise Bourgeois Le Corbusier |
| Ingham K | Lost | 1997 | Swansea Institute of Higher Education | Photography | |
| Sargeant J | Lost Highways: an Illustrated History of Road Movies | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Stephanie Watson |
| COX L | Lost Light | 1997 | University of Dundee | Digital Technology | |
| Ingman B | Lost Property | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Bracker A | Lost Property: Lisa Lyon in Artforum | 1998 | Royal College of Art | Conservation | |
| Lee RA | Loud and Clear | 1997 | Oxford Brookes University | Creative Practice | Harry Dawes |
| McIntyre K T | Louie A. Brown International Fellowship exhibition | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Maccallum C | Louis Visconti et le Faubourg-Saint Honore: Visconti et l'Ambassade de Grande-Bretagne; l'hotel Pontalba | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| Banner F | Love Double | 1998 | The London Institute | Fine Art | |
| Wright R | Love Over Goldfish | 1998 | Sheffield Hallam University | ||
| Hawley S | Love Under Mercury | 2000 | Sheffield Hallam University | ||
| Powell F | Love's Watch | 1999 | Falmouth College of Arts | ||
| WILKES C | Lovecraft | 1994 | University of Dundee | Contemporary Practice | Jim Isermann Tom Friedmann Lily van der Stokker |
| Southee DJ | Low Cost Logic Analyser Implementing FPGA Technology | 2000 | Brunel University | A Jones | |
| Harley K | Low Maintenance and High Precision | 1997 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Wade G | Low Maintenance/High Precision | 1997 | University of Wolverhampton | Fine Art | |
| Rowe C W | Low Tide/Splashzone (photographic and sound installation and Splashzone website) | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Lenard JA | Lower limb injuries to passenger car occupants | 1997 | Loughborough University | Design Ergonomics | Fildes, B. Lane, J. Vulcan, P. |
| Bain L | Lowry Centre, Salford | 2000 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Himid L | Lubaina Himid : Paintings | 1997 | University of Central Lancashire | ||
| Harland EJ | Lucid II | 1995 | University of Southampton | ||
| Harland EJ | Lucid IX | 1998 | University of Southampton | ||
| Harland EJ | Lucid XI | 2000 | University of Southampton | ||
| Bodimeade N | Lucio Fontana | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| McMullen K | Lucky Man | 1994 | The London Institute | Media and Communication | |
| Aust R | Lucy Casson and Rushton Aust. | 1999 | Goldsmiths College | ||
| Jones L. | Lucy Jones | 1999 | University College London | Painting | |
| Jones L. | Lucy Jones: New Paintings | 1999 | University College London | Painting | |
| Biggs M A R | Ludwig Wittgenstein: A Visual Concordance to the Published Works | 1998 | University of Hertfordshire | ||
| Bullen DW | Lumen - Paintings and Photographs | 1998 | University of Brighton | Fine Art Practices | |
| Tunstall D | Luminescence | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Roxana Silbert |
| Macklin P | Luna Rova: Exhibition design/curation | 1999 | Glasgow School of Art | Design | H. Pizey |
| Hutchinson S | Lure | 1997 | University of Brighton | Memory, Identity and History | |
| Brewill PJ | Luxury Liner | 1995 | University of Southampton | ||
| Arnold RL | Luxury and Restraint: Minimalism in 1990s Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Burke C P | Luxury and austerity: Willy Wiegand and the Bremer Presse | 1997 | University of Reading | ||
| Millar RI | Luz Prateada: Solo exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| Boshier C | Luz y Fotographia | 1998 | University of Newcastle | ||
| Costello D | Lyotard's modernism | 2000 | Oxford Brookes University | Theory | |
| Cooper SA | M.K.1 | 1999 | University of Southampton | ||
| STEEL E R | MACALLAN/SOS Short Story award illustration | 1997 | University of Dundee | Contemporary Practice | |
| Knorr K | MACHT/ON MACHT/POWER/IMPOTENCE. | 1996 | Goldsmiths College | ||
| Odundo M. A. | MAGDALENE ODUNDO | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Selley G | MAID (Multimedia Assets for Industrial Design) | 1997 | The London Institute | Media and Communication | Mark Gaved Pat Batley R Popper |
| Blamey D. | MAKING SOMETHING OUT OF NOTHING. IN ADDITION TO THIS... | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| STUBBS M D | MAN ACT | 2000 | University of Dundee | Digital Technology | |
| PHILLIPSON M | MANAGING 'TRADITION': THE PLIGHT OF AESTHETIC PRACTICES AND THEIR ANALYSIS IN A TECHNOSCIENTIFIC CULTURE | 1995 | Middlesex University | ||
| Fern D | MAP/Making | 1999 | Royal College of Art | Communications | |
| Coles A. | MARK DION: ARCHAEOLOGY | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Simpson P | MATURE - Mission for Application of Technology to Urban Review and Engineering | 2000 | Glasgow School of Art | Cities and Environments | Muni Ganji Peter Siegenthlaer |
| CONWAY R | MAXIMUM EXPOSURE | 1994 | Middlesex University | ||
| Phillips ML | MEDIASPACE: Journal/Satellite Broadcasts/Website | 2000 | University of Plymouth | STAR | |
| MUMBERSON S | MEDICINE IN THE 21ST CENTURY | 1999 | Middlesex University | ||
| Follen S. | METALMORPHOSIS: TRADITION AND INNOVATION IN BRITISH SILVER AND METALWORK 1880-1998 | 1998 | The Surrey Institute of Art + Design University College | Crafts | |
| Wolff M | MFI Furniture Group Plc. | 2000 | The London Institute | Media and Communication | |
| Siodmok P M | MHe 900 Motorbike | 1998 | University of Northumbria at Newcastle | Automotive Design (4a) | Critchley, P Museio, P Hooper, B |
| Meigh-Andrews C C | MIND'S EYE | 1997 | University of Central Lancashire | ||
| Hutchinson T | MODE Contemporary Home Exhibition | 2000 | The London Institute | Media and Communication | Jason Edwards |
| WRIGHT J | MODEL - GROUP EXHIBITION [CURATOR + EXHIBITOR] | 1998 | Middlesex University | ||
| Kesseler RS | MOKPO International Ceramics Pre-Expo 2000 | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| HOSKINS L | MORRIS + CO; AURTHUR SANDERSON AND SONS | 1996 | Middlesex University | ||
| Biagioli M. | MOTHERBOARD SERIES | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Meigh-Andrews C C | MOTHLIGHT | 1998 | University of Central Lancashire | ||
| Hooker B | MSET - Multimedia Services and Enabling Technologies | 2000 | Royal College of Art | Computer Related Design | |
| Hermansen C | Mac Journal 3 and 4 | 1997 | Glasgow School of Art | Cities and Environments | M. Hvattum |
| Butterworth E | Macaws - limited edition prints | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Strowbridge B | Macbeth | 1997 | The London Institute | 3-Dimensional and Environmental Design | Brigette Reiffensteul |
| Elliott T A | Machinations | 2000 | Wimbledon School of Art | Research Centre | Jonathon Jones-Morris Yinka Shonibare Anthony Gormley |
| Alexander G | Machinations | 1995 | Wimbledon School of Art | Theatre technical arts | Tim Hunkin Paul Spooner Elizabeth Queenan |
| Osmond O R | Machynlleth Fenws | 1995 | Swansea Institute of Higher Education | Land and Landscape | |
| Kinchin J | Mackintosh and the City | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Cargill I | Macromedia Awards | 1999 | Robert Gordon University | Practices enabled through New Media Technology | |
| Dolphin Wilding J | Mad as a Hatter - Barking | 1997 | Kingston University | ||
| Ramsenthaler S | Made in Glasgow | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Sinclair, R |
| Carter P | Made in Glasgow | 1997 | Edinburgh College of Art | Fine Art | |
| De Briey N | Made in Glasgow, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Cooper SA | Made in Greenwich | 1994 | University of Southampton | ||
| Mukaide K | Made in Japan | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Maccallum C | Made in Scotland: la Gare du Nord | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| Grayson J | Made in the Middle. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Fraser SJH | Made to Wear The Lethaby Gallery | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Krysa J | Magazyn Sztuki | 1998 | University of Plymouth | STAR | Maciejewska B Ziarkiewicz R |
| Hollis E | Maggie Keswick Jencks Cancer Care Centre, Edinburgh | 1997 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Smith W | Magic HotelMouse MagicCircle MagicCrazy Magic | 2000 | University of Brighton | Visual Communication Design | |
| Southwell M | Magic by Design: Technology Transformed. | 1997 | Goldsmiths College | ||
| Biggs S | Magnet | 1997 | Sheffield Hallam University | ||
| Wilson M | Magnetic | 1998 | Cumbria College of Art + Design | ||
| Thompson B | Magnetic | 1998 | University of Sunderland | Fine Art | |
| Bodman V | Magnetic | 1998 | University of Sunderland | Fine Art | |
| SUMMERTON E | Magnetic Landscape | 1998 | University of Dundee | Coastal/Indigenous Cultures | Moira Scott |
| Hood B | Maid in Cyberspace - Encore! | 1998 | Edinburgh College of Art | Fine Art | |
| Lea-Greenwood G | Maine New England at Debenhams: Developing a Range | 2000 | Manchester Metropolitan University | Moore CM Oldfield B |
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| Haslam A | Make It Work Children's History Series | 1995 | The London Institute | Media and Communication | |
| Haslam A | Make It Work: Geography | 1996 | The London Institute | Media and Communication | |
| Haslam A | Make It Work: Science | 1996 | The London Institute | Media and Communication | |
| Batchelor R | Makers of the Mirror? Designers in the Twentieth Century | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Votolato G | Making Buildings | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Astfalck J | Making Connections | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Forster J | Making Light of it | 2000 | University of Gloucestershire | ||
| Rohr D | Making Public | 1998 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Starkey P | Making Sense | 1995 | University of Wales Institute, Cardiff | Ceramics | |
| Keane J | Making a Killing (Rupert, Charles and Diana) | 2000 | The London Institute | Fine Art | |
| Rogers H | Making a Scene: performing culture into politics, Performativity and Performance in Contemporary Politics and Art Practice. | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| GILLIES P | Making an Impression: Contemporary Printmaking | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| Higgott AN | Making and Meaning | 2000 | University of East London | ||
| Page A | Making architectural design friendly to dementia patients | 1999 | Glasgow School of Art | Design | Stewart, S H Kotilainen |
| Page A | Making design dementia friendly | 2000 | Glasgow School of Art | Design | Stewart, S |
| Blundell S | Making the Invisible Visible | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Ross White M | Malcolm Ross-White | 1996 | Bath Spa University College | ||
| SPICER A | Male stars, Masculinity and British Cinema, 1945-1960 | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| Farquhar K | Malerei | 1999 | Edinburgh College of Art | Fine Art | |
| Dieterich V | Malerei - Grafik | 1999 | Sheffield Hallam University | Fine Art | |
| Morris M | Mali Morris: New Work | 1997 | The London Institute | Fine Art | |
| Morris M | Mali Morris: Paintings | 1996 | The London Institute | Fine Art | |
| Davidmann S | Man as Muse | 1999 | Oxford Brookes University | Creative Practice | |
| Hines A | Management Information for Marketing Decisions 1999-2000 | 1999 | The London Institute | Fashion and Textiles | |
| Woodham J M | Managing British Design Reform I: Fresh Perspectives on the Early Years of the Council of Industrial Design | 1996 | University of Brighton | 20th Century Design and Film Archives | |
| Anderson P | Managing Digital Design Research | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Newport R | Managing New Product Innovation | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | Robert Jerrard M.Trueman |
| Newland P M | Managing Scale, Complexity, Uncertainty and Chaos in the Context of an Emotionally Charged and Time Critical Event - ICCARUS and the Elements of (In)variance | 1995 | University of Portsmouth | Centre for New Media Research | J Powell |
| Tomes AE | Managing Tensions in User Groups | 1998 | Sheffield Hallam University | Peter Armstrong | |
| Swallow PG | Managing Unoccupied Buildings and Sites | 1997 | De Montfort University | ||
| Potter S | Managing engineering design in complex supply chains | 1996 | Open University | Design and innovation management | R. Roy |
| Phillips WE | Managing innovation in new product development: Reviewing the performance of small and medium-sized enterprises | 2000 | University of Wales Institute, Cardiff | PDR | A Filson R Brown |
| Potter S | Managing the design of an innovative green transport project | 1999 | Open University | Design and innovation management | |
| Larsen P | Managing the strategic planning process: A comparative analysis between high-growth medium-sized enterprises and the general business population | 2000 | University of Wales Institute, Cardiff | PDR | R Tonge M Ito |
| Hyatt J | Manchester's Tilted Windmills | 1999 | Manchester Metropolitan University | ||
| Hands D | Manchester: a guide to recent architecture | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | S. Parker |
| Hall CM | Mangled | 1997 | University of Plymouth | Theatre + Performance | |
| Bowen J.R. | Mani/Mario | 1998 | University College London | Painting | |
| Cox GF | Manifest | 1999 | University of Plymouth | Centre for Visual Computing | Brennan, T. |
| Renton A. | Manifesta 1: European Art Biennial | 1996 | University College London | Art History and Theoretical Studies | |
| Wright R | Manifesta 2 | 1998 | Edinburgh College of Art | Fine Art | |
| FAIRNINGTON M | Mantidae | 2000 | University of Oxford | ||
| Mills R | Mantle | 2000 | Royal College of Art | Communications | |
| Bolton A | Mao; From Icon to Irony + Fashioning Mao | 1999 | The London Institute | Fashion and Textiles | |
| Danvers TJ | Map - Land and Landscape in Contemporary Art | 1999 | University of Plymouth | Art Process | |
| Biddulph JC | Mapping Values | 1997 | Manchester Metropolitan University | Hatton P Pilling L Murray V |
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| Ainsley S | Mapping the Difference, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| ROBISON J | Marc Neveu, Jim Robison and Fraus Vaudevoort | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Harvey M | Marcus Harvey | 1996 | The London Institute | Fine Art | |
| JOHNSTON K | Mardi Gras | 2000 | University of Dundee | Contemporary Practice | |
| Knowles D | Marella Tricot Ladies Knitwear Collection Autumn/Winter 1996/1997 | 1996 | Kingston University | ||
| Moffat A | Margaret Hunter, Elemental Traces, essay in exhibition catalogue | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Ganz A J | Margaret Wilson Murder | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Kumar, S Scott, S |
| Gluzberg M | Margarita Gluzberg's All Pencil Pictures | 1997 | The London Institute | Fine Art | |
| CHEVSKA ME | Maria Chevska | 1997 | University of Oxford | ||
| CHEVSKA ME | Maria Chevska | 2000 | University of Oxford | ||
| Lalic M | Maria Lalic | 1996 | Bath Spa University College | ||
| Lalic M | Maria Lalic, the Lead Fall Paintings | 1997 | Bath Spa University College | ||
| Cairns J | Marie R. Many Images of a Queen | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| McKeag D | Marin Ark Evacuation System | 1998 | University of Ulster | ||
| Withnall M | Marine safety beacon | 1994 | Royal College of Art | Design for Manufacture | |
| Minichiello MA | Mario Minichiello - commissions, personal journals, reportage (exhibition) | 2000 | Loughborough University | Illustration | |
| Minichiello MA | Mario Minichiello Drawings and Prints (exhibition) | 1999 | Loughborough University | Drawing | |
| Minichiello MA | Mario Minichiello, Steve Ball and Spike Gerrell (exhibition) | 1999 | Loughborough University | Illustration | |
| DEAN MWJ | Mark Dean | 2000 | University of Oxford | ||
| DEAN MWJ | Mark Dean: Ascension (Nothing/Something Good) | 2000 | University of Oxford | ||
| Hampson M | Mark Hampson | 1995 | The London Institute | Fine Art | |
| Wallinger M | Mark Wallinger | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| WALLINGER M | Mark Wallinger | 1995 | University of Oxford | ||
| Wallinger M | Mark Wallinger is Innocent | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| WALLINGER M | Mark Wallinger: Credo | 2000 | University of Oxford | ||
| Rolph D | Mark, Oxo Tower | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Kirkham DA | Marketing and Business Planning | 2000 | De Montfort University | ||
| Sanderson L V | Marking Presence | 1997 | Wimbledon School of Art | Painting | Anthony Gormley Bill Woodrow Ana Maria Pacheco |
| Smith T | Marking Time | 2000 | University of Gloucestershire | ||
| Newman MOJ | Marking Time: Memory and Matter in the Work of Avis Newman | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Ramond P | Marquetery | 1995 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Orlow U | Marseilles en Juin | 1998 | The London Institute | Fine Art | |
| Karakashian S | Martin | 1997 | University of Hertfordshire | ||
| Smith M | Martin Smith | 1995 | Royal College of Art | Applied Art | |
| Smith M | Martin Smith: Ceramics | 1999 | Royal College of Art | Applied Art | |
| Weaver C | Marx, Enid (Crystal, Dorothy), British painter and designer, 1902 | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Francis M | Mary Anne Francis: Group Show | 2000 | University of Brighton | Fine Art Practices | |
| MODEEN M | Mary Modeen: Solo Exhibition, Public Art Commission, and Inaugural Research Fellowship | 2000 | University of Dundee | Contemporary Practice | |
| Breward C J | Masculinity, Fashion and the Body, 1870 - 1915 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Webb W | Mass Customisation as Individualised Value Delivery System | 2000 | The London Institute | Fashion and Textiles | Julia Wolney |
| Batchelor R | Mass Production, Design and Us | 1996 | Buckinghamshire Chilterns University College | Design Culture | |
| Kerr S | Master of Fine Arts (Film Making) Chicago | 1994 | Bolton Institute of HE | ||
| Boult J | Mastering the administration of Design in the CK Economy | 2000 | Brunel University | Design Process | |
| O'Sullivan T | Masters of the Universe | 1997 | Cumbria College of Art + Design | ||
| ANDERSON M | Materia: A Digital Media Collaborative Research Project | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| WARREN RJ | Material Culture | 1997 | University of Oxford | ||
| Bainbridge E | Material Culture | 1997 | University of Sunderland | Fine Art | |
| Warren RJ | Material Culture: The Object in British Art of the 1980s and ''''90s | 1997 | The London Institute | Fine Art | |
| Gallaccio A | Material Culture: The Object in British Art of the 1980s and '90s | 1997 | The London Institute | Fine Art | |
| Poncelet J | Material Culture: The Object in British Art of the 1980s and 90s | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Archer MG | Material Culture: The Object in British Art of the 1980s and 90s | 1997 | The London Institute | Fine Art | Greg Hilty |
| Taylor LA | Material Diversity | 2000 | Glasgow School of Art | The Decorative Arts | |
| Harley A | Material Diversity: group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Hurlstone IN | Material Diversity: group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Gabie N | Material Evidence | 1997 | University of Gloucestershire | ||
| Brennand-Wood M | Material Evidence : Improvisations on a Historical Theme | 1996 | University of Ulster | ||
| Lalic M | Material, Konzept, Konstrukt | 1998 | Bath Spa University College | Zoderer, B. Pinelli , P. Castagno , L. |
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| Hagan SK | Materials and Materiality | 1997 | University of East London | ||
| Schoeser M | Materials and Techniques in the Decorative Arts: An Illustrated Dictionary | 1998 | The London Institute | Fashion and Textiles | |
| Lyons AR | Materials for Architects and Builders: An Introduction | 1997 | De Montfort University | ||
| Chapman J | Maths Everywhere | 1994 | The London Institute | Media and Communication | Martin Clarke |
| Stubbs N | Matinee (drama, 3mins, 35mm film, 2000) | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Sheldon JL | Matisse and the Problem of Expression in Early 20th Century Art | 1996 | Liverpool John Moores University | Art and Design History | |
| Oxborrow L | Matriser la Concurrence de Prix: strategies qui se degagent chez les fournisseurs dans l'industrie de l'habillement au Ryaume-Uni | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Sharkya V | Matrix | 1999 | Liverpool John Moores University | Audio-visual | Jeck,P Willschutz,G |
| Burrows M W | Matt Burrows | 1994 | University of Huddersfield | ||
| Burrows M W | Matthew Burrows | 1994 | University of Huddersfield | ||
| Martinon JP | Matthew Luck Galpin: New Work. | 2000 | Goldsmiths College | ||
| Dehn J | Matthew et Mathilde | 2000 | Kingston University | ||
| Owen M | Maurice Owen, Current and Archival Work | 1997 | Southampton Institute | ||
| Griffiths A | Maxmara MM Design Collection for Spring/ Summer 1997 | 1996 | University of Southampton | ||
| Tisdall C | Maze for the Millenium: Footprint in Time | 2000 | Oxford Brookes University | Creative Practice | |
| McGowan A | McGowan at Large | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Mellor D | Me and Mrs Jones | 2000 | Royal College of Art | Fine Art | |
| Dupre F | Me and You | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Cipriani G | Meaning in Form | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| SCRIVENER S. | Meaning, the central issue in cross-cultural HCI design | 1998 | Coventry University | The Design Institute | BOURGES-WALDEGG, P. |
| Warnell P | Meanwhile, on the other side of town....something was going down | 2000 | University of Gloucestershire | ||
| Pointer MR | Measured Colour Difference and the Acceptability of Colour Prints | 1996 | University of Westminster | Imaging Technology | Attridge GG Leverton C Jacobson RE |
| Bellingham DA | Measures | 2000 | Manchester Metropolitan University | ||
| Montgomery JAI | Measuring Appropriateness: Perceived Relationships between Typography and Form | 1999 | University of Ulster | Prof K Agnew Prof B McClelland |
|
| Khan T | Mechanism of Surface Modification of the Ti-6Al-4V Alloy Using a Gas Tungsten Arc Heat Source | 1999 | Brunel University | Environmentally Sensitive Design | M Labudovic R Kovacevic I Kmecko |
| Thomas PD | Mechanisms of ankle and hind foot injuries to drivers and passengers in frontal crashes as deduced from field studies | 1999 | Loughborough University | Design Ergonomics | Morris, A.P. Taylor, A.M. Wallace, W.A. |
| Collins J | Media Studies. | 1997 | University of Plymouth | Art Process | |
| Hamlyn J | Mediations, a postphotographic exhibition by Jim Hamlyn and Helge Mruck, two person exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Creed C | Medical Data in Drug Development | 1997 | University of Portsmouth | Centre for New Media Research | P Newland |
| Smith M M | Medieval roots of the Renaissance book | 2000 | University of Reading | ||
| Chappell A | Medigrip Child Safety Cap Opening Aid for those with Limited Hand Dexterity | 1995 | Brunel University | Design Pedagogy | |
| Young R A | Medis | 1996 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Warburton, N C Wilson, B Devitt, N |
| Deliss C | Meditations: Resisting the Seductions of the Space | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Strindberg M | Medulla (2)BruisedGlobe | 1998 | University of Brighton | Fine Art Practices | |
| Cooper E | Meeting Midnight | 1999 | Royal College of Art | Fine Art | Duffy, C A |
| Ganter J | Meeting Places | 1998 | Edinburgh College of Art | Fine Art | |
| Di Girolamo M | Megan Di Girolamo, Solo Exhibition | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Counsell M.J.E. | Melanie Counsell | 1998 | University College London | Sculpture | |
| Counsell M.J.E. | Melanie Counsell | 1999 | University College London | Sculpture | |
| Counsell M.J.E. | Melanie Counsell | 1998 | University College London | Sculpture | |
| Thomas KR | Melodrama and the Negotiation of Morality | 1995 | University of Westminster | Visual Media | |
| MacKinnon-Day P | Membrane | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Illner A A | Memento Mori | 1998 | University of Hertfordshire | ||
| Davey G | Memorial Exhibition for Robert Hopper | 2000 | University of East London | ||
| GOUGH P | Memorial Gardens as Dramaturgical Space | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| GEORGIOU D. | Memoriam | 2000 | Coventry University | Visual Arts | TURK, G. GONZALEZ-TORRES, F. MACLENNAN, A. |
| MIDDLETON N. | Memories (history project) | 1996 | Coventry University | Design | HOLLOWAY, T. PARKER, M. PRENTICE, K. |
| Draycott PA | Memories of an Indian Childhood | 1998 | De Montfort University | ||
| Spittler U | Memories of the Second World War and National Identity in Germany | 1997 | University of Brighton | Memory, Identity and History | G Knischewski |
| Dieterich V | Memory | 1995 | Sheffield Hallam University | ||
| Brown B | Memory Maps and the Nasca | 1999 | University of Brighton | Memory, Identity and History | |
| Himid L | Memory Walking | 1998 | University of Central Lancashire | Robin Kahukiwa Maud Sulter Debra Priestly |
|
| MORGAN S | Memory and Identity in the Urban Landscape. A Tale of Two Barons | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Gregory J | Memory and Skin | 1998 | The London Institute | Fine Art | |
| MORGAN S | Memory and the Merchants: commemoration and civic identity | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Brown B | Memory is the Message | 1997 | University of Brighton | Memory, Identity and History | |
| Webster C P | Memory of the Fall | 1998 | University of Wales, Aberystwyth | ||
| Jennings C | Meniscus: 9 paintings, 38cms. X 214 cms. oil-on-canvas, with box of 9 silverpoint drawings + text | 2000 | London Guildhall University | ||
| Watson LJ | Mens and Womens Jewellery for Wedgwood | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Coomber S | Menswear Collection Autumn/Winter 2000, for Alpha Industries, USA | 2000 | Kingston University | ||
| Storey H | Mental (Women in Mind) | 2000 | The London Institute | Fashion and Textiles | Dr John McLachlan, University of St Andrews |
| Seddon J | Mentioned, but Denied Significance: Women Designers and the 'Professionalisation' of Design c.1920-1951 | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Magee JDM | Mercedes Benz 'M' Class Bumpers + Body Claddings | 1999 | University of Ulster | GE Polymer Design Assoc | |
| Turnock P | Mercedes Innovation | 1998 | Brunel University | Design Pedagogy | P Hines K Ulkann |
| Hare W | Mercure d'Ecosse. The Rev'd Robert Walker | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Ashley M | Merger of 20 European investment banks - commissioned design of visual merger | 1998 | The London Institute | Media and Communication | |
| Meigh-Andrews C C | Merging / Emerging | 1999 | University of Central Lancashire | ||
| Newman A | Meridians II. | 1999 | Goldsmiths College | ||
| Newman A | Meridians. | 1998 | Goldsmiths College | ||
| Dye M | Meridio Soft | 1995 | Kingston University | ||
| Dupre F | Messagers de la Terre | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Grego P | Messages | 1999 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| ten Hompel S | Metalmorphosis | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Fabian A | Metalmorphosis | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Burnett G | Metalmorphosis | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Murphy CJ | Metalmorphosis - British Metalwork | 1998 | University of Ulster | ||
| Stofer H | Metalmorphosis - British Silver and Metalwork | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Bright A | Metalmorphosis - Tradition and Innovation in British Silver and Metalwork 1880-1998 | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Rowe M | Metalmorphosis, Tradition and Innovation in British Silver and Metalwork 1880 - 1998 | 1998 | Royal College of Art | Applied Art | Clifford, H Goldscheider, I Naylor, G |
| Dean T | Metals TM | 1999 | University of Brighton | Materials Practices and Processes | N Gant |
| Wells K | Metamorphosis | 1998 | De Montfort University | ||
| Potter L | Metamorphosis: British Metalwork Exhibition 1998-1999. | 1999 | Goldsmiths College | ||
| Cazeaux C | Metaphor and the Categorization of the Senses | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Rose C | Meteor | 1999 | University of Sunderland | Fine Art | |
| Triantaphillidou S | Metric Approaches to Image Quality | 2000 | University of Westminster | Imaging Technology | Jacobson RE |
| Aldrich W | Metric Pattern Cutting for Children's Wear and Baby Wear: From Birth To 14 Years | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Aldrich W | Metric Pattern Cutting for Menswear: Including Unisex Clothes and Computer Aided Design | 1997 | Nottingham Trent University | Fashion and Textiles | |
| Chowdhary LC | Metropolis | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Smith D | Metropolitan | 2000 | The London Institute | Fine Art | |
| Leach R | Meyerhold and Biomechanics | 2000 | Cumbria College of Art + Design | ||
| GERZ J. | Miami Islet | 1998 | Coventry University | Visual Arts | |
| Docherty M | Michael Docherty Drawings | 2000 | Edinburgh College of Art | Fine Art | |
| Pennie M | Michael Pennie: Carving and Drawing 1976-1995 | 1995 | Bath Spa University College | ||
| Bain L | Michael Wilford and Partners | 1999 | Glasgow School of Art | Design | Michael Wilford and Partners |
| Pierse S J | Michigan Blues: Recent Paintings | 1998 | University of Wales, Aberystwyth | ||
| Crabbe A | Micro Clens System (of microwave disinfecting for hydrogel contact lenses) | 1997 | Nottingham Trent University | Fashion and Textiles | P. Thompson |
| JOSTINS J.E. | Microcab | 2000 | Coventry University | Design | OWEN, J.K. PIPER, J. |
| Bailey S | Microsource - X Ray Emittor and Control Panel | 1994 | University of Northumbria at Newcastle | Automotive Design (4a) | Siodmok, P Cooper, A |
| Rolfe N | Mid Term Retrospective | 1994 | Royal College of Art | Fine Art | |
| Rolfe N | Mid Term Retrospective | 1996 | Royal College of Art | Fine Art | |
| Powell G | Migration to the UK | 1999 | University of Brighton | Visual Communication Design | |
| Warnell P | Migrations | 2000 | University of Gloucestershire | ||
| WALKER-BARKER D | Migrations through Time | 1999 | Bretton Hall | FINE ART (PAINTING) | |
| Coulter-Smith G | Mike Parr: The Self Portrait Project. | 1994 | Southampton Institute | ||
| Schoeser M | Mil Anys de Disseny en Punt | 1997 | The London Institute | Fashion and Textiles | |
| Muirhead TW | Milan: A Guide to Recent Architecture | 1999 | De Montfort University | ||
| RICE A | Millenium Corridor Project, British Forces, Falkland Islands | 1999 | University of Dundee | Contemporary Practice | Gary Gowans Roland Ashcroft Gary Fisher |
| Barclay C | Millenium Park Project, solo permanent publicly sited commission | 1999 | Glasgow School of Art | Cities and Environments | Stephen Bridge Chris Platt |
| GOWANS G M | Millennium Corridor Project, British Forces Falkland Islands | 1998 | University of Dundee | Industry and the Public Sector | Andy Rice Roland Ashcroft Gary Fisher |
| Mitchell L | Millennium Cycleway | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Milligan, A |
| Ramshaw W | Millennium Exhibition | 2000 | Royal College of Art | Applied Art | |
| Powell F | Millennium Medal Competition | 1999 | Falmouth College of Arts | ||
| Ramshaw W | Millennium Medals | 1999 | Royal College of Art | Applied Art | |
| JUPP M | Millennium Mug Project | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| Kerr J | Millennium Products | 1998 | Royal College of Art | Architectural Design | |
| Montgomery JAI | Millennium Visual Concepts Identity Works | 1997 | University of Ulster | ||
| Proud D.R. | Milo Lilo | 1998 | University College London | Fine Art Media | |
| Thompson E. | Milton Keynes Theatre Commission | 1999 | University College London | Painting | |
| Stoddart A | Miltonic Herm, Millennium Sculpture Garden | 2000 | Glasgow School of Art | Fine Art | |
| Sitar R | Mind Breaths 2000 | 2000 | Bolton Institute of HE | ||
| HARRISON D | Mind Memory Mapping Metaphor: Is Hypermedia Cognitive Art? | 1998 | University of West of England, Bristol | Digital Media Research Centre | |
| Feo R | Mind the Gap | 1998 | Royal College of Art | Design for Manufacture | |
| Hurtado R | Mind the Gap (table). | 2000 | Goldsmiths College | Feo, R. Santos, F. |
|
| Sweet DF | Minding the Gap: The Social Space of Painting | 1999 | Manchester Metropolitan University | ||
| Colson R | Mindtracker | 2000 | Thames Valley University | Colson R | |
| Harvey J | Miner-Artists - The Art of the Welsh Coal Workers | 2000 | University of Wales, Aberystwyth | ||
| Verdon A | Minimal | 2000 | Liverpool Hope | ||
| Feo R | Minimal Maximal | 1999 | Royal College of Art | Design for Manufacture | |
| Tabrizian M | Minimal Utopia | 1997 | University of Westminster | Visual Media | |
| Tabrizian M | Minimal Utopia | 2000 | University of Westminster | Visual Media | |
| Batchelor D | Minimalism | 1997 | Royal College of Art | Critical Practice | |
| Pearson L.F | Minton Tiles in the Churches of Staffordshire | 2000 | University of Wolverhampton | Ceramics | |
| Kelly W | Miquel Navarro | 1996 | University of Ulster | David Perez | |
| Warwicker J | Miramax Films - commissioned publicity campaign | 1996 | The London Institute | Media and Communication | |
| Stevens P | Mirror | 1999 | The London Institute | Fine Art | |
| Pennell J | Mirror Mirror. | 1996 | Goldsmiths College | ||
| Pucill SA | Mirrored Measure | 1997 | University of Westminster | Fine Art | |
| Pucill S. | Mirrored Measure (film 16mm, 10mins). | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Draper C | Mirrors and Reflections | 2000 | Kingston University | ||
| Bate DH | Mise-en-Scene of Desire | 1994 | University of Westminster | Visual Media | |
| SPICER A | Misfits and the marginalised: Gender in the Boultings | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Clewer C | Miss Fleur 1999 Collection 'Takeaway/party' | 1998 | University of Southampton | ||
| Clewer C | Miss Fleur Autumn/Winter 2000 Collection | 2000 | University of Southampton | ||
| Clewer C | Miss Fleur Spring/Summer 2000 Collection 'Castaway' | 1999 | University of Southampton | ||
| Feo R | Miss Ramirez | 1997 | Royal College of Art | Design for Manufacture | |
| Hurtado R | Miss Ramirez (Chair). | 1999 | Goldsmiths College | Feo, R. Santos, F. |
|
| Comninos P. | Mission on Mars | 1997 | Bournemouth University | ||
| Pilsl C | Mit den Augen durch die Wand | 1998 | Southampton Institute | ||
| Petrie K | Mix, Match and Madness - Early transfer printing and its potential for the contemporary artist | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Hakim-Dowek L | Mixed Media Series | 1994 | University of Portsmouth | Memory, Identity and Material Culture | |
| Stewart EP | Mixing Memory and Desire, group exhibition | 2000 | Glasgow School of Art | Fine Art | Stephanie Smith |
| JUPP M | Mo Jupp Show Case | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| JUPP M | Mo Jupp: Solo Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Freshwater S | Mobilization | 1999 | University of Hertfordshire | ||
| Austin N | Mobilly | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Austin N | Mobilly | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Dillon J | Mobius Bench | 1997 | Royal College of Art | Design for Manufacture | |
| Lochore B | Moby Dick | 1995 | The London Institute | Fine Art | |
| Landrum A | Moby Dick | 1995 | Bath Spa University College | Airo, M. Banner, F. Bartolini, M. |
|
| Shepherd D | Mochudi Project - Internet image transference programme from Mochudi, Botswana to Berlin | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Dutton S | Mockapocalyptics | 1999 | Sheffield Hallam University | Percy Peacock | |
| Goodworth VA | Mode jenseits der Funfzig (Design for the future - Living and Life without Barriers) | 1997 | University of East London | ||
| de Cordova D | Model | 1999 | Wimbledon School of Art | Sculpture | Jonathan Wright Carmen Blanco Luna Jefford Horrigan |
| Stevens P | Model | 1999 | The London Institute | Fine Art | |
| De Cordova D | Model | 1999 | Royal College of Art | Fine Art | |
| McLaren JH | Modelling Material Cascades | 2000 | Brunel University | S Parkinson T Jackson |
|
| JONES H | Modelling of Growing Biological Processes using Parametric L-Systems | 1997 | Middlesex University | A Tunbridge P Briggs |
|
| JONES H | Modelling of Growing Natural Forms | 2000 | Middlesex University | J Kaandorp | |
| MALLINDER H | Modelling of Large Waterfalls using String Textures | 1995 | Middlesex University | ||
| Osfield R | Modelling of Sub-Seismic Fracture Networks | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | L Thompson S Jones P A Griffiths |
| Simpson GB | Modelling the Interaction Between Liners, Sockets and the Residual Limb in Transtibial Amputees Using Non-Linear Finite Element Analysis | 2000 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Simpson GB | Modelling the Interaction between a Polyurethane Liner and the Residual Limb in Transtibial Amputees Using Non-Linear Element Analysis | 2000 | Brunel University | Interaction Design | C Fisher D Reynolds |
| Sheldon JL | Modern Art : A Critical Introduction | 2000 | Liverpool John Moores University | Art and Design History | P Meecham |
| Beggs G | Modern Drawings 8 landscape drawings of East Sussex scenes av. 76x54 cms. | 1995 | London Guildhall University | ||
| De Waal E | Modern Home - An Intervention at High Cross House | 1999 | University of Westminster | Ceramics | |
| Woudhuysen J | Modern Product Design and Development from a Global Perspective | 1997 | De Montfort University | ||
| Williams V | Modern Times I and II | 1999 | The London Institute | Media and Communication | |
| Pennell R. | Modern myths | 1999 | University of Wolverhampton | Glass | |
| WALLER J.N. | Modern portraits: expressions of intimacy | 1998 | Coventry University | Visual Arts | HOWSON, P. PAUL, C. FAULKNER, A. |
| Warwicker J | Moderna Museet - commissioned redesign of visual identity and marketing | 1997 | The London Institute | Media and Communication | |
| Byrne JM | Modernism and Meaning : Some Problems with Reading the Intervention of British Video Art into the Gallery Space | 1996 | Liverpool John Moores University | Art and Design History | |
| Dalton P | Modernism, Art Education and Sexual Difference | 1995 | University of Central England in Birmingham | Art Education Research Group | |
| Evans C | Modernity and Mutability: the 1990s | 1998 | The London Institute | Fashion and Textiles | |
| Shankland S | Module R | 2000 | The London Institute | Fine Art | |
| Grant JM | Momento Mori | 1994 | University of Plymouth | Site, Space, Location, Place | |
| Conekin BE | Moments of Modernity - Reconstructing Britain 1945 - 1964 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Frank Mort Chris Waters |
| Brett G | Mona Hatoum | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Michael Archer Catherine de Zegher |
| ARCHER MG | Mona Hatoum | 1997 | University of Oxford | Guy Brett Catherine de Zegher |
|
| Cohen N | Mondiale Echoes | 2000 | University College London | Painting | |
| Yetton CCW | Monet in the Twentieth Century: An Introduction | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| GERZ J. | Money, love, death, freedom - what counts in the end? | 2000 | Coventry University | Visual Arts | |
| Bishop D | Monitor as Material | 1996 | Royal College of Art | Design for Manufacture | |
| Logan DJ | Monitor-Top Video Conferencing Camera and Boom Microphone | 1998 | University of Ulster | ||
| Goldsmith S | Monsoon Capital | 1999 | University of Southampton | ||
| COX L | Moon Flowers, Flowerfield Version 3B + Bug Duel | 1999 | University of Dundee | Digital Technology | |
| Rowe C W | Moon Pull (mixed media ceiling work for CT Scanner room). | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Esche C | Moral and Psychological Concerns in the work of Douglas Gordon in the book Douglas Gordon Works ed. Silke Boerma | 1998 | The London Institute | Fine Art | |
| Jeff P A | More Beautiful than God? | 1999 | Swansea Institute of Higher Education | Photography | |
| Watson L | More Dash than Cash | 1996 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Martin, R |
| Sleeman A.J. | More and Less: The Early Work of Richard Long | 1997 | University College London | Art History and Theoretical Studies | |
| Mulrine S | Moscow Stations: From novel to play | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Siodmok P M | Moss Miami Orthopaedic Spinal Instrumentation. | 1994 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Bailey, S Cooper, A Rutherford, S |
| Rutherford S | Moss Miami Spinal implant procedure specialist surgical instruments | 1998 | Nottingham Trent University | Design | |
| Chinnery CY | Mother | 1996 | Oxford Brookes University | Creative Practice | |
| Boyce-Kwok S | Motherlode; The other side of Zero | 2000 | University of East London | ||
| Howard C J | Motorway Emergency Cone Light | 1995 | University of Huddersfield | ||
| Todd G | Mount Hiddenabyss | 2000 | Edinburgh College of Art | Fine Art | |
| Leverett D. | Mountain | 1999 | University College London | Painting | |
| Harrow D | Movement in the Millennium | 2000 | Royal College of Art | Design for Manufacture | Stevens, P |
| McLaren G M | Moving Forwards but Looking Backwards: The Dynamics of Design Change in the Early Post-war Pottery Industry. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Stanley N | Moving People, Moving Experiences: Novel Strategies in Museum Practice | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Harrison MF | Moving Pictures | 1998 | Manchester Metropolitan University | ||
| Selby A | Moving Stories (illustration commission) | 1997 | Loughborough University | Illustration | |
| Flannigan M | Moyna Flannigan, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Flannigan M | Moyna Flannigan, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Flannigan M | Moyna Flannigan, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Flannigan M | Moyna Flannigan/Chantal Joffe, two person exhibition | 2000 | Glasgow School of Art | Fine Art | |
| McClelland B | Mp 12 v Music System (Music Centre) | 2000 | University of Ulster | ||
| Davies J | Mr Betts + Mr Potts | 2000 | University of Plymouth | Design + Innovation | R. Hull |
| Bergne S | Mr Mause | 1996 | Royal College of Art | Design for Manufacture | |
| Dahn J | Mrs Delaney and Ceramics in the Landscape | 2000 | Bath Spa University College | ||
| Lucas GC | Mrs Sharpe's Cracks | 1996 | De Montfort University | ||
| Ichige Y | Mud Slip Rally. | 1998 | Goldsmiths College | ||
| Rawlinson IJ | Mugger Music | 1996 | Manchester Metropolitan University | Crowe N Parker G |
|
| Lea-Greenwood G | Muji: A Case Study in Internationalization | 2000 | Manchester Metropolitan University | ||
| Short LA | Multi Exposure 2000British - Israeli - Palestinian Awards | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Simcock M | Multi Media'. Collection of 32 scarves. | 1998 | University of Southampton | ||
| Fiddis C | Multi-Media (self directed learning) Program for Ceramics: A Domain Support Environment. | 1999 | University of Ulster | ||
| Eatock D | Multi-Ply Tables | 2000 | University of Brighton | Materials Practices and Processes | |
| Denton HG | Multi-disciplinary team based project work: planning factors | 1997 | Loughborough University | Design Education | |
| Thompson A | Multi-sensory wall | 2000 | Brunel University | Design for Inclusion | |
| Geroimenko V A | Multi-user VRML environment for teaching VRML: immersive collaborative learning | 1999 | University of Plymouth | STAR | Phillips M |
| Adzhiev V. | Multidimensional Shape Modeling in Multimedia Applications | 1999 | Bournemouth University | Ossipov, A Pasko, A. |
|
| GARDNER D | Multifold/Veelvoud | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Robertson DA | Multimedia Complexity: A Pathfinder Product Development Strategy | 1997 | De Montfort University | Schybergson, O. | |
| Farshad F | Multimedia Textile Database | 1997 | The London Institute | Fashion and Textiles | Frank Rickett Helen Anstey |
| Souleles N | Multimedia and Graphic Design: cross-fertilisation or fusion? | 1998 | Cumbria College of Art + Design | ||
| Dyson M C | Multimedia in museums: the need for a descriptive framework | 1995 | University of Reading | M. Andrews S. Leontopoulou |
|
| WOODCOCK A. | Multimedia network applications in the fashion industry | 1998 | Coventry University | The Design Institute | SCRIVENER, S. |
| Knorr K | Multiple Exposure. | 1996 | Goldsmiths College | ||
| Townsend S | Multiple Store: First Collection / Multiple Store Touring Exhibition | 1998 | The London Institute | Fine Art | |
| Townsend S | Multiple Store: Second Collection and touring exhibition | 1999 | The London Institute | Fine Art | |
| Mukherjee R | Mumbo Jumbo | 2000 | University of Hertfordshire | ||
| Kemp SWJ | Munford | 1994 | The London Institute | Media and Communication | |
| CHARNLEY C | Muscles (part of Photo 98) | 1998 | University of Lincoln | ||
| Gyi DE | Musculoskeletal problems and driving in police officers | 1998 | Loughborough University | Design Ergonomics | Porter, J.M. |
| Dutton S | Musee Imaginaire Part I + Box Project | 1997 | Sheffield Hallam University | Percy Peacock | |
| Peacock JR | Musee Imaginaire Part I and Box Project | 1999 | Sheffield Hallam University | Steve Dutton | |
| Ursitti C | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Robertson FG | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| De Briey N | Museum Magogo, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Mitchell L | Museum of Dentistry | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Milligan, A |
| Toop D | Museum of Fruit: Arc | 1999 | The London Institute | Fine Art | |
| BOYLAN P.J. | Museums and Insurance | 1999 | City University | Sarafopolous J | |
| Anderson F | Museums as Fashion Media | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| MATTHEWS G | Museums, Art Galleries and Temporary Exhibition Spaces | 1999 | University of Lincoln | ||
| VOORSANGER J | My Eye Hurts | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Rooney P | My Eye Hurts. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| MORGAN S | My Father | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Reas P | My Father, My Son | 1994 | University of Brighton | Visual Communication Design | |
| GARDINER L | My First Oxford Book of Poems | 2000 | University of Dundee | Contemporary Practice | John Foster |
| Walker Z | My Island Home: part of an ideal home | 2000 | Edinburgh College of Art | Fine Art | |
| Weaver C | My Life is an Embroidery and Elizabeth Wardle and the Leek Embroidery Society | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| DEAKIN A | My Mistress' Eyes are Nothing Like the Sun | 2000 | Middlesex University | ||
| Pengelly J | My Only Skin | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Votolato G | My Own Private Chevrolet | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Lucas GC | My Photographs don't Stand up for Themselves so I have to Stand up for them | 1996 | De Montfort University | ||
| Doust R | My Sentiments Exactly by Keith Baxter | 1998 | The London Institute | Media and Communication | |
| Kemp S | Myra, Myra on the Wall: The Fascination of Faces | 1998 | Royal College of Art | Critical Practice | |
| Kemp SD | Myra, Myra on the Wall: the Fascination of Faces | 1998 | University of Westminster | CARTE | |
| Brind S | Mysteries of the Heart, solo exhibition | 1994 | Glasgow School of Art | Fine Art | Jim Harold |
| Carrick C R | Myths of Modern Times (2001 Mitos de los Teimpos Modernos) | 2000 | The London Institute | Fine Art | |
| Farshad F | N-touch | 1995 | The London Institute | Fashion and Textiles | Frank Rickett |
| Rogers K. | N01SE | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Reynolds L J | NATS standard for the use of colour on air traffic control displays. R+D Report 9834 | 1998 | University of Reading | C. Metcalfe | |
| Richards A. | NATURAL PLEATING IN ANCIENT EGYPT: A LOST TECHNIQUE | 2000 | The Surrey Institute of Art + Design University College | Crafts | |
| FLACK S R | NB | 1996 | University of Dundee | Digital Technology | |
| DEGEN P | NEW TIMES AND NEW THINKING - JEWELLERY IN EUROPE AND AMERICA | 1996 | Middlesex University | ||
| Rampley M. | NIETZSCHE, AESTHETICS AND MODERNITY | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| CURRAN M | NIGHT CLUB ROBBERIES | 2000 | Middlesex University | ||
| SMITH K | NO PLACE LIKE HOME [R LEIGH] | 2000 | Middlesex University | ||
| GAWTHROP R | NOISE TRANSMISSIONS | 2000 | University of Lincoln | ||
| MYERS J | NOSEY PARKER - A PANTOMIME FOR THE INTERNET | 1997 | Middlesex University | ||
| HEALEY P | NOW THAT'S WHAT I CALL URBAN MYTHS | 1996 | Middlesex University | R Glanvill | |
| Corke C | NOW Website | 2000 | Liverpool John Moores University | International Centre for Digital Content | Fowler,P. |
| Fowler P | NOW programme | 2000 | Liverpool John Moores University | International Centre for Digital Content | C Corke |
| Cummins S | NY Drawers | 1997 | Nottingham Trent University | Visual Arts | |
| Oliver J | NYAD 2000 - International Group Show | 2000 | De Montfort University | ||
| SPENCE P J | NaCl - Bitter Burial | 1996 | University of Dundee | Digital Technology | Lynn Hershman Forced Entertainment Tero Nauha |
| LAMB E P | Nagasawa Art Park Project Exhibition 2000 | 2000 | University of Dundee | Contemporary Practice | Dean Bowen Peter Lazarov Hiroki Satake |
| WALLER J.N. | Naked | 1996 | Coventry University | Visual Arts | FREUD, L. HERMAN, J. HOWSON, P. |
| Sargeant J | Naked Lens - Beat Cinema | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Worrall P | Namibia | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Dukes P J | Nanostate | 2000 | University of Hertfordshire | ||
| Dukes P J | Nanostate Reading Room | 1999 | University of Hertfordshire | ||
| Peacock A | Nanostate: Five Language Event (for livestock Ram-FM) | 2000 | University of Hertfordshire | ||
| Filmer N | Naomi Filmer - work for the Jerwood Applied Arts Prize | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bigwood DA | Narcisco Rodriguez | 1998 | The London Institute | Fashion and Textiles | |
| Mukherjee R | Narcrosatanicos and Trabanos/Popoccultural | 1996 | University of Hertfordshire | ||
| Dunbar T | Narrativity and Sense of Presentness in Abstract Painting | 1998 | Manchester Metropolitan University | ||
| Isherwood P | Nasal Respiratory Masks for pre-term babies | 2000 | Brunel University | Design Pedagogy | M Elam V Young |
| Comber M | Nat West Art Prize 1997 | 1997 | Wimbledon School of Art | Painting | Judy Buxton Stephen Chambers Jane Dixon |
| Milne J | Nat West Painting Competition | 1999 | University of Southampton | ||
| Carrick C R | NatUrban Realities - Nature in an Urban Landscape | 2000 | The London Institute | Fine Art | |
| Mosscrop MLB | NatWest Art Prize (Group exhibition/Painting prize) | 1997 | De Montfort University | ||
| Cohen N | Nathan Cohen | 1998 | University College London | Painting | |
| Coates N | National Centre for Popular Music | 1998 | Royal College of Art | Architectural Design | |
| Richards M | National Identity, Cyprus and Global Contexts | 2000 | University of Central England in Birmingham | Visual Communication Research Group | David French |
| Burton R | National Political Conferences | 1999 | University of Sunderland | Design | |
| Quemby S | National Print Exhibition 2000 | 2000 | Wimbledon School of Art | Peter Daglish Peter Roach Trevor Frankland |
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| Stanton-Wilson J | National Print Exhibition 2000. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Gardiner J | National Trust 'Coast Show ' Web Site | 2000 | Thames Valley University | Gardiner J | |
| Gooding M | National and University Library, Ljubljana- Joze Plecnik | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| BANCROFT HUNT N | Native American Tribes | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Allen L | Natural Bodies and Screen Culture: Nation, Race and Embodiment in Utu | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Leslie J | Natural History and Other Fictions: An Exhibition by Mark Dion | 1997 | Manchester Metropolitan University | ||
| Cross NG | Natural intelligence in design | 1999 | Open University | Design thinking and communication | |
| Brooks PR | Naturaleza Muerta Con Insectos | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Rirsch R | Naturalistic representation of Pelican (3x2) in engraved and carved yellow/white gold with ruby eyes, set with over 300 diamonds | 1998 | London Guildhall University | ||
| Gluzberg M | Nature of Man | 1998 | The London Institute | Fine Art | |
| McLean P.B. | Nautical Mile: Redesign of Bridlington Promenade | 1998 | University College London | Fine Art Media | |
| Marsden MJ | Navigata | 2000 | De Montfort University | ||
| Matlow EG | Navigating technology: beyond a critical theory | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Hyatt J | Navigating the Terror | 2000 | Manchester Metropolitan University | ||
| Tait N | Neal Tait: Recent Paintings | 2000 | The London Institute | Fine Art | |
| LEWIS P | Near | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Brooks J | Near | 1998 | University of Gloucestershire | ||
| FILLINGHAM P | Near 'Le Grand Coq' and other works | 1998 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| ROBERTSON J A | Near + Far | 1999 | University of Dundee | Digital Technology | Roland Ashcroft Gerry Cruickshank Colin Wishart |
| ASHCROFT R J | Near and Far | 1998 | University of Dundee | Industry and the Public Sector | Nikolai Korobov Colin Wishart Dimitri Davidov |
| Rosenberg T | Near and Far. | 2000 | Goldsmiths College | Conreen, M. | |
| Conreen MJ | Near and Far. | 2000 | Goldsmiths College | Rosenberg, T. | |
| Lewis P | Near. | 1998 | Goldsmiths College | ||
| Fillingham P | Near. | 1998 | Goldsmiths College | ||
| Ting P | Nebula | 2000 | University of Central Lancashire | ||
| Degen J | Neckpiece-pendant in stainless steel sheet + wire + gold wire. Brooch in gold sheet, patterned, sandblasted steel sheet + stainless steel wire. Non soldered construction. Pair of ear-rings and matching rings in gold wire + curved stainless steel sheet. Tw | 1998 | London Guildhall University | ||
| Wyman A | Needlework Without Specimens | 1998 | Cumbria College of Art + Design | ||
| Spencer B | Negative Exposure | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Hemsworth G | Neighbours. | 2000 | Goldsmiths College | ||
| Jeffries N.F. | Neil Gets Medieval | 1999 | University College London | Painting | |
| Jeffries N.F. | Neil Jeffries | 1997 | University College London | Painting | |
| Jeffries N.F. | Neil Jeffries | 1996 | University College London | Painting | |
| Oliver V | Neil Spiller: Maverick Deviations | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McQuillan M | Neither Avant-Garde nor Rappel a l'Ordre | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Arney V | Neither here nor There | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Brown W | Neolithic Pottery-Making in Orkney: A New Look | 2000 | Glasgow School of Art | Historical and Critical Enquiry | R. Jones |
| Law J | Neon Drawings | 1998 | Bath Spa University College | Lowe, P | |
| Sall C | Nerve | 1999 | Royal College of Art | Architectural Design | |
| Seers L | Nerve - Group Exhibition | 1999 | De Montfort University | ||
| Ramsay G | Nerve, Glasgow Projects, group exhibition | 1997 | Glasgow School of Art | Fine Art | John Beagles |
| Pennell J | Nerve. | 1999 | Goldsmiths College | ||
| Pennell JD | Nerve: c21_happening | 1999 | The London Institute | Fine Art | |
| Lane C | Nesting Stones | 1996 | The London Institute | Fine Art | |
| BAKER R | Net Audio workshop and Irational's Online Toolkit, Site Gallery(http:www.site-map-u-net.com) | 2000 | University of Lincoln | ||
| Garcia D R | Net Congestion Reader | 2000 | University of Portsmouth | Centre for New Media Research | Hyde A Kluitenberge E Harger H |
| Proud D.R. | Net Web Culture Capture (or New Wave Cruise Control) | 1999 | University College London | Fine Art Media | |
| McLaren G M | Netting Clay. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Smith C | Network 5 and Wardrobe 14 (paintings) | 1998 | Loughborough University | Fine and Applied Arts | |
| Robertson I | Network Art-UK'98 Japan. Simultaneous live interactive multiple venue international media presentation. | 1998 | London Guildhall University | ||
| VOORSANGER J | Networking - Art by Post + Fax | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Forbes Visser K | Neue Spiele | 1996 | Edinburgh College of Art | Fine Art | |
| Brown R | Neural Net Starfish | 2000 | Royal College of Art | Computer Related Design | |
| Lindley J | Neurotherm | 1998 | University of Hertfordshire | ||
| Smith P M | Neurotic Realism | 1999 | Anglia Polytechnic University | ||
| Dalwood D | Neurotic Realism painting exhibition | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| Mortimer R | Neverland | 2000 | The London Institute | Media and Communication | |
| Taylor S | Nevernover. | 1999 | Goldsmiths College | ||
| Gabie N | Neville Gabie | 2000 | University of Gloucestershire | ||
| Powell F | New | 2000 | Falmouth College of Arts | ||
| URE A | New Paintings by Simon Callery, Jane Harris, Mandy Ure, Roy Voss | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CATTRELL A | New Anatomists | 1999 | University of Oxford | ||
| Rushton E | New Art From Britain | 1998 | Falmouth College of Arts | ||
| Kovats T | New Art from Britain | 1998 | The London Institute | Fine Art | |
| Short L | New Art from Cuba | 1996 | Cumbria College of Art + Design | ||
| Crowther P D | New Art from Eastern Europe: Identify and Conflict | 1994 | University of Central Lancashire | ||
| McBride C | New Art in Scotland - Part II, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Hastings M | New Avenger | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Finnemore P | New British Photography | 1998 | Swansea Institute of Higher Education | Photography | Durden, M Palmer, R |
| Hamlyn J | New British Photography, group exhibition | 1998 | Glasgow School of Art | Fine Art | David Bellingham |
| Rowe M | New Century in European Design | 1994 | Royal College of Art | Applied Art | |
| Cooper E | New Ceramics: Emmanuel Cooper | 1996 | Royal College of Art | Applied Art | |
| Gornick N | New Design Professionals Development of Design Management Courses | 1995 | Brunel University | Design Pedagogy | |
| Gornick N | New Design Professionals: Design Postgradutes and Industry | 1997 | Brunel University | Design Pedagogy | |
| Thompson GR | New Designers | 2000 | Brunel University | Environmentally Sensitive Design | |
| Flavell M R | New Developments in Glass | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hutchinson J A | New Digital Work | 1998 | University of Sunderland | Fine Art | |
| MORRIS R C | New Directions | 1999 | University of Dundee | Contemporary Practice | |
| Hartwell DW | New Directions in Design Management: The Development of Conceptual Models for Interior Designers | 1995 | De Montfort University | Holland, R.J. | |
| Gluzberg M | New Drawings. | 1999 | Goldsmiths College | ||
| Dodd I | New Faces '98 | 1998 | The London Institute | Fashion and Textiles | |
| Deepwell C | New Feminist Art Criticism : Critical Strategies | 1995 | University of Ulster | ||
| Flavell M R | New Glass | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Crooks R | New Glass Economy | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Forresta D | New Ideas in Science and Art, The Prague Conference | 1996 | Wimbledon School of Art | Research Centre | The Council of Europe The Czech Presidency |
| Baker Alder H A | New Images: Britain and Australia into the 21st Century | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Hastings M | New Imp Box locator | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Davison R | New Insights | 1999 | University of Gloucestershire | ||
| Clarkson nee Stevens B | New Interior Design Directions | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Watson LJ | New Jewellery Collections | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Cruickshank IMM | New Lamps for Old: The Application of Digital Technologies to Photography | 1999 | De Montfort University | Brown, S.C. | |
| Kitching A | New Library - The People's Network: Report to HM Government | 1997 | Royal College of Art | Communications | |
| Wright A | New Library for the Royal College of Art, London | 1996 | Glasgow School of Art | Design | Partner, Wright and Wright Architects |
| MANLEY B | New London | 1995 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Webb W | New Marketing | 1998 | The London Institute | Fashion and Textiles | |
| Williamson R | New Members Work | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Landen C | New Natural History | 1999 | University of Wales College, Newport | Photography | Mark Dion Catherine Chalmers Keith Arnatt |
| Makem OM | New Orleans - Restaurant | 1997 | University of Ulster | ||
| Stahl A. | New Paintings | 1999 | University College London | Painting | |
| Davies D R | New Paintings, Drawings and Prints | 1996 | University of Portsmouth | Centre for Images in Practice | |
| Jones C | New Perspectives/Building Bridges | 1995 | University of Newcastle | Viktor Hulik | |
| Starr G | New Photography 12 | 1996 | The London Institute | Fine Art | |
| Dewberry E | New Product Performance and Practice: An International Benchmarking study in the consumer electronics industry. | 1999 | Goldsmiths College | Oliver, N. Dostaler, I. |
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| Myerson J | New Public Architecture | 1996 | Royal College of Art | Inclusive Design | |
| Cassim J | New Spirit of Japanese Calligraphy | 2000 | Royal College of Art | Inclusive Design | |
| Marshall N D | New Tech Styles: Technology and Innovation in Contemporary Textiles | 1995 | University of Brighton | Materials Practices and Processes | |
| Hogan E | New Technology and the Arts | 1999 | Wimbledon School of Art | Painting | |
| Starszakowna N | New Textiles | 1999 | The London Institute | Fashion and Textiles | |
| Wells K | New Textiles - An Exhibition of Contemporary Resist Work | 1998 | De Montfort University | ||
| Currall A | New Video from Great Britain, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Wilson K | New Work | 2000 | University of Westminster | Fine Art | |
| Rolph D | New Work | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Mulvey JF | New Work | 1998 | University of Westminster | Fine Art | |
| Hammick T | New Work | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Dunbar L | New Work On Paper | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Fearon J E | New Work One Person Exhibition | 1996 | Bolton Institute of HE | ||
| Seaton D | New Work, David Seaton/Kate Davis | 1996 | University of Hertfordshire | ||
| Paxon A | New Work: solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Joiner B | New Work: Sculptures | 1998 | University of Westminster | Fine Art | |
| Moon M | New Works | 1996 | University of Reading | ||
| Hall M | New Works | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Hall M | New Works | 1998 | University of Wales Institute, Cardiff | Ceramics | |
| Hall M | New Works | 2000 | University of Wales Institute, Cardiff | Ceramics | |
| Averill S. | New Works | 1999 | Falmouth College of Arts | ||
| Deacon R | New World Order | 1999 | The London Institute | Fine Art | |
| Wallace-Jones H | New York Gift Fair | 1999 | The London Institute | Fashion and Textiles | Emma Sewell |
| Sewell E | New York Gift Fair | 1999 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Dodd I | New York International Gift Fair | 1998 | The London Institute | Fashion and Textiles | |
| Ball L M | New collaborative partnerships: education, crafts practitioners and industryGraduate destination surveys: an overview | 1998 | University of Brighton | Pedagogic Research | |
| Eastman K | New from Europe: Ken Eastman and Wouter Dam | 1998 | Glasgow School of Art | The Decorative Arts | |
| Mottram JA | New knowledge and new technology: Restructuring fine art education | 2000 | Loughborough University | Fine and Applied Arts | Whale, G. |
| Press MPO | New lives in the making: the value of craft education in the information age | 1998 | Sheffield Hallam University | Alison Cusworth | |
| Krysa J | New media: Watching the novelty wear off. From tape to virtual installation. | 1999 | University of Plymouth | STAR | Dzuverovic-Russell L |
| WRIGHT I. | New product engineering: the quality paradox | 1995 | Coventry University | The Design Institute | SWAIN, E. |
| Mulvey JF | New work in Various Media | 1996 | University of Westminster | Fine Art | |
| Paolozzi E | Newton | 1997 | Edinburgh College of Art | Fine Art | |
| Knowles D | Next plc - Ladies Jerseywear Collection Spring/Summer 2000 | 2000 | Kingston University | ||
| Coomber S | Next plc Menswear Collection Autumn/Winter 2000 | 2000 | Kingston University | ||
| Coomber S | Next plc Menswear Collection Spring/Summer 2001 | 2000 | Kingston University | ||
| Knowles D | Next plc. Ladies Knitwear Collection Spring/Summer 1999 | 1999 | Kingston University | ||
| Laing DW | Nice Work - If You Can Get It! A survey of musicians' employment 1978-1998 | 2000 | University of Westminster | Sound Media | York N |
| Geraghty A | Nicholas Hawksmoor and the Wren City Church Steeples | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| HAVERS A.J. | Nicholas Treadwell Gallery artists | 1997 | Coventry University | Visual Arts | READ, S. JURY, A. ROBINSON, B. |
| Hoberman N | Nicky Hoberman. | 1999 | Goldsmiths College | ||
| Malem W | Nico Nico Spring / Summer 1999 collection Cruise | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Malem W | Nico-Nico Autumn / Winter 1998 collection | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Hunter C | Nicole Farhi | 1998 | The London Institute | Fashion and Textiles | |
| Hunter C | Nicole Farhi | 1998 | The London Institute | Fashion and Textiles | |
| Burgin V | Nietzsche's Paris. | 2000 | Goldsmiths College | ||
| Rampley M | Nietzsche, Aesthetics and Modernity | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Goatman M | Nifty Lift Heightrider 15 (Mass Production) | 1997 | University of Hertfordshire | ||
| Cooke J | Night | 1995 | University of Brighton | Natural and Constructed Environments | |
| Gibbs E | Night Stop Cinema - The Week of Small Miracles | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Frayling C | Nightmare - the birth of horror | 1996 | Royal College of Art | Communications | |
| Chowles S M | Nightshade | 1997 | University of Brighton | Materials Practices and Processes | R Munday |
| Williamson A | Nineteen Eighty Four | 1999 | The London Institute | Media and Communication | |
| Grigor M | Nineveh on the Clyde: The Architecture of Alexander | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Reas P | Nissan Micra | 1994 | University of Brighton | Visual Communication Design | |
| Thompson GR | Nissan Re-branding Concept | 2000 | Brunel University | Environmentally Sensitive Design | |
| Evans Milne R | Nitty Gritty | 1997 | Bath Spa University College | Perkins, G. Pigott, H. |
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| Griffiths A | Nitya knitwear collection for autumn/winter for 1999 | 1998 | University of Southampton | ||
| Hooker B | No 1, Ozone Terrace | 1998 | Royal College of Art | Computer Related Design | |
| Kandhola M P | No Birds Do Sing In The Blue Sky | 1996 | Nottingham Trent University | Visual Arts | |
| Farley P | No End of Blame | 1997 | Wimbledon School of Art | Theatre Design | Jane Collins |
| Goldsmith S | No Escape: reclaimed dresses from the children's home of Cincinnati. | 1999 | University of Southampton | ||
| Haselden R | No Go | 2000 | University of Reading | ||
| Young R A | No Guru, No Method | 1996 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | |
| Chapman R | No Harmful Side-Effects | 2000 | University of Huddersfield | Dr Jane Nicklin, Biologist, Birkbeck College Dr David Guest, Mycolgist, University of Melbourne other staff at both above institutions |
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| Boontje T | No Picnic | 1998 | Royal College of Art | Design for Manufacture | |
| Potter L | No Picnic. | 1998 | Goldsmiths College | ||
| Simpson M | No Place Like Home | 1996 | The London Institute | Fine Art | |
| Delano A | No Sign of a Better Job: 100 Years of British Journalism | 2000 | The London Institute | Media and Communication | |
| Holland RJ | No Soft Option: An Action Research Programme for Total Schools Design | 1996 | De Montfort University | ||
| Wilson AJH | No Trustpassing | 2000 | University of Ulster | ||
| McCaughey P | No Way Back, group exhibition of publicly sited works. | 1994 | Glasgow School of Art | Fine Art | |
| Martina T | No day without a line. The history of the Royal Society of Painter-Printmakers, 1880-1999 | 1999 | University College Northampton | Fine Art Practices | |
| Harding A | No-Budget Curating | 1997 | Goldsmiths College | ||
| Tchalenko J | Noise | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Quinn J | Noise | 2000 | University of Westminster | Hypermedia | |
| Seymour R | Nokia DP-154EX Mobile phone | 1998 | Royal College of Art | Design for Manufacture | |
| Lochun D | Non-centrosymmetric Alignment of Optically Non-linear Materials | 1996 | Brunel University | GJ Ashwell IR Gentle CH. L Kennard |
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| CATLING BD | Nordic Cyclops | 1997 | University of Oxford | ||
| Vargo A | Nordic Letters of the Modern Breakthrough 1870-1910 | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Vargo, V. |
| Baker-Brown D | Norfolk Park Housing Regeneration | 1998 | University of Brighton | Natural and Constructed Environments | I McKay |
| Wood M H | Norman Cornish | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Chaplin, M |
| Lees - Maffei G | Norman Shaw and Gottfried Semper | 1997 | University of Hertfordshire | ||
| Setterington L | North Country Quilts: Legend + Living Tradition | 2000 | Manchester Metropolitan University | ||
| Sykas PA | North West Pattern Book Survey: Curatorial Report | 1998 | Manchester Metropolitan University | ||
| Pearson L.F | Northern City: An Architectural History of Newcastle Upon Tyne | 1996 | University of Wolverhampton | Ceramics | |
| WALKER-BARKER D | Northern Light | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| Fisher E | Northern Lights | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Castle J | Northern Lights | 1999 | University of Gloucestershire | ||
| Convery F | Northern Lights - A Scottish Gallery Exhibition | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Pattani S | Northlands Creative Glass Artist Residency and exhibition. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Young R A | Northumbria Close-up | 2000 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | Robinson, P Lievesley, M |
| Speed CJ | Norton Park, Interior Design Commission | 1998 | University of Plymouth | STAR | |
| Kippin J | Nostalgia for the Future, John Kippin: Photographs 1988-94 | 1995 | University of Sunderland | Photography | |
| Breen LV | Not Another Ism | 1999 | Brunel University | Polymedia Design | |
| Lees N | Not Just Pots:New Directions in Contmporary Ceramics | 2000 | Bath Spa University College | Aylieff, F. Bryars, J. Smith, H. |
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| Arad R | Not Made by Hand Not Made in China | 2000 | Royal College of Art | Design for Manufacture | |
| Barlow P. | Not Nothing Nowhere | 1998 | University College London | Sculpture | |
| HAMLYN ND | Not Resting | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Brown JK | Not Touched by Human Hand: The CALM Project | 1999 | Manchester Metropolitan University | ||
| Gaynor M | Not Waving | 1995 | Southampton Institute | ||
| Bate DH | Notes on Beauty and Landscape | 2000 | University of Westminster | Visual Media | |
| McLaren I | Notgeld from Neustadt: Currency Design as Political Comment | 1999 | De Montfort University | McLaren, J. | |
| Zimmerman AL | Nothing exists in degrees of overexposure | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Lee J | Nothing much to look at.... | 2000 | Nottingham Trent University | Visual Arts | |
| Webb G | Nouveau Riche | 2000 | University of Reading | Keith Farquhar | |
| Oxborrow L | Nouvelles strategies de distribution et roles des PME dans l'habillement au Royamme-Uni | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Lievesley M A | Novel Step in Multistage Investment Casting Process | 1999 | University of Northumbria at Newcastle | Product Design (4b) | Dale, J |
| Dower S | Novo V | 2000 | The London Institute | Fine Art | |
| Lowe B. | Now Here/Nowhere | 1998 | University College London | Fine Art Media | |
| Hoberman N | Now It's My Turn To Scream. | 1999 | Goldsmiths College | ||
| Haughton D | Now Showing II | 1999 | Kingston University | ||
| GUY A | Now Wash Your Hands | 1997 | University of Dundee | Contemporary Practice | Jane Simpson Hadrian Piggot Stephen Skidmore |
| Cruickshank IMM | Now You See Me: Video as a tool for teaching and assessment | 1997 | De Montfort University | Brown, S.C. | |
| Stewart EP | NowHere, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Casey B | Nowt So Queer As Folk Calender | 1996 | University of Central Lancashire | ||
| Howes A | Nuba Conversations | 2000 | The London Institute | Fine Art | No No No |
| BIRCH A.R. | Nudge bars for an off-road vehicle | 1998 | Coventry University | Design | |
| BIRCH A.R. | Nudge bars for an off-road vehicle (USA) | 2000 | Coventry University | Design | |
| Dodds R | Number 13 | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| You L.H. | Numerical Analysis of Elastic-Plastic Rotating Disks with Arbitrary Variable Thickness and Density | 2000 | Bournemouth University | Tang, Y.Y. Zhang, J.J. Zheng, C.Y. |
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| McIntyre K T | Nutcracker de la Habana | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Handley S | Nylon - The Man-made Fashion Revolution | 1999 | Royal College of Art | Design for Manufacture | |
| Oxley Nici | Nympholept (installation) | 1996 | London Guildhall University | ||
| Haley DH | O Brave New World: A Change in the Weather | 1999 | Manchester Metropolitan University | ||
| Baker A. | O PETROLEO | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Barlow P. | O Pas La, Surprising Spaces | 1999 | University College London | Sculpture | |
| De Oliveira N | O Teatro da memoria: as obras de Adriano e Fernando Guimaraes | 1999 | London Guildhall University | ||
| Whitehead B. S. | OCCASIONAL GUNFIRE | 1998 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| ASTBURY P | OFF THE WALL AND ON THE FLOOR [RECENT STAND ALONE WORKS BY EIGHT EMINENT CERAMICISTS] | 1998 | Middlesex University | ||
| Hampson M | OK/UK | 1999 | The London Institute | Fine Art | |
| Eastwood SJ | OMSK in Tokyo | 2000 | University of Plymouth | Art Process | |
| Knorr K. H. | ON THE BRIGHT SIDE OF LIFE (ZEITGENOSSISCHE BRITISCHE FOTOGRAFIE) | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Thorpe A. | ON THE GROUND | 1995 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| GAWTHROP R | ONE | 2000 | University of Lincoln | Hayley Newman, research assistant | |
| Fereday G. | OPEN STUDIOS | 1994 | The Surrey Institute of Art + Design University College | Crafts | |
| Whitehead B. | OWN-BRAND VIDEOTAPES | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Thomson J.R. | Obituary | 1997 | University College London | Fine Art Media | |
| Chapman J | Object as Subject: Contemporary Still Life | 1998 | University College Northampton | Fine Art Practices | |
| Taylor S | Objects Flown | 1998 | Southampton Institute | ||
| Gregory J | Objects of Beauty | 1998 | The London Institute | Fine Art | |
| ten Hompel S | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| White H | Objects of Our Time | 1997 | Sheffield Hallam University | Metalwork + Jewellery | |
| Rihl LF | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | Christopher Procter |
| Partridge J | Objects of Our Time | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| McNicoll C | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Margetts M | Objects of Our Time | 1996 | Royal College of Art | Applied Art | |
| Johanknecht S | Objects of Our Time | 1996 | The London Institute | Fine Art | |
| Dodd I | Objects of Our Time | 1996 | The London Institute | Fashion and Textiles | |
| Callinicos E | Objects of Our Time | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Callinicos E | Objects of Our Time | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Burnett G | Objects of Our Time | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Aust R | Objects of Our Time. | 1998 | Goldsmiths College | ||
| Wallace-Jones H | Objects of our Time | 1996 | The London Institute | Fashion and Textiles | Emma Sewell |
| Sewell E | Objects of our Time | 1996 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Bunnell K | Objects of our Time | 1996 | Falmouth College of Arts | ||
| Collins S.A.R. | Objekt:Video | 1996 | University College London | Fine Art Media | |
| Brown B | Objekte der Erinnerung | 1998 | University of Brighton | Memory, Identity and History | |
| Douglas A | Observations and Comments on the Viva Voce | 1997 | Robert Gordon University | Learning Strategies | |
| BALCIOGLU T | Observations on theRise of Design Historiography in the UK | 1999 | Kent Institute of Art + Design | ||
| Reeves D | Obsessive Becoming | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Harrison P | Obstacle Course | 1999 | University of Wolverhampton | Fine Art | John Wood |
| Oliver J | Obverse/Reverse Touring Medals Exhibition | 1995 | De Montfort University | ||
| LEMKE H | Obviously echoing | 2000 | University of Lincoln | ||
| Johnston L | Ocean Dynamics | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Toop D | Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds | 1996 | The London Institute | Fine Art | |
| Ogilvie E | Oceanus | 1997 | Edinburgh College of Art | Fine Art | |
| Johnston A | Odyssey | 1996 | Edinburgh College of Art | Fine Art | |
| Dalton P | Oedipal Dramas in Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Amado I | Of Bread and Water | 1999 | University of Southampton | ||
| LEMKE H | Off Klang Matter of Balance 1-3 | 1999 | University of Lincoln | ||
| FAITHFULL D R | Official Identity for the Opening Day of the New Scottish Parliament, Edinburgh 1/7/99 | 1999 | University of Dundee | Contemporary Practice | Pete Irvine The Scottish Office |
| Miller A | Officina Europa. | 1999 | Goldsmiths College | ||
| Archer M | Oggelshausen International Sculpture Symposium (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Setch T | Oil + Water - Painting approaches to coastal locations focusing on interpretations of the land and sea | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Phillips K | Oils on Canvas | 1998 | Cumbria College of Art + Design | ||
| Steed J | Old Dogs and New Tricks | 1999 | Robert Gordon University | Practices enabled through New Media Technology | Bunnell, K. |
| Farquhar K | Oldnewtown | 1999 | Edinburgh College of Art | Fine Art | |
| Whiteley NS | Olympus and the Market-Place: Reyner Banham's design criticism | 1997 | Lancaster University | ||
| Dye M | Omega | 1996 | Kingston University | ||
| Terstappen C | Omens and Portents | 1999 | University of Southampton | ||
| Breen LV | On Closer Inspection | 1999 | Brunel University | Polymedia Design | |
| Winters EJ | On Aesthetic Appreciation | 1998 | University of Westminster | CARTE | |
| HARKNESS A | On Appraisal | 1994 | University of Lincoln | ||
| Magee JP | On Dog Hair and Sand | 1995 | Manchester Metropolitan University | Umney D | |
| Schmidt E | On Paper: New Tendencies in Drawing | 1999 | Oxford Brookes University | Creative Practice | |
| ORourke D | On Your Nerve: A Wake For Frank OHara, verse - play | 1997 | Glasgow School of Art | Historical and Critical Enquiry | W N Herbert David Kinloch |
| Anderson P | On a Clear Day | 1996 | The London Institute | Media and Communication | |
| Liggins A M | On the Beaten Track | 1995 | Swansea Institute of Higher Education | Land and Landscape | |
| COLVIN C M | On the Bright Side of Life Zeitgenossiche Britische Fotografie | 1997 | University of Dundee | Contemporary Practice | Chadwick, H Webb, B Parr, M |
| Kippin J | On the Bright Side of Life, Zeitgenossische Britishce Fotografie | 1997 | University of Sunderland | Photography | |
| Southam JV | On the Bright Side of Life. Zeitgenossische Britische Photografie | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Landen C | On the Bright Side of Life: Contemporary British Photography | 1997 | University of Wales College, Newport | Photography | Helen Chadwick Karen Knorr Boyd Web |
| Clausen S | On the Margin (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Esche C | On the Moral and Psychological Concerns in the Work of Douglas Gordon | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Douglas A | On the Notion of Test: An example of visual analytical method | 1997 | Robert Gordon University | Learning Strategies | |
| Simpson M | On the Threshold | 2000 | Bath Spa University College | Crozier, A. Tyson, I. |
|
| Simpson P | On the margins of discourse: visions of New Socialist Woman in Soviet Art 1949-50. | 1998 | University of Hertfordshire | ||
| Souleles N | On-Line Education: some aspects of access and content | 1998 | Cumbria College of Art + Design | ||
| Watt JMA | Once Upon a Time | 1998 | The London Institute | Fashion and Textiles | |
| Shawcross N | One Hundred Years of Irish Art | 1999 | University of Ulster | ||
| Sandle M | One Man Exhibition, Sculpture and Drawings | 1995 | De Montfort University | ||
| WRIGHT M J | One Person Exhibition | 2000 | Kent Institute of Art + Design | ||
| NEVIN P | One Person Exhibition - The Buena Vista | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| de Caires D | One Person Exhibition Shopping and Painting | 1998 | De Montfort University | ||
| Mason PW | One Person Exhibtion. (Also commissioned work outside gallery). Catalogue with essay by Peter Wheeler. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Hill AA | One Person Presentation of films and performance works as part of Artists Film and Video series. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Mason PW | One Person Show of work, residency, exhibition. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Law J | One Phone Number for Europe: cultural diversity, technology and innovation | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Ball R | One Table and Two Lamps | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Lomax T. | One Voice Many Places | 1999 | University College London | Sculpture | |
| Reeves D | One With Everything | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Thrower S | One of three printed textile design collections for KBC, Germany | 1997 | University of Southampton | ||
| Blacklock G. C. | One person exhibition | 1998 | Wimbledon School of Art | Painting | |
| Ackling RW | One to another | 1999 | The London Institute | Fine Art | |
| Boylan A | One-off Jewellery Works | 1999 | University of Ulster | ||
| Bannister A G | One-video based work (untitled) | 1996 | Nottingham Trent University | Visual Arts | |
| Cook JH | Online Learning for Design Students | 1996 | De Montfort University | Zhao, Z Higgett, N |
|
| Geroimenko V A | Online photorealistic VR with interactive architectural objects | 1999 | University of Plymouth | STAR | |
| Nash M | Only Angels Have Wings | 1998 | University of East London | Isaac Julien | |
| White H | Only Human | 1999 | Sheffield Hallam University | Metalwork + Jewellery | |
| Rana M | Only Human | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Margetts M | Only Human | 1999 | Royal College of Art | Applied Art | |
| Boekhoudt O | Onno Boekhoudt - why not jewellery? | 1997 | Royal College of Art | Applied Art | |
| Grimes O | Oona Grimes: Solo Exhibition | 1998 | The London Institute | Fine Art | |
| Malem W | Ootie Spring / Summer 2001 childrenswear collection | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Stickley P | Open Event | 2000 | University of Portsmouth | Centre for Images in Practice | |
| English S G | Open Folio (A portfolio based collaboration tool and professional development network for designers) | 1999 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | |
| Cooper E | Open Secrets: New Paintings and Drawings | 1998 | Royal College of Art | Fine Art | |
| Verhoeven J | Open Sesame | 1999 | The London Institute | Fashion and Textiles | |
| RINGE S | Open Studio Show - Kingston Art Group | 1998 | University of Lincoln | ||
| Brown SC | Open and Distance Learning: Case Studies from Industry and Education | 1997 | De Montfort University | ||
| Ingham R | Opening of the British Work House Gallery | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Downes G H | Opera | 1999 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Jacobson R | Optimal Photographic Imaging of the Bulbar Conjunctival Vascalature | 1996 | University of Westminster | Imaging Technology | |
| Jordanov I | Optimal design of connectivity in neural network training | 2000 | University of Wales Institute, Cardiff | PDR | R Brown |
| Wood J | Optimising feelings of uncertainty to enhance public performance. | 1998 | Goldsmiths College | Taiwo, O. | |
| INNS T G | Optimising product development in SMEs through process mapping workshops | 1999 | University of Dundee | Industry and the Public Sector | Cathy Baxter |
| Dray A | Option and Vision | 1996 | Kingston University | ||
| Rowe D | Opus Choral Seating - tip-up seat | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Rowe D | Opus Double Bass Stool | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Millward H | Oral PowderJect: a novel system for administering local anaesthetic to the oral mucosa | 1998 | University of Wales Institute, Cardiff | PDR | GM Duckworth CDO Potter G Hewson |
| Richon O | Oralit | 1994 | Royal College of Art | Critical Practice | |
| Swallow SS | Orange Millennium Landmark Commission Natural Highs | 1999 | Brunel University | Design for Inclusion | |
| Martin PL | Orange as a Contemporary Expression of Spirit | 1997 | De Montfort University | ||
| Kay E | Orbis Terrarum | 2000 | University of Portsmouth | Art and Philosophy | |
| Pryke S | Orbit tableware range | 1998 | De Montfort University | ||
| Johnston M | Ordinary People | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Turner D | Ordinary People - 22 prints | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Linklater R | Orfeo by Monteverdi | 2000 | Nottingham Trent University | Design | Vancouver Early Music Festival |
| Linklater R | Orfeo by Rossi | 1997 | Nottingham Trent University | Design | Boston Early Music Festival Drottingholm Slottsteater Stockholm |
| Fraser D | Organic Surfaces | 1994 | University of Ulster | ||
| Lochun D | Orientation of Optically Nonlinear Chromophores at the Air-Water Interface | 1999 | Brunel University | J Geoffrey Ashwell AN Dyer |
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| Hegarty FT | Orienteer (A-Z, Dawn to Dusk) | 2000 | Sheffield Hallam University | Andrew Stones | |
| Reeves D | Origin | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Harley A | Original Prints | 1999 | Glasgow School of Art | Fine Art | |
| Whittaker P | Orpheus Looking Back; An Exhibition in Celebration of Maurice Blanchot' | 1997 | University of Southampton | ||
| Treplin A | Orpheus in the Underworld | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Baddeley O | Other Modernities | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Michael Asbury |
| Dower S | Other Places | 1999 | The London Institute | Fine Art | |
| STEYN J. | Other than Identity: the Subject, Politics and Art. | 1997 | City University | ||
| McLaren I | Otl Aicher: Designer and Teacher | 2000 | De Montfort University | ||
| Jones TE | Our Conversation with Things and Places, An Enquiry into Art and Research Methodology | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Delano A | Our Man in the Land of Scoop | 1994 | The London Institute | Media and Communication | |
| BRADLEY P | Our Seats Are Almost Touching | 2000 | University of Lincoln | ||
| BRADLEY P | Our Seats Are Almost Touching | 2000 | University of Lincoln | ||
| Brisley S.J. | Out of Actions: Between Performance and the Object, 1949-1979. | 1998 | University College London | Fine Art Media | |
| May N | Out of Hours | 2000 | Cumbria College of Art + Design | ||
| Merali SGP | Out of India | 1998 | The London Institute | Fine Art | |
| Galloway L | Out of Mind | 1999 | De Montfort University | ||
| Wynne J | Out of Nowhere | 1997 | The London Institute | Fine Art | |
| Taylor F | Out of Place | 1999 | The London Institute | Fine Art | |
| Barlow P. | Out of Place | 1998 | University College London | Sculpture | |
| Rayson D | Out of Place - Memory, Imagination and the City. | 2000 | Goldsmiths College | ||
| Rhodes C | Out of Place, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Taylor F | Out of Place. | 1999 | Goldsmiths College | ||
| Rayson D | Out of Place. Memory, imagination and the city | 2000 | Royal College of Art | Fine Art | |
| Dolphin Wilding J | Out of This World: The Influence of Nature in Crafts and Design 1880-1995 | 1995 | Kingston University | ||
| Carson JE | Out of the Bubble | 1999 | The London Institute | Fine Art | Susannah Silver |
| Bruce HJ | Out of the Garden | 2000 | University of Ulster | ||
| Kinersley-Taylor J | Out of the Garden: New textiles by members of the 62 Group: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| de Caires D | Out of the Island - One Person Exhibition | 1998 | De Montfort University | ||
| Jefferies JK | Out of the Shadows: Towards (as) Other Feminine. | 1997 | Goldsmiths College | ||
| Barclay C | Out of the Woods, solo exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Stables K | Out of the mouths of babes: young children and designing | 1998 | Goldsmiths College | ||
| Egerton F | Out of this world the influence of nature in crafts and design.One major piece of automaton | 1995 | Liverpool Hope | ||
| Dagg K | Out on a Limb | 2000 | Edinburgh College of Art | Fine Art | |
| K U | Out so late, Miss? | 2000 | University of Gloucestershire | ||
| Cranston A | Outdoors | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| McComish L | Outhouse | 1999 | University of Ulster | ||
| Taylor M | Outside the Box | 2000 | Bolton Institute of HE | ||
| Kerr S | Outside the Box | 2000 | Bolton Institute of HE | ||
| Connolly RB | Over View | 1996 | University of Ulster | ||
| Hollins WJ | Over the Horizon | 1999 | Brunel University | Design Pedagogy | G Hollins |
| Pinsky M | Overload | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Rogers H | Oversites | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Stezaker J | Overworlds | 1997 | Royal College of Art | Fine Art | |
| Watanabe T | Owen Jones: The Grammar of Ornament : 'Orientalism' Substituted? | 1994 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Padovani C | Own Time | 1999 | University of Southampton | ||
| Ledger RA | Owner Attachment and Ownership Success | 1999 | Brunel University | Interaction Design | |
| Smith AJ | Oxford Essential Atlas | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Newsham I A | Oxford Literary Web (Series 1) | 1999 | University College Northampton | Design for Industry and Commerce | |
| Newsham I A | Oxford Literary Web (series 2) | 2000 | University College Northampton | Design for Industry and Commerce | |
| Smith AJ | Oxford Practical Atlas | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Smith AJ | Oxford School Atlas | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Watson L | Ozzy Clarke Retrospective Exhibition | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Birtwell, C |
| Welsford A | P.O.E.T. | 1995 | De Montfort University | ||
| Henshaw J. G. | PAINTERS ABROAD | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| PHILLIPSON M | PAINTING OUT OF RETICENCE | 2000 | Middlesex University | ||
| THOMPSON J | PANAMARENKO | 2000 | Middlesex University | ||
| Prevoo D. | PAPER FASCINATION | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Stockwell S. J. | PAPER SPACES | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| COWAN J | PASSAGES AND INCIDENTS | 1996 | Middlesex University | ||
| CONWAY R | PATE-DE-VERRE | 1997 | Middlesex University | ||
| CONWAY R | PATE-DE-VERRE VESSEL | 1998 | Middlesex University | ||
| Butler P. | PAUL BUTLER: NEW PAINTINGS | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Butler P. | PAUL BUTLER: OIL PAINTINGS | 1996 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Ali-MacLachlan I | PCT/GB95/01327. UK Design 2044278. STS Modular utility belt for Armourshield Ltd, Manchester | 1995 | Glasgow School of Art | Design | Michael Sacks David Clark |
| MYERS J | PEEPINGTOM | 1998 | Middlesex University | ||
| Knorr K. H. | PHOTOGRAPHIER LA SCULPTURE: TROIS CONTEMPORAINS AU MUSEE D'ORSAY | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| WADE E | PHRYNOCEPHALUS | 1999 | Middlesex University | ||
| SHAW P | PHYTOCHROMOGRAPHY - SCREEN PRINTING WITH PLANTS: RESEARCH INTO ALTERNATIVE INK TECHNOLOGY | 1999 | Middlesex University | ||
| SHAW P | PHYTOCROMOGRAPHY - PRINTING WITH PLANTS | 1997 | Middlesex University | ||
| CURRAN M | PICTURES OF LILY | 1997 | Middlesex University | ||
| THOMPSON J | PIERO MANZONI: OUT OF TIME, OUT OF PLACE | 1998 | Middlesex University | ||
| Wilson R | POINT: Addressing the Boundaries | 2000 | Manchester Metropolitan University | ||
| CURRAN M | POINTS DE VUE (IMAGES D'EUROPE) | 1995 | Middlesex University | ||
| KEILLER P | PORT STATISTICS | 2000 | Middlesex University | ||
| McConnell A | POWERbreathe Inspiratory Muscle Trainer | 2000 | Brunel University | Design for Inclusion | MP Caine |
| Littman S. G. | PREDATOR CAT - SELFISH DIVA | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| COWAN J | PRESENT...PASSING - SOLO EXHIBITION | 1998 | Middlesex University | ||
| Minott P | PSP, PSS, ESOS, ESAS, Sharesave 9 | 1999 | Bath Spa University College | Dennis, P. | |
| Herrmann M. | PUTTING OUR OWN HOUSE IN ORDER | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| WRIGHT J | PYLON - SOLO SHOW | 2000 | Middlesex University | ||
| McQuillan M | Pablo goes to the ball; Performance, Play and Diversion in the early 1920's. | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Grace JF | Pablo the little red fox, animation series (22 episode scripts) | 1999 | Loughborough University | Illustration | |
| Rose EE | Pacesetters | 1997 | Lancaster University | ||
| Chandra M | Pacific Album: Vernacular Photography of the Fiji Indian Diaspora | 2000 | Royal College of Art | Critical Practice | |
| Mullen C W | Pack Art | 1998 | University of Brighton | Visual Communication Design | |
| Stewart WR | Packaging Design Strategy (Korean translation) | 1997 | Sheffield Hallam University | ||
| Stewart WR | Packaging as a Marketing Tool | 1995 | Sheffield Hallam University | ||
| Stewart WR | Packaging as an Effective Marketing Tool | 1996 | Sheffield Hallam University | ||
| Morris D | Paesaggio | 1997 | Liverpool John Moores University | Painting and Sculpture | Dr Murdoch Lothian |
| Hanna S J | Paganini's Dream | 1997 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | Hogg, B. Aster, J. |
| Hart J | Page Turners | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Hughes BR | Pagewiz2 Colour Scanner | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Hindle Y | Paint Theory Practice | 2000 | University of Central England in Birmingham | Fine Art Research Group | Pip Seymour |
| Scott PC | Painted Clay, Graphic Arts and the Ceramic Surface | 2000 | University of Newcastle | ||
| PATTISON J | Painted Forms | 1997 | University of Dundee | Contemporary Practice | |
| Gooding M | Painter as Critic, Patrick Heron- Selected Writings | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Jones GP | Painting - Ysbryd. Spirit - Wales (Contemporary practice with paint) | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Sweet DF | Painting Over Art | 1996 | Manchester Metropolitan University | ||
| Clarke P | Painting and Moments - Representations of a changing city | 1998 | University of Central Lancashire | ||
| Catto MA | Painting and Sculpture in Northern Ireland | 1996 | University of Ulster | ||
| Constable M | Painting at Delphina. | 1997 | Goldsmiths College | ||
| Constable M | Painting at John Moores Open. | 1999 | Goldsmiths College | ||
| Constable M | Painting at Whitechapel. | 1997 | Goldsmiths College | ||
| Saville J. | Painting the Century: 101 Portrait Masterpieces 1900-2000 | 2000 | University College London | Painting | |
| St James M | Painting the Century: 101 portrait Masterpieces 1900-2000 | 2000 | The London Institute | Fine Art | |
| Setch T | Painting the Dragon | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Thompson E | Paintings | 2000 | De Montfort University | ||
| Phillips K | Paintings | 1997 | Cumbria College of Art + Design | ||
| Lochore B | Paintings | 1998 | The London Institute | Fine Art | |
| Chambers S | Paintings (Retrospective) | 1999 | Royal College of Art | Fine Art | |
| Rice B W | Paintings 1981 - 1995 | 1995 | University of Brighton | Natural and Constructed Environments | |
| Verran V | Paintings 1990-1999 | 1999 | The London Institute | Fine Art | |
| Verran V | Paintings 1995 to 2000 | 2000 | Falmouth College of Arts | ||
| Wright JM | Paintings 1996-2000 (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | |
| Davison R | Paintings and Drawings from Acanthus and Corinth | 1999 | University of Gloucestershire | ||
| Bullen DW | Paintings and Prints | 1998 | University of Brighton | Fine Art Practices | |
| Rice B W | Paintings and prints by Brian Rice | 1997 | University of Brighton | Natural and Constructed Environments | |
| Pierse S J | Paintings of Ladakh | 1997 | University of Wales, Aberystwyth | ||
| Knight C | Pair of Candelabra Exhibition | 1998 | Liverpool Hope | ||
| Shreeve N | Pair of Gilt Console Tables with elaborately carved Eagle Bases and a Set of Chairs with arms carved as Swans | 1995 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Sprawson D H | Pale Shadows | 2000 | Nottingham Trent University | Visual Arts | |
| Thomson J.R. | Pandaemonium '98 | 1998 | University College London | Fine Art Media | |
| Averill S. | Panel Paintings | 2000 | Falmouth College of Arts | ||
| Diggle J | Panorama, Athens | 1997 | Robert Gordon University | Practices enabled through New Media Technology | Liebens, D. |
| Manning A | Paper After the Year 2000 | 1994 | The London Institute | Media and Communication | |
| Gunn J | Paper Chase | 2000 | Wimbledon School of Art | Theatre Design | Sue Buckmaster |
| Parry J | Paper Sphere, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| SMITH HR | Paperclay Plus | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Verdon A | Papering | 1998 | Liverpool Hope | ||
| Docherty PA | Papillion | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Smith AJ | Papua New Guinea Primary + Secondary School Atlases | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Merali SGP | Paradigm Lost Alien/Nation | 1996 | The London Institute | Fine Art | |
| Jennings C | Paradise Garden (installation 3 paintings (72 | 1994 | London Guildhall University | ||
| Liggins A M | Paradise Park | 2000 | Swansea Institute of Higher Education | Photography | |
| Perkins M | Parametric Modelling of Circular Saws with Uniform Thickness using Finite Element Analysis | 1999 | Brunel University | Environmentally Sensitive Design | H Iroas T Nicholls |
| Bradac J | Parcels and Occasional Diaries | 1998 | The London Institute | Fine Art | |
| Owen M | Parcours D' | 2000 | Southampton Institute | ||
| Raby F | Park Interactives (Adult Furniture) | 2000 | Royal College of Art | Computer Related Design | |
| Ramsenthaler S | Partial View | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Lebbon C | Participant research in design education. | 1998 | Staffordshire University | ARi, School of Art + Design | S. Boess |
| Southwell M | Participatory Research: a development model applied to design | 1997 | Goldsmiths College | ||
| Masi D. | Partie 5, Brandenburgische Kunsttage 1997. Britain in Brandenburg Festival | 1997 | University College London | Fine Art Media | |
| Masi D | Partie 5, Brandenburgische Kunsttage 1997. Britain in Brandenburg Festival. | 1997 | Wimbledon School of Art | Ken Currie Bridget Riley Eva-Maria Schon |
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| Mair J H | Passage From India | 1999 | University of Portsmouth | Centre for Images in Practice | |
| Ellard GR | Passagen | 1996 | The London Institute | Fine Art | Stephen Johnstone |
| Kappenberg C | Passe and Further | 1998 | The London Institute | Fine Art | Andrew James |
| Elson J | Passenger Service Information Board | 1999 | Kingston University | ||
| Archer M | Passing Through | 2000 | Loughborough University | Fine and Applied Arts | |
| Sandino L | Passionate Forms: the ceramics of Felicity Aylieff | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Davies G | Pastel Drawings | 1995 | Lancaster University | Paul Gladwyn | |
| Lievesley M A | Patent Numbers: Completed | 1994 | University of Northumbria at Newcastle | Product Design (4b) | |
| Lievesley M A | Patent number: GB2301018B (10/02/99). Limpet | 1996 | University of Northumbria at Newcastle | Product Design (4b) | |
| English S G | Patent number: GB9824901.4. Ro-Tech - The Motorcycle Storage Company | 1998 | University of Northumbria at Newcastle | Product Design (4b) | |
| Hilton K H | Patent numbers: Completed UK 9621786.479625676.3, Design Right Application 2061637/2061639/2062254. Nina Clip - Range of nursery products | 1998 | University of Northumbria at Newcastle | Product Design (4b) | |
| Hilton K H | Patent numbers: EU 00301816.5, UK 9905097.3, US 09/519.483. Scoopy - The milk powder scoop that counts | 1999 | University of Northumbria at Newcastle | Product Design (4b) | |
| PHIPPARD P | Paternity may be legal fiction | 1997 | University of Lincoln | ||
| Kirby J | Pathfinder | 1999 | University of Brighton | Natural and Constructed Environments | N Coley |
| Kelly P | Pathology | 1995 | Liverpool John Moores University | International Centre for Digital Content | Bradley,I |
| Bradley I | Pathology CD-ROM | 1995 | Liverpool John Moores University | International Centre for Digital Content | P.Kelly |
| Hooper R | Pathways 1998 | 1998 | Liverpool Hope | ||
| Senior DP | Patient-focused Architecture for Healthcare | 1996 | Manchester Metropolitan University | Scher P | |
| Salter P | Patine et vieillissement | 2000 | University of East London | ||
| Withers R | Patrick Caulfield, Hayward Gallery, London | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Gooding M | Patrick Heron | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Gooding M | Patrick Heron | 1994 | Wimbledon School of Art | Research Centre | |
| Sutherland P | Patrick Sutherland | 2000 | The London Institute | Media and Communication | |
| Zheng J. J. | Pattern of Control Points over N-Sided Areas. | 1998 | Bournemouth University | Ball, A.A. | |
| Knight L M | Patterns of Delivering Animation Education to Pre-Degree Students as part of a School Curriculum | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Zheng J. J. | Patterns of Sampled Points for Reverse Engineering. | 1996 | Bournemouth University | ||
| Keir P | Paul Keir | 1998 | Edinburgh College of Art | Fine Art | |
| Keir P | Paul Keir | 1998 | Edinburgh College of Art | Fine Art | |
| Keir P | Paul Keir | 1998 | Edinburgh College of Art | Fine Art | |
| Burke C P | Paul Renner: the art of typography | 1998 | University of Reading | ||
| Richards P.J. | Paul Richards | 1996 | University College London | Painting | |
| Richards P.J. | Paul Richards | 1995 | University College London | Painting | |
| Richards P.J. | Paul Richards: New Paintings | 1998 | University College London | Painting | |
| Richards P.J. | Paul Richards: Recent Paintings | 1996 | University College London | Painting | |
| Rosenbloom P | Paul Rosenbloom | 2000 | University of Gloucestershire | ||
| Seawright P | Paul Seawright | 2000 | University of Wales College, Newport | Photography | |
| Potter L | Pavement Trail for the Jewellery Quarter in Birmingham. | 1999 | Goldsmiths College | ||
| Brill P | Peace: 40 rubber aeroplanes to be thrown around the space by the public | 1999 | London Guildhall University | ||
| Rose C | Peaks | 1998 | University of Sunderland | Fine Art | |
| Mills R | Pearl and Umbra and Strange Familiar | 1999 | Royal College of Art | Communications | |
| Joiner B | Pedigree Tails | 1996 | University of Westminster | Fine Art | |
| Lewis M | Peeping Tom, North Circular, Smithfield | 2000 | The London Institute | Fine Art | |
| Brooks PR | Peepshow | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Ribas X | Pefecta Distraccion | 1995 | University of Brighton | Natural and Constructed Environments | |
| JOURNEAUX J. | Peindre a Jersey | 1997 | Coventry University | Visual Arts | MILLAIS, J. BLAMPIED, E. TILLING, R. |
| Chaimowicz M C | Peintures et Objets, Marc Camille Chaimowicz | 1994 | University of Reading | ||
| Archer M | Penarth Obelisk (8.5 metre granite sculpture commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Morris R | Penllegare | 1999 | Brunel University | Polymedia Design | |
| Williams R | Pentadactyl | 2000 | Cumbria College of Art + Design | ||
| Edge S | Penthouse 6 | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | K. Singh for Deakon Edge |
| Rome R | Pepper Rock | 1998 | Royal College of Art | Fine Art | |
| Baurley SL | Perceptions of Materials | 1999 | The London Institute | Fashion and Textiles | |
| Mottram JA | Perceptions, professions and precious practices | 1996 | Loughborough University | Fine and Applied Arts | |
| Day G | Perfect Form | 1996 | Bath Spa University College | ||
| Fearns R | Perfect Worlds | 1995 | Bath Spa University College | Atkinson, N. | |
| Fearns R | Perfect Worlds (second version) | 1996 | Bath Spa University College | Atkinson, N. | |
| Fearns R | Perfect Worlds (third version) | 1997 | Bath Spa University College | Atkinson, N. | |
| Simpson M | Perfidy | 2000 | The London Institute | Fine Art | Daniel Sturgis |
| Boyce-Kwok S | Performance | 1998 | University of East London | ||
| HARKNESS A | Performance Art | 1999 | University of Lincoln | ||
| Porteous C | Performance of a thermally efficient timber window with integral solar air collector | 1997 | Glasgow School of Art | Cities and Environments | |
| Porteous C | Performance of moveable insulation on an experimental window in Glasgow | 1999 | Glasgow School of Art | Cities and Environments | |
| West N F | Performing Daily an exhibition of West, Chandra, Grayson, Misenberger and Farley | 1994 | University of Northumbria at Newcastle | Photography (1b) | Tregaskis, K |
| McKeown RA | Performing Processes: Creating Live Performances | 2000 | University of Plymouth | Theatre + Performance | |
| LOWRY J | Performing Vision in the Theatre of Gaze: The Work of Douglas Gordon | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Stephenson AP | Performing the Body: Performing the Text | 1999 | University of East London | Amelia Jones | |
| Brown W | Permanence - Potters Have The Last Laugh | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Esser-Hall G M | Perpetual Beginnings: The Role of Phenomenological Hermeneutics in Art Education | 2000 | University College Northampton | Contemporary Art Criticism | |
| Cooper A M | Personal Financial Planning, a Multimedia Guide | 1997 | University of Northumbria at Newcastle | Photography (1b) | Bailey, S Siodmok, P |
| Shanahan P.N. | Personal Geography/Private Landscape | 1997 | Falmouth College of Arts | ||
| Gallacher A | Personal Space | 2000 | Glasgow School of Art | Design | |
| DUNHILL M | Personal choice | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Geroimenko V A | Personal construct theory and fuzzy set theory. | 1996 | University of Plymouth | STAR | |
| Durling D L | Personality and learning preferences of students in design and design-related disciplines | 1996 | Staffordshire University | ARi, School of Art + Design | N. Cross J. Johnson |
| Morris S | Perspective 2000 | 2000 | The London Institute | Fine Art | |
| Ryan A | Perspective 98 | 1998 | University of Reading | Joanne Berry Alexa Brunet Mark Dale |
|
| Zhang J. J. | Perturbation Solution of Rotating Solid Disks with Nonlinear Strain-Hardening. | 1997 | Bournemouth University | You, L.H. Long, S.Y. |
|
| GILLIES P | Pete Gillies: Artist in Residence | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| GILLIES P | Pete Gillies: Artist in Residence | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| Hinchcliffe TF | Peter Collins: the voice from the periphery | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Melia P D | Peter Greenaway: Artworks 63-98. | 1998 | Staffordshire University | ARi, School of Art + Design | Alan Woods |
| Melia P D | Peter Greenaway: The Framer Framed. | 1998 | Staffordshire University | ARi, School of Art + Design | K Griffiths D Pascoe M O'Pray |
| Kalkhof P | Peter Kalkhof | 1996 | University of Reading | ||
| Kalkhof P | Peter Kalkhof Farbe - Raum - Textur | 1998 | University of Reading | ||
| Kalkhof P | Peter Kalkhof Paintings and Installations | 1997 | University of Reading | ||
| Simpson PJ | Peter Simpson Paintings, Solo Exhibition. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Ting P | Peter Ting for Thomas Goode Collection | 1998 | University of Central Lancashire | ||
| Veness AD | Peter's Court | 1995 | University of Southampton | ||
| Penny S | Petit Mal 1-4, | 1995 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| CHARNLEY C | Petrikapille beim dom Brandenburg | 1998 | University of Lincoln | ||
| Earley RL | Peugeot Design Awards Exhibition | 1999 | The London Institute | Fashion and Textiles | |
| Butler SK | Phantasias | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Butler S | Phantasias | 1997 | Royal College of Art | Critical Practice | |
| Walker I | Phantom Africa | 1997 | University of Wales College, Newport | Photography | |
| Richards BGR | Phenomenal Transparency | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Davies P A | Philip Davies and Jonathan Clarke | 2000 | University of Brighton | Fine Art Practices | |
| Biggs M A R | Philosophy and Electronic Publishing | 1997 | University of Hertfordshire | C. Huitfeldt | |
| Bryson W.N. | Philostratus and the Imaginary Museum | 1995 | University College London | Art History and Theoretical Studies | |
| WALLER R. | Phone bill design | 2000 | Coventry University | The Design Institute | SEARLE JONES, A. LETHERLAND, S. MOATE, K. |
| Great-Rex E | Photographic Imagination | 2000 | University of East London | ||
| Withnall M | Photographic Staging System | 1994 | Royal College of Art | Design for Manufacture | |
| Spanyol J | Photographic Works | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Ray SF | Photographic light sources | 2000 | University of Westminster | Imaging Technology | |
| Rideal M.E.C. | Photographs '96-'98 | 2000 | University College London | Painting | |
| Roy I B | Photographs of Greenland Trappers Huts | 1999 | University of Brighton | Natural and Constructed Environments | |
| Harrison J P | Photographs selected for Women's Artists Diary | 1999 | University of Portsmouth | Centre for Images in Practice | |
| COLVIN C M | Photography after Photography (Memory and Representation in the Digital Age) | 1995 | University of Dundee | Digital Technology | Burgin, V Burson, N van Lansweerde, I |
| Cruickshank IMM | Photography and Women's Crafts: Fotographias E Artezanto | 1999 | De Montfort University | ||
| Newbury D | Photography and the Visualization of Working Class Lives in Britain | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Wells EY | Photography: A Critical Introduction. Second edition. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Baker P.H. | Photovoltaics: integration into buildings Digest 438 | 1999 | Glasgow School of Art | Cities and Environments | Stirling, C. |
| Smith K | Physical Evidence exhibition paintings | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Smith K | Physical Evidence. | 1999 | Goldsmiths College | ||
| Milne J | Pianola | 2000 | University of Southampton | Drew Milne | |
| Ramshaw W | Picasso's Ladies | 1998 | Royal College of Art | Applied Art | |
| Chappell A | Picnic Flask | 1997 | Brunel University | Design Pedagogy | |
| Winters EJ | Pictorial Variations | 1998 | University of Westminster | CARTE | |
| McKenzie R | Pictorialist Photography in Hungary: International Connections | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Wright R | Pictura Britannica | 1997 | Edinburgh College of Art | Fine Art | |
| Hopkins E L | Pictura Britannica | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Cheeseman D | Pictura Britannica (Art from Britain) | 1997 | University of Reading | Douglas Gordon Richard Hamilton Chris Ofili |
|
| Cheeseman D | Pictura Britannica: Art from Britain | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Starr G | Pictura Britannica: Art from Britain | 1997 | The London Institute | Fine Art | |
| Gallaccio A | Pictura Britannica: Art from Britain | 1997 | The London Institute | Fine Art | |
| Wiltshire H | Pictura Brittania: Art from Britain | 1997 | Royal College of Art | Fine Art | |
| Bate DH | Picture Shock | 1996 | University of Westminster | Visual Media | |
| Lee J | Picture Your Place | 1998 | Nottingham Trent University | Visual Arts | |
| St James M | Picture Yourself | 1999 | The London Institute | Fine Art | |
| Harding D | Pictures | 1999 | Bath Spa University College | ||
| Chamberlain PM | Pictures and conversations: A case study of design-led collaborative new product development in the field of vibro sound products. | 1999 | Sheffield Hallam University | Mike Press Jim Roddis |
|
| Inglis J | Pictures at an Exhibition | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Palmer E | Pictures of Pictures | 1999 | The London Institute | Fine Art | |
| Morris L E | Pictures of Pictures (curated exhibition and publication) | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Kovats T | Picturia Britannica | 1997 | The London Institute | Fine Art | |
| Parker J. | Picturing the Modern Amazon | 2000 | University College London | Fine Art Media | |
| Zschenderlein H | Pieces of the Moon | 1995 | University of Brighton | Visual and Performing Arts | |
| Thrower S | Pieces'. Collection for winter 1999/2000 (London and India) | 1998 | University of Southampton | ||
| SCHAFER S | Pietro da Cortona e il Pigneto Sacchetti: fasi, construttive, committenza progetto | 1998 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Annarosa Cerutti Fusco Edited by C L Frommel Edited by S Schultze |
| Derbyshire A | Pigment Analysis of Portrait Miniatures using Raman Microscopy | 1998 | Royal College of Art | Conservation | |
| Meanley P | Pigments, Salt and Glass | 1999 | University of Ulster | ||
| Thompson L J | Pilchuck Glass Scholarship and Glass Auction, Seattle | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Bolton JS | Pinch Pull Retailing Bag Dispensing System | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| GERSHT O | Pitch | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Peasgood D | Pitti Filati | 1999 | The London Institute | Fashion and Textiles | |
| Cosserat K | Pitti Filati | 2000 | The London Institute | Fashion and Textiles | |
| Cosserat K | Pitti Filati | 1998 | The London Institute | Fashion and Textiles | |
| GUY A | Pittura | 1997 | University of Dundee | Contemporary Practice | John Currin Cecilia Edefalk Bernard Frieze |
| Turner J | Pixel | 2000 | Liverpool John Moores University | International Centre for Digital Content | S Roberts |
| Roberts S | Pixel | 2000 | Liverpool John Moores University | International Centre for Digital Content | J Turner |
| LEWIS P | Plaats | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Lewis P | Plaats. | 1997 | Goldsmiths College | ||
| Kennard P | Placards | 1995 | Royal College of Art | Critical Practice | |
| Smy E | Place ...replace | 2000 | University of Hertfordshire | ||
| Onwin G | Place of Origin | 2000 | Edinburgh College of Art | Fine Art | |
| Dunne A | Placebo | 2000 | Royal College of Art | Computer Related Design | |
| Cowan ER | Placecheck: A Users' Guide | 2000 | De Montfort University | ||
| Taylor F | Placed Apart | 2000 | The London Institute | Fine Art | |
| Terstappen C | Places of Power - La terra sagrada dels indis Navajo. | 2000 | University of Southampton | ||
| Peacock JR | Plague-orgy-time | 1998 | Sheffield Hallam University | Fine Art | Steve Dutton |
| Dutton S | Plague-orgy-time | 1998 | Sheffield Hallam University | Fine Art | Percy Peacock |
| Macklin P | Plaid: Exhibition design/curation | 1997 | Glasgow School of Art | Design | H. Pizey M. Beever |
| Himid L | Plan B | 1999 | University of Central Lancashire | ||
| Fowler P | Planet Number | 1995 | Liverpool John Moores University | International Centre for Digital Content | |
| Fowler P | Planet Shape | 1995 | Liverpool John Moores University | International Centre for Digital Content | |
| Newport R | Plastics and Design | 1997 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Fisher T | Plastics: materials of consumption | 1999 | Sheffield Hallam University | ||
| Hunter M | Plastik in Museumgarten | 1994 | Edinburgh College of Art | Fine Art | |
| VAN KOTEN H H | Plaswood, public seating system | 1999 | University of Dundee | Industry and the Public Sector | Ian Carnduff Craig Gamble Dumfries Plastics Recycling |
| Wood ND | Plate tectonics and Chinese ceramics - new insights into the origins of China's ceramic raw materials | 2000 | University of Westminster | Ceramics | |
| Higgins P | Play Zone | 2000 | Kingston University | ||
| Clegg T | Play boxes I, II and III | 1996 | Royal College of Art | Applied Art | |
| Dodds R | Playback | 1996 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | Chandler, R original writer |
| Horrocks C | Playing the Game when the Rules have been Changed: The Paintings of Bruce Russell | 1999 | Kingston University | ||
| Broom K | Playing with Emergency A Case Study Of Reversal Theory in Artrwork. | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Bruton J | Please | 2000 | The London Institute | Fine Art | |
| Bruton J | Please | 2000 | University of Southampton | ||
| WARD J | Please Touch | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Peacock A | Please remove all watches, bracelets and other sharp objects. | 1999 | University of Hertfordshire | ||
| Sweet DF | Please, Please Me: Skcepticism and the Agreeable | 1998 | Manchester Metropolitan University | ||
| Shankie J | Pleased To Meet You, two person exhibition | 1996 | Glasgow School of Art | Fine Art | Fernando Fereira |
| Lingford R | Pleasures of War | 1998 | Royal College of Art | Animation | |
| FURNEAUX SH | Pleeeeeeeeease release me | 1997 | University of Oxford | ||
| OBRIEN T | Plot | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DUNHILL M | Plot | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Campbell D | Plotting Polke. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Wyman A | Pocket, Sleeve and Pintuck | 2000 | Cumbria College of Art + Design | ||
| Kirby J | Pod | 1998 | University of Brighton | Natural and Constructed Environments | J Clarke |
| Howell AM | Poetry as Film | 2000 | The London Institute | Fine Art | |
| BUSS D | Poetry or Prism | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by E Wessel |
| Seawright P | Police Force | 1995 | University of Wales College, Newport | Photography | |
| Draycott PA | Policy, Practice and Paradigm: How to Develop a Virtual University Without Losing your Shirt | 1999 | De Montfort University | Brown, S.C. Boys, J Freeman, H |
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| Eccleston T | Politique, group exhibition of publicly sited works | 1995 | Glasgow School of Art | Fine Art | |
| Jeff P A | Pop Icons | 1999 | Swansea Institute of Higher Education | Photography | McDonough, E |
| Laing DW | Popular Music Studies. A Select International Bibliography | 1997 | University of Westminster | Sound Media | |
| Quinn AM | Porcelein tableware Royal Worcester 'Essentials' | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| MacLennan AM | Pore Rope | 1998 | University of Ulster | ||
| Duff L | Port and the Douro | 1999 | Kingston University | ||
| CLAMP RS | Portishead Quays: Public Arts Strategy | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Stansfield Smith C | Portland Building, University of Portsmouth | 1996 | University of Portsmouth | Centre for Creative Empowerment | Hampshire County Council |
| Duff L | Porto and the Duoro | 1998 | Kingston University | ||
| Joseph J E | Portrait of the Artist | 1995 | Wimbledon School of Art | Painting | Francis Dodd Max Lieberman Michael Ayrton |
| Lloyd D | Portrait of the Forest | 1995 | University of Gloucestershire | ||
| Cusack P | Portrait of the Netherlands | 1997 | The London Institute | Fine Art | |
| Shawcross N | Portraits of Seamus Heaney and Michael Longley | 2000 | University of Ulster | ||
| Allsop D | Positionen - Reisen an die Grenzen der Malerei | 1996 | Royal College of Art | Fine Art | |
| Woodley G. | Positionen der Konkreten und Konstructiven Kunst | 1999 | University College London | Painting | |
| Woodley G | Positionen der konkreten und konstruktiven kunst | 1999 | The London Institute | Fine Art | |
| Boys J | Positions in the Landscape? Gender, Material and Virtual Space | 1998 | De Montfort University | ||
| De Oliveira N | Possession, Sexuality and Passion | 1996 | London Guildhall University | ||
| Punt M | Post Classical Cinema and the Digital Image | 2000 | University of Wales College, Newport | CAiiA | |
| Singh G | Post Conference Report | 1995 | University of Sunderland | Design | Arganbright Barrientos Beck |
| Horrocks C | Post Modern Encounters: Marshall McLuhan and Virtuality | 2000 | Kingston University | ||
| Harding D | Post-Autonomy + Fine Art Education | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Baldacchino J | Post-Marxist Marxism: Questioning The Answer: Difference and Realism after Lukacs and Adorno | 1996 | Robert Gordon University | Culturally Responsive Practices | |
| Doidge CW | Post-Occupancy Review of Buildings | 1994 | De Montfort University | Henderson, D.G. | |
| Putnam T J | Post-modern Home Life | 1999 | University of Portsmouth | Memory, Identity and Material Culture | |
| Rohr D | Postcards from Dounreay | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| FAIRNINGTON M | Postcards on Photography | 1999 | University of Oxford | ||
| Lindsay W | Postcranial Remains of Baphetes and their bearing on the Relationships of the Baphetidae (=Loxommatidea) | 1998 | Royal College of Art | Conservation | Milner, AC |
| Manchot M | Poste Restante | 1995 | The London Institute | Fine Art | |
| Cairns B | Poster for Seattle International Film Festival | 1994 | Glasgow School of Art | Principles of Drawing | |
| WORDEN S | Postgraduate Research and Digital Media | 1998 | University of West of England, Bristol | Digital Media Research Centre | |
| Gabie N | Posts | 1999 | University of Gloucestershire | ||
| Kusters C | Postwar Poster Art in Germany: Uwe Loesch | 1997 | The London Institute | Media and Communication | |
| Davis K | Pour Nous Irriter | 1998 | Wimbledon School of Art | Sculpture | Bill Viola Bruce Nauman Gerhard Richter |
| Cummings N | Pour les curieux | 1998 | The London Institute | Fine Art | Marysia Lewandowska Claude Ritschard Adrien Beck |
| BULL MG | Poussin and Nonnos | 1998 | University of Oxford | ||
| BULL MG | Poussin and the Antique | 1997 | University of Oxford | ||
| Holland L | Power + Gold | 1997 | Liverpool Hope | ||
| Breen LV | Power of the Poster | 1998 | Brunel University | Polymedia Design | |
| O'Neill A | Powerhouse UK | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | Claire Catterall |
| Bailey S | Powertrak - Underfloor power distribution system | 1999 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Shillito A | Practice Based Research in Technology New to Applied Artists | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Petrova S | Prague 1900: Poetry and Ecstacy | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Telford SJ | Pre-Christmas window displays (commission) | 2000 | Loughborough University | Textiles | |
| Rogers ME | Pre-service primary teachers planning for science and technology activities: influences and constraints. | 2000 | Goldsmiths College | Davies, D. | |
| Patterson Z | Precious Cargo | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Boylan A | Precious Metal Jewellery | 2000 | University of Ulster | ||
| Zhang J. J. | Precision Inspection of Deviations of Machined Surfaces. | 1997 | Bournemouth University | Gong, D. | |
| Arney V | Preface : International Biennial for Emerging Artists | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Hermansen C | Preface and chapters: The Suburbanisation of Glasgow, Modern Architecture in Scotland and Hungary 1930s and 1940s | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Triantaphillidou S | Preferred Tone Reproduction of Images on Soft Displays | 1998 | University of Westminster | Imaging Technology | Jacobson RE Ford AM |
| Sherwin G | Prelude | 1996 | University of Wolverhampton | Fine Art | |
| Ledsham JM | Premier Biennale du Lin en Haute Normandie: Blancs Transparences Lumiere | 1996 | University of Ulster | ||
| Gallacher A | Premier Classe | 2000 | Glasgow School of Art | Design | |
| GERZ J. | Premises: invested spaces in visual arts, architecture, and design from France, 1958-1998 | 1998 | Coventry University | Visual Arts | BOURGEOIS, L. STARCK, P. BOLTANSKI, C. |
| Chick A | Preparing British Design Undergraduates for the Challenge of Sustainable Development | 2000 | Kingston University | ||
| Ktori A | Presence | 1999 | University of Westminster | Sound Media | |
| McKay C M | Presence and Absence: Seurat and the Bathers | 1998 | University of Sunderland | Photography | |
| Rooney P | Presence: Banner Paintings and Audio Works. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Pickwoad N | Preserving the Library and the Books at the Monastery of Saint Catherine | 1998 | The London Institute | Media and Communication | |
| Russell J | Press Release | 1999 | The London Institute | Fine Art | Simon Bedwell Milly Thompson |
| Russell J | Press Release | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| BEDWELL S | Press Release | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Thompson A | Press Release (NY Faxbak) | 1999 | University of Portsmouth | Art and Philosophy | Simon Bedwell |
| Bedwell S | Press Release. | 1999 | Goldsmiths College | ||
| Ford PB | Prick'l star - Carbonated Drinks Maker | 1999 | De Montfort University | ||
| Selwood S J | Prime | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Storey H | Primitive Streak | 1997 | The London Institute | Fashion and Textiles | Dr Kate Storey, Oxford University |
| Black S | Primitive Streak Interview | 1997 | The London Institute | Fashion and Textiles | The Interalia Centre for Arts and Sciences, Bristol |
| Mee JM | Princess for a Day? | 1994 | De Montfort University | Safronova, Dr I | |
| Blackie SS | Principal Demonstrator, Speaker and Guest Exhibitor. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Adams BC | Principles of Modelling + Rendering with 3D Studio | 1998 | University of Plymouth | Centre for Visual Computing | Mealing, S. Woolner, M. |
| Hampson M | Print Festival: Krakow 2000 | 2000 | The London Institute | Fine Art | |
| Stephens J | Print Production | 1998 | The London Institute | Media and Communication | Andrew Oldfield Stuart Tokerman Francis Cave |
| Sandino L | Print and Be Damned | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Dunbar L | Print is Print (Portfolio) | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Starszakowna N | Printbank | 1998 | The London Institute | Fashion and Textiles | |
| TAYLOR A | Printbank Design Group | 1998 | University of Dundee | Contemporary Practice | Professor Norma Starszakowna Brian Bolger Frances Stevenson |
| Evans P | Printed Analogue Filter Structures | 1999 | Brunel University | Environmentally Sensitive Design | B Ramsey Harrison D J PM Harrey |
| Hughes J | Printed Textile Samples + CAD Designs | 1998 | Glasgow School of Art | Design | |
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Huddleston RD | Printed textile design | 1998 | University of Southampton | ||
| Yates M | Printed textile designs | 1998 | University of Southampton | ||
| Yates M | Printed textile designs | 2000 | University of Southampton | ||
| Yates M | Printed textile designs | 1999 | University of Southampton | ||
| Thompson R | Printing Materials: Science and Technology | 1997 | The London Institute | Media and Communication | |
| Sneddon S G | Printmaking | 2000 | Sheffield Hallam University | ||
| Dover P | Printmaking Today | 1996 | Liverpool Hope | ||
| Quemby S | Printmaking from England | 1994 | Wimbledon School of Art | ||
| Quemby S | Printmaking from England | 1997 | Wimbledon School of Art | ||
| Montgomery I | Prints From Glasgow - Consument Art 99 | 1999 | Edinburgh College of Art | Fine Art | |
| HOSKINS S | Prints that Fly | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| Gant N | Prismex Stand | 1999 | University of Brighton | Materials Practices and Processes | T Dean |
| Dean T | Prismex Table | 1999 | University of Brighton | Materials Practices and Processes | N Gant |
| Moriarty C | Private Grief and Public Remembrance | 1997 | University of Brighton | Memory, Identity and History | |
| Rushton E | Private View | 1996 | Falmouth College of Arts | ||
| Skelton PJS | Private Views . | 2000 | The London Institute | Fine Art | |
| Dimitrakaki A | Private Views : Spaces and Gender in Contemporary Art from Britain and Estonia. | 2000 | Liverpool John Moores University | Art and Design History | Pam Skelton, The London Institute Mare Tralla,Estonian Academy of Arts, Tallinn |
| Brind S | Private Views, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Corby T | Prix Ars Electronica 2000, NEXT SEX | 2000 | University of Hertfordshire | ||
| BALCIOGLU T | Problematic of Local + Global - Design Identity in New Industrialised Countries | 1999 | Kent Institute of Art + Design | ||
| Creed C | Problems of Action and Observation in an Autistic Universe | 2000 | University of Portsmouth | Centre for Sound and Experimental Environments | P Newland R Geesin |
| Orta L | Process of Transformation | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Warwicker J | Process; a Tomato Project | 1996 | The London Institute | Media and Communication | Steve Baker Michael Horsham Jason Kedgley |
| Patten B | Processional Vestment and Pulpit Fall | 1995 | Bolton Institute of HE | ||
| CAIRNS B | Producer of three programmes in the Insights series, documentaries by first time directors. Short Stories (27mins), In the Midst of Life (27mins) Women and Racing (15mins) | 1997 | University of Lincoln | ||
| Stevenson M | Product Design in the Public Domain: the paradox between intentions and perceptions. | 1996 | University of Plymouth | Design + Innovation | |
| Cooper TH | Product Development Implications of Sustainable Consumption | 2000 | Sheffield Hallam University | ||
| Dewberry E | Product Development Processes in Companies with Class-Leading Products. | 1998 | Goldsmiths College | Oliver, N. Nilson, P. Shirmir, T. |
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| Rose C J | Product Development and Creative Design | 1999 | University of Brighton | Pedagogic Research | |
| Charnley D | Production Design as Process | 1995 | Buckinghamshire Chilterns University College | Design Culture | |
| Piper JF | Products for Life Collection of Rubber Accessories for Home and Office | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Ure J | Profiling Study and Communication Skills for Non-Traditional Students | 1998 | Robert Gordon University | Learning Strategies | |
| McLaren I | Profit by Design | 1999 | De Montfort University | ||
| Raby F | Project #26765: FLIRT, Flexible information and recreation for mobile users | 2000 | Royal College of Art | Computer Related Design | |
| Wallace M | Project 8 | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| PATTISON J | Project Keleia | 1997 | University of Dundee | Contemporary Practice | Trevor Bell Emerik Bernard Johanna Rodenberg |
| Franklin A | Project Nomads: Life, Dying and Death in Different Cultures | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Wright E | Project Space: Model Experience | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Sleeman A.J. | Project for Frieze by Philip J. Reilly | 1996 | University College London | Art History and Theoretical Studies | |
| Rawlinson IJ | Project for the River Medlock | 1998 | Manchester Metropolitan University | Crowe N Parker G |
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| MIDDLETON N. | Project plasma | 1999 | Coventry University | Design | REAKES, J. SHARPE, R. PARKER, M. |
| Gaver W | Projected Realities: Conceptual Design for Conceptual Effect | 1999 | Royal College of Art | Computer Related Design | |
| DEWRANCE P | Projectionist Manual | 1998 | University of Lincoln | ||
| Magee JP | Promenade | 2000 | Manchester Metropolitan University | ||
| Bennis EM | Promenades: Rediscovering and Reinterpreting | 1997 | Manchester Metropolitan University | ||
| MARKIEWICZ L | Promise | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Kermik J | Promoting Change. The A M Luther Company 1920 - 1940 | 2000 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Wheeler S | Promotional Information, Membrane Protein Group - Corporate Protein Group | 1996 | University of Sunderland | Design | |
| Sekers A | Promotional campaigns | 1999 | The London Institute | Media and Communication | |
| Shanahan P.N. | Proof Six | 1998 | Falmouth College of Arts | Nick Darke Paul Farmer Anna Maria Murphy |
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| Clewer C | Proper | 1996 | University of Southampton | ||
| MACDONALD M J S | Proposal for an Institute of Learning | 1999 | University of Dundee | Critical, Historical and Theoretical Debate | Deliss, C Johnston, A Esche, C |
| Plunkett D | Propositions 2: Thinking Through Drawing | 2000 | Glasgow School of Art | Principles of Drawing | |
| Baines M | Propositions: Thinking through drawing | 2000 | Glasgow School of Art | Principles of Drawing | G. Barrett |
| Cooper TJ | Prospect 96 - Photographie in den Genwartskunst, group exhibition. | 1996 | Glasgow School of Art | Fine Art | |
| Cooper TH | Prospects for Household Appliances | 2000 | Sheffield Hallam University | Kieren Mayers | |
| Russell J | Protest and Survive | 2000 | The London Institute | Fine Art | |
| Higgs M | Protest and Survive | 2000 | Royal College of Art | Critical Practice | |
| Higgs M | Protest and Survive. | 2000 | Goldsmiths College | ||
| Seden MR | Protocols for Pedagogy Transfer? | 1999 | De Montfort University | Rice, J.R. | |
| EISENMANN M | Prototype for an Amene Landscape: Black Forest | 1996 | University of Lincoln | ||
| Dallas S | Prototype knitted garments for Spring / Summer 1999 | 1997 | Royal College of Art | Design for Manufacture | |
| Boyd S C | Proximity. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| COLVIN C M | Pseudologica Fantastica | 1996 | University of Dundee | Digital Technology | |
| CATTRELL A | Psycho | 2000 | University of Oxford | ||
| Beech D | Public Art After Virtue | 2000 | University of Wolverhampton | Fine Art | |
| O'Connor DJ | Public Art Commission. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| CLAMP RS | Public Art Project: Ann Christopher, Sculptor | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CLAMP RS | Public Art Project: Artist in Residence, Michael Disley | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| CLAMP RS | Public Art Project: Cheltenham | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Harding D | Public Art in the British New Towns, essay on CD Rom | 1996 | Glasgow School of Art | Cities and Environments | |
| O'Connor DJ | Public Arts Commission. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Emmanuel J | Public Arts Lab | 1997 | Liverpool John Moores University | Fashion and Textiles | |
| Emmanuel J | Public Arts Lab | 1999 | University of Brighton | Materials Practices and Processes | |
| Aubrey K | Public Arts Laboratory | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Brettle J | Public Bodies - Private States: New Views on Photography Representation and Gender | 1994 | Edinburgh College of Art | Fine Art | |
| Brettle J L | Public Bodies, Private States - New Views on Photography, Representation and Gender | 1994 | University of Northumbria at Newcastle | Photography (1b) | Rice, S |
| Leith C | Public Notices | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Robertson H | Public Relations - New British Photography | 1997 | The London Institute | Fine Art | |
| Aiken J.C. | Public Sculpture Commission | 2000 | University College London | Sculpture | |
| Noszlopy G | Public Sculptures of Birmingham including Sutton Coldfield. | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Giggle P | Public Service Advertising - Domestic Violence | 1996 | Buckinghamshire Chilterns University College | Visual Communication | David Morris |
| McCaughey P | Public Sightings: Below Ground, solo exhibition of publicly sited works. | 1998 | Glasgow School of Art | Fine Art | |
| Wright R | Pufferfish | 1999 | Sheffield Hallam University | ||
| Konttinen S L | Puiden Kansa | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Proud D.R. | Pull | 1998 | University College London | Fine Art Media | |
| HEYWOOD A | Pulp Fiction - Pulp Fact | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| Stonyer A | Pulse | 1999 | University of Gloucestershire | ||
| Galloway L | Pulse | 1997 | De Montfort University | ||
| Fern D | Pulse Sampler | 1996 | Royal College of Art | Communications | |
| Sabin RJ | Punk Rock: So What? | 1999 | The London Institute | Media and Communication | |
| Ayers A R | Pupabine | 1998 | Nottingham Trent University | Visual Arts | |
| Clare DJ | Pupils' perceptions of technology. | 1997 | Goldsmiths College | Liddament, T. | |
| Macbeth P A | Pure Fabrication - Independent Textile Makers | 1997 | University of Huddersfield | ||
| Hughes BR | Pursuit Home Computer System | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Mitchell S | Pushkin's 'Mozart and Salieri' | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Richardson C | Put to Sleep | 1995 | Oxford Brookes University | Creative Practice | Edward Jessen (composer) |
| Woolley M | Putting Practice into Practice: Assimilating Design into the Corporate Culture | 1998 | Goldsmiths College | ||
| Chamberlain PM | Q Chair | 2000 | Sheffield Hallam University | Industrial Design | Scott Hawkins |
| MOONEY J | QUEER PICKINGS: THE ART OF LARI PITTMAN | 2000 | Middlesex University | ||
| Harrison D. M. | QUILT 99 | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Black G | Quality Issues in Heritage Visitor Attractions | 2000 | Nottingham Trent University | Design | |
| Porter M L | Quantifying and Qualifying the Value of Ergonomics to Business | 1995 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Jerrard R | Quantifying the Unquantifiable: An Enquiry Into The Design Process | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Wainwright C | Quaterlight | 1997 | The London Institute | Fine Art | |
| Thornhill PH | Quatermass and the Pit | 1998 | De Montfort University | ||
| Mooney J | Queer Pickings: the Art of Lari Pittman | 2000 | Royal College of Art | Fine Art | |
| VAN KOTEN H H | Quentin, paper pulp pendant lamp shade | 1998 | University of Dundee | Industry and the Public Sector | Ian Carnduff Mike Asassus Universal paper Pulp |
| Skelton PJS | Questions of Identities | 1999 | The London Institute | Fine Art | |
| Snaebjornsdottir B | Quinate/Fimmt, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Robson E H N | Quintet for Ten | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Fin Walker Transitions Dance Company Anthony Bowne |
| Chadwick J | Quinton and Chadwick's Knitwear Collection | 1996 | Kingston University | ||
| Chadwick J | Quinton and Chadwick's collection for Courtaulds | 1997 | Kingston University | ||
| Davison R | R Davison, Paintings and Drawings | 1997 | University of Gloucestershire | ||
| Evans P | R F Circular Structures Via Offset Lithography | 1999 | Brunel University | Environmentally Sensitive Design | B Ramsey D Harrison PM Harrey |
| Welsford A | R42 Series Recent Paintings 1998-2000 | 2000 | De Montfort University | ||
| Richards BGR | RAUMstationen; Mettamorphosen des Raumes im 20 Jahrhundert | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Fabian A | RCA Postgraduate Art and Design | 1997 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Charnley D | RCA Secret | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| MOONEY J | READING MATTER | 1999 | Middlesex University | ||
| Darley A. D. | RECENT EXPERIMENTAL, NONFICTION ANIMATION IN THE UK | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Fereday G. | RECENT WORKS BY LIZ CLARK AND GWEN FEREDAY | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| SHADBOLT R | RED MAGAZINE | 1999 | Middlesex University | ||
| Young A.N.J. | REDUCING THE USE OF HAZARDOUS SUBSTANCES IN PERSONAL COMPUTERS | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | Daniel Johansson Antonia Simon |
| Loughlin S. | REMAX: CHAOS THEORY | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Barber J. G. | REMOTE SENSING: OUTLOOK AND OBSERVATION | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| STUBBS M D | RESISTOR | 2000 | University of Dundee | Digital Technology | Roland Denning Voortman DeJonge David Shea |
| COLE R | REVEAL | 1997 | University of Lincoln | ||
| Millar L. | REVELATION: TEXTILE ARTISTS ADDRESSING ISSUES | 1998 | The Surrey Institute of Art + Design University College | Crafts | |
| Ramsey BJ | RF Circulator Structures via Offset Lithography | 1999 | Brunel University | Environmentally Sensitive Design | P Evans D Harrison |
| THOMPSON J | RICHARD DEACON | 1995 | Middlesex University | P L TAZZI P SCHJEDAHL |
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| STUBBS M D | RIVER | 2000 | University of Dundee | Digital Technology | Nicola Stephenson Benedict Phillips Melanie Poole |
| KEILLER P | ROBINSON IN SPACE - 35 MM COLOUR FILM | 1997 | Middlesex University | ||
| MANHEIM J | ROMAN POTTERY;WOVEN SILKS;STRAW PLAITING;NATURAL HISTORY;ILLUSTRATORS | 1997 | Middlesex University | ||
| HEALEY P | ROOTS AND ROUTES | 1999 | Middlesex University | ||
| Renshaw T | RSI-Tim Renshaw | 1994 | University of Reading | ||
| Davey G | RUM Modeller/Space Modelling | 1999 | University of East London | ||
| Beale J | RWA 148th Autumn Exhibition | 2000 | University of Gloucestershire | ||
| Holdaway M | RWA Triennial Sculpture Exhibition 1999 and Catalogue | 1999 | De Montfort University | ||
| Quinn L | Racer | 2000 | Sheffield Hallam University | ||
| van Dooren D | Radio to the Power of Four | 2000 | The London Institute | Media and Communication | |
| Bailey M | Radio/cassette player for the Rolls-Royce Silver Seraph | 1997 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| PAYNE M S | Rain Shadow, (Geographic Umbrella) | 1999 | University of Dundee | Coastal/Indigenous Cultures | Mary Sue Foster Marjorie Schick Elisa Stalker |
| Speed CJ | Raindance: Making visible the community of the Internet | 1999 | University of Plymouth | STAR | |
| Cassim J | Raised image | 1997 | Royal College of Art | Inclusive Design | |
| Jones D | Raku - Investigations into Fire | 1999 | University of Wolverhampton | Ceramics | |
| Jones D | Raku:Investigations into Fire | 2000 | University of Wolverhampton | Ceramics | Barry Wilson |
| Howard P | Ralph Koltai Retrospective | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Moore S | Ramanspec (Laser-based Raman spectroscopy unit) | 1997 | University of Ulster | William Lee | |
| Salter P | Ramshorn Churchyard | 1999 | University of East London | ||
| Gernand B | Range | 2000 | The London Institute | Fine Art | |
| Simcock M | Range of couture scarves | 1998 | University of Southampton | ||
| Bowman J | Range of scarves and wraps (concept design, sampling and production management) | 1998 | Loughborough University | Textiles | |
| FORBES R | Rastava Sodobne Skotskf Grafike (Modern Scottish Graphics Exhibition) | 1997 | University of Dundee | Contemporary Practice | Paoulozzi, E McLean, B Mach, D |
| de Caires D | Rasterizing Generics (Pictures for Eileen) | 2000 | De Montfort University | ||
| BURNS J. | Rationale for the local treatment of traveller's food poisoning | 1997 | Coventry University | Design | |
| Mulhall S | Raum fur Raum : Room for Room | 1998 | University of Gloucestershire | ||
| Morra G | Rauschenberg's Skin | 2000 | Oxford Brookes University | Theory | |
| Baines P | Raw Creation | 1996 | The London Institute | Media and Communication | |
| Cooper E | Raw Material : Eileen Cooper at Dulwich Picture Gallery | 1998 | Royal College of Art | Fine Art | |
| PARTINGTON M | Ray Finch and Functional | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Flavell M R | Ray Flavell Verre | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Masters R | Ray Masters - Selected Works 1985-1995 | 1995 | University of Sunderland | Fine Art | |
| Bielz G A | Rays, an additional catastrophe | 1996 | Wimbledon School of Art | Painting | Lucio Fontana Nam June Paik Piero Manzoni |
| Evans M | Re (with Richard Levy) | 1999 | University College Northampton | Fine Art Practices | |
| Maguire R | Re-Collections | 1998 | Southampton Institute | ||
| Springer P | Re-Locating Britishness in Advertising | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Byrne JM | Re-Mapping Modernity : From Analogic Image to Digital Dream | 1997 | Liverpool John Moores University | Art and Design History | |
| Cooke J | Re-Placing Arcadia | 2000 | University of Brighton | Natural and Constructed Environments | |
| TRUSSELLE K.L. | Re-Visions | 1996 | Coventry University | Visual Arts | CHURCHOUSE, C. MCDONALD, B. TAYLOR, K. |
| Brown SC | Re-inventing the University | 1998 | De Montfort University | ||
| Gschwedtner G | Re-modelling of the Peugeot 206 | 1998 | Buckinghamshire Chilterns University College | Furniture Design | Carl Clerkin |
| Trusselle K | Re-visions: Pictures at an Exhibition | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Sykas PA | Re:threading: Towards a History of Sewing Thread in Britain | 2000 | Manchester Metropolitan University | ||
| Golding M | ReForm : sixteen contemporary artists | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Himid L | RePresenting British Art 1500-2000 Works From The Collection | 2000 | University of Central Lancashire | ||
| Ruthven R J | Reaching for the Stars, exhibition | 2000 | University of Portsmouth | Art and Science | |
| Yasuda T | Reactivating the Senses | 1999 | University of Ulster | ||
| Whiteley NS | Readers of the Lost Art: Visuality and Particularity in Art Criticism: in Ian Heywood and Barry Sandwell (eds), Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual | 1998 | Lancaster University | ||
| Kemp S | Reading Difficulties | 1996 | Royal College of Art | Critical Practice | |
| Mooney J | Reading Matter | 1999 | Royal College of Art | Fine Art | |
| Harland E | Reading Matter | 1999 | The London Institute | Fine Art | |
| Kennard P | Reading Room | 1997 | Royal College of Art | Critical Practice | |
| Sinclair R | Real Life Rocky Mountain, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Brown M | Real Lives Magazine | 1997 | University of Ulster | ||
| Clark D J | Real Picture | 1999 | Bolton Institute of HE | ||
| Wright DK | Realistic animation of human figures using Artificial Neural Networks | 1996 | Brunel University | Interaction Design | Z Taha R Brown |
| Brown R | Realistic animation of human figures using artificial neural networks | 1996 | University of Wales Institute, Cardiff | PDR | Z Taha D Wright |
| URE A | Really out of Order | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Constable M | Really. | 2000 | Goldsmiths College | ||
| Mitchell I | Realm of Fear | 2000 | Liverpool John Moores University | Graphic Arts | D Crow J Young M O'shaughnessy |
| Fallows C | Realtime 2.0 | 1997 | Liverpool John Moores University | Audio-visual | |
| BOWSHER G. | Rear wheel steering and suspension for Thrust SSC | 1997 | Coventry University | Design | |
| WARREN RJ | Rebecca Warren and Fergal Stapleton | 1997 | University of Oxford | Fergal Stapleton | |
| Allen K.F | Rebel Angels | 1997 | Wimbledon School of Art | Painting | Hermione Wilshire Laura Ford Alison Jones |
| Dos Santos B. | Reboleiro Railway Station | 1998 | University College London | Fine Art Media | |
| Grace JF | Reboot (1989-2001), co-creator of and writing of series bible for 39 episode series) | 2000 | Loughborough University | Illustration | |
| Shinkle EB | Rebuild 2 (1996), (Rue des Seigneurs 1997) | 1998 | University of Westminster | Visual Media | |
| Taylor M | Recent English Prints | 1999 | The London Institute | Fine Art | |
| Grimes O | Recent English Prints | 1999 | The London Institute | Fine Art | |
| Liggett S | Recent Painting | 1998 | North East Wales Institute of Higher Education | Art and Design | |
| Landrum A | Recent Painting | 1994 | Bath Spa University College | Crosby, C. Joseph, P. Martin, J. |
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| Verran V | Recent Paintings | 1995 | Falmouth College of Arts | ||
| Mansfield A | Recent Paintings | 1999 | Southampton Institute | ||
| Mansfield A | Recent Paintings | 1996 | Southampton Institute | ||
| Mansfield A | Recent Paintings | 1999 | Southampton Institute | ||
| Kirkwood I | Recent Paintings | 2000 | De Montfort University | ||
| Davies P A | Recent Paintings | 1996 | University of Brighton | Fine Art Practices | |
| Davies P A | Recent Paintings | 1998 | University of Brighton | Fine Art Practices | |
| Welsford A | Recent Paintings 1998-9 R42 (W series) | 1999 | De Montfort University | ||
| Roberts J | Recent Paintings, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Atherton B | Recent Paintings, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Hall S | Recent Prints. | 1999 | Goldsmiths College | ||
| Reid C | Recent Work | 1999 | Wimbledon School of Art | Painting | |
| Lock G | Recent Work | 1996 | Chester College of HE | ||
| Jackowski A | Recent Work | 2000 | University of Brighton | Fine Art Practices | |
| Dalwood A | Recent WorkRecente Schilderijen | 2000 | University of Hertfordshire | ||
| Sutton T | Recent Works | 1998 | The London Institute | Fine Art | |
| Davies D R | Recent Works | 1997 | University of Portsmouth | Centre for Images in Practice | |
| Chapman J | Recent Works by Jonathan Chapman | 2000 | University College Northampton | Fine Art Practices | |
| Faure-Walker J | Recent developments in Digital Painting | 1998 | Kingston University | ||
| Goodden N | Recent work from Nat Goodden | 2000 | University of Gloucestershire | ||
| Sutton T | Recent works | 1995 | The London Institute | Fine Art | |
| Boshier C | Receptacle | 2000 | University of Newcastle | ||
| Cartwright AR | Reception Desk (furniture design) | 1998 | Loughborough University | Fine and Applied Arts | |
| Williamson R | Reception Desk and Benches | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Dye M | Reception seating | 1997 | Kingston University | ||
| Jordan J | Reclaim the Streets | 2000 | Sheffield Hallam University | ||
| Goddard C | Reclaimed | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Shackleton J | Recommendation Models of Television Program Genre, Based on Survey and Analysis of Behaviour in Watching Television | 1999 | Brunel University | Design Process | T Yasushi |
| Corner F | Reconceptualising the Future: the place of Art + Design | 2000 | London Guildhall University | ||
| Short L | Reconciling Nature and Industry | 1999 | Cumbria College of Art + Design | ||
| Field B | Reconciling Theory and Practice: A Case Study in Contemporary Planning | 2000 | De Montfort University | ||
| Palmer M | Reconsidering the Virtual. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| MOODY E.H. | Reconstituted in the City. One man exhibition with video evidence | 1995 | City University | ||
| Parker P | Reconstructing Narrative | 2000 | The London Institute | Media and Communication | |
| SCHAFER S | Reconstruction drawings of an Etruscan Farm at Podere Tartuchino | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Philip Perkins |
| Osmond O R | Recording Post-Industrial Wales | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| PARTINGTON M | Recording the crafts: Ceramics | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| Higgott AN | Recourse and Historicity: The Case of Britain | 2000 | University of East London | ||
| Morten G | Recurrent Consistencies | 1996 | University of Sunderland | Fine Art | |
| Goddard C | Recycled Exhibition | 1997 | Buckinghamshire Chilterns University College | Visual Communication | |
| Startup J | Recycled Waste Paper Shelf Unit | 1996 | Kingston University | ||
| Attenburrow D H | Recycling and secondary use in Pallet Timber Furniture Design | 1996 | University College Northampton | Design for Industry and Commerce | |
| Attenburrow D H | Recycling and the integration of CAD and computer modelling in product design management education | 1999 | University College Northampton | Design for Industry and Commerce | |
| Sabin AM | Recycling bottle tower | 2000 | The London Institute | Fine Art | |
| Robertson I | Recycling time: 4 wall constructions (mixed media 186 cms. X 186 cms.); 30 works on paper (56 cms. X 48 cms.) | 1996 | London Guildhall University | ||
| Dolphin Wilding J | Recycling: Forms for the Next Century - Austerity for Posterity | 1996 | Kingston University | ||
| Baxter H | Red Dwarf Series 8 | 1998 | Wimbledon School of Art | Theatre costume | Howard Burden |
| Buchler P | Red Flag/Marx Angels | 1997 | Manchester Metropolitan University | ||
| Brewill PJ | Red October | 1999 | University of Southampton | ||
| Ball R | Red Sky at Night | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Spittler U | Redefining German Identity: Case Studies in Berlin | 1995 | University of Brighton | Memory, Identity and History | G Knischewski |
| Sekers A | Redesign | 1996 | The London Institute | Media and Communication | |
| Barker DS | Rediscovered Creativity, The History, Tools and Techniques of Contemporary Chinese Relief Prints | 1999 | University of Ulster | ||
| Goodworth VA | Reflecting on teaching and learning practice in the UK Fashion + Textile sector of HE and implications for developing student-centred learning opportunities | 1998 | University of East London | ||
| Bickers P | Reflections on Narrative in the Works of John Hilliard | 1999 | University of Westminster | Visual Media | |
| Holland R | Reflections on the Operation of Large Multidisciplinary Projects in Engineering, Design and Design Management | 1999 | Brunel University | Design Pedagogy | J Ivins |
| VAN DER LEM P | Reflections on the diversity of research ideas: impact and successes in research for Art, Media and Design | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Henderson D | Reflective Futures: using graduates' career experiences in the development of vocationally based curriculum | 2000 | Robert Gordon University | Learning Strategies | Bouette, M. |
| Stewart N | Reflective Surface | 1997 | Sheffield Hallam University | ||
| Fawkes S | Reflexion Window | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| ROSS A R | Reflexions | 2000 | University of Dundee | Contemporary Practice | |
| Mortimer R | Reform | 1999 | The London Institute | Media and Communication | Rachel Matthews Claire Robins |
| Ascott R | Reframing Consciousness:art, mind and technology | 1999 | University of Wales College, Newport | CAiiA | |
| Orta L | Refuge Wear | 1999 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Pardey J G | Refurbishment and Extension of Basil Spence House | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Johnson Soliz CA | Regarding the Function of Objects - Recent sculpture by Cecile Johnson Soliz | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Hose M | Regarding the Function of Objects: Recent sculpture by Cecile Johnson Soliz | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| FITZPATRICK D. | Regimental bi-centennial portfolio | 1999 | Coventry University | Design | |
| Burton R | Regional Political Conferences | 2000 | University of Sunderland | Design | |
| Howes J C | Registering the Land | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Smith JA | Regression | 1999 | University of East London | ||
| Smith J | Regression | 1999 | The London Institute | Media and Communication | |
| Verhoeven J | Reinaldo Lourenco | 2000 | The London Institute | Fashion and Textiles | |
| Johnson JH | Relational structure in planning and design | 1998 | Open University | Design for advanced products | |
| FAIRNINGTON M | Relative Values | 1998 | University of Oxford | ||
| Rogers H | Relatives | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Hindle Y | Relatives - a group show 1996 | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Rieser M | Relatives: Art on the Edge | 2000 | Bath Spa University College | ||
| Paul R | Relativities - 4th British International Miniature Print Exhibition, touring exhibition | 2000 | Glasgow School of Art | Fine Art | |
| North ME | Relativities: The 4th British International Miniature Print Exhibition | 2000 | Loughborough University | Fine and Applied Arts | |
| Ganter J | Relativities: The 4th British International Miniature Print Exhibition | 2000 | Edinburgh College of Art | Fine Art | |
| Sweet DF | Relevance, Purity and the Medium of Exhibition | 2000 | Manchester Metropolitan University | ||
| Marchant A | Relicta - An installation of large format photographs | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Adams H | Relicta - The Image of the Heavenly - Conventions of 'framing' in relation to cultural distance | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Hunter R | Relief from Memory (IV) | 2000 | Dartington College of Arts | ||
| Pilsl C | Remake | 2000 | Southampton Institute | ||
| Brindley TS | Remaking Planning | 1996 | De Montfort University | Rydin, Y. Stoker, G. |
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| Crumplin C | Remaking Reality | 1996 | Bath Spa University College | Dalwood, D. Hoberman, N. Kirk, J. |
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| Rhodes C | Remaking Reality, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Arney V | Remarkable Phenomena | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Dehn J | Rematerialize: A Travelling Exhibition on Recycled Materials | 1996 | Kingston University | ||
| Wilson A | Remembered Figures | 1999 | University of Brighton | Memory, Identity and History | |
| Dingwall H | Remise - Academy Brande | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Clark S | Remote Sensing | 2000 | Edinburgh College of Art | Fine Art | |
| MOAR M | Rendering through Iterated Function Systems | 2000 | Middlesex University | H Jones | |
| GOUGH P | Rendez-vous: Canadian Battlefields re-visited. Images of Venerated Sites by Paul Gough | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Boyle GA | Renewable Energy: Power for a Sustainable Future | 1996 | Open University | Design for sustainability | |
| Elliott DA | Renewable energy and sustainable futures | 2000 | Open University | Design for sustainability | |
| Elliott DA | Renewable energy for cities: dreams and realities | 2000 | Open University | Design for sustainability | D. Taylor |
| Fearon J E | Rennaisance Art Awards Exhibition | 1996 | Bolton Institute of HE | ||
| Woods R | Renovated Carpet No 1 (Burgandy) | 1997 | University of Southampton | ||
| Lee J | Repeat | 1998 | Nottingham Trent University | Visual Arts | |
| McCARTHY P J | Repetivity | 2000 | University of Lincoln | ||
| CHAPLIN S | Report to Virtual HQ: The Distributed City | 1997 | Middlesex University | ||
| Fagence Cooper S | Representations of Music in the Art of Burne-Jones | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Ashworth J | Representations of Water in Model Animation, or: How Mermaids Breed | 2000 | Royal College of Art | Animation | |
| Coxall H | Representing Marginalised Groups in Museums: The Computer's Second Nature? | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Isherwood P | Research Direction and Development Electro-Sensory Textiles Technology | 2000 | Brunel University | Design Pedagogy | C Chapman |
| McCartney K E | Research Training for Designers | 2000 | University of Portsmouth | Centre for New Media Research | |
| Newbury D | Research Training via the Internet: Developing Web-based Resources for Art + Design Postgraduates. | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Royffe C D | Research and Environmental Design Project. The Earth Centre | 1996 | Leeds Metropolitan University | Environmental Art and Design | Entwistle, T Herrmann, M |
| Senior DP | Research and Evaluation of the Exeter Health Care Arts Project | 2000 | Manchester Metropolitan University | Scher P | |
| MIDDLETON N. | Research development on the opportunities for film production and distribution using internet technologies: the move from narrowband to broadband | 2000 | Coventry University | Design | |
| Brock PM | Research for the Taiwan Textile Federation | 2000 | The London Institute | Fashion and Textiles | |
| Macleod K | Research in Fine Art: theory, judgement and discourse. | 1996 | University of Plymouth | Art Process | |
| Douglas A | Research through Practice: Positioning the Practitioner as Researcher | 2000 | Robert Gordon University | Learning Strategies | Scopa, K. Gray, C. |
| Angus J | Research, Design + Development Consultancy to Studio Sabbatini, Italy. | 1995 | University of Derby | ||
| Angus J | Research, Design + Prototype Fabric Developments. | 1999 | University of Derby | ||
| Jerrard R | Researching Designing: cycles of design research | 2000 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Shinkle EB | Reseau (1997) Rue Des Seigneurs (1997) | 1997 | University of Westminster | Visual Media | |
| Bowen S | Residency and exhibition based at Grizdale Sculpture Trail, Cumbria | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Smith A | Residency with Open Studio Exhibition | 1998 | University of Gloucestershire | ||
| Kinnell F | Resonant Colours | 1998 | De Montfort University | ||
| Feo R | Response Wall | 2000 | Royal College of Art | Design for Manufacture | |
| Haley DH | Restoration Revisited: A Creative Ecology | 1999 | Manchester Metropolitan University | ||
| Baines M | Restoration and renovation of 25a Mansionhouse Road - Alexander Thomson, Grade A listed building | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Page, A |
| Shreeve N | Restoration of a Brass and Pewter Boulle Table | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Shreeve N | Restoration of a Gilt Stand for a Cabinet | 1996 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Dorsett C J | Resurrection Shuffle: A Story of Storage | 1998 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| WOLMARK J | Rethinking Bodies and Boundries: Science Fiction, Cyberpunk and Cyberspace | 1997 | University of Lincoln | ||
| Ball L M | Rethinking Business Start-Up - a new model for success in art and design | 1999 | University of Brighton | Pedagogic Research | E Price |
| Richardson R | Rethinking the Avant-Garde | 1998 | De Montfort University | ||
| Le Grice M | Retrospectiva Malcolm Le Grice at Ciber@rt - Valencia | 1997 | The London Institute | Media and Communication | |
| McMullen K | Retrospective | 1997 | The London Institute | Media and Communication | |
| Hill AA | Retrospective presentations of films, performance and installation work. | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Mason R | Return of the Picture | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Chodzko A | Reunion - Salo | 2000 | The London Institute | Fine Art | |
| McIntyre MP | Revealing Views : Images from Ireland | 1999 | University of Ulster | ||
| McIver MT | Revealing Views, Images from Ireland | 1999 | University of Ulster | ||
| Woodman J | Revelation | 2000 | Cumbria College of Art + Design | ||
| Montag D. | Revelation | 1999 | Falmouth College of Arts | ||
| Mitchison LS | Revelation, Textile Artists Addressing Issues | 1996 | Manchester Metropolitan University | ||
| Watt JMA | Revenge of the Little | 1998 | The London Institute | Fashion and Textiles | |
| Jackowski A | Reveries of Dispossession | 1994 | University of Brighton | Memory, Identity and History | |
| Kindel E T | Review of Blackletter: type and national identity, Peter Bain and Paul Shaw, (eds). | 1999 | University of Reading | ||
| Singh G | Review of Digital Creativity CD-ROM | 1996 | University of Sunderland | Design | |
| Andrews M J | Review of Newman, L.M. (ed). The correspondence of Edward Gordon Craig and Count Kessler, MHRA Texts and Dissertations, vol. 43, Bithell Series of Dissertations, vol. 21, London, W.S. Maney + Sons Ltd for the Modern Humanities Research Association and t | 1997 | University of Reading | ||
| Coates-Smith W | Review of The Face of War, Previous Parrot Press (drawings by Ronald Searle, poems by Simon Rae) | 1999 | Anglia Polytechnic University | ||
| Davies P | Review of open Access Provision + Facilities for Artists in Scotland | 1999 | University of Sunderland | Fine Art | |
| Butler SK | Revising Femininity - Creative Camera: Thirty Years of Writing | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Punton L | Revisions, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Leach R | Revolutionary Theatre | 1999 | Cumbria College of Art + Design | ||
| Newman MOJ | Rewriting Conceptual Art | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Bailey DA | Rhapsodies in Black: Art of Harlem Renaissance | 1997 | University of East London | ||
| Bailey DA | Rhapsodizing Black: Harlem in London, 1977 | 1998 | University of East London | ||
| Tamburic S | Rheological Evaluation of O/W Cream Bases Containing Polymeric Emulsifier | 1998 | The London Institute | Fashion and Textiles | G. Vuleta S.Simovic J.Milic |
| Harland E | Rhizome | 1999 | The London Institute | Fine Art | |
| Fortnum R | Rhizome | 1999 | Wimbledon School of Art | Painting | Beth Harland Jim Mooney Sean Cummins |
| Fortnum R | Rhizome | 1999 | Bath Spa University College | Mooney, J. Cummins, S. Harland, B. |
|
| Cummins S | Rhizome | 1999 | Nottingham Trent University | Visual Arts | |
| Martinec R | Rhythm in Multimodal Texts | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Willis J | Rhythms of Life | 1999 | Royal College of Art | Communications | |
| Deacon R | Richard Deacon: Esculturas 1984-95 | 1996 | The London Institute | Fine Art | |
| Chapman J | Richard Demarco, 70/2000: The Road to Miekle Seggie | 2000 | University College Northampton | Fine Art Practices | |
| WENTWORTH R | Richard Wentworth | 1999 | University of Oxford | ||
| BUSS D | Richard of York Gained Battles in Vain | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Frayling C | Ridley Scott | 1996 | Royal College of Art | Communications | |
| Webster C P | Riemland's Edge | 2000 | University of Wales, Aberystwyth | ||
| BIRCH A.R. | Rigid inner core plastic moulding | 1995 | Coventry University | Design | |
| Crowley G | Rineen | 1997 | Royal College of Art | Fine Art | |
| Goldsmith S | Ripe | 2000 | University of Southampton | ||
| MOODY E.H. | Ripensare il museo d'arte come risorsa educativa: marketing e curatela rivisitati in risposta a pubblici complessi | 2000 | City University | ||
| Ashley-Smith J | Risk Analysis | 1997 | Royal College of Art | Conservation | |
| Ashley-Smith J | Risk Assessment for Object Conservation | 1999 | Royal College of Art | Conservation | |
| Vanke F | Risk Takers and Pioneers | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Baker P.H. | Risks, durability + performance of advanced glazing systems - thermal performance of window systems | 1997 | Glasgow School of Art | Cities and Environments | |
| GANGE J | Rites of Passage - Future Passability | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Farley P | Rituals | 2000 | Wimbledon School of Art | Theatre Design | Yolanda Sonnabend |
| Crow D | Rituals of Resistance | 1998 | Liverpool John Moores University | Graphic Arts | |
| Higgins P | River and Rowing Museum Exhibition | 1998 | Kingston University | ||
| Heyer A | Riviera, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Hamlyn J | Riviera, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Heyer A | Riviera: Seven artists from Glasgow | 1994 | The London Institute | Fine Art | |
| Sall C | Roadworks | 1996 | Royal College of Art | Architectural Design | |
| Macinnes R | Robert Adam | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Stoddart A | Robert Burns / John Wilson monument, Kilmarnock | 1999 | Glasgow School of Art | Fine Art | |
| James JP | Robert Greenhalf and Jeremy James. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Morris N | Robert Horne Invitational Printmaking Exhibition | 1998 | Liverpool John Moores University | Graphic Arts | Lowick house Printmaking Workshop |
| Piper T | Robert Horne/Lowick House Printmaking Residency Award Exhibition | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Crawford A | Robert Mcpherson, 1814-1872, the foremost photographer of Rome | 1997 | University of Wales, Aberystwyth | ||
| Booth R | Roberta Booth New Work | 2000 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth, New Work | 2000 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth, Paintings from 1974 to 1989 | 1996 | Anglia Polytechnic University | ||
| Booth R | Roberta Booth, Recent Paintings | 1998 | Anglia Polytechnic University | ||
| Laing DW | Rock Anxieties and New Music Networks | 1997 | University of Westminster | Sound Media | |
| McLaughlin N W | Rock, Fashion, and Performativity | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Ackling RW | Roger Ackling: Walking From Wakayama in the KII Peninsula May 1996 | 1996 | The London Institute | Fine Art | |
| Clarke R | Roger Clarke From Floor to Wall | 2000 | De Montfort University | ||
| Clarke R | Roger Clarke Two Person Exhibition | 1998 | De Montfort University | ||
| Millar RI | Roger Millar: Silversmith, solo exhibition | 2000 | Glasgow School of Art | Principles of Drawing | |
| Grant C | Role Models | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Rodriguez J | Roman Vishniac | 1998 | The London Institute | Media and Communication | |
| Cowie W S | Romances and Toccatas for Saxophone, Piano and Tape | 1998 | University of Brighton | Visual and Performing Arts | |
| FORBES R | Ronald Forbes - New works/Drawings | 1999 | University of Dundee | Contemporary Practice | |
| Coates-Smith W | Ronald Searle | 2000 | Anglia Polytechnic University | Martin Salisbury | |
| Moffat A | Ronald Stevenson, Comrades in Art | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Lydiat A | Roof Garden | 1996 | Nottingham Trent University | Visual Arts | |
| Taylor S | Room | 1997 | Southampton Institute | ||
| Watson A | Room With A View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Gray C | Room With A View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Glassar B | Room With A View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Trusselle K | Room for Room | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| MULHALL S. | Room for room | 1998 | Coventry University | Visual Arts | GROSSE, C. HEYNE, K. LEWONIG, K. |
| Chambers S | Room of Cork | 1999 | Royal College of Art | Fine Art | |
| Douglas A | Room with a View | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Hunter R | Rootless 97: The Nomad Domain | 1997 | Dartington College of Arts | ||
| Roper G S | Roper: recent works | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Docherty PA | Rosalinda | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Finn-Kelcey R | Rose Finn-Kelcey | 1997 | The London Institute | Fine Art | |
| Kempadoo R | Roshini Kempadoo - Monograph | 1997 | Napier University | Photographic Practice | |
| Boontje T | Rough and Ready | 1999 | Royal College of Art | Design for Manufacture | |
| Midgley J | Round the World | 2000 | Liverpool John Moores University | Graphic Arts | |
| HOSKINS S | Routes to Pollution Minimisation in the Ceramic Transfer Industry: synergy of art and Science | 1998 | University of West of England, Bristol | Centre for Fine Print Research | R Anderton A G W Hodson A M Logan |
| Powell F | Royal Academy 229th Summer Show | 1997 | Falmouth College of Arts | ||
| Newell R A | Royal Academy Summer Exhibition | 1999 | Swansea Institute of Higher Education | Land and Landscape | |
| Moon M | Royal Academy Summer Exhibition | 1999 | University of Reading | Stephen Buckley Tony Cragg Antoni Thapies |
|
| Moon M | Royal Academy Summer Exhibition | 1998 | University of Reading | Adrian Berg Mary Fedden Allen Jones |
|
| Quemby S | Royal Academy of Arts - Summer Exhibition | 1999 | Wimbledon School of Art | David Hockney Albert Irvin Patrick Proctor |
|
| Orr C | Royal Academy of Arts, Summer Show 1995-2000 | 2000 | Royal College of Art | Fine Art | |
| Fearon J E | Royal College of Art, MA Centenary Degree Exhibition | 1996 | Bolton Institute of HE | ||
| Higgett N P | Royal Designers for Industry CD-ROM | 1998 | De Montfort University | Brown, S. Fozzard, G. Myerson, J. |
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| Hellum A | Royal Festival Hall | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Shawcross N | Royal Hibernian Academy of Arts 168th Exhibition | 1998 | University of Ulster | ||
| Meacher N | Royal Institute of Painters in Water Colours Annual Exhibition | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Powell G | Royal Mail Millenium Stamp | 1999 | The London Institute | Media and Communication | |
| Kitching A | Royal Mail Millennium Stamp | 1999 | Royal College of Art | Communications | |
| Sargeant N | Royal Photographic Society 142nd International Print Exhibition | 1998 | University of Gloucestershire | ||
| URE A | Royal Scottish Academy: Annual Exhibition | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Mills R | Royal Shakespeare Company Printed Material | 1994 | Royal College of Art | Communications | |
| Beale J | Royal Society of Painter-Printmakers Annual Exhibition | 2000 | University of Gloucestershire | ||
| SMITH HR | Royal West of England Academy 5th Open Print Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Kosh V | Ruck | 1997 | Chester College of HE | ||
| Kosh V | Ruck 8554 | 1998 | Chester College of HE | ||
| Kosh V | Ruck 8554 2 | 1999 | Chester College of HE | ||
| Crisp A | Running Frames for Sufferers from Cerebral Palsy | 1998 | Nottingham Trent University | Design | |
| Watanabe T | Ruskin in Japan 1890-1940: Nature for art, art for life | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Yuko Kikuchi. |
| Kikuchi Y | Ruskin in Japan 1890-1940; Nature for Art, Art for Life | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | Professor Toshio Watanabe |
| Cooke CAC | Russian Avant-Garde: Theories of Art, Architecture and the City | 1995 | Open University | Design thinking and communication | |
| Halstead JD | Ruth Gipps: Reactionary or Role Model? | 2000 | University of Westminster | Sound Media | |
| Ryan A | Ryan, Chapman and Claydon | 2000 | University of Reading | Neil Chapman Steve Claydon |
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| Patterson I | Rysunek | 1996 | Edinburgh College of Art | Fine Art | |
| Thorpe A. | SALMON IN YOUR BUILDING | 1999 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Porter JM | SAMMIE: a 3D human modelling computer aided ergonomics design system | 1996 | Loughborough University | Design Ergonomics | Case, K. Freer, M.T. |
| DEGEN P | SCHMUCKZIECHEN SCHWEIZ 20 JAHRHUNDERT | 1999 | Middlesex University | ||
| BROADHEAD C | SEAMS + WOBBLY DRESS II | 1997 | Middlesex University | ||
| Darley A. D. | SECOND-ORDER REALISM AND POST-MODERN AESTHETICS IN COMPUTER ANIMATION | 1997 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| HEYWOOD A | SEE | 1995 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| Edmonds F. A. | SEEING BELIEVING | 1995 | The Surrey Institute of Art + Design University College | Visual Arts | |
| PHILLIPSON M | SEING BECOMING DRAWING: THE INTERPLAY OF EYES, HANDS AND SURFACES IN THE DRAWINGS OF PIERRE BONNARD | 1998 | Middlesex University | C FISHER | |
| READ S | SEKTORER | 1997 | Middlesex University | ||
| Blamey D. | SELF TAUGHT | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| HUTTON G | SELLIC Library International Competition | 1996 | University of Dundee | Critical, Historical and Theoretical Debate | RMJM Scotland Ltd |
| Adjaye D | SHAD, A Reading Pavilion | 2000 | Royal College of Art | Architectural Design | |
| SHERWIN G | SHORT FILM SERIES 1975 - 2000 - 16 MM FILM | 1998 | Middlesex University | ||
| BASEMAN J | SHUP | 1998 | University of Oxford | ||
| Dale J K | SIEBE control interface demonstrator. | 1999 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Hastie, J Lievesley, M Muller, M |
| SPENCE P J | SINK | 1998 | University of Dundee | Digital Technology | Catalyst Arts Riot Space Hideo Furuta |
| Bergne S | SIP | 1998 | Royal College of Art | Design for Manufacture | |
| Piper T | SIX | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| SMITH K | SIX MOMENTS [6M] | 2000 | Middlesex University | ||
| ASTBURY P | SKINS | 1997 | Middlesex University | ||
| Watson G | SM Art: More than a Matter of Taste in Body Probe | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | Rachel Armstrong Jake Chapman Robert Ayers |
| Rhodes EA | SME Entrepreneurialism: Models for Sustained Competitiveness in the Internet Environment. | 2000 | Open University | Design and innovation management | R. Carter |
| Rhodes EA | SME entrepreneurialism in the context of supply chain re-engineering driven by large companies | 2000 | Open University | Design and innovation management | R. Carter |
| Hooper R | SOFA (Sculpture, Objects, Functional Art Exposition) | 1999 | Liverpool Hope | ||
| Mitchell C | SOFA Chicago 2000 | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Lydiat A | SOL'ZEME/Salt of the Earth | 1996 | Nottingham Trent University | Visual Arts | |
| Richardson R | SOLOrepartee | 1999 | De Montfort University | ||
| Darley A. D. | SOME OBSERVATIONS ON EDUCATION AND CONTEMPORARY BRITISH ANIMATION | 1997 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| GUILLE J | SOUTHERN AFRICAN TEXTILES TODAY: DESIGN, INDUSTRY AND COLLECTIVE ENTERPRISES | 1995 | Middlesex University | ||
| Whitehead B. | SPECIALIST HAIRCARE RANGE | 1995 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Gussin GPG | SPILL | 1999 | The London Institute | Fine Art | |
| Gibbs E | SQALLP / Systems questioning art live/life project | 1994 | University of Wales Institute, Cardiff | Fine Art | |
| Kaylan M | SQALLP Live Art Event | 2000 | University of Brighton | Visual and Performing Arts | |
| Deville N. | STAGE | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| READ S | STANDING WAVE | 1994 | Middlesex University | ||
| BROADHEAD C | STEPPENWOLF + THREE | 1997 | Middlesex University | ||
| SPENCE P J | STILL (Time Signatures) | 1999 | University of Dundee | Digital Technology | Janet Smith Caz McIntee |
| MEYNELL K | STORY - SITE SPECIFIC AUDIO INSTALLATION | 1999 | Middlesex University | ||
| Muthesius A. M. | STUDIES IN BYZANTINE AND ISLAMIC SILK WEAVING | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| Maudsley N | SUB-**** | 1998 | London Guildhall University | ||
| DE FREITAS L | SUBMARINE DREAMS: LITHOGRAPHS AND LETTERS | 1996 | Middlesex University | ||
| SHADBOLT R | SUMMER MUSIC | 2000 | Middlesex University | ||
| MEYNELL K | SUNTRAP | 1998 | Middlesex University | ||
| Stockwell S. J. | SUSAN STOCKWELL - SITE SPECIFIC INSTALLATION | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Herrmann M. | SUSTAINABLE LANDSCAPE DESIGN IN PRACTICE | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | A. Millard C. Royffe |
| Rogers K. | SUTEMOS/TWILIGHT THE 5TH ANNUAL EXHIBITION OF THE SOROS CENTRE FOR CONTEMPORARY ARTS, LITHUANIA | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Taylor S | SWUMMING. | 1999 | Goldsmiths College | ||
| KIRKBY B | SYSTEM ERROR | 2000 | Middlesex University | ||
| Winters EJ | Sacraria, Tragedy and the Interior Narrative | 2000 | University of Westminster | CARTE | |
| Leverett D. | Sacred Garden Series | 1996 | University College London | Painting | |
| Lancaster J | Sacred Interiors part 2 | 2000 | De Montfort University | ||
| Woropay V | Sacred Sites | 1995 | Wimbledon School of Art | Sculpture | Rachel Fenner David Mackie Dylan Wyn Jones |
| COLVIN C M | Sacred and Profane | 1998 | University of Dundee | Contemporary Practice | |
| Whittaker P | Sad | 1996 | University of Southampton | ||
| MUSKE E | Sad | 1996 | University of Lincoln | ||
| HOWARD I G | Sadastra | 1998 | University of Dundee | Contemporary Practice | Slaven Tolj Robyn Denny Giancarlo Venuti |
| ROBERTSON J A | Saisin | 1999 | University of Dundee | Digital Technology | |
| WILLIAMS M.D. | Sala Goya | 1995 | Coventry University | Design | |
| Allen L | Salmonberries: consuming kd lang | 1995 | Buckinghamshire Chilterns University College | Visual Arts | |
| Tait N | Salon | 2000 | The London Institute | Fine Art | |
| Kennedy M | Salon des Graphiques | 1998 | Anglia Polytechnic University | ||
| Clark S | Samantha Clark | 1994 | Edinburgh College of Art | Fine Art | |
| Walker I | Sambo and Freud | 1997 | University of Wales College, Newport | Photography | |
| MCCONNELL-WOOD T | Same/Different | 2000 | University of Dundee | Digital Technology | |
| Cosgrove P | Samples, solo exhibiton | 1997 | Glasgow School of Art | Principles of Drawing | |
| K U | Samsa in the City | 2000 | University of Gloucestershire | ||
| Taylor F | San Francisco Art Fair | 2000 | The London Institute | Fine Art | |
| Grant C | San Marino International Photography Festival | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cruz J | Sancti Petri. | 1998 | Goldsmiths College | ||
| Cox PRC | Sanctum: Tristan Webber Collection | 1998 | The London Institute | Fashion and Textiles | |
| Dobai S | Sarah Dobai | 2000 | The London Institute | Fine Art | |
| MULHALL S. | Sarah Mulhall | 1996 | Coventry University | Visual Arts | |
| Mulhall S | Sarah Mulhall: Prints and Drawings | 1996 | University of Gloucestershire | ||
| Price-Owen A L | Sarah, through the Looking Glass | 2000 | Swansea Institute of Higher Education | Image and Text | |
| Selwood S J | Sarah-Jane Selwood | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| SCULLION L | Sargassum | 1995 | University of Dundee | Coastal/Indigenous Cultures | Dalziel, M |
| Rees DD | Satellites of Fashion | 1998 | The London Institute | Fashion and Textiles | Simon Munro |
| Munro S | Satellites of Fashion - Crafts Council + British Council Touring Exhibition | 1998 | Kingston University | ||
| HEATHCOTE S C | Satellites of Fashion - Crafts Council Touring Exhibition | 1998 | University of Dundee | Contemporary Practice | Vivienne Westward Philip Tracey Manolo Blahnik |
| Webb W | Satisfying Markets of One - Alternative Models of Mass Customization in the fashion industry: How Levi's 'Original Spin' Aims to Rejuvenate the Sector | 2000 | The London Institute | Fashion and Textiles | |
| Dingwall H | Saut Perilleux donne Carte Blanche | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Leighton P | Saw Tooth Ramps and the M8 Project launch exhibition | 1994 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Roberts J | Sawn Off: Infanticide, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Shepherd D | Saxaphone - A series of temporary, time based installations | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Lane C | Scan | 2000 | The London Institute | Fine Art | Rosemary Butcher Vong Phaopanit |
| CATTRELL A | Scandex | 1995 | University of Oxford | ||
| Brotherston W | Scandex: Exhibition of Contemporary Scottish Sculpture | 1995 | Edinburgh College of Art | Fine Art | |
| Black S | Scanning the Inner Fabric | 1994 | The London Institute | Fashion and Textiles | |
| Hatfield J | Scar | 1996 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Rhodes NA | Scarlett | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Davies J | Scarpetta d'Oro (5th International Exhibition of Illustration) | 2000 | University of Plymouth | Design + Innovation | |
| Biswas S | Scarred Surface | 1996 | University of Southampton | ||
| Arney V | Scents + Ciphers | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Spiller E. | Schmuchzene '97 | 1997 | Falmouth College of Arts | ||
| Paxon A | Schmuck 99: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | |
| Beech W K | School - Discipline and Confinment | 1999 | University of Brighton | Fine Art Practices | |
| Foster N | Sci Net | 1998 | Liverpool John Moores University | International Centre for Digital Content | P Kelly |
| Kelly P | SciNet | 1998 | Liverpool John Moores University | International Centre for Digital Content | Foster,N |
| Zimmerman AL | Science without Effect | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| McKay C M | Scientific Fieldwork and Aesthetic Reflection | 1994 | University of Sunderland | Photography | |
| Ray SF | Scientific Photography and Applied Imaging | 1999 | University of Westminster | Imaging Technology | |
| Atkin J | Scorched Earth (exhibition) | 2000 | Loughborough University | Drawing | |
| Macmillan A | Scotland: The Firth of Clyde | 1997 | Glasgow School of Art | Cities and Environments | Baines, M Page. A |
| Stewart S | Scotland; new living forms in Europe | 1998 | Glasgow School of Art | Design | |
| Johnston ID | Scotlands Last Great Artefact | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Dr Lewis Johnman |
| MACDONALD M J S | Scottish Art | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| PAUL J M | Scottish Artist Book Archive Unit | 1999 | University of Dundee | Industry and the Public Sector | Roland Ashcroft Bentley's Shopfitting Ltd |
| ASHCROFT R J | Scottish Artist Book Archive Unit | 1999 | University of Dundee | Industry and the Public Sector | Jeanette Paul |
| Hollis E | Scottish National Gallery of Art and Design (RIAS International Architectural Competition Winner) | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Macinnes R | Scottish Power Centres: from the Middle Ages to the twentieth century | 1998 | Glasgow School of Art | Historical and Critical Enquiry | Sally Foster Allan MacInnes |
| KEITH J M | Scottish Printed Textiles | 1999 | University of Dundee | Contemporary Practice | Sara Keith Jan Milne Frances Stevenson |
| COLE R | Scottish Sculpture 9 | 1998 | University of Lincoln | ||
| Watson A | Scottish Sculpture Open 9 | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Soroka J | Scottish Spirit | 1994 | Edinburgh College of Art | Fine Art | |
| McKenzie Smith S | Scottish Spirit | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| BEHRENS R H H | Scottish Spirit (21 artists from the Society of Scottish Artists) | 1998 | University of Dundee | Coastal/Indigenous Cultures | Joanne Soroka Ian McCulloch Philip Reeves |
| PATTISON J | Scottish Spirit, S.S.A. in the U.S.A. | 1998 | University of Dundee | Contemporary Practice | Phillip Reeves Ian McCulloch Elaine Shemilt |
| Barraclough J | Scrawl : Dirty Graphics and Strange Characters | 1999 | Liverpool John Moores University | Graphic Arts | Blackshaw,R Farrelly,E Dorian,M |
| Farrelly L | Scrawl: dirty graphics and strange characters | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Rick Blackshaw |
| Stephens J | Screen Printing in a Digital Age | 2000 | The London Institute | Media and Communication | |
| Stephens J | Screen Process Printing | 1996 | The London Institute | Media and Communication | |
| Reynolds L J | Screen design for childrens reading: some key issues | 2000 | University of Reading | S. F. Walker | |
| Eastwood SJ | Screen into the Space and the Space into the Screen: An History of OMSK | 1999 | University of Plymouth | Art Process | |
| GEORGIOU D. | Screen memories: snaps, shrines, objects and other things | 1996 | Coventry University | Visual Arts | |
| Gollifer S C | Screen works | 1996 | University of Brighton | Fine Art Practices | |
| Bevan P | Screening | 2000 | Southampton Institute | ||
| Davies D R | Screenplay | 1998 | University of Portsmouth | Centre for Images in Practice | M Buchanan-Dick |
| St James M | Screens | 1997 | The London Institute | Fine Art | |
| Hussey P | Sculptural Benches | 1996 | Buckinghamshire Chilterns University College | Furniture Design | Simon Thorne |
| MEY K | Sculpture | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | Danto, A C Kelly, M de Duve, T |
| Bainbridge E | Sculpture | 1999 | Royal College of Art | Fine Art | |
| Tillotson E | Sculpture - Drawings | 1994 | University of Sunderland | Fine Art | |
| O'Connor DJ | Sculpture Commission. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Anderson J | Sculpture and Drawings. | 1996 | Goldsmiths College | ||
| Grimsey T | Sculpture and Landscaping project | 2000 | De Montfort University | ||
| Unsworth J | Sculpture at Goodwood | 1997 | University of Southampton | ||
| KING D.A. | Sculpture at Goodwood | 1999 | Coventry University | Visual Arts | TUCKER, W. CRAGG, T. RANDALL-PAGE, P. |
| McKenzie R | Sculpture in Glasgow | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Slight N | Sculpture, an Abbey and a Cathedral | 2000 | University of Gloucestershire | ||
| Castle J | Sculpture, an Abbey and a Cathedral | 2000 | University of Gloucestershire | ||
| Borland C | Sculpture. Projects in M | 1997 | Glasgow School of Art | Fine Art | |
| Lemon E | Sculpture/installation | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Bevan P | Sculpture: 1989 - 1996. Between Visits to India - The Body as a Place, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Baines P | Sculptured letters and public poetry | 2000 | The London Institute | Media and Communication | |
| Stewart I | Sea Change: The Seascape in Contemporary Photography | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| TCHERNAKOVA A | Sea and Stars | 1997 | University of Lincoln | ||
| VAN DER LEM P | Search and research in Fine Print: creating practice based and theoretical research for the discipline of Fine Print | 1999 | University of West of England, Bristol | Centre for Fine Print Research | |
| Dawber C | Seasonal Knitwear Collection | 2000 | Liverpool John Moores University | Fashion and Textiles | |
| Dawber C | Seasonal Womenswear and Childrens Collection of Knitwear. | 1999 | Liverpool John Moores University | Fashion and Textiles | |
| Hill JR | Seat belt limitations in collisions that involve no compromise of the passenger compartment | 1997 | Loughborough University | Design Ergonomics | Mackay, M. Henderson, S. |
| Gyi DE | Seat pressure measurement technologies: considerations for their evaluation | 1998 | Loughborough University | Design Ergonomics | Porter, J.M. Robertson, N.K.B. |
| Gant N | Seats of Desire | 1996 | University of Brighton | Materials Practices and Processes | T Dean |
| Stubbs N | Seavitamins (documentary, 10 mins, 16mm film, 1998) | 1998 | Staffordshire University | ARi, School of Art + Design | K. Chang |
| EISENMANN M | Sechs Maler......Paintings | 1996 | University of Lincoln | ||
| COLE R | Second Impressions | 1996 | University of Lincoln | ||
| Simcock M | Second range of couture scarves | 1999 | University of Southampton | ||
| Ward S | Secret Garden (40 ceramic multiples) | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Cobbold S | Secret Lives | 1999 | Chester College of HE | ||
| Hopkins E L | Secret Victorians | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Stickley P | Secrets | 2000 | University of Portsmouth | Centre for Images in Practice | |
| Devine K J | Secrets, works in group exhibition | 2000 | University of Portsmouth | Centre for Creative Empowerment | |
| Patten B | Section on John Ninian Cowper | 1998 | Bolton Institute of HE | ||
| Tuckett S M | Security | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Robinson K | Sedgeford Historical and Archaeological Research Project. (Publications, interpretative text and CD Rom based on a local heritage site used as a base for historical and archaeological collaborative research). | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Irving I | Seeing Hozomeen | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| BULL MG | Seeing Things Hidden: Apocalypse, Vision and Totality | 2000 | University of Oxford | ||
| Jones TE | Seeing Things, solo exhibition | 1996 | Glasgow School of Art | Principles of Drawing | |
| Smith S | Seeing Time: Selections from the Pamela + Richard Kramlich Collection of Media Art, group exhibition | 1999 | Glasgow School of Art | Fine Art | Edward Stewart |
| Wozencroft J | Seeing the future today | 1994 | Royal College of Art | Communications | |
| Lacey J | Seeing through Happiness: Hollywood Musicals and the Construction of the American Dream in Liverpool in the 1950s | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Fisher C | Seeing, Becoming, Drawing | 1999 | Goldsmiths College | Pearson, M. | |
| Kennett CP | Segmentation and focus in set-generic analysis | 1998 | University of Westminster | Sound Media | |
| Brind S | Sehst | 2000 | Glasgow School of Art | Fine Art | |
| Read SA | Sektorer | 1997 | The London Institute | Fine Art | |
| BELL R | Selected Artists | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Binns D S | Selected Makers | 1999 | University of Central Lancashire | ||
| Leslie J | Self Evident | 1995 | Manchester Metropolitan University | ||
| Hemsworth G | Self Portraits. | 1997 | Goldsmiths College | ||
| Hutchinson T | Self Storage | 1995 | The London Institute | Media and Communication | Jason Edwards |
| Hellum A | Selfridges | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Bevan Baker R | Selkie Dancing | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Astfalck J | Semaphore | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Prince N | Semi Detached #1 | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Bryson W.N. | Semiotics and Art History: A Discussion of Contexts and Senders | 1998 | University College London | Art History and Theoretical Studies | Mieke Bal |
| Chodzko A | Sensation | 1997 | The London Institute | Fine Art | |
| Turk GJT | Sensation: Young British Artists from the Saatchi Collection | 1997 | The London Institute | Fine Art | |
| Shonibare Y | Sensation: Young British Artists from the Saatchi Collection | 1997 | The London Institute | Fine Art | |
| Saville J. | Sensation: Young British Artists from the Saatchi Collection | 1997 | University College London | Painting | |
| Harvey M | Sensation: Young British Artists from the Saatchi Collection | 1997 | The London Institute | Fine Art | |
| Newman HJE | SensationS | 1998 | The London Institute | Fine Art | |
| Walden J | Sensations in Differ-ance | 2000 | University of Portsmouth | Art and Philosophy | |
| Dover P | Sensations of the Outer World | 1998 | Liverpool Hope | ||
| Jardine B | Sense and Shadows | 1997 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| GUILD D | Sense is Hard | 1997 | University of Dundee | Contemporary Practice | |
| Moody W | Sensing the Fabric : The development of a multi-modal device to investigate the potential for virtual sensory feedback aligned to textile image | 2000 | Liverpool John Moores University | Fashion and Textiles | Pat Dillon Roger Morgan Christopher James |
| Moody W | Sensing the Fabric : To simulate sensation through sensory evaluation and in response to standard acceptable properties of specific materials when viewed as a digital image | 2000 | Liverpool John Moores University | Fashion and Textiles | Pat Dillon Roger Morgan Christopher James |
| Dillon P | Sensing the Fabric : To stimulate sensation through sensory evaluation and in response to standard acceptable properties of specific materials when viewed as a digital image | 2000 | Liverpool John Moores University | Fashion and Textiles | W Moody Rebecca Bartlett Patricia Scully |
| Hooker C | Sensitive Dependence | 1999 | University of Brighton | Natural and Constructed Environments | |
| Bright A | Sensor, Body, Sensor | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Beavan J | Seoul Ceramic Art Biennale | 1997 | Falmouth College of Arts | ||
| Smith AE | Seraph Autumn/Winter Collection 1998/1999 | 1998 | The London Institute | Fashion and Textiles | |
| Smith AE | Seraph Spring/Summer Collection 1998 | 1997 | The London Institute | Fashion and Textiles | |
| Smith AE | Seraph Spring/Summer Collection 2001 | 2000 | The London Institute | Fashion and Textiles | |
| Robson D G | Serendib Serendipity: A tribute to Geoffrey Bawa | 1998 | University of Brighton | Natural and Constructed Environments | C Dawatte |
| Frayling C | Sergio Leone - something to do with death | 1999 | Royal College of Art | Communications | |
| DACK J | Serial Thought - Past and Future | 1996 | Middlesex University | ||
| Smith D | Series | 2000 | The London Institute | Fine Art | |
| Kinersley-Taylor J | Series of 4 wall hangings | 2000 | Glasgow School of Art | The Decorative Arts | |
| Kinersley-Taylor J | Series of 7 wall-hangings and wool rug | 1998 | Glasgow School of Art | The Decorative Arts | |
| McKay C M | Series of Entries in Critical Dictionary of Feminism and Postfeminism | 1999 | University of Sunderland | Photography | |
| Davies R | Series of Poetry and Dance Shorts for television | 1998 | Kingston University | ||
| Mason PW | Series of Sculptures (Gateway and Central Feature). Celebrating Location and Navigation. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Graham B | Serious Games: Art, Interaction, Technology | 1996 | University of Sunderland | Photography | |
| Calcutt J | Seriously Kitsch: Kenny Hunters Cherub | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Curry A | Set and costume design for The Rise and Fall of Little Voice | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Williams D | Set of 12 Greetings Cards: Here Comes the Bride; Bareback Birthday; Lion Tamer; L'amour Fort; Flown; Cattle Juggler; Circus Wedding; Stroll in the Park; Cake parade; Love is in the Air; Pantomime Foals; and Flying Lesson. | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Lock G | Settle | 1996 | Chester College of HE | ||
| Gorlizki A | Seven (Unknown) Famous Belgians | 1999 | Wimbledon School of Art | Sculpture | |
| Semple R | Seven Piece Place Setting | 1998 | Liverpool Hope | ||
| Deliss C | Seven Stories about Modern Art in Africa | 1995 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| GEORGIOU D. | Seven colours, seven corresponding pictures | 1999 | Coventry University | Visual Arts | |
| Arthur E | Seventeenth Century Embroideries in the Burrell Collection | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| Harvey M | Sex and the British | 2000 | The London Institute | Fine Art | |
| TIROHL B | Sexual Identity/Still Image | 2000 | University of Lincoln | ||
| Payne J | Seymour Powell | 1999 | University of Southampton | ||
| Davies J | Sguardigardesani | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Hall CM | Shading the Crime | 1998 | University of Plymouth | Theatre + Performance | |
| McKeown RA | Shading the Crime: Acting Hopelessness as an Act of Hope. | 1999 | University of Plymouth | Theatre + Performance | Roberts, C. |
| Sneddon S G | Shadow Chasers | 2000 | Sheffield Hallam University | ||
| Katz J | Shadow of Former Selves | 1998 | University of Brighton | Fine Art Practices | |
| Cockram M G | Shadow on the Lung of Modernism, | 1995 | University of Portsmouth | Art and Philosophy | |
| Hutchinson J A | Shadowlands | 1996 | University of Sunderland | Fine Art | Swatton H |
| Kosh V | Shadows | 1997 | Chester College of HE | ||
| Punton L | Shadows In The Water, touring group exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Judge V | Shadows In The Water, touring group exhibition | 1995 | Glasgow School of Art | Fine Art | |
| MCARTHUR E C | Shadows in the Water | 1995 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Brettle J L | Shadows in the Water - New Photographic Works from Scotland | 1997 | University of Northumbria at Newcastle | Photography (1b) | |
| Brettle J | Shadows in the Water: Contemporary Photography from Scotland | 1996 | Edinburgh College of Art | Fine Art | |
| Whistler D | Shadows on the Western Front (produced, directed and photographed). | 1994 | University of Central England in Birmingham | Visual Communication Research Group | |
| Kay E | Shakespeare from Memory | 1998 | University of Portsmouth | Art and Philosophy | |
| Anderson W | Shaking and Stirring | 1997 | The London Institute | Fine Art | |
| Bewley DJ | Shane Cullen Fragmens sur les Institutions Republicaines (panels 1-48) | 1996 | Manchester Metropolitan University | Herbert S | |
| Kelly W | Shane Cullen: Fragmens Sur Les Institutions Republicaines IV | 1997 | University of Ulster | ||
| Earl CF | Shape Boundaries | 1997 | Open University | Design for advanced products | |
| Chiodo JD | Shape memory polymers | 2000 | Brunel University | ||
| Sutton T | Shaped Paintings - Painted Shapes | 1994 | The London Institute | Fine Art | |
| Heeney G | Shaping Earth | 2000 | University of Wolverhampton | Ceramics | Dennis Farrell |
| McLaren G M | Shaping the Future: the Ceramics Department and industry after the Second World War | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Keelan SH | Sharjah Third International Biennial 1997 | 1997 | Kingston University | ||
| Lindley J | Sharpway | 2000 | University of Hertfordshire | ||
| McMullan S | Shauna McMullan, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Gibbs E | Shave International Artists Workshop | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Harrison J P | She Calls Her Song | 1994 | University of Portsmouth | Memory, Identity and Material Culture | |
| Olsen GR | She Wore Her Sweat Like Jewels | 1999 | Oxford Brookes University | Creative Practice | |
| Gordon D | Sheeps and Goats, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Bessey P | Sheet Material Dispenser | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Stofer H | Shelf Life | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Worthington C | Shelf Lives (video short, 17 mins.) | 1997 | London Guildhall University | ||
| Cargill I | Shell Posters | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Cox PRC | Shelley Fox Collections | 1997 | The London Institute | Fashion and Textiles | |
| McMullan S | Sheroes - Obsession, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Leith C | Shift | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Ktori A | ShiftControl Interactive Music | 1998 | University of Westminster | Sound Media | |
| Ayers A R | Shifting Ground | 1995 | Nottingham Trent University | Visual Arts | |
| Newton J K | Shifting Horizons - Women's Landscape Photography Now. | 2000 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily Liz Wells |
| Fehily C | Shifting Horizons - Women's Landscape Photography Now. | 2000 | Staffordshire University | ARi, School of Art + Design | K Newton L Wells |
| Wells EY | Shifting Horizons. Women's Landscape Photography Now. | 2000 | University of Plymouth | Site, Space, Location, Place | Newton, K. Fehily, C. |
| Chatwin P | Shifting Planes | 1996 | Manchester Metropolitan University | Martin P | |
| Doust R | Shiller from Absolute Classics | 1997 | The London Institute | Media and Communication | |
| Porter M | Shining Cliff | 1998 | Falmouth College of Arts | ||
| Porter M | Shining Cliff Wood | 1999 | Falmouth College of Arts | ||
| Kunath S C | Shiny Blackness: new horspiel or sound art | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Johnston ID | Ships for a Nation | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Johnston L | Shoal | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Keir P | Shockproof | 1997 | Edinburgh College of Art | Fine Art | |
| Whitworth L K | Shop/Shopfloor: Men's Sense of Belonging in 1930s Coventry | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| IVEY M J | Shopping and More | 1996 | University of Dundee | Contemporary Practice | Lee Jong Soon Jurgen Baumann Lys Hansen |
| Fox A | Shoreditch Biennale | 1996 | Royal College of Art | Fine Art | |
| Cairns J | Shoreline Encounter (Commissioned Print) | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Sherwin G | Short Film Series | 1998 | University of Wolverhampton | Fine Art | |
| CAIRNS B | Shortland Street: production Text and Audience | 1996 | University of Lincoln | Helen Martin | |
| Blundell S | Should we always be promoting deep approaches to learning? An evaluation of the improving student learning questionnaire in practice | 1995 | University of Central England in Birmingham | Art Education Research Group | |
| Powell G | Show of Faith Part One | 2000 | The London Institute | Media and Communication | |
| Powell G | Show of Faith Part One | 2000 | University of Brighton | Visual Communication Design | |
| Keegan S P | Showcase | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Summers A | Showdiary | 2000 | North East Wales Institute of Higher Education | Art and Design | D Gill |
| Stuart A | Showgirls | 1996 | The London Institute | Fashion and Textiles | |
| DYSON G | Showing Off | 1999 | University of Lincoln | ||
| Wright E | Showroom | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Chapman NS | Shrimp-ice Briefing | 1998 | The London Institute | Fine Art | Steven Claydon |
| MacKinnon-Day P | Shroud | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| Piddington A | Shuttlecock | 1994 | Kingston University | ||
| Williamson A | Sick and Twisted | 1999 | The London Institute | Media and Communication | Russell Murphy |
| Cartwright AR | Sideboard (commission for John Tusa) | 1998 | Loughborough University | Fine and Applied Arts | |
| Padovani C | Siezed | 1995 | University of Southampton | ||
| Rosella A | Siggraph | 2000 | Nottingham Trent University | Fashion and Textiles | |
| Dobai S | Sightings: New Photographic Art | 1998 | The London Institute | Fine Art | |
| Woodman J | Sightlines | 1997 | Cumbria College of Art + Design | ||
| Rosenbloom P | Significant Contemporary Artists | 2000 | University of Gloucestershire | ||
| Harvey J | Signifier | 1999 | Edinburgh College of Art | Fine Art | |
| McCARTHY P J | Signs and Wonders | 1997 | University of Lincoln | ||
| Leverett D. | Signs in the Sky | 1997 | University College London | Painting | |
| Eachus PA | Signs of History Musee Imaginaire | 1997 | The London Institute | ||
| Neudecker M | Signs of Life | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Collins H | Signs of Life | 1994 | Royal College of Art | Fine Art | |
| Adams S R | Signs of recovery: Landscape painting and masculinity in nineteenth-century France. | 2000 | University of Hertfordshire | ||
| Webb T | Silence | 1997 | Royal College of Art | Animation | |
| Till N J T | Silent Movie Opera: Carmen (1910) | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | English National Opera Studio VOCEM electric voice theatre Kandis Cook |
| Chambers S | Silent Running | 1998 | Royal College of Art | Fine Art | |
| Derges S | Silver + Syrup | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Murphy CJ | Silver and Tea - A Perfect Blend | 1998 | University of Ulster | ||
| Murphy CJ | Silver from Scotland | 1997 | University of Ulster | ||
| Plouviez A | Silver to Silicon, interactive CD ROM | 1996 | University of Sunderland | Photography | Davies H |
| Quickenden K | Silver, 'plated' and silver products from the Soho Manufactory, 1780 | 1998 | University of Central England in Birmingham | Jewellery Research Group | |
| Zschenderlein H | Silvering-Up | 1997 | University of Brighton | Visual and Performing Arts | |
| Ribas X | SimCity: Simulation des offentlichen Raumes | 1994 | University of Brighton | Natural and Constructed Environments | |
| Granger S | Simon Granger: Danielle Arnaud | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Black S | Simplicity, Comfort and Form - Contemporary Asian Textiles and Clothing | 2000 | The London Institute | Fashion and Textiles | |
| Cooper TJ | Simply Counting Waves, solo exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Tyler DJ | Simulation of Flow Lines in Clothing Manufacture (Part 1 + 2) | 1996 | Manchester Metropolitan University | Fozzard G Spragg JE |
|
| Fozzard GJ | Simulation of Flowlines in Clothing Manufacture. Part 2: Credibility Issues and Experimentation | 1996 | De Montfort University | Spragg, J. Tyler, D. |
|
| Mulrine S | Sinai Byzantium Russia - Orthodox Art from the Sixth to the Twentieth Century | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Baddeley O | Sinai, Byzantium and Russia: Orthodox Art from the Sixth to the Twentieth Century | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Earleen Brunner Marlia Mundell Mango Yuri Piatnitsky |
| WATSON A J | Singing for Dead Singers, 5 Exhibitions By Arthur Watson | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| Quinn AM | Single Stem Vases | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Dingwall H | Sinister and Dexter | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Startup J | Sinn and Form | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Geraghty A | Sir Christopher Wren and the Dome of St Paul | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| THOMPSON K. | Sister cities project | 1996 | Coventry University | Visual Arts | HARVEY, T. SMITH, A. |
| Swallow PG | Site Investigations | 1997 | De Montfort University | Whyte, W.S. Paul, R.E. |
|
| Robson E H N | Site Lines | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | Charlotte van der Geest Simon Kemp Ben Ratcliffe |
| Cleverly J G | Site Specific Installation. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Walsh R | Site Specific Painting in England and Italy 2000 | 2000 | University of Newcastle | ||
| Moriarty C | Sites of Memory | 1997 | University of Brighton | Memory, Identity and History | |
| Rogers H | Sites of Practice | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Butler K | Siteworks - Examining the relationship of site based work on four different sites in London | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| More J J | Sitooteries | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Wood J | Situated Criticism and the Experiential Present. | 1997 | Goldsmiths College | ||
| Anderson W | Six British Artists in Asmara | 1997 | The London Institute | Fine Art | |
| Meacher N | Six Illustrations | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Kelly P | Six Lost Scientists | 1998 | Liverpool John Moores University | International Centre for Digital Content | Bradley,I |
| Bradley I | Six Lost Scientists CD-ROM | 1998 | Liverpool John Moores University | International Centre for Digital Content | P. Kelly |
| WARD R | Six Memos for the Next Millennium | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Zimmerman AL | Six Ordinary Happenings | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Turner D | Six Photos of Artists Studios | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Eastley M | Six installations for Sonic Boom | 2000 | Liverpool John Moores University | Audio-visual | |
| Webb T | Six of One | 2000 | Royal College of Art | Animation | |
| Peacock A | Six one inch speakers and five simple switches | 2000 | University of Hertfordshire | ||
| Mackarell J | Six silver and enamel decorative boxes and items of jewellery | 1997 | London Guildhall University | ||
| Hardstaff S | Six works for Merseyside Music Development Agency | 1998 | Liverpool John Moores University | Audio-visual | Mike Badger Nonconform Design Ltd |
| Healey M | Sixty seconds that will shake the world | 1994 | Cumbria College of Art + Design | ||
| White H | Size Immaterial | 1999 | Sheffield Hallam University | Metalwork + Jewellery | |
| Rosella A | Sizing and Shaping | 2000 | Nottingham Trent University | Fashion and Textiles | Graham Hutton |
| Attenburrow D H | Sketchbook: Fact or Fallacy (The sketchbook as a realistic tool for product designers) | 1996 | University College Northampton | Design for Industry and Commerce | |
| TOVEY M.J. | Sketching and direct CAD modelling in automotive design | 2000 | Coventry University | The Design Institute | OWEN, J.K. |
| Sinclair R | Skills in Textiles Technology. | 1997 | Goldsmiths College | ||
| Bodimeade N | Skin and Air, Nick Bodimeade | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Mabb D | Skins. | 1996 | Goldsmiths College | ||
| WRIGHT M J | Sky + Cloud Series | 1999 | Kent Institute of Art + Design | ||
| Wright JM | Sky + Cloud Series (commission) | 1999 | Loughborough University | Fine and Applied Arts | |
| Mottram JA | Sky, Water and Leaf (fabric designs) | 2000 | Loughborough University | Textiles | Atkinson, P. |
| Johnson Soliz CA | Skyline | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Shinkle EB | Slagheap, Ideal City and Horizon | 2000 | University of Westminster | Visual Media | |
| PARTRIDGE S | Slap Movie | 1999 | University of Dundee | Digital Technology | |
| Geesin F | Slates of Memories; Unearthing, Unwrapping, Concealed Space; Passage | 1996 | The London Institute | Fashion and Textiles | |
| Warr TK | Sleeper | 1996 | Oxford Brookes University | Theory | |
| Price M L | Sleeping with the enemy, web based learning without a safety net. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Carter T | Sleeping. | 1999 | Goldsmiths College | ||
| Webster C P | Sleepwalkers | 2000 | University of Wales, Aberystwyth | ||
| Lucas GC | Slide Show | 1998 | De Montfort University | ||
| MACLEAN M. | Slipped status | 2000 | Coventry University | Visual Arts | |
| Ferguson A | Slipstitch? New Concepts in Knitting: group exhibition | 2000 | Glasgow School of Art | Design | |
| Bolton JS | Slot and Go/Easy Load Retailing Bag Dispensing System | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Baker S C | Sloughing the Human | 2000 | University of Central Lancashire | ||
| Rose EE | Slow Burn: Meaning and Vision in Contemporary British Abstract Painting | 1998 | Lancaster University | ||
| Merali S | Slow Release | 1999 | University of Westminster | Fine Art | |
| Sitar R | Slowburn - Meaning and Vision in Contemporary British Abstract Painting | 1998 | Bolton Institute of HE | ||
| McIntyre MP | Small Steps:Contemporary Art From Ireland | 2000 | University of Ulster | ||
| De Ville N | Small Truths - Repetition and the Obsessional in Contemporary Art. | 1996 | Goldsmiths College | ||
| Bevan P | Small World, Small Works | 1994 | Southampton Institute | ||
| KING D.A. | Small is Beautiful | 2000 | Coventry University | Visual Arts | IRVIN, A. FROST, T. GIBBONS, J. |
| YEADON J.D. | Small works | 1997 | Coventry University | Visual Arts | LATHAM, J. BELLAMY, J. FROST, T. |
| Chiodo JD | Smart Disassembly | 1999 | Brunel University | EH Billett | |
| McCartney K E | Smart Homes for Disabled People, design studies for Housing Corporation Innovation Fund | 1999 | University of Portsmouth | Centre for New Media Research | |
| Minott P | Smile As You Earn | 1999 | Bath Spa University College | Rebello, C. | |
| Gray W F | Smith the Showman: The Early Years of George Albert Smith | 1998 | University of Brighton | 20th Century Design and Film Archives | |
| Gray W F | Smith versus Melbourne-Cooper: History and Counter-History | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Stewart EP | Smith/Stewart, Videoarbeiten, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Stephanie Smith |
| Smith S | Smith/Stewart, Videoarbeiten, solo exhibition | 1999 | Glasgow School of Art | Fine Art | Edward Stewart |
| Smith S | Smith/Stewart, solo exhibition | 2000 | Glasgow School of Art | Fine Art | Edward Stewart |
| GARDINER L | Snowball Fight | 2000 | University of Dundee | Contemporary Practice | Paul Shipton |
| Jurack B | So Near and Yet So Far | 1999 | University of Newcastle | ||
| GATT E E | Soapmarine Dispensers | 1997 | University of Dundee | Coastal/Indigenous Cultures | |
| Thompson B | Socha A Objekt. | 1998 | University of Sunderland | Fine Art | |
| Bevan P | Socharske Leto: Jircany 99, group exhibition of publicly sited works. | 1999 | Glasgow School of Art | Fine Art | |
| Adjaye D | Social | 1999 | Royal College of Art | Architectural Design | |
| Sacks S | Social Sculpture Colloquium | 1997 | Oxford Brookes University | Social Sculpture Research Unit | |
| Heywood I | Social Theories of Art: A critique | 1997 | Leeds Metropolitan University | Visual Arts | |
| Barker I | Society of Graphic Fine Art 75th Annual Exhibition | 1996 | Buckinghamshire Chilterns University College | Visual Communication | |
| Barker I | Society of Graphic Fine Art 78th Annual Exhibition | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Alaka A | Soft Drinks | 1997 | Brunel University | Design Process | |
| Raymond M | Soft Sculpture | 1998 | The London Institute | Fashion and Textiles | |
| Smy E | Sol-Gel: Potential Creative Applications for the Artist, focussing on the colloidal alkali silicate route | 1998 | University of Hertfordshire | ||
| DUPRAS M | SolEtude | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| Porteous C | Solar recladding of housing blocks - the Glasgow example | 1998 | Glasgow School of Art | Cities and Environments | |
| Dawson G | Soldier Heroes: British Adventure, Empire and the Imagining of Masculinities | 1994 | University of Brighton | Memory, Identity and History | |
| Wainwright C | Solid State | 1996 | The London Institute | Fine Art | |
| Pengelly J | Solidbase | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Patterson I | Solids and Fluids | 2000 | Edinburgh College of Art | Fine Art | |
| Fortnum R | Solipsist | 2000 | Wimbledon School of Art | Painting | |
| Fortnum R | Solipsist: New Paintings: by Rebecca Fortnum | 2000 | Bath Spa University College | ||
| Mair J H | Solo exhibition, new to celebrate the new building | 1998 | University of Portsmouth | Centre for Images in Practice | |
| Wood R.M. | Solo Exhibition | 1999 | Falmouth College of Arts | ||
| Verdon A | Solo Exhibition | 2000 | Liverpool Hope | ||
| Surridge M.S. | Solo Exhibition | 2000 | Falmouth College of Arts | ||
| O'Donnell H | Solo Exhibition | 1997 | The London Institute | Fine Art | |
| Mason R | Solo Exhibition | 1998 | Wimbledon School of Art | Painting | |
| Deacon R | Solo Exhibition | 1997 | The London Institute | Fine Art | |
| De Waal E | Solo Exhibition | 1998 | University of Westminster | Ceramics | |
| Booth P.M. | Solo Exhibition | 1997 | Falmouth College of Arts | ||
| Booth P.M. | Solo Exhibition - Medusa's Garden | 1997 | Falmouth College of Arts | ||
| KELLY C | Solo Exhibition - Poland | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Wood R.M. | Solo Exhibition - Works on Paper | 1998 | Falmouth College of Arts | ||
| Stanton-Wilson J | Solo Exhibition 17 October. 'On Location'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clarke L | Solo Exhibition of Fine Art Works | 1997 | De Montfort University | ||
| Chalk M | Solo Exhibition of reliefs and sculpture. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Hugonin J W | Solo Exhibition paintings | 1996 | University of Northumbria at Newcastle | Painting (1a) | |
| Stanton-Wilson J | Solo Exhibition. 'On Location'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| HOMOKY N | Solo Exhibition: Nicholas Homoky | 1997 | University of West of England, Bristol | Applied Arts + Crafts | |
| HOMOKY N | Solo Exhibition: Nicholas Homoky | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Jeal D | Solo Exhibition: Installation of Callilactil and Escrito de Campo | 2000 | Anglia Polytechnic University | ||
| Averill S. | Solo Exhibition: Recent Paintings | 1998 | Falmouth College of Arts | ||
| Averill S. | Solo Exhibition: Recent Paintings | 1996 | Falmouth College of Arts | ||
| Wright L. | Solo Exhibition: Recent Works 97-99 | 1999 | Falmouth College of Arts | ||
| Hodkinson J | Solo Show | 1996 | University of Central Lancashire | ||
| Hodkinson J | Solo Show | 1996 | University of Central Lancashire | ||
| Verdon A | Solo Show - New Ceramics | 1997 | Liverpool Hope | ||
| O'Donnell H | Solo exhibition | 1994 | The London Institute | Fine Art | |
| Morris M | Solo exhibition | 2000 | The London Institute | Fine Art | |
| McCall A | Solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Jeal D | Solo exhibition | 1999 | Anglia Polytechnic University | ||
| Hampson M | Solo exhibition | 1995 | The London Institute | Fine Art | |
| Evans M | Solo exhibition | 2000 | University College Northampton | Fine Art Practices | |
| Bugg R | Solo exhibition | 1997 | Wimbledon School of Art | Sculpture | |
| Brown W | Solo exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Bradac J | Solo exhibition | 1994 | The London Institute | Fine Art | |
| Boekhoudt O | Solo exhibition | 2000 | Royal College of Art | Applied Art | |
| Black H | Solo exhibition | 1999 | Wimbledon School of Art | Sculpture | |
| Borrelli M | Solo exhibition 1 | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| Eglin P M | Solo exhibition, Garth Clark Gallery, New York. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Doig P | Solo exhibition: Blizzard seventy-seven | 1998 | Royal College of Art | Fine Art | |
| Phenix A | Solubility parameters and the cleaning of paintings: an update and review | 1998 | Royal College of Art | Conservation | |
| Ferry DD | Some Aspects of our National Heritage | 2000 | University of Southampton | ||
| Pointer MR | Some Aspects of the Visual Scaling of Large Colour Differences | 1997 | University of Westminster | Imaging Technology | Attridge GG |
| Attridge GG | Some Aspects of the Visual Scaling of Large Colour Differences II | 2000 | University of Westminster | Imaging Technology | Pointer MR |
| Burgin V | Some Cities, London. | 1996 | Goldsmiths College | ||
| Williamson M | Some Memorials | 1999 | London Guildhall University | ||
| McLaren I | Some Pictorial Symbol Systems for Public Places | 2000 | De Montfort University | ||
| McIntyre MP | Some Place Else | 2000 | University of Ulster | ||
| Chapman NS | Some Thoughts on Dropping Things Down Wells | 1997 | The London Institute | Fine Art | |
| Porter M L | Some emergent properties arising from the application ofthe Health and Safety at Work Etc. Act 1974 to the British Police Force | 1999 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| BASEMAN J | Some people believe... | 1997 | University of Oxford | ||
| Short LA | Something Else | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Meanley P | Something in the Air/Chlorine Emissions in Saltglazing | 1996 | University of Ulster | Dr B Byers | |
| Talbot E | Something must be done | 1999 | University of Gloucestershire | ||
| Lomax Y | Sometime(s) | 1995 | Royal College of Art | Critical Practice | |
| Doherty WJ | Somewhere Else | 1998 | University of Ulster | ||
| Taylor S | Somewhere Else. | 1998 | Goldsmiths College | Lomax, Y. Hopley, V. |
|
| Walker Z | Somewhere Special | 2000 | Edinburgh College of Art | Fine Art | |
| Walker Z | Somewhere Special | 1999 | Edinburgh College of Art | Fine Art | |
| Walker Z | Somewhere near Vada | 2000 | Edinburgh College of Art | Fine Art | |
| Montag D. | Somewhere, Someone is Doing Something | 2000 | Falmouth College of Arts | ||
| WARD R | Songs - 14 Bronze Sculptures | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Heath VK | Songs from the Golden City | 1997 | Sheffield Hallam University | ||
| Meanley P | Songs in Salt | 1996 | University of Ulster | ||
| DALZIEL M N | Songs of the Sea | 1998 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Bryers, G Armstrong, C |
| Gilchrist B | Sonic Bloom | 1997 | Oxford Brookes University | Creative Practice | |
| Toop D | Sonic Boom | 2000 | The London Institute | Fine Art | |
| DUNHILL M | Sonnenwegateliers | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| van Dooren D | Sony Playstation 2 | 2000 | The London Institute | Media and Communication | |
| Hughes S | Soon | 1998 | Kingston University | ||
| Prophet J | Sordid Sites: The Internal Organs of a Cyborg | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Leslie J | Sordide Sentimental + Love, Speed, Thrills | 1999 | Manchester Metropolitan University | Leighton T | |
| Leighton TM | Sordide Sentimental + Love, Speed, Thrills | 1999 | Manchester Metropolitan University | Leslie J | |
| Porter LJ | Sorting the Wheat from the Chaff: A study of the Detection of Alarms | 2000 | Brunel University | Design Pedagogy | N Stanton D Harrison K Taylor-Burge |
| Chatwin P | Soul's Spaces | 1995 | Manchester Metropolitan University | Martin P | |
| Geesin R | Sound A-Maze | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | Dr. C Creed |
| Oliver V | Sound Design | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | Farrelly, L |
| Fallows C | Sound Drifting : I Silenzi Parlano Tra Loro | 1999 | Liverpool John Moores University | Audio-visual | Grundmann, H |
| Wright R | Sound Effects of Death and Disaster | 2000 | Sheffield Hallam University | ||
| Furlong W | Sound Garden | 1994 | Wimbledon School of Art | Research Centre | |
| Fuyuan L | Sound Rendering in the Virtual Environment | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Hooker C | Sounding Party | 1996 | University of Brighton | Natural and Constructed Environments | |
| Hunter J | Soundings | 1996 | Edinburgh College of Art | Fine Art | |
| Bevan A | Soundings | 1996 | Edinburgh College of Art | Fine Art | |
| Sutherland P | Soundings: Cross Channel Photographic Mission | 1994 | The London Institute | Media and Communication | |
| Stonyer A | Soundproof | 1998 | University of Gloucestershire | ||
| Wynne J | Soundtrack | 1999 | The London Institute | Fine Art | |
| PROUD P T | Source | 1999 | University of Dundee | Contemporary Practice | Dorothy Hogg Deborah Fladgate Rebecca Halstead |
| Cooke CAC | Sources of a radical mission in the early Soviet profession: Alexei Gan and the Moscow anarchists | 1999 | Open University | Design thinking and communication | |
| JOSTINS J.E. | Sources of faith | 1996 | Coventry University | Design | MCGUIRE, M. |
| Stickley P | South African Print Exchange | 1996 | University of Portsmouth | Centre for Images in Practice | |
| Hardstaff S | South Atlantic Souvenirs Political Postcards Series 2 | 1995 | Liverpool John Moores University | Audio-visual | R Walker |
| MCGILVRAY R | South Lanarkshire Council - Public Art Plan | 1998 | University of Dundee | Industry and the Public Sector | |
| Pilgrim G | South Pacific | 1999 | Wimbledon School of Art | Theatre Design | |
| Sheridan T | South in My Soul | 1999 | The London Institute | Fine Art | |
| Chance V | Southwark Festival | 2000 | De Montfort University | ||
| Evans M | Southwark Open Exhibition | 1995 | University College Northampton | Fine Art Practices | |
| OBRIEN T | Souvenir | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| DUNHILL M | Souvenir | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Yetton CCW | Souvenir d'horizons | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Stanley N | Souvenirs, ethics and aesthetics: some contemporary dilemmas in the South Pacific | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Simpson P | Soviet Superwoman in the landscape of liberty: Aleksandr Deinekas's Razdol'e 1944' | 2000 | University of Hertfordshire | ||
| Egan K | Space Pieces Bridgewater Hall | 1996 | Manchester Metropolitan University | ||
| Sprake J | Space and the River project 1999. | 1999 | Goldsmiths College | ||
| BOWSHER G. | Space frame for Thrust SSC | 1997 | Coventry University | Design | |
| Speed CJ | Space under stress: Spatial understanding in the new media technologies In: Spatial Cognition (Ed. S. O'Nuallain) | 1998 | University of Plymouth | STAR | Garcia-Tobin, D |
| Adzhiev V. | Space-Time and Higher Dimensional Modeling for Animation. | 2000 | Bournemouth University | Fausett, E. Pasko, A. |
|
| Dray A | Span | 2000 | Kingston University | ||
| Martin PL | Spatial Design Beyond Three-Dimensional Form | 1995 | De Montfort University | ||
| Coxall H | Speaking Other Voices | 1997 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Craighead AM | Speaking in Tongues | 1998 | University of Westminster | Fine Art | |
| Haley DH | Species nova [to look anew] Part 1 - Seeking an Unacceptable Profile | 2000 | Manchester Metropolitan University | Verran J | |
| Wallace M | Spectacular Bodies - The Art and Science of the Human Body from Leonardo to Now | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Borland C | Spectacular Bodies: The Art and Science of the Human Body from Leonardo till Now, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Swift E | Spectator | 2000 | University of Gloucestershire | ||
| Moore S | Spectraview (call centre console) | 1996 | University of Ulster | William Lee | |
| Beech D | Spectres of the Aesthetic | 1996 | University of Wolverhampton | Fine Art | John Roberts |
| Watson L | Speech Writing: Manifesto for Design | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Southam JV | Speed - Visions of an Accelerated Age | 1997 | University of Plymouth | Site, Space, Location, Place | |
| De Briey N | Speel, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Banner F | Spellbound: Art and Film | 1996 | The London Institute | Fine Art | |
| Austin N | Spheres | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| TAYLOR B | Spin | 1998 | University of Dundee | Contemporary Practice | Chris Gallagher |
| Pennell JD | Spin-Off | 1998 | The London Institute | Fine Art | |
| Knight C | Spinning Teapot Exhibition | 1998 | Liverpool Hope | ||
| Magee JP | Spirit of Change | 2000 | Manchester Metropolitan University | ||
| Woodman J | Spirit of Nature | 1994 | Cumbria College of Art + Design | Roger Polley (external) | |
| Nash D JE | Spirit of three seasons | 1994 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Sutherland P | Spiti: the Forbidden Valley | 2000 | The London Institute | Media and Communication | |
| Sutherland P | Spiti: the Forbidden Valley | 2000 | The London Institute | Media and Communication | |
| COLLINS N | Splinesynth: An Interface to Low-Level Digital Audio | 1999 | Middlesex University | ||
| LOWRY J | Splitting the Index - Time Object and Photography in the work of Beuys and Klein | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | D Green |
| Green D | Splitting the Index: Time, Object and Photography in the work of Beuys and Klein | 1998 | University of Brighton | Fine Art Practices | J Lowry |
| CHEVSKA ME | Spoken Image: Maria Chevska | 1997 | University of Oxford | ||
| McComish L | Sport Interactive | 2000 | University of Ulster | James Ware | |
| Healey M | Sportraits | 1995 | Cumbria College of Art + Design | ||
| MEY K | Sprachgesten und Spielraume | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Littler, M Dahlke, B Visser, A |
| Fawkes S | Spring Open - Millenium Surroundings | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Aubrey K | Spring Open - Millenium Surroundings | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Dagworthy W | Spring Summer 1998 and 1999 younger capsule collection | 1998 | Royal College of Art | Design for Manufacture | |
| Telford SJ | Spring window display (commission) | 1999 | Loughborough University | Textiles | |
| Telford SJ | Spring window display (commission) | 1998 | Loughborough University | Textiles | |
| Farrer JM | Spring/Summer Knitwear Collection for Burton Menswear - The Burton Group | 1996 | The London Institute | Fashion and Textiles | |
| Jones C | Spuren | 1998 | University of Newcastle | ||
| Mitchell I | SquarePusher | 1999 | Liverpool John Moores University | Graphic Arts | J Hitchen J Young M O'Shaughnessy |
| Randall-Page P | St Ann's Fountain | 1996 | Dartington College of Arts | ||
| Glassar B | St Etienne International Design Biennale, 1998 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Foster N | St Helens Chamber | 1999 | Liverpool John Moores University | International Centre for Digital Content | |
| Robson D G | St John on the Green Hill: The mystic geometry of Giovanni Santini-Aichel | 1998 | University of Brighton | Natural and Constructed Environments | |
| Geraghty A | St Michael | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Cooke J | St Peter's from International Factors Brighton | 1994 | University of Brighton | Visual Communication Design | |
| Skingle D | St. George vague: 1 digitally enhanced + manipulated image ink-jet printed on Arches vellum. Size depends on printer command. | 1997 | London Guildhall University | ||
| Weileder W | Staatspeistrager 1999 | 2000 | University of Newcastle | ||
| Dawson I | Stack | 1997 | University of Southampton | ||
| McComish L | Staff Development + Performance Review (SDPR) | 1998 | University of Ulster | Adele Crothers Alan Nesbitt |
|
| CZARNECKI G | Stages Elements Humans | 1998 | University of Dundee | Digital Technology | Lynn Hersmhan Kieth Piper Susan Treister |
| Bannister A G | Stagger | 1999 | Nottingham Trent University | Visual Arts | Lindsay Seers Keith Tyson David Burrows |
| Escolme B | Staging Nothing: Authenticity Effects in a Post Modern Hamlet project. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Yeo H | Stainless steel + glass gates (3 units = 7m. x 2m.) for Huyton Library, Liverpool | 1998 | London Guildhall University | ||
| Harding A | Stalking Memory. | 2000 | Goldsmiths College | The Desperate Optimists | |
| Gordon D | Stan Douglas/Douglas Gordon: Double Vision, two person exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Read SA | Standing Wave | 1994 | The London Institute | Fine Art | |
| Petrova S | Stanislav Libensky Jaroslava Brychtova | 1994 | University of Sunderland | Institute for International Research in Glass | |
| Holdaway M | Stanley Picker Trust Sculpture Masterclass, Open Tutorial with William Tucker, Elizabeth Rosser and Max Holdaway | 1994 | De Montfort University | ||
| Thomson J | Star Gazing | 2000 | Southampton Institute | ||
| Gernand B | Star and Cloud | 1999 | The London Institute | Fine Art | |
| JOHNSON N M | Starman | 1997 | University of Dundee | Digital Technology | Carole Gray |
| Stevens P | Starting a Collection: modern British and contemporary paintings, drawings, sculpture | 2000 | The London Institute | Fine Art | |
| Lipski E | Statement | 1998 | The London Institute | Fine Art | |
| Trusselle K | States of Grace | 2000 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Mulhall S | States of Grace | 2000 | University of Gloucestershire | ||
| JOURNEAUX J. | States of grace | 2000 | Coventry University | Visual Arts | DEVANE, J. HAYS, I.V. SHERLOCK, G.D. |
| Bannister A G | Station To Station | 1999 | Nottingham Trent University | Visual Arts | Sharon Kiviland Nicholas Rieben |
| Calver V | Status Style print design | 2000 | University of Southampton | ||
| Dines NE | Stay and Stay Craft | 1997 | The London Institute | Fine Art | |
| Stewart N | Stealing Light | 1998 | Sheffield Hallam University | ||
| BOWSHER G. | Steam powered car | 2000 | Coventry University | Design | CANDY, P. WHITE, P.R. |
| Bright A | Steekje Los! (Slipstich: New Concepts in Knitting) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Bewley DJ | Stefan Gec Buoy | 1996 | Manchester Metropolitan University | Herbert S | |
| Ainsley S | Step it Up and Go | 1999 | Glasgow School of Art | Educational Theory and Practice | |
| Buckley S | Stephen Buckley - Flower Paintings | 1999 | University of Reading | ||
| Buckley S | Stephen Buckley, Centenary Display | 1997 | University of Reading | ||
| Newton S J | Stephen Newton Etchings 1998 - 2000 and Paintings and Drawings 1997 - 2000 | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Fairclough L. | Steppe | 2000 | University College London | Fine Art Media | |
| Dye D M | Steps an installation | 1995 | University of Northumbria at Newcastle | Installation (2b) | |
| Siodmok P M | Sterilox Sterilisation System | 1997 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Bailey, S Trevellyn, J Cooper, A |
| Cairns J | Steve Reinke's Archival Imaginary | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Gavin Butt |
| Senior G | Sticks | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| OBRIEN T | Still | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Beban B | Still | 2000 | Sheffield Hallam University | Fine Art | |
| Grant JM | Still. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Baker D | Stilled Moments | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| Williams D | Stillness and Occurrence | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hollis E | Stirling Tolbooth Arts Centre (RIAS National Architectural Design Competition Winner) | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Hawley S | Stone Troupers | 1998 | Sheffield Hallam University | Jonathan Allen | |
| Bergmann G | Stone, Wood, Brick | 2000 | Brunel University | Polymedia Design | S.O. Kirkhorn |
| Adams S R | Stonewalling criticism: the morphology of nature and Andy Goldsworthy's Sheepfolds. | 1996 | University of Hertfordshire | ||
| Cranston A | Stoorsooker - Travels in Scandinavia | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Banner F | Stop | 1998 | The London Institute | Fine Art | |
| Piper JF | Stop Thief (Design Against Crime) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Brill P | Stop it Write Now. | 2000 | Goldsmiths College | ||
| Brill P | Stop it write now! (installation), Make Your Own Damn Art | 2000 | London Guildhall University | ||
| GOWANS G M | Storyland Productions/Polygram International (UK) presentation to Polygram International Worldwide Executive Board | 1997 | University of Dundee | Digital Technology | Andy Rice Brian Taylor |
| Harper J W | Strand (Sea and Land) | 2000 | University College Northampton | Fine Art Practices | |
| Senior G | Strands | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Furneaux P | Strange Rain | 1999 | Edinburgh College of Art | Fine Art | |
| Williams E V | Strange Territory (new installation version) | 1995 | University of Reading | ||
| Gschwedtner G | Strangled Light | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Hearn K | Strata Cast Jasper - Wedgwood | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Ingram J | Strategic Design Management in Small Manufacturing Companies: A Case Study | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Larsen P | Strategic leadership in super-growth companies - a reappraisal | 1998 | University of Wales Institute, Cardiff | PDR | R Tonge M Ito |
| DACK J | Strategies in the Analysis of Stockhausen's Kontakte | 1998 | Middlesex University | ||
| Thomas PD | Strategies to optimise car safety for real world collisions | 1997 | Loughborough University | Design Ergonomics | |
| Robertson GD | Strathclyde University Principals residence | 1997 | Glasgow School of Art | Design | Chris Platt Colin McNeish |
| Bergne S | Street of Young Designers | 1994 | Royal College of Art | Design for Manufacture | |
| Hemsworth G | Strictly Suburban. | 1999 | Goldsmiths College | ||
| Stehli J | Strip Series 1999-2000. | 2000 | Goldsmiths College | ||
| Stehli J | Strip Series in A Shot in the Head | 2000 | University of Portsmouth | Art and Philosophy | |
| Pinsky M | Stripes Touring Exhibition | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| McMullan S | Strolling, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Cohen N | Structural Vision | 1997 | University College London | Painting | |
| Finn-Kelcey R | Structurally Sound | 2000 | The London Institute | Fine Art | |
| Shankland S | Structure Cope | 2000 | The London Institute | Fine Art | |
| SCRIVENER S. | Structure in idea sketching behaviour | 1998 | Coventry University | The Design Institute | KAVAKLI, M. BALL, L.J. |
| STEVENSON F | Structuring sustainability | 1996 | University of Dundee | Industry and the Public Sector | Dr Faozi Ujam |
| Price M L | Student satisfaction with distance education and medium of instruction: Is there a relationship? | 1995 | Staffordshire University | ARi, School of Art + Design | |
| Goodworth VA | Student self-assessment | 1997 | University of East London | ||
| Allan J | Students Residencies in Education: The Acquisition of Key Skills Through Practice | 2000 | Glasgow School of Art | Educational Theory and Practice | Alastair Laing |
| Dumbar G | Studio Dumbar | 1998 | Royal College of Art | Communications | |
| Fleming M | Studiolo | 1999 | Leeds Metropolitan University | Visual Arts | Lapointe, L |
| Smith J | Study to Determine the main Factors Leading to the overall success of the Handy 1 Robotic System. | 1997 | Staffordshire University | ARi, School of Art + Design | M J Topping |
| Howard J | Stumble | 1999 | Oxford Brookes University | Creative Practice | |
| Lee R M | Style File | 1997 | Cumbria College of Art + Design | ||
| Riley H | Style Taste and Fashion in the Prism-house of Meaning' | 1999 | Swansea Institute of Higher Education | Drawing | |
| TOVEY M.J. | Styling and design: intuition and analysis in industrial design | 1997 | Coventry University | The Design Institute | |
| Docherty CA | Stylistic Change in Womenswear Products, Part II: An Exploration of the Relationship Between Hem Length and Various Economic Indicators | 1994 | De Montfort University | Hann, M.A. | |
| Stevens P | Subaru Impreza World Rally Car | 1997 | Royal College of Art | Design for Manufacture | |
| Olver E | Subject 96 | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| McCann J | Subject: 'Identification of Design Requirements for Performance Sportswear', research presentation for 'Inspiration and Innovation in Sportswear' symposium. April. | 1999 | University of Derby | ||
| Ruckman JYE | Subjective and Objective Evaluation of Colour Difference Encountered Through the Use of CAD Systems | 2000 | Manchester Metropolitan University | ||
| Sedgwick J | Subjects 96. International Jewellery Art Exhibition | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Parker J. | Sublime: The Darkness and the Light (Works for the Arts Council Collection) | 1999 | University College London | Fine Art Media | |
| Quinn L | Submerged Identities | 1995 | Sheffield Hallam University | ||
| Courtenay PJ | Suburbs of Europe Project | 1995 | The London Institute | Fine Art | |
| McKeag D | Successful Continuous Improvement through Valve Stream Mapping | 2000 | University of Ulster | Robert Graham Stephen McCormick |
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| Osmond O R | Sudan | 1998 | Swansea Institute of Higher Education | Land and Landscape | |
| Atherton B | Suite de Vases, solo exhibition | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Pengelly J | Summer Breeze | 2000 | Robert Gordon University | Practices enabled through New Media Technology | |
| Plouviez A | Summer Houses | 2000 | University of Sunderland | Photography | |
| Meacher N | Summer Show | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Harvey J | Sun Offering | 1999 | Edinburgh College of Art | Fine Art | |
| Creed C | Sunlight in Dwelling Validation of Insolation | 1996 | University of Portsmouth | Centre for Sound and Experimental Environments | Roger Day |
| Earley RL | Supastore | 1997 | The London Institute | Fashion and Textiles | |
| Parris J | Supastore De Luxe | 1996 | The London Institute | Fine Art | |
| Fairclough L. | Super 8 Sunsets | 2000 | University College London | Fine Art Media | |
| SAUNDERS R. | Superblower | 1997 | Coventry University | Design | |
| ORourke D | Superman: Televising Burns | 1994 | Glasgow School of Art | Historical and Critical Enquiry | |
| BURFORD N | Supporting Truss for Example a Shelter Structure | 1996 | University of Dundee | Industry and the Public Sector | Fish, D C E Smith, F W |
| WOODCOCK A. | Supporting ergonomics in automotive design | 1998 | Coventry University | The Design Institute | FLYTE, M.G. |
| Freeman H | Supporting the Process of Courseware Development | 1995 | De Montfort University | Ryan, S | |
| Dover P | Surface @ SNAP Exhibition catalogue | 1998 | Liverpool Hope | ||
| DIAMOND S | Surface Language | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Zheng J. J. | Surface Modelling and Mesh Generation for Simulating Superplastic Forming. | 1998 | Bournemouth University | Lin, J. Ball, A.A. |
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| WRIGHT M J | Surface Tension (Exhibition) | 2000 | Kent Institute of Art + Design | Robert Davies | |
| Wright JM | Surface Tension (exhibition) | 2000 | Loughborough University | Fine and Applied Arts | Davies, R |
| Stephens JR | Surfaced two-person exhibition | 1999 | Chester College of HE | ||
| Farquhar K | Surfacing | 1998 | Edinburgh College of Art | Fine Art | |
| Swan A | Surtex | 1999 | The London Institute | Fashion and Textiles | Annette Poulton |
| Tabrizian M | Surveillance plus Journey of No Return | 1996 | University of Westminster | Visual Media | |
| McIntyre MP | Survey | 2000 | University of Ulster | ||
| Swallow PG | Surveying Historic Buildings | 1996 | De Montfort University | Watt, D.S. | |
| Donachie KM | Surveying the Landscape | 1999 | The London Institute | Fine Art | |
| Collins S.A.R. | Susan Collins: Suspect Devices | 1997 | University College London | Fine Art Media | |
| Cross S | Susan Cross New Jewellery | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Derges S | Susan Derges - Liquid Form | 1999 | University of Plymouth | Site, Space, Location, Place | |
| DERGES S | Susan Derges: Anti-Memory | 2000 | University of Oxford | ||
| DERGES S | Susan Derges: River Taw | 1997 | University of Oxford | ||
| DERGES S | Susan Derges: Woman Thinking River | 1999 | University of Oxford | ||
| Brett G | Susan Hiller | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Mowatt S | Susan Mowatt | 1998 | Edinburgh College of Art | Fine Art | |
| Trangmar SRA | Susan Trangmar | 1998 | The London Institute | Fine Art | |
| Fox S | Suspending Clothing - Clothing from 3 Collections for 'Fabric of Fashion' Exhibition | 2000 | The London Institute | Fashion and Textiles | |
| Beggs G | Sussex Open Exh. 2 paintings (112x122 cms.), one drawing (153x85 cms.) | 1998 | London Guildhall University | ||
| STEVENSON F | Sustainability and Materiality; the bioregional and cultural challenges to evaluation | 1998 | University of Dundee | Industry and the Public Sector | Jonathan Ball |
| STEVENSON F | Sustainable Housing Design Guide for Scotland | 2000 | University of Dundee | Industry and the Public Sector | Nick Williams |
| Roy R | Sustainable product-service systems | 2000 | Open University | Design for sustainability | |
| Ayers A R | Sustrans, National Cycle Network + Nottinghamshire Contemporary Sittings | 2000 | Nottingham Trent University | Visual Arts | |
| Vyner T | Swallow Tale | 1999 | Bath Spa University College | ||
| Knight K | Sweeney Todd | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Andrews M J | Sweet Cork of Thee, and the popular books of Robert Gibbings | 1995 | University of Reading | ||
| Smith W | Sweetapple Farm | 1996 | University of Brighton | Visual Communication Design | |
| Davis K | Sweetie (Female identity in British Video) | 1999 | Wimbledon School of Art | Sculpture | Tracey Emin Sam Taylor-Wood Gillian Wearing |
| Benson SL | Sweetly Sloping Hills | 2000 | Sheffield Hallam University | ||
| Lee RA | Swing | 1999 | Oxford Brookes University | Creative Practice | |
| Nichols P | Switched On: Turned Off. Resistance and Seduction in Theorising Technology in Contemporary Arts Practices. (Sixth Biennial Symposium for Arts and Technology) | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | Keith Brown Dan Collins Oto Laske |
| Binnion S | Switzerland 2000: Dialogue Between Cultures | 2000 | University College Northampton | ||
| Pucill SA | Swollen Stigma | 1998 | University of Westminster | Fine Art | |
| Pucill S. | Swollen Stigma (film 16mm, 20mins) | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Ofili C | Sydney Biennale | 2000 | Royal College of Art | Fine Art | |
| Makhoul B | Symbiosis | 1998 | Sheffield Hallam University | ||
| Chowles S M | Symbiosis | 1996 | University of Brighton | Materials Practices and Processes | R Munday |
| Cassidy T | Symmetry in Thai Textile Patterns | 2000 | De Montfort University | Tantiwong, P. Hann, M.A. |
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| Forster J | Sympathetic Magic | 1997 | University of Gloucestershire | ||
| Padovani C | Sympo-Fibres de Quebec | 1996 | University of Southampton | ||
| Taylor F | Symptoms | 2000 | Wimbledon School of Art | ||
| Cazeaux C | Synaesthesia and Epistemology in Abstract Painting | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Biswas S | Synapse 1 | 1997 | University of Southampton | ||
| Morris N | Synergy | 2000 | Liverpool John Moores University | Graphic Arts | |
| Gant R | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | L Biggs |
| Creed R | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | Borrelli,M Holt,R Mackinnon-Day,P |
| Borrelli M | Synergy | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Makem OM | Synergy Centres Ltd | 1997 | University of Ulster | ||
| Hanson M | Synthesis | 1998 | University of Central England in Birmingham | Jewellery Research Group | |
| Lawrence CN | System 3: Screenprinting with water-soluble inks | 1996 | University of Ulster | David Barker | |
| Muston D | System GC200 Genset controllers | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Hutton A | System X Shopfitting Equipment and Catalogue of parts | 1998 | University of Ulster | ||
| DACK J | Systematising the Unsystematic | 1999 | Middlesex University | ||
| Mukherjee R | Syzygy | 1999 | University of Hertfordshire | ||
| Gilchrist B | Syzygy | 1999 | Oxford Brookes University | Creative Practice | Jo Joelson Jonny Bradley Kaffe Matthews |
| Hermansen C | Szep uj Vilag | 1999 | Glasgow School of Art | Historical and Critical Enquiry | Ray McKenzie |
| Krysa J | Sztuki 1. du Catalogue/Katalog dx 30'13 2. Art in search for identity/Sztuka w Poszukiwaniu Tozsamosci 21'30 3. Art ARchive/Kokumentacje Sztuki 21'56 | 1998 | University of Plymouth | STAR | Mazanek A Landsberg K |
| Clausen S | Szuper Gallery at 30 Underwood Street Gallery London (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| FLACK S R | T in the Park | 1997 | University of Dundee | Digital Technology | |
| Cocks MJA | T3: Textiles, Techniques and Technology | 1999 | The London Institute | Fashion and Textiles | |
| WADE E | TAKYDROMUS | 1997 | Middlesex University | ||
| SMITH K | TALK ZONE - MILLENNIUM DOME | 1999 | Middlesex University | ||
| PHILLIPSON M | TECHNO-OPTICS, CORK STREET AND A POWER STATION: DILEMMAS OF ART PRACTICE AND RECUPERATION | 1995 | Middlesex University | C FISHER | |
| Callinicos E | TECTONIC three relationships between craft and architecture | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| DUNCE B | TELLING TRUTH THROUGH METAPHOR | 1998 | Middlesex University | ||
| Nicolle CA | TELSCAN Handbook of Design Guidelines for Usability of Systems by Elderly and Disabled Drivers and Travellers | 2000 | Loughborough University | Design Ergonomics | Burnett, G.E. |
| Marriott M | TGI Woody | 1994 | Royal College of Art | Design for Manufacture | |
| READ S | THAMES RIVER CROSSINGS | 1998 | Middlesex University | ||
| Rogers K. | THE (FRIBOURG) INCIDENT | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Rogers K. | THE (LONDON) INCIDENT | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Prevoo D. | THE 8TH INTERNATIONAL BIENNIAL PRINT + DRAWING EXHIBIT | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| GRANDFIELD G | THE BBC RADIO COLLECTION OF JOHN LE CARR | 2000 | Middlesex University | ||
| Slade-Brooking C. L. | THE BORDER BOOK | 1994 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| GRANDFIELD G | THE COMPLETE ENTERTAINMENT [G GREENE] - | 1996 | Middlesex University | ||
| GRANDFIELD G | THE COMPLETE NOVELS [R CHANDLER] | 2000 | Middlesex University | ||
| KEILLER P | THE DILAPIDATED DWELLING - BETA SX COLOUR VIDEO | 2000 | Middlesex University | ||
| DEGEN P | THE EGO ADORNED - 20TH CENTURY ARTISTS | 1999 | Middlesex University | ||
| Slade-Brooking C. L. | THE ENCYLOPAEDIA OF ILLUSTRATION TECHNIQUES | 1997 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Griffiths K. | THE FALCONER | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| DE FREITAS L | THE FUTURE - AN HISTORIANS REFLECTIONS | 2000 | Middlesex University | ||
| GRANDFIELD G | THE GREAT NOVELS [G GREENE] | 1998 | Middlesex University | ||
| MEYNELL K | THE ISLAND BELL | 2000 | Middlesex University | ||
| Sawdon Smith R. T. | THE JOHN KOBAL PHOTOGRAPHIC PORTRAIT AWARD | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Blamey D. | THE MULE | 1997 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Coles A. | THE OPTIC OF WALTER BENJAMIN | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| DUNCE B | THE PALACE MANIFEST | 1999 | Middlesex University | ||
| HOSKINS L | THE PAPERED WALL: HISTORY, PATTERNS AND TECHNIQUES | 1994 | Middlesex University | ||
| DUNCE B | THE PASTEL SOCIETY: PASTEL, PAINTING AND DRAWING 1898-2000 - CENTENARY EXHIBITION | 2000 | Middlesex University | ||
| Herrmann M. | THE PRACTICE OF SUSTAINABLE LANDSCAPE DESIGN AND ITS RELEVANCE TO THE GLOBAL URBAN POPULATION | 2000 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| Buchan S. H. | THE QUAY BROTHERS: CHOREOGRAPHED CHIAROSCURO, ENIGMATIC AND SUBLIME | 1998 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Knorr K. H. | THE QUICK + THE DEAD, ARTISTS AND ANATOMY | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Muthesius A. M. | THE ROLE OF BYZANTINE SILKS IN THE OTTONIAN EMPIRE | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Sider L. | THE SCHOOL OF SOUND 2000 | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| MANHEIM J | THE SECRET RIVER | 1996 | Middlesex University | ||
| SHADBOLT R | THE SWORD IN THE STONE [T H WHITE] | 1998 | Middlesex University | ||
| Buchan S. H. | THE THIRD FANTOCHE INTERNATIONAL ANIMATION FILM FESTIVAL | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Sawdon Smith R. T. | THE UGLY SHOW | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| HOSKINS L | THE WALLPAPERS OF WILLIAM MORRIS | 1996 | Middlesex University | ||
| Stewart I | THIN AIR, Julie Saul Gallery, New York | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Fereday G. | THREADLINES | 1995 | The Surrey Institute of Art + Design University College | Crafts | |
| ROBISON J | THREE BRITISH CERAMISTS: Richard Bell, Tracey Heyes and Jim Robison | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Fiddis C | TLTP: Glaze/Ceramics | 1998 | University of Ulster | ||
| Culbert W F | TOI TOI TOI (Three Generations of Artists from New Zealand) | 1999 | University of Reading | Boyd Webb Len Lye Billy Apple |
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| THOMPSON J | TOWARDS A THEORY OF THE IMAGE | 1996 | Middlesex University | ||
| MYERS J | TOWERS (PART OF A13 ROAD PROJECT) - LEAD ARTIST | 2000 | Middlesex University | ||
| GUILLE J | TRANSFORMED: TEXTILES AS A CREATIVE MEDIUM | 1998 | Middlesex University | ||
| Millar L. | TRAVERSEES | 1997 | The Surrey Institute of Art + Design University College | Crafts | |
| Follen S. | TWENTY-FIVE YEARS | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Stehli J | Table I, Table II, Chair | 1998 | University of Portsmouth | Art and Philosophy | |
| Lefteri C | Table-ware Mash restaurant | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Mantripp C | Tables | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Skingle D | Tables of Inertia: 9 wall-mounted large-scale digital black-and-white photographic and mixed-media A2 images of tables with shelf-mounted ceramic pieces | 1999 | London Guildhall University | ||
| Chamberlain PM | Tac-tile Sounds System | 1998 | Sheffield Hallam University | Industrial Design | |
| Astfalck J | Tacita Dentata | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Pickwoad N | Tacketed Bindings: A Hundred Years of European Bookbinding | 2000 | The London Institute | Media and Communication | |
| Tibbs B | Tactical Caf | 1998 | Kingston University | ||
| Kermik J | Taidehalli - Around and About | 1996 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Aldrich W | Tailor's Cutting Manuals And the Growing Provision of popular Clothing | 2000 | Nottingham Trent University | Fashion and Textiles | |
| MacLennan AM | Tains Stain | 1996 | University of Ulster | ||
| Vargo A | Take 20 | 1998 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Trangmar SRA | Take Heart Roof Garden | 1998 | The London Institute | Fine Art | |
| MAIR G | Take Me Home | 1997 | University of Dundee | Digital Technology | Matt Hulse |
| Walsh BF | Take Place | 1999 | Goldsmiths College | ||
| Kennett CP | Take me out to the analysis conference: sets, stats, sport and competency | 1998 | University of Westminster | Sound Media | |
| Barclay C | Take to the Ground, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Yasuda T | Takeshi Yasuda | 1996 | University of Ulster | ||
| Yasuda T | Takeshi Yasuda: Collaboration in Mashiko | 1998 | University of Ulster | ||
| Chinnery CY | Taking Stock | 1999 | Oxford Brookes University | Creative Practice | |
| Broom K | Taking the Sheet; an exploration of a contemporary art practice and its relevance to counselling, psychotherapy and identity | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Thapalyal RI | Talacchanda: solo exhibition | 2000 | Glasgow School of Art | Fine Art | Nibha Joshi Anjana Rajan G. S. Rajan |
| ROBB A M | Talent | 1996 | University of Dundee | Contemporary Practice | Wayne Thiebaud Richard Estes John Chamberlain |
| Hutchinson S | Tales from the End of Northworld | 1999 | University of Brighton | Fine Art Practices | Will Todd - Composer Alister Campbell Clare Whistler - Choreographer |
| Davies R | Tales of the Expected | 2000 | Kingston University | ||
| Tomes AE | Talking Design: Negotiating the Verbal-Visual Translation | 1998 | Sheffield Hallam University | Caroline Oates Peter Armstrong |
|
| Lewandowski S | Talking To Dead People | 1998 | Nottingham Trent University | Visual Arts | |
| Hunter M | Tangents (Punkty Styczne) | 1998 | Edinburgh College of Art | Fine Art | |
| Tangye HR | Tangye and Other Flavours | 1996 | The London Institute | Fashion and Textiles | |
| Kovats T | Tania Kovats. New Work | 1998 | The London Institute | Fine Art | |
| Jefferies JK | Tapestries. | 1997 | Goldsmiths College | ||
| Barker J | Tapestry for Scottish Office | 1996 | Glasgow School of Art | The Decorative Arts | |
| Woropay V | Tareitanga Sculpture Symposium 1997 | 1997 | Wimbledon School of Art | Sculpture | |
| Woropay V | Tareitanga Sculpture Symposium 1999 | 1999 | Wimbledon School of Art | Sculpture | |
| Bellingham DA | Tarnung (Camouflage) | 2000 | Manchester Metropolitan University | ||
| Mavrogordato T | Tass Mavrogordato | 1996 | Goldsmiths College | ||
| Fulcher R | Taste and Fashion | 2000 | University of Sunderland | Fine Art | |
| Fulcher R | Taste and Fashion; Art in Public View. | 2000 | University of Sunderland | Fine Art | |
| FURNHAM D | Tati - A Chance to Whistle; Tales from St S | 2000 | Middlesex University | ||
| FURNHAM D | Tati Interactive | 2000 | Middlesex University | ||
| Willberg P | Tatsuo Miyajima: Big Time | 1997 | The London Institute | Media and Communication | |
| Fraser S | Tattoo: a Day of Record | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Taylor D | Tattooing and the Self: History of the Body | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Harrow D | Taxi Limousine Redesign | 1996 | Royal College of Art | Design for Manufacture | |
| Porter LJ | Teaching Control: An aspect of the National Curriculum | 1997 | Brunel University | Design Pedagogy | |
| Porter LJ | Teaching Design and Technology - Has the emphasis changed? | 1994 | Brunel University | Design Pedagogy | |
| Crisp A | Teaching Environmental Education Through Integrated Themes | 1997 | Nottingham Trent University | Design | I. Solomonides F.Laing Harrison |
| Tabor EC | Teaching cost awareness in design for manufacture | 1998 | Brunel University | Design Pedagogy | |
| Tabor EC | Teaching cost awareness in design for manufacture of injection moulding | 1999 | Brunel University | Design Pedagogy | |
| Hague J A | Teams and Organisational Change: The Impact and Shaping of Teamworking Technology | 1997 | Nottingham Trent University | Fashion and Textiles | |
| McClelland B | Teamwork at the Chalkface: An Integrative Approach to Technology and Design | 1999 | University of Ulster | RB Clarke | |
| Gilmour S | Tear from a Glass Eye | 2000 | Wimbledon School of Art | Theatre Design | Erica Whyman |
| WRIGHT M J | Tech | 1998 | Kent Institute of Art + Design | ||
| CHELL E | Tech | 1998 | Kent Institute of Art + Design | ||
| Wright JM | Tech (exhibition) | 1998 | Loughborough University | Fine and Applied Arts | |
| Mukherjee R | Technical Support | 2000 | University of Hertfordshire | ||
| Roberts M | Technical Support. | 2000 | Goldsmiths College | ||
| Mukherjee R | Technical Support. | 2000 | Goldsmiths College | ||
| Cummings K.R. | Techniques of Kiln-formed Glass | 1997 | University of Wolverhampton | Glass | |
| Braddock SE | Techno Textiles: Revolutionary Fabrics for Fashion and Design. | 1998 | Goldsmiths College | O'Mahony, M. | |
| Selley G | TechnoSphere | 1997 | The London Institute | Media and Communication | Jane Prophet Mark Hurry No |
| Prophet J | TechnoSphere 2: Website and video works | 1997 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Prophet J. | TechnoSphere V3 Real Time 3D Installation | 2000 | University College London | Fine Art Media | |
| Hitchen J | Technoculture No1 - Mnemosyne | 1997 | Liverpool John Moores University | Graphic Arts | |
| Tomes AE | Technological Entrepreneurship: Integrating Technical + Product Innovation | 2000 | Sheffield Hallam University | Rosie Erol Peter Armstrong |
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| Goodden N | Technology and the Avant Garde | 2000 | University of Gloucestershire | ||
| Norman EW | Technology for Design: Cognitive Mismatches and Their Implications for Good Practice | 1999 | Loughborough University | Design Education | |
| Kimbell RA | Technology tasks and pupils' learning | 1996 | Goldsmiths College | ||
| Prophet J | Technosphere V3 | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Prophet J. | Technosphere Website and Video Works | 1998 | University College London | Fine Art Media | |
| Callinicos E | Tectonic: Three Relationships Between Craft and Architecture | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Piper JF | Teddy Chair | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Short LA | Teething Room | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Patterson I | Tekeningen | 1997 | Edinburgh College of Art | Fine Art | |
| Malik S | Tekhne is fond of Tukhe, and Tukhe of Tekhne: Energy and Artistotle's Ontology in Tekhnema 5, 1999. | 1999 | Goldsmiths College | ||
| Richards M | Television in Contemporary Asia | 2000 | University of Central England in Birmingham | Visual Communication Research Group | French D |
| Lomax Y | Telling Times: Tales of Photography and Other Stories | 1994 | Royal College of Art | Critical Practice | |
| Danino N | Temenos Film. | 2000 | Goldsmiths College | ||
| Middlemiss J.M. | Temple | 1999 | Falmouth College of Arts | ||
| Deliss C | Tempolabor: a libertine laboratory? | 1998 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Speed CJ | Temporal navigation | 2000 | University of Plymouth | STAR | |
| Rennie C | Ten Glass Sculptures | 1998 | University of Wolverhampton | Glass | |
| HALES C | Ten Interactive Movies | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| Haughton D | Ten New York Artists - Ten European Artists | 1998 | Kingston University | ||
| Cooper E | Ten Thousand Years of Pottery | 2000 | Royal College of Art | Applied Art | |
| Medcalf G | Ten Years After | 1996 | The London Institute | Fine Art | |
| Seden MR | Ten Years on: An Evaluation | 1997 | De Montfort University | ||
| Stewart I | Tender | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Clark S | Tender | 1996 | Edinburgh College of Art | Fine Art | |
| Rooney J | Tensegrity and compegrity configurations in anti-prism manipulator platforms | 1999 | Open University | Design for advanced products | J. Duffy J. Lee |
| Wootton M A | Tenth International Triennale Tallin exhibition | 1996 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Knight C | Tequila Shots | 1996 | Liverpool Hope | ||
| Chapman J | Terra Australis Incognita | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Moore D | Terra Incognita | 1994 | Edinburgh College of Art | Fine Art | |
| Pierse S J | Terra Incognita: Images of Australia | 2000 | University of Wales, Aberystwyth | ||
| Harrison E | Terre A Terre | 2000 | The London Institute | Fine Art | |
| Saville J. | Territories | 1999 | University College London | Painting | |
| Edmond T A | Terry Edmond | 1999 | University of Reading | ||
| Edmond T A | Terry Edmond | 1997 | University of Reading | ||
| Edmond T A | Terry Edmond-Recent Paintings | 1995 | University of Reading | ||
| Unger G | Terwijl je leest [While you read] | 1997 | University of Reading | ||
| Clegg T | Tessa Clegg: Hidden Secrets | 1999 | Royal College of Art | Applied Art | |
| Clegg T | Tessa Clegg: New works | 1998 | Royal College of Art | Applied Art | |
| McCartney K E | Testing the Benefits of Animation | 1997 | University of Portsmouth | Centre for New Media Research | A Jacobs |
| Ross White M | Tete a Tete | 1997 | Bath Spa University College | ||
| Best A | Texaco Love | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Mostaghimi B | Textile Development | 1994 | University of Brighton | Materials Practices and Processes | |
| Stephen'Cran J | Textile Diversity | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Emmanuel J | Textile Manipulation : Using Ultra-sonic Technology to Develop 3D Products. | 1999 | Liverpool John Moores University | Fashion and Textiles | |
| Emmanuel J | Textile Manipulation Using Ultrasonic Technology to Develop Three Dimensional Textiles | 1999 | University of Brighton | Materials Practices and Processes | |
| Cousens C | Textile and Silver Necklaces | 1996 | University of Brighton | Natural and Constructed Environments | |
| McKeating JE | Textiles Revisited - With Cloth and Needle | 1999 | Manchester Metropolitan University | ||
| Mitchell V | Textiles Text, techne | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Oxborrow L | Textiles The Way Forward: A Labour Market Survey For The UK Textile Industry | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Gaughan M | Textual Titles: Resisting Translation | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Bainbridge C | Textual transformations: space, time and cinema | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Binns P | Textures of Memory, the poetics of cloth | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bristow M | Textures of Memory: The Poetics of Cloth | 1999 | Chester College of HE | ||
| Read SA | Thames River Crossings | 1998 | The London Institute | Fine Art | Leon Russell |
| Isherwood P | Thames Water District Metering | 2000 | Brunel University | Design Pedagogy | T Inns |
| Campbell D | Thankyouverymuch...huh,huh! | 1999 | Staffordshire University | ARi, School of Art + Design | |
| WALKER D B | Thatch and Thatching Techniques: A Guide to Conserving Scottish Thatching Traditions | 1996 | University of Dundee | Coastal/Indigenous Cultures | Christopher McGregor Gregor Stark |
| Chapman R | Thaw | 1996 | University of Huddersfield | ||
| RAMSAY T K | The International Exposition of Sculpture, Objects + Functional Art, SoFA 2000 | 2000 | University of Dundee | Contemporary Practice | Caroline Broadhead David Shaner Anna Skibska |
| Wilson R | The 'Studio' Cultures, Protocols and Plans | 1998 | Manchester Metropolitan University | ||
| Ogawa S | The 19th International Exposition Milano Triennale - Japan Pavilion | 1996 | Edinburgh College of Art | Fine Art | |
| Di Girolamo M | The 228th Royal Academy of Arts Summer Exhibition 1996 | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Di Girolamo M | The 36th Exhibition of The Society of Portrait Sculptors | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Middlemiss J.M. | The 3rd Mashiko Ceramics Competition | 2000 | Falmouth College of Arts | ||
| Bristow M | The 6th Intertnational Textile Competition '99 - Kyoto | 1999 | Chester College of HE | ||
| Furneaux P | The 9th Internation Biennial Print Drawing Exhibition 1999 R.O.C. | 1999 | Edinburgh College of Art | Fine Art | |
| De Lannoy C. | The 9th International Biennial Print and Drawing Exhibition | 1999 | University College London | Painting | |
| Eccleston T | The Aberrant Object: Women, Dada and Surrealism, group exhibition | 1994 | Glasgow School of Art | Fine Art | |
| Moriarty C | The Absent Dead and Figurative Sculpture | 1995 | University of Brighton | Memory, Identity and History | |
| Preece L | The Acquisition of Knowledge: Library Steps figure II and III | 1994 | University of Brighton | Fine Art Practices | |
| Palmer M | The Actualisation of the Virtual. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Birrell R | The Aesthetics of Disappearance: Performance and Auto-Destructive Art | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Palmer M | The Aesthetics of Emergence. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Tredre R | The Age Agenda | 1999 | The London Institute | Fashion and Textiles | |
| Bowett A | The Age of Snakewood | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Warren RJ | The Agony and the Ecstasy | 2000 | The London Institute | Fine Art | |
| WARREN RJ | The Agony and the Ecstasy | 2000 | University of Oxford | ||
| SZULAKOWSKA U | The Alchemical Girl in Leonora Carrington's 'The House Opposite' | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| SZULAKOWSKA U | The Alchemy of Light: Geometry and Optics in Late Renaissance Alchemical Illustration | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| Axford NR | The Aliasing Phenomenon | 1996 | University of Westminster | Imaging Technology | Sharma A Tong B |
| Ferris M | The Allure of the DigitalInternational Conference on the Role of Technology in an Ideas Culture | 1999 | University of Hertfordshire | ||
| MCGILVRAY R | The Ambassador Routes | 2000 | University of Dundee | Industry and the Public Sector | |
| MANLEY B | The American Odyssey: Recent Paintings | 1997 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Howell AM | The Analysis of Performance Art: a guide to its theory + practice | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Morris S.M. | The Androgynous Self: Hoch and Cahun | 1997 | University College London | Fine Art Media | |
| Dinan Spencer C | The Angel Who Flew Backwards to Christmas | 1997 | The London Institute | Media and Communication | Elizabeth Joy |
| NEVIN P | The Angels of Georges Braque (AgB) Surface of SNAP | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Machin D | The Anglo-American Media Connection | 1999 | The London Institute | Media and Communication | Jeremy Tunstall |
| Mansfield A | The Animal Mirror. | 2000 | Southampton Institute | ||
| Bibb RJ | The Application of Computer Aided Product Development Techniques in Medical Modelling | 2000 | University of Wales Institute, Cardiff | PDR | R Brown |
| Williamson T | The Application of Product Development Technologies in Craniofacial Reconstruction | 2000 | University of Wales Institute, Cardiff | PDR | R Bibb R Brown A Sugar |
| Robson D G | The Architecture of Karljosef Schattner | 1995 | University of Brighton | Natural and Constructed Environments | T Stelling |
| Clarke L | The Ark Exhibition | 2000 | De Montfort University | ||
| Vernon S.A. | The Art and Evolution of Cutlery | 1999 | Falmouth College of Arts | ||
| Murphy CJ | The Art and Evolution of Cutlery | 1999 | University of Ulster | ||
| Parker P | The Art and Science of Screenwriting | 1998 | The London Institute | Media and Communication | |
| Roberts J | The Art of Interruption: Realism, Photography and the Everyday | 1998 | University of Wolverhampton | Fine Art | |
| Jordan J | The Art of Necessity: The subversive imagination of anti-roads protest and Reclaim The Streets | 1998 | Sheffield Hallam University | Fine Art | |
| Landry CR | The Art of Regeneration and the Creative City | 1996 | The London Institute | Media and Communication | |
| Keir S | The Art of Touch | 1996 | The London Institute | Fashion and Textiles | Siobhan Davies |
| Cairns J | The Art of Trailing: Work/Seth-Tallentire | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | Gavin Butt |
| HARRISON D | The Art of the Internet | 1996 | University of West of England, Bristol | Digital Media Research Centre | |
| MATTHEWS R D | The Art of the Pixel/Fakescape | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Corris M | The Artist Out of Work: Art + Language, 1972-1981 | 1999 | University College Northampton | Contemporary Art Criticism | |
| Bender R | The Artist in Glass | 1997 | Swansea Institute of Higher Education | Design | |
| WARD J | The Artists | 2000 | University of West of England, Bristol | Centre for Fine Print Research | Stephen Hoskins |
| Warr TK | The Artists Body: A Sourcebook 1945 - Present | 2000 | Oxford Brookes University | Theory | |
| Soden JA | The Assessment of Multi-layer Integrated 3D Woven Composite Reinforcements | 1996 | University of Ulster | BJ Hill R McIlhagger G Weissenbach |
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| Trodd C | The Authority of Art: Cultural Criticism and the Idea of the Royal Academy in mid-Victorian Britian | 1997 | University of Sunderland | Fine Art | |
| De Groot C | The Auto-Catalytic Web | 1999 | Robert Gordon University | Making and Contemporary Culture | Keane, J. F. |
| SZULAKOWSKA U | The Avant-Garde and It's Patrons: the development of Experimental Art in Brisbane c1980 - 1988 | 1997 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| Setterington L | The Azadi Quilt | 1998 | Manchester Metropolitan University | ||
| Mellor D | The Baby Doll Murders | 2000 | Royal College of Art | Fine Art | |
| Sutherland C | The Barn House | 2000 | Glasgow School of Art | Design | Hussey, C |
| Kelly B | The Basement | 1995 | Kingston University | ||
| Johnston ID | The Battleships | 2000 | Glasgow School of Art | Historical and Critical Enquiry | Rob McAuley |
| Preece L | The Beaver Pool | 1995 | University of Brighton | Fine Art Practices | |
| Watkins D | The Best in Contemporary Jewellery | 1994 | Royal College of Art | Applied Art | |
| Kay E | The Bible from Memory in Abacadabra: International Contemporary Art | 1999 | University of Portsmouth | Art and Philosophy | |
| Simpson M | The Bible of Networking. | 1999 | Goldsmiths College | ||
| Kunath S C | The Big Gig | 1998 | University of Portsmouth | Centre for Sound and Experimental Environments | |
| Granjon P | The Big M | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Gant R | The Big Squeeze | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Higgins D J | The Bigger Splash | 1997 | Nottingham Trent University | Visual Arts | Machiko Edmondson Melanie Comber |
| Mallet L | The Bill | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Stuart A | The Black Film Bulletin | 1995 | The London Institute | Fashion and Textiles | |
| Poston D | The Blacksmith and the Farmer | 1994 | Loughborough University | Fine and Applied Arts | |
| Grey J J | The Blind Assassin | 2000 | University of Brighton | Materials Practices and Processes | |
| Cox PRC | The Blue Angel | 1998 | The London Institute | Fashion and Textiles | Kenechi Nakayama Rie Watanabe |
| Irving I | The Blue Chamber | 2000 | Robert Gordon University | Culturally Responsive Practices | |
| FISHER G R | The Blue Chamber | 2000 | University of Dundee | Contemporary Practice | |
| Waugh A | The Blue Note Club | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| Otieno RB | The Body Size of your Global Customer in the New Millennium - The Case of the Anatomy of Kenyan Children | 1999 | Manchester Metropolitan University | ||
| Coates N | The Body Zone | 2000 | Royal College of Art | Architectural Design | |
| West N F | The Body and the Machine | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Mair J H | The Book of Destinies (A Practical Guide to Predicting the Future) | 1997 | University of Portsmouth | Centre for Images in Practice | |
| FILLINGHAM P | The Bookshop Piece | 1996 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| Brierley ES | The Boundaries of Architectural Research | 1994 | De Montfort University | ||
| Purbrick L | The Bourgeois Body: Civic portraiture, public men and the appearance of class power in Manchester 1838-1850 | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Lemon E | The Box Project, Museum of Installation. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Docherty M | The Box of Delights | 1997 | Edinburgh College of Art | Fine Art | |
| Turner A | The Boy in the Boat | 1997 | Southampton Institute | ||
| Hardaker CH | The Bra Design Process: A Study of Professional Practice | 1997 | De Montfort University | Fozzard, G.J. | |
| McKAY A | The Break In | 1998 | University of Lincoln | ||
| RINGE S | The Bristol Art Library | 1998 | University of Lincoln | ||
| Barlow P. | The British Art Show | 2000 | University College London | Sculpture | |
| Nelson M | The British Art Show 5 | 2000 | Edinburgh College of Art | Fine Art | |
| Higgs M | The British Art Show 5 | 2000 | Royal College of Art | Critical Practice | |
| FAGEN G R | The British Art Show 5 | 2000 | University of Dundee | Digital Technology | Tracy Emin Sarah Lucas Wolfgang Tillmans |
| Batchelor D | The British Art Show 5 | 2000 | Royal College of Art | Critical Practice | |
| Rhodes C | The British Art Show, 5 group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Higgs M | The British Artshow 5. | 2000 | Goldsmiths College | ||
| Paul R | The British Council Indian Tour, touring group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Bain L | The British Embassy Berlin | 1999 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Twyman M L | The British Library guide to printing: history and techniques | 1998 | University of Reading | ||
| O'Pray ME | The British avant-garde Film: 1926 - 1995 An anthology of Writings | 1996 | University of East London | ||
| HAMLYN ND | The British-Avante Garde Film 1926 - 1995, an Anthology of Writings Essay Title 'Structuralist Traces' | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Arnold RL | The Brutalised Body | 1999 | The London Institute | Fashion and Textiles | |
| Hansbro BP | The Building of Bluewater | 1998 | University of Southampton | ||
| Pavitt J | The Buildings of Europe: Prague | 2000 | University of Brighton | Design History, Criticism and Theory | |
| Shankland S | The C-Bin Project | 1999 | The London Institute | Fine Art | Stefan Shankland Richard Bradbury |
| Sabin AM | The C-Bin Project | 1999 | The London Institute | Fine Art | Stefan Shankland Richard Bradbury |
| Cameron AJ | The Californian Ideology | 1996 | University of Westminster | Hypermedia | Barbrook R |
| Barbrook RA | The Californian Ideology | 1996 | University of Westminster | Hypermedia | Cameron A |
| Hinchliffe-McCutcheon J L | The Capture of Europe (Die Entf | 1996 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Piper T | The Cardiff Digital Portfolio One at CBAT | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Hall CM | The Carnival Yearning | 1996 | University of Plymouth | Theatre + Performance | |
| Dahn J | The Cat Scratched Little Johnny (Contemporary Ceramics from Wales) | 1999 | Bath Spa University College | Ropek, E. | |
| Starkey P | The Cat Scratched Little Johnny - Ceramics in Wales | 1999 | University of Wales Institute, Cardiff | Ceramics | |
| Kindel E T | The Central Lettering Record | 1996 | University of Reading | ||
| Manchot M | The Century of the Body | 1999 | The London Institute | Fine Art | |
| Vincentelli M M | The Ceramic Collection and Archive, University of Wales, Aberystwyth | 2000 | University of Wales, Aberystwyth | ||
| De Lannoy C. | The Challenge for Watercolour in the 21st Century | 1999 | University College London | Painting | |
| Bailey M | The Challenge of | 2000 | University of Northumbria at Newcastle | Pedagogy in Art and Design (5a) | |
| Wayman M | The Challenge of Change and Its Effects on UK Textiles and Fashion Education | 1995 | Manchester Metropolitan University | ||
| Petry M | The Chemistry of Love III | 1994 | University of Wolverhampton | Fine Art | |
| TCHERNAKOVA A | The Cherry Orchard | 1995 | University of Lincoln | ||
| Smith P M | The Citibank Photography Prize, 1999 | 1999 | Anglia Polytechnic University | ||
| Harley A | The Colour Theory package | 1999 | Glasgow School of Art | Educational Theory and Practice | Ian Johnstone |
| Faure-Walker J | The Colour and Motion Series | 2000 | Kingston University | ||
| BASEMAN J | The Comedians | 2000 | University of Oxford | ||
| Hoek K. | The Complete Contempt | 1997 | University College London | Fine Art Media | |
| SPENS M | The Complete Landscapes and Gardens of Geoffrey Jellico (1900-96) | 1994 | University of Dundee | Critical, Historical and Theoretical Debate | |
| O'Donnell H | The Computer in the Studio | 1994 | The London Institute | Fine Art | |
| Cowan ER | The Connected City: A New Approach to Making Cities Work | 1997 | De Montfort University | ||
| DACK J | The Consequences of Digital Recording: Behind the Veil | 1996 | Middlesex University | ||
| Watt DS | The Consolidation and Repair of St Mary's Church, Houghton-on-the-Hill, Norfolk | 1999 | De Montfort University | ||
| Brett DB | The Construction of Heritage | 1996 | University of Ulster | ||
| Wright L. | The Contemporary Art Society Art Market Exhibition | 1996 | Falmouth College of Arts | ||
| Dixon S | The Contemporary British Ceramic Figure: Narrative, Metaphor + Tradition | 2000 | Manchester Metropolitan University | Stair J | |
| Kennedy M | The Contemporary Print Show | 2000 | Anglia Polytechnic University | ||
| Crowther P D | The Contemporary Sublime: Sensibilities of Transcendence and Shock | 1995 | University of Central Lancashire | ||
| Cazeaux C | The Continental Aesthetics Reader | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Sale R | The Continuum of Design Education | 1999 | University of East London | M. Wilkinson | |
| Blundell S | The Contribution of Art Professional Development to the Future Health of Art Education | 1999 | University of Central England in Birmingham | Art Education Research Group | |
| Nelson M | The Coral Reef | 2000 | The London Institute | Fine Art | |
| Nelson M | The Coral Reef/ Extinction Beckons | 2000 | Edinburgh College of Art | Fine Art | |
| Treplin A | The Coronation of poppea | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| GATT E E | The Crafts Council Chelsea Crafts Fair | 2000 | University of Dundee | Contemporary Practice | Sally Macintyre Anna Gordon Anne Finlay |
| Landry CR | The Creative City: A Toolkit for Urban Innovators | 2000 | The London Institute | Media and Communication | |
| Myerson J | The Creative Office | 1999 | Royal College of Art | Inclusive Design | Philip Ross |
| Cocks MJA | The Creative Use of CAD/CAM in Textile Design | 1995 | The London Institute | Fashion and Textiles | |
| Gibson PM | The Crisis of National Identity and the Genesis of the Heritage Film. The Scarlet Pimpernel, Robin Hood and the British Public in the Fiftees | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Doidge CW | The Crit - An Architecture Student's Handbook | 2000 | De Montfort University | Sara, R. Parnell, R. Parsons, M. |
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| Semple R | The Cross of Liverpool | 1998 | Liverpool Hope | ||
| Simpson M | The Crow's Boredom | 1998 | The London Institute | Fine Art | |
| Simpson M | The Crow's Boredom. | 1998 | Goldsmiths College | ||
| Henderson DG | The Cultural Imperatives of Sustainable Development: The Case of Sub-Saharan Africa | 2000 | De Montfort University | Ebohon, O.J. Arimah, B.C. |
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| Julier G | The Culture of Design | 2000 | Leeds Metropolitan University | Design | |
| Fisher T | The Culture of Design - Teamwork and the Designers' Professional Identity | 1996 | Sheffield Hallam University | Applied Design Policy | |
| Nichols P | The Currency of Belief | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Professor John Newling |
| Sprake J | The Curse of the Universal User. | 2000 | Goldsmiths College | ||
| Murray V | The Cut | 2000 | University of Central Lancashire | ||
| Biddulph JC | The Cut | 2000 | Manchester Metropolitan University | Hatton P Murray V Pilling L |
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| Smith MM | The Cutty Stool | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Morris R | The Daguerreotype and John Dillwyn Llewelyn | 1997 | Brunel University | Polymedia Design | |
| Chandler D | The Dark Side of Life: British Photography in the 1990s | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Watanabe T | The Dawn of Architectural Education in Japan | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Williams V | The Dead | 1996 | The London Institute | Media and Communication | Greg Hobson |
| Whiting B.M. | The Dead | 1996 | Falmouth College of Arts | ||
| Kandhola M P | The Dead | 1996 | Nottingham Trent University | Visual Arts | Andres Serrano Nobuyoshi Araki Nick Wapplington |
| Hakim-Dowek L | The Dead Exhibition | 1996 | University of Portsmouth | Memory, Identity and Material Culture | |
| Bainbridge C | The Death Drive, Gender and History in Orlando and The Piano | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Baddeley O | The Death of History or a History of Death | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Lucas GC | The Death of Vinyl, The Birth of Olestra | 1996 | De Montfort University | ||
| Macdonald J | The Decorative Murals of Douglas Strachan | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Herbert A.T. | The Decorative Tile in Architecture and Interiors | 1995 | University of Wolverhampton | Ceramics | Kathryn Huggins |
| Unsworth J | The Delights of Eden | 1994 | University of Southampton | ||
| Jones RM | The Demand for Clothing in the UK and Sweden | 1997 | Manchester Metropolitan University | ||
| Holland D | The Department, group exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Klimowski A | The Depository: A dream book | 1994 | Royal College of Art | Communications | |
| Matthee J | The Descent of the Seductress. | 1997 | Goldsmiths College | ||
| Press MPO | The Design Agenda | 1995 | Sheffield Hallam University | Rachel Cooper | |
| Pirie I | The Design Graduate | 2000 | Robert Gordon University | Learning Strategies | |
| Soden JA | The Design and Fabrication of 3D Multilayer Woven T-Section Reinforcements | 1999 | University of Ulster | G Weissenbach BJ Hill |
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| Higgett N P | The Design of Web-based Hypermedia Courseware in Higher Education | 1998 | De Montfort University | Georgiadou, E. | |
| Johnston M | The Designer's Role in the Aging Process | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Fisher T | The Designer's Self-Identity - Myths of Creativity and the Management of Teams | 1997 | Sheffield Hallam University | ||
| McIntyre K | The Desk Lamp | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Boyle GA | The Development and Application of an Urban Energy Model | 1996 | Open University | Design for sustainability | H Titheridge |
| McKeag D | The Development of Design Guidelines for Large Oil Tankers which will encompass a Knowledge Based Computer System | 1999 | University of Ulster | Anne Sanlon | |
| Lawrence CN | The Development of Design Intro | 2000 | University of Ulster | RG Baird | |
| Smith J | The Development of Handy 1, a Rehabilitation Robotics System. | 1999 | Staffordshire University | ARi, School of Art + Design | M J Topping |
| Norman-Smith C | The Development of Hard Wax Stoppings for use on Furniture | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Newbury D | The Development of Research Education and Training in Art and Design: a Personal View | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| More J J | The Development of a Learning Organisation for Design Practice within the University | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| BURFORD N | The Development of a Lightweight Military Structure | 1998 | University of Dundee | Industry and the Public Sector | Fish, D C E Smith, F W |
| Harris TJ | The Development of a Neural Network based Ambulatory ECG Monitor | 1999 | Brunel University | L Gamlyn P Needham M Sopher |
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| Lawrence CN | The Development of a Remote Delivery Flexible Access Model for Teaching Introductory Studies in Design | 1999 | University of Ulster | R.G. Baird | |
| Thompson R | The Development of an Automated System for the Analysis of Print Quality Variables | 1998 | The London Institute | Media and Communication | Dr Andrew Manning Dr Jack Tchan |
| Manning A | The Development of an Automated System for the Analysis of Print Quality Variables | 1998 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Topping M J | The Development of handy 1. A robotic system to assist the severely disabled. | 1999 | Staffordshire University | ARi, School of Art + Design | J. Smith |
| Pickwoad N | The Development of the Concept of Artefactual Conservation | 1997 | The London Institute | Media and Communication | |
| Morris D | The Digital Arts Forum | 1999 | Buckinghamshire Chilterns University College | Visual Communication | Phil Giggle |
| Giggle P | The Digital Arts Forum | 1999 | Buckinghamshire Chilterns University College | Visual Communication | Dave Morris |
| Cox GF | The Digital Crowd: some questions on globalisation and agency. | 1999 | University of Plymouth | Centre for Visual Computing | |
| Malins J | The Digital Thesis: Recent Developments in Practice-Based Ph.D Research in Art and Design | 1999 | Robert Gordon University | Learning Strategies | Gray, C. |
| Gray C | The Digital Thesis: Recent Developments in Practice-based PhD Research in Art + Design | 1999 | Robert Gordon University | Learning Strategies | Malins, J. |
| Garcia D R | The Digital Underpass | 1995 | University of Portsmouth | Centre for New Media Research | |
| Healey M | The Disaster Squad | 1994 | Cumbria College of Art + Design | ||
| Lewis S E N | The Discerning Eye | 1996 | Nottingham Trent University | Visual Arts | One-person exhibition |
| Aytoun Ellis M | The Discerning Eye | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Seers L | The Double - Group Exhibition | 2000 | De Montfort University | ||
| McKeown RA | The Duchess | 1998 | University of Plymouth | Theatre + Performance | |
| Gardiner J | The Duffield Foundation 'Artworks' Virtual Gallery | 2000 | Thames Valley University | Gardiner J | |
| Wells K | The Dyers' Craft Resist Patterned Fabrics - An Explanatory Booklet | 2000 | De Montfort University | Hann, M. | |
| Jain S | The EMMA Forum Information Exchange, collaboration and connectivity | 2000 | University of Portsmouth | Centre for Creative Empowerment | S Clarke |
| Till N J T | The Ear of the Man Hath not Seen | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| BULL MG | The Ecstasy of Philistinism | 1996 | University of Oxford | ||
| Palmer R | The Edge of Town, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Birdsey CL | The Effect of Digital Technology on the Control of and Access to a Photographic Collection | 1999 | University of Westminster | Imaging Technology | Golding A Jacobson RE |
| Smith A | The Effects of Aqueous Treatments on the Mechanical Properties of Paper | 1997 | The London Institute | Media and Communication | |
| Cassidy T | The Effects of CAD Systems on the Idea Development Stage of Industrial Design | 1999 | De Montfort University | Liao, H.S. Chen, R. |
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| Wayman M | The Effects of Modularisation and Credit Accumulation and Transfer on Fashion and Textiles Courses | 1995 | Manchester Metropolitan University | Brindle G | |
| Boult J | The Electronic Home | 1996 | Brunel University | Design Process | |
| Martin PL | The Elemental Aspects of Colour in Spatial Design | 1996 | De Montfort University | ||
| Jones TE | The Elements of Drawing, solo exhibition | 2000 | Glasgow School of Art | Principles of Drawing | |
| Aylieff F | The Elusive Body | 1997 | Bath Spa University College | ||
| McDonagh-Philp DC | The Emotional Domain in Product Design | 2000 | Loughborough University | Design Research | Lebbon, C. |
| Lebbon C | The Emotional Domain in Product Design | 2000 | Royal College of Art | Inclusive Design | McDonagh-Philip, D |
| Gale D | The Empress | 1994 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Bailey S | The Enclosed Plain | 2000 | University of Northumbria at Newcastle | Automotive Design (4a) | Mosley and Gillat |
| Speed S | The Ends of Postmodernism | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Bowett A | The English Cross-frame Chair, 1694-1715 | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Bowett A | The English Horsebone Chair, 1685-1710 | 1999 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Hinchcliffe TF | The Enlightenment Project in Restoration France: Quatremere de Quincy and the Romantics | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Lloyd Lewis P | The Entire Milk | 1995 | University of Central England in Birmingham | Fine Art Research Group | |
| Chick A | The Environmental Agenda: Creative and Business Opportunities for Craft-makers and Designers | 2000 | Kingston University | ||
| Ballantyne T | The Environs of Dymock | 1997 | University of Gloucestershire | ||
| Robertshaw S | The Errors of Art and Nature | 1997 | Liverpool John Moores University | International Centre for Digital Content | |
| Meyrick R K | The Etchings and Engravings of Edgar Holloway | 1996 | University of Wales, Aberystwyth | ||
| MODEEN M | The Eternal Contemporary | 1998 | University of Dundee | Coastal/Indigenous Cultures | |
| Raymond M | The Ethical Implications of Off Shore Sourcing | 1997 | The London Institute | Fashion and Textiles | |
| Franklin A | The European Ceramic Work Centre | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Williams D | The European Face | 1995 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Laing DW | The European Music Industry and European Music Policy | 1999 | University of Westminster | Sound Media | |
| Till N J T | The Everyday Sublime in the Work of Station House Opera | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| SCHAFER S | The Excavation of the Villa Pigneto Sacchetti | 2000 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | Philip Perkins |
| Davis M | The Extended Use of Glass in Architecture | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Olsen GR | The Extramural Series | 2000 | Oxford Brookes University | Creative Practice | |
| Dale J K | The Eye Clinic New Generation Customer Interface and Retail Interior Design | 1998 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | Bailey, M Hastie, J |
| Mach D | The Eye of the Storm | 2000 | Edinburgh College of Art | Fine Art | |
| Nicol K | The Fabric of Fashion | 2000 | Royal College of Art | Design for Manufacture | |
| Earley RL | The Fabric of Fashion | 2000 | The London Institute | Fashion and Textiles | |
| Gregory J | The Fairest of Them All | 2000 | The London Institute | Fine Art | |
| Piddington A | The Fall | 1998 | Kingston University | ||
| Mulholland N | The Fall and Rise of Crisis Criticism | 1994 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Watt JMA | The Fashion Book | 1997 | The London Institute | Fashion and Textiles | |
| Jerrard R | The Fashion Designer in the Technological Workplace | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | S. Bell |
| Swift E | The Faust Space | 1997 | University of Gloucestershire | ||
| Roberts PH | The Field of Design, the Act of Designing, and the Curriculum Subject of Design and Technology | 2000 | Loughborough University | Design Education | |
| Harris D. I. | The Figure as a Metaphor | 1995 | Wimbledon School of Art | Painting | |
| Julien I | The Film Art of Isaac Julien | 2000 | Oxford Brookes University | Creative Practice | |
| Delano A | The First Draft of History - and the Last: the Earliest Reports of a Presidential Assassination Have Survived Years of Scrutiny | 2000 | The London Institute | Media and Communication | |
| Kippin J | The First Festival of Photography in South Asia | 2000 | University of Sunderland | Photography | |
| Croft P J | The First Shen Zhen Ink Painting Biennale | 1998 | University of Wales, Aberystwyth | ||
| Ocean H | The First of England | 1999 | The London Institute | Fine Art | |
| Keegan S P | The Fisherman's Tale | 1995 | North East Wales Institute of Higher Education | Art and Design | |
| Bird N C | The Fitting | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Connolly RB | The Five Senses | 1997 | University of Ulster | ||
| Swinson J | The Flaneur and the Shaman | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| James JP | The Fletcher Challenge. | 1995 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| SAXON G | The Flow | 1996 | University of Lincoln | ||
| Crowley G | The Flower Show | 1998 | Royal College of Art | Fine Art | |
| Palmer M | The Foregrounding of the Issue of Space. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Gluzberg M | The Forest of Oblivion | 1999 | The London Institute | Fine Art | |
| Norman-Smith C | The Forgotten Finish | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Forresta D | The Fractal Dimension of the Network | 1997 | Wimbledon School of Art | Research Centre | Ralph Abraham |
| Newton J K | The Future Looms | 1999 | Staffordshire University | ARi, School of Art + Design | Catherine Fehily |
| Fehily C | The Future Looms. | 1998 | Staffordshire University | ARi, School of Art + Design | K Newton |
| Blair N S P | The Future of Design | 1997 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| Woudhuysen J | The Future of Older People in Western Europe 1995-2010 | 1995 | De Montfort University | ||
| Crabbe A | The Future of Soft Lens Care? | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Black G | The Galleries of Justice | 1999 | Nottingham Trent University | Design | |
| Malins J | The Gap: Addressing Practice-Based Research Training Requirements for Designers | 1999 | Robert Gordon University | Learning Strategies | Ure, J. Gray, C. |
| Walker A J | The Garden Making Series | 1996 | Wimbledon School of Art | ||
| Riley H | The Genetic Code of Drawing | 1999 | Swansea Institute of Higher Education | Drawing | |
| Calcutt J | The Ghost in the Machine, essay in exhibition catalogue | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Smith W | The Giant Postman | 2000 | University of Brighton | Visual Communication Design | |
| SCULLION L | The Gifted Child | 1995 | University of Dundee | Coastal/Indigenous Cultures | Dalziel, M |
| Black G | The Gladstone Pottery Museum | 2000 | Nottingham Trent University | Design | |
| O'Sullivan T | The Glamour | 2000 | Cumbria College of Art + Design | ||
| Alexander I | The Glasgow Collection | 1999 | Glasgow School of Art | Design | McKeown, H |
| Wood B | The Glasgow Collection at the International Contemporary Furniture Fair | 1999 | Glasgow School of Art | Design | |
| Rawson G | The Glasgow Government School of Design, 1845 - 1853. | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| IVEY M J | The Glasgow UK City of Architecture + Design Plate Show | 1999 | University of Dundee | Contemporary Practice | Elizabeth Blackadder Ian McCulloch Elspeth Lamb |
| Broadway G | The Glass | 1997 | University of Sunderland | Photography | |
| Pirie I | The Global Gallery - from studio to cyberspace | 2000 | Robert Gordon University | Making and Contemporary Culture | Aitken, P. Malins, J. |
| Jones RM | The Global Reach of the UK Clothing Sector Part 1 + 2 | 1998 | Manchester Metropolitan University | ||
| Ferry DD | The Glory of Scotland. | 1995 | University of Southampton | ||
| Briggs P M | The Golden Hind | 1994 | Nottingham Trent University | Design | |
| Faure-Walker J | The Golden Plotter: Computerkunst/Computer Art 1998 | 1998 | Kingston University | ||
| Hagan SK | The Good, The Bad and the Juggled: The new ethics of building materials | 1998 | University of East London | ||
| Wozencroft J | The Graphic Language of Neville Brody 2 | 1994 | Royal College of Art | Communications | |
| HERBERT D J | The Graphic Medium as a Creative and Economic Tool | 2000 | University of Dundee | Industry and the Public Sector | George Craigie David Faithfull Gary Gowans |
| Grayson J | The Great Exhibition. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Bolton A | The Great Mall of the People | 2000 | The London Institute | Fashion and Textiles | |
| Jones SEG | The Great Wall of China | 1997 | The London Institute | Media and Communication | |
| Adams H | The Greatest Sculptor in the World - Jose dos Santos - Artist, Visionary and Outsider | 2000 | University of Wales Institute, Cardiff | Fine Art | R Vallejo |
| Bevan Baker R | The Green Man of Knowledge | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Gallaccio A | The Greenhouse Effect. | 2000 | The London Institute | Fine Art | |
| Shipsides D | The Guillemot/Penguin | 1999 | University of Ulster | ||
| de Caires D | The Guyana Pavillion Latin American Art | 1999 | De Montfort University | ||
| Sprung S | The Haircut | 1998 | Sheffield Hallam University | ||
| De Groot C | The Hall of the Dead | 1999 | Robert Gordon University | Making and Contemporary Culture | Powell, G. |
| Perkins G | The Halo and Wings of a Fallen Angel (details) | 1999 | Wimbledon School of Art | Sculpture | Tracey Moffatt Richard Hamilton Julian Opie |
| Mallet L | The Hare Lane Diaries | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Stuart A | The Harlem Renaissance | 1997 | The London Institute | Fashion and Textiles | |
| Morris S | The Haunting | 2000 | The London Institute | Fine Art | |
| Adams CG | The Heart of the Matter: Recent work by Jinmo Kang | 1998 | University of Plymouth | Site, Space, Location, Place | |
| Bainbridge E | The Heaven and Earth Roundabout | 1999 | University of Sunderland | Fine Art | |
| GARDNER D | The Heaving Line | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| WALKER D B | The Hebridean Blackhouse: A Guide to materials, construction and maintenance | 1996 | University of Dundee | Coastal/Indigenous Cultures | Christopher McGregor |
| Barbrook RA | The Hi-Tech Gift Economy | 1998 | University of Westminster | Hypermedia | |
| Breward C J | The Hidden Consumer: Masculinities, Fashion and City Life 1860-1914 | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Maccaulay J | The Hill House | 1995 | Glasgow School of Art | Historical and Critical Enquiry | |
| BASEMAN J | The History of Existentialism | 1999 | University of Oxford | ||
| Shanahan P.N. | The History of Photography special double issue on Italian Cultural Landscape and Vernacular Photographs. | 2000 | Falmouth College of Arts | Geoffrey Batchen | |
| Thomson J | The Hive | 1996 | Southampton Institute | ||
| Dakers CN | The Holland Park Circle: Artists in Victorian Society | 1999 | The London Institute | Fashion and Textiles | |
| SCULLION L | The Horn | 1994 | University of Dundee | Industry and the Public Sector | Dalziel, M |
| Francis M | The House in the Lumber Room | 1998 | University of Brighton | Fine Art Practices | |
| IVEY M J | The House of Discourse | 1998 | University of Dundee | Contemporary Practice | Christine Atha Laura Hamilton |
| Hubbard S. | The Human Body | 1998 | Bournemouth University | ||
| Alexander G | The Human Factor | 1999 | Wimbledon School of Art | Theatre technical arts | Tim Hunkin |
| Beverley A | The Hunchback | 1997 | Wimbledon School of Art | Theatre costume | John Bloomfield Peter Medak Mandy Pattinkin |
| Richon O | The Hunt | 1995 | Royal College of Art | Critical Practice | |
| Collins H | The Hunter's Space | 2000 | Royal College of Art | Fine Art | |
| HENDERSON K | The Hunters in the Snow | 1998 | University of Dundee | Contemporary Practice | Mateusz Fahrenholz Arthur Watson Alan Woods |
| Wright L. | The Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Surridge M.S. | The Hunting Art Prizes | 2000 | Falmouth College of Arts | ||
| Convery F | The Hunting Art Prizes | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| DEVANE J. | The Hunting art prizes | 1999 | Coventry University | Visual Arts | CUMMINGS, G. KRUT, A. OLIVER, K. |
| Tamburic S | The Hydrating Potential of an O/W Emulsion in Comparison with the Potential of its Constituents | 1999 | The London Institute | Fashion and Textiles | G. Abamba |
| Harding D | The Ill Clad City: Glasgow turns its back on Public Art | 1997 | Glasgow School of Art | Cities and Environments | |
| Dawson G | The Imaginative Geography of Masculine Adventure | 1996 | University of Brighton | Memory, Identity and History | |
| Hanna R | The Impact of CAL Strategies on CAD | 1997 | Glasgow School of Art | Educational Theory and Practice | R Qaqish |
| Otieno RB | The Impact of Legislation on the Clothing Industry Countries: The Case of Liberalisation in Kenya | 1998 | Manchester Metropolitan University | ||
| TIROHL B | The Impact of technology News Picture Production | 1999 | University of Lincoln | ||
| Mee JM | The Impact of the Fall of the Custom Barriers on the UK Fashion Industry | 1999 | De Montfort University | ||
| Turk GJT | The Importance of Being Ernesto | 1999 | The London Institute | Fine Art | |
| Cox GF | The Impossibility of Art Education | 1999 | University of Plymouth | Centre for Visual Computing | Hollands, H. de Rijke, V. |
| Mee JM | The Influence of Traditional Corsetry on Modern Contour Design | 1998 | De Montfort University | ||
| Brierley ES | The Influence of the Research Process upon Design Decisions | 1998 | De Montfort University | ||
| Warr TK | The Informe Body | 2000 | Oxford Brookes University | Theory | |
| Freeman H | The Innominate University | 1999 | De Montfort University | Boys, J | |
| Pirie I | The Integration of New Media Technology in Craft Practice: Taking Crafts into the Millennium | 1999 | Robert Gordon University | Making and Contemporary Culture | Aitken, P. Bunnell, K. |
| HALES C | The Interactive Film-makers Challenge | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Plunkett D | The Interiors of Charles Rennie Mackintosh | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Kirk C | The International Exhibition of Glass, Kanazawa 98, Japan | 1998 | University of Sunderland | Institute for International Research in Glass | |
| Wormald PW | The Internet for Industrial Design Students: A Case Study in Nini, P.J. (ed), Natural Resources | 1995 | Loughborough University | Design Research | |
| Smith J | The Introduction of a Robotic Aid to Drawing into a School for Physically Handicapped Children: a Case Study. | 1996 | Staffordshire University | ARi, School of Art + Design | M J Topping |
| MAIR G | The Iron Way of the State | 1998 | University of Dundee | Digital Technology | George Snow Matt Hulse |
| Talbot E | The Italian Job: Artisti e Architetti Britannici | 1996 | University of Gloucestershire | ||
| Bowett A | The Jamaica Trade: Gillow and the use of Mahogany in the Eighteenth Century | 1998 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Buckley S | The Janet Wolfson de Botton Gift | 1998 | University of Reading | Carl Andre Cindy Scherman Julian Schnabel |
|
| Alexander I | The Jaspan House | 2000 | Glasgow School of Art | Design | McKeown, H |
| Starszakowna N | The Jerwood Prize for Applied Arts | 1997 | The London Institute | Fashion and Textiles | |
| Clegg T | The Jerwood Prize for Applied Arts 1998: Glass | 1998 | Royal College of Art | Applied Art | |
| Ledsham JM | The Jerwood Prize for Applied Arts : Textiles | 1997 | University of Ulster | ||
| Slee R | The Jerwood Prize for Applied Arts: Ceramics | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Brown C | The Jerwood Prize for Applied Arts: Ceramics | 1996 | University of Westminster | Ceramics | |
| Mukaide K | The Jerwood Prize for Glass | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Paolozzi E | The Jesus Works and Store: an attempt to describe an indescribable film | 1996 | Edinburgh College of Art | Fine Art | |
| STEYN J. | The Jew: Assumptions of Identity | 1999 | City University | ||
| IRVINE Z | The Jewel Box | 2000 | University of Dundee | Digital Technology | |
| Zeegan L I | The Journal - A Digital Domain | 2000 | University of Brighton | Visual Communication Design | |
| Francis M | The Jumping Man | 1996 | University of Brighton | Fine Art Practices | |
| Smith JA | The Kiss | 1999 | University of East London | ||
| Smith J | The Kiss | 1999 | The London Institute | Media and Communication | |
| Collins J | The Knocky | 1994 | Wimbledon School of Art | Theatre Design | Roxana Silbert Dominic Tickell |
| Danvers TJ | The Knowing Body: Art as an Integrative System of Knowledge | 1995 | University of Plymouth | Art Process | |
| Williams R | The Krazy Kat Problem | 1997 | Liverpool John Moores University | Art and Design History | |
| Wolff M | The Labour Party | 1996 | The London Institute | Media and Communication | |
| Williams E V | The Ladder | 1997 | University of Reading | ||
| Ferry DD | The Lake District | 1995 | University of Southampton | ||
| Goatman M | The Language of Design for the Identity of Products for the Consumer and Office Market places. | 1996 | University of Hertfordshire | ||
| Crowther P D | The Language of Twentieth Century Art: A Conceptual History | 1997 | University of Central Lancashire | ||
| Sneddon S G | The Large Print Show | 1997 | Sheffield Hallam University | ||
| Porter D | The Last Drawing on the Famous Blackboard - Relating Studio Teaching toResearch | 1996 | Glasgow School of Art | Educational Theory and Practice | |
| Rawlinson IJ | The Last Resting Place of an Anonymous Citizen | 2000 | Manchester Metropolitan University | Crowe N | |
| OWEN P | The Last Show | 1997 | University of Lincoln | ||
| Katz J | The Last Trace | 1998 | University of Brighton | Memory, Identity and History | |
| Blake Q | The Learning Journey | 2000 | Royal College of Art | Communications | |
| Allen L | The Lesbian Idol: Martina, kd and the Consumption of Lesbian Masculinity | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Elwes C | The Liaison Officer | 1997 | The London Institute | Fine Art | |
| Snell R | The Lie of the Land | 1997 | Bath Spa University College | ||
| Briggs P M | The Life Cycle off the Salmon: from egg to smolt | 1998 | Nottingham Trent University | Design | |
| Waugh A | The Light | 1999 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Wilson R | The Light Rain is on the Light Dust New Landscapes | 2000 | Manchester Metropolitan University | Hyatt J | |
| Stamp G | The Light and Truth of Beauty: the Lectures of Alexander Greek Thomson | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| JONES P S | The Lighthouses of Scotland | 1998 | University of Dundee | Contemporary Practice | Lighthouse Board Lighthouse Museum, Fraserburgh |
| Hooker C | The Lightning Panel | 1999 | University of Brighton | Natural and Constructed Environments | |
| Morra G | The Limits of Death: Between Philosophy and Psychoanalysis | 2000 | Oxford Brookes University | Theory | Marquard Smith Mark Robson |
| McDowell C | The Literary Companion to Fashion | 1995 | The London Institute | Fashion and Textiles | |
| Roberts E | The Liverpool Academy and Other exhibitions of Contemporary Art in Liverpool 1774-1867. A History and Index of Artists and Works exhibited | 1998 | Liverpool John Moores University | Art and Design History | E Morris |
| WILLIAMS M.D. | The London subterranean | 1999 | Coventry University | Design | |
| Julien I | The Long Road to Mazatlan | 2000 | Oxford Brookes University | Creative Practice | Javier de Frutos (choreographer) |
| SCRIVENER S. | The Lookingglass distributed shared workspace | 1994 | Coventry University | The Design Institute | CLARK, S.M. KEEN, N. |
| Taylor E P | The Lost Arts of Europe: The Haslemere Collection of European Peasant Art | 2000 | University of Brighton | Memory, Identity and History | D Crowley |
| Lintern D | The Lost Vegas Series | 1998 | Wimbledon School of Art | Theatre Design | Julie Jensen Hilary Baxter Christian Rutland |
| Baxter H | The Lost Vegas Series | 1998 | Wimbledon School of Art | Theatre costume | Julie Jensen Dawn Lintern Christian Ruland |
| Horn D | The Love Potion | 1999 | Wimbledon School of Art | Theatre Design | |
| McInnerney M | The Love and Worry Show | 1999 | Bath Spa University College | Vyner, T. Knight, L. Scheffler, A. |
|
| Reid H F | The Machining Properties of Rubberwood Laminated Veneer Lumber (LVL) | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam J Perkins M |
| Strowbridge B | The Madness of King George | 1994 | The London Institute | 3-Dimensional and Environmental Design | |
| MacKinnon-Day P | The Mag Collection | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| Horn D | The Magic Flute | 1998 | Wimbledon School of Art | Theatre Design | |
| Gunn J | The Magic Toyshop | 1999 | Wimbledon School of Art | Theatre Design | Francis Goby |
| Jeff P A | The Mal Pope Show | 1994 | Swansea Institute of Higher Education | Design | McDonough, E |
| Ten Brink J | The Man who Couldn't Feel and Other Tales | 1997 | University of Westminster | Visual Media | |
| Dickie P | The Man who Cried | 2000 | Wimbledon School of Art | Theatre costume | |
| Brett DB | The Management of Colour:The Kashmir Shawl in a 19th Century Debate | 1998 | University of Ulster | ||
| Herbert A.T. | The Manufacture and Design of Victorian Tiles in Relation to their Conservation | 1996 | University of Wolverhampton | Ceramics | |
| Knight L M | The Mare's Tale. | 2000 | Staffordshire University | ARi, School of Art + Design | M. Wouda A. Craddock M. de Vries |
| Howard P | The Master Builder | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Paul R | The Masters of Graphic Arts, 4th International Biennial Gyor, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| MALLINDER H | The Mat as Non-Conventional Interface | 2000 | Middlesex University | H Jones | |
| Draper C | The Matrix of Amnesia | 1997 | Kingston University | ||
| Tabor EC | The Matrix of Confusion - A Classification of robot movement | 1996 | Brunel University | Design Pedagogy | JR Wilson |
| Jackson B | The Matter in Hand | 2000 | Royal College of Art | Design for Manufacture | |
| Dagworthy W | The Matter in Hand | 1999 | Royal College of Art | Design for Manufacture | |
| Griffiths I | The MaxMara Collection Autumn/Winter 1999/2000 | 1999 | Kingston University | ||
| Griffiths I | The MaxMara Collection Autumn/Winter 2000/01 | 2000 | Kingston University | ||
| Griffiths I | The MaxMara Collection Spring 2001 | 2000 | Kingston University | ||
| Griffiths I | The MaxMara Collection Spring/Summer 2000 | 1999 | Kingston University | ||
| Sabin RJ | The Media: An Introduction | 1998 | The London Institute | Media and Communication | |
| Hoek K. | The Mediated Image: Watching Kluge on TV | 1998 | University College London | Fine Art Media | Renee Turner |
| Olsen GR | The Miami Wall-Paintings | 1996 | Oxford Brookes University | Creative Practice | |
| Dodds R | The Midnight Clowns | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Rome R | The Millennium Fountain | 2000 | Royal College of Art | Fine Art | |
| Seawright P | The Missing | 1997 | University of Wales College, Newport | Photography | Reneke Dijkstra (NL) Wendy Ewald (USA) |
| Brindley TS | The Modern House in England | 1999 | De Montfort University | ||
| Collins J | The Modular Condition: Technocracy, art and cultural politics. | 1996 | University of Plymouth | Art Process | |
| Baddeley O | The Monastery of Saint Catherine | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Earleen Brunner |
| Field B | The Morphology of Planning in an Urban Laboratory | 1999 | De Montfort University | ||
| Rushton E | The Mule | 1997 | Falmouth College of Arts | Derek Tyman Roman Vasseur |
|
| Prince N | The Mule | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| Davison M A | The Mule. | 1997 | Staffordshire University | ARi, School of Art + Design | D. Tyman E. Rushton |
| MacGregor B | The Multimedia Microwave Oven: Reflections on Audio-Visual Delivery Systems | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Davey G | The Multiple Store, Limited Editions of Contemporary British Art | 1999 | University of East London | ||
| Beverley A | The Mummy | 1999 | Wimbledon School of Art | Theatre costume | John Bloomfield Stephen Sommers Brendan Fraser |
| Fern D | The Museum of the New Millennium | 1999 | Royal College of Art | Communications | |
| McIver MT | The Muster Project | 1998 | University of Ulster | ||
| CARR R J M B | The Myths of Scottish Design | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | |
| MATTHEWS G | The Naked Truth, Metephors of Space, Complexity and Communication | 1996 | University of Lincoln | ||
| Brooks J | The Nat West Art Prize | 1999 | University of Gloucestershire | ||
| Snell R | The NatWest Art Prize | 1997 | Bath Spa University College | Chambers, S. Francis, M. Martin, J. |
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| PARTINGTON M | The National Electronic and Video Archive of the Crafts | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| PARTINGTON M | The National Electronic and Video Archive of the Crafts (NEVAC) Website | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Bryson W.N. | The Natural Attitude | 1999 | University College London | Art History and Theoretical Studies | |
| Robertshaw S | The Nature of History | 1995 | Liverpool John Moores University | International Centre for Digital Content | |
| Norman EW | The Nature of Technology for Design | 1998 | Loughborough University | Design Education | |
| Quick C | The Navigator | 1999 | University of Central Lancashire | ||
| Blair N S P | The New Business of Design | 1999 | University of Northumbria at Newcastle | Theoretical Studies (5b) | |
| McNally NP | The New Design Role to Emerge in the 21st Century: Reflections Upon the 2nd China Furniture Design Competition | 2000 | Glasgow School of Art | Design | |
| Black S | The New Knitting | 1998 | The London Institute | Fashion and Textiles | |
| Forresta D | The New Space of Communication, the Interface with Culture and Artistic Creativity. | 1995 | Wimbledon School of Art | Research Centre | Alain Mergier Bernhard Serexhe |
| Selwood S J | The New White - Contemporary Studio Porcelain | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Powell G | The New Yorker | 1999 | The London Institute | Media and Communication | |
| Powell G | The New Yorker | 1999 | University of Brighton | Visual Communication Design | |
| Garcia D R | The Next Five Minutes (2) | 1996 | University of Portsmouth | Centre for New Media Research | |
| Manchot M | The Nude | 1999 | The London Institute | Fine Art | |
| Brown C | The Nude in Clay 2 | 1998 | University of Westminster | Ceramics | |
| Pointer MR | The Number of Discernible Colours | 1998 | University of Westminster | Imaging Technology | |
| Wiltshire H | The Object of our Affection | 1999 | Royal College of Art | Fine Art | |
| Sabin AM | The Open Sea | 1997 | The London Institute | Fine Art | |
| Robertshaw S | The Order of Things | 1996 | Liverpool John Moores University | International Centre for Digital Content | |
| Petherbridge D | The Outline around the Shadow | 1997 | Royal College of Art | Critical Practice | |
| MCGILVRAY R | The Overgate Bronzes Project - Curatorship | 1999 | University of Dundee | Industry and the Public Sector | |
| Gibson PM | The Oxford Guide to Film Studies | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | Professor John Hill |
| Tchalenko J | The Painter''s Eye | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | Humphrey Ocean |
| Ocean H | The Painter's Eye | 1999 | The London Institute | Fine Art | John Tchalenko |
| Bick A | The Palaver | 1998 | University of Gloucestershire | Gad Hollander | |
| Graham B | The Panic Button: Back to the Future of Pornography | 1995 | University of Sunderland | Photography | |
| McKee F | The Paracelsian Kitchen | 1998 | Glasgow School of Art | Historical and Critical Enquiry | |
| Woropay V | The Park of the Future | 1999 | Wimbledon School of Art | Sculpture | |
| Davey Winter J | The Passage of Time - A Sense of Place | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Souleles N | The Past, the Present and the Future | 1997 | Cumbria College of Art + Design | ||
| Trodd C | The Paths to the National Gallery | 2000 | University of Sunderland | Fine Art | |
| MACDONALD M J S | The Patron, the Professor and the Painter: cultural activity in Dundee at the close of the nineteenth century. | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | Whatley, C A Baillie, M McKean, C |
| Watt JMA | The Penguin Book of 20th Century Fashion Writing | 1998 | The London Institute | Fashion and Textiles | |
| Cowan ER | The People and the Process | 1998 | De Montfort University | ||
| Kinmonth C | The Peppard Women: Kerry Wood-Carvers of the Nineteenth Century | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Conreen MJ | The Performance of Objects. | 1998 | Goldsmiths College | ||
| Todd G | The Persistence of Painting | 1995 | Edinburgh College of Art | Fine Art | |
| Hart J | The Persona Non Grata Who Lives on the Web | 1995 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Grainger H J | The Perspective Drawing and English Domestic Architecture of the 1880s. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Lewin A | The Phoenix in the Ashes: A Buffalo Story | 1999 | Dartington College of Arts | ||
| Blakemore J | The Photographs of John Blakemore | 1998 | University of Derby | Centre for Research in Film and Photography | |
| TIROHL B | The Photojournalist and the Changing News Image | 2000 | University of Lincoln | ||
| PARRAMAN C | The Photomechanical Print as a Conservable Output | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Harvey J | The Pictorial Bible 1: Settings of the Psalms | 2000 | University of Wales, Aberystwyth | ||
| Lintern D | The Pigeon Banquet | 1995 | Wimbledon School of Art | Theatre Design | Theatre Pod Waterman's Arts Centre Halldor Laxness |
| Lewis M | The Pitch | 2000 | The London Institute | Fine Art | |
| Brett DB | The Plain Style: The Reformation, Culture and the Crisis in Protestant Identity | 1999 | University of Ulster | ||
| Hubbard S. | The Planets | 1999 | Bournemouth University | ||
| Judge V | The Planiverse, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Scott PC | The Plate Show | 1999 | University of Newcastle | Hamilton L | |
| Chipperfield J | The Plate Show | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Brown W | The Plate Show: group exhibition | 1999 | Glasgow School of Art | The Decorative Arts | I. McCulloch |
| GARDINER L | The Play | 2000 | University of Dundee | Contemporary Practice | Monica Hughs |
| Toren A | The Pleasure of Aesthetic Life | 1996 | University of Reading | Anya Gallaccio Daniel Spoerri John Wilkins |
|
| De Oliveira N | The Pleasure of our Company | 1997 | London Guildhall University | ||
| Newton S J | The Politics and Psychoanalysis of Primitivism publication | 1995 | University of Northumbria at Newcastle | Painting (1a) | |
| Dawson G | The Politics of War Memory and Commemoration: Contexts, Structures and Dynamics | 2000 | University of Brighton | Memory, Identity and History | T Ashplant M Roper |
| Jurack B | The Possibility of a Potato | 1999 | University of Newcastle | ||
| Pepperell R | The Post-Human Conception of Consciousness: a 10-point guide | 2000 | University of Wales College, Newport | CAiiA | |
| Pepperell R | The Post-Human Condidtion | 1995 | University of Wales College, Newport | CAiiA | |
| Pepperell R | The Postdigital Membrane: Connecting magination, technology and desire | 2000 | University of Wales College, Newport | CAiiA | M Punt |
| Punt M | The Postdigital membrane: connecting imagination, technology and desire. | 2000 | University of Wales College, Newport | CAiiA | R Pepperell |
| Cranston A | The Poster Show | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Beverley A | The Postman | 1997 | Wimbledon School of Art | Theatre costume | John Bloomfield Kevin Costner |
| Baker S C | The Postmodern Animal | 2000 | University of Central Lancashire | ||
| Ogden S | The Potters Pallette | 1996 | Cumbria College of Art + Design | ||
| McDermott C | The Power of Erotic Design | 1997 | Kingston University | ||
| GUY A | The Power of Images - Die Kraft der Bilder | 1996 | University of Dundee | Contemporary Practice | Alison Watt Ken Currie Jock McFadyen |
| Beale J | The Power of Print | 1998 | University of Gloucestershire | ||
| Cairns B | The Power of Words and Signs: A is for Alien Abduction: group exhibition | 1996 | Glasgow School of Art | Principles of Drawing | |
| SCULLION L | The Pressure of Spring | 1999 | University of Dundee | Coastal/Indigenous Cultures | Dalziel, M |
| O'Neill A | The Prints of Patrick Caulfield | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| McDermott C | The Product Book | 1999 | Kingston University | ||
| Reid H F | The Productivity Myth in Furniture Manufacturing | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam J |
| Buckley T | The Progress of the Book | 1997 | The London Institute | Media and Communication | |
| McKAY A | The Promise | 1998 | University of Lincoln | ||
| Snell R | The Promised Land | 1997 | Bath Spa University College | ||
| Griffiths M. A. N. | The Propietor's Daughter (Trojan Horse) | 2000 | Wimbledon School of Art | Painting | Tomoko Takahashi Julian Opie Simon Faithful |
| Kaylan M | The Public Act | 1999 | University of Brighton | Pedagogic Research | |
| Stevenson M | The Public Art Observatory: Designing in Public | 1998 | University of Plymouth | Design + Innovation | |
| Sykas PA | The Public Require Spots: Modernism and the 19th Century Calico Designer | 1998 | Manchester Metropolitan University | ||
| Morris S.M. | The Purpose of Blue | 2000 | University College London | Fine Art Media | |
| Bruton J | The Question of Scale | 1996 | University of Southampton | ||
| Petherbridge D | The Quick and the Dead: Artists and Anatomy | 1998 | Royal College of Art | Critical Practice | |
| Chadwick J | The Quinton and Chadwick Knitwear Collection Autumn/Winter 2000 - 'Alpine Trekking' | 2000 | Kingston University | ||
| Birrell R | The Radical Negativity and Paradoxical Performativity of Postmodern Iconoclasm: Marcel Duchamp and Antonin Artaud | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Southam JV | The Raft of Carrots | 1996 | University of Plymouth | Site, Space, Location, Place | |
| Travers K | The Ramayana directed by Kath Travers | 1997 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| McDonald G | The Rat Archive | 2000 | Southampton Institute | ||
| Britton A | The Raw and the Cooked - New Work in Clay in Britain | 1994 | Royal College of Art | Applied Art | |
| Hitchen J | The Realm of Fear | 2000 | Liverpool John Moores University | Graphic Arts | Garside,C Crow,D |
| Lewandowski S | The Rebabeliser | 1997 | Nottingham Trent University | Visual Arts | Hull-time based Arts and Yorkshire Arts |
| SPENS M | The Recovery of the Modern: Architectural Review 1980-1995 Key Text and Critique | 1996 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Ainsley S | The Red Space, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Patten B | The Rediscovery of Ritual, Embroidery and Architecture in the 19th Century | 1996 | Bolton Institute of HE | J Barry | |
| Simpson M | The Reflective Surface. | 1999 | Goldsmiths College | ||
| Macleod K | The Relationship of Making to Writing | 1999 | University of Plymouth | Art Process | |
| Cooper SA | The Religious Bit 10 x 48 x 7 inches | 1999 | University of Southampton | ||
| Boddington A D M | The Remaindered Landscape | 1998 | University of Brighton | Natural and Constructed Environments | |
| Rampley M | The Remembrance of Things Past. On Aby M. Warburgh and Walter Benjamin | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Ainsworth MD | The Repeated Disappearance of Painting | 2000 | University of Ulster | ||
| Gillham W | The Research Interview | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Shaw R | The Rewards of Integration: two case studies of incorporating learning technologies into existing courses. | 1996 | Glasgow School of Art | Educational Theory and Practice | N. Tomes |
| Barraclough J | The Right One | 2000 | Liverpool John Moores University | Audio-visual | Nedkova, I |
| Sonnabend Y. | The Rite of Spring | 1999 | University College London | Theatre Design | |
| Harper J W | The River and Figurative. | 1995 | University College Northampton | Fine Art Practices | |
| Dixon S | The Roast Beef of Old England | 1997 | Manchester Metropolitan University | Slee R Yasuda T |
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| Prowse P. | The Robbers | 1998 | University College London | Theatre Design | |
| McClenaghen J | The Roebuck Collection | 1996 | North East Wales Institute of Higher Education | Art and Design | |
| HUXOR A | The Role of 3-D Shared Worlds in Support of Chance Encounters in CSCW | 1999 | Middlesex University | ||
| HUXOR A | The Role of Artificial Intelligence as 'Text' within Design | 1998 | Middlesex University | P Rogers | |
| Herbert A.T. | The Role of Ceramic Tiles in Architecture in the Twentieth Century | 1999 | University of Wolverhampton | Ceramics | |
| Otieno RB | The Role of Garment Sizing in the Creation of Consumer Satisfaction: Indications from Focus Group Responses | 2000 | Manchester Metropolitan University | ||
| BALCIOGLU T | The Role of Product Design in Post Industrial Society | 1998 | Kent Institute of Art + Design | Victor Margolin Dieter Rams Ezio Mansini |
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| Coward T | The Role of Regional Characteristics in Industrial Design Education | 1997 | University of Wales Institute, Cardiff | Ceramics | S Ruano |
| Gillham W | The Role of Research in Schools of Art and Design: The Implications from Practice | 1996 | Glasgow School of Art | Educational Theory and Practice | A. MacDonald |
| WOLMARK J | The Romance of Nanotechnology | 1996 | University of Lincoln | ||
| Taylor M | The Room of Answers | 2000 | The London Institute | Fine Art | |
| Gibbs E | The Room of Patience | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| COLLINS B C | The Royal Game of Life | 1997 | University of Dundee | Contemporary Practice | |
| Surridge M.S. | The Royal Overseas League Annual Exhibition | 1998 | Falmouth College of Arts | ||
| Martina T | The Royal Society of Painter-Printmakers | 1998 | University College Northampton | Fine Art Practices | |
| Barker I | The Royal Watercolour Society: The Last 10 Years | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Nicol EJ | The Rubber Band Project. | 1997 | University of Plymouth | Site, Space, Location, Place | |
| Horrocks C | The Sacralisation of Sight: Brian McCann's 'Dusting the Giant' | 1999 | Kingston University | ||
| Phillips ML | The Sadeian Interface: Computers and Catharsis | 2000 | University of Plymouth | STAR | |
| Clarkson C | The Safe Handling and Display of Medieval Manuscripts and Early Printed Books | 1996 | The London Institute | Media and Communication | |
| Broadway G | The Salt Passages | 1999 | University of Sunderland | Photography | |
| Phenix A | The Science and Technology of the Cleaning of Pictures: Past, Present and Future | 1998 | Royal College of Art | Conservation | |
| MOODY E.H. | The Scope + Impact of Management in the Arts | 1998 | City University | ||
| OAKENFULL M | The Scottish Mining Museum | 1999 | University of Lincoln | ||
| Kondracki H | The Scottish Renaissance | 1996 | Edinburgh College of Art | Fine Art | |
| Moffat A | The Scottish Renaissance, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Sabin AM | The Sea of Sun | 1999 | The London Institute | Fine Art | |
| Dinan Spencer C | The Seal Singer | 1996 | The London Institute | Media and Communication | |
| Birrell R | The Second International Festival of Avant-Garde and Experimental Art, group exhibition | 1998 | Glasgow School of Art | Fine Art | Dominic Hislop |
| Hussey P | The Selborne Yew Altar | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Sprung S | The Serpent | 1997 | Sheffield Hallam University | ||
| Putnam T J | The Sewing Machine Comes Home | 1999 | University of Portsmouth | Memory, Identity and Material Culture | |
| Pavitt J | The Shape of Colour: Red | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Bougourd J | The Shape of Things to Come | 2000 | The London Institute | Fashion and Textiles | Pauline Frost Peter Grant-Ross Sue Thomson |
| Southam JV | The Shape of Time. Rockfalls, Rivermouths + Ponds. | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Buck J | The Shape of the Century - 100 years of sculpture in Britain | 1999 | Southampton Institute | ||
| Power M | The Shipping Forecast | 1997 | University of Brighton | Memory, Identity and History | |
| Chandler D | The Shipping Forecast | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Brierley ES | The Significance of Memorable Urban Spaces for the Sustainable Development of Dwellings | 1999 | De Montfort University | ||
| COOKE R | The Silver Tassie, Nixon in China, The Prisoner | 1999 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Cassidy T | The Simulation of the Geometry of Two-component Yarns. Part II: Fibre Distribution in the Yarn Cross-section | 1997 | De Montfort University | Grishanov, S.A. Lomov, S.V. Harwood, R.J. |
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| Geesin R | The Singing Bridge | 1997 | University of Portsmouth | Centre for Sound and Experimental Environments | Chris Wilkinson Brian Johnson |
| LOWE N | The Sitting Room | 1997 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Mitchell C | The Sixth Taiwan Golden Ceramics Awards | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Slight N | The Skin of the White Lady | 1996 | University of Gloucestershire | ||
| Rohr D | The Sleep of Reason | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | Stromberg, G. |
| Orr C | The Small Titanic and Other Works | 1994 | Royal College of Art | Fine Art | Kevin Whately |
| Walsh BF | The Snake in the Grass/Raising Dirt | 1999 | Goldsmiths College | Greenhill, J. | |
| Ashton P C | The Social Aspects of Design Learning - Assessing the Value of the Studio in Undergraduate Design Education. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Brierley ES | The Social Impact of a Deck Housing Project: Park Hill, Sheffield | 1997 | De Montfort University | ||
| Smy E | The Sol-Gel Process | 2000 | University of Hertfordshire | ||
| Piddington A | The Soldier's Story | 1996 | Kingston University | ||
| Forresta D | The Souillac Conferences | 1997 | Wimbledon School of Art | Research Centre | The Council of Europe The European Commission The International Telecommunication Union |
| MacWilliam S J I | The Sound of Bells and Bellies: Acoustic Authority and Sound Effects | 1998 | Nottingham Trent University | Visual Arts | |
| Ballantyne T | The Sound of Trees | 1997 | University of Gloucestershire | ||
| Purbrick L | The South Kensington Museum: The building of the house of Henry Cole | 1994 | University of Brighton | Design History, Criticism and Theory | |
| BELL S. | The South Seas and a box of paints | 1996 | Coventry University | Design | BEWICK, P. MUSCAT, C. BORLENGHI, P. |
| Stanley N | The South-East Asian 'Living Museum' and its Antecedents | 1997 | University of Central England in Birmingham | Art Education Research Group | |
| Allan J | The Sows Ear, the Ivory Tower and the Enlightened Benefactor | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Boshier C | The Space Between | 1998 | University of Newcastle | ||
| Hanna S J | The Space Between the Frames | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| BRADLEY P | The Space Here is EVERYWHERE: Art with Architecture | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Phillips ML | The Spectactor Project: a multi-user narrative in 'Mediaspace'. | 2000 | University of Plymouth | STAR | Ride P Turley S Lavelle M |
| PHOCA S | The Sphinx without the Riddle | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | John Gange |
| McClenaghen J | The Spirit of Bradford | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| WOOD T | The Spirit of Place | 1994 | Bretton Hall | FINE ART (PAINTING) | |
| BIGGS I | The State of the Art: Art Education and Radical Imagination | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| QUINE M | The Statistical Needs of the Scottish Cultural Agencies | 1999 | City University | ||
| McGowan A | The Story of a Nation | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Cawthorne DA | The Strategic Implications for Large Dynamically Insulated Buildings in Cities | 1997 | De Montfort University | Mulligan, H. | |
| SUMMERTON E | The Strict Nature Reserve | 2000 | University of Dundee | Contemporary Practice | |
| Kinnell F | The Student Experience | 1994 | De Montfort University | ||
| Parker D R | The Stuff of Life: the Life of Stuff the Material Imagination. Roy Wenzel A Psychological Perspective | 2000 | University College Northampton | Contemporary Art Criticism | |
| HOLT J | The Subjective Image: The impossible science of being, Dialogues between Anthropology and Photography | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| Birdsey CL | The Suitability of Employing Digital Technology for Accessing Photographic Collections | 1999 | University of Westminster | Imaging Technology | Golding A Jacobson RE |
| Bevan A | The Sum of All Parts | 1994 | Edinburgh College of Art | Fine Art | |
| Logue L | The Super Deluxe Selection | 2000 | Southampton Institute | ||
| Bolton A | The Supermodern Wardrobe | 2000 | The London Institute | Fashion and Textiles | |
| Romans PA | The Suspension Bridge at Iguazu Falls | 1999 | The London Institute | Media and Communication | |
| Fulcher R | The Swirle Pavilion | 1998 | University of Sunderland | Fine Art | |
| Moore S | The Symphony Range | 1995 | University of Ulster | William Lee | |
| Fletcher K | The T shirt interactive. | 1997 | Goldsmiths College | ||
| Jackowski A | The Table | 1997 | University of Brighton | Memory, Identity and History | |
| Rowland C | The Tail That Wagged the Dog, solo CD ROM | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | John Isbell |
| Beavan J | The Takeo Region International Art and Culture Exchange Program 1999 | 1999 | Falmouth College of Arts | ||
| Gant R | The Talascape Project | 1996 | Liverpool John Moores University | Painting and Sculpture | |
| Roper G S | The Tallest Tree in the Karelian Forest | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Hoppa, H |
| Williams R | The Tasting Garden | 1998 | Cumbria College of Art + Design | ||
| Macleod K | The Teaching Subject: Reviewing Art History within Postmodernism. | 1995 | University of Plymouth | Art Process | |
| Swales V | The Team in the Stand building new community heritage sites through interactive multi media | 1999 | University of Portsmouth | Centre for Creative Empowerment | Chris Golya |
| Ascott R | The Technoetic Dimension of Art | 1998 | University of Wales College, Newport | CAiiA | |
| Thompson R | The Technology of Paper Recycling | 1997 | The London Institute | Fine Art | |
| Hodgson J | The Text Garden | 1998 | Liverpool John Moores University | Painting and Sculpture | A Douglas |
| Black G | The Thackray Medical Museum | 1997 | Nottingham Trent University | Design | |
| QUINE M | The Theatre System of the United Kingdom | 1998 | City University | ||
| Keir S | The Theory and Practice of Costume Cutting | 1997 | The London Institute | Fashion and Textiles | |
| COLLINS B C | The Therapeutic Garden | 2000 | University of Dundee | Contemporary Practice | Donald Norfolk |
| Lee RA | The Theremin Lesson | 2000 | Oxford Brookes University | Creative Practice | |
| Hansbro BP | The Third Ark | 1997 | University of Southampton | ||
| Woolley M | The Thoughtful Markmarker-Representational Design Skills in the Post Information Age. | 1999 | Goldsmiths College | ||
| Kemp SWJ | The Three Bears | 2000 | The London Institute | ||
| Hurlstone IN | The Three Corks: group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Lowe J | The Three Landscapes | 1997 | University of Brighton | Natural and Constructed Environments | |
| Treplin A | The Three Sisters | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Dixon S | The Tib Street Redevelopment Project | 1996 | Manchester Metropolitan University | ||
| Bailey M | The Tourer for the Next Millennium | 1998 | University of Northumbria at Newcastle | Automotive Design (4a) | |
| Newman MOJ | The Trace of Trauma: blindness, testimony and the gaze in Blanchot and Derrida | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Patterson RW | The Tragic Legacy in Architecture | 1999 | De Montfort University | ||
| Patterson RW | The Tragic in Architecture, AD | 2000 | De Montfort University | ||
| Garcia D R | The Translation Machine | 1997 | University of Portsmouth | Centre for New Media Research | |
| Roy I B | The Trappers' Hut, 'Snaddheimen', Kejser Franz Joseph Fjord | 2000 | University of Brighton | Natural and Constructed Environments | |
| Walden J | The Trauma that is Art | 1998 | University of Portsmouth | Art and Philosophy | |
| Williams D | The Travel Show, John Brown Publishing | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Hodge M | The Travelling Box Show | 1996 | Edinburgh College of Art | Fine Art | |
| Speed S | The Travels of the Anatomist: Allegory, Discovery and William Harvey | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Thomas P | The Trojan War | 1998 | University of Gloucestershire | ||
| Thomas P | The Trojan War Drawings | 1999 | University of Gloucestershire | ||
| WALLINGER M | The Turner Prize | 1995 | University of Oxford | ||
| Ofili C | The Turner Prize | 1998 | Royal College of Art | Fine Art | |
| Doig P | The Turner Prize | 1994 | Royal College of Art | Fine Art | |
| Breen LV | The UN Convention against Torture | 2000 | Brunel University | Polymedia Design | |
| Shankie J | The Unbelievable Truth, group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Devine K J | The Union Street Haphazard History Machine, interactive installation | 2000 | University of Portsmouth | Centre for Creative Empowerment | Martin Sumner |
| Kerr J | The Unknown City: Contesting Architecture and Social Space | 2000 | Royal College of Art | Architectural Design | Borden, I Rendell, J |
| Boyce-Kwok S | The Unmapped Body | 1998 | University of East London | ||
| James D | The Upholsterers Pocket Reference Book | 1995 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Cooper A M | The Use of Alias in Industrial Design and the Benefits of an Integrated Solids/Surfacing Methodology | 2000 | University of Northumbria at Newcastle | Photography (1b) | Siodmok, P |
| Pickwoad N | The Use of Fragments of Medieval Manuscripts in the Construction and Covering of Bindings on Printed Books | 1998 | The London Institute | Media and Communication | |
| Thompson R | The Use of Neural Networks in an Image Analysis System to Distinguish Between Laser Prints and their Photocopies | 2000 | The London Institute | Media and Communication | Dr Andrew Manning Dr Jack Tchan |
| Manning A | The Use of Neural Networks in an Image Analysis System to Distinguish Between Laser Prints and their Photocopies | 2000 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Sandino L | The Use of Plastics in Craft | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Nuala Jamison |
| WALKER D B | The Use of Shingles as a Roof Covering in Medieval Scotland | 2000 | University of Dundee | Coastal/Indigenous Cultures | |
| Nicolle CA | The Use of USERfit Methodology to Teach Usability Guidelines in Vanderdonckt, J and Farenc, C. (eds) Tools for Working with Guidelines | 2000 | Loughborough University | Design Ergonomics | Abascal, J. |
| Rutherford S | The User Culture - The User As Designer | 1999 | Nottingham Trent University | Design | |
| Miles MFR | The Uses of Decoration: Essays in the architectural everyday | 2000 | University of Plymouth | Art Process | |
| Ferris M | The VIII International Conference on Environmental Psychology.Electronic Environments: Place, Memory and Identity. | 1998 | University of Hertfordshire | ||
| Ledger RA | The Validation of a Questionnnaire for the Assessment of Individual Differences in Pet Dogs | 1999 | Brunel University | Interaction Design | |
| FEIST A. | The Value of Music | 1996 | City University | Laing D. Dane C. |
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| Cummings N | The Value of Things | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | Marysia Lewandowska |
| Harris D. I. | The Vauxhall Gardens | 1998 | Wimbledon School of Art | Painting | Peter Fillingham Guy Brett Boijamans van Beunningen |
| SPENS M | The Viipuri Library (1927-35) by Alvar Aalto | 1994 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Gale C | The Viking Saga of Harri Bristlebeard | 1997 | Kingston University | ||
| Wood J | The Virtual Embodied. | 1998 | Goldsmiths College | ||
| Quickenden K | The Virtual Gallery of Contemporary Jewellery | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Gray S | The Virtual Reality Design Studio | 1997 | Nottingham Trent University | Fashion and Textiles | |
| GATES-STUART E | The Virtual Umbrella | 1996 | University of Lincoln | Clive Barstow | |
| Ryan S | The Virtual University: The Internet and Resource-Based Learning | 2000 | De Montfort University | Scott, B Freeman, H Patel, D |
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| Freeman H | The Virtual University: The Internet and Resource-Based Learning | 2000 | De Montfort University | Ryan, S Scott, B Patel, D |
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| Rodriguez J | The Visit: Cross Channel Photographic Mission | 1996 | The London Institute | Media and Communication | Anne McNeil |
| Beardon CE | The Visual Assistant | 2000 | University of Plymouth | Centre for Visual Computing | Gollifer, C. Rose, C. Worden, S. |
| Catto MA | The Visual Commentary as a bridge between two practices | 1998 | University of Ulster | ||
| HALES C | The Visual Extension of the Photographic Image | 1998 | University of West of England, Bristol | Digital Media Research Centre | |
| Coulter-Smith G | The Visual Narrative Matrix: Interdisciplinary Collisions and Collusions | 1999 | Southampton Institute | ||
| PAUL J M | The Visual Questionnaire: an Innovation in Design Research | 1998 | University of Dundee | Industry and the Public Sector | Dr Nomana Anjum Roland Ashcroft |
| ASHCROFT R J | The Visual Questionnaire: an Innovation in Design Research | 1998 | University of Dundee | Industry and the Public Sector | Jeanette Paul Dr Nomana Anjum |
| MACDONALD M J S | The Visual Thinker: Patrick Geddes | 1995 | University of Dundee | Critical, Historical and Theoretical Debate | Johnston, A Macmillan, D Harada, M |
| ORourke D | The Waistband, solobook of poems | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Zschenderlein H | The Walberswick Detectives | 1996 | University of Brighton | Visual and Performing Arts | |
| Hyatt J | The War for the World Four | 1998 | Manchester Metropolitan University | ||
| Smith JA | The Waste Land | 1999 | University of East London | ||
| Smith J | The Wasteland | 1999 | The London Institute | Media and Communication | |
| DALZIEL M N | The Way Stations | 1997 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L |
| MURPHY J | The Way Up and The Way Down | 1999 | University of Oxford | ||
| Murphy J | The Way Up and the Way Down. | 1999 | Goldsmiths College | ||
| Lewin A | The Way to a Man's Heart is through His Stomach | 1996 | Dartington College of Arts | ||
| Best A | The Wedding Project | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Vincentelli M M | The Welsh Dresser: a case study | 2000 | University of Wales, Aberystwyth | ||
| Beauchamp PM | The Welsh Lens - An exploration of photovisual media in Wales | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Crawford A | The Welsh Lens: 12 Contemporary Photographers from Wales | 1997 | University of Wales, Aberystwyth | ||
| Cheeseman D | The Wherewithall | 1998 | University of Reading | ||
| Cheeseman D | The Wherewithall | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Stubbs N | The White Room (drama, 14 mins, 16mm film, 1995) | 1995 | Staffordshire University | ARi, School of Art + Design | R. Tillotson |
| Bonham Carter E | The Whitechapel Open | 1999 | University of Reading | Simon Faithfull Melanie Manchot Elizabeth Price |
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| Barnbrook J | The Wilde Years: Oscar Wilde and the Art of his Time | 2000 | Kingston University | ||
| Yetton CCW | The Windows of the Brandon Estate: an elegy to tall buildings | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Newman A | The Wing of the Wind of Madness Sensible Ellipse of Lost Origin. | 1998 | Goldsmiths College | ||
| Halstead JD | The Woman Composer: Creativity and the Gendered Politics of Music | 1997 | University of Westminster | Sound Media | |
| Gilmour S | The Woman who Swallowed a Pin | 2000 | Wimbledon School of Art | Theatre Design | Deborah Bruce The Lab Performance group |
| Wright A | The Womens Library - National Library of Womens History | 1999 | Glasgow School of Art | Design | |
| Mantripp C | The Woodcarver's Craft Exhibition | 1996 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Taylor D | The Word on the Street: Advertising, Youth Culture and Legitimate Speech in Drug Education | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Willberg P | The Words of Gilbert and George | 1997 | The London Institute | Media and Communication | |
| Grigor M | The Work of Angels | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Rodrigues CA | The Work of Art in the Age of Mechanical Reproduction | 2000 | University of Plymouth | Centre for Visual Computing | Cox, G. Stancer, P. |
| Catto MA | The Work of the Northern Ireland Film Commission | 1998 | University of Ulster | Judith Elliott, BBC | |
| STEEL E R | The Working Countryside (CD-rom) | 2000 | University of Dundee | Contemporary Practice | Shaw Multimedia Services |
| Potter R | The Workmen's City | 1998 | Wimbledon School of Art | Photography | Patricia Ayre |
| Tillers I | The World Over / Under Capricorn | 1996 | Southampton Institute | ||
| Howell AM | The World Turned Upside Down | 2000 | The London Institute | Fine Art | |
| Lomax Y | The World is Indeed a Fabulous Tale: Yves Lomax - a practice around Photography | 1995 | Royal College of Art | Critical Practice | |
| Dickie P | The World is not Enough | 1999 | Wimbledon School of Art | Theatre costume | |
| Mowatt S | The Woven Image | 1996 | Edinburgh College of Art | Fine Art | |
| Hodge M | The Woven Image: Contemporary British Tapestry | 1996 | Edinburgh College of Art | Fine Art | |
| Mathison F | The Woven Image: Contemporary British Tapestry 4 | 1996 | Edinburgh College of Art | Fine Art | |
| Harris D. I. | The Wreck of Hope | 2000 | Wimbledon School of Art | Painting | Simon Morley Edward Chell Nick Wyatt |
| Leighton P | The Wyndings - Public permanent sculpture | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Granjon P | The Z Labs Presents - The integration of robots with live performance | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| JOURNEAUX J. | The abstract image | 1994 | Coventry University | Visual Arts | LEWIS, S. |
| Lenard JA | The accuracy of CRASH3 for calculating collision severity in modern european cars | 1998 | Loughborough University | Design Ergonomics | Hurley, B. Thomas, P.D. |
| Ashton RG | The application of commercial visualisation software for communicating large-scale civil engineering projects. | 1998 | De Montfort University | ||
| Ashton RG | The application of digital modelling and visualisation methods in communicating proposed infrastructure developments for the motor vehicle logistics sector. | 2000 | De Montfort University | ||
| Parker D R | The art of imagination | 1999 | University College Northampton | Fine Art Practices | |
| Nash M | The art of movement in Force Fields Ed. Guy Brett | 2000 | University of East London | ||
| Stroud RR | The classification of metal transfer mode using neural networks | 1995 | Brunel University | Environmentally Sensitive Design | D Vincent JR McCardle |
| Potter S | The commercial impacts of investment in design | 1997 | Open University | Design and innovation management | R. Roy |
| Kindel E T | The condition of modernity. Review of Paul Renner: the art of typography | 1999 | University of Reading | ||
| Vanke F | The contribution of CDE Fortnum to the Historiography and Collecting of Islamic Ceramics | 1999 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Thomas PD | The definition of crash parameters for an advanced frontal crash test based on real world crashes | 1995 | Loughborough University | Design Ergonomics | |
| Maccaulay J | The demolition of the Western Towers of Glasgow cathedral | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| RICHARDS C.J. | The design and evaluation of an interactive calculator for children | 2000 | Coventry University | The Design Institute | ORTON-FLYNN, S.J. |
| Demaid APA | The design of a networked product by a network of designers | 1999 | Open University | Design and innovation management | P. Quintas |
| Marshall N D | The design, development and production of constructed textiles using non-yarn forms | 1995 | University of Brighton | Materials Practices and Processes | |
| Ashton RG | The development and application of real-time kinematic GPS surveying methods for the recording of site detail at the Ford Halewood plant. | 1999 | De Montfort University | ||
| Osfield R | The development of a new technique or automated 3D restoration for complex structural interpretations | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | F Schafer P A Griffiths A D Gibbs |
| WOODCOCK A. | The development of computer-based tools to support ergonomics in design education and practice | 1997 | Coventry University | The Design Institute | FLYTE, M.G. |
| SCHEIN F. | The discoveries (Parque subway station) | 1995 | Coventry University | Visual Arts | MATTA, F. JORGE, C.S. |
| WRIGHT I. | The effect of distribution bar shape on yarn tension control when spinning conical packages | 1995 | Coventry University | The Design Institute | OKELLO, J. |
| Khan T | The effect on wear behaviour of H13 tool steel surfaces modified using a tungsten arc heat source | 2000 | Brunel University | Environmentally Sensitive Design | SA Rizvi K Matsuura |
| Dyson M C | The effects of line length and method of movement on patterns of reading from screen | 1998 | University of Reading | G. J. Kipping | |
| Dyson M C | The effects of reading speed and reading patterns on our understanding of text read from screen | 2000 | University of Reading | M. Haselgrove | |
| Zellweger C | The ego adorned: 20th century artists | 2000 | Sheffield Hallam University | ||
| SPICER A | The emergence of the British tough guy: Stanley Baker, masculinity and the crime thriller | 1999 | University of West of England, Bristol | Digital Media Research Centre | |
| Twyman M L | The encyclopedia of ephemera: a guide to the fragmentary documents of everyday life by Maurice Rickards, edited and completed by Michael Twyman with the assistance of S. du Boscq de Beaumont and Amoret Tanner | 2000 | University of Reading | ||
| Stiff P | The end of the line: a survey of unjustified typography | 1996 | University of Reading | ||
| Smith M M | The end-title, the early title-page and the wrapper: their interconnections | 1997 | University of Reading | ||
| RICHARDS C.J. | The fundamental design variables of diagramming | 1998 | Coventry University | The Design Institute | |
| MORGAN S | The ghost in the luggage: Wallace + Braveheart: post-colonial | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Frampton RJ | The importance of non struck side occupants in side collisions | 2000 | Loughborough University | Design Ergonomics | Welsh, R.H. Thomas, P.D. Fay, P. |
| Lenard JA | The influence of european air bags on crash injury outcomes | 1998 | Loughborough University | Design Ergonomics | Frampton, R.J. Thomas, P.D. |
| Ashton RG | The integration of differential RTK GPS, terrain modelling software and a geographic information system to facilitate earthworks optimisation and the communication of associated data. | 1999 | De Montfort University | ||
| Potter L | The jeweller who mistook herself for a doctor. | 2000 | Goldsmiths College | ||
| Hill JR | The limitations of current seat belts in Europe. Some population considerations | 1995 | Loughborough University | Design Ergonomics | Mackay, M. |
| Roy R | The long-term benefits of investment in design and product development | 1998 | Open University | Design and innovation management | S. Potter J. Riedel |
| Perkins M | The machine properties of Rubberwood Laminated Veneer Lumber (LVL) | 1997 | Brunel University | Environmentally Sensitive Design | J Ratnasingham HF Reid |
| Cook R | The mediated manufacture of an 'avant-garde': a Bourdiesian analysis of the field of contemporary art in London, 1997-9 | 2000 | University of Reading | ||
| Mosley J M | The nymph and the grot: the revival of the sanserif letter | 1999 | University of Reading | ||
| THOMPSON K. | The paired horsemen | 2000 | Coventry University | Visual Arts | DUPREE, WALLER, |
| Dinsmore-Tuli U | The pleasures of 'home cinema' or watching movies on telly: an audience study of cinephiliac VCR use. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| RICHARDS C.J. | The presentation of time in interactive animated systems diagrams | 1995 | Coventry University | The Design Institute | FISCHER, D.H. |
| Jones A D | The problems of every day life | 2000 | University of Portsmouth | Art and Philosophy | |
| Reid H F | The productivity imperatives in coated abrasives application in furniture manufactuirng | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | Ratnasingam, J. Perkins, M. C. |
| Gyi DE | The quality of accident and health data in the construction industry: interviews with senior managers | 1999 | Loughborough University | Design Ergonomics | Gibb, A.G. Haslam, R.A. |
| Baker S C | The refusal of sentimentality in postmodern animal art | 2000 | University of Central Lancashire | ||
| Hanna R | The relationship between thermal comfort and user satisfaction in Hot Dry Climates | 1996 | Glasgow School of Art | Cities and Environments | |
| SCHENK P M | The role of drawing in graphic design and the implications for curriculum planning | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Denton HG | The role of group/team work in design and technology: Some possibilities and problems, Banks, F. (ed), Teaching Technology | 1994 | Loughborough University | Design Education | |
| Prendiville AN | The specification of revenue collection systems within UK and European light rail systems | 1996 | University of East London | R Davis-Cooper | |
| Bell J | The successful hanging of a harp: a glance at willows | 1994 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| GEORGIOU D. | The t(oy)ime machine | 1998 | Coventry University | Visual Arts | TOMATO INTERACTIVE, ORANGE, SAATCHI AND SAATCHI, |
| Smith M M | The title-page: its early development, 1460-1510 | 2000 | University of Reading | ||
| WALLER R. | The transformer revisited | 2000 | Coventry University | The Design Institute | MACDONALD-ROSS, M. |
| Millward H | The use of a shock tube for the delivery of powdered drugs into the oral mucosa | 1999 | University of Wales Institute, Cardiff | PDR | SM Nabulsi BJ Bellhouse |
| BUSS D | The use of colour names in idiomatic and colloquial language | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | Edited by L Sivik |
| Adams BC | The use of computer technology in craft practice. | 1996 | University of Plymouth | Centre for Visual Computing | Woolner, M. |
| Garner SW | The use of graphic act analysis for research into computer supported design teamworking. | 1998 | Open University | Design thinking and communication | |
| WRIGHT I. | The utilisation of product development methods: a survey of UK industry | 1996 | Coventry University | The Design Institute | ARAUJO JNR, C.S. BENEDETTO NETO, H. CAMPELLO, A. .C. |
| Cox GF | The violent silence of the nose. | 2000 | University of Plymouth | Centre for Visual Computing | |
| Andrews M J | The voyage of HMS Beagle: a collaboration between Robert Gibbings, John Dreyfus and George Macy | 1999 | University of Reading | ||
| Jones GP | The work of Glyn Jones | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Costello D | The work of art and its 'public': Heidegger and Tate Modern | 2000 | Oxford Brookes University | Theory | |
| Zeegan L I | The....A Bird in the Hand is Worthless | 2000 | University of Brighton | Visual Communication Design | |
| King M | TheTyranny + Liberation of ThreeSpace - a Journey by Ray Tracer | 1999 | London Guildhall University | ||
| Curry A | Theatre and costume designs in Time + Space | 1999 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Escolme B | Theatrical Constructions of the Early Modern Subject: Websters Women in single gender castings. | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | |
| WALLER R. | Thematic NIV study Bible CD-ROM design | 1999 | Coventry University | The Design Institute | CHAPMAN, A. |
| Taylor LA | Themes and Perforations: one of four parallel solo exhibitions | 1996 | Glasgow School of Art | The Decorative Arts | |
| Baines M | Themes and Variations - An exhibition of some buildings by Gillespie Kidd and Coia | 1996 | Glasgow School of Art | Historical and Critical Enquiry | |
| Cazeaux C | Theorizing Theory + Practice | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Axford NR | Theory of Image Formation | 2000 | University of Westminster | Imaging Technology | |
| Shankie J | There Is No Need for You to Leave The House, solo exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Smith A | Thermal Stability of Ink Jet Prints | 2000 | The London Institute | Media and Communication | Zoitsa Gkinni |
| Jones SEG | These Are Not My Images | 2000 | The London Institute | Media and Communication | |
| Sanderson LV | These Colours Run | 1995 | Sheffield Hallam University | ||
| VOSS R | These Days: new work by Roy Voss | 2000 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Lawler T | These are the Breaks | 1994 | Kingston University | ||
| Barker DS | They Think of China as Cups | 1996 | University of Ulster | ||
| Piddington A | Thin Man Running | 1997 | Kingston University | ||
| Willmoth S P J | Things Not Worth Keeping: Millennium Collection | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Frayling C | Things to come | 1995 | Royal College of Art | Communications | |
| Fijalkowski K M | Things: Assemblage, Collage and Photography in Britain since 1935. Exhibition (curated by Fijalkowski), conference (organised by Fijalkowski) and publication (edited and main essay by Fijalkowski). | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Short, R. Massey, A. Mullen, C. |
| ANDERTON R | Think it-Ink it: water-based screenprinting: a visual demonstration | 1997 | University of West of England, Bristol | Centre for Fine Print Research | |
| Hiller S | Thinking About Art - Conversations with Susan Hiller | 1996 | University of Newcastle | ||
| WENTWORTH R | Thinking Aloud | 1998 | University of Oxford | ||
| Johnson SW | Thinking Aloud | 1998 | The London Institute | Fine Art | |
| Danvers TJ | Thinking Flesh and Feeling Bone: Language, Experience and Art Practice. | 1998 | University of Plymouth | Art Process | |
| Kelly W | Thinking Long - Contemporary Art in the North of Ireland | 1996 | University of Ulster | ||
| WORDEN S | Thinking critically about virtual museums | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| Fortnum R | Third Person | 1996 | Wimbledon School of Art | Painting | |
| Wilson A | Third of MayPylon | 1996 | University of Brighton | Fine Art Practices | |
| Jones D | Thirty Ceramic Vessels | 2000 | University of Wolverhampton | Ceramics | |
| Hardstaff S | Thirty Years Ago Today | 1997 | Liverpool John Moores University | Audio-visual | Bryan Biggs Rick Walker |
| Irving I | This Island Earth | 1998 | Robert Gordon University | Culturally Responsive Practices | |
| Chambers S | This Man is not a Leopard | 1995 | Royal College of Art | Fine Art | |
| Bruce HJ | This Mortal Coil: Art of Awareness | 1998 | University of Ulster | ||
| PARTRIDGE S | This is a Sentence | 1998 | University of Dundee | Digital Technology | David Cunningham |
| WARD J | This is not a book | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| HILL D | Thomas Girtin, Genius in the North | 1999 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| Cooper TJ | Thomas Joshua Cooper: The Temperaments, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Rosenberg T | Thoughts on a plane. | 1997 | Goldsmiths College | ||
| Mowatt S | Threads (Fiber Art in the 90s) | 1997 | Edinburgh College of Art | Fine Art | |
| Hodge M | Threads - fiber art in the 90s | 1997 | Edinburgh College of Art | Fine Art | |
| Barker J | Threads: Fibre Art in the 90s: group exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| Julien I | Three | 1999 | Oxford Brookes University | Creative Practice | Bebe Miller (choreographer) Ralph Lemon (choreographer) Cleo Sylvestre (actress) |
| Jacobs S.M. | Three Birds Alighting on a Field | 1994 | University College London | Theatre Design | |
| BELL R | Three British Ceramists: Richard Bell, Tracey Heyes, Jim Robison | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Rennie C | Three Collector Pitchers | 1998 | University of Wolverhampton | Glass | |
| Binns P | Three Decades: objects selected from the Crafts Council Collection 1972-1999 | 2000 | Buckinghamshire Chilterns University College | Visual Arts | Emmanuel Cooper Ralph Turner |
| McCartney K E | Three Dimensional CAAD Modelling ... for Conceptual Design : Technical constraints and local planning attributes as parameters for conceptual design support and evaluation | 1997 | University of Portsmouth | Centre for New Media Research | A Ismail |
| Unsworth J | Three Elephants | 1997 | University of Southampton | ||
| Mantripp C | Three Fireplaces | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Rennie C | Three Glass Sculptures | 1999 | University of Wolverhampton | Glass | |
| Cummings K.R. | Three Glass and Metal Sculptures: 'Tallis', 'Stem', and 'Windfall'. | 1996 | University of Wolverhampton | Glass | |
| Olsen GR | Three Paintings, Three Sites | 2000 | Oxford Brookes University | Creative Practice | Julian Parsons |
| Mabbutt M | Three Person Show | 1998 | Falmouth College of Arts | ||
| HOSKINS S | Three Prints: G.S.9. (1996) G.S.10. (1996) G.S.T. (1997) | 1997 | University of West of England, Bristol | Centre for Fine Print Research | |
| URE A | Three Scottish Artists | 1998 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Beech W K | Three Ways - Works on Paper | 1999 | University of Brighton | Fine Art Practices | |
| Liggett S | Three Young Painters | 1999 | North East Wales Institute of Higher Education | Art and Design | |
| Poulton A | Three dobby woven fabrics | 1995 | University of Southampton | ||
| Pennell R. | Three engraved and painted panels | 2000 | University of Wolverhampton | Glass | Richard Slee James Campbell Cynthia Cousens |
| Honeyman R | Three painted designs for stitched textiles | 1997 | Cumbria College of Art + Design | ||
| Ganz A J | Threesome | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Vicarage, L Laing, S Quarshie, H |
| PAUL J M | Threshold | 1998 | University of Dundee | Industry and the Public Sector | Roland Ashcroft Andy Milligan Geri Cruickshank |
| Maguire R | Through Downs and Sea. | 2000 | Southampton Institute | ||
| Davies J | Through Fire and Water - The River Taff - An exploration of the river environment from its source in the mountains to the sea | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Tucker M E | Through a Glass, Deeply | 1998 | University of Brighton | Memory, Identity and History | |
| Yair K | Through the Glass Ceiling | 1998 | Sheffield Hallam University | Applied Design Policy | |
| Wainwright C | Throwing Caution and Other Walks | 1997 | The London Institute | Fine Art | |
| Farrelly L | Tibor Kalman Design and Undesign (Cutting Edge) and April Greiman | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Quinn L | Tidal | 1998 | Sheffield Hallam University | ||
| Tebby S | Tidal Reach - water feature and surrounding paving, using blue and green Burlington slate | 1995 | De Montfort University | ||
| FAITHFULL D R | Tide/Edit | 1997 | University of Dundee | Contemporary Practice | Thorsten Stumpf Ottavio Giacomazzi |
| LEHMANN U | Tigersprung - Fashion in Modernity | 2000 | Kent Institute of Art + Design | ||
| LEHMANN U | Tigersprung - Fashioning History | 1999 | Kent Institute of Art + Design | ||
| DIGNAN P | Tik Tak Tok | 2000 | University of Dundee | Digital Technology | Dimitrova, I Spasovic, D Musovik, O |
| COX L | Tik Tak Tok | 2000 | University of Dundee | Digital Technology | Kevin Henderson Iskra Dimitrova Stevan Saskov |
| Allington E. | Tilted Vase | 1998 | University College London | Sculpture | |
| Allen T | Tim Allen | 1999 | Kingston University | ||
| Allen T | Tim Allen Recent Paintings | 1999 | Kingston University | ||
| Davies TDE | Tim Davies/Alice Maher | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| Davies T | Tim Davies/Alice Maher | 1998 | Swansea Institute of Higher Education | Land and Landscape | |
| Goldsworthy A C | Time | 1998 | University of Hertfordshire | ||
| Hague J A | Time For A Change? A Survey of New Forms of Work Organisation in Greater Nottingham | 1999 | Nottingham Trent University | Fashion and Textiles | R. Aubrey |
| FLACK S R | Time Piece | 2000 | University of Dundee | Digital Technology | |
| Amado I | Time and Moments | 2000 | University of Southampton | ||
| Whitaker D | Time and Seasons | 1998 | Wimbledon School of Art | Painting | |
| NEVIN P | Time, Myth; Phantom + Reality | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | co-author Lucy Harrison |
| HARRISON L | Time, Myth; Phantom and Reality | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | co-author Pete Nevin |
| Brown JK | Time-Forms | 1998 | Manchester Metropolitan University | ||
| Eacott JF | Timon of Athens | 1999 | University of Westminster | Sound Media | |
| Keane T | Tina Keane (Film and Video Series) | 1998 | The London Institute | Fine Art | |
| OConnell T | Tina OConnell in Dublin | 1999 | University of Reading | ||
| Elson J | Titan | 2000 | Kingston University | ||
| Draper C | Titanic | 1999 | Kingston University | ||
| Gibbons J | To Be | 1998 | University of Southampton | ||
| STEEL E R | To Boldly Sew - Textiles for the 21st Century | 2000 | University of Dundee | Contemporary Practice | Pauline Hann Hilda Peters |
| McKeating JE | To Boldly Sew: Textiles for the 21st Century | 2000 | Manchester Metropolitan University | ||
| Thomas KR | To Hell and Back | 1996 | University of Westminster | Visual Media | |
| McKee F | To Hide In Plain Sight, essay in exhibition catalogue | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| MCARTHUR E C | To See Ourselves as Others | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Cook R | To-wards a sociosomatics of art: Bourdieu's reflexive sociology, contemporary art education | 1999 | University of Reading | ||
| de La Hamayde S | Toilet Fish | 1999 | De Montfort University | ||
| de La Hamayde S | Toilet Syphon | 1999 | De Montfort University | ||
| Hammick T | Tom Hammick - New Paintings; Undercurrents | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| WOOD T | Tom Wood | 1997 | Bretton Hall | FINE ART (PAINTING) | |
| Kikuchi Y | Tomimoto Kenkichi | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Goddard J. | Tomorrow's Homes Today | 1998 | University College London | Fine Art Media | |
| BRADLEY P | Tomorrow, Forever and Never | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Thompson GR | Tomorrows World Live | 1999 | Brunel University | Environmentally Sensitive Design | |
| Peart T | Tont Peart : Glimpses on an 'other' land | 1996 | Cumbria College of Art + Design | ||
| Franks A M | Tony Franks C | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Sinden AA | Tony Sinden Retrospective | 2000 | University of East London | ||
| Kerr S | Tool | 1994 | Bolton Institute of HE | ||
| Harvey J | Tools For The Shaman | 1996 | Edinburgh College of Art | Fine Art | |
| GAWTHROP R | Toot_Pak#1 | 2000 | University of Lincoln | Gillian Dyson Chris Gladwin |
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| Ting P | Topiary | 1994 | University of Central Lancashire | ||
| Cummings A | Topographical Studies in the Conservationof Statuary Materials | 2000 | Royal College of Art | Conservation | Gaspar, P McPhail, D Hubbard, C |
| Baxter H | Torquatto Tasso by Goethe | 1994 | Wimbledon School of Art | Theatre costume | Robert David Macdonald Julian McGowan |
| Carrick C R | Torre De Torrent | 1995 | The London Institute | Fine Art | |
| Holland R | Total School Design | 1997 | Brunel University | Design Pedagogy | C Baker U Khalid E Marsham |
| Wozencroft J | Touch and Fuse | 1999 | Royal College of Art | Communications | |
| MORTON V E | Touring Solo Exhibition | 1996 | University of Dundee | Contemporary Practice | Cathy Wilkes |
| Nixon L | Tourist | 1999 | Kingston University | ||
| Nelson M | Tourist Hotel | 1994 | Edinburgh College of Art | Fine Art | |
| Orlow U | Toute la ville en parle | 1997 | The London Institute | Fine Art | |
| Oddy N | Toward a Policy on Restoration | 2000 | Glasgow School of Art | Historical and Critical Enquiry | |
| Tillers I | Towards Infinity | 2000 | Southampton Institute | ||
| Crisp A | Towards Sustainability. Implications for Undergraduate Education in Occupational Health + Safety Management | 1997 | Nottingham Trent University | Design | S.M. Charyszyn I Solomonides |
| Law J | Towards a European Model of Design Management | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Parker P | Towards a European Virtual Film School | 1999 | The London Institute | Media and Communication | |
| Bainbridge C | Towards a Feminine Cinematics: Using Irigaray for Film Theory | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Chatwin P | Towards a New Century in European Design | 1994 | Manchester Metropolitan University | Martin P | |
| Steiner S | Towards a Spacious, Excitable Open: On Surveillance, Care and the Bliss of Tiny Creatures | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| Riley H | Towards a new theoretical base for the teaching and practice of drawing | 2000 | Swansea Institute of Higher Education | Drawing | |
| Roy I B | Towards an Archaeology of the North | 1995 | University of Brighton | Natural and Constructed Environments | |
| Wood J | Towards an Ethics of Flow; Design as an Anticipatory System. | 2000 | Goldsmiths College | ||
| Coxall H | Towards inclusive text | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Deacon R | Towards sculpture | 1998 | The London Institute | Fine Art | |
| Maguire P J | Towards the Co-operative Commonwealth | 1996 | University of Brighton | Design History, Criticism and Theory | B Lancaster |
| Dodds R | Towards the Light | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Hardaker CH | Towards the Virtual Garment: Three Dimensional Computer Environments for Garment Design | 1998 | De Montfort University | Fozzard, G.J. | |
| Mukherjee R | Trabajos 1,2,3,4 and Narcosatanicos. | 1996 | Goldsmiths College | ||
| Tuckett S M | Trace Elements (textile mixed media 3D) | 1998 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Makhoul B | Trace International Liverpool Biennial | 1999 | Sheffield Hallam University | ||
| Snaebjornsdottir B | Trace, solo exhibition of publicly sited works | 1998 | Glasgow School of Art | Fine Art | |
| Howard J | Tracer | 1998 | Oxford Brookes University | Creative Practice | |
| Rosenbloom P | Traces | 2000 | University of Gloucestershire | ||
| Penny S | Traces | 1999 | University of Portsmouth | Centre for Sound and Experimental Environments | Jeffrey Smith Andre Bernhardt |
| Bennett S | Traces | 1999 | University of Plymouth | Art Process | |
| Porter D | Tracking Architectural Logic | 1997 | Glasgow School of Art | Educational Theory and Practice | |
| Emery S | Trade Secrets | 1999 | University of Brighton | Visual Communication Design | |
| Keane J | Trading Flaws and Sporting Mistakes | 1999 | The London Institute | Fine Art | |
| Bowman S | Traditional Crafts revival and technological change in the Highlands and Islands of Scotland | 2000 | University of East London | ||
| McKeating JE | Traditions | 1997 | Manchester Metropolitan University | ||
| Day G | Traditions of Respect. British + Islamic Cultures | 1997 | Bath Spa University College | Houshiary, S. Ermes, A. O. Afnan, M. |
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| Walsh BF | Trafalgar Square. | 2000 | Goldsmiths College | ||
| Lenard JA | Traffic accidents: investigation, analysis and reconstruction, Ian Freckelton and Hugh Selby (eds), Expert Evidence in Criminal Law | 1999 | Loughborough University | Design Ergonomics | Rechnitzer, G. Keramidas, W. |
| Tallentire A | Trailer | 1999 | The London Institute | Fine Art | |
| SETH J | Trailer | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | Co-author Anne Tallentire |
| Mach D | Train | 1997 | Edinburgh College of Art | Fine Art | |
| Parker P | Training and Screenplay Development in the UK | 2000 | The London Institute | Media and Communication | |
| Smith N E | Trainscapes + Digital Media Constructs | 2000 | Nottingham Trent University | Visual Arts | Roger Beecroft |
| BURNS J. | Tramadol | 1996 | Coventry University | Design | |
| Dunbar T | Trans-Dialogues - A Discussion Between the Artists Anne Grebby, Dunbar and Leif EC Liebenschutz | 1999 | Manchester Metropolitan University | Grebby A Liebenschutz LE |
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| Demaid APA | Trans-organizational innovation: a framework for research | 1997 | Open University | Design and innovation management | J. Millar P. Quintas |
| Godfrey A | Transcending Traditions | 2000 | The London Institute | Fashion and Textiles | Polly Kenny |
| Merali SGP | Transcultural Vibes from the UK | 1999 | The London Institute | Fine Art | |
| Goetz L | Transfer | 1998 | University of Sunderland | Fine Art | |
| Barfield N | Transformations - The Fine Art Print and the Computer | 1996 | Wimbledon School of Art | Paul Coldwell Jeffrey Edwards Professor Eileen Hogan |
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| Viner DJ | Transformers: A Moving Experience | 1996 | The London Institute | Fine Art | |
| Palmer E | Transforming the Crown | 1997 | The London Institute | Fine Art | |
| Sanderson LV | Transforming the Crown: African, Asian and Caribbean Artists in Britain | 1997 | Sheffield Hallam University | ||
| Sanderson L V | Transforming the Crown; African, Asian, and Caribbean Artists in Britain 1966-96 | 1997 | Wimbledon School of Art | Painting | Sonia Boyce Yinka Shonibare Keith Piper |
| Boontje T | Transglass | 1997 | Royal College of Art | Design for Manufacture | |
| Khan T | Transient liquid phase diffusion bonding of oxide dispersion strengthened nickel alloy MA758 | 1999 | Brunel University | Environmentally Sensitive Design | A Ekrami |
| Buckley J | Transistors: New Small Sculpture from Scotland | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Brotherston W | Transistors: Small Sculptures from Scotland | 1999 | Edinburgh College of Art | Fine Art | |
| Morra G | Translation into art history | 2000 | Oxford Brookes University | Theory | |
| Wilson AJH | Transmitter/Receiver | 1997 | University of Ulster | ||
| Pinsky M | Transparent Room | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| Peake SR | Transport, Energy and Climate Change | 1997 | Open University | Design for sustainability | |
| Keane T | Transposition | 1999 | The London Institute | Fine Art | |
| Dawson G | Trauma, Memory, Politics: The Irish Troubles | 1999 | University of Brighton | Memory, Identity and History | |
| Patterson RW | Trauma, Modernity and the Sublime | 1999 | De Montfort University | ||
| Illner A A | Travel Zone Millennium Dome | 1999 | University of Hertfordshire | ||
| Hunter S | Travelling Box Show | 1996 | Edinburgh College of Art | Fine Art | |
| Van Dooren I | Travelling Times | 1996 | University of Brighton | 20th Century Design and Film Archives | |
| Chandra M | Travels in a New World | 1995 | Royal College of Art | Critical Practice | |
| Chandra M | Travels in a New World 2 | 1997 | Royal College of Art | Critical Practice | |
| Swift E | Treading Water | 1998 | University of Gloucestershire | ||
| Hogg D | Treasures of the 20th Century | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Cross S | Treasures of the 20th Century | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Grey J J | Tregaskis Centenary Exhibition | 2000 | University of Brighton | Materials Practices and Processes | |
| Reich J | Trend | 1998 | Anglia Polytechnic University | ||
| Dillon P | Trend information and Textile Collections Commissioned by the Taiwan Textile Federation (TTF) | 1994 | Liverpool John Moores University | Fashion and Textiles | |
| JONES H | Trends in Computer Mediated Art and Design: Examples from the Centre for Electronic Arts | 1998 | Middlesex University | ||
| Prendiville AN | Trends in New Product Development in UK High Technology Industries | 1994 | University of East London | R Davis-Cooper T Jones |
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| Webb W | Trends in UK Retailing | 1996 | The London Institute | Fashion and Textiles | |
| Gupta S | Trespass 1 | 1995 | University of Southampton | ||
| Gupta S | Trespass 3 | 1995 | University of Southampton | ||
| Sutton T | Trevor Sutton | 1998 | The London Institute | Fine Art | |
| Geesin R | Tri-Aura | 1996 | University of Portsmouth | Centre for Sound and Experimental Environments | Dr Frances Geesin |
| Geesin F | Tri-Aura | 1996 | The London Institute | Fashion and Textiles | Ron Geesin Spencer Child |
| Furneaux P | Triangle: 3 British Artists in Japan | 1998 | Edinburgh College of Art | Fine Art | |
| TURNER J | Triangle: An Exhibition by Fine Art Fellows | 1997 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| McMullen K | Tribute to My Work in Cinema | 1996 | The London Institute | Media and Communication | |
| Roberts J | Trickster | 1999 | University of Wolverhampton | Fine Art | |
| SCOBIE L M | Triennale de La Porcelaine | 1995 | University of Dundee | Contemporary Practice | Tomoko Nishimura Peter Lane Vincent Kempenaers |
| Terstappen C | Triennale of Sculpture | 1998 | University of Southampton | ||
| Wood R.M. | Triennial Sculpture Exhibition | 1999 | Falmouth College of Arts | ||
| Gorlizki A | Triennial Sculpture Exhibition | 1999 | Wimbledon School of Art | Sculpture | Alison Wilding Philip King Eric Bainbridge |
| COLE R | Triennial Sculputre Exhibition | 1999 | University of Lincoln | ||
| Craighead AM | Trigger Happy | 2000 | University of Westminster | Fine Art | |
| Ktori A | TriggerHappy, BBB and HyperPeppy Installations | 1998 | University of Westminster | Sound Media | |
| Power M | Trilogia | 2000 | University of Brighton | Visual Communication Design | |
| Collins S.A.R. | Triplicate | 1996 | University College London | Fine Art Media | |
| Stockham J | TriplicateDifferent Seas | 1996 | Royal College of Art | Fine Art | |
| Davies R | Trips | 1999 | Kingston University | ||
| Sinden AA | Triptych and Mirror Landscape | 1999 | University of East London | ||
| Astles CA | Tristan + Isolde | 1998 | University of Plymouth | Theatre + Performance | |
| Ofili C | Trouble Spot, Painting | 1999 | Royal College of Art | Fine Art | |
| McIver MT | Troubled : Photography, Film and Video from Northern Ireland | 1998 | University of Ulster | ||
| Hawthorn M | Truancies at K | 1999 | University of Gloucestershire | ||
| Hawthorn M | Truancies at Manege | 2000 | University of Gloucestershire | ||
| Mitchell J | True Brit: Con-Text | 1995 | University of Reading | ||
| Doherty WJ | True Nature | 1999 | University of Ulster | ||
| Kelly B | True Stories | 1998 | Kingston University | ||
| Knight K | Truman Copote Talk Show and Dylan Thomas Return Journey | 1997 | The London Institute | 3-Dimensional and Environmental Design | Sir Anthony Hopkins |
| Lowe B. | Truth - Hallucination | 1997 | University College London | Fine Art Media | |
| Mavrogordato T | Truth or Consequences, Artists Book. | 1999 | Goldsmiths College | Kiendl, A. Dyer, R. |
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| Brewill PJ | Tube Doggy | 2000 | University of Southampton | ||
| Nixon L | Tuin Van Verbeelding (Garden of Imagination) | 2000 | Kingston University | ||
| Elliott T A | Tumble | 1998 | Wimbledon School of Art | Research Centre | Jonathon Jones-Morris Madelon Hooykaas Elsa Stansfield |
| Rodrigues CA | Tuning in. Exhibition at Sea | 1998 | University of Plymouth | Centre for Visual Computing | |
| Strindberg M | Tunnel Vision/Flightpath | 1998 | University of Brighton | Fine Art Practices | |
| Jacobs S.M. | Turandot | 1998 | University College London | Theatre Design | |
| Turk GJT | Turkish | 1995 | The London Institute | Fine Art | |
| Pippin S | Turner Prize Exhibition | 1999 | Southampton Institute | ||
| HILL D | Turner in the North | 1996 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| HILL D | Turner, Mont Blanc and the Val d'Aosta | 2000 | Bretton Hall | FINE ART (HISTORY + THEORY) | |
| Cooper A M | Turning Ideas Into Form | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Morris S.M. | Turning a Telescope on the Soul: Freud's Interpretation of the Psyche | 2000 | University College London | Fine Art Media | |
| Porter JM | Turning automotive design 'inside-out' | 1998 | Loughborough University | Design Ergonomics | Porter, C.S. |
| PORTER C.S. | Turning automotive design 'inside-out' | 1998 | Coventry University | The Design Institute | PORTER, J.M. |
| Dickie P | Tussauds Las Vegas Exhibition | 1999 | Wimbledon School of Art | Theatre costume | |
| Hodge M | Twelfth International Miniature Textile Biennale | 1998 | Edinburgh College of Art | Fine Art | |
| Crooks R | Twelve freeblown items and an oval hanging plate. | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | Stewart Hearn |
| Woodham J M | Twentieth Century Design | 1997 | University of Brighton | 20th Century Design and Film Archives | |
| de La Haye A | Twentieth Century Fashion | 1999 | The London Institute | Fashion and Textiles | Valerie Mendes |
| Godfrey A | Twentieth Century Industrial Embroidery in the UK | 1996 | The London Institute | Fashion and Textiles | |
| Jones D | Twenty Five Clay Vessels | 1997 | University of Wolverhampton | Ceramics | |
| Peart T | Twenty nine paintings | 1997 | Cumbria College of Art + Design | ||
| Peart T | Twenty nine paintings | 1998 | Cumbria College of Art + Design | ||
| Peart T | Twenty seven drawings and paintings | 1995 | Cumbria College of Art + Design | ||
| Warr TK | Twilight/Sutemos: European media art | 1998 | Oxford Brookes University | Curatorial Projects | Kestutis Kuizinas Evaldas Stankevicius Diemantas Narkevicius |
| Howes J C | Twin Turf | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Hooker C | Twins | 1998 | University of Brighton | Natural and Constructed Environments | |
| Rolfe N | Two Drums | 1997 | Royal College of Art | Fine Art | |
| O'Sullivan T | Two Exhibits | 1997 | Cumbria College of Art + Design | ||
| Lewis M | Two Impossible Films and Upside Down Touch of Evil | 1997 | The London Institute | Fine Art | |
| Poulton A | Two Jacquard woven furnishing fabrics | 1999 | University of Southampton | ||
| Morten G | Two Lands | 1998 | University of Sunderland | Fine Art | |
| Williamson R | Two New Chairs | 1997 | Buckinghamshire Chilterns University College | Furniture Design | |
| Luna P F | Two Oxford Bible Types | 1997 | University of Reading | ||
| Grimsey T | Two Public Sculptures | 1998 | De Montfort University | ||
| ROSS A R | Two Scottish Artists | 1996 | University of Dundee | Contemporary Practice | |
| MCCONNELL-WOOD T | Two Sides to Darnley | 1997 | University of Dundee | Digital Technology | Deborah John |
| Rawlinson IJ | Two Speakers | 1999 | Manchester Metropolitan University | Crowe N | |
| Honeyman R | Two painted designs for stitched textiles (one) | 1998 | Cumbria College of Art + Design | ||
| Honeyman R | Two painted designs for stitched textiles (two) | 1999 | Cumbria College of Art + Design | ||
| Shreeve N | Two pairs of Boulle Cabinets and a Boulle Clock | 1994 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Hamlyn J | Two works from 'Camouflage Series' - 'Speed Camera Camouflage', 'Yellow Taxi, Desert Storm Pattern' | 1997 | Robert Gordon University | Practices enabled through New Media Technology | |
| Swan A | Two woven dobby weave designs | 2000 | University of Southampton | ||
| Robinson P I | Tyne Tour CD-ROM | 2000 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Lindsay, P Jones, M Lievesley, M |
| Montgomery JAI | Type and Identity:a scientific approach to graphic design research | 1998 | University of Ulster | Prof K Agnew Prof B McClelland |
|
| Martinec R | Types of Process in Action | 2000 | The London Institute | ||
| Herring H | Types, numbers, and floor areas of non-domestic premises in England and Wales, classified by activity | 2000 | Open University | Design for sustainability | H. Bruhns J.P. Steadman S. Moss |
| Triggs T | Typo-Anarchy: A New Look at the Fanzine Revolution | 1998 | Kingston University | ||
| Kitching A | Typography - Alan Kitching | 1997 | Royal College of Art | Communications | |
| Walker S F | Typography and language in everyday life: prescriptions and practices | 2000 | University of Reading | ||
| MOODY E.H. | UK Artists and the Higher Education Research Assessment Exercise: a microcosm of the Art World and its ills | 1999 | City University | ||
| Muston D | UK Design Registration: 2056017. Minicam Security Camera | 1996 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Dower S | UK Maximum Diversity | 1998 | The London Institute | Fine Art | |
| Denison L | UK Now | 1997 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Newport R | UK Patent GB 2 292 204 B Connecting Element The invention relates to a rotary coupling and to a connecting element. | 1998 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Snell R | UK Patent GB 2270467B Seating patent for Radius lecture theatre and auditorium seating | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | Rowe, D |
| Wayman M | UK Textiles Fashion Education: What Next? | 1996 | Manchester Metropolitan University | ||
| BURNS J. | UK interactive exhibition stand | 1998 | Coventry University | Design | |
| Elwes C | UK/Canadian Video Exchange Festival | 2000 | The London Institute | Fine Art | Lisa Steele |
| Hutchinson T | UK/US Partners in Technology | 1996 | The London Institute | Media and Communication | Jason Edwards |
| GAWTHROP R | USEFUL IMAGES: MECHANICAL BIOLOGICAL CHEMICAL (included film - OPERATION) | 1998 | University of Lincoln | Gina Czarnecki,Duncan of Jordanston Collage of Art Mike Stubbs, Hull Time Based Arts |
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| Poulson DF | USERfit - A Framework for User Centred Design in Assistive Technology | 1998 | Loughborough University | Design Ergonomics | Richardson, S.J. |
| Poulson DF | USERfit. A practical handbook on user-centred design for Assistive Technology | 1996 | Loughborough University | Design Ergonomics | Ashby, M. Richardson, S.J. |
| VAN KOTEN H H | Ullapool High School, Concept and Entrance | 1999 | University of Dundee | Industry and the Public Sector | Ian Carnduff Craig MacKay Martin Capel |
| Anderson P | Ultravision | 1999 | The London Institute | Media and Communication | |
| Aarons A | Umschlagplatz | 2000 | Anglia Polytechnic University | ||
| Blake Q | Un Bateau Dans le Ciel | 2000 | Royal College of Art | Communications | |
| Brennan G | Un Pas dans la Lune | 1999 | Edinburgh College of Art | Fine Art | |
| HOWARD I G | Uncertain Histories | 2000 | University of Dundee | Contemporary Practice | |
| ANDERSON M | Uncertain Objects | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| SCRIVENER S. | Uncertainty and sketching behaviour | 2000 | Coventry University | The Design Institute | BALL, L.J. TSENG, S.W. |
| Cockram M G | Uncommon denomintators | 1999 | University of Portsmouth | Art and Philosophy | |
| Arthur E | Uncut Cloth: Saris, Shawls and Sashes | 1999 | Glasgow School of Art | Historical and Critical Enquiry | N. Askari |
| Baynes K | Under Construction (Exhibition design) | 1998 | Loughborough University | Design Research | |
| Freshwater S | Under Construction. | 1996 | University of Hertfordshire | ||
| Barnett P | Under Construction: Exploring Process in Contemporary Textiles. | 1996 | Goldsmiths College | ||
| Bevan A | Undercovered | 2000 | Edinburgh College of Art | Fine Art | |
| SMITH HR | Undercurrents | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| Burrows M W | Undercurrents | 2000 | University of Huddersfield | ||
| McDonagh-Philp DC | Undergraduate Design Project Utilising Users as a Design Resource: A Case Study, Scrivener, S.A.R., Ball, L.J. and Woodcock, A. (eds) | 2000 | Loughborough University | Design Research | |
| Green P | Understanding Digital Colour | 1999 | The London Institute | Media and Communication | |
| Shaw R | Understanding Drawing | 2000 | Glasgow School of Art | Principles of Drawing | |
| Ledger RA | Understanding Owner-dog Compatibility - A Review | 1997 | Brunel University | Interaction Design | |
| Stables K | Understanding Practice in Design and Technology. | 1996 | Goldsmiths College | Kimbell, R. Green, R. |
|
| Torrens GE | Understanding The Product User: The Implementation Of A User-Centred Design Approach By Student Industrial Designers When Designing For Elderly And Disabled People | 2000 | Loughborough University | Design Research | |
| Roberts PH | Understanding person product relationships - A design perspective, Green, W.S. and Jordan, P.W. (eds), Human Factors in Product Design | 1999 | Loughborough University | Design Research | Taylor, A.J. Hall, M.J. |
| Hinchcliffe TF | Une Espece de Phalanstere: English Privacy in the Nouvelles-Athenes | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| De Ville N | Unfinished Business - The Duchampian Readymade. | 1999 | Goldsmiths College | ||
| Shepherd D | Ung.Young.Jung - Installation work and art which crosses international boundaries | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| MCMURDO W A | Unheimlich | 1999 | University of Dundee | Digital Technology | Beecroft, V Gaskell, A Hoey, D |
| Hollyhead B | Unification of the Korean Penisula | 1996 | University of Brighton | Visual Communication Design | |
| English S G | Uniflood - Covert Lighting | 1996 | University of Northumbria at Newcastle | Product Design (4b) | |
| BURNS J. | Unilever Multimedia Products | 1996 | Coventry University | Design | |
| COLLINS N | Uniqueness of Pitch Class Spaces, Minimal Bases and Z Partners | 1999 | Middlesex University | ||
| COLLINS B C | United Parcel Services Foundation/Annual Report, 1999 | 2000 | University of Dundee | Contemporary Practice | |
| BOYLAN P.J. | Universities and Museums: Past, present and future | 2000 | City University | ||
| TCHERNAKOVA A | Unless The Eye Catch Fire (title changed to 'Last Summer' for CBC broadcast) | 1999 | University of Lincoln | ||
| Slight N | Unlimited Access | 1999 | University of Gloucestershire | ||
| Soroka J | Unmarked lives | 1999 | Edinburgh College of Art | Fine Art | |
| Harrison MF | Unpacking: A Ten-Year Survey of Work by Margaret Harrison | 1999 | Manchester Metropolitan University | ||
| MacLennan AM | Unseeing Trace | 1999 | University of Ulster | ||
| Sear H | Unsettlement | 2000 | University of Reading | ||
| Sear H | Unsettlement | 2000 | The London Institute | Fine Art | |
| Bainbridge C | Unspeakable Moments of Feminine Cinema | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Ganz A J | Unsuitable Girls screenplay | 1997 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Dhingra, Dolly |
| Esser-Hall G M | Untersuchung zu Formen visueller Texinterpretation im Englischen Kinderbuch von 1846-1890 [Visual text interpretation in English childrens' books from 1846-1890]. | 1997 | University College Northampton | Contemporary Art Criticism | |
| Neudecker M | Until Now - One person exhibition | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Hitchen J | Untiled 1 | 1999 | Liverpool John Moores University | Graphic Arts | Mitchell,I. |
| Somerville P | Untitled | 1998 | North East Wales Institute of Higher Education | Art and Design | |
| Somerville P | Untitled | 1998 | North East Wales Institute of Higher Education | Art and Design | |
| Somerville P | Untitled | 1995 | North East Wales Institute of Higher Education | Art and Design | |
| Marshall N D | Untitled | 2000 | University of Brighton | Materials Practices and Processes | |
| Howard J | Untitled | 2000 | Oxford Brookes University | Creative Practice | |
| Hodgkinson M | Untitled | 1996 | Wimbledon School of Art | Sculpture | Keith Ball Richard Ducker Claire Robins |
| Wilson K | Untitled '98, Untitled '00 and Untitled '00 | 2000 | University of Westminster | Fine Art | |
| Lloyd Lewis P | Untitled 1998 | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Ginsborg M | Untitled 3-D Wall Relief | 1995 | Wimbledon School of Art | Painting | Nigel Hall Keith Milow Deanna Petherbridge |
| Romans PA | Untitled Film Mix for Tortoise | 1998 | The London Institute | Media and Communication | |
| Clarke L | Untitled Horse Piece | 2000 | De Montfort University | ||
| Joiner B | Untitled Suitcases | 1999 | University of Westminster | Fine Art | |
| Joiner B | Untitled Wardrobe | 2000 | University of Westminster | Fine Art | |
| Somerville P | Untitled commission | 2000 | North East Wales Institute of Higher Education | Art and Design | |
| Biswas S | Untitled video installation | 2000 | University of Southampton | ||
| Gupta S | Untitled work from a series entitled 'Trespass' | 1997 | University of Southampton | ||
| Marshall N D | Untitled works | 1994 | University of Brighton | Materials Practices and Processes | |
| Gabie N | Up in the Air | 2000 | University of Gloucestershire | ||
| Dixon S | Up the Tories: A Year of Politics in Britain | 1998 | Manchester Metropolitan University | Bell S | |
| Eccleston T | Up, solo exhibition | 1996 | Glasgow School of Art | Fine Art | |
| James D | Upholstery Hints and Tips | 2000 | Buckinghamshire Chilterns University College | Furniture Technology | |
| James D | Upholstery Restoration | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | |
| James D | Upholstery, A Complete Course (Revised Edition) | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Clarke J | Upper Class Lounge | 1998 | University of Brighton | Natural and Constructed Environments | |
| HOLLAND C.C. | Upper Gallery collection | 1997 | Coventry University | Visual Arts | |
| Shaw L T | Uprising | 1996 | Nottingham Trent University | Design | |
| Goddard C | Upside Down - Inside Out | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| DYSON G | Upstanding | 2000 | University of Lincoln | ||
| Hepher D. | Urban | 1998 | University College London | Painting | |
| Evans C | Urban Fabrications | 1999 | The London Institute | Fashion and Textiles | |
| McBride C | Urban Facades: Cultivation, solo publicly sited exhibition | 1998 | Glasgow School of Art | Fine Art | |
| McBride C | Urban Facades: Whitefriars Bridge, solo publicly sited exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Symons S | Urban Genome | 2000 | Liverpool John Moores University | Audio-visual | |
| Lomax T. | Urban Learning Foundation | 1994 | University College London | Sculpture | |
| Joseph J E | Urban Nature | 1999 | Wimbledon School of Art | Painting | |
| Proud D.R. | Urban Turban | 1995 | University College London | Fine Art Media | |
| Day G | Urban Yantras | 1995 | Bath Spa University College | ||
| Ocean H | Urbasuburba | 1997 | The London Institute | Fine Art | |
| McFadyen J. | Urbasuburba | 1997 | University College London | Painting | |
| Evans Milne R | Us Two | 1999 | Bath Spa University College | ||
| McDonagh-Philp DC | Use and Evaluation of Focus Group Technique: the Undergraduate Industrial Designer Experience | 2000 | Loughborough University | Design Research | Denton, H. Bruseberg, A. |
| Tomes AE | User Groups in Action: The Management of User Inputs in the NPD Process | 1996 | Sheffield Hallam University | Peter Armstrong Murray Clark |
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| Croft P J | Using Aluminium Plates | 1998 | University of Wales, Aberystwyth | ||
| Seden MR | Using Computer Imagery and Visualisation in Construction Education | 2000 | De Montfort University | Beacham, N. Bouchlaghem, N. Sher, W. |
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| McDonagh-Philp DC | Using Focus Groups to Support the Designer in the Evaluation of Existing Products: A Case Study | 1999 | Loughborough University | Design Research | Denton, H. |
| DUPRAS M | Using Global Csound Instrument for MetaParameter Control | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Poulson DF | Using New Technology to Support the Provision of Care Services | 1997 | Loughborough University | Design Ergonomics | |
| Stephens J | Using New Technology: Best Practice: American Style | 1998 | The London Institute | Media and Communication | Mike Hopkins John Ward Nick Chalk |
| Garner SW | Using discourse analysis as an indicator of design progression. | 1995 | Open University | Design thinking and communication | J.H. Connolly A.A. Clarke |
| Whiteley G | Using practice-led design research to develop an articulated mechanical analogy of the human hand | 1998 | Sheffield Hallam University | Industrial Design | Chris Rust Adrian Wilson |
| Rust CM | Using practice-led design research to develop an articulated mechanical analogy of the human hand | 1998 | Sheffield Hallam University | Industrial Design | Adrian Wilson Graham Whiteley |
| Potter S | Using scenarios to identify innovation priorities in the UK railway industry | 2000 | Open University | Design and innovation management | R. Roy |
| McLaren G M | Utility Forgot: Shaping the Future of the British Pottery Industry 1941-1945 | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Maguire P J | Utility and the Politics of Consumption | 1999 | University of Brighton | Design History, Criticism and Theory | |
| Cornford M R | Utopia (Wishful Thinking) | 1999 | University of Wolverhampton | Fine Art | David Cross |
| Cross D | Utopia (wishful thinking) | 1999 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Bolton JS | V-Bag Dispensing System (Modified Pinch Pull) | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Deville N. | VAGABONDIA | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Baker Alder H A | VANE 99 (Visual Arts North East) | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| WRIGHT J | VESSEL | 1999 | Middlesex University | ||
| Naylor P.J. | VI International Art Triennale, Majdanek 2000. | 2000 | Falmouth College of Arts | ||
| North ME | VI International Art Trienniale Majdanek 2000 | 2000 | Loughborough University | Fine and Applied Arts | |
| Barber J. G. | VIDEO POSITIVE 2000 | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Darley A. D. | VISUAL DIGITAL CULTURE, SURFACE PLAY AND SPECTACLE IN NEW MEDIA GENRES | 2000 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| SHADBOLT R | VITAL SIGNS | 1999 | Middlesex University | ||
| MEYNELL K | VOLUMES (OF VULNERABILITY) | 2000 | Middlesex University | ||
| Hutton A | VR Technology for Interactive Control of Robots on the Internet | 2000 | University of Ulster | Michael McNeill | |
| BOYD-DAVIS S | VRML: A Designer's View | 1999 | Middlesex University | ||
| Fulcher R | VUE | 1996 | University of Sunderland | Fine Art | |
| Reas P | VW Cars | 1999 | University of Brighton | Visual Communication Design | |
| Thomas KR | Vaccines: Monkey Business | 1997 | University of Westminster | Visual Media | |
| Chalkley BD | Vague but True | 2000 | The London Institute | Fine Art | |
| JOHNSTON K | Valencia | 2000 | University of Dundee | Contemporary Practice | Susan Thrower Yoka Stada |
| Duff L | Valley of the Moon | 1998 | Kingston University | ||
| TAYLOR A | Value Added | 1996 | University of Dundee | Contemporary Practice | Anne Marie Shillito Teena Ramsay John Maguire |
| Sharkya V | Vanilla Spray | 1999 | Liverpool John Moores University | Audio-visual | |
| CATLING BD | Vanished! | 1998 | University of Oxford | Tony Grisoni | |
| CHELL E | Vanishing Point | 2000 | Kent Institute of Art + Design | ||
| Bevan P | Vannkanten (at the water | 2000 | Southampton Institute | ||
| Liggett S | Vanquished by Repetition | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Wright A | Varndal Street Housing | 1999 | Glasgow School of Art | Cities and Environments | Partner, Wright and Wright Architects |
| Oliver V | Vaughan Oliver: Visceral Pleasures | 1994 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | Poyner, Rick |
| FILLINGHAM P | Vauxhall Gardens | 1998 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| Stanton NA | Vehicle Automation and Driving Performance | 1998 | Brunel University | Interaction Design | M Young |
| Peake SR | Vehicle and Fuel Challenges beyond 2000 | 1997 | Open University | Design for sustainability | |
| JOSTINS J.E. | Vehicles for Cold Lazarus | 1996 | Coventry University | Design | COATES, F. |
| Lawler T | Veiled Allusions: Images from Text | 1995 | Kingston University | ||
| Ledsham JM | Veils of Courtship | 1999 | University of Ulster | ||
| Briggs P M | Venetian Ship | 1995 | Nottingham Trent University | Design | |
| Kirk C | Venezia Aperto Vetro, International New Glass | 1996 | University of Sunderland | Institute for International Research in Glass | |
| Crooks R | Venice Aperto Vetro | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Holt RB | Verbs Posing as Nouns | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| CZARNECKI G | Versifier | 1998 | University of Dundee | Digital Technology | Perry Hoberman Christine Sommer Pierrick Sorin |
| Carnduff T | Versioning and configuration management in design using CAD and complex wrapped objects | 2000 | University of Wales Institute, Cardiff | PDR | JC Miles WA Gray I Santoyridis |
| Viner DJ | Vertellingen Met Water | 1995 | The London Institute | Fine Art | |
| Stevens P | Vessel | 1999 | The London Institute | Fine Art | |
| Petrova S | Vessels-The International Exhibition of Glass | 2000 | University of Sunderland | Institute for International Research in Glass | |
| Swindells S P | Vesuvius (Exhibition Catalogue (see other relevant details)) | 1998 | University of Huddersfield | ||
| Granger S | Viable Lifeforms | 1999 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| MORTON V E | Victoria Morton at Gallery Enja Wonneberger | 2000 | University of Dundee | Contemporary Practice | |
| MORTON V E | Victoria Morton at Sadie Coles HQ | 2000 | University of Dundee | Contemporary Practice | |
| Wallace-Jones H | Victoria and Albert Museum Showcase Exhibition | 1997 | The London Institute | Fashion and Textiles | Emma Sewell |
| Sewell E | Victoria and Albert Museum Showcase Exhibition | 1997 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Hannavy J M | Victorian Photographers at Work | 1997 | Bolton Institute of HE | ||
| Kappenberg C | Video Cycle Words In Silence | 1999 | The London Institute | Fine Art | |
| Elwes C | Video Loupe: A Collection of Essays By and About the Videomaker and Critic Catherine Elwes | 2000 | The London Institute | Fine Art | |
| Goddard J. | Video Positive | 1995 | University College London | Fine Art Media | |
| Esche C | Video Positive 97: Escaping Gravity | 1997 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curator Steven Bode |
| Esche C | Video Positive 97: Escaping Gravity | 1997 | The London Institute | Fine Art | Steven Bode |
| Le Grice M | Video work including Cyclops Cycle | 1999 | The London Institute | Media and Communication | |
| Cruickshank IMM | Video: A Method of Delivering Student Feedback | 1998 | De Montfort University | ||
| Lesdema E | Videoarchaeology | 1999 | Southampton Institute | ||
| Kelly D | View + Re:view | 2000 | Wimbledon School of Art | Simon Patterson Susan Hiller Joseph Kosuth |
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| Schmidt E | View of an Enterprise | 1998 | Oxford Brookes University | Social Sculpture Research Unit | |
| Raymond M | Viewpoint Magazine | 1999 | The London Institute | Fashion and Textiles | |
| Whiting B.M. | Vile Bodies | 1998 | Falmouth College of Arts | ||
| Sturgis D | Villa Crispi. | 1999 | Goldsmiths College | ||
| Bowen S | Villa Romana, Florence, residency and exhibition | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Rose C | Villes et Valises | 2000 | University of Sunderland | Fine Art | |
| Pilgrim G | Villette | 1997 | Wimbledon School of Art | Theatre Design | Deborah Paige Judith Adam Chahine Yauroyan |
| Pryke S | Virgin Atlantic Upper Class in-flight and terminal lounges ceramics, tableware and accessories | 2000 | De Montfort University | Hunt, M Welch, R |
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| Anderson P | Virtual Design Manufacturing | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | Dr Chris Slinger |
| Kandhola M P | Virtual Gallery 1 | 1999 | Nottingham Trent University | Visual Arts | Autograph Association of Black Photographers |
| Palova Z | Virtual Reality | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Robinson P I | Virtual Reality Training Software for Engineering Operatives | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Misera, M Lindsay, P Carney, L |
| JONES H | Virtual Reality: Panacea or Pandora's Box? | 1997 | Middlesex University | ||
| Barraclough J | Virtual Revolutions | 2000 | Liverpool John Moores University | Audio-visual | Nedkova, I |
| FURNEAUX SH | Virtual Revolutions Act and Read | 2000 | University of Oxford | ||
| Higgett N P | Virtual Studies in Multimedia Design using the World Wide Web | 1997 | De Montfort University | Georgiadou, E. | |
| Brown R | Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy | 2000 | Royal College of Art | Computer Related Design | |
| King M | Virtual Visions, 20 computer-generated colour prints | 1999 | London Guildhall University | ||
| Vince J. | Virtual Worlds on the Internet. | 1998 | Bournemouth University | Earnshaw, R. | |
| OWEN J.K. | Virtual art and design using three-dimensional computing | 1996 | Coventry University | ||
| JOSTINS J.E. | Virtual building site | 1997 | Coventry University | Design | HOARE, J. NEALE, S. DISTON, E. |
| Skelton PJS | Virtue and Vulgarity | 1997 | The London Institute | Fine Art | |
| Throp M | Virtue and Vulgarity. | 1997 | Goldsmiths College | ||
| TCHERNAKOVA A | Virtues: The Family Affair | 2000 | University of Lincoln | ||
| Zimmerman AL | Vision Machine | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Ray SF | Vision metrology with super wide angle and fish-eye optics | 1998 | University of Westminster | Imaging Technology | Robson S Shortis M |
| TAYLOR A | Vision und Industrielle | 1997 | University of Dundee | Contemporary Practice | Professor Norma Starszakowna |
| Gaynor M | Visionnen. | 1997 | Southampton Institute | ||
| Wood M H | Visions Norway: A Norwegian British Partnership at the Millennium | 1999 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Brun, H J Koefoed, H Varley, W |
| Hollingsworth S M | Visions for the Future | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Aytoun Ellis M | Visions of a Legend | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Starr G | Visit to a Small Planet | 1995 | The London Institute | Fine Art | |
| Katz J | Visitors - the Catalogue to the Biennale di Firenze | 1996 | University of Brighton | Fine Art Practices | |
| Ward R | Visual Anecdotes | 1999 | University of Sunderland | Fine Art | |
| Swinson J | Visual Art and the Moving Image | 1999 | The London Institute | Fine Art | |
| Davies P | Visual Arts Development Study | 1994 | University of Sunderland | Fine Art | |
| CHAPLIN S | Visual Culture: An Introduction | 1997 | Middlesex University | J WALKER | |
| Crow D | Visual Language / Dialogue | 1997 | Liverpool John Moores University | Graphic Arts | Yaki Molcho |
| Batey J C | Visual Language of Number web gallery and research space | 1998 | University of Portsmouth | Centre for Images in Practice | Maureen O'Neill |
| Raney K | Visual Literacy and the Art Curriculum' | 1999 | University of East London | ||
| Raney K | Visual Literacy: Issues and debates | 1997 | University of East London | ||
| Lea-Greenwood G | Visual Merchandising: A Neglected Area in UK Fashion Marketing? | 1998 | Manchester Metropolitan University | ||
| Gamman LP | Visual Seduction and Perverse Compliance | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Mullen C W | Visual Telling of Stories website | 1998 | University of Brighton | Visual Communication Design | |
| Short J | Visualisation Designs | 1997 | Goldsmiths College | ||
| Geroimenko V A | Visualising human consciousness context using java 3D/X3D and psychological techniques | 2000 | University of Plymouth | STAR | Geroimenko L |
| Fraser D | Vita: Professional Practice for Artists | 1998 | University of Ulster | ||
| O'Neill A | Vivienne Westwood + Malcolm McLaren: Vintage Textiles | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Jensen SA | Vivienne Westwood - retail units and limited edition interior fitting for world wide concessions | 1998 | The London Institute | 3-Dimensional and Environmental Design | Graham Russell Geoff Stewart David Germond |
| McDermott C | Vivienne Westwood: The Collection of Romilly McAlpine | 2000 | Kingston University | ||
| Leighton TM | Vivre sa Vie: Contemporary Art from France | 2000 | Manchester Metropolitan University | Bradley W Webster T |
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| Petrie K | Vizard, Lake, and Corridor | 1995 | University of Sunderland | Institute for International Research in Glass | |
| Noszlopy G | Voa Salutis Et Glorificationis: Note on Rembrandt's The Three Crosses, Longinus and the Gonzaga | 1996 | University of Central England in Birmingham | Art Education Research Group | |
| Watson L | Vogue Twentieth Century Fashion | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | Graham, T |
| Hegarty FT | Voice Over | 1996 | Sheffield Hallam University | Fine Art | |
| Cotterrell D | Voice Over | 2000 | University of Hertfordshire | ||
| Archer MG | Voice Over: Sound and Vision in Current Art | 1998 | The London Institute | Fine Art | Greg Hilty |
| Brown M | Voices from the Field | 1998 | University of Ulster | ||
| Johanknecht S | Volumes of Vulnerability. | 2000 | The London Institute | Fine Art | Katharine Meynall |
| MARKIEWICZ L | Volumes of Vulnerability/The Pool | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Harrison P | Volunteer | 1999 | University of Wolverhampton | Fine Art | John Wood |
| Warwicker J | Volvo - commissioned design for worldwide marketing | 1999 | The London Institute | Media and Communication | |
| Chipperfield J | Vom Kontinent Zur Insel | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Taylor M | Votive | 1997 | Bolton Institute of HE | ||
| GARDNER D | Vox Humana | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Watkins D | Voyager : K | 2000 | Royal College of Art | Applied Art | |
| MANHEIM J | WALKWAY | 1996 | Middlesex University | ||
| Coles A. | WALTER BENJAMIN FOR BEGINNERS | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | Howard Caygill Andrzej Klimowski |
| Hooker B | WAP Furniture | 2000 | Royal College of Art | Computer Related Design | |
| GUILLE J | WE WILL BELIEVE IN BLOSSOMS AFTER EATING THE FRUIT | 1997 | Middlesex University | ||
| Newman A | WEBS (Backlight). | 1996 | Goldsmiths College | ||
| Cooper TH | WEEE, WEEE, WEEE, WEEE, all the way home? An evaluation of proposed electrical and electronic waste legislation | 2000 | Sheffield Hallam University | ||
| Loughlin S. | WEIGHT WATCHERS | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Waeckerle E. | WHEN (EVERY SECOND COUNTS) | 1999 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Russell J | WHITE | 1998 | The London Institute | Fine Art | Simon Bedwell Milly Thompson |
| Russell J | WHITE3 | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Baker A. | WHO OWNS WHOM ? | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| ANDERTON R | WO 9855327 Novel Methods of Water-based Screenprinted Ceramic Transfers | 1998 | University of West of England, Bristol | Centre for Fine Print Research | |
| Millar L. | WOVEN IMAGE CONTEMPORARY BRITISH TAPESTRY | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| Durgnat R | WR - Mysteries of the Organism | 1999 | University of East London | ||
| Whitehead B. S. | WRITE FOR US | 1994 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Goodwin D | Wait. | 2000 | Goldsmiths College | ||
| Anderson P | Waiting Game | 1997 | Kingston University | ||
| Benson SL | Wales Drawing Biennale | 2000 | Sheffield Hallam University | Fine Art | |
| Newell R A | Wales Drawing Biennial | 1997 | Swansea Institute of Higher Education | Land and Landscape | |
| Hatfield J | Walk in the Glen Wearing a Camera Suit and Tartan Boots | 1996 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Bishop D | Walking Words | 2000 | Royal College of Art | Design for Manufacture | |
| Hutchinson S | Walking the Downs | 1998 | University of Brighton | Fine Art Practices | A Campbell C Whistler J Dove |
| MOAR M | Walking with Avatars | 2000 | Middlesex University | F Bailey | |
| Sprawson D H | Wall Drawing | 1997 | Nottingham Trent University | Visual Arts | Marina Abramovic David Shrigley Mariele Neudecker |
| Skingle S | Wall Reliefs and Sculpture. 15 hand-sized plaster globes and glass and wire sculptures. | 1997 | London Guildhall University | ||
| Robertson I | Wall installation: mixed media and TV monitor (9m. x 8m. approx.). | 1999 | London Guildhall University | ||
| Ellard GR | Wall of Death | 1999 | The London Institute | Fine Art | Stephen Johnstone |
| Johnstone SW | Wall of Death Video Installation | 2000 | University of Southampton | ||
| Johnstone S | Wall of Death. | 2000 | Goldsmiths College | ||
| Strowbridge B | Wallace and Gromit | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Bould M | Wallflower Critical Guide to Contemporary North American Directors | 2000 | Buckinghamshire Chilterns University College | Visual Arts | |
| Burton A | Walls, Mountains, Millstones | 1994 | University of Newcastle | ||
| Klimowski A | Walter Benjamin for Beginners | 1998 | Royal College of Art | Communications | Caygill, H Coles, A Appignanesi, R |
| KEELER W | Walter Keeler Solo Exhibition of Recent Ceramics | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| KEELER W | Walter Keeler: Auf Neuen Wegan Ink and Crocus | 1998 | University of West of England, Bristol | Applied Arts + Crafts | |
| Giggle P | War Child Concert | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Cairns J | War Tourist (completed selections from ongoing body of work) | 1997 | Robert Gordon University | Making and Contemporary Culture | |
| Shave T J | Warming Up. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Sayers P C | Warming Up. | 1996 | Staffordshire University | ARi, School of Art + Design | S. Schneider |
| Thomson J | Warmley Brook Bridge | 1998 | Southampton Institute | ||
| Sacks S | Warmth Work: An Expanded Conception of Art for the 21st Century | 1998 | Oxford Brookes University | Theory | |
| BANCROFT HUNT N | Warriors: Warfare and the Native Americans | 1996 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| McIver MT | Warworks, Women, Photography and the Art of War | 1996 | University of Ulster | ||
| Williams V | Warworks:Women, Photography and the Art of War | 1995 | The London Institute | Media and Communication | Anna Fox |
| Weileder W | Was geschied bestimmt der Ort | 2000 | University of Newcastle | ||
| DEWRANCE P | Waste Box | 2000 | University of Lincoln | ||
| Beech D | Watch Out For The Agoraphobic Saviours of Mankind | 2000 | University of Wolverhampton | Fine Art | |
| Hart J | Watching Them Looking She Saw | 1996 | The London Institute | Cultural, Historical and Theoretical Studies | |
| HENDERSON K | Water Clock | 2000 | University of Dundee | Contemporary Practice | Lei Cox Paul Dignan Steve Flack |
| Lansley E | Water Logged | 1996 | University of Brighton | Natural and Constructed Environments | |
| Connolly RB | Water Table | 1997 | University of Ulster | ||
| Ruckman JYE | Water Vapour Transfer in Waterproof Breathable Fabrics: Under Rainy and Windy Conditions | 1997 | Manchester Metropolitan University | ||
| Higgins P | Water for Life | 1997 | Kingston University | ||
| Chapman B | Water vessel in silver featuring anticlastic raising technique | 1998 | London Guildhall University | ||
| Petrie K | Water-based ceramic transfer printing - The development and creative use of a new screen printing system | 1999 | University of Sunderland | Institute for International Research in Glass | |
| Toal D | Watercrossing, video/multimedia | 1998 | University of Portsmouth | Memory, Identity and Material Culture | Red Earth |
| Cosgrove P | Waterfall House, permanently public sited commission | 1999 | Glasgow School of Art | Fine Art | |
| Gluzberg M | Waterfront | 2000 | The London Institute | Fine Art | |
| Gluzberg M | Waterfront. | 2000 | Goldsmiths College | ||
| Atkinson A | Wave (ceramic tableware) | 1999 | Loughborough University | Fine and Applied Arts | |
| Stothart P | Wavefront/Alias Wavefront | 1996 | De Montfort University | Silicon Graphics | |
| Scott DT | Ways with Anagama | 2000 | Loughborough University | Fine and Applied Arts | |
| Cruz J | We Are Going to Tell Lies. | 2000 | Goldsmiths College | ||
| Veness AD | We Are, Of Course, Free | 2000 | University of Southampton | ||
| VOORSANGER J | We Love You - Candy Records | 1998 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| TIROHL B | We are the Dead....You are the Dead | 2000 | University of Lincoln | ||
| Sargeant N | We are the boys in black and white | 1999 | University of Gloucestershire | ||
| Corris M | We have submerged victoriously | 1999 | University College Northampton | Contemporary Art Criticism | |
| GARDNER D | We're Not in Kansas Anymore | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| JOHNSON N M | Weather Titles | 1995 | University of Dundee | Digital Technology | |
| James S | Weather View | 1996 | Wimbledon School of Art | Sculpture | Tim Allen Rebecca Fortnum Simon Grainger |
| Taylor M | Weatherview | 1996 | The London Institute | Fine Art | |
| Brennand-Wood M | Weaving the World, Contemporary Art of Linear Construction | 1999 | University of Ulster | ||
| Lewis S E N | Web Exhibition | 1997 | Nottingham Trent University | Visual Arts | |
| Hooker B | Web-based computer games | 1998 | Royal College of Art | Computer Related Design | |
| Ryan S | Webmapping: Planning, Structuring and Delivering Courseware on the Internet | 1997 | De Montfort University | Freeman, H | |
| Freeman H | Webmapping: Planning, Structuring and Delivering Courseware on the Internet | 1997 | De Montfort University | Ryan, S | |
| Lee R M | Webs of Intrigue | 1999 | Cumbria College of Art + Design | ||
| Ingman B | Website | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Douglas N | Website Graphics Now | 1999 | University College London | Fine Art Media | |
| Sekers A | Website designs | 1997 | The London Institute | Media and Communication | |
| Garrett M | Website for Saatchi and Saatchi | 1997 | Royal College of Art | Communications | |
| Farley P | Webster's Women | 1999 | Wimbledon School of Art | Theatre Design | Jane Collins |
| Escolme B | Websters Women | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Jane Collins Nicholas Ridout |
| Boontje T | Wednesday | 2000 | Royal College of Art | Design for Manufacture | |
| MAIR G | Wee Three | 1998 | University of Dundee | Digital Technology | Matt Hulse |
| Lefteri C | Wee Willie Winkie and Humpty Dumpty | 1998 | The London Institute | 3-Dimensional and Environmental Design | |
| Dunne A | Weeds, Aliens and Other Stories | 1998 | Royal College of Art | Computer Related Design | |
| Mason R | Week Link | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Newling J B | Weight | 1998 | Nottingham Trent University | Visual Arts | |
| Walsh R | Well Pussy | 1998 | University of Newcastle | ||
| Lebbon C | Wellbathing - attitudes and well-being of older consumers in relation to bathing. | 1998 | Staffordshire University | ARi, School of Art + Design | S. Boess |
| Garrett M | Wellcome Wing, Science Museum Website | 2000 | Royal College of Art | Communications | |
| Schoeser M | Wellpaying Self Support | 2000 | The London Institute | Fashion and Textiles | |
| Setch T | Welsh Artists Talking | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| MCMURDO W A | Wendy McMurdo | 1998 | University of Dundee | Digital Technology | |
| CATLING BD | Were | 1998 | University of Oxford | ||
| CATLING BD | Were - The Chamber Works | 2000 | University of Oxford | ||
| Pennie M | West African Journeys | 1999 | Bath Spa University College | ||
| Taylor F | West Coast. | 2000 | Goldsmiths College | ||
| Liggins A M | West Ffotobiennal Wales | 2000 | Swansea Institute of Higher Education | Land and Landscape | |
| Gray W F | West Sussex Cinema | 1996 | University of Brighton | 20th Century Design and Film Archives | A Eyles A Readman |
| Cook CP | West by South West | 1999 | University of Plymouth | Art Process | Derges, S. Porter, M. Virtue, J. |
| Butler J | West by South West | 1999 | University of Plymouth | Art Process | Worts, M. |
| Beavan J | Westerwaldpreis Europaische Keramik '99 (Westerwald Prize European Ceramics '99) | 1999 | Falmouth College of Arts | ||
| PHIPPARD P | Wet: on painting, feminism and art culture, 1997 | 1999 | University of Lincoln | ||
| McLaughlin N W | What | 1995 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| Walsh BF | What Do You Do? | 1999 | Goldsmiths College | ||
| Baurley SL | What Future for Textiles? | 2000 | The London Institute | Fashion and Textiles | |
| Brown C | What If - How to start a Creative Revolution at Work | 1999 | Liverpool John Moores University | Graphic Arts | Dave Allen Matt Kingdon Kris Murrin |
| Young M | What Price Ergonomics? | 1999 | Brunel University | Interaction Design | N Stanton |
| Lingford R | What She Wants | 1997 | Royal College of Art | Animation | |
| Patterson RW | What Vitruvius Said | 1997 | De Montfort University | ||
| Beardon CE | What does it mean to be virtual? | 1997 | University of Plymouth | Centre for Visual Computing | |
| Hubbard S. | What happened to the Hindenburg? | 1999 | Bournemouth University | ||
| Patten B | What is Embroidery for? | 1994 | Bolton Institute of HE | ||
| Poston D | What is Jewellery? | 1994 | Loughborough University | Fine and Applied Arts | |
| Logue L | What is Love - Residential Noise | 1999 | Southampton Institute | ||
| Stanton NA | What price Ergonomics? | 1999 | Brunel University | Interaction Design | M Young |
| Macleod K | What would falisify an art practice? Research Degrees in Fine Art. | 2000 | University of Plymouth | Art Process | |
| Wallace M | What's it called and what's it for: an etymology of objects. | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Scott DT | Wheel thrown and hand made teapots | 1995 | Loughborough University | Fine and Applied Arts | |
| Kondracki H | Wheels of Fire | 1996 | Edinburgh College of Art | Fine Art | |
| Ingman B | When Martha's Away | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Gray S | When Off-the-Rack Becomes Off-the-Net | 1999 | Nottingham Trent University | Fashion and Textiles | |
| Crone D | When Time began to Rant and Rage; Figurative Painting from Twentieth Century Ireland | 1998 | University of Ulster | ||
| Leighton TM | When Worlds Collide | 1998 | Manchester Metropolitan University | ||
| Punton L | Where Deer Sleep, solo exhibition | 1995 | Glasgow School of Art | Fine Art | |
| Ryan A | Where Do You Want To Go Today? # 1 | 1999 | University of Reading | Andrew Child | |
| Cook R | Where any View of Money Exists... Illusion and collusion in the contemporary field of British Art | 2000 | University of Reading | ||
| Riley H | Where do meanings come from? The Social Semiotic of Design' | 1997 | Swansea Institute of Higher Education | Design | |
| HARVEY V. | Where in the world and wonderful world | 2000 | Coventry University | Visual Arts | |
| Cusack P | Where is the Green Parrot? | 1999 | The London Institute | Fine Art | |
| Cooper TJ | Where the Rivers Flow, solo exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Goetz L | Wherever We Go | 2000 | University of Sunderland | Fine Art | |
| Preece L | Which Way Up? | 1998 | University of Brighton | Fine Art Practices | |
| Hodgson J | White Cube, Black Square | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Spanyol J | White Lies | 1998 | University of Central England in Birmingham | Visual Communication Research Group | |
| HAMLYN ND | White Light | 1997 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GERSHT O | White Noise | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Biswas S | White Noise | 1996 | University of Southampton | ||
| HAMLYN ND | White Road | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Reich J | Whitechapel Open | 1996 | Anglia Polytechnic University | ||
| Clarke R | Whitechapel Open | 1998 | De Montfort University | ||
| McNiven A | Whitechapel Open 1994 | 1994 | Edinburgh College of Art | Fine Art | |
| Holdaway M | Whitechapel Open Exhibition | 1994 | De Montfort University | ||
| Holdaway M | Whitechapel Open Exhibition | 1996 | De Montfort University | ||
| Whiteley NS | Whitewash, Ripolin, Shop-Girls and Matiere: Modernist Design and Gender: in Lisa Rado (ed), Modernism, Gender, and Culture | 1997 | Lancaster University | ||
| Human J | Whittards of Chelsea Fruit Tea Packaging | 1999 | Anglia Polytechnic University | ||
| Smith K | Who Could Have Guessed There'd Be So Much Diversity? | 2000 | Goldsmiths College | ||
| LOWE N | Who is Speaking? Who is being Heard? | 1999 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Johnson SW | Who's Who? | 2000 | The London Institute | Fine Art | |
| Robinson H | Whose Beauty? Women, Art and Intersubjectivity in Luce Irigaray's Writings | 2000 | University of Ulster | ||
| Coxall H | Whose Story is this Anyway | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Porter D | Why Do Architects Wear Black? Thinking Beyond the Ethos Trap | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| Hollins WJ | Why the resistance to long-term Innovation Management | 2000 | Brunel University | Design Pedagogy | |
| Barnbrook J | Why2K?: Anthology for a New Era | 2000 | Kingston University | ||
| Hannavy J M | Wigan Now and Then | 1999 | Bolton Institute of HE | ||
| Keir S | Wild Air | 1999 | The London Institute | Fashion and Textiles | Siobhan Davies |
| BIGGS I | Wild conversations/peripheral visions: towards another education | 1996 | University of West of England, Bristol | Centre for Contextual, Public + Commemorative Art | |
| Bezencenet S | Wilderness Dreams | 2000 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Cameron AJ | Wildlife Supersampler | 2000 | University of Westminster | Hypermedia | |
| Cook R | William Blake, Pierre Bourdieu and the Autonomy of the Arts | 2000 | University of Reading | ||
| BOYLAN P.J. | William Buckland (1784-1856) and the foundations of taphonomy and palaeo-ecology | 1997 | City University | ||
| Hurlstone IN | William Morris Revisited: Questioning the Legacy: group exhibition | 1996 | Glasgow School of Art | Fine Art | |
| Swinson J | Wilson to Callaghan; Conceptual Art in the UK 1964 to 1979 | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Paxon A | Wim van Doorschodt en Adam Paxon: 2 person exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Simpson M | Wince | 1997 | The London Institute | Fine Art | |
| Startup J | Wind | 1999 | Kingston University | ||
| Startup J | Wind, Gervasoni Collection | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Arad R | WindWand and Big Blue | 1999 | Royal College of Art | Design for Manufacture | |
| Yass CM | Window Box | 2000 | The London Institute | Fine Art | |
| Butler J | Window Sills | 2000 | University of Plymouth | Art Process | |
| Boys J | Windows on the World - Or why we might be using the wrong frames: (Re)viewing Architecture | 2000 | De Montfort University | ||
| Bennett S | Windowsills: Art of Locality. | 2000 | University of Plymouth | Art Process | |
| Brewill PJ | Windpowered Tanker | 1997 | University of Southampton | ||
| Stroud RR | Winner crosses the line | 1997 | Brunel University | Environmentally Sensitive Design | S SWallow JR McCardle D Vincent |
| Bessey P | Wipes Dispensing Container | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Ferris M | Wired Worlds: Exploring the Digital Frontier | 1999 | University of Hertfordshire | ||
| Lefteri C | Wireworks | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Grant C | Wish I Was Here | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| FINLAY A | Wish I was Here: A Scottish Multicultural Anthology | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | McNeil, K Grant, C Williams, D |
| Morris S.M. | Wish You | 1998 | University College London | Fine Art Media | |
| Walsh R | Wish You Were Beautiful / Speak To You Later | 1996 | University of Newcastle | ||
| Mulhall S | Wish You Were Here | 1996 | University of Gloucestershire | ||
| MULHALL S. | Wish you were here | 1996 | Coventry University | Visual Arts | |
| Mellor D | Wishing I was someone else instead | 1999 | Royal College of Art | Fine Art | |
| Bickers P | With Intent - the Burden of Proof | 2000 | University of Westminster | Visual Media | |
| Coldwell P | With the Melting of the Snows | 1998 | The London Institute | Fine Art | |
| Ryan D | With-JECT Spain | 1998 | The London Institute | Cultural, Historical and Theoretical Studies | |
| DIAMOND S | Within Our Reach / And With the Magnifying Glass He Returned to the Garden | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Robinson H | Within the pale in from: Beyond the Pale:the construction of feminity in the curating of an exhibition season at IMMA, Dublin | 1997 | University of Ulster | ||
| Goodwin D | Within. | 1999 | Goldsmiths College | ||
| FINLAY A | Without Day | 2000 | University of Dundee | Critical, Historical and Theoretical Debate | de Vries, H Frain, R Coley, N |
| Brown JK | Without Touch | 2000 | Manchester Metropolitan University | ||
| Robertson I | Without Walls: 40 drawings (av. 48cms.x 56cms.) - paper and mixed media | 1998 | London Guildhall University | ||
| Hiller S | Witness | 2000 | University of Newcastle | ||
| Stiven C | Witnesses of Existence - a British Affirmation | 1994 | Edinburgh College of Art | Fine Art | |
| Biggs M A R | Wittgenstein's Nachlass: The Bergen Electronic Edition | 2000 | University of Hertfordshire | ||
| Billett EH | Wolflite Handlamp H-4DCE | 1997 | Brunel University | Environmentally Sensitive Design | |
| Derges S | Woman Thinking River | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Sayers P C | Woman's Realm. | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Randall-Page P | Womb Tomb | 2000 | Dartington College of Arts | ||
| McCRACKEN P | Women Artists and Designers in Europe Since 1800: an annotated bibliography | 1998 | University of Lincoln | ||
| Deepwell C | Women Artists and Modernism | 1998 | University of Ulster | ||
| Seddon J | Women Designers in Britain in the 1920s and 1930s: Defining the Professional and Redefining Design | 1995 | University of Brighton | Design History, Criticism and Theory | S Worden |
| Vincentelli M M | Women and Ceramics Gendered Vessels | 2000 | University of Wales, Aberystwyth | ||
| Bowman S | Women and Indigenous Textiles - Aesthetics and Economic Enterprise | 1996 | University of East London | ||
| Terstappen C | Women of the World - A Global Collection of Art | 2000 | University of Southampton | ||
| Bodman V | Women on Men | 1997 | University of Sunderland | Fine Art | |
| Townsend S | Women's Art Magazine | 1994 | The London Institute | Fine Art | |
| Matlow EG | Women, computers and a sense of self | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Rust I | Womenswear Jeans Collection - Calvin Klein | 1995 | Royal College of Art | Design for Manufacture | |
| Dagworthy W | Womenswear, woven and knitwear collections: Spring Summer 1998, Autumn Winter 1998/1999, Spring Summer 1999 | 1997 | Royal College of Art | Design for Manufacture | |
| Watson A | Wood '98 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Watson A | Woodland | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Hellum A | Woody Exhibition | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Verhoeven J | Word Up by Mel B, CGI Music Video | 1999 | The London Institute | Fashion and Textiles | |
| Ling M | Word as Image Exhibition | 2000 | University of Sunderland | Design | |
| Bodman V | Wordless | 1998 | University of Sunderland | Fine Art | |
| Blake Q | Words and Pictures | 2000 | Royal College of Art | Communications | |
| Hunter S | Work | 1997 | Edinburgh College of Art | Fine Art | |
| Votolato G | Work as Play: the Do-It-Yourself Movement and the American Home | 2000 | Buckinghamshire Chilterns University College | Design Culture | |
| Warren-Fisher R | Work from London (Graphics, Visual Languages and Culture) | 1997 | Bath Spa University College | Cartlidge Levine Pentagram CDT Design |
|
| Seddon J | Work, Professionalism and Gender: Women Designing in the Interwar and Postwar Periods | 1996 | University of Brighton | Design History, Criticism and Theory | |
| Ackling RW | Workhand: Roger Ackling | 1998 | The London Institute | Fine Art | |
| Hall CM | Working Class Women and the Theatre | 1998 | University of Plymouth | Theatre + Performance | |
| Kyte R | Working Drawings for pendant in 18 carat gold, executed on site within 22 hr. time-limit | 1997 | London Guildhall University | ||
| INNS T G | Working Partnerships: Organisational Learning in Industry and Academia through Design Knowledge Initiatives | 2000 | University of Dundee | Industry and the Public Sector | Naomi Gornick |
| Phillips MR | Working Together: product development through university-SME collaboration | 2000 | Sheffield Hallam University | Anne Tomes | |
| Stockham J | Working in the Dark/ No News | 2000 | Royal College of Art | Fine Art | |
| Cannon Jones A | Working with Designers: A technical approach | 1999 | The London Institute | Fashion and Textiles | |
| Scott G A | Working-Class Feminism? The Women's Co-operative Guild 1880s to 1914 | 1997 | University of Brighton | Design History, Criticism and Theory | |
| Masi D. | Works by Denis Masi - Survey Exhibition Wallwork 1988-1996 | 1996 | University College London | Fine Art Media | |
| Masi D | Works by Denis Masi- Survey Exhibition Wallwork 1988-1996 | 1996 | Wimbledon School of Art | ||
| Jeffs HA | Works by Howard Jeffs | 1996 | Goldsmiths College | ||
| Harris JK | Works by Jane Harris | 1996 | Goldsmiths College | ||
| Kay E | Works in 6th International Istanbul Biennial | 1999 | University of Portsmouth | Art and Philosophy | |
| Beech W K | Works made for film | 1999 | University of Brighton | Fine Art Practices | L Winters |
| Whalley S | Works of Artifice: Make Up Uncovered | 2000 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Phillips K | Works on Paper | 1994 | Cumbria College of Art + Design | ||
| McFadyen J. | Works on Paper | 1998 | University College London | Painting | |
| De Lannoy C. | Works on Paper | 2000 | University College London | Painting | |
| Pinn A | Workshop Techniques On-Line Computer Learning Package. | 1998 | University of Hertfordshire | ||
| Eglin P M | Workshop/residency at EKWC in Netherlands. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Golding M | Workstations : a photographic work | 1996 | University of Northumbria at Newcastle | Photography (1b) | |
| BOYLAN P.J. | World Bank: Global Development Gateway: Culture + Development (plus sub-topics Arts Crafts + Media,Cultural Management, Cultural Policy, Cultural Tourism, Documentation Standards + Heritage Preservation) | 2000 | City University | ||
| ANDERTON R | World Etching | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Watson LJ | World Gold Council Commission | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Watkins P | World Markets for Silk | 1997 | Royal College of Art | Design for Manufacture | |
| Kindel E T | World of signs and pictures. Review of Wolfgang Weingarts My way to typography | 2000 | University of Reading | ||
| MACLEAN W J | Worlds in a Box | 1995 | University of Dundee | Coastal/Indigenous Cultures | Cornell, J Duchamp, M Rauschenberg, R |
| Mortimer R | Wormcharmer | 1998 | The London Institute | Media and Communication | |
| Tredre R | Worth Global Style Network | 2000 | The London Institute | Fashion and Textiles | |
| Barker J | Woven Image: Contemporary British Tapestry: group exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| Soroka J | Woven Image: Contemporary British Tapestry | 1996 | Edinburgh College of Art | Fine Art | |
| Hunter S | Woven Intimacies | 1999 | Edinburgh College of Art | Fine Art | |
| Swan A | Woven Jacquard designs for upholstery | 1999 | University of Southampton | ||
| Ednie JL | Woven dobby fabric for Antonio Berardi | 1998 | University of Southampton | ||
| Swan A | Woven textile design for upholstery | 1998 | University of Southampton | ||
| THOMPSON K. | Wrapping up the year | 1999 | Coventry University | Visual Arts | CRAXFORD, TAYLOR, |
| Bal Y | Writer/director/producer/cinematographer for The Overcoat 2000, 7min. live action (16mm/DV) experimental fictional adaptation of Gogol | 2000 | London Guildhall University | ||
| Short C | Writing Art + Institutions - Part of the series 'Real Art and a Sense of Place' | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| MATTHEWS G | Writing Design | 2000 | University of Lincoln | ||
| Dukes P J | Writing and Passivity | 2000 | University of Hertfordshire | ||
| Konttinen S L | Writing in the sand : on the beaches of north east England | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Lomax Y | Writing the Image: An Adventure with Art and Theory | 2000 | Royal College of Art | Critical Practice | |
| Harding D | Y2K International Symposium + Exhibition of Prints | 2000 | Bath Spa University College | ||
| Mostaghimi B | Yarn and Textile Development | 1998 | University of Brighton | Materials Practices and Processes | |
| Midgley J | Year of the Artist. Artist in Residence | 2000 | Liverpool John Moores University | Graphic Arts | Blackpool Press Office -Sarah Dornford May |
| Fijalkowski K M | Years of Long Days: Surrealism in Czechoslovakia | 1996 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | Richardson, M. |
| Woods R | Yellow Floor Board Repeat | 1999 | University of Southampton | ||
| Mulrine S | Yerofeev: Moscow Stations | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Evans C | Yesterday's Emblems and Tomorrow's Commodities: The Return of the Repressed in Fashion Imagery Today | 2000 | The London Institute | Fashion and Textiles | |
| Westwood M | Yesterday's Future | 1998 | The London Institute | Fine Art | |
| May N | Yesterdays Tomorrow is Not Today | 1999 | Cumbria College of Art + Design | ||
| Jefferies JK | Yinka Shonibare: Dressing Down Textiles in a Victorian Philanthropist's Parlour | 1999 | Goldsmiths College | ||
| Woodley G. | Yoko Terauchi and Gary Woodley | 1998 | University College London | Painting | |
| Galloway L | You Are Here | 1997 | De Montfort University | ||
| Hakim-Dowek L | You Don't Know Me But | 1998 | University of Portsmouth | Memory, Identity and Material Culture | |
| Carson JE | You Don't Say | 1997 | The London Institute | Fine Art | Donna Rutherford and director Deborah May |
| Golden P | You Know Ive Been At Sea Before | 1998 | University of Reading | ||
| Strindberg M | You and Me | 1999 | University of Brighton | Fine Art Practices | |
| DEAKIN A | You are Now Entering the State of Love | 1996 | Middlesex University | ||
| Brennand-Wood M | You are here | 1999 | University of Ulster | ||
| Spencer B | You think you've flown before | 1997 | Liverpool John Moores University | Painting and Sculpture | S Rendall |
| Harvey M | Young British Artists IV | 1995 | The London Institute | Fine Art | |
| COOMBS D | Young British Artists VI | 1996 | University of Oxford | ||
| OWEN P | Young Parents | 1997 | University of Lincoln | ||
| Hall R | Young People, the Internet, Anonymity and Identity | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Stiven C | Young Work - New York | 1999 | Edinburgh College of Art | Fine Art | |
| Clegg RDPC | Young and Famous | 1996 | The London Institute | Fine Art | |
| Tibbs B | Young at Art Awards 2000 | 2000 | Kingston University | ||
| Evans Milne R | Your Place or Mine | 1998 | Bath Spa University College | Craig, S. Lewis, S. Pimlott, M. |
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| Granjon P | Z Food in New York | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| Granjon P | Z Lab 2000 | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Edmonds F. A. | ZERO-G | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Biagioli M. | ZONE | 1998 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| Cooper A M | ZXA Fire Control Panel, Morley Electronic Fire Systems | 1996 | University of Northumbria at Newcastle | Photography (1b) | Bailey, S |
| Hutchinson J A | Za Project | 1996 | University of Sunderland | Fine Art | |
| Ocean H | Zeebrugge | 2000 | The London Institute | Fine Art | |
| Allsop D | Zeit R | 2000 | Royal College of Art | Fine Art | |
| Dalwood A | Zeitschliefe 2 In Der Zukunft | 1999 | University of Hertfordshire | ||
| Merali SGP | Zen Mix 2000 | 1999 | The London Institute | Fine Art | |
| Creed R | Zero - March of the Mud Beetles | 2000 | Liverpool John Moores University | Audio-visual | |
| Bate DH | Zero Culture | 2000 | University of Westminster | Visual Media | |
| Sprio M | Zero Time | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| May N | Zero Tolerance | 1998 | Cumbria College of Art + Design | ||
| Barker DS | Zheng Shuang Woodcuts 1980-1996 | 1999 | University of Ulster | ||
| Frew C | Zingmagazine - A Curatorial Crossing | 1994 | Edinburgh College of Art | Fine Art | |
| SWIFT D G | Zofias Dance | 2000 | University of Dundee | Contemporary Practice | Shona McInver Eiko Fan Richard Demaro |
| Ramsay G | Zonen Der Verstorung, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Holland D | Zones of Disturbance, group exhibition | 1997 | Glasgow School of Art | Fine Art | |
| Meanley P | Zoutglazuur | 1999 | University of Ulster | ||
| Fox A | Zwarte Piet | 1999 | Royal College of Art | Fine Art | Bal, M |
| Fox A | Zwarte Piet | 1999 | The London Institute | Fine Art | |
| CONWAY R | [LOOKOUT] GLASS INSTALLATION - PATE-DE-VERRE + STAINED GLASS | 1997 | Middlesex University | R Paley | |
| DAVY M | [future] City Great Eastern Installation | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DAVY M | [future] City Myhotel Installation | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| DAVY M | [future] City RIBA | 1999 | Kent Institute of Art + Design | PARC (Public Art + Architecture) | |
| Worthington C | `102 | 1999 | London Guildhall University | ||
| Harding A | `Curating:The Contemporary Art Museum and Beyond'. | 1997 | Goldsmiths College | ||
| Mavrogordato T | `Rose-Love', `Passion Flower-Love', `Orchid-Love'. | 1997 | Goldsmiths College | ||
| Mabb D | `Street Art of the Revolution'. | 1997 | Goldsmiths College | ||
| Robertson H | after image | 2000 | The London Institute | Fine Art | |
| Davis K | as if (one) | 1999 | Wimbledon School of Art | Sculpture | |
| Bodman V | between | 2000 | University of Sunderland | Fine Art | |
| Corby T | cITy, exhibition of the nominees for the International Media Art Award 2000 | 2000 | University of Hertfordshire | ||
| Warnell P | deeper, deeper + deeper | 1998 | University of Gloucestershire | ||
| Merali S | digNative; BuyNative; Going Native + Selling Native | 2000 | University of Westminster | Fine Art | |
| Dupre F | emplacements | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Ross M | fall | 1994 | University of Newcastle | ||
| Hollingsworth S M | here, now 2000 | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Wilson M | home | 1999 | Cumbria College of Art + Design | ||
| Lebbon C | i-Design project - inclusive design for the whole population | 2000 | Royal College of Art | Inclusive Design | Clarkson, P Dr Keates, S Coleman, R |
| Orlow U | instead (inventory #2) | 1997 | The London Institute | Fine Art | |
| Yetton CCW | nnn nnnn nnnnnnn [sic] | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Pilsl C | oT (Interventionen) | 1997 | Southampton Institute | ||
| Sekers A | p30 | 1996 | The London Institute | Media and Communication | |
| Chapman J | part of | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Ting P | place setTing | 2000 | University of Central Lancashire | ||
| DEAKIN A | polymorph.i | 2000 | Middlesex University | ||
| Lee R | s(H)elf I and II | 1999 | Dartington College of Arts | ||
| DYSON G | sine | 1996 | University of Lincoln | ||
| ROBINSON M | sub.merge | 2000 | Middlesex University | A Deakin C Bassett V Spong |
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| Binnion S | subliminating | 2000 | University College Northampton | ||
| Mealing SP | ud2k - Designing the Design Student | 2000 | University of Plymouth | Centre for Visual Computing | |
| Ross M | valentine | 2000 | University of Newcastle | ||
| Lesdema E | warning SHOTS | 2000 | Southampton Institute | ||
| Kratochvil J | www.josef.dircon.co.uk. | 1998 | Goldsmiths College | ||
| Kratochvil J | www.joseph.dircon.co.uk. | 1999 | Goldsmiths College | ||
| Heyer A | wysiwyg | 1997 | The London Institute | Fine Art | |
| Heyer A | wysiwyg, group exhibition of permanently sited works. | 1998 | Glasgow School of Art | Fine Art | |
| Ross M | zur Br | 1998 | University of Newcastle | ||
| Van Liefferinge K | 1996 | Leeds Metropolitan University | Design | ||
| Van Liefferinge K | 1996 | Leeds Metropolitan University | Design | ||
| Treen C | 1995 | Leeds Metropolitan University | Environmental Art and Design | ||
| Treen C | 1996 | Leeds Metropolitan University | Environmental Art and Design | ||
| Treen C | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Treen C | 1995 | Leeds Metropolitan University | Environmental Art and Design | ||
| Sykes S | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Sykes S | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Sykes S | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Sykes S | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Stoddart A | 1999 | Glasgow School of Art | Fine Art | S. Kinstry | |
| Stephen'Cran J | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | ||
| SWIFT D G | 2000 | University of Dundee | Contemporary Practice | Wolfgang Losche Marianne V Pasqualino Atsuhiko Musashi |
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| STEVENSON F | 1998 | University of Dundee | Industry and the Public Sector | ||
| Royffe C D | 1994 | Leeds Metropolitan University | Environmental Art and Design | ||
| Royffe C D | 2000 | Leeds Metropolitan University | Environmental Art and Design | M.Herrmann A. Millard |
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| Ross J C | 1995 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Ross J C | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Ross J C | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Ross J C | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Rogers A | 1999 | Leeds Metropolitan University | Design | ||
| Rogers A | 1999 | Leeds Metropolitan University | Design | ||
| Rogers A | 2000 | Leeds Metropolitan University | Design | ||
| Rogers A | 2000 | Leeds Metropolitan University | Design | ||
| Partridge J | 1999 | Buckinghamshire Chilterns University College | Furniture Design | ||
| Packe R | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Packe R | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Packe R | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Packe R | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| O'Brien K | 1994 | Leeds Metropolitan University | Visual Arts | ||
| O'Brien K | 2000 | Leeds Metropolitan University | Visual Arts | ||
| O'Brien K | 1998 | Leeds Metropolitan University | Visual Arts | ||
| Mitchell P | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell P | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell P | 1996 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mitchell P | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mirza K | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mirza K | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Mayfield W | 1999 | Leeds Metropolitan University | Design | Clegg, S | |
| Mayfield W | 1997 | Leeds Metropolitan University | Design | ||
| Mayfield W | 1999 | Leeds Metropolitan University | Design | Clegg, S Trayhurn, D |
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| Mayfield W | 1996 | Leeds Metropolitan University | Design | ||
| Maccaulay J | 1994 | Glasgow School of Art | Historical and Critical Enquiry | ||
| Logan P J | 1996 | Leeds Metropolitan University | Design | ||
| Logan P J | 1996 | Leeds Metropolitan University | Design | ||
| Logan P J | 1994 | Leeds Metropolitan University | Design | ||
| Logan P J | 1998 | Leeds Metropolitan University | Design | ||
| Julier G | 2000 | Leeds Metropolitan University | Design | ||
| Julier G | 1996 | Leeds Metropolitan University | Design | ||
| James A | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| James A | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| James A | 1998 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| James A | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | Vir, P | |
| Irvine J | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Irvine J | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Irvine J | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Irvine J | 2000 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Hoffman A S | 2000 | Leeds Metropolitan University | Design | ||
| Hoffman A S | 2000 | Leeds Metropolitan University | Design | Julier, G | |
| Hoffman A S | 1998 | Leeds Metropolitan University | Design | ||
| Heywood I | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Hassall J | 1998 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Hassall J | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Hassall J | 1997 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Hassall J | 1999 | Leeds Metropolitan University | Graphic Arts and Moving Image | ||
| Harding D | 1997 | Bath Spa University College | |||
| Grigor M | 1994 | Glasgow School of Art | Historical and Critical Enquiry | ||
| Grigor M | 2000 | Glasgow School of Art | Historical and Critical Enquiry | ||
| Fleming M | 1999 | Leeds Metropolitan University | Visual Arts | ||
| Fleming M | 1994 | Leeds Metropolitan University | Visual Arts | ||
| Fleming M | 1994 | Leeds Metropolitan University | Visual Arts | ||
| Entwistle T | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Entwistle T | 2000 | Leeds Metropolitan University | Environmental Art and Design | ||
| Entwistle T | 1999 | Leeds Metropolitan University | Environmental Art and Design | ||
| Ellis P | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Ellis P | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Ellis P | 1994 | Leeds Metropolitan University | Visual Arts | ||
| Ellis P | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Edwards A | 1999 | Leeds Metropolitan University | Design | ||
| Douglas M | 1994 | Brunel University | Polymedia Design | ||
| Chesterman J | 1999 | Leeds Metropolitan University | Visual Arts | ||
| Chesterman J | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Chesterman J | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Cain J | 1998 | Leeds Metropolitan University | Visual Arts | ||
| Cain J | 1999 | Leeds Metropolitan University | Visual Arts | ||
| Cain J | 2000 | Leeds Metropolitan University | Visual Arts | ||
| Cain J | 1995 | Leeds Metropolitan University | Visual Arts | ||
| Boult J | 1998 | Brunel University | Design Process | ||
| Bicknell J | 1997 | Leeds Metropolitan University | Visual Arts | ||
| Bicknell J | 1998 | Leeds Metropolitan University | Visual Arts | ||
| Bicknell J | 1995 | Leeds Metropolitan University | Visual Arts | ||
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