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| Art and Design - Publications | ||||
| Art and Design RDF, 6.7mb <RDF Zip, 391kb> | |||
| People, 884kb | Publications, 3.7mb | Groups, 49kb | Institutions, 28kb |
| BOTTOM |
| Author | Title | Date | Place of Publication | Research Group | Co-Authors |
| Springer P | '!' (Advertising as Art) | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Cruise C J | ''Lovely devils': Simeon Solomon and Pre-Raphaelite masculinity. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Rogers M | ''Okologie der Wahnehmung', Group show of large scale prints. | 1999 | University of Derby | Research Group for Artists Publications | |
| Willey TV | '............of a River in Epirus' - Sculpture Exhibition. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chinnery CY | '100 Christian Martyrs', 'Wannabe' and 'Dimestore Vanitas' | 1999 | Oxford Brookes University | Creative Practice | |
| Sedgwick J | '100 years of the Royal College of Art' | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chinneck J | '10th East International' and 'Riverside' | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | Piper, K Lopez, S |
| Mitchell J R. | '16 Gunmetal Frustums and Fillers: 4 Bronze Blocks with Conic Voids' | 2000 | Wimbledon School of Art | Painting | Fred Orton Malcolm Quinn |
| McIntyre K | '1980 - 1998: The Yuppie, Postmodernism, the New Millennium' | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Onishi M | '2nd International Triennial of Graphic Art' | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Pryke S | '365+' - Dinnerware range with associated items | 1996 | De Montfort University | Lundstrom, M Spets, A |
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| Thomas J | '4 Ways He Tried to Tell You' | 1999 | Wimbledon School of Art | Painting | |
| Steed J | '98 St Etienne International Design Bienniale | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Murphy J | 'A Different Constellation'. | 1998 | Goldsmiths College | ||
| Smith K | 'A Lily amongst Thorns' | 2000 | Wimbledon School of Art | Sculpture | |
| Mason R | 'A Line from East to West' | 1998 | Wimbledon School of Art | Painting | |
| Davies H | 'A Perfect Society' | 1995 | Napier University | Photographic Practice | Arabella Plouviez |
| Swift E | 'A Reflection on the Performance of Treading Water directed by VOID: Performance' | 2000 | University of Gloucestershire | ||
| Clark R | 'A Resolution Between Transience and Transcendence'. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Burrows D | 'A Summer's Day' | 2000 | Wimbledon School of Art | Theatre technical arts | David Graham-Young |
| Stanford P | 'A Survey of Fine Art Printmaking Studios in the UK' | 2000 | Wimbledon School of Art | ||
| Baker C | 'A Thousand Hounds'. | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'A Thousand Hounds- The Presence of the Dog in the History of Photography' | 2000 | Napier University | Photographic Practice | Raymond Merritt Miles Barth |
| Brown C | 'Acoustic Shadows' | 1999 | University of Derby | Research Group for Artists Publications | |
| Rogers M | 'Acoustic Shadows'. | 1999 | University of Derby | Research Group for Artists Publications | |
| McCarthy P | 'Acoustic Shadows'. | 1999 | University of Derby | Research Group for Artists Publications | |
| Barnard M | 'Advertising: The Rhetorical Imperative' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Mendelle N | 'Algeriennes, hier et aujourd'hui' | 1995 | Napier University | Documentary and Experimental Film | |
| Turnbull A | 'Alison Turnbull, New Paintings' | 2000 | Wimbledon School of Art | Painting | |
| Burrows D | 'All Cloned Up' | 2000 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Mike Bennett |
| Kinsey J | 'Allotment' Group Exhibtion, 18 September-24 October. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Adam J | 'Aluminium by Design: Jewellery to Jets' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| Konttinen S L | 'Amber Forever' | 2000 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Kettell R | 'An Anecdotal Eye, the Work of Thomas Bewick'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| McIver L | 'An Invitation to Kiss' | 2000 | Napier University | Documentary and Experimental Film | Pernille Spence Beverly Hood |
| MacLennan H | 'An investigation of students' changing perceptions of professional studies provision for Fine Art focussing on student experience of work placements and enterprise projects' | 1998 | University of Gloucestershire | ||
| Knight L M | 'Animate! - The UK Arts Council and Channel Four Funded Commissioning Scheme. | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Robinson A F | 'Annette Robinson' [Solo exhibition] | 2000 | University College Northampton | Fine Art Practices | |
| Kingston A M | 'Ansuya Blom' | 1994 | Wimbledon School of Art | Research Centre | |
| MacLennan H | 'Antiquarian and connoisseurial interest in the northern Renaissance print in the early 19th century' | 1999 | University of Gloucestershire | ||
| Rosser E | 'Ants Growing Wings by the River' | 1997 | Wimbledon School of Art | Sculpture | Inghild Karlsen Kjell Sampkopf Per J Boym |
| Stephenson AP | 'Anxious Performances: Aestheticism, The art gallery and the ambulatory geographies of late Nineteenth Century London | 2000 | University of East London | ||
| Bourke R | 'Apoteoza'/apotheosis | 2000 | Dartington College of Arts | ||
| Barnard M | 'Approaches to Understanding Visual Culture' | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Raney K | 'Art Education and Talk: from modernist silence to post modern chatter' | 1999 | University of East London | H. Hollands | |
| TURNER J | 'Art and Engineers' Contemporary Sculpture with Victorian Engineering | 1999 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| HOLT J | 'Art for Earth's Sake: A consideration of issues raised by the Contemporary Arts of the First Peoples of North America' | 1996 | Bretton Hall | FINE ART (PAINTING) | |
| Barnard M | 'Art, Design and Visual Culture'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Sandys-Renton T | 'Artist in Residence' 1 exhibit . 'Self build-built self'. Green oak and forged/welded steel - 170x175x120cm | 2000 | University College Chichester | Sculpture | |
| Cruise C J | 'Artists' clothes: some observations on male artists and their clothes in the nineteenth century'. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Roper G S | 'Artlanta' | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Scott G A | 'As a war horse to the beat of drums': Representations of Working-Class Femininity in the Women's Co-operative Guild, 1880s to the Second World War | 1998 | University of Brighton | Design History, Criticism and Theory | |
| McDonough H | 'Atrium' | 1997 | Anglia Polytechnic University | ||
| Blackie SS | 'Back From Japan'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Smith K | 'Backspace' | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Roberts E | 'Barbara Hepworth Speculatively perceived within an international context' | 1996 | Liverpool John Moores University | Art and Design History | |
| Sandys-Renton T | 'Beastly Thoughts' 4 sculptures. 'Self Portrait as a Beast', 2000,(Charcoal, paper, steel + ceramic - c150x90x13cm); 'Beastly Thoughts' 2000, (Steel + ceramic - c66x205x16cm); 'Naked' 2000 (Steel + ceramic - approx 175x70x14cm; 'Mile High falling Angel | 2000 | University College Chichester | Sculpture | |
| Hatt CAE | 'Being There' | 1994 | Wimbledon School of Art | Painting | Andrew Bick Jane Wilbraham Paola Pezzi |
| Kettell R | 'Below the Salt', Exhibition Catalogue Design. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Walter J | 'Below the Salt', exhibition with catalogue. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Peaker G | 'Benjamin's Objects'. | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Galloway L | 'Between the Foot and the Breath' | 1999 | Wimbledon School of Art | Sculpture | Phyllida Barlow Susan Hiller Yinka Shonibare |
| Hand J | 'Bird and Cat' 'Double Act'. | 1999 | Goldsmiths College | ||
| Lewandowska M | 'Blind Date'. | 1998 | Goldsmiths College | ||
| Garfoot S | 'Boa' Range | 1995 | University of Wolverhampton | Glass | |
| Chinneck J | 'Bon Voyage' | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Wootton M A | 'Bookways - The British Version' exhibition | 1999 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Warnell P | 'Borborygmus' ('Gut Reaction') at Charge Festival of Live Art | 1998 | University of Gloucestershire | ||
| Walter J | 'Brampton Pots in the Kitchen', curated exhibition with catalogue. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Milne L | 'Breugel and the Psychology of Money' | 1998 | Napier University | Critical Theory of Practice | |
| Peaker G | 'Bridges over Troubled Walter'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Smith B | 'Bridget Smith'. | 1998 | Goldsmiths College | ||
| Taylor F | 'British Art Now 1998'. | 1998 | Goldsmiths College | ||
| Wood M H | 'British Impressionism in Japan.' and' The Victorian Imagination' | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| BULLEY E | 'CEDE' Painting | 1997 | University of Lincoln | ||
| BULLEY E | 'CEDE' Paintings | 1996 | University of Lincoln | ||
| Hamlyn J | 'CONCERTS DAILY AT 11AM + 8PM', 'Ends' | 1994 | Robert Gordon University | Making and Contemporary Culture | |
| Cheesman D | 'CRAFT' | 1997 | Wimbledon School of Art | Sculpture | Thomas Grunfeld Richard Wentworth Tracy Emin |
| Goto J | 'Capital Arcade', Solo Exhibition. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Smith K | 'Care and Control' | 1995 | University of Northumbria at Newcastle | Installation (2b) | Montair, P |
| Chubb S | 'Cartographers - Geo-Gnostic Projection for the 21st Century' - 3 paintings: acrylic, poly vinyl acetate and mixed media on canvas. Dimensions: 112x112cms; 106x166cms; 125x125cms | 1997 | University College Chichester | Painting | |
| BULLEY E | 'Ceaselessly' Painting | 1996 | University of Lincoln | ||
| BEHRENS R H H | 'Celtic connections | 1998 | University of Dundee | Contemporary Practice | Andy Goldsworthy Iduardo Paolozzi Adrian Wisniewski |
| Mitchell S | 'Chagall Talks to Bakhtin'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Wayman M | 'Changing Needs' Project: Textile Design Education - What can a graduate do? | 2000 | Manchester Metropolitan University | ||
| Aggs C | 'Christopher Aggs Recent Paintings' - 20 Oil on Canvas and Oil on Board. Various dimensions. | 2000 | University College Chichester | Painting | |
| Rees A | 'Cinema and the Avant Garde' and 'Avant-Garde Film 1960-1995' | 1999 | Royal College of Art | Communications | |
| McDonough H | 'Circular Breathing' | 1996 | Anglia Polytechnic University | ||
| Porter M | 'Cliffs and Coastlines' | 2000 | Wimbledon School of Art | Painting | |
| Sturgis D | 'Close Up On Pattern'. | 1998 | Goldsmiths College | ||
| Brown V | 'Cloths of Gold.' 1 exhibit: Hand-rolled felt with gold leaf banner 30 x 200cms | 1998 | University College Chichester | Textiles | |
| Walter J | 'Collecting, the Collection and the Collector, The Pinchen Collection of Studio Pottery.', article. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chubb S | 'Collections and Reflections: The Transformative and Assimilative Uses of Art Objects' - Artist Fellowship. 4 paintings: acrylic, colour photocopy, poly vinyl acetate and photocopy transfer on canvas. Dimensions between: 21x12x4.5cms - 25x16x4.5cms | 1997 | University College Chichester | Painting and Installation | |
| Davis K | 'Come' | 1997 | Wimbledon School of Art | Sculpture | |
| Brown C | 'Coming Ready or Not' - a permanment sound piece sited on the Chiltern Sculpture Trail.'Coming Ready or Not and Other Tales' - Solo Exhibition of Drawings, Museum of Modern Art, Oxford. | 2000 | University of Derby | Research Group for Artists Publications | |
| Simpson PJ | 'Common Centre'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Durden M | 'Common Culture' Solo Exhibition. | 1999 | University of Derby | Centre for Cultural History and Critical Theory | David Campbell. Paul Rooney |
| Durden M | 'Common Culture'. Solo Exhibition. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | David Campbell Paul Rooney |
| James S | 'Commune' | 1999 | Wimbledon School of Art | Sculpture | Klaus Osterwald |
| Davies T | 'Competence and Creativity: The Politics of Art Education' | 1998 | University of Central England in Birmingham | Art Education Research Group | |
| Keskeys D | 'Computers in Art + Design Education' | 1999 | University of Gloucestershire | ||
| Watkins P | 'Computing the Value of CAD' | 1995 | Royal College of Art | Design for Manufacture | |
| Syed T | 'Configuration 0' in Unbound Geographies/Fused Histories Exhibition | 1998 | Anglia Polytechnic University | ||
| Dinsmore-Tuli U | 'Console-ing Passions: Television, Video and Feminism Conference'. | 1997 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Baker D | 'Construction Sights: the Millenium Intervention Group' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| GOWANS G M | 'Consult' - a two minute running presentation profiling the work of TPS Consult Architecture and Interior Design | 1997 | University of Dundee | Digital Technology | Brian Taylor |
| TAYLOR B | 'Consult' a two-minute running presentation profiling the work of TPS Consult Architecture + Interior Design | 1997 | University of Dundee | Contemporary Practice | Gary Gowans |
| Grinling CL | 'Consumer and interior trends and how they impact manufacturers and retailers new product development cycles'. | 1999 | Goldsmiths College | ||
| Walter J | 'Contemporary Ceramics' Solo Exhibition. | 1994 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Dale J K | 'Continental'-Bacteriological Air Purifier | 2000 | University of Northumbria at Newcastle | Product Design (Medical) (4c) | |
| Barber AJ | 'Conversation for possibilities' | 1998 | Glasgow School of Art | Educational Theory and Practice | |
| Peacock A | 'Cooling Hot: Redundancy and Entropy in a Critique of Interactivity in Convergence'. | 1999 | University of Hertfordshire | ||
| Brown V | 'Core - Contemporary Regional Textiles'. 12 hand-rolled felt wall hangings. Varying dimensions. | 2000 | University College Chichester | Textiles | |
| Knorr K | 'Corps a Vif, Art et Anatomie'. | 1998 | Goldsmiths College | ||
| RAMSAY T K | 'Craftscape', Contemporary British Crafts Alive + Kicking | 2000 | University of Dundee | Contemporary Practice | Simone ten Honpel Jane Wallace Elizabeth Callinicos |
| Gibson L | 'Crash Subjectivity' | 1994 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Onishi M | 'Creators from Japan' | 1995 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Kelly D | 'Credit' | 2000 | Wimbledon School of Art | ||
| Milton A | 'Critical Vehicles: A Conceptual Road Map for Automotive Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Mitchell J R. | 'Crossing the Channel' | 1996 | Wimbledon School of Art | Painting | |
| TURNER J | 'Crossing' | 2000 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Davies T | 'Cultural Identity, Digital Media and Art' | 2000 | University of Central England in Birmingham | Art Education Research Group | Peter Worrall |
| Blacklock G. C. | 'Cultural Ties' | 2000 | Wimbledon School of Art | Painting | Jeff Koons Alex Katz Louis Bourgois |
| Vernon SA | 'Cutlery Art - Ancient and Modern.' | 1999 | University of Derby | ||
| McCarthy P | 'Dark Matter' Touring Group Exhibition, 1998-2000 | 1998 | University of Derby | Research Group for Artists Publications | |
| GUY A | 'Das Abenteur der Malerei ' The Adventure of Painting' - A Journey into the Art of the Nineties' | 1996 | University of Dundee | Contemporary Practice | Michael C Martin Jonathan Lasker Bernard Frieze |
| Duncan AEJ | 'Death keeps me awake: The generator that Hums in the Night' | 1997 | University of East London | ||
| Quinn M J | 'Defilades and Enfilades' | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Watson G | 'Derek Jarman: Der Schlussel ist die Kunst | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| O'Brien A | 'Derelict histories: A Politics of Scale Revisited' | 1995 | Napier University | Critical Theory of Practice | |
| Harold J M | 'Desert' a touring exhibition | 1996 | University of Northumbria at Newcastle | Photography (1b) | |
| Milton A | 'Design Futures - Future Designers' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Keskeys D | 'Design Technologies: Addressing the Pace of Change' | 2000 | University of Gloucestershire | ||
| Rodgers P | 'Designing over Networks: A Review and Example of Using Internet Collaboration and Communication Tools in Design' | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | Huxor,A.P. |
| Grover nee Rooke S | 'Development of a production process for the elimination of the wood veneer breaking in its use as a moulding cover, | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Txoperena M |
| Grover nee Rooke S | 'Development of a short-duration machining test to evaluate performance of steel and carbide and carbide tipped cutting tools' | 1997 | Buckinghamshire Chilterns University College | Furniture Technology | Ivor Harris |
| Harrison P | 'Device'; 'Six Boxes (lifesize)'; 'Volunteer'; 'October 97' | 2000 | University of Wolverhampton | Fine Art | John Wood |
| Rees A | 'Digital Daze' | 1998 | Royal College of Art | Communications | |
| Thornhill PH | 'Direct Action' - Television documentary | 1999 | De Montfort University | Hurst, M | |
| Turner M | 'Dissolving the People' | 1997 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Grainger H J | 'Distressingly Banal': The architecture of early British Crematoria | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Dorsett C J | 'Divers Memories/Hong Kong' | 1998 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Lam, A |
| Faiers J | 'Do You Really Want It That Much...More' Part 2. | 1999 | Goldsmiths College | ||
| Rogers M | 'Domestic Acoustic', (Solo Exhibition). | 2000 | University of Derby | Research Group for Artists Publications | |
| Travers K | 'Donkey Work' | 1995 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Quinn M J | 'Double Indemnities' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Raney K | 'Drawing Papers' (Keynote Lecture) | 1998 | University of East London | ||
| Milne L | 'Dreams and Bruegel's Dulle Griet' | 1996 | Napier University | Critical Theory of Practice | Shetter, W van der Crysee, I |
| Goodwin D | 'Dryden Goodwin - Wait - Drawn to Know'. | 2000 | Goldsmiths College | ||
| Sturgis D | 'Dumpop'. | 1998 | Goldsmiths College | ||
| Maudsley N | 'E-Business' | 2000 | London Guildhall University | ||
| BULLEY E | 'Earthed' Paintings | 1996 | University of Lincoln | ||
| Kirkup W E | 'Echo' | 1999 | University of Northumbria at Newcastle | Installation (2b) | |
| Harris JK | 'Ecstasy'. | 1998 | Goldsmiths College | ||
| Blackie SS | 'Edge Identity and Change. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Hunt MR | 'Egeo' range of glass bowl, plates and serving dishes | 2000 | De Montfort University | ||
| O'Pray ME | 'Eisenstein and Stokes on Disney: Film Animation and omnipotence' | 1997 | University of East London | ||
| Davies T | 'Electric Studio - New Practice in ICT art and design' | 1999 | University of Central England in Birmingham | Art Education Research Group | Peter Worrall Lucia Pimentel |
| Hodgkinson M | 'Emanations' | 1995 | Wimbledon School of Art | Sculpture | Daryl Viner Alison Wilding Jo Stockham |
| Rosser E | 'Epiglottis' at 'The Ugly Edge' | 1998 | Wimbledon School of Art | Sculpture | Phyllida Barlow Mark Cousins Jon Thompson |
| Cruise C J | 'Error and Eros: The Fiction of Forrest Reid as a Defence of Homosexuality'. | 1997 | Staffordshire University | ARi, School of Art + Design | |
| Hodgkinson M | 'Eternal Return' | 2000 | Wimbledon School of Art | Sculpture | |
| Pinn A | 'Evaluating The Student Experience of Learning Online' | 2000 | University of Hertfordshire | ||
| Allen K.F | 'Exorcising the Flesh' | 1998 | Wimbledon School of Art | Painting | Richard Wentworth Alex Hartley Ming de Nasty |
| Durden M | 'Face-on', Exhibition, Curated with Craig Richardson. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | Craig Richardson |
| Corner F | 'Factors affecting the Curriculum Design of British Higher Education's Visual Art Courses' | 1997 | University of Gloucestershire | ||
| Barnard M | 'Fashion as Communication.' | 1996 | University of Derby | Centre for Cultural History and Critical Theory | |
| Munslow J | 'Fashion vs clothing - are they synonymous? | 1999 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | McKelvey, K |
| Fraser S | 'Feel It, Wear It' | 1998 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Hunt MR | 'Feelings' range of cups with plastic handles and saucers | 1999 | De Montfort University | ||
| Kitchen S | 'Filing cabinets and door handles' | 1998 | Royal College of Art | Computer Related Design | |
| Leake P K | 'Fire' | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Kafi-Rezaee, R |
| Blacklock G. C. | 'Five British Abstract Artists' | 2000 | Wimbledon School of Art | Painting | Basil Beattie Albert Irvine Trevor Sutton |
| Stephenson AP | 'Frederic Leighton and the repertoires of 'masculine' artistic identity in the late Victorian Period | 1999 | University of East London | ||
| Kingston A M | 'Freedom' | 1995 | Wimbledon School of Art | Research Centre | Willie Doherty Keith Piper Mona Hatoum |
| Sandys-Renton T | 'Fresh Air '99' The Fourth Quenington Sculpture Show. 1 exhibit - 'Weighing in (excess baggage)'. Stainless steel, red sandstone - 168x107x197cm. | 1999 | University College Chichester | Sculpture | |
| Woolley M | 'From Nature to Nurture - Towards a Theory of Materials Transformation'. | 1999 | Goldsmiths College | Yam, Y. | |
| Kinmonth C | 'From the Cradle to the Grave: Aesthetics and the Irish Vernacular Interior' | 2000 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Angus J | 'Future Fashions + Fabrics: Courtaulds History of Dress Association', Annual Conference. Keynote Speech: The Future for Fashion + Textiles Manufacture in the U.K. | 2000 | University of Derby | ||
| Edwards A | 'Garston Regeneration Scheme' | 2000 | Leeds Metropolitan University | Design | |
| Baker D | 'Gaze' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| McGrath R | 'Geographies of the Body' | 1995 | Napier University | Critical Theory of Practice | |
| Kingston A M | 'Girl' | 2000 | Wimbledon School of Art | Research Centre | Nicky Hoberman Chantal Joffe Kerry Stewart |
| Kingston A M | 'Girlish' | 2000 | Wimbledon School of Art | Research Centre | Jo Lansley Helen Bendon Kerry Stewart |
| Hopkins E L | 'Glasgow' | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Grayson J | 'Go By Bus' printed tin automata | 1998 | Staffordshire University | ARi, School of Art + Design | |
| Tunstall D | 'Goose Nights' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Peepolykus Theatre Company |
| Kinsey J | 'Greenfingers', Group Exhibition. (July - Aug). | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Bushe R | 'HINTERland' - 3 acrylics, digital/mixed media prints. Dimensions?? | 1999 | University College Chichester | Digital / Mixed media prints | |
| WILKES C | 'Hammer-a Nail-In ,/Celtic Cross ' Collaboration with Yoko Ono | 1994 | University of Dundee | Contemporary Practice | Yoko Ono |
| Vernon SA | 'Hand to Mouth'. | 1998 | University of Derby | ||
| Kettell R | 'Hand to Mouth: the Culture and Form of Eating Implements'. Exhibition catalogue and publicity design | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Adam J | 'Hand, Head and Heart, The Process of Making' | 2000 | University of Central England in Birmingham | Jewellery Research Group | |
| France JM | 'Hand, Paper, Paint', one person exhibition. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Oliver J | 'Handbag' - National Touring Group | 2000 | De Montfort University | ||
| Franklin A | 'Harbour' | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hatt CAE | 'Hard Edge' | 1996 | Wimbledon School of Art | Painting | Trevor Sutton Simon Morley Trevor Clarke |
| Allen K.F | 'Having your Cake and Eating it' | 1997 | Wimbledon School of Art | Painting | |
| Charnley D | 'High Hopes' | 1995 | Buckinghamshire Chilterns University College | Design Culture | |
| Bush P | 'His Comedy'. | 1998 | Goldsmiths College | ||
| Chubb S | 'History' The Mag Collection. Image based art in Britain in the late 20th century. 3 exhibits. Paintings: acrylic and mixed media on canvas. Dimensions: 63.5x64cms; 152.5x71cms; 17.5x13.5cms | 1997 | University College Chichester | Painting | |
| Davies H | 'Home from Home' | 1994 | Napier University | Photographic Practice | |
| Turner M | 'Home: Multi-Stories' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Turner M | 'Hong Kong Design and the Roots of Sino-American Trade Disputes' | 1996 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Harper J W | 'House' (3 photo-constructed panels) | 1994 | University College Northampton | Fine Art Practices | |
| Turnbull A | 'Houses into Flats' | 2000 | Wimbledon School of Art | Painting | |
| Gascoigne D | 'How to Get Rid of Information' | 1998 | Kingston University | ||
| Howes A | 'Hurricane' | 1999 | Napier University | Documentary and Experimental Film | |
| Davison M A | 'Hypothetical'. | 1996 | Staffordshire University | ARi, School of Art + Design | |
| Tunstall D | 'I Weep at my Piano' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | Told by an Idiot Theatre Company |
| Chalk M | 'I can know: he was there', critical essay in 'Mario Minichiello' Catalogue, CD Rom and website. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Oulton T | 'Illuminations' | 1998 | University of Northumbria at Newcastle | Painting (1a) | |
| Smith K | 'Imagine There Are No Limits' | 1997 | University of Northumbria at Newcastle | Installation (2b) | |
| Gillanders R | 'Imagined Lands' | 1996 | Napier University | Photographic Practice | Alec Finlay Ian Hamilton Finlay |
| Gorlizki A | 'Import/Export' | 2000 | Wimbledon School of Art | Sculpture | |
| Thomas J | 'Important Toy' | 1997 | Wimbledon School of Art | Painting | |
| Simpson PJ | 'In Transit', Some British Contemporary Art. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Manley DJ | 'In-Transit', SomeContemporary British Art. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| France JM | 'In-transit' - Some Contemporary British Art, exhibition. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Chinneck J | 'Inauthentic Contrived Attractions' | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| MOWBRAY J | 'Incisions Recesses' | 2000 | University of Lincoln | ||
| Hall R | 'Inclusion through Distinction' | 2000 | University of Central England in Birmingham | Visual Communication Research Group | |
| Haywood T | 'Info-Rich Info-Poor' | 1995 | University of Central England in Birmingham | Visual Communication Research Group | |
| Grover nee Rooke S | 'Introduction of lightweight, low cost, hi-impact performing composites into the furniture industry - TWINTEX' | 1999 | Buckinghamshire Chilterns University College | Furniture Technology | |
| Gorlizki A | 'Introspekive' | 2000 | Wimbledon School of Art | Sculpture | |
| Marsden MJ | 'Ionsens' | 1997 | De Montfort University | ||
| Pinn A | 'Is the role of the tutor dead in today's online culture?' | 1999 | University of Hertfordshire | ||
| Kettell R | 'It's All Greek To Me'. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Simpson PJ | 'It's All Greek To Me'. (Group Exhibition). | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Ellis E | 'Jasmine', 'Snowdrops', 'Sprawly Mulga Katatjuta', 'Two Sprawly Mulgas Ulured', 'Bookpile' and 'Freesia Dark'. | 1995 | Buckinghamshire Chilterns University College | Visual Communication | |
| Stanford P | 'Jazz Revelations' | 1999 | Wimbledon School of Art | Danny Corr | |
| McIver L | 'Jesus, Mary and Joseph!' | 1994 | Napier University | Photographic Practice | Patrick Macklin |
| Fraser S | 'Jewelry in europe and america' | 1996 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Chalk M | 'Joanna Mowbray: observations' critical essay in 'Joanna Mowbray 1985-2000', website/CD Rom catalogue. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Blakemore J | 'John Blakemore'. | 1995 | University of Derby | Centre for Research in Film and Photography | |
| Buck R | 'John Heliker - the Inner Compass of Certainty' | 1998 | Napier University | Documentary and Experimental Film | Derek Smith |
| McHugh C | 'Journey and Memory' 5 oil paintings on wood. Photograhic record of works available. | 1996 | University College Chichester | Painting | |
| Parfitt D | 'Julie Rose Memorial Stadium Sculpture' - Public commission. Dimensions: 4 meters high | 1997 | University College Chichester | Sculpture | |
| Howes A | 'Kaddish' | 1995 | Napier University | Documentary and Experimental Film | |
| Lingford R | 'Kentridge at the Serpentine' | 1999 | Royal College of Art | Animation | |
| Stothart P | 'Keylight' image processing software | 1996 | De Montfort University | ||
| Bielz G A | 'Kid-ding' | 1996 | Wimbledon School of Art | Painting | Arsenije Jovanovic Rainer Ganahl Gottfried Bechtold |
| Springer P | 'La Card Oltre la Superficie' (Beneath the Card's Surface) | 2000 | Buckinghamshire Chilterns University College | Visual Communication | Kozak P Biagi B |
| Kovats T | 'Landscape' | 2000 | Wimbledon School of Art | Sculpture | Peter Doig Julian Opie Tacita Dean |
| Hill AA | 'Laws of Nature', a 25 minute experimental landscape film, broadcast by Channel 4 | 1997 | University of Derby | Centre for Research in Film and Photography | |
| France JM | 'Level', Retrospective Exhibition of Guest Foreign Artist Programme. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Hammick T | 'Lido' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Kinsey J | 'Life After Death', Joint Exhibitor. | 1996 | University of Derby | Centre for Research in Film and Photography | |
| Bloxam L | 'Lighting Up the Invisible' | 2000 | University of Hertfordshire | ||
| Galloway L | 'Limbo 1997' | 1997 | Wimbledon School of Art | Sculpture | Mike Bode Ceal Floyer Bill Fontana |
| Bourke R | 'Liquid Rapture: Brut' | 1998 | Dartington College of Arts | ||
| Gillanders R | 'Little Sparta: A portrait of a Garden' | 1998 | Napier University | Photographic Practice | Ian Hamilton Finlay |
| More J J | 'Living at Belsay' | 1996 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Chubb S | 'Location' -Polly Binns and Shirley Chubb. Exhibition of 33 paintings: all graphite powder, poly vinyl acetate, photocopy transfer and African beeswax on canvas. Dimensions: between11x15x5cms and 22x19x5cms | 1998 | University College Chichester | Painting and Installation | |
| Gibson L | 'Locus+ 1993-1996' | 1997 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Quickenden K | 'Lyon-faced' candlesticks and candelabra | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Nash D JE | 'M | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Pavelka M | 'Maama Nalukalala Ne'zzadde Lye' (Mother Courage and her Children by Bertolt Brecht (Luganda translation by Joanitta Bewuliara-Wandera) | 1998 | Wimbledon School of Art | Theatre Design | Jane Collins Joanitta Bewuliara-Wandera Douglas Wilson |
| Collins J | 'Maama Nalukalala Ne'zzadde Lye' a Luganda translation of 'Mother Courage and her Children' by Bertolt Brecht. | 1998 | Wimbledon School of Art | Theatre Design | Joanita Bewulira-Wandera Jessica Kaahwa Michael Pavelka |
| Mendelle N | 'Mad Mundo' | 1998 | Napier University | Documentary and Experimental Film | |
| Sayers L | 'Madame Smudge, some Fossils, and other missing links: Unearthing the Ballet Class' | 1997 | University of Gloucestershire | ||
| Parfitt D | 'Magic Carpet' - Public commission. Dimensions: 15sq. meters, 1.5 meters high. | 2000 | University College Chichester | Sculpture | |
| Willey TV | 'Making it Green' | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Thomas J | 'Maldoror' | 2000 | Wimbledon School of Art | Painting | Duncan Reekie - producer Paul Tarrago Caroline Kennedy |
| Rodgers P | 'Managing Knowledge in Dispersed Design Companies' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell,N.H.M. Clarkson,P.J. Huxor,A.P. |
| O'Brien A | 'Marketing and Managing Colonial Spectacle as National History: In the Belly of the Archive' | 1996 | Napier University | Critical Theory of Practice | |
| Oulton T | 'Marking Time' | 1994 | University of Northumbria at Newcastle | Painting (1a) | |
| Howard C J | 'Mars Attacks!' Alien Design | 1996 | University of Huddersfield | concept sketches by Tim Burton | |
| Hall S | 'Mask'. | 1998 | Goldsmiths College | ||
| Burstow R | 'Materialising Memory : Mementoes, Memorials and Modernism'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Oliver J | 'Mavericks' Jewellery for the Brave | 1998 | De Montfort University | ||
| Golding M | 'Means of Exchange' | 1995 | University of Northumbria at Newcastle | Photography (1b) | |
| Keskeys D | 'Media Technologies and an Interdisciplinary Approach to Programme Design' | 1998 | University of Gloucestershire | ||
| Byrne JM | 'Mediated Nations' and 'Virtual Interventions : Digital Avant-Gardes' | 1998 | Liverpool John Moores University | Art and Design History | |
| Comber M | 'Melanie Comber 66 degrees 33'N 18 degrees 01' W' | 2000 | Wimbledon School of Art | Painting | |
| Thornhill PH | 'Mieeow! - Maisiemac Goes to Japan' and 'Maisiemac and the Loch Ness Monster' | 2000 | De Montfort University | Hurst, M | |
| Mitchell S | 'Mikhail Alexandrovich Lifshits' (1905-1983) | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Quick C | 'Missing Pages' | 1998 | University of Central Lancashire | ||
| Bell D | 'Modernising History: The Realpolitik of Heritage and Cultural Tradition in Northern Ireland' | 1998 | Napier University | Critical Theory of Practice | David Miller |
| RINGE S | 'Modified' Kingston Art Group | 1999 | University of Lincoln | ||
| Jeffs HA | 'Monoprints'. | 1998 | Goldsmiths College | ||
| Parfitt D | 'Monument to the Third Multinational (Tatlin's Tower Revisited)' - Public commission | 1999 | University College Chichester | Sculpture | |
| Turnbull A | 'Moon' | 1999 | Wimbledon School of Art | Painting | |
| Kermik J | 'Moon'-Chair | 1998 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Ford PB | 'Multi-shot' dispenser/activator of Guinness from a 2 and 3 litre bottle | 1998 | De Montfort University | ||
| Bell D | 'Multimedia and the Crisis Economy in Japan' | 2000 | Napier University | Critical Theory of Practice | David McNeil |
| Clark R | 'My Little World', one-person exhibition | 1994 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bloxam L | 'Myoglobin' Lighting Display | 2000 | University of Hertfordshire | ||
| Harold J M | 'Mysteries of the Heart' 'The Reading Room Project' | 1994 | University of Northumbria at Newcastle | Photography (1b) | |
| Lydiat A | 'NOMENCLATURE' | 1996 | Nottingham Trent University | Visual Arts | |
| Kitchen S | 'Naked' | 1999 | Royal College of Art | Computer Related Design | |
| Peaker G | 'Natural History: Kitaj, Allegory and Memory'. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| McGrath R | 'Natural Magic and Science Fiction' | 1996 | Napier University | Critical Theory of Practice | Williams, C |
| McDonough H | 'Neither here nor there' in 'Whitechapel Open' exhibition | 1998 | Anglia Polytechnic University | ||
| Kovats T | 'New Art from Britain' | 1998 | Wimbledon School of Art | Sculpture | Cornelia Parker Sarah Lucas Willie Doherty |
| Baker C | 'New Natural History' | 1999 | Napier University | Photographic Practice | Curated by Val Williams |
| Baker C | 'New Natural History'. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Dalwood D | 'New Paintings' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| O'Connor DJ | 'New Sculpture' | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Carter T | 'New Work from the Government Art Collection'. | 1998 | Goldsmiths College | ||
| Cheesman D | 'New Work' | 1996 | Wimbledon School of Art | Sculpture | |
| Batchelor R | 'Not Looking at Kettles' | 1994 | Buckinghamshire Chilterns University College | Design Culture | |
| Grossman A | 'Notations: Framing the Kurdish Voice in Exile' | 2000 | Napier University | Critical Theory of Practice | O'Brien, A. |
| Danino N | 'Now I Am Yours' and 'Tremenos'. | 1997 | Goldsmiths College | ||
| Howes A | 'Nuba Conversations' | 2000 | Napier University | Documentary and Experimental Film | |
| Douglas M | 'Oceanic' range of furniture | 1997 | Brunel University | Polymedia Design | |
| Duncan AEJ | 'Of castles and Melts: Dickens and the Dark Sublime' | 1997 | University of East London | ||
| de La Hamayde S | 'Office in a Box' | 2000 | De Montfort University | ||
| Smith K | 'Ognissanti' | 1998 | Wimbledon School of Art | Sculpture | |
| Chalk M | 'Old Harbour Regeneration Project'. Public Art Commission and Design Consultancy for Landscape Architecture Department of Hull City Council. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Grossman A | 'On the Borderline' | 2000 | Napier University | Critical Theory of Practice | |
| Milne L | 'On the Brink of Time' | 2000 | Napier University | Critical Theory of Practice | |
| Stewart C | 'Once Upon a Time' | 1999 | De Montfort University | ||
| Grainger H J | 'One of Whom we Know but Little...' John Loughborough Pearson and the Ecclesiologists | 2000 | Staffordshire University | ARi, School of Art + Design | |
| Haywood T | 'Only Connect' | 1999 | University of Central England in Birmingham | Visual Communication Research Group | |
| Bryson D | 'Operating Theatre for Personal Injury Cases'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Turner M | 'Originality, Imitation, and Hong Kong Registered Designs' | 1999 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Merrington K | 'Out of Body' | 1999 | Wimbledon School of Art | Research Centre | Rebecca Shaw |
| Shimshon O | 'PELES MAIM' Exhibition (Solo). | 1999 | University of Derby | Centre for Research in Film and Photography | |
| McQuillan M | 'Pablo Picasso' | 1996 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Galloway L | 'Pace' | 1998 | Wimbledon School of Art | Sculpture | Annie Cattrell |
| Newton S J | 'Painting, Psychoanalysis and Spirituality' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Leighton P | 'Paraclet' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Hunt MR | 'Paris' cafetiere coffee pot with injection moulded filter unit | 2000 | De Montfort University | ||
| Burstow R | 'Participation and Pageant: The Miralda Honeymoon Project'. | 1998 | University of Derby | Centre for Cultural History and Critical Theory | |
| Soteriou D | 'Passion for Colour' | 1999 | Liverpool Hope | ||
| Stothart P | 'Paulie' | 1997 | De Montfort University | ||
| McCann J | 'Performance Sportswear Design' Leonardo Multiplier Project. | 1998 | University of Derby | ||
| Bryson D | 'Performance Sportswear Design' Leonardo Multiplier Project. | 1998 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Woodfine S | 'Perfume' | 1999 | Wimbledon School of Art | Sculpture | Georgie Hopton Glauce Cerveira |
| Bryson D | 'Personal Injury Photography - The Case for a Professional Specialisation' May 8-12 1999. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Baker C | 'Pets - The Animal Inside', Solo Exhibition. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Baker C | 'Pets - the Animal Inside' | 1999 | Napier University | Photographic Practice | |
| Knorr K | 'Photographier la Sculpture'. | 1998 | Goldsmiths College | ||
| Gillanders R | 'Photography in Scotland: the Human Face' | 1995 | Napier University | Photographic Practice | Sara Stevenson |
| Goto J | 'Photoworks', Solo Exhibition, Artist in Residence.'Architects + Architecture', 2-Person Exhibition with John Lessore.4 Group Portrait. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Howes A | 'Physical Cinema' | 2000 | Napier University | Documentary and Experimental Film | |
| Cheesman D | 'Picture Britannica [Art from Britain]' | 1997 | Wimbledon School of Art | Sculpture | Rachel Whiteread Damien Hirst Chris Ofili |
| Cairns J | 'Picture This' by Wet Wet Wet | 1995 | Robert Gordon University | Making and Contemporary Culture | |
| Kovats T | 'Picturia Britannica' | 1997 | Wimbledon School of Art | Sculpture | Damien Hirst Rachel Whiteread Douglas Gordon |
| Bell D | 'Picturing The Landscape: die Gruene Insel - Tourist Images Of Ireland' | 1995 | Napier University | Critical Theory of Practice | |
| Taylor F | 'Pillar to Post'. | 1998 | Goldsmiths College | ||
| Clark R | 'Plans for the Real World II', one-person exhibition. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Clark R | 'Plans for the Real World', Parts 1-12 (one-person exhibition.) | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Bird N C | 'Playing Detective' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Golden P R | 'Plumbers' | 1996 | Wimbledon School of Art | Painting | |
| Manley DJ | 'Porthleven is a quiet..............'. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Gillanders R | 'Portrait of a Garden + Collaborations' | 1998 | Napier University | Photographic Practice | Ian Hamilton Finlay |
| Heywood I | 'Practices and Perceptions in Art and Ethics' | 1998 | Leeds Metropolitan University | Visual Arts | |
| Haywood T | 'Praise the Net and Pass The Modem: Revolutionaries and captives in the Information Society' | 1997 | University of Central England in Birmingham | Visual Communication Research Group | |
| McIntyre K T | 'Premio Marco' | 1997 | University of Northumbria at Newcastle | Painting (1a) | Rego Innendort Lupertz Clementre |
| Bould M | 'Preserving Machines: Recentering the Decentered Subject in Blade Runner and Johnny Mnemonic' | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Hinchliffe-McCutcheon J L | 'Priestory Du | 1995 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | |
| Hopkins E L | 'Prime' | 1999 | University of Northumbria at Newcastle | Painting (1a) | |
| MacLennan H | 'Professional Studies and Careers Development in a Discipline-led Curriculum: Attitudes to Learning in Fine Art Students' | 1999 | University of Gloucestershire | ||
| Porter M | 'Profusion of Light' | 2000 | Wimbledon School of Art | Painting | |
| Mitchell J R. | 'Projected Piers series II - solo exhibition' | 1996 | Wimbledon School of Art | Painting | |
| Mitchell J R. | 'Projected Piers' Series II | 1995 | Wimbledon School of Art | Painting | John Cobb Yuki Katayama Jane Dickson |
| Rogers ME | 'Prospective Primary Teacher's Planning For Science + Technology Activities: Influences of background and World View. | 1999 | Goldsmiths College | Davies, D. | |
| Macbeth P A | 'Provence' + 'Seville' Bed Linen for Habitat UK | 1995 | University of Huddersfield | ||
| Galloway L | 'Pulse' | 1997 | Wimbledon School of Art | Sculpture | |
| Baker C | 'Puppy Love' | 1998 | Napier University | Photographic Practice | |
| Baker C | 'Puppy Love'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Willemen P | 'Questions of Modernisation in Indian Cinema' | 1998 | Napier University | Critical Theory of Practice | |
| Bielz G A | 'RAUEME' (Spaces) | 2000 | Wimbledon School of Art | Painting | |
| Hunter R | 'Re-mapping a psyche', interview with Andre Stitt | 2000 | Dartington College of Arts | ||
| Dray A | 'Recoil', 'Onview; and 'Safelink'. | 1996 | Kingston University | ||
| Corner F | 'Reconceptualising the Future: The Place of Art and Design' | 2000 | University of Gloucestershire | ||
| Pryke S | 'Reda' - Range of kitchenware (approximately 50 items) | 1999 | De Montfort University | ||
| Stephenson AP | 'Refashioning modern masculinity: Whistler, aestheticism and national identity' | 2000 | University of East London | ||
| Hunt MR | 'Reflections' range of porcelaine tableware | 2000 | De Montfort University | ||
| Milton A | 'Reinventing the Wheel: A Retroactive Manifesto for Car Design' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | |
| McIver L | 'Relative Values' | 1998 | Napier University | Photographic Practice | |
| McGrath R | 'Rereading Edward Weston' | 1995 | Napier University | Critical Theory of Practice | Heron, L Williams, V |
| Kitchen S | 'Responsive Space' | 1999 | Royal College of Art | Computer Related Design | |
| Mavrogordato T | 'Revelation; Textile Artists Addressing Issues'. | 1998 | Goldsmiths College | ||
| Edwards A | 'Revisions: An Alternative History of Photography | 1999 | Leeds Metropolitan University | Design | |
| Heeney G | 'Rhiannon'. Sculpture/Seating. | 1999 | University of Wolverhampton | Ceramics | |
| Heywood I | 'Richter | 2000 | Leeds Metropolitan University | Visual Arts | |
| Martinon JP | 'Right on for the Darkness'. | 1999 | Goldsmiths College | ||
| Bushe R | 'Robbie Bushe - New Pictures' - 60 oils, acrylics, watercolours, drawings and prints. Dimension between 18x14 ins and 60x60 ins. | 1994 | University College Chichester | Painting | |
| Bushe R | 'Robbie Bushe' Solo exhibition. 20 acrylics, watercolours, drawings and prints. Various dimensions. Photographic record of works available. | 1995 | University College Chichester | Painting | |
| Bushe R | 'Robbie Bushe' - 12 acrylics, watercolours, drawongs and prints. Various dimensions. | 1998 | University College Chichester | Painting | |
| Mason R | 'Robert Mason' | 1998 | Wimbledon School of Art | Painting | |
| Porter M | 'Rocks and Coastline' | 1999 | Wimbledon School of Art | Painting | |
| Sayers L | 'Rosemary Butcher' and 'Jiri Kylian' | 1999 | University of Gloucestershire | ||
| Aggs C | 'Royal Academy Summer Exhibition' - (Edition of 50) 'Welsh Black Bull - Ashington Falcon' Edition of 50 printed in warm black ink on conservation paper, 11x12 ins. | 1997 | University College Chichester | Printmaking | |
| Sly A | 'Runaway Rotovator' | 1994 | Wimbledon School of Art | Theatre technical arts | |
| Onishi M | 'Ryu Artists Group | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Garfoot S | 'Saga' Range | 1994 | University of Wolverhampton | Glass | |
| GATES-STUART E | 'Saint John of God 1' 8th International Biennial Print and Drawing in Exhibition (Catalogue and Exhibition) | 1998 | University of Lincoln | ||
| Golding M | 'Sales Pitch/Terrano de Ventos' | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Leake P K | 'Salt Blizzard' | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Jefferson, R |
| Sturgis D | 'Same'. | 1998 | Goldsmiths College | ||
| Woodfine S | 'Sarah Woodfine' | 1999 | Wimbledon School of Art | Sculpture | |
| Woodfine S | 'Sarah Woodfine' | 2000 | Wimbledon School of Art | Sculpture | |
| Brown V | 'Satellites of Fashion.' Four hand-rolled felt hats, various dimensions | 1999 | University College Chichester | Textiles | |
| Hinchliffe-McCutcheon J L | 'Schmuckpaket' ('Jewellery Parcel') | 1995 | University of Northumbria at Newcastle | Furniture Design, Jewellery (3c) | Teipel, M |
| Davison M A | 'Sculpture for the Virtual World'. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Kirkup W E | 'Search' and 'Search Adelaide' | 2000 | University of Northumbria at Newcastle | Installation (2b) | |
| Sayers L | 'Sergei Diaghilev's Soviet Ballet: Le Pas d'Acier and its relationship to Russian Constructivism' | 1996 | University of Gloucestershire | ||
| TAYLOR B | 'Serious Fun' TV commercial | 2000 | University of Dundee | Contemporary Practice | Chris Gallagher |
| Stanford P | 'Seven Ages' | 2000 | Wimbledon School of Art | ||
| Taylor F | 'Seventy one hours and forty minutes' | 1997 | Wimbledon School of Art | Brian Chadwick John Miller Nigel Rolfe |
|
| Munslow J | 'Sex X Technology = 2 Zukunfts' | 1998 | University of Northumbria at Newcastle | Fashion, Cultural and Historical Studies (3a) | |
| HARRISON L | 'Shadows: Jonathan Miles, Lecture Theatre One' | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Martinon JP | 'Shane Breynard - Soft Spots'. | 1999 | Goldsmiths College | ||
| Rye C | 'Shattered Anatomies' | 1997 | Napier University | Critical Theory of Practice | Heathfield, Adrian Templeton, Fiona Quick, Andrew |
| Royffe C D | 'Shelter and Energy Conservation: A Feasibility Study' | 1995 | Leeds Metropolitan University | Environmental Art and Design | |
| Porter M | 'Shining Cliff' | 1998 | Wimbledon School of Art | Painting | |
| Baker Alder H A | 'Ship' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| McDonough H | 'Short Stories' in 'Places of Life' European Women's Photography Award Exhibition | 2000 | Anglia Polytechnic University | ||
| O'Brien A | 'Silent Song' | 2000 | Napier University | Documentary and Experimental Film | Grossman, A. |
| Grossman A | 'Silent Song' | 2000 | Napier University | Documentary and Experimental Film | Aine O'Brien |
| Davies H | 'Silver to Silicon' | 1996 | Napier University | Photographic Practice | Arabella Plouviez Martin Lister editor Andrew Dewdney editor |
| Franklin A | 'Skedaddle' | 1997 | Buckinghamshire Chilterns University College | Visual Arts | |
| Buck R | 'Sleep' | 1998 | Napier University | Documentary and Experimental Film | Ian Cottage |
| Oulton T | 'Slow Motion' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Blacklock G. C. | 'Small Paintings - Narratives' 16 small paintings all titled Narrative with a Roman Numeral. | 2000 | Wimbledon School of Art | Painting | |
| Durgnat R | 'Some Lines of Inquiry into Post-war British Crimes' | 1997 | University of East London | ||
| Sedgwick J | 'Something Must Be Done'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| RAMSAY T K | 'Source', Scottish Applied Arts inspired by Museum Artefacts | 2000 | University of Dundee | Contemporary Practice | Dorothy Hogg Simon Ward Sam Wade |
| Bourke R | 'Spa: An Erasure' | 1996 | Dartington College of Arts | ||
| Pennell J | 'Spin-Off'. | 1998 | Goldsmiths College | ||
| Shimshon O | 'Spirit Level' Exhibition (SOLO) | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Shimshon O | 'Spirit Level' Exhibition (SOLO). | 2000 | University of Derby | Centre for Research in Film and Photography | |
| Fallows C | 'Spring Reverb' | 2000 | Liverpool John Moores University | Audio-visual | |
| Kitchen S | 'Spring' and 'Monster' | 2000 | Royal College of Art | Computer Related Design | |
| Smith K | 'Stefano' | 1997 | Wimbledon School of Art | Sculpture | Bill Woodrow Michael Sandle Philip King |
| Bush P | 'Still Life with Small Cup'. | 1998 | Goldsmiths College | ||
| Baker Alder H A | 'Strands 2: Contemporary British Art' | 2000 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Davies H | 'Strange Fruit' | 2000 | Napier University | Documentary and Experimental Film | Nigel Atkinson |
| McIntyre K | 'Structures and Practices: Towards a Discourse of the Craft Object' | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Rosser E | 'Sublime: The Darkness and the Light' | 1999 | Wimbledon School of Art | Sculpture | Susan Hiller Mark Wallinger Alison Wilding |
| James S | 'Subway Special' | 2000 | Wimbledon School of Art | Sculpture | William Furlong Tim Lewis Susan Stockwell |
| Coates-Smith W | 'Sue Coe in New York' | 2000 | Anglia Polytechnic University | ||
| Travers K | 'Sunny Havens' (a.k.a. 'Meat!') | 1995 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | |
| Aggs C | 'Sunrise - West Sussex' Commissioned painting. Oil on canvas. (200cmx175cms) | 1996 | University College Chichester | Painting | |
| Wootton M A | 'Surface@Snap exhibition of books and prints | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| McGrath R | 'Surplus Bodies' | 1997 | Napier University | Critical Theory of Practice | |
| Watkins P | 'Survey of the European Yarn and Fabric Fairs For Autumn/Winter 2001/2002' | 2000 | Royal College of Art | Design for Manufacture | |
| Nicol EJ | 'Swinging the Lead', The Festival of the Sea | 1996 | University of Plymouth | Site, Space, Location, Place | |
| Thoquenne M | 'Sylvie', Documentary. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Thoquenne M | 'Sylvie', Commission to write and direct feature documentary. | 1996 | University of Derby | Centre for Research in Film and Photography | |
| Thoquenne M | 'Sylvie', feature length documentary broadcast on Canal Plus Television, France. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Burstow R | 'Symbols for '51: The Royal Festival Hall, Skylon and Sculptures for the Festival of Britain' | 1995 | University of Derby | Centre for Cultural History and Critical Theory | |
| Woolley M | 'Taking Stock - Product Responses to the Future Retail Environment'. | 1999 | Goldsmiths College | ||
| Burrows D | 'Tartuffe' | 1997 | Wimbledon School of Art | Theatre technical arts | Alkis Kritikos Barry Wickens Brian Betts |
| Gale C | 'Tattie Boggle' | 1997 | Kingston University | ||
| Travers K | 'Tell Me' video sequence | 1998 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Gregory, R Dunstar, M Lydiard, A |
| Bush P | 'The Albatross' - short Animation film. | 1998 | Goldsmiths College | ||
| O'Pray ME | 'The Animated Film' | 1998 | University of East London | ||
| Peaker G | 'The Art of Interruption'. | 1999 | University of Derby | Centre for Cultural History and Critical Theory | |
| Powell N A | 'The Artist Out of Work: Art + Language 1972-81'. | 1999 | Staffordshire University | ARi, School of Art + Design | |
| Lloyd Lewis P | 'The Blood Show' | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| McCarthy P | 'The Box Project', Group Exhibition. | 2000 | University of Derby | Research Group for Artists Publications | |
| Whiteman P | 'The Cholmondeleys' | 2000 | Wimbledon School of Art | Theatre costume | |
| Konttinen S L | 'The Coal Coast' | 1999 | University of Northumbria at Newcastle | Photography (1b) | |
| Goto J | 'The Commissar of Space', Solo Exhibition. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Stanton-Wilson J | 'The Complete Artist'. | 1999 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Perkins G | 'The Dirt Under God's Fingernails' | 1999 | Wimbledon School of Art | Sculpture | Judy Darraghs |
| Willemen P | 'The Encyclopaedia of Indian Cinema' | 1998 | Napier University | Critical Theory of Practice | Ashish Rajadhyaksha |
| Derbyshire A | 'The Examination and Conservation of the Raphael Cartoons' | 1996 | Royal College of Art | Conservation | |
| Casey B | 'The Faith Zone' graphics | 1999 | University of Central Lancashire | ||
| Thomas J | 'The Film Couch' | 2000 | Wimbledon School of Art | Painting | |
| Goto J | 'The Framer Collections', Solo Exhibition. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Watkins P | 'The Golden Road to Samarkand' | 1999 | Royal College of Art | Design for Manufacture | |
| Buck R | 'The Hard Road to Klondike' | 1999 | Napier University | Documentary and Experimental Film | Desmond Bell |
| Bell D | 'The Hard Road to Klondike'/ Rotha Mor an tSaoil | 1999 | Napier University | Documentary and Experimental Film | Roger Buck |
| Burstow R | 'The Limits of Modernist Art as a Weapon of the Cold War: Re-assessing the unknown patron of the Monument to the Unknown Political Prisoner'. | 1997 | University of Derby | Centre for Cultural History and Critical Theory | |
| Harold J M | 'The Masque' | 1998 | University of Northumbria at Newcastle | Photography (1b) | |
| Stewart C | 'The Mild Bunch' | 1999 | De Montfort University | ||
| Roper G S | 'The Moon Garden' a Japanese garden at Westlakes' | 1995 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | Ryu Group School of Art Conte-Helm, M |
| Durgnat R | 'The Negative Vision of Robert Bresson' | 1998 | University of East London | ||
| Sly A | 'The Newmarket Stallion' | 2000 | Wimbledon School of Art | Theatre technical arts | |
| Aggs C | 'The Otter Memorial Paper' - Art Editor and essay contribution to Otter Memorial Papers. 1800 word critical essay on ceramicist and printmaker Eric James Mellon. | 2000 | University College Chichester | Painting | |
| Burrows D | 'The Passing of the Years' | 1999 | Wimbledon School of Art | Theatre technical arts | Stephanos Lazarides Richard Hudson Paul Brown |
| Sly A | 'The Pearl Diver' | 1999 | Wimbledon School of Art | Theatre technical arts | |
| Gibson L | 'The Perplexities of Waiting' | 1996 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| McIver L | 'The Pledge of Fidelity' | 1995 | Napier University | Photographic Practice | |
| Griffiths M. A. N. | 'The Probability Tree' | 2000 | Wimbledon School of Art | Painting | Tomoko Takahashi Mark Dean Roberta Smith |
| Rogers M | 'The Projected Room' | 1996 | University of Derby | Research Group for Artists Publications | |
| Whiteman P | 'The Rites of Spring' | 1999 | Wimbledon School of Art | Theatre costume | |
| Milton A | 'The Role of Conceptual Mutations in Promoting CreativityEmpty Vessels - Creating meaningless objects for meaningful design' | 1999 | Napier University | Design Studies, Exhibition, Architectural Design | |
| Rodgers P | 'The Role of Design in Artificial Intelligence as Authored Text' | 1998 | Napier University | Design Studies, Exhibition, Architectural Design | Huxor,A.P. |
| MacLennan H | 'The Role of Professional Studies for Fine Art' | 2000 | University of Gloucestershire | ||
| Bush P | 'The Rumour of True Things'. | 1998 | Goldsmiths College | ||
| Harold J M | 'The Sea of Possibilities, After Viewing the Morgue Series by Andres Serrano' | 1997 | University of Northumbria at Newcastle | Photography (1b) | Armstrong, Dr R |
| Quinn M J | 'The Seance of 27 August 1889 and the Problem of Historical Consciousness' | 1999 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Shimshon O | 'The Shape of Light' Group Exhibition. | 1998 | University of Derby | Centre for Research in Film and Photography | Lynn Silverman |
| Sly A | 'The Spirit of Cricket' | 1997 | Wimbledon School of Art | Theatre technical arts | |
| Parfitt D | 'The Stone Garden' - Public commission. Materials: Bath Stone + granite. Dimensions: Covering an area of approximately 1000sq. metres | 1996 | University College Chichester | Sculpture | |
| Quinn M J | 'The Swastika: Constructing the Symbol' | 1994 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Merrington K | 'The Thin Line' | 2000 | Wimbledon School of Art | Research Centre | Kevin Kaempf Marcelyn McNeil Charles Goldman |
| Rye C | 'The Turin Machine' | 1996 | Napier University | Critical Theory of Practice | |
| Kaner J | 'The Use of Dyes and Colourants in 19th Century Furniture Making' | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Edge S | 'The Use of Generative Technology for Interior Design' | 1995 | University of Central England in Birmingham | Birmingham Centre for Design Research | |
| Watson G | 'The Value of Vision' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Richard Wentworth Christopher Frayling Ute Merta Banov |
| Brown C | 'The Waters', Solo Exhibition | 1997 | University of Derby | Research Group for Artists Publications | |
| Brown V | 'The Waves at Goldsmiths' - A major retrospective charting great art from the textiles course 1947 - 2000. A hand rolled felt and silk coat | 2000 | University College Chichester | Textiles | |
| Grossman A | 'The Welshification of Homely Spaces: Tracing the Uncanny' | 2000 | Napier University | Critical Theory of Practice | |
| Cheesman D | 'The Wherewithal' | 1999 | Wimbledon School of Art | Sculpture | |
| McHugh C | 'The Wide Horizon' 80 oil paintings on wood. Various dimensions. Photographic record of works available. | 1996 | University College Chichester | Painting | |
| Balfour D | 'The first non-intrusive upholstery treatment at the Victoria and Albert Museum' | 1999 | Royal College of Art | Conservation | Metcalf, S Collard, F |
| Grover nee Rooke S | 'The transfer of clean thermoplastic composites technology from the areospace, defence and automotive industries to the furniture, marine and general mouldings' | 1996 | Buckinghamshire Chilterns University College | Furniture Technology | Dowell M |
| Kinsey J | 'Theme Park', Solo Exhibition/Touring. | 1999 | University of Derby | Centre for Research in Film and Photography | |
| Sanderson L V | 'These Colours Run ' | 1994 | Wimbledon School of Art | Painting | |
| Furlong W | 'Tholsel' | 2000 | Wimbledon School of Art | Research Centre | Susan Hiller Julian Opie Michael Craig-Martin |
| Barber AJ | 'Through the Mac' | 1998 | Glasgow School of Art | Educational Theory and Practice | Baines, M |
| Baines M | 'Through the Mac' Exhibition and Catalogue | 1999 | Glasgow School of Art | Educational Theory and Practice | T. Barber |
| France JM | 'Thulso 'P' Art'. Exhibition of works from International Symposium. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Griffiths M. A. N. | 'Tne Interrupted Journey' | 1999 | Wimbledon School of Art | Painting | Rona Lee Mattias Harenstam Geir Tore Holm |
| Smith K | 'Towards the Eremitani' | 2000 | Wimbledon School of Art | Sculpture | |
| Perkins G | 'Trace' - Liverpool Biennial of Contemporary Art | 1999 | Wimbledon School of Art | Sculpture | Stan Graham Pierrick Sorrin Carsten Nicolai |
| Bird N C | 'Tracing Echos' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| McCann J | 'Training 2000' Exhibition | 1998 | University of Derby | ||
| Blakemore J | 'Tulipa'. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Mendelle N | 'Turkish Delight' | 1998 | Napier University | Documentary and Experimental Film | |
| Collins J | 'Twelfth Night' | 1998 | Wimbledon School of Art | Theatre Design | |
| Dalwood D | 'Twisted: Urban and Visionary Landscapes in Contemporary Painting' | 2000 | University of Northumbria at Newcastle | Painting (1a) | |
| Durgnat R | 'Two Social Problem Films: Sapphire and Victim' | 1997 | University of East London | ||
| Edwards A | 'Two Thousand Lines: An open eyed collision of words and images from schools in East Leeds | 2000 | Leeds Metropolitan University | Design | |
| Dye D M | 'Ultra' | 1996 | University of Northumbria at Newcastle | Installation (2b) | |
| Pope M | 'Undressing Madame Moitessier' | 1999 | Wimbledon School of Art | Theatre costume | Kathy Adler |
| GATES-STUART E | 'Unititled' 2 part piece installation. Digital Image Print - Sculpture - Lead covered wooden press containing archival digital material. | 1996 | University of Lincoln | ||
| Bielz G A | 'Untitled', Three Drawings | 2000 | Wimbledon School of Art | Painting | Laurids Ortner Dominique Bejvl Heinz Baumueller |
| Willey TV | 'Up North' - Jeremy James and Tim Willey | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| James JP | 'Up North'. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Pinn A | 'Using Cal to assist in the instruction of practical skills: a case study from Art and Design'. | 2000 | University of Hertfordshire | ||
| Bird N C | 'Vague But True' | 2000 | University of Northumbria at Newcastle | Photography (1b) | |
| Cruise C J | 'Versions of the Annunciation: Wilde's Aestheticism and the message of beauty' | 1999 | Staffordshire University | ARi, School of Art + Design | |
| McHugh C | 'Vestiges' Christopher McHugh + Jane Sybilla Fordham. 50 paintings on wood, stone, canvass + steel. Dimensions between 2x3ins - 48x36ins. | 2000 | University College Chichester | Painting | |
| Grimsey T | 'Video Bucket' | 2000 | De Montfort University | ||
| Leake P K | 'View of Views: People and the Changing Landscape' | 1999 | University of Northumbria at Newcastle | Screen Production / Animation (1c) | Hunter, D Growcott, C Jefferson, R |
| Durden M | 'Viewing Positions' article on Steve McQueen. | 2000 | University of Derby | Centre for Cultural History and Critical Theory | |
| Hussey P | 'Viewpoint on Design' | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Kempadoo R | 'Virtual Exiles' | 2000 | Napier University | Photographic Practice | Hatice Abdullah |
| Barnbrook J | 'Virus Foundry' Experimental Typefaces | 1997 | Kingston University | ||
| Stanford P | 'Vision and Difference' | 1997 | Wimbledon School of Art | ||
| Thoquenne M | 'Visions of Joan', Commission to write feature script drama. | 1997 | University of Derby | Centre for Research in Film and Photography | |
| Mendelle N | 'Voices Off' | 1997 | Napier University | Documentary and Experimental Film | |
| Kirkup W E | 'Voices' | 1997 | University of Northumbria at Newcastle | Installation (2b) | |
| Sandys-Renton T | 'Voyage Around George Staunton' 2 exhibits - 'Landed Gentry' - Cement + welded copper - 84x74x29cm 'Vehicle for Thoughts of the Earth and Sea' - Galvanised steel - 155x104x51cm | 1998 | University College Chichester | Sculpture | |
| Lydiat A | 'WITHOUT' | 1999 | Nottingham Trent University | Visual Arts | |
| Perkins G | 'Warning Shots!' Contemporary Art Exploring Themes of Conflict + Violence | 2000 | Wimbledon School of Art | Sculpture | Christine Borland Fiona Banner Willie Doherty |
| Hodgkinson M | 'Water Tower Shadow' or 'Water-en Klokketore' | 1999 | Wimbledon School of Art | Sculpture | |
| Oulton T | 'Wavelength: Recent Paintings 1995-97' | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| De Ville N | 'Ways of Seeing and the Pleasures of the Visual'. | 1998 | Goldsmiths College | ||
| Buck R | 'Wazungu Kids' | 1995 | Napier University | Documentary and Experimental Film | Wendy McEvoy David Eadington |
| Escolme B | 'We are one tribe; the theatre company Blah Blah Blah and Eileen Pennington' | 2000 | Wimbledon School of Art | History of Art and Contextual Studies | Tim Prentki Jan Salmon |
| Richardson C | 'We have made these things to fall from' and 'The artist Craig Richardson having an argument with the curator Jonathan Watkins' | 1994 | Oxford Brookes University | Creative Practice | |
| Collins J | 'Webster's Women' | 1999 | Wimbledon School of Art | Theatre Design | Peter Farley |
| Kinmonth C | 'West Cork Vernacular Furniture Makers: Comparative analysis of field studies in a coastal community' (Parts 1 + 2) | 1997 | Buckinghamshire Chilterns University College | Furniture Conservation and Restoration | |
| Lewis S E N | 'What Skills for What Practices?' | 1999 | Nottingham Trent University | Visual Arts | |
| Hall R | 'What makes you switch on? Young People, the Internet and Cultural Participation' | 1999 | University of Central England in Birmingham | Visual Communication Research Group | Darren Newbury |
| Tunstall D | 'When Suddenly' | 1998 | Wimbledon School of Art | History of Art and Contextual Studies | |
| Kirkup W E | 'White Hysteria' | 1996 | University of Northumbria at Newcastle | Installation (2b) | |
| Comber M | 'White Out' | 1999 | Wimbledon School of Art | Painting | |
| Bould M | 'Whither our understanding of sf?' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Burrows D | 'Who's afraid of Red, White and Blue' | 1998 | University of Central England in Birmingham | Fine Art Research Group | |
| Entwistle T | 'Windblown'Earth Art | 1996 | Leeds Metropolitan University | Environmental Art and Design | |
| Hammick T | 'Window' and 'Two Men in a Field' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Swallow SS | 'Winner' Crosses the line | 1997 | Brunel University | Design for Inclusion | RR Stroud JR McCardle Vincent |
| Chinneck J | 'Wish You Were Here?' | 1996 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Davies T | 'Wising-up' or 'Dumbing-down?' | 2000 | University of Central England in Birmingham | Art Education Research Group | |
| Rodgers P | 'Writing and Sharing Rule-Text Heuristics Supporting Dispersed Design Communities' | 2000 | Napier University | Design Studies, Exhibition, Architectural Design | Caldwell, N.H.M. Huxor, A.P. |
| Salter P | 'Writing the City'; An Urban Pavilion | 1998 | University of East London | ||
| Sedgwick J | 'XXVII Fidem 2000 Internationale MedaillenKunst. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Ford PB | 'Xenex' 4,8,16 zone fire detection control panels | 1996 | De Montfort University | ||
| Blackie SS | 'Year of the Artist 2000' - Residency. | 2000 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Golden P R | 'You Know I've Been at Sea before' | 1999 | Wimbledon School of Art | Painting | |
| Quick C | 'You Like Your Lights Don't You' | 1997 | University of Central Lancashire | ||
| Horrocks C | 'You want to See? Well, take a look at this! Embodied Vision and Light in Marcel Duchamp's Etant Donn | 2000 | Kingston University | ||
| Goodman G | 'Your Song Will Fill the Air' | 1996 | Buckinghamshire Chilterns University College | Visual Arts | |
| Onishi M | 'Zen: Hamano and Ryu' | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Gibson L | 'n' . Site Specific Sculpture Installation, May 2000 | 2000 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | Little, M |
| Allan J | (I) Exploring Common Ground: Artists Working with Elderly People (ii) Creating Common Ground: Art with the Elderly in Residential Care | 1996 | Glasgow School of Art | Design | Sarah Hall Jenny Kerwood Deirdre Nelson |
| Bennis EM | (Paradisos): Deception and Authenticity in Restoration | 2000 | Manchester Metropolitan University | ||
| Bristow M | (Un) Limited. Diversity and Change in International Contemporary Craft | 1999 | Chester College of HE | ||
| KEELER W | (Un)limited: Repetition and Change in International Craft | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| Cooper E | (Un)limited: Repetition and Change in International Craft | 2000 | Royal College of Art | Applied Art | |
| Kinchin J | (i) The Hungarian Folk Arts Debate in the British Press (ii) An Artist at Home: Philip de Laszlo in Budapest and London (iii) Hungary and Scotland: A Dialogue in the Decorative Arts | 1999 | Glasgow School of Art | Historical and Critical Enquiry | P. Stirton |
| Turnock P | (r)evolution Design Undergraduate Database | 2000 | Brunel University | Design Pedagogy | |
| Utting J.A. | +M2 (The Large Print Show) | 1997 | Falmouth College of Arts | ||
| Chance V | +M2 The Large Paint Show | 1997 | De Montfort University | ||
| Smith E | ... and then I breathed. | 1998 | Goldsmiths College | ||
| Chinnery CY | ...from the institution | 1997 | Oxford Brookes University | Creative Practice | |
| Adams H | ...if it ain't broken ... A critique of inadequate public statistics relating to the artist profession | 1998 | University of Wales Institute, Cardiff | Fine Art | |
| O'Connell T | 0044 | 1999 | Bath Spa University College | Hapaska Seawright Francis |
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| Carson JE | 0044 | 1999 | The London Institute | Fine Art | |
| Stitt A | 0044 - Research into the assimilation of Irish artists working aborad | 1999 | University of Wales Institute, Cardiff | Fine Art | |
| OConnell T | 0044- | 1999 | University of Reading | Siobhan Hapaska Paul Seawright Mark Francis |
|
| Carlisle A | 0044:Contemporary Irish Art From Britain | 1999 | University of Wales College, Newport | Photography | Mark Francis Kathy Prendergast Frances Hegarty |
| Degen J | 1 brooch, 5 rings, with precious stones, in gold and titaniun with stainless steel screws and rivets | 1999 | London Guildhall University | ||
| Cross D | 10 | 1998 | Nottingham Trent University | Visual Arts | Matthew Cornford |
| Cornford M R | 10 | 1998 | University of Wolverhampton | Fine Art | David Cross |
| Hatt C | 10 Artists from the British Isles | 1996 | The London Institute | Fine Art | |
| Hatt CAE | 10 Jahre Kunstlerforderung der Stiftung Vordemberge-Gildewart | 1994 | Wimbledon School of Art | Painting | Peter Fischli Guido Geelen Maix Mayer |
| Verran V | 10 Year Retrospective | 1999 | Falmouth College of Arts | ||
| Mackarell J | 10 enamel and silver decorative boxes + items of jewellery | 1998 | London Guildhall University | ||
| Read J | 10+ | 1995 | Edinburgh College of Art | Fine Art | |
| Ball R | 100 Light Years is a Long Way | 1999 | The London Institute | 3-Dimensional and Environmental Design | |
| Raymond M | 100 Years of Design - Style and Fashion | 1998 | The London Institute | Fashion and Textiles | |
| Wallace-Jones H | 100% Design | 2000 | The London Institute | Fashion and Textiles | Emma Sewell |
| Sewell E | 100% Design | 2000 | The London Institute | Fashion and Textiles | Harriet Wallace-Jones |
| Hellum A | 100% Design | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Gschwedtner G | 100% Design | 2000 | Buckinghamshire Chilterns University College | Furniture Design | Fiona Davidson |
| Dodd I | 100% Design | 1999 | The London Institute | Fashion and Textiles | |
| Kelly B | 100% Design Exhibition | 1999 | Kingston University | ||
| Guthrie K | 10th East International / Riverside | 2000 | University of Central England in Birmingham | Fine Art Research Group | |
| Ogilvie S | 10th International Print Biennial, Varna | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Craxford A | 11 piece sushi + sak | 1999 | London Guildhall University | ||
| Dawson I | 111 | 1999 | University of Southampton | ||
| Mathison F | 11th Kemzetkozi Miniaturetextile Biennale | 1996 | Edinburgh College of Art | Fine Art | |
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Brigdale S | 12 | 1998 | Southampton Institute | ||
| Brigdale S | 12 Again | 1999 | Southampton Institute | ||
| Fisher C | 12 Untitled Paintings. | 2000 | Goldsmiths College | ||
| Devison N | 12/2000 | 2000 | Anglia Polytechnic University | ||
| Penney W | 12th German International Exhibition of Graphic Art | 1999 | University of Ulster | ||
| HEATHCOTE S C | 12th International Biennale of Miniature Textiles | 1998 | University of Dundee | Contemporary Practice | Masoa Yoshimura Charlotte de Loof Henryke Zaremba Jeppesen |
| Glassar B | 13th Anniversary Exhibition, Braggiotti Glass Gallery, Singel, Amsterdam | 2000 | Robert Gordon University | Making and Contemporary Culture | |
| Brennan G | 13th International Miniature Biennale | 2000 | Edinburgh College of Art | Fine Art | |
| Rhodes E. | 14th Image Forum Festival 2000 | 2000 | University College London | Fine Art Media | |
| North ME | 14th International Triennial for Original Graphic Prints | 1997 | Loughborough University | Fine and Applied Arts | |
| Kerbel J | 15 Lombard St | 2000 | Kingston University | ||
| Rushby R | 15 jewellery pieces in enamelled silver and gold | 1997 | London Guildhall University | ||
| Rushby R | 15 pieces of jewellery in enamelled silver + gold | 1998 | London Guildhall University | ||
| Webb T | 15th February | 1995 | Royal College of Art | Animation | |
| Barfield N | 16 Cycladic Heads | 1998 | Wimbledon School of Art | George Whale | |
| Murray M | 17th Association of Photographers Awards (2000) | 2000 | University of Gloucestershire | ||
| Woods R | 18 Choppers | 1997 | University of Southampton | ||
| Rirsch R | 18ct. white/yellow gold enamelled lyre set with 414 diamonds, rubies + emeralds | 1997 | London Guildhall University | ||
| TURRELL E | 18th New Millennium Korea Enamelling Artist Association Exhibition | 2000 | University of West of England, Bristol | Applied Arts + Crafts | |
| Gardiner J | 1996-Isle of Purbeck CD Rom | 1996 | Thames Valley University | Gardiner J | |
| Ward S | 1998 Saint Etienne International Design Biennale | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Naylor P.J. | 19th Mini Print International Exhibition | 1999 | Falmouth College of Arts | ||
| Kennedy M | 19th Miniprint Internacional | 1999 | Anglia Polytechnic University | ||
| Kyte R | 1:9.5 detailed model `Vee twin HRD | 1994 | London Guildhall University | ||
| Zellweger C | 1st European Prize for Contemporary Art + Design-led Crafts 1998 | 1998 | Sheffield Hallam University | ||
| Stahl A. | 1st International Artists' Camp, Sri Lanka | 1997 | University College London | Painting | |
| Williamson M | 2 Black + White prints 16 | 1997 | London Guildhall University | ||
| Tozer J | 2 Mins Charing Cross. | 2000 | Goldsmiths College | ||
| WATSON A J | 2 Seaport Songs | 1998 | University of Dundee | Coastal/Indigenous Cultures | Mooney, J D Howard, I Tolj, S |
| De Quin R | 2 condiment sets, fork, dish, cream and sugar set, in silver | 2000 | London Guildhall University | ||
| Jennings C | 2 oil paintings 36 | 1999 | London Guildhall University | ||
| McGoldrick R | 2 sculptures for public sites. Graphite grey Hawksmooresque console brackets with light reflecting gilded balls, in 70s landscaping, presaging the pieces in outcome 3. The materials (wood, marble dust, plaster, gilding) and small scale, implying an interi | 1995 | London Guildhall University | ||
| Ramsenthaler S | 2-3-4-D | 2000 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Williamson M | 20 black-and-white photographic prints (16 @ 12 | 1997 | London Guildhall University | ||
| Yeo H | 20 pieces of jewellery in tantalum, stainless steel, platinum, 9 + 18 carat white gold, silver | 2000 | London Guildhall University | ||
| Chapman B | 20 pieces of tableware + jewellery in gold, silver + pewter | 1999 | London Guildhall University | ||
| Sutherland C | 205 High Street Wood Green London | 2000 | Glasgow School of Art | Cities and Environments | Hussey, C |
| OWEN J.K. | 2096 concept car | 1996 | Coventry University | Design | MATTHEWS, G. NEWMAN, R.M. PORTER, C.S. |
| MUMBERSON S | 20TH CENTURY URBAN MAN | 1999 | Middlesex University | ||
| Shaw L T | 20th Century Decorative Arts 96 | 1996 | Nottingham Trent University | Design | |
| COOKE R | 20th Mini Print International Cadaques 2000 | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Bennett S | 21 | 1999 | University of Plymouth | Art Process | |
| Penney W | 21st International Biennial of Graphic Art | 1995 | University of Ulster | ||
| Chipperfield J | 22 glass dishes with commemorative inscriptions | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Dawson I | 221 | 1997 | University of Southampton | ||
| Ogilvie S | 22nd International Biennial of Graphic Art, Ljubljana | 1997 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Falconbridge BW | 230th Royal Academy Summer Exhibition. | 1998 | Goldsmiths College | ||
| Falconbridge BW | 231st Royal Academy Summer Exhibition. | 1999 | Goldsmiths College | ||
| Falconbridge BW | 232nd Royal Academy Summer Exhibition. | 2000 | Goldsmiths College | ||
| Penney W | 25 April Project | 1999 | University of Ulster | Professor Bartolmeu dos Santos | |
| Geesin F | 25 Knitted zinc panels | 2000 | The London Institute | Fashion and Textiles | |
| BEHRENS R H H | 25 years of expeditions into Naboland | 2000 | University of Dundee | Contemporary Practice | Martin Kemp Tony Jones Murdo Macdonald |
| Hanson M | 25th Anniversary Exhibition | 1999 | University of Central England in Birmingham | Jewellery Research Group | |
| Di Girolamo M | 283rd Exhibition of the Royal Society of British Artists | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Cohen N | 3 Generations of British Constructivism | 1998 | University College London | Painting | |
| Surridge M.S. | 3 Person Show | 2000 | Falmouth College of Arts | ||
| Rushby R | 3 cloisonn | 1994 | London Guildhall University | ||
| Oxley Nigel | 3 original etchings inspired by engravings of Rembrandt + Goya (15 x 22 | 2000 | London Guildhall University | Gordon House Eric Rimmington Humphrey Ocean |
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| De Quin R | 3 piece tea-set with glass and silver tray, three piece water set with glass and silver tray, 2 gold-plated Hamburg jugs, spiral laser-cut, hand-formed fruit/bread basket, square dish with cold-forged fork, large and small landscape salt + pepper shakers, | 1998 | London Guildhall University | ||
| Yeo H | 3 pieces of photo-etched silver jewellery from Yeo | 1997 | London Guildhall University | ||
| Craxford A | 3-piece tea -set in silver, silver-gilt and ebony | 1998 | London Guildhall University | ||
| Ten Hompel S | 30 pieces (concrete, found objects, gold, steel, glass etc.) varying in size 1m. 20cms x 10cm x 10cms. | 1995 | London Guildhall University | ||
| Manley DJ | 30 years of Cheltenham Fine Arts Fellows: 1967-1997. | 1997 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| Keegan S P | 300 tons of clay | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Craxford A | 34 pieces of engraved and hand-carved jewellery in precious metals with precious and semi-precious stones. | 1994 | London Guildhall University | ||
| Dunbar L | 36 Units | 1999 | Robert Gordon University | Making and Contemporary Culture | |
| Jennings C | 36 paintings, photographs + 3D displays, from 12 | 1997 | London Guildhall University | ||
| Marsden MJ | 38mm trackerball | 1998 | De Montfort University | ||
| Osfield R | 3D Restoration of Salt Structures - Case Study from the NW German Basin | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | F Schafer P A Griffiths |
| Milne J | 3D video photographic mural. | 1999 | University of Southampton | Gemma Nogueroles Anna Bordonada |
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| McClelland B | 3D-scan: 3D add-on scanning device | 2000 | University of Ulster | ||
| Eastman K | 3rd European Biennale of Ceramics | 1997 | Glasgow School of Art | The Decorative Arts | |
| Ogilvie S | 3rd International Biennale of Graphic Art | 1998 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Naylor P.J. | 3rd International Graphic Triennale | 2000 | Falmouth College of Arts | ||
| McGraw M | 3rd International Symposium of Lithography, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Salter P | 4 + 1 Peter Salter: Building Projects | 2000 | University of East London | A. Higgott R. Harbison P. Beardsell |
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| Grimsey T | 4 large scale public sculptures and seating | 2000 | De Montfort University | ||
| Chapman B | 4 magnified time-pieces in aluminium + nylon | 1995 | London Guildhall University | ||
| Brill P | 40 Rubber Planes. | 2000 | Goldsmiths College | ||
| Craxford A | 40 pieces of engraved + hand-carved jewellery in silver, cannetaille gold + precious stones | 1999 | London Guildhall University | ||
| Rhodes E. | 43rd London International Film Festival | 1999 | University College London | Fine Art Media | |
| Sandle M | 45-99 British Art | 1999 | De Montfort University | ||
| Eastman K | 49th International Ceramic Art Competition | 1995 | Glasgow School of Art | The Decorative Arts | |
| Twomey C. | 4A BIENNAL EUROPEA DE CERAMICA | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Robertson DA | 4D Design: Adding Value to Consumer Products Using Multimedia and Mechatronics Technologies | 1998 | De Montfort University | ||
| Robertson DA | 4D Design: Applied Performance in the Experience Economy | 2000 | De Montfort University | Woudhuysen, J. | |
| HARRISON D | 4D Duchamp: The Transposition of the Large Glass into Hypermedia | 1997 | University of West of England, Bristol | Digital Media Research Centre | |
| Robertson DA | 4D Product Design, Mechatronics and Multimedia Technology: Some Conceptual Challenges | 1997 | De Montfort University | ||
| Waeckerle E. | 4TH ST PETERSBURG BIENNALE | 1999 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Oxley Nigel | 5 Pillows for D | 1998 | London Guildhall University | ||
| Briggs P M | 5 Ships | 1995 | Nottingham Trent University | Design | |
| Bain L | 5-7 Carleton Gardens | 1999 | Glasgow School of Art | Cities and Environments | Michael Wilford and Partners |
| Rideal M.E.C. | 50 Ans de Tati | 1998 | University College London | Painting | |
| McNiven A | 50 x 50 x 50 x 50 | 1995 | Edinburgh College of Art | Fine Art | |
| Kinersley-Taylor J | 50 x 50: The Challenge of Constraint: group exhibition | 1998 | Glasgow School of Art | The Decorative Arts | |
| Davey Winter J | 50/50 - The Challenge of Constraint | 1998 | Buckinghamshire Chilterns University College | Visual Arts | |
| Twomey C. | 51 PREMIO FAENZA | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Hoberman N | 51 Premio Michetti. | 2000 | Goldsmiths College | ||
| Piper JF | 5500FF Polaroid APS Camera | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Piper T | 56 Group Wales | 1996 | University of Wales Institute, Cardiff | Fine Art | |
| Green L | 5th In Our Hands Exhibition: mixed exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Cunningham JR | 5th In our Hands Exhibition: group exhibition | 2000 | Glasgow School of Art | The Decorative Arts | |
| Ledsham JM | 5th International Betonac Prize | 2000 | University of Ulster | ||
| Ward S | 5th International Ceramics Festival 1998 | 1998 | Robert Gordon University | Making and Contemporary Culture | |
| Buckley T | 5th World Biennial of the Art of Bookbinding | 1999 | The London Institute | Media and Communication | |
| Westwood M | 6 min 3 sec | 1999 | The London Institute | Fine Art | |
| Clegg RDPC | 6 min 3 sec | 1999 | The London Institute | Fine Art | |
| Aust R | 6 pieces. | 1997 | Goldsmiths College | ||
| Williamson M | 60 large format colour photographs | 1997 | London Guildhall University | ||
| Grace JF | 64 Zoo Lane, animation series (26 episode scripts, incidental music / songs) | 1998 | Loughborough University | Illustration | |
| Bird-Jones C | 6th International Shoebox Exhibition | 1997 | North East Wales Institute of Higher Education | Art and Design | |
| Smith MM | 70/2000 | 2000 | Liverpool John Moores University | Painting and Sculpture | |
| Tyrrell J | 70s and 80s the High-Tech Age | 1999 | University of Sunderland | Design | |
| Dukes P J | 71:40 | 1997 | University of Hertfordshire | ||
| Logue L | 71:40- Injection 4 a Day | 1997 | Southampton Institute | ||
| Douglas H | 72nd Annual International Competition: Photography | 1998 | The London Institute | Fine Art | |
| Ten Hompel S | 8 (table) spoons | 1999 | London Guildhall University | ||
| Mosscrop MLB | 8th Mostyn Open | 1996 | De Montfort University | ||
| Bishop D | 9 things to make and do | 1995 | Royal College of Art | Design for Manufacture | |
| Trusselle K | 9 x 9 x 9 | 1996 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| TRUSSELLE K.L. | 9 x 9 x 9 | 1996 | Coventry University | Visual Arts | GWYNNE, M.G. GRIFFIN, J. PRINCE, N. |
| Fabian A | 90s Metalwork and Jewellery Design, 100 Years at the RCA Art and Design | 1999 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| HOLLAND C.C. | @ Work opening exhibition and @ home | 1998 | Coventry University | Visual Arts | CARCASS, J. ELLUL, L. FILMER, N. |
| DEAKIN A | @nonym | 1999 | Middlesex University | ||
| Comninos P. | A Solid Volumetric Deformable Muscle Model for Computer Animation Using a Weighted Residual Method. | 2000 | Bournemouth University | You, L. H. Zhang, J.J. |
|
| Moriarty C | A Back Room Service? The Council of Industrial Design Photographic Library 1945-1965 | 2000 | University of Brighton | 20th Century Design and Film Archives | |
| Oddy N | A Beautiful Ornament in the Parlour or Boudoir | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Ichige Y | A Big Enough Umbrella. | 1997 | Goldsmiths College | ||
| Saunders C | A Book of Hours (30 min. feature film). | 2000 | London Guildhall University | Nick Bevan music Mikey Tomkins post production editing |
|
| Robinson K | A Bridge: Creating a Course in Material Culture Studies | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| Curtis D | A Brief History of Art and Experiment in Animation | 1999 | The London Institute | Media and Communication | Gareth Evans |
| BODMAN S | A Case of Discovery | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Kivland S | A Case of Hysteria | 1999 | Sheffield Hallam University | ||
| Williams R | A Celebration of Craftsmanship | 1999 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham R | A Celebration of Craftsmanship | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Williams R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Ingham R | A Celebration of Excellence | 1998 | Buckinghamshire Chilterns University College | Furniture Design | |
| Proctor G | A Century of Style | 1998 | Nottingham Trent University | Fashion and Textiles | Karen W. Bressler Karoline Newman |
| FURNHAM D | A Chance to Whistle | 2000 | Middlesex University | ||
| Davies G | A Cloudburst of Material Possessions | 1997 | Lancaster University | Paula Rego Michael Sandle David Mach |
|
| Nicol EJ | A Collection of Frames. A Collection of Toys. | 1999 | University of Plymouth | Site, Space, Location, Place | |
| Hutton A | A Communications Robot | 1999 | University of Ulster | Michael Callaghan | |
| Honeywill P W | A Comparison between Maya Hieroglyphs and Computer Icons | 1999 | University of Plymouth | Centre for Visual Computing | |
| Bougourd J | A Comparison of Women's Sizing by 3D Electronic Scanning and Traditional Anthropometry | 2000 | The London Institute | Fashion and Textiles | Laura Dekker Peter Grant-Ross Janet Ward |
| Manning A | A Computational Model of Print Quality Perception | 1999 | The London Institute | Media and Communication | Dr Robert Thompson Dr Jack Tchan |
| Magee JDM | A Conscientious Vehicle | 1996 | University of Ulster | ||
| Rieser M | A Consequential Coastline | 1996 | Bath Spa University College | Hoskins, S. Hasle, D. Hales, G. |
|
| McCann B | A Continuous Present: 5 British Sculptors Revisit Rome | 1998 | Kingston University | ||
| MARKIEWICZ L | A Conversation | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| MURPHY J | A Conversation Piece | 1998 | University of Oxford | Juliao Sarmento | |
| Rowland C | A Crash Course in Creative Digital Media for the Community | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Tyler DJ | A Cross-Sectoral Approach to New Product Development | 1998 | Manchester Metropolitan University | Heeley J Bhamra T |
|
| Odundo M. A. | A DIALOGUE IN CLAY | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| Fereday G. | A DYEING ART: GEOMETRIC DOUBLE IKATS FROM ANDHRA PRADESH | 1999 | The Surrey Institute of Art + Design University College | Crafts | |
| BONAVENTURA P | A Day at the Races | 2000 | University of Oxford | Julian Stallabrass Pauline van Mourik Broeckman Niru Ratnam |
|
| Tyler DJ | A Decision Support System for Designing Assembly Cells in the Apparel Industry | 1997 | Manchester Metropolitan University | Kalta M Lowe T |
|
| Davies G | A Deluge of Human Indifference | 2000 | Lancaster University | ||
| Baines P | A Design (to sign roads by) | 1999 | The London Institute | Media and Communication | |
| Watkins D | A Design Sourcebook | 1999 | Royal College of Art | Applied Art | |
| Maude-Roxby A | A Dictionary of Symbols | 1997 | Sheffield Hallam University | ||
| Dupre F | A Different Kind of Show | 1994 | University of Central England in Birmingham | Fine Art Research Group | |
| Mason R | A Digital Dolly? A Subjective Survey of British Illustration in the 1990s | 2000 | Norwich School of Art + Design | Text, Sound and Image (Publishing and Animation) | |
| Burrows M W | A Divine Comedy | 2000 | University of Huddersfield | ||
| Chowles S M | A Dream of Passion | 1996 | University of Brighton | Materials Practices and Processes | R Munday |
| McLaren JH | A Dynamic Energy Model of Mobile Phone Takeback and Recycling | 1999 | Brunel University | L Wright S Parkinson T Jackson |
|
| Lyons AR | A Dynamic Lighting System Background and Prototype | 1997 | De Montfort University | Lomas, K. Cropper, P. Mardaljeviej, J. |
|
| Fabian A | A Feast of Silver | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| ten Hompel S | A Feast of Silver: Marked for the Millennium | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Ellis E | A Fine Line - Commercial Wood Engraving in Britain | 1994 | Buckinghamshire Chilterns University College | Visual Communication | |
| Rosenberg T | A Foundation Course in Drawing. | 1999 | Goldsmiths College | Stanyer, P.W. | |
| Cooper SA | A Full Head of Hair | 1997 | University of Southampton | ||
| Fawkes S | A Gathering of Glass | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | |
| Thapalyal RI | A Gift for India: group exhibition | 1997 | Glasgow School of Art | The Decorative Arts | |
| McKAY A | A Gift of Solitude | 2000 | University of Lincoln | ||
| Slee R | A Grand Design: The Art of the Victoria and Albert Museum | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| McGowan A | A History of Britain (published by the Daily Telegraph, weekly in 16 parts) | 2000 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Rees A | A History of Experimental Film and Video | 1999 | Royal College of Art | Communications | |
| St George A | A History of Norton Rose | 1995 | De Montfort University | ||
| Macinnes R | A History of Scottish Architecture | 1997 | Glasgow School of Art | Historical and Critical Enquiry | Miles Glendinning Angus MacKechnie |
| WATSON A J | A History of Scottish Performance | 1998 | University of Dundee | Coastal/Indigenous Cultures | Fahrenholz, M Currie, A Woods, A |
| Kikuchi Y | A Japanese William Morris: Yanagi S | 1997 | The London Institute | Cultural, Historical and Theoretical Studies | |
| HEALEY P | A LOCAL BOOK FOR LOCAL PEOPLE | 2000 | Middlesex University | ||
| Newell R A | A Land | 1996 | Swansea Institute of Higher Education | Land and Landscape | |
| Filmer N | A Long False Equator | 1995 | The London Institute | 3-Dimensional and Environmental Design | |
| Thorpe A. | A MAP OF RECYCLED CONTENT BUILDINGS | 1998 | The Surrey Institute of Art + Design University College | Sustainable Design | Tom Paladino |
| JOHNS P | A METHOD OF JOINING METALS TOGETHER BY A PROCESS USING SILVER/GERMANIUM ALLOYS | 1996 | Middlesex University | ||
| McLean P.B. | A Machine for Learning | 1999 | University College London | Fine Art Media | |
| JONES P S | A Mandarin Oriental Hotel | 1997 | University of Dundee | Contemporary Practice | Tucker Design Associates Mandarin Oriental Hotels |
| Devine K J | A Marriage of Images, (Group Exhibition) and Quantum Chess (Essay published in the Exhibition Catalogue) | 1998 | University of Portsmouth | Art and Science | Professor Bruce Russell Professor Reg Davies Robert Ruthven |
| Rosenberg T | A Matter of Tact. A Collaborative model of research and development between industry. | 2000 | Goldsmiths College | ||
| Allington E. | A Method for Sorting Cows, Essays 1993-97 | 1997 | University College London | Sculpture | |
| Fillingham P | A Miracle. | 1997 | Goldsmiths College | ||
| Cassidy T | A Model of the Loop Formation Process on Knitting Machines using the Finite Automata Theory | 1997 | De Montfort University | Grishanov, S.A. Spencer, D. |
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| Arnold RL | A Modern System of Dressing | 1999 | The London Institute | Fashion and Textiles | |
| Egerton F | A Moving Experience Oxford Gallery High Street, Oxford. (Five major pieces of automata) | 1998 | Liverpool Hope | ||
| Anderson P | A Multidisciplinary Approach to Masters Education in Digital Research | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | |
| Bunnell K | A New Agenda for Creative Enterprise | 2000 | Falmouth College of Arts | ||
| Watkins D | A New Century in European Design | 1994 | Royal College of Art | Applied Art | |
| Gornick N | A New Management Role: The Designer as Strategist | 1998 | Brunel University | Design Pedagogy | |
| Lindsay W | A New Specimen of Ankarapithecus meteai from the Sinap Formation of Central Anatolia | 1996 | Royal College of Art | Conservation | Alpagut, B Andrews, P Fortelius, M |
| Ingman B | A Night on the Tiles | 1998 | Buckinghamshire Chilterns University College | Visual Communication | |
| Axford NR | A Novel Approach to the Derivation of Expressions for the Geometrical MTF in Sampled Systems | 1999 | University of Westminster | Imaging Technology | Fagard-Jenkin RB Jacobson RE |
| Ramsey BJ | A Novel Circuit Fabrication Technique using Offset Lithography | 1997 | Brunel University | Environmentally Sensitive Design | P Evans D harrison |
| READ S | A PROFILE OF THE RIVER THAMES | 1996 | Middlesex University | ||
| PROUD P T | A Path for Life | 1995 | University of Dundee | Contemporary Practice | |
| Cawthorne DA | A Pedagogy of Environmental Design | 2000 | De Montfort University | ||
| Plouviez A | A Perfect Society | 1995 | University of Sunderland | Photography | Davies H |
| Binns P | A Personal Landscape' | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| GANGE J | A Phenomenology of Slow-Motion | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Rice B W | A Pictorial History of Santa Claus | 1995 | University of Brighton | Visual Communication Design | |
| Ferry DD | A Picture Book of the Lake District | 1997 | University of Southampton | ||
| Brooks PR | A Plague on Both Your Houses | 1996 | The London Institute | 3-Dimensional and Environmental Design | |
| Robertson C | A Poetics of Water | 1999 | Wimbledon School of Art | Elizabeth Ogilivie | |
| Ogilvie E | A Poetics of Water | 1999 | Edinburgh College of Art | Fine Art | |
| Clarke S R I | A Politics of Time, | 1999 | University of Portsmouth | Centre for Images in Practice | S Cleaver R Simms R Bestley |
| CHISHOLM R G | A Portfolio of Street Furniture Products | 1999 | University of Dundee | Industry and the Public Sector | Gary Carling |
| MURPHY J | A Portrait of the Artist as a Deaf Man | 1996 | University of Oxford | ||
| Fox A | A Positive View | 1994 | The London Institute | Fine Art | |
| Read SA | A Profile of the River Thames | 1996 | The London Institute | Fine Art | Mildenhall Monumentals |
| Gaughan M | A Progressive Dematerialisation of Labour Power: A Problem for Visual Representation in Germany in the 1920s | 2000 | University of Wales Institute, Cardiff | Fine Art | |
| Derbyshire A | A Proposed Practical Lighting Policy for Works of Art on Paper at the Victoria and Albert Museum | 1999 | Royal College of Art | Conservation | |
| Onwin G | A Quality of Light | 1997 | Edinburgh College of Art | Fine Art | |
| Hugonin J W | A Quality of Light | 1997 | University of Northumbria at Newcastle | Painting (1a) | |
| Robertson C | A Quality of Light, Exploration of the quality of light in art | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Franks A M | A Question of Identity - a world without borders | 1999 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Bruton J | A Question of Scale | 1995 | The London Institute | Fine Art | |
| Bonham Carter E | A Question of Scale | 1995 | University of Reading | Rosa Lee Peter Doig Basil Beatie |
|
| Lee R | A Question of the Spiritual | 1994 | Cumbria College of Art + Design | ||
| Barber J. G. | A RETROSPECTIVE (INCL. THE WEATHER/THE KITE/ANSAPHONE) | 1996 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| Bibb RJ | A Rapid Prototyping Design Advice System for SME's. | 2000 | University of Wales Institute, Cardiff | PDR | R Brown D Wright |
| Best A | A Real Pony Race for a Bridle, '97 | 1997 | University of Central England in Birmingham | Fine Art Research Group | |
| Fuyuan L | A Real-time 3D Audio System for Virtual Cockpit | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Davies P | A Review of Artists Earnings for Exhibitions and Commissions | 1997 | University of Sunderland | Fine Art | |
| Porter LJ | A Review on STEP Design and Technology: Resistant Materials | 1996 | Brunel University | Design Pedagogy | J Davies A Goodlier |
| JOHNS P | A SILVER/GERMANIUM ALLOY | 1996 | Middlesex University | ||
| FORD L | A STRANGER HERE MYSELF | 1998 | Middlesex University | ||
| Harrison J P | A Sense of Place | 1994 | University of Portsmouth | Memory, Identity and Material Culture | Peter Mason |
| Cunningham JR | A Sense of Place: joint exhibition | 1997 | Glasgow School of Art | The Decorative Arts | Linda Green |
| Green L | A Sense of Place: two-person exhibiton | 1997 | Glasgow School of Art | The Decorative Arts | Jack Cunningham |
| Seers L | A Shot in the Head - Group Exhibition | 2000 | De Montfort University | ||
| Newman HJE | A Shot in the Head: The Lisson Summer Show | 2000 | The London Institute | Fine Art | |
| Ross M | A Show about Time | 1998 | University of Newcastle | ||
| Hodgson J | A Sign of Things to Come | 1999 | Liverpool John Moores University | Painting and Sculpture | |
| Triantaphillidou S | A Simple Method for the Measurement of Modulation Transfer Functions of Displays | 2000 | University of Westminster | Imaging Technology | Jacobson RE |
| Hagan SK | A Snake in the Grass: Ethics vs. Aesthetics in Sustainable Architecture | 2000 | University of East London | ||
| Thompson A | A Soft Touch | 2000 | Brunel University | Design for Inclusion | S SWallow |
| Swallow SS | A Soft Touch | 2000 | Brunel University | Design for Inclusion | A P Thompson |
| Fiddis C | A Software Teaching Support for Ceramic Education | 1996 | University of Ulster | ||
| Cotterrell D | A Splash of Colour | 1998 | University of Hertfordshire | ||
| MATTHEWS R D | A Square of Ground | 2000 | Kent Institute of Art + Design | MEDIATEK (Digital Fine Art) | |
| Fairclough L. | A Square of Ground | 2000 | University College London | Fine Art Media | |
| Carter P | A Square of Ground | 2000 | Edinburgh College of Art | Fine Art | |
| Clarkson C | A Stiff-Board Vellum Binding in which the Covering has Been Slotted Across the Spine to Accommodate Raised Bands | 1996 | The London Institute | Media and Communication | |
| Wyman A | A Stitch in Time | 1997 | Cumbria College of Art + Design | ||
| Hague J A | A Stitch in Time | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Eachus PA | A Storm in Paradise - The Saving Angel | 1997 | The London Institute | ||
| Poncelet J | A Stranger Here Myself | 1997 | The London Institute | 3-Dimensional and Environmental Design | Laura Ford |
| Keir S | A Strangers Taste | 1999 | The London Institute | Fashion and Textiles | Siobhan Davies |
| Smith J | A Study to Compare the Food Scooping Performance of the 'Handy 1' Robotic Aid to Eating, using Two Different Dish Designs. | 1996 | Staffordshire University | ARi, School of Art + Design | M J Topping J Makin |
| Attridge GG | A Summary of Applications of Colour Reproduction: Indices to Imaging Systems | 1996 | University of Westminster | Imaging Technology | Pointer MR Jacobson RE |
| Pierse S J | A Sunburnt Country, Australian Landscapes | 1997 | University of Wales, Aberystwyth | Alison Hall | |
| PARRAMAN C | A Survey of Photomechanical Prints | 2000 | University of West of England, Bristol | Centre for Fine Print Research | |
| Ali-MacLachlan I | A Synchronous Feedback System for Distance Collaborative Projects. | 2000 | Glasgow School of Art | Educational Theory and Practice | |
| BUSS D | A Tale of Two Cities: Complementary Colour in the Environments of Two Moroccan Imperial Cities | 2000 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| GANGE J | A Technics of Slow-Motion - art Technology and Technique | 1998 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Walden J | A Telephonic Exchange, Uncommon Denominators | 1999 | University of Portsmouth | Art and Philosophy | |
| BRADLEY P | A Temporary World: A Commentary on Some Urban Games and City Dwellers | 1998 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| Petry M | A Thing of Beauty is... | 1997 | University of Wolverhampton | Fine Art | |
| Anderson J | A Thousand Prayers an Empty Vessel. | 1996 | Goldsmiths College | ||
| Anderson J | A Thousand Prayers. | 1997 | Goldsmiths College | ||
| MALLINDER H | A Three Dimensional Sketching Tool | 1995 | Middlesex University | H Jones J Jones-Morris H Polletti |
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| Salisbury M | A Timeless Landscape | 2000 | Anglia Polytechnic University | ||
| Kyte R | A Timepiece for the Millennium. Chronometer in gold and silver set with diamonds, mounted in a black slate surround, which records time and celestial and solar positions. | 2000 | London Guildhall University | ||
| Dinan Spencer C | A Treasury of Stories for Under Fives | 1994 | The London Institute | Media and Communication | |
| Duff L | A Trip on the Douro | 1995 | Kingston University | ||
| Herrmann M. | A VISION FOR THE 21ST CENTURY: THE EARTH CENTRE ECOLOGY PARK | 1995 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| BEHRENS R H H | A Voyage to Naboland | 1996 | University of Dundee | Contemporary Practice | |
| Gilchrist B | A Way of Asking for Reasons | 1994 | Oxford Brookes University | Creative Practice | |
| Newland P M | A Web of Senses in an Autistic Universe | 1997 | University of Portsmouth | Centre for New Media Research | Ron Geesin |
| Collins H | A Worldwide Sense of Homesickness | 1996 | Royal College of Art | Fine Art | |
| Diggle J | A Year and a Day | 1996 | Robert Gordon University | Practices enabled through New Media Technology | |
| Rirsch R | A collection of silver rings, brooches and necklaces set with cabochons and garnets of varying sizes. | 1999 | London Guildhall University | ||
| Tamburic S | A comparison of different in vitro methods for measuring mucoadhesive performance | 1997 | The London Institute | Fashion and Textiles | D.Q.M. Craig, University of London |
| Pope M | A costume research and interpretation project based on paintings in the National Gallery | 1997 | Wimbledon School of Art | Theatre costume | |
| Herring H | A database for modelling energy use in the non-domestic building stock of England and Wales | 2000 | Open University | Design for sustainability | H.Bruhns J.P. Steadman |
| Drew L | A disciplined approach: Learning to practice as design teachers in the University | 2000 | University of Brighton | Pedagogic Research | |
| Swindells S P | A distributionce of memory on the acropolis | 1999 | University of Huddersfield | ||
| Stiff P | A footnote kicks him: how books make readers work | 1997 | University of Reading | ||
| Young M | A guide to Methodology in Ergonomics - Designing for Human Use | 1999 | Brunel University | Interaction Design | N Stanton |
| Webb T | A is for Autism | 1994 | Royal College of Art | Animation | |
| BONAVENTURA P | A matter of life and death | 2000 | University of Oxford | Nikos Papastergiadis John Berger Don Miller |
|
| Barker I | A modification to the Codman Microsensor Skull Bolt Kit | 2000 | Buckinghamshire Chilterns University College | Visual Communication | |
| Osfield R | A new technique for Integration of 3D Structural Modelling and Fracture Prediction - a Cast example from the East Brae Field | 2000 | Glasgow School of Art | Digital Visualisation and Interaction | S J Kape P Allen W D de Boer |
| ANDERSON M | A pictorial investigation of the work for organ by Oliver Messiaen: La Nativite du Seigneur | 2000 | Bretton Hall | FINE ART (PAINTING) | |
| CHISHOLM R G | A preproduction prototype for a yacht | 1994 | University of Dundee | Industry and the Public Sector | W A Simpson Marine, Dundee |
| Sharpe T | A proposal for an Air and Water Preheating Solar Attic in Glasgow | 1996 | Glasgow School of Art | Cities and Environments | C. Porteous D. McDonald |
| Crooks R | A range of one-off pieces and production items | 2000 | Buckinghamshire Chilterns University College | Three Dimensional Design | Stewart Hearn |
| Simpson P | A re-vision of Ukraninian identity: Tatyana Yablanskaya's Corn 1949 | 2000 | University of Hertfordshire | ||
| Rooney J | A review of a family of self-deploying tensegrity structures with elastic ties. | 2000 | Open University | Design for advanced products | J. Duffy B Knight CD Crane |
| WRIGHT I. | A review of research into engineering change management: implications for product design | 1997 | Coventry University | The Design Institute | |
| Skingle S | A semblance of Order. 20 book-sized sculptures and wall-reliefs in plaster, wood and metal, installed on the existing nails and ledges of the gallery's Elizabethan panelling and brickwork. | 1996 | London Guildhall University | ||
| Atkin J | A series of twelve plaster reliefs | 2000 | Loughborough University | Fine and Applied Arts | |
| Graham B | A study of audience relationships with interactive computer-based visual artworks | 1999 | University of Sunderland | Photography | |
| CHISHOLM R G | A study of the dynamics, image and function of objects and the space they occupy | 1999 | University of Dundee | Industry and the Public Sector | |
| YEADON J.D. | A tragical comedy or comical tragedy | 1997 | Coventry University | Visual Arts | |
| Parker D R | A window on the world: the work of Roy Wenzel | 2000 | University College Northampton | Contemporary Art Criticism | |
| Yeo H | A.M., P.M (collection of 17 reversible pieces of jewellery in silver, 18 ct. gold, diamonds) | 2000 | London Guildhall University | ||
| SHERWIN G | ACCOMPANIMENT TO A CINEMATOGRAPHIC SCENE [SCHOENBERG] - 16 MM FILM | 1999 | Middlesex University | ||
| Stockwell S. J. | ACCUMULATIONS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Makhoul B | ACE: Arts Council Collection New Purchases | 1996 | Sheffield Hallam University | ||
| SAUNDERS R. | ACECA | 1997 | Coventry University | Design | |
| SAUNDERS R. | ACECA 4 seater grand touring car | 2000 | Coventry University | Design | |
| Whitehead B. | ADVANCE WHITE | 1996 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| GUILLE J | AFRICAN PRINTS:CHITENGE CLOTHS IN CENTRAL AND SOUTHERN AFRICA | 1997 | Middlesex University | ||
| QUINE M | AIMAC CONFERENCE PAPERS. Contributing Editor | 1996 | City University | Laszlo, H. | |
| Whitehead B. S. | ALFRED DUNHILL | 1999 | The Surrey Institute of Art + Design University College | Illustration + Communication | |
| DEGEN P | ALLES SCHMUCK | 2000 | Middlesex University | ||
| Loughlin S. | AMNESTY INTERNATIONAL HUMAN RIGHTS | 1995 | The Surrey Institute of Art + Design University College | Time Based + Digital Media | |
| WADE E | AMPHIBIA ANUDA RANIDAE | 2000 | Middlesex University | ||
| SPENCE P J | AN INVITATION TO KISS | 2000 | University of Dundee | Digital Technology | John Scott Daniel Reeves |
| COWAN J | ANABALEPS - GROUP SHOW | 2000 | Middlesex University | ||
| Young A.N.J. | ANALYSIS OF THE AEA CLAIMS THAT THE PROPOSED EUROPEAN DIRECTIVE ON WASTE FROM ELECTRICAL AND ELECTRONIC EQUIPMENT (WEEE DIRECTIVE) WILL CONFLICT WITH THE WTO TRADE RULES | 1999 | The Surrey Institute of Art + Design University College | Sustainable Design | |
| FORD L | ANIMAL - GROUP SHOW | 2000 | Middlesex University | ||
| DE FREITAS L | ANIMALS IN ARCADY: THE WOOD ENGRAVED ILLUSTRATIONS TO AESOP BY AGNES MILLER PARKER | 1996 | Middlesex University | ||
| Unger G | ANWB typeface | 1996 | University of Reading | ||
| Paul JS | AQUABAC Instruction Manual and Design Reports for BACKUP and National Lottery | 2000 | Brunel University | Design for Inclusion | J Burkitt P Isherwood |
| Grego P | ARCADE 11 | 1998 | University of Central England in Birmingham | Critical Practice in Art and Design | |
| LEMKE H | ARKIVE I-X | 1999 | University of Lincoln | ||
| Benson SL | ARKIVE II ashes dances roses | 1998 | Sheffield Hallam University | Anne Grebby Helmut Lemke |
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| Knorr K. H. | ART LOVERS | 2000 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Campany D. | ART PHOTOGRAPHED: SOME THOUGHTS ON PAINTING AND THE BOOK | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Harrison D. M. | ART TEXTILES | 1996 | The Surrey Institute of Art + Design University College | Crafts | |
| MUMBERSON S | ART WITH THE HELP OF A COMPUTER | 2000 | Middlesex University | ||
| IRVINE Z | ARTISTS BOOKS (Wind; Windhosen; By Air and Sea; Fiesta and Windroses) | 1997 | University of Dundee | Digital Technology | |
| Hindle Y | ARTLANTA | 1996 | University of Central England in Birmingham | Fine Art Research Group | |
| Edmonds F. A. | ARTMONSKY SUMMER SHOW | 1998 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Owen M | ARTRESEARCH in Venice | 1995 | Southampton Institute | ||
| SHERWIN G | AT THE ACADEMY 7 CYCLES 1 [16MM FILMS] | 2000 | Middlesex University | ||
| Eastwood SJ | ATOMsk | 2000 | University of Plymouth | Art Process | |
| Campany D. | AUTO INTERVIEW | 1994 | The Surrey Institute of Art + Design University College | Visual Arts | |
| Borrelli M | Abakus | 1995 | Liverpool John Moores University | Painting and Sculpture | |
| Mitchell J | Abandon | 1994 | University of Reading | ||
| Fortnum R | Abbey Award | 1997 | Wimbledon School of Art | Painting | Gillian Ayres Edward Allington Moyra Flanningan |
| Hollyhead B | Abbey National | 1994 | University of Brighton | Visual Communication Design | |
| Cargill I | Aberdeen University Prospectuses | 1998 | Robert Gordon University | Practices enabled through New Media Technology | |
| Draper C | About Collage | 2000 | Kingston University | ||
| Reeves D | Above Memory and Transformation | 1994 | Edinburgh College of Art | Design, Applied Arts and Lens-Based Media | |
| Willberg P | Abracadabra: International Contemporary Art | 1999 | The London Institute | Media and Communication | |
| Hollingsworth S M | Absolut Open | 1999 | University of Northumbria at Newcastle | Sculpture / Public Art (2a) | |
| Birrell R | Absolut Open 1999, New Art from Scotland, group exhibition | 1999 | Glasgow School of Art | Fine Art | |
| Charnley D | Absolut Secret | 1999 | Buckinghamshire Chilterns University College | Design Culture | |
| Hodgson C | Absolute Earth | 2000 | Kingston University | ||
| Dagg K | Absolute Open | 1999 | Edinburgh College of Art | Fine Art | |
| Hunter J | Absolute Open - New Art From Scotland | 1999 | Edinburgh College of Art | Fine Art | |
| Webb G | Abstract Art | 2000 | University of Reading | Simon Bill Keith Farquhar DJ Simpson |
|
| Petry M | Abstract Eroticism | 1996 | University of Wolverhampton | Fine Art | |
| Innes C | Abstract Painting Once Removed, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Green D | Abstract Paintings and Arbitrary Objects | 1999 | University of Brighton | Fine Art Practices | |
| Butler K | Abstraction and Blind Sitings - A collaboration between two artists geographically displaced from the sites | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Aggiss E | Absurditties | 1994 | University of Brighton | Visual and Performing Arts | W Cowie |
| Trodd C | Academic Cultures: The Royal Academy and the Commerce of Discourse in Victorian London | 2000 | University of Sunderland | Fine Art | |
| Wilson A | Access Ramp Railings and Gateway for Swindon Dance Studio | 1997 | University of Brighton | Materials Practices and Processes | |
| Devison N | Access all Areas | 1999 | Anglia Polytechnic University | ||
| Punt M | Accidental Machines:Understanding How We Understand New Technologies | 1998 | University of Wales College, Newport | CAiiA | |
| Johnson SW | Ace! Arts Council Collection New Purchases | 1996 | The London Institute | Fine Art | |
| McCARTHY P J | Acoustic Shadows | 1999 | University of Lincoln | ||
| MacWilliam S J I | Acoustic Shadows: Cast Behind The Curtain | 1999 | Nottingham Trent University | Visual Arts | |
| Bryson D | Acromegaly, Mr Punch and Caricature. | 1996 | University of Derby | Ctr for Advanced Studio Practice in Art + Design | |
| MORRIS R C | Acrylic Sculptural Jewellery | 2000 | University of Dundee | Contemporary Practice | David Watkins Otto Kunzli Gijs Bakker |
| Smith P M | Action (Solo exhibition) | 2000 | Anglia Polytechnic University | ||
| Norman EW | Action Research Concerning Technology for Design and Associated Pedagogy | 1999 | Loughborough University | Design Education | |
| Johnston M | Activ Walking Frame | 1997 | The London Institute | 3-Dimensional and Environmental Design | |
| Harrison DJ | Active Disassembly | 1998 | Brunel University | Environmentally Sensitive Design | J Chiodo E Billett |
| Chiodo JD | Active Disassembly | 1998 | Brunel University | E Billett D Harrison |
|
| Dorsett C J | Acts of Audience | 1997 | University of Northumbria at Newcastle | A + D in the Landscape/A + D Management (2c) | |
| Davis M | Acts of Light | 1997 | University of Sunderland | Institute for International Research in Glass | |
| Chodzko A | Adam Chodzko: Photographs, Sculpture and Video Projection | 1999 | The London Institute | Fine Art | |
| Robinson P I | Adapt Alumnus UfI | 2000 | University of Northumbria at Newcastle | Software Design for Digital Artefacts (4d) | Agnelli, P Young, R |
| SCHENK P M | Adaptability to Change: Teaching Drawings to Designers | 1998 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Pippin S | Addendum | 1995 | Southampton Institute | ||
| Telford SJ | Addressing the Century - 'Dressing Room' Section (exhibition) | 1998 | Loughborough University | Textiles | |
| Rees DD | Addressing the Century - 100 Years of Art + Fashion | 1998 | The London Institute | Fashion and Textiles | Simon Munro |
| Munro S | Addressing the Century - 100 Years of Art + Fashion | 1998 | Kingston University | ||
| LEHMANN U | Addressing the Century: 100 Years of Art + Fashion | 1999 | Kent Institute of Art + Design | ||
| Chalayan H | Addressing the Century: 100 Years of Art and Fashion | 1998 | The London Institute | Fashion and Textiles | |
| Baker P.H. | Advanced Envelopes, IEA Annex 32, Volume III | 2000 | Glasgow School of Art | Cities and Environments | Saelens, D. Grace, M. Inoue, T. |
| Pennie M | Adventures with Lobi | 1998 | Bath Spa University College | ||
| Leonidas G | Aegis | 2000 | University of Reading | ||
| IRVINE Z | Aeolus / Pocketbook CDs | 1999 | University of Dundee | Digital Technology | |
| Lancaster J | Affinities | 1997 | De Montfort University | ||
| Bevan P | Affinity, Iwate Arts Festival, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Black H | Afloat | 1998 | Wimbledon School of Art | Sculpture | |
| Hart WA | African Art in the National Museum of Ireland | 1995 | University of Ulster | ||
| Forbes Visser K | After Candide | 1998 | Edinburgh College of Art | Fine Art | |
| Richon O | After DL | 1995 | Royal College of Art | Critical Practice | |
| Ichige Y | After Dark. | 1996 | Goldsmiths College | ||
| Harland EJ | After IV | 1998 | University of Southampton | ||
| Wright A | After Image | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Wright A | After Image | 1998 | University of Westminster | Gender and Technology (Cutting Edge) | |
| WRIGHT A | After Image | 1998 | University of Lincoln | ||
| Williams R | After Modern Sculpture : Art in the United States and Europe 1965 - 70 | 2000 | Liverpool John Moores University | Art and Design History | |
| GERSHT O | After Wars | 1999 | Kent Institute of Art + Design | PHOTOGRAPHY | |
| Chalayan H | After Words | 2000 | The London Institute | Fashion and Textiles | |
| Walker A J | Afternoon Tea and Chillies | 1998 | Wimbledon School of Art | Tran Van Thao | |
| Wootton M A | AgB International Graphic Fine Artists touring exhibition | 1998 | University of Northumbria at Newcastle | Printmaking, Graphic and Communication Design (3b) | |
| Hunter R | Against Belief in Ossification | 2000 | Dartington College of Arts | ||
| Rodrigues CA | Agent Provocateur: Questions of human machine agency and online ethnography. | 1999 | University of Plymouth | Centre for Visual Computing | Cox, G. |
| Burton R | Agricultural/Rural Exhibition Consultation | 2000 | University of Sunderland | Design | |
| Rees DD | Ail | 1999 | The London Institute | Fashion and Textiles | Simon Munro |
| Munro S | Ail (Second) | 1999 | Kingston University | ||
| Viner DJ | Air Moves | 1998 | The London Institute | Fine Art | |
| Rhodes NA | Airbag | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Dean T | Airshot Range | 1997 | University of Brighton | Materials Practices and Processes | N Gant |
| Mortimer R | Airshow | 2000 | The London Institute | Media and Communication | |
| Gant N | Airwave Table | 1997 | University of Brighton | Materials Practices and Processes | T Dean |
| McKitterick J | Aitch Menswear for Ben Sherman Spring/Summer 1995 | 1994 | Kingston University | ||
| Miller A | Alain Miller. | 1999 | Goldsmiths College | ||
| Currall A | Alan Currall, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Tucker M E | Alan Davie Drawings | 1997 | University of Brighton | Fine Art Practices | P Elliott |
| Johnston A | Alan Johnston | 1998 | Edinburgh College of Art | Fine Art | |
| Johnston A | Alan Johnston 'Haus Wittgenstein - Inverleith House' | 1994 | Edinburgh College of Art | Fine Art | |
| Kitching A | Alan Kitching Typographic Timelord | 1999 | Royal College of Art | Communications | |
| Smith A | Alan Smith: Orme Series | 1998 | University of Gloucestershire | ||
| Potter R | Alan and Louis/Baskerville Hall | 1995 | Wimbledon School of Art | Photography | |
| van Dooren D | Alberto Aspesi | 2000 | The London Institute | Media and Communication | |
| SMITH HR | Album | 1999 | University of West of England, Bristol | Applied Arts + Crafts | |
| Jackowski A | Albums + Aliens | 1997 | University of Brighton | Memory, Identity and History | |
| Brown R | Alembic | 1997 | Royal College of Art | Computer Related Design | |
| Landrum A | Alex Landrum | 1995 | Bath Spa University College | ||
| Stamp G | Alexander Greek Thomson. (paperback title: Alexander Thomson. The Unknown Genius) | 1999 | Glasgow School of Art | Historical and Critical Enquiry | |
| Tchalenko J | Alexander Iyas | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| Bonham Carter E | Alexandra Drysdale and Eliza Bonham Carter | 1997 | University of Reading | Alexandra Drysdale | |
| Fuyuan L | Algorithm and Implementation of Sound Spatialisation via Loud-speaker array | 1999 | Glasgow School of Art | Digital Visualisation and Interaction | Wang Xingren |
| Britton A | Alison Britton | 1996 | Royal College of Art | Applied Art | |
| Britton A | Alison Britton | 2000 | Royal College of Art | Applied Art | |
| Turnbull A | Alison Turnbull | 1997 | Wimbledon School of Art | Painting | |
| Crawford A | Alistair Crawford: A Return to Wales | 2000 | University of Wales, Aberystwyth | ||
| Wilson AJH | Alistair Wilson | 1996 | University of Ulster | ||
| Burton A | All Afloat | 1996 | University of Newcastle | ||
| May N | All Routes Open | 1998 | Cumbria College of Art + Design | ||
| Davis G | All Umbrellas in London: Homosexuality and British Film | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | |
| HARVEY V. | All around the world | 2000 | Coventry University | Visual Arts | |
| Smith MM | All in the Mind | 1997 | Liverpool John Moores University | Painting and Sculpture | |
| MacKinnon-Day P | All in the Mind | 1998 | Liverpool John Moores University | Painting and Sculpture | |
| Westwood M | All the Details Differ | 1998 | The London Institute | Fine Art | |
| Worthington C | All you can eat (video short, 17min.): director | 1998 | London Guildhall University | ||
| Cockram M G | All you need is love but can we picture this? | 2000 | University of Portsmouth | Art and Philosophy | |
| Richon O | Allegories | 2000 | Royal College of Art | Critical Practice | |
| MORRIS R C | Alloy Five | 1998 | University of Dundee | Contemporary Practice | Susan Barr Teena Ramsay David Swift |
| MORRIS R C | Alloy Four | 1998 | University of Dundee | Contemporary Practice | Susan Barr Ann Marie Shillito Teena Ramsay |
| BARR S | Alloy IV | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay Ann-Marie Shillito |
| SWIFT D G | Alloy V | 1998 | University of Dundee | Contemporary Practice | Michelle Lorrie Helen Bennett |
| RAMSAY T K | Alloy V | 1999 | University of Dundee | Contemporary Practice | David Swift Roger Morris Susan Barr |
| BARR S | Alloy V | 1998 | University of Dundee | Contemporary Practice | Roger Morris Teena Ramsay David Swift |
| Doig P | Almost Grown | 2000 | Royal College of Art | Fine Art | |
| Ward R | Almost True | 2000 | University of Sunderland | Fine Art | |
| HOLT J | Alnoor Mitha, Deeply Rooted in the Inner Life | 1996 | Bretton Hall | FINE ART (PAINTING) | |
| Male A | Along the Luangwa | 1999 | Falmouth College of Arts | Schuyler Bull | |
| Partridge J | Altar and Cross | 2000 | Buckinghamshire Chilterns University College | Furniture Design | |
| Smith AE | Altered States | 1999 | The London Institute | Fashion and Textiles | |
| Gaver W | Alternatives: Exploring information appliances through conceptual design proposals. | 2000 | Royal College of Art | Computer Related Design | |
| Grimes O | Amadora 2000: Vll Bienal Internaional Gravura | 2000 | The London Institute | Fine Art | |
| Esche C | Amateur / Eldsjal - Variable research initiatives 1900 + 2000 | 2000 | Edinburgh College of Art | Curatorial and Theoretical Research | Co-curators Mark Kremer Adam Szymczyk |
| Esche C | Amateur/Eldsjal - variable research initiatives 1900 and 2000 | 2000 | The London Institute | Fine Art | |
| Votolato G | American Design in the Twentieth Century | 1998 | Buckinghamshire Chilterns University College | Design Culture | |
| Carter T | American Dream. | 1996 | Goldsmiths College | ||
| Cairns B | American Illustration 19 | 1999 | Glasgow School of Art | Principles of Drawing | |
| Dakers CN | Among the Philistines: Sigismund Goetze and the Decoration of the Foreign Office | 1998 | The London Institute | Fashion and Textiles | |
| McCann B | Amongst the Clues | 1994 | Royal College of Art | Fine Art | |
| Sheldon JL | Amrit and Rabindra Kaur Singh | 1997 | Liverpool John Moores University | Art and Design History | |
| Palova Z | Amygdale | 1999 | University of Sunderland | Institute for International Research in Glass | |
| PORTER C.S. | An 'inside - out' approach to automotive design | 1997 | Coventry University | The Design Institute | PORTER, J.M. |
| Cummins S | An Abbey Award in Painting at the British School at Rome | 1998 | Nottingham Trent University | Visual Arts | |
| HUXOR A | An Active Worlds Interface to Basic Support for Co-operative Working (BSCW) to Enhance Chance Encounters | 1999 | Middlesex University | ||
| SPICER A | An Ambivalent Archetype: Masculinity, Performance and the New Zealand Films of Bruno Lawrence | 2000 | University of West of England, Bristol | Digital Media Research Centre | |
| Clegg RDPC | An American Passion: The Kasen Summer Collection of Contemporary British Painting | 1994 | The London Institute | Fine Art | |
| Brown C | An Anamorphic Alphabet | 1999 | Liverpool John Moores University | Graphic Arts | |
| Dunbar T | An Anxious Optimism | 1997 | Manchester Metropolitan University | ||
| McKean J M L | An Appraisal of the Royal Festival Hall | 1996 | University of Brighton | Design History, Criticism and Theory | |
| Guthrie K | An Artist's Impression | 1999 | University of Central England in Birmingham | Fine Art Research Group | |
| Cox PRC | An Englishman an Irishman and a Frenchman | 1995 | The London Institute | Fashion and Textiles | Kenechi Nakayama |
| Wormald PW | An Enquiry into the Present and Future Role of Three Dimensional Computer Modelling as the Primary Modelling Medium for Industrial Designers in Yu-Tung, L., Jin-Yeu, T. and June-Hao, H., (eds) | 1997 | Loughborough University | Design Research | |
| Woodham J M | An Episode in Post-Utility Design Management: the Council of Industrial Design and the Co-operative Wholesale Society | 1999 | University of Brighton | 20th Century Design and Film Archives | |
| Rutherford S | An Ergonomics Analysis of Tumble Dryer Interfaces | 1998 | Nottingham Trent University | Design | |
| Lindsay W | An Evaluation of Geology and Weathering in the Preservation of Marl Objects | 2000 | Royal College of Art | Conservation | Ventikou, M Halls, C Batchelder, M |
| Triantaphillidou S | An Evaluation of MTF Determination Methods for 35mm Film Scanners | 1999 | University of Westminster | Imaging Technology | Jacobson RE Fagard-Jenkin R |
| Kimbell RA | An Evaluation of the Technology Education Project: South Africa, NW Province. | 1999 | Goldsmiths College | Stables, K. | |
| Newman HJE | An Evening with Hayley Newman | 1998 | The London Institute | Fine Art | |
| Barker DS | An Exhibition of Works by David Barker and Kate Barker | 1998 | University of Ulster | ||
| Dunbar T | An Exhibition, an Eclipse and the Hermeneutics of Painting | 1996 | Manchester Metropolitan University | ||
| Furlong W | An Imagery of Absence | 1998 | Wimbledon School of Art | Research Centre | |
| Soden JA | An Integrated Computer System for the Design and Analysis of 3D Woven Engineering Composites | 1998 | University of Ulster | BJ Hill R McIlhagger L Miller |
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| Seddon J | An Interview with Ursula Mommens PotterSadie Speight and the Flat Book | 1994 | University of Brighton | Design History, Criticism and Theory | |
| Smith A | An Introduction to Textile Materials: Their Structure, Properties and Deterioration | 1999 | The London Institute | Media and Communication | |
| Higgett N P | An Investigation into the Application of a Virtual Environment for Fire Evacuation Mission Rehearsal Training | 1998 | De Montfort University | Bhuller, S. | |
| COLLINS N | An Investigation into the Existence of Z Chords | 2000 | Middlesex University | ||
| Bibb RJ | An Investigation of three-dimensional scanning of human body parts and its use in the design and manufacture of prostheses. | 2000 | University of Wales Institute, Cardiff | PDR | P Freeman R Brown A Sugar |
| Chance V | An Invitation to Waltz | 1995 | De Montfort University | ||
| Anderson P | An Islands Language | 1998 | The London Institute | Media and Communication | |
| Johnson A | An Optimum Colour Reproduction System | 1995 | The London Institute | Media and Communication | |
| Stewart C | An Ordinary God | 2000 | De Montfort University | ||
| BRADLEY P | An Urban Game for City Dwellers | 1996 | Bretton Hall | FINE ART (SCULPTURE + CERAMICS) | |
| BRADLEY P | An Urban Game for City Dwellers | 1998 | University of Lincoln | ||
| SCHENK P M | An analysis of the changing role of drawing in the graphic design process since the mid-eighties, with particular regard to the impact of technological change | 1997 | University of Dundee | Critical, Historical and Theoretical Debate | |
| Powell N A | An attempt at a Textual Analogue of a Possible Art and Language Exhibition. | 1999 | Staffordshire University | ARi, School of Art + Design | M. Corris |
| Short C | An examination of the relations of the philosophy of Friedrick Nietzsche to the theme of the apocalypse in Wassily Kandinsky's texts and images | 1997 | University of Wales Institute, Cardiff | Fine Art | |
| Lochun D | An initial investigation into the Low Cost Manufacture of Diffraction Objects | 2000 | Brunel University | B Ramsey D Harrison |
|
| Leonidas G | An introduction to Greek type design | 2000 | University of Reading | ||
| Tamburic S | An investigation into interactions between polyacrylic polymers and non-ionic surfactant: an emulsion preformulation study | 1999 | The London Institute | Fashion and Textiles | S. Simovic J. Milic D. Rajic |
| Baker P.H. | An investigation into the use of a supply air window as a heat reclaim device | 1999 | Glasgow School of Art | Cities and Environments | McEvoy, M.E. |
| Freeman P | An investigation of 3-dimensional scanning of human body parts and its use in the design and manufacture of protheses | 2000 | University of Wales Institute, Cardiff | PDR | R Bibb R Brown A Sugar |
| Rooney J | An investigation of a special motion of an octahedron manipulator using screw theory. | 1998 | Open University | Design for advanced products | J. Duffy B. Knight CD. Crane |
| Carnduff T | An object versioning system to support collaborative design within a concurrent engineering context | 1997 | University of Wales Institute, Cardiff | PDR | I Santoyridis WA Gray JC Miles |
| Carnduff T | An object-orientated database system to support concurrent design | 2000 | University of Wales Institute, Cardiff | PDR | WA Gray JC Miles A Al-Khudair |
| Frampton RJ | An overview of upper extremity injuries to car occupants in UK vehicle crashes | 1997 | Loughborough University | Design Ergonomics | Morris, A.P. Thomas, P.D. Bodiwala, G.G. |
| Mosscrop MLB | Anaesthetics | 1998 | De Montfort University | ||
| Whiteley G | Analogy, Complexity and Holism - Drawing as 3-D Modelling | 1998 | Sheffield Hallam University | Chris Rust | |
| Cross NG | Analysing Design Activity | 1996 | Open University | Design thinking and communication | |
| Ruckman JYE | Analysis of Simultaneous Heat and Waterproof Transfer Through Waterproof Breathable Fabrics | 1997 | Manchester Metropolitan University | ||
| Cawthorne DA | Analytical Investigation of the Steady State Behaviour of Dynamic and Diffusive Insulation | 1994 | De Montfort University | Taylor, B.J. Imbabi, M.S. |
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| Bodimeade N | Anatomising the Liferoom | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Bannister A G | Anchor | 1996 | Nottingham Trent University | Visual Arts | |
| Fleming K | Anchor Award for European Embroidery Design | 1996 | University of Ulster | ||
| Wiltshire H | And When I Got There | 1999 | Royal College of Art | Fine Art | |
| ROBERTSON J A | And we shall soon reach Heaven | 1998 | University of Dundee | Digital Technology | Owen Logan Philippa Hall |
| Bonham Carter E | Andata e Ritorno | 1996 | University of Reading | Maria Chevska Stephen Farthing Hugie ODonoghue |
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| THOMA A | Andrea Thoma | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| THOMA A | Andrea Thoma | 1995 | Bretton Hall | FINE ART (PAINTING) | |
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1999 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1998 | University of Gloucestershire | ||
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Bick A | Andrew Bick | 1999 | Kingston University | ||
| Bick A | Andrew Bick: Paintings | 2000 | Kingston University | ||
| Bick A | Andrew Bick: Paintings | 1998 | Kingston University | ||
| Todd G | Andrew Mummery Gallery, London | 1998 | Edinburgh College of Art | Fine Art | |
| Stephens JR | Andrew Sneddon + John Stephens - Printmaking two-person exhibition | 2000 | Chester College of HE | ||
| Stahl A. | Andrew Stahl | 1998 | University College London | Painting | |
| Stahl A. | Andrew Stahl, London UK, New Work | 2000 | University College London | Painting | |
| Stonyer A | Andrew Stonyer | 1999 | University of Gloucestershire | ||
| Klimowski A | Andrzej Klimowski: the Deflected Gaze | 2000 | Royal College of Art | Communications | |
| Stezaker J | Angels | 1999 | Royal College of Art | Fine Art | |
| Robertson S | Anglo World Language School | 1998 | University of Brighton | Natural and Constructed Environments | P Gammon A Price |
| Wilson A | Anglo-Korean Trio Exhibition: Paintings and Prints | 1995 | University of Brighton | Fine Art Practices | |
| Frew C | Angus Hood and Christine Frew | 1998 | Edinburgh College of Art | Fine Art | |
| Unsworth J | Animal | 1998 | University of Southampton | ||
| Thomson J | Animal + Vegetable = Mineral | 1999 | Southampton Institute | ||
| Baynes K | Animal Magic (Exhibition design) | 1997 | Loughborough University | Design Education | Brochocka, K. Patterson, D. Meechan, C. |
| Granger S | Animal Paintings | 1997 | Norwich School of Art + Design | Contemporary Practice and Critical Contexts | |
| Gascoigne D | Animated Film for Powergen | 2000 | Kingston University | ||
| Gascoigne D | Animated Film for Watermans Pens | 1997 | Kingston University | ||
| Gascoigne D | Animated Film of Chaucer's 'The Franklin's Tale' | 1998 | Kingston University | ||
| Stothart P | Animated product information | 2000 | De Montfort University | ||
| Colbeck J | Ann Clark, Kenneth Clark, John Colbeck and Pietro Maddalena | 1996 | University of Brighton | Materials Practices and Processes | |
| Hand J | Anna O | 1996 | Goldsmiths College | Gange, J. | |
| Saunders C | Annabel (6 min. video short). | 1997 | London Guildhall University | ||
| Heyer A | Annette Heyer, solo exhibition | 2000 | Glasgow School of Art | Fine Art | |
| Heyer A | Annette Heyer, solo exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Heyer A | Annette Heyer: new work | 1998 | The London Institute | Fine Art | |
| Meacher N | Annual Exhibition of Original Paintings by The President and Invited Members of The Royal Institute of Painters in Water Colours | 1999 | Buckinghamshire Chilterns University College | Visual Communication | |
| Minott P | Annual Report and Accounts, Gilts: An Investors Guide, Gilt ReviewAnnual Report and Accounts, Gilts: An Investors Guide, Gilt Review | 1999 | Bath Spa University College | ||
| Hood B | Anonymous Drawing Room | 1997 | Edinburgh College of Art | Fine Art | |
| Bezencenet S | Another Frame | 1999 | University of Westminster | Gender and Technology (Cutting Edge) | |
| Dobai S | Another Girl Another Planet | 1999 | The London Institute | Fine Art | |
| Miles MFR | Another Hero? Public Art and Gendered City. | 1997 | University of Plymouth | Art Process | |
| Nelson M | Another Place | 2000 | The London Institute | Fine Art | |
| DALZIEL M N | Another Place | 2000 | University of Dundee | Coastal/Indigenous Cultures | Scullion, L Chaston, R |
| Brigdale S | Another Place | 1996 | Southampton Institute | ||
| Eastley M | Another Strange Attraction | 2000 | Liverpool John Moores University | Audio-visual | |
| Kesseler RS | Another View | 2000 | The London Institute | 3-Dimensional and Environmental Design | |
| Saville J. | Ant Noises Part 1 and 2 | 2000 | University College London | Painting | |
| Turk GJT | Ant Noises at the Saatchi Gallery Part 1 and Part 2 | 2000 | The London Institute | Fine Art | |
| Hill AA | Anthology of Films published on videotape - includes 7 short films from 1984-1997. | 1998 | University of Derby | Centre for Research in Film and Photography | |
| Bould M | Anti-Bodies | 1999 | Buckinghamshire Chilterns University College | Visual Arts | |
| Derges S | Anti-Memory: Contemporary Photography II | 2000 | University of Plymouth | Site, Space, Location, Place | |
| Matthee J | Antigone's Cut. | 1997 | Goldsmiths College | ||
| Matthee J | Antigone's Cut. | 1999 | Goldsmiths College | ||
| Sonnabend Y. | Antony and Cleopatra | 1999 | University College London | Theatre Design | |
| HOLT J | Anwar Shemza: A Search for the Significant | 1998 | Bretton Hall | FINE ART (PAINTING) | |
| De Briey N | Anxious Words, group exhibiton | 2000 | Glasgow School of Art | Fine Art | |
| Gussin GPG | Any Object in the Universe | 1998 | The London Institute | Fine Art | |
| Bewley DJ | Anya Gallaccio - Two Sisters | 1998 | Manchester Metropolitan University | Herbert S | |
| Waugh A | Anya Hindmarch | 2000 | The London Institute | 3-Dimensional and Environmental Design | Anthony Thistleton |
| Quinn J | Apache Cocoon | 1998 | University of Westminster | Hypermedia | |
| Pilsl C | Aperture | 1999 | Southampton Institute | ||
| Newling J B | Aperture | 2000 | Nottingham Trent University | Visual Arts | |
| Oxborrow L | Apparel Production Channels | 1998 | Nottingham Trent University | Fashion and Textiles | |
| Whiteley G | Application no. 9925516.8 for Wrist Prosthesis | 1999 | Sheffield Hallam University | Industrial Design | |
| Whiteley G | Application no.9921374.6 for an Elbow Prosthesis | 1999 | Sheffield Hallam University | ||
| Lievesley M A | Application publication date: GB2322299A (25/02/97). Fire Retardant Litter Bin | 1997 | University of Northumbria at Newcastle | Product Design (4b) | Palmer, T E Bray, D A |
| Roddis JN | Applications PCT/GB00/03347(International) and 9920843.1 (UK) for 'TTURA' Glass + Resin Composite | 2000 | Sheffield Hallam University | ||
| Jacobson R | Applications of Imaging Science to Investigations of GRB Optical Counterpoints | 1999 | University of Westminster | Imaging Technology | Fagard-Jenkin RB Axford NR Hudec R |
| Ganter J | Appositions | 2000 | Edinburgh College of Art | Fine Art | |
| Ganter J | Appositions 1-5 | 2000 | Edinburgh College of Art | Fine Art | |
| Hanna R | Appraisal of Design Studio Methodologies | 1998 | Glasgow School of Art | Educational Theory and Practice | A. Barber |
| Barber AJ | Appraisal of Design Studio Methodologies | 1998 | Glasgow School of Art | Educational Theory and Practice | R. Hanna |
| Eastwood SJ | Approaches to Autism | 1998 | University of Plymouth | Art Process | |
| Hall M | Approaches to Re-inventing Studio Practice | 2000 | University of Wales Institute, Cardiff | Ceramics | P Castle |
| Hill PJ | Approaching Photography | 1999 | De Montfort University | Hughes, C. | |
| Farrelly L | April Greiman: Floating Ideas into Time and Space | 1998 | The London Institute | ||
| Hardie A | ArCade II | 1997 | University of Reading | James Faure Walker Sue Gollifer Eva Sutton |
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| Gollifer S C | ArCade II, the Second International Open UK Exhibition of Electronic Fine Art Prints | 1997 | University of Brighton | Fine Art Practices | |
| Dye M | Arabesque | 1996 | Kingston University | ||
| Vanke F | Arabesques: North Africa, Arabia and Europe | 2000 | The London Institute | Cultural, Historical and Theoretical Studies | |
| McCaughey P | Arc, solo exhibition of publicly sited works | 1999 | Glasgow School of Art | Fine Art | |
| McGraw M | Arcade II, group exhibition | 1998 | Glasgow School of Art | Fine Art | |
| Knowles D | Arcadia Group plc - Dorothy Perkins Division, Ladies Knitwear Winter 2000 | 2000 | Kingston University | ||
| Atherton B | Archaeology + Reconstruction, solo exhibition | 1997 | Glasgow School of Art | Historical and Critical Enquiry | |
| Robinson K | Archaeology's Photographic Image | 2000 | Norwich School of Art + Design | Regional Identity/Visual and Material Culture | |
| McCall A | Archie McCall: Ceramics: solo exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| McCall A | Archie McCall: Exhibition of Ceramics: solo exhibition | 1996 | Glasgow School of Art | The Decorative Arts | |
| Swinson J | Architechs dream of nightmare cities - Cities on the Move at the Hayward. | 1999 | The London Institute |