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| Music - Publications | ||||
| Music RDF, 1.7mb <RDF Zip, 118kb> | |||
| People, 217kb | Publications, 972kb | Groups, 12kb | Institutions, 28kb |
| BOTTOM |
| Author | Title | Date | Place of Publication | Research Group | Co-Authors |
| ALCORN MP | The Old Woman of Beare, string quartet and IRCAM signal processing workstation | 1994 | The Queen's University of Belfast | ||
| ALCORN MP | Macha's Curse, symphony orchestra | 1997 | The Queen's University of Belfast | ||
| ALCORN MP | Caoine, string orchestra and IRCAM signal processing workstation | 1996 | The Queen's University of Belfast | ||
| ALCORN MP | Inflame, 2-channel tape | 1999 | The Queen's University of Belfast | ||
| Adkins M | Pagan Circus | 1996 | University of Huddersfield | ||
| Adkins M | Mapping | 1995 | University of Huddersfield | ||
| Adkins M | Melt | 1995 | University of Huddersfield | ||
| Adkins M | Noumena | 2000 | University of Huddersfield | ||
| Adlington RC | The Music of Harrison Birtwistle | 2000 | University of Nottingham | ||
| Adlington RC | David Epstein, 'Shaping Time: Music, the Brain, and Performance' | 1997 | University of Nottingham | ||
| Adlington RC | Musical Temporality: Perspectives from Adorno and de Man | 1997 | University of Nottingham | ||
| Adlington RC | Into the Sensuous World: The Music of Rebecca Saunders | 1999 | University of Nottingham | ||
| Alburger M A | Scottish Violin Making | 1999 | University of Aberdeen | ||
| Alburger M A | The Christie Family of Monquhitter: Preservation and Refinement | 1999 | University of Aberdeen | ||
| Alburger M A | The Fydill in Fist: Bowed String Instruments from the Mary Rose | 2000 | University of Aberdeen | ||
| Alburger M A | Music and Song in the North East | 1999 | University of Aberdeen | ||
| Allen B | The Music of Buxton Orr, conducted by Bryan Allen | 2000 | Royal Scottish Academy of Music and Drama | ||
| Allen B | Summer Dances - music by Hoddinott + Mathias, Fine Arts Brass Ensemble (Bryan Allen, trumpet) | 1996 | Royal Scottish Academy of Music and Drama | ||
| Allen B | Mussorgsky Pictures at an Exhibition with works by Glinka, B | 2000 | Royal Scottish Academy of Music and Drama | ||
| Allen B | Concerto for Cornet and Band, by Torstein Aagaard-Nilsen, conducted by Bryan Allen | 1998 | Royal Scottish Academy of Music and Drama | ||
| Allen L.V. | Black South African Women of Song, a Historical Overview | 1997 | University of Cambridge | ||
| Allen L.V. | Drumbeats, Pennywhistles and All That Jazz: The Relationship Between Urban South African Musical Styles and Musical Meaning | 1996 | University of Cambridge | ||
| Allen L.V. | An Archive of Black South African Popular Music: Recently Released Reissues | 1996 | University of Cambridge | ||
| Allen L.V. | Kwela: the Structure and Sound of South African Pennywhistle Music | 1999 | University of Cambridge | ||
| Allis M | Parry - Sonnets + Songs Without Words | 1996 | Royal Academy of Music | ||
| Allis M | Elgar and the Art of Retrospective Narrative | 2000 | Royal Academy of Music | ||
| Allis M | Another 48: Stanford and historic sensibility | 1994 | Royal Academy of Music | ||
| Allis M | Samuel Butler and Handel: a study in obsession | 1998 | Royal Academy of Music | ||
| Allsop PC | 'Violinistic virtuosity in the seventeenth century: Italian supremacy or Austro-German hegemony?' | 1996 | University of Exeter | ||
| Allsop PC | 'Ensemble music: in the chamber and the orchestra' | 1999 | University of Exeter | ||
| Allsop PC | 'Da camera e da ballo - alla francese et all'italiana: functional and national distinctions in Corelli's Sonate da camera' | 1998 | University of Exeter | ||
| Allsop PC | 'Arcangelo Corelli: new Orpheus of our times' | 1999 | University of Exeter | ||
| Alvarez J | Nocturno y Toque | 1997 | University of Hertfordshire | ||
| Alvarez J | Modelo para Armar | 2000 | University of Hertfordshire | ||
| Alvarez J | Offrande | 2000 | University of Hertfordshire | ||
| Alvarez J | Metro Nativitas | 1999 | University of Hertfordshire | ||
| Anderson J | The Stations of the Sun for Orchestra | 1998 | Royal College of Music | ||
| Anderson J | Alhambra Fantasy for chamber ensemble | 2000 | Royal College of Music | ||
| Anderson J | 'Perception and Deception: Aspects of Per Norg | 1998 | Royal College of Music | N/A | |
| Anderson J | 'The Orchestral Music of Michael Finnissy' in Unknown Ground - the music of Michael Finnissy, ed. Christopher Fox | 1996 | Royal College of Music | N/A | |
| Anstee I | Earth and Moon | 2000 | Royal Northern College of Music | ||
| Anstee I | Move | 2000 | Royal Northern College of Music | ||
| Anstee I | Paul Mitchell Davidson: A Chorus of Inner Voices (II) | 1998 | Royal Northern College of Music | ||
| Anstee I | Episodes | 2000 | Royal Northern College of Music | ||
| Ap Sion P.E. | Gwales | 1995 | University of Wales, Bangor | ||
| Ap Sion P.E. | Ar y Groesffordd | 2000 | University of Wales, Bangor | ||
| Ap Sion P.E. | Divertimento | 1994 | University of Wales, Bangor | ||
| Ap Sion P.E. | Piano Trio | 1995 | University of Wales, Bangor | ||
| Archbold P | Arachne for clarinet and harp | 1999 | University of Durham | ||
| Archbold P | Wind-Up: Chamber Music by Paul Archbold and Fabrice Fitch | 2000 | University of Durham | ||
| Archbold P | Impacts and Fractures for String Quartet | 1999 | University of Durham | ||
| Archbold P | The Land Solos for 2 clarinets, 2 trombones and percussion | 1997 | University of Durham | ||
| Arnold S | Using Java to Stream Audio over ATM | 1997 | Kingston University | Malloch, S. Pflicke, T. |
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| Arnold S | SMaTBaM! Serving Time-Based Media in the Performing Arts | 1999 | Kingston University | Boehm, C. | |
| Ashton N | Nicholas Ashton Live Piano Recital | 1997 | Napier University | ||
| Ashton N | Piano Recital, The Queen's Hall Edinburgh 1995 | 1995 | Napier University | ||
| Ashton N | Piano Recital, Edinburgh University Reid Hall | 2000 | Napier University | ||
| Ashton N | Piano Recital, Queen's Hall Edinburgh | 1999 | Napier University | ||
| Aspden S. | An Infinity of Factions: Opera in Eighteenth-Century Britain and the Undoing of Society | 1997 | University of Cambridge | ||
| Aspden S. | Singers' Blueprints, review article of C. Steven LaRue's Handel and His Singers | 1997 | University of Cambridge | ||
| Aspden S. | Ballads and Britons: Imagined Community and the Continuity of English Opera | 1997 | University of Cambridge | ||
| Atkinson N | Jacob's Ladders | 1994 | Bath Spa University College | Fearns, R. | |
| Atkinson N | Perfect Worlds | 1997 | Bath Spa University College | Fearns, R. | |
| Atkinson N | Galleries | 1995 | Bath Spa University College | Fearns, R. | |
| Atkinson N | Midwinter | 1998 | Bath Spa University College | ||
| Ayrey CL | Universe of Particulars: Subotnik, Deconstruction and Chopin. | 1998 | Goldsmiths College | ||
| Ayrey CL | Debussy's significant connection: metaphor and metonymy in analytical method | 1994 | Goldsmiths College | ||
| Ayrey CL | Berg's Warm die L | 1998 | Goldsmiths College | ||
| Ayrey CL | Introduction: Different trains | 1996 | Goldsmiths College | ||
| BENT M | Fauvel and Marigny: which came first? | 1998 | University of Oxford | ||
| BENT M | Music and the Early Veneto Humanists | 1999 | University of Oxford | ||
| BENT M | Some aspects of the motets in the Cyprus manuscript | 1995 | University of Oxford | ||
| BENT M | The grammar of early music: preconditions for analysis | 1998 | University of Oxford | ||
| BLACKBURN B | For Whom do the Singers Sing? | 1997 | University of Oxford | ||
| BLACKBURN B | Petrucci's Venetian Editor: Petrus Castellanus and his Musical Garden | 1998 | University of Oxford | ||
| BLACKBURN B | The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV | 1999 | University of Oxford | ||
| BLACKBURN B | Did Ockeghem Listen to Tinctoris? | 1998 | University of Oxford | ||
| BOEHM CB | MusicWeb Den Haag: Developing new tools for higher music education, using wide-area networks and hypermedia technology | 1998 | University of Glasgow | Computer applications | K. de Jong |
| BOEHM CB | Music Tagging Type Definitions: Systems for music representation and retrieval | 2000 | University of Glasgow | Computer applications | Donald MacLellan |
| BOEHM CB | Performing Arts Data Service - An Online Digital Resource Library | 1998 | University of Glasgow | Computer applications | Stephen Arnold Celia Duffy Stephen Malloch |
| BOEHM CB | The Metadata Bear. Or: Bearing the weight of accessibility | 1999 | University of Glasgow | Computer applications | |
| BROOKES T S | On the differences between conventional and auditory spectrograms of English consonants | 2000 | University of Surrey | Tyrrell, A M Howard, D M |
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| BROOKES T S | Transputer-based hearing simulation | 1998 | University of Surrey | Tyrell, A M Howard, D M |
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| BROOKES T S | What does the mind | 1999 | University of Surrey | ||
| BROOKES T S | Musical Analysis using a real-time model of peripheral hearing | 1996 | University of Surrey | Tyrrell, A M Howard, D M |
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| BROWN C | Weber and Spohr | 1997 | Bretton Hall | ||
| BROWN C | Die Neubewertung der Quellen von Beethovens Fuenfte Symphonie/A New Appraisal of the Sources of Beethoven's Fifth Symphony | 1996 | Bretton Hall | ||
| BROWN C | Classical and Romantic Performing Practice | 1999 | Bretton Hall | ||
| BROWN C | Schubert's Tempo Conventions | 1998 | Bretton Hall | ||
| BUJIC B | Delicate Metaphors | 1997 | University of Oxford | ||
| BUJIC B | Rinuccini the Craftsman: A View of his L'Arianna | 1999 | University of Oxford | ||
| BUJIC B | Form and Forming: From Victorian Aesthetics to Mid-twentieth-century Avant-garde | 1998 | University of Oxford | ||
| BUJIC B | Palestrina, Willaert, Arcadelt and the Art of Imitation | 1998 | University of Oxford | ||
| BURDEN M | Aspects of Purcell's Operas | 2000 | University of Oxford | ||
| BURDEN M | The Independent Masque in Britain in the Eighteenth-Century: a Catalogue | 1996 | University of Oxford | ||
| BURDEN M | Great minds against themselves conspire; Purcell's Dido as a conspiracy theorist | 1998 | University of Oxford | ||
| BURDEN M | Purcell Debauch'd - the dramatick operas in performance | 1996 | University of Oxford | ||
| Baily JS | The 'naghma-ye kashal' of Afghanistan. | 1997 | Goldsmiths College | ||
| Baily JS | Discours sur la musique | 1998 | Goldsmiths College | ||
| Baily JS | Music and the State | 2000 | Goldsmiths College | ||
| Baily JS | Using tests of sound perceptions in fieldwork. | 1996 | Goldsmiths College | ||
| Bainbridge S | Towards the Bridge (for large jazz ensemble) | 1999 | Royal Academy of Music | ||
| Bainbridge S | Guitar Concerto (for solo guitar and large chamber ensemble) | 1998 | Royal Academy of Music | ||
| Bainbridge S | Chant (for 12 amplified voices and large instrumental group) | 1999 | Royal Academy of Music | ||
| Bainbridge S | Eicha (for mezzo soprano, chorus and double wind quintet) | 1997 | Royal Academy of Music | ||
| Ball A | Philip Grange: Des fins sont des commencements; As it was; A Puzzle of Shadows Andrew Ball (piano) | 2000 | Royal College of Music | Performance | Gemini Alison Wells |
| Ball A | English Recoder Music: the Dolmetsch LegacyGordon Jacob - VariationsCyril Scott - AubadeEdmund Rubbra - Sonatina Op. 128Antony Hopkins - SuiteEdmund Rubbra - Passacaglia Sopra 'Plusieurs Regrets' Op.113John Gardner - Little Suite in C Op.60E | 2000 | Royal College of Music | Performance | Ross Winters, recorder |
| Ball A | Erich Wolfgang Korngold: Sonata for Violin and Piano, op. 6; Suite: Much Ado About Nothing, op. 11; Caprice Fantastique (Wichtelm | 2000 | Royal College of Music | Performance | Detlef Hahn, violin |
| Ball A | David Lumsdaine: Mandala 3Andrew Ball (piano) | 2000 | Royal College of Music | Performance | Capricorn Ensemble |
| Bamford A | Shifts | 1998 | University of Reading | ||
| Bamford A | Guernica | 1998 | University of Reading | ||
| Bamford A | Five Songs for an Open Mind | 1997 | University of Reading | ||
| Bamford A | Sei Poesie di Giuseppe Ungaretti | 1995 | University of Reading | ||
| Banfield SD | Stage and Screen Entertainers in the Twentieth Century. | 2000 | University of Birmingham | ||
| Banfield SD | Blackwell History of Music in Britain : The Twentieth Century. | 1995 | University of Birmingham | ||
| Banfield SD | Popular Song and Popular Music on Stage and Film. | 1998 | University of Birmingham | ||
| Banfield SD | Gerald Finzi: An English Composer. | 1997 | University of Birmingham | ||
| Banks PW | Bach: Chaconne in D minor BWV 1004 arranged for concert performance on the pianoforte by Ferruccio Busoni | 1997 | Royal College of Music | Editing: Theory and Practice | |
| Banks PW | 1996 | Royal College of Music | |||
| Banks PW | 1995 | Royal College of Music | |||
| Banks PW | Benjamin Britten: A Catalogue of the Published Works | 1999 | Royal College of Music | Historical Musicology | Keiron Cooke Barbara Diana Jennifer Doctor |
| Bannan NJC | The Consequences for Singing Teaching of an Adaptionist Approach to Vocal Development | 1997 | University of Reading | ||
| Bannan NJC | Aural Feedback, Vocal Technique, and Creativity | 1998 | University of Reading | ||
| Bannan NJC | Out of Africa: The Evolution of the Human Capacity for Music | 1998 | University of Reading | ||
| Bannan NJC | A Gestural Language for the Representation and Communication of Vocal Harmony | 2000 | University of Reading | ||
| Barber G D | German Organ Music after 1800 | 1999 | University of Leeds | ||
| Barber G D | The Complete Works of Percy Whitlock (three volumes) | 1998 | University of Leeds | ||
| Barber G D | The Organ Music of Herbert Howells (volume 2) | 1996 | University of Leeds | ||
| Barber G D | The Christian M | 1998 | University of Leeds | ||
| Barker P | Dirty Tricks | 1997 | University of Hertfordshire | ||
| Barker P | Stone Angels | 1998 | University of Hertfordshire | ||
| Barker P | Three Songs for Sylvia | 1994 | University of Hertfordshire | ||
| Barker P | The Mechanical Operation of the Spirit | 1999 | University of Hertfordshire | ||
| Bashford CM | The late Beethoven quartets and the London press, 1836-ca1850 | 2000 | Oxford Brookes University | ||
| Bashford CM | Learning to listen: audiences for chamber music in early-Victorian London | 1999 | Oxford Brookes University | ||
| Bashford CM | Chamber music | 2000 | Oxford Brookes University | ||
| Bashford CM | John Ella and the making of the Musical Union | 2000 | Oxford Brookes University | ||
| Bassano P | A second Miracle at Cana: musical discoveries in Veronese's Marriage at Cana | 1994 | Royal College of Music | Historical Musicology | |
| Bassano P | Chris Batchelor: Weasle Words and Winning Ways, for Jazz Trumpet, Jazz Trombone and Brass Band, conducted by Peter Bassano | 1999 | Royal College of Music | Performance | John Barclay, trumpet Ricahrd Edwards, trombone Grimethorpe Colliery RJB Band |
| Bassano P | For His Majestys Sagbutts and Cornetts: English Music from Henry VIII to Charles IIHenry VIII: Bassedance En pray amoure a 4 / a 6; Bassedance Taunder nacken a 3; Anonymous (c1540): The Trowmpettus; Pierre Alamire: Bassedance T'Andernacken a 5; A | 1997 | Royal College of Music | ||
| Bassano P | Grand Tour Music from Sixteenth- and Seventeenth-Century Italy, Spain and Germany.Buonamente: Sonata a 6; Canzona a 6. Marini: Sinfonia grave: La Zorzi. Sonata a quattro. Sonata a 6. Merula: Chiacona. Macque: Seconde Stravaganze. Bassano: Vestiva | 1996 | Royal College of Music | Performance | |
| Beckles Willson R | The fruitful tension between inspiration and design in Gy | 1998 | University of Bristol | ||
| Beckles Willson R | Kurt | 1998 | University of Bristol | ||
| Beckles Willson R | Gy | 2000 | University of Bristol | ||
| Bell S | Toru Takemitsu - Quotation of Dream (and other works) | 1999 | Royal Academy of Music | ||
| Bell S | Henryk Gorecki - Good Night (for alto flute, soprano, percussion, piano) | 1995 | Royal Academy of Music | ||
| Bell S | John Adams - Chamber Symphony | 1994 | Royal Academy of Music | ||
| Bell S | Peter Eotvos - Shadows (flute, clarinet and orchestra) | 2000 | Royal Academy of Music | ||
| Bennett M | Musical Traditions of the Scots in Newfoundland | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Bennett M | Oatmeal and the Catechism: Scottish Gaelic Settlers in Quebec | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Bennett M | Orain nan Gaidheal/The Song of the Gael, Margaret Bennett (musical direction and voice) | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Bennett M | From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Berry S | Berlin Cabaret Songs | 1997 | Royal Northern College of Music | ||
| Berry S | Glad Day | 1999 | Royal Northern College of Music | ||
| Berry S | SNAP | 1998 | Royal Northern College of Music | ||
| Berry S | Energy | 2000 | Royal Northern College of Music | ||
| Best C | Night Walking | 1997 | Dartington College of Arts | ||
| Best C | Still | 1999 | Dartington College of Arts | ||
| Best C | Shadowall | 1997 | Dartington College of Arts | ||
| Best C | Playfall | 1998 | Dartington College of Arts | ||
| Best T | Handels word-setting in La Resurrezione | 1998 | Open University | ||
| Best T | Handel: Tamerlano, Hallische Handel-Ausgabe | 1996 | Open University | ||
| Best T | 'Handel and the keyboard | 1997 | Open University | ||
| Best T | Handel: Radamisto (I. Fassung), Hallische Handel-Ausgabe | 1999 | Open University | ||
| Betzwieser TL | Exoticism and Politics: Beaumarchais and Salieri's Le Couronnement de Tarare (1790) | 1994 | University of Southampton | ||
| Betzwieser TL | Musical setting and scenic movement: chorus and ch | 2000 | University of Southampton | ||
| Betzwieser TL | Zwischen Kinder- und Nationaltheater: die Rezeption der Op | 1999 | University of Southampton | ||
| Betzwieser TL | Stil- und Gattungsreflexion in der Op | 1997 | University of Southampton | ||
| Biddle I D | The Gendered Eye: Music Analysis and the Scientific Outlook in German Early Romantic Music Theory | 2000 | University of Newcastle | ||
| Biddle I D | Das Ich, das Begehren und die Wiedergeburt des Komponisten: Neuere Werke von Roger Redgate | 1999 | University of Newcastle | ||
| Biddle I D | Policing Masculinity: Schumann, Berlioz and the Gendering of the Music-critical Idiom | 1999 | University of Newcastle | ||
| Biddle I D | F.W.J. Schelling's Philosophie der Kunst: an Emergent Semiology of Music | 1996 | University of Newcastle | ||
| Birks RM | Beethoven: complete cycle of string quartets | 1999 | University of Manchester | ||
| Birks RM | John Casken: String Quartet No. 2 | 1994 | University of Manchester | ||
| Birks RM | Henri Dutilleux: Ainsi la Nuit | 1994 | University of Manchester | ||
| Birks RM | Haydn cycle: Op.20 No.5, Op.33 No.2, Op.54 No.2, Op.76 No.1 | 1998 | University of Manchester | ||
| Birtwistle H | Panic | 1995 | King's College London | ||
| Birtwistle H | Exody | 1997 | King's College London | ||
| Birtwistle H | Harrison's Clocks | 1997 | King's College London | ||
| Birtwistle H | The Last Supper (Opera) | 1999 | King's College London | ||
| Birtwistle H | The Last Supper (opera in one act: 14 soloists, small female chorus, chamber orchestra) | 2000 | Royal Academy of Music | ||
| Birtwistle H | Panic (for solo alto saxophone, solo percussion, large ensemble) | 1995 | Royal Academy of Music | ||
| Bisengaliev M | Brahms-Joachim: Hungarian Dances (complete) | 1994 | University of Central England in Birmingham | Performance Studies | John Lenehan |
| Bisengaliev M | Wieniawski: Violin Concertos No. 1 + 2 | 1996 | University of Central England in Birmingham | Performance Studies | Polish National Radio Symphony Orch. Antoni Wit |
| Bisengaliev M | Mendelssohn: Concerto for Violin and Piano, and Violin Concerto in D minor | 1998 | University of Central England in Birmingham | Performance Studies | Northern Sinfonia, cond.Andrew Penny Benjamin Frith |
| Bisengaliev M | Elgar: Early Works for Violin | 1999 | University of Central England in Birmingham | Performance Studies | Benjamin Frith |
| Blake DL | Hanns Eisler-A Miscellany | 1995 | University of York | ||
| Blake DL | Scoring a Century | 1999 | University of York | ||
| Blake DL | I Skies tis Agapis (The Shades of Love) | 2000 | University of York | ||
| Blake DL | The Fabulous Adventures of Alexander the Great | 1996 | University of York | ||
| Blezzard JH | Church Music in Tudor Times: compilation and scribal practices with special reference to a Protestant manuscript | 1998 | University of Liverpool | ||
| Blezzard JH | Monsters and messages: the Willmott and Braikenridge manuscripts of Latin Tudor Church Music, 1591 | 1995 | University of Liverpool | ||
| Blezzard JH | John Wood: S | 1996 | University of Liverpool | ||
| Blezzard JH | King Henry VIII: performer, connoisseur and composer of music | 2000 | University of Liverpool | Palmer, F | |
| Blinko T J | Ave Maria | 1998 | University of Hertfordshire | ||
| Blinko T J | Montage | 2000 | University of Hertfordshire | ||
| Blinko T J | Cantus | 1999 | University of Hertfordshire | ||
| Blinko T J | Sculptures | 1995 | University of Hertfordshire | ||
| Boddice N | The New Music Group of Scotland, with Jane Manning (voice) and Nigel Boddice (trumpet), conducted by Edward Harper | 1997 | Royal Scottish Academy of Music and Drama | ||
| Boddice N | The Music of Buxton Orr, conducted by Nigel Boddice | 2000 | Royal Scottish Academy of Music and Drama | ||
| Boddice N | Nightsongs, Angela Whelan and Nigel Boddice (trumpets), Julia Lynch (piano) | 1997 | Royal Scottish Academy of Music and Drama | ||
| Boddice N | Crossover, The Royal Norweigan Navy Band, conducted by Nigel Boddice | 1998 | Royal Scottish Academy of Music and Drama | ||
| Bodman Rae JC | The Music of Lutoslawski (first edition) | 1994 | Royal Northern College of Music | ||
| Bodman Rae JC | The Music of Lutoslawski (third edition) | 1999 | Royal Northern College of Music | ||
| Bodman Rae JC | Swiat dzwiekowy Lutoslawskiego: swiat kontrastow (Lutoslawski's Sound World: a World of Contrasts) | 2000 | Royal Northern College of Music | ||
| Bodman Rae JC | Organizacja wysokosci dzwiekow w muzyce Lutoslawskiego (Pitch Organisation in the Music of Lutoslawski) | 1995 | Royal Northern College of Music | ||
| Bond T | Messiaen: L'AscensionTimothy Bond (organ) | 1996 | Royal College of Music | Performance | |
| Bond T | Franz Schmidt: Das Buch mit sieben SiegelnTimothy Bond (organ) | 2000 | Royal College of Music | Performance | BBC Chorus and Orchestra Franz Welser-Most, conductor |
| Bond T | John Lambert Concert:Echo Toccata, for organ (1993); Kyrie and Sanctus from the Organ, (1964-8); Slide, for trumpet (1989); Meditations for ensemble (1991)Veni Creator Spiritus for two voices and organ (1967); Toccata for guitar, (1984); For a while f | 1994 | Royal College of Music | Performance | Andrew Kennedy, tenor Mark Chaundy, baritone |
| Bond T | Richard Blackford: Mirror of Perfection, arranged for organ by Timothy Bond | 1998 | Royal College of Music | N/A | |
| Borthwick AB | Music Theory and Analysis: The Limitations of Logic | 1995 | University of Hull | ||
| Borthwick AB | Logic, cognition, and the art of the arbitrary | 1999 | University of Hull | ||
| Borthwick AB | Lacuna Lullaby | 1997 | University of Hull | ||
| Borthwick AB | Tonal elements and their significance in Tippett's Sonata No.3 | 1999 | University of Hull | ||
| Bosanquet C | The Development of Cello Teaching in the 20th Century. | 1999 | Anglia Polytechnic University | Musicology | |
| Bosanquet C | The Secret Life of Cello Strings: harmonics for cellists. | 1996 | Anglia Polytechnic University | Musicology | |
| Bosanquet C | Fun with cello harmonics. | 2000 | Anglia Polytechnic University | Musicology | |
| Bosanquet C | El | 1996 | Anglia Polytechnic University | Composition | |
| Bowers R.D. | Proportional notations in Monteverdi's Orfeo | 1995 | University of Cambridge | ||
| Bowers R.D. | The Chapel Royal, the first Edwardian Prayer Book, and Elizabeth I's Settlement of religion, 1559 | 2000 | University of Cambridge | ||
| Bowers R.D. | To chorus from quartet: the performing resource for English church polyphony, c. 1390-1559 | 1996 | University of Cambridge | ||
| Bowers R.D. | The liturgy of the cathedral and its music, c.1070-1642 | 1995 | University of Cambridge | ||
| Bowman P | The Quarter-Tone Recorder Manual | 1998 | Canterbury Christ Church University College | Kathryn Bennetts Donald Bousted |
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| Bowman P | Donald Bousted, A Journey Among Travellers (composed for Peter Bowman and Kathryn Bennetts). Peter Bowman and Kathryn Bennetts, Recorders, supported by the National Lottery through the Arts Council of England | 1998 | Canterbury Christ Church University College | ||
| Bowman P | The Quarter-Tone Recorder Manual - Ein Vortrag von Peter Bowman | 1999 | Canterbury Christ Church University College | ||
| Bowman P | Mark Bromwich Tricorder for two quarter-tone recorders and live MSP. Peter Bowman and Kathryn Bennetts, Recorders. | 2000 | Canterbury Christ Church University College | ||
| Bowyer K | Contemporary Music for Organ | 1999 | Royal Northern College of Music | ||
| Bowyer K | Peter Maxwell Davies, Jonathan Harvey, Malcolm Williamson: Organ Works | 1997 | Royal Northern College of Music | ||
| Bowyer K | Magic Flutes: Organ Music by Alan Gibbs | 1998 | Royal Northern College of Music | ||
| Bowyer K | Charles Camilleri: Works for Organ, Trumpet and Strings | 1997 | Royal Northern College of Music | ||
| Boyle R | Capriccio, for large orchestra | 1995 | Royal Scottish Academy of Music and Drama | ||
| Boyle R | Lament, for violin and piano | 2000 | Royal Scottish Academy of Music and Drama | ||
| Boyle R | Xchanging Games, for dectet (flute, oboe, clarinet, bassoon, horn, string quartet and double bass) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Boyle R | Concerto for piano and orchestra | 1998 | Royal Scottish Academy of Music and Drama | ||
| Boynton NA | Compositional technique 1923 | 1997 | Lancaster University | ||
| Boynton NA | Ren | 1998 | Lancaster University | ||
| Boynton NA | Bibliography | 1996 | Lancaster University | ||
| Boynton NA | Formal Combination in Webern | 1995 | Lancaster University | ||
| Bradbury C | The Bel Canto Clarinettist: Ernesto Cavallini: Variazione sopra un tema nell' Opera La Straniera di Bellini Domenico Liverani - Melodie dei Puritani di Bellini F. Fasanotti and A. Spadina - Duetto Concertante sopra motivi dell' Opera Mose di Rossini | 1996 | Royal College of Music | Performance | Oliver Davies, piano |
| Bradbury C | Donato Lovreglio: Fantasia sull' Opera Un Ballo in Maschera, op. 46 | 1997 | Royal College of Music | Editing: Theory and Practice | |
| Bradbury C | Brahms: Clarinet Sonatas op. 120Hindemith: Clarinet Sonata (1939) | 2000 | Royal College of Music | Performance | Bernard Roberts, piano |
| Bradbury C | The Victorian Clarinet TraditionHenry Lazarus: Fantasia on Favorite Scotch MelodiesSir George Alexander Macfarren: Traditions of Shakespeare (recon. Oliver Davies); Two SongsEbenezer Prout: Sonata in D majorCharles Harford Lloyd: Bon Voyage! Ott | 1998 | Royal College of Music | Performance | Oliver Davies, piano Elaine Barry, soprano |
| Bray RW | Dryden and Draghi in Harmony in the 1687 Song for St Cecilia's Day | 1997 | Lancaster University | ||
| Bray RW | Music and the Quadrivium in Early Tudor England | 1995 | Lancaster University | ||
| Bray RW | Editing and Performing Musica Speculativa | 1995 | Lancaster University | ||
| Bray RW | 1995 | Lancaster University | |||
| Brooks LJ | A Singer | 1998 | University of Southampton | ||
| Brooks LJ | Courtly Song in Late Sixteenth-Century France | 2000 | University of Southampton | ||
| Brooks LJ | Guillaume Boni: Motets (1573) | 2000 | University of Southampton | ||
| Brooks LJ | 1996 | University of Southampton | |||
| Brooks WF | James Pritchett, The Music of John Cage and David Revell, The Roaring Silence | 1997 | University of York | ||
| Brooks WF | Common Ground | 2000 | University of York | ||
| Brooks WF | in memoriam reducere studemus | 1996 | University of York | ||
| Brooks WF | Music in America: an overview | 1998 | University of York | ||
| Brown AM | William Byrd: Keyboard Music (I) | 1999 | University of Sheffield | ||
| Brown AM | 'England' in Keyboard Music Before 1700 | 1995 | University of Sheffield | ||
| Brown AM | Battle Music | 2000 | University of Sheffield | ||
| Brown AM | William Byrd: Audivi vocem de caelo | 2000 | University of Sheffield | ||
| Brown C | Brown the Bear (narrator and chamber orchestra) | 1997 | Royal Academy of Music | ||
| Brown C | Star Song IV (piano trio) | 1999 | Royal Academy of Music | ||
| Brown C | Star Song III (string trio) | 1996 | Royal Academy of Music | ||
| Brown C | Invocation (choir and organ) | 1999 | Royal Academy of Music | ||
| Brown J A | Schoenberg's Musical Prose as Allegory | 1995 | Royal Holloway, University of London | ||
| Brown J A | Ally McBeal's Postmodern Soundtrack | 2000 | Royal Holloway, University of London | ||
| Brown J A | Bart | 2000 | Royal Holloway, University of London | ||
| Brown J A | Schoenberg's Early Wagnerisms: Atonality and the Redemption of Ahasuerus | 1994 | Royal Holloway, University of London | ||
| Brubeck D | Gathering Forces III | 1997 | University of Nottingham | Deepak Ram Chris Merz Concord Nkabinde |
|
| Brubeck D | In Their Own Sweet Way | 1996 | University of Nottingham | Dave Brubeck Chris Brubeck Dan Brubeck |
|
| Brubeck D | 1959: The Beginning of Beyond | 2000 | University of Nottingham | Peter King Alan Skidmore Alec Dankworth |
|
| Brubeck D | Four Score in Seven | 2000 | University of Nottingham | ||
| Brummer L | Phrenos | 1997 | Kingston University | ||
| Brummer L | Lizard Point | 1997 | Kingston University | ||
| Brummer L | The Gates of H | 1994 | Kingston University | ||
| Brummer L | Le temps s'ouvre | 1999 | Kingston University | ||
| Bryan J H | Elizabethan Songs and Consort Music | 1999 | University of Huddersfield | ||
| Bryan J H | Master of Musicians: Songs and Instrumental Music by Josquin des Pres, his pupils and contemporaries | 2000 | University of Huddersfield | ||
| Bryan J H | William Lawes: Consort Music for Viols, Lutes and Theorboes | 1996 | University of Huddersfield | ||
| Bryan J H | Performing Early Music Today: a survey of changing fashions in the late twentieth century | 1998 | University of Huddersfield | ||
| Bryars G | Unless The Eye Catch Fire (later retitled Last Summer) | 1999 | University of Hertfordshire | ||
| Bryars G | Doctor Ox's Experiment | 1998 | University of Hertfordshire | ||
| Bryars G | Biped | 1999 | University of Hertfordshire | ||
| Bryars G | First Book of Madrigals - (1998-2000) | 1998 | University of Hertfordshire | ||
| Bucciarelli M | Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies | 2000 | Oxford Brookes University | ||
| Bucciarelli M | Michelangelo Rossi: Erminia sul Giordano (1633) | 1994 | Oxford Brookes University | ||
| Bucciarelli M | 'Il matrimonio segreto' ovvero Il segreto di un 'matrimonio' riuscito | 1995 | Oxford Brookes University | ||
| Bucciarelli M | Radamisto's theatrical sources and their influence on Handel's creative process | 1998 | Oxford Brookes University | ||
| Buckland R | Premiere Broadcasts (Mitchell-Davidson, Francaix, etc) | 2000 | Royal Northern College of Music | ||
| Buckland R | Premiere Broadcasts (Nyman, Torke, etc) | 1999 | Royal Northern College of Music | ||
| Buckland R | Graham Fitkin: 'Gameshow' (Saxophone Concerto) | 1997 | Royal Northern College of Music | ||
| Buckland R | First + Foremost | 1994 | Royal Northern College of Music | ||
| Bullard A | 'Cyclic Harmony'. | 1998 | Anglia Polytechnic University | Composition | |
| Bullard A | 'Recipes for Recorder and Strings'. | 1998 | Anglia Polytechnic University | Composition | |
| Bullard A | 'Canticle of Freedom'. | 1999 | Anglia Polytechnic University | Composition | |
| Bullard A | 'Spring Pictures'. | 1997 | Anglia Polytechnic University | Composition | |
| Burn C | 'Navigations' (Compositions of Chris Burn and others) | 1997 | Anglia Polytechnic University | Composition | |
| Burn C | 'Unanswered Questions'. | 1998 | Anglia Polytechnic University | Composition | |
| Burn C | 'Proceedings'. | 1999 | Anglia Polytechnic University | Composition | |
| Burn C | 'Music for Three Rivers - solo piano improvisations'. | 1997 | Anglia Polytechnic University | Composition | |
| Burnand D G | The Gesture of the Idea: representation of historical period through film music | 1999 | Royal College of Music | Screen Music Studies | |
| Burnand D G | One Equal Light | 1995 | Royal College of Music | RCM Studio Group | |
| Burnand D G | Gallivant | 1996 | Royal College of Music | Composition | |
| Burnand D G | The Articulation of National Identity through Film Music | 1999 | Royal College of Music | Screen Music Studies | Benedict Sarnaker |
| Burnett M A | Introducing Caribbean Music | 1999 | University of Surrey Roehampton | Music | |
| Burnett M A | Kassav | 2000 | University of Surrey Roehampton | Music | |
| Burnett M A | Zouk | 2000 | University of Surrey Roehampton | Music | |
| Burnett M A | Keeping Time | 2000 | University of Surrey Roehampton | Music | |
| Burrell D | Symphonies of Flocks, Herds and Shoals | 1997 | University of Hertfordshire | ||
| Burrell D | Bronze (1998 + 2000) | 1998 | University of Hertfordshire | ||
| Burrell D | Dunkelhvide Manestraler | 1996 | University of Hertfordshire | ||
| Burrell D | Viola Concerto | 1994 | University of Hertfordshire | ||
| Burrell H | and Music shall untune the sky - for Choir, Organ and Brass Quintet | 1999 | University of Hertfordshire | ||
| Burrell H | Symphony 2 for orchestra | 2000 | University of Hertfordshire | ||
| Burrell H | Symphony 1 for orchestra | 2000 | University of Hertfordshire | ||
| Burrell H | Missa brevis for SATB and Organ | 1998 | University of Hertfordshire | ||
| Burrows D J | Handel, Suite a deux clavecins | 1998 | Open University | ||
| Burrows D J | Cambridge Companion to Handel | 1997 | Open University | ||
| Burrows D J | Rastra types in Handel's conducting scores | 1996 | Open University | ||
| Burrows D J | Handel (Master Musicians Series) | 1995 | Open University | ||
| Burwell K | Recital, Kim Burwell, piano; Salomon's Centre, Tunbridge Wells | 1999 | Canterbury Christ Church University College | ||
| Burwell K | Peter Sculthorpe, Songs of Sea and Sky (1987). Recital: Kim Burwell, piano. Lisa Nelsen, flute. Performed for the Kuwait Chamber Philharmonia, sponsored by the Canadian Embassy to the United Arab Emirates. | 1996 | Canterbury Christ Church University College | ||
| Burwell K | Roderick Watkins, At the Horizon (composed for Kim Burwell and Lisa Nelsen). Kim Burwell, piano; Lisa Nelsen, flute. | 1999 | Canterbury Christ Church University College | ||
| Burwell K | Paul Edlin, From an Artist in Egypt (composed for Kim Burwell). Kim Burwell, piano. | 1995 | Canterbury Christ Church University College | ||
| Butler MC | A Better Place | 1999 | University of Sussex | ||
| Butler MC | Percussion Concerto | 2000 | University of Sussex | ||
| Butler MC | Two Rivers | 2000 | University of Sussex | ||
| Butler MC | Fin de Siecle | 1997 | University of Sussex | ||
| Butt J.A. | 4 Toccatas and Fugues; Schubler Chorales, J S Bach | 2000 | University of Cambridge | ||
| Butt J.A. | Performance on Paper: Rewriting the Story of Notational Progress | 2000 | University of Cambridge | ||
| Butt J.A. | Bach's metaphysics of music, 'A mind unconscious that it is calculating' | 1997 | University of Cambridge | ||
| Butt J.A. | Music education and the art of performance in the German Baroque | 1994 | University of Cambridge | ||
| Butterworth A | The Upgrade Ingredient | 1999 | Napier University | ||
| Butterworth A | Why Learn Harmony ? | 1999 | Napier University | ||
| Butterworth A | The Educational Support Programme | 1999 | Napier University | ||
| Butterworth A | Harmony in Practice | 1999 | Napier University | ||
| Byrchmore R | Canticles (a capella upper voices) | 1998 | Royal Academy of Music | ||
| Byrchmore R | The Glass Piano (opera in one act for three performers: piano, narrator and soprano) | 1999 | Royal Academy of Music | ||
| Byrchmore R | Baba Yaga (opera in three scenes for 12 voices and large ensemble) | 1995 | Royal Academy of Music | ||
| Byrchmore R | In Manus Tuas/Manum Suam (a cappella choir) | 1996 | Royal Academy of Music | ||
| CALDWELL JA | Tudor Keyboard Music c.1520-1580. Transcribed and Edited by John Caldwell. Musica Britannica Vol.LXVI | 1995 | University of Oxford | ||
| CALDWELL JA | Good Friday | 1998 | University of Oxford | ||
| CALDWELL JA | The Oxford History of English Music. Vol.II: From c.1715 to the Present Day | 1999 | University of Oxford | ||
| CALDWELL JA | English Liturgical Organ Music: Some Old and Some New Issues | 1996 | University of Oxford | ||
| CLARK S | Schenker's Mysterious Five | 1999 | University of Oxford | ||
| CLARK S | Terzverwandtschaft in der | 1998 | University of Oxford | ||
| CLARK S | Sextetos de cordes de Johannes Brahms | 1994 | University of Oxford | ||
| CLARK S | Integral para Piano solo de Franz Schubert (1817-1828) | 1994 | University of Oxford | ||
| COLLINS RICE H | Robin's Lament, for chamber orchestra | 1995 | University of Oxford | ||
| COLLINS RICE H | In the Grave, Whither thou Goest, for soprano and ensemble | 1995 | University of Oxford | ||
| COLLINS RICE H | And They Went to a Place, for 8 voices | 1999 | University of Oxford | ||
| COLLINS RICE H | I Fiori, string quartet | 1996 | University of Oxford | ||
| Cahill T | Robert Saxton: 'Canticum luminis' | 1995 | Royal Northern College of Music | ||
| Cahill T | Robert Saxton: 'Eloge' | 2000 | Royal Northern College of Music | ||
| Cahill T | Richard Rodney Bennett: 'Sonnets of Louise L'abe' | 1995 | Royal Northern College of Music | ||
| Cahill T | Elisabeth Lutyens:'O saisons, o chateaux' op.13 | 1996 | Royal Northern College of Music | ||
| Caird G | The Classical Harmonie: Music for Wind by Beethoven, Gluck, Hummel | 2000 | University of Central England in Birmingham | Performance Studies | The Albion Ensemble |
| Caird G | Mississippi Five: Twentieth-Century Quintets | 1996 | University of Central England in Birmingham | Performance Studies | The Albion Ensemble |
| Caird G | 20th century English Music for oboe and piano | 2000 | University of Central England in Birmingham | Performance Studies | Malcolm Wilson |
| Caird G | John Webb: Sextet for Piano and Wind | 1998 | University of Central England in Birmingham | Performance Studies | Albion Ensemble Martin Roscoe |
| Campbell D | Roxanna Panufnik, Richard Stilgoe, The Upside Down Sailor (commissioned by David Campbell and the Collegiate Wind Ensemble). Collegiate Wind Ensemble; Richard Stilgoe, narrator; 30 schoolchildren; David Campbell, conductor. | 1999 | Canterbury Christ Church University College | ||
| Campbell D | Peter Lieuwen, River of Crystal Light, for clarinet, strings, harp and piano (composed for David Campbell). David Campbell, Clarinet; Brazos Valley Symphony; Marcello Bussiki, conductor. | 1999 | Canterbury Christ Church University College | ||
| Campbell D | Martin Butler, Clarinet Quintet (composed for David Campbell). David Campbell, Clarinet with Smith Quartet. | 1995 | Canterbury Christ Church University College | ||
| Campbell D | Graham Fitkin, Agnostic, for Clarinet, Strings and Percussion (composed for David Campbell). David Campbell, Clarinet, BBC National Orchestra of Wales, Grant Llewellyn, conductor. | 1997 | Canterbury Christ Church University College | ||
| Campbell K | Psalm 92 (God most high, it is good to praise you), setting by Kenna Campbell | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Campbell K | Orain nan Gaidheal/The Song of the Gael, Kenna Campbell (musical direction and voice) | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Campbell K | Guth a Shn | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Campbell K | Oran Luadhaidh/Waulking Songs, Bannal led by Kenna Campbell | 1996 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Campbell R | Red George Square, for chamber ensemble | 1996 | Royal Scottish Academy of Music and Drama | ||
| Campbell R | The Box, for string quartet | 1994 | Royal Scottish Academy of Music and Drama | ||
| Campbell R | The Angels | 2000 | Royal Scottish Academy of Music and Drama | ||
| Campbell R | Poor Angels, film music | 1997 | Royal Scottish Academy of Music and Drama | ||
| Carolan L | Recital including Bach: Sonata BWV 1032 completed by Carolan. | 1997 | University of Central England in Birmingham | Early Music | Nancy Hadden |
| Carolan L | J.S. and C.P.E.Bach: Fantasias | 2000 | University of Central England in Birmingham | Early Music | |
| Carolan L | J.S. Bach: Clavier | 1999 | University of Central England in Birmingham | Early Music | |
| Carolan L | CPE Bach: Sonatas for flute and obbligato keyboard | 1996 | University of Central England in Birmingham | Early Music | Nancy Hadden, baroque flute Erin Headley, viol |
| Carpenter G | SATIE - Variations for Orchestra | 1996 | Royal Northern College of Music | ||
| Carpenter G | Une semaine de bonte | 1998 | Royal Northern College of Music | ||
| Carpenter G | China Song | 1998 | Royal Northern College of Music | ||
| Carpenter G | SCRY - Prelude, Interludes and Finale | 2000 | Royal Northern College of Music | ||
| Carr C | J.S.Bach - Six Suites for solo cello | 1998 | Royal Academy of Music | ||
| Carr C | Xaver Scharwenka - Chamber Works | 1995 | Royal Academy of Music | Lydia Mordkovitch | |
| Carr C | Smetana/Tchaikovsky - Piano Trios | 1995 | Royal Academy of Music | ||
| Carr C | Saint Saens/Debussy/Faure - Piano Trios | 1994 | Royal Academy of Music | ||
| Carter T | New Light on Monteverdi's Ballo delle ingrate (Mantua, 1608) | 1999 | Royal Holloway, University of London | ||
| Carter T | Printing the | 2000 | Royal Holloway, University of London | ||
| Carter T | Monteverdi and his Contemporaries | 2000 | Royal Holloway, University of London | ||
| Carter T | Singing Orfeo: on the Performers of Monteverdi | 1999 | Royal Holloway, University of London | ||
| Cashian P | Horn Trio | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Cashian P | ...in the still hours | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Cashian P | Silent Steps | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Cashian P | Chamber Concerto | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Cashian P | Dark Inventions | 2000 | Bath Spa University College | ||
| Cashian P | Night Journeys | 1998 | Bath Spa University College | ||
| Cashian P J | in the still hours . . . | 1995 | Royal Holloway, University of London | ||
| Cashian P J | Horn Trio | 1998 | Royal Holloway, University of London | ||
| Cashian P J | Night Journeys | 1997 | Royal Holloway, University of London | ||
| Cashian P J | Chamber Concerto | 1995 | Royal Holloway, University of London | ||
| Casken J | Distant Variations for saxophone quartet and wind orchestra (16') | 1997 | University of Manchester | ||
| Casken J | Sortilege for orchestra (20') | 1996 | University of Manchester | ||
| Casken J | Violin Concerto (30') | 1995 | University of Manchester | ||
| Casken J | Apres un silence for violin and chamber orchestra (18') . | 1999 | University of Manchester | ||
| Castelvecchi S. | Critical edition of Giuseppe Verdi, Alzira | 1994 | University of Cambridge | Jonathan Cheskin | |
| Castelvecchi S. | From Nina to Nina: Psychodrama, Absorption and Sentiment in the 1780s | 1996 | University of Cambridge | ||
| Castelvecchi S. | Critical edition of Gioachino Rossini, Cantata per l'Imperatore Francesco I d'Austria | 1999 | University of Cambridge | ||
| Castelvecchi S. | Sentimental and Anti-Sentimental in Le Nozze di Figaro | 2000 | University of Cambridge | ||
| Chadd DF | Liturgical Books: Catalogues, Editions and Inventories | 2000 | University of East Anglia | ||
| Chadd DF | The Original of the Abbey of the Holy Trinity | 2000 | University of East Anglia | ||
| Chadd DF | The Medieval Customary of the Cathedral Priory | 1996 | University of East Anglia | ||
| Charlton D P | French Opera 1730-1830: Meaning and Media | 2000 | Royal Holloway, University of London | ||
| Charlton D P | M | 1997 | Royal Holloway, University of London | ||
| Charlton D P | Sedaine's Prefaces: Pretexts for a New Musical Drama | 2000 | Royal Holloway, University of London | ||
| Charlton D P | The Nineteenth Century: France | 1994 | Royal Holloway, University of London | ||
| Chew G A | Evasive Realism: Narrative Construction in Dostoyevsky's and Janacek's From the House of the Dead | 1999 | Royal Holloway, University of London | Robert Vilain | |
| Chew G A | Martinu's Three Wishes and their Fulfilment: Links between Paris and Prague in the Music of the 1920s | 2000 | Royal Holloway, University of London | ||
| Chew G A | The Austrian Pastorella and the 'Stylus Rusticanus': Comic and Pastoral Elements in Austrian Music, 1750-1800 | 1996 | Royal Holloway, University of London | ||
| Chew G A | Haydn's Pastorellas: Genre, Dating and Transmission in the Early Church Works | 1996 | Royal Holloway, University of London | ||
| Chilingirian L | Scharwenka Piano Quartet in F, Op. 37. Piano Trio in A minor, Op. 45 | 1995 | Royal College of Music | Performance | Ivo van der Werff, viola Garbis Atmacayan, cello Seta Tanyel, piano |
| Chilingirian L | Grieg String Quartets - No. 1 in G minor, op. 27; No. 2 in F major CW146 | 1999 | Royal College of Music | Performance | Chilingirian String Quartet |
| Chilingirian L | Chausson Po | 1994 | Royal College of Music | Performance | Philippe Graffin, violin Chilingirian String Quartet Pascal Devoyon, piano |
| Chilingirian L | Eduard Grieg: String Quartet in F major | 1999 | Royal College of Music | Editing: Theory and Practice | |
| Chua D.K. | The Galitzin Quartets of Beethoven | 1995 | King's College London | ||
| Chua D.K. | Absolute Music and the Construction of Meaning | 1999 | King's College London | ||
| Chua D.K. | Haydn as Romantic | 1998 | King's College London | ||
| Chua D.K. | Believing in Beethoven | 2000 | King's College London | ||
| Clark A | Bach - Complete Cantatas volumes 7 and 8 | 1999 | Royal Academy of Music | ||
| Clark A | Antique Brasses (Crusell - Horn Concerto) | 2000 | Royal Academy of Music | ||
| Clark A | Vivaldi - Concerto in F Major for Two Horns | 2000 | Royal Academy of Music | ||
| Clark A | Carl Czerny - Music for horn and fortepiano | 2000 | Royal Academy of Music | ||
| Clarke A | Gerald Barry: The Triumph of Beauty and Deceit | 1995 | University of Central England in Birmingham | Contemporary Music | The Composers Ensemble, dir.Diego Masson |
| Clarke A | Botuslav Martinu: A Greek Passion | 1999 | University of Central England in Birmingham | Contemporary Music | Bregenza Festival, dir. Ulf Schirmer |
| Clarke A | Roberto Gerhard: La Duenna | 1997 | University of Central England in Birmingham | Contemporary Music | Opera North, dir.A.R.Marba |
| Clarke D I | Tippett Studies | 1999 | University of Newcastle | ||
| Clarke D I | Language Games: Is Music like Language? What Makes a Musical Discourse? (and) Speaking for Itself: How Does Music Become Autonomous? (2 part article) | 1996 | University of Newcastle | ||
| Clarke D I | The Significance of the Concept Image in Tippett's Musical Thought: a Perspective from Jung | 1996 | University of Newcastle | ||
| Clarke D I | The Meaning of 'Lateness': Mediations of Work, Self and Society in Tippett's Triple Concerto | 2000 | University of Newcastle | ||
| Clarke EF | Subject-position and the specification of invariants in music by Frank Zappa and P.J. Harvey | 1999 | University of Sheffield | ||
| Clarke EF | Rhythm and timing in music | 1999 | University of Sheffield | ||
| Clarke EF | Real and simulated expression: a listening study | 2000 | University of Sheffield | W L Windsor | |
| Clarke EF | Talking fingers: an interview study of pianists' views on fingering. | 1997 | University of Sheffield | R Parncutt M Raekallio J Sloboda |
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| Clarke J M | TIM(br)E | 1996 | University of Huddersfield | ||
| Clarke J M | a) FOF and FOG synthesis in Csoundb) From Research to Programming to Compositionc) FOG code. Synthesis software | 2000 | University of Huddersfield | ||
| Clarke J M | Extending Contacts: The Concept of Unity in Computer Music | 2000 | University of Huddersfield | ||
| Clarke J M | Composing at the Intersection of Time and Frequency | 1996 | University of Huddersfield | ||
| Clarke N | The Little Vampire: film score | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| Clarke N | The Devil and the Hemlock Stone | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| Clarke N | Breaking the Century | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| Clarke N | Battles + Chants Clarinet Concerto for Symphonic Winds | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| Clayton M R L | Ethnographic wax cylinders at the British Library Sound Archive | 1996 | Open University | ||
| Clayton M R L | Le metre et le tal dans la musique de lIndie du Nord | 1997 | Open University | ||
| Clayton M R L | A. H. Fox Strangways and the Music of Hindostan: revisiting historic field recordings | 1999 | Open University | ||
| Clayton M R L | Free rhythm: ethnomusicology and the study of music without metre | 1996 | Open University | ||
| Coates L | Te Deum Laudamus | 2000 | University of Edinburgh | ||
| Coates L | Prelude, Scherzo + In Nomine | 1997 | University of Edinburgh | ||
| Coates L | Seascape Piano Trio | 1999 | University of Edinburgh | ||
| Coates L | North West Passage for Soprano + Piano (words by R.L.Stevenson) | 1994 | University of Edinburgh | ||
| Coccioli L | Novecento ('Twentieth Century') | 1999 | University of Central England in Birmingham | Contemporary Music | |
| Coccioli L | Il Racconto delle nuvole ('The tale of the clouds') | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Coccioli L | Magma | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Coccioli L | Antidotes: Red Earth | 1996 | University of Central England in Birmingham | Contemporary Music | |
| Cohen S | Men making a scene: popular music and the production of gender | 1997 | University of Liverpool | ||
| Cohen S | Identity, place and the 'Liverpool sound' | 1994 | University of Liverpool | ||
| Cohen S | Sounding out the city: music and the sensuous production of place | 1998 | University of Liverpool | ||
| Cohen S | More than The Beatles: popular music, tourism, and urban regeneration | 1997 | University of Liverpool | ||
| Cole B | Community Music and Higher Education: a marriage of convenience | 2000 | University of York | ||
| Cole B | The Composer's Handbook | 1996 | University of York | ||
| Comberti M | Boyce: Complete Trio Sonatas | 1999 | University of Central England in Birmingham | Early Music | Collegium Musicum 90, dir.Simon Standage |
| Comberti M | Hummel: Quintet in E flat and Piano Trio in Eflat. | 2000 | University of Central England in Birmingham | Early Music | The Music Collection |
| Comberti M | The String Quartet in 18th-century England | 1995 | University of Central England in Birmingham | Early Music | Simon Standage Trevor Jones Jennifer Ward Clarke |
| Comberti M | Leclair: Chamber Works | 1997 | University of Central England in Birmingham | Early Music | Collegium Musicum 90, dir.Simon Standage |
| Cook NJ | At the Boundaries of Musical Identity: Schenker, Corelli, and the Graces | 1999 | University of Southampton | ||
| Cook NJ | The Conductor and the Theorist: Furtw | 1995 | University of Southampton | ||
| Cook NJ | Analysing Performance, and Performing Analysis | 1999 | University of Southampton | ||
| Cook NJ | Analysing Musical Multimedia | 1998 | University of Southampton | ||
| Cooke MJ | Jazz | 1998 | University of Nottingham | ||
| Cooke MJ | The Cambridge Companion to Benjamin Britten | 1999 | University of Nottingham | ||
| Cooke MJ | Britten: War Requiem | 1996 | University of Nottingham | ||
| Cooke MJ | Britten and the Far East | 1998 | University of Nottingham | ||
| Cooper BAR | Beethoven | 2000 | University of Manchester | ||
| Cooper BAR | Catalogue of pre-1900 Manuscripts in the John Rylands University Library of Manchester | 1997 | University of Manchester | ||
| Cooper BAR | John Blow, Complete Organ Music | 1996 | University of Manchester | ||
| Cooper BAR | Beethoven's Folksong Settings: Chronology, Sources, Style | 1994 | University of Manchester | ||
| Cooper D G | Expressive MIDI | 1997 | University of Leeds | Ng, K.C. Boyle, R.D. |
|
| Cooper D G | The Unfolding of Tonality in the Music of B | 1998 | University of Leeds | ||
| Cooper D G | On the Twelfth of July in the Morning . . . or the Man who Mistook his Sash for a Hat | 2000 | University of Leeds | ||
| Cooper D G | Perceptually Smooth Timbral Guides by State-space Analysis of Phase Vocoder Parameters | 2000 | University of Leeds | Bailey, N.J. | |
| Corbett H | Percussion Concerto by Martin Butler, Heather Corbett (multi percussion) with the Paragon Ensemble conducted by David Davies | 2000 | Royal Scottish Academy of Music and Drama | ||
| Corbett H | Song for Dionysius, by John McLeod, Heather Corbett (multi percussion) and Graeme McNaught (piano) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Corbett H | Blue Waters, for solo vibraphone, by Jennifer Barker, Heather Corbett (vibraphone) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Corbett H | Concierto Candela, for percussion and orchestra, by Gabriela Ortiz, Heather Corbett (multi percussion) with the BBC Scottish Symphony Orchestra conducted by Odaline de la Martinez | 1995 | Royal Scottish Academy of Music and Drama | ||
| Cowgill R E | The Papers of C.I. Latrobe: New Light on Musicians, Music, and the Christian Family in Late Eighteenth-Century England | 2000 | University of Leeds | ||
| Cowgill R E | 2000 | University of Leeds | |||
| Cowgill R E | 'Wise Men from the East': Mozart's Operas and their Advocates in Early Nineteenth-Century London | 2000 | University of Huddersfield | ||
| Cowgill R E | The London Apollonicon Recitals, 1817-32: A Case Study in Mozart, Haydn and Bach Reception | 1998 | University of Huddersfield | ||
| Cowie E | Elysium I-III for solo clarinet, flute and Chamber Orchestra (0/2/0/2: 2/2/0/0:1 percussion and strings) | 1997 | Dartington College of Arts | ||
| Cowie E | Phase Portraits for harp, piano, harpsichord, celesta and 24 solo voices. | 2000 | Dartington College of Arts | ||
| Cowie E | Songs Without Words for High Voice and 2 Clarinets | 1998 | Dartington College of Arts | ||
| Cowie E | Dartmoor Etudes for oboe, clarinet and harp | 1999 | Dartington College of Arts | ||
| Crawford T.T. | The Nightmare Notelist | 1997 | King's College London | ||
| Crawford T.T. | The Moscow 'Weiss' Manuscript | 1995 | King's College London | ||
| Crawford T.T. | The historical importance of Fran | 1999 | King's College London | ||
| Crawford T.T. | String matching techniques for musical similarity and melodic recognition | 1998 | King's College London | C. Ilipoulos R. Raman |
|
| Crilly D R | Perception of Mathematical Structure and Architectural Design: Form and | 1999 | Anglia Polytechnic University | Musicology | |
| Crilly D R | Wittgenstein, Music and Language-Games | 2000 | Anglia Polytechnic University | Musicology | |
| Crilly D R | Elastic Form and Concrete Structure: the analysis of improvised music | 2000 | Anglia Polytechnic University | Musicology | K Flanagan |
| Crilly D R | 'In that quiet earth' | 1999 | Anglia Polytechnic University | Composition | |
| Cropper PJ | Gyorgy Orban: String Quartet No 3 | 1998 | University of Manchester | ||
| Cropper PJ | Vic Hoyland: Bagatelles for String Quartet | 1995 | University of Manchester | ||
| Cropper PJ | Beethoven: complete cycle of string quartets | 1997 | University of Manchester | ||
| Cropper PJ | Geoffrey Poole: String Quartet No.3 | 1997 | University of Manchester | ||
| Cross E G N | Vivaldi: Ottone in villa | 1998 | University of Newcastle | ||
| Cross E G N | Vivaldi: Arsilda, Regina di Ponto | 1998 | University of Newcastle | ||
| Cross E G N | Vivaldi and the Pasticcio: Text and Music in Tamerlano | 1995 | University of Newcastle | ||
| Cross E G N | Death in War: Britten and the War Requiem | 1994 | University of Newcastle | ||
| Cross I.R.M. | Is music the most important thing we ever did? Music, development and evolution. | 1999 | University of Cambridge | ||
| Cross I.R.M. | Musical schemata in real-time listening to a piece of music | 1996 | University of Cambridge | I. Deliege M. Melen D. Stammers |
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| Cross I.R.M. | Music perception and music analysis | 1998 | University of Cambridge | ||
| Cross I.R.M. | Pitch schemata | 1997 | University of Cambridge | ||
| Cross JGE | Modernism and the Challenges to Music Theory | 2000 | University of Bristol | ||
| Cross JGE | Harrison Birtwistle: Man, Mind, Music | 2000 | University of Bristol | ||
| Cross JGE | The Stravinsky Legacy | 1998 | University of Bristol | ||
| Cross JGE | Birtwistle's Secret Theatres | 1996 | University of Bristol | ||
| Crouch R | James MacMillan Orchestra Music, The Scottish Chamber Orchestra, leader Ruth Crouch, conducted by Joseph Swensen | 1999 | Royal Scottish Academy of Music and Drama | ||
| Crouch R | Strathclyde Concertos nos 9-10, by Sir Peter Maxwell Davies. Scottish Chamber Orchestra, leader Ruth Crouch, conducted by Sir Peter Maxwell Davies | 1997 | Royal Scottish Academy of Music and Drama | ||
| Crouch R | Mbira, for violin and piano, by Nigel Osborne, Ruth Crouch (violin) and Graeme McNaught (piano) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Crouch R | Punch!, by Alasdair Nicolson, The Chamber Group of Scotland with Ruth Crouch (violin) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Cushing J | Octet for Wind and Suite: The Soldier's Tale by Stravinsky, John Cushing (clarinet) with members of the Royal Scottish National Orchestra conducted by Neeme J | 1994 | Royal Scottish Academy of Music and Drama | ||
| Cushing J | Seeking wise salmon, by William Sweeney (version for solo clarinet and ensemble), John Cushing (solo clarinet) with the Paragon Ensemble conducted by Garry Walker | 2000 | Royal Scottish Academy of Music and Drama | ||
| Cushing J | Ninian, concerto for clarinet, by James MacMillan, John Cushing (clarinet) with the Royal Scottish National Orchestra conducted by Alexander Lazarev | 2000 | Royal Scottish Academy of Music and Drama | ||
| Cushing J | Santa Claus Symphony, by William Henry Fry, Royal Scottish National Orchestra conducted by Tony Rowe, with John Cushing (clarinet) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Cutler J | On The Edge | 1994 | University of Central England in Birmingham | Contemporary Music | |
| Cutler J | Shaman | 1994 | University of Central England in Birmingham | Contemporary Music | |
| Cutler J | Awakenings | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Cutler J | Sal's Sax | 1995 | University of Central England in Birmingham | Contemporary Music | |
| DARLINGTON SM | Two Tudor Masses for the Cardinal: Missa Jesu Christe (Thomas Ashwell), Missa Videte manus meus (High Aston). Christ Church Choir, directed by Stephen Darlington | 1998 | University of Oxford | ||
| DARLINGTON SM | Music for Cardinal Wolsey by Richard Pygott and John Mason. Christ Church Choir, directed by Stephen Darlington | 1999 | University of Oxford | ||
| DARLINGTON SM | Choral Works, J.R. Esteves (Mass for 8 Voices etc.). Christ Church Choir, directed by Stephen Darlington | 1997 | University of Oxford | ||
| DARLINGTON SM | English and Latin Church Music, John Sheppard. Christ Church Choir, directed by Stephen Darlington | 1996 | University of Oxford | ||
| DOWNES S C | Eros in the metropolis: Bart | 2000 | University of Surrey | ||
| DOWNES S C | Szymanowski as Post-Wagnerian: The Love Songs of Hafiz, Op.24 | 1994 | University of Surrey | ||
| DOWNES S C | Madness in music: Szymanowski's Op. 42 | 2000 | University of Surrey | ||
| DOWNES S C | Kierkegaard, a kiss, and Schumann's Fantasie | 1999 | University of Surrey | ||
| Dale C | The Skeleton in Schoenberg's Musical Closet: the Chequered Compositional History of Schoenberg's Second Chamber Symphony | 1999 | University of Hull | ||
| Dale C | Schoenberg and William Thompson | 1996 | University of Hull | ||
| Dale C | Schoenberg's Chamber Symphonies: The Crystallization and Rediscovery of a Style | 2000 | University of Hull | ||
| Dale C | Towards a Tradition of Music Analysis in Britain in the Nineteenth Century | 1999 | University of Hull | ||
| Davidson JW | Which areas of a pianists's body convey information about expressive intention to an audience? | 1994 | University of Sheffield | ||
| Davidson JW | Innate talents: Reality or myth? | 1998 | University of Sheffield | M J A Howe J A Sloboda |
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| Davidson JW | The Role of Parental Influences in the Development of Musical Ability | 1996 | University of Sheffield | M J A Howe D M Moore J A Sloboda |
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| Davidson JW | The Social in Musical Performance | 1997 | University of Sheffield | ||
| Davies D | Pibroch Suite op 42, for violin and orchestra, by Sir Alexander Mackenzie, the Royal Scottish National Orchestra with Malcolm Stewart (violin) conducted by David Davies | 1998 | Royal Scottish Academy of Music and Drama | ||
| Davies D | Percussion Concerto by Martin Butler, Heather Corbett (multi percussion) with the Paragon Ensemble conducted by David Davies | 2000 | Royal Scottish Academy of Music and Drama | ||
| Davies D | Handguns, by Gordon McPherson, the Paragon Ensemble conducted by David Davies | 1996 | Royal Scottish Academy of Music and Drama | ||
| Davies D | An Turus/The Journey, an opera in three acts by William Sweeney, the Paragon Ensemble conducted by David Davies | 1998 | Royal Scottish Academy of Music and Drama | ||
| Davies O | The Victorian Clarinet TraditionHenry Lazarus: Fantasia on Favorite Scotch MelodiesSir George Alexander Macfarren: Traditions of Shakespeare (recon. Oliver Davies), A Widow Bird, Pack Clouds AwayEbenezer Prout: Sonata in D majorCharles Harford Llo | 1998 | Royal College of Music | Colin Bradbury, clarinet Elaine Barry, soprano |
|
| Davies O | Exhibition: Grove's World | 2000 | Royal College of Music | Historical Musicology | Peter Horton Celia Clarke Paul Collen |
| Davies O | The Bel Canto Clarinettist: Ernesto Cavallini: Variazione sopra un tema nell' Opera La Straniera di Bellini Ernesto Cavallini, Domenico Liverani - Melodie dei Puritani di Bellini F. Fasanotti and A. Spadina - Duetto Concertante sopra motivi dell' Op | 1996 | Royal College of Music | Colin Bradbury, clarinet | |
| Davis R.F. | The Arab-Andalusian Music of Tunisia | 1996 | University of Cambridge | ||
| Davis R.F. | The Art/Popular Music Paradigm and the Tunisian Ma'luf | 1996 | University of Cambridge | ||
| Davis R.F. | Cultural policy and the Tunisian Ma'luf: Redefining a Tradition | 1997 | University of Cambridge | ||
| Davis R.F. | Traditional Arab music ensembles in Tunisia: Modernising Al-Turath in the Shadow of Egypt | 1997 | University of Cambridge | ||
| Davismoon S | Waiting...and the moon?...Turns | 1995 | Napier University | ||
| Davismoon S | Marking Time | 1999 | Napier University | ||
| Davismoon S | (this has already) Passed/Passing for solo bass flute. | 1999 | Napier University | ||
| Davismoon S | ...against the grain, for solo percussion (2 snare drums) and live electronics | 1997 | Napier University | ||
| Davismoon S | Marking Time in Luigi Nono: the suspended song | 1999 | Royal Scottish Academy of Music and Drama | ||
| Davismoon S | Waiting ... and the moon? ... Turns | 1995 | Royal Scottish Academy of Music and Drama | ||
| Davismoon S | 1997 | Royal Scottish Academy of Music and Drama | |||
| Davismoon S | (this has already) passed/passing, for solo bass flute | 1999 | Royal Scottish Academy of Music and Drama | ||
| Davison A C | Review of Max Paddison, Adorno | 1998 | University of Leeds | ||
| Davison A C | Playing in The Garden: Sound, Performance, and Images of Persecution | 1998 | University of Leeds | ||
| Dawe K N | Oriental Culture in Greece: Music and International Relations | 1998 | Open University | ||
| Dawe K N | Bandleaders in Crete: musicians and entrepreneurs in a Greek island economy | 1998 | Open University | ||
| Dawe K N | The engendered lyra: music, poetry and manhood in Crete | 1996 | Open University | ||
| Dawe K N | Minotaurs or musonauts? Cretan music and world music | 1999 | Open University | ||
| Dearden I | Concert Hall Acoustics | 2000 | University of Hertfordshire | ||
| Dearden I | Treeline-Online | 1998 | University of Hertfordshire | ||
| Dearden I | Mothers Shall Not Cry | 2000 | University of Hertfordshire | ||
| Dearden I | The Voluptuous Tango | 1997 | University of Hertfordshire | ||
| Deathridge J.W. | Music Historiography, Critical Theory, and Other Tales | 2000 | King's College London | ||
| Deathridge J.W. | Post-mortem on Isolde | 1996 | King's College London | ||
| Deathridge J.W. | Vollzugsbeamte oder Interpreten? Zur Kritik der Quellenforschung bei Byron und Wagner | 1998 | King's College London | ||
| Deathridge J.W. | Richard Wagner, S | 2000 | King's College London | Klaus D | |
| Dempster K | Under the Hammer for string quartet | 1994 | Napier University | ||
| Dempster K | String Quartet No.2 (Scattering of Tears) | 2000 | Napier University | ||
| Dempster K | Descriptio for orchestra | 2000 | Napier University | ||
| Dempster K | Wyoming for chamber ensemble (clarinet, bassoon, trumpet in c, violin, cello and piano). | 2000 | Napier University | ||
| Denyer F | Finding Refuge in the Remains (composer portrait CD) | 1999 | Dartington College of Arts | ||
| Denyer F | Ustvolskaya: Complete Piano Sonatas | 1996 | Dartington College of Arts | ||
| Denyer F | Morton Feldman: The Ecstacy of the Moment | 1997 | Dartington College of Arts | ||
| Denyer F | Under the Fired City | 1995 | Dartington College of Arts | ||
| Dewhurst R | Brasilia | 1996 | University of Salford | ||
| Dewhurst R | Coming Home | 1999 | University of Salford | ||
| Dewhurst R | Panache | 1995 | University of Salford | ||
| Dewhurst R | Orchestre Nationale de Jazz. Project focusing on the work of Gil Evans, Cugny and Schneider. | 1997 | University of Salford | ||
| Dibben N | Sex, Pulp and critique | 2000 | University of Sheffield | Clarke, E.F. | |
| Dibben N | The perception of structural stability in atonal music: the influence of salience, stability, horizontal motion, pitch commonality and dissonance. | 1999 | University of Sheffield | ||
| Dibben N | Representations of femininity in popular music. | 1999 | University of Sheffield | ||
| Dibben N | The cognitive reality of hierarchic structure in tonal and atonal music. | 1994 | University of Sheffield | ||
| Dibble JC | 'Parry as Historiographer', in Nineteenth-Century British Music Studies, ed. Bennett Zon | 1999 | University of Durham | ||
| Dibble JC | 'Parry, Stanford and Vaughan Williams: the Creation of Tradition', in Vaughan Williams in Perspective, ed. L. Foreman | 1998 | University of Durham | ||
| Dibble JC | 'Composers at the Academy (1) 1850-1940' in To Talent Alone, eds. Pine + Acton | 1998 | University of Durham | ||
| Dibble JC | 'Musical Nationalism in Ireland in the Twentieth Century: Complexities and Contradictions' in Nationalism in Finland and Great Britain in the Twentieth Century, ed. T Makela | 1994 | University of Durham | ||
| Dibley P | Thalis | 1998 | Oxford Brookes University | ||
| Dibley P | A question? | 1997 | Oxford Brookes University | ||
| Dibley P | Elevation | 1996 | Oxford Brookes University | ||
| Dibley P | Back to Fore | 1999 | Oxford Brookes University | ||
| Dickinson S | John Reeman: Suite for Flute, Viola and Harp | 2000 | Royal Northern College of Music | ||
| Dickinson S | Hans Werner Henze: Trio in 3 Movements | 2000 | Royal Northern College of Music | ||
| Dickinson S | Schubert:String Trio D471 in B flat (1819) [completed by Brian Newbold] | 2000 | Royal Northern College of Music | ||
| Dickinson S | Sibelius: String Trio in G minor | 2000 | Royal Northern College of Music | ||
| Dimitrova L | Bartok, Piano Concerto No 3. London Symphony Orchestra; Lora Dimitrova, piano; George Solti, conductor. | 1996 | Canterbury Christ Church University College | ||
| Dimitrova L | Webern, Stuecke Op 7, Bartok Sonata No 1 for Violin and Piano. Lora Dimitrova, piano; Hanna Weinmeister, violin. | 1996 | Canterbury Christ Church University College | ||
| Dimitrova L | Francis Routh, Scenes for Piano No 3, Op 68, Bretagne (composed for Lora Dimitrova). | 1999 | Canterbury Christ Church University College | ||
| Dimitrova L | Frederick van Rossum, Al di la della sguro (composed for Lora Dimitrova). | 1996 | Canterbury Christ Church University College | ||
| Dingle CP | La statue reste sur son pi | 2000 | University of Sheffield | ||
| Dingle CP | Understated charm: style and technique in the last works of Olivier Messiaen. | 2000 | University of Sheffield | ||
| Dobbins F | Les premi | 1997 | Goldsmiths College | ||
| Dobbins F | Pierre de Villiers: Chansons. | 1997 | Goldsmiths College | Duchamp, J. | |
| Dobbins F | Cl | 1994 | Goldsmiths College | ||
| Dobbins F | Compositional Techniques in the French Chansons of Lassus. | 1994 | Goldsmiths College | ||
| Dobson R | Multi-Channel Toolkit | 1999 | Bath Spa University College | ||
| Dobson R | Designing Legato Instruments | 2000 | Bath Spa University College | ||
| Dobson R | SNDAN Port to Windows | 1994 | Bath Spa University College | ||
| Dobson R | Developments in Audio File Formats | 2000 | Bath Spa University College | ||
| Douglas S | The Greig-Duncan Folk Song Collection Vol 7: Songs of Love and Marriage Part Three | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | Patrick Shuldham-Shaw Emily B Lyle |
| Douglas S | Maidenheids and Moudiewarks: Scotland and the Bawdy Song Tradition | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Douglas S | Come gies a sang | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | J. Miller |
| Douglas S | Ballads and the supernatural | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Dow R | 'Season of Mists' | 1996 | University of Edinburgh | ||
| Dow R | 'When all is silent' | 1995 | University of Edinburgh | ||
| Dow R | 'Litany' | 2000 | University of Edinburgh | ||
| Dow R | 'Alluvion' | 1998 | University of Edinburgh | ||
| Downes A | Towards a New Age | 1999 | University of Central England in Birmingham | Contemporary Music | |
| Downes A | Concerto for Guitar, Electric Bass Guitar and String Orchestra | 2000 | University of Central England in Birmingham | Contemporary Music | |
| Downes A | Sonata for 8 flutes | 1996 | University of Central England in Birmingham | Contemporary Music | |
| Downes A | Sonata for 8 horns | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Downes M | Paul Max Edlin, Translations of the Night. 1st performance Bergamo Ensemble; Tania Williams, mezzo soprano; dir. Michael Downes. | 2000 | Canterbury Christ Church University College | ||
| Downes M | Nike Wagner, The Wagners: Dramas of a Musical Dynasty. Trans. Ewals Osers and Michael Downes. | 2000 | Canterbury Christ Church University College | ||
| Downes M | Jonathan Harvey, Music and Inspiration (ed. Michael Downes). | 1999 | Canterbury Christ Church University College | ||
| Downes M | 'Wagner and the Musicien francais: an interpretation of Debussy's criticism' | 1994 | Canterbury Christ Church University College | ||
| Doyle G A | Anon.: 'Ye Learned Wise Mortals'; J. Baildon: 'For three LADIES'; Thos. Warren: 'To our Musical Club'; Chas. Thomas: 'The Parting Catch' | 1999 | St Martin's College | ||
| Doyle G A | Towards a Taxonomy of Enthusiasms | 2000 | St Martin's College | ||
| Doyle G A | Francesco Brusa: 'Missa Pro Defunctis' 1767 | 2000 | St Martin's College | ||
| Doyle G A | Collected String Editions: Richard Deering 'Pavane'; Alfonso Ferrabosco II 'Fantasia' on the Hexachord; Matthew Locke 'Fantasia in g' and John Blow 'Chacone in G' | 1999 | St Martin's College | ||
| Drabkin WM | A Readers Guide to Haydn's String Quartets | 2000 | University of Southampton | ||
| Drabkin WM | Analisi Schenkeriana: Per un interpretazione organica della struttura musicale | 1995 | University of Southampton | Susanna Pasticci Egidio Pozzi |
|
| Drabkin WM | An Interpretation of Musical Dreams: Towards a Theory of the Mozart Piano Concerto Cadenza | 1996 | University of Southampton | ||
| Drabkin WM | Schenker, the Consonant Passing Note, and the First- Movement Theme of Beethoven | 1996 | University of Southampton | ||
| Dreyfus L | Byrd Song | 1999 | King's College London | ||
| Dreyfus L | Bach and the Patterns of Invention | 1996 | King's College London | ||
| Dreyfus L | Bachian invention and its mechanisms | 1997 | King's College London | ||
| Dreyfus L | Henry Purcell. The Complete Fantasias for Viols (L. Dreyfus, Director) | 1996 | King's College London | ||
| Duffy C | From modes to MIDI: methodologies for multimedia music courseware | 1996 | Royal Scottish Academy of Music and Drama | S Arnold | |
| Duffy C | Computer-mediated communication as a learning resource | 1997 | Royal Scottish Academy of Music and Drama | E.McAteer A.Tolmie J.Corbett |
|
| Duffy C | An introduction to the Performing Arts Data Service | 1997 | Royal Scottish Academy of Music and Drama | ||
| Duffy C | NetSem - electrifying undergraduate seminars | 1995 | Royal Scottish Academy of Music and Drama | S. Arnold F. Henderson |
|
| Dunsby JM | Recent Schenker: The Poetic Power of Intelligent Calculation (Or, The Emperor's Second Set of New Clothes) | 1999 | University of Reading | ||
| Dunsby JM | Schoenberg and Present-Day Theory and Practice | 1997 | University of Reading | ||
| Dunsby JM | The Poetry of Debussy's En blanc et noir | 1996 | University of Reading | ||
| Dunsby JM | Musicology and Culture | 1996 | University of Reading | ||
| Duran L | Birds of Wasulu: freedom of expression and expressions of freedom in the popular music of southern Mali | 1995 | School of Oriental and African Studies | ||
| Duran L | Brasil dois Mil | 2000 | School of Oriental and African Studies | ||
| Duran L | New Ancient Strings by Toumani Diabate and Ballake Sissoko (kora) | 1999 | School of Oriental and African Studies | ||
| Duran L | Women, music and the 'mystique' of hunters in Mali | 2000 | School of Oriental and African Studies | ||
| Dussek M | Hurlstone/Parry/Harty - works for cello and piano | 2000 | Royal Academy of Music | ||
| Dussek M | Rubbra - Chamber music | 2000 | Royal Academy of Music | ||
| Dussek M | Bantock - Cello Sonatas | 2000 | Royal Academy of Music | ||
| Dussek M | Rubbra - Violin Sonatas | 1999 | Royal Academy of Music | ||
| EDWARDS WA | Cavalli: La Didone | 1997 | University of Glasgow | Early Music | |
| EDWARDS WA | Phrasing in Medieval Song: Perspectives from traditional music | 1996 | University of Glasgow | Early Music | |
| EDWARDS WA | 'Chant in Anglo-French Scotland' and 'Polyphony in thirteenth-century Scotland' | 2000 | University of Glasgow | Scottish Music and Musicians | |
| EDWARDS WA | Latin motets II (from manuscript sources) | 2000 | University of Glasgow | Early Music | |
| EMMERSON S.T. | 'Fields of Attraction' for string quartet and electronics | 1997 | City University | ||
| EMMERSON S.T. | 'Losing touch': the human performer and electronics | 2000 | City University | ||
| EMMERSON S.T. | Aural landscape: musical space | 1998 | City University | ||
| EMMERSON S.T. | Acoustic/Electroacoustic: the Relationship with Instruments | 1998 | City University | ||
| Eastop P | Edward Williams - Imitation Games | 1999 | Royal Academy of Music | ||
| Eastop P | Ivan Fedele - Duo en Resonance (concerto for two horns and orchestra) | 1998 | Royal Academy of Music | ||
| Eastop P | Simon Bainbridge - Landscape and Memory (for horn, 'echo' horn and orchestra) | 1995 | Royal Academy of Music | Michael Thompson | |
| Eastop P | Bach - Missa Brevis in F/Sie werden aus Saba alle kommen | 1998 | Royal Academy of Music | ||
| Edlin P | Prambanam, Concerto for oboe d'amore, trombone, percussion and 22 solo strings (20'). 1st performance, Nicholas Daniel; Jim Casey; Fiona Ritchie; Britten Sinfonia; dir. Mark Forkgen. | 1997 | Canterbury Christ Church University College | ||
| Edlin P | Borobudur for large orchestra (32'). 1st performance, RCM Symphony Orchestra; dir. Elgar Howarth. | 1995 | Canterbury Christ Church University College | ||
| Edlin P | Towers of the God King for piano solo (15'). 1st performance, Rolf Hind, piano. | 1999 | Canterbury Christ Church University College | ||
| Edlin P | Five Fantastic Islands for flute, clarinet, viola, cello, percussion and piano (12'). 1st performance, Psappha; dir. Christopher Gayford. | 1994 | Canterbury Christ Church University College | ||
| Eisen C | The Salzburg Symphonies: a biographical interpretation | 1996 | King's College London | ||
| Eisen C | Mozart. Die Dokumente seines Lebens. Addenda. Neue Folge | 1997 | King's College London | ||
| Eisen C | The Mozarts' Salzburg Music Library | 1997 | King's College London | ||
| Eisen C | (Johann Chrysostom) Wolfgang Amadeus Mozart | 2000 | King's College London | ||
| Eisentraut J.E. | Light of Uncertainty | 1997 | University of Wales, Bangor | ||
| Eisentraut J.E. | Talcen Caled | 1998 | University of Wales, Bangor | ||
| Eisentraut J.E. | Rownd a Rownd | 1996 | University of Wales, Bangor | ||
| Eisentraut J.E. | Y Mynydd Grug - The Heather Mountain | 1997 | University of Wales, Bangor | ||
| Elcombe DK | Kenneth Leighton: Animal Heaven; Edward Harper: Lights Out, for soprano, recorder, cello and harpsichord | 2000 | University of Manchester | ||
| Elcombe DK | George Nicholson: Letters to the World (settings of poems by Emily Dickinson), for soprano, recorder, cello, harpsichord. (30'). | 2000 | University of Manchester | ||
| Elcombe DK | Keyboard Music | 1995 | University of Manchester | ||
| Elcombe DK | Martin Butler: Back to Ground | 1996 | University of Manchester | ||
| Ellerby M | Tenor Horn Concerto | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Ellerby M | Clarinet Concerto | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Ellerby M | Evocations | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Ellerby M | Tristan Encounters- Prelude and Transfigurations Brass and Percussion | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Ellis K | Palestrina et la musique dite palestrinienne | 2000 | Royal Holloway, University of London | ||
| Ellis K | The Fair Sax: Women, Brass-Playing and the Musical Instrument Trade in 1860s Paris | 1999 | Royal Holloway, University of London | ||
| Ellis K | Female Pianists and their Male Critics in Nineteenth-Century Paris | 1997 | Royal Holloway, University of London | ||
| Ellis K | Music Criticism in Nineteenth-Century France: La Revue et Gazette musicale de Paris | 1995 | Royal Holloway, University of London | ||
| Everist ME | Reception and Recomposition in the Polyphonic Conductus cum cauda: The Metz Fragment | 2000 | University of Southampton | ||
| Everist ME | Meyerbeer | 1996 | University of Southampton | ||
| Everist ME | French Motets in the Thirteenth Century: Music, Poetry and Genre, Cambridge Studies in Medieval and Renaissance Music | 1994 | University of Southampton | ||
| Everist ME | The Polyphonic Rondeau c 1300: Repertory and Context | 1996 | University of Southampton | ||
| FARRELL G.J. | The Early Days of the Gramophone in India | 1998 | City University | ||
| FARRELL G.J. | Mapping South Asian Music in Britain: Preliminary Observations | 1998 | City University | ||
| FARRELL G.J. | Indian Music and the West | 1997 | City University | ||
| FARRELL G.J. | Thinking, Saying, Playing: Children Learning the Tabla | 1997 | City University | ||
| FAUSER A. | Lili Boulanger's La Princesse Maleine: A Composer and Her Heroine as Literary Icons | 1997 | City University | ||
| FAUSER A. | La Guerre en dentelles: Women and the Prix de Rome in French Cultural Politics | 1998 | City University | ||
| FAUSER A. | The Songs | 2000 | City University | ||
| FAUSER A. | Der Orchestergesang in Frankreich zwischen 1870 und 1920 | 1994 | City University | ||
| FELLS NA | riversongs | 1999 | University of Glasgow | Composition | |
| FELLS NA | Vug | 1998 | University of Glasgow | Composition | |
| FELLS NA | gyre: eddy | 1998 | University of Glasgow | Composition | |
| FELLS NA | Kendhang | 1996 | University of Glasgow | Composition | |
| FISHER D M | Timecode systems | 1995 | University of Surrey | ||
| FISHER D M | Audio fundamentals | 1995 | University of Surrey | ||
| FISHER D M | Radio and television broadcasting | 1994 | University of Surrey | ||
| FISHER D M | Electrical safety | 1997 | University of Surrey | ||
| FORBES E S | Reflections on a theme of Alan Rawsthorne | 1998 | University of Surrey | ||
| FORBES E S | Sonata-Rondo | 1996 | University of Surrey | ||
| FORBES E S | Hymn to St Etheldreda | 1995 | University of Surrey | ||
| FORBES E S | String Quartet no.4 | 1996 | University of Surrey | ||
| FRANKLIN PR | The Life of Mahler | 1997 | University of Oxford | ||
| FRANKLIN PR | Modernism, Deception and Musical Others: Los Angeles c.1940 | 2000 | University of Oxford | ||
| FRANKLIN PR | 1998 | University of Oxford | |||
| FRANKLIN PR | 1997 | University of Oxford | |||
| Fallows DN | Approaching a New Chronology for Josquin: an Interim Report | 1996 | University of Manchester | ||
| Fallows DN | Leonardo Giustinian and Quattrocento polyphonic song | 1995 | University of Manchester | ||
| Fallows DN | A Catalogue of Polyphonic Songs, 1415-1480 | 1999 | University of Manchester | ||
| Fallows DN | Oxford, Bodleian Library, MS Canon. Misc. 213 | 1995 | University of Manchester | ||
| Fanning DJ | Progressive Thematicism in Carl Nielsen's Symphonies | 1995 | University of Manchester | ||
| Fanning DJ | Carl Nielsen: Symphony No. 5 | 1997 | University of Manchester | ||
| Fanning DJ | Carl Nielsen: Aladdin | 2000 | University of Manchester | ||
| Fanning DJ | Shostakovich Studies | 1995 | University of Manchester | ||
| Fearn R | Italian Opera Since 1945 | 1997 | Keele University | ||
| Fearn R | Homer-Dante-Joyce-Dallapiccola: Four Artists in Search of Ulysses | 1996 | Keele University | ||
| Fearn R | Those Magnificent Men in their Flying Machines: the 'ideology of Luigi Dallapiccola's 'Volo di notte' | 1997 | Keele University | ||
| Fearn R | Bruno Maderna's n | 1996 | Keele University | ||
| Fell S | Composition No.57 'Kaleidozyklen' | 2000 | Anglia Polytechnic University | Composition | |
| Fell S | 'IST' | 1998 | Anglia Polytechnic University | Composition | Rhodri Davies Mark Wastell |
| Fell S | 'Composition No. 30' | 1998 | Anglia Polytechnic University | Composition | |
| Fell S | VHF | 1999 | Anglia Polytechnic University | Composition | Graham Halliwell Simon Vincent |
| Fend M | 'Es verstecht sich von selbst, da | 1997 | King's College London | ||
| Fend M | Cherubini, Luigi | 2000 | King's College London | ||
| Fend M | The Problem of the French Revolution in Music History and Historiography | 2000 | King's College London | ||
| Fend M | Metaphern in der Musiktheorie des 16. Jahrhunderts | 1998 | King's College London | ||
| Fenlon I.A. | Giaches de Wert, Letters and Documents | 1999 | University of Cambridge | ||
| Fenlon I.A. | Music, Print and Culture in Early Sixteenth-Century Italy [The Panizzi Lectures for 1994] | 1995 | University of Cambridge | ||
| Fenlon I.A. | The Origins of the Seventeenth-Century Staged Ballo | 1995 | University of Cambridge | ||
| Fenlon I.A. | Heinrich Glarean's Books | 1994 | University of Cambridge | ||
| Fergus-Thompson G | Recital: Debussy and Ravel | 1997 | University of Central England in Birmingham | Performance Studies | |
| Fergus-Thompson G | Scriabin: Complete Piano Music Vol. 3 (The Preludes, 1887-1986) | 1995 | University of Central England in Birmingham | Performance Studies | |
| Fergus-Thompson G | Recital: Brahms, Chopin, Rachmaninov, Scriabin | 1997 | University of Central England in Birmingham | Performance Studies | |
| Fergus-Thompson G | Scriabin: Complete Piano Music Vol.4 (The Mazurkas) | 2000 | University of Central England in Birmingham | Performance Studies | |
| Fern A | Fuego | 1996 | University of Newcastle | ||
| Fern A | Approaching Melmoth | 2000 | University of Newcastle | ||
| Fern A | Peregrine | 1996 | University of Newcastle | ||
| Fern A | Wounded Angel | 1996 | University of Newcastle | ||
| Field A | Breaking Spaces | 1996 | University of York | Music Technology | |
| Field A | Expanse Hotel | 1999 | University of York | Music Technology | |
| Field A | Empty Spaces | 1998 | University of York | Music Technology | |
| Field A | Pyrotechnic | 1996 | University of York | Music Technology | |
| Field CDS | Formality and Rhetoric in English Fantasia-Suites | 1998 | University of Edinburgh | ||
| Field CDS | A Musical Apparatus of Somewhat Complex and Intricate Mechanism: Organs in Professor John Donaldson's Classroom at the University of Edinburgh, 1845-65 | 2000 | University of Edinburgh | ||
| Field CDS | John Donaldson and the Teaching of Acoustics at the University of Edinburgh in the mid-Nineteenth Century | 1997 | University of Edinburgh | ||
| Field CDS | Jenkins and the Cosmography of Harmony | 1996 | University of Edinburgh | ||
| Fingerhut M | Edward Elgar: Piano Concerto 'Slow Movement' | 2000 | Royal Northern College of Music | ||
| Fingerhut M | Arnold Bax: Concertante for Piano (left hand) and Orchestra | 2000 | Royal Northern College of Music | ||
| Fingerhut M | Arnold Bax: Octet for Piano, Horn and String Sextet | 1998 | Royal Northern College of Music | ||
| Fingerhut M | Kenneth Leighton: Works for Piano Solo | 2000 | Royal Northern College of Music | ||
| Finnissy M | Folklore (solo piano) | 1996 | Royal Academy of Music | ||
| Finnissy M | Multiple Forms of Constraint (string quartet) | 1998 | Royal Academy of Music | ||
| Finnissy M | Recent Britain (up to four musicians with [optional] assistant and pre-recorded tape[s]) | 1998 | Royal Academy of Music | ||
| Finnissy M | Palm Sunday (voices and two trombones) | 1999 | Royal Academy of Music | ||
| Finnissy MP | Shameful Vice, for soloists and instrumental ensemble (45 minutes) | 1995 | University of Southampton | ||
| Finnissy MP | Speak its Name!, for orchestra (23 minutes) | 1996 | University of Southampton | ||
| Finnissy MP | Domestic and Salon Pastimes, for various ensembles (60 minutes) | 2000 | University of Southampton | ||
| Finnissy MP | Recent Britain, for instrumental ensemble and tape (25 minutes) | 1998 | University of Southampton | ||
| Firsova E | String Quartet No 10 (La Malinconia), op.87 | 1999 | Royal Northern College of Music | ||
| Firsova E | Secret Way, op.52 | 1996 | Royal Northern College of Music | ||
| Firsova E | The River of Time, op.81 | 2000 | Royal Northern College of Music | ||
| Firsova E | Das Erste ist vergangen (Former Things are passed away), op.93 | 2000 | Royal Northern College of Music | ||
| Fischer S | The Violin | 1998 | Royal Scottish Academy of Music and Drama | ||
| Fischer S | Basics | 1997 | Royal Scottish Academy of Music and Drama | ||
| Fischman Steremberg R A | Alma Latina: composition for tape | 1997 | Keele University | ||
| Fischman Steremberg R A | 'A Tutorial Survey of Classic Synthesis Techniques' and 'Multiband Processing with Time-varying Filters' | 2000 | Keele University | ||
| Fischman Steremberg R A | Analysis of 'Crosstalk', a work by Michael Vaughan | 1997 | Keele University | ||
| Fischman Steremberg R A | Cold Fire: composition for string quartet and tape | 1996 | Keele University | ||
| Fitch FJ | 'Le Codex Chigi et les messes d'Ockeghem', in Johannes Ockeghem: Actes du XLe colloque d'etudes humanistes | 1998 | University of Durham | ||
| Fitch FJ | 'For the Sake of His Honour: reconsidering Obrecht' | 1998 | University of Durham | ||
| Fitch FJ | Johannes Ockeghem: Masses and Models | 1997 | University of Durham | ||
| Fitch FJ | Colinet de Lannoys: Mass and Songs | 1999 | University of Durham | ||
| Flanagan K | 'Textile Lunch' | 2000 | Anglia Polytechnic University | Composition | |
| Flanagan K | 'Zanzibar' | 1999 | Anglia Polytechnic University | Composition | |
| Flanagan K | Elastic Form and Concrete Structure: the analysis of improvised music. | 2000 | Anglia Polytechnic University | Musicology | D. Crilly |
| Flanagan K | 'Kerouac Suite' | 1999 | Anglia Polytechnic University | Composition | |
| Fox P C | 'Introduction''Conversations with Michael Finnissy''The Vocal Music' | 1997 | University of Huddersfield | ||
| Fox P C | chant suspendu | 1999 | University of Huddersfield | ||
| Fox P C | Prime site | 1997 | University of Huddersfield | ||
| Fox P C | '1982-1994: L'Atelier | 1996 | University of Huddersfield | ||
| Francis S | Britten: Music for oboePhantasy Quartet op 2Six Metamorphoses after Ovid op 49 Temporal Variations for oboe and pianoTwo Insect Pieces for oboe and piano | 1995 | Royal College of Music | Performance | Michael Dussek, piano Members of the Delme Quartet |
| Francis S | Vanhal: Six Quartette Concertante for oboe and string trio, Op 7 | 2000 | Royal College of Music | Tagore String Trio | |
| Francis S | Rutland Boughton: Chamber Works with OboeOboe Quartet No 1 (1930) Three Songs without Words for oboe quartet | 1997 | Royal College of Music | Performance | Rasumovsky Quartet |
| Francis S | Elizabeth Machonchy: Oboe Quintet | 1996 | Royal College of Music | Medici Quartet | |
| Freeman-Attwood J | Dido and her recorded legacy | 1995 | Royal Academy of Music | ||
| Freeman-Attwood J | Andrew Johnstone - Sonata da Chiesa (for trumpet and organ) | 2000 | Royal Academy of Music | ||
| Freeman-Attwood J | Bach Connections | 1999 | Royal Academy of Music | ||
| Freeman-Attwood J | Roderick Williams - Feis (for soprano, trumpet, organ) | 1998 | Royal Academy of Music | ||
| Fretwell P | Doors Close | 1998 | University of Hertfordshire | ||
| Fretwell P | Travelling Still | 1998 | University of Hertfordshire | ||
| Fretwell P | Asklepion | 1999 | University of Hertfordshire | ||
| Fretwell P | A Fragmented History | 1999 | University of Hertfordshire | ||
| Frith B | Edward Elgar: Rediscovered Works for Violin and Piano | 1999 | Royal Northern College of Music | ||
| Frith B | John Field: Piano Concertos 2 and 4 | 1999 | Royal Northern College of Music | ||
| Frith B | John Field: Nocturnes, nos 1-9; Piano Sonatas, op.1, nos 1 + 2 | 1999 | Royal Northern College of Music | ||
| Frith B | Mendelssohn: Piano Works, Vol.5 | 1999 | Royal Northern College of Music | ||
| Frolova-Walker M | 1998 | University of Southampton | |||
| Frolova-Walker M | On Ruslan and Russianness | 1997 | University of Southampton | ||
| Frolova-Walker M. | On Ruslan and Russianness | 1997 | University of Cambridge | ||
| Frolova-Walker M. | National in Form, Socialist in Content: Musical Nation-Building in the Soviet Republics | 1998 | University of Cambridge | ||
| Fuller A | William Yeates Hurlestone: Cello Sonata in D major | 1999 | University of Central England in Birmingham | Performance Studies | Michael Dussek |
| Fuller A | Bantock: Sonata for Unaccompanied Cello, and character pieces | 2000 | University of Central England in Birmingham | Performance Studies | Michael Dussek Lucy Wakeford, harp |
| Fuller A | Bantock: Sonatas for Cello and Piano | 2000 | University of Central England in Birmingham | Performance Studies | Michael Dussek |
| Fuller A | Hubert Parry: Cello Sonata in A | 1999 | University of Central England in Birmingham | Performance Studies | Michael Dussek |
| Fuller S | New Perspectives: Feminism and Music | 1996 | University of Reading | ||
| Fuller S | The Pandora Guide to Women Composers: Britain and the United States, 1629-present | 1994 | University of Reading | ||
| Fuller S | Dora Bright, Variations on an Original Theme, for two pianos, introduced and edited | 1999 | University of Reading | ||
| Fuller S | Dead White Men in Wigs: Women and Classical Music Today | 1995 | University of Reading | ||
| Fulwell P | Evolution 2.0 | 1998 | Liverpool John Moores University | Fallows, C Wardle, M |
|
| Fulwell P | Making Music Work: Intervention Strategies and the Development of Regional Music Economies | 1998 | Liverpool John Moores University | ||
| Fulwell P | BitBiz: Accelerating the Creative Industries | 2000 | Liverpool John Moores University | ||
| Fulwell P | Music City 2.0: Developing the Digital Music Economy | 2000 | Liverpool John Moores University | ||
| GIBSON IS | Voice parameter estimation for sound processing control | 1994 | University of Oxford | Gibson, I Howard, D M |
|
| GIBSON IS | Sound processing control using voice and graphical information | 1994 | University of Oxford | Gibson, I Howard, D M |
|
| GIBSON IS | Cast Aside (electroacoustic composition) | 2000 | University of Oxford | ||
| GIBSON IS | A Voice Controlled Music Synthesis System | 1998 | University of Oxford | Gibson, I Howard, D M |
|
| GOSS S M | Dreamchild, for soprano soloist and large ensemble | 1994 | University of Surrey | ||
| GOSS S M | Looking Glass Ties | 2000 | University of Surrey | ||
| GOSS S M | Arcadia | 1996 | University of Surrey | ||
| GOSS S M | Carmen Fantasy | 1998 | University of Surrey | ||
| GRIMLEY D M | Berwald | 2000 | University of Surrey | ||
| GRIMLEY D M | Sibelius's Lemminkainen and the Maidens of Saari Op.22/1: Acculturation, Italy and the Midsummer Night | 1999 | University of Surrey | ||
| Gardiner I.R | Bluetime | 1997 | Liverpool John Moores University | ||
| Gardiner I.R | Annabelle Dancing | 1995 | Liverpool John Moores University | ||
| Gardiner I.R | Monument | 1994 | Liverpool John Moores University | ||
| Gardiner I.R | Lift Music | 1996 | Liverpool John Moores University | ||
| Garnett L | Separate but equal: sexual politics in the barbershop | 1999 | University of Central England in Birmingham | Critical Musicology | |
| Garnett L | Ethics and Aesthetics: The Social Theory of Barbershop Harmony | 1999 | University of Central England in Birmingham | Critical Musicology | |
| Garnett L | Extended Review: Joseph N. Straus: The Music of Ruth Crawford Seeger (CUP, 1995) | 1997 | University of Central England in Birmingham | Critical Musicology | |
| Garnett L | Musical Meaning Revisited: Thoughts on an 'Epic' Critical Musicology | 1998 | University of Central England in Birmingham | Critical Musicology | |
| Garro D | Voci dall'Aldiqua: composition for tape | 1997 | Keele University | ||
| Garro D | 'Strum' in a Teacup: composition for tape | 1998 | Keele University | ||
| Garro D | Pangea: composition for tape | 2000 | Keele University | ||
| Garro D | Six Dreaming Jewels: composition for tape | 1999 | Keele University | ||
| Geddes J M | Symphony no 3, for orchestra | 1999 | Royal Scottish Academy of Music and Drama | ||
| Geddes J M | Guitar Concerto, for guitar, strings and vibraphone | 1998 | Royal Scottish Academy of Music and Drama | ||
| Geddes J M | Oboe Concerto | 1994 | Royal Scottish Academy of Music and Drama | ||
| Geddes J M | Stars over Carnac, for solo guitar | 1997 | Royal Scottish Academy of Music and Drama | ||
| Gifford G | The Best Crayfish in the Brook: works for harpsichord and chamber organ by Johann Ludwig KrebsSuite in B minor; Chorales: Jesus, meine Zuversicht (2 settings), Allein Gott in der Hoh sei Ehr, Christ lag in Todesbanden, Warum betrubst du dich, mein Herz; | 1995 | Royal College of Music | Performance | |
| Gifford G | Per Chiesa et per Camera: Music for chamber organ and harpsichord by G.P. TelemannOverture I in G minor; Fantasia VIII in G minor; Fantasia XII in E flat major (1 Douzane); Chorale Preludes: O Lamm Gottes, unschuldig; Christ lag in Todesbanden; Komm hei | 1996 | Royal College of Music | ||
| Gifford G | His Lordship's Delight: Georgian music for harpsichord and organHandel: Overture to Deidamia; Minuet from Samson; March from the Occasional OratorioR. Jones: Suite in A minorDussek: A Voluntary for Organ by Handel, with VariationsHaydn: Sonata in | 1998 | Royal College of Music | ||
| Gifford G | Georgian Delights: a treasury of harpsichord and organ music from the Library of Arnold DolmetschHandel: Overture to Ottone; Air for a Musical ClockAnon.: Lesson with Variations by Mr Handel; Stamford a+ Lord Exeter's Minuets; Lesson II in F major; Fu | 2000 | Royal College of Music | ||
| Gilbert A | Vers de lune | 2000 | Royal Northern College of Music | ||
| Gilbert A | Sinfin | 2000 | Royal Northern College of Music | ||
| Gilbert A | On Beholdng a Rainbow | 1999 | Royal Northern College of Music | ||
| Gilbert A | Reflexions, Rose Nord | 1997 | Royal Northern College of Music | ||
| Gill L | Clarinet Trios, Lawrence Gill (clarinet), Robert Irvine (cello), Graeme McNaught (piano), Paul Coletti (viola) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Gill L | Life Studies 1-3, for clarinet and piano, by William Sweeney, Lawrence Gill (clarinet) and Graeme McNaught (piano) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Gill L | Cloudscapes, by Paul Keenan, with Lawrence Gill (clarinet) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Gill L | Punch!, by Alasdair Nicolson, The Chamber Group of Scotland with Lawrence Gill (clarinet) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Gilmore B | The Harry Partch Collection | 1997 | Dartington College of Arts | ||
| Gilmore B | Harry Partch: a biography | 1998 | Dartington College of Arts | ||
| Gilmore B | Review of Miller and Lieberman, Lou Harrison: Composing a World | 2000 | Dartington College of Arts | ||
| Gilmore B | 'Reinventing Ives' | 2000 | Dartington College of Arts | ||
| Glauert A | Hugo Wolf and the Wagnerian Inheritance | 1999 | Royal Academy of Music | ||
| Glauert A | Beethoven's songs and vocal style | 2000 | Royal Academy of Music | ||
| Glauert A | Finding the compositional voice in Beethoven's songs | 2000 | Royal Academy of Music | ||
| Glauert A | 'Ich singe, wie der Vogel singt': Reflections on Nature and Genre in Wolf's Setting of Goethe's Der Sanger | 2000 | Royal Academy of Music | ||
| Gloag K | 'Tippett's Second Symphony, Stravinsky, and the Language of Neoclassicism' | 1999 | Cardiff University | Twentieth-Century British and French Music | |
| Gloag K | Tippett: A Child of Our Time | 1999 | Cardiff University | Twentieth-Century British and French Music | |
| Gloag K | 'All You Need is Theory? The Beatles' Sgt. Pepper' | 1998 | Cardiff University | Twentieth-Century British and French Music | |
| Gloag K | Review of J. Shepherd and P. Wicke, Music and Cultural Theory (Cambridge, 1997) | 1999 | Cardiff University | Twentieth-Century British and French Music | |
| Glover J | Children Composing 4-14 | 2000 | Bath Spa University College | ||
| Glover J | Primary Music: Later Years | 1999 | Bath Spa University College | Young, S. | |
| Glover J | Music in the Early Years | 1998 | Bath Spa University College | Young, S. | |
| Glover J | Teaching Music in the Primary School | 1998 | Bath Spa University College | Ward, S. | |
| Gorb A | Sonata for Violin and Piano | 1996 | Royal Northern College of Music | ||
| Gorb A | Elements: Concerto for Percussion + Wind Orchestra | 1998 | Royal Northern College of Music | ||
| Gorb A | 'Awayday' for Wind Orchestra | 1996 | Royal Northern College of Music | ||
| Gorb A | Concerto for Clarinet and Orchestra | 2000 | Royal Northern College of Music | ||
| Gordon MZ | Thirteen Ways, for soprano and instrumental ensemble (20 minutes) | 1996 | University of Southampton | ||
| Gordon MZ | Gravity and Grace 1-4, for chamber ensemble (45 minutes) | 1996 | University of Southampton | ||
| Gordon MZ | Song, for soprano, tenor, chorus and ensemble (35 minutes) | 1999 | University of Southampton | ||
| Gordon MZ | Barcarola, for horn, violin and piano (7 minutes) | 1998 | University of Southampton | ||
| Gould C | Piers Hellawell - Inside Story (concerto for violin and viola) | 1999 | Royal Academy of Music | ||
| Gould C | Tavener - Tears of the Angels/Depart in Peace/My Gaze is Ever Upon You | 1998 | Royal Academy of Music | ||
| Gould C | Boulez - Antheme (for solo violin and electronics) | 2000 | Royal Academy of Music | ||
| Gould C | D.C.Heath - Concerto for Violin and Chamber Orchestra | 1997 | Royal Academy of Music | ||
| Gourlay J | Judith Bingham: 'Prague' | 1996 | Royal Northern College of Music | ||
| Gourlay J | 'Jazz' | 1997 | Royal Northern College of Music | ||
| Gourlay J | Hans Werner Henze: 'Apollo trionfante' | 1998 | Royal Northern College of Music | ||
| Gourlay J | 'Gourlay Plays Tuba' | 1994 | Royal Northern College of Music | ||
| Graffin P | Chausson: Chamber Works | 1998 | University of Central England in Birmingham | Performance Studies | Chilingirian Quartet Pascal Devoyon |
| Graffin P | Ysa | 1997 | University of Central England in Birmingham | Performance Studies | |
| Graffin P | Saint-Sa | 1999 | University of Central England in Birmingham | Performance Studies | BBC Scottish SO, cond.Martyn Brabbins |
| Graffin P | Saint-Sa | 1999 | University of Central England in Birmingham | Performance Studies | Pascal Devoyon |
| Graham D | Improvisation on Salve Regina | 1999 | Royal College of Music | Performance | |
| Graham D | Improvisation on Victimae Paschali Laudes | 1999 | Royal College of Music | ||
| Graham D | Ave Regina: The Complete Organ Works of Guy Weitz - volume 1Weitz: Three Pieces (1935-39); Two Pieces based on Plainchant Motives (1962); Symphony No. 1(1931). | 2000 | Royal College of Music | ||
| Graham D | Improvisation on Veni Creator | 1999 | Royal College of Music | Performance | |
| Graham P | Reflected in Brass | 1998 | University of Salford | ||
| Graham P | Montage | 1994 | University of Salford | ||
| Graham P | On Alderley Edge | 1997 | University of Salford | ||
| Graham P | Harrison's Dream | 2000 | University of Salford | ||
| Grange PR | Des fins sont des commencements for chamber ensemble (6') | 1994 | University of Manchester | ||
| Grange PR | Lament of the Bow for chamber ensemble (16') | 2000 | University of Manchester | ||
| Grange PR | 'Sheng Sheng Bu Shi': Concerto for solo clarinet radical and symphonic wind band | 2000 | University of Exeter | ||
| Grange PR | 'Lament of the bow' for chamber ensemble' | 2000 | University of Exeter | ||
| Grant R | Hedge Riddles | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Grant R | Intonarumori | 2000 | University of Central England in Birmingham | Contemporary Music | |
| Grant R | When Sirens Sing | 1999 | University of Central England in Birmingham | Contemporary Music | |
| Grant R | The Nailmaker | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Greer DC | A Numerous and Fashionable Audience: the story of Elsie Swinton | 1997 | University of Durham | ||
| Greer DC | John Dowland: Ayres for Four Voices | 2000 | University of Durham | ||
| Greer DC | 'Manuscript Additions in Parthenia and other early English printed music in America' | 1996 | University of Durham | ||
| Greer DC | 'Elgar in Belfast' | 1998 | University of Durham | ||
| Gregor-Smith B | Henri Dutilleux: Ainsi la Nuit | 1994 | University of Manchester | ||
| Gregor-Smith B | Beethoven: complete cycle of strings quartets | 1999 | University of Manchester | ||
| Gregor-Smith B | Haydn cycle: Op.20 No.5, Op.33 No.2, Op.54 No.2, Op.76 No.1 | 1998 | University of Manchester | ||
| Gregor-Smith B | John Casken: String Quartet No.2 | 1994 | University of Manchester | ||
| Gregson E | Violin Concerto | 2000 | Royal Northern College of Music | ||
| Gregson E | 'The Dance, forever the Dance' | 1999 | Royal Northern College of Music | ||
| Gregson E | Three Matisse Impressions | 1998 | Royal Northern College of Music | ||
| Gregson E | 'and the seven trumpets...' | 1999 | Royal Northern College of Music | ||
| Gribbin D | Hey Persephone! | 1998 | University of Newcastle | ||
| Gribbin D | Amazing Face | 2000 | University of Newcastle | ||
| Gribbin D | Celestial Pied Piper | 2000 | University of Newcastle | ||
| Gribbin D | Tribe | 1997 | University of Newcastle | ||
| Gribbin D | Celestial Pied Piper | 2000 | Bath Spa University College | ||
| Gribbin D | Hey Persephone! | 1998 | Bath Spa University College | ||
| Griffiths D | Music in the 18th-century York theatre | 1998 | University of York | ||
| Griffiths D | A Musical Place of the First Quality: a history of institutional music making in York, c1550-1990 | 1994 | University of York | ||
| Griffiths D | York | 2000 | University of York | Paynter J | |
| Griffiths DM | Review of Anne C Shreffler, Webern and the Lyric Impulse: Songs and Fragments on Poems of Georg Trakl (Oxford: Oxford University Press, 1994) | 1997 | Oxford Brookes University | ||
| Griffiths DM | 'So who are you?' Webern's Op 3 No 1 | 1996 | Oxford Brookes University | ||
| Griffiths DM | 'Home is living like a man on the run': John Cale's Welsh Atlantic | 2000 | Oxford Brookes University | ||
| Griffiths DM | The high analysis of low music | 1999 | Oxford Brookes University | ||
| Gritten AJ | Analysing Van den Toorn Analysing Stravinsky Analysing | 1997 | University of East Anglia | ||
| Gritten AJ | On Answering Music | 2000 | University of East Anglia | ||
| Gritten AJ | The Progress of an Essay: Edward Cone's Writing on Stravinsky | 1998 | University of East Anglia | ||
| Gritten AJ | Unholy Delights: On Edward Cone's Relations | 2000 | University of East Anglia | ||
| HAIR GB | Seven words | 1999 | University of Glasgow | Composition | |
| HAIR GB | Wild cherries and honeycomb | 1998 | University of Glasgow | Composition | |
| HAIR GB | Lament for Santa Sophia | 2000 | University of Glasgow | Composition | |
| HAIR GB | Dances and Devilment and Sunlit Airs | 2000 | University of Glasgow | Composition | |
| HALFYARD J | Nekyia (Joseph Hyde, Alaric Sumner) | 1999 | Bretton Hall | ||
| HALFYARD J | CD: In Sunlight ( Joseph Hyde ) | 1996 | Bretton Hall | ||
| HALFYARD J | Before Night Comes: Narrative and Gesture in Berio's Sequenza III (1966) | 2000 | Bretton Hall | ||
| HALFYARD J | Classical vs. Film Revisited | 1998 | Bretton Hall | ||
| HELLAWELL PRHD | Inside Story, solo violin, solo viola and symphony orchestra | 1999 | The Queen's University of Belfast | ||
| HELLAWELL PRHD | Drum of the N | 1997 | The Queen's University of Belfast | ||
| HELLAWELL PRHD | Do Not Disturb, Symphony Orchestra and Children's Choir | 1997 | The Queen's University of Belfast | ||
| HELLAWELL PRHD | The Hilliard Songbook | 1996 | The Queen's University of Belfast | ||
| HENSON K | In the House of Disillusion: Augusta Holmes and | 1997 | University of Oxford | ||
| HENSON K | Exotisme et nationalite: | 2000 | University of Oxford | ||
| HENSON K | Victor Capoul, Marguerite Olagnier's | 1999 | University of Oxford | ||
| HENSON K | Jonathan Bellman (ed.) | 1999 | University of Oxford | ||
| HIGGINBOTTOM E | Renaissance Masterpieces Vol.II. Works by Lassus. New College Choir, directed by Dr Edward Higginbottom | 1997 | University of Oxford | ||
| HIGGINBOTTOM E | Renaissance Masterpieces, Vol.I. Works by Tallis and Byrd. New College Choir, directed by Dr Edward Higginbottom | 1996 | University of Oxford | ||
| HIGGINBOTTOM E | Renaissance Masterpieces Vol.V. Works by Philippe de Monte. New College Choir, directed by Dr Edward Higginbottom | 1998 | University of Oxford | ||
| HIGGINBOTTOM E | Renaissance Masterpieces Vol.III. Works by Eustache du Caurroy. New College Choir, directed by Dr Edward Higginbottom | 1997 | University of Oxford | ||
| HINNELLS D | Hugh Foss: Vaughan Williams's Jaeger? | 1996 | University of Oxford | ||
| HINNELLS D | 'Vaughan Williams Studies' (ed. Frogley, 1996) | 1998 | University of Oxford | ||
| HINNELLS D | Vaughan Williams's Piano Concerto: the First Seventy Years | 1998 | University of Oxford | ||
| HINNELLS D | An Extraordinary Performance: Hubert Foss, Music Publishing and Oxford University Press | 1998 | University of Oxford | ||
| Hakim N | Vexilla Regis (solo organ) | 1995 | Royal Academy of Music | ||
| Hakim N | Hymne de l'Univers (Orchestra) | 1997 | Royal Academy of Music | ||
| Hakim N | Missa Redemptionis (choir) | 1996 | Royal Academy of Music | ||
| Hakim N | Seattle Concerto (solo organ and orchestra) | 1999 | Royal Academy of Music | ||
| Hall B | 'Atavism at the Summit' Lecture recital (piano) | 1999 | University College Chichester | Music | |
| Hall B | 'Benjamin Hall, Piano' Piano recital | 2000 | University College Chichester | Music | |
| Hall B | 'Three Pieces from the Heartland' - Piano /dance duo performance | 1999 | University College Chichester | Music | |
| Hall B | 'The Queens-Chichester Music and Dance Project' (Interdisciplinary arts project.) | 1999 | University College Chichester | Music | |
| Hall R | Jazzsick, with Rob Hall (soprano saxophone) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Hall R | Nighean nan geug, music and song from the Gaelic tradition, with Rob Hall (alto and soprano saxophone) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Hall R | Heading north, compositions and arrangements by Rob Hall, Rob Hall (leader and soprano saxophone/clarinet) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Hall R | Open up, compositions and arrangements by Rob Hall, Rob Hall (leader and soprano saxophone/clarinet). | 1997 | Royal Scottish Academy of Music and Drama | ||
| Hamilton J | Mark Anthony Turnage: Greek | 2000 | Royal Northern College of Music | ||
| Hamilton J | Hans Werner Henze: Pollicino | 1999 | Royal Northern College of Music | ||
| Hamilton J | Rameau: Hippolyte et Aricie | 1998 | Royal Northern College of Music | ||
| Hamilton J | Massenet: Werther | 1997 | Royal Northern College of Music | ||
| Hamilton KL | The Virtuoso Tradition. | 1998 | University of Birmingham | ||
| Hamilton KL | Liszt : Sonata in B minor. | 1996 | University of Birmingham | ||
| Hamilton KL | Not with a Bang, but a Whimper : The Death of Liszt's Sardanapale. | 1996 | University of Birmingham | ||
| Hamilton KL | Liszt Symphonies and Symphonic Poems. | 1997 | University of Birmingham | ||
| Hancox G | Dalwyn Henshall, Dover Beach (composed for Grenville Hancox). 1st performance, Grenville Hancox, clarinet; Katherine Lewis, mezzo soprano; David Pickup, piano. | 1995 | Canterbury Christ Church University College | ||
| Hancox G | Britten, War Requiem. Judith Buckle, Ian Bostridge, Ben Luxon, Canterbury Christ Church University College chamber orchestra, symphony orchestra, children's choir and chorus. Dir. Grenville Hancox. | 1994 | Canterbury Christ Church University College | ||
| Hancox G | A recital of British Clarinet Music. Grenville Hancox, clarinet; Anna Roscorla, narrator; Julian Dawson, piano. | 1996 | Canterbury Christ Church University College | ||
| Hancox G | Carissimi, Jepthe; Peter Wilman, Jepthe; Emily Renshaw, Felia; Peter Bowman, Kathryn Bennetts, recorders; Cantata Choir and Ensemble, dir. Grenville Hancox. | 2000 | Canterbury Christ Church University College | ||
| Harlow M | Transcriptions from Gluck: Iphig | 1998 | University of Central England in Birmingham | Early Music | |
| Harlow M | Hummel: Die Eselshaut, arr.Wenzel Sedlak | 2000 | University of Central England in Birmingham | Early Music | |
| Harlow M | Mr Halford's Orchestral Concerts 1897-1907 | 1999 | University of Central England in Birmingham | Performance Studies | |
| Harlow M | Charles Swinnerton Heap: Clarinet Sonata | 2000 | University of Central England in Birmingham | Performance Studies | |
| Harper E | Etude for Orchestra | 1999 | University of Edinburgh | ||
| Harper E | Lochinvar: A children's opera | 2000 | University of Edinburgh | ||
| Harper E | Trio for Clarinet, Cello + Piano | 1997 | University of Edinburgh | ||
| Harper E | 'Souvenir' | 1999 | University of Edinburgh | ||
| Harper J.M. | Music for Common Worship. vol.1: Music for Sunday services (editor and composer), vol.2: Music for the President (editor and composer), vol.3: A basic guide (author) | 2000 | University of Wales, Bangor | ||
| Harper J.M. | 'Ensemble and lute music' | 1995 | University of Wales, Bangor | ||
| Harper J.M. | 'Philip ap Rhys and his liturgical organ music revisited' / 'Ailolwg ar Philip ap Rhys a'i gerddoriaeth organ litwrgiaidd' | 1995 | University of Wales, Bangor | ||
| Harper J.M. | 'Music and liturgy, 1300-1600' | 2000 | University of Wales, Bangor | ||
| Harper S.E. | Robert ap Huw Studies / Astudiaethau Robert ap Huw | 1999 | University of Wales, Bangor | ||
| Harper S.E. | Our Awin Scottis Use: Music in the Scottish Church up to 1603 | 2000 | University of Wales, Bangor | I.W. Preece W. Edwards G. Munro |
|
| Harper S.E. | 'The Robert ap Huw Manuscript and the Canon of Sixteenth-Century Welsh Harp Music' / 'Llawysgrif Robert ap Huw a Chanon Cerddoriaeth Gymreig i'r Delyn yn yr Unfed Ganrif ar Bymtheg' | 1999 | University of Wales, Bangor | ||
| Harper S.E. | 'The Bangor Pontifical: A Pontifical of the Use of Salisbury' / 'Esgoblyfr Bangor: Esgoblyfr Arfer Caersallog' | 1997 | University of Wales, Bangor | ||
| Harris M | Twelve Organs of Edinburgh | 1999 | Napier University | ||
| Harris M | National Service to Mark the Opening of the Scottish Parliament. | 1999 | Napier University | ||
| Harris M | National Millennium Service for Scotland | 2000 | Napier University | ||
| Harris M | Watchnight Service Christmas 1998 | 1998 | Napier University | ||
| Harris M | The Bass Clarinet | 1995 | University of Central England in Birmingham | Performance Studies | |
| Harris M | Mark-Anthony Turnage: Lament for a Hanging Man and Release | 1995 | University of Central England in Birmingham | Contemporary Music | The Nash Ensemble cond.Oliver Knussen Fiona Kimm, soprano |
| Harris M | J.C. Bach: Concerted Symphony in E flat major | 1997 | University of Central England in Birmingham | Early Music | The Parley of Instruments dir.Peter Holman |
| Harris M | Telemann: Concerto and Sonata for alto and tenor chalumeaux | 1996 | University of Central England in Birmingham | Early Music | Collegium Musicum 90, dir.Simon Standage Colin Lawson |
| Harrison DJT | Surface Tension for tape alone. | 1996 | University of Birmingham | ||
| Harrison DJT | Splintering for Tape Alone. | 1997 | University of Birmingham | ||
| Harrison DJT | Articles Ind | 1996 | University of Birmingham | ||
| Harrison DJT | Streams for 8-channel tape. | 1999 | University of Birmingham | ||
| Harrison P | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG cond.Simon Rattle |
| Harrison P | Turnage: Kai | 1994 | University of Central England in Birmingham | Contemporary Music | BCMG cond.Simon Rattle Holland Strebing |
| Harrison P | Stockhausen: Momente | 1994 | University of Central England in Birmingham | Contemporary Music | BCMG and B.E.A.S.T. |
| Harrison P | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG cond.Simon Rattle Holland Strebing |
| Harrison SE | No Title Required (previously, Second Coming) for mixed quintet. | 1999 | Goldsmiths College | ||
| Harrison SE | Taking Flight, for string quartet. | 1999 | Goldsmiths College | ||
| Harrison SE | Taking Flight: Chamber Works by Sadie Harrison. | 2000 | Goldsmiths College | ||
| Harrison SE | Inscapes: Contemporary music for violin and piano. | 2000 | Goldsmiths College | ||
| Harry M | Still Life for oboe, clarinet, trumpet, celesta and strings | 1995 | University of Durham | ||
| Harry M | Regenstimmen for solo harp | 1999 | University of Durham | ||
| Harry M | Fantasy Unbuttoned, for nineteen players | 1998 | University of Durham | ||
| Harry M | The End of the Line, an opera for three singers, clarinet, violoncello and harp to a libretto by the composer | 1997 | University of Durham | ||
| Hartwell RF | Salome Dances | 2000 | Liverpool Hope | ||
| Hartwell RF | Pas de Deux | 2000 | Liverpool Hope | ||
| Hartwell RF | A story recounted | 1995 | Liverpool Hope | ||
| Hartwell RF | Cruciform Trio | 1999 | Liverpool Hope | ||
| Harvey JD | White as Jasmine | 2000 | University of Sussex | ||
| Harvey JD | Mothers Shall Not Cry | 2000 | University of Sussex | ||
| Harvey JD | Tranquil Abiding | 2000 | University of Sussex | ||
| Harvey JD | Music and Inspiration | 1999 | University of Sussex | ||
| Hayden S T | Intransigence | 2000 | University of Leeds | ||
| Hayden S T | Partners in Psychopathology | 1998 | University of Leeds | ||
| Hayden S T | Bleeding Chunk | 1996 | University of Leeds | ||
| Hayden S T | Collateral Damage | 1999 | University of Leeds | ||
| Head MW | 'If the pretty little hand won | 1999 | University of Southampton | ||
| Head MW | Music with | 2000 | University of Southampton | ||
| Head MW | Bird Song and the Origins of Music | 1997 | University of Southampton | ||
| Head MW | Orientalism, Masquerade and Mozart | 2000 | University of Southampton | ||
| Heaton R | Clarinet Quintet by Harrison Birtwistle | 1999 | Bath Spa University College | ||
| Heaton R | Die Darmst | 1996 | Bath Spa University College | ||
| Heaton R | Cassandra | 1998 | Bath Spa University College | ||
| Heaton R | Hymnos | 1997 | Bath Spa University College | ||
| Hellaby J | Ballades in G minor and F major, and Shakhidi, piano sonata no.2 | 1996 | Thames Valley University | Centre for Research in Contemporary Music Practice | Hellaby J |
| Hellaby J | Playful | 1998 | Thames Valley University | Centre for Research in Contemporary Music Practice | Hellaby J |
| Hellaby J | Solo Piano Recital | 1998 | Thames Valley University | Centre for Research in Contemporary Music Practice | Hellaby J |
| Hellaby J | Robert Ramskill's piano concerto | 1998 | Thames Valley University | Centre for Research in Contemporary Music Practice | Hellaby J |
| Henshall D | Sonata for Violin and Harp (25'). 1st performance, Alexander Trostiansky, violin; Anna Verkholoantseva, harp. | 2000 | Canterbury Christ Church University College | ||
| Henshall D | Three Welsh Dances for solo Harp (12'). First performance, Catrin Finch. | 2000 | Canterbury Christ Church University College | ||
| Henshall D | Nocturne and Aubade for solo Harp (10'). First performance, Osian Ellis. | 1996 | Canterbury Christ Church University College | ||
| Henshall D | Springrise for Soprano, SSA choir and orchestra (30'). 1st performance, Elen ap Robert, The Maidstone Choral Union and Maidstone Choral Society, Maidstone and District Orchestral Society. Dir, Geoffrey Martin. | 1995 | Canterbury Christ Church University College | ||
| Herbert T | The Cambridge Companion to Brass Instruments | 1997 | Open University | ||
| Herbert T | The British Brass Band: A Musical and Social History | 1999 | Open University | ||
| Herbert T | 2000 | Open University | |||
| Herbert T | 1997 | Open University | |||
| Herford H | 'Settings of Goethe's Faust' | 1999 | Royal Northern College of Music | ||
| Herford H | Das Lied im Imbruch | 1998 | Royal Northern College of Music | ||
| Herford H | Peter Maxwell Davies: 'The Lighthouse' | 1994 | Royal Northern College of Music | ||
| Herford H | Gazzaniga: 'Don Giovanni Tenorio' | 1997 | Royal Northern College of Music | ||
| Herford H | Peter Maxwell Davies: Resurrection | 1995 | Royal College of Music | Performance | BBC Philharmonic Orchestra Sir Peter Maxwell Davies |
| Herford H | Bliss: A knot of Riddles and other songs | 2000 | Royal College of Music | Performance | Nash Ensemble Martyn Brabbins, conductor Kathron Sturrock, piano |
| Herford H | Edward Gregson: Missa Brevis Pacem | 1995 | Royal College of Music | Performance | Manchester Boys' Choir RNCM Symphonic Wind Band and Brass Band Edward Gregson, conductor |
| Herford H | John Joubert: The Instant Moment, op. 110 | 1997 | Royal College of Music | Performance | English String Orchestra William Boughton, conductor |
| Herissone RL | Music Theory in Seventeenth-Century England | 2000 | Lancaster University | ||
| Herissone RL | The Revision Process in William Turner | 1998 | Lancaster University | ||
| Herissone RL | Richard Goodson the elder | 1998 | Lancaster University | ||
| Herissone RL | The Magdalene College Part-books: origins and contents | 1996 | Lancaster University | ||
| Heyde N | Ferneyhough - Time and Motion Study II | 1998 | Royal Academy of Music | ||
| Heyde N | Claude Debussy - Nocturne et Scherzo (for cello and piano) | 1995 | Royal Academy of Music | ||
| Heyde N | Soler/Roger/Sarda - Quartets | 2000 | Royal Academy of Music | ||
| Heyde N | Finnissy - Works for String Quartet | 1998 | Royal Academy of Music | ||
| Hill PHA | The Messiaen Companion | 1994 | University of Sheffield | ||
| Hill PHA | Stravinsky: piano music (CD) | 1996 | University of Sheffield | Benjamin Frith | |
| Hill PHA | Stravinsky: The Rite of spring | 2000 | University of Sheffield | ||
| Hill PHA | Berg, Schoenberg, Webern: the piano music (CD) | 1999 | University of Sheffield | ||
| Hoadley RJ | The Copenhagen Interpretation | 1999 | Anglia Polytechnic University | Composition | |
| Hoadley RJ | The Continual Snowfall of Petrochemicals | 1999 | Anglia Polytechnic University | Composition | |
| Hoadley RJ | Psalm | 1999 | Anglia Polytechnic University | Composition | |
| Hoadley RJ | PSY | 1999 | Anglia Polytechnic University | Composition | |
| Holland J | John Adams: Two Fanfares: Short Ride on a Fast machine; Tromba Lontana | 1994 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Simon Rattle |
| Holland J | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG, cond. Simon Rattle Harrison Strebing |
| Holland J | Cashian: Chamber Concerto | 2000 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Stefan Asbury |
| Holland J | Turnage: Kai | 1994 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Simon Rattle Harrison Strebing |
| Holloway R.G. | Scenes from Antwerp, Op. 85 | 1998 | University of Cambridge | ||
| Holloway R.G. | Gilded Goldbergs, Op. 86 | 1999 | University of Cambridge | ||
| Holloway R.G. | Third Concerto for Orchestra, Op. 80 | 1996 | University of Cambridge | ||
| Holloway R.G. | Symphony, Op 88 | 2000 | University of Cambridge | ||
| Holman P K | Dowland: Lachrimae (1604) | 1999 | University of Leeds | ||
| Holman P K | 1998 | University of Leeds | |||
| Holman P K | The Colchester Part-Books | 2000 | University of Leeds | ||
| Holman P K | Original Sets of Parts for Restoration Concerted Music at Oxford | 1996 | University of Leeds | ||
| Holt S K | Sunrise' yellow noise | 2000 | Royal Holloway, University of London | ||
| Holt S K | Eco-Pavan | 1998 | Royal Holloway, University of London | ||
| Holt S K | The Nightingale's to Blame | 1998 | Royal Holloway, University of London | ||
| Holt S K | Daedelus Remembers | 1995 | Royal Holloway, University of London | ||
| Horch K | [Concert of chamber music for saxophone] - Michael Berkeley, Keening; John Anthony Lennon, Distances Within Me; Denise Ondishko: The Botticellian Trees; Elliott Carter: Pastoral; Anton Webern, Quartet op. 22; Giancinto Scelsi, Tre Pezzi; Rod | 1997 | Royal College of Music | Performance | Pamela Lidiard, piano Fenella Barton, violin John Payne, clarinet |
| Horch K | 'Saxophone technique' and 'Teaching the Saxophone' in The Cambridge Companion to the Saxophone, ed. Richard Ingham | 1999 | Royal College of Music | Education and Training Group | |
| Horch K | Chambersax - H. Villa-Lobos: Quatuor for harp, celeste, flute, alto saxophone and female voices; A. Webern, Quartet for clarinet, tenor saxophone, violin and piano, op. 22, P. Hindemith: Trio op.47 for viola, tenor saxophone and piano, Adolf Busch | 2000 | Royal College of Music | ||
| Horch K | [Concert of works for saxophone] Michael Torke: July; Ned Rorem: Picnic on the Marne; Denise Ondishko: Cover Us with Song; Rusell Currie: Frozen Motion; Gary Schocker: Sonata; Russell Peck: Drastic MeasuresKyle Horch (saxophone) | 1999 | Royal College of Music | Performance | Mistral Saxophone Quartet Pamela Lidiard, piano |
| Horn RDW | From Catfish Row to Granby Street: contesting meaning in Porgy and Bess | 1994 | University of Liverpool | ||
| Horn RDW | Some thoughts on the work in popular music | 2000 | University of Liverpool | ||
| Horn RDW | Who loves you, Porgy? The debates surrounding Gershwin's Porgy and Bess | 1996 | University of Liverpool | ||
| Horn RDW | Popular music studies: a select international bibliography | 1997 | University of Liverpool | Shepherd, J Laing, D Oliver, P |
|
| Horton P | 1998 | Royal College of Music | Historical Musicology | ||
| Horton P | Herbert Howells: Five Songs for Low Voice | 1999 | Royal College of Music | Editing: Theory and Practice | |
| Horton P | St George | 1999 | Royal College of Music | Historical Musicology | |
| Horton P | 'The Unknown Wesley: The early instrumental and secular vocal music of Samuel Sebastian Wesley', in Nineteenth-Century British Music Studies I, ed. Bennet Zon | 1999 | Royal College of Music | Historical Musicology | |
| Howard J | Symphonic variations on Western Wynde | 1997 | Thames Valley University | Centre for Research in Contemporary Music Practice | Howard J |
| Howard J | Variations for Band | 1996 | Thames Valley University | Centre for Research in Contemporary Music Practice | Howard J |
| Howard J | There the Dance is | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Howard J |
| Howard J | The Far-off, Singing Sea | 1997 | Thames Valley University | Centre for Research in Contemporary Music Practice | Howard J |
| Howard KD | Korean Shamanism Today [and] Preserving the spirits? Rituals, State Sponsorship and Performance | 1998 | School of Oriental and African Studies | ||
| Howard KD | Shamanism, music and the soul train | 1994 | School of Oriental and African Studies | ||
| Howard KD | Korean tradition in Isang Yun's compositional style, | 1999 | School of Oriental and African Studies | ||
| Howard KD | Minyo in Korea: Songs of the people and songs for the people | 1999 | School of Oriental and African Studies | ||
| Howard P | Gluck: An Eighteenth-Century Portrait in Letters and Documents | 1995 | Open University | ||
| Howard P | Wandering minstrels: an 18th century fiction? | 2000 | Open University | ||
| Howard P | Guadagni in the Dock | 1999 | Open University | ||
| Howard P | Did Burney blunder? | 1998 | Open University | ||
| Howat R | 1998 | Royal College of Music | Editing: Theory and Practice | ||
| Howat R | 2000 | Royal College of Music | Editing: Theory and Practice | ||
| Howat R | Gabriel Faur | 1998 | Royal College of Music | Editing: Theory and Practice | |
| Howat R | Debussy piano music, Vol. 1. Images (1905 + 1907); Etudes; Etude retrouv | 1997 | Royal College of Music | Performance | |
| Howell TB | Freedom of Choice: Project-based learning | 2000 | University of York | ||
| Howell TB | Sibelius the Progressive | 2000 | University of York | ||
| Howell TB | Sibelius' Tapiola: Issues of Tonality and Timescale | 1998 | University of York | ||
| Howell TB | Restricting the Flow: Elements of Timescale in Sibelius' Sixth Symphony | 2000 | University of York | ||
| Howle T | One Minute Ago | 1998 | Oxford Brookes University | ||
| Howle T | Subplot | 2000 | Oxford Brookes University | ||
| Hoyland DV | String Quartet (1985). | 1997 | University of Birmingham | ||
| Hoyland DV | The Other Side of the Air (1991/92) for Piano Solo. | 2000 | University of Birmingham | ||
| Hoyland DV | Vixen for orchestra. | 1997 | University of Birmingham | ||
| Hoyland DV | String Quartet No. 3 (Bagatelles). | 1995 | University of Birmingham | ||
| Hughes DW | Min'y | 1999 | School of Oriental and African Studies | ||
| Hughes DW | Japan: 1 - IX | 2000 | School of Oriental and African Studies | D. Berger, W. Malm, F. Koizumi et al |
|
| Hughes DW | East Asia | 2000 | School of Oriental and African Studies | S Jones | |
| Hughes DW | No nonsense: the logic and power of acoustic-iconic mnemonic systems | 2000 | School of Oriental and African Studies | ||
| Hugill A | Midivisualiser | 1997 | De Montfort University | ||
| Hugill A | Art of Our Time: Ten Years of the Praemium Imperiale | 1999 | De Montfort University | G Adair K Frampton E Lucie-Smith |
|
| Hugill A | Island Symphony (electroacoustic/orchestral) | 1995 | De Montfort University | ||
| Hugill A | Symphony for Cornwall (for orchestra and live electronics) | 1999 | De Montfort University | ||
| Humphreys K | Concerto for Violin and Orchestra, by Samuel Barber, Kyra Humphreys (violin), with the Northern Sinfonia conducted by David Haslam | 2000 | Royal Scottish Academy of Music and Drama | ||
| Humphreys K | Introduction et rondo capriccioso, for violin and orchestra, op.28, by Saint-Saens, Kyra Humphreys (violin) with the Northern Sinfonia conducted by Jean-Bernard Pommier | 1999 | Royal Scottish Academy of Music and Drama | ||
| Humphreys K | Violin Concerto in D major no. 4 K.218, by Mozart, Kyra Humphreys (violin and director) with the Northern Sinfonia | 1998 | Royal Scottish Academy of Music and Drama | ||
| Humphreys K | Apr | 1999 | Royal Scottish Academy of Music and Drama | ||
| Hunter A | Folk Songs of North East Scotland - Songs from the Grieg-Duncan Collection, various artists including Andrew Hunter (voice) | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Hunter A | La musique ecossaise | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Hunter A | Hamish Henderson: The Odyssey of a Wandering King | 1994 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Hunter A | Graysteil, music from the middle ages and renaissance in Scotland for lute, clarsach and voices, various artists including Andrew Hunter (voice) | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Hunter DM | Sir Charles Villiers Stanford: Complete Organ Sonatas | 1994 | University of Ulster | ||
| Hunter DM | Organ Recital | 1998 | University of Ulster | ||
| Hunter DM | The Application of (Ornamental) Strokes in English Virginalist Music: a brief chronological survey | 1996 | University of Ulster | ||
| Hunter DM | Developing Peer-Learning Programmes in Music: Group Presentations and Peer Assessment | 1999 | University of Ulster | ||
| Hyde J | Burnt Out | 1995 | Bath Spa University College | ||
| Hyde J | Songlines | 1994 | Bath Spa University College | ||
| Hyde J | Zoetrope | 1998 | Dartington College of Arts | ||
| Hyde J | Nekyia | 1999 | Dartington College of Arts | ||
| Hyde J | 64 Refractions | 1999 | Dartington College of Arts | ||
| Hyde J | Nightfalling III: Burnt Out | 1995 | Dartington College of Arts | ||
| Immelman N | Professor Leo Quayle at 81 | 2000 | Royal College of Music | ||
| Immelman N | Suk: Complete piano works, vol. 2 | 1996 | Royal College of Music | ||
| Immelman N | Suk: Complete piano works, vol. 3 | 1998 | Royal College of Music | Performance | |
| Impett JF | It's Asony (ensemble of interactive computer instruments) | 1996 | University of East Anglia | ||
| Impett JF | Modelling the Dynamics of Musical Engagement | 1998 | University of East Anglia | ||
| Impett JF | Situating the invention in interactive music | 2000 | University of East Anglia | ||
| Impett JF | The identification and transposition of authentic instruments: musical practice and technology | 1998 | University of East Anglia | ||
| Ingham C | 'Zanzibar' | 1999 | Anglia Polytechnic University | Composition | |
| Ingham C | 'Textile Lunch' | 2000 | Anglia Polytechnic University | Composition | |
| Ingham C | Billie Holiday | 2000 | Anglia Polytechnic University | Musicology | |
| Ingham C | Steely Dan: Joined at the Hip | 2000 | Anglia Polytechnic University | Musicology | |
| Inness P | Tryptych, for violin and piano | 1998 | Royal Scottish Academy of Music and Drama | ||
| Inness P | Scottish Song Book, a cycle for 2 sopranos and 2 mezzos with clarinet, bass clarinet, double bass and piano | 1996 | Royal Scottish Academy of Music and Drama | ||
| Inness P | Sonata for Piano | 1994 | Royal Scottish Academy of Music and Drama | ||
| Inness P | Overture Fiesta Las Cruces, for orchestra | 2000 | Royal Scottish Academy of Music and Drama | ||
| Ireland R | Beethoven: complete cycle of string quartets | 1997 | University of Manchester | ||
| Ireland R | Geoffrey Poole: String Quartet No.3 | 1997 | University of Manchester | ||
| Ireland R | Gyorgy Orban: String Quartet No 3 | 1998 | University of Manchester | ||
| Ireland R | Vic Hoyland: Bagatelles for String Quartet | 1995 | University of Manchester | ||
| Irvine R | Iasg, for cello and piano, by Sally Beamish, Robert Irvine (cello) and Graeme McNaught (piano) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Irvine R | Sonata for Cello and Piano, by Sally Beamish, Robert Irvine (cello) and Sally Beamish (piano) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Irvine R | Clarinet Trios Robert Irvine (cello), Lawrence Gill (clarinet), Graeme McNaught (piano), Paul Coletti (viola) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Irvine R | Gala Water, for solo cello by Sally Beamish, Robert Irvine (cello) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Irving JA | 'Das Conzert hat viel | 1998 | University of Bristol | ||
| Irving JA | Mozart's piano sonatas: contexts, sources, style | 1997 | University of Bristol | ||
| Irving JA | Mozart: The Haydn Quartets | 1998 | University of Bristol | ||
| Irving JA | The Anders von Dueben Tablature | 2000 | University of Bristol | ||
| Ivashkin A | Unknown Shostakovich. | 2000 | Goldsmiths College | ||
| Ivashkin A | A Schnittke Reader. | 2000 | Goldsmiths College | ||
| Ivashkin A | Gretchaninov Cello Concerto. | 1997 | Goldsmiths College | ||
| Ivashkin A | Alfred Schnittke. | 1996 | Goldsmiths College | ||
| Iwamoto Y | 'The Potential of the Shakuhachi in Contemporary Music' | 1994 | University of Durham | ||
| Iwamoto Y | L'Esprit du Crepuscule | 1999 | University of Durham | ||
| Iwamoto Y | L'Esprit du Vent | 1996 | University of Durham | ||
| Iwamoto Y | Souffle | 1996 | University of Durham | ||
| JOHNSTONE HD | Handel's London - British Musicians and Concert Life | 1997 | University of Oxford | ||
| JOHNSTONE HD | Treasure Trove in Gloucester: A Grangerized Copy of the 1895 Edition of Daniel Lysons's | 1998 | University of Oxford | ||
| JOHNSTONE HD | Ornamentation in the Keyboard Music of Henry Purcell and his Contemporaries | 1996 | University of Oxford | ||
| JOHNSTONE HD | Ayres and Arias: A Hitherto Unknown Seventeenth-Century English Songbook | 1997 | University of Oxford | ||
| Jackson P | Exordium | 1997 | Anglia Polytechnic University | Composition | |
| Jackson P | Triptych for Saxophone and Piano | 1999 | Anglia Polytechnic University | Composition | |
| Jackson P | Fantasy for flute and piano | 1998 | Anglia Polytechnic University | Composition | |
| Jackson P | 'Teaching Tomorrow | 1999 | Anglia Polytechnic University | Musicology | |
| Jan S B | Aspects of Mozart's Music in G Minor: Toward the Identification of Common Structural and Compositional Characteristics | 1995 | University of Huddersfield | ||
| Jan S B | Replicating Sonorities: Towards a Memetics of Music | 2000 | University of Huddersfield | ||
| Janski S | Sir William Walton: The Bear | 1994 | Royal Northern College of Music | ||
| Janski S | Kurt Weill: 'The Rise and Fall of the City of Mahagonny' | 2000 | Royal Northern College of Music | ||
| Janski S | Janacek: Jenufa | 1999 | Royal Northern College of Music | ||
| Janski S | Mozart: Die Zauberflote | 2000 | Royal Northern College of Music | ||
| Jarman D | Alban Berg: Violinkonzert (Kritische Ausgabe) | 1996 | Royal Northern College of Music | ||
| Jarman D | Secret Programmes | 1997 | Royal Northern College of Music | ||
| Jarman D | Alban Berg: Violinkonzert (Klavierauszug nach dem Text der Kritischer Gesamtausgabe) | 1996 | Royal Northern College of Music | ||
| Jarman D | 'Correcting' Berg: some observations on analysis and editorial responsibility | 1996 | Royal Northern College of Music | ||
| Johnson JM | Karl Kraus and the Schoenberg School | 2000 | University of Sussex | ||
| Johnson JM | The Sound of Nature? - Mahler, Klimt and the changing representation of Nature in early Viennese Modernism | 1999 | University of Sussex | ||
| Johnson JM | Webern and the Transformation of Nature | 1999 | University of Sussex | ||
| Johnson JM | The Nature of Abstraction: Analysis and the Webern Myth | 1998 | University of Sussex | ||
| Johnson P | Intonation and Interpretation in String Quartet Performance: The case of the flat leading-note. | 2000 | University of Central England in Birmingham | Performance Studies | |
| Johnson P | Performance and the listening experience: Bach's Erbarme dich | 1999 | University of Central England in Birmingham | Performance Studies | |
| Johnson P | Musical Works, Musical Performance | 1997 | University of Central England in Birmingham | Performance Studies | |
| Johnson P | Performance as Experience: the problem of assessment criteria | 1997 | University of Central England in Birmingham | Performance Studies | |
| Jones DW | 'Haydn's Missa sunt bona mixta malis and the a cappella tradition' | 1996 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Jones DW | The Life of Beethoven | 1998 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Jones DW | 'Austrian Symphonies in the Royal Palace, Madrid' | 1998 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Jones DW | 'From Artaria to Longman + Broderip: Mozart's music on sale in London' | 1996 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Jones K | Passing the Summer at the Thatched Hall of the Inkwell | 1998 | Kingston University | ||
| Jones K | For peace is in the threem of a pair | 1995 | Kingston University | ||
| Jones K | The Cosmic Keyboard: Tuning the Calendar | 1996 | Kingston University | ||
| Jones K | Splitting cells, virtual sculptures and a system for carving up musical space | 1999 | Kingston University | ||
| Jones L | King of the Low Seas (CD recording by David Thomas and Anthony Rooley): edition of songs by Giovanni Domenico Puliaschi and Giulio Caccini, and accompanying essay, 'King of the Low Seas', on songs for the bass voice in early seventeenth-century Italy. | 1995 | London Guildhall University | ||
| Jones L | The Hieronymus Albrecht Hass Clavichord in the Bate Collection of Historical Instruments: Restoration Report | 2000 | London Guildhall University | ||
| Jones L | Seventeenth-Century Italian Songs for Bass Voice | 2000 | London Guildhall University | ||
| Jones L | The Effects of Design on the Tone and Response of Clarinet Mouthpieces, and PC-based Wave Analysis as a Design Aid | 1998 | London Guildhall University | Edward Pillinger | |
| Jones ML | How can I go forward when I don't know which way I'm facing? The condition of popular music education | 2000 | University of Liverpool | ||
| Jones ML | Marketing British pop: the promotion of British pop acts and British pop records in Japan | 1999 | University of Liverpool | ||
| Jones ML | Changing slides - Labour's music industry policy under the microscope | 1999 | University of Liverpool | ||
| Jones ML | How pop songs become records: the significance of the methods and priorities of record companies in pop music making | 1998 | University of Liverpool | ||
| Jones S | Folk Music of China: Living instrumental traditions | 1995 | School of Oriental and African Studies | ||
| Jones S | Jizhong, Jing, Jin diqu minjian 'Yinyue hui' pucha shilu (Fieldnotes on folk Music Associations in the regions of central Hebei, Beijing and Tianjin) | 1994 | School of Oriental and African Studies | Qiao Jianzhong Xue Yibing Zhang Zhentao |
|
| Jones S | Source and stream: Early music and living traditions in China | 1996 | School of Oriental and African Studies | ||
| Jones S | Chinese ritual music under Mao and Deng | 1999 | School of Oriental and African Studies | ||
| Jones TR | 'Mozart's keyboard concertos reconsidered' | 1997 | University of Exeter | ||
| Jones TR | Beethoven: 'The Moonlight and other sonatas Op.27 and Op. 31 | 1999 | University of Exeter | ||
| Jones TR | 'Dark Labyrinths': music by Philip Grange. Gemini, with Alison Wells (soprano), Nicholas Sears (Tenor) and Timothy Gill (Cello). Conductor Tim Jones. | 1999 | University of Exeter | ||
| Jones TR | 'Mozart's Requiem' | 1995 | University of Exeter | ||
| KEEFE SP | Antoine Reicha's Dialogue: The Emergence of a Theoretical Concept | 2000 | The Queen's University of Belfast | ||
| KEEFE SP | The Stylistic Significance of the First Movement of Mozart's Piano Concerto No 24 in C minor, K491: A Dialogic Apotheosis | 1999 | The Queen's University of Belfast | ||
| KEEFE SP | Koch's Commentary on the Late Eighteenth-Century Concerto: Dialogue, Drama and Solo/Orchestra Relations | 1998 | The Queen's University of Belfast | ||
| KEEFE SP | Dramatic Dialogue in Mozart's Viennese Piano Concertos: A Study of Competition and Cooperation in Three First Movements | 1999 | The Queen's University of Belfast | ||
| Kanga S | Sally Beamish - Between Earth and Sea (for flute, viola, harp) | 1997 | Royal Academy of Music | ||
| Kanga S | James MacMillan - Raising Sparks (song-cycle for mezzo and mixed ensemble) | 1997 | Royal Academy of Music | ||
| Kanga S | Julian Anderson - Poetry Nearing Silence (for harp septet) | 1997 | Royal Academy of Music | ||
| Kanga S | Tippett (arr Meirion Bowen) - Tempest Suite | 1995 | Royal Academy of Music | ||
| Keeley R.I. | Music for Art and Tom | 1998 | King's College London | ||
| Keeley R.I. | Symphony No 1 | 1995 | King's College London | ||
| Keeley R.I. | Trio for horn, violin and piano | 1999 | King's College London | ||
| Keeley R.I. | Crabbed Characters and Flourishing Tropes | 1997 | King's College London | ||
| Kelly B L | Time Present, Past and Future in the writings and practice of Milhaud | 1996 | Keele University | ||
| Kelly B L | Milhaud's Alissa Manuscripts (1913 and 1931) | 1996 | Keele University | ||
| Kelly B L | History and Homage | 2000 | Keele University | ||
| Kelly B L | Maurice Ravel | 2000 | Keele University | ||
| Kenny J | Nomad | 1997 | Royal Scottish Academy of Music and Drama | ||
| Kenny J | The Voice of the Carnyx | 1995 | Royal Scottish Academy of Music and Drama | ||
| Kenny J | Amaterasu | 2000 | Royal Scottish Academy of Music and Drama | ||
| Kenny J | Forest ~ River ~ Ocean | 1997 | Royal Scottish Academy of Music and Drama | ||
| Kent CJ | Temperament and Pitch | 1998 | University of Reading | ||
| Kent CJ | The George Pike England Organ in the Church of Nossa Senhora Do Monte, Island of Madeira | 1997 | University of Reading | ||
| Kent CJ | The Organ in Eighteenth-Century Croatia: Some Contrasts and Comparisons | 1998 | University of Reading | ||
| Kent CJ | Organs in Contrast. Variations and Voluntaries for Organ by John Blow and Johann Pachelbel. | 2000 | University of Reading | ||
| Ker D | Three Etchings | 1995 | University of Reading | ||
| Ker D | Water Mountain | 1999 | University of Reading | ||
| Ker D | Darkness and Light | 1998 | University of Reading | ||
| Ker D | The Structure of Memory | 1997 | University of Reading | ||
| Kerstens T | Five Bagatelles by William Walton | 2000 | Bath Spa University College | ||
| Kerstens T | Five Preludes by Howard Skempton | 1999 | Bath Spa University College | ||
| Kerstens T | Barabas by Terry Riley | 1999 | Bath Spa University College | ||
| Kerstens T | The Sanctity of Trees by Deirdre Gribbin | 1999 | Bath Spa University College | ||
| Kimbell DRB | Opera | 1996 | University of Edinburgh | ||
| Kimbell DRB | Vincenzo Bellini: Norma | 1998 | University of Edinburgh | ||
| Kimbell DRB | The performance of Italian opera in early Victorian England | 2000 | University of Edinburgh | ||
| Kimbell DRB | Handel, Rinaldo (1731) | 1996 | University of Edinburgh | ||
| King D | Essays for Brass, Vol 1 | 1996 | University of Salford | ||
| King D | Essays for Brass, Vol 3. | 2000 | University of Salford | ||
| King D | Highlights from European Brass Band Championships 2000 | 2000 | University of Salford | ||
| King D | Essays for Brass, Vol 2 | 1997 | University of Salford | ||
| Kirshbaum R | Haydn: Cello Concerto in D major; Symphony Concertante in B flat | 1994 | Royal Northern College of Music | ||
| Kirshbaum R | J S Bach: The Six Cello Suites | 1994 | Royal Northern College of Music | ||
| Kirshbaum R | James MacMillan: Piano Trio | 1997 | Royal Northern College of Music | ||
| Kirshbaum R | Brahms: Double Concerto; Beethoven: Triple Concerto | 1997 | Royal Northern College of Music | ||
| Kisby F | Kingship and the Royal Itinerary: a Study of the Peripatetic Households of the Early-Tudor Kings 1485-1547 | 1999 | Royal Holloway, University of London | ||
| Kisby F | Musical Culture in English Towns to c.1600: Research Perspectives, Sources and Methodologies | 2000 | Royal Holloway, University of London | ||
| Kisby F | A Mirror of Monarchy: Music and Musicians in the Household Chapel of the Lady Margaret Beaufort, Mother of Henry VII | 1997 | Royal Holloway, University of London | ||
| Kisby F | Royal Minstrels in the City and Suburbs of Early-Tudor London: Professional Activities and Private Interests | 1997 | Royal Holloway, University of London | ||
| Kitchen J | Complete Organ Works of Johann Ludwig Krebs | 2000 | University of Edinburgh | ||
| Kitchen J | The Organs of St. Cecilia's Hall, University of Edinburgh | 2000 | University of Edinburgh | ||
| Kitchen J | Great European Organs No.49 | 1997 | University of Edinburgh | ||
| Kitchen J | 'Instrument and repertoire: concert use' in Towards the Conservation and Restoration of Historic Organs: Proceedings of International Conference, Liverpool, 1999 | 2000 | University of Edinburgh | ||
| Knapp A | The Current State of Research into the Religious Music of the Kaifeng Jews | 1999 | School of Oriental and African Studies | ||
| Knapp A | The Influence of German Music on United Kingdom Synagogue Practice | 1998 | School of Oriental and African Studies | ||
| Knapp A | Jewish Life and Music in Britain Towards the End of the 20th Century | 1997 | School of Oriental and African Studies | ||
| Knapp A | Shalom aleichem | 1996 | School of Oriental and African Studies | ||
| Knighton T.W. | Aspectos de la cultura musical en la Corte de Felipe II | 2000 | University of Cambridge | Luis Robledo Cristina Bordas Juan Jose Carreras |
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| Knighton T.W. | Ferdinand of Aragon's entry into Valladolid in 1513: the triumph of a Christian King | 1999 | University of Cambridge | Carmen Morte Garcia | |
| Knighton T.W. | A newly discovered keyboard source (Gonzalo de Baena's Arte nouamente inuentada pera aprender a tanger, Lisbon 1540): a preliminary report | 1996 | University of Cambridge | ||
| Knighton T.W. | Transmision, difusion y recepcion de la polifonia franco-neerlandesa en el reino de Aragon a principios del siglo XVI | 1996 | University of Cambridge | ||
| LA RUE HTAM | The Database of the Musical Collection of the Pitt Rivers Museum | 1999 | University of Oxford | ||
| LA RUE HTAM | The Ethnomusicologist in the Wilderness | 2000 | University of Oxford | ||
| LA RUE HTAM | The Bate Collection Database | 1999 | University of Oxford | ||
| LA RUE HTAM | Transpositions | 2000 | University of Oxford | ||
| LINGAS A | The Liturgical Use of the Kontakion in Constantinople | 1995 | University of Oxford | ||
| LINGAS A | Hesychasm and Psalmody | 1996 | University of Oxford | ||
| LINGAS A | Festal Cathedral Vespers in Late Byzantium | 1997 | University of Oxford | ||
| LINGAS A | When Augustus Reigned: Orthodox Music for Christmas. Cappella Romana, directed by A. Lingas | 2000 | University of Oxford | ||
| Landy L | L | 1996 | De Montfort University | ||
| Landy L | Reviewing the Musicology of Electroacoustic Music: A Plea for Greater Triangulation | 1999 | De Montfort University | ||
| Landy L | Devising Dance and Music: Id | 2000 | De Montfort University | E Jamieson | |
| Landy L | Experimental Music Notebooks | 1994 | De Montfort University | ||
| Lane P | Eugen d'Albert - Solo Piano Music | 1996 | Royal Academy of Music | ||
| Lane P | Eugen d'Albert - Piano Concertos Nos 1 + 2 | 1995 | Royal Academy of Music | ||
| Lane P | Kullak/Dreyschock - Piano Concertos | 1999 | Royal Academy of Music | ||
| Lane P | Parry/Stanford - Piano Concertos | 1995 | Royal Academy of Music | ||
| Langdon S | Goldmark - String Quartet/String Quintet | 1999 | Royal Academy of Music | ||
| Langdon S | Oleg Gotskosik - Six Scenes from 'La Strada' (for violin and piano) | 1996 | Royal Academy of Music | ||
| Langdon S | Ethel Smyth - Concerto for Violin, Horn and Orchestra | 1996 | Royal Academy of Music | Richard Watkins | |
| Langdon S | Louise Farrenc - Nonet Op.38 | 1996 | Royal Academy of Music | ||
| Laws C | Morton Feldman's Neither. | 1998 | Dartington College of Arts | ||
| Laws C | Performance Issues in Composers' Approaches to Beckett | 2000 | Dartington College of Arts | ||
| Laws C | Richard Barrett's Ne songe plus a fuir. Beckett in Music Translation? | 1997 | Dartington College of Arts | ||
| Laws C | The Double Image of Music in Beckett's Dream of Fair to Middling Women | 2000 | Dartington College of Arts | ||
| Lawson CJ | The Early Clarinet: A Practical Guide. | 2000 | Goldsmiths College | ||
| Lawson CJ | The Historical Performance of Music: an Introduction. | 1999 | Goldsmiths College | Stowell, R. | |
| Lawson CJ | English Clarinet Concertos. | 1997 | Goldsmiths College | ||
| Lawson CJ | Brahms Clarinet Quintet. | 1998 | Goldsmiths College | ||
| Lawton J | Janacek: Jenufa [Role of Laca] | 1996 | Royal Northern College of Music | ||
| Lawton J | Wagner: Die Walkure [Role of Siegmund] | 1997 | Royal Northern College of Music | ||
| Lawton J | Wagner: Tristan und Isolde (Role of Tristan) | 2000 | Royal Northern College of Music | ||
| Lawton J | James MacMillan: Ines de Castro [Role of Pedro] | 1996 | Royal Northern College of Music | ||
| Le Cocq J P | The Status of Le Roy's Publications for Voice and Lute or Guitar | 1995 | University College Northampton | ||
| Le Cocq J |