Music - Publications

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• 2580 Publication References

Author	Title	Date	Place of Publication	Research Group	Co-Authors
van der Werff I	Wajahat Khan: Raag Desh;	2000	Royal College of Music	Performance	Medici String Quartet Wajahat Khan, sarod Elizabeth Brewster, tanpura
Zwaanenburg J	Itaca	2000	Oxford Brookes University
Zon BM	Music and Metaphor in Nineteenth-Century British Musicology	2000	University of Hull
Zon BM	Music and Metaphor: The Writing of Music History in Nineteenth-Century Britain	2000	University of Durham
Young MW	Capital Arcade	2000	Oxford Brookes University
Young MW	Less is More	2000	Oxford Brookes University
Wrightson K	An Introduction to Acoustic Ecology	2000	London Guildhall University
Wright PA	Binchois and England: Some Questions of Style, Influence, and Attribution in his Sacred Works	2000	University of Nottingham
Woodley R	Johannes Tinctoris: Complete Theoretical Works	2000	Lancaster University
Woodley R	Minor Coloration Revisited: Okeghem's Ma bouche rit and Beyond	2000	Lancaster University
Woodley R	Performing Ravel: Style and Practice in the Early Recordings	2000	Lancaster University
Wood C	French Baroque Opera: A Reader	2000	University of Hull		Graham Sadler
Wishart T	American Tryptich. Electroacoustic Music for Voice. Commissione by the French Ministry of Culture. First performed Paris, Radio France, 2000.	2000	University of Birmingham
Wishart JRE	Recomposing Schubert	2000	University of Liverpool
Wintle C.S.	Franz Shubert Ihr Bild (1828): a response to Schenker's essay in Der Tonwille, Volume 1	2000	King's College London
Windsor W L	Data Processing in Music Performance Research: Using Structural Information to Improve Score-Performance Matching	2000	University of Leeds		Heijink, H. Desain, P.
Windsor W L	Through and Around the Acousmatic: the Interpretation of Electroacoustic Sounds	2000	University of Leeds
Wilson M	Contemporary Works for Oboe and Piano	2000	University of Central England in Birmingham	Contemporary Music	George Caird
Wilson M	Hamelin!	2000	University of Salford
Wilson M	Sonata for Violin and Piano	2000	University of Salford
Wilson I	An Angel Serves a Small Breakfast: Violin Concerto No. 2.	2000	University of Ulster
Wilson CR	Campion	2000	University of Reading
Wilson CR	Nineteenth-century Musical Agogics as an Element in Gerard Manley Hopkins	2000	University of Reading
Williamson M G	Royal Image-making and Textual Interplay in Gilbert Banaster's 'O Maria et Elizabeth'	2000	University of Newcastle
Williamson M G	Pictura et Scriptura: The Eton Choir Book in its Iconographical Context	2000	University of Newcastle
Williams A J	Musicology and Postmodernism	2000	Keele University
Williams A	Quint for Orchestra	2000	University of Salford
Williams P	'Early References to the Organ in Southern Germany'	2000	Cardiff University	Music of the 'Long' Eighteenth Century
Williamon A	'Do the Principles of Expert Memory Apply to Musical Performance?', in Proceedings of the Sixth International Conference on Music Perception and Cognition, ed. C. Woods, G. Luck, R. Brochard, F. Seddon, + J. A. Sloboda	2000	Royal College of Music		Elizabeth Valentine
Williamon A	Quantity and Quality of Musical Practice as Predictors of Performance Quality	2000	Royal College of Music		Elizabeth Valentine
Williamon A	'Coordinating Duo Piano Performance', in Proceedings of the Sixth International Conference on Music Perception and Cognition, ed. C. Woods, G. Luck, R. Brochard, F. Seddon, + J. A. Sloboda	2000	Royal College of Music		Jane W. Davidson
Wilby P	A New World Dancing	2000	University of Leeds
Wiegold P J	Kalachakra	2000	Royal Holloway, University of London
Widdess DR	India, III: Theory and practice of classical music	2000	School of Oriental and African Studies		HS Powers
Wibberley R	'Ave virgo mater dei': Towards a Reconstruction.	2000	Goldsmiths College
Whiteley S	Women and Popular Music. Sexuality, Identity and Subjectivity	2000	University of Salford
Whitehead L	'A preliminary investigation into the stringing of Swedish Clavichords' in De Clavicordio IV: Proceedings of the International Clavichord Symposium...Magnano, 8-11 September 1999, ed. Bernard Brauchli, Susan Brauchli, Alberto Galazzo	2000	Royal College of Music		Jenny Nex
Whitehead L	The three unique models of Hass Clavichords?	2000	Royal College of Music		Jenny Nex
West J	Andrea Gabrieli: Missa Pater Peccavi (1565)His Majestys Sagbutts and Cornetts, His Majestys Consort of Voices, Jeremy West (cornetto and artistic director)	2000	Royal College of Music	Performance
Wells EP	Royal College of Music Museum of Instruments Catalogue Part II: Keyboard Instruments	2000	Royal College of Music	Historical Musicology	Jenny Nex Lance Whitehead John Budgen
Weller PH	Rites of Passage: 'Nove cantum melodie', the Burgundian Court and Binchois's Early Career	2000	University of Nottingham
Watkins R	Maxwell Davies - Horn Concerto	2000	Royal Academy of Music
Watkins P	Sullivan - Cello Concerto (reconstructed by Charles Mackerras and David Mackie)	2000	Royal Academy of Music
Wathey A B	Mapping the Soundscape: Church Music in English Towns, 1450-1550	2000	Royal Holloway, University of London		C. Burgess
Waters SJ	The Musical Process in the Age of Digital Intervention	2000	University of East Anglia
Waters SJ	Beyond the acousmatic: Hybrid tendencies in electroacoustic music	2000	University of East Anglia
Waters SJ	Trace for Clarinet, Piano and CD	2000	University of East Anglia
Walsh MS	Stravinsky, Igor (Fyodorovich)	2000	Cardiff University	Central European and Slavonic Music
Wallace J	James MacMillan - Epiclesis (concerto for trumpet and orchestra)	2000	Royal Academy of Music
Walker N	Liapunov - Piano Sonata in F minor Op.27	2000	Royal Academy of Music
Walker N	Cramer - Concerto da Camera	2000	Royal Academy of Music
Waite M	'Memnon' Two pianos and orchestra	2000	University College Chichester	Music
Waite M	'Hawthorne White, Hawthorne Red' - Cantata for SB and ensemble.	2000	University College Chichester	Music
Waite M	'Il Giustino, Opera by G. Legrenzi' - historical performing edition	2000	University College Chichester	Music
Waite M	'The Darkened Wood' - Opera	2000	University College Chichester	Music
WOODFIELD ID	John Bland: London Retailer of the Music of Haydn and Mozart	2000	The Queen's University of Belfast
WOODFIELD ID	Music of the Raj: a Social and Economic History of Music in Late 18th-Century Anglo-Indian Society	2000	The Queen's University of Belfast
WHITE B	Critical edition of Anton Eberl: Die Koenigin der schwarzen Inseln (1801) Phase 1	2000	Bretton Hall
Vaughan M P	Silence...(dissolved): composition for two harpsichords and tape, 9'00	2000	Keele University
Uduman M S	Shadowplay: composition for ensemble	2000	Keele University
Trewin M	Scottish Traditional Tales	2000	University of Edinburgh
Trendell D.R.	John Taverner - Missa Corona spinea; William Byrd - Motets	2000	King's College London
Trendell D.R.	Jean Lh	2000	King's College London
Torrente A	Pliegos de Villancicos en la British Library (Londres) y la University Library (Cambridge)	2000	Royal Holloway, University of London		Miguel Angel Marin
Titterington D	Henze - Symphony No. 9	2000	Royal Academy of Music
Timms CR	Agostino Steffani - La Libert	2000	University of Birmingham
Thurlow J.	Piano Concerto	2000	University of Cambridge
Thompson PJ	Music Libraries of the 21st Century	2000	Royal College of Music
Thompson PJ	Russkiye muzykal'niye arkhivniye materialy v Veliko Britanii	2000	Royal College of Music
Thompson K	Style and Interpretation: The postmodern brass player	2000	Dartington College of Arts
Thomas AT	Gry weneckie: metody robocze na poczatku dojrzalego okresu tw	2000	Cardiff University	Central European and Slavonic Music
Teruggi D	Symphonische Traume	2000	University of Hertfordshire
Taylor-Jay C	Review of Siglind Bruhn: The Temptation of Paul Hindemith	2000	University of Surrey Roehampton
Tatlow R	Number and Music	2000	University of Reading
Tatlow R	Bach and Numbers	2000	University of Reading
Tagg PD	The musical work: an evaluative charge	2000	University of Liverpool
TOMITA Y	Bach Reception in Pre-Classical Vienna: Baron van Swieten's circle edits the Well-Tempered Clavier II	2000	The Queen's University of Belfast
Sweet G	'Compositions for Solo Performance on Electronic Piano and Synthesizer'.	2000	Anglia Polytechnic University	Composition
Sweeney-Turner S	Liebestod:Sex, Death and Wagnerian Androgyny	2000	University of Leeds
Sturrock K	Bright Music by Ned Rorem	2000	Kingston University
Street DA	'The Ear of the Other: style and identity in Schoenberg's Eight Songs, Op.6.'	2000	University of Exeter
Stras LA	Onde avr	2000	University of Southampton
Stott K	Marc Yeats: Piano Concerto - The Round and Square Art of Memory	2000	Royal Northern College of Music
Stobart H F	The Andean Anacrusis? Rhythmic Structure and Perception in Easter Songs of Northern Potos	2000	Royal Holloway, University of London		Ian Cross
Stobart H F	Bodies of Sound and Landscapes of Music: A View from the Bolivian Andes	2000	Royal Holloway, University of London
Stilwell RJ	Sense + Sensibility: Form, Genre, and Function in the Film Score	2000	University of Southampton
Steprans J	ERA 40 by Bugge Wesseltoft	2000	University of Exeter
Steprans J	Jazzbeat	2000	University of Exeter
Steinitz R J	Huddersfield Contemporary Music Festival Programme Book	2000	University of Huddersfield
Standage S	Handel - At the Opera	2000	Royal Academy of Music
Spink I W A	Purcell's Music for the Libertine	2000	Royal Holloway, University of London
Spink I W A	Henry Lawes: Cavalier Songwriter	2000	Royal Holloway, University of London
Spicer P	Easter Oratorio	2000	Royal College of Music	Composition
Speake M	Martin Speake International Quartet	2000	Royal Academy of Music
Sorrell NFI	A study of a unique artist and his music: Prasidh Silapabanleng (1912-1999)	2000	University of York
Sorrell NFI	Melodic Paradoxes in the Music of the Thai pi-phat and Javanese gamelan	2000	University of York		Sumrongthong B
Solomon A	J.S.Bach: Flute Sonatas, vol. 1Sonatas BWV 1030; 1033-1035Partita in A minor BWV 1013Ashley Solomon (flute)	2000	Royal College of Music	Performance	Terence Charlston, harpsichord
Smith RL	'Ravel's operatic spectacles: L'heure and L'enfant'	2000	University of Exeter
Simeone N.	'Messiaen and the Concerts de la Pleiade: A Kind of Clandestine Revenge against the Occupation'''	2000	University of Wales, Bangor
Simeone N.	Paris - A Musical Gazetteer	2000	University of Wales, Bangor
Simaku T	Soliloquy	2000	University of York
Silverthorne P	Robin Holloway - Sonata for solo viola	2000	Royal Academy of Music
Shorr A	Henze - Piano Sonata + 5 Nocturnes	2000	Royal Academy of Music
Shorr A	Sadie Harrison - Chamber Works	2000	Royal Academy of Music
Sheppard-Skaerved P	Catalan Quartets	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Sheppard-Skaerved P
Sheppard-Skaerved P	Volodmyr Rundchak-Violin Concerto	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Sheppard-Skaerved P
Sheppard-Skaerved P	Nigel Clarke-Violin Concerto	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Sheppard-Skaerved P
Sheppard Skaerved P	Henze (+ other composers) - Works for solo violin	2000	Royal Academy of Music
Sheppard Skaerved P	Schwartz/Rochberg - String Quartets	2000	Royal Academy of Music
Sheppard Skaerved P	Nigel Clarke - Concerto	2000	Royal Academy of Music
Sheinberg E	Irony, Satire, Parody and The Grotesque in The Music of Shostakovich	2000	University of Edinburgh
Seymour PG	Purcell, H., Blow,J., Biblical narratives (50') for one, two and three voices	2000	University of York
Severn E	Moments in Time, including compositions by Eddie Severn, Eddie Severn (trumpet and leader)	2000	Royal Scottish Academy of Music and Drama
Severn E	Positive approaches to trumpet teaching	2000	Royal Scottish Academy of Music and Drama
Severn E	Torah, by Tommy Smith, with Joe Lovano (tenor saxophone), the Scottish National Jazz Orchestra, Eddie Severn (first trumpet)	2000	Royal Scottish Academy of Music and Drama
Severn E	Positive approaches to trumpet teaching	2000	Napier University
Severn E	Moments in Time, a commercial CD release featuring compositions by Eddie Severn.	2000	Napier University
Severn E	Torah by Tommy Smith	2000	Napier University
Scott D	Music, Culture, and Society: A Reader	2000	University of Salford
Scott A	Andy Scott: Premieres	2000	Royal Northern College of Music
Saunders J E	CALMA (Computer assisted learning for musical awareness)	2000	University of Huddersfield		Professor Michael Clarke Julia Bowder
Saunders J E	# [unassigned]	2000	University of Huddersfield
Sansom M J	Music for Ariel Dorfman's play 'Widows'	2000	University of Newcastle
Sansom M J	Compositions: 1999-2000	2000	University of Newcastle
Samson TJ	The Practice of Early-Nineteenth-Century Pianism	2000	University of Bristol
Salter TJ	Shadows for piano trio	2000	Royal College of Music
Sadler AG	Masterpieces of the French Baroque: Nine Motets from the Century of Louis XIV	2000	University of Hull
Sackman N	Meld, concerto for piano, brass and percussion	2000	University of Nottingham
Sackman N	Sextet, for winds	2000	University of Nottingham
STROHM R	Looking back at ourselves: the problem with the musical work-concept	2000	University of Oxford
SMALLEY D.A.	'Base Metals' for electroacoustic sounds	2000	City University
SKINNER D	The Byrd Edition	2000	University of Glasgow	Early Music
SAMUEL R.	'Tirluniau (Landscapes)' for full orchestra	2000	City University
Russill P	Byrd - Three Fantasias for organ	2000	Royal Academy of Music
Russ M	Ravel and the Orchestra	2000	University of Ulster
Russ M	Accounting and Mediating: Modes, Genera, Voice-leading and form in Milhaud's music of the 1920s	2000	University of Ulster
Rundell C	Mark Anthony Turnage: Greek	2000	Royal Northern College of Music
Rundell C	Music of Anthony Gilbert: 'Igorocki' and 'Towards Asavari'	2000	Royal Northern College of Music
Roxburgh E	Galileo, for large orchestra, baritone solo, chorus, ripieno children's choir, electronics	2000	Royal College of Music	Composition
Ross J	The English Connection: Young, Lawes, Jenkins, Locke	2000	University of Central England in Birmingham	Early Music	Lucy van Dael Terence Charlston William Hunt
Ross J	The Italian Connection: Music by Francesco Geminiani	2000	University of Central England in Birmingham	Early Music	Lucy van Dael Terence Charlston William Hunt
Ross J	The English Connection: Purcell: Pavans and Trio Sonatas	2000	University of Central England in Birmingham	Early Music	Lucy van Dael Terence Charleston William Hunt
Roscoe M	Szymanowski: Complete Piano Works (Vol.3)	2000	Royal Northern College of Music
Robson A	'Twin Spires' for orchestra and boys' choir	2000	University College Chichester	Music
Robinson P	Le Sang D'un Po	2000	University of Salford
Robinson P	'I'm always interested in new experience'	2000	University of Salford
Ritterman J	Teaching how to learn, learning how to teach: educating musicians for the twenty-first century in Improving Student Learning through the Disciplines, ed. Chris Rust	2000	Royal College of Music	Education and Training Group
Ritterman J	'Learning what it is to perform: a key to peer learning for musicians' in Peer Learning in Music, ed. Desmond Hunter + Michael Russ	2000	Royal College of Music
Richards J	nerve8	2000	De Montfort University
Reynish T	French Wind Band Classics: Berlioz, Milhaud, Saint-Saens, Schmitt, Bozza	2000	Royal Northern College of Music
Reim L	Tiger's Cry for chamber orchestra	2000	University College Northampton
Rehding A.	Riemann, Hugo	2000	University of Cambridge		Brian Hyer
Rehding A.	The Quest for the Origins of Music in Germany c. 1900	2000	University of Cambridge
Rehding A.	Liszt und die Suche nach dem Tristan-Akkord	2000	University of Cambridge
Rawson R		2000	Anglia Polytechnic University	Musicology
Rawson R	'Gottfried Finger'.	2000	Anglia Polytechnic University	Musicology	P. Holman
Rawson R	'Die Suiten fur Baryton und Viola da Gamba' (by Gottfried Finger).	2000	Anglia Polytechnic University	Musicology
Rankin S.K.	The Study of Medieval Music: Some Thoughts on Past, Present, and Future	2000	University of Cambridge
Rae CAB	The Music of Maurice Ohana	2000	Cardiff University	Twentieth-Century British and French Music
RYCROFT ME	Eingriffe des Verlegers in Haydns Bearbeitungen schottischer Lieder	2000	University of Glasgow	Scottish Music and Musicians
RYCROFT ME	Haydn settings of Original Scottish Airs for George Thomson	2000	University of Glasgow	Scottish Music and Musicians
ROBARTS J.Z.	Music therapy and adolescents with anorexia nervosa	2000	City University
ROBARTS J.Z.	Building a Theory of Poetic Processes in Music Therapy Relating to Research-in-progress	2000	City University
RICHARDSON J.G.	Egypt in Boston: Notes on a recent production of Philip Glass's Akhnaten by the Boston Lyric Opera and its programming alongside Mozart's Die Zauberfl	2000	City University
Prior M	Seven-course lute after Vendelio Venere[different from output 2]	2000	London Guildhall University
Presland C	Schumann: Sonata for Violin and Piano No.3 in A minor	2000	Royal Northern College of Music
Presland C	J S Bach: Violin Sonatas, BWV 1021 and 1023	2000	Royal Northern College of Music
Presland C	Syzmanowski: Violin Sonata, Op.9; Britten: Suite, Op.6; Grieg: Violin Sonata, Op.45	2000	Royal Northern College of Music
Presencer G	The Optimist	2000	Royal Academy of Music
Presencer G	Facing Reality	2000	Royal Academy of Music
Pratt SP	Surroundings	2000	Liverpool Hope
Powers AJ	String Quartet No. 3	2000	Cardiff University	Composition
Potter KS	Notes on Cage.	2000	Goldsmiths College
Potter KS	Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass.	2000	Goldsmiths College
Potter J	The Cambridge Companion to Singing	2000	University of York
Potter J	Singer-songwriters	2000	University of York
Porter J W	Ballads, Fieldwork, Meaning	2000	University of Aberdeen
Porter J W	Europe	2000	University of Aberdeen		Timothy Rice Chris Goertzen
Porter J W	Bart	2000	University of Aberdeen
Porter J W	Europe: Traditional Music	2000	University of Aberdeen
Polfreman R	Analyzing auditory representations for sound classification with self-organising neural networks	2000	University of Hertfordshire		C Spevak
Pitts SE	Reasons to teach music: establishing a place in the contemporary curriculum	2000	University of Sheffield
Pitts SE	Developing effective practice strategies: case studies of three young instrumentalists	2000	University of Sheffield		Jane Davidson Gary McPherson
Pitts SE	A Century of Change in Music Education: Historical perspectives on contemporary practice in British secondary school music	2000	University of Sheffield
Pinnock A.	'''From Rosy Bowers: Coming to Purcell the Bibliographical Way'	2000	University of Wales, Bangor
Pickard J	Piano Concerto	2000	University of Bristol
Phillips M	Voluntaries + VariationsBull: Een Kindeken is ins geborenCabez	2000	Royal College of Music	Performance
Phillips M	Bach and EnglandTallis: Hymn: Veni RedemptorScheidt: Veni redemptor gentiumTomkins: FancyBlow: Voluntary in CBruhns: Chorale Fantasia: Nun komm, der Heiden HeilandJ.S.Bach: Toccata in E majorNares: Introduction and fugue in A minor/majorW.	2000	Royal College of Music	Performance
Pearson I E	Playing historical clarinets	2000	University College Northampton
Pearson I	Playing historical clarinets	2000	Kingston University
Paynter J	Making progress with composing	2000	University of York
Paton R	Living Music	2000	University College Chichester	Music
Paton R	'Ascension Jazzmass' For Solo Voice SATB Choir, Jazz Ensemble, Organ and 21 Xylophones (2+ hours)	2000	University College Chichester	Music
Parry D M	Concert at the Michael Tippett Music Centre, Bath	2000	University of Hertfordshire
Parker R.	Elizabeth's Last Act	2000	University of Cambridge
Parker R.	Gaetano Donizetti, Poliuto	2000	University of Cambridge		William Ashbrook
Pamplin T	The Influence of the Bandora on the Origin of the Baroque Baryton	2000	London Guildhall University
Paddison MH	'L'idee d'une avant-garde dans le contexte de la postmodernite: problemes de definition en musique contemporaine', and in Musique contemporaine: theories et philosophie, ed. Irene Deliege	2000	University of Durham
Paddison MH	'Adorno'	2000	University of Durham
PERES DA COSTA N	J.S. Bach, A Musical Offering (Complete Trio Sonatas including Trio Sonata and Ricercar from A Musical Offering) performed by Florilegium, Neal Peres Da Costa harpsichord	2000	Bretton Hall
Osmond-Smith D	Here Comes Nobody: la dramaturgia sperimentale di Outis	2000	University of Sussex
Osmond-Smith D	Entries on Bussotti, Donatoni, Pennisi, Togni	2000	University of Sussex
Osmond-Smith D	Entries on Berio, Clementi, Manzoni, Sciarrino	2000	University of Sussex
Osborne N.	The Tempest, Music for Shakespeare's play.	2000	University of Edinburgh
Olleson PJ	Samuel Wesley and the Music Profession	2000	University of Nottingham
Olleson PJ	The London Roman Catholic Embassy Chapels and their Music in the Eighteenth and early Nineteenth Centuries	2000	University of Nottingham
Oldfield A	Music Therapy as a contribution to the diagnoses made by the staff team in child and family psychiatry - an initial description of a methodology that is still emerging through clinical practice.	2000	Anglia Polytechnic University	Music Therapy
Odell-Miller H	'Music Therapy and its relationship to Psycho-analysis'.	2000	Anglia Polytechnic University	Music Therapy
Odam G	Teaching Composing in Secondary School: the Creative Dream	2000	Bath Spa University College
Odam G	Composing in the Classroom: The Creative Dream	2000	Bath Spa University College		Paterson, A.
Odam G	Issues in the Teaching of Composing in the Classroom arising from The Creative Dream Research Project 1997-1999	2000	Bath Spa University College
ONeill MJL	Problems of Genre Definition : The Cantigas De Santa Maria in the Context of the Romance Lyric Tradition.	2000	University of Birmingham
O'Hagan P	Pierre Boulez: Trait Initial (London Premiere)	2000	University of Surrey Roehampton	Music
O Regan N	Tomas Luis de Victoria's Roman Churches revisited	2000	University of Edinburgh
O Regan N	Asprillo Pacelli, Lodovico da Viadana and the Roman Small-Scale Concerto	2000	University of Edinburgh
O Brien G	Towards establishing the original state of the three-manual harpsichord by Stefano Bolcioni, Florence, 1627, in the Russell Collection of early Keyboard Instruments, Edinburgh	2000	University of Edinburgh
Norton B	Vietnamese mediumship rituals: the musical construction of the spirits	2000	University of Surrey Roehampton	Music
Norris DO	Constant Lambert: Piano Concerto	2000	University of Southampton
Norris DO	Franz Schubert: The Kosegarten Liederspiel	2000	University of Southampton
Norman K	Stepping outside for a moment: narrative space in two works for sound alone	2000	Goldsmiths College
Norman K	CD: Transparent Things.	2000	Goldsmiths College
Nicholson GTF	Letters to the World	2000	University of Sheffield
Ng K C	Playing on a Holo-stage: Towards the Interaction between Real and Virtual Performers	2000	University of Leeds		Sequeira, V. Bovisio, E. Johnson, N.
Nex J	A Preliminary Investigation into the Stringing of Swedish Clavichords	2000	Royal College of Music		Lance Whitehead
Nex J	The Three Unique Models of Hass Clavichords?	2000	Royal College of Music	Historical Musicology	Lance Whitehead
Nex J	Three female Eighteenth-century English Harpsichord Builders	2000	Royal College of Music
Nex J	The clavichords of Arnold Dolmetsch 1894	2000	Royal College of Music		Lance Whitehead
Newsome R	The Land of the Poacher	2000	University of Salford
Newark C.	Essential opera: Halevy's ''La Juive'	2000	University of Cambridge
Neave A	Born of Funk and the Fear of Failing, concerto for amplified guitar and 10-piece ensemble by Gordon McPherson, Allan Neave (guitar) with Psappha, conducted by Andr	2000	Royal Scottish Academy of Music and Drama
Neave A	Born of Funk and the Fear of Failing by Gordon McPherson	2000	Napier University
Munro G	The Scottish Reformation and its Consequences	2000	Royal Scottish Academy of Music and Drama
Muldowney D	The Fall of Jerusalem (oratorio)	2000	Royal Academy of Music
Morley R	Feasibility Studies by the Scottish Flute Trio	2000	Napier University
Morehen J	Claudio Merulo, 'Ricercari d'intavolatura d'organo'	2000	University of Nottingham
Morehen J	John Amner, 'Sacred Hymnes (1615)'	2000	University of Nottingham
Mordkovitch L	Bruch - Violin Concerto No.3	2000	Royal Academy of Music
Moore AJ	Traces (CD)	2000	University of Sheffield
Moore AJ	Out there and beyond	2000	University of Sheffield
Moore AJ	Ethereality	2000	University of Sheffield
Moore AJ	Superstrings	2000	University of Sheffield
Monelle R	The Sense of Music: Semiotic Essays	2000	University of Edinburgh
Modler P	Creating, Discovering, Practice: Learning to Use Interactive Gestural Interfaces for Computer Music Instruments, 17.	2000	University of York	Music Technology
Modler P	Neural Networks for Mapping Hand Gestures to Sound Synthesis Parameters	2000	University of York	Music Technology
Mival W	A superabundance of experience	2000	Royal College of Music	N/A
Mitchell I	'The Edge of the World': works for solo bass clarinet associated with Ian Mitchell.	2000	University of Exeter
Milstein S.R.	a media luz...	2000	King's College London
Mills J	Music technology inspected: good teaching in Key Stage 3	2000	Royal College of Music		Andy Murray
Middleton R	Musical Belongings: Western Music and Its Low-Other	2000	University of Newcastle
Middleton R	Work-in-(g) Practice: Configurations of the Popular Music Intertext	2000	University of Newcastle
Merrick L	CD of clarinet concertos	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Merrick L
Merrick L	Clarinet Quintet: Wilfred Josephs	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Merrick L
Mera M	'Representing the Baroque: the Portrayal of Historical Period in Film Music'	2000	Royal College of Music	Screen Music Studies
Mera M	'What's so funny about parody?'	2000	Royal College of Music	Screen Music Studies
Mera M	The Last Few	2000	Royal College of Music	RCM Studio Group
Mead P	Transparent Things	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Mead P
McVeigh SW	The Making of a Ritornello Movement: Compositional Strategy and Selection in Tessarini's 'Opera Prima'.	2000	Goldsmiths College		Hirshberg, J.
McVeigh SW	Freemasonry and Musical Life in London in the late Eighteenth Century	2000	Goldsmiths College
McVeigh SW	The Society of British Musicians (1834-1865) and the Campaign for Native Talent	2000	Goldsmiths College
McNaught G	James MacMillan - Orchestra Music Vol. 5, The Scottish Chamber Orchestra conducted by James MacMillan, with Graeme McNaught (piano)	2000	Royal Scottish Academy of Music and Drama
McGregor R E	Compositional processes in some works of the 1980s and Max the symphonist	2000	St Martin's College
McCLEAVE SY	A Catalogue of Manuscript Music in the Mackworth Collection	2000	The Queen's University of Belfast
Maxwell M	Anthony Gilbert 'Os' (for solo oboe and vibraphone) /Jonathan Cole 'Totem' (for solo oboe)	2000	Royal Academy of Music
Mawer DH	Musical Objects and Machines	2000	Lancaster University
Mawer DH	Ballet and the Apotheosis of the Dance	2000	Lancaster University
Mateer D G	In Nomine Jesu: Robert Fayrfax and the Guild of the Holy Name in St Pauls Cathedral	2000	Open University		Elizabeth New
Martin P	The Complete Piano Music of Louis Moreau Gottschalk (Vol.4)	2000	University of Central England in Birmingham	Performance Studies
Martin P	Mystic Nativity	2000	University of Central England in Birmingham	Contemporary Music
Marsden AA	Representing Musical Time: A Temporal-Logic Approach	2000	Lancaster University
Marsden AA	Music, Intelligence and Artificiality	2000	Lancaster University
Malone K	Part Worn Tyres for guitar and marimba (14')	2000	University of Manchester
Malone K	Remote Control for two harpsichords, CD and audience-controlled electronic sounds (14')	2000	University of Manchester
Mackey J	Baroque baryton	2000	London Guildhall University
Mackey J	Construction of the instruments of a complete late-baroque string orchestra (violins, violas, cello and bass)	2000	London Guildhall University
MacGregor J	Lou Harrison - Piano Concerto	2000	Royal Academy of Music
MacDonald A	Ce	2000	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
MacDonald A	The Well, various artists including Allan MacDonald as performer and Scottish music advisor	2000	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
MOORE A F	The brilliant career of Sgt. Pepper	2000	University of Surrey
MARSTON NJ	Voicing Beethoven's Distant Beloved	2000	University of Oxford
MARSTON NJ		2000	University of Oxford
Losseff N	Absent Melody and 'The Woman in White'	2000	University of York
Lockett M	The Loop Orchestra	2000	University of Central England in Birmingham	World/Folk Music
Lockett M	Recital of American Minimalist Music: Feldman and Adams	2000	University of Central England in Birmingham	Contemporary Music
Lindberg JJ	Spanish Guitar Music: a selection of music by Gaspar Sanz + Santiago de Murcia	2000	Royal College of Music
Lilley C	Cashian: Dark Inventions (flute solo)	2000	University of Central England in Birmingham	Contemporary Music	BCMG, cond.Stefan Asbury
Levi E W	Opera in the Nazi Period	2000	Royal Holloway, University of London
Levi E W	Futurist Influences Upon Early Twentieth-Century Music	2000	Royal Holloway, University of London
Lee TS	'Professional Chinese Opera Troupes and Street Opera Performance in Singapore'	2000	University of Durham
Lee TS	'Singapore'	2000	University of Durham
Lee C P	Like a Bullet of Light - The Films of Bob Dylan	2000	University of Salford
Leach EE	Counterpoint as an interpretative tool: the case of Guillaume de Machaut's De toutes flours (B31)	2000	University of Bristol
Leach EE	Review of Daniel Leech-Wilkinson (ed.) and R. Barton Palmer (ed. and trans.) Guillaume de Machaut: Le Livre dou Voir Dit	2000	University of Bristol
Leach EE	Fortune's Demesne: the Interrelation of Text and Music in Machaut's Il mest avis (B22), De Fortune (B23) and Two Related Anonymous Balades	2000	University of Bristol
Le Cocq J P	'En mesure regl	2000	University College Northampton
Lawton J	Wagner: Tristan und Isolde (Role of Tristan)	2000	Royal Northern College of Music
Lawson CJ	The Early Clarinet: A Practical Guide.	2000	Goldsmiths College
Laws C	The Double Image of Music in Beckett's Dream of Fair to Middling Women	2000	Dartington College of Arts
Laws C	Performance Issues in Composers' Approaches to Beckett	2000	Dartington College of Arts
Landy L	Devising Dance and Music: Id	2000	De Montfort University		E Jamieson
LINGAS A	When Augustus Reigned: Orthodox Music for Christmas. Cappella Romana, directed by A. Lingas	2000	University of Oxford
LA RUE HTAM	Transpositions	2000	University of Oxford
LA RUE HTAM	The Ethnomusicologist in the Wilderness	2000	University of Oxford
Knighton T.W.	Aspectos de la cultura musical en la Corte de Felipe II	2000	University of Cambridge		Luis Robledo Cristina Bordas Juan Jose Carreras
Kitchen J	'Instrument and repertoire: concert use' in Towards the Conservation and Restoration of Historic Organs: Proceedings of International Conference, Liverpool, 1999	2000	University of Edinburgh
Kitchen J	The Organs of St. Cecilia's Hall, University of Edinburgh	2000	University of Edinburgh
Kitchen J	Complete Organ Works of Johann Ludwig Krebs	2000	University of Edinburgh
Kisby F	Musical Culture in English Towns to c.1600: Research Perspectives, Sources and Methodologies	2000	Royal Holloway, University of London
King D	Highlights from European Brass Band Championships 2000	2000	University of Salford
King D	Essays for Brass, Vol 3.	2000	University of Salford
Kimbell DRB	The performance of Italian opera in early Victorian England	2000	University of Edinburgh
Kerstens T	Five Bagatelles by William Walton	2000	Bath Spa University College
Kent CJ	Organs in Contrast. Variations and Voluntaries for Organ by John Blow and Johann Pachelbel.	2000	University of Reading
Kenny J	Amaterasu	2000	Royal Scottish Academy of Music and Drama
Kelly B L	Maurice Ravel	2000	Keele University
Kelly B L	History and Homage	2000	Keele University
KEEFE SP	Antoine Reicha's Dialogue: The Emergence of a Theoretical Concept	2000	The Queen's University of Belfast
Jones ML	How can I go forward when I don't know which way I'm facing? The condition of popular music education	2000	University of Liverpool
Jones L	Seventeenth-Century Italian Songs for Bass Voice	2000	London Guildhall University
Jones L	The Hieronymus Albrecht Hass Clavichord in the Bate Collection of Historical Instruments: Restoration Report	2000	London Guildhall University
Johnson P	Intonation and Interpretation in String Quartet Performance: The case of the flat leading-note.	2000	University of Central England in Birmingham	Performance Studies
Johnson JM	Karl Kraus and the Schoenberg School	2000	University of Sussex
Janski S	Mozart: Die Zauberflote	2000	Royal Northern College of Music
Janski S	Kurt Weill: 'The Rise and Fall of the City of Mahagonny'	2000	Royal Northern College of Music
Jan S B	Replicating Sonorities: Towards a Memetics of Music	2000	University of Huddersfield
Ivashkin A	A Schnittke Reader.	2000	Goldsmiths College
Ivashkin A	Unknown Shostakovich.	2000	Goldsmiths College
Irving JA	The Anders von Dueben Tablature	2000	University of Bristol
Irvine R	Sonata for Cello and Piano, by Sally Beamish, Robert Irvine (cello) and Sally Beamish (piano)	2000	Royal Scottish Academy of Music and Drama
Inness P	Overture Fiesta Las Cruces, for orchestra	2000	Royal Scottish Academy of Music and Drama
Ingham C	Steely Dan: Joined at the Hip	2000	Anglia Polytechnic University	Musicology
Ingham C	Billie Holiday	2000	Anglia Polytechnic University	Musicology
Ingham C	'Textile Lunch'	2000	Anglia Polytechnic University	Composition
Impett JF	Situating the invention in interactive music	2000	University of East Anglia
Immelman N	Professor Leo Quayle at 81	2000	Royal College of Music
Humphreys K	Concerto for Violin and Orchestra, by Samuel Barber, Kyra Humphreys (violin), with the Northern Sinfonia conducted by David Haslam	2000	Royal Scottish Academy of Music and Drama
Hughes DW	No nonsense: the logic and power of acoustic-iconic mnemonic systems	2000	School of Oriental and African Studies
Hughes DW	East Asia	2000	School of Oriental and African Studies		S Jones
Hughes DW	Japan: 1 - IX	2000	School of Oriental and African Studies		D. Berger, W. Malm, F. Koizumi et al
Hoyland DV	The Other Side of the Air (1991/92) for Piano Solo.	2000	University of Birmingham
Howle T	Subplot	2000	Oxford Brookes University
Howell TB	Restricting the Flow: Elements of Timescale in Sibelius' Sixth Symphony	2000	University of York
Howell TB	Sibelius the Progressive	2000	University of York
Howell TB	Freedom of Choice: Project-based learning	2000	University of York
Howat R		2000	Royal College of Music	Editing: Theory and Practice
Howard P	Wandering minstrels: an 18th century fiction?	2000	Open University
Horn RDW	Some thoughts on the work in popular music	2000	University of Liverpool
Horch K	Chambersax - H. Villa-Lobos: Quatuor for harp, celeste, flute, alto saxophone and female voices; A. Webern, Quartet for clarinet, tenor saxophone, violin and piano, op. 22, P. Hindemith: Trio op.47 for viola, tenor saxophone and piano, Adolf Busch	2000	Royal College of Music
Holt S K	Sunrise' yellow noise	2000	Royal Holloway, University of London
Holman P K	The Colchester Part-Books	2000	University of Leeds
Holloway R.G.	Symphony, Op 88	2000	University of Cambridge
Holland J	Cashian: Chamber Concerto	2000	University of Central England in Birmingham	Contemporary Music	BCMG, cond.Stefan Asbury
Hill PHA	Stravinsky: The Rite of spring	2000	University of Sheffield
Heyde N	Soler/Roger/Sarda - Quartets	2000	Royal Academy of Music
Herissone RL	Music Theory in Seventeenth-Century England	2000	Lancaster University
Herford H	Bliss: A knot of Riddles and other songs	2000	Royal College of Music	Performance	Nash Ensemble Martyn Brabbins, conductor Kathron Sturrock, piano
Herbert T		2000	Open University
Henshall D	Three Welsh Dances for solo Harp (12'). First performance, Catrin Finch.	2000	Canterbury Christ Church University College
Henshall D	Sonata for Violin and Harp (25'). 1st performance, Alexander Trostiansky, violin; Anna Verkholoantseva, harp.	2000	Canterbury Christ Church University College
Head MW	Orientalism, Masquerade and Mozart	2000	University of Southampton
Head MW	Music with	2000	University of Southampton
Hayden S T	Intransigence	2000	University of Leeds
Harvey JD	Tranquil Abiding	2000	University of Sussex
Harvey JD	Mothers Shall Not Cry	2000	University of Sussex
Harvey JD	White as Jasmine	2000	University of Sussex
Hartwell RF	Pas de Deux	2000	Liverpool Hope
Hartwell RF	Salome Dances	2000	Liverpool Hope
Harrison SE	Inscapes: Contemporary music for violin and piano.	2000	Goldsmiths College
Harrison SE	Taking Flight: Chamber Works by Sadie Harrison.	2000	Goldsmiths College
Harris M	National Millennium Service for Scotland	2000	Napier University
Harper S.E.	Our Awin Scottis Use: Music in the Scottish Church up to 1603	2000	University of Wales, Bangor		I.W. Preece W. Edwards G. Munro
Harper J.M.	'Music and liturgy, 1300-1600'	2000	University of Wales, Bangor
Harper J.M.	Music for Common Worship. vol.1: Music for Sunday services (editor and composer), vol.2: Music for the President (editor and composer), vol.3: A basic guide (author)	2000	University of Wales, Bangor
Harper E	Lochinvar: A children's opera	2000	University of Edinburgh
Harlow M	Charles Swinnerton Heap: Clarinet Sonata	2000	University of Central England in Birmingham	Performance Studies
Harlow M	Hummel: Die Eselshaut, arr.Wenzel Sedlak	2000	University of Central England in Birmingham	Early Music
Hancox G	Carissimi, Jepthe; Peter Wilman, Jepthe; Emily Renshaw, Felia; Peter Bowman, Kathryn Bennetts, recorders; Cantata Choir and Ensemble, dir. Grenville Hancox.	2000	Canterbury Christ Church University College
Hamilton J	Mark Anthony Turnage: Greek	2000	Royal Northern College of Music
Hall R	Nighean nan geug, music and song from the Gaelic tradition, with Rob Hall (alto and soprano saxophone)	2000	Royal Scottish Academy of Music and Drama
Hall B	'Benjamin Hall, Piano' Piano recital	2000	University College Chichester	Music
HENSON K	Exotisme et nationalite:	2000	University of Oxford
HALFYARD J	Before Night Comes: Narrative and Gesture in Berio's Sequenza III (1966)	2000	Bretton Hall
HAIR GB	Dances and Devilment and Sunlit Airs	2000	University of Glasgow	Composition
HAIR GB	Lament for Santa Sophia	2000	University of Glasgow	Composition
Gritten AJ	Unholy Delights: On Edward Cone's Relations	2000	University of East Anglia
Gritten AJ	On Answering Music	2000	University of East Anglia
Griffiths DM	'Home is living like a man on the run': John Cale's Welsh Atlantic	2000	Oxford Brookes University
Griffiths D	York	2000	University of York		Paynter J
Gribbin D	Celestial Pied Piper	2000	Bath Spa University College
Gribbin D	Celestial Pied Piper	2000	University of Newcastle
Gribbin D	Amazing Face	2000	University of Newcastle
Gregson E	Violin Concerto	2000	Royal Northern College of Music
Greer DC	John Dowland: Ayres for Four Voices	2000	University of Durham
Grant R	Intonarumori	2000	University of Central England in Birmingham	Contemporary Music
Grange PR	'Lament of the bow' for chamber ensemble'	2000	University of Exeter
Grange PR	'Sheng Sheng Bu Shi': Concerto for solo clarinet radical and symphonic wind band	2000	University of Exeter
Grange PR	Lament of the Bow for chamber ensemble (16')	2000	University of Manchester
Graham P	Harrison's Dream	2000	University of Salford
Graham D	Ave Regina: The Complete Organ Works of Guy Weitz - volume 1Weitz: Three Pieces (1935-39); Two Pieces based on Plainchant Motives (1962); Symphony No. 1(1931).	2000	Royal College of Music
Gould C	Boulez - Antheme (for solo violin and electronics)	2000	Royal Academy of Music
Gorb A	Concerto for Clarinet and Orchestra	2000	Royal Northern College of Music
Glover J	Children Composing 4-14	2000	Bath Spa University College
Glauert A	'Ich singe, wie der Vogel singt': Reflections on Nature and Genre in Wolf's Setting of Goethe's Der Sanger	2000	Royal Academy of Music
Glauert A	Finding the compositional voice in Beethoven's songs	2000	Royal Academy of Music
Glauert A	Beethoven's songs and vocal style	2000	Royal Academy of Music
Gilmore B	'Reinventing Ives'	2000	Dartington College of Arts
Gilmore B	Review of Miller and Lieberman, Lou Harrison: Composing a World	2000	Dartington College of Arts
Gilbert A	Sinfin	2000	Royal Northern College of Music
Gilbert A	Vers de lune	2000	Royal Northern College of Music
Gifford G	Georgian Delights: a treasury of harpsichord and organ music from the Library of Arnold DolmetschHandel: Overture to Ottone; Air for a Musical ClockAnon.: Lesson with Variations by Mr Handel; Stamford a+ Lord Exeter's Minuets; Lesson II in F major; Fu	2000	Royal College of Music
Garro D	Pangea: composition for tape	2000	Keele University
GRIMLEY D M	Berwald	2000	University of Surrey
GOSS S M	Looking Glass Ties	2000	University of Surrey
GIBSON IS	Cast Aside (electroacoustic composition)	2000	University of Oxford
Fulwell P	Music City 2.0: Developing the Digital Music Economy	2000	Liverpool John Moores University
Fulwell P	BitBiz: Accelerating the Creative Industries	2000	Liverpool John Moores University
Fuller A	Bantock: Sonatas for Cello and Piano	2000	University of Central England in Birmingham	Performance Studies	Michael Dussek
Fuller A	Bantock: Sonata for Unaccompanied Cello, and character pieces	2000	University of Central England in Birmingham	Performance Studies	Michael Dussek Lucy Wakeford, harp
Freeman-Attwood J	Andrew Johnstone - Sonata da Chiesa (for trumpet and organ)	2000	Royal Academy of Music
Francis S	Vanhal: Six Quartette Concertante for oboe and string trio, Op 7	2000	Royal College of Music		Tagore String Trio
Flanagan K	Elastic Form and Concrete Structure: the analysis of improvised music.	2000	Anglia Polytechnic University	Musicology	D. Crilly
Flanagan K	'Textile Lunch'	2000	Anglia Polytechnic University	Composition
Fischman Steremberg R A	'A Tutorial Survey of Classic Synthesis Techniques' and 'Multiband Processing with Time-varying Filters'	2000	Keele University
Firsova E	Das Erste ist vergangen (Former Things are passed away), op.93	2000	Royal Northern College of Music
Firsova E	The River of Time, op.81	2000	Royal Northern College of Music
Finnissy MP	Domestic and Salon Pastimes, for various ensembles (60 minutes)	2000	University of Southampton
Fingerhut M	Kenneth Leighton: Works for Piano Solo	2000	Royal Northern College of Music
Fingerhut M	Arnold Bax: Concertante for Piano (left hand) and Orchestra	2000	Royal Northern College of Music
Fingerhut M	Edward Elgar: Piano Concerto 'Slow Movement'	2000	Royal Northern College of Music
Field CDS	A Musical Apparatus of Somewhat Complex and Intricate Mechanism: Organs in Professor John Donaldson's Classroom at the University of Edinburgh, 1845-65	2000	University of Edinburgh
Fern A	Approaching Melmoth	2000	University of Newcastle
Fergus-Thompson G	Scriabin: Complete Piano Music Vol.4 (The Mazurkas)	2000	University of Central England in Birmingham	Performance Studies
Fend M	The Problem of the French Revolution in Music History and Historiography	2000	King's College London
Fend M	Cherubini, Luigi	2000	King's College London
Fell S	Composition No.57 'Kaleidozyklen'	2000	Anglia Polytechnic University	Composition
Fanning DJ	Carl Nielsen: Aladdin	2000	University of Manchester
FRANKLIN PR	Modernism, Deception and Musical Others: Los Angeles c.1940	2000	University of Oxford
FAUSER A.	The Songs	2000	City University
Everist ME	Reception and Recomposition in the Polyphonic Conductus cum cauda: The Metz Fragment	2000	University of Southampton
Ellis K	Palestrina et la musique dite palestrinienne	2000	Royal Holloway, University of London
Ellerby M	Evocations	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Ellerby M
Ellerby M	Clarinet Concerto	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Ellerby M
Ellerby M	Tenor Horn Concerto	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Ellerby M
Elcombe DK	George Nicholson: Letters to the World (settings of poems by Emily Dickinson), for soprano, recorder, cello, harpsichord. (30').	2000	University of Manchester
Elcombe DK	Kenneth Leighton: Animal Heaven; Edward Harper: Lights Out, for soprano, recorder, cello and harpsichord	2000	University of Manchester
Eisen C	(Johann Chrysostom) Wolfgang Amadeus Mozart	2000	King's College London
EMMERSON S.T.	'Losing touch': the human performer and electronics	2000	City University
EDWARDS WA	Latin motets II (from manuscript sources)	2000	University of Glasgow	Early Music
EDWARDS WA	'Chant in Anglo-French Scotland' and 'Polyphony in thirteenth-century Scotland'	2000	University of Glasgow	Scottish Music and Musicians
Dussek M	Bantock - Cello Sonatas	2000	Royal Academy of Music
Dussek M	Rubbra - Chamber music	2000	Royal Academy of Music
Dussek M	Hurlstone/Parry/Harty - works for cello and piano	2000	Royal Academy of Music
Duran L	Women, music and the 'mystique' of hunters in Mali	2000	School of Oriental and African Studies
Duran L	Brasil dois Mil	2000	School of Oriental and African Studies
Drabkin WM	A Readers Guide to Haydn's String Quartets	2000	University of Southampton
Doyle G A	Francesco Brusa: 'Missa Pro Defunctis' 1767	2000	St Martin's College
Doyle G A	Towards a Taxonomy of Enthusiasms	2000	St Martin's College
Downes M	Nike Wagner, The Wagners: Dramas of a Musical Dynasty. Trans. Ewals Osers and Michael Downes.	2000	Canterbury Christ Church University College
Downes M	Paul Max Edlin, Translations of the Night. 1st performance Bergamo Ensemble; Tania Williams, mezzo soprano; dir. Michael Downes.	2000	Canterbury Christ Church University College
Downes A	Concerto for Guitar, Electric Bass Guitar and String Orchestra	2000	University of Central England in Birmingham	Contemporary Music
Dow R	'Litany'	2000	University of Edinburgh
Dobson R	Developments in Audio File Formats	2000	Bath Spa University College
Dobson R	Designing Legato Instruments	2000	Bath Spa University College
Dingle CP	Understated charm: style and technique in the last works of Olivier Messiaen.	2000	University of Sheffield
Dingle CP	La statue reste sur son pi	2000	University of Sheffield
Dickinson S	Sibelius: String Trio in G minor	2000	Royal Northern College of Music
Dickinson S	Schubert:String Trio D471 in B flat (1819) [completed by Brian Newbold]	2000	Royal Northern College of Music
Dickinson S	Hans Werner Henze: Trio in 3 Movements	2000	Royal Northern College of Music
Dickinson S	John Reeman: Suite for Flute, Viola and Harp	2000	Royal Northern College of Music
Dibben N	Sex, Pulp and critique	2000	University of Sheffield		Clarke, E.F.
Dempster K	Wyoming for chamber ensemble (clarinet, bassoon, trumpet in c, violin, cello and piano).	2000	Napier University
Dempster K	Descriptio for orchestra	2000	Napier University
Dempster K	String Quartet No.2 (Scattering of Tears)	2000	Napier University
Deathridge J.W.	Richard Wagner, S	2000	King's College London		Klaus D
Deathridge J.W.	Music Historiography, Critical Theory, and Other Tales	2000	King's College London
Dearden I	Mothers Shall Not Cry	2000	University of Hertfordshire
Dearden I	Concert Hall Acoustics	2000	University of Hertfordshire
Davies O	Exhibition: Grove's World	2000	Royal College of Music	Historical Musicology	Peter Horton Celia Clarke Paul Collen
Davies D	Percussion Concerto by Martin Butler, Heather Corbett (multi percussion) with the Paragon Ensemble conducted by David Davies	2000	Royal Scottish Academy of Music and Drama
Dale C	Schoenberg's Chamber Symphonies: The Crystallization and Rediscovery of a Style	2000	University of Hull
DOWNES S C	Madness in music: Szymanowski's Op. 42	2000	University of Surrey
DOWNES S C	Eros in the metropolis: Bart	2000	University of Surrey
Cushing J	Santa Claus Symphony, by William Henry Fry, Royal Scottish National Orchestra conducted by Tony Rowe, with John Cushing (clarinet)	2000	Royal Scottish Academy of Music and Drama
Cushing J	Ninian, concerto for clarinet, by James MacMillan, John Cushing (clarinet) with the Royal Scottish National Orchestra conducted by Alexander Lazarev	2000	Royal Scottish Academy of Music and Drama
Cushing J	Seeking wise salmon, by William Sweeney (version for solo clarinet and ensemble), John Cushing (solo clarinet) with the Paragon Ensemble conducted by Garry Walker	2000	Royal Scottish Academy of Music and Drama
Cross JGE	Harrison Birtwistle: Man, Mind, Music	2000	University of Bristol
Cross JGE	Modernism and the Challenges to Music Theory	2000	University of Bristol
Crilly D R	Elastic Form and Concrete Structure: the analysis of improvised music	2000	Anglia Polytechnic University	Musicology	K Flanagan
Crilly D R	Wittgenstein, Music and Language-Games	2000	Anglia Polytechnic University	Musicology
Cowie E	Phase Portraits for harp, piano, harpsichord, celesta and 24 solo voices.	2000	Dartington College of Arts
Cowgill R E	'Wise Men from the East': Mozart's Operas and their Advocates in Early Nineteenth-Century London	2000	University of Huddersfield
Cowgill R E		2000	University of Leeds
Cowgill R E	The Papers of C.I. Latrobe: New Light on Musicians, Music, and the Christian Family in Late Eighteenth-Century England	2000	University of Leeds
Corbett H	Blue Waters, for solo vibraphone, by Jennifer Barker, Heather Corbett (vibraphone)	2000	Royal Scottish Academy of Music and Drama
Corbett H	Percussion Concerto by Martin Butler, Heather Corbett (multi percussion) with the Paragon Ensemble conducted by David Davies	2000	Royal Scottish Academy of Music and Drama
Cooper D G	Perceptually Smooth Timbral Guides by State-space Analysis of Phase Vocoder Parameters	2000	University of Leeds		Bailey, N.J.
Cooper D G	On the Twelfth of July in the Morning . . . or the Man who Mistook his Sash for a Hat	2000	University of Leeds
Cooper BAR	Beethoven	2000	University of Manchester
Comberti M	Hummel: Quintet in E flat and Piano Trio in Eflat.	2000	University of Central England in Birmingham	Early Music	The Music Collection
Cole B	Community Music and Higher Education: a marriage of convenience	2000	University of York
Coates L	Te Deum Laudamus	2000	University of Edinburgh
Clarke N	Battles + Chants Clarinet Concerto for Symphonic Winds	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Clarke N
Clarke N	Breaking the Century	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Clarke N
Clarke N	The Devil and the Hemlock Stone	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Clarke N
Clarke N	The Little Vampire: film score	2000	Thames Valley University	Centre for Research in Contemporary Music Practice	Clarke N
Clarke J M	Extending Contacts: The Concept of Unity in Computer Music	2000	University of Huddersfield
Clarke J M	a) FOF and FOG synthesis in Csoundb) From Research to Programming to Compositionc) FOG code. Synthesis software	2000	University of Huddersfield
Clarke EF	Real and simulated expression: a listening study	2000	University of Sheffield		W L Windsor
Clarke D I	The Meaning of 'Lateness': Mediations of Work, Self and Society in Tippett's Triple Concerto	2000	University of Newcastle
Clark A	Carl Czerny - Music for horn and fortepiano	2000	Royal Academy of Music
Clark A	Vivaldi - Concerto in F Major for Two Horns	2000	Royal Academy of Music
Clark A	Antique Brasses (Crusell - Horn Concerto)	2000	Royal Academy of Music
Chua D.K.	Believing in Beethoven	2000	King's College London
Chew G A	Martinu's Three Wishes and their Fulfilment: Links between Paris and Prague in the Music of the 1920s	2000	Royal Holloway, University of London
Charlton D P	Sedaine's Prefaces: Pretexts for a New Musical Drama	2000	Royal Holloway, University of London
Charlton D P	French Opera 1730-1830: Meaning and Media	2000	Royal Holloway, University of London
Chadd DF	The Original of the Abbey of the Holy Trinity	2000	University of East Anglia
Chadd DF	Liturgical Books: Catalogues, Editions and Inventories	2000	University of East Anglia
Castelvecchi S.	Sentimental and Anti-Sentimental in Le Nozze di Figaro	2000	University of Cambridge
Cashian P	Dark Inventions	2000	Bath Spa University College
Carter T	Monteverdi and his Contemporaries	2000	Royal Holloway, University of London
Carter T	Printing the	2000	Royal Holloway, University of London
Carpenter G	SCRY - Prelude, Interludes and Finale	2000	Royal Northern College of Music
Carolan L	J.S. and C.P.E.Bach: Fantasias	2000	University of Central England in Birmingham	Early Music
Campbell R	The Angels	2000	Royal Scottish Academy of Music and Drama
Caird G	20th century English Music for oboe and piano	2000	University of Central England in Birmingham	Performance Studies	Malcolm Wilson
Caird G	The Classical Harmonie: Music for Wind by Beethoven, Gluck, Hummel	2000	University of Central England in Birmingham	Performance Studies	The Albion Ensemble
Cahill T	Robert Saxton: 'Eloge'	2000	Royal Northern College of Music
Butt J.A.	Performance on Paper: Rewriting the Story of Notational Progress	2000	University of Cambridge
Butt J.A.	4 Toccatas and Fugues; Schubler Chorales, J S Bach	2000	University of Cambridge
Butler MC	Two Rivers	2000	University of Sussex
Butler MC	Percussion Concerto	2000	University of Sussex
Burrell H	Symphony 1 for orchestra	2000	University of Hertfordshire
Burrell H	Symphony 2 for orchestra	2000	University of Hertfordshire
Burnett M A	Keeping Time	2000	University of Surrey Roehampton	Music
Burnett M A	Zouk	2000	University of Surrey Roehampton	Music
Burnett M A	Kassav	2000	University of Surrey Roehampton	Music
Buckland R	Premiere Broadcasts (Mitchell-Davidson, Francaix, etc)	2000	Royal Northern College of Music
Bucciarelli M	Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies	2000	Oxford Brookes University
Bryan J H	Master of Musicians: Songs and Instrumental Music by Josquin des Pres, his pupils and contemporaries	2000	University of Huddersfield
Brubeck D	Four Score in Seven	2000	University of Nottingham
Brubeck D	1959: The Beginning of Beyond	2000	University of Nottingham		Peter King Alan Skidmore Alec Dankworth
Brown J A	Bart	2000	Royal Holloway, University of London
Brown J A	Ally McBeal's Postmodern Soundtrack	2000	Royal Holloway, University of London
Brown AM	William Byrd: Audivi vocem de caelo	2000	University of Sheffield
Brown AM	Battle Music	2000	University of Sheffield
Brooks WF	Common Ground	2000	University of York
Brooks LJ	Guillaume Boni: Motets (1573)	2000	University of Southampton
Brooks LJ	Courtly Song in Late Sixteenth-Century France	2000	University of Southampton
Bradbury C	Brahms: Clarinet Sonatas op. 120Hindemith: Clarinet Sonata (1939)	2000	Royal College of Music	Performance	Bernard Roberts, piano
Boyle R	Lament, for violin and piano	2000	Royal Scottish Academy of Music and Drama
Bowman P	Mark Bromwich Tricorder for two quarter-tone recorders and live MSP. Peter Bowman and Kathryn Bennetts, Recorders.	2000	Canterbury Christ Church University College
Bowers R.D.	The Chapel Royal, the first Edwardian Prayer Book, and Elizabeth I's Settlement of religion, 1559	2000	University of Cambridge
Bosanquet C	Fun with cello harmonics.	2000	Anglia Polytechnic University	Musicology
Bond T	Franz Schmidt: Das Buch mit sieben SiegelnTimothy Bond (organ)	2000	Royal College of Music	Performance	BBC Chorus and Orchestra Franz Welser-Most, conductor
Bodman Rae JC	Swiat dzwiekowy Lutoslawskiego: swiat kontrastow (Lutoslawski's Sound World: a World of Contrasts)	2000	Royal Northern College of Music
Boddice N	The Music of Buxton Orr, conducted by Nigel Boddice	2000	Royal Scottish Academy of Music and Drama
Blinko T J	Montage	2000	University of Hertfordshire
Blezzard JH	King Henry VIII: performer, connoisseur and composer of music	2000	University of Liverpool		Palmer, F
Blake DL	I Skies tis Agapis (The Shades of Love)	2000	University of York
Birtwistle H	The Last Supper (opera in one act: 14 soloists, small female chorus, chamber orchestra)	2000	Royal Academy of Music
Biddle I D	The Gendered Eye: Music Analysis and the Scientific Outlook in German Early Romantic Music Theory	2000	University of Newcastle
Betzwieser TL	Musical setting and scenic movement: chorus and ch	2000	University of Southampton
Berry S	Energy	2000	Royal Northern College of Music
Bell S	Peter Eotvos - Shadows (flute, clarinet and orchestra)	2000	Royal Academy of Music
Beckles Willson R	Gy	2000	University of Bristol
Bashford CM	John Ella and the making of the Musical Union	2000	Oxford Brookes University
Bashford CM	Chamber music	2000	Oxford Brookes University
Bashford CM	The late Beethoven quartets and the London press, 1836-ca1850	2000	Oxford Brookes University
Bannan NJC	A Gestural Language for the Representation and Communication of Vocal Harmony	2000	University of Reading
Banfield SD	Stage and Screen Entertainers in the Twentieth Century.	2000	University of Birmingham
Ball A	David Lumsdaine: Mandala 3Andrew Ball (piano)	2000	Royal College of Music	Performance	Capricorn Ensemble
Ball A	Erich Wolfgang Korngold: Sonata for Violin and Piano, op. 6; Suite: Much Ado About Nothing, op. 11; Caprice Fantastique (Wichtelm	2000	Royal College of Music	Performance	Detlef Hahn, violin
Ball A	English Recoder Music: the Dolmetsch LegacyGordon Jacob - VariationsCyril Scott - AubadeEdmund Rubbra - Sonatina Op. 128Antony Hopkins - SuiteEdmund Rubbra - Passacaglia Sopra 'Plusieurs Regrets' Op.113John Gardner - Little Suite in C Op.60E	2000	Royal College of Music	Performance	Ross Winters, recorder
Ball A	Philip Grange: Des fins sont des commencements; As it was; A Puzzle of Shadows Andrew Ball (piano)	2000	Royal College of Music	Performance	Gemini Alison Wells
Baily JS	Music and the State	2000	Goldsmiths College
BURDEN M	Aspects of Purcell's Operas	2000	University of Oxford
BROOKES T S	On the differences between conventional and auditory spectrograms of English consonants	2000	University of Surrey		Tyrrell, A M Howard, D M
BOEHM CB	Music Tagging Type Definitions: Systems for music representation and retrieval	2000	University of Glasgow	Computer applications	Donald MacLellan
Ashton N	Piano Recital, Edinburgh University Reid Hall	2000	Napier University
Archbold P	Wind-Up: Chamber Music by Paul Archbold and Fabrice Fitch	2000	University of Durham
Ap Sion P.E.	Ar y Groesffordd	2000	University of Wales, Bangor
Anstee I	Episodes	2000	Royal Northern College of Music
Anstee I	Move	2000	Royal Northern College of Music
Anstee I	Earth and Moon	2000	Royal Northern College of Music
Anderson J	Alhambra Fantasy for chamber ensemble	2000	Royal College of Music
Alvarez J	Offrande	2000	University of Hertfordshire
Alvarez J	Modelo para Armar	2000	University of Hertfordshire
Allis M	Elgar and the Art of Retrospective Narrative	2000	Royal Academy of Music
Allen B	Mussorgsky Pictures at an Exhibition with works by Glinka, B	2000	Royal Scottish Academy of Music and Drama
Allen B	The Music of Buxton Orr, conducted by Bryan Allen	2000	Royal Scottish Academy of Music and Drama
Alburger M A	The Fydill in Fist: Bowed String Instruments from the Mary Rose	2000	University of Aberdeen
Adlington RC	The Music of Harrison Birtwistle	2000	University of Nottingham
Adkins M	Noumena	2000	University of Huddersfield
de Saram R	Stockhausen: Helikopter-Quartett	1999	University of Central England in Birmingham	Contemporary Music	Irvine Arditti David Alberman Garth Knox
Zwaanenburg J	Drag on ... claustrophobia	1999	Oxford Brookes University
Zon BM	The English Plainchant Revival	1999	University of Durham
Zon BM	The English Plainchant Revival	1999	University of Hull
ZIELINSKI S K	A novel approach to echo cancellation	1999	University of Surrey		Czyzewski, A
Young MW	Chatterbox	1999	Oxford Brookes University
Wrightson K	An Introduction to Acoustic Ecology	1999	London Guildhall University
Wrightson K	An Introduction to Acoustic Ecology	1999	London Guildhall University
Wright PA	Decline or Renewal in Late Tippett? The Fifth String Quartet in Perspective	1999	University of Nottingham
Wood C	Music Making in a Yorkshire Country House, in Nineteenth-Century British Music Studies	1999	University of Hull
Wishart JRE	Ziggurat	1999	University of Liverpool
Wintle C.S.	Mozart's Fantasy in C minor K475: an editorial problem and its analytical and critical consequences	1999	King's College London		Cliff Eisen
Wilson M	The Waxing Moon, the Wolf-Heart's Blood	1999	University of Salford
Wilson CR	The Idea of Musicality in Hopkins	1999	University of Reading
Williams T N	Chasing the Shadow for kayagum	1999	University College Northampton
Williams T N	Interference for tape	1999	University College Northampton
Williams R B	Oh Mr Lear!	1999	University of Aberdeen
Williams R B	A Scottish Quaich	1999	University of Aberdeen
Williams A	Entropy Games	1999	University of Salford
Williams A	The Literary Sources for Kurtag's Fragment Form.	1999	University of Salford
Williamon A	The Value of Performing from Memory	1999	Royal College of Music
Wilby P	Dove Descending for Brass Band	1999	University of Leeds
Wiggins T	'Drumming in Ghana' and 'The Xylophone Tradition of north-west Ghana'	1999	Dartington College of Arts
Wiegold P J	Monkey!	1999	Royal Holloway, University of London
Whitehead L	The Clavichords of Johan Fleischer the Younger	1999	Royal College of Music
Whenham EJ	'Giovanni Felice Sances, the Emperor Leopold I and Two Operas for the Viennese Court'.	1999	University of Birmingham
Webb J	Ebb and Floe	1999	University of Central England in Birmingham	Contemporary Music
Watkins P	Harrison Birtwistle - The Woman and the Hare	1999	Royal Academy of Music
Waters SJ	Drift (Variant)	1999	University of East Anglia
Wardman V	Shostakovich: String Quartets	1999	Royal Northern College of Music
Walsh MS	Stravinsky: A Creative Spring	1999	Cardiff University	Central European and Slavonic Music
Wallace J	Peter Maxwell Davies - Trumpet Quintet	1999	Royal Academy of Music
Wallace J	Wallace Collection - The Golden Section (contemporary brass quintets)	1999	Royal Academy of Music
Wainwright J	'The Kings Music', in The Royal Image: Representations of Charles 1, ed. Thomas Corns	1999	University of York
WOLLENBERG SLF	Music in Nineteenth-Century Oxford	1999	University of Oxford
WILLIAMSON C	Performances issued on CD with Jonathan Harvey's In quest of spirit	1999	University of Surrey		Harvey, J
Vaughan M P	In memoriam ... (layer 1): composition for tenor recoder and live electronics, 13'00	1999	Keele University
Vassallo E	Eduardo Diazmunoz: Zonante	1999	Royal Northern College of Music
Vassallo E	Latin American Masterworks for Cello and Piano.	1999	Royal Northern College of Music
Turner C	'Miserable Machines': the role of the barrel organ within Georgian psalmody.	1999	Anglia Polytechnic University	Musicology
Truax B	Handbook for Acoustic Ecology, 2nd edition, CD-ROM	1999	De Montfort University
Trewin M	Tibetan and Ladhaki Popular Music in India	1999	University of Edinburgh
Trendell D.R.	In Praise of God	1999	King's College London
Thompson PJ	'Rukopisniye materialy bibioteki korolevskogo muzykal'nogo kolledzha v Londone' in Peterburgskii muzykal'ny arkhiv: Sbornik statei i materialov	1999	Royal College of Music
Thomas W.	Meistres 'Graianfryn' a Cherddoriaeth frodorol yng Nghymru	1999	University of Wales, Bangor
Thomas PJ	Composed music for Pantene Conditioner TV Commercial	1999	University of Southampton
Thomas P	Szymanovski: King Roger	1999	University of Central England in Birmingham	Performance Studies	CBSO, soloists, cond. Rattle
Tatlow R	Bach, Johann Sebastian	1999	University of Reading
Tatlow R	Towards A Theory of Bach's pre-compositional style	1999	University of Reading
Talbot MO	Antonio Vivaldi: Magnificat, cantico per due soprani, contralto e tenore solisti, coro a quattro voci miste, due oboi, due violini, viola e basso, RV 610/611	1999	University of Liverpool
Talbot MO	Purpose and peculiarities of the Brandenburg Concertos	1999	University of Liverpool
TOMITA Y	Das Wohltemperierte Clavier in England. Abschriften aus dem Besitz von Charles Burney und Friedrich Wilhelm Marpurg	1999	The Queen's University of Belfast
Sweet G	'A new method of locating sources of acoustic radiation in three-dimensional space'.	1999	Anglia Polytechnic University	Musicology
Sutcliffe W.D.	Chopin's Counterpoint: The Largo from the Cello Sonata, Op. 65	1999	University of Cambridge
Summerly J	Ekimovsky/Smirnov - Music for brass and choir	1999	Royal Academy of Music
Sturrock K	Concerto for 10 instruments by Alan Rawsthorne	1999	Kingston University
Sturrock K	Warwick Light by Giles Easterbrook	1999	Kingston University
Stringer JC	Hinterland	1999	University of York
Stringer JC	All the Gold of Night	1999	University of York
Streeter E	'Finding a balance between psychological thinking and musical awareness in music therapy theory - a psychoanalytic perspective'.	1999	Anglia Polytechnic University	Music Therapy
Streeter E	'Definition and use of the musical transference relationship'.	1999	Anglia Polytechnic University	Music Therapy
Streeter E	'The Musical and Non-Musical Transference within Music Therapy Supervision'.	1999	Anglia Polytechnic University	Music Therapy
Strebing J	Ad	1999	University of Central England in Birmingham	Contemporary Music	BCMG, cond.Rattle Holland Harrison
Strebing J	Ad	1999	University of Central England in Birmingham	Contemporary Music	CBSO, cond.Rattle Thomas, leader
Stras LA	Recording Tarquinia: Imitation, Parody and Reportage in MarcAntonio Ingegneri	1999	University of Southampton
Stowell R	'The sonata'	1999	Cardiff University	Music of the 'Long' Eighteenth Century
Stowell R	The Historical Performance of Music: An Introduction	1999	Cardiff University	Music of the 'Long' Eighteenth Century	Colin Lawson
Stott K	La Habanera: The Piano Music of Ernesto Lecuona	1999	Royal Northern College of Music
Stones A C	Im...pulssi.	1999	University of Surrey Roehampton	Music
Stock JPJ	A Reassessment of the Relationship between Text, Speech Tone, Melody, and Aria Structure in Beijing Opera	1999	University of Sheffield
Stefani E J	SansCulture	1999	University of Leeds
Standage S	Boyce - Complete Trio Sonatas	1999	Royal Academy of Music
Standage S	Stanley - Concertos Op.2 for Strings	1999	Royal Academy of Music
Standage S	Vivaldi - Paris Concertos	1999	Royal Academy of Music
Speake M	Martin Speake Group	1999	Royal Academy of Music
Sorrell NFI	Eastern Gas	1999	University of York
Solomon A	Telemann Paris Quartets	1999	Royal College of Music	Performance
Smith RL	'Debussy on Performance: sound and unsound ideals'	1999	University of Exeter
Smith R	Minim	1999	Bath Spa University College		Foster, C.
Smith D J	Byrd Reconstructed: in Search of Consort Models for Keyboard Dances by Byrd	1999	University of Aberdeen
Smith D J	Peter Philips, Complete Keyboard Music	1999	University of Aberdeen
Smith D J	Italian Influence on the Music of Peter Philips (c. 1561-1628): Musical Taste and Patronage in the Spanish Netherlands at the end of the Sixteenth Century	1999	University of Aberdeen
Smith D	Tuesday	1999	University of Hertfordshire
Skidmore J	Concert: Charpentier, Bouzignac, de Lalande	1999	University of Central England in Birmingham	Early Music	Ex Cathedra Choir and Orchestra Micaela Comberti, leader
Skempton H	Concertante for Violin and Strings (3 movements)	1999	De Montfort University
Simaku T	Canticello	1999	University of York
Simaku T	Plenilunio	1999	University of York
Simaku T	The Eagle on the Cross	1999	University of York
Sheppard-Skaerved P	Roberto Gerhard - Complete Quartets	1999	Thames Valley University	Centre for Research in Contemporary Music Practice	Sheppard-Skaerved P
Sheppard Skaerved P	Gerhard - Complete String Quartets	1999	Royal Academy of Music
Sheinberg E	Shostakovich Reconsidered, eds. Allan B Ho and Dmitry Feofanov	1999	University of Edinburgh
Seymour PG	Blow,J., St Cecilia's Day Ode: Begin the Song/ String Trios, Solo Songs, dialogues.	1999	University of York
Seymour PG	Zelter,CF., Kayser,PC.,Reichardt,JF., Seckendorf,KS., Loewe,C., Himmel, FH., Mendelssohn, F., Hensel, F., Schumann, R., Beethoven, Lv., Schubert,F. Lieder:settings to texts by Goethe.	1999	University of York
Seivewright P	Baldassare Galuppi Complete Keyboard Sonatas, vol 1	1999	Royal Scottish Academy of Music and Drama
Scott A	Recital: Manchester Midday Concert Series	1999	Royal Northern College of Music
Sawers I	Darknesse Visible by Thomas Ades for solo piano.	1999	Napier University
Sawers I	Fuzzy Bird Sonata by Takashi Yoshimatsu for alto saxophone and piano.	1999	Napier University
Saunders J E	511 possible mosaics	1999	University of Huddersfield
Sandon NJ	Robert Jones: Missa Spes nostra	1999	University of Exeter
Sandon NJ	The use of Salisbury volume 6: The proper of the Mass from Trinity to Advent	1999	University of Exeter
Samson TJ	Analysis in Context	1999	University of Bristol
Salter TJ	Dragonflies draw flame for piano	1999	Royal College of Music
Sadler AG	Jean-Philippe Rameau, Zoroastre (1749 version) in Jean-Philippe Rameau: Opera Omnia	1999	University of Hull
Sadler AG	The basse continue in Lully's operas: evidence old and new	1999	University of Hull
Sackman N	Koi, for flute quartet	1999	University of Nottingham
STANDFORD P	Fantasy Quintet for clarinet and strings	1999	Bretton Hall
SMALLEY D.A.	Etablissement de cadres relationnels pour l'analyse de la musique postschaefferienne	1999	City University
SMACZNY JA	Dvorak's Cello Concerto	1999	The Queen's University of Belfast
Russell I G	English Village Carols	1999	University of Aberdeen
Rushton J G	Elgar:	1999	University of Leeds
Rowland-Jones A	'The Recorder and Marriage'.	1999	Anglia Polytechnic University	Musicology
Rowland-Jones A	'The First Recorder: How? Why? When?... and Where?'	1999	Anglia Polytechnic University	Musicology
Rowland Jones S	String Quintet	1999	Royal College of Music	Composition
Rowland Jones S	Interpreting Bach	1999	Royal College of Music	Performance practice
Rowland Jones S	Painting by Numbers	1999	Royal College of Music	Composition
Rowland D E	Piano music and keyboard compass in the 1790s	1999	Open University
Ross J	Bach: Brandenburg Concertos Nos. 3 and 5	1999	University of Central England in Birmingham	Early Music	Brandenberg Ensemble Micaela Comberti
Ross G.W	ConCussion: a synthesis of new and old technologies	1999	Liverpool John Moores University		Higgins L
Robson A	'Golden Rules' - A dance collaboration / suite	1999	University College Chichester	Music
Rink J	Structural Momentum and Closure in Chopin's Nocturne Op. 9, No. 2	1999	Royal Holloway, University of London
Rink J	Translating Musical Meaning: The Nineteenth-Century Performer as Narrator	1999	Royal Holloway, University of London
Richards J	Sand, Beautiful People are Evil	1999	De Montfort University
Rhys PQ	Five Preludes for Piano	1999	University of Reading
Reynish T	German Wind Band Cassics: Hindemith, Schoenberg, Toch, Blacher	1999	Royal Northern College of Music
Reim L	Requiem (Dies Irae and Quid sum miser) for soprano and tape	1999	University College Northampton
Redgate R	ruins true refuge.	1999	Goldsmiths College
Redgate R	Igloo.	1999	Goldsmiths College
Rae CAB	'Magic and Music - Alejo Carpentier and Maurice Ohana: Cross-connections in 20th-Century French Music and the South Americas'	1999	Cardiff University	Twentieth-Century British and French Music
RUMSEY F J	Controlled subjective assessments of 2-to-5 channel surround sound processing algorithms	1999	University of Surrey
ROBARTS J.Z.	Clinical and theoretical perspectives on poietic processes in music therapy	1999	City University
RICHARDSON J.G.	Singing Archaeology: Philip Glass's Akhnaten	1999	City University
Pryer AJ	Trouble in Arcadia: Music aesthetics and the Bounds of Culture.	1999	Goldsmiths College
Prior M	Archlute, based on a surviving instrument by Matteo Sellas, 1630 (Bologna, Museo Civico no. 1748).	1999	London Guildhall University
Pratt SP	Undulations and other movements	1999	Liverpool Hope
Powles J	Quartet	1999	Liverpool Hope
Powles J	Symphony	1999	Liverpool Hope
Potter J	In Darkness Let me Dwell (Dowland)	1999	University of York
Potter C L	Nadia and Lili Boulanger: Sister Composers	1999	University of Surrey Roehampton	Music
Potter C	Nadia and Lili Boulanger: sister composers	1999	Kingston University
Pople AJ	From Pastiche to Free Composition: R. O. Morris, Tippett, and the Development of Pitch-Resources in the Fantasia Concertante on a Theme of Corelli	1999	University of Nottingham
Poole GR	Firefinch - for oboe and piano.	1999	University of Bristol
Polfreman R	A Task Analysis of Music Composition and its application to the development of 'Modalyser'.	1999	University of Hertfordshire
Pearson I E	Verfolgt vom Klang der Klarinette seines Vaters -	1999	University College Northampton
Pearson I	Verfolgt vom Klang der Klarinette seines Vaters -	1999	Kingston University
Paynter J	Holding On	1999	University of York
Patterson P	Southwell Millennium Mass (solo soprano, SATB chorus, organ and chamber orchestra)	1999	Royal Academy of Music
Patterson P	Gloria (solo soprano, solo tenor, SATB chorus, orchestra)	1999	Royal Academy of Music
Patterson P	The Little Red Riding Hood Songbook (narrator, SSAA chorus and chamber or full orchestra)	1999	Royal Academy of Music
Paton R	'Promoting Equality in Secondary Schools'	1999	University College Chichester	Music
Pascall R.J.	'The editor's Brahms'	1999	University of Wales, Bangor
Pascall R.J.	'''Machen Sie es wie Sie wollen, machen Sie es nur schoen. Wie wollte Brahms seine Musik hoeren?'	1999	University of Wales, Bangor
Partridge I	Schubert - Kosegarten Liederspiel	1999	Royal Academy of Music
Parry D M	Composers of the 1990s - a recital by Alison Wells (soprano) and Martyn Parry (piano)	1999	University of Hertfordshire
Parry D M	Belfast Sonorities Festival - a recital by Alison Wells (soprano) and Martyn Parry (piano)	1999	University of Hertfordshire
Paddison MH	'Der Komponist als Kritischer Theoretiker - Brian Ferneyhoughs Aesthetik nach Adorno'	1999	University of Durham
POTT F	A Song on the End of the World, oratorio	1999	University of Oxford
Outram M	Alan Rawsthorne - Sonata for Viola and Piano	1999	Royal Academy of Music
Osborne N.	String Quartet No.1. 'Medicinal Songs and Dances'. With accompanying scientific paper.	1999	University of Edinburgh
Orledge RFN	A voyage of discovery into Faur	1999	University of Liverpool
Orledge RFN	Poulenc and Koechlin: 58 lessons and a friendship	1999	University of Liverpool
Oldfield A	Sharing Sessions with John	1999	Anglia Polytechnic University	Music Therapy	A. Jones
Oldfield A	Music Therapy for children on the autistic spectrum.	1999	Anglia Polytechnic University	Music Therapy	R. Macdonald J. Nudds
Oldfield A	Listening, the First Step Towards Communicating Through Music	1999	Anglia Polytechnic University	Music Therapy
Ogden C	Aaron Jay Kernis: Double Concerto for Violin, Guitar and Orchestra	1999	Royal Northern College of Music
Ogden C	Music for the Novels of Louis de Bernieres	1999	Royal Northern College of Music
Odell-Miller H	'A psychoanalytically informed approach to music therapy in psychiatry: the case of one man with manic depression.'	1999	Anglia Polytechnic University	Music Therapy
Odell-Miller H	'Investigating the Value of Music Therapy in Psychiatry'	1999	Anglia Polytechnic University	Music Therapy
ONeill MJL	Oral and Literate Processes in Galician-Portuguese Song.	1999	University of Birmingham
ONeill MJL	Troubadours and Trouv	1999	University of Birmingham
O'Donnell J	Guerrero - Missa de la Batalla Escoutez (and other works)	1999	Royal Academy of Music
O'Donnell J	Palestrina - Missa Ecce ego Joannes (and other works)	1999	Royal Academy of Music
O Regan N	Orlando di Lasso and Rome: Personal Contacts and Musical Influences	1999	University of Edinburgh
O Brien G	The use of simple geometry and the local unit of measurement in the design of Italian stringed keyboard instruments: an aid to attribution and to organological analysis	1999	University of Edinburgh
O Brien G	The determination of the original state of the double-manual harpsichord by Ioannes Ruckers in the H	1999	University of Edinburgh		Christiane Reiche Stefan Ehricht
Norris DO	Edward Elgar: Piano Improvisations	1999	University of Southampton
Norman K	Leonardo's Lists.	1999	Goldsmiths College
Ng K C	Automated Reconstruction of 3D Models from Real Environments	1999	University of Leeds		Sequeira, V. Wolfart, E. Gon
Nelson P	Creativity and Embodied Rationalisation	1999	University of Edinburgh
Nelson P	The Musical Cyborg	1999	University of Edinburgh
Neave A	The Baldragon Guitar Duo	1999	Royal Scottish Academy of Music and Drama
Neave A	Friends in Strange Places, by Gordon McPherson, Allan Neave (guitars) and Tim Williams (percussion)	1999	Royal Scottish Academy of Music and Drama
Neave A	The Baldragon Guitar Duo	1999	Napier University
Neave A	Friends in Strange Places by Gordon McPherson	1999	Napier University
Myatt A	Chaotic Constructions 2	1999	University of York	Music Technology
Myatt A	L'infinita	1999	University of York	Music Technology
Myatt A	From Surround Sound to True 3D	1999	University of York	Music Technology	Lennox,P Vaughan, J
Morley R	St. Kilda's Parliament by K. Dempster	1999	Napier University
Monelle R	The Indexical Science	1999	University of Edinburgh
Modler P	Architectures for Processing Gestural Content in Musical Performance	1999	University of York	Music Technology
Modler P	Evaluation of Architectures of Sound Generation Systems with Respect to Interactive Gestural Control and Realtime Performance	1999	University of York	Music Technology	Kirk, R
Mival W	Gift of Life for soprano and string orchestra, settings of poems by Pushkin, translated by Anthony Briggs	1999	Royal College of Music	Composition
Mitchell-Davidson P.C.	Towards the Rising Sun	1999	Liverpool John Moores University
Mitchell-Davidson P.C.	Rhapsody for Duke	1999	Liverpool John Moores University
Milne H	Holbrooke/Haydn Wood - Piano Concertos	1999	Royal Academy of Music
Milne H	Medtner - Piano Music volume 5	1999	Royal Academy of Music
Milne H	Medtner - Piano Music volume 6	1999	Royal Academy of Music
Milne H	Grainger - Works for Chamber Ensemble	1999	Royal Academy of Music
Millward F	The Fair Go	1999	Kingston University
Millward F	Dining with Alice	1999	Kingston University
Millward F	Timelines: yesterday, todays, tomorrows	1999	Kingston University
Miller J	Jean Francois Bellon: Brass Quintets 1,2,3,12	1999	Royal Northern College of Music
Miller J	The Good Brass Guide	1999	Royal Northern College of Music
Merrick L	The Hemlock Stone	1999	Thames Valley University	Centre for Research in Contemporary Music Practice	Merrick L
Mead P	A Pretty How Town	1999	Thames Valley University	Centre for Research in Contemporary Music Practice	Mead P
Mead P	Jonathan Harvey	1999	Thames Valley University	Centre for Research in Contemporary Music Practice	Mead P
Mead P	Premonitions	1999	Thames Valley University	Centre for Research in Contemporary Music Practice	Mead P
McVeigh SW	The Benefit Concert in Nineteenth-Century London: From 'tax on the nobility' to 'monstrous nuisance'	1999	Goldsmiths College
McTier D	Robin Holloway - Double Bass Concerto	1999	Royal Academy of Music
McCrea A	'The British neo-classical organ and its music - time for a reappraisal?'	1999	Royal College of Music
McCLEAVE SY	Marie Sall	1999	The Queen's University of Belfast
McBurney G	A Winter's Walk round the Park at Troitse-Lykovo (chamber ensemble)	1999	Royal Academy of Music
Mawer DH	Bridging the Divide: Embedding Voice-leading Analysis in String Pedagogy and Performance	1999	Lancaster University
Martineau M	A Century of English Song (vols. 1 + 2)	1999	Royal Academy of Music
Marsh RM	Canto 1	1999	University of York
Marsden AA	Computers and the Concept of Tonality	1999	Lancaster University
Manning PD	'Ownership and Control of the Creative Process in the Composition and Performance of Electroacoustic Music'	1999	University of Durham
Manning PD	'The Evolution of Interactive Graphical Control Interfaces for Music Applications'	1999	University of Durham
Malham DG	Higher order Ambisonic systems for the spatialisation of Sound	1999	University of York	Music Technology
Malham DG	Homogenous and nonhomogenous surround sound systems	1999	University of York	Music Technology
Macdonald A	Electra, tape, music and sound design for theatre	1999	Royal Scottish Academy of Music and Drama
MacGregor J	Birtwistle - Harrison's Clocks (for solo piano)	1999	Royal Academy of Music
MARK C M	Tippett, sequence and metaphor	1999	University of Surrey
Losseff N	Cathy's Homecoming and the Other World: Kate Bush's 'Wuthering Heights'	1999	University of York
Lewis A.P.	Cable Bay	1999	University of Wales, Bangor
Lee TS	'Technology and Production of Islamic Space: the Call to Prayer in Singapore'	1999	University of Durham
Leach EE	Review of Thomas Brothers, Chromatic Beauty in the Late Medieval Chanson	1999	University of Bristol
LeFanu N	Duo Concertante	1999	University of York
Le Cocq J P	A Guide to Notation in the Air de Cour for Voice and Lute (Ballard Editions, 1608-1643)	1999	University College Northampton
Le Cocq J P	Experimental Notation and Entrepreneurship in the Seventeenth Century - the Air de Cour for Voice and Lute, 1608-1643	1999	University College Northampton
Lawson CJ	The Historical Performance of Music: an Introduction.	1999	Goldsmiths College		Stowell, R.
Langdon S	Goldmark - String Quartet/String Quintet	1999	Royal Academy of Music
Lane P	Kullak/Dreyschock - Piano Concertos	1999	Royal Academy of Music
Landy L	Reviewing the Musicology of Electroacoustic Music: A Plea for Greater Triangulation	1999	De Montfort University
LA RUE HTAM	The Bate Collection Database	1999	University of Oxford
LA RUE HTAM	The Database of the Musical Collection of the Pitt Rivers Museum	1999	University of Oxford
Knighton T.W.	Ferdinand of Aragon's entry into Valladolid in 1513: the triumph of a Christian King	1999	University of Cambridge		Carmen Morte Garcia
Knapp A	The Current State of Research into the Religious Music of the Kaifeng Jews	1999	School of Oriental and African Studies
Kisby F	Kingship and the Royal Itinerary: a Study of the Peripatetic Households of the Early-Tudor Kings 1485-1547	1999	Royal Holloway, University of London
Kerstens T	The Sanctity of Trees by Deirdre Gribbin	1999	Bath Spa University College
Kerstens T	Barabas by Terry Riley	1999	Bath Spa University College
Kerstens T	Five Preludes by Howard Skempton	1999	Bath Spa University College
Ker D	Water Mountain	1999	University of Reading
Keeley R.I.	Trio for horn, violin and piano	1999	King's College London
KEEFE SP	Dramatic Dialogue in Mozart's Viennese Piano Concertos: A Study of Competition and Cooperation in Three First Movements	1999	The Queen's University of Belfast
KEEFE SP	The Stylistic Significance of the First Movement of Mozart's Piano Concerto No 24 in C minor, K491: A Dialogic Apotheosis	1999	The Queen's University of Belfast
Jones TR	'Dark Labyrinths': music by Philip Grange. Gemini, with Alison Wells (soprano), Nicholas Sears (Tenor) and Timothy Gill (Cello). Conductor Tim Jones.	1999	University of Exeter
Jones TR	Beethoven: 'The Moonlight and other sonatas Op.27 and Op. 31	1999	University of Exeter
Jones S	Chinese ritual music under Mao and Deng	1999	School of Oriental and African Studies
Jones ML	Changing slides - Labour's music industry policy under the microscope	1999	University of Liverpool
Jones ML	Marketing British pop: the promotion of British pop acts and British pop records in Japan	1999	University of Liverpool
Jones K	Splitting cells, virtual sculptures and a system for carving up musical space	1999	Kingston University
Johnson P	Performance and the listening experience: Bach's Erbarme dich	1999	University of Central England in Birmingham	Performance Studies
Johnson JM	Webern and the Transformation of Nature	1999	University of Sussex
Johnson JM	The Sound of Nature? - Mahler, Klimt and the changing representation of Nature in early Viennese Modernism	1999	University of Sussex
Janski S	Janacek: Jenufa	1999	Royal Northern College of Music
Jackson P	'Teaching Tomorrow	1999	Anglia Polytechnic University	Musicology
Jackson P	Triptych for Saxophone and Piano	1999	Anglia Polytechnic University	Composition
Iwamoto Y	L'Esprit du Crepuscule	1999	University of Durham
Ingham C	'Zanzibar'	1999	Anglia Polytechnic University	Composition
Hyde J	64 Refractions	1999	Dartington College of Arts
Hyde J	Nekyia	1999	Dartington College of Arts
Hunter DM	Developing Peer-Learning Programmes in Music: Group Presentations and Peer Assessment	1999	University of Ulster
Humphreys K	Apr	1999	Royal Scottish Academy of Music and Drama
Humphreys K	Introduction et rondo capriccioso, for violin and orchestra, op.28, by Saint-Saens, Kyra Humphreys (violin) with the Northern Sinfonia conducted by Jean-Bernard Pommier	1999	Royal Scottish Academy of Music and Drama
Hugill A	Symphony for Cornwall (for orchestra and live electronics)	1999	De Montfort University
Hugill A	Art of Our Time: Ten Years of the Praemium Imperiale	1999	De Montfort University		G Adair K Frampton E Lucie-Smith
Hughes DW	Min'y	1999	School of Oriental and African Studies
Howard P	Guadagni in the Dock	1999	Open University
Howard KD	Minyo in Korea: Songs of the people and songs for the people	1999	School of Oriental and African Studies
Howard KD	Korean tradition in Isang Yun's compositional style,	1999	School of Oriental and African Studies
Howard J	There the Dance is	1999	Thames Valley University	Centre for Research in Contemporary Music Practice	Howard J
Horton P	'The Unknown Wesley: The early instrumental and secular vocal music of Samuel Sebastian Wesley', in Nineteenth-Century British Music Studies I, ed. Bennet Zon	1999	Royal College of Music	Historical Musicology
Horton P	St George	1999	Royal College of Music	Historical Musicology
Horton P	Herbert Howells: Five Songs for Low Voice	1999	Royal College of Music	Editing: Theory and Practice
Horch K	[Concert of works for saxophone] Michael Torke: July; Ned Rorem: Picnic on the Marne; Denise Ondishko: Cover Us with Song; Rusell Currie: Frozen Motion; Gary Schocker: Sonata; Russell Peck: Drastic MeasuresKyle Horch (saxophone)	1999	Royal College of Music	Performance	Mistral Saxophone Quartet Pamela Lidiard, piano
Horch K	'Saxophone technique' and 'Teaching the Saxophone' in The Cambridge Companion to the Saxophone, ed. Richard Ingham	1999	Royal College of Music	Education and Training Group
Holman P K	Dowland: Lachrimae (1604)	1999	University of Leeds
Holloway R.G.	Gilded Goldbergs, Op. 86	1999	University of Cambridge
Holland J	Ad	1999	University of Central England in Birmingham	Contemporary Music	BCMG, cond. Simon Rattle Harrison Strebing
Hoadley RJ	PSY	1999	Anglia Polytechnic University	Composition
Hoadley RJ	Psalm	1999	Anglia Polytechnic University	Composition
Hoadley RJ	The Continual Snowfall of Petrochemicals	1999	Anglia Polytechnic University	Composition
Hoadley RJ	The Copenhagen Interpretation	1999	Anglia Polytechnic University	Composition
Hill PHA	Berg, Schoenberg, Webern: the piano music (CD)	1999	University of Sheffield
Herford H	'Settings of Goethe's Faust'	1999	Royal Northern College of Music
Herbert T	The British Brass Band: A Musical and Social History	1999	Open University
Heaton R	Clarinet Quintet by Harrison Birtwistle	1999	Bath Spa University College
Head MW	'If the pretty little hand won	1999	University of Southampton
Hayden S T	Collateral Damage	1999	University of Leeds
Harvey JD	Music and Inspiration	1999	University of Sussex
Hartwell RF	Cruciform Trio	1999	Liverpool Hope
Harry M	Regenstimmen for solo harp	1999	University of Durham
Harrison SE	Taking Flight, for string quartet.	1999	Goldsmiths College
Harrison SE	No Title Required (previously, Second Coming) for mixed quintet.	1999	Goldsmiths College
Harrison P	Ad	1999	University of Central England in Birmingham	Contemporary Music	BCMG cond.Simon Rattle Holland Strebing
Harrison P	Ad	1999	University of Central England in Birmingham	Contemporary Music	BCMG cond.Simon Rattle
Harrison DJT	Streams for 8-channel tape.	1999	University of Birmingham
Harris M	National Service to Mark the Opening of the Scottish Parliament.	1999	Napier University
Harris M	Twelve Organs of Edinburgh	1999	Napier University
Harper S.E.	'The Robert ap Huw Manuscript and the Canon of Sixteenth-Century Welsh Harp Music' / 'Llawysgrif Robert ap Huw a Chanon Cerddoriaeth Gymreig i'r Delyn yn yr Unfed Ganrif ar Bymtheg'	1999	University of Wales, Bangor
Harper S.E.	Robert ap Huw Studies / Astudiaethau Robert ap Huw	1999	University of Wales, Bangor
Harper E	'Souvenir'	1999	University of Edinburgh
Harper E	Etude for Orchestra	1999	University of Edinburgh
Harlow M	Mr Halford's Orchestral Concerts 1897-1907	1999	University of Central England in Birmingham	Performance Studies
Hamilton J	Hans Werner Henze: Pollicino	1999	Royal Northern College of Music
Hall B	'The Queens-Chichester Music and Dance Project' (Interdisciplinary arts project.)	1999	University College Chichester	Music
Hall B	'Three Pieces from the Heartland' - Piano /dance duo performance	1999	University College Chichester	Music
Hall B	'Atavism at the Summit' Lecture recital (piano)	1999	University College Chichester	Music
Hakim N	Seattle Concerto (solo organ and orchestra)	1999	Royal Academy of Music
HENSON K	Jonathan Bellman (ed.)	1999	University of Oxford
HENSON K	Victor Capoul, Marguerite Olagnier's	1999	University of Oxford
HELLAWELL PRHD	Inside Story, solo violin, solo viola and symphony orchestra	1999	The Queen's University of Belfast
HALFYARD J	Nekyia (Joseph Hyde, Alaric Sumner)	1999	Bretton Hall
HAIR GB	Seven words	1999	University of Glasgow	Composition
Griffiths DM	The high analysis of low music	1999	Oxford Brookes University
Gregson E	'and the seven trumpets...'	1999	Royal Northern College of Music
Gregson E	'The Dance, forever the Dance'	1999	Royal Northern College of Music
Gregor-Smith B	Beethoven: complete cycle of strings quartets	1999	University of Manchester
Grant R	When Sirens Sing	1999	University of Central England in Birmingham	Contemporary Music
Graham D	Improvisation on Veni Creator	1999	Royal College of Music	Performance
Graham D	Improvisation on Victimae Paschali Laudes	1999	Royal College of Music
Graham D	Improvisation on Salve Regina	1999	Royal College of Music	Performance
Graffin P	Saint-Sa	1999	University of Central England in Birmingham	Performance Studies	Pascal Devoyon
Graffin P	Saint-Sa	1999	University of Central England in Birmingham	Performance Studies	BBC Scottish SO, cond.Martyn Brabbins
Gould C	Piers Hellawell - Inside Story (concerto for violin and viola)	1999	Royal Academy of Music
Gordon MZ	Song, for soprano, tenor, chorus and ensemble (35 minutes)	1999	University of Southampton
Glover J	Primary Music: Later Years	1999	Bath Spa University College		Young, S.
Gloag K	Review of J. Shepherd and P. Wicke, Music and Cultural Theory (Cambridge, 1997)	1999	Cardiff University	Twentieth-Century British and French Music
Gloag K	Tippett: A Child of Our Time	1999	Cardiff University	Twentieth-Century British and French Music
Gloag K	'Tippett's Second Symphony, Stravinsky, and the Language of Neoclassicism'	1999	Cardiff University	Twentieth-Century British and French Music
Glauert A	Hugo Wolf and the Wagnerian Inheritance	1999	Royal Academy of Music
Gilbert A	On Beholdng a Rainbow	1999	Royal Northern College of Music
Geddes J M	Symphony no 3, for orchestra	1999	Royal Scottish Academy of Music and Drama
Garro D	Six Dreaming Jewels: composition for tape	1999	Keele University
Garnett L	Ethics and Aesthetics: The Social Theory of Barbershop Harmony	1999	University of Central England in Birmingham	Critical Musicology
Garnett L	Separate but equal: sexual politics in the barbershop	1999	University of Central England in Birmingham	Critical Musicology
GRIMLEY D M	Sibelius's Lemminkainen and the Maidens of Saari Op.22/1: Acculturation, Italy and the Midsummer Night	1999	University of Surrey
Fuller S	Dora Bright, Variations on an Original Theme, for two pianos, introduced and edited	1999	University of Reading
Fuller A	Hubert Parry: Cello Sonata in A	1999	University of Central England in Birmingham	Performance Studies	Michael Dussek
Fuller A	William Yeates Hurlestone: Cello Sonata in D major	1999	University of Central England in Birmingham	Performance Studies	Michael Dussek
Frith B	Mendelssohn: Piano Works, Vol.5	1999	Royal Northern College of Music
Frith B	John Field: Nocturnes, nos 1-9; Piano Sonatas, op.1, nos 1 + 2	1999	Royal Northern College of Music
Frith B	John Field: Piano Concertos 2 and 4	1999	Royal Northern College of Music
Frith B	Edward Elgar: Rediscovered Works for Violin and Piano	1999	Royal Northern College of Music
Fretwell P	A Fragmented History	1999	University of Hertfordshire
Fretwell P	Asklepion	1999	University of Hertfordshire
Freeman-Attwood J	Bach Connections	1999	Royal Academy of Music
Fox P C	chant suspendu	1999	University of Huddersfield
Flanagan K	'Kerouac Suite'	1999	Anglia Polytechnic University	Composition
Flanagan K	'Zanzibar'	1999	Anglia Polytechnic University	Composition
Fitch FJ	Colinet de Lannoys: Mass and Songs	1999	University of Durham
Firsova E	String Quartet No 10 (La Malinconia), op.87	1999	Royal Northern College of Music
Finnissy M	Palm Sunday (voices and two trombones)	1999	Royal Academy of Music
Field A	Expanse Hotel	1999	University of York	Music Technology
Fenlon I.A.	Giaches de Wert, Letters and Documents	1999	University of Cambridge
Fell S	VHF	1999	Anglia Polytechnic University	Composition	Graham Halliwell Simon Vincent
Fallows DN	A Catalogue of Polyphonic Songs, 1415-1480	1999	University of Manchester
FELLS NA	riversongs	1999	University of Glasgow	Composition
Ellis K	The Fair Sax: Women, Brass-Playing and the Musical Instrument Trade in 1860s Paris	1999	Royal Holloway, University of London
Ellerby M	Tristan Encounters- Prelude and Transfigurations Brass and Percussion	1999	Thames Valley University	Centre for Research in Contemporary Music Practice	Ellerby M
Edlin P	Towers of the God King for piano solo (15'). 1st performance, Rolf Hind, piano.	1999	Canterbury Christ Church University College
Eastop P	Edward Williams - Imitation Games	1999	Royal Academy of Music
Dussek M	Rubbra - Violin Sonatas	1999	Royal Academy of Music
Duran L	New Ancient Strings by Toumani Diabate and Ballake Sissoko (kora)	1999	School of Oriental and African Studies
Dunsby JM	Recent Schenker: The Poetic Power of Intelligent Calculation (Or, The Emperor's Second Set of New Clothes)	1999	University of Reading
Dreyfus L	Byrd Song	1999	King's College London
Doyle G A	Collected String Editions: Richard Deering 'Pavane'; Alfonso Ferrabosco II 'Fantasia' on the Hexachord; Matthew Locke 'Fantasia in g' and John Blow 'Chacone in G'	1999	St Martin's College
Doyle G A	Anon.: 'Ye Learned Wise Mortals'; J. Baildon: 'For three LADIES'; Thos. Warren: 'To our Musical Club'; Chas. Thomas: 'The Parting Catch'	1999	St Martin's College
Downes M	Jonathan Harvey, Music and Inspiration (ed. Michael Downes).	1999	Canterbury Christ Church University College
Downes A	Towards a New Age	1999	University of Central England in Birmingham	Contemporary Music
Douglas S	Maidenheids and Moudiewarks: Scotland and the Bawdy Song Tradition	1999	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
Dobson R	Multi-Channel Toolkit	1999	Bath Spa University College
Dimitrova L	Francis Routh, Scenes for Piano No 3, Op 68, Bretagne (composed for Lora Dimitrova).	1999	Canterbury Christ Church University College
Dibley P	Back to Fore	1999	Oxford Brookes University
Dibble JC	'Parry as Historiographer', in Nineteenth-Century British Music Studies, ed. Bennett Zon	1999	University of Durham
Dibben N	Representations of femininity in popular music.	1999	University of Sheffield
Dibben N	The perception of structural stability in atonal music: the influence of salience, stability, horizontal motion, pitch commonality and dissonance.	1999	University of Sheffield
Dewhurst R	Coming Home	1999	University of Salford
Denyer F	Finding Refuge in the Remains (composer portrait CD)	1999	Dartington College of Arts
Dawe K N	Minotaurs or musonauts? Cretan music and world music	1999	Open University
Davismoon S	(this has already) passed/passing, for solo bass flute	1999	Royal Scottish Academy of Music and Drama
Davismoon S	Marking Time in Luigi Nono: the suspended song	1999	Royal Scottish Academy of Music and Drama
Davismoon S	(this has already) Passed/Passing for solo bass flute.	1999	Napier University
Davismoon S	Marking Time	1999	Napier University
Dale C	Towards a Tradition of Music Analysis in Britain in the Nineteenth Century	1999	University of Hull
Dale C	The Skeleton in Schoenberg's Musical Closet: the Chequered Compositional History of Schoenberg's Second Chamber Symphony	1999	University of Hull
DOWNES S C	Kierkegaard, a kiss, and Schumann's Fantasie	1999	University of Surrey
DARLINGTON SM	Music for Cardinal Wolsey by Richard Pygott and John Mason. Christ Church Choir, directed by Stephen Darlington	1999	University of Oxford
Crouch R	James MacMillan Orchestra Music, The Scottish Chamber Orchestra, leader Ruth Crouch, conducted by Joseph Swensen	1999	Royal Scottish Academy of Music and Drama
Cross I.R.M.	Is music the most important thing we ever did? Music, development and evolution.	1999	University of Cambridge
Crilly D R	'In that quiet earth'	1999	Anglia Polytechnic University	Composition
Crilly D R	Perception of Mathematical Structure and Architectural Design: Form and	1999	Anglia Polytechnic University	Musicology
Crawford T.T.	The historical importance of Fran	1999	King's College London
Cowie E	Dartmoor Etudes for oboe, clarinet and harp	1999	Dartington College of Arts
Cooke MJ	The Cambridge Companion to Benjamin Britten	1999	University of Nottingham
Cook NJ	Analysing Performance, and Performing Analysis	1999	University of Southampton
Cook NJ	At the Boundaries of Musical Identity: Schenker, Corelli, and the Graces	1999	University of Southampton
Comberti M	Boyce: Complete Trio Sonatas	1999	University of Central England in Birmingham	Early Music	Collegium Musicum 90, dir.Simon Standage
Coccioli L	Novecento ('Twentieth Century')	1999	University of Central England in Birmingham	Contemporary Music
Coates L	Seascape Piano Trio	1999	University of Edinburgh
Clayton M R L	A. H. Fox Strangways and the Music of Hindostan: revisiting historic field recordings	1999	Open University
Clarke EF	Rhythm and timing in music	1999	University of Sheffield
Clarke EF	Subject-position and the specification of invariants in music by Frank Zappa and P.J. Harvey	1999	University of Sheffield
Clarke D I	Tippett Studies	1999	University of Newcastle
Clarke A	Botuslav Martinu: A Greek Passion	1999	University of Central England in Birmingham	Contemporary Music	Bregenza Festival, dir. Ulf Schirmer
Clark A	Bach - Complete Cantatas volumes 7 and 8	1999	Royal Academy of Music
Chua D.K.	Absolute Music and the Construction of Meaning	1999	King's College London
Chilingirian L	Eduard Grieg: String Quartet in F major	1999	Royal College of Music	Editing: Theory and Practice
Chilingirian L	Grieg String Quartets - No. 1 in G minor, op. 27; No. 2 in F major CW146	1999	Royal College of Music	Performance	Chilingirian String Quartet
Chew G A	Evasive Realism: Narrative Construction in Dostoyevsky's and Janacek's From the House of the Dead	1999	Royal Holloway, University of London		Robert Vilain
Castelvecchi S.	Critical edition of Gioachino Rossini, Cantata per l'Imperatore Francesco I d'Austria	1999	University of Cambridge
Casken J	Apres un silence for violin and chamber orchestra (18') .	1999	University of Manchester
Carter T	Singing Orfeo: on the Performers of Monteverdi	1999	Royal Holloway, University of London
Carter T	New Light on Monteverdi's Ballo delle ingrate (Mantua, 1608)	1999	Royal Holloway, University of London
Carolan L	J.S. Bach: Clavier	1999	University of Central England in Birmingham	Early Music
Campbell K	Guth a Shn	1999	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
Campbell K	Psalm 92 (God most high, it is good to praise you), setting by Kenna Campbell	1999	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
Campbell D	Peter Lieuwen, River of Crystal Light, for clarinet, strings, harp and piano (composed for David Campbell). David Campbell, Clarinet; Brazos Valley Symphony; Marcello Bussiki, conductor.	1999	Canterbury Christ Church University College
Campbell D	Roxanna Panufnik, Richard Stilgoe, The Upside Down Sailor (commissioned by David Campbell and the Collegiate Wind Ensemble). Collegiate Wind Ensemble; Richard Stilgoe, narrator; 30 schoolchildren; David Campbell, conductor.	1999	Canterbury Christ Church University College
COLLINS RICE H	And They Went to a Place, for 8 voices	1999	University of Oxford
CLARK S	Schenker's Mysterious Five	1999	University of Oxford
CALDWELL JA	The Oxford History of English Music. Vol.II: From c.1715 to the Present Day	1999	University of Oxford
Byrchmore R	The Glass Piano (opera in one act for three performers: piano, narrator and soprano)	1999	Royal Academy of Music
Butterworth A	Harmony in Practice	1999	Napier University
Butterworth A	The Educational Support Programme	1999	Napier University
Butterworth A	Why Learn Harmony ?	1999	Napier University
Butterworth A	The Upgrade Ingredient	1999	Napier University
Butler MC	A Better Place	1999	University of Sussex
Burwell K	Roderick Watkins, At the Horizon (composed for Kim Burwell and Lisa Nelsen). Kim Burwell, piano; Lisa Nelsen, flute.	1999	Canterbury Christ Church University College
Burwell K	Recital, Kim Burwell, piano; Salomon's Centre, Tunbridge Wells	1999	Canterbury Christ Church University College
Burrell H	and Music shall untune the sky - for Choir, Organ and Brass Quintet	1999	University of Hertfordshire
Burnett M A	Introducing Caribbean Music	1999	University of Surrey Roehampton	Music
Burnand D G	The Articulation of National Identity through Film Music	1999	Royal College of Music	Screen Music Studies	Benedict Sarnaker
Burnand D G	The Gesture of the Idea: representation of historical period through film music	1999	Royal College of Music	Screen Music Studies
Burn C	'Proceedings'.	1999	Anglia Polytechnic University	Composition
Bullard A	'Canticle of Freedom'.	1999	Anglia Polytechnic University	Composition
Buckland R	Premiere Broadcasts (Nyman, Torke, etc)	1999	Royal Northern College of Music
Bryars G	Biped	1999	University of Hertfordshire
Bryars G	Unless The Eye Catch Fire (later retitled Last Summer)	1999	University of Hertfordshire
Bryan J H	Elizabethan Songs and Consort Music	1999	University of Huddersfield
Brummer L	Le temps s'ouvre	1999	Kingston University
Brown C	Invocation (choir and organ)	1999	Royal Academy of Music
Brown C	Star Song IV (piano trio)	1999	Royal Academy of Music
Brown AM	William Byrd: Keyboard Music (I)	1999	University of Sheffield
Bowyer K	Contemporary Music for Organ	1999	Royal Northern College of Music
Bowman P	The Quarter-Tone Recorder Manual - Ein Vortrag von Peter Bowman	1999	Canterbury Christ Church University College
Bosanquet C	The Development of Cello Teaching in the 20th Century.	1999	Anglia Polytechnic University	Musicology
Borthwick AB	Tonal elements and their significance in Tippett's Sonata No.3	1999	University of Hull
Borthwick AB	Logic, cognition, and the art of the arbitrary	1999	University of Hull
Bodman Rae JC	The Music of Lutoslawski (third edition)	1999	Royal Northern College of Music
Blinko T J	Cantus	1999	University of Hertfordshire
Blake DL	Scoring a Century	1999	University of York
Bisengaliev M	Elgar: Early Works for Violin	1999	University of Central England in Birmingham	Performance Studies	Benjamin Frith
Birtwistle H	The Last Supper (Opera)	1999	King's College London
Birks RM	Beethoven: complete cycle of string quartets	1999	University of Manchester
Biddle I D	Policing Masculinity: Schumann, Berlioz and the Gendering of the Music-critical Idiom	1999	University of Newcastle
Biddle I D	Das Ich, das Begehren und die Wiedergeburt des Komponisten: Neuere Werke von Roger Redgate	1999	University of Newcastle
Betzwieser TL	Zwischen Kinder- und Nationaltheater: die Rezeption der Op	1999	University of Southampton
Best T	Handel: Radamisto (I. Fassung), Hallische Handel-Ausgabe	1999	Open University
Best C	Still	1999	Dartington College of Arts
Berry S	Glad Day	1999	Royal Northern College of Music
Bennett M	From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations	1999	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
Bennett M	Orain nan Gaidheal/The Song of the Gael, Margaret Bennett (musical direction and voice)	1999	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
Bell S	Toru Takemitsu - Quotation of Dream (and other works)	1999	Royal Academy of Music
Bassano P	Chris Batchelor: Weasle Words and Winning Ways, for Jazz Trumpet, Jazz Trombone and Brass Band, conducted by Peter Bassano	1999	Royal College of Music	Performance	John Barclay, trumpet Ricahrd Edwards, trombone Grimethorpe Colliery RJB Band
Bashford CM	Learning to listen: audiences for chamber music in early-Victorian London	1999	Oxford Brookes University
Barker P	The Mechanical Operation of the Spirit	1999	University of Hertfordshire
Barber G D	German Organ Music after 1800	1999	University of Leeds
Banks PW	Benjamin Britten: A Catalogue of the Published Works	1999	Royal College of Music	Historical Musicology	Keiron Cooke Barbara Diana Jennifer Doctor
Bainbridge S	Chant (for 12 amplified voices and large instrumental group)	1999	Royal Academy of Music
Bainbridge S	Towards the Bridge (for large jazz ensemble)	1999	Royal Academy of Music
BUJIC B	Rinuccini the Craftsman: A View of his L'Arianna	1999	University of Oxford
BROWN C	Classical and Romantic Performing Practice	1999	Bretton Hall
BROOKES T S	What does the mind	1999	University of Surrey
BOEHM CB	The Metadata Bear. Or: Bearing the weight of accessibility	1999	University of Glasgow	Computer applications
BLACKBURN B	The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV	1999	University of Oxford
BENT M	Music and the Early Veneto Humanists	1999	University of Oxford
Ashton N	Piano Recital, Queen's Hall Edinburgh	1999	Napier University
Arnold S	SMaTBaM! Serving Time-Based Media in the Performing Arts	1999	Kingston University		Boehm, C.
Archbold P	Impacts and Fractures for String Quartet	1999	University of Durham
Archbold P	Arachne for clarinet and harp	1999	University of Durham
Alvarez J	Metro Nativitas	1999	University of Hertfordshire
Allsop PC	'Arcangelo Corelli: new Orpheus of our times'	1999	University of Exeter
Allsop PC	'Ensemble music: in the chamber and the orchestra'	1999	University of Exeter
Allen L.V.	Kwela: the Structure and Sound of South African Pennywhistle Music	1999	University of Cambridge
Alburger M A	Music and Song in the North East	1999	University of Aberdeen
Alburger M A	The Christie Family of Monquhitter: Preservation and Refinement	1999	University of Aberdeen
Alburger M A	Scottish Violin Making	1999	University of Aberdeen
Adlington RC	Into the Sensuous World: The Music of Rebecca Saunders	1999	University of Nottingham
ALCORN MP	Inflame, 2-channel tape	1999	The Queen's University of Belfast
van der Werff I	Saint-Sa	1998	Royal College of Music	Performance	Medici String Quartet
de Saram R	Elliott Carter: Cello Sonata	1998	University of Central England in Birmingham	Contemporary Music	Ursula Oppens
Zwaanenburg J	Finding refuge in the remains	1998	Oxford Brookes University
Zwaanenburg J	Christian Wolff, Volume 2 - Chamber Works: I like to think of Harriet Tubman	1998	Oxford Brookes University
Zivoni Y	Schumann: String Quartets Nos 1 and 3	1998	Royal Northern College of Music
Young J	Liquid Sky	1998	De Montfort University
Young MW	Tournent dans l'air du soir	1998	Oxford Brookes University
Woolley R	Handel Trio Sonatas	1998	Royal College of Music	Performance	Catherine Bott Purcell Quartet
Woolley R	Bach: Six Partitas, BWV825-30Robert Woolley (harpsichord)	1998	Royal College of Music	Performance
Woolley R	Bach Concertos for Harpsichord and Strings	1998	Royal College of Music	Performance	Purcell Quartet Paul Nicholson, harpsichord Laurence Cummings, harpsichord
Wood C	The Musical World of the Clifford Constables	1998	University of Hull
Wood B.	Birthday Odes for Queen Mary, Part II	1998	University of Wales, Bangor
Wishart T	Two Women: Electroacoustic Music for Voice. Commissioned by the Deutsche Akademische Dienst. First performed Berlin, 1998.	1998	University of Birmingham
Wilson M	Concerto in Three Movements for Six String Electric Violin and Brass Band	1998	University of Salford
Wilson I	Who's Afraid of Red, Yellow and Blue?: Concerto for Alto Saxophone and Orchestra	1998	University of Ulster
Wilson CR	Shakespeare	1998	University of Reading
Williams A J	Torn Halves: Structure and Subjectivity in Analysis	1998	Keele University
Williams A	Adjunk Halat Mindnyajan...	1998	University of Salford
Wiggins T	Techniques of Variation and Concepts of Musical Understanding in Northern Ghana	1998	Dartington College of Arts
Wiggins T	Teaching Culture; Thoughts from northern Ghana	1998	Dartington College of Arts
Wiegold P J	Earth, receive an honoured guest	1998	Royal Holloway, University of London
Wiegold P J	The Persistence of Memory	1998	Royal Holloway, University of London
Wibberley R	J.S.Bach's Prelude and Fugue in E flat (BWV 552,1/2): An Inspiration of the Heart?	1998	Goldsmiths College
Whiteley S	Sexing the Groove: Popular Music and Gender. (Introduction; Chapters 5 and 14).	1998	University of Salford
Whiteley S	Repressive Representations: Patriarchy and Femininities in Rock Music of the Counterculture	1998	University of Salford
Whitehead L	'The triple-strung Hass clavichord of 1761' in Musikkens Tjenere: Instrument-Forsker-Musiker, Meddelelser fra Musikhistorisk Museum og Carl Claudius' Samling VI: 1898-1998, ed. Mette M	1998	Royal College of Music
Whenham EJ	'Martino Pesenti's Madrigali Guerrieri et Amorosi'.	1998	University of Birmingham
West J	The Age of Extravagance: Virtuoso Music from Iberia and ItalyFrancisco Correo de Arauxo: Tiento No 28, de septimo tono; Glosas sobre el canto llano de La Immaculada Concepci	1998	Royal College of Music	Performance	Timothy Roberts, keyboard Paul Chateauneuf, chitarrone Frances Kelly, harp
West J	The Floating CityCastello Sonate concertate in stil moderno, libro secondo	1998	Royal College of Music	Performance
Wells EP	Royal College of Music Museum of Instruments Catalogue Part Ia: European Wind Instruments: Addenda including the Hartley Collection by E. A. K. Ridley	1998	Royal College of Music
Webber G.	St Mark Passion: J.S.Bach/R. Keiser	1998	University of Cambridge
Webber G.	The north German organ school	1998	University of Cambridge
Webber G.	William Child (1606-1697): Sacred Choral Music	1998	University of Cambridge
Webb J	Prelude and Chaconne	1998	University of Central England in Birmingham	Contemporary Music
Webb J	Concerto for Accordion, Strings and Clarinet	1998	University of Central England in Birmingham	Contemporary Music
Watkins R	Red Light, chamber orchestra (16'). 1st performance, London Sinfonietta, Marcus Stenz, conductor.	1998	Canterbury Christ Church University College
Watkins R	Richard Causton - Notturno	1998	Royal Academy of Music
Watkins P	Mark-Anthony Turnage - An Invention on Solitude	1998	Royal Academy of Music
Wathey A B	Myth and Mythography in the Motets of Philippe de Vitry	1998	Royal Holloway, University of London
Wathey A B	Gerves du Bus, The Roman de Fauvel and the Politics of the Later Capetian Court	1998	Royal Holloway, University of London
Wardman V	John Pickard: 4th String Quartet	1998	Royal Northern College of Music
Walsh MS	'Stravinsky and the Vicious Circle'	1998	Cardiff University	Central European and Slavonic Music
Walker N	Balakirev - Complete Piano Music vols. 1 + 2	1998	Royal Academy of Music
Wainwright J	'The Dissemination and Influence of Monteverdi's Music in England in the Seventeenth Century' in Claudio Monteverdi und die folgen: Bericht uber das Internationale Symposium, Detmold 1993, ed. Silke Leopold and Joachim Steinheuer	1998	University of York
WOLLENBERG SLF	Schubert's Transitions	1998	University of Oxford
WOLLENBERG SLF	Beginnings and Endings: C.P.E. Bach's Keyboard Sonatas Revisited	1998	University of Oxford
WILLIAMSON C	Powder her face	1998	University of Surrey		Ades, T
Vassallo E	Latin American Music for Flute and Cello by Piazzolla, Herrerias, Dinenstein, and Villa-Lobos	1998	Royal Northern College of Music
Tyrrell J	My Life with Jan	1998	Cardiff University	Central European and Slavonic Music
Torrente A	Italianate sections in the villancicos of the Royal Chapel, 1700-1740	1998	Royal Holloway, University of London
Torrente A	The Guerra Manuscript (c. 1680) and the rise of solo song in Spain	1998	Royal Holloway, University of London		Pablo L. Rodriguez
Titterington D	Jan Sandstrom/Holst - works for organ and trombone	1998	Royal Academy of Music
Timms CR	Music and Musicians in the Letters of Giuseppe Riva to Agostino Steffani (1720-27).	1998	University of Birmingham
Timms CR	The Italian Cantata Since 1945: Progress and Prospects.	1998	University of Birmingham
Thurlow J.	Inspiration and annihilation: setting words to music.	1998	University of Cambridge
Thompson M	Thea Musgrave - Horn Concerto	1998	Royal Academy of Music
Thompson K	Philip Jones, Elgar Howarth and Crispian Steele-Perkins in Conversation	1998	Dartington College of Arts
Thompson K	The Arts in a New Society	1998	Dartington College of Arts
Thomas WH	The Fleury Playbook, Vol.1 - four 12th-century St Nicholas Liturgical Dramas	1998	University of Bristol
Thomas WH	Composition, Performance, Reception - Studies in the Creative Process in Music	1998	University of Bristol
Thomas W.	'Wales'	1998	University of Wales, Bangor
Thomas PJ	Rhythm Royale	1998	University of Southampton
Thomas AT	'Mobilising Our Man: Politics and Music in Poland during the Decade after the Second World War'	1998	Cardiff University	Central European and Slavonic Music
Tagg PD	The G	1998	University of Liverpool
Tagg PD	Tritonal crime and 'music' as 'music'	1998	University of Liverpool
Tagg PD	Analysing music in the media - an epistemological mess	1998	University of Liverpool
TOMITA Y	The Sources of J S Bach's Well-Tempered Clavier II in Vienna, 1777-1801	1998	The Queen's University of Belfast
Sweet G	'Music and technology'	1998	Anglia Polytechnic University	Musicology
Sweeney-Turner S	Pagan Airts: Reading Critical Perspectives on the Songs of Burns and Tannahill	1998	University of Leeds
Sutcliffe W.D.	The Haydn Piano Trio: Textual Facts and Textural Principles	1998	University of Cambridge
Sutcliffe W.D.	Review of new edition of The Classical Style by Charles Rosen	1998	University of Cambridge
Summerly J	L'homme arme masses (Josquin, Dufay and Ockeghem)	1998	Royal Academy of Music
Summerly J	Songs from Piae Cantiones (1582)	1998	Royal Academy of Music
Sturrock K	Vienna Dreams by Elliott Schwartz	1998	Kingston University
Stringer JC	Arriving again shortly	1998	University of York
Streeter E	'Making music with the young child with special needs'.	1998	Anglia Polytechnic University	Music Therapy
Street DA	'This space for rent'	1998	University of Exeter
Stowell R	Beethoven: Violin Concerto	1998	Cardiff University	Music of the 'Long' Eighteenth Century
Stott K	Peter Maxwell Davies: Piano Concerto	1998	Royal Northern College of Music
Stones A C	aux ombres	1998	University of Surrey Roehampton	Music
Stobart H F	Lo Recto y lo torcido: La musica andina y la espiral de descendencia	1998	Royal Holloway, University of London
Steprans J	Janis Steprans: 'Signature' for Big Band	1998	University of Exeter
Stefani E J	Senecio	1998	University of Leeds
Stefani E J	A Garden Retreat	1998	University of Leeds
Spring M	All Goodly Sports	1998	Bath Spa University College
Spitzer M	'Marx's Lehre and the Science of Education: towards the recuperation of music pedagogy'	1998	University of Durham
Spitzer M	'Haydn's Reversals: style change, gesture, and the implication-realisation model', inh Haydn Studies, ed. Dean Sutcliffe	1998	University of Durham
Spink I W A	The Works of Henry Purcell, Volume 20 / Dramatic Music, Part II: Songs and Instrumental Music for the Stage	1998	Royal Holloway, University of London
Spicer P	Herbert Howells	1998	Royal College of Music
Spicer P	Pilgrimages	1998	Royal College of Music	Composition
Speake M	Trust	1998	Royal Academy of Music
Solomon A	C. P. E. Bach - Quartet for Keyboard, Flute, Viola and Continuo in D, H538 (Wq94), Sonata for Viola da Gamba and Harpsichord in G minor, H510 (Wq88)	1998	Royal College of Music
Smith R	The Confectioner	1998	Bath Spa University College		Constantas, M
Smith R	The Bridge/Y Bont	1998	Bath Spa University College		Elfyn, M.
Smith G	Composing after Cage: permission granted	1998	Bath Spa University College
Smith D J	Lute Intabulations of Works by Peter Philips	1998	University of Aberdeen		John Robinson
Smith D	Off-peak single from Symi	1998	University of Hertfordshire
Smith D	Alban Lament	1998	University of Hertfordshire
Skempton H	Concerto for Oboe, Accordion and Strings	1998	De Montfort University
Simeone N.	Olivier Messiaen: A Bibliographical Catalogue of Messiaen's Works	1998	University of Wales, Bangor
Seymour PG	Sweelinck, JP., Cantiones Sacrae	1998	University of York
Seivewright P	Concerto for piano and orchestra, by Rory Boyle, Peter Seivewright (piano)	1998	Royal Scottish Academy of Music and Drama
Seivewright P	The Solo Piano Music of Victor Bendix (1851-1926) Romantic Danish Piano Music, vol 1	1998	Royal Scottish Academy of Music and Drama
Seivewright P	Carl Nielsen, Complete Piano Music	1998	Royal Scottish Academy of Music and Drama
Scott D	Orientalism and Musical Style	1998	University of Salford
Sawers I	Quickening the Dead by Andrew Keeling for piano duo and soprano saxophone.	1998	Napier University
SWEENEY WJ	Flight	1998	University of Glasgow	Composition
SWEENEY WJ	Airc an dualchais [Inheritance ark]	1998	University of Glasgow	Composition
STROHM R		1998	University of Oxford
STANDFORD P	The prayer of St. Francis, for chorus and orchestra	1998	Bretton Hall
STANDFORD P	Prelude and Fugue for wind orchestra	1998	Bretton Hall
SMACZNY JA	The Schubertian inheritance among Czech composers in the mid-nineteenth century	1998	The Queen's University of Belfast
SENICI E	Verdi's Luisa, a Semiserious Alpine Virgin	1998	University of Oxford
SAXTON R	The Process of Composition from Detection to Confection	1998	University of Oxford
SAXTON R	Songs, Dances and Ellipses, for String Quartet	1998	University of Oxford
SAMUEL R.	'One Charming Night' for violin and piano	1998	City University
Russill P	Catholic Germany and Austria 1648 - c1800	1998	Royal Academy of Music
Rushton J G	Mozart	1998	University of Leeds
Rundell C	Louis Andriessen: 'Tao'	1998	Royal Northern College of Music
Rundell C	The Grainger Edition, vol.8: Works for Wind Orchestra 2	1998	Royal Northern College of Music
Rowland-Jones A	'The minuet: painter-musicians in triple time'.	1998	Anglia Polytechnic University	Musicology
Rowland-Jones A	'Jesus Christ and the Recorder'.	1998	Anglia Polytechnic University	Musicology
Rowland Jones S	J.S. Bach: Cello Suites, transcribed and edited for viola	1998	Royal College of Music	Editing: Theory and Practice
Rowland D E	The Cambridge Companion to the Piano	1998	Open University
Ross G.W	Tuberama	1998	Liverpool John Moores University
Roscoe M	Brull - Piano Concertos	1998	Royal Academy of Music
Roscoe M	Ignaz Brull: Piano Concertos 1 and 2, and 'Andante and Allegro'	1998	Royal Northern College of Music
Robinson P	The Axiom of Maria	1998	University of Salford
Richards J	Bon Voyage	1998	De Montfort University
Rhys PQ	Autobuslied for solo cello	1998	University of Reading
Reynish T	British Wind Band Classics: Holst / Vaughan Williams	1998	Royal Northern College of Music
Rehding A.	Towards a Logic of Discontinuity in Stravinsky's Symphonies of Wind Instruments: Kramer, Straus and Hasty Reconsidered	1998	University of Cambridge
Redgate R	Pierrot on the Stage of Desire.	1998	Goldsmiths College
Redgate R	The Chamber Music	1998	Goldsmiths College
Rawson R	'From Olomouc to London: some questions of instrumentation in the music of Gottfried Finger'.	1998	Anglia Polytechnic University	Musicology
Rankin S.K.	The Alleluyes, antenes, respons, ygnes et versez in BN fr. 146: A Catalogue Raisonne	1998	University of Cambridge
RUMSEY F J	Synthesised multichannel signal levels versus the M-S ratios of 2-channel programme items	1998	University of Surrey
RUMSEY F J	Subjective assessment of the spatial attributes of reproduced sound	1998	University of Surrey
ROBARTS J.Z.	Music Therapy and Children with Autism	1998	City University
RICHARDSON J.G.	Black and White Music: dialogue, dysphoric coding and the death drive in the music of Bernard Herrmann, The Beatles, Stevie Wonder and Coolio	1998	City University
REES OL	Music by Pedro de Cristo (c.1550-1618): an Edition of the Motets from Coimbra, Biblioteca Geral da Universidade, MM33; Music Archive Publications, Series C	1998	University of Oxford
Prior M	Seven-course lute after Vendelio Venere (1592)	1998	London Guildhall University
Prior M	Eight-course lute (a reconstruction of a late sixteenth-century English consort lute, of which no examples have survived)	1998	London Guildhall University
Presencer G	Platypus	1998	Royal Academy of Music
Pratt SP	Four minitudes and 33 seconds	1998	Liverpool Hope
Powers AJ	As Shadows to the Sun	1998	Cardiff University	Composition
Powers AJ	Memorials of Sleep	1998	Cardiff University	Composition
Potter J	Vocal Authority: Singing Style and Ideology	1998	University of York
Pople AJ	Messiaen: Quatuor pour la fin du temps	1998	University of Nottingham
Pitts SE	The implications of historical music education research for contemporary music education practice in England	1998	University of Sheffield
Pinnock A.	'Book IV in Plain Brown Wrappers: Translations and Travesties of Dido'	1998	University of Wales, Bangor
Pike L J	Hexachords in Late-Renaissance Music	1998	Royal Holloway, University of London
Pickard J	The Spindle of Necessity - for trombone, string orchestra and percussion.	1998	University of Bristol
Pickard J	String Quartet No.4	1998	University of Bristol
Philip R M		1998	Open University
Patterson P	Hells Angels (solo soprano, SATB chorus, percussion and amplified string quartet)	1998	Royal Academy of Music
Pascall R.J.	''My Love of Schubert - No Fleeting Fancy: Brahms's Response to Schubert'	1998	University of Wales, Bangor
Partridge I	Berners - Complete Songs (and piano music)	1998	Royal Academy of Music
Parks R	Catalogue of the Collections (3 fascicles)	1998	University of Edinburgh		C. Overton
Pamplin T	The Influence of the Bandora on the Acoustics and Originof the Baroque Baryton and its Characteristic Tonal Feature of Sympathetic Resonance	1998	London Guildhall University
PERES DA COSTA N	Music for clarinet and fortepiano by Weber, Loewe, Danzi, Stadler and Burgmueller performed by Colin Lawson and Neal Peres Da Costa	1998	Bretton Hall
Osborne N.	Concerto for Oboe + Chamber Orchestra.	1998	University of Edinburgh
Orton R	A generic model for compositional approaches to audiovisual media	1998	University of York		Hunt,A Kirk,R Merrison,B
Orledge RFN	Understanding Satie's Vexations	1998	University of Liverpool
Ogden C	Takemitsu: Spectral Canticle	1998	Royal Northern College of Music
O'Hagan P	Sebastian Forbes: Sonata-Rondo (London Premiere)Julian Johnson: Still (London Premiere)Alan Stones: Aux Ombres (London Premiere)	1998	University of Surrey Roehampton	Music
O'Hagan P	Trope by Pierre Boulez	1998	University of Surrey Roehampton	Music
O'Donnell J	Mortuus est Philippus Rex (works by Cotes/Escobedo/Las Infantas/Lobo/Vivanco)	1998	Royal Academy of Music
O'Donnell J	Frank Martin/Ildebrando Pizzetti - Mass/Passacaille/Messa di Requiem/De Profundis	1998	Royal Academy of Music
Norman K	Hard Cash (and Small Dreams of Change).	1998	Goldsmiths College
Nicholls DR	Avant-garde and Experimental Music	1998	University of Southampton
Nicholls D R	The Cambridge History of American Music	1998	Keele University
Ng K C	An Integrated Multi-Sensory System for Photo-Realistic 3D Scene Reconstruction	1998	University of Leeds		Sequeira, V. Butterfield, S. Hogg, D.C.
Newsome R	Brass Roots. A Hundred Years of Brass Bands and their Music, 1836-1936.	1998	University of Salford
Newsome R	A Dunwich Sinfonietta	1998	University of Salford
Newbould BR	Schubert Studies	1998	University of Hull
Newbould BR	Schubert im Spiegel	1998	University of Hull
Nelson P	'On the Wall'	1998	University of Edinburgh
Munro G	In convertendo by Patrick Douglas (fl. C. 1533-c.1597)	1998	Royal Scottish Academy of Music and Drama
Morley R	Western Light by E. McGuire	1998	Napier University
Morehen J	Thomas Morley II: Services	1998	University of Nottingham
Morehen J	A Neglected East Anglian Madrigalian Collection of the Jacobean Period	1998	University of Nottingham
Mordkovitch L	Doreen Carwithen - Sonata for Violin and Piano	1998	Royal Academy of Music
Monelle R	Musica Significans: Proceedings of the Third International Conference on Musical Signification, Edinburgh	1998	University of Edinburgh
Monelle R	Music's Transparency	1998	University of Edinburgh
Mival W	The Siege of Chester (1997) for Virginals or harpsichord (quarter-comma mean-tone tuning)	1998	Royal College of Music	Composition
Mitchell-Davidson P.C.	Tubafication	1998	Liverpool John Moores University
Mitchell I	Xenakis: 'Medea', Critical Band and male voices of the New London Chamber Choir. Ian Mitchell, clarinet, as member of solo instrumental quartet.	1998	University of Exeter
Mitchell I	'A view from the Bridge'. Music by Lindsay Cooper. Ian Mitchell bass clarinet solo and member of quartet.	1998	University of Exeter
Milstein S.R.	Book of Shadows	1998	King's College London
Mills J	The Arts Inspected: Good Teaching in Art, Dance, Drama and Music	1998	Royal College of Music	Education and Training Group
Miller J	The Golden Section	1998	Royal Northern College of Music
Miller J	Mary Macqueen	1998	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
Mera M	Towards a better Soundscape	1998	Royal College of Music	Screen Music Studies
McPherson G	Detours, for large ensemble	1998	Royal Scottish Academy of Music and Drama
McPherson G	The Baby Bear's Bed, for large amplified ensemble	1998	Royal Scottish Academy of Music and Drama
McNaught G	Clarinet Trios Robert Irvine (cello), Lawrence Gill (clarinet), Graeme McNaught (piano), Paul Coletti (viola)	1998	Royal Scottish Academy of Music and Drama
McGregor R E	I Am The Rose Of Sharon	1998	St Martin's College
McCrea A	'British Organ Music after 1800' in The Cambridge Companion to the Organ, ed. by Thistlewaite and Webber	1998	Royal College of Music
McCLEAVE SY	Marie Sall	1998	The Queen's University of Belfast
McBurney G	Letter to Paradise (bass-baritone and orchestra)	1998	Royal Academy of Music
Mayer J	Ragatal: John Mayer's Indo-Jazz Fusions	1998	University of Central England in Birmingham	World/Folk Music	IndoJazz Fusions
Maxwell M	Philip Cashian - Sea of Tales (for oboe and mixed ensemble)	1998	Royal Academy of Music
Marsh RM	'Finnegans Wake' by James Joyce	1998	University of York
Malone K	Three Ancient Nightclubs for flute, cello, piano and percussion with tape (20')	1998	University of Manchester
Malham DG	Sound Spatialisation	1998	University of York	Music Technology
Macdonald A	Memory and other props, electroacoustic music for dance	1998	Royal Scottish Academy of Music and Drama
Macdonald A	Final Times, for tape alone	1998	Royal Scottish Academy of Music and Drama
MacKillop R	Flowers of the Forest, Rob MacKillop (lute, mandour, cittern, guittar)	1998	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
MacDonald A	Fhuair mi P	1998	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
MUIR S	Rimsky-Korsakov's operatic legacy	1998	Bretton Hall
MOORE A F	U2 and the myth of authenticity in rock	1998	University of Surrey
Lockett M	Hollowed Ground	1998	University of Central England in Birmingham	World/Folk Music
Lock B J	Music for The Land Girls	1998	Royal Holloway, University of London
Levi E W	Music in Modern German Culture	1998	Royal Holloway, University of London
Leigh D	Performances	1998	Thames Valley University	Centre for Research in Contemporary Music Practice	Leigh D
Leech-Wilkinson D	Guillaume de Machaut: Le Livre dou Voir Dit	1998	King's College London		R. Barton Palmer (translator)
Lee TS	'Singapore'	1998	University of Durham
Lee C P	Like the Night: Bob Dylan and the Road to the Manchester Free Trade Hall	1998	University of Salford
Lee C P	The Lancashire Shaman	1998	University of Salford
Lee C P	'Yeah, and I used to be a Hunchback'	1998	University of Salford
LeFanu N	In Parallel/Gathering Paths	1998	University of York
Lawson CJ	Brahms Clarinet Quintet.	1998	Goldsmiths College
Laws C	Morton Feldman's Neither.	1998	Dartington College of Arts
Knapp A	The Influence of German Music on United Kingdom Synagogue Practice	1998	School of Oriental and African Studies
Kimbell DRB	Vincenzo Bellini: Norma	1998	University of Edinburgh
Ker D	Darkness and Light	1998	University of Reading
Kent CJ	The Organ in Eighteenth-Century Croatia: Some Contrasts and Comparisons	1998	University of Reading
Kent CJ	Temperament and Pitch	1998	University of Reading
Keeley R.I.	Music for Art and Tom	1998	King's College London
KEEFE SP	Koch's Commentary on the Late Eighteenth-Century Concerto: Dialogue, Drama and Solo/Orchestra Relations	1998	The Queen's University of Belfast
Jones ML	How pop songs become records: the significance of the methods and priorities of record companies in pop music making	1998	University of Liverpool
Jones L	The Effects of Design on the Tone and Response of Clarinet Mouthpieces, and PC-based Wave Analysis as a Design Aid	1998	London Guildhall University		Edward Pillinger
Jones K	Passing the Summer at the Thatched Hall of the Inkwell	1998	Kingston University
Jones DW	'Austrian Symphonies in the Royal Palace, Madrid'	1998	Cardiff University	Music of the 'Long' Eighteenth Century
Jones DW	The Life of Beethoven	1998	Cardiff University	Music of the 'Long' Eighteenth Century
Johnson JM	The Nature of Abstraction: Analysis and the Webern Myth	1998	University of Sussex
Jackson P	Fantasy for flute and piano	1998	Anglia Polytechnic University	Composition
JOHNSTONE HD	Treasure Trove in Gloucester: A Grangerized Copy of the 1895 Edition of Daniel Lysons's	1998	University of Oxford
Irving JA	Mozart: The Haydn Quartets	1998	University of Bristol
Irving JA	'Das Conzert hat viel	1998	University of Bristol
Irvine R	Clarinet Trios Robert Irvine (cello), Lawrence Gill (clarinet), Graeme McNaught (piano), Paul Coletti (viola)	1998	Royal Scottish Academy of Music and Drama
Ireland R	Gyorgy Orban: String Quartet No 3	1998	University of Manchester
Inness P	Tryptych, for violin and piano	1998	Royal Scottish Academy of Music and Drama
Impett JF	The identification and transposition of authentic instruments: musical practice and technology	1998	University of East Anglia
Impett JF	Modelling the Dynamics of Musical Engagement	1998	University of East Anglia
Immelman N	Suk: Complete piano works, vol. 3	1998	Royal College of Music	Performance
Hyde J	Zoetrope	1998	Dartington College of Arts
Hunter DM	Organ Recital	1998	University of Ulster
Hunter A	La musique ecossaise	1998	Royal Scottish Academy of Music and Drama	Traditional and historical Scottish music
Humphreys K	Violin Concerto in D major no. 4 K.218, by Mozart, Kyra Humphreys (violin and director) with the Northern Sinfonia	1998	Royal Scottish Academy of Music and Drama
Howle T	One Minute Ago	1998	Oxford Brookes University
Howell TB	Sibelius' Tapiola: Issues of Tonality and Timescale	1998	University of York
Howat R	Gabriel Faur	1998	Royal College of Music	Editing: Theory and Practice
Howat R		1998	Royal College of Music	Editing: Theory and Practice
Howard P	Did Burney blunder?	1998	Open University
Howard KD	Korean Shamanism Today [and] Preserving the spirits? Rituals, State Sponsorship and Performance	1998	School of Oriental and African Studies
Horton P		1998	Royal College of Music	Historical Musicology
Holt S K	The Nightingale's to Blame	1998	Royal Holloway, University of London
Holt S K	Eco-Pavan	1998	Royal Holloway, University of London
Holman P K		1998	University of Leeds
Holloway R.G.	Scenes from Antwerp, Op. 85	1998	University of Cambridge
Heyde N	Finnissy - Works for String Quartet	1998	Royal Academy of Music
Heyde N	Ferneyhough - Time and Motion Study II	1998	Royal Academy of Music
Herissone RL	Richard Goodson the elder	1998	Lancaster University
Herissone RL	The Revision Process in William Turner	1998	Lancaster University
Herford H	Das Lied im Imbruch	1998	Royal Northern College of Music
Hellaby J	Robert Ramskill's piano concerto	1998	Thames Valley University	Centre for Research in Contemporary Music Practice	Hellaby J
Hellaby J	Solo Piano Recital	1998	Thames Valley University	Centre for Research in Contemporary Music Practice	Hellaby J
Hellaby J	Playful	1998	Thames Valley University	Centre for Research in Contemporary Music Practice	Hellaby J
Heaton R	Cassandra	1998	Bath Spa University College
Hayden S T	Partners in Psychopathology	1998	University of Leeds
Harry M	Fantasy Unbuttoned, for nineteen players	1998	University of Durham
Harris M	Watchnight Service Christmas 1998	1998	Napier University
Harlow M	Transcriptions from Gluck: Iphig	1998	University of Central England in Birmingham	Early Music
Hamilton KL	The Virtuoso Tradition.	1998	University of Birmingham
Hamilton J	Rameau: Hippolyte et Aricie	1998	Royal Northern College of Music
Hall R	Heading north, compositions and arrangements by Rob Hall, Rob Hall (leader and soprano saxophone/clarinet)	1998	Royal Scottish Academy of Music and Drama
HINNELLS D	An Extraordinary Performance: Hubert Foss, Music Publishing and Oxford University Press	1998	University of Oxford
HINNELLS D	Vaughan Williams's Piano Concerto: the First Seventy Years	1998	University of Oxford
HINNELLS D	'Vaughan Williams Studies' (ed. Frogley, 1996)	1998	University of Oxford
HIGGINBOTTOM E	Renaissance Masterpieces Vol.V. Works by Philippe de Monte. New College Choir, directed by Dr Edward Higginbottom	1998	University of Oxford
HALFYARD J	Classical vs. Film Revisited	1998	Bretton Hall
HAIR GB	Wild cherries and honeycomb	1998	University of Glasgow	Composition
Gritten AJ	The Progress of an Essay: Edward Cone's Writing on Stravinsky	1998	University of East Anglia
Griffiths D	Music in the 18th-century York theatre	1998	University of York
Gribbin D	Hey Persephone!	1998	Bath Spa University College
Gribbin D	Hey Persephone!	1998	University of Newcastle
Gregson E	Three Matisse Impressions	1998	Royal Northern College of Music
Gregor-Smith B	Haydn cycle: Op.20 No.5, Op.33 No.2, Op.54 No.2, Op.76 No.1	1998	University of Manchester
Greer DC	'Elgar in Belfast'	1998	University of Durham
Graham P	Reflected in Brass	1998	University of Salford
Graffin P	Chausson: Chamber Works	1998	University of Central England in Birmingham	Performance Studies	Chilingirian Quartet Pascal Devoyon
Gourlay J	Hans Werner Henze: 'Apollo trionfante'	1998	Royal Northern College of Music
Gould C	Tavener - Tears of the Angels/Depart in Peace/My Gaze is Ever Upon You	1998	Royal Academy of Music
Gordon MZ	Barcarola, for horn, violin and piano (7 minutes)	1998	University of Southampton
Gorb A	Elements: Concerto for Percussion + Wind Orchestra	1998	Royal Northern College of Music
Glover J	Teaching Music in the Primary School	1998	Bath Spa University College		Ward, S.
Glover J	Music in the Early Years	1998	Bath Spa University College		Young, S.
Gloag K	'All You Need is Theory? The Beatles' Sgt. Pepper'	1998	Cardiff University	Twentieth-Century British and French Music
Gilmore B	Harry Partch: a biography	1998	Dartington College of Arts
Gill L	Cloudscapes, by Paul Keenan, with Lawrence Gill (clarinet)	1998	Royal Scottish Academy of Music and Drama
Gill L	Clarinet Trios, Lawrence Gill (clarinet), Robert Irvine (cello), Graeme McNaught (piano), Paul Coletti (viola)	1998