|
||||
|
|
|
|
|
| Music - Publications | ||||
| Music RDF, 1.7mb <RDF Zip, 118kb> | |||
| People, 217kb | Publications, 972kb | Groups, 12kb | Institutions, 28kb |
| BOTTOM |
| Author | Title | Date | Place of Publication | Research Group | Co-Authors |
| Turner C | The Decline of the Gallery Tradition. | 1997 | Anglia Polytechnic University | Musicology | |
| Turner C | Pins, Barrels and Dumb Organists - I | 1997 | Anglia Polytechnic University | Musicology | |
| Turner C | Georgian Christmas Music | 1996 | Anglia Polytechnic University | Musicology | |
| Turner C | 'Miserable Machines': the role of the barrel organ within Georgian psalmody. | 1999 | Anglia Polytechnic University | Musicology | |
| Sweet G | 'Music and technology' | 1998 | Anglia Polytechnic University | Musicology | |
| Sweet G | 'Compositions for Solo Performance on Electronic Piano and Synthesizer'. | 2000 | Anglia Polytechnic University | Composition | |
| Sweet G | 'A new method of locating sources of acoustic radiation in three-dimensional space'. | 1999 | Anglia Polytechnic University | Musicology | |
| Streeter E | 'Finding a balance between psychological thinking and musical awareness in music therapy theory - a psychoanalytic perspective'. | 1999 | Anglia Polytechnic University | Music Therapy | |
| Streeter E | 'Definition and use of the musical transference relationship'. | 1999 | Anglia Polytechnic University | Music Therapy | |
| Streeter E | 'Making music with the young child with special needs'. | 1998 | Anglia Polytechnic University | Music Therapy | |
| Streeter E | 'The Musical and Non-Musical Transference within Music Therapy Supervision'. | 1999 | Anglia Polytechnic University | Music Therapy | |
| Rowland-Jones A | 'The minuet: painter-musicians in triple time'. | 1998 | Anglia Polytechnic University | Musicology | |
| Rowland-Jones A | 'Jesus Christ and the Recorder'. | 1998 | Anglia Polytechnic University | Musicology | |
| Rowland-Jones A | 'The Recorder and Marriage'. | 1999 | Anglia Polytechnic University | Musicology | |
| Rowland-Jones A | 'The First Recorder: How? Why? When?... and Where?' | 1999 | Anglia Polytechnic University | Musicology | |
| Rawson R | 2000 | Anglia Polytechnic University | Musicology | ||
| Rawson R | 'From Olomouc to London: some questions of instrumentation in the music of Gottfried Finger'. | 1998 | Anglia Polytechnic University | Musicology | |
| Rawson R | 'Gottfried Finger'. | 2000 | Anglia Polytechnic University | Musicology | P. Holman |
| Rawson R | 'Die Suiten fur Baryton und Viola da Gamba' (by Gottfried Finger). | 2000 | Anglia Polytechnic University | Musicology | |
| Oldfield A | Sharing Sessions with John | 1999 | Anglia Polytechnic University | Music Therapy | A. Jones |
| Oldfield A | Music Therapy as a contribution to the diagnoses made by the staff team in child and family psychiatry - an initial description of a methodology that is still emerging through clinical practice. | 2000 | Anglia Polytechnic University | Music Therapy | |
| Oldfield A | Music Therapy for children on the autistic spectrum. | 1999 | Anglia Polytechnic University | Music Therapy | R. Macdonald J. Nudds |
| Oldfield A | Listening, the First Step Towards Communicating Through Music | 1999 | Anglia Polytechnic University | Music Therapy | |
| Odell-Miller H | 'Music Therapy and the functions of music with older mentally ill people in a continuing care setting'. | 1997 | Anglia Polytechnic University | Music Therapy | |
| Odell-Miller H | 'Music Therapy and its relationship to Psycho-analysis'. | 2000 | Anglia Polytechnic University | Music Therapy | |
| Odell-Miller H | 'A psychoanalytically informed approach to music therapy in psychiatry: the case of one man with manic depression.' | 1999 | Anglia Polytechnic University | Music Therapy | |
| Odell-Miller H | 'Investigating the Value of Music Therapy in Psychiatry' | 1999 | Anglia Polytechnic University | Music Therapy | |
| Jackson P | 'Teaching Tomorrow | 1999 | Anglia Polytechnic University | Musicology | |
| Jackson P | Fantasy for flute and piano | 1998 | Anglia Polytechnic University | Composition | |
| Jackson P | Triptych for Saxophone and Piano | 1999 | Anglia Polytechnic University | Composition | |
| Jackson P | Exordium | 1997 | Anglia Polytechnic University | Composition | |
| Ingham C | Steely Dan: Joined at the Hip | 2000 | Anglia Polytechnic University | Musicology | |
| Ingham C | Billie Holiday | 2000 | Anglia Polytechnic University | Musicology | |
| Ingham C | 'Textile Lunch' | 2000 | Anglia Polytechnic University | Composition | |
| Ingham C | 'Zanzibar' | 1999 | Anglia Polytechnic University | Composition | |
| Hoadley RJ | PSY | 1999 | Anglia Polytechnic University | Composition | |
| Hoadley RJ | Psalm | 1999 | Anglia Polytechnic University | Composition | |
| Hoadley RJ | The Continual Snowfall of Petrochemicals | 1999 | Anglia Polytechnic University | Composition | |
| Hoadley RJ | The Copenhagen Interpretation | 1999 | Anglia Polytechnic University | Composition | |
| Flanagan K | 'Kerouac Suite' | 1999 | Anglia Polytechnic University | Composition | |
| Flanagan K | Elastic Form and Concrete Structure: the analysis of improvised music. | 2000 | Anglia Polytechnic University | Musicology | D. Crilly |
| Flanagan K | 'Zanzibar' | 1999 | Anglia Polytechnic University | Composition | |
| Flanagan K | 'Textile Lunch' | 2000 | Anglia Polytechnic University | Composition | |
| Fell S | VHF | 1999 | Anglia Polytechnic University | Composition | Graham Halliwell Simon Vincent |
| Fell S | 'Composition No. 30' | 1998 | Anglia Polytechnic University | Composition | |
| Fell S | 'IST' | 1998 | Anglia Polytechnic University | Composition | Rhodri Davies Mark Wastell |
| Fell S | Composition No.57 'Kaleidozyklen' | 2000 | Anglia Polytechnic University | Composition | |
| Crilly D R | 'In that quiet earth' | 1999 | Anglia Polytechnic University | Composition | |
| Crilly D R | Elastic Form and Concrete Structure: the analysis of improvised music | 2000 | Anglia Polytechnic University | Musicology | K Flanagan |
| Crilly D R | Wittgenstein, Music and Language-Games | 2000 | Anglia Polytechnic University | Musicology | |
| Crilly D R | Perception of Mathematical Structure and Architectural Design: Form and | 1999 | Anglia Polytechnic University | Musicology | |
| Burn C | 'Music for Three Rivers - solo piano improvisations'. | 1997 | Anglia Polytechnic University | Composition | |
| Burn C | 'Proceedings'. | 1999 | Anglia Polytechnic University | Composition | |
| Burn C | 'Unanswered Questions'. | 1998 | Anglia Polytechnic University | Composition | |
| Burn C | 'Navigations' (Compositions of Chris Burn and others) | 1997 | Anglia Polytechnic University | Composition | |
| Bullard A | 'Spring Pictures'. | 1997 | Anglia Polytechnic University | Composition | |
| Bullard A | 'Canticle of Freedom'. | 1999 | Anglia Polytechnic University | Composition | |
| Bullard A | 'Recipes for Recorder and Strings'. | 1998 | Anglia Polytechnic University | Composition | |
| Bullard A | 'Cyclic Harmony'. | 1998 | Anglia Polytechnic University | Composition | |
| Bosanquet C | El | 1996 | Anglia Polytechnic University | Composition | |
| Bosanquet C | Fun with cello harmonics. | 2000 | Anglia Polytechnic University | Musicology | |
| Bosanquet C | The Secret Life of Cello Strings: harmonics for cellists. | 1996 | Anglia Polytechnic University | Musicology | |
| Bosanquet C | The Development of Cello Teaching in the 20th Century. | 1999 | Anglia Polytechnic University | Musicology | |
| Spring M | Jenkins' Lute Music | 1996 | Bath Spa University College | ||
| Spring M | All Goodly Sports | 1998 | Bath Spa University College | ||
| Spring M | The English Lute | 1997 | Bath Spa University College | ||
| Spring M | The Cradle of the Renaissance | 1995 | Bath Spa University College | ||
| Smith R | The Knowledge | 1997 | Bath Spa University College | Forster, C. | |
| Smith R | The Confectioner | 1998 | Bath Spa University College | Constantas, M | |
| Smith R | The Bridge/Y Bont | 1998 | Bath Spa University College | Elfyn, M. | |
| Smith R | Minim | 1999 | Bath Spa University College | Foster, C. | |
| Smith G | Black Flowers | 1997 | Bath Spa University College | ||
| Smith G | American Originals | 1994 | Bath Spa University College | Walker-Smith, N. | |
| Smith G | Fifteen Wild Decembers | 1995 | Bath Spa University College | ||
| Smith G | Composing after Cage: permission granted | 1998 | Bath Spa University College | ||
| Odam G | Teaching Composing in Secondary School: the Creative Dream | 2000 | Bath Spa University College | ||
| Odam G | Composing in the Classroom: The Creative Dream | 2000 | Bath Spa University College | Paterson, A. | |
| Odam G | Issues in the Teaching of Composing in the Classroom arising from The Creative Dream Research Project 1997-1999 | 2000 | Bath Spa University College | ||
| Odam G | The Sounding Symbol: Music Education in Action | 1995 | Bath Spa University College | ||
| Kerstens T | The Sanctity of Trees by Deirdre Gribbin | 1999 | Bath Spa University College | ||
| Kerstens T | Barabas by Terry Riley | 1999 | Bath Spa University College | ||
| Kerstens T | Five Preludes by Howard Skempton | 1999 | Bath Spa University College | ||
| Kerstens T | Five Bagatelles by William Walton | 2000 | Bath Spa University College | ||
| Hyde J | Songlines | 1994 | Bath Spa University College | ||
| Hyde J | Burnt Out | 1995 | Bath Spa University College | ||
| Heaton R | Hymnos | 1997 | Bath Spa University College | ||
| Heaton R | Cassandra | 1998 | Bath Spa University College | ||
| Heaton R | Die Darmst | 1996 | Bath Spa University College | ||
| Heaton R | Clarinet Quintet by Harrison Birtwistle | 1999 | Bath Spa University College | ||
| Gribbin D | Hey Persephone! | 1998 | Bath Spa University College | ||
| Gribbin D | Celestial Pied Piper | 2000 | Bath Spa University College | ||
| Glover J | Teaching Music in the Primary School | 1998 | Bath Spa University College | Ward, S. | |
| Glover J | Music in the Early Years | 1998 | Bath Spa University College | Young, S. | |
| Glover J | Primary Music: Later Years | 1999 | Bath Spa University College | Young, S. | |
| Glover J | Children Composing 4-14 | 2000 | Bath Spa University College | ||
| Dobson R | Developments in Audio File Formats | 2000 | Bath Spa University College | ||
| Dobson R | SNDAN Port to Windows | 1994 | Bath Spa University College | ||
| Dobson R | Designing Legato Instruments | 2000 | Bath Spa University College | ||
| Dobson R | Multi-Channel Toolkit | 1999 | Bath Spa University College | ||
| Cashian P | Night Journeys | 1998 | Bath Spa University College | ||
| Cashian P | Dark Inventions | 2000 | Bath Spa University College | ||
| Atkinson N | Midwinter | 1998 | Bath Spa University College | ||
| Atkinson N | Galleries | 1995 | Bath Spa University College | Fearns, R. | |
| Atkinson N | Perfect Worlds | 1997 | Bath Spa University College | Fearns, R. | |
| Atkinson N | Jacob's Ladders | 1994 | Bath Spa University College | Fearns, R. | |
| WHITE B | Critical edition of Anton Eberl: Die Koenigin der schwarzen Inseln (1801) Phase 1 | 2000 | Bretton Hall | ||
| WHITE B | Performance of a critical edition of Louis Grabu's opera Albion and Albanius (1685) | 1997 | Bretton Hall | ||
| WHITE B | Broadcast performance of a critical edition of theatre music by Louis Grabu.1) Act Tunes for Dryden and Lee's Oedipus (1678)2) Act Tunes for an unidentified play3) Three Songs: 'One night while all the village slept' (for Lee's Mitridates, 1678), 'H | 1995 | Bretton Hall | ||
| STANDFORD P | Fantasy Quintet for clarinet and strings | 1999 | Bretton Hall | ||
| STANDFORD P | The prayer of St. Francis, for chorus and orchestra | 1998 | Bretton Hall | ||
| STANDFORD P | Prelude and Fugue for wind orchestra | 1998 | Bretton Hall | ||
| STANDFORD P | Divertimento for Violin and Piano | 1996 | Bretton Hall | ||
| PERES DA COSTA N | J.S. Bach, A Musical Offering (Complete Trio Sonatas including Trio Sonata and Ricercar from A Musical Offering) performed by Florilegium, Neal Peres Da Costa harpsichord | 2000 | Bretton Hall | ||
| PERES DA COSTA N | Music for clarinet and fortepiano by Weber, Loewe, Danzi, Stadler and Burgmueller performed by Colin Lawson and Neal Peres Da Costa | 1998 | Bretton Hall | ||
| PERES DA COSTA N | In the Name of Bach (music by Georg Christoph, Johann Ernst, Wilhelm Friedemann, Johann Christian and Johann Bernard Bach) performed by Florilegium, Neal Peres Da Costa co-director, organ, harpsichord and fortepiano with Catherine Bott (soprano) | 1996 | Bretton Hall | ||
| PERES DA COSTA N | Vivaldi Concerti (Concertos RV 87, 107, 541, 92, 101, 542 and Trio Sonata RV 63) performed by Florilegium, Neal Peres Da Costa co-director, organ, harpsichord | 1995 | Bretton Hall | ||
| MUIR S | Rimsky-Korsakov's operatic legacy | 1998 | Bretton Hall | ||
| MUIR S | Rimsky-Korsakov, Sadko, and the byliny | 1997 | Bretton Hall | ||
| HALFYARD J | Classical vs. Film Revisited | 1998 | Bretton Hall | ||
| HALFYARD J | Before Night Comes: Narrative and Gesture in Berio's Sequenza III (1966) | 2000 | Bretton Hall | ||
| HALFYARD J | CD: In Sunlight ( Joseph Hyde ) | 1996 | Bretton Hall | ||
| HALFYARD J | Nekyia (Joseph Hyde, Alaric Sumner) | 1999 | Bretton Hall | ||
| BROWN C | Schubert's Tempo Conventions | 1998 | Bretton Hall | ||
| BROWN C | Classical and Romantic Performing Practice | 1999 | Bretton Hall | ||
| BROWN C | Die Neubewertung der Quellen von Beethovens Fuenfte Symphonie/A New Appraisal of the Sources of Beethoven's Fifth Symphony | 1996 | Bretton Hall | ||
| BROWN C | Weber and Spohr | 1997 | Bretton Hall | ||
| Watkins R | An Exploration of Modalys. | 1996 | Canterbury Christ Church University College | ||
| Watkins R | Red Light, chamber orchestra (16'). 1st performance, London Sinfonietta, Marcus Stenz, conductor. | 1998 | Canterbury Christ Church University College | ||
| Watkins R | Light's Horizon for orchestra (14'). 1st performance, Hopkins Symphony Orchestra; conductor Jed Gaylin. | 1996 | Canterbury Christ Church University College | ||
| Watkins R | The Juniper Tree, a chamber opera, libretto by Patricia Debney after the Brothers' Grimm fairy tale (80'). Robert Poulton; Alison Kettlewell; Penelope Walmsley-Clark; Louise Mott; Timothy Webb; Almeida Opera; London Sinfonietta; Sound Intermedia; David M | 1997 | Canterbury Christ Church University College | ||
| Henshall D | Springrise for Soprano, SSA choir and orchestra (30'). 1st performance, Elen ap Robert, The Maidstone Choral Union and Maidstone Choral Society, Maidstone and District Orchestral Society. Dir, Geoffrey Martin. | 1995 | Canterbury Christ Church University College | ||
| Henshall D | Nocturne and Aubade for solo Harp (10'). First performance, Osian Ellis. | 1996 | Canterbury Christ Church University College | ||
| Henshall D | Three Welsh Dances for solo Harp (12'). First performance, Catrin Finch. | 2000 | Canterbury Christ Church University College | ||
| Henshall D | Sonata for Violin and Harp (25'). 1st performance, Alexander Trostiansky, violin; Anna Verkholoantseva, harp. | 2000 | Canterbury Christ Church University College | ||
| Hancox G | Carissimi, Jepthe; Peter Wilman, Jepthe; Emily Renshaw, Felia; Peter Bowman, Kathryn Bennetts, recorders; Cantata Choir and Ensemble, dir. Grenville Hancox. | 2000 | Canterbury Christ Church University College | ||
| Hancox G | A recital of British Clarinet Music. Grenville Hancox, clarinet; Anna Roscorla, narrator; Julian Dawson, piano. | 1996 | Canterbury Christ Church University College | ||
| Hancox G | Britten, War Requiem. Judith Buckle, Ian Bostridge, Ben Luxon, Canterbury Christ Church University College chamber orchestra, symphony orchestra, children's choir and chorus. Dir. Grenville Hancox. | 1994 | Canterbury Christ Church University College | ||
| Hancox G | Dalwyn Henshall, Dover Beach (composed for Grenville Hancox). 1st performance, Grenville Hancox, clarinet; Katherine Lewis, mezzo soprano; David Pickup, piano. | 1995 | Canterbury Christ Church University College | ||
| Edlin P | Five Fantastic Islands for flute, clarinet, viola, cello, percussion and piano (12'). 1st performance, Psappha; dir. Christopher Gayford. | 1994 | Canterbury Christ Church University College | ||
| Edlin P | Towers of the God King for piano solo (15'). 1st performance, Rolf Hind, piano. | 1999 | Canterbury Christ Church University College | ||
| Edlin P | Borobudur for large orchestra (32'). 1st performance, RCM Symphony Orchestra; dir. Elgar Howarth. | 1995 | Canterbury Christ Church University College | ||
| Edlin P | Prambanam, Concerto for oboe d'amore, trombone, percussion and 22 solo strings (20'). 1st performance, Nicholas Daniel; Jim Casey; Fiona Ritchie; Britten Sinfonia; dir. Mark Forkgen. | 1997 | Canterbury Christ Church University College | ||
| Downes M | 'Wagner and the Musicien francais: an interpretation of Debussy's criticism' | 1994 | Canterbury Christ Church University College | ||
| Downes M | Jonathan Harvey, Music and Inspiration (ed. Michael Downes). | 1999 | Canterbury Christ Church University College | ||
| Downes M | Nike Wagner, The Wagners: Dramas of a Musical Dynasty. Trans. Ewals Osers and Michael Downes. | 2000 | Canterbury Christ Church University College | ||
| Downes M | Paul Max Edlin, Translations of the Night. 1st performance Bergamo Ensemble; Tania Williams, mezzo soprano; dir. Michael Downes. | 2000 | Canterbury Christ Church University College | ||
| Dimitrova L | Frederick van Rossum, Al di la della sguro (composed for Lora Dimitrova). | 1996 | Canterbury Christ Church University College | ||
| Dimitrova L | Francis Routh, Scenes for Piano No 3, Op 68, Bretagne (composed for Lora Dimitrova). | 1999 | Canterbury Christ Church University College | ||
| Dimitrova L | Webern, Stuecke Op 7, Bartok Sonata No 1 for Violin and Piano. Lora Dimitrova, piano; Hanna Weinmeister, violin. | 1996 | Canterbury Christ Church University College | ||
| Dimitrova L | Bartok, Piano Concerto No 3. London Symphony Orchestra; Lora Dimitrova, piano; George Solti, conductor. | 1996 | Canterbury Christ Church University College | ||
| Campbell D | Graham Fitkin, Agnostic, for Clarinet, Strings and Percussion (composed for David Campbell). David Campbell, Clarinet, BBC National Orchestra of Wales, Grant Llewellyn, conductor. | 1997 | Canterbury Christ Church University College | ||
| Campbell D | Martin Butler, Clarinet Quintet (composed for David Campbell). David Campbell, Clarinet with Smith Quartet. | 1995 | Canterbury Christ Church University College | ||
| Campbell D | Peter Lieuwen, River of Crystal Light, for clarinet, strings, harp and piano (composed for David Campbell). David Campbell, Clarinet; Brazos Valley Symphony; Marcello Bussiki, conductor. | 1999 | Canterbury Christ Church University College | ||
| Campbell D | Roxanna Panufnik, Richard Stilgoe, The Upside Down Sailor (commissioned by David Campbell and the Collegiate Wind Ensemble). Collegiate Wind Ensemble; Richard Stilgoe, narrator; 30 schoolchildren; David Campbell, conductor. | 1999 | Canterbury Christ Church University College | ||
| Burwell K | Paul Edlin, From an Artist in Egypt (composed for Kim Burwell). Kim Burwell, piano. | 1995 | Canterbury Christ Church University College | ||
| Burwell K | Roderick Watkins, At the Horizon (composed for Kim Burwell and Lisa Nelsen). Kim Burwell, piano; Lisa Nelsen, flute. | 1999 | Canterbury Christ Church University College | ||
| Burwell K | Peter Sculthorpe, Songs of Sea and Sky (1987). Recital: Kim Burwell, piano. Lisa Nelsen, flute. Performed for the Kuwait Chamber Philharmonia, sponsored by the Canadian Embassy to the United Arab Emirates. | 1996 | Canterbury Christ Church University College | ||
| Burwell K | Recital, Kim Burwell, piano; Salomon's Centre, Tunbridge Wells | 1999 | Canterbury Christ Church University College | ||
| Bowman P | Mark Bromwich Tricorder for two quarter-tone recorders and live MSP. Peter Bowman and Kathryn Bennetts, Recorders. | 2000 | Canterbury Christ Church University College | ||
| Bowman P | The Quarter-Tone Recorder Manual - Ein Vortrag von Peter Bowman | 1999 | Canterbury Christ Church University College | ||
| Bowman P | Donald Bousted, A Journey Among Travellers (composed for Peter Bowman and Kathryn Bennetts). Peter Bowman and Kathryn Bennetts, Recorders, supported by the National Lottery through the Arts Council of England | 1998 | Canterbury Christ Church University College | ||
| Bowman P | The Quarter-Tone Recorder Manual | 1998 | Canterbury Christ Church University College | Kathryn Bennetts Donald Bousted |
|
| Williams P | The Chromatic Fourth during Four Centuries of Music | 1997 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Williams P | 'Johann Sebastian Bach and the Basso Continuo' | 1994 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Williams P | 'Early References to the Organ in Southern Germany' | 2000 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Williams P | 'Towards a Close Reading of Carl Philipp Emanuel Bach' | 1994 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Walsh MS | Stravinsky, Igor (Fyodorovich) | 2000 | Cardiff University | Central European and Slavonic Music | |
| Walsh MS | Stravinsky: A Creative Spring | 1999 | Cardiff University | Central European and Slavonic Music | |
| Walsh MS | 'Stravinsky's Symphonies: Accident or Design' in C. Ayrey and M. Everist (eds.), Analytical Strategies and Musical Interpretation. | 1996 | Cardiff University | Central European and Slavonic Music | |
| Walsh MS | 'Stravinsky and the Vicious Circle' | 1998 | Cardiff University | Central European and Slavonic Music | |
| Tyrrell J | My Life with Jan | 1998 | Cardiff University | Central European and Slavonic Music | |
| Tyrrell J | Jenufa, jej | 1996 | Cardiff University | Central European and Slavonic Music | |
| Tyrrell J | Jan | 1997 | Cardiff University | Central European and Slavonic Music | Nigel Simeone Alena Nemcov |
| Tyrrell J | Intimate Letters: Leo | 1994 | Cardiff University | Central European and Slavonic Music | |
| Thomas AT | 'Your song is mine' | 1995 | Cardiff University | Central European and Slavonic Music | |
| Thomas AT | 'Mobilising Our Man: Politics and Music in Poland during the Decade after the Second World War' | 1998 | Cardiff University | Central European and Slavonic Music | |
| Thomas AT | Gry weneckie: metody robocze na poczatku dojrzalego okresu tw | 2000 | Cardiff University | Central European and Slavonic Music | |
| Thomas AT | G | 1997 | Cardiff University | Central European and Slavonic Music | |
| Stowell R | 'Nicolo Paganini (1782-1840): the violin virtuoso in excelsis?' | 1996 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Stowell R | 'The sonata' | 1999 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Stowell R | The Historical Performance of Music: An Introduction | 1999 | Cardiff University | Music of the 'Long' Eighteenth Century | Colin Lawson |
| Stowell R | Beethoven: Violin Concerto | 1998 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Rae CAB | 'The Piano Music of Maurice Ohana' | 1995 | Cardiff University | Twentieth-Century British and French Music | |
| Rae CAB | 'Magic and Music - Alejo Carpentier and Maurice Ohana: Cross-connections in 20th-Century French Music and the South Americas' | 1999 | Cardiff University | Twentieth-Century British and French Music | |
| Rae CAB | 'Debussy et Ohana: allusions et r | 1994 | Cardiff University | Twentieth-Century British and French Music | |
| Rae CAB | The Music of Maurice Ohana | 2000 | Cardiff University | Twentieth-Century British and French Music | |
| Powers AJ | As Shadows to the Sun | 1998 | Cardiff University | Composition | |
| Powers AJ | Memorials of Sleep | 1998 | Cardiff University | Composition | |
| Powers AJ | String Quartet No. 3 | 2000 | Cardiff University | Composition | |
| Powers AJ | Symphony No. 1 | 1996 | Cardiff University | Composition | |
| Jones DW | 'From Artaria to Longman + Broderip: Mozart's music on sale in London' | 1996 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Jones DW | 'Austrian Symphonies in the Royal Palace, Madrid' | 1998 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Jones DW | The Life of Beethoven | 1998 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Jones DW | 'Haydn's Missa sunt bona mixta malis and the a cappella tradition' | 1996 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Gloag K | Review of J. Shepherd and P. Wicke, Music and Cultural Theory (Cambridge, 1997) | 1999 | Cardiff University | Twentieth-Century British and French Music | |
| Gloag K | 'All You Need is Theory? The Beatles' Sgt. Pepper' | 1998 | Cardiff University | Twentieth-Century British and French Music | |
| Gloag K | Tippett: A Child of Our Time | 1999 | Cardiff University | Twentieth-Century British and French Music | |
| Gloag K | 'Tippett's Second Symphony, Stravinsky, and the Language of Neoclassicism' | 1999 | Cardiff University | Twentieth-Century British and French Music | |
| SMALLEY D.A. | Etablissement de cadres relationnels pour l'analyse de la musique postschaefferienne | 1999 | City University | ||
| SMALLEY D.A. | 'Empty Vessels' for electroacoustic sounds | 1997 | City University | ||
| SMALLEY D.A. | 'Base Metals' for electroacoustic sounds | 2000 | City University | ||
| SMALLEY D.A. | Spectromorphology : Explaining Sound-Shapes | 1997 | City University | ||
| SAMUEL R. | 'Dream-Images' for piano | 1997 | City University | ||
| SAMUEL R. | 'Daughters' Letters' for soprano, string orchestra and percussion | 1997 | City University | ||
| SAMUEL R. | 'One Charming Night' for violin and piano | 1998 | City University | ||
| SAMUEL R. | 'Tirluniau (Landscapes)' for full orchestra | 2000 | City University | ||
| ROBARTS J.Z. | Clinical and theoretical perspectives on poietic processes in music therapy | 1999 | City University | ||
| ROBARTS J.Z. | Music Therapy and Children with Autism | 1998 | City University | ||
| ROBARTS J.Z. | Music therapy and adolescents with anorexia nervosa | 2000 | City University | ||
| ROBARTS J.Z. | Building a Theory of Poetic Processes in Music Therapy Relating to Research-in-progress | 2000 | City University | ||
| RICHARDSON J.G. | Singing Archaeology: Philip Glass's Akhnaten | 1999 | City University | ||
| RICHARDSON J.G. | Black and White Music: dialogue, dysphoric coding and the death drive in the music of Bernard Herrmann, The Beatles, Stevie Wonder and Coolio | 1998 | City University | ||
| RICHARDSON J.G. | Egypt in Boston: Notes on a recent production of Philip Glass's Akhnaten by the Boston Lyric Opera and its programming alongside Mozart's Die Zauberfl | 2000 | City University | ||
| RICHARDSON J.G. | Refractions of Masculinity: ambivalence and androgyny in Philip Glass's opera Akhnaten and selected recent works | 1995 | City University | ||
| FAUSER A. | Der Orchestergesang in Frankreich zwischen 1870 und 1920 | 1994 | City University | ||
| FAUSER A. | The Songs | 2000 | City University | ||
| FAUSER A. | La Guerre en dentelles: Women and the Prix de Rome in French Cultural Politics | 1998 | City University | ||
| FAUSER A. | Lili Boulanger's La Princesse Maleine: A Composer and Her Heroine as Literary Icons | 1997 | City University | ||
| FARRELL G.J. | Thinking, Saying, Playing: Children Learning the Tabla | 1997 | City University | ||
| FARRELL G.J. | Indian Music and the West | 1997 | City University | ||
| FARRELL G.J. | Mapping South Asian Music in Britain: Preliminary Observations | 1998 | City University | ||
| FARRELL G.J. | The Early Days of the Gramophone in India | 1998 | City University | ||
| EMMERSON S.T. | Acoustic/Electroacoustic: the Relationship with Instruments | 1998 | City University | ||
| EMMERSON S.T. | Aural landscape: musical space | 1998 | City University | ||
| EMMERSON S.T. | 'Losing touch': the human performer and electronics | 2000 | City University | ||
| EMMERSON S.T. | 'Fields of Attraction' for string quartet and electronics | 1997 | City University | ||
| Wiggins T | Techniques of Variation and Concepts of Musical Understanding in Northern Ghana | 1998 | Dartington College of Arts | ||
| Wiggins T | 'Drumming in Ghana' and 'The Xylophone Tradition of north-west Ghana' | 1999 | Dartington College of Arts | ||
| Wiggins T | Teaching Culture; Thoughts from northern Ghana | 1998 | Dartington College of Arts | ||
| Wiggins T | 'Bewaare - They are coming': Dagaare songs and Dances from Nandom, Ghana and 'In the Time of my Fourth Great-Grandfather': Western Sisaala Music from Lambussie, Ghana. | 1996 | Dartington College of Arts | ||
| Thompson K | Group Music Teaching | 1994 | Dartington College of Arts | ||
| Thompson K | Philip Jones, Elgar Howarth and Crispian Steele-Perkins in Conversation | 1998 | Dartington College of Arts | ||
| Thompson K | The Arts in a New Society | 1998 | Dartington College of Arts | ||
| Thompson K | Style and Interpretation: The postmodern brass player | 2000 | Dartington College of Arts | ||
| Laws C | The Double Image of Music in Beckett's Dream of Fair to Middling Women | 2000 | Dartington College of Arts | ||
| Laws C | Richard Barrett's Ne songe plus a fuir. Beckett in Music Translation? | 1997 | Dartington College of Arts | ||
| Laws C | Performance Issues in Composers' Approaches to Beckett | 2000 | Dartington College of Arts | ||
| Laws C | Morton Feldman's Neither. | 1998 | Dartington College of Arts | ||
| Hyde J | Nightfalling III: Burnt Out | 1995 | Dartington College of Arts | ||
| Hyde J | 64 Refractions | 1999 | Dartington College of Arts | ||
| Hyde J | Nekyia | 1999 | Dartington College of Arts | ||
| Hyde J | Zoetrope | 1998 | Dartington College of Arts | ||
| Gilmore B | 'Reinventing Ives' | 2000 | Dartington College of Arts | ||
| Gilmore B | Review of Miller and Lieberman, Lou Harrison: Composing a World | 2000 | Dartington College of Arts | ||
| Gilmore B | Harry Partch: a biography | 1998 | Dartington College of Arts | ||
| Gilmore B | The Harry Partch Collection | 1997 | Dartington College of Arts | ||
| Denyer F | Under the Fired City | 1995 | Dartington College of Arts | ||
| Denyer F | Morton Feldman: The Ecstacy of the Moment | 1997 | Dartington College of Arts | ||
| Denyer F | Ustvolskaya: Complete Piano Sonatas | 1996 | Dartington College of Arts | ||
| Denyer F | Finding Refuge in the Remains (composer portrait CD) | 1999 | Dartington College of Arts | ||
| Cowie E | Dartmoor Etudes for oboe, clarinet and harp | 1999 | Dartington College of Arts | ||
| Cowie E | Songs Without Words for High Voice and 2 Clarinets | 1998 | Dartington College of Arts | ||
| Cowie E | Phase Portraits for harp, piano, harpsichord, celesta and 24 solo voices. | 2000 | Dartington College of Arts | ||
| Cowie E | Elysium I-III for solo clarinet, flute and Chamber Orchestra (0/2/0/2: 2/2/0/0:1 percussion and strings) | 1997 | Dartington College of Arts | ||
| Best C | Playfall | 1998 | Dartington College of Arts | ||
| Best C | Shadowall | 1997 | Dartington College of Arts | ||
| Best C | Still | 1999 | Dartington College of Arts | ||
| Best C | Night Walking | 1997 | Dartington College of Arts | ||
| Young J | Virtual | 1997 | De Montfort University | ||
| Young J | Liquid Sky | 1998 | De Montfort University | ||
| Young J | Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music | 1996 | De Montfort University | ||
| Young J | Inner | 1995 | De Montfort University | ||
| Truax B | Handbook for Acoustic Ecology, 2nd edition, CD-ROM | 1999 | De Montfort University | ||
| Truax B | Inside | 1996 | De Montfort University | ||
| Truax B | Discovering Inner Complexity: Time-Shifting and Transportation with a Real-time GranulationTechnique | 1994 | De Montfort University | ||
| Truax B | Soundscape Acoustic Communication and Environmental Sound Composition | 1996 | De Montfort University | ||
| Skempton H | Concerto for Oboe, Accordion and Strings | 1998 | De Montfort University | ||
| Skempton H | Concertante for Violin and Strings (3 movements) | 1999 | De Montfort University | ||
| Skempton H | Chamber Concerto | 1997 | De Montfort University | ||
| Skempton H | Ballade (for Saxphone Quartet and Strings) | 1997 | De Montfort University | ||
| Richards J | Bon Voyage | 1998 | De Montfort University | ||
| Richards J | Mask (B-format) | 1997 | De Montfort University | ||
| Richards J | nerve8 | 2000 | De Montfort University | ||
| Richards J | Sand, Beautiful People are Evil | 1999 | De Montfort University | ||
| Landy L | Experimental Music Notebooks | 1994 | De Montfort University | ||
| Landy L | Devising Dance and Music: Id | 2000 | De Montfort University | E Jamieson | |
| Landy L | Reviewing the Musicology of Electroacoustic Music: A Plea for Greater Triangulation | 1999 | De Montfort University | ||
| Landy L | L | 1996 | De Montfort University | ||
| Hugill A | Symphony for Cornwall (for orchestra and live electronics) | 1999 | De Montfort University | ||
| Hugill A | Island Symphony (electroacoustic/orchestral) | 1995 | De Montfort University | ||
| Hugill A | Art of Our Time: Ten Years of the Praemium Imperiale | 1999 | De Montfort University | G Adair K Frampton E Lucie-Smith |
|
| Hugill A | Midivisualiser | 1997 | De Montfort University | ||
| Wibberley R | Josquin's Ave Maria: Musica Ficta versus Mode. | 1996 | Goldsmiths College | ||
| Wibberley R | 'Ave virgo mater dei': Towards a Reconstruction. | 2000 | Goldsmiths College | ||
| Wibberley R | Mode versus Ficta in context. | 1996 | Goldsmiths College | ||
| Wibberley R | J.S.Bach's Prelude and Fugue in E flat (BWV 552,1/2): An Inspiration of the Heart? | 1998 | Goldsmiths College | ||
| Redgate R | ruins true refuge. | 1999 | Goldsmiths College | ||
| Redgate R | Pierrot on the Stage of Desire. | 1998 | Goldsmiths College | ||
| Redgate R | Igloo. | 1999 | Goldsmiths College | ||
| Redgate R | The Chamber Music | 1998 | Goldsmiths College | ||
| Pryer AJ | Nattiez's Music and Discourse: Situating the Philosophy. | 1996 | Goldsmiths College | ||
| Pryer AJ | Monteverdi, two sonnets and a letter. | 1997 | Goldsmiths College | ||
| Pryer AJ | Trouble in Arcadia: Music aesthetics and the Bounds of Culture. | 1999 | Goldsmiths College | ||
| Pryer AJ | Authentic Performance, Authentic Experience and 'Pur ti miro' from Poppea | 1995 | Goldsmiths College | ||
| Potter KS | Notes on Cage. | 2000 | Goldsmiths College | ||
| Potter KS | Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. | 2000 | Goldsmiths College | ||
| Potter KS | The Pursuit of the Unimaginable by the Unnarratable, or Some Potentially telling Developments in Non-Developmental Music. | 1996 | Goldsmiths College | ||
| Potter KS | Cornelius Cardew: Some (Post-Modern?) Reflections on Experimental Music and Political Music | 1995 | Goldsmiths College | ||
| Norman K | Hard Cash (and Small Dreams of Change). | 1998 | Goldsmiths College | ||
| Norman K | Stepping outside for a moment: narrative space in two works for sound alone | 2000 | Goldsmiths College | ||
| Norman K | CD: Transparent Things. | 2000 | Goldsmiths College | ||
| Norman K | Leonardo's Lists. | 1999 | Goldsmiths College | ||
| McVeigh SW | The Making of a Ritornello Movement: Compositional Strategy and Selection in Tessarini's 'Opera Prima'. | 2000 | Goldsmiths College | Hirshberg, J. | |
| McVeigh SW | Freemasonry and Musical Life in London in the late Eighteenth Century | 2000 | Goldsmiths College | ||
| McVeigh SW | The Society of British Musicians (1834-1865) and the Campaign for Native Talent | 2000 | Goldsmiths College | ||
| McVeigh SW | The Benefit Concert in Nineteenth-Century London: From 'tax on the nobility' to 'monstrous nuisance' | 1999 | Goldsmiths College | ||
| Lawson CJ | Brahms Clarinet Quintet. | 1998 | Goldsmiths College | ||
| Lawson CJ | English Clarinet Concertos. | 1997 | Goldsmiths College | ||
| Lawson CJ | The Historical Performance of Music: an Introduction. | 1999 | Goldsmiths College | Stowell, R. | |
| Lawson CJ | The Early Clarinet: A Practical Guide. | 2000 | Goldsmiths College | ||
| Ivashkin A | Alfred Schnittke. | 1996 | Goldsmiths College | ||
| Ivashkin A | Gretchaninov Cello Concerto. | 1997 | Goldsmiths College | ||
| Ivashkin A | A Schnittke Reader. | 2000 | Goldsmiths College | ||
| Ivashkin A | Unknown Shostakovich. | 2000 | Goldsmiths College | ||
| Harrison SE | Inscapes: Contemporary music for violin and piano. | 2000 | Goldsmiths College | ||
| Harrison SE | Taking Flight: Chamber Works by Sadie Harrison. | 2000 | Goldsmiths College | ||
| Harrison SE | Taking Flight, for string quartet. | 1999 | Goldsmiths College | ||
| Harrison SE | No Title Required (previously, Second Coming) for mixed quintet. | 1999 | Goldsmiths College | ||
| Dobbins F | Compositional Techniques in the French Chansons of Lassus. | 1994 | Goldsmiths College | ||
| Dobbins F | Cl | 1994 | Goldsmiths College | ||
| Dobbins F | Pierre de Villiers: Chansons. | 1997 | Goldsmiths College | Duchamp, J. | |
| Dobbins F | Les premi | 1997 | Goldsmiths College | ||
| Baily JS | Using tests of sound perceptions in fieldwork. | 1996 | Goldsmiths College | ||
| Baily JS | Music and the State | 2000 | Goldsmiths College | ||
| Baily JS | Discours sur la musique | 1998 | Goldsmiths College | ||
| Baily JS | The 'naghma-ye kashal' of Afghanistan. | 1997 | Goldsmiths College | ||
| Ayrey CL | Introduction: Different trains | 1996 | Goldsmiths College | ||
| Ayrey CL | Berg's Warm die L | 1998 | Goldsmiths College | ||
| Ayrey CL | Debussy's significant connection: metaphor and metonymy in analytical method | 1994 | Goldsmiths College | ||
| Ayrey CL | Universe of Particulars: Subotnik, Deconstruction and Chopin. | 1998 | Goldsmiths College | ||
| Williams A J | Musicology and Postmodernism | 2000 | Keele University | ||
| Williams A J | New Music and the Claims of Modernity | 1997 | Keele University | ||
| Williams A J | Technology of the archaic: wish images and phantasmagoria in Wagner | 1997 | Keele University | ||
| Williams A J | Torn Halves: Structure and Subjectivity in Analysis | 1998 | Keele University | ||
| Vaughan M P | Melodie: composition for tape | 1994 | Keele University | ||
| Vaughan M P | In memoriam ... (layer 1): composition for tenor recoder and live electronics, 13'00 | 1999 | Keele University | ||
| Vaughan M P | Silence...(dissolved): composition for two harpsichords and tape, 9'00 | 2000 | Keele University | ||
| Vaughan M P | Collective Memories: composition for ensemble and live electronics | 1994 | Keele University | ||
| Uduman M S | Shadowplay: composition for ensemble | 2000 | Keele University | ||
| Uduman M S | From a Still Moment: composition for amplified ensemble and live electronics. | 1994 | Keele University | ||
| Uduman M S | A Muster of Tales: composition for soprano and ensemble | 1994 | Keele University | ||
| Uduman M S | In accord, in motion: composition for ensemble | 1997 | Keele University | ||
| Nicholls D R | The Cambridge History of American Music | 1998 | Keele University | ||
| Nicholls D R | Transethnicism and the American Experimental Tradition | 1996 | Keele University | ||
| Kelly B L | Maurice Ravel | 2000 | Keele University | ||
| Kelly B L | History and Homage | 2000 | Keele University | ||
| Kelly B L | Milhaud's Alissa Manuscripts (1913 and 1931) | 1996 | Keele University | ||
| Kelly B L | Time Present, Past and Future in the writings and practice of Milhaud | 1996 | Keele University | ||
| Garro D | Six Dreaming Jewels: composition for tape | 1999 | Keele University | ||
| Garro D | Pangea: composition for tape | 2000 | Keele University | ||
| Garro D | 'Strum' in a Teacup: composition for tape | 1998 | Keele University | ||
| Garro D | Voci dall'Aldiqua: composition for tape | 1997 | Keele University | ||
| Fischman Steremberg R A | Cold Fire: composition for string quartet and tape | 1996 | Keele University | ||
| Fischman Steremberg R A | Analysis of 'Crosstalk', a work by Michael Vaughan | 1997 | Keele University | ||
| Fischman Steremberg R A | 'A Tutorial Survey of Classic Synthesis Techniques' and 'Multiband Processing with Time-varying Filters' | 2000 | Keele University | ||
| Fischman Steremberg R A | Alma Latina: composition for tape | 1997 | Keele University | ||
| Fearn R | Bruno Maderna's n | 1996 | Keele University | ||
| Fearn R | Those Magnificent Men in their Flying Machines: the 'ideology of Luigi Dallapiccola's 'Volo di notte' | 1997 | Keele University | ||
| Fearn R | Homer-Dante-Joyce-Dallapiccola: Four Artists in Search of Ulysses | 1996 | Keele University | ||
| Fearn R | Italian Opera Since 1945 | 1997 | Keele University | ||
| Wintle C.S. | Hans Keller, Essays on Music | 1994 | King's College London | ||
| Wintle C.S. | Webern's lyric character | 1996 | King's College London | ||
| Wintle C.S. | Mozart's Fantasy in C minor K475: an editorial problem and its analytical and critical consequences | 1999 | King's College London | Cliff Eisen | |
| Wintle C.S. | Franz Shubert Ihr Bild (1828): a response to Schenker's essay in Der Tonwille, Volume 1 | 2000 | King's College London | ||
| Trendell D.R. | John Taverner - Missa Corona spinea; William Byrd - Motets | 2000 | King's College London | ||
| Trendell D.R. | Jean Lh | 2000 | King's College London | ||
| Trendell D.R. | Eating his cake: a survey of the late, ripe and contradictory fruit of Alonso Lobo's sacred music | 1996 | King's College London | ||
| Trendell D.R. | In Praise of God | 1999 | King's College London | ||
| Milstein S.R. | Book of Shadows | 1998 | King's College London | ||
| Milstein S.R. | Nova Polska | 1996 | King's College London | ||
| Milstein S.R. | M | 1995 | King's College London | ||
| Milstein S.R. | a media luz... | 2000 | King's College London | ||
| Leech-Wilkinson D | The Emergence of Ars nova | 1995 | King's College London | ||
| Leech-Wilkinson D | The well-formed virelai | 1996 | King's College London | ||
| Leech-Wilkinson D | The Cyprus Songs | 1995 | King's College London | ||
| Leech-Wilkinson D | Guillaume de Machaut: Le Livre dou Voir Dit | 1998 | King's College London | R. Barton Palmer (translator) | |
| Keeley R.I. | Crabbed Characters and Flourishing Tropes | 1997 | King's College London | ||
| Keeley R.I. | Trio for horn, violin and piano | 1999 | King's College London | ||
| Keeley R.I. | Symphony No 1 | 1995 | King's College London | ||
| Keeley R.I. | Music for Art and Tom | 1998 | King's College London | ||
| Fend M | Metaphern in der Musiktheorie des 16. Jahrhunderts | 1998 | King's College London | ||
| Fend M | The Problem of the French Revolution in Music History and Historiography | 2000 | King's College London | ||
| Fend M | Cherubini, Luigi | 2000 | King's College London | ||
| Fend M | 'Es verstecht sich von selbst, da | 1997 | King's College London | ||
| Eisen C | (Johann Chrysostom) Wolfgang Amadeus Mozart | 2000 | King's College London | ||
| Eisen C | The Mozarts' Salzburg Music Library | 1997 | King's College London | ||
| Eisen C | Mozart. Die Dokumente seines Lebens. Addenda. Neue Folge | 1997 | King's College London | ||
| Eisen C | The Salzburg Symphonies: a biographical interpretation | 1996 | King's College London | ||
| Dreyfus L | Henry Purcell. The Complete Fantasias for Viols (L. Dreyfus, Director) | 1996 | King's College London | ||
| Dreyfus L | Bachian invention and its mechanisms | 1997 | King's College London | ||
| Dreyfus L | Bach and the Patterns of Invention | 1996 | King's College London | ||
| Dreyfus L | Byrd Song | 1999 | King's College London | ||
| Deathridge J.W. | Richard Wagner, S | 2000 | King's College London | Klaus D | |
| Deathridge J.W. | Vollzugsbeamte oder Interpreten? Zur Kritik der Quellenforschung bei Byron und Wagner | 1998 | King's College London | ||
| Deathridge J.W. | Post-mortem on Isolde | 1996 | King's College London | ||
| Deathridge J.W. | Music Historiography, Critical Theory, and Other Tales | 2000 | King's College London | ||
| Crawford T.T. | String matching techniques for musical similarity and melodic recognition | 1998 | King's College London | C. Ilipoulos R. Raman |
|
| Crawford T.T. | The historical importance of Fran | 1999 | King's College London | ||
| Crawford T.T. | The Moscow 'Weiss' Manuscript | 1995 | King's College London | ||
| Crawford T.T. | The Nightmare Notelist | 1997 | King's College London | ||
| Chua D.K. | Believing in Beethoven | 2000 | King's College London | ||
| Chua D.K. | Haydn as Romantic | 1998 | King's College London | ||
| Chua D.K. | Absolute Music and the Construction of Meaning | 1999 | King's College London | ||
| Chua D.K. | The Galitzin Quartets of Beethoven | 1995 | King's College London | ||
| Birtwistle H | The Last Supper (Opera) | 1999 | King's College London | ||
| Birtwistle H | Harrison's Clocks | 1997 | King's College London | ||
| Birtwistle H | Exody | 1997 | King's College London | ||
| Birtwistle H | Panic | 1995 | King's College London | ||
| Sturrock K | Vienna Dreams by Elliott Schwartz | 1998 | Kingston University | ||
| Sturrock K | Concerto for 10 instruments by Alan Rawsthorne | 1999 | Kingston University | ||
| Sturrock K | Warwick Light by Giles Easterbrook | 1999 | Kingston University | ||
| Sturrock K | Bright Music by Ned Rorem | 2000 | Kingston University | ||
| Potter C | Nadia and Lili Boulanger: sister composers | 1999 | Kingston University | ||
| Potter C | Henri Dutilleux, his life and works | 1997 | Kingston University | ||
| Pearson I | Playing historical clarinets | 2000 | Kingston University | ||
| Pearson I | Verfolgt vom Klang der Klarinette seines Vaters - | 1999 | Kingston University | ||
| Millward F | The Fair Go | 1999 | Kingston University | ||
| Millward F | The Freedom Flame | 1995 | Kingston University | ||
| Millward F | Dining with Alice | 1999 | Kingston University | ||
| Millward F | Timelines: yesterday, todays, tomorrows | 1999 | Kingston University | ||
| Jones K | Splitting cells, virtual sculptures and a system for carving up musical space | 1999 | Kingston University | ||
| Jones K | The Cosmic Keyboard: Tuning the Calendar | 1996 | Kingston University | ||
| Jones K | For peace is in the threem of a pair | 1995 | Kingston University | ||
| Jones K | Passing the Summer at the Thatched Hall of the Inkwell | 1998 | Kingston University | ||
| Brummer L | Le temps s'ouvre | 1999 | Kingston University | ||
| Brummer L | The Gates of H | 1994 | Kingston University | ||
| Brummer L | Lizard Point | 1997 | Kingston University | ||
| Brummer L | Phrenos | 1997 | Kingston University | ||
| Arnold S | SMaTBaM! Serving Time-Based Media in the Performing Arts | 1999 | Kingston University | Boehm, C. | |
| Arnold S | Using Java to Stream Audio over ATM | 1997 | Kingston University | Malloch, S. Pflicke, T. |
|
| Woodley R | Johannes Tinctoris: Complete Theoretical Works | 2000 | Lancaster University | ||
| Woodley R | Minor Coloration Revisited: Okeghem's Ma bouche rit and Beyond | 2000 | Lancaster University | ||
| Woodley R | Performing Ravel: Style and Practice in the Early Recordings | 2000 | Lancaster University | ||
| Woodley R | Strategies of Irony in Prokofiev's F minor Violin Sonata | 1995 | Lancaster University | ||
| Mawer DH | Musical Objects and Machines | 2000 | Lancaster University | ||
| Mawer DH | Darius Milhaud: Modality and Structure in Music of the 1920s | 1997 | Lancaster University | ||
| Mawer DH | Bridging the Divide: Embedding Voice-leading Analysis in String Pedagogy and Performance | 1999 | Lancaster University | ||
| Mawer DH | Ballet and the Apotheosis of the Dance | 2000 | Lancaster University | ||
| Marsden AA | Representing Musical Time: A Temporal-Logic Approach | 2000 | Lancaster University | ||
| Marsden AA | Computers and the Concept of Tonality | 1999 | Lancaster University | ||
| Marsden AA | Music, Intelligence and Artificiality | 2000 | Lancaster University | ||
| Marsden AA | Symbolic Representations for Music | 1996 | Lancaster University | ||
| Herissone RL | The Magdalene College Part-books: origins and contents | 1996 | Lancaster University | ||
| Herissone RL | Richard Goodson the elder | 1998 | Lancaster University | ||
| Herissone RL | The Revision Process in William Turner | 1998 | Lancaster University | ||
| Herissone RL | Music Theory in Seventeenth-Century England | 2000 | Lancaster University | ||
| Bray RW | 1995 | Lancaster University | |||
| Bray RW | Editing and Performing Musica Speculativa | 1995 | Lancaster University | ||
| Bray RW | Music and the Quadrivium in Early Tudor England | 1995 | Lancaster University | ||
| Bray RW | Dryden and Draghi in Harmony in the 1687 Song for St Cecilia's Day | 1997 | Lancaster University | ||
| Boynton NA | Formal Combination in Webern | 1995 | Lancaster University | ||
| Boynton NA | Bibliography | 1996 | Lancaster University | ||
| Boynton NA | Ren | 1998 | Lancaster University | ||
| Boynton NA | Compositional technique 1923 | 1997 | Lancaster University | ||
| Pratt SP | Surroundings | 2000 | Liverpool Hope | ||
| Pratt SP | The Song Within | 1997 | Liverpool Hope | ||
| Pratt SP | Undulations and other movements | 1999 | Liverpool Hope | ||
| Pratt SP | Four minitudes and 33 seconds | 1998 | Liverpool Hope | ||
| Powles J | Quartet | 1999 | Liverpool Hope | ||
| Powles J | Shadows of Angels | 1997 | Liverpool Hope | ||
| Powles J | Shorelines | 1996 | Liverpool Hope | ||
| Powles J | Symphony | 1999 | Liverpool Hope | ||
| Hartwell RF | Cruciform Trio | 1999 | Liverpool Hope | ||
| Hartwell RF | A story recounted | 1995 | Liverpool Hope | ||
| Hartwell RF | Pas de Deux | 2000 | Liverpool Hope | ||
| Hartwell RF | Salome Dances | 2000 | Liverpool Hope | ||
| Ross G.W | Scission | 1995 | Liverpool John Moores University | ||
| Ross G.W | ConCussion: a synthesis of new and old technologies | 1999 | Liverpool John Moores University | Higgins L | |
| Ross G.W | Slit | 1995 | Liverpool John Moores University | ||
| Ross G.W | Tuberama | 1998 | Liverpool John Moores University | ||
| Mitchell-Davidson P.C. | Towards the Rising Sun | 1999 | Liverpool John Moores University | ||
| Mitchell-Davidson P.C. | Rhapsody for Duke | 1999 | Liverpool John Moores University | ||
| Mitchell-Davidson P.C. | Tubafication | 1998 | Liverpool John Moores University | ||
| Mitchell-Davidson P.C. | All Lit Up | 1997 | Liverpool John Moores University | ||
| Gardiner I.R | Lift Music | 1996 | Liverpool John Moores University | ||
| Gardiner I.R | Monument | 1994 | Liverpool John Moores University | ||
| Gardiner I.R | Annabelle Dancing | 1995 | Liverpool John Moores University | ||
| Gardiner I.R | Bluetime | 1997 | Liverpool John Moores University | ||
| Fulwell P | Music City 2.0: Developing the Digital Music Economy | 2000 | Liverpool John Moores University | ||
| Fulwell P | BitBiz: Accelerating the Creative Industries | 2000 | Liverpool John Moores University | ||
| Fulwell P | Making Music Work: Intervention Strategies and the Development of Regional Music Economies | 1998 | Liverpool John Moores University | ||
| Fulwell P | Evolution 2.0 | 1998 | Liverpool John Moores University | Fallows, C Wardle, M |
|
| Wrightson K | An Introduction to Acoustic Ecology | 2000 | London Guildhall University | ||
| Wrightson K | An Introduction to Acoustic Ecology | 1999 | London Guildhall University | ||
| Wrightson K | An Introduction to Acoustic Ecology | 1999 | London Guildhall University | ||
| Prior M | Seven-course lute after Vendelio Venere (1592) | 1998 | London Guildhall University | ||
| Prior M | Eight-course lute (a reconstruction of a late sixteenth-century English consort lute, of which no examples have survived) | 1998 | London Guildhall University | ||
| Prior M | Archlute, based on a surviving instrument by Matteo Sellas, 1630 (Bologna, Museo Civico no. 1748). | 1999 | London Guildhall University | ||
| Prior M | Seven-course lute after Vendelio Venere[different from output 2] | 2000 | London Guildhall University | ||
| Pamplin T | The Influence of the Bandora on the Acoustics and Originof the Baroque Baryton and its Characteristic Tonal Feature of Sympathetic Resonance | 1998 | London Guildhall University | ||
| Pamplin T | The Baryton: Last of the Viols | 1997 | London Guildhall University | ||
| Pamplin T | The Influence of the Bandora on the Origin of the Baroque Baryton | 2000 | London Guildhall University | ||
| Mackey J | Baroque baryton | 2000 | London Guildhall University | ||
| Mackey J | Chrotta gamba | 1995 | London Guildhall University | ||
| Mackey J | Construction of the instruments of a complete late-baroque string orchestra (violins, violas, cello and bass) | 2000 | London Guildhall University | ||
| Mackey J | Bass violin (reconstruction of a sixteenth-century Italian instrument). | 1995 | London Guildhall University | ||
| Jones L | The Effects of Design on the Tone and Response of Clarinet Mouthpieces, and PC-based Wave Analysis as a Design Aid | 1998 | London Guildhall University | Edward Pillinger | |
| Jones L | Seventeenth-Century Italian Songs for Bass Voice | 2000 | London Guildhall University | ||
| Jones L | The Hieronymus Albrecht Hass Clavichord in the Bate Collection of Historical Instruments: Restoration Report | 2000 | London Guildhall University | ||
| Jones L | King of the Low Seas (CD recording by David Thomas and Anthony Rooley): edition of songs by Giovanni Domenico Puliaschi and Giulio Caccini, and accompanying essay, 'King of the Low Seas', on songs for the bass voice in early seventeenth-century Italy. | 1995 | London Guildhall University | ||
| Stanzeleit S | British Violin Sonatas Volume One | 1995 | Napier University | ||
| Stanzeleit S | Music for Violin and Piano by Bartok Volume 3. | 1996 | Napier University | ||
| Stanzeleit S | Music for Violin and Piano by Bela Bartok Volume Two | 1994 | Napier University | ||
| Stanzeleit S | British Violin Sonatas Volume Two | 1996 | Napier University | ||
| Severn E | Positive approaches to trumpet teaching | 2000 | Napier University | ||
| Severn E | Moments in Time, a commercial CD release featuring compositions by Eddie Severn. | 2000 | Napier University | ||
| Severn E | Torah by Tommy Smith | 2000 | Napier University | ||
| Severn E | Saturn | 1997 | Napier University | ||
| Sawers I | Darknesse Visible by Thomas Ades for solo piano. | 1999 | Napier University | ||
| Sawers I | Hard Fairy by Graham Fitkin for piano duo and soprano saxophone. | 1997 | Napier University | ||
| Sawers I | Fuzzy Bird Sonata by Takashi Yoshimatsu for alto saxophone and piano. | 1999 | Napier University | ||
| Sawers I | Quickening the Dead by Andrew Keeling for piano duo and soprano saxophone. | 1998 | Napier University | ||
| Neave A | ...the isle is full of noises...new scottish music for guitar | 1997 | Napier University | ||
| Neave A | Born of Funk and the Fear of Failing by Gordon McPherson | 2000 | Napier University | ||
| Neave A | The Baldragon Guitar Duo | 1999 | Napier University | ||
| Neave A | Friends in Strange Places by Gordon McPherson | 1999 | Napier University | ||
| Morley R | Feasibility Studies by the Scottish Flute Trio | 2000 | Napier University | ||
| Morley R | St. Kilda's Parliament by K. Dempster | 1999 | Napier University | ||
| Morley R | Western Light by E. McGuire | 1998 | Napier University | ||
| Morley R | Ensemble 3 by G. Boardman | 1997 | Napier University | ||
| Harris M | Watchnight Service Christmas 1998 | 1998 | Napier University | ||
| Harris M | National Millennium Service for Scotland | 2000 | Napier University | ||
| Harris M | National Service to Mark the Opening of the Scottish Parliament. | 1999 | Napier University | ||
| Harris M | Twelve Organs of Edinburgh | 1999 | Napier University | ||
| Dempster K | Wyoming for chamber ensemble (clarinet, bassoon, trumpet in c, violin, cello and piano). | 2000 | Napier University | ||
| Dempster K | Descriptio for orchestra | 2000 | Napier University | ||
| Dempster K | String Quartet No.2 (Scattering of Tears) | 2000 | Napier University | ||
| Dempster K | Under the Hammer for string quartet | 1994 | Napier University | ||
| Davismoon S | ...against the grain, for solo percussion (2 snare drums) and live electronics | 1997 | Napier University | ||
| Davismoon S | (this has already) Passed/Passing for solo bass flute. | 1999 | Napier University | ||
| Davismoon S | Marking Time | 1999 | Napier University | ||
| Davismoon S | Waiting...and the moon?...Turns | 1995 | Napier University | ||
| Butterworth A | Harmony in Practice | 1999 | Napier University | ||
| Butterworth A | The Educational Support Programme | 1999 | Napier University | ||
| Butterworth A | Why Learn Harmony ? | 1999 | Napier University | ||
| Butterworth A | The Upgrade Ingredient | 1999 | Napier University | ||
| Ashton N | Piano Recital, Queen's Hall Edinburgh | 1999 | Napier University | ||
| Ashton N | Piano Recital, Edinburgh University Reid Hall | 2000 | Napier University | ||
| Ashton N | Piano Recital, The Queen's Hall Edinburgh 1995 | 1995 | Napier University | ||
| Ashton N | Nicholas Ashton Live Piano Recital | 1997 | Napier University | ||
| Rowland D E | The Cambridge Companion to the Piano | 1998 | Open University | ||
| Rowland D E | 1994 | Open University | |||
| Rowland D E | Piano music and keyboard compass in the 1790s | 1999 | Open University | ||
| Rowland D E | 1994 | Open University | |||
| Philip R M | 1994 | Open University | |||
| Philip R M | War-time at the National Gallery | 1995 | Open University | ||
| Philip R M | 1998 | Open University | |||
| Mateer D G | The Gyffard Partbooks: Composers, Owners, Date and Provenance | 1995 | Open University | ||
| Mateer D G | In Nomine Jesu: Robert Fayrfax and the Guild of the Holy Name in St Pauls Cathedral | 2000 | Open University | Elizabeth New | |
| Mateer D G | William Byrd, John Petre and Oxford: Bodleian MS Mus. Sch. E.423 | 1996 | Open University | ||
| Mateer D G | William Byrds Middlesex Recusancy | 1997 | Open University | ||
| Howard P | Did Burney blunder? | 1998 | Open University | ||
| Howard P | Guadagni in the Dock | 1999 | Open University | ||
| Howard P | Wandering minstrels: an 18th century fiction? | 2000 | Open University | ||
| Howard P | Gluck: An Eighteenth-Century Portrait in Letters and Documents | 1995 | Open University | ||
| Herbert T | 1997 | Open University | |||
| Herbert T | 2000 | Open University | |||
| Herbert T | The British Brass Band: A Musical and Social History | 1999 | Open University | ||
| Herbert T | The Cambridge Companion to Brass Instruments | 1997 | Open University | ||
| Dawe K N | Minotaurs or musonauts? Cretan music and world music | 1999 | Open University | ||
| Dawe K N | The engendered lyra: music, poetry and manhood in Crete | 1996 | Open University | ||
| Dawe K N | Bandleaders in Crete: musicians and entrepreneurs in a Greek island economy | 1998 | Open University | ||
| Dawe K N | Oriental Culture in Greece: Music and International Relations | 1998 | Open University | ||
| Clayton M R L | Free rhythm: ethnomusicology and the study of music without metre | 1996 | Open University | ||
| Clayton M R L | A. H. Fox Strangways and the Music of Hindostan: revisiting historic field recordings | 1999 | Open University | ||
| Clayton M R L | Le metre et le tal dans la musique de lIndie du Nord | 1997 | Open University | ||
| Clayton M R L | Ethnographic wax cylinders at the British Library Sound Archive | 1996 | Open University | ||
| Burrows D J | Handel (Master Musicians Series) | 1995 | Open University | ||
| Burrows D J | Rastra types in Handel's conducting scores | 1996 | Open University | ||
| Burrows D J | Cambridge Companion to Handel | 1997 | Open University | ||
| Burrows D J | Handel, Suite a deux clavecins | 1998 | Open University | ||
| Best T | Handel: Radamisto (I. Fassung), Hallische Handel-Ausgabe | 1999 | Open University | ||
| Best T | 'Handel and the keyboard | 1997 | Open University | ||
| Best T | Handel: Tamerlano, Hallische Handel-Ausgabe | 1996 | Open University | ||
| Best T | Handels word-setting in La Resurrezione | 1998 | Open University | ||
| Zwaanenburg J | Itaca | 2000 | Oxford Brookes University | ||
| Zwaanenburg J | Finding refuge in the remains | 1998 | Oxford Brookes University | ||
| Zwaanenburg J | Christian Wolff, Volume 2 - Chamber Works: I like to think of Harriet Tubman | 1998 | Oxford Brookes University | ||
| Zwaanenburg J | Drag on ... claustrophobia | 1999 | Oxford Brookes University | ||
| Young MW | Chatterbox | 1999 | Oxford Brookes University | ||
| Young MW | Capital Arcade | 2000 | Oxford Brookes University | ||
| Young MW | Less is More | 2000 | Oxford Brookes University | ||
| Young MW | Tournent dans l'air du soir | 1998 | Oxford Brookes University | ||
| Howle T | Subplot | 2000 | Oxford Brookes University | ||
| Howle T | One Minute Ago | 1998 | Oxford Brookes University | ||
| Griffiths DM | The high analysis of low music | 1999 | Oxford Brookes University | ||
| Griffiths DM | 'Home is living like a man on the run': John Cale's Welsh Atlantic | 2000 | Oxford Brookes University | ||
| Griffiths DM | 'So who are you?' Webern's Op 3 No 1 | 1996 | Oxford Brookes University | ||
| Griffiths DM | Review of Anne C Shreffler, Webern and the Lyric Impulse: Songs and Fragments on Poems of Georg Trakl (Oxford: Oxford University Press, 1994) | 1997 | Oxford Brookes University | ||
| Dibley P | Back to Fore | 1999 | Oxford Brookes University | ||
| Dibley P | Elevation | 1996 | Oxford Brookes University | ||
| Dibley P | A question? | 1997 | Oxford Brookes University | ||
| Dibley P | Thalis | 1998 | Oxford Brookes University | ||
| Bucciarelli M | Radamisto's theatrical sources and their influence on Handel's creative process | 1998 | Oxford Brookes University | ||
| Bucciarelli M | 'Il matrimonio segreto' ovvero Il segreto di un 'matrimonio' riuscito | 1995 | Oxford Brookes University | ||
| Bucciarelli M | Michelangelo Rossi: Erminia sul Giordano (1633) | 1994 | Oxford Brookes University | ||
| Bucciarelli M | Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies | 2000 | Oxford Brookes University | ||
| Bashford CM | John Ella and the making of the Musical Union | 2000 | Oxford Brookes University | ||
| Bashford CM | Chamber music | 2000 | Oxford Brookes University | ||
| Bashford CM | Learning to listen: audiences for chamber music in early-Victorian London | 1999 | Oxford Brookes University | ||
| Bashford CM | The late Beethoven quartets and the London press, 1836-ca1850 | 2000 | Oxford Brookes University | ||
| Watkins R | Richard Causton - Notturno | 1998 | Royal Academy of Music | ||
| Watkins R | Maxwell Davies - Horn Concerto | 2000 | Royal Academy of Music | ||
| Watkins R | Robert Simpson - Horn Quartet/ Horn Trio | 1994 | Royal Academy of Music | ||
| Watkins P | Harrison Birtwistle - The Woman and the Hare | 1999 | Royal Academy of Music | ||
| Watkins P | Sullivan - Cello Concerto (reconstructed by Charles Mackerras and David Mackie) | 2000 | Royal Academy of Music | ||
| Watkins P | Takemitsu - Orion and Pleiades (for cello and orchestra) | 1996 | Royal Academy of Music | ||
| Watkins P | Mark-Anthony Turnage - An Invention on Solitude | 1998 | Royal Academy of Music | ||
| Wallace J | Brass solo and chamber music from 1800 | 1997 | Royal Academy of Music | ||
| Wallace J | Peter Maxwell Davies - Trumpet Quintet | 1999 | Royal Academy of Music | ||
| Wallace J | Wallace Collection - The Golden Section (contemporary brass quintets) | 1999 | Royal Academy of Music | ||
| Wallace J | James MacMillan - Epiclesis (concerto for trumpet and orchestra) | 2000 | Royal Academy of Music | ||
| Walker N | Balakirev - Complete Piano Music vols. 1 + 2 | 1998 | Royal Academy of Music | ||
| Walker N | Esa-Pekka Salonen - Yta 2 (for solo piano) | 1996 | Royal Academy of Music | ||
| Walker N | Liapunov - Piano Sonata in F minor Op.27 | 2000 | Royal Academy of Music | ||
| Walker N | Cramer - Concerto da Camera | 2000 | Royal Academy of Music | ||
| Titterington D | Henze - Symphony No. 9 | 2000 | Royal Academy of Music | ||
| Titterington D | Eben/Rogg organ works | 1996 | Royal Academy of Music | ||
| Titterington D | Jan Sandstrom/Holst - works for organ and trombone | 1998 | Royal Academy of Music | ||
| Titterington D | Helmut Bornefeld - Florilegium | 1997 | Royal Academy of Music | ||
| Thompson M | Tippett - Sonata for 4 horns | 1995 | Royal Academy of Music | ||
| Thompson M | Thea Musgrave - Horn Concerto | 1998 | Royal Academy of Music | ||
| Thompson M | Simon Bainbridge - Landscape and Memory (for horn, 'echo' horn and orchestra) | 1995 | Royal Academy of Music | Philip Eastop | |
| Thompson M | Reicha - Wind Quintets | 1997 | Royal Academy of Music | ||
| Summerly J | L'homme arme masses (Josquin, Dufay and Ockeghem) | 1998 | Royal Academy of Music | ||
| Summerly J | Machaut - Messe de Nostre Dame + items from Le Voir Dit | 1997 | Royal Academy of Music | ||
| Summerly J | Songs from Piae Cantiones (1582) | 1998 | Royal Academy of Music | ||
| Summerly J | Ekimovsky/Smirnov - Music for brass and choir | 1999 | Royal Academy of Music | ||
| Standage S | Handel - At the Opera | 2000 | Royal Academy of Music | ||
| Standage S | Boyce - Complete Trio Sonatas | 1999 | Royal Academy of Music | ||
| Standage S | Stanley - Concertos Op.2 for Strings | 1999 | Royal Academy of Music | ||
| Standage S | Vivaldi - Paris Concertos | 1999 | Royal Academy of Music | ||
| Speake M | Martin Speake International Quartet | 2000 | Royal Academy of Music | ||
| Speake M | Trust | 1998 | Royal Academy of Music | ||
| Speake M | Martin Speake's Fever Pitch | 1997 | Royal Academy of Music | ||
| Speake M | Martin Speake Group | 1999 | Royal Academy of Music | ||
| Silverthorne P | Michael Berkeley - Viola Concerto | 1996 | Royal Academy of Music | ||
| Silverthorne P | Miklos Rozsa - Viola Concerto | 1996 | Royal Academy of Music | ||
| Silverthorne P | Robin Holloway - Sonata for solo viola | 2000 | Royal Academy of Music | ||
| Shorr A | Henze - Piano Sonata + 5 Nocturnes | 2000 | Royal Academy of Music | ||
| Shorr A | Sadie Harrison - Chamber Works | 2000 | Royal Academy of Music | ||
| Shorr A | Cesar Cui - Kaleidoscope/Violin Sonata | 1995 | Royal Academy of Music | ||
| Shorr A | Schubert - Adagio + Rondo concertante (for piano and strings) | 1994 | Royal Academy of Music | ||
| Sheppard Skaerved P | Henze (+ other composers) - Works for solo violin | 2000 | Royal Academy of Music | ||
| Sheppard Skaerved P | Schwartz/Rochberg - String Quartets | 2000 | Royal Academy of Music | ||
| Sheppard Skaerved P | Nigel Clarke - Concerto | 2000 | Royal Academy of Music | ||
| Sheppard Skaerved P | Gerhard - Complete String Quartets | 1999 | Royal Academy of Music | ||
| Russill P | Francis Grier - Te Deum (for solo organ) | 1997 | Royal Academy of Music | ||
| Russill P | Byrd - Three Fantasias for organ | 2000 | Royal Academy of Music | ||
| Russill P | Howells - Blessed are the dead | 1995 | Royal Academy of Music | ||
| Russill P | Catholic Germany and Austria 1648 - c1800 | 1998 | Royal Academy of Music | ||
| Roscoe M | Brull - Piano Concertos | 1998 | Royal Academy of Music | ||
| Roscoe M | Dohnanyi - Violin Sonata | 1997 | Royal Academy of Music | ||
| Presencer G | The Optimist | 2000 | Royal Academy of Music | ||
| Presencer G | Facing Reality | 2000 | Royal Academy of Music | ||
| Presencer G | Platypus | 1998 | Royal Academy of Music | ||
| Patterson P | Southwell Millennium Mass (solo soprano, SATB chorus, organ and chamber orchestra) | 1999 | Royal Academy of Music | ||
| Patterson P | Gloria (solo soprano, solo tenor, SATB chorus, orchestra) | 1999 | Royal Academy of Music | ||
| Patterson P | The Little Red Riding Hood Songbook (narrator, SSAA chorus and chamber or full orchestra) | 1999 | Royal Academy of Music | ||
| Patterson P | Hells Angels (solo soprano, SATB chorus, percussion and amplified string quartet) | 1998 | Royal Academy of Music | ||
| Partridge I | Thomas Arne - Artaxerxes | 1995 | Royal Academy of Music | ||
| Partridge I | Berners - Complete Songs (and piano music) | 1998 | Royal Academy of Music | ||
| Partridge I | Kverno - St Matthew Passion (for soloists and double choir) | 1996 | Royal Academy of Music | ||
| Partridge I | Schubert - Kosegarten Liederspiel | 1999 | Royal Academy of Music | ||
| Outram M | Britten - Portrait No. 2 | 1996 | Royal Academy of Music | ||
| Outram M | Maxwell Davies - Strathclyde Concerto No. 5 | 1995 | Royal Academy of Music | ||
| Outram M | Frank Bridge - Works for String Quartet | 1995 | Royal Academy of Music | ||
| Outram M | Alan Rawsthorne - Sonata for Viola and Piano | 1999 | Royal Academy of Music | ||
| O'Donnell J | Guerrero - Missa de la Batalla Escoutez (and other works) | 1999 | Royal Academy of Music | ||
| O'Donnell J | Palestrina - Missa Ecce ego Joannes (and other works) | 1999 | Royal Academy of Music | ||
| O'Donnell J | Mortuus est Philippus Rex (works by Cotes/Escobedo/Las Infantas/Lobo/Vivanco) | 1998 | Royal Academy of Music | ||
| O'Donnell J | Frank Martin/Ildebrando Pizzetti - Mass/Passacaille/Messa di Requiem/De Profundis | 1998 | Royal Academy of Music | ||
| Muldowney D | The Voluptuous Tango (Radio opera in 11 scenes for 2 singers, male chorus and pre-recorded sound) | 1996 | Royal Academy of Music | ||
| Muldowney D | The Fall of Jerusalem (oratorio) | 2000 | Royal Academy of Music | ||
| Muldowney D | Oboe Concerto (for solo oboe and chamber orchestra) | 1997 | Royal Academy of Music | ||
| Muldowney D | The Brontes (ballet for orchestra) | 1995 | Royal Academy of Music | ||
| Mordkovitch L | Doreen Carwithen - Sonata for Violin and Piano | 1998 | Royal Academy of Music | ||
| Mordkovitch L | Bruch - Violin Concerto No.3 | 2000 | Royal Academy of Music | ||
| Mordkovitch L | Xaver Scharwenka - Chamber Works | 1995 | Royal Academy of Music | Colin Carr | |
| Mordkovitch L | Szymanowski - Violin Concertos | 1996 | Royal Academy of Music | ||
| Milne H | Holbrooke/Haydn Wood - Piano Concertos | 1999 | Royal Academy of Music | ||
| Milne H | Medtner - Piano Music volume 5 | 1999 | Royal Academy of Music | ||
| Milne H | Medtner - Piano Music volume 6 | 1999 | Royal Academy of Music | ||
| Milne H | Grainger - Works for Chamber Ensemble | 1999 | Royal Academy of Music | ||
| McTier D | Peter Maxwell Davies - Strathclyde Concerto No.7 | 1994 | Royal Academy of Music | ||
| McTier D | Robin Holloway - Double Bass Concerto | 1999 | Royal Academy of Music | ||
| McTier D | John Hawkins - Worlds Apart (double bass and piano) | 1997 | Royal Academy of Music | ||
| McTier D | Edvard Tubin - Double Bass Concerto | 1995 | Royal Academy of Music | ||
| McBurney G | Letter to Paradise (bass-baritone and orchestra) | 1998 | Royal Academy of Music | ||
| McBurney G | A Winter's Walk round the Park at Troitse-Lykovo (chamber ensemble) | 1999 | Royal Academy of Music | ||
| McBurney G | Hildegard Quartet (string quartet) | 1996 | Royal Academy of Music | ||
| McBurney G | Desire (speaker, womens' voices and ensemble) | 1997 | Royal Academy of Music | ||
| Maxwell M | Birtwistle/Maxwell/Holt - Pulse Sampler/Elegy/Banshee | 1997 | Royal Academy of Music | ||
| Maxwell M | Philip Cashian - Sea of Tales (for oboe and mixed ensemble) | 1998 | Royal Academy of Music | ||
| Maxwell M | Anthony Gilbert 'Os' (for solo oboe and vibraphone) /Jonathan Cole 'Totem' (for solo oboe) | 2000 | Royal Academy of Music | ||
| Maxwell M | Julian Butcher - Oboe Concerto | 1996 | Royal Academy of Music | ||
| Martineau M | Vaughan Williams/Finzi/Butterworth/Ireland - Songs | 1995 | Royal Academy of Music | ||
| Martineau M | A Century of English Song (vols. 1 + 2) | 1999 | Royal Academy of Music | ||
| Martineau M | Schubert - An die Musik (and other songs) | 1994 | Royal Academy of Music | ||
| Martineau M | Beethoven - The Complete Folksong Arrangements | 1994 | Royal Academy of Music | ||
| MacGregor J | Lou Harrison - Piano Concerto | 2000 | Royal Academy of Music | ||
| MacGregor J | Birtwistle - Harrison's Clocks (for solo piano) | 1999 | Royal Academy of Music | ||
| MacGregor J | Birtwistle - Antiphonies (for piano and orchestra) | 1994 | Royal Academy of Music | ||
| MacGregor J | Messiaen - Vingt regards sur l'enfant Jesus (for solo piano) | 1996 | Royal Academy of Music | ||
| Langdon S | Louise Farrenc - Nonet Op.38 | 1996 | Royal Academy of Music | ||
| Langdon S | Ethel Smyth - Concerto for Violin, Horn and Orchestra | 1996 | Royal Academy of Music | Richard Watkins | |
| Langdon S | Oleg Gotskosik - Six Scenes from 'La Strada' (for violin and piano) | 1996 | Royal Academy of Music | ||
| Langdon S | Goldmark - String Quartet/String Quintet | 1999 | Royal Academy of Music | ||
| Lane P | Parry/Stanford - Piano Concertos | 1995 | Royal Academy of Music | ||
| Lane P | Kullak/Dreyschock - Piano Concertos | 1999 | Royal Academy of Music | ||
| Lane P | Eugen d'Albert - Piano Concertos Nos 1 + 2 | 1995 | Royal Academy of Music | ||
| Lane P | Eugen d'Albert - Solo Piano Music | 1996 | Royal Academy of Music | ||
| Kanga S | Tippett (arr Meirion Bowen) - Tempest Suite | 1995 | Royal Academy of Music | ||
| Kanga S | Julian Anderson - Poetry Nearing Silence (for harp septet) | 1997 | Royal Academy of Music | ||
| Kanga S | James MacMillan - Raising Sparks (song-cycle for mezzo and mixed ensemble) | 1997 | Royal Academy of Music | ||
| Kanga S | Sally Beamish - Between Earth and Sea (for flute, viola, harp) | 1997 | Royal Academy of Music | ||
| Heyde N | Finnissy - Works for String Quartet | 1998 | Royal Academy of Music | ||
| Heyde N | Soler/Roger/Sarda - Quartets | 2000 | Royal Academy of Music | ||
| Heyde N | Claude Debussy - Nocturne et Scherzo (for cello and piano) | 1995 | Royal Academy of Music | ||
| Heyde N | Ferneyhough - Time and Motion Study II | 1998 | Royal Academy of Music | ||
| Hakim N | Seattle Concerto (solo organ and orchestra) | 1999 | Royal Academy of Music | ||
| Hakim N | Missa Redemptionis (choir) | 1996 | Royal Academy of Music | ||
| Hakim N | Hymne de l'Univers (Orchestra) | 1997 | Royal Academy of Music | ||
| Hakim N | Vexilla Regis (solo organ) | 1995 | Royal Academy of Music | ||
| Gould C | D.C.Heath - Concerto for Violin and Chamber Orchestra | 1997 | Royal Academy of Music | ||
| Gould C | Boulez - Antheme (for solo violin and electronics) | 2000 | Royal Academy of Music | ||
| Gould C | Tavener - Tears of the Angels/Depart in Peace/My Gaze is Ever Upon You | 1998 | Royal Academy of Music | ||
| Gould C | Piers Hellawell - Inside Story (concerto for violin and viola) | 1999 | Royal Academy of Music | ||
| Glauert A | 'Ich singe, wie der Vogel singt': Reflections on Nature and Genre in Wolf's Setting of Goethe's Der Sanger | 2000 | Royal Academy of Music | ||
| Glauert A | Finding the compositional voice in Beethoven's songs | 2000 | Royal Academy of Music | ||
| Glauert A | Beethoven's songs and vocal style | 2000 | Royal Academy of Music | ||
| Glauert A | Hugo Wolf and the Wagnerian Inheritance | 1999 | Royal Academy of Music | ||
| Freeman-Attwood J | Roderick Williams - Feis (for soprano, trumpet, organ) | 1998 | Royal Academy of Music | ||
| Freeman-Attwood J | Bach Connections | 1999 | Royal Academy of Music | ||
| Freeman-Attwood J | Andrew Johnstone - Sonata da Chiesa (for trumpet and organ) | 2000 | Royal Academy of Music | ||
| Freeman-Attwood J | Dido and her recorded legacy | 1995 | Royal Academy of Music | ||
| Finnissy M | Palm Sunday (voices and two trombones) | 1999 | Royal Academy of Music | ||
| Finnissy M | Recent Britain (up to four musicians with [optional] assistant and pre-recorded tape[s]) | 1998 | Royal Academy of Music | ||
| Finnissy M | Multiple Forms of Constraint (string quartet) | 1998 | Royal Academy of Music | ||
| Finnissy M | Folklore (solo piano) | 1996 | Royal Academy of Music | ||
| Eastop P | Bach - Missa Brevis in F/Sie werden aus Saba alle kommen | 1998 | Royal Academy of Music | ||
| Eastop P | Simon Bainbridge - Landscape and Memory (for horn, 'echo' horn and orchestra) | 1995 | Royal Academy of Music | Michael Thompson | |
| Eastop P | Ivan Fedele - Duo en Resonance (concerto for two horns and orchestra) | 1998 | Royal Academy of Music | ||
| Eastop P | Edward Williams - Imitation Games | 1999 | Royal Academy of Music | ||
| Dussek M | Rubbra - Violin Sonatas | 1999 | Royal Academy of Music | ||
| Dussek M | Bantock - Cello Sonatas | 2000 | Royal Academy of Music | ||
| Dussek M | Rubbra - Chamber music | 2000 | Royal Academy of Music | ||
| Dussek M | Hurlstone/Parry/Harty - works for cello and piano | 2000 | Royal Academy of Music | ||
| Clark A | Carl Czerny - Music for horn and fortepiano | 2000 | Royal Academy of Music | ||
| Clark A | Vivaldi - Concerto in F Major for Two Horns | 2000 | Royal Academy of Music | ||
| Clark A | Antique Brasses (Crusell - Horn Concerto) | 2000 | Royal Academy of Music | ||
| Clark A | Bach - Complete Cantatas volumes 7 and 8 | 1999 | Royal Academy of Music | ||
| Carr C | Saint Saens/Debussy/Faure - Piano Trios | 1994 | Royal Academy of Music | ||
| Carr C | Smetana/Tchaikovsky - Piano Trios | 1995 | Royal Academy of Music | ||
| Carr C | Xaver Scharwenka - Chamber Works | 1995 | Royal Academy of Music | Lydia Mordkovitch | |
| Carr C | J.S.Bach - Six Suites for solo cello | 1998 | Royal Academy of Music | ||
| Byrchmore R | In Manus Tuas/Manum Suam (a cappella choir) | 1996 | Royal Academy of Music | ||
| Byrchmore R | Baba Yaga (opera in three scenes for 12 voices and large ensemble) | 1995 | Royal Academy of Music | ||
| Byrchmore R | The Glass Piano (opera in one act for three performers: piano, narrator and soprano) | 1999 | Royal Academy of Music | ||
| Byrchmore R | Canticles (a capella upper voices) | 1998 | Royal Academy of Music | ||
| Brown C | Invocation (choir and organ) | 1999 | Royal Academy of Music | ||
| Brown C | Star Song III (string trio) | 1996 | Royal Academy of Music | ||
| Brown C | Star Song IV (piano trio) | 1999 | Royal Academy of Music | ||
| Brown C | Brown the Bear (narrator and chamber orchestra) | 1997 | Royal Academy of Music | ||
| Birtwistle H | Panic (for solo alto saxophone, solo percussion, large ensemble) | 1995 | Royal Academy of Music | ||
| Birtwistle H | The Last Supper (opera in one act: 14 soloists, small female chorus, chamber orchestra) | 2000 | Royal Academy of Music | ||
| Bell S | Peter Eotvos - Shadows (flute, clarinet and orchestra) | 2000 | Royal Academy of Music | ||
| Bell S | John Adams - Chamber Symphony | 1994 | Royal Academy of Music | ||
| Bell S | Henryk Gorecki - Good Night (for alto flute, soprano, percussion, piano) | 1995 | Royal Academy of Music | ||
| Bell S | Toru Takemitsu - Quotation of Dream (and other works) | 1999 | Royal Academy of Music | ||
| Bainbridge S | Eicha (for mezzo soprano, chorus and double wind quintet) | 1997 | Royal Academy of Music | ||
| Bainbridge S | Chant (for 12 amplified voices and large instrumental group) | 1999 | Royal Academy of Music | ||
| Bainbridge S | Guitar Concerto (for solo guitar and large chamber ensemble) | 1998 | Royal Academy of Music | ||
| Bainbridge S | Towards the Bridge (for large jazz ensemble) | 1999 | Royal Academy of Music | ||
| Allis M | Samuel Butler and Handel: a study in obsession | 1998 | Royal Academy of Music | ||
| Allis M | Another 48: Stanford and historic sensibility | 1994 | Royal Academy of Music | ||
| Allis M | Elgar and the Art of Retrospective Narrative | 2000 | Royal Academy of Music | ||
| Allis M | Parry - Sonnets + Songs Without Words | 1996 | Royal Academy of Music | ||
| van der Werff I | Philip Cannon String Quartet. Clarinet Quintet 'Logos' String Sextet: 'Cinq supplications sur une b | 1997 | Royal College of Music | Performance | Medici String Quartet David Campbell, clarinet Jane Atkins, viola |
| van der Werff I | Saint-Sa | 1998 | Royal College of Music | Performance | Medici String Quartet |
| van der Werff I | Scharwenka: Piano Quartet in F, op. 37Ivo-Jan van der Werff (viola) | 1995 | Royal College of Music | Performance | Levon Chilingirian, violin Garbis Atmacayan, cello Seta Tanyel, piano |
| van der Werff I | Wajahat Khan: Raag Desh; | 2000 | Royal College of Music | Performance | Medici String Quartet Wajahat Khan, sarod Elizabeth Brewster, tanpura |
| Woolley R | Handel Trio Sonatas | 1998 | Royal College of Music | Performance | Catherine Bott Purcell Quartet |
| Woolley R | Bach: Concertos for Harpsichord and Strings | 1994 | Royal College of Music | Performance | Purcell Quartet Paul Nicholson, harpsichord Laurence Cummings, harpsichord |
| Woolley R | Bach: Six Partitas, BWV825-30Robert Woolley (harpsichord) | 1998 | Royal College of Music | Performance | |
| Woolley R | Bach Concertos for Harpsichord and Strings | 1998 | Royal College of Music | Performance | Purcell Quartet Paul Nicholson, harpsichord Laurence Cummings, harpsichord |
| Williamon A | The Value of Performing from Memory | 1999 | Royal College of Music | ||
| Williamon A | 'Do the Principles of Expert Memory Apply to Musical Performance?', in Proceedings of the Sixth International Conference on Music Perception and Cognition, ed. C. Woods, G. Luck, R. Brochard, F. Seddon, + J. A. Sloboda | 2000 | Royal College of Music | Elizabeth Valentine | |
| Williamon A | Quantity and Quality of Musical Practice as Predictors of Performance Quality | 2000 | Royal College of Music | Elizabeth Valentine | |
| Williamon A | 'Coordinating Duo Piano Performance', in Proceedings of the Sixth International Conference on Music Perception and Cognition, ed. C. Woods, G. Luck, R. Brochard, F. Seddon, + J. A. Sloboda | 2000 | Royal College of Music | Jane W. Davidson | |
| Whitehead L | The Clavichords of Johan Fleischer the Younger | 1999 | Royal College of Music | ||
| Whitehead L | 'The triple-strung Hass clavichord of 1761' in Musikkens Tjenere: Instrument-Forsker-Musiker, Meddelelser fra Musikhistorisk Museum og Carl Claudius' Samling VI: 1898-1998, ed. Mette M | 1998 | Royal College of Music | ||
| Whitehead L | 'A preliminary investigation into the stringing of Swedish Clavichords' in De Clavicordio IV: Proceedings of the International Clavichord Symposium...Magnano, 8-11 September 1999, ed. Bernard Brauchli, Susan Brauchli, Alberto Galazzo | 2000 | Royal College of Music | Jenny Nex | |
| Whitehead L | The three unique models of Hass Clavichords? | 2000 | Royal College of Music | Jenny Nex | |
| West J | Giovanni Gabrieli: Sacrae Symphoniae, 1597His Majestys Sagbutts and Cornetts, Jeremy West (cornetto and artistic director) | 1997 | Royal College of Music | Performance | |
| West J | Andrea Gabrieli: Missa Pater Peccavi (1565)His Majestys Sagbutts and Cornetts, His Majestys Consort of Voices, Jeremy West (cornetto and artistic director) | 2000 | Royal College of Music | Performance | |
| West J | The Age of Extravagance: Virtuoso Music from Iberia and ItalyFrancisco Correo de Arauxo: Tiento No 28, de septimo tono; Glosas sobre el canto llano de La Immaculada Concepci | 1998 | Royal College of Music | Performance | Timothy Roberts, keyboard Paul Chateauneuf, chitarrone Frances Kelly, harp |
| West J | The Floating CityCastello Sonate concertate in stil moderno, libro secondo | 1998 | Royal College of Music | Performance | |
| Wells EP | Royal College of Music Museum of Instruments Catalogue Part II: Keyboard Instruments | 2000 | Royal College of Music | Historical Musicology | Jenny Nex Lance Whitehead John Budgen |
| Wells EP | Royal College of Music Museum of Instruments Catalogue Part Ia: European Wind Instruments: Addenda including the Hartley Collection by E. A. K. Ridley | 1998 | Royal College of Music | ||
| Thompson PJ | Music Libraries of the 21st Century | 2000 | Royal College of Music | ||
| Thompson PJ | Russkiye muzykal'niye arkhivniye materialy v Veliko Britanii | 2000 | Royal College of Music | ||
| Thompson PJ | 'Rukopisniye materialy bibioteki korolevskogo muzykal'nogo kolledzha v Londone' in Peterburgskii muzykal'ny arkhiv: Sbornik statei i materialov | 1999 | Royal College of Music | ||
| Thompson PJ | Towards a music LIP: a library and information plan for music services in the United Kingdom and Republic or Ireland | 1994 | Royal College of Music | Susi Woodhouse | |
| Spicer P | Easter Oratorio | 2000 | Royal College of Music | Composition | |
| Spicer P | Herbert Howells | 1998 | Royal College of Music | ||
| Spicer P | Herbert Howells: Choral MusicBehold, O God our Defender, Three Carol Anthems, Te Deum 'For the church of St. Mary Redcliffe, Bristol', The Scribe,Thee will I love, Blessed are the Dead, Even such is Time, Inherhitance, Haec dies, God is gone up | 1996 | Royal College of Music | Performance | Finzi Singers Andrew Lumsden, organ |
| Spicer P | Pilgrimages | 1998 | Royal College of Music | Composition | |
| Solomon A | J.S.Bach: Flute Sonatas, vol. 1Sonatas BWV 1030; 1033-1035Partita in A minor BWV 1013Ashley Solomon (flute) | 2000 | Royal College of Music | Performance | Terence Charlston, harpsichord |
| Solomon A | Music for the King's Pleasure: Leclair: Ouverture in A, Op. 13 No. 3. Deuxi | 1995 | Royal College of Music | Performance | Florilegium |
| Solomon A | Telemann Paris Quartets | 1999 | Royal College of Music | Performance | |
| Solomon A | C. P. E. Bach - Quartet for Keyboard, Flute, Viola and Continuo in D, H538 (Wq94), Sonata for Viola da Gamba and Harpsichord in G minor, H510 (Wq88) | 1998 | Royal College of Music | ||
| Salter TJ | Dragonflies draw flame for piano | 1999 | Royal College of Music | ||
| Salter TJ | Lacrimae rerum for cello, organ and chorus | 1997 | Royal College of Music | ||
| Salter TJ | Chains of Gold: choral music of the English RenaissanceIonian Singers, Timothy Salter (director) | 1997 | Royal College of Music | Performance | Ionian Singers |
| Salter TJ | Shadows for piano trio | 2000 | Royal College of Music | ||
| Roxburgh E | Clarinet Concerto | 1996 | Royal College of Music | Composition | |
| Roxburgh E | Galileo, for large orchestra, baritone solo, chorus, ripieno children's choir, electronics | 2000 | Royal College of Music | Composition | |
| Roxburgh E | Beethoven: Grosse Fuge adapted for symphonic wind orchestra | 1996 | Royal College of Music | Composition | |
| Roxburgh E | Three Nativity Carols | 1996 | Royal College of Music | Composition | |
| Rowland Jones S | String Quintet | 1999 | Royal College of Music | Composition | |
| Rowland Jones S | J.S. Bach: Cello Suites, transcribed and edited for viola | 1998 | Royal College of Music | Editing: Theory and Practice | |
| Rowland Jones S | Interpreting Bach | 1999 | Royal College of Music | Performance practice | |
| Rowland Jones S | Painting by Numbers | 1999 | Royal College of Music | Composition | |
| Ritterman J | Teaching how to learn, learning how to teach: educating musicians for the twenty-first century in Improving Student Learning through the Disciplines, ed. Chris Rust | 2000 | Royal College of Music | Education and Training Group | |
| Ritterman J | Craft for art's sake: variations on a traditional theme | 1995 | Royal College of Music | ||
| Ritterman J | 'Learning what it is to perform: a key to peer learning for musicians' in Peer Learning in Music, ed. Desmond Hunter + Michael Russ | 2000 | Royal College of Music | ||
| Ritterman J | |Gegens | 1996 | Royal College of Music | Historical Musicology | |
| Phillips M | Alla danza: dance music for organBach: Fuga alla giga, BWV 577Pachelbel: Chaconne in F minor Anon. (Spanish, 17th cent.): EspanoletaJuan Cabanilles: Corrente ItalianaSweelinck: Balleto del granducaAnton Heiler: Tanz-Toccata (1970)Peter Plany | 1995 | Royal College of Music | Performance | |
| Phillips M | Voluntaries + VariationsBull: Een Kindeken is ins geborenCabez | 2000 | Royal College of Music | Performance | |
| Phillips M | Saint-Sa | 1995 | Royal College of Music | Performance | |
| Phillips M | Bach and EnglandTallis: Hymn: Veni RedemptorScheidt: Veni redemptor gentiumTomkins: FancyBlow: Voluntary in CBruhns: Chorale Fantasia: Nun komm, der Heiden HeilandJ.S.Bach: Toccata in E majorNares: Introduction and fugue in A minor/majorW. | 2000 | Royal College of Music | Performance | |
| Nex J | A Preliminary Investigation into the Stringing of Swedish Clavichords | 2000 | Royal College of Music | Lance Whitehead | |
| Nex J | The Three Unique Models of Hass Clavichords? | 2000 | Royal College of Music | Historical Musicology | Lance Whitehead |
| Nex J | Three female Eighteenth-century English Harpsichord Builders | 2000 | Royal College of Music | ||
| Nex J | The clavichords of Arnold Dolmetsch 1894 | 2000 | Royal College of Music | Lance Whitehead | |
| Mival W | The Siege of Chester (1997) for Virginals or harpsichord (quarter-comma mean-tone tuning) | 1998 | Royal College of Music | Composition | |
| Mival W | Gift of Life for soprano and string orchestra, settings of poems by Pushkin, translated by Anthony Briggs | 1999 | Royal College of Music | Composition | |
| Mival W | A superabundance of experience | 2000 | Royal College of Music | N/A | |
| Mival W | On the Ringstreet for large orchestra | 1996 | Royal College of Music | Composition | |
| Mills J | The Arts Inspected: Good Teaching in Art, Dance, Drama and Music | 1998 | Royal College of Music | Education and Training Group | |
| Mills J | Knowing the subject versus knowing the child: striking the right balance for children aged 7-11 years | 1997 | Royal College of Music | ||
| Mills J | Music technology inspected: good teaching in Key Stage 3 | 2000 | Royal College of Music | Andy Murray | |
| Mills J | Starting at secondary school | 1996 | Royal College of Music | ||
| Mera M | 'Representing the Baroque: the Portrayal of Historical Period in Film Music' | 2000 | Royal College of Music | Screen Music Studies | |
| Mera M | 'What's so funny about parody?' | 2000 | Royal College of Music | Screen Music Studies | |
| Mera M | Towards a better Soundscape | 1998 | Royal College of Music | Screen Music Studies | |
| Mera M | The Last Few | 2000 | Royal College of Music | RCM Studio Group | |
| McCrea A | 'British Organ Music after 1800' in The Cambridge Companion to the Organ, ed. by Thistlewaite and Webber | 1998 | Royal College of Music | ||
| McCrea A | 'The British neo-classical organ and its music - time for a reappraisal?' | 1999 | Royal College of Music | ||
| McCrea A | 'Towards an understanding of organ building in the Baltic states' | 1995 | Royal College of Music | Historical Musicology | Goran Grahn |
| McCrea A | Stanford: Prelude on the ancient melody Jesu dulcis memoriae (1879) | 1994 | Royal College of Music | Editing: Theory and Practice | |
| Lindberg JJ | Francesco Corbetta: Selected Guitar Music | 1997 | Royal College of Music | ||
| Lindberg JJ | John Dowland - the complete solo lute music | 1995 | Royal College of Music | Performance | |
| Lindberg JJ | Spanish Guitar Music: a selection of music by Gaspar Sanz + Santiago de Murcia | 2000 | Royal College of Music | ||
| Lindberg JJ | Jacopo Peri: Euridice | 1997 | Royal College of Music | Editing: Theory and Practice | |
| Immelman N | Suk: Complete piano works, vol. 3 | 1998 | Royal College of Music | Performance | |
| Immelman N | Suk: Complete piano works, vol. 2 | 1996 | Royal College of Music | ||
| Immelman N | Professor Leo Quayle at 81 | 2000 | Royal College of Music | ||
| Howat R | Debussy piano music, Vol. 1. Images (1905 + 1907); Etudes; Etude retrouv | 1997 | Royal College of Music | Performance | |
| Howat R | Gabriel Faur | 1998 | Royal College of Music | Editing: Theory and Practice | |
| Howat R | 2000 | Royal College of Music | Editing: Theory and Practice | ||
| Howat R | 1998 | Royal College of Music | Editing: Theory and Practice | ||
| Horton P | 'The Unknown Wesley: The early instrumental and secular vocal music of Samuel Sebastian Wesley', in Nineteenth-Century British Music Studies I, ed. Bennet Zon | 1999 | Royal College of Music | Historical Musicology | |
| Horton P | St George | 1999 | Royal College of Music | Historical Musicology | |
| Horton P | Herbert Howells: Five Songs for Low Voice | 1999 | Royal College of Music | Editing: Theory and Practice | |
| Horton P | 1998 | Royal College of Music | Historical Musicology | ||
| Horch K | [Concert of works for saxophone] Michael Torke: July; Ned Rorem: Picnic on the Marne; Denise Ondishko: Cover Us with Song; Rusell Currie: Frozen Motion; Gary Schocker: Sonata; Russell Peck: Drastic MeasuresKyle Horch (saxophone) | 1999 | Royal College of Music | Performance | Mistral Saxophone Quartet Pamela Lidiard, piano |
| Horch K | Chambersax - H. Villa-Lobos: Quatuor for harp, celeste, flute, alto saxophone and female voices; A. Webern, Quartet for clarinet, tenor saxophone, violin and piano, op. 22, P. Hindemith: Trio op.47 for viola, tenor saxophone and piano, Adolf Busch | 2000 | Royal College of Music | ||
| Horch K | 'Saxophone technique' and 'Teaching the Saxophone' in The Cambridge Companion to the Saxophone, ed. Richard Ingham | 1999 | Royal College of Music | Education and Training Group | |
| Horch K | [Concert of chamber music for saxophone] - Michael Berkeley, Keening; John Anthony Lennon, Distances Within Me; Denise Ondishko: The Botticellian Trees; Elliott Carter: Pastoral; Anton Webern, Quartet op. 22; Giancinto Scelsi, Tre Pezzi; Rod | 1997 | Royal College of Music | Performance | Pamela Lidiard, piano Fenella Barton, violin John Payne, clarinet |
| Herford H | John Joubert: The Instant Moment, op. 110 | 1997 | Royal College of Music | Performance | English String Orchestra William Boughton, conductor |
| Herford H | Edward Gregson: Missa Brevis Pacem | 1995 | Royal College of Music | Performance | Manchester Boys' Choir RNCM Symphonic Wind Band and Brass Band Edward Gregson, conductor |
| Herford H | Bliss: A knot of Riddles and other songs | 2000 | Royal College of Music | Performance | Nash Ensemble Martyn Brabbins, conductor Kathron Sturrock, piano |
| Herford H | Peter Maxwell Davies: Resurrection | 1995 | Royal College of Music | Performance | BBC Philharmonic Orchestra Sir Peter Maxwell Davies |
| Graham D | Improvisation on Veni Creator | 1999 | Royal College of Music | Performance | |
| Graham D | Ave Regina: The Complete Organ Works of Guy Weitz - volume 1Weitz: Three Pieces (1935-39); Two Pieces based on Plainchant Motives (1962); Symphony No. 1(1931). | 2000 | Royal College of Music | ||
| Graham D | Improvisation on Victimae Paschali Laudes | 1999 | Royal College of Music | ||
| Graham D | Improvisation on Salve Regina | 1999 | Royal College of Music | Performance | |
| Gifford G | Georgian Delights: a treasury of harpsichord and organ music from the Library of Arnold DolmetschHandel: Overture to Ottone; Air for a Musical ClockAnon.: Lesson with Variations by Mr Handel; Stamford a+ Lord Exeter's Minuets; Lesson II in F major; Fu | 2000 | Royal College of Music | ||
| Gifford G | His Lordship's Delight: Georgian music for harpsichord and organHandel: Overture to Deidamia; Minuet from Samson; March from the Occasional OratorioR. Jones: Suite in A minorDussek: A Voluntary for Organ by Handel, with VariationsHaydn: Sonata in | 1998 | Royal College of Music | ||
| Gifford G | Per Chiesa et per Camera: Music for chamber organ and harpsichord by G.P. TelemannOverture I in G minor; Fantasia VIII in G minor; Fantasia XII in E flat major (1 Douzane); Chorale Preludes: O Lamm Gottes, unschuldig; Christ lag in Todesbanden; Komm hei | 1996 | Royal College of Music | ||
| Gifford G | The Best Crayfish in the Brook: works for harpsichord and chamber organ by Johann Ludwig KrebsSuite in B minor; Chorales: Jesus, meine Zuversicht (2 settings), Allein Gott in der Hoh sei Ehr, Christ lag in Todesbanden, Warum betrubst du dich, mein Herz; | 1995 | Royal College of Music | Performance | |
| Francis S | Elizabeth Machonchy: Oboe Quintet | 1996 | Royal College of Music | Medici Quartet | |
| Francis S | Rutland Boughton: Chamber Works with OboeOboe Quartet No 1 (1930) Three Songs without Words for oboe quartet | 1997 | Royal College of Music | Performance | Rasumovsky Quartet |
| Francis S | Vanhal: Six Quartette Concertante for oboe and string trio, Op 7 | 2000 | Royal College of Music | Tagore String Trio | |
| Francis S | Britten: Music for oboePhantasy Quartet op 2Six Metamorphoses after Ovid op 49 Temporal Variations for oboe and pianoTwo Insect Pieces for oboe and piano | 1995 | Royal College of Music | Performance | Michael Dussek, piano Members of the Delme Quartet |
| Davies O | The Bel Canto Clarinettist: Ernesto Cavallini: Variazione sopra un tema nell' Opera La Straniera di Bellini Ernesto Cavallini, Domenico Liverani - Melodie dei Puritani di Bellini F. Fasanotti and A. Spadina - Duetto Concertante sopra motivi dell' Op | 1996 | Royal College of Music | Colin Bradbury, clarinet | |
| Davies O | Exhibition: Grove's World | 2000 | Royal College of Music | Historical Musicology | Peter Horton Celia Clarke Paul Collen |
| Davies O | The Victorian Clarinet TraditionHenry Lazarus: Fantasia on Favorite Scotch MelodiesSir George Alexander Macfarren: Traditions of Shakespeare (recon. Oliver Davies), A Widow Bird, Pack Clouds AwayEbenezer Prout: Sonata in D majorCharles Harford Llo | 1998 | Royal College of Music | Colin Bradbury, clarinet Elaine Barry, soprano |
|
| Chilingirian L | Eduard Grieg: String Quartet in F major | 1999 | Royal College of Music | Editing: Theory and Practice | |
| Chilingirian L | Chausson Po | 1994 | Royal College of Music | Performance | Philippe Graffin, violin Chilingirian String Quartet Pascal Devoyon, piano |
| Chilingirian L | Grieg String Quartets - No. 1 in G minor, op. 27; No. 2 in F major CW146 | 1999 | Royal College of Music | Performance | Chilingirian String Quartet |
| Chilingirian L | Scharwenka Piano Quartet in F, Op. 37. Piano Trio in A minor, Op. 45 | 1995 | Royal College of Music | Performance | Ivo van der Werff, viola Garbis Atmacayan, cello Seta Tanyel, piano |
| Burnand D G | The Articulation of National Identity through Film Music | 1999 | Royal College of Music | Screen Music Studies | Benedict Sarnaker |
| Burnand D G | Gallivant | 1996 | Royal College of Music | Composition | |
| Burnand D G | One Equal Light | 1995 | Royal College of Music | RCM Studio Group | |
| Burnand D G | The Gesture of the Idea: representation of historical period through film music | 1999 | Royal College of Music | Screen Music Studies | |
| Bradbury C | The Victorian Clarinet TraditionHenry Lazarus: Fantasia on Favorite Scotch MelodiesSir George Alexander Macfarren: Traditions of Shakespeare (recon. Oliver Davies); Two SongsEbenezer Prout: Sonata in D majorCharles Harford Lloyd: Bon Voyage! Ott | 1998 | Royal College of Music | Performance | Oliver Davies, piano Elaine Barry, soprano |
| Bradbury C | Brahms: Clarinet Sonatas op. 120Hindemith: Clarinet Sonata (1939) | 2000 | Royal College of Music | Performance | Bernard Roberts, piano |
| Bradbury C | Donato Lovreglio: Fantasia sull' Opera Un Ballo in Maschera, op. 46 | 1997 | Royal College of Music | Editing: Theory and Practice | |
| Bradbury C | The Bel Canto Clarinettist: Ernesto Cavallini: Variazione sopra un tema nell' Opera La Straniera di Bellini Domenico Liverani - Melodie dei Puritani di Bellini F. Fasanotti and A. Spadina - Duetto Concertante sopra motivi dell' Opera Mose di Rossini | 1996 | Royal College of Music | Performance | Oliver Davies, piano |
| Bond T | Richard Blackford: Mirror of Perfection, arranged for organ by Timothy Bond | 1998 | Royal College of Music | N/A | |
| Bond T | John Lambert Concert:Echo Toccata, for organ (1993); Kyrie and Sanctus from the Organ, (1964-8); Slide, for trumpet (1989); Meditations for ensemble (1991)Veni Creator Spiritus for two voices and organ (1967); Toccata for guitar, (1984); For a while f | 1994 | Royal College of Music | Performance | Andrew Kennedy, tenor Mark Chaundy, baritone |
| Bond T | Franz Schmidt: Das Buch mit sieben SiegelnTimothy Bond (organ) | 2000 | Royal College of Music | Performance | BBC Chorus and Orchestra Franz Welser-Most, conductor |
| Bond T | Messiaen: L'AscensionTimothy Bond (organ) | 1996 | Royal College of Music | Performance | |
| Bassano P | Grand Tour Music from Sixteenth- and Seventeenth-Century Italy, Spain and Germany.Buonamente: Sonata a 6; Canzona a 6. Marini: Sinfonia grave: La Zorzi. Sonata a quattro. Sonata a 6. Merula: Chiacona. Macque: Seconde Stravaganze. Bassano: Vestiva | 1996 | Royal College of Music | Performance | |
| Bassano P | For His Majestys Sagbutts and Cornetts: English Music from Henry VIII to Charles IIHenry VIII: Bassedance En pray amoure a 4 / a 6; Bassedance Taunder nacken a 3; Anonymous (c1540): The Trowmpettus; Pierre Alamire: Bassedance T'Andernacken a 5; A | 1997 | Royal College of Music | ||
| Bassano P | Chris Batchelor: Weasle Words and Winning Ways, for Jazz Trumpet, Jazz Trombone and Brass Band, conducted by Peter Bassano | 1999 | Royal College of Music | Performance | John Barclay, trumpet Ricahrd Edwards, trombone Grimethorpe Colliery RJB Band |
| Bassano P | A second Miracle at Cana: musical discoveries in Veronese's Marriage at Cana | 1994 | Royal College of Music | Historical Musicology | |
| Banks PW | Benjamin Britten: A Catalogue of the Published Works | 1999 | Royal College of Music | Historical Musicology | Keiron Cooke Barbara Diana Jennifer Doctor |
| Banks PW | 1995 | Royal College of Music | |||
| Banks PW | 1996 | Royal College of Music | |||
| Banks PW | Bach: Chaconne in D minor BWV 1004 arranged for concert performance on the pianoforte by Ferruccio Busoni | 1997 | Royal College of Music | Editing: Theory and Practice | |
| Ball A | David Lumsdaine: Mandala 3Andrew Ball (piano) | 2000 | Royal College of Music | Performance | Capricorn Ensemble |
| Ball A | Erich Wolfgang Korngold: Sonata for Violin and Piano, op. 6; Suite: Much Ado About Nothing, op. 11; Caprice Fantastique (Wichtelm | 2000 | Royal College of Music | Performance | Detlef Hahn, violin |
| Ball A | English Recoder Music: the Dolmetsch LegacyGordon Jacob - VariationsCyril Scott - AubadeEdmund Rubbra - Sonatina Op. 128Antony Hopkins - SuiteEdmund Rubbra - Passacaglia Sopra 'Plusieurs Regrets' Op.113John Gardner - Little Suite in C Op.60E | 2000 | Royal College of Music | Performance | Ross Winters, recorder |
| Ball A | Philip Grange: Des fins sont des commencements; As it was; A Puzzle of Shadows Andrew Ball (piano) | 2000 | Royal College of Music | Performance | Gemini Alison Wells |
| Anderson J | 'The Orchestral Music of Michael Finnissy' in Unknown Ground - the music of Michael Finnissy, ed. Christopher Fox | 1996 | Royal College of Music | N/A | |
| Anderson J | 'Perception and Deception: Aspects of Per Norg | 1998 | Royal College of Music | N/A | |
| Anderson J | Alhambra Fantasy for chamber ensemble | 2000 | Royal College of Music | ||
| Anderson J | The Stations of the Sun for Orchestra | 1998 | Royal College of Music | ||
| Wiegold P J | Kalachakra | 2000 | Royal Holloway, University of London | ||
| Wiegold P J | Monkey! | 1999 | Royal Holloway, University of London | ||
| Wiegold P J | Earth, receive an honoured guest | 1998 | Royal Holloway, University of London | ||
| Wiegold P J | The Persistence of Memory | 1998 | Royal Holloway, University of London | ||
| Wathey A B | Myth and Mythography in the Motets of Philippe de Vitry | 1998 | Royal Holloway, University of London | ||
| Wathey A B | Mapping the Soundscape: Church Music in English Towns, 1450-1550 | 2000 | Royal Holloway, University of London | C. Burgess | |
| Wathey A B | Gerves du Bus, The Roman de Fauvel and the Politics of the Later Capetian Court | 1998 | Royal Holloway, University of London | ||
| Wathey A B | European Politics and Musical Culture at the Court of Cyprus | 1995 | Royal Holloway, University of London | ||
| Torrente A | Cuestiones en torno a la circulaci | 1997 | Royal Holloway, University of London | ||
| Torrente A | Italianate sections in the villancicos of the Royal Chapel, 1700-1740 | 1998 | Royal Holloway, University of London | ||
| Torrente A | Pliegos de Villancicos en la British Library (Londres) y la University Library (Cambridge) | 2000 | Royal Holloway, University of London | Miguel Angel Marin | |
| Torrente A | The Guerra Manuscript (c. 1680) and the rise of solo song in Spain | 1998 | Royal Holloway, University of London | Pablo L. Rodriguez | |
| Stobart H F | The Andean Anacrusis? Rhythmic Structure and Perception in Easter Songs of Northern Potos | 2000 | Royal Holloway, University of London | Ian Cross | |
| Stobart H F | Lo Recto y lo torcido: La musica andina y la espiral de descendencia | 1998 | Royal Holloway, University of London | ||
| Stobart H F | The llama's flute: Musical Misunderstandings in the Andes | 1996 | Royal Holloway, University of London | ||
| Stobart H F | Bodies of Sound and Landscapes of Music: A View from the Bolivian Andes | 2000 | Royal Holloway, University of London | ||
| Spink I W A | Purcell's Music for the Libertine | 2000 | Royal Holloway, University of London | ||
| Spink I W A | Henry Lawes: Cavalier Songwriter | 2000 | Royal Holloway, University of London | ||
| Spink I W A | Restoration Cathedral Music, 1660-1714 | 1995 | Royal Holloway, University of London | ||
| Spink I W A | The Works of Henry Purcell, Volume 20 / Dramatic Music, Part II: Songs and Instrumental Music for the Stage | 1998 | Royal Holloway, University of London | ||
| Rink J | Chopin: The Piano Concertos | 1997 | Royal Holloway, University of London | ||
| Rink J | Structural Momentum and Closure in Chopin's Nocturne Op. 9, No. 2 | 1999 | Royal Holloway, University of London | ||
| Rink J | Playing in Time: Rhythm, Metre and Tempo in Brahms's Fantasien Op. 116 | 1995 | Royal Holloway, University of London | ||
| Rink J | Translating Musical Meaning: The Nineteenth-Century Performer as Narrator | 1999 | Royal Holloway, University of London | ||
| Pike L J | Hexachords in Late-Renaissance Music | 1998 | Royal Holloway, University of London | ||
| Pike L J | The Works of Henry Purcell, Volume 17 / Sacred Music Part III: Seven Anthems With Strings | 1996 | Royal Holloway, University of London | ||
| Pike L J | Rhythm in the Symphonies | 1996 | Royal Holloway, University of London | ||
| Pike L J | Alternative Versions of Purcell's Praise the Lord, O My Soul: O My Lord God | 1996 | Royal Holloway, University of London | ||
| Lock B J | Music for The Gambler | 1997 | Royal Holloway, University of London | ||
| Lock B J | Music for The Land Girls | 1998 | Royal Holloway, University of London | ||
| Lock B J | Music for The Portrait of a Lady | 1996 | Royal Holloway, University of London | Wojciech Kilar | |
| Lock B J | Music for Foreign Moon | 1995 | Royal Holloway, University of London | ||
| Levi E W | Music in the Third Reich | 1996 | Royal Holloway, University of London | ||
| Levi E W | Opera in the Nazi Period | 2000 | Royal Holloway, University of London | ||
| Levi E W | Music in Modern German Culture | 1998 | Royal Holloway, University of London | ||
| Levi E W | Futurist Influences Upon Early Twentieth-Century Music | 2000 | Royal Holloway, University of London | ||
| Kisby F | Royal Minstrels in the City and Suburbs of Early-Tudor London: Professional Activities and Private Interests | 1997 | Royal Holloway, University of London | ||
| Kisby F | A Mirror of Monarchy: Music and Musicians in the Household Chapel of the Lady Margaret Beaufort, Mother of Henry VII | 1997 | Royal Holloway, University of London | ||
| Kisby F | Musical Culture in English Towns to c.1600: Research Perspectives, Sources and Methodologies | 2000 | Royal Holloway, University of London | ||
| Kisby F | Kingship and the Royal Itinerary: a Study of the Peripatetic Households of the Early-Tudor Kings 1485-1547 | 1999 | Royal Holloway, University of London | ||
| Holt S K | Daedelus Remembers | 1995 | Royal Holloway, University of London | ||
| Holt S K | The Nightingale's to Blame | 1998 | Royal Holloway, University of London | ||
| Holt S K | Eco-Pavan | 1998 | Royal Holloway, University of London | ||
| Holt S K | Sunrise' yellow noise | 2000 | Royal Holloway, University of London | ||
| Ellis K | Music Criticism in Nineteenth-Century France: La Revue et Gazette musicale de Paris | 1995 | Royal Holloway, University of London | ||
| Ellis K | Female Pianists and their Male Critics in Nineteenth-Century Paris | 1997 | Royal Holloway, University of London | ||
| Ellis K | The Fair Sax: Women, Brass-Playing and the Musical Instrument Trade in 1860s Paris | 1999 | Royal Holloway, University of London | ||
| Ellis K | Palestrina et la musique dite palestrinienne | 2000 | Royal Holloway, University of London | ||
| Chew G A | Haydn's Pastorellas: Genre, Dating and Transmission in the Early Church Works | 1996 | Royal Holloway, University of London | ||
| Chew G A | The Austrian Pastorella and the 'Stylus Rusticanus': Comic and Pastoral Elements in Austrian Music, 1750-1800 | 1996 | Royal Holloway, University of London | ||
| Chew G A | Martinu's Three Wishes and their Fulfilment: Links between Paris and Prague in the Music of the 1920s | 2000 | Royal Holloway, University of London | ||
| Chew G A | Evasive Realism: Narrative Construction in Dostoyevsky's and Janacek's From the House of the Dead | 1999 | Royal Holloway, University of London | Robert Vilain | |
| Charlton D P | The Nineteenth Century: France | 1994 | Royal Holloway, University of London | ||
| Charlton D P | Sedaine's Prefaces: Pretexts for a New Musical Drama | 2000 | Royal Holloway, University of London | ||
| Charlton D P | M | 1997 | Royal Holloway, University of London | ||
| Charlton D P | French Opera 1730-1830: Meaning and Media | 2000 | Royal Holloway, University of London | ||
| Cashian P J | Chamber Concerto | 1995 | Royal Holloway, University of London | ||
| Cashian P J | Night Journeys | 1997 | Royal Holloway, University of London | ||
| Cashian P J | Horn Trio | 1998 | Royal Holloway, University of London | ||
| Cashian P J | in the still hours . . . | 1995 | Royal Holloway, University of London | ||
| Carter T | Singing Orfeo: on the Performers of Monteverdi | 1999 | Royal Holloway, University of London | ||
| Carter T | Monteverdi and his Contemporaries | 2000 | Royal Holloway, University of London | ||
| Carter T | Printing the | 2000 | Royal Holloway, University of London | ||
| Carter T | New Light on Monteverdi's Ballo delle ingrate (Mantua, 1608) | 1999 | Royal Holloway, University of London | ||
| Brown J A | Schoenberg's Early Wagnerisms: Atonality and the Redemption of Ahasuerus | 1994 | Royal Holloway, University of London | ||
| Brown J A | Bart | 2000 | Royal Holloway, University of London | ||
| Brown J A | Ally McBeal's Postmodern Soundtrack | 2000 | Royal Holloway, University of London | ||
| Brown J A | Schoenberg's Musical Prose as Allegory | 1995 | Royal Holloway, University of London | ||
| Zivoni Y | Bartok: Sonata for Solo Violin; Duos for Two Violins | 1997 | Royal Northern College of Music | ||
| Zivoni Y | Schumann: String Quartets Nos 1 and 3 | 1998 | Royal Northern College of Music | ||
| Zivoni Y | Dvorak: Piano Quintet, Op.81 and Piano Quartet, Op.87 | 1997 | Royal Northern College of Music | ||
| Zivoni Y | Graham Whettam:'Hymnos' Quartet | 1997 | Royal Northern College of Music | ||
| Wardman V | Shostakovich: String Quartets | 1999 | Royal Northern College of Music | ||
| Wardman V | Britten: String Quartets | 1997 | Royal Northern College of Music | ||
| Wardman V | John Pickard: 4th String Quartet | 1998 | Royal Northern College of Music | ||
| Wardman V | Doreen Carwithen: String Quartets Nos 1 and 2 | 1997 | Royal Northern College of Music | ||
| Vassallo E | Latin American Music for Flute and Cello by Piazzolla, Herrerias, Dinenstein, and Villa-Lobos | 1998 | Royal Northern College of Music | ||
| Vassallo E | Eduardo Diazmunoz: Zonante | 1999 | Royal Northern College of Music | ||
| Vassallo E | Davidovsky: Synchronisms No.5 for Solo Cello and Tape | 1997 | Royal Northern College of Music | ||
| Vassallo E | Latin American Masterworks for Cello and Piano. | 1999 | Royal Northern College of Music | ||
| Stott K | Gabriel Faure: The Complete Music for Piano | 1995 | Royal Northern College of Music | ||
| Stott K | Marc Yeats: Piano Concerto - The Round and Square Art of Memory | 2000 | Royal Northern College of Music | ||
| Stott K | Peter Maxwell Davies: Piano Concerto | 1998 | Royal Northern College of Music | ||
| Stott K | La Habanera: The Piano Music of Ernesto Lecuona | 1999 | Royal Northern College of Music | ||
| Scott A | Andy Scott: Premieres | 2000 | Royal Northern College of Music | ||
| Scott A | Overnight Mail | 1997 | Royal Northern College of Music | ||
| Scott A | Recital: Manchester Midday Concert Series | 1999 | Royal Northern College of Music | ||
| Scott A | First + Foremost | 1994 | Royal Northern College of Music | ||
| Rundell C | Mark Anthony Turnage: Greek | 2000 | Royal Northern College of Music | ||
| Rundell C | Music of Anthony Gilbert: 'Igorocki' and 'Towards Asavari' | 2000 | Royal Northern College of Music | ||
| Rundell C | Louis Andriessen: 'Tao' | 1998 | Royal Northern College of Music | ||
| Rundell C | The Grainger Edition, vol.8: Works for Wind Orchestra 2 | 1998 | Royal Northern College of Music | ||
| Roscoe M | Szymanowski: Complete Piano Works (Vol.3) | 2000 | Royal Northern College of Music | ||
| Roscoe M | Ignaz Brull: Piano Concertos 1 and 2, and 'Andante and Allegro' | 1998 | Royal Northern College of Music | ||
| Reynish T | The Grainger Edition, vol 4: Works for Wind Orchestra, 1 | 1997 | Royal Northern College of Music | ||
| Reynish T | French Wind Band Classics: Berlioz, Milhaud, Saint-Saens, Schmitt, Bozza | 2000 | Royal Northern College of Music | ||
| Reynish T | British Wind Band Classics: Holst / Vaughan Williams | 1998 | Royal Northern College of Music | ||
| Reynish T | German Wind Band Cassics: Hindemith, Schoenberg, Toch, Blacher | 1999 | Royal Northern College of Music | ||
| Presland C | Schumann: Sonata for Violin and Piano No.3 in A minor | 2000 | Royal Northern College of Music | ||
| Presland C | J S Bach: Violin Sonatas, BWV 1021 and 1023 | 2000 | Royal Northern College of Music | ||
| Presland C | Syzmanowski: Violin Sonata, Op.9; Britten: Suite, Op.6; Grieg: Violin Sonata, Op.45 | 2000 | Royal Northern College of Music | ||
| Presland C | Edward Elgar: Three Pieces, Op.4 | 1996 | Royal Northern College of Music | ||
| Ogden C | Takemitsu: Spectral Canticle | 1998 | Royal Northern College of Music | ||
| Ogden C | Tippett: The Blue Guitar + Other 20th Century Guitar Classics | 1995 | Royal Northern College of Music | ||
| Ogden C | Aaron Jay Kernis: Double Concerto for Violin, Guitar and Orchestra | 1999 | Royal Northern College of Music | ||
| Ogden C | Music for the Novels of Louis de Bernieres | 1999 | Royal Northern College of Music | ||
| Miller J | Jean Francois Bellon: Brass Quintets 1,2,3,12 | 1999 | Royal Northern College of Music | ||
| Miller J | The Good Brass Guide | 1999 | Royal Northern College of Music | ||
| Miller J | Music from Cyfartha Castle | 1995 | Royal Northern College of Music | ||
| Miller J | The Golden Section | 1998 | Royal Northern College of Music | ||
| Lawton J | James MacMillan: Ines de Castro [Role of Pedro] | 1996 | Royal Northern College of Music | ||
| Lawton J | Wagner: Tristan und Isolde (Role of Tristan) | 2000 | Royal Northern College of Music | ||
| Lawton J | Wagner: Die Walkure [Role of Siegmund] | 1997 | Royal Northern College of Music | ||
| Lawton J | Janacek: Jenufa [Role of Laca] | 1996 | Royal Northern College of Music | ||
| Kirshbaum R | Brahms: Double Concerto; Beethoven: Triple Concerto | 1997 | Royal Northern College of Music | ||
| Kirshbaum R | James MacMillan: Piano Trio | 1997 | Royal Northern College of Music | ||
| Kirshbaum R | J S Bach: The Six Cello Suites | 1994 | Royal Northern College of Music | ||
| Kirshbaum R | Haydn: Cello Concerto in D major; Symphony Concertante in B flat | 1994 | Royal Northern College of Music | ||
| Jarman D | 'Correcting' Berg: some observations on analysis and editorial responsibility | 1996 | Royal Northern College of Music | ||
| Jarman D | Alban Berg: Violinkonzert (Klavierauszug nach dem Text der Kritischer Gesamtausgabe) | 1996 | Royal Northern College of Music | ||
| Jarman D | Secret Programmes | 1997 | Royal Northern College of Music | ||
| Jarman D | Alban Berg: Violinkonzert (Kritische Ausgabe) | 1996 | Royal Northern College of Music | ||
| Janski S | Mozart: Die Zauberflote | 2000 | Royal Northern College of Music | ||
| Janski S | Janacek: Jenufa | 1999 | Royal Northern College of Music | ||
| Janski S | Kurt Weill: 'The Rise and Fall of the City of Mahagonny' | 2000 | Royal Northern College of Music | ||
| Janski S | Sir William Walton: The Bear | 1994 | Royal Northern College of Music | ||
| Herford H | Gazzaniga: 'Don Giovanni Tenorio' | 1997 | Royal Northern College of Music | ||
| Herford H | Peter Maxwell Davies: 'The Lighthouse' | 1994 | Royal Northern College of Music | ||
| Herford H | Das Lied im Imbruch | 1998 | Royal Northern College of Music | ||
| Herford H | 'Settings of Goethe's Faust' | 1999 | Royal Northern College of Music | ||
| Hamilton J | Massenet: Werther | 1997 | Royal Northern College of Music | ||
| Hamilton J | Rameau: Hippolyte et Aricie | 1998 | Royal Northern College of Music | ||
| Hamilton J | Hans Werner Henze: Pollicino | 1999 | Royal Northern College of Music | ||
| Hamilton J | Mark Anthony Turnage: Greek | 2000 | Royal Northern College of Music | ||
| Gregson E | 'and the seven trumpets...' | 1999 | Royal Northern College of Music | ||
| Gregson E | Three Matisse Impressions | 1998 | Royal Northern College of Music | ||
| Gregson E | 'The Dance, forever the Dance' | 1999 | Royal Northern College of Music | ||
| Gregson E | Violin Concerto | 2000 | Royal Northern College of Music | ||
| Gourlay J | 'Gourlay Plays Tuba' | 1994 | Royal Northern College of Music | ||
| Gourlay J | Hans Werner Henze: 'Apollo trionfante' | 1998 | Royal Northern College of Music | ||
| Gourlay J | 'Jazz' | 1997 | Royal Northern College of Music | ||
| Gourlay J | Judith Bingham: 'Prague' | 1996 | Royal Northern College of Music | ||
| Gorb A | Concerto for Clarinet and Orchestra | 2000 | Royal Northern College of Music | ||
| Gorb A | 'Awayday' for Wind Orchestra | 1996 | Royal Northern College of Music | ||
| Gorb A | Elements: Concerto for Percussion + Wind Orchestra | 1998 | Royal Northern College of Music | ||
| Gorb A | Sonata for Violin and Piano | 1996 | Royal Northern College of Music | ||
| Gilbert A | Reflexions, Rose Nord | 1997 | Royal Northern College of Music | ||
| Gilbert A | On Beholdng a Rainbow | 1999 | Royal Northern College of Music | ||
| Gilbert A | Sinfin | 2000 | Royal Northern College of Music | ||
| Gilbert A | Vers de lune | 2000 | Royal Northern College of Music | ||
| Frith B | Mendelssohn: Piano Works, Vol.5 | 1999 | Royal Northern College of Music | ||
| Frith B | John Field: Nocturnes, nos 1-9; Piano Sonatas, op.1, nos 1 + 2 | 1999 | Royal Northern College of Music | ||
| Frith B | John Field: Piano Concertos 2 and 4 | 1999 | Royal Northern College of Music | ||
| Frith B | Edward Elgar: Rediscovered Works for Violin and Piano | 1999 | Royal Northern College of Music | ||
| Firsova E | Das Erste ist vergangen (Former Things are passed away), op.93 | 2000 | Royal Northern College of Music | ||
| Firsova E | The River of Time, op.81 | 2000 | Royal Northern College of Music | ||
| Firsova E | Secret Way, op.52 | 1996 | Royal Northern College of Music | ||
| Firsova E | String Quartet No 10 (La Malinconia), op.87 | 1999 | Royal Northern College of Music | ||
| Fingerhut M | Kenneth Leighton: Works for Piano Solo | 2000 | Royal Northern College of Music | ||
| Fingerhut M | Arnold Bax: Octet for Piano, Horn and String Sextet | 1998 | Royal Northern College of Music | ||
| Fingerhut M | Arnold Bax: Concertante for Piano (left hand) and Orchestra | 2000 | Royal Northern College of Music | ||
| Fingerhut M | Edward Elgar: Piano Concerto 'Slow Movement' | 2000 | Royal Northern College of Music | ||
| Dickinson S | Sibelius: String Trio in G minor | 2000 | Royal Northern College of Music | ||
| Dickinson S | Schubert:String Trio D471 in B flat (1819) [completed by Brian Newbold] | 2000 | Royal Northern College of Music | ||
| Dickinson S | Hans Werner Henze: Trio in 3 Movements | 2000 | Royal Northern College of Music | ||
| Dickinson S | John Reeman: Suite for Flute, Viola and Harp | 2000 | Royal Northern College of Music | ||
| Carpenter G | SCRY - Prelude, Interludes and Finale | 2000 | Royal Northern College of Music | ||
| Carpenter G | China Song | 1998 | Royal Northern College of Music | ||
| Carpenter G | Une semaine de bonte | 1998 | Royal Northern College of Music | ||
| Carpenter G | SATIE - Variations for Orchestra | 1996 | Royal Northern College of Music | ||
| Cahill T | Elisabeth Lutyens:'O saisons, o chateaux' op.13 | 1996 | Royal Northern College of Music | ||
| Cahill T | Richard Rodney Bennett: 'Sonnets of Louise L'abe' | 1995 | Royal Northern College of Music | ||
| Cahill T | Robert Saxton: 'Eloge' | 2000 | Royal Northern College of Music | ||
| Cahill T | Robert Saxton: 'Canticum luminis' | 1995 | Royal Northern College of Music | ||
| Buckland R | First + Foremost | 1994 | Royal Northern College of Music | ||
| Buckland R | Graham Fitkin: 'Gameshow' (Saxophone Concerto) | 1997 | Royal Northern College of Music | ||
| Buckland R | Premiere Broadcasts (Nyman, Torke, etc) | 1999 | Royal Northern College of Music | ||
| Buckland R | Premiere Broadcasts (Mitchell-Davidson, Francaix, etc) | 2000 | Royal Northern College of Music | ||
| Bowyer K | Charles Camilleri: Works for Organ, Trumpet and Strings | 1997 | Royal Northern College of Music | ||
| Bowyer K | Magic Flutes: Organ Music by Alan Gibbs | 1998 | Royal Northern College of Music | ||
| Bowyer K | Peter Maxwell Davies, Jonathan Harvey, Malcolm Williamson: Organ Works | 1997 | Royal Northern College of Music | ||
| Bowyer K | Contemporary Music for Organ | 1999 | Royal Northern College of Music | ||
| Bodman Rae JC | Organizacja wysokosci dzwiekow w muzyce Lutoslawskiego (Pitch Organisation in the Music of Lutoslawski) | 1995 | Royal Northern College of Music | ||
| Bodman Rae JC | Swiat dzwiekowy Lutoslawskiego: swiat kontrastow (Lutoslawski's Sound World: a World of Contrasts) | 2000 | Royal Northern College of Music | ||
| Bodman Rae JC | The Music of Lutoslawski (third edition) | 1999 | Royal Northern College of Music | ||
| Bodman Rae JC | The Music of Lutoslawski (first edition) | 1994 | Royal Northern College of Music | ||
| Berry S | Energy | 2000 | Royal Northern College of Music | ||
| Berry S | SNAP | 1998 | Royal Northern College of Music | ||
| Berry S | Glad Day | 1999 | Royal Northern College of Music | ||
| Berry S | Berlin Cabaret Songs | 1997 | Royal Northern College of Music | ||
| Anstee I | Episodes | 2000 | Royal Northern College of Music | ||
| Anstee I | Paul Mitchell Davidson: A Chorus of Inner Voices (II) | 1998 | Royal Northern College of Music | ||
| Anstee I | Move | 2000 | Royal Northern College of Music | ||
| Anstee I | Earth and Moon | 2000 | Royal Northern College of Music | ||
| Thorne P | The Scottish Guitar Duo, Phillip Thorne and Selina Madeley (guitars) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Thorne P | Quite Still, for acoustic guitar and live electronics, by Alistair Macdonald | 1997 | Royal Scottish Academy of Music and Drama | ||
| Thorne P | Concerto for Guitar and Strings, by Thomas Wilson, Phillip Thorne (guitar) and the Paragon Ensemble conducted by David Davies | 1996 | Royal Scottish Academy of Music and Drama | ||
| Sweeney W | Agua | 1994 | Royal Scottish Academy of Music and Drama | ||
| Sweeney W | An Turus/The Journey, an opera in three acts | 1997 | Royal Scottish Academy of Music and Drama | Aonghas Macneacail (text) | |
| Sweeney W | Coilltean Ratharsair / The Woods of Raasay, for soprano, bass and orchestra | 1995 | Royal Scottish Academy of Music and Drama | ||
| Sweeney W | Seeking Wise Salmon, for soprano, clarinet, trombone and two synthesizers | 1994 | Royal Scottish Academy of Music and Drama | ||
| Severn E | Moments in Time, including compositions by Eddie Severn, Eddie Severn (trumpet and leader) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Severn E | Saturn | 1997 | Royal Scottish Academy of Music and Drama | ||
| Severn E | Positive approaches to trumpet teaching | 2000 | Royal Scottish Academy of Music and Drama | ||
| Severn E | Torah, by Tommy Smith, with Joe Lovano (tenor saxophone), the Scottish National Jazz Orchestra, Eddie Severn (first trumpet) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Seivewright P | Concerto for piano and orchestra, by Rory Boyle, Peter Seivewright (piano) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Seivewright P | The Solo Piano Music of Victor Bendix (1851-1926) Romantic Danish Piano Music, vol 1 | 1998 | Royal Scottish Academy of Music and Drama | ||
| Seivewright P | Baldassare Galuppi Complete Keyboard Sonatas, vol 1 | 1999 | Royal Scottish Academy of Music and Drama | ||
| Seivewright P | Carl Nielsen, Complete Piano Music | 1998 | Royal Scottish Academy of Music and Drama | ||
| Neave A | Born of Funk and the Fear of Failing, concerto for amplified guitar and 10-piece ensemble by Gordon McPherson, Allan Neave (guitar) with Psappha, conducted by Andr | 2000 | Royal Scottish Academy of Music and Drama | ||
| Neave A | The Baldragon Guitar Duo | 1999 | Royal Scottish Academy of Music and Drama | ||
| Neave A | 1997 | Royal Scottish Academy of Music and Drama | |||
| Neave A | Friends in Strange Places, by Gordon McPherson, Allan Neave (guitars) and Tim Williams (percussion) | 1999 | Royal Scottish Academy of Music and Drama | ||
| Munro G | In convertendo by Patrick Douglas (fl. C. 1533-c.1597) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Munro G | The Scottish Reformation and its Consequences | 2000 | Royal Scottish Academy of Music and Drama | ||
| Miller J | Mary Macqueen | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Miller J | Come gies a sang | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | S. Douglas |
| Miller J | Burns | 1994 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| McPherson G | Detours, for large ensemble | 1998 | Royal Scottish Academy of Music and Drama | ||
| McPherson G | The Baby Bear's Bed, for large amplified ensemble | 1998 | Royal Scottish Academy of Music and Drama | ||
| McPherson G | Kamperduin, for Orchestra | 1997 | Royal Scottish Academy of Music and Drama | ||
| McPherson G | Handguns: A Suite | 1995 | Royal Scottish Academy of Music and Drama | ||
| McNaught G | Clarinet Trios Robert Irvine (cello), Lawrence Gill (clarinet), Graeme McNaught (piano), Paul Coletti (viola) | 1998 | Royal Scottish Academy of Music and Drama | ||
| McNaught G | Clara, by Sally Beamish, Sandra Porter (mezzo soprano) and Graeme McNaught (piano) | 1995 | Royal Scottish Academy of Music and Drama | ||
| McNaught G | Song for Dionysius, by John McLeod, Heather Corbett (multi percussion) and Graeme McNaught (piano) | 1995 | Royal Scottish Academy of Music and Drama | ||
| McNaught G | James MacMillan - Orchestra Music Vol. 5, The Scottish Chamber Orchestra conducted by James MacMillan, with Graeme McNaught (piano) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Macdonald A | Electra, tape, music and sound design for theatre | 1999 | Royal Scottish Academy of Music and Drama | ||
| Macdonald A | Memory and other props, electroacoustic music for dance | 1998 | Royal Scottish Academy of Music and Drama | ||
| Macdonald A | Final Times, for tape alone | 1998 | Royal Scottish Academy of Music and Drama | ||
| Macdonald A | Dreel, for tape alone | 1996 | Royal Scottish Academy of Music and Drama | ||
| MacKillop R | Graysteil - Music from the middle ages and renaissance in Scotland, Rob MacKillop (lutes) and William Taylor (clarsachs) | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| MacKillop R | Flowers of the Forest, Rob MacKillop (lute, mandour, cittern, guittar) | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| MacKillop R | Notes of Noy; Notes of Joy, Early Scottish Music for Lute, Clarsach and Voice, Rowallan Consort led by Robert MacKillop (Phillips) (lute) and William Talyor (clarsach) | 1994 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| MacKillop R | Music for the lute in Scotland, ed. Robert MacKillop (Phillips) | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| MacDonald A | Ce | 2000 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| MacDonald A | The Well, various artists including Allan MacDonald as performer and Scottish music advisor | 2000 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| MacDonald A | The relationship between pibroch and Gaelic song | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| MacDonald A | Fhuair mi P | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Kenny J | Forest ~ River ~ Ocean | 1997 | Royal Scottish Academy of Music and Drama | ||
| Kenny J | Amaterasu | 2000 | Royal Scottish Academy of Music and Drama | ||
| Kenny J | The Voice of the Carnyx | 1995 | Royal Scottish Academy of Music and Drama | ||
| Kenny J | Nomad | 1997 | Royal Scottish Academy of Music and Drama | ||
| Irvine R | Gala Water, for solo cello by Sally Beamish, Robert Irvine (cello) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Irvine R | Clarinet Trios Robert Irvine (cello), Lawrence Gill (clarinet), Graeme McNaught (piano), Paul Coletti (viola) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Irvine R | Sonata for Cello and Piano, by Sally Beamish, Robert Irvine (cello) and Sally Beamish (piano) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Irvine R | Iasg, for cello and piano, by Sally Beamish, Robert Irvine (cello) and Graeme McNaught (piano) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Inness P | Overture Fiesta Las Cruces, for orchestra | 2000 | Royal Scottish Academy of Music and Drama | ||
| Inness P | Sonata for Piano | 1994 | Royal Scottish Academy of Music and Drama | ||
| Inness P | Scottish Song Book, a cycle for 2 sopranos and 2 mezzos with clarinet, bass clarinet, double bass and piano | 1996 | Royal Scottish Academy of Music and Drama | ||
| Inness P | Tryptych, for violin and piano | 1998 | Royal Scottish Academy of Music and Drama | ||
| Hunter A | Graysteil, music from the middle ages and renaissance in Scotland for lute, clarsach and voices, various artists including Andrew Hunter (voice) | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Hunter A | Hamish Henderson: The Odyssey of a Wandering King | 1994 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Hunter A | La musique ecossaise | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Hunter A | Folk Songs of North East Scotland - Songs from the Grieg-Duncan Collection, various artists including Andrew Hunter (voice) | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Humphreys K | Apr | 1999 | Royal Scottish Academy of Music and Drama | ||
| Humphreys K | Violin Concerto in D major no. 4 K.218, by Mozart, Kyra Humphreys (violin and director) with the Northern Sinfonia | 1998 | Royal Scottish Academy of Music and Drama | ||
| Humphreys K | Introduction et rondo capriccioso, for violin and orchestra, op.28, by Saint-Saens, Kyra Humphreys (violin) with the Northern Sinfonia conducted by Jean-Bernard Pommier | 1999 | Royal Scottish Academy of Music and Drama | ||
| Humphreys K | Concerto for Violin and Orchestra, by Samuel Barber, Kyra Humphreys (violin), with the Northern Sinfonia conducted by David Haslam | 2000 | Royal Scottish Academy of Music and Drama | ||
| Hall R | Open up, compositions and arrangements by Rob Hall, Rob Hall (leader and soprano saxophone/clarinet). | 1997 | Royal Scottish Academy of Music and Drama | ||
| Hall R | Heading north, compositions and arrangements by Rob Hall, Rob Hall (leader and soprano saxophone/clarinet) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Hall R | Nighean nan geug, music and song from the Gaelic tradition, with Rob Hall (alto and soprano saxophone) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Hall R | Jazzsick, with Rob Hall (soprano saxophone) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Gill L | Punch!, by Alasdair Nicolson, The Chamber Group of Scotland with Lawrence Gill (clarinet) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Gill L | Cloudscapes, by Paul Keenan, with Lawrence Gill (clarinet) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Gill L | Life Studies 1-3, for clarinet and piano, by William Sweeney, Lawrence Gill (clarinet) and Graeme McNaught (piano) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Gill L | Clarinet Trios, Lawrence Gill (clarinet), Robert Irvine (cello), Graeme McNaught (piano), Paul Coletti (viola) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Geddes J M | Stars over Carnac, for solo guitar | 1997 | Royal Scottish Academy of Music and Drama | ||
| Geddes J M | Oboe Concerto | 1994 | Royal Scottish Academy of Music and Drama | ||
| Geddes J M | Guitar Concerto, for guitar, strings and vibraphone | 1998 | Royal Scottish Academy of Music and Drama | ||
| Geddes J M | Symphony no 3, for orchestra | 1999 | Royal Scottish Academy of Music and Drama | ||
| Fischer S | Basics | 1997 | Royal Scottish Academy of Music and Drama | ||
| Fischer S | The Violin | 1998 | Royal Scottish Academy of Music and Drama | ||
| Duffy C | NetSem - electrifying undergraduate seminars | 1995 | Royal Scottish Academy of Music and Drama | S. Arnold F. Henderson |
|
| Duffy C | An introduction to the Performing Arts Data Service | 1997 | Royal Scottish Academy of Music and Drama | ||
| Duffy C | Computer-mediated communication as a learning resource | 1997 | Royal Scottish Academy of Music and Drama | E.McAteer A.Tolmie J.Corbett |
|
| Duffy C | From modes to MIDI: methodologies for multimedia music courseware | 1996 | Royal Scottish Academy of Music and Drama | S Arnold | |
| Douglas S | Ballads and the supernatural | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Douglas S | Come gies a sang | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | J. Miller |
| Douglas S | Maidenheids and Moudiewarks: Scotland and the Bawdy Song Tradition | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Douglas S | The Greig-Duncan Folk Song Collection Vol 7: Songs of Love and Marriage Part Three | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | Patrick Shuldham-Shaw Emily B Lyle |
| Davismoon S | (this has already) passed/passing, for solo bass flute | 1999 | Royal Scottish Academy of Music and Drama | ||
| Davismoon S | 1997 | Royal Scottish Academy of Music and Drama | |||
| Davismoon S | Waiting ... and the moon? ... Turns | 1995 | Royal Scottish Academy of Music and Drama | ||
| Davismoon S | Marking Time in Luigi Nono: the suspended song | 1999 | Royal Scottish Academy of Music and Drama | ||
| Davies D | An Turus/The Journey, an opera in three acts by William Sweeney, the Paragon Ensemble conducted by David Davies | 1998 | Royal Scottish Academy of Music and Drama | ||
| Davies D | Handguns, by Gordon McPherson, the Paragon Ensemble conducted by David Davies | 1996 | Royal Scottish Academy of Music and Drama | ||
| Davies D | Percussion Concerto by Martin Butler, Heather Corbett (multi percussion) with the Paragon Ensemble conducted by David Davies | 2000 | Royal Scottish Academy of Music and Drama | ||
| Davies D | Pibroch Suite op 42, for violin and orchestra, by Sir Alexander Mackenzie, the Royal Scottish National Orchestra with Malcolm Stewart (violin) conducted by David Davies | 1998 | Royal Scottish Academy of Music and Drama | ||
| Cushing J | Santa Claus Symphony, by William Henry Fry, Royal Scottish National Orchestra conducted by Tony Rowe, with John Cushing (clarinet) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Cushing J | Ninian, concerto for clarinet, by James MacMillan, John Cushing (clarinet) with the Royal Scottish National Orchestra conducted by Alexander Lazarev | 2000 | Royal Scottish Academy of Music and Drama | ||
| Cushing J | Seeking wise salmon, by William Sweeney (version for solo clarinet and ensemble), John Cushing (solo clarinet) with the Paragon Ensemble conducted by Garry Walker | 2000 | Royal Scottish Academy of Music and Drama | ||
| Cushing J | Octet for Wind and Suite: The Soldier's Tale by Stravinsky, John Cushing (clarinet) with members of the Royal Scottish National Orchestra conducted by Neeme J | 1994 | Royal Scottish Academy of Music and Drama | ||
| Crouch R | Punch!, by Alasdair Nicolson, The Chamber Group of Scotland with Ruth Crouch (violin) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Crouch R | Mbira, for violin and piano, by Nigel Osborne, Ruth Crouch (violin) and Graeme McNaught (piano) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Crouch R | Strathclyde Concertos nos 9-10, by Sir Peter Maxwell Davies. Scottish Chamber Orchestra, leader Ruth Crouch, conducted by Sir Peter Maxwell Davies | 1997 | Royal Scottish Academy of Music and Drama | ||
| Crouch R | James MacMillan Orchestra Music, The Scottish Chamber Orchestra, leader Ruth Crouch, conducted by Joseph Swensen | 1999 | Royal Scottish Academy of Music and Drama | ||
| Corbett H | Concierto Candela, for percussion and orchestra, by Gabriela Ortiz, Heather Corbett (multi percussion) with the BBC Scottish Symphony Orchestra conducted by Odaline de la Martinez | 1995 | Royal Scottish Academy of Music and Drama | ||
| Corbett H | Blue Waters, for solo vibraphone, by Jennifer Barker, Heather Corbett (vibraphone) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Corbett H | Song for Dionysius, by John McLeod, Heather Corbett (multi percussion) and Graeme McNaught (piano) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Corbett H | Percussion Concerto by Martin Butler, Heather Corbett (multi percussion) with the Paragon Ensemble conducted by David Davies | 2000 | Royal Scottish Academy of Music and Drama | ||
| Campbell R | Poor Angels, film music | 1997 | Royal Scottish Academy of Music and Drama | ||
| Campbell R | The Angels | 2000 | Royal Scottish Academy of Music and Drama | ||
| Campbell R | The Box, for string quartet | 1994 | Royal Scottish Academy of Music and Drama | ||
| Campbell R | Red George Square, for chamber ensemble | 1996 | Royal Scottish Academy of Music and Drama | ||
| Campbell K | Oran Luadhaidh/Waulking Songs, Bannal led by Kenna Campbell | 1996 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Campbell K | Guth a Shn | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Campbell K | Orain nan Gaidheal/The Song of the Gael, Kenna Campbell (musical direction and voice) | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Campbell K | Psalm 92 (God most high, it is good to praise you), setting by Kenna Campbell | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Boyle R | Concerto for piano and orchestra | 1998 | Royal Scottish Academy of Music and Drama | ||
| Boyle R | Xchanging Games, for dectet (flute, oboe, clarinet, bassoon, horn, string quartet and double bass) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Boyle R | Lament, for violin and piano | 2000 | Royal Scottish Academy of Music and Drama | ||
| Boyle R | Capriccio, for large orchestra | 1995 | Royal Scottish Academy of Music and Drama | ||
| Boddice N | Crossover, The Royal Norweigan Navy Band, conducted by Nigel Boddice | 1998 | Royal Scottish Academy of Music and Drama | ||
| Boddice N | Nightsongs, Angela Whelan and Nigel Boddice (trumpets), Julia Lynch (piano) | 1997 | Royal Scottish Academy of Music and Drama | ||
| Boddice N | The Music of Buxton Orr, conducted by Nigel Boddice | 2000 | Royal Scottish Academy of Music and Drama | ||
| Boddice N | The New Music Group of Scotland, with Jane Manning (voice) and Nigel Boddice (trumpet), conducted by Edward Harper | 1997 | Royal Scottish Academy of Music and Drama | ||
| Bennett M | From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Bennett M | Orain nan Gaidheal/The Song of the Gael, Margaret Bennett (musical direction and voice) | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Bennett M | Oatmeal and the Catechism: Scottish Gaelic Settlers in Quebec | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Bennett M | Musical Traditions of the Scots in Newfoundland | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Allen B | Concerto for Cornet and Band, by Torstein Aagaard-Nilsen, conducted by Bryan Allen | 1998 | Royal Scottish Academy of Music and Drama | ||
| Allen B | Mussorgsky Pictures at an Exhibition with works by Glinka, B | 2000 | Royal Scottish Academy of Music and Drama | ||
| Allen B | Summer Dances - music by Hoddinott + Mathias, Fine Arts Brass Ensemble (Bryan Allen, trumpet) | 1996 | Royal Scottish Academy of Music and Drama | ||
| Allen B | The Music of Buxton Orr, conducted by Bryan Allen | 2000 | Royal Scottish Academy of Music and Drama | ||
| Wright O | On the concept of a Timurid music | 1997 | School of Oriental and African Studies | ||
| Wright O | Adb al-Qadir al Maraghi and Ali b. Muhammad Bina'i - two fifteenth century examples of notation | 1995 | School of Oriental and African Studies | ||
| Wright O | Middle Eastern song-text collections | 1996 | School of Oriental and African Studies | ||
| Wright O | A preliminary version of the 'kitab al adwar' | 1995 | School of Oriental and African Studies | ||
| Widdess DR | Involving the performer in transcription and analysis | 1994 | School of Oriental and African Studies | ||
| Widdess DR | The Ragas of Early Indian Music | 1995 | School of Oriental and African Studies | ||
| Widdess DR | Sacred music of India. | 1996 | School of Oriental and African Studies | ||
| Widdess DR | India, III: Theory and practice of classical music | 2000 | School of Oriental and African Studies | HS Powers | |
| Knapp A | Shalom aleichem | 1996 | School of Oriental and African Studies | ||
| Knapp A | Jewish Life and Music in Britain Towards the End of the 20th Century | 1997 | School of Oriental and African Studies | ||
| Knapp A | The Influence of German Music on United Kingdom Synagogue Practice | 1998 | School of Oriental and African Studies | ||
| Knapp A | The Current State of Research into the Religious Music of the Kaifeng Jews | 1999 | School of Oriental and African Studies | ||
| Jones S | Chinese ritual music under Mao and Deng | 1999 | School of Oriental and African Studies | ||
| Jones S | Source and stream: Early music and living traditions in China | 1996 | School of Oriental and African Studies | ||
| Jones S | Jizhong, Jing, Jin diqu minjian 'Yinyue hui' pucha shilu (Fieldnotes on folk Music Associations in the regions of central Hebei, Beijing and Tianjin) | 1994 | School of Oriental and African Studies | Qiao Jianzhong Xue Yibing Zhang Zhentao |
|
| Jones S | Folk Music of China: Living instrumental traditions | 1995 | School of Oriental and African Studies | ||
| Hughes DW | No nonsense: the logic and power of acoustic-iconic mnemonic systems | 2000 | School of Oriental and African Studies | ||
| Hughes DW | East Asia | 2000 | School of Oriental and African Studies | S Jones | |
| Hughes DW | Japan: 1 - IX | 2000 | School of Oriental and African Studies | D. Berger, W. Malm, F. Koizumi et al |
|
| Hughes DW | Min'y | 1999 | School of Oriental and African Studies | ||
| Howard KD | Minyo in Korea: Songs of the people and songs for the people | 1999 | School of Oriental and African Studies | ||
| Howard KD | Korean tradition in Isang Yun's compositional style, | 1999 | School of Oriental and African Studies | ||
| Howard KD | Shamanism, music and the soul train | 1994 | School of Oriental and African Studies | ||
| Howard KD | Korean Shamanism Today [and] Preserving the spirits? Rituals, State Sponsorship and Performance | 1998 | School of Oriental and African Studies | ||
| Duran L | Women, music and the 'mystique' of hunters in Mali | 2000 | School of Oriental and African Studies | ||
| Duran L | New Ancient Strings by Toumani Diabate and Ballake Sissoko (kora) | 1999 | School of Oriental and African Studies | ||
| Duran L | Brasil dois Mil | 2000 | School of Oriental and African Studies | ||
| Duran L | Birds of Wasulu: freedom of expression and expressions of freedom in the popular music of southern Mali | 1995 | School of Oriental and African Studies | ||
| McGregor R E | 'Qualis Nox' and 'O Blandos Oculos' from '3 Medieval Latin Lyrics' | 1997 | St Martin's College | ||
| McGregor R E | The Maxwell Davies Sketch Material in the British Library and The Maxwell Davies Sketch Material in the British Library: An Appendix | 1996 | St Martin's College | ||
| McGregor R E | Compositional processes in some works of the 1980s and Max the symphonist | 2000 | St Martin's College | ||
| McGregor R E | I Am The Rose Of Sharon | 1998 | St Martin's College | ||
| Doyle G A | Collected String Editions: Richard Deering 'Pavane'; Alfonso Ferrabosco II 'Fantasia' on the Hexachord; Matthew Locke 'Fantasia in g' and John Blow 'Chacone in G' | 1999 | St Martin's College | ||
| Doyle G A | Francesco Brusa: 'Missa Pro Defunctis' 1767 | 2000 | St Martin's College | ||
| Doyle G A | Towards a Taxonomy of Enthusiasms | 2000 | St Martin's College | ||
| Doyle G A | Anon.: 'Ye Learned Wise Mortals'; J. Baildon: 'For three LADIES'; Thos. Warren: 'To our Musical Club'; Chas. Thomas: 'The Parting Catch' | 1999 | St Martin's College | ||
| Sheppard-Skaerved P | Catalan Quartets | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Sheppard-Skaerved P |
| Sheppard-Skaerved P | Volodmyr Rundchak-Violin Concerto | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Sheppard-Skaerved P |
| Sheppard-Skaerved P | Nigel Clarke-Violin Concerto | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Sheppard-Skaerved P |
| Sheppard-Skaerved P | Roberto Gerhard - Complete Quartets | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Sheppard-Skaerved P |
| Merrick L | The Hemlock Stone | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Merrick L |
| Merrick L | Sounds Positive Series | 1997 | Thames Valley University | Centre for Research in Contemporary Music Practice | Merrick L |
| Merrick L | CD of clarinet concertos | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Merrick L |
| Merrick L | Clarinet Quintet: Wilfred Josephs | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Merrick L |
| Mead P | A Pretty How Town | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Mead P |
| Mead P | Transparent Things | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Mead P |
| Mead P | Jonathan Harvey | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Mead P |
| Mead P | Premonitions | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Mead P |
| Leigh D | Cathedral Oceans | 1996 | Thames Valley University | Centre for Research in Contemporary Music Practice | Leigh D |
| Leigh D | Performances | 1998 | Thames Valley University | Centre for Research in Contemporary Music Practice | Leigh D |
| Leigh D | Subterrranean Omnidelic Exotour | 1997 | Thames Valley University | Centre for Research in Contemporary Music Practice | Leigh D |
| Leigh D | Shifting City | 1996 | Thames Valley University | Centre for Research in Contemporary Music Practice | Leigh D |
| Howard J | The Far-off, Singing Sea | 1997 | Thames Valley University | Centre for Research in Contemporary Music Practice | Howard J |
| Howard J | There the Dance is | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Howard J |
| Howard J | Variations for Band | 1996 | Thames Valley University | Centre for Research in Contemporary Music Practice | Howard J |
| Howard J | Symphonic variations on Western Wynde | 1997 | Thames Valley University | Centre for Research in Contemporary Music Practice | Howard J |
| Hellaby J | Robert Ramskill's piano concerto | 1998 | Thames Valley University | Centre for Research in Contemporary Music Practice | Hellaby J |
| Hellaby J | Solo Piano Recital | 1998 | Thames Valley University | Centre for Research in Contemporary Music Practice | Hellaby J |
| Hellaby J | Playful | 1998 | Thames Valley University | Centre for Research in Contemporary Music Practice | Hellaby J |
| Hellaby J | Ballades in G minor and F major, and Shakhidi, piano sonata no.2 | 1996 | Thames Valley University | Centre for Research in Contemporary Music Practice | Hellaby J |
| Ellerby M | Tristan Encounters- Prelude and Transfigurations Brass and Percussion | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Ellerby M | Evocations | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Ellerby M | Clarinet Concerto | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Ellerby M | Tenor Horn Concerto | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Clarke N | Battles + Chants Clarinet Concerto for Symphonic Winds | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| Clarke N | Breaking the Century | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| Clarke N | The Devil and the Hemlock Stone | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| Clarke N | The Little Vampire: film score | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| WOODFIELD ID | English Musicians in the Age of Exploration | 1995 | The Queen's University of Belfast | ||
| WOODFIELD ID | New Light on the Mozarts' London Visit: a Private Concert with Manzuoli | 1995 | The Queen's University of Belfast | ||
| WOODFIELD ID | John Bland: London Retailer of the Music of Haydn and Mozart | 2000 | The Queen's University of Belfast | ||
| WOODFIELD ID | Music of the Raj: a Social and Economic History of Music in Late 18th-Century Anglo-Indian Society | 2000 | The Queen's University of Belfast | ||
| TOMITA Y | J S Bach's 'Das Wohltemperierte Clavier II' - A Critical Commentary. Volume II: All the Extant manuscripts | 1995 | The Queen's University of Belfast | ||
| TOMITA Y | Bach Reception in Pre-Classical Vienna: Baron van Swieten's circle edits the Well-Tempered Clavier II | 2000 | The Queen's University of Belfast | ||
| TOMITA Y | The Sources of J S Bach's Well-Tempered Clavier II in Vienna, 1777-1801 | 1998 | The Queen's University of Belfast | ||
| TOMITA Y | Das Wohltemperierte Clavier in England. Abschriften aus dem Besitz von Charles Burney und Friedrich Wilhelm Marpurg | 1999 | The Queen's University of Belfast | ||
| SMACZNY JA | The Daily repertoire of the Prague Provisional Theatre | 1994 | The Queen's University of Belfast | ||
| SMACZNY JA | Dvorak's Cello Concerto | 1999 | The Queen's University of Belfast | ||
| SMACZNY JA | Vanda and Armida, a Grand Operatic Sisterhood, in 'Rethinking Dvorak' | 1996 | The Queen's University of Belfast | ||
| SMACZNY JA | The Schubertian inheritance among Czech composers in the mid-nineteenth century | 1998 | The Queen's University of Belfast | ||
| PALMER FP | Dragonetti in England (1794-1846): the Career of a Double Bass Virtuoso | 1997 | The Queen's University of Belfast | ||
| PALMER FP | Barber Evening Concerts and Operas: the First Fifty Years | 1996 | The Queen's University of Belfast | ||
| McCLEAVE SY | A Catalogue of Manuscript Music in the Mackworth Collection | 2000 | The Queen's University of Belfast | ||
| McCLEAVE SY | Handel's Unpublished Dance Music: A Perspective on his Approach to Composition | 1996 | The Queen's University of Belfast | ||
| McCLEAVE SY | Marie Sall | 1999 | The Queen's University of Belfast | ||
| McCLEAVE SY | Marie Sall | 1998 | The Queen's University of Belfast | ||
| KEEFE SP | Dramatic Dialogue in Mozart's Viennese Piano Concertos: A Study of Competition and Cooperation in Three First Movements | 1999 | The Queen's University of Belfast | ||
| KEEFE SP | Koch's Commentary on the Late Eighteenth-Century Concerto: Dialogue, Drama and Solo/Orchestra Relations | 1998 | The Queen's University of Belfast | ||
| KEEFE SP | The Stylistic Significance of the First Movement of Mozart's Piano Concerto No 24 in C minor, K491: A Dialogic Apotheosis | 1999 | The Queen's University of Belfast | ||
| KEEFE SP | Antoine Reicha's Dialogue: The Emergence of a Theoretical Concept | 2000 | The Queen's University of Belfast | ||
| HELLAWELL PRHD | The Hilliard Songbook | 1996 | The Queen's University of Belfast | ||
| HELLAWELL PRHD | Do Not Disturb, Symphony Orchestra and Children's Choir | 1997 | The Queen's University of Belfast | ||
| HELLAWELL PRHD | Drum of the N | 1997 | The Queen's University of Belfast | ||
| HELLAWELL PRHD | Inside Story, solo violin, solo viola and symphony orchestra | 1999 | The Queen's University of Belfast | ||
| ALCORN MP | Inflame, 2-channel tape | 1999 | The Queen's University of Belfast | ||
| ALCORN MP | Caoine, string orchestra and IRCAM signal processing workstation | 1996 | The Queen's University of Belfast | ||
| ALCORN MP | Macha's Curse, symphony orchestra | 1997 | The Queen's University of Belfast | ||
| ALCORN MP | The Old Woman of Beare, string quartet and IRCAM signal processing workstation | 1994 | The Queen's University of Belfast | ||
| Waite M | 'Memnon' Two pianos and orchestra | 2000 | University College Chichester | Music | |
| Waite M | 'Hawthorne White, Hawthorne Red' - Cantata for SB and ensemble. | 2000 | University College Chichester | Music | |
| Waite M | 'Il Giustino, Opera by G. Legrenzi' - historical performing edition | 2000 | University College Chichester | Music | |
| Waite M | 'The Darkened Wood' - Opera | 2000 | University College Chichester | Music | |
| Robson A | 'Golden Rules' - A dance collaboration / suite | 1999 | University College Chichester | Music | |
| Robson A | 'Twin Spires' for orchestra and boys' choir | 2000 | University College Chichester | Music | |
| Robson A | 'String Quartet' | 1995 | University College Chichester | Music | |
| Robson A | 'Everyone Sang' for soprano solist, chorus and orchestra. | 1997 | University College Chichester | Music | |
| Paton R | Living Music | 2000 | University College Chichester | Music | |
| Paton R | 'Home Town' - A community cantata. | 1997 | University College Chichester | Music | |
| Paton R | 'Ascension Jazzmass' For Solo Voice SATB Choir, Jazz Ensemble, Organ and 21 Xylophones (2+ hours) | 2000 | University College Chichester | Music | |
| Paton R | 'Promoting Equality in Secondary Schools' | 1999 | University College Chichester | Music | |
| Hall B | 'The Queens-Chichester Music and Dance Project' (Interdisciplinary arts project.) | 1999 | University College Chichester | Music | |
| Hall B | 'Three Pieces from the Heartland' - Piano /dance duo performance | 1999 | University College Chichester | Music | |
| Hall B | 'Benjamin Hall, Piano' Piano recital | 2000 | University College Chichester | Music | |
| Hall B | 'Atavism at the Summit' Lecture recital (piano) | 1999 | University College Chichester | Music | |
| Williams T N | 'Out by the Orchard' for soprano, trombone and piano | 1997 | University College Northampton | ||
| Williams T N | River Rocks (for Chamber Ensemble, for 9 instruments) | 1996 | University College Northampton | ||
| Williams T N | Chasing the Shadow for kayagum | 1999 | University College Northampton | ||
| Williams T N | Interference for tape | 1999 | University College Northampton | ||
| Reim L | Tiger's Cry for chamber orchestra | 2000 | University College Northampton | ||
| Reim L | Requiem (Dies Irae and Quid sum miser) for soprano and tape | 1999 | University College Northampton | ||
| Reim L | Osmosis for shakuhachi | 1995 | University College Northampton | ||
| Reim L | SW2 for Orchestra | 1994 | University College Northampton | ||
| Pearson I E | Verfolgt vom Klang der Klarinette seines Vaters - | 1999 | University College Northampton | ||
| Pearson I E | Playing historical clarinets | 2000 | University College Northampton | ||
| Le Cocq J P | 'En mesure regl | 2000 | University College Northampton | ||
| Le Cocq J P | A Guide to Notation in the Air de Cour for Voice and Lute (Ballard Editions, 1608-1643) | 1999 | University College Northampton | ||
| Le Cocq J P | Experimental Notation and Entrepreneurship in the Seventeenth Century - the Air de Cour for Voice and Lute, 1608-1643 | 1999 | University College Northampton | ||
| Le Cocq J P | The Status of Le Roy's Publications for Voice and Lute or Guitar | 1995 | University College Northampton | ||
| Williams R B | Oh Mr Lear! | 1999 | University of Aberdeen | ||
| Williams R B | Catalogue of the Castle Fraser Music Collection | 1994 | University of Aberdeen | ||
| Williams R B | The Music of Castle Fraser | 1997 | University of Aberdeen | H Peterson P Nystrom M Preston |
|
| Williams R B | A Scottish Quaich | 1999 | University of Aberdeen | ||
| Turbet R B | Music Deposited by Stationers Hall at the Library of the University and Kings College of Aberdeen, 1753-96 | 1997 | University of Aberdeen | ||
| Turbet R B | Tudor Music: a Research and Information Guide | 1994 | University of Aberdeen | ||
| Turbet R B | An Affair of Honour: 'Tudor Church Music', the Ousting of Richard Terry, and a Trust Vindicated | 1995 | University of Aberdeen | ||
| Turbet R B | Wings of Faith | 1997 | University of Aberdeen | ||
| Stollery P | Altered Images | 1995 | University of Aberdeen | ||
| Stollery P | Onset/Offset | 1996 | University of Aberdeen | ||
| Stollery P | Shioum | 1994 | University of Aberdeen | ||
| Stollery P | Peel | 1997 | University of Aberdeen | ||
| Smith D J | Byrd Reconstructed: in Search of Consort Models for Keyboard Dances by Byrd | 1999 | University of Aberdeen | ||
| Smith D J | Lute Intabulations of Works by Peter Philips | 1998 | University of Aberdeen | John Robinson | |
| Smith D J | Peter Philips, Complete Keyboard Music | 1999 | University of Aberdeen | ||
| Smith D J | Italian Influence on the Music of Peter Philips (c. 1561-1628): Musical Taste and Patronage in the Spanish Netherlands at the end of the Sixteenth Century | 1999 | University of Aberdeen | ||
| Russell I G | English Village Carols | 1999 | University of Aberdeen | ||
| Russell I G | Carolling at Thorpe Hesley | 1995 | University of Aberdeen | ||
| Russell I G | A Festival of Village Carols: Sixteen Carols from the Mount-Dawson Manuscripts, Worrall | 1994 | University of Aberdeen | ||
| Russell I G | Alive and Kicking: the Living Tradition of English Gallery Music | 1997 | University of Aberdeen | ||
| Porter J W | Ballads, Fieldwork, Meaning | 2000 | University of Aberdeen | ||
| Porter J W | Europe | 2000 | University of Aberdeen | Timothy Rice Chris Goertzen |
|
| Porter J W | Bart | 2000 | University of Aberdeen | ||
| Porter J W | Europe: Traditional Music | 2000 | University of Aberdeen | ||
| Alburger M A | Music and Song in the North East | 1999 | University of Aberdeen | ||
| Alburger M A | The Fydill in Fist: Bowed String Instruments from the Mary Rose | 2000 | University of Aberdeen | ||
| Alburger M A | The Christie Family of Monquhitter: Preservation and Refinement | 1999 | University of Aberdeen | ||
| Alburger M A | Scottish Violin Making | 1999 | University of Aberdeen | ||
| Wishart T | Tongues of Fire: Electroacoustic Music for Voice. CD (Orpheus t Pantomime, York, 1994). CD No. OTP 001. | 1994 | University of Birmingham | ||
| Wishart T | Two Women: Electroacoustic Music for Voice. Commissioned by the Deutsche Akademische Dienst. First performed Berlin, 1998. | 1998 | University of Birmingham | ||
| Wishart T | American Tryptich. Electroacoustic Music for Voice. Commissione by the French Ministry of Culture. First performed Paris, Radio France, 2000. | 2000 | University of Birmingham | ||
| Wishart T | Audible Design. | 1994 | University of Birmingham | ||
| Whenham EJ | 'Giovanni Felice Sances, the Emperor Leopold I and Two Operas for the Viennese Court'. | 1999 | University of Birmingham | ||
| Whenham EJ | 'Martino Pesenti's Madrigali Guerrieri et Amorosi'. | 1998 | University of Birmingham | ||
| Whenham EJ | Monteverdi, Vespers (1610). | 1997 | University of Birmingham | ||
| Whenham EJ | 'Aria in the Madrigals of Giovanni Rovetta'. | 1995 | University of Birmingham | ||
| Timms CR | Music and Musicians in the Letters of Giuseppe Riva to Agostino Steffani (1720-27). | 1998 | University of Birmingham | ||
| Timms CR | Agostino Steffani - La Libert | 2000 | University of Birmingham | ||
| Timms CR | The Dissemination of Steffani's Operas. | 1997 | University of Birmingham | ||
| Timms CR | The Italian Cantata Since 1945: Progress and Prospects. | 1998 | University of Birmingham | ||
| ONeill MJL | Oral and Literate Processes in Galician-Portuguese Song. | 1999 | University of Birmingham | ||
| ONeill MJL | Problems of Genre Definition : The Cantigas De Santa Maria in the Context of the Romance Lyric Tradition. | 2000 | University of Birmingham | ||
| ONeill MJL | Troubadours and Trouv | 1999 | University of Birmingham | ||
| ONeill MJL | L'art m | 1995 | University of Birmingham | ||
| Hoyland DV | String Quartet No. 3 (Bagatelles). | 1995 | University of Birmingham | ||
| Hoyland DV | Vixen for orchestra. | 1997 | University of Birmingham | ||
| Hoyland DV | The Other Side of the Air (1991/92) for Piano Solo. | 2000 | University of Birmingham | ||
| Hoyland DV | String Quartet (1985). | 1997 | University of Birmingham | ||
| Harrison DJT | Streams for 8-channel tape. | 1999 | University of Birmingham | ||
| Harrison DJT | Articles Ind | 1996 | University of Birmingham | ||
| Harrison DJT | Splintering for Tape Alone. | 1997 | University of Birmingham | ||
| Harrison DJT | Surface Tension for tape alone. | 1996 | University of Birmingham | ||
| Hamilton KL | Liszt Symphonies and Symphonic Poems. | 1997 | University of Birmingham | ||
| Hamilton KL | Not with a Bang, but a Whimper : The Death of Liszt's Sardanapale. | 1996 | University of Birmingham | ||
| Hamilton KL | Liszt : Sonata in B minor. | 1996 | University of Birmingham | ||
| Hamilton KL | The Virtuoso Tradition. | 1998 | University of Birmingham | ||
| Banfield SD | Gerald Finzi: An English Composer. | 1997 | University of Birmingham | ||
| Banfield SD | Popular Song and Popular Music on Stage and Film. | 1998 | University of Birmingham | ||
| Banfield SD | Blackwell History of Music in Britain : The Twentieth Century. | 1995 | University of Birmingham | ||
| Banfield SD | Stage and Screen Entertainers in the Twentieth Century. | 2000 | University of Birmingham | ||
| Thomas WH | The Medieval Motet-Chanson: Case Studies and Definition | 1996 | University of Bristol | ||
| Thomas WH | The Fleury Playbook, Vol.1 - four 12th-century St Nicholas Liturgical Dramas | 1998 | University of Bristol | ||
| Thomas WH | Composition, Performance, Reception - Studies in the Creative Process in Music | 1998 | University of Bristol | ||
| Thomas WH | The Iohanne Melisma: Some Aspects of Tenor Organization in Thirteenth Century Motets | 1995 | University of Bristol | ||
| Samson TJ | Instrumental Music II | 1995 | University of Bristol | ||
| Samson TJ | Analysis in Context | 1999 | University of Bristol | ||
| Samson TJ | The Practice of Early-Nineteenth-Century Pianism | 2000 | University of Bristol | ||
| Samson TJ | Chopin (Master Musicians) | 1996 | University of Bristol | ||
| Poole GR | Blackbird - requiem in four parts for SATB chorus, SATB soloists, full orchestra. | 1994 | University of Bristol | ||
| Poole GR | Firefinch - for oboe and piano. | 1999 | University of Bristol | ||
| Pickard J | The Spindle of Necessity - for trombone, string orchestra and percussion. | 1998 | University of Bristol | ||
| Pickard J | String Quartet No.4 | 1998 | University of Bristol | ||
| Pickard J | Symphony No 3 | 1996 | University of Bristol | ||
| Pickard J | Piano Concerto | 2000 | University of Bristol | ||
| Leach EE | Counterpoint as an interpretative tool: the case of Guillaume de Machaut's De toutes flours (B31) | 2000 | University of Bristol | ||
| Leach EE | Review of Daniel Leech-Wilkinson (ed.) and R. Barton Palmer (ed. and trans.) Guillaume de Machaut: Le Livre dou Voir Dit | 2000 | University of Bristol | ||
| Leach EE | Fortune's Demesne: the Interrelation of Text and Music in Machaut's Il mest avis (B22), De Fortune (B23) and Two Related Anonymous Balades | 2000 | University of Bristol | ||
| Leach EE | Review of Thomas Brothers, Chromatic Beauty in the Late Medieval Chanson | 1999 | University of Bristol | ||
| Irving JA | The Anders von Dueben Tablature | 2000 | University of Bristol | ||
| Irving JA | Mozart: The Haydn Quartets | 1998 | University of Bristol | ||
| Irving JA | Mozart's piano sonatas: contexts, sources, style | 1997 | University of Bristol | ||
| Irving JA | 'Das Conzert hat viel | 1998 | University of Bristol | ||
| Cross JGE | Birtwistle's Secret Theatres | 1996 | University of Bristol | ||
| Cross JGE | The Stravinsky Legacy | 1998 | University of Bristol | ||
| Cross JGE | Harrison Birtwistle: Man, Mind, Music | 2000 | University of Bristol | ||
| Cross JGE | Modernism and the Challenges to Music Theory | 2000 | University of Bristol | ||
| Beckles Willson R | Gy | 2000 | University of Bristol | ||
| Beckles Willson R | Kurt | 1998 | University of Bristol | ||
| Beckles Willson R | The fruitful tension between inspiration and design in Gy | 1998 | University of Bristol | ||
| Webber G. | St Mark Passion: J.S.Bach/R. Keiser | 1998 | University of Cambridge | ||
| Webber G. | North German Church Music in the Age of Buxtehude | 1996 | University of Cambridge | ||
| Webber G. | The north German organ school | 1998 | University of Cambridge | ||
| Webber G. | William Child (1606-1697): Sacred Choral Music | 1998 | University of Cambridge | ||
| Thurlow J. | Correspondances: Dutilleux, Baudelaire and Proust | 1997 | University of Cambridge | ||
| Thurlow J. | Inspiration and annihilation: setting words to music. | 1998 | University of Cambridge | ||
| Thurlow J. | Piano Concerto | 2000 | University of Cambridge | ||
| Thurlow J. | Two Songs on Poems of Hugh MacDiarmid | 1997 | University of Cambridge | ||
| Sutcliffe W.D. | Grieg's Fifth - The Linguistic Battleground of Klokkeklang | 1996 | University of Cambridge | ||
| Sutcliffe W.D. | The Haydn Piano Trio: Textual Facts and Textural Principles | 1998 | University of Cambridge | ||
| Sutcliffe W.D. | Review of new edition of The Classical Style by Charles Rosen | 1998 | University of Cambridge | ||
| Sutcliffe W.D. | Chopin's Counterpoint: The Largo from the Cello Sonata, Op. 65 | 1999 | University of Cambridge | ||
| Rehding A. | Towards a Logic of Discontinuity in Stravinsky's Symphonies of Wind Instruments: Kramer, Straus and Hasty Reconsidered | 1998 | University of Cambridge | ||
| Rehding A. | Riemann, Hugo | 2000 | University of Cambridge | Brian Hyer | |
| Rehding A. | The Quest for the Origins of Music in Germany c. 1900 | 2000 | University of Cambridge | ||
| Rehding A. | Liszt und die Suche nach dem Tristan-Akkord | 2000 | University of Cambridge | ||
| Rankin S.K. | Stiftsbibliothek Sankt Gallen Codices 484 + 381 | 1996 | University of Cambridge | Wulf Arlt | |
| Rankin S.K. | From Liturgical Ceremony to Public Ritual: Quem queritis at St Mark's, Venice | 1997 | University of Cambridge | ||
| Rankin S.K. | The Alleluyes, antenes, respons, ygnes et versez in BN fr. 146: A Catalogue Raisonne | 1998 | University of Cambridge | ||
| Rankin S.K. | The Study of Medieval Music: Some Thoughts on Past, Present, and Future | 2000 | University of Cambridge | ||
| Parker R. | Elizabeth's Last Act | 2000 | University of Cambridge | ||
| Parker R. | Gaetano Donizetti, Poliuto | 2000 | University of Cambridge | William Ashbrook | |
| Parker R. | Leonora's Last Act: Essays in Verdian Discourse | 1997 | University of Cambridge | ||
| Parker R. | Arpa d'or: The Verdian Patriotic Chorus | 1997 | University of Cambridge | ||
| Newark C. | Essential opera: Halevy's ''La Juive' | 2000 | University of Cambridge | ||
| Newark C. | Proust and music: The anxiety of competence | 1997 | University of Cambridge | Ingrid Wassenaar | |
| Knighton T.W. | Transmision, difusion y recepcion de la polifonia franco-neerlandesa en el reino de Aragon a principios del siglo XVI | 1996 | University of Cambridge | ||
| Knighton T.W. | A newly discovered keyboard source (Gonzalo de Baena's Arte nouamente inuentada pera aprender a tanger, Lisbon 1540): a preliminary report | 1996 | University of Cambridge | ||
| Knighton T.W. | Ferdinand of Aragon's entry into Valladolid in 1513: the triumph of a Christian King | 1999 | University of Cambridge | Carmen Morte Garcia | |
| Knighton T.W. | Aspectos de la cultura musical en la Corte de Felipe II | 2000 | University of Cambridge | Luis Robledo Cristina Bordas Juan Jose Carreras |
|
| Holloway R.G. | Symphony, Op 88 | 2000 | University of Cambridge | ||
| Holloway R.G. | Third Concerto for Orchestra, Op. 80 | 1996 | University of Cambridge | ||
| Holloway R.G. | Gilded Goldbergs, Op. 86 | 1999 | University of Cambridge | ||
| Holloway R.G. | Scenes from Antwerp, Op. 85 | 1998 | University of Cambridge | ||
| Frolova-Walker M. | National in Form, Socialist in Content: Musical Nation-Building in the Soviet Republics | 1998 | University of Cambridge | ||
| Frolova-Walker M. | On Ruslan and Russianness | 1997 | University of Cambridge | ||
| Fenlon I.A. | Heinrich Glarean's Books | 1994 | University of Cambridge | ||
| Fenlon I.A. | The Origins of the Seventeenth-Century Staged Ballo | 1995 | University of Cambridge | ||
| Fenlon I.A. | Music, Print and Culture in Early Sixteenth-Century Italy [The Panizzi Lectures for 1994] | 1995 | University of Cambridge | ||
| Fenlon I.A. | Giaches de Wert, Letters and Documents | 1999 | University of Cambridge | ||
| Davis R.F. | Traditional Arab music ensembles in Tunisia: Modernising Al-Turath in the Shadow of Egypt | 1997 | University of Cambridge | ||
| Davis R.F. | Cultural policy and the Tunisian Ma'luf: Redefining a Tradition | 1997 | University of Cambridge | ||
| Davis R.F. | The Art/Popular Music Paradigm and the Tunisian Ma'luf | 1996 | University of Cambridge | ||
| Davis R.F. | The Arab-Andalusian Music of Tunisia | 1996 | University of Cambridge | ||
| Cross I.R.M. | Pitch schemata | 1997 | University of Cambridge | ||
| Cross I.R.M. | Music perception and music analysis | 1998 | University of Cambridge | ||
| Cross I.R.M. | Musical schemata in real-time listening to a piece of music | 1996 | University of Cambridge | I. Deliege M. Melen D. Stammers |
|
| Cross I.R.M. | Is music the most important thing we ever did? Music, development and evolution. | 1999 | University of Cambridge | ||
| Castelvecchi S. | Sentimental and Anti-Sentimental in Le Nozze di Figaro | 2000 | University of Cambridge | ||
| Castelvecchi S. | Critical edition of Gioachino Rossini, Cantata per l'Imperatore Francesco I d'Austria | 1999 | University of Cambridge | ||
| Castelvecchi S. | From Nina to Nina: Psychodrama, Absorption and Sentiment in the 1780s | 1996 | University of Cambridge | ||
| Castelvecchi S. | Critical edition of Giuseppe Verdi, Alzira | 1994 | University of Cambridge | Jonathan Cheskin | |
| Butt J.A. | Music education and the art of performance in the German Baroque | 1994 | University of Cambridge | ||
| Butt J.A. | Bach's metaphysics of music, 'A mind unconscious that it is calculating' | 1997 | University of Cambridge | ||
| Butt J.A. | Performance on Paper: Rewriting the Story of Notational Progress | 2000 | University of Cambridge | ||
| Butt J.A. | 4 Toccatas and Fugues; Schubler Chorales, J S Bach | 2000 | University of Cambridge | ||
| Bowers R.D. | The liturgy of the cathedral and its music, c.1070-1642 | 1995 | University of Cambridge | ||
| Bowers R.D. | To chorus from quartet: the performing resource for English church polyphony, c. 1390-1559 | 1996 | University of Cambridge | ||
| Bowers R.D. | The Chapel Royal, the first Edwardian Prayer Book, and Elizabeth I's Settlement of religion, 1559 | 2000 | University of Cambridge | ||
| Bowers R.D. | Proportional notations in Monteverdi's Orfeo | 1995 | University of Cambridge | ||
| Aspden S. | Ballads and Britons: Imagined Community and the Continuity of English Opera | 1997 | University of Cambridge | ||
| Aspden S. | Singers' Blueprints, review article of C. Steven LaRue's Handel and His Singers | 1997 | University of Cambridge | ||
| Aspden S. | An Infinity of Factions: Opera in Eighteenth-Century Britain and the Undoing of Society | 1997 | University of Cambridge | ||
| Allen L.V. | Kwela: the Structure and Sound of South African Pennywhistle Music | 1999 | University of Cambridge | ||
| Allen L.V. | An Archive of Black South African Popular Music: Recently Released Reissues | 1996 | University of Cambridge | ||
| Allen L.V. | Drumbeats, Pennywhistles and All That Jazz: The Relationship Between Urban South African Musical Styles and Musical Meaning | 1996 | University of Cambridge | ||
| Allen L.V. | Black South African Women of Song, a Historical Overview | 1997 | University of Cambridge | ||
| de Saram R | Elliott Carter: Cello Sonata | 1998 | University of Central England in Birmingham | Contemporary Music | Ursula Oppens |
| de Saram R | Brian Ferneyhough: Fourth String Quartet | 1996 | University of Central England in Birmingham | Contemporary Music | Irvine Arditti David Alberman Garth Knox |
| de Saram R | James Dillon: Parjanya-Vata for unaccompanied cello | 1997 | University of Central England in Birmingham | Contemporary Music | |
| de Saram R | Stockhausen: Helikopter-Quartett | 1999 | University of Central England in Birmingham | Contemporary Music | Irvine Arditti David Alberman Garth Knox |
| Wilson M | Stockhausen: Gruppen | 1996 | University of Central England in Birmingham | Contemporary Music | CBSO, Rattle, Carew, Harding Peter Thomas, leader |
| Wilson M | Stravinsky: Two Poems of Balmont and Three Japanese Lyrics | 1996 | University of Central England in Birmingham | Contemporary Music | BCMG Colin Lilley |
| Wilson M | Percy Grainger: The Warriors and Debussy: Pagodes arr. Grainger. | 1997 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Rattle Roderick Elms Wayne Marshall |
| Wilson M | Contemporary Works for Oboe and Piano | 2000 | University of Central England in Birmingham | Contemporary Music | George Caird |
| Webb J | Anthem: Into His Marvellous Light | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Webb J | Prelude and Chaconne | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Webb J | Ebb and Floe | 1999 | University of Central England in Birmingham | Contemporary Music | |
| Webb J | Concerto for Accordion, Strings and Clarinet | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Thomas P | Stockhausen: Gruppen | 1996 | University of Central England in Birmingham | Contemporary Music | CBSO,cond.Rattle, Carew, Harding Wilson |
| Thomas P | Szymanovski: King Roger | 1999 | University of Central England in Birmingham | Performance Studies | CBSO, soloists, cond. Rattle |
| Thomas P | Adams: Harmonielehre | 1994 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Rattle Strebing |
| Thomas P | Schoenberg: Erwartung and Variationen Op.31 | 1996 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Rattle |
| Strebing J | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Rattle Holland Harrison |
| Strebing J | Adams: Harmonielehre | 1994 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Rattle Thomas, leader |
| Strebing J | Turnage: Kai | 1994 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Simon Rattle Holland Harrison |
| Strebing J | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Rattle Thomas, leader |
| Skidmore J | Lassus: Sacred Choral Music | 1996 | University of Central England in Birmingham | Early Music | Ex Cathedra Chamber Choir and Baroque Orchestra Micaela Comberti, leader |
| Skidmore J | de Lalande: Choral Works | 1995 | University of Central England in Birmingham | Early Music | Ex Cathedra Chamber Choir and Baroque Orchestra Micaela Comberti, leader |
| Skidmore J | Monteverdi: Madrigale fatta spirituale (contrafacta by Coppini) | 1997 | University of Central England in Birmingham | Early Music | Ex Cathedra Chamber Choir |
| Skidmore J | Concert: Charpentier, Bouzignac, de Lalande | 1999 | University of Central England in Birmingham | Early Music | Ex Cathedra Choir and Orchestra Micaela Comberti, leader |
| Ross J | The English Connection: Young, Lawes, Jenkins, Locke | 2000 | University of Central England in Birmingham | Early Music | Lucy van Dael Terence Charlston William Hunt |
| Ross J | Bach: Brandenburg Concertos Nos. 3 and 5 | 1999 | University of Central England in Birmingham | Early Music | Brandenberg Ensemble Micaela Comberti |
| Ross J | The Italian Connection: Music by Francesco Geminiani | 2000 | University of Central England in Birmingham | Early Music | Lucy van Dael Terence Charlston William Hunt |
| Ross J | The English Connection: Purcell: Pavans and Trio Sonatas | 2000 | University of Central England in Birmingham | Early Music | Lucy van Dael Terence Charleston William Hunt |
| Mayer J | Ragatal: John Mayer's Indo-Jazz Fusions | 1998 | University of Central England in Birmingham | World/Folk Music | IndoJazz Fusions |
| Mayer J | Inja: IndoJazz Fusions | 1996 | University of Central England in Birmingham | World/Folk Music | Indo Jazz Fusions |
| Mayer J | John Mayer's Indo-Jazz Fusions: Asian Airs | 1996 | University of Central England in Birmingham | World/Folk Music | |
| Mayer J | Sargam | 1996 | University of Central England in Birmingham | World/Folk Music | |
| Martin P | The Complete Piano Music of Louis Moreau Gottschalk (Vol.4) | 2000 | University of Central England in Birmingham | Performance Studies | |
| Martin P | The Complete Piano Music of Louis Moreau Gottschalk (Vol.3) | 1996 | University of Central England in Birmingham | Performance Studies | |
| Martin P | Piano Trio No.1 (Serendipity), and Two Elegies | 1994 | University of Central England in Birmingham | Contemporary Music | The Crawford Trio |
| Martin P | Mystic Nativity | 2000 | University of Central England in Birmingham | Contemporary Music | |
| Lyons W | A Dance in the Garden of Mirth: Mediaeval Instrumental Music | 1995 | University of Central England in Birmingham | Early Music | The Dufay Collective |
| Lyons W | Miri it is: Songs and Instrumental Music from Mediaeval England | 1995 | University of Central England in Birmingham | Early Music | The Dufay Collective, dir.John Potter |
| Lyons W | Johnny, Cock thy Beaver: popular music from seventeenth-century England | 1996 | University of Central England in Birmingham | Early Music | The Dufay Collective |
| Lyons W | Miracles: Thirteenth Century Spanish Songs in praise of the Virgin Mary | 1997 | University of Central England in Birmingham | Early Music | The Dufay Collective Vivien Ellis, voice |
| Lockett M | The Loop Orchestra | 2000 | University of Central England in Birmingham | World/Folk Music | |
| Lockett M | Metal Works: Parrot Soup | 1994 | University of Central England in Birmingham | World/Folk Music | |
| Lockett M | Hollowed Ground | 1998 | University of Central England in Birmingham | World/Folk Music | |
| Lockett M | Recital of American Minimalist Music: Feldman and Adams | 2000 | University of Central England in Birmingham | Contemporary Music | |
| Lilley C | Stravinsky: Two Poems of Balmont and Three Japanese Lyrics | 1996 | University of Central England in Birmingham | Contemporary Music | Birmingham Contemporary Music Group Wilson |
| Lilley C | Carter: Sonata for flute, oboe, cello and harpsichord | 1996 | University of Central England in Birmingham | Contemporary Music | BCMG |
| Lilley C | Schoenberg: Kammersinfonie Op.9 | 1995 | University of Central England in Birmingham | Contemporary Music | BCMG cond.Simon Rattle |
| Lilley C | Cashian: Dark Inventions (flute solo) | 2000 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Stefan Asbury |
| Johnson P | Performance as Experience: the problem of assessment criteria | 1997 | University of Central England in Birmingham | Performance Studies | |
| Johnson P | Musical Works, Musical Performance | 1997 | University of Central England in Birmingham | Performance Studies | |
| Johnson P | Performance and the listening experience: Bach's Erbarme dich | 1999 | University of Central England in Birmingham | Performance Studies | |
| Johnson P | Intonation and Interpretation in String Quartet Performance: The case of the flat leading-note. | 2000 | University of Central England in Birmingham | Performance Studies | |
| Holland J | Turnage: Kai | 1994 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Simon Rattle Harrison Strebing |
| Holland J | Cashian: Chamber Concerto | 2000 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Stefan Asbury |
| Holland J | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG, cond. Simon Rattle Harrison Strebing |
| Holland J | John Adams: Two Fanfares: Short Ride on a Fast machine; Tromba Lontana | 1994 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Simon Rattle |
| Harrison P | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG cond.Simon Rattle Holland Strebing |
| Harrison P | Stockhausen: Momente | 1994 | University of Central England in Birmingham | Contemporary Music | BCMG and B.E.A.S.T. |
| Harrison P | Turnage: Kai | 1994 | University of Central England in Birmingham | Contemporary Music | BCMG cond.Simon Rattle Holland Strebing |
| Harrison P | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG cond.Simon Rattle |
| Harris M | Telemann: Concerto and Sonata for alto and tenor chalumeaux | 1996 | University of Central England in Birmingham | Early Music | Collegium Musicum 90, dir.Simon Standage Colin Lawson |
| Harris M | J.C. Bach: Concerted Symphony in E flat major | 1997 | University of Central England in Birmingham | Early Music | The Parley of Instruments dir.Peter Holman |
| Harris M | Mark-Anthony Turnage: Lament for a Hanging Man and Release | 1995 | University of Central England in Birmingham | Contemporary Music | The Nash Ensemble cond.Oliver Knussen Fiona Kimm, soprano |
| Harris M | The Bass Clarinet | 1995 | University of Central England in Birmingham | Performance Studies | |
| Harlow M | Charles Swinnerton Heap: Clarinet Sonata | 2000 | University of Central England in Birmingham | Performance Studies | |
| Harlow M | Mr Halford's Orchestral Concerts 1897-1907 | 1999 | University of Central England in Birmingham | Performance Studies | |
| Harlow M | Hummel: Die Eselshaut, arr.Wenzel Sedlak | 2000 | University of Central England in Birmingham | Early Music | |
| Harlow M | Transcriptions from Gluck: Iphig | 1998 | University of Central England in Birmingham | Early Music | |
| Grant R | The Nailmaker | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Grant R | When Sirens Sing | 1999 | University of Central England in Birmingham | Contemporary Music | |
| Grant R | Intonarumori | 2000 | University of Central England in Birmingham | Contemporary Music | |
| Grant R | Hedge Riddles | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Graffin P | Saint-Sa | 1999 | University of Central England in Birmingham | Performance Studies | Pascal Devoyon |
| Graffin P | Saint-Sa | 1999 | University of Central England in Birmingham | Performance Studies | BBC Scottish SO, cond.Martyn Brabbins |
| Graffin P | Ysa | 1997 | University of Central England in Birmingham | Performance Studies | |
| Graffin P | Chausson: Chamber Works | 1998 | University of Central England in Birmingham | Performance Studies | Chilingirian Quartet Pascal Devoyon |
| Garnett L | Musical Meaning Revisited: Thoughts on an 'Epic' Critical Musicology | 1998 | University of Central England in Birmingham | Critical Musicology | |
| Garnett L | Extended Review: Joseph N. Straus: The Music of Ruth Crawford Seeger (CUP, 1995) | 1997 | University of Central England in Birmingham | Critical Musicology | |
| Garnett L | Ethics and Aesthetics: The Social Theory of Barbershop Harmony | 1999 | University of Central England in Birmingham | Critical Musicology | |
| Garnett L | Separate but equal: sexual politics in the barbershop | 1999 | University of Central England in Birmingham | Critical Musicology | |
| Fuller A | Hubert Parry: Cello Sonata in A | 1999 | University of Central England in Birmingham | Performance Studies | Michael Dussek |
| Fuller A | Bantock: Sonatas for Cello and Piano | 2000 | University of Central England in Birmingham | Performance Studies | Michael Dussek |
| Fuller A | Bantock: Sonata for Unaccompanied Cello, and character pieces | 2000 | University of Central England in Birmingham | Performance Studies | Michael Dussek Lucy Wakeford, harp |
| Fuller A | William Yeates Hurlestone: Cello Sonata in D major | 1999 | University of Central England in Birmingham | Performance Studies | Michael Dussek |
| Fergus-Thompson G | Scriabin: Complete Piano Music Vol.4 (The Mazurkas) | 2000 | University of Central England in Birmingham | Performance Studies | |
| Fergus-Thompson G | Recital: Brahms, Chopin, Rachmaninov, Scriabin | 1997 | University of Central England in Birmingham | Performance Studies | |
| Fergus-Thompson G | Scriabin: Complete Piano Music Vol. 3 (The Preludes, 1887-1986) | 1995 | University of Central England in Birmingham | Performance Studies | |
| Fergus-Thompson G | Recital: Debussy and Ravel | 1997 | University of Central England in Birmingham | Performance Studies | |
| Downes A | Sonata for 8 horns | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Downes A | Sonata for 8 flutes | 1996 | University of Central England in Birmingham | Contemporary Music | |
| Downes A | Concerto for Guitar, Electric Bass Guitar and String Orchestra | 2000 | University of Central England in Birmingham | Contemporary Music | |
| Downes A | Towards a New Age | 1999 | University of Central England in Birmingham | Contemporary Music | |
| Cutler J | Sal's Sax | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Cutler J | Awakenings | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Cutler J | Shaman | 1994 | University of Central England in Birmingham | Contemporary Music | |
| Cutler J | On The Edge | 1994 | University of Central England in Birmingham | Contemporary Music | |
| Comberti M | Leclair: Chamber Works | 1997 | University of Central England in Birmingham | Early Music | Collegium Musicum 90, dir.Simon Standage |
| Comberti M | The String Quartet in 18th-century England | 1995 | University of Central England in Birmingham | Early Music | Simon Standage Trevor Jones Jennifer Ward Clarke |
| Comberti M | Hummel: Quintet in E flat and Piano Trio in Eflat. | 2000 | University of Central England in Birmingham | Early Music | The Music Collection |
| Comberti M | Boyce: Complete Trio Sonatas | 1999 | University of Central England in Birmingham | Early Music | Collegium Musicum 90, dir.Simon Standage |
| Coccioli L | Antidotes: Red Earth | 1996 | University of Central England in Birmingham | Contemporary Music | |
| Coccioli L | Magma | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Coccioli L | Il Racconto delle nuvole ('The tale of the clouds') | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Coccioli L | Novecento ('Twentieth Century') | 1999 | University of Central England in Birmingham | Contemporary Music | |
| Clarke A | Roberto Gerhard: La Duenna | 1997 | University of Central England in Birmingham | Contemporary Music | Opera North, dir.A.R.Marba |
| Clarke A | Botuslav Martinu: A Greek Passion | 1999 | University of Central England in Birmingham | Contemporary Music | Bregenza Festival, dir. Ulf Schirmer |
| Clarke A | Gerald Barry: The Triumph of Beauty and Deceit | 1995 | University of Central England in Birmingham | Contemporary Music | The Composers Ensemble, dir.Diego Masson |
| Cashian P | Chamber Concerto | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Cashian P | Silent Steps | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Cashian P | ...in the still hours | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Cashian P | Horn Trio | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Carolan L | CPE Bach: Sonatas for flute and obbligato keyboard | 1996 | University of Central England in Birmingham | Early Music | Nancy Hadden, baroque flute Erin Headley, viol |
| Carolan L | J.S. Bach: Clavier | 1999 | University of Central England in Birmingham | Early Music | |
| Carolan L | J.S. and C.P.E.Bach: Fantasias | 2000 | University of Central England in Birmingham | Early Music | |
| Carolan L | Recital including Bach: Sonata BWV 1032 completed by Carolan. | 1997 | University of Central England in Birmingham | Early Music | Nancy Hadden |
| Caird G | John Webb: Sextet for Piano and Wind | 1998 | University of Central England in Birmingham | Performance Studies | Albion Ensemble Martin Roscoe |
| Caird G | 20th century English Music for oboe and piano | 2000 | University of Central England in Birmingham | Performance Studies | Malcolm Wilson |
| Caird G | Mississippi Five: Twentieth-Century Quintets | 1996 | University of Central England in Birmingham | Performance Studies | The Albion Ensemble |
| Caird G | The Classical Harmonie: Music for Wind by Beethoven, Gluck, Hummel | 2000 | University of Central England in Birmingham | Performance Studies | The Albion Ensemble |
| Bisengaliev M | Elgar: Early Works for Violin | 1999 | University of Central England in Birmingham | Performance Studies | Benjamin Frith |
| Bisengaliev M | Mendelssohn: Concerto for Violin and Piano, and Violin Concerto in D minor | 1998 | University of Central England in Birmingham | Performance Studies | Northern Sinfonia, cond.Andrew Penny Benjamin Frith |
| Bisengaliev M | Wieniawski: Violin Concertos No. 1 + 2 | 1996 | University of Central England in Birmingham | Performance Studies | Polish National Radio Symphony Orch. Antoni Wit |
| Bisengaliev M | Brahms-Joachim: Hungarian Dances (complete) | 1994 | University of Central England in Birmingham | Performance Studies | John Lenehan |
| Zon BM | The English Plainchant Revival | 1999 | University of Durham | ||
| Zon BM | Music and Metaphor: The Writing of Music History in Nineteenth-Century Britain | 2000 | University of Durham | ||
| Spitzer M | 'Marx's Lehre and the Science of Education: towards the recuperation of music pedagogy' | 1998 | University of Durham | ||
| Spitzer M | 'The Retransition as Sign: Listener-Orientated Approaches to Tonal Closure in Haydn's Sonata-Form Movements' | 1996 | University of Durham | ||
| Spitzer M | 'Haydn's Reversals: style change, gesture, and the implication-realisation model', inh Haydn Studies, ed. Dean Sutcliffe | 1998 | University of Durham | ||
| Spitzer M | 'Convergences: Criticism, Analysis, and Beethoven Reception'. | 1997 | University of Durham | ||
| Paddison MH | Adorno, Modernism and Mass Culture: Essays on Critical Theory and Music | 1996 | University of Durham | ||
| Paddison MH | 'Der Komponist als Kritischer Theoretiker - Brian Ferneyhoughs Aesthetik nach Adorno' | 1999 | University of Durham | ||
| Paddison MH | 'L'idee d'une avant-garde dans le contexte de la postmodernite: problemes de definition en musique contemporaine', and in Musique contemporaine: theories et philosophie, ed. Irene Deliege | 2000 | University of Durham | ||
| Paddison MH | 'Adorno' | 2000 | University of Durham | ||
| Manning PD | The Ghost of Eriboll (duration 24') | 1995 | University of Durham | ||
| Manning PD | 'Ownership and Control of the Creative Process in the Composition and Performance of Electroacoustic Music' | 1999 | University of Durham | ||
| Manning PD | 'The Evolution of Interactive Graphical Control Interfaces for Music Applications' | 1999 | University of Durham | ||
| Manning PD | 'Distributed Parallel Processing: Lessons Learned from a 160-Transputer Network' | 1997 | University of Durham | T Itagaki A Purvis |
|
| Lee TS | 'Technology and Production of Islamic Space: the Call to Prayer in Singapore' | 1999 | University of Durham | ||
| Lee TS | 'Professional Chinese Opera Troupes and Street Opera Performance in Singapore' | 2000 | University of Durham | ||
| Lee TS | 'Singapore' | 2000 | University of Durham | ||
| Lee TS | 'Singapore' | 1998 | University of Durham | ||
| Iwamoto Y | Souffle | 1996 | University of Durham | ||
| Iwamoto Y | L'Esprit du Vent | 1996 | University of Durham | ||
| Iwamoto Y | L'Esprit du Crepuscule | 1999 | University of Durham | ||
| Iwamoto Y | 'The Potential of the Shakuhachi in Contemporary Music' | 1994 | University of Durham | ||
| Harry M | The End of the Line, an opera for three singers, clarinet, violoncello and harp to a libretto by the composer | 1997 | University of Durham | ||
| Harry M | Fantasy Unbuttoned, for nineteen players | 1998 | University of Durham | ||
| Harry M | Regenstimmen for solo harp | 1999 | University of Durham | ||
| Harry M | Still Life for oboe, clarinet, trumpet, celesta and strings | 1995 | University of Durham | ||
| Greer DC | 'Elgar in Belfast' | 1998 | University of Durham | ||
| Greer DC | 'Manuscript Additions in Parthenia and other early English printed music in America' | 1996 | University of Durham | ||
| Greer DC | John Dowland: Ayres for Four Voices | 2000 | University of Durham | ||
| Greer DC | A Numerous and Fashionable Audience: the story of Elsie Swinton | 1997 | University of Durham | ||
| Fitch FJ | Colinet de Lannoys: Mass and Songs | 1999 | University of Durham | ||
| Fitch FJ | Johannes Ockeghem: Masses and Models | 1997 | University of Durham | ||
| Fitch FJ | 'For the Sake of His Honour: reconsidering Obrecht' | 1998 | University of Durham | ||
| Fitch FJ | 'Le Codex Chigi et les messes d'Ockeghem', in Johannes Ockeghem: Actes du XLe colloque d'etudes humanistes | 1998 | University of Durham | ||
| Dibble JC | 'Musical Nationalism in Ireland in the Twentieth Century: Complexities and Contradictions' in Nationalism in Finland and Great Britain in the Twentieth Century, ed. T Makela | 1994 | University of Durham | ||
| Dibble JC | 'Composers at the Academy (1) 1850-1940' in To Talent Alone, eds. Pine + Acton | 1998 | University of Durham | ||
| Dibble JC | 'Parry, Stanford and Vaughan Williams: the Creation of Tradition', in Vaughan Williams in Perspective, ed. L. Foreman | 1998 | University of Durham | ||
| Dibble JC | 'Parry as Historiographer', in Nineteenth-Century British Music Studies, ed. Bennett Zon | 1999 | University of Durham | ||
| Archbold P | The Land Solos for 2 clarinets, 2 trombones and percussion | 1997 | University of Durham | ||
| Archbold P | Impacts and Fractures for String Quartet | 1999 | University of Durham | ||
| Archbold P | Wind-Up: Chamber Music by Paul Archbold and Fabrice Fitch | 2000 | University of Durham | ||
| Archbold P | Arachne for clarinet and harp | 1999 | University of Durham | ||
| Waters SJ | The Musical Process in the Age of Digital Intervention | 2000 | University of East Anglia | ||
| Waters SJ | Drift (Variant) | 1999 | University of East Anglia | ||
| Waters SJ | Beyond the acousmatic: Hybrid tendencies in electroacoustic music | 2000 | University of East Anglia | ||
| Waters SJ | Trace for Clarinet, Piano and CD | 2000 | University of East Anglia | ||
| Impett JF | The identification and transposition of authentic instruments: musical practice and technology | 1998 | University of East Anglia | ||
| Impett JF | Situating the invention in interactive music | 2000 | University of East Anglia | ||
| Impett JF | Modelling the Dynamics of Musical Engagement | 1998 | University of East Anglia | ||
| Impett JF | It's Asony (ensemble of interactive computer instruments) | 1996 | University of East Anglia | ||
| Gritten AJ | Unholy Delights: On Edward Cone's Relations | 2000 | University of East Anglia | ||
| Gritten AJ | The Progress of an Essay: Edward Cone's Writing on Stravinsky | 1998 | University of East Anglia | ||
| Gritten AJ | On Answering Music | 2000 | University of East Anglia | ||
| Gritten AJ | Analysing Van den Toorn Analysing Stravinsky Analysing | 1997 | University of East Anglia | ||
| Chadd DF | The Medieval Customary of the Cathedral Priory | 1996 | University of East Anglia | ||
| Chadd DF | The Original of the Abbey of the Holy Trinity | 2000 | University of East Anglia | ||
| Chadd DF | Liturgical Books: Catalogues, Editions and Inventories | 2000 | University of East Anglia | ||
| Trewin M | On the history and origin of 'Gar' - the court ceremonial music of Tibet | 1995 | University of Edinburgh | ||
| Trewin M | The politics of Ladakhi song: three versions of a praise-song attributed to Morup Stanzin, c.1825 | 1995 | University of Edinburgh | ||
| Trewin M | Tibetan and Ladhaki Popular Music in India | 1999 | University of Edinburgh | ||
| Trewin M | Scottish Traditional Tales | 2000 | University of Edinburgh | ||
| Sheinberg E | An Application of Ernst Gombrich's Projection Theory to Music Perception | 1995 | University of Edinburgh | ||
| Sheinberg E | Signs, Symbols and Expressive Means in the String Quartets of Dimitri Shostakovich | 1996 | University of Edinburgh | ||
| Sheinberg E | Shostakovich Reconsidered, eds. Allan B Ho and Dmitry Feofanov | 1999 | University of Edinburgh | ||
| Sheinberg E | Irony, Satire, Parody and The Grotesque in The Music of Shostakovich | 2000 | University of Edinburgh | ||
| Parks R | Catalogue of the Collections (7 fascicles) | 1996 | University of Edinburgh | Arnold Myers | |
| Parks R | Catalogue of the Collections (3 fascicles) | 1998 | University of Edinburgh | C. Overton | |
| Parks R | (Five) Technical Drawings | 1997 | University of Edinburgh | ||
| Osborne N. | String Quartet No.1. 'Medicinal Songs and Dances'. With accompanying scientific paper. | 1999 | University of Edinburgh | ||
| Osborne N. | The Tempest, Music for Shakespeare's play. | 2000 | University of Edinburgh | ||
| Osborne N. | Opera Diptych Sarajevo-Evropa | 1995 | University of Edinburgh | ||
| Osborne N. | Concerto for Oboe + Chamber Orchestra. | 1998 | University of Edinburgh | ||
| O Regan N | Tomas Luis de Victoria's Roman Churches revisited | 2000 | University of Edinburgh | ||
| O Regan N | Orlando di Lasso and Rome: Personal Contacts and Musical Influences | 1999 | University of Edinburgh | ||
| O Regan N | Asprillo Pacelli, Lodovico da Viadana and the Roman Small-Scale Concerto | 2000 | University of Edinburgh | ||
| O Regan N | Institutional Patronage in Post-Tridentine Rome: Music at Santissima Trinit | 1995 | University of Edinburgh | ||
| O Brien G | Towards establishing the original state of the three-manual harpsichord by Stefano Bolcioni, Florence, 1627, in the Russell Collection of early Keyboard Instruments, Edinburgh | 2000 | University of Edinburgh | ||
| O Brien G | The use of simple geometry and the local unit of measurement in the design of Italian stringed keyboard instruments: an aid to attribution and to organological analysis | 1999 | University of Edinburgh | ||
| O Brien G | The determination of the original state of the double-manual harpsichord by Ioannes Ruckers in the H | 1999 | University of Edinburgh | Christiane Reiche Stefan Ehricht |
|
| O Brien G | Two virginals by Gianfrancesco Antegnati. A comparison of the instruments of the Ateneo in Brescia and the Museo Teatrale alla Scala in Milan | 1995 | University of Edinburgh | ||
| Nelson P | 'On the Wall' | 1998 | University of Edinburgh | ||
| Nelson P | The UPIC System as an Instrument of Learning | 1997 | University of Edinburgh | ||
| Nelson P | Creativity and Embodied Rationalisation | 1999 | University of Edinburgh | ||
| Nelson P | The Musical Cyborg | 1999 | University of Edinburgh | ||
| Myers A | Historic Musical Instruments in the Edinburgh University Collection: The Catalogue of the Collection | 1994 | University of Edinburgh | ||
| Myers A | 'Using Pulse Reflectometry to Compare the Evolution of the Cornet and the Trumpet in the 19th + 20th Centuries' in Proceedings of the International Symposium on Musical Acoustics, Edinburgh 1997 | 1997 | University of Edinburgh | David B. Sharp D. Murray Campbell |
|
| Myers A | Rudall Carte's Patent Conical Bore Brasswind + Webster Trumpets | 1995 | University of Edinburgh | Frank Thomas | |
| Myers A | 'How Brass Instruments Work'; 'The Development of Technology and Manufacture since 1800' | 1997 | University of Edinburgh | ||
| Monelle R | Musica Significans: Proceedings of the Third International Conference on Musical Signification, Edinburgh | 1998 | University of Edinburgh | ||
| Monelle R | Music's Transparency | 1998 | University of Edinburgh | ||
| Monelle R | The Sense of Music: Semiotic Essays | 2000 | University of Edinburgh | ||
| Monelle R | The Indexical Science | 1999 | University of Edinburgh | ||
| Kitchen J | 'Instrument and repertoire: concert use' in Towards the Conservation and Restoration of Historic Organs: Proceedings of International Conference, Liverpool, 1999 | 2000 | University of Edinburgh | ||
| Kitchen J | Great European Organs No.49 | 1997 | University of Edinburgh | ||
| Kitchen J | The Organs of St. Cecilia's Hall, University of Edinburgh | 2000 | University of Edinburgh | ||
| Kitchen J | Complete Organ Works of Johann Ludwig Krebs | 2000 | University of Edinburgh | ||
| Kimbell DRB | Handel, Rinaldo (1731) | 1996 | University of Edinburgh | ||
| Kimbell DRB | The performance of Italian opera in early Victorian England | 2000 | University of Edinburgh | ||
| Kimbell DRB | Vincenzo Bellini: Norma | 1998 | University of Edinburgh | ||
| Kimbell DRB | Opera | 1996 | University of Edinburgh | ||
| Harper E | 'Souvenir' | 1999 | University of Edinburgh | ||
| Harper E | Trio for Clarinet, Cello + Piano | 1997 | University of Edinburgh | ||
| Harper E | Lochinvar: A children's opera | 2000 | University of Edinburgh | ||
| Harper E | Etude for Orchestra | 1999 | University of Edinburgh | ||
| Field CDS | Jenkins and the Cosmography of Harmony | 1996 | University of Edinburgh | ||
| Field CDS | John Donaldson and the Teaching of Acoustics at the University of Edinburgh in the mid-Nineteenth Century | 1997 | University of Edinburgh | ||
| Field CDS | A Musical Apparatus of Somewhat Complex and Intricate Mechanism: Organs in Professor John Donaldson's Classroom at the University of Edinburgh, 1845-65 | 2000 | University of Edinburgh | ||
| Field CDS | Formality and Rhetoric in English Fantasia-Suites | 1998 | University of Edinburgh | ||
| Dow R | 'Alluvion' | 1998 | University of Edinburgh | ||
| Dow R | 'Litany' | 2000 | University of Edinburgh | ||
| Dow R | 'When all is silent' | 1995 | University of Edinburgh | ||
| Dow R | 'Season of Mists' | 1996 | University of Edinburgh | ||
| Coates L | North West Passage for Soprano + Piano (words by R.L.Stevenson) | 1994 | University of Edinburgh | ||
| Coates L | Seascape Piano Trio | 1999 | University of Edinburgh | ||
| Coates L | Prelude, Scherzo + In Nomine | 1997 | University of Edinburgh | ||
| Coates L | Te Deum Laudamus | 2000 | University of Edinburgh | ||
| Street DA | 'The Ear of the Other: style and identity in Schoenberg's Eight Songs, Op.6.' | 2000 | University of Exeter | ||
| Street DA | 'Carnival' | 1994 | University of Exeter | ||
| Street DA | 'This space for rent' | 1998 | University of Exeter | ||
| Street DA | Von Heute auf Morgen: Schoenberg and the New Criticism. | 1996 | University of Exeter | ||
| Steprans J | Second Set. Janis Steprans Quartet. | 1995 | University of Exeter | ||
| Steprans J | Janis Steprans: 'Signature' for Big Band | 1998 | University of Exeter | ||
| Steprans J | ERA 40 by Bugge Wesseltoft | 2000 | University of Exeter | ||
| Steprans J | Jazzbeat | 2000 | University of Exeter | ||
| Smith RL | 'Ravel's operatic spectacles: L'heure and L'enfant' | 2000 | University of Exeter | ||
| Smith RL | 'La jeunesse du Cid: a mislaid act in 'Rodrigue et Chim | 1997 | University of Exeter | ||
| Smith RL | Debussy: 'Rodrigue et Chim | 1995 | University of Exeter | ||
| Smith RL | 'Debussy on Performance: sound and unsound ideals' | 1999 | University of Exeter | ||
| Sandon NJ | 'The Use of Salisbury' Volume 4: The Proper of the Mass for Holy Week | 1996 | University of Exeter | ||
| Sandon NJ | John Taverner: Missa Mater Christi and Mater Christi Sanctissima | 1997 | University of Exeter | ||
| Sandon NJ | Robert Jones: Missa Spes nostra | 1999 | University of Exeter | ||
| Sandon NJ | The use of Salisbury volume 6: The proper of the Mass from Trinity to Advent | 1999 | University of Exeter | ||
| Mitchell I | 'The Edge of the World': works for solo bass clarinet associated with Ian Mitchell. | 2000 | University of Exeter | ||
| Mitchell I | Xenakis: 'Medea', Critical Band and male voices of the New London Chamber Choir. Ian Mitchell, clarinet, as member of solo instrumental quartet. | 1998 | University of Exeter | ||
| Mitchell I | 'A view from the Bridge'. Music by Lindsay Cooper. Ian Mitchell bass clarinet solo and member of quartet. | 1998 | University of Exeter | ||
| Mitchell I | 'Hear and now' (programme of music by Elliott Carter, Penderecki and Zev Gordon) | 1997 | University of Exeter | ||
| Jones TR | 'Mozart's Requiem' | 1995 | University of Exeter | ||
| Jones TR | 'Dark Labyrinths': music by Philip Grange. Gemini, with Alison Wells (soprano), Nicholas Sears (Tenor) and Timothy Gill (Cello). Conductor Tim Jones. | 1999 | University of Exeter | ||
| Jones TR | Beethoven: 'The Moonlight and other sonatas Op.27 and Op. 31 | 1999 | University of Exeter | ||
| Jones TR | 'Mozart's keyboard concertos reconsidered' | 1997 | University of Exeter | ||
| Grange PR | 'Lament of the bow' for chamber ensemble' | 2000 | University of Exeter | ||
| Grange PR | 'Sheng Sheng Bu Shi': Concerto for solo clarinet radical and symphonic wind band | 2000 | University of Exeter | ||
| Allsop PC | 'Arcangelo Corelli: new Orpheus of our times' | 1999 | University of Exeter | ||
| Allsop PC | 'Da camera e da ballo - alla francese et all'italiana: functional and national distinctions in Corelli's Sonate da camera' | 1998 | University of Exeter | ||
| Allsop PC | 'Ensemble music: in the chamber and the orchestra' | 1999 | University of Exeter | ||
| Allsop PC | 'Violinistic virtuosity in the seventeenth century: Italian supremacy or Austro-German hegemony?' | 1996 | University of Exeter | ||
| SWEENEY WJ | An Turus [The Journey] | 1997 | University of Glasgow | Composition | |
| SWEENEY WJ | An Iobairt [The Sacrifice] | 1996 | University of Glasgow | Composition | |
| SWEENEY WJ | Flight | 1998 | University of Glasgow | Composition | |
| SWEENEY WJ | Airc an dualchais [Inheritance ark] | 1998 | University of Glasgow | Composition | |
| SKINNER D | The Byrd Edition | 2000 | University of Glasgow | Early Music | |
| SKINNER D | At the mynde of Nycholas Ludford: new light on Ludford from the churchwardens' accounts of St Margaret's, Westminster | 1994 | University of Glasgow | Early Music | |
| SKINNER D | William Cornysh: Clerk or Courtier? | 1997 | University of Glasgow | Early Music | |
| SKINNER D | Discovering the provenance and history of the Caius and Lambeth choirbooks | 1997 | University of Glasgow | Early Music | |
| RYCROFT ME | Aspects of national styles in gamba music in the eighteenth century | 1995 | University of Glasgow | Early Music | |
| RYCROFT ME | Eingriffe des Verlegers in Haydns Bearbeitungen schottischer Lieder | 2000 | University of Glasgow | Scottish Music and Musicians | |
| RYCROFT ME | Haydn settings of Original Scottish Airs for George Thomson | 2000 | University of Glasgow | Scottish Music and Musicians | |
| HAIR GB | Dances and Devilment and Sunlit Airs | 2000 | University of Glasgow | Composition | |
| HAIR GB | Lament for Santa Sophia | 2000 | University of Glasgow | Composition | |
| HAIR GB | Wild cherries and honeycomb | 1998 | University of Glasgow | Composition | |
| HAIR GB | Seven words | 1999 | University of Glasgow | Composition | |
| FELLS NA | Kendhang | 1996 | University of Glasgow | Composition | |
| FELLS NA | gyre: eddy | 1998 | University of Glasgow | Composition | |
| FELLS NA | Vug | 1998 | University of Glasgow | Composition | |
| FELLS NA | riversongs | 1999 | University of Glasgow | Composition | |
| EDWARDS WA | Latin motets II (from manuscript sources) | 2000 | University of Glasgow | Early Music | |
| EDWARDS WA | 'Chant in Anglo-French Scotland' and 'Polyphony in thirteenth-century Scotland' | 2000 | University of Glasgow | Scottish Music and Musicians | |
| EDWARDS WA | Phrasing in Medieval Song: Perspectives from traditional music | 1996 | University of Glasgow | Early Music | |
| EDWARDS WA | Cavalli: La Didone | 1997 | University of Glasgow | Early Music | |
| BOEHM CB | The Metadata Bear. Or: Bearing the weight of accessibility | 1999 | University of Glasgow | Computer applications | |
| BOEHM CB | Performing Arts Data Service - An Online Digital Resource Library | 1998 | University of Glasgow | Computer applications | Stephen Arnold Celia Duffy Stephen Malloch |
| BOEHM CB | Music Tagging Type Definitions: Systems for music representation and retrieval | 2000 | University of Glasgow | Computer applications | Donald MacLellan |
| BOEHM CB | MusicWeb Den Haag: Developing new tools for higher music education, using wide-area networks and hypermedia technology | 1998 | University of Glasgow | Computer applications | K. de Jong |
| Teruggi D | Summer Band | 1996 | University of Hertfordshire | ||
| Teruggi D | Fugitives Voix | 1997 | University of Hertfordshire | ||
| Teruggi D | Crystal Mirages | 1997 | University of Hertfordshire | ||
| Teruggi D | Symphonische Traume | 2000 | University of Hertfordshire | ||
| Smith D | Off-peak single from Symi | 1998 | University of Hertfordshire | ||
| Smith D | Tuesday | 1999 | University of Hertfordshire | ||
| Smith D | Alban Lament | 1998 | University of Hertfordshire | ||
| Smith D | Cinema Paradiso | 1994 | University of Hertfordshire | ||
| Polfreman R | A Task Analysis of Music Composition and its application to the development of 'Modalyser'. | 1999 | University of Hertfordshire | ||
| Polfreman R | Modalyser: A Graphical System for Creating Modalys Performances | 1997 | University of Hertfordshire | ||
| Polfreman R | Modalyser + Modalyser - ER | 1997 | University of Hertfordshire | ||
| Polfreman R | Analyzing auditory representations for sound classification with self-organising neural networks | 2000 | University of Hertfordshire | C Spevak | |
| Parry D M | Concert at the Michael Tippett Music Centre, Bath | 2000 | University of Hertfordshire | ||
| Parry D M | Composers of the 1990s - a recital by Alison Wells (soprano) and Martyn Parry (piano) | 1999 | University of Hertfordshire | ||
| Parry D M | Belfast Sonorities Festival - a recital by Alison Wells (soprano) and Martyn Parry (piano) | 1999 | University of Hertfordshire | ||
| Parry D M | 20th Century Song - a recital by Alison Wells (soprano) and Martyn Parry (piano) | 1995 | University of Hertfordshire | ||
| Fretwell P | A Fragmented History | 1999 | University of Hertfordshire | ||
| Fretwell P | Asklepion | 1999 | University of Hertfordshire | ||
| Fretwell P | Travelling Still | 1998 | University of Hertfordshire | ||
| Fretwell P | Doors Close | 1998 | University of Hertfordshire | ||
| Dearden I | The Voluptuous Tango | 1997 | University of Hertfordshire | ||
| Dearden I | Mothers Shall Not Cry | 2000 | University of Hertfordshire | ||
| Dearden I | Treeline-Online | 1998 | University of Hertfordshire | ||
| Dearden I | Concert Hall Acoustics | 2000 | University of Hertfordshire | ||
| Burrell H | Missa brevis for SATB and Organ | 1998 | University of Hertfordshire | ||
| Burrell H | Symphony 1 for orchestra | 2000 | University of Hertfordshire | ||
| Burrell H | Symphony 2 for orchestra | 2000 | University of Hertfordshire | ||
| Burrell H | and Music shall untune the sky - for Choir, Organ and Brass Quintet | 1999 | University of Hertfordshire | ||
| Burrell D | Viola Concerto | 1994 | University of Hertfordshire | ||
| Burrell D | Dunkelhvide Manestraler | 1996 | University of Hertfordshire | ||
| Burrell D | Bronze (1998 + 2000) | 1998 | University of Hertfordshire | ||
| Burrell D | Symphonies of Flocks, Herds and Shoals | 1997 | University of Hertfordshire | ||
| Bryars G | First Book of Madrigals - (1998-2000) | 1998 | University of Hertfordshire | ||
| Bryars G | Biped | 1999 | University of Hertfordshire | ||
| Bryars G | Doctor Ox's Experiment | 1998 | University of Hertfordshire | ||
| Bryars G | Unless The Eye Catch Fire (later retitled Last Summer) | 1999 | University of Hertfordshire | ||
| Blinko T J | Sculptures | 1995 | University of Hertfordshire | ||
| Blinko T J | Cantus | 1999 | University of Hertfordshire | ||
| Blinko T J | Montage | 2000 | University of Hertfordshire | ||
| Blinko T J | Ave Maria | 1998 | University of Hertfordshire | ||
| Barker P | The Mechanical Operation of the Spirit | 1999 | University of Hertfordshire | ||
| Barker P | Three Songs for Sylvia | 1994 | University of Hertfordshire | ||
| Barker P | Stone Angels | 1998 | University of Hertfordshire | ||
| Barker P | Dirty Tricks | 1997 | University of Hertfordshire | ||
| Alvarez J | Metro Nativitas | 1999 | University of Hertfordshire | ||
| Alvarez J | Offrande | 2000 | University of Hertfordshire | ||
| Alvarez J | Modelo para Armar | 2000 | University of Hertfordshire | ||
| Alvarez J | Nocturno y Toque | 1997 | University of Hertfordshire | ||
| Steinitz R J | 'Des canyons aux etoiles...' | 1995 | University of Huddersfield | ||
| Steinitz R J | Gy | 1996 | University of Huddersfield | ||
| Steinitz R J | Ikons: The Music of John Tavener | 1994 | University of Huddersfield | ||
| Steinitz R J | Huddersfield Contemporary Music Festival Programme Book | 2000 | University of Huddersfield | ||
| Saunders J E | Metan | 1995 | University of Huddersfield | ||
| Saunders J E | CALMA (Computer assisted learning for musical awareness) | 2000 | University of Huddersfield | Professor Michael Clarke Julia Bowder |
|
| Saunders J E | 511 possible mosaics | 1999 | University of Huddersfield | ||
| Saunders J E | # [unassigned] | 2000 | University of Huddersfield | ||
| Jan S B | Replicating Sonorities: Towards a Memetics of Music | 2000 | University of Huddersfield | ||
| Jan S B | Aspects of Mozart's Music in G Minor: Toward the Identification of Common Structural and Compositional Characteristics | 1995 | University of Huddersfield | ||
| Fox P C | '1982-1994: L'Atelier | 1996 | University of Huddersfield | ||
| Fox P C | Prime site | 1997 | University of Huddersfield | ||
| Fox P C | chant suspendu | 1999 | University of Huddersfield | ||
| Fox P C | 'Introduction''Conversations with Michael Finnissy''The Vocal Music' | 1997 | University of Huddersfield | ||
| Cowgill R E | The London Apollonicon Recitals, 1817-32: A Case Study in Mozart, Haydn and Bach Reception | 1998 | University of Huddersfield | ||
| Cowgill R E | 'Wise Men from the East': Mozart's Operas and their Advocates in Early Nineteenth-Century London | 2000 | University of Huddersfield | ||
| Clarke J M | Composing at the Intersection of Time and Frequency | 1996 | University of Huddersfield | ||
| Clarke J M | Extending Contacts: The Concept of Unity in Computer Music | 2000 | University of Huddersfield | ||
| Clarke J M | a) FOF and FOG synthesis in Csoundb) From Research to Programming to Compositionc) FOG code. Synthesis software | 2000 | University of Huddersfield | ||
| Clarke J M | TIM(br)E | 1996 | University of Huddersfield | ||
| Bryan J H | Performing Early Music Today: a survey of changing fashions in the late twentieth century | 1998 | University of Huddersfield | ||
| Bryan J H | William Lawes: Consort Music for Viols, Lutes and Theorboes | 1996 | University of Huddersfield | ||
| Bryan J H | Master of Musicians: Songs and Instrumental Music by Josquin des Pres, his pupils and contemporaries | 2000 | University of Huddersfield | ||
| Bryan J H | Elizabethan Songs and Consort Music | 1999 | University of Huddersfield | ||
| Adkins M | Noumena | 2000 | University of Huddersfield | ||
| Adkins M | Melt | 1995 | University of Huddersfield | ||
| Adkins M | Mapping | 1995 | University of Huddersfield | ||
| Adkins M | Pagan Circus | 1996 | University of Huddersfield | ||
| Zon BM | Music and Metaphor in Nineteenth-Century British Musicology | 2000 | University of Hull | ||
| Zon BM | The English Plainchant Revival | 1999 | University of Hull | ||
| Wood C | French Baroque Opera: A Reader | 2000 | University of Hull | Graham Sadler | |
| Wood C | The Musical World of the Clifford Constables | 1998 | University of Hull | ||
| Wood C | Music and Drama in the trag | 1996 | University of Hull | ||
| Wood C | Music Making in a Yorkshire Country House, in Nineteenth-Century British Music Studies | 1999 | University of Hull | ||
| Sadler AG | Jean-Philippe Rameau, Zoroastre (1749 version) in Jean-Philippe Rameau: Opera Omnia | 1999 | University of Hull | ||
| Sadler AG | The basse continue in Lully's operas: evidence old and new | 1999 | University of Hull | ||
| Sadler AG | Masterpieces of the French Baroque: Nine Motets from the Century of Louis XIV | 2000 | University of Hull | ||
| Sadler AG | Jean-Philippe Rameau, Plat | 1996 | University of Hull | ||
| Newbould BR | Schubert | 1997 | University of Hull | ||
| Newbould BR | Schubert Studies | 1998 | University of Hull | ||
| Newbould BR | Schubert: the Music and the Man | 1997 | University of Hull | ||
| Newbould BR | Schubert im Spiegel | 1998 | University of Hull | ||
| Dale C | Towards a Tradition of Music Analysis in Britain in the Nineteenth Century | 1999 | University of Hull | ||
| Dale C | Schoenberg's Chamber Symphonies: The Crystallization and Rediscovery of a Style | 2000 | University of Hull | ||
| Dale C | Schoenberg and William Thompson | 1996 | University of Hull | ||
| Dale C | The Skeleton in Schoenberg's Musical Closet: the Chequered Compositional History of Schoenberg's Second Chamber Symphony | 1999 | University of Hull | ||
| Borthwick AB | Tonal elements and their significance in Tippett's Sonata No.3 | 1999 | University of Hull | ||
| Borthwick AB | Lacuna Lullaby | 1997 | University of Hull | ||
| Borthwick AB | Logic, cognition, and the art of the arbitrary | 1999 | University of Hull | ||
| Borthwick AB | Music Theory and Analysis: The Limitations of Logic | 1995 | University of Hull | ||
| Windsor W L | Expressive Timing and Dynamics in Real and Artificial Musical Performances: Using an Algorithm as an Analytical Tool | 1997 | University of Leeds | Clarke, E.F. | |
| Windsor W L | Data Processing in Music Performance Research: Using Structural Information to Improve Score-Performance Matching | 2000 | University of Leeds | Heijink, H. Desain, P. |
|
| Windsor W L | Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music | 1996 | University of Leeds | ||
| Windsor W L | Through and Around the Acousmatic: the Interpretation of Electroacoustic Sounds | 2000 | University of Leeds | ||
| Wilby P | A New World Dancing | 2000 | University of Leeds | ||
| Wilby P | Dove Descending for Brass Band | 1999 | University of Leeds | ||
| Wilby P | Concerto for Euphonium | 1997 | University of Leeds | ||
| Wilby P | Revelation: Symphony for Double Brass on a Theme of Henry Purcell | 1996 | University of Leeds | ||
| Sweeney-Turner S | Liebestod:Sex, Death and Wagnerian Androgyny | 2000 | University of Leeds | ||
| Sweeney-Turner S | Pagan Airts: Reading Critical Perspectives on the Songs of Burns and Tannahill | 1998 | University of Leeds | ||
| Stefani E J | Point-to-Point | 1996 | University of Leeds | ||
| Stefani E J | Senecio | 1998 | University of Leeds | ||
| Stefani E J | SansCulture | 1999 | University of Leeds | ||
| Stefani E J | A Garden Retreat | 1998 | University of Leeds | ||
| Rushton J G | Elgar: | 1999 | University of Leeds | ||
| Rushton J G | Mozart | 1998 | University of Leeds | ||
| Rushton J G | Berlioz and Irlande: from Romance to M | 1996 | University of Leeds | ||
| Rushton J G | Buffo Roles in Mozart | 1997 | University of Leeds | ||
| Rastall G R | The Heaven Singing: Music in Early English Religious Drama I | 1996 | University of Leeds | ||
| Rastall G R | The Musical Repertory | 1994 | University of Leeds | ||
| Rastall G R | Spatial Effects in English Instrumental Consort Music, c. 1560-1605 | 1997 | University of Leeds | ||
| Rastall G R | William Byrd | 1997 | University of Leeds | ||
| Ng K C | Playing on a Holo-stage: Towards the Interaction between Real and Virtual Performers | 2000 | University of Leeds | Sequeira, V. Bovisio, E. Johnson, N. |
|
| Ng K C | An Integrated Multi-Sensory System for Photo-Realistic 3D Scene Reconstruction | 1998 | University of Leeds | Sequeira, V. Butterfield, S. Hogg, D.C. |
|
| Ng K C | Automated Reconstruction of 3D Models from Real Environments | 1999 | University of Leeds | Sequeira, V. Wolfart, E. Gon |
|
| Ng K C | Automatic Detection of Tonality Using Note Distribution | 1996 | University of Leeds | Boyle, R.D. Cooper, D.G. |
|
| Holman P K | Original Sets of Parts for Restoration Concerted Music at Oxford | 1996 | University of Leeds | ||
| Holman P K | The Colchester Part-Books | 2000 | University of Leeds | ||
| Holman P K | 1998 | University of Leeds | |||
| Holman P K | Dowland: Lachrimae (1604) | 1999 | University of Leeds | ||
| Hayden S T | Collateral Damage | 1999 | University of Leeds | ||
| Hayden S T | Bleeding Chunk | 1996 | University of Leeds | ||
| Hayden S T | Partners in Psychopathology | 1998 | University of Leeds | ||
| Hayden S T | Intransigence | 2000 | University of Leeds | ||
| Davison A C | Playing in The Garden: Sound, Performance, and Images of Persecution | 1998 | University of Leeds | ||
| Davison A C | Review of Max Paddison, Adorno | 1998 | University of Leeds | ||
| Cowgill R E | 2000 | University of Leeds | |||
| Cowgill R E | The Papers of C.I. Latrobe: New Light on Musicians, Music, and the Christian Family in Late Eighteenth-Century England | 2000 | University of Leeds | ||
| Cooper D G | Perceptually Smooth Timbral Guides by State-space Analysis of Phase Vocoder Parameters | 2000 | University of Leeds | Bailey, N.J. | |
| Cooper D G | On the Twelfth of July in the Morning . . . or the Man who Mistook his Sash for a Hat | 2000 | University of Leeds | ||
| Cooper D G | The Unfolding of Tonality in the Music of B | 1998 | University of Leeds | ||
| Cooper D G | Expressive MIDI | 1997 | University of Leeds | Ng, K.C. Boyle, R.D. |
|
| Barber G D | The Christian M | 1998 | University of Leeds | ||
| Barber G D | The Organ Music of Herbert Howells (volume 2) | 1996 | University of Leeds | ||
| Barber G D | The Complete Works of Percy Whitlock (three volumes) | 1998 | University of Leeds | ||
| Barber G D | German Organ Music after 1800 | 1999 | University of Leeds | ||
| Wishart JRE | Recomposing Schubert | 2000 | University of Liverpool | ||
| Wishart JRE | Ziggurat | 1999 | University of Liverpool | ||
| Wishart JRE | Looking over the edge | 1996 | University of Liverpool | ||
| Wishart JRE | Red Orchestra II | 1996 | University of Liverpool | ||
| Williamson JG | Mahler and Pfitzner: a parallel development | 1995 | University of Liverpool | ||
| Williamson JG | Wolf's dissonant prolongations | 1996 | University of Liverpool | ||
| Williamson JG | Conjuration scenes in Pfitzner's 'Das Herz' and Busoni's 'Doktor Faust' | 1997 | University of Liverpool | ||
| Williamson JG | Dissonance and middleground prolongations in Mahler's later music | 1997 | University of Liverpool | ||
| Talbot MO | Antonio Vivaldi: Magnificat, cantico per due soprani, contralto e tenore solisti, coro a quattro voci miste, due oboi, due violini, viola e basso, RV 610/611 | 1999 | University of Liverpool | ||
| Talbot MO | Benedetto Vinaccesi: a musician in Brescia and Venice in the age of Corelli | 1994 | University of Liverpool | ||
| Talbot MO | The sacred vocal music of Antonio Vivaldi | 1995 | University of Liverpool | ||
| Talbot MO | Purpose and peculiarities of the Brandenburg Concertos | 1999 | University of Liverpool | ||
| Tagg PD | The G | 1998 | University of Liverpool | ||
| Tagg PD | The musical work: an evaluative charge | 2000 | University of Liverpool | ||
| Tagg PD | Tritonal crime and 'music' as 'music' | 1998 | University of Liverpool | ||
| Tagg PD | Analysing music in the media - an epistemological mess | 1998 | University of Liverpool | ||
| Orledge RFN | Satie remembered | 1995 | University of Liverpool | ||
| Orledge RFN | Understanding Satie's Vexations | 1998 | University of Liverpool | ||
| Orledge RFN | A voyage of discovery into Faur | 1999 | University of Liverpool | ||
| Orledge RFN | Poulenc and Koechlin: 58 lessons and a friendship | 1999 | University of Liverpool | ||
| Jones ML | How pop songs become records: the significance of the methods and priorities of record companies in pop music making | 1998 | University of Liverpool | ||
| Jones ML | Changing slides - Labour's music industry policy under the microscope | 1999 | University of Liverpool | ||
| Jones ML | Marketing British pop: the promotion of British pop acts and British pop records in Japan | 1999 | University of Liverpool | ||
| Jones ML | How can I go forward when I don't know which way I'm facing? The condition of popular music education | 2000 | University of Liverpool | ||
| Horn RDW | Popular music studies: a select international bibliography | 1997 | University of Liverpool | Shepherd, J Laing, D Oliver, P |
|
| Horn RDW | Who loves you, Porgy? The debates surrounding Gershwin's Porgy and Bess | 1996 | University of Liverpool | ||
| Horn RDW | Some thoughts on the work in popular music | 2000 | University of Liverpool | ||
| Horn RDW | From Catfish Row to Granby Street: contesting meaning in Porgy and Bess | 1994 | University of Liverpool | ||
| Cohen S | More than The Beatles: popular music, tourism, and urban regeneration | 1997 | University of Liverpool | ||
| Cohen S | Sounding out the city: music and the sensuous production of place | 1998 | University of Liverpool | ||
| Cohen S | Identity, place and the 'Liverpool sound' | 1994 | University of Liverpool | ||
| Cohen S | Men making a scene: popular music and the production of gender | 1997 | University of Liverpool | ||
| Blezzard JH | King Henry VIII: performer, connoisseur and composer of music | 2000 | University of Liverpool | Palmer, F | |
| Blezzard JH | John Wood: S | 1996 | University of Liverpool | ||
| Blezzard JH | Monsters and messages: the Willmott and Braikenridge manuscripts of Latin Tudor Church Music, 1591 | 1995 | University of Liverpool | ||
| Blezzard JH | Church Music in Tudor Times: compilation and scribal practices with special reference to a Protestant manuscript | 1998 | University of Liverpool | ||
| Poole GR | Crossing Ohashi Bridge for string ensemble 1995 (18') | 1995 | University of Manchester | ||
| Poole GR | String Quartet No. 3, 1997 (20') | 1997 | University of Manchester | ||
| Malone K | Three Ancient Nightclubs for flute, cello, piano and percussion with tape (20') | 1998 | University of Manchester | ||
| Malone K | The Last Memory for clarinet and digital delay, 1996 (13'30) | 1996 | University of Manchester | ||
| Malone K | Part Worn Tyres for guitar and marimba (14') | 2000 | University of Manchester | ||
| Malone K | Remote Control for two harpsichords, CD and audience-controlled electronic sounds (14') | 2000 | University of Manchester | ||
| Ireland R | Vic Hoyland: Bagatelles for String Quartet | 1995 | University of Manchester | ||
| Ireland R | Gyorgy Orban: String Quartet No 3 | 1998 | University of Manchester | ||
| Ireland R | Geoffrey Poole: String Quartet No.3 | 1997 | University of Manchester | ||
| Ireland R | Beethoven: complete cycle of string quartets | 1997 | University of Manchester | ||
| Gregor-Smith B | John Casken: String Quartet No.2 | 1994 | University of Manchester | ||
| Gregor-Smith B | Haydn cycle: Op.20 No.5, Op.33 No.2, Op.54 No.2, Op.76 No.1 | 1998 | University of Manchester | ||
| Gregor-Smith B | Beethoven: complete cycle of strings quartets | 1999 | University of Manchester | ||
| Gregor-Smith B | Henri Dutilleux: Ainsi la Nuit | 1994 | University of Manchester | ||
| Grange PR | Lament of the Bow for chamber ensemble (16') | 2000 | University of Manchester | ||
| Grange PR | Des fins sont des commencements for chamber ensemble (6') | 1994 | University of Manchester | ||
| Fanning DJ | Shostakovich Studies | 1995 | University of Manchester | ||
| Fanning DJ | Carl Nielsen: Aladdin | 2000 | University of Manchester | ||
| Fanning DJ | Carl Nielsen: Symphony No. 5 | 1997 | University of Manchester | ||
| Fanning DJ | Progressive Thematicism in Carl Nielsen's Symphonies | 1995 | University of Manchester | ||
| Fallows DN | Oxford, Bodleian Library, MS Canon. Misc. 213 | 1995 | University of Manchester | ||
| Fallows DN | A Catalogue of Polyphonic Songs, 1415-1480 | 1999 | University of Manchester | ||
| Fallows DN | Leonardo Giustinian and Quattrocento polyphonic song | 1995 | University of Manchester | ||
| Fallows DN | Approaching a New Chronology for Josquin: an Interim Report | 1996 | University of Manchester | ||
| Elcombe DK | Martin Butler: Back to Ground | 1996 | University of Manchester | ||
| Elcombe DK | Keyboard Music | 1995 | University of Manchester | ||
| Elcombe DK | George Nicholson: Letters to the World (settings of poems by Emily Dickinson), for soprano, recorder, cello, harpsichord. (30'). | 2000 | University of Manchester | ||
| Elcombe DK | Kenneth Leighton: Animal Heaven; Edward Harper: Lights Out, for soprano, recorder, cello and harpsichord | 2000 | University of Manchester | ||
| Cropper PJ | Geoffrey Poole: String Quartet No.3 | 1997 | University of Manchester | ||
| Cropper PJ | Beethoven: complete cycle of string quartets | 1997 | University of Manchester | ||
| Cropper PJ | Vic Hoyland: Bagatelles for String Quartet | 1995 | University of Manchester | ||
| Cropper PJ | Gyorgy Orban: String Quartet No 3 | 1998 | University of Manchester | ||
| Cooper BAR | Beethoven's Folksong Settings: Chronology, Sources, Style | 1994 | University of Manchester | ||
| Cooper BAR | John Blow, Complete Organ Music | 1996 | University of Manchester | ||
| Cooper BAR | Catalogue of pre-1900 Manuscripts in the John Rylands University Library of Manchester | 1997 | University of Manchester | ||
| Cooper BAR | Beethoven | 2000 | University of Manchester | ||
| Casken J | Apres un silence for violin and chamber orchestra (18') . | 1999 | University of Manchester | ||
| Casken J | Violin Concerto (30') | 1995 | University of Manchester | ||
| Casken J | Sortilege for orchestra (20') | 1996 | University of Manchester | ||
| Casken J | Distant Variations for saxophone quartet and wind orchestra (16') | 1997 | University of Manchester | ||
| Birks RM | Haydn cycle: Op.20 No.5, Op.33 No.2, Op.54 No.2, Op.76 No.1 | 1998 | University of Manchester | ||
| Birks RM | Henri Dutilleux: Ainsi la Nuit | 1994 | University of Manchester | ||
| Birks RM | John Casken: String Quartet No. 2 | 1994 | University of Manchester | ||
| Birks RM | Beethoven: complete cycle of string quartets | 1999 | University of Manchester | ||
| Williamson M G | The Early Tudor Court, the Provinces and the Eton Choir Book | 1997 | University of Newcastle | ||
| Williamson M G | The Eton Choir Book: Collegiate Music-making in the Reign of Henry VII | 1995 | University of Newcastle | ||
| Williamson M G | Royal Image-making and Textual Interplay in Gilbert Banaster's 'O Maria et Elizabeth' | 2000 | University of Newcastle | ||
| Williamson M G | Pictura et Scriptura: The Eton Choir Book in its Iconographical Context | 2000 | University of Newcastle | ||
| Sansom M J | Music for Ariel Dorfman's play 'Widows' | 2000 | University of Newcastle | ||
| Sansom M J | Compositions: 1999-2000 | 2000 | University of Newcastle | ||
| Middleton R | Authorship, Gender and the Construction of Meaning in the Eurythmics' Hit Recordings | 1995 | University of Newcastle | ||
| Middleton R | Were the Rockers Right? Revolution and Legitimation in British Pop Music of the 1960s | 1997 | University of Newcastle | ||
| Middleton R | Musical Belongings: Western Music and Its Low-Other | 2000 | University of Newcastle | ||
| Middleton R | Work-in-(g) Practice: Configurations of the Popular Music Intertext | 2000 | University of Newcastle | ||
| Gribbin D | Tribe | 1997 | University of Newcastle | ||
| Gribbin D | Celestial Pied Piper | 2000 | University of Newcastle | ||
| Gribbin D | Amazing Face | 2000 | University of Newcastle | ||
| Gribbin D | Hey Persephone! | 1998 | University of Newcastle | ||
| Fern A | Wounded Angel | 1996 | University of Newcastle | ||
| Fern A | Peregrine | 1996 | University of Newcastle | ||
| Fern A | Approaching Melmoth | 2000 | University of Newcastle | ||
| Fern A | Fuego | 1996 | University of Newcastle | ||
| Cross E G N | Death in War: Britten and the War Requiem | 1994 | University of Newcastle | ||
| Cross E G N | Vivaldi and the Pasticcio: Text and Music in Tamerlano | 1995 | University of Newcastle | ||
| Cross E G N | Vivaldi: Arsilda, Regina di Ponto | 1998 | University of Newcastle | ||
| Cross E G N | Vivaldi: Ottone in villa | 1998 | University of Newcastle | ||
| Clarke D I | The Meaning of 'Lateness': Mediations of Work, Self and Society in Tippett's Triple Concerto | 2000 | University of Newcastle | ||
| Clarke D I | The Significance of the Concept Image in Tippett's Musical Thought: a Perspective from Jung | 1996 | University of Newcastle | ||
| Clarke D I | Language Games: Is Music like Language? What Makes a Musical Discourse? (and) Speaking for Itself: How Does Music Become Autonomous? (2 part article) | 1996 | University of Newcastle | ||
| Clarke D I | Tippett Studies | 1999 | University of Newcastle | ||
| Biddle I D | F.W.J. Schelling's Philosophie der Kunst: an Emergent Semiology of Music | 1996 | University of Newcastle | ||
| Biddle I D | Policing Masculinity: Schumann, Berlioz and the Gendering of the Music-critical Idiom | 1999 | University of Newcastle | ||
| Biddle I D | Das Ich, das Begehren und die Wiedergeburt des Komponisten: Neuere Werke von Roger Redgate | 1999 | University of Newcastle | ||
| Biddle I D | The Gendered Eye: Music Analysis and the Scientific Outlook in German Early Romantic Music Theory | 2000 | University of Newcastle | ||
| Wright PA | Decline or Renewal in Late Tippett? The Fifth String Quartet in Perspective | 1999 | University of Nottingham | ||
| Wright PA | Binchois and England: Some Questions of Style, Influence, and Attribution in his Sacred Works | 2000 | University of Nottingham | ||
| Wright PA | Johannes Wiser's Paper and the Copying of His Manuscripts | 1996 | University of Nottingham | ||
| Wright PA | Paper Evidence and the Dating of Trent 91 | 1995 | University of Nottingham | ||
| Weller PH | Lasso, Man of the Theatre | 1995 | University of Nottingham | ||
| Weller PH | Frames and Images: Locating Music in Cultural Histories of the Middle Ages | 1997 | University of Nottingham | ||
| Weller PH | Rites of Passage: 'Nove cantum melodie', the Burgundian Court and Binchois's Early Career | 2000 | University of Nottingham | ||
| Weller PH | Binchois's Texts | 1996 | University of Nottingham | Andrew Kirkman | |
| Sackman N | Meld, concerto for piano, brass and percussion | 2000 | University of Nottingham | ||
| Sackman N | Koi, for flute quartet | 1999 | University of Nottingham | ||
| Sackman N | Cecilia dances, for orchestra | 1995 | University of Nottingham | ||
| Sackman N | Sextet, for winds | 2000 | University of Nottingham | ||
| Pople AJ | Vaughan Williams, Tallis, and the Phantasy Principle | 1996 | University of Nottingham | ||
| Pople AJ | Messiaen: Quatuor pour la fin du temps | 1998 | University of Nottingham | ||
| Pople AJ | From Pastiche to Free Composition: R. O. Morris, Tippett, and the Development of Pitch-Resources in the Fantasia Concertante on a Theme of Corelli | 1999 | University of Nottingham | ||
| Pople AJ | Misleading Voices: Contrasts and Continuities in Stravinsky Studies | 1996 | University of Nottingham | ||
| Olleson PJ | Samuel Wesley and the Music Profession | 2000 | University of Nottingham | ||
| Olleson PJ | Crotch, Moore, and the 1808 Birmingham Festival | 1996 | University of Nottingham | ||
| Olleson PJ | Samuel Wesley and the 'European Magazine' | 1996 | University of Nottingham | ||
| Olleson PJ | The London Roman Catholic Embassy Chapels and their Music in the Eighteenth and early Nineteenth Centuries | 2000 | University of Nottingham | ||
| Morehen J | Claudio Merulo, 'Ricercari d'intavolatura d'organo' | 2000 | University of Nottingham | ||
| Morehen J | Thomas Morley II: Services | 1998 | University of Nottingham | ||
| Morehen J | A Neglected East Anglian Madrigalian Collection of the Jacobean Period | 1998 | University of Nottingham | ||
| Morehen J | John Amner, 'Sacred Hymnes (1615)' | 2000 | University of Nottingham | ||
| Cooke MJ | Britten and the Far East | 1998 | University of Nottingham | ||
| Cooke MJ | Britten: War Requiem | 1996 | University of Nottingham | ||
| Cooke MJ | The Cambridge Companion to Benjamin Britten | 1999 | University of Nottingham | ||
| Cooke MJ | Jazz | 1998 | University of Nottingham | ||
| Brubeck D | Four Score in Seven | 2000 | University of Nottingham | ||
| Brubeck D | 1959: The Beginning of Beyond | 2000 | University of Nottingham | Peter King Alan Skidmore Alec Dankworth |
|
| Brubeck D | In Their Own Sweet Way | 1996 | University of Nottingham | Dave Brubeck Chris Brubeck Dan Brubeck |
|
| Brubeck D | Gathering Forces III | 1997 | University of Nottingham | Deepak Ram Chris Merz Concord Nkabinde |
|
| Adlington RC | Into the Sensuous World: The Music of Rebecca Saunders | 1999 | University of Nottingham | ||
| Adlington RC | Musical Temporality: Perspectives from Adorno and de Man | 1997 | University of Nottingham | ||
| Adlington RC | David Epstein, 'Shaping Time: Music, the Brain, and Performance' | 1997 | University of Nottingham | ||
| Adlington RC | The Music of Harrison Birtwistle | 2000 | University of Nottingham | ||
| WOLLENBERG SLF | 1995 | University of Oxford | |||
| WOLLENBERG SLF | Schubert's Transitions | 1998 | University of Oxford | ||
| WOLLENBERG SLF | Music in Nineteenth-Century Oxford | 1999 | University of Oxford | ||
| WOLLENBERG SLF | Beginnings and Endings: C.P.E. Bach's Keyboard Sonatas Revisited | 1998 | University of Oxford | ||
| STROHM R | Dramma per Musica: Italian Opera Seria of the Eighteenth Century | 1997 | University of Oxford | ||
| STROHM R | The Humanist Idea of a Common Revival of the Arts, and its Implications for Music History | 1997 | University of Oxford | ||
| STROHM R | Looking back at ourselves: the problem with the musical work-concept | 2000 | University of Oxford | ||
| STROHM R | 1998 | University of Oxford | |||
| SENICI E | Verdi's Luisa, a Semiserious Alpine Virgin | 1998 | University of Oxford | ||
| SENICI E | Mayr e il Metastasio: un contesto per Demetrio | 1997 | University of Oxford | ||
| SENICI E | 1997 | University of Oxford | |||
| SENICI E | 1995 | University of Oxford | |||
| SAXTON R | The Process of Composition from Detection to Confection | 1998 | University of Oxford | ||
| SAXTON R | A Yardstick to the Stars, for Piano and String Quartet | 1994 | University of Oxford | ||
| SAXTON R | Prayer before sleep, for soprano, cello and piano | 1997 | University of Oxford | ||
| SAXTON R | Songs, Dances and Ellipses, for String Quartet | 1998 | University of Oxford | ||
| REES OL | Lisbon, Biblioteca Nacional, CIC Ms 60: the Repertories and their Context | 1997 | University of Oxford | ||
| REES OL | Music by Pedro de Cristo (c.1550-1618): an Edition of the Motets from Coimbra, Biblioteca Geral da Universidade, MM33; Music Archive Publications, Series C | 1998 | University of Oxford | ||
| REES OL | Polyphony in Portugal c.1530-c.1620: Sources from the Monastery of Santa Cruz, Coimbra. Outstanding dissertations in Music from British Universities | 1995 | University of Oxford | ||
| REES OL | Mille regretz as Model: Possible Allusions to | 1995 | University of Oxford | ||
| POTT F | Toccata, for piano solo | 1996 | University of Oxford | ||
| POTT F | Passion Symphony | 1994 | University of Oxford | ||
| POTT F | A Song on the End of the World, oratorio | 1999 | University of Oxford | ||
| POTT F | Sonata for Cello and Piano | 1996 | University of Oxford | ||
| MARSTON NJ | Voicing Beethoven's Distant Beloved | 2000 | University of Oxford | ||
| MARSTON NJ | Beethoven's Piano Sonata in E, Op.109 | 1995 | University of Oxford | ||
| MARSTON NJ | From A to B: The History of an Idea in the 'Hammerklavier Sonata' | 1997 | University of Oxford | ||
| MARSTON NJ | 2000 | University of Oxford | |||
| LINGAS A | When Augustus Reigned: Orthodox Music for Christmas. Cappella Romana, directed by A. Lingas | 2000 | University of Oxford | ||
| LINGAS A | Festal Cathedral Vespers in Late Byzantium | 1997 | University of Oxford | ||
| LINGAS A | Hesychasm and Psalmody | 1996 | University of Oxford | ||
| LINGAS A | The Liturgical Use of the Kontakion in Constantinople | 1995 | University of Oxford | ||
| LA RUE HTAM | Transpositions | 2000 | University of Oxford | ||
| LA RUE HTAM | The Bate Collection Database | 1999 | University of Oxford | ||
| LA RUE HTAM | The Ethnomusicologist in the Wilderness | 2000 | University of Oxford | ||
| LA RUE HTAM | The Database of the Musical Collection of the Pitt Rivers Museum | 1999 | University of Oxford | ||
| JOHNSTONE HD | Ayres and Arias: A Hitherto Unknown Seventeenth-Century English Songbook | 1997 | University of Oxford | ||
| JOHNSTONE HD | Ornamentation in the Keyboard Music of Henry Purcell and his Contemporaries | 1996 | University of Oxford | ||
| JOHNSTONE HD | Treasure Trove in Gloucester: A Grangerized Copy of the 1895 Edition of Daniel Lysons's | 1998 | University of Oxford | ||
| JOHNSTONE HD | Handel's London - British Musicians and Concert Life | 1997 | University of Oxford | ||
| HINNELLS D | An Extraordinary Performance: Hubert Foss, Music Publishing and Oxford University Press | 1998 | University of Oxford | ||
| HINNELLS D | Vaughan Williams's Piano Concerto: the First Seventy Years | 1998 | University of Oxford | ||
| HINNELLS D | 'Vaughan Williams Studies' (ed. Frogley, 1996) | 1998 | University of Oxford | ||
| HINNELLS D | Hugh Foss: Vaughan Williams's Jaeger? | 1996 | University of Oxford | ||
| HIGGINBOTTOM E | Renaissance Masterpieces Vol.III. Works by Eustache du Caurroy. New College Choir, directed by Dr Edward Higginbottom | 1997 | University of Oxford | ||
| HIGGINBOTTOM E | Renaissance Masterpieces Vol.V. Works by Philippe de Monte. New College Choir, directed by Dr Edward Higginbottom | 1998 | University of Oxford | ||
| HIGGINBOTTOM E | Renaissance Masterpieces, Vol.I. Works by Tallis and Byrd. New College Choir, directed by Dr Edward Higginbottom | 1996 | University of Oxford | ||
| HIGGINBOTTOM E | Renaissance Masterpieces Vol.II. Works by Lassus. New College Choir, directed by Dr Edward Higginbottom | 1997 | University of Oxford | ||
| HENSON K | Jonathan Bellman (ed.) | 1999 | University of Oxford | ||
| HENSON K | Victor Capoul, Marguerite Olagnier's | 1999 | University of Oxford | ||
| HENSON K | Exotisme et nationalite: | 2000 | University of Oxford | ||
| HENSON K | In the House of Disillusion: Augusta Holmes and | 1997 | University of Oxford | ||
| GIBSON IS | A Voice Controlled Music Synthesis System | 1998 | University of Oxford | Gibson, I Howard, D M |
|
| GIBSON IS | Cast Aside (electroacoustic composition) | 2000 | University of Oxford | ||
| GIBSON IS | Sound processing control using voice and graphical information | 1994 | University of Oxford | Gibson, I Howard, D M |
|
| GIBSON IS | Voice parameter estimation for sound processing control | 1994 | University of Oxford | Gibson, I Howard, D M |
|
| FRANKLIN PR | 1997 | University of Oxford | |||
| FRANKLIN PR | 1998 | University of Oxford | |||
| FRANKLIN PR | Modernism, Deception and Musical Others: Los Angeles c.1940 | 2000 | University of Oxford | ||
| FRANKLIN PR | The Life of Mahler | 1997 | University of Oxford | ||
| DARLINGTON SM | English and Latin Church Music, John Sheppard. Christ Church Choir, directed by Stephen Darlington | 1996 | University of Oxford | ||
| DARLINGTON SM | Choral Works, J.R. Esteves (Mass for 8 Voices etc.). Christ Church Choir, directed by Stephen Darlington | 1997 | University of Oxford | ||
| DARLINGTON SM | Music for Cardinal Wolsey by Richard Pygott and John Mason. Christ Church Choir, directed by Stephen Darlington | 1999 | University of Oxford | ||
| DARLINGTON SM | Two Tudor Masses for the Cardinal: Missa Jesu Christe (Thomas Ashwell), Missa Videte manus meus (High Aston). Christ Church Choir, directed by Stephen Darlington | 1998 | University of Oxford | ||
| COLLINS RICE H | I Fiori, string quartet | 1996 | University of Oxford | ||
| COLLINS RICE H | And They Went to a Place, for 8 voices | 1999 | University of Oxford | ||
| COLLINS RICE H | In the Grave, Whither thou Goest, for soprano and ensemble | 1995 | University of Oxford | ||
| COLLINS RICE H | Robin's Lament, for chamber orchestra | 1995 | University of Oxford | ||
| CLARK S | Integral para Piano solo de Franz Schubert (1817-1828) | 1994 | University of Oxford | ||
| CLARK S | Sextetos de cordes de Johannes Brahms | 1994 | University of Oxford | ||
| CLARK S | Terzverwandtschaft in der | 1998 | University of Oxford | ||
| CLARK S | Schenker's Mysterious Five | 1999 | University of Oxford | ||
| CALDWELL JA | English Liturgical Organ Music: Some Old and Some New Issues | 1996 | University of Oxford | ||
| CALDWELL JA | The Oxford History of English Music. Vol.II: From c.1715 to the Present Day | 1999 | University of Oxford | ||
| CALDWELL JA | Good Friday | 1998 | University of Oxford | ||
| CALDWELL JA | Tudor Keyboard Music c.1520-1580. Transcribed and Edited by John Caldwell. Musica Britannica Vol.LXVI | 1995 | University of Oxford | ||
| BURDEN M | Purcell Debauch'd - the dramatick operas in performance | 1996 | University of Oxford | ||
| BURDEN M | Great minds against themselves conspire; Purcell's Dido as a conspiracy theorist | 1998 | University of Oxford | ||
| BURDEN M | The Independent Masque in Britain in the Eighteenth-Century: a Catalogue | 1996 | University of Oxford | ||
| BURDEN M | Aspects of Purcell's Operas | 2000 | University of Oxford | ||
| BUJIC B | Palestrina, Willaert, Arcadelt and the Art of Imitation | 1998 | University of Oxford | ||
| BUJIC B | Form and Forming: From Victorian Aesthetics to Mid-twentieth-century Avant-garde | 1998 | University of Oxford | ||
| BUJIC B | Rinuccini the Craftsman: A View of his L'Arianna | 1999 | University of Oxford | ||
| BUJIC B | Delicate Metaphors | 1997 | University of Oxford | ||
| BLACKBURN B | Did Ockeghem Listen to Tinctoris? | 1998 | University of Oxford | ||
| BLACKBURN B | The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV | 1999 | University of Oxford | ||
| BLACKBURN B | Petrucci's Venetian Editor: Petrus Castellanus and his Musical Garden | 1998 | University of Oxford | ||
| BLACKBURN B | For Whom do the Singers Sing? | 1997 | University of Oxford | ||
| BENT M | The grammar of early music: preconditions for analysis | 1998 | University of Oxford | ||
| BENT M | Some aspects of the motets in the Cyprus manuscript | 1995 | University of Oxford | ||
| BENT M | Music and the Early Veneto Humanists | 1999 | University of Oxford | ||
| BENT M | Fauvel and Marigny: which came first? | 1998 | University of Oxford | ||
| Wilson CR | The Idea of Musicality in Hopkins | 1999 | University of Reading | ||
| Wilson CR | Shakespeare | 1998 | University of Reading | ||
| Wilson CR | Campion | 2000 | University of Reading | ||
| Wilson CR | Nineteenth-century Musical Agogics as an Element in Gerard Manley Hopkins | 2000 | University of Reading | ||
| Tatlow R | Number and Music | 2000 | University of Reading | ||
| Tatlow R | Bach and Numbers | 2000 | University of Reading | ||
| Tatlow R | Bach, Johann Sebastian | 1999 | University of Reading | ||
| Tatlow R | Towards A Theory of Bach's pre-compositional style | 1999 | University of Reading | ||
| Rhys PQ | Five Preludes for Piano | 1999 | University of Reading | ||
| Rhys PQ | Autobuslied for solo cello | 1998 | University of Reading | ||
| Rhys PQ | Piano Trio | 1996 | University of Reading | ||
| Rhys PQ | Not I for solo piano | 1996 | University of Reading | ||
| Ker D | The Structure of Memory | 1997 | University of Reading | ||
| Ker D | Darkness and Light | 1998 | University of Reading | ||
| Ker D | Water Mountain | 1999 | University of Reading | ||
| Ker D | Three Etchings | 1995 | University of Reading | ||
| Kent CJ | Organs in Contrast. Variations and Voluntaries for Organ by John Blow and Johann Pachelbel. | 2000 | University of Reading | ||
| Kent CJ | The Organ in Eighteenth-Century Croatia: Some Contrasts and Comparisons | 1998 | University of Reading | ||
| Kent CJ | The George Pike England Organ in the Church of Nossa Senhora Do Monte, Island of Madeira | 1997 | University of Reading | ||
| Kent CJ | Temperament and Pitch | 1998 | University of Reading | ||
| Fuller S | Dead White Men in Wigs: Women and Classical Music Today | 1995 | University of Reading | ||
| Fuller S | Dora Bright, Variations on an Original Theme, for two pianos, introduced and edited | 1999 | University of Reading | ||
| Fuller S | The Pandora Guide to Women Composers: Britain and the United States, 1629-present | 1994 | University of Reading | ||
| Fuller S | New Perspectives: Feminism and Music | 1996 | University of Reading | ||
| Dunsby JM | Musicology and Culture | 1996 | University of Reading | ||
| Dunsby JM | The Poetry of Debussy's En blanc et noir | 1996 | University of Reading | ||
| Dunsby JM | Schoenberg and Present-Day Theory and Practice | 1997 | University of Reading | ||
| Dunsby JM | Recent Schenker: The Poetic Power of Intelligent Calculation (Or, The Emperor's Second Set of New Clothes) | 1999 | University of Reading | ||
| Bannan NJC | A Gestural Language for the Representation and Communication of Vocal Harmony | 2000 | University of Reading | ||
| Bannan NJC | Out of Africa: The Evolution of the Human Capacity for Music | 1998 | University of Reading | ||
| Bannan NJC | Aural Feedback, Vocal Technique, and Creativity | 1998 | University of Reading | ||
| Bannan NJC | The Consequences for Singing Teaching of an Adaptionist Approach to Vocal Development | 1997 | University of Reading | ||
| Bamford A | Sei Poesie di Giuseppe Ungaretti | 1995 | University of Reading | ||
| Bamford A | Five Songs for an Open Mind | 1997 | University of Reading | ||
| Bamford A | Guernica | 1998 | University of Reading | ||
| Bamford A | Shifts | 1998 | University of Reading | ||
| Wilson M | Hamelin! | 2000 | University of Salford | ||
| Wilson M | The Waxing Moon, the Wolf-Heart's Blood | 1999 | University of Salford | ||
| Wilson M | Sonata for Violin and Piano | 2000 | University of Salford | ||
| Wilson M | Concerto in Three Movements for Six String Electric Violin and Brass Band | 1998 | University of Salford | ||
| Williams A | Entropy Games | 1999 | University of Salford | ||
| Williams A | Quint for Orchestra | 2000 | University of Salford | ||
| Williams A | Adjunk Halat Mindnyajan... | 1998 | University of Salford | ||
| Williams A | The Literary Sources for Kurtag's Fragment Form. | 1999 | University of Salford | ||
| Whiteley S | Sexing the Groove: Popular Music and Gender. (Introduction; Chapters 5 and 14). | 1998 | University of Salford | ||
| Whiteley S | Women and Popular Music. Sexuality, Identity and Subjectivity | 2000 | University of Salford | ||
| Whiteley S | Repressive Representations: Patriarchy and Femininities in Rock Music of the Counterculture | 1998 | University of Salford | ||
| Whiteley S | Altered Sounds | 1997 | University of Salford | ||
| Scott D | The Sexual Politics of Victorian Musical Aesthetics | 1994 | University of Salford | ||
| Scott D | Orientalism and Musical Style | 1998 | University of Salford | ||
| Scott D | The Jazz Age | 1995 | University of Salford | ||
| Scott D | Music, Culture, and Society: A Reader | 2000 | University of Salford | ||
| Robinson P | Le Sang D'un Po | 2000 | University of Salford | ||
| Robinson P | The Axiom of Maria | 1998 | University of Salford | ||
| Robinson P | 'I'm always interested in new experience' | 2000 | University of Salford | ||
| Robinson P | 'Incantation' | 1994 | University of Salford | ||
| Newsome R | Brass Roots. A Hundred Years of Brass Bands and their Music, 1836-1936. | 1998 | University of Salford | ||
| Newsome R | The Land of the Poacher | 2000 | University of Salford | ||
| Newsome R | Doctor Denis. The Life and Times of Dr Denis Wright. | 1995 | University of Salford | ||
| Newsome R | A Dunwich Sinfonietta | 1998 | University of Salford | ||
| Lee C P | Like a Bullet of Light - The Films of Bob Dylan | 2000 | University of Salford | ||
| Lee C P | Like the Night: Bob Dylan and the Road to the Manchester Free Trade Hall | 1998 | University of Salford | ||
| Lee C P | The Lancashire Shaman | 1998 | University of Salford | ||
| Lee C P | 'Yeah, and I used to be a Hunchback' | 1998 | University of Salford | ||
| King D | Essays for Brass, Vol 2 | 1997 | University of Salford | ||
| King D | Highlights from European Brass Band Championships 2000 | 2000 | University of Salford | ||
| King D | Essays for Brass, Vol 3. | 2000 | University of Salford | ||
| King D | Essays for Brass, Vol 1 | 1996 | University of Salford | ||
| Graham P | Harrison's Dream | 2000 | University of Salford | ||
| Graham P | On Alderley Edge | 1997 | University of Salford | ||
| Graham P | Montage | 1994 | University of Salford | ||
| Graham P | Reflected in Brass | 1998 | University of Salford | ||
| Dewhurst R | Orchestre Nationale de Jazz. Project focusing on the work of Gil Evans, Cugny and Schneider. | 1997 | University of Salford | ||
| Dewhurst R | Panache | 1995 | University of Salford | ||
| Dewhurst R | Coming Home | 1999 | University of Salford | ||
| Dewhurst R | Brasilia | 1996 | University of Salford | ||
| Stock JPJ | Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings | 1996 | University of Sheffield | ||
| Stock JPJ | Huju and Musical Change: The Rise of a Local Operatic Form in East China, to 1920 | 1997 | University of Sheffield | ||
| Stock JPJ | A Reassessment of the Relationship between Text, Speech Tone, Melody, and Aria Structure in Beijing Opera | 1999 | University of Sheffield | ||
| Stock JPJ | World Sound Matters: An Anthology of Music from Around the World: Transcriptions | 1996 | University of Sheffield | Robert Provine Marzanna Paplawska Simon Steptoe |
|
| Pitts SE | Reasons to teach music: establishing a place in the contemporary curriculum | 2000 | University of Sheffield | ||
| Pitts SE | Developing effective practice strategies: case studies of three young instrumentalists | 2000 | University of Sheffield | Jane Davidson Gary McPherson |
|
| Pitts SE | The implications of historical music education research for contemporary music education practice in England | 1998 | University of Sheffield | ||
| Pitts SE | A Century of Change in Music Education: Historical perspectives on contemporary practice in British secondary school music | 2000 | University of Sheffield | ||
| Nicholson GTF | termi(n | 1995 | University of Sheffield | ||
| Nicholson GTF | Letters to the World | 2000 | University of Sheffield | ||
| Nicholson GTF | Flute concerto | 1994 | University of Sheffield | ||
| Nicholson GTF | String Quartet no.3 | 1996 | University of Sheffield | ||
| Moore AJ | Traces (CD) | 2000 | University of Sheffield | ||
| Moore AJ | Out there and beyond | 2000 | University of Sheffield | ||
| Moore AJ | Ethereality | 2000 | University of Sheffield | ||
| Moore AJ | Superstrings | 2000 | University of Sheffield | ||
| Hill PHA | Berg, Schoenberg, Webern: the piano music (CD) | 1999 | University of Sheffield | ||
| Hill PHA | Stravinsky: The Rite of spring | 2000 | University of Sheffield | ||
| Hill PHA | Stravinsky: piano music (CD) | 1996 | University of Sheffield | Benjamin Frith | |
| Hill PHA | The Messiaen Companion | 1994 | University of Sheffield | ||
| Dingle CP | Understated charm: style and technique in the last works of Olivier Messiaen. | 2000 | University of Sheffield | ||
| Dingle CP | La statue reste sur son pi | 2000 | University of Sheffield | ||
| Dibben N | The cognitive reality of hierarchic structure in tonal and atonal music. | 1994 | University of Sheffield | ||
| Dibben N | Representations of femininity in popular music. | 1999 | University of Sheffield | ||
| Dibben N | The perception of structural stability in atonal music: the influence of salience, stability, horizontal motion, pitch commonality and dissonance. | 1999 | University of Sheffield | ||
| Dibben N | Sex, Pulp and critique | 2000 | University of Sheffield | Clarke, E.F. | |
| Davidson JW | The Social in Musical Performance | 1997 | University of Sheffield | ||
| Davidson JW | The Role of Parental Influences in the Development of Musical Ability | 1996 | University of Sheffield | M J A Howe D M Moore J A Sloboda |
|
| Davidson JW | Innate talents: Reality or myth? | 1998 | University of Sheffield | M J A Howe J A Sloboda |
|
| Davidson JW | Which areas of a pianists's body convey information about expressive intention to an audience? | 1994 | University of Sheffield | ||
| Clarke EF | Talking fingers: an interview study of pianists' views on fingering. | 1997 | University of Sheffield | R Parncutt M Raekallio J Sloboda |
|
| Clarke EF | Real and simulated expression: a listening study | 2000 | University of Sheffield | W L Windsor | |
| Clarke EF | Rhythm and timing in music | 1999 | University of Sheffield | ||
| Clarke EF | Subject-position and the specification of invariants in music by Frank Zappa and P.J. Harvey | 1999 | University of Sheffield | ||
| Brown AM | William Byrd: Audivi vocem de caelo | 2000 | University of Sheffield | ||
| Brown AM | Battle Music | 2000 | University of Sheffield | ||
| Brown AM | 'England' in Keyboard Music Before 1700 | 1995 | University of Sheffield | ||
| Brown AM | William Byrd: Keyboard Music (I) | 1999 | University of Sheffield | ||
| Thomas PJ | Composed music for Pantene Conditioner TV Commercial | 1999 | University of Southampton | ||
| Thomas PJ | Rhythm Royale | 1998 | University of Southampton | ||
| Thomas PJ | London Radio Services: Signature theme and music beds for 8 programmes | 1997 | University of Southampton | ||
| Thomas PJ | Mad, Bad and Jazzy | 1997 | University of Southampton | ||
| Stras LA | MarcAntonio Ingegneri: New Biographical Information | 1994 | University of Southampton | ||
| Stras LA | Recording Tarquinia: Imitation, Parody and Reportage in MarcAntonio Ingegneri | 1999 | University of Southampton | ||
| Stras LA | Monteverdi as discepolo: Harmony, Rhetoric and Psalm-Tone Hierarchies in the Works of Ingegneri and Monteverdi | 1995 | University of Southampton | ||
| Stras LA | Onde avr | 2000 | University of Southampton | ||
| Stilwell RJ | 1997 | University of Southampton | |||
| Stilwell RJ | Sense + Sensibility: Form, Genre, and Function in the Film Score | 2000 | University of Southampton | ||
| Stilwell RJ | 1996 | University of Southampton | |||
| Stilwell RJ | Symbol, Narrative, and the Musics of Truly, Madly, Deeply | 1997 | University of Southampton | ||
| Norris DO | Constant Lambert: Piano Concerto | 2000 | University of Southampton | ||
| Norris DO | Franz Schubert: The Kosegarten Liederspiel | 2000 | University of Southampton | ||
| Norris DO | Edward Elgar: Piano Improvisations | 1999 | University of Southampton | ||
| Norris DO | Mendelssohn: Piano concerto no. 2 in D minor, Op.40, with the Orchestra of the Age of Enlightenment, cond. Arnold Oestman | 1995 | University of Southampton | ||
| Nicholls DR | Avant-garde and Experimental Music | 1998 | University of Southampton | ||
| Nicholls DR | Transethnicism and the American Experimental Tradition | 1996 | University of Southampton | ||
| Head MW | Orientalism, Masquerade and Mozart | 2000 | University of Southampton | ||
| Head MW | Bird Song and the Origins of Music | 1997 | University of Southampton | ||
| Head MW | Music with | 2000 | University of Southampton | ||
| Head MW | 'If the pretty little hand won | 1999 | University of Southampton | ||
| Gordon MZ | Barcarola, for horn, violin and piano (7 minutes) | 1998 | University of Southampton | ||
| Gordon MZ | Song, for soprano, tenor, chorus and ensemble (35 minutes) | 1999 | University of Southampton | ||
| Gordon MZ | Gravity and Grace 1-4, for chamber ensemble (45 minutes) | 1996 | University of Southampton | ||
| Gordon MZ | Thirteen Ways, for soprano and instrumental ensemble (20 minutes) | 1996 | University of Southampton | ||
| Frolova-Walker M | On Ruslan and Russianness | 1997 | University of Southampton | ||
| Frolova-Walker M | 1998 | University of Southampton | |||
| Finnissy MP | Recent Britain, for instrumental ensemble and tape (25 minutes) | 1998 | University of Southampton | ||
| Finnissy MP | Domestic and Salon Pastimes, for various ensembles (60 minutes) | 2000 | University of Southampton | ||
| Finnissy MP | Speak its Name!, for orchestra (23 minutes) | 1996 | University of Southampton | ||
| Finnissy MP | Shameful Vice, for soloists and instrumental ensemble (45 minutes) | 1995 | University of Southampton | ||
| Everist ME | The Polyphonic Rondeau c 1300: Repertory and Context | 1996 | University of Southampton | ||
| Everist ME | French Motets in the Thirteenth Century: Music, Poetry and Genre, Cambridge Studies in Medieval and Renaissance Music | 1994 | University of Southampton | ||
| Everist ME | Meyerbeer | 1996 | University of Southampton | ||
| Everist ME | Reception and Recomposition in the Polyphonic Conductus cum cauda: The Metz Fragment | 2000 | University of Southampton | ||
| Drabkin WM | Schenker, the Consonant Passing Note, and the First- Movement Theme of Beethoven | 1996 | University of Southampton | ||
| Drabkin WM | An Interpretation of Musical Dreams: Towards a Theory of the Mozart Piano Concerto Cadenza | 1996 | University of Southampton | ||
| Drabkin WM | Analisi Schenkeriana: Per un interpretazione organica della struttura musicale | 1995 | University of Southampton | Susanna Pasticci Egidio Pozzi |
|
| Drabkin WM | A Readers Guide to Haydn's String Quartets | 2000 | University of Southampton | ||
| Cook NJ | Analysing Musical Multimedia | 1998 | University of Southampton | ||
| Cook NJ | Analysing Performance, and Performing Analysis | 1999 | University of Southampton | ||
| Cook NJ | The Conductor and the Theorist: Furtw | 1995 | University of Southampton | ||
| Cook NJ | At the Boundaries of Musical Identity: Schenker, Corelli, and the Graces | 1999 | University of Southampton | ||
| Brooks LJ | 1996 | University of Southampton | |||
| Brooks LJ | Guillaume Boni: Motets (1573) | 2000 | University of Southampton | ||
| Brooks LJ | Courtly Song in Late Sixteenth-Century France | 2000 | University of Southampton | ||
| Brooks LJ | A Singer | 1998 | University of Southampton | ||
| Betzwieser TL | Stil- und Gattungsreflexion in der Op | 1997 | University of Southampton | ||
| Betzwieser TL | Zwischen Kinder- und Nationaltheater: die Rezeption der Op | 1999 | University of Southampton | ||
| Betzwieser TL | Musical setting and scenic movement: chorus and ch | 2000 | University of Southampton | ||
| Betzwieser TL | Exoticism and Politics: Beaumarchais and Salieri's Le Couronnement de Tarare (1790) | 1994 | University of Southampton | ||
| ZIELINSKI S K | Synthesis of organ pipe sound based on simplified physical models | 1996 | University of Surrey | Czyzewski, A Kostek, B |
|
| ZIELINSKI S K | A novel approach to echo cancellation | 1999 | University of Surrey | Czyzewski, A | |
| ZIELINSKI S K | Application of Chebychev Polynomials to calculation of the nonlinear characteristics of the digital waveguide model of the organ pipe | 1997 | University of Surrey | Szwoch, G | |
| ZIELINSKI S K | Digital waveguide modeling of the organ flue pipe | 1996 | University of Surrey | ||
| WILLIAMSON C | Powder her face | 1998 | University of Surrey | Ades, T | |
| WILLIAMSON C | Hello Mummy, Goodbye Dolly | 1997 | University of Surrey | Weir, J | |
| WILLIAMSON C | Performances issued on CD with Jonathan Harvey's In quest of spirit | 1999 | University of Surrey | Harvey, J | |
| WILLIAMSON C | Ashes dance back | 1997 | University of Surrey | Harvey, J | |
| RUMSEY F J | The audio workstation handbook | 1996 | University of Surrey | ||
| RUMSEY F J | Synthesised multichannel signal levels versus the M-S ratios of 2-channel programme items | 1998 | University of Surrey | ||
| RUMSEY F J | Subjective assessment of the spatial attributes of reproduced sound | 1998 | University of Surrey | ||
| RUMSEY F J | Controlled subjective assessments of 2-to-5 channel surround sound processing algorithms | 1999 | University of Surrey | ||
| MOORE A F | The so-called 'flattened seventh' in rock | 1995 | University of Surrey | ||
| MOORE A F | The brilliant career of Sgt. Pepper | 2000 | University of Surrey | ||
| MOORE A F | U2 and the myth of authenticity in rock | 1998 | University of Surrey | ||
| MOORE A F | The Beatles: Sgt. Pepper's Lonely Hearts Club Band | 1997 | University of Surrey | ||
| MARK C M | Early Benjamin Britten: a study of stylistic and technical evolution | 1995 | University of Surrey | ||
| MARK C M | Britten and the circle of fifths | 1994 | University of Surrey | ||
| MARK C M | Tippett, sequence and metaphor | 1999 | University of Surrey | ||
| MARK C M | Rigorous contemplation of essentials: material and structure in the Concerto for Piano and Orchestra | 1994 | University of Surrey | ||
| GRIMLEY D M | Sibelius's Lemminkainen and the Maidens of Saari Op.22/1: Acculturation, Italy and the Midsummer Night | 1999 | University of Surrey | ||
| GRIMLEY D M | Berwald | 2000 | University of Surrey | ||
| GOSS S M | Carmen Fantasy | 1998 | University of Surrey | ||
| GOSS S M | Arcadia | 1996 | University of Surrey | ||
| GOSS S M | Looking Glass Ties | 2000 | University of Surrey | ||
| GOSS S M | Dreamchild, for soprano soloist and large ensemble | 1994 | University of Surrey | ||
| FORBES E S | String Quartet no.4 | 1996 | University of Surrey | ||
| FORBES E S | Hymn to St Etheldreda | 1995 | University of Surrey | ||
| FORBES E S | Sonata-Rondo | 1996 | University of Surrey | ||
| FORBES E S | Reflections on a theme of Alan Rawsthorne | 1998 | University of Surrey | ||
| FISHER D M | Electrical safety | 1997 | University of Surrey | ||
| FISHER D M | Radio and television broadcasting | 1994 | University of Surrey | ||
| FISHER D M | Audio fundamentals | 1995 | University of Surrey | ||
| FISHER D M | Timecode systems | 1995 | University of Surrey | ||
| DOWNES S C | Kierkegaard, a kiss, and Schumann's Fantasie | 1999 | University of Surrey | ||
| DOWNES S C | Madness in music: Szymanowski's Op. 42 | 2000 | University of Surrey | ||
| DOWNES S C | Szymanowski as Post-Wagnerian: The Love Songs of Hafiz, Op.24 | 1994 | University of Surrey | ||
| DOWNES S C | Eros in the metropolis: Bart | 2000 | University of Surrey | ||
| BROOKES T S | Musical Analysis using a real-time model of peripheral hearing | 1996 | University of Surrey | Tyrrell, A M Howard, D M |
|
| BROOKES T S | What does the mind | 1999 | University of Surrey | ||
| BROOKES T S | Transputer-based hearing simulation | 1998 | University of Surrey | Tyrell, A M Howard, D M |
|
| BROOKES T S | On the differences between conventional and auditory spectrograms of English consonants | 2000 | University of Surrey | Tyrrell, A M Howard, D M |
|
| Taylor-Jay C | Review of Siglind Bruhn: The Temptation of Paul Hindemith | 2000 | University of Surrey Roehampton | ||
| Taylor-Jay C | Gender Studies and Music | 1996 | University of Surrey Roehampton | ||
| Stones A C | aux ombres | 1998 | University of Surrey Roehampton | Music | |
| Stones A C | Im...pulssi. | 1999 | University of Surrey Roehampton | Music | |
| Stones A C | 100%/ebb | 1996 | University of Surrey Roehampton | Music | |
| Stones A C | twine | 1996 | University of Surrey Roehampton | Music | |
| Potter C L | Nadia and Lili Boulanger: Sister Composers | 1999 | University of Surrey Roehampton | Music | |
| Potter C L | Henri Dutilleux: His Life + Works | 1997 | University of Surrey Roehampton | Music | |
| O'Hagan P | Sebastian Forbes: Sonata-Rondo (London Premiere)Julian Johnson: Still (London Premiere)Alan Stones: Aux Ombres (London Premiere) | 1998 | University of Surrey Roehampton | Music | |
| O'Hagan P | Pierre Boulez: Trait Initial (London Premiere) | 2000 | University of Surrey Roehampton | Music | |
| O'Hagan P | Trope by Pierre Boulez | 1998 | University of Surrey Roehampton | Music | |
| O'Hagan P | Pierre Boulez: Antiphonie (1960 Version) 1st London Performance | 1997 | University of Surrey Roehampton | Music | |
| Norton B | Vietnamese mediumship rituals: the musical construction of the spirits | 2000 | University of Surrey Roehampton | Music | |
| Norton B | Ca tru: a Vietnamese Chamber Music Genre | 1996 | University of Surrey Roehampton | Music | |
| Burnett M A | Keeping Time | 2000 | University of Surrey Roehampton | Music | |
| Burnett M A | Zouk | 2000 | University of Surrey Roehampton | Music | |
| Burnett M A | Kassav | 2000 | University of Surrey Roehampton | Music | |
| Burnett M A | Introducing Caribbean Music | 1999 | University of Surrey Roehampton | Music | |
| Osmond-Smith D | Here Comes Nobody: la dramaturgia sperimentale di Outis | 2000 | University of Sussex | ||
| Osmond-Smith D | Entries on Bussotti, Donatoni, Pennisi, Togni | 2000 | University of Sussex | ||
| Osmond-Smith D | Entries on Berio, Clementi, Manzoni, Sciarrino | 2000 | University of Sussex | ||
| Osmond-Smith D | Nella festa tutto? Structure and dramaturgy in Luciano Berio's La Vera Storia | 1997 | University of Sussex | ||
| Johnson JM | The Nature of Abstraction: Analysis and the Webern Myth | 1998 | University of Sussex | ||
| Johnson JM | Webern and the Transformation of Nature | 1999 | University of Sussex | ||
| Johnson JM | The Sound of Nature? - Mahler, Klimt and the changing representation of Nature in early Viennese Modernism | 1999 | University of Sussex | ||
| Johnson JM | Karl Kraus and the Schoenberg School | 2000 | University of Sussex | ||
| Harvey JD | Music and Inspiration | 1999 | University of Sussex | ||
| Harvey JD | Tranquil Abiding | 2000 | University of Sussex | ||
| Harvey JD | Mothers Shall Not Cry | 2000 | University of Sussex | ||
| Harvey JD | White as Jasmine | 2000 | University of Sussex | ||
| Butler MC | Fin de Siecle | 1997 | University of Sussex | ||
| Butler MC | Two Rivers | 2000 | University of Sussex | ||
| Butler MC | Percussion Concerto | 2000 | University of Sussex | ||
| Butler MC | A Better Place | 1999 | University of Sussex | ||
| Wilson I | Who's Afraid of Red, Yellow and Blue?: Concerto for Alto Saxophone and Orchestra | 1998 | University of Ulster | ||
| Wilson I | An Angel Serves a Small Breakfast: Violin Concerto No. 2. | 2000 | University of Ulster | ||
| Wilson I | Towards the Far Country: String Quartet no. 3 | 1996 | University of Ulster | ||
| Wilson I | Rich Harbour: Concerto for Organ and Orchestra | 1996 | University of Ulster | ||
| Russ M | Ravel and the Orchestra | 2000 | University of Ulster | ||
| Russ M | Accounting and Mediating: Modes, Genera, Voice-leading and form in Milhaud's music of the 1920s | 2000 | University of Ulster | ||
| Russ M | Be Bored: Reading a Mussorgsky Song | 1996 | University of Ulster | ||
| Russ M | Functions, Scales, Abstract Systems and Contextual Hierarchies in the Music of Bartok | 1994 | University of Ulster | ||
| Hunter DM | Developing Peer-Learning Programmes in Music: Group Presentations and Peer Assessment | 1999 | University of Ulster | ||
| Hunter DM | The Application of (Ornamental) Strokes in English Virginalist Music: a brief chronological survey | 1996 | University of Ulster | ||
| Hunter DM | Organ Recital | 1998 | University of Ulster | ||
| Hunter DM | Sir Charles Villiers Stanford: Complete Organ Sonatas | 1994 | University of Ulster | ||
| Wood B. | Birthday Odes for Queen Mary, Part II | 1998 | University of Wales, Bangor | ||
| Wood B. | Funeral Music For Queen Mary (1695) | 1996 | University of Wales, Bangor | ||
| Wood B. | 'The First Performance of Purcell's Funeral Music for Queen Mary' | 1996 | University of Wales, Bangor | ||
| Wood B. | 'Only Purcell e'er shall equal Blow' | 1995 | University of Wales, Bangor | ||
| Thomas W. | Cerddoriaeth Draddodiadol yng Nghymru LLyfryddiaeth (Cyf.2) / A Bibliography: Traditional Music in Wales (Vol.2) | 1996 | University of Wales, Bangor | ||
| Thomas W. | 'Wales' | 1998 | University of Wales, Bangor | ||
| Thomas W. | 'Mary Davies - grande dame of Welsh music' | 1997 | University of Wales, Bangor | ||
| Thomas W. | Meistres 'Graianfryn' a Cherddoriaeth frodorol yng Nghymru | 1999 | University of Wales, Bangor | ||
| Simeone N. | 'Messiaen and the Concerts de la Pleiade: A Kind of Clandestine Revenge against the Occupation''' | 2000 | University of Wales, Bangor | ||
| Simeone N. | Janacek's Works: A Catalogue of the Music and Writings of Leos Janacek | 1997 | University of Wales, Bangor | John Tyrrell Alena Nemcova |
|
| Simeone N. | Paris - A Musical Gazetteer | 2000 | University of Wales, Bangor | ||
| Simeone N. | Olivier Messiaen: A Bibliographical Catalogue of Messiaen's Works | 1998 | University of Wales, Bangor | ||
| Pinnock A. | 'King Arthur expos'd: a lesson in anatomy' | 1995 | University of Wales, Bangor | ||
| Pinnock A. | '''From Rosy Bowers: Coming to Purcell the Bibliographical Way' | 2000 | University of Wales, Bangor | ||
| Pinnock A. | The Indian Queen | 1994 | University of Wales, Bangor | Margaret Laurie | |
| Pinnock A. | 'Book IV in Plain Brown Wrappers: Translations and Travesties of Dido' | 1998 | University of Wales, Bangor | ||
| Pascall R.J. | 'The editor's Brahms' | 1999 | University of Wales, Bangor | ||
| Pascall R.J. | '''Machen Sie es wie Sie wollen, machen Sie es nur schoen. Wie wollte Brahms seine Musik hoeren?' | 1999 | University of Wales, Bangor | ||
| Pascall R.J. | Johannes Brahms: Symphonie Nr.1 c-Moll, opus.68 | 1996 | University of Wales, Bangor | ||
| Pascall R.J. | ''My Love of Schubert - No Fleeting Fancy: Brahms's Response to Schubert' | 1998 | University of Wales, Bangor | ||
| Lewis A.P. | Ascent | 1994 | University of Wales, Bangor | ||
| Lewis A.P. | mor(G)wyn | 1996 | University of Wales, Bangor | ||
| Lewis A.P. | Cable Bay | 1999 | University of Wales, Bangor | ||
| Lewis A.P. | Can | 1997 | University of Wales, Bangor | ||
| Harper S.E. | 'The Bangor Pontifical: A Pontifical of the Use of Salisbury' / 'Esgoblyfr Bangor: Esgoblyfr Arfer Caersallog' | 1997 | University of Wales, Bangor | ||
| Harper S.E. | 'The Robert ap Huw Manuscript and the Canon of Sixteenth-Century Welsh Harp Music' / 'Llawysgrif Robert ap Huw a Chanon Cerddoriaeth Gymreig i'r Delyn yn yr Unfed Ganrif ar Bymtheg' | 1999 | University of Wales, Bangor | ||
| Harper S.E. | Our Awin Scottis Use: Music in the Scottish Church up to 1603 | 2000 | University of Wales, Bangor | I.W. Preece W. Edwards G. Munro |
|
| Harper S.E. | Robert ap Huw Studies / Astudiaethau Robert ap Huw | 1999 | University of Wales, Bangor | ||
| Harper J.M. | 'Music and liturgy, 1300-1600' | 2000 | University of Wales, Bangor | ||
| Harper J.M. | 'Philip ap Rhys and his liturgical organ music revisited' / 'Ailolwg ar Philip ap Rhys a'i gerddoriaeth organ litwrgiaidd' | 1995 | University of Wales, Bangor | ||
| Harper J.M. | 'Ensemble and lute music' | 1995 | University of Wales, Bangor | ||
| Harper J.M. | Music for Common Worship. vol.1: Music for Sunday services (editor and composer), vol.2: Music for the President (editor and composer), vol.3: A basic guide (author) | 2000 | University of Wales, Bangor | ||
| Eisentraut J.E. | Y Mynydd Grug - The Heather Mountain | 1997 | University of Wales, Bangor | ||
| Eisentraut J.E. | Rownd a Rownd | 1996 | University of Wales, Bangor | ||
| Eisentraut J.E. | Talcen Caled | 1998 | University of Wales, Bangor | ||
| Eisentraut J.E. | Light of Uncertainty | 1997 | University of Wales, Bangor | ||
| Ap Sion P.E. | Piano Trio | 1995 | University of Wales, Bangor | ||
| Ap Sion P.E. | Divertimento | 1994 | University of Wales, Bangor | ||
| Ap Sion P.E. | Ar y Groesffordd | 2000 | University of Wales, Bangor | ||
| Ap Sion P.E. | Gwales | 1995 | University of Wales, Bangor | ||
| Wainwright J | 'The Dissemination and Influence of Monteverdi's Music in England in the Seventeenth Century' in Claudio Monteverdi und die folgen: Bericht uber das Internationale Symposium, Detmold 1993, ed. Silke Leopold and Joachim Steinheuer | 1998 | University of York | ||
| Wainwright J | 'The Kings Music', in The Royal Image: Representations of Charles 1, ed. Thomas Corns | 1999 | University of York | ||
| Wainwright J | 'The Christ Church Viol-Consort Manuscripts Reconsidered: Christ Church Oxford Music Manuscripts 2, 497-408; 417-418 +1080; and 432 + 612-613' | 1996 | University of York | ||
| Wainwright J | Musical Patronage in Seventeenth-Century England: Christopher, First Baron Hatton (1605-70) | 1997 | University of York | ||
| Stringer JC | Burlesque | 1997 | University of York | ||
| Stringer JC | Hinterland | 1999 | University of York | ||
| Stringer JC | All the Gold of Night | 1999 | University of York | ||
| Stringer JC | Arriving again shortly | 1998 | University of York | ||
| Sorrell NFI | A study of a unique artist and his music: Prasidh Silapabanleng (1912-1999) | 2000 | University of York | ||
| Sorrell NFI | Melodic Paradoxes in the Music of the Thai pi-phat and Javanese gamelan | 2000 | University of York | Sumrongthong B | |
| Sorrell NFI | A composer in the twilight of the Raj: John Foulds (1880-1939) | 1996 | University of York | ||
| Sorrell NFI | Eastern Gas | 1999 | University of York | ||
| Simaku T | Canticello | 1999 | University of York | ||
| Simaku T | Plenilunio | 1999 | University of York | ||
| Simaku T | The Eagle on the Cross | 1999 | University of York | ||
| Simaku T | Soliloquy | 2000 | University of York | ||
| Seymour PG | Purcell, H., Blow,J., Biblical narratives (50') for one, two and three voices | 2000 | University of York | ||
| Seymour PG | Blow,J., St Cecilia's Day Ode: Begin the Song/ String Trios, Solo Songs, dialogues. | 1999 | University of York | ||
| Seymour PG | Zelter,CF., Kayser,PC.,Reichardt,JF., Seckendorf,KS., Loewe,C., Himmel, FH., Mendelssohn, F., Hensel, F., Schumann, R., Beethoven, Lv., Schubert,F. Lieder:settings to texts by Goethe. | 1999 | University of York | ||
| Seymour PG | Sweelinck, JP., Cantiones Sacrae | 1998 | University of York | ||
| Potter J | The Cambridge Companion to Singing | 2000 | University of York | ||
| Potter J | In Darkness Let me Dwell (Dowland) | 1999 | University of York | ||
| Potter J | Singer-songwriters | 2000 | University of York | ||
| Potter J | Vocal Authority: Singing Style and Ideology | 1998 | University of York | ||
| Paynter J | Che cosa si puo dire sulla musica? Un progretto di ricerca sull'educazione musicale creativa. | 1997 | University of York | ||
| Paynter J | Holding On | 1999 | University of York | ||
| Paynter J | The form of finality | 1997 | University of York | ||
| Paynter J | Making progress with composing | 2000 | University of York | ||
| Orton R | A generic model for compositional approaches to audiovisual media | 1998 | University of York | Hunt,A Kirk,R Merrison,B |
|
| Orton R | Tabula Vigilans | 1995 | University of York | ||
| Orton R | Stellations | 1996 | University of York | ||
| Orton R | Design Strategies for Algorithmic Composition | 1996 | University of York | ||
| Myatt A | Chaotic Constructions 2 | 1999 | University of York | Music Technology | |
| Myatt A | L'infinita | 1999 | University of York | Music Technology | |
| Myatt A | From Surround Sound to True 3D | 1999 | University of York | Music Technology | Lennox,P Vaughan, J |
| Myatt A | Chaotic Constructions 1 | 1997 | University of York | Music Technology | |
| Modler P | Creating, Discovering, Practice: Learning to Use Interactive Gestural Interfaces for Computer Music Instruments, 17. | 2000 | University of York | Music Technology | |
| Modler P | Neural Networks for Mapping Hand Gestures to Sound Synthesis Parameters | 2000 | University of York | Music Technology | |
| Modler P | Architectures for Processing Gestural Content in Musical Performance | 1999 | University of York | Music Technology | |
| Modler P | Evaluation of Architectures of Sound Generation Systems with Respect to Interactive Gestural Control and Realtime Performance | 1999 | University of York | Music Technology | Kirk, R |
| Mellers W | Between Old Worlds and New | 1997 | University of York | ||
| Marsh RM | Heathcote's Inferno | 1996 | University of York | ||
| Marsh RM | 'Finnegans Wake' by James Joyce | 1998 | University of York | ||
| Marsh RM | Spin | 1997 | University of York | ||
| Marsh RM | Canto 1 | 1999 | University of York | ||
| Malham DG | Sound Spatialisation | 1998 | University of York | Music Technology | |
| Malham DG | Higher order Ambisonic systems for the spatialisation of Sound | 1999 | University of York | Music Technology | |
| Malham DG | Homogenous and nonhomogenous surround sound systems | 1999 | University of York | Music Technology | |
| Malham DG | Ambisonics in the new media -The Technology Comes of Age | 1996 | University of York | Music Technology | |
| Losseff N | Absent Melody and 'The Woman in White' | 2000 | University of York | ||
| Losseff N | Review of Edward Roesner 'Le Magnus Liber Organi de Notre Dame de Paris. Vol 1: Les Quadrupla et Tripla. Monaco: Editions de L'Oiseau Lyre, 1993 | 1997 | University of York | ||
| Losseff N | Cathy's Homecoming and the Other World: Kate Bush's 'Wuthering Heights' | 1999 | University of York | ||
| Losseff N | Lou Harrison's 'Concerto for Piano and Javanese Gamelan' | 1997 | University of York | ||
| LeFanu N | A Wild Garden | 1997 | University of York | ||
| LeFanu N | String Quartet no 2 | 1997 | University of York | ||
| LeFanu N | Duo Concertante | 1999 | University of York | ||
| LeFanu N | In Parallel/Gathering Paths | 1998 | University of York | ||
| Howell TB | Restricting the Flow: Elements of Timescale in Sibelius' Sixth Symphony | 2000 | University of York | ||
| Howell TB | Sibelius' Tapiola: Issues of Tonality and Timescale | 1998 | University of York | ||
| Howell TB | Sibelius the Progressive | 2000 | University of York | ||
| Howell TB | Freedom of Choice: Project-based learning | 2000 | University of York | ||
| Griffiths D | York | 2000 | University of York | Paynter J | |
| Griffiths D | A Musical Place of the First Quality: a history of institutional music making in York, c1550-1990 | 1994 | University of York | ||
| Griffiths D | Music in the 18th-century York theatre | 1998 | University of York | ||
| Field A | Pyrotechnic | 1996 | University of York | Music Technology | |
| Field A | Empty Spaces | 1998 | University of York | Music Technology | |
| Field A | Expanse Hotel | 1999 | University of York | Music Technology | |
| Field A | Breaking Spaces | 1996 | University of York | Music Technology | |
| Cole B | The Composer's Handbook | 1996 | University of York | ||
| Cole B | Community Music and Higher Education: a marriage of convenience | 2000 | University of York | ||
| Brooks WF | Music in America: an overview | 1998 | University of York | ||
| Brooks WF | in memoriam reducere studemus | 1996 | University of York | ||
| Brooks WF | Common Ground | 2000 | University of York | ||
| Brooks WF | James Pritchett, The Music of John Cage and David Revell, The Roaring Silence | 1997 | University of York | ||
| Blake DL | The Fabulous Adventures of Alexander the Great | 1996 | University of York | ||
| Blake DL | I Skies tis Agapis (The Shades of Love) | 2000 | University of York | ||
| Blake DL | Scoring a Century | 1999 | University of York | ||
| Blake DL | Hanns Eisler-A Miscellany | 1995 | University of York | ||
| 2580 | 2552 | 2580 | 2580 | 454 | 437 |
| TOP |
 |
 |