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| Music - Publications | ||||
| Music RDF, 1.7mb <RDF Zip, 118kb> | |||
| People, 217kb | Publications, 972kb | Groups, 12kb | Institutions, 28kb |
| BOTTOM |
| Author | Title | Date | Place of Publication | Research Group | Co-Authors |
| Saunders J E | # [unassigned] | 2000 | University of Huddersfield | ||
| Pinnock A. | '''From Rosy Bowers: Coming to Purcell the Bibliographical Way' | 2000 | University of Wales, Bangor | ||
| Pascall R.J. | '''Machen Sie es wie Sie wollen, machen Sie es nur schoen. Wie wollte Brahms seine Musik hoeren?' | 1999 | University of Wales, Bangor | ||
| Pascall R.J. | ''My Love of Schubert - No Fleeting Fancy: Brahms's Response to Schubert' | 1998 | University of Wales, Bangor | ||
| Fox P C | '1982-1994: L'Atelier | 1996 | University of Huddersfield | ||
| Fischman Steremberg R A | 'A Tutorial Survey of Classic Synthesis Techniques' and 'Multiband Processing with Time-varying Filters' | 2000 | Keele University | ||
| Sweet G | 'A new method of locating sources of acoustic radiation in three-dimensional space'. | 1999 | Anglia Polytechnic University | Musicology | |
| Whitehead L | 'A preliminary investigation into the stringing of Swedish Clavichords' in De Clavicordio IV: Proceedings of the International Clavichord Symposium...Magnano, 8-11 September 1999, ed. Bernard Brauchli, Susan Brauchli, Alberto Galazzo | 2000 | Royal College of Music | Jenny Nex | |
| Odell-Miller H | 'A psychoanalytically informed approach to music therapy in psychiatry: the case of one man with manic depression.' | 1999 | Anglia Polytechnic University | Music Therapy | |
| Mitchell I | 'A view from the Bridge'. Music by Lindsay Cooper. Ian Mitchell bass clarinet solo and member of quartet. | 1998 | University of Exeter | ||
| Paddison MH | 'Adorno' | 2000 | University of Durham | ||
| Gloag K | 'All You Need is Theory? The Beatles' Sgt. Pepper' | 1998 | Cardiff University | Twentieth-Century British and French Music | |
| Dow R | 'Alluvion' | 1998 | University of Edinburgh | ||
| Allsop PC | 'Arcangelo Corelli: new Orpheus of our times' | 1999 | University of Exeter | ||
| Whenham EJ | 'Aria in the Madrigals of Giovanni Rovetta'. | 1995 | University of Birmingham | ||
| Paton R | 'Ascension Jazzmass' For Solo Voice SATB Choir, Jazz Ensemble, Organ and 21 Xylophones (2+ hours) | 2000 | University College Chichester | Music | |
| Hall B | 'Atavism at the Summit' Lecture recital (piano) | 1999 | University College Chichester | Music | |
| Jones DW | 'Austrian Symphonies in the Royal Palace, Madrid' | 1998 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Wibberley R | 'Ave virgo mater dei': Towards a Reconstruction. | 2000 | Goldsmiths College | ||
| Gorb A | 'Awayday' for Wind Orchestra | 1996 | Royal Northern College of Music | ||
| SMALLEY D.A. | 'Base Metals' for electroacoustic sounds | 2000 | City University | ||
| Hall B | 'Benjamin Hall, Piano' Piano recital | 2000 | University College Chichester | Music | |
| Wiggins T | 'Bewaare - They are coming': Dagaare songs and Dances from Nandom, Ghana and 'In the Time of my Fourth Great-Grandfather': Western Sisaala Music from Lambussie, Ghana. | 1996 | Dartington College of Arts | ||
| Pinnock A. | 'Book IV in Plain Brown Wrappers: Translations and Travesties of Dido' | 1998 | University of Wales, Bangor | ||
| McCrea A | 'British Organ Music after 1800' in The Cambridge Companion to the Organ, ed. by Thistlewaite and Webber | 1998 | Royal College of Music | ||
| Bullard A | 'Canticle of Freedom'. | 1999 | Anglia Polytechnic University | Composition | |
| Street DA | 'Carnival' | 1994 | University of Exeter | ||
| EDWARDS WA | 'Chant in Anglo-French Scotland' and 'Polyphony in thirteenth-century Scotland' | 2000 | University of Glasgow | Scottish Music and Musicians | |
| Dibble JC | 'Composers at the Academy (1) 1850-1940' in To Talent Alone, eds. Pine + Acton | 1998 | University of Durham | ||
| Fell S | 'Composition No. 30' | 1998 | Anglia Polytechnic University | Composition | |
| Sweet G | 'Compositions for Solo Performance on Electronic Piano and Synthesizer'. | 2000 | Anglia Polytechnic University | Composition | |
| Spitzer M | 'Convergences: Criticism, Analysis, and Beethoven Reception'. | 1997 | University of Durham | ||
| Williamon A | 'Coordinating Duo Piano Performance', in Proceedings of the Sixth International Conference on Music Perception and Cognition, ed. C. Woods, G. Luck, R. Brochard, F. Seddon, + J. A. Sloboda | 2000 | Royal College of Music | Jane W. Davidson | |
| Jarman D | 'Correcting' Berg: some observations on analysis and editorial responsibility | 1996 | Royal Northern College of Music | ||
| Bullard A | 'Cyclic Harmony'. | 1998 | Anglia Polytechnic University | Composition | |
| Allsop PC | 'Da camera e da ballo - alla francese et all'italiana: functional and national distinctions in Corelli's Sonate da camera' | 1998 | University of Exeter | ||
| Jones TR | 'Dark Labyrinths': music by Philip Grange. Gemini, with Alison Wells (soprano), Nicholas Sears (Tenor) and Timothy Gill (Cello). Conductor Tim Jones. | 1999 | University of Exeter | ||
| Irving JA | 'Das Conzert hat viel | 1998 | University of Bristol | ||
| SAMUEL R. | 'Daughters' Letters' for soprano, string orchestra and percussion | 1997 | City University | ||
| Rae CAB | 'Debussy et Ohana: allusions et r | 1994 | Cardiff University | Twentieth-Century British and French Music | |
| Smith RL | 'Debussy on Performance: sound and unsound ideals' | 1999 | University of Exeter | ||
| Streeter E | 'Definition and use of the musical transference relationship'. | 1999 | Anglia Polytechnic University | Music Therapy | |
| Paddison MH | 'Der Komponist als Kritischer Theoretiker - Brian Ferneyhoughs Aesthetik nach Adorno' | 1999 | University of Durham | ||
| Steinitz R J | 'Des canyons aux etoiles...' | 1995 | University of Huddersfield | ||
| Rawson R | 'Die Suiten fur Baryton und Viola da Gamba' (by Gottfried Finger). | 2000 | Anglia Polytechnic University | Musicology | |
| Manning PD | 'Distributed Parallel Processing: Lessons Learned from a 160-Transputer Network' | 1997 | University of Durham | T Itagaki A Purvis |
|
| Williamon A | 'Do the Principles of Expert Memory Apply to Musical Performance?', in Proceedings of the Sixth International Conference on Music Perception and Cognition, ed. C. Woods, G. Luck, R. Brochard, F. Seddon, + J. A. Sloboda | 2000 | Royal College of Music | Elizabeth Valentine | |
| SAMUEL R. | 'Dream-Images' for piano | 1997 | City University | ||
| Wiggins T | 'Drumming in Ghana' and 'The Xylophone Tradition of north-west Ghana' | 1999 | Dartington College of Arts | ||
| Williams P | 'Early References to the Organ in Southern Germany' | 2000 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Greer DC | 'Elgar in Belfast' | 1998 | University of Durham | ||
| SMALLEY D.A. | 'Empty Vessels' for electroacoustic sounds | 1997 | City University | ||
| Le Cocq J P | 'En mesure regl | 2000 | University College Northampton | ||
| Brown AM | 'England' in Keyboard Music Before 1700 | 1995 | University of Sheffield | ||
| Harper J.M. | 'Ensemble and lute music' | 1995 | University of Wales, Bangor | ||
| Allsop PC | 'Ensemble music: in the chamber and the orchestra' | 1999 | University of Exeter | ||
| Fend M | 'Es verstecht sich von selbst, da | 1997 | King's College London | ||
| Robson A | 'Everyone Sang' for soprano solist, chorus and orchestra. | 1997 | University College Chichester | Music | |
| EMMERSON S.T. | 'Fields of Attraction' for string quartet and electronics | 1997 | City University | ||
| Streeter E | 'Finding a balance between psychological thinking and musical awareness in music therapy theory - a psychoanalytic perspective'. | 1999 | Anglia Polytechnic University | Music Therapy | |
| Marsh RM | 'Finnegans Wake' by James Joyce | 1998 | University of York | ||
| Fitch FJ | 'For the Sake of His Honour: reconsidering Obrecht' | 1998 | University of Durham | ||
| Jones DW | 'From Artaria to Longman + Broderip: Mozart's music on sale in London' | 1996 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Rawson R | 'From Olomouc to London: some questions of instrumentation in the music of Gottfried Finger'. | 1998 | Anglia Polytechnic University | Musicology | |
| Whenham EJ | 'Giovanni Felice Sances, the Emperor Leopold I and Two Operas for the Viennese Court'. | 1999 | University of Birmingham | ||
| Robson A | 'Golden Rules' - A dance collaboration / suite | 1999 | University College Chichester | Music | |
| Rawson R | 'Gottfried Finger'. | 2000 | Anglia Polytechnic University | Musicology | P. Holman |
| Gourlay J | 'Gourlay Plays Tuba' | 1994 | Royal Northern College of Music | ||
| Best T | 'Handel and the keyboard | 1997 | Open University | ||
| Waite M | 'Hawthorne White, Hawthorne Red' - Cantata for SB and ensemble. | 2000 | University College Chichester | Music | |
| Jones DW | 'Haydn's Missa sunt bona mixta malis and the a cappella tradition' | 1996 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Spitzer M | 'Haydn's Reversals: style change, gesture, and the implication-realisation model', inh Haydn Studies, ed. Dean Sutcliffe | 1998 | University of Durham | ||
| Mitchell I | 'Hear and now' (programme of music by Elliott Carter, Penderecki and Zev Gordon) | 1997 | University of Exeter | ||
| Paton R | 'Home Town' - A community cantata. | 1997 | University College Chichester | Music | |
| Griffiths DM | 'Home is living like a man on the run': John Cale's Welsh Atlantic | 2000 | Oxford Brookes University | ||
| Myers A | 'How Brass Instruments Work'; 'The Development of Technology and Manufacture since 1800' | 1997 | University of Edinburgh | ||
| Robinson P | 'I'm always interested in new experience' | 2000 | University of Salford | ||
| Fell S | 'IST' | 1998 | Anglia Polytechnic University | Composition | Rhodri Davies Mark Wastell |
| Glauert A | 'Ich singe, wie der Vogel singt': Reflections on Nature and Genre in Wolf's Setting of Goethe's Der Sanger | 2000 | Royal Academy of Music | ||
| Head MW | 'If the pretty little hand won | 1999 | University of Southampton | ||
| Waite M | 'Il Giustino, Opera by G. Legrenzi' - historical performing edition | 2000 | University College Chichester | Music | |
| Bucciarelli M | 'Il matrimonio segreto' ovvero Il segreto di un 'matrimonio' riuscito | 1995 | Oxford Brookes University | ||
| Crilly D R | 'In that quiet earth' | 1999 | Anglia Polytechnic University | Composition | |
| Robinson P | 'Incantation' | 1994 | University of Salford | ||
| Kitchen J | 'Instrument and repertoire: concert use' in Towards the Conservation and Restoration of Historic Organs: Proceedings of International Conference, Liverpool, 1999 | 2000 | University of Edinburgh | ||
| Fox P C | 'Introduction''Conversations with Michael Finnissy''The Vocal Music' | 1997 | University of Huddersfield | ||
| Odell-Miller H | 'Investigating the Value of Music Therapy in Psychiatry' | 1999 | Anglia Polytechnic University | Music Therapy | |
| Gourlay J | 'Jazz' | 1997 | Royal Northern College of Music | ||
| Rowland-Jones A | 'Jesus Christ and the Recorder'. | 1998 | Anglia Polytechnic University | Musicology | |
| Williams P | 'Johann Sebastian Bach and the Basso Continuo' | 1994 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Flanagan K | 'Kerouac Suite' | 1999 | Anglia Polytechnic University | Composition | |
| Pinnock A. | 'King Arthur expos'd: a lesson in anatomy' | 1995 | University of Wales, Bangor | ||
| Paddison MH | 'L'idee d'une avant-garde dans le contexte de la postmodernite: problemes de definition en musique contemporaine', and in Musique contemporaine: theories et philosophie, ed. Irene Deliege | 2000 | University of Durham | ||
| Smith RL | 'La jeunesse du Cid: a mislaid act in 'Rodrigue et Chim | 1997 | University of Exeter | ||
| Grange PR | 'Lament of the bow' for chamber ensemble' | 2000 | University of Exeter | ||
| Fitch FJ | 'Le Codex Chigi et les messes d'Ockeghem', in Johannes Ockeghem: Actes du XLe colloque d'etudes humanistes | 1998 | University of Durham | ||
| Ritterman J | 'Learning what it is to perform: a key to peer learning for musicians' in Peer Learning in Music, ed. Desmond Hunter + Michael Russ | 2000 | Royal College of Music | ||
| Dow R | 'Litany' | 2000 | University of Edinburgh | ||
| EMMERSON S.T. | 'Losing touch': the human performer and electronics | 2000 | City University | ||
| Rae CAB | 'Magic and Music - Alejo Carpentier and Maurice Ohana: Cross-connections in 20th-Century French Music and the South Americas' | 1999 | Cardiff University | Twentieth-Century British and French Music | |
| Streeter E | 'Making music with the young child with special needs'. | 1998 | Anglia Polytechnic University | Music Therapy | |
| Greer DC | 'Manuscript Additions in Parthenia and other early English printed music in America' | 1996 | University of Durham | ||
| Whenham EJ | 'Martino Pesenti's Madrigali Guerrieri et Amorosi'. | 1998 | University of Birmingham | ||
| Spitzer M | 'Marx's Lehre and the Science of Education: towards the recuperation of music pedagogy' | 1998 | University of Durham | ||
| Thomas W. | 'Mary Davies - grande dame of Welsh music' | 1997 | University of Wales, Bangor | ||
| Waite M | 'Memnon' Two pianos and orchestra | 2000 | University College Chichester | Music | |
| Simeone N. | 'Messiaen and the Concerts de la Pleiade: A Kind of Clandestine Revenge against the Occupation''' | 2000 | University of Wales, Bangor | ||
| Turner C | 'Miserable Machines': the role of the barrel organ within Georgian psalmody. | 1999 | Anglia Polytechnic University | Musicology | |
| Thomas AT | 'Mobilising Our Man: Politics and Music in Poland during the Decade after the Second World War' | 1998 | Cardiff University | Central European and Slavonic Music | |
| Jones TR | 'Mozart's Requiem' | 1995 | University of Exeter | ||
| Jones TR | 'Mozart's keyboard concertos reconsidered' | 1997 | University of Exeter | ||
| Odell-Miller H | 'Music Therapy and its relationship to Psycho-analysis'. | 2000 | Anglia Polytechnic University | Music Therapy | |
| Odell-Miller H | 'Music Therapy and the functions of music with older mentally ill people in a continuing care setting'. | 1997 | Anglia Polytechnic University | Music Therapy | |
| Harper J.M. | 'Music and liturgy, 1300-1600' | 2000 | University of Wales, Bangor | ||
| Sweet G | 'Music and technology' | 1998 | Anglia Polytechnic University | Musicology | |
| Burn C | 'Music for Three Rivers - solo piano improvisations'. | 1997 | Anglia Polytechnic University | Composition | |
| Dibble JC | 'Musical Nationalism in Ireland in the Twentieth Century: Complexities and Contradictions' in Nationalism in Finland and Great Britain in the Twentieth Century, ed. T Makela | 1994 | University of Durham | ||
| Burn C | 'Navigations' (Compositions of Chris Burn and others) | 1997 | Anglia Polytechnic University | Composition | |
| Stowell R | 'Nicolo Paganini (1782-1840): the violin virtuoso in excelsis?' | 1996 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Nelson P | 'On the Wall' | 1998 | University of Edinburgh | ||
| SAMUEL R. | 'One Charming Night' for violin and piano | 1998 | City University | ||
| Wood B. | 'Only Purcell e'er shall equal Blow' | 1995 | University of Wales, Bangor | ||
| Williams T N | 'Out by the Orchard' for soprano, trombone and piano | 1997 | University College Northampton | ||
| Manning PD | 'Ownership and Control of the Creative Process in the Composition and Performance of Electroacoustic Music' | 1999 | University of Durham | ||
| Dibble JC | 'Parry as Historiographer', in Nineteenth-Century British Music Studies, ed. Bennett Zon | 1999 | University of Durham | ||
| Dibble JC | 'Parry, Stanford and Vaughan Williams: the Creation of Tradition', in Vaughan Williams in Perspective, ed. L. Foreman | 1998 | University of Durham | ||
| Anderson J | 'Perception and Deception: Aspects of Per Norg | 1998 | Royal College of Music | N/A | |
| Harper J.M. | 'Philip ap Rhys and his liturgical organ music revisited' / 'Ailolwg ar Philip ap Rhys a'i gerddoriaeth organ litwrgiaidd' | 1995 | University of Wales, Bangor | ||
| Burn C | 'Proceedings'. | 1999 | Anglia Polytechnic University | Composition | |
| Lee TS | 'Professional Chinese Opera Troupes and Street Opera Performance in Singapore' | 2000 | University of Durham | ||
| Paton R | 'Promoting Equality in Secondary Schools' | 1999 | University College Chichester | Music | |
| McGregor R E | 'Qualis Nox' and 'O Blandos Oculos' from '3 Medieval Latin Lyrics' | 1997 | St Martin's College | ||
| Smith RL | 'Ravel's operatic spectacles: L'heure and L'enfant' | 2000 | University of Exeter | ||
| Bullard A | 'Recipes for Recorder and Strings'. | 1998 | Anglia Polytechnic University | Composition | |
| Gilmore B | 'Reinventing Ives' | 2000 | Dartington College of Arts | ||
| Mera M | 'Representing the Baroque: the Portrayal of Historical Period in Film Music' | 2000 | Royal College of Music | Screen Music Studies | |
| Thompson PJ | 'Rukopisniye materialy bibioteki korolevskogo muzykal'nogo kolledzha v Londone' in Peterburgskii muzykal'ny arkhiv: Sbornik statei i materialov | 1999 | Royal College of Music | ||
| Horch K | 'Saxophone technique' and 'Teaching the Saxophone' in The Cambridge Companion to the Saxophone, ed. Richard Ingham | 1999 | Royal College of Music | Education and Training Group | |
| Dow R | 'Season of Mists' | 1996 | University of Edinburgh | ||
| Herford H | 'Settings of Goethe's Faust' | 1999 | Royal Northern College of Music | ||
| Grange PR | 'Sheng Sheng Bu Shi': Concerto for solo clarinet radical and symphonic wind band | 2000 | University of Exeter | ||
| Lee TS | 'Singapore' | 2000 | University of Durham | ||
| Lee TS | 'Singapore' | 1998 | University of Durham | ||
| Griffiths DM | 'So who are you?' Webern's Op 3 No 1 | 1996 | Oxford Brookes University | ||
| Harper E | 'Souvenir' | 1999 | University of Edinburgh | ||
| Bullard A | 'Spring Pictures'. | 1997 | Anglia Polytechnic University | Composition | |
| Walsh MS | 'Stravinsky and the Vicious Circle' | 1998 | Cardiff University | Central European and Slavonic Music | |
| Walsh MS | 'Stravinsky's Symphonies: Accident or Design' in C. Ayrey and M. Everist (eds.), Analytical Strategies and Musical Interpretation. | 1996 | Cardiff University | Central European and Slavonic Music | |
| Robson A | 'String Quartet' | 1995 | University College Chichester | Music | |
| Garro D | 'Strum' in a Teacup: composition for tape | 1998 | Keele University | ||
| Jackson P | 'Teaching Tomorrow | 1999 | Anglia Polytechnic University | Musicology | |
| Lee TS | 'Technology and Production of Islamic Space: the Call to Prayer in Singapore' | 1999 | University of Durham | ||
| Ingham C | 'Textile Lunch' | 2000 | Anglia Polytechnic University | Composition | |
| Flanagan K | 'Textile Lunch' | 2000 | Anglia Polytechnic University | Composition | |
| Harper S.E. | 'The Bangor Pontifical: A Pontifical of the Use of Salisbury' / 'Esgoblyfr Bangor: Esgoblyfr Arfer Caersallog' | 1997 | University of Wales, Bangor | ||
| McCrea A | 'The British neo-classical organ and its music - time for a reappraisal?' | 1999 | Royal College of Music | ||
| Wainwright J | 'The Christ Church Viol-Consort Manuscripts Reconsidered: Christ Church Oxford Music Manuscripts 2, 497-408; 417-418 +1080; and 432 + 612-613' | 1996 | University of York | ||
| Gregson E | 'The Dance, forever the Dance' | 1999 | Royal Northern College of Music | ||
| Waite M | 'The Darkened Wood' - Opera | 2000 | University College Chichester | Music | |
| Wainwright J | 'The Dissemination and Influence of Monteverdi's Music in England in the Seventeenth Century' in Claudio Monteverdi und die folgen: Bericht uber das Internationale Symposium, Detmold 1993, ed. Silke Leopold and Joachim Steinheuer | 1998 | University of York | ||
| Street DA | 'The Ear of the Other: style and identity in Schoenberg's Eight Songs, Op.6.' | 2000 | University of Exeter | ||
| Mitchell I | 'The Edge of the World': works for solo bass clarinet associated with Ian Mitchell. | 2000 | University of Exeter | ||
| Manning PD | 'The Evolution of Interactive Graphical Control Interfaces for Music Applications' | 1999 | University of Durham | ||
| Wood B. | 'The First Performance of Purcell's Funeral Music for Queen Mary' | 1996 | University of Wales, Bangor | ||
| Rowland-Jones A | 'The First Recorder: How? Why? When?... and Where?' | 1999 | Anglia Polytechnic University | Musicology | |
| Wainwright J | 'The Kings Music', in The Royal Image: Representations of Charles 1, ed. Thomas Corns | 1999 | University of York | ||
| Streeter E | 'The Musical and Non-Musical Transference within Music Therapy Supervision'. | 1999 | Anglia Polytechnic University | Music Therapy | |
| Anderson J | 'The Orchestral Music of Michael Finnissy' in Unknown Ground - the music of Michael Finnissy, ed. Christopher Fox | 1996 | Royal College of Music | N/A | |
| Rae CAB | 'The Piano Music of Maurice Ohana' | 1995 | Cardiff University | Twentieth-Century British and French Music | |
| Iwamoto Y | 'The Potential of the Shakuhachi in Contemporary Music' | 1994 | University of Durham | ||
| Hall B | 'The Queens-Chichester Music and Dance Project' (Interdisciplinary arts project.) | 1999 | University College Chichester | Music | |
| Rowland-Jones A | 'The Recorder and Marriage'. | 1999 | Anglia Polytechnic University | Musicology | |
| Spitzer M | 'The Retransition as Sign: Listener-Orientated Approaches to Tonal Closure in Haydn's Sonata-Form Movements' | 1996 | University of Durham | ||
| Harper S.E. | 'The Robert ap Huw Manuscript and the Canon of Sixteenth-Century Welsh Harp Music' / 'Llawysgrif Robert ap Huw a Chanon Cerddoriaeth Gymreig i'r Delyn yn yr Unfed Ganrif ar Bymtheg' | 1999 | University of Wales, Bangor | ||
| Horton P | 'The Unknown Wesley: The early instrumental and secular vocal music of Samuel Sebastian Wesley', in Nineteenth-Century British Music Studies I, ed. Bennet Zon | 1999 | Royal College of Music | Historical Musicology | |
| Sandon NJ | 'The Use of Salisbury' Volume 4: The Proper of the Mass for Holy Week | 1996 | University of Exeter | ||
| Pascall R.J. | 'The editor's Brahms' | 1999 | University of Wales, Bangor | ||
| Rowland-Jones A | 'The minuet: painter-musicians in triple time'. | 1998 | Anglia Polytechnic University | Musicology | |
| Stowell R | 'The sonata' | 1999 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Whitehead L | 'The triple-strung Hass clavichord of 1761' in Musikkens Tjenere: Instrument-Forsker-Musiker, Meddelelser fra Musikhistorisk Museum og Carl Claudius' Samling VI: 1898-1998, ed. Mette M | 1998 | Royal College of Music | ||
| Street DA | 'This space for rent' | 1998 | University of Exeter | ||
| Hall B | 'Three Pieces from the Heartland' - Piano /dance duo performance | 1999 | University College Chichester | Music | |
| Gloag K | 'Tippett's Second Symphony, Stravinsky, and the Language of Neoclassicism' | 1999 | Cardiff University | Twentieth-Century British and French Music | |
| SAMUEL R. | 'Tirluniau (Landscapes)' for full orchestra | 2000 | City University | ||
| Williams P | 'Towards a Close Reading of Carl Philipp Emanuel Bach' | 1994 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| McCrea A | 'Towards an understanding of organ building in the Baltic states' | 1995 | Royal College of Music | Historical Musicology | Goran Grahn |
| Robson A | 'Twin Spires' for orchestra and boys' choir | 2000 | University College Chichester | Music | |
| Burn C | 'Unanswered Questions'. | 1998 | Anglia Polytechnic University | Composition | |
| Myers A | 'Using Pulse Reflectometry to Compare the Evolution of the Cornet and the Trumpet in the 19th + 20th Centuries' in Proceedings of the International Symposium on Musical Acoustics, Edinburgh 1997 | 1997 | University of Edinburgh | David B. Sharp D. Murray Campbell |
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| HINNELLS D | 'Vaughan Williams Studies' (ed. Frogley, 1996) | 1998 | University of Oxford | ||
| Allsop PC | 'Violinistic virtuosity in the seventeenth century: Italian supremacy or Austro-German hegemony?' | 1996 | University of Exeter | ||
| Downes M | 'Wagner and the Musicien francais: an interpretation of Debussy's criticism' | 1994 | Canterbury Christ Church University College | ||
| Thomas W. | 'Wales' | 1998 | University of Wales, Bangor | ||
| Mera M | 'What's so funny about parody?' | 2000 | Royal College of Music | Screen Music Studies | |
| Dow R | 'When all is silent' | 1995 | University of Edinburgh | ||
| Cowgill R E | 'Wise Men from the East': Mozart's Operas and their Advocates in Early Nineteenth-Century London | 2000 | University of Huddersfield | ||
| Lee C P | 'Yeah, and I used to be a Hunchback' | 1998 | University of Salford | ||
| Thomas AT | 'Your song is mine' | 1995 | Cardiff University | Central European and Slavonic Music | |
| Ingham C | 'Zanzibar' | 1999 | Anglia Polytechnic University | Composition | |
| Flanagan K | 'Zanzibar' | 1999 | Anglia Polytechnic University | Composition | |
| Gregson E | 'and the seven trumpets...' | 1999 | Royal Northern College of Music | ||
| Parks R | (Five) Technical Drawings | 1997 | University of Edinburgh | ||
| Eisen C | (Johann Chrysostom) Wolfgang Amadeus Mozart | 2000 | King's College London | ||
| Davismoon S | (this has already) Passed/Passing for solo bass flute. | 1999 | Napier University | ||
| Davismoon S | (this has already) passed/passing, for solo bass flute | 1999 | Royal Scottish Academy of Music and Drama | ||
| Davismoon S | ...against the grain, for solo percussion (2 snare drums) and live electronics | 1997 | Napier University | ||
| Cashian P | ...in the still hours | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Neave A | ...the isle is full of noises...new scottish music for guitar | 1997 | Napier University | ||
| Stones A C | 100%/ebb | 1996 | University of Surrey Roehampton | Music | |
| Brubeck D | 1959: The Beginning of Beyond | 2000 | University of Nottingham | Peter King Alan Skidmore Alec Dankworth |
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| Parry D M | 20th Century Song - a recital by Alison Wells (soprano) and Martyn Parry (piano) | 1995 | University of Hertfordshire | ||
| Caird G | 20th century English Music for oboe and piano | 2000 | University of Central England in Birmingham | Performance Studies | Malcolm Wilson |
| Butt J.A. | 4 Toccatas and Fugues; Schubler Chorales, J S Bach | 2000 | University of Cambridge | ||
| Saunders J E | 511 possible mosaics | 1999 | University of Huddersfield | ||
| Hyde J | 64 Refractions | 1999 | Dartington College of Arts | ||
| Butler MC | A Better Place | 1999 | University of Sussex | ||
| McCLEAVE SY | A Catalogue of Manuscript Music in the Mackworth Collection | 2000 | The Queen's University of Belfast | ||
| Fallows DN | A Catalogue of Polyphonic Songs, 1415-1480 | 1999 | University of Manchester | ||
| Pitts SE | A Century of Change in Music Education: Historical perspectives on contemporary practice in British secondary school music | 2000 | University of Sheffield | ||
| Martineau M | A Century of English Song (vols. 1 + 2) | 1999 | Royal Academy of Music | ||
| Lyons W | A Dance in the Garden of Mirth: Mediaeval Instrumental Music | 1995 | University of Central England in Birmingham | Early Music | The Dufay Collective |
| Newsome R | A Dunwich Sinfonietta | 1998 | University of Salford | ||
| Russell I G | A Festival of Village Carols: Sixteen Carols from the Mount-Dawson Manuscripts, Worrall | 1994 | University of Aberdeen | ||
| Fretwell P | A Fragmented History | 1999 | University of Hertfordshire | ||
| Stefani E J | A Garden Retreat | 1998 | University of Leeds | ||
| Bannan NJC | A Gestural Language for the Representation and Communication of Vocal Harmony | 2000 | University of Reading | ||
| Le Cocq J P | A Guide to Notation in the Air de Cour for Voice and Lute (Ballard Editions, 1608-1643) | 1999 | University College Northampton | ||
| Kisby F | A Mirror of Monarchy: Music and Musicians in the Household Chapel of the Lady Margaret Beaufort, Mother of Henry VII | 1997 | Royal Holloway, University of London | ||
| Field CDS | A Musical Apparatus of Somewhat Complex and Intricate Mechanism: Organs in Professor John Donaldson's Classroom at the University of Edinburgh, 1845-65 | 2000 | University of Edinburgh | ||
| Griffiths D | A Musical Place of the First Quality: a history of institutional music making in York, c1550-1990 | 1994 | University of York | ||
| Uduman M S | A Muster of Tales: composition for soprano and ensemble | 1994 | Keele University | ||
| Morehen J | A Neglected East Anglian Madrigalian Collection of the Jacobean Period | 1998 | University of Nottingham | ||
| Wilby P | A New World Dancing | 2000 | University of Leeds | ||
| Greer DC | A Numerous and Fashionable Audience: the story of Elsie Swinton | 1997 | University of Durham | ||
| Nex J | A Preliminary Investigation into the Stringing of Swedish Clavichords | 2000 | Royal College of Music | Lance Whitehead | |
| Mead P | A Pretty How Town | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Mead P |
| Drabkin WM | A Readers Guide to Haydn's String Quartets | 2000 | University of Southampton | ||
| Stock JPJ | A Reassessment of the Relationship between Text, Speech Tone, Melody, and Aria Structure in Beijing Opera | 1999 | University of Sheffield | ||
| Ivashkin A | A Schnittke Reader. | 2000 | Goldsmiths College | ||
| Williams R B | A Scottish Quaich | 1999 | University of Aberdeen | ||
| Brooks LJ | A Singer | 1998 | University of Southampton | ||
| POTT F | A Song on the End of the World, oratorio | 1999 | University of Oxford | ||
| Polfreman R | A Task Analysis of Music Composition and its application to the development of 'Modalyser'. | 1999 | University of Hertfordshire | ||
| GIBSON IS | A Voice Controlled Music Synthesis System | 1998 | University of Oxford | Gibson, I Howard, D M |
|
| LeFanu N | A Wild Garden | 1997 | University of York | ||
| McBurney G | A Winter's Walk round the Park at Troitse-Lykovo (chamber ensemble) | 1999 | Royal Academy of Music | ||
| SAXTON R | A Yardstick to the Stars, for Piano and String Quartet | 1994 | University of Oxford | ||
| Sorrell NFI | A composer in the twilight of the Raj: John Foulds (1880-1939) | 1996 | University of York | ||
| Orton R | A generic model for compositional approaches to audiovisual media | 1998 | University of York | Hunt,A Kirk,R Merrison,B |
|
| Knighton T.W. | A newly discovered keyboard source (Gonzalo de Baena's Arte nouamente inuentada pera aprender a tanger, Lisbon 1540): a preliminary report | 1996 | University of Cambridge | ||
| ZIELINSKI S K | A novel approach to echo cancellation | 1999 | University of Surrey | Czyzewski, A | |
| Wright O | A preliminary version of the 'kitab al adwar' | 1995 | School of Oriental and African Studies | ||
| Dibley P | A question? | 1997 | Oxford Brookes University | ||
| Hancox G | A recital of British Clarinet Music. Grenville Hancox, clarinet; Anna Roscorla, narrator; Julian Dawson, piano. | 1996 | Canterbury Christ Church University College | ||
| Bassano P | A second Miracle at Cana: musical discoveries in Veronese's Marriage at Cana | 1994 | Royal College of Music | Historical Musicology | |
| Hartwell RF | A story recounted | 1995 | Liverpool Hope | ||
| Sorrell NFI | A study of a unique artist and his music: Prasidh Silapabanleng (1912-1999) | 2000 | University of York | ||
| Mival W | A superabundance of experience | 2000 | Royal College of Music | N/A | |
| Orledge RFN | A voyage of discovery into Faur | 1999 | University of Liverpool | ||
| Clayton M R L | A. H. Fox Strangways and the Music of Hindostan: revisiting historic field recordings | 1999 | Open University | ||
| Ogden C | Aaron Jay Kernis: Double Concerto for Violin, Guitar and Orchestra | 1999 | Royal Northern College of Music | ||
| Losseff N | Absent Melody and 'The Woman in White' | 2000 | University of York | ||
| Chua D.K. | Absolute Music and the Construction of Meaning | 1999 | King's College London | ||
| Russ M | Accounting and Mediating: Modes, Genera, Voice-leading and form in Milhaud's music of the 1920s | 2000 | University of Ulster | ||
| EMMERSON S.T. | Acoustic/Electroacoustic: the Relationship with Instruments | 1998 | City University | ||
| Strebing J | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Rattle Holland Harrison |
| Strebing J | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Rattle Thomas, leader |
| Holland J | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG, cond. Simon Rattle Harrison Strebing |
| Harrison P | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG cond.Simon Rattle Holland Strebing |
| Harrison P | Ad | 1999 | University of Central England in Birmingham | Contemporary Music | BCMG cond.Simon Rattle |
| Thomas P | Adams: Harmonielehre | 1994 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Rattle Strebing |
| Strebing J | Adams: Harmonielehre | 1994 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Rattle Thomas, leader |
| Wright O | Adb al-Qadir al Maraghi and Ali b. Muhammad Bina'i - two fifteenth century examples of notation | 1995 | School of Oriental and African Studies | ||
| Williams A | Adjunk Halat Mindnyajan... | 1998 | University of Salford | ||
| Paddison MH | Adorno, Modernism and Mass Culture: Essays on Critical Theory and Music | 1996 | University of Durham | ||
| Timms CR | Agostino Steffani - La Libert | 2000 | University of Birmingham | ||
| Sweeney W | Agua | 1994 | Royal Scottish Academy of Music and Drama | ||
| SWEENEY WJ | Airc an dualchais [Inheritance ark] | 1998 | University of Glasgow | Composition | |
| Outram M | Alan Rawsthorne - Sonata for Viola and Piano | 1999 | Royal Academy of Music | ||
| Jarman D | Alban Berg: Violinkonzert (Klavierauszug nach dem Text der Kritischer Gesamtausgabe) | 1996 | Royal Northern College of Music | ||
| Jarman D | Alban Berg: Violinkonzert (Kritische Ausgabe) | 1996 | Royal Northern College of Music | ||
| Smith D | Alban Lament | 1998 | University of Hertfordshire | ||
| Ivashkin A | Alfred Schnittke. | 1996 | Goldsmiths College | ||
| Anderson J | Alhambra Fantasy for chamber ensemble | 2000 | Royal College of Music | ||
| Russell I G | Alive and Kicking: the Living Tradition of English Gallery Music | 1997 | University of Aberdeen | ||
| Spring M | All Goodly Sports | 1998 | Bath Spa University College | ||
| Mitchell-Davidson P.C. | All Lit Up | 1997 | Liverpool John Moores University | ||
| Stringer JC | All the Gold of Night | 1999 | University of York | ||
| Phillips M | Alla danza: dance music for organBach: Fuga alla giga, BWV 577Pachelbel: Chaconne in F minor Anon. (Spanish, 17th cent.): EspanoletaJuan Cabanilles: Corrente ItalianaSweelinck: Balleto del granducaAnton Heiler: Tanz-Toccata (1970)Peter Plany | 1995 | Royal College of Music | Performance | |
| Brown J A | Ally McBeal's Postmodern Soundtrack | 2000 | Royal Holloway, University of London | ||
| Fischman Steremberg R A | Alma Latina: composition for tape | 1997 | Keele University | ||
| Stollery P | Altered Images | 1995 | University of Aberdeen | ||
| Whiteley S | Altered Sounds | 1997 | University of Salford | ||
| Pike L J | Alternative Versions of Purcell's Praise the Lord, O My Soul: O My Lord God | 1996 | Royal Holloway, University of London | ||
| Kenny J | Amaterasu | 2000 | Royal Scottish Academy of Music and Drama | ||
| Gribbin D | Amazing Face | 2000 | University of Newcastle | ||
| Malham DG | Ambisonics in the new media -The Technology Comes of Age | 1996 | University of York | Music Technology | |
| Smith G | American Originals | 1994 | Bath Spa University College | Walker-Smith, N. | |
| Wishart T | American Tryptich. Electroacoustic Music for Voice. Commissione by the French Ministry of Culture. First performed Paris, Radio France, 2000. | 2000 | University of Birmingham | ||
| Turbet R B | An Affair of Honour: 'Tudor Church Music', the Ousting of Richard Terry, and a Trust Vindicated | 1995 | University of Aberdeen | ||
| Wilson I | An Angel Serves a Small Breakfast: Violin Concerto No. 2. | 2000 | University of Ulster | ||
| Sheinberg E | An Application of Ernst Gombrich's Projection Theory to Music Perception | 1995 | University of Edinburgh | ||
| Allen L.V. | An Archive of Black South African Popular Music: Recently Released Reissues | 1996 | University of Cambridge | ||
| Watkins R | An Exploration of Modalys. | 1996 | Canterbury Christ Church University College | ||
| HINNELLS D | An Extraordinary Performance: Hubert Foss, Music Publishing and Oxford University Press | 1998 | University of Oxford | ||
| Aspden S. | An Infinity of Factions: Opera in Eighteenth-Century Britain and the Undoing of Society | 1997 | University of Cambridge | ||
| Ng K C | An Integrated Multi-Sensory System for Photo-Realistic 3D Scene Reconstruction | 1998 | University of Leeds | Sequeira, V. Butterfield, S. Hogg, D.C. |
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| Drabkin WM | An Interpretation of Musical Dreams: Towards a Theory of the Mozart Piano Concerto Cadenza | 1996 | University of Southampton | ||
| Wrightson K | An Introduction to Acoustic Ecology | 2000 | London Guildhall University | ||
| Wrightson K | An Introduction to Acoustic Ecology | 1999 | London Guildhall University | ||
| Wrightson K | An Introduction to Acoustic Ecology | 1999 | London Guildhall University | ||
| SWEENEY WJ | An Iobairt [The Sacrifice] | 1996 | University of Glasgow | Composition | |
| SWEENEY WJ | An Turus [The Journey] | 1997 | University of Glasgow | Composition | |
| Sweeney W | An Turus/The Journey, an opera in three acts | 1997 | Royal Scottish Academy of Music and Drama | Aonghas Macneacail (text) | |
| Davies D | An Turus/The Journey, an opera in three acts by William Sweeney, the Paragon Ensemble conducted by David Davies | 1998 | Royal Scottish Academy of Music and Drama | ||
| Duffy C | An introduction to the Performing Arts Data Service | 1997 | Royal Scottish Academy of Music and Drama | ||
| Drabkin WM | Analisi Schenkeriana: Per un interpretazione organica della struttura musicale | 1995 | University of Southampton | Susanna Pasticci Egidio Pozzi |
|
| Cook NJ | Analysing Musical Multimedia | 1998 | University of Southampton | ||
| Cook NJ | Analysing Performance, and Performing Analysis | 1999 | University of Southampton | ||
| Gritten AJ | Analysing Van den Toorn Analysing Stravinsky Analysing | 1997 | University of East Anglia | ||
| Tagg PD | Analysing music in the media - an epistemological mess | 1998 | University of Liverpool | ||
| Samson TJ | Analysis in Context | 1999 | University of Bristol | ||
| Fischman Steremberg R A | Analysis of 'Crosstalk', a work by Michael Vaughan | 1997 | Keele University | ||
| Polfreman R | Analyzing auditory representations for sound classification with self-organising neural networks | 2000 | University of Hertfordshire | C Spevak | |
| COLLINS RICE H | And They Went to a Place, for 8 voices | 1999 | University of Oxford | ||
| West J | Andrea Gabrieli: Missa Pater Peccavi (1565)His Majestys Sagbutts and Cornetts, His Majestys Consort of Voices, Jeremy West (cornetto and artistic director) | 2000 | Royal College of Music | Performance | |
| Freeman-Attwood J | Andrew Johnstone - Sonata da Chiesa (for trumpet and organ) | 2000 | Royal Academy of Music | ||
| Scott A | Andy Scott: Premieres | 2000 | Royal Northern College of Music | ||
| Gardiner I.R | Annabelle Dancing | 1995 | Liverpool John Moores University | ||
| Doyle G A | Anon.: 'Ye Learned Wise Mortals'; J. Baildon: 'For three LADIES'; Thos. Warren: 'To our Musical Club'; Chas. Thomas: 'The Parting Catch' | 1999 | St Martin's College | ||
| Allis M | Another 48: Stanford and historic sensibility | 1994 | Royal Academy of Music | ||
| Webb J | Anthem: Into His Marvellous Light | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Maxwell M | Anthony Gilbert 'Os' (for solo oboe and vibraphone) /Jonathan Cole 'Totem' (for solo oboe) | 2000 | Royal Academy of Music | ||
| Coccioli L | Antidotes: Red Earth | 1996 | University of Central England in Birmingham | Contemporary Music | |
| Clark A | Antique Brasses (Crusell - Horn Concerto) | 2000 | Royal Academy of Music | ||
| KEEFE SP | Antoine Reicha's Dialogue: The Emergence of a Theoretical Concept | 2000 | The Queen's University of Belfast | ||
| Talbot MO | Antonio Vivaldi: Magnificat, cantico per due soprani, contralto e tenore solisti, coro a quattro voci miste, due oboi, due violini, viola e basso, RV 610/611 | 1999 | University of Liverpool | ||
| ZIELINSKI S K | Application of Chebychev Polynomials to calculation of the nonlinear characteristics of the digital waveguide model of the organ pipe | 1997 | University of Surrey | Szwoch, G | |
| Fern A | Approaching Melmoth | 2000 | University of Newcastle | ||
| Fallows DN | Approaching a New Chronology for Josquin: an Interim Report | 1996 | University of Manchester | ||
| Humphreys K | Apr | 1999 | Royal Scottish Academy of Music and Drama | ||
| Casken J | Apres un silence for violin and chamber orchestra (18') . | 1999 | University of Manchester | ||
| Ap Sion P.E. | Ar y Groesffordd | 2000 | University of Wales, Bangor | ||
| Archbold P | Arachne for clarinet and harp | 1999 | University of Durham | ||
| GOSS S M | Arcadia | 1996 | University of Surrey | ||
| Modler P | Architectures for Processing Gestural Content in Musical Performance | 1999 | University of York | Music Technology | |
| Prior M | Archlute, based on a surviving instrument by Matteo Sellas, 1630 (Bologna, Museo Civico no. 1748). | 1999 | London Guildhall University | ||
| Fingerhut M | Arnold Bax: Concertante for Piano (left hand) and Orchestra | 2000 | Royal Northern College of Music | ||
| Fingerhut M | Arnold Bax: Octet for Piano, Horn and String Sextet | 1998 | Royal Northern College of Music | ||
| Parker R. | Arpa d'or: The Verdian Patriotic Chorus | 1997 | University of Cambridge | ||
| Stringer JC | Arriving again shortly | 1998 | University of York | ||
| Hugill A | Art of Our Time: Ten Years of the Praemium Imperiale | 1999 | De Montfort University | G Adair K Frampton E Lucie-Smith |
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| Harrison DJT | Articles Ind | 1996 | University of Birmingham | ||
| Powers AJ | As Shadows to the Sun | 1998 | Cardiff University | Composition | |
| Lewis A.P. | Ascent | 1994 | University of Wales, Bangor | ||
| WILLIAMSON C | Ashes dance back | 1997 | University of Surrey | Harvey, J | |
| Fretwell P | Asklepion | 1999 | University of Hertfordshire | ||
| Knighton T.W. | Aspectos de la cultura musical en la Corte de Felipe II | 2000 | University of Cambridge | Luis Robledo Cristina Bordas Juan Jose Carreras |
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| Jan S B | Aspects of Mozart's Music in G Minor: Toward the Identification of Common Structural and Compositional Characteristics | 1995 | University of Huddersfield | ||
| BURDEN M | Aspects of Purcell's Operas | 2000 | University of Oxford | ||
| RYCROFT ME | Aspects of national styles in gamba music in the eighteenth century | 1995 | University of Glasgow | Early Music | |
| O Regan N | Asprillo Pacelli, Lodovico da Viadana and the Roman Small-Scale Concerto | 2000 | University of Edinburgh | ||
| Cook NJ | At the Boundaries of Musical Identity: Schenker, Corelli, and the Graces | 1999 | University of Southampton | ||
| SKINNER D | At the mynde of Nycholas Ludford: new light on Ludford from the churchwardens' accounts of St Margaret's, Westminster | 1994 | University of Glasgow | Early Music | |
| Wishart T | Audible Design. | 1994 | University of Birmingham | ||
| FISHER D M | Audio fundamentals | 1995 | University of Surrey | ||
| Bannan NJC | Aural Feedback, Vocal Technique, and Creativity | 1998 | University of Reading | ||
| EMMERSON S.T. | Aural landscape: musical space | 1998 | City University | ||
| Pryer AJ | Authentic Performance, Authentic Experience and 'Pur ti miro' from Poppea | 1995 | Goldsmiths College | ||
| Middleton R | Authorship, Gender and the Construction of Meaning in the Eurythmics' Hit Recordings | 1995 | University of Newcastle | ||
| Rhys PQ | Autobuslied for solo cello | 1998 | University of Reading | ||
| Ng K C | Automated Reconstruction of 3D Models from Real Environments | 1999 | University of Leeds | Sequeira, V. Wolfart, E. Gon |
|
| Ng K C | Automatic Detection of Tonality Using Note Distribution | 1996 | University of Leeds | Boyle, R.D. Cooper, D.G. |
|
| Windsor W L | Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music | 1996 | University of Leeds | ||
| Nicholls DR | Avant-garde and Experimental Music | 1998 | University of Southampton | ||
| Blinko T J | Ave Maria | 1998 | University of Hertfordshire | ||
| Graham D | Ave Regina: The Complete Organ Works of Guy Weitz - volume 1Weitz: Three Pieces (1935-39); Two Pieces based on Plainchant Motives (1962); Symphony No. 1(1931). | 2000 | Royal College of Music | ||
| Cutler J | Awakenings | 1997 | University of Central England in Birmingham | Contemporary Music | |
| JOHNSTONE HD | Ayres and Arias: A Hitherto Unknown Seventeenth-Century English Songbook | 1997 | University of Oxford | ||
| Byrchmore R | Baba Yaga (opera in three scenes for 12 voices and large ensemble) | 1995 | Royal Academy of Music | ||
| Clark A | Bach - Complete Cantatas volumes 7 and 8 | 1999 | Royal Academy of Music | ||
| Eastop P | Bach - Missa Brevis in F/Sie werden aus Saba alle kommen | 1998 | Royal Academy of Music | ||
| Woolley R | Bach Concertos for Harpsichord and Strings | 1998 | Royal College of Music | Performance | Purcell Quartet Paul Nicholson, harpsichord Laurence Cummings, harpsichord |
| Freeman-Attwood J | Bach Connections | 1999 | Royal Academy of Music | ||
| TOMITA Y | Bach Reception in Pre-Classical Vienna: Baron van Swieten's circle edits the Well-Tempered Clavier II | 2000 | The Queen's University of Belfast | ||
| Phillips M | Bach and EnglandTallis: Hymn: Veni RedemptorScheidt: Veni redemptor gentiumTomkins: FancyBlow: Voluntary in CBruhns: Chorale Fantasia: Nun komm, der Heiden HeilandJ.S.Bach: Toccata in E majorNares: Introduction and fugue in A minor/majorW. | 2000 | Royal College of Music | Performance | |
| Tatlow R | Bach and Numbers | 2000 | University of Reading | ||
| Dreyfus L | Bach and the Patterns of Invention | 1996 | King's College London | ||
| Butt J.A. | Bach's metaphysics of music, 'A mind unconscious that it is calculating' | 1997 | University of Cambridge | ||
| Tatlow R | Bach, Johann Sebastian | 1999 | University of Reading | ||
| Ross J | Bach: Brandenburg Concertos Nos. 3 and 5 | 1999 | University of Central England in Birmingham | Early Music | Brandenberg Ensemble Micaela Comberti |
| Banks PW | Bach: Chaconne in D minor BWV 1004 arranged for concert performance on the pianoforte by Ferruccio Busoni | 1997 | Royal College of Music | Editing: Theory and Practice | |
| Woolley R | Bach: Concertos for Harpsichord and Strings | 1994 | Royal College of Music | Performance | Purcell Quartet Paul Nicholson, harpsichord Laurence Cummings, harpsichord |
| Woolley R | Bach: Six Partitas, BWV825-30Robert Woolley (harpsichord) | 1998 | Royal College of Music | Performance | |
| Dreyfus L | Bachian invention and its mechanisms | 1997 | King's College London | ||
| Dibley P | Back to Fore | 1999 | Oxford Brookes University | ||
| Walker N | Balakirev - Complete Piano Music vols. 1 + 2 | 1998 | Royal Academy of Music | ||
| Seivewright P | Baldassare Galuppi Complete Keyboard Sonatas, vol 1 | 1999 | Royal Scottish Academy of Music and Drama | ||
| Skempton H | Ballade (for Saxphone Quartet and Strings) | 1997 | De Montfort University | ||
| Hellaby J | Ballades in G minor and F major, and Shakhidi, piano sonata no.2 | 1996 | Thames Valley University | Centre for Research in Contemporary Music Practice | Hellaby J |
| Aspden S. | Ballads and Britons: Imagined Community and the Continuity of English Opera | 1997 | University of Cambridge | ||
| Douglas S | Ballads and the supernatural | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Porter J W | Ballads, Fieldwork, Meaning | 2000 | University of Aberdeen | ||
| Mawer DH | Ballet and the Apotheosis of the Dance | 2000 | Lancaster University | ||
| Dawe K N | Bandleaders in Crete: musicians and entrepreneurs in a Greek island economy | 1998 | Open University | ||
| Dussek M | Bantock - Cello Sonatas | 2000 | Royal Academy of Music | ||
| Fuller A | Bantock: Sonata for Unaccompanied Cello, and character pieces | 2000 | University of Central England in Birmingham | Performance Studies | Michael Dussek Lucy Wakeford, harp |
| Fuller A | Bantock: Sonatas for Cello and Piano | 2000 | University of Central England in Birmingham | Performance Studies | Michael Dussek |
| Kerstens T | Barabas by Terry Riley | 1999 | Bath Spa University College | ||
| PALMER FP | Barber Evening Concerts and Operas: the First Fifty Years | 1996 | The Queen's University of Belfast | ||
| Gordon MZ | Barcarola, for horn, violin and piano (7 minutes) | 1998 | University of Southampton | ||
| Mackey J | Baroque baryton | 2000 | London Guildhall University | ||
| Porter J W | Bart | 2000 | University of Aberdeen | ||
| Brown J A | Bart | 2000 | Royal Holloway, University of London | ||
| Dimitrova L | Bartok, Piano Concerto No 3. London Symphony Orchestra; Lora Dimitrova, piano; George Solti, conductor. | 1996 | Canterbury Christ Church University College | ||
| Zivoni Y | Bartok: Sonata for Solo Violin; Duos for Two Violins | 1997 | Royal Northern College of Music | ||
| Fischer S | Basics | 1997 | Royal Scottish Academy of Music and Drama | ||
| Mackey J | Bass violin (reconstruction of a sixteenth-century Italian instrument). | 1995 | London Guildhall University | ||
| Brown AM | Battle Music | 2000 | University of Sheffield | ||
| Clarke N | Battles + Chants Clarinet Concerto for Symphonic Winds | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| Russ M | Be Bored: Reading a Mussorgsky Song | 1996 | University of Ulster | ||
| Cooper BAR | Beethoven | 2000 | University of Manchester | ||
| Martineau M | Beethoven - The Complete Folksong Arrangements | 1994 | Royal Academy of Music | ||
| Cooper BAR | Beethoven's Folksong Settings: Chronology, Sources, Style | 1994 | University of Manchester | ||
| MARSTON NJ | Beethoven's Piano Sonata in E, Op.109 | 1995 | University of Oxford | ||
| Glauert A | Beethoven's songs and vocal style | 2000 | Royal Academy of Music | ||
| Jones TR | Beethoven: 'The Moonlight and other sonatas Op.27 and Op. 31 | 1999 | University of Exeter | ||
| Roxburgh E | Beethoven: Grosse Fuge adapted for symphonic wind orchestra | 1996 | Royal College of Music | Composition | |
| Stowell R | Beethoven: Violin Concerto | 1998 | Cardiff University | Music of the 'Long' Eighteenth Century | |
| Ireland R | Beethoven: complete cycle of string quartets | 1997 | University of Manchester | ||
| Cropper PJ | Beethoven: complete cycle of string quartets | 1997 | University of Manchester | ||
| Birks RM | Beethoven: complete cycle of string quartets | 1999 | University of Manchester | ||
| Gregor-Smith B | Beethoven: complete cycle of strings quartets | 1999 | University of Manchester | ||
| HALFYARD J | Before Night Comes: Narrative and Gesture in Berio's Sequenza III (1966) | 2000 | Bretton Hall | ||
| WOLLENBERG SLF | Beginnings and Endings: C.P.E. Bach's Keyboard Sonatas Revisited | 1998 | University of Oxford | ||
| Parry D M | Belfast Sonorities Festival - a recital by Alison Wells (soprano) and Martyn Parry (piano) | 1999 | University of Hertfordshire | ||
| Chua D.K. | Believing in Beethoven | 2000 | King's College London | ||
| Talbot MO | Benedetto Vinaccesi: a musician in Brescia and Venice in the age of Corelli | 1994 | University of Liverpool | ||
| Banks PW | Benjamin Britten: A Catalogue of the Published Works | 1999 | Royal College of Music | Historical Musicology | Keiron Cooke Barbara Diana Jennifer Doctor |
| Ayrey CL | Berg's Warm die L | 1998 | Goldsmiths College | ||
| Hill PHA | Berg, Schoenberg, Webern: the piano music (CD) | 1999 | University of Sheffield | ||
| Berry S | Berlin Cabaret Songs | 1997 | Royal Northern College of Music | ||
| Rushton J G | Berlioz and Irlande: from Romance to M | 1996 | University of Leeds | ||
| Partridge I | Berners - Complete Songs (and piano music) | 1998 | Royal Academy of Music | ||
| GRIMLEY D M | Berwald | 2000 | University of Surrey | ||
| Mellers W | Between Old Worlds and New | 1997 | University of York | ||
| Waters SJ | Beyond the acousmatic: Hybrid tendencies in electroacoustic music | 2000 | University of East Anglia | ||
| Boynton NA | Bibliography | 1996 | Lancaster University | ||
| Ingham C | Billie Holiday | 2000 | Anglia Polytechnic University | Musicology | |
| Wright PA | Binchois and England: Some Questions of Style, Influence, and Attribution in his Sacred Works | 2000 | University of Nottingham | ||
| Weller PH | Binchois's Texts | 1996 | University of Nottingham | Andrew Kirkman | |
| Bryars G | Biped | 1999 | University of Hertfordshire | ||
| Head MW | Bird Song and the Origins of Music | 1997 | University of Southampton | ||
| Duran L | Birds of Wasulu: freedom of expression and expressions of freedom in the popular music of southern Mali | 1995 | School of Oriental and African Studies | ||
| Wood B. | Birthday Odes for Queen Mary, Part II | 1998 | University of Wales, Bangor | ||
| MacGregor J | Birtwistle - Antiphonies (for piano and orchestra) | 1994 | Royal Academy of Music | ||
| MacGregor J | Birtwistle - Harrison's Clocks (for solo piano) | 1999 | Royal Academy of Music | ||
| Cross JGE | Birtwistle's Secret Theatres | 1996 | University of Bristol | ||
| Maxwell M | Birtwistle/Maxwell/Holt - Pulse Sampler/Elegy/Banshee | 1997 | Royal Academy of Music | ||
| Fulwell P | BitBiz: Accelerating the Creative Industries | 2000 | Liverpool John Moores University | ||
| Smith G | Black Flowers | 1997 | Bath Spa University College | ||
| Allen L.V. | Black South African Women of Song, a Historical Overview | 1997 | University of Cambridge | ||
| RICHARDSON J.G. | Black and White Music: dialogue, dysphoric coding and the death drive in the music of Bernard Herrmann, The Beatles, Stevie Wonder and Coolio | 1998 | City University | ||
| Poole GR | Blackbird - requiem in four parts for SATB chorus, SATB soloists, full orchestra. | 1994 | University of Bristol | ||
| Banfield SD | Blackwell History of Music in Britain : The Twentieth Century. | 1995 | University of Birmingham | ||
| Hayden S T | Bleeding Chunk | 1996 | University of Leeds | ||
| Herford H | Bliss: A knot of Riddles and other songs | 2000 | Royal College of Music | Performance | Nash Ensemble Martyn Brabbins, conductor Kathron Sturrock, piano |
| Seymour PG | Blow,J., St Cecilia's Day Ode: Begin the Song/ String Trios, Solo Songs, dialogues. | 1999 | University of York | ||
| Corbett H | Blue Waters, for solo vibraphone, by Jennifer Barker, Heather Corbett (vibraphone) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Gardiner I.R | Bluetime | 1997 | Liverpool John Moores University | ||
| Stobart H F | Bodies of Sound and Landscapes of Music: A View from the Bolivian Andes | 2000 | Royal Holloway, University of London | ||
| Richards J | Bon Voyage | 1998 | De Montfort University | ||
| Milstein S.R. | Book of Shadows | 1998 | King's College London | ||
| Neave A | Born of Funk and the Fear of Failing by Gordon McPherson | 2000 | Napier University | ||
| Neave A | Born of Funk and the Fear of Failing, concerto for amplified guitar and 10-piece ensemble by Gordon McPherson, Allan Neave (guitar) with Psappha, conducted by Andr | 2000 | Royal Scottish Academy of Music and Drama | ||
| Edlin P | Borobudur for large orchestra (32'). 1st performance, RCM Symphony Orchestra; dir. Elgar Howarth. | 1995 | Canterbury Christ Church University College | ||
| Clarke A | Botuslav Martinu: A Greek Passion | 1999 | University of Central England in Birmingham | Contemporary Music | Bregenza Festival, dir. Ulf Schirmer |
| Gould C | Boulez - Antheme (for solo violin and electronics) | 2000 | Royal Academy of Music | ||
| Standage S | Boyce - Complete Trio Sonatas | 1999 | Royal Academy of Music | ||
| Comberti M | Boyce: Complete Trio Sonatas | 1999 | University of Central England in Birmingham | Early Music | Collegium Musicum 90, dir.Simon Standage |
| Lawson CJ | Brahms Clarinet Quintet. | 1998 | Goldsmiths College | ||
| Bisengaliev M | Brahms-Joachim: Hungarian Dances (complete) | 1994 | University of Central England in Birmingham | Performance Studies | John Lenehan |
| Bradbury C | Brahms: Clarinet Sonatas op. 120Hindemith: Clarinet Sonata (1939) | 2000 | Royal College of Music | Performance | Bernard Roberts, piano |
| Kirshbaum R | Brahms: Double Concerto; Beethoven: Triple Concerto | 1997 | Royal Northern College of Music | ||
| Duran L | Brasil dois Mil | 2000 | School of Oriental and African Studies | ||
| Dewhurst R | Brasilia | 1996 | University of Salford | ||
| Newsome R | Brass Roots. A Hundred Years of Brass Bands and their Music, 1836-1936. | 1998 | University of Salford | ||
| Wallace J | Brass solo and chamber music from 1800 | 1997 | Royal Academy of Music | ||
| Field A | Breaking Spaces | 1996 | University of York | Music Technology | |
| Clarke N | Breaking the Century | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Clarke N |
| de Saram R | Brian Ferneyhough: Fourth String Quartet | 1996 | University of Central England in Birmingham | Contemporary Music | Irvine Arditti David Alberman Garth Knox |
| Mawer DH | Bridging the Divide: Embedding Voice-leading Analysis in String Pedagogy and Performance | 1999 | Lancaster University | ||
| Sturrock K | Bright Music by Ned Rorem | 2000 | Kingston University | ||
| Stanzeleit S | British Violin Sonatas Volume One | 1995 | Napier University | ||
| Stanzeleit S | British Violin Sonatas Volume Two | 1996 | Napier University | ||
| Reynish T | British Wind Band Classics: Holst / Vaughan Williams | 1998 | Royal Northern College of Music | ||
| Outram M | Britten - Portrait No. 2 | 1996 | Royal Academy of Music | ||
| Cooke MJ | Britten and the Far East | 1998 | University of Nottingham | ||
| MARK C M | Britten and the circle of fifths | 1994 | University of Surrey | ||
| Hancox G | Britten, War Requiem. Judith Buckle, Ian Bostridge, Ben Luxon, Canterbury Christ Church University College chamber orchestra, symphony orchestra, children's choir and chorus. Dir. Grenville Hancox. | 1994 | Canterbury Christ Church University College | ||
| Francis S | Britten: Music for oboePhantasy Quartet op 2Six Metamorphoses after Ovid op 49 Temporal Variations for oboe and pianoTwo Insect Pieces for oboe and piano | 1995 | Royal College of Music | Performance | Michael Dussek, piano Members of the Delme Quartet |
| Wardman V | Britten: String Quartets | 1997 | Royal Northern College of Music | ||
| Cooke MJ | Britten: War Requiem | 1996 | University of Nottingham | ||
| WHITE B | Broadcast performance of a critical edition of theatre music by Louis Grabu.1) Act Tunes for Dryden and Lee's Oedipus (1678)2) Act Tunes for an unidentified play3) Three Songs: 'One night while all the village slept' (for Lee's Mitridates, 1678), 'H | 1995 | Bretton Hall | ||
| Burrell D | Bronze (1998 + 2000) | 1998 | University of Hertfordshire | ||
| Brown C | Brown the Bear (narrator and chamber orchestra) | 1997 | Royal Academy of Music | ||
| Mordkovitch L | Bruch - Violin Concerto No.3 | 2000 | Royal Academy of Music | ||
| Roscoe M | Brull - Piano Concertos | 1998 | Royal Academy of Music | ||
| Fearn R | Bruno Maderna's n | 1996 | Keele University | ||
| Rushton J G | Buffo Roles in Mozart | 1997 | University of Leeds | ||
| ROBARTS J.Z. | Building a Theory of Poetic Processes in Music Therapy Relating to Research-in-progress | 2000 | City University | ||
| Stringer JC | Burlesque | 1997 | University of York | ||
| Miller J | Burns | 1994 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Hyde J | Burnt Out | 1995 | Bath Spa University College | ||
| Russill P | Byrd - Three Fantasias for organ | 2000 | Royal Academy of Music | ||
| Smith D J | Byrd Reconstructed: in Search of Consort Models for Keyboard Dances by Byrd | 1999 | University of Aberdeen | ||
| Dreyfus L | Byrd Song | 1999 | King's College London | ||
| Solomon A | C. P. E. Bach - Quartet for Keyboard, Flute, Viola and Continuo in D, H538 (Wq94), Sonata for Viola da Gamba and Harpsichord in G minor, H510 (Wq88) | 1998 | Royal College of Music | ||
| Saunders J E | CALMA (Computer assisted learning for musical awareness) | 2000 | University of Huddersfield | Professor Michael Clarke Julia Bowder |
|
| Merrick L | CD of clarinet concertos | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Merrick L |
| HALFYARD J | CD: In Sunlight ( Joseph Hyde ) | 1996 | Bretton Hall | ||
| Norman K | CD: Transparent Things. | 2000 | Goldsmiths College | ||
| Carolan L | CPE Bach: Sonatas for flute and obbligato keyboard | 1996 | University of Central England in Birmingham | Early Music | Nancy Hadden, baroque flute Erin Headley, viol |
| Norton B | Ca tru: a Vietnamese Chamber Music Genre | 1996 | University of Surrey Roehampton | Music | |
| Lewis A.P. | Cable Bay | 1999 | University of Wales, Bangor | ||
| Burrows D J | Cambridge Companion to Handel | 1997 | Open University | ||
| Wilson CR | Campion | 2000 | University of Reading | ||
| Lewis A.P. | Can | 1997 | University of Wales, Bangor | ||
| Simaku T | Canticello | 1999 | University of York | ||
| Byrchmore R | Canticles (a capella upper voices) | 1998 | Royal Academy of Music | ||
| Marsh RM | Canto 1 | 1999 | University of York | ||
| Blinko T J | Cantus | 1999 | University of Hertfordshire | ||
| ALCORN MP | Caoine, string orchestra and IRCAM signal processing workstation | 1996 | The Queen's University of Belfast | ||
| Young MW | Capital Arcade | 2000 | Oxford Brookes University | ||
| Boyle R | Capriccio, for large orchestra | 1995 | Royal Scottish Academy of Music and Drama | ||
| Hancox G | Carissimi, Jepthe; Peter Wilman, Jepthe; Emily Renshaw, Felia; Peter Bowman, Kathryn Bennetts, recorders; Cantata Choir and Ensemble, dir. Grenville Hancox. | 2000 | Canterbury Christ Church University College | ||
| Clark A | Carl Czerny - Music for horn and fortepiano | 2000 | Royal Academy of Music | ||
| Seivewright P | Carl Nielsen, Complete Piano Music | 1998 | Royal Scottish Academy of Music and Drama | ||
| Fanning DJ | Carl Nielsen: Aladdin | 2000 | University of Manchester | ||
| Fanning DJ | Carl Nielsen: Symphony No. 5 | 1997 | University of Manchester | ||
| GOSS S M | Carmen Fantasy | 1998 | University of Surrey | ||
| Russell I G | Carolling at Thorpe Hesley | 1995 | University of Aberdeen | ||
| Lilley C | Carter: Sonata for flute, oboe, cello and harpsichord | 1996 | University of Central England in Birmingham | Contemporary Music | BCMG |
| Holland J | Cashian: Chamber Concerto | 2000 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Stefan Asbury |
| Lilley C | Cashian: Dark Inventions (flute solo) | 2000 | University of Central England in Birmingham | Contemporary Music | BCMG, cond.Stefan Asbury |
| Heaton R | Cassandra | 1998 | Bath Spa University College | ||
| GIBSON IS | Cast Aside (electroacoustic composition) | 2000 | University of Oxford | ||
| Sheppard-Skaerved P | Catalan Quartets | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Sheppard-Skaerved P |
| Cooper BAR | Catalogue of pre-1900 Manuscripts in the John Rylands University Library of Manchester | 1997 | University of Manchester | ||
| Williams R B | Catalogue of the Castle Fraser Music Collection | 1994 | University of Aberdeen | ||
| Parks R | Catalogue of the Collections (3 fascicles) | 1998 | University of Edinburgh | C. Overton | |
| Parks R | Catalogue of the Collections (7 fascicles) | 1996 | University of Edinburgh | Arnold Myers | |
| Leigh D | Cathedral Oceans | 1996 | Thames Valley University | Centre for Research in Contemporary Music Practice | Leigh D |
| Russill P | Catholic Germany and Austria 1648 - c1800 | 1998 | Royal Academy of Music | ||
| Losseff N | Cathy's Homecoming and the Other World: Kate Bush's 'Wuthering Heights' | 1999 | University of York | ||
| EDWARDS WA | Cavalli: La Didone | 1997 | University of Glasgow | Early Music | |
| MacDonald A | Ce | 2000 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Sackman N | Cecilia dances, for orchestra | 1995 | University of Nottingham | ||
| Gribbin D | Celestial Pied Piper | 2000 | Bath Spa University College | ||
| Gribbin D | Celestial Pied Piper | 2000 | University of Newcastle | ||
| Thomas W. | Cerddoriaeth Draddodiadol yng Nghymru LLyfryddiaeth (Cyf.2) / A Bibliography: Traditional Music in Wales (Vol.2) | 1996 | University of Wales, Bangor | ||
| Shorr A | Cesar Cui - Kaleidoscope/Violin Sonata | 1995 | Royal Academy of Music | ||
| Salter TJ | Chains of Gold: choral music of the English RenaissanceIonian Singers, Timothy Salter (director) | 1997 | Royal College of Music | Performance | Ionian Singers |
| Skempton H | Chamber Concerto | 1997 | De Montfort University | ||
| Cashian P J | Chamber Concerto | 1995 | Royal Holloway, University of London | ||
| Cashian P | Chamber Concerto | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Bashford CM | Chamber music | 2000 | Oxford Brookes University | ||
| Horch K | Chambersax - H. Villa-Lobos: Quatuor for harp, celeste, flute, alto saxophone and female voices; A. Webern, Quartet for clarinet, tenor saxophone, violin and piano, op. 22, P. Hindemith: Trio op.47 for viola, tenor saxophone and piano, Adolf Busch | 2000 | Royal College of Music | ||
| Jones ML | Changing slides - Labour's music industry policy under the microscope | 1999 | University of Liverpool | ||
| Bainbridge S | Chant (for 12 amplified voices and large instrumental group) | 1999 | Royal Academy of Music | ||
| Myatt A | Chaotic Constructions 1 | 1997 | University of York | Music Technology | |
| Myatt A | Chaotic Constructions 2 | 1999 | University of York | Music Technology | |
| Bowyer K | Charles Camilleri: Works for Organ, Trumpet and Strings | 1997 | Royal Northern College of Music | ||
| Harlow M | Charles Swinnerton Heap: Clarinet Sonata | 2000 | University of Central England in Birmingham | Performance Studies | |
| Williams T N | Chasing the Shadow for kayagum | 1999 | University College Northampton | ||
| Young MW | Chatterbox | 1999 | Oxford Brookes University | ||
| Chilingirian L | Chausson Po | 1994 | Royal College of Music | Performance | Philippe Graffin, violin Chilingirian String Quartet Pascal Devoyon, piano |
| Graffin P | Chausson: Chamber Works | 1998 | University of Central England in Birmingham | Performance Studies | Chilingirian Quartet Pascal Devoyon |
| Paynter J | Che cosa si puo dire sulla musica? Un progretto di ricerca sull'educazione musicale creativa. | 1997 | University of York | ||
| Fend M | Cherubini, Luigi | 2000 | King's College London | ||
| Glover J | Children Composing 4-14 | 2000 | Bath Spa University College | ||
| Carpenter G | China Song | 1998 | Royal Northern College of Music | ||
| Jones S | Chinese ritual music under Mao and Deng | 1999 | School of Oriental and African Studies | ||
| Samson TJ | Chopin (Master Musicians) | 1996 | University of Bristol | ||
| Sutcliffe W.D. | Chopin's Counterpoint: The Largo from the Cello Sonata, Op. 65 | 1999 | University of Cambridge | ||
| Rink J | Chopin: The Piano Concertos | 1997 | Royal Holloway, University of London | ||
| DARLINGTON SM | Choral Works, J.R. Esteves (Mass for 8 Voices etc.). Christ Church Choir, directed by Stephen Darlington | 1997 | University of Oxford | ||
| Bassano P | Chris Batchelor: Weasle Words and Winning Ways, for Jazz Trumpet, Jazz Trombone and Brass Band, conducted by Peter Bassano | 1999 | Royal College of Music | Performance | John Barclay, trumpet Ricahrd Edwards, trombone Grimethorpe Colliery RJB Band |
| Zwaanenburg J | Christian Wolff, Volume 2 - Chamber Works: I like to think of Harriet Tubman | 1998 | Oxford Brookes University | ||
| Mackey J | Chrotta gamba | 1995 | London Guildhall University | ||
| Blezzard JH | Church Music in Tudor Times: compilation and scribal practices with special reference to a Protestant manuscript | 1998 | University of Liverpool | ||
| Smith D | Cinema Paradiso | 1994 | University of Hertfordshire | ||
| Dobbins F | Cl | 1994 | Goldsmiths College | ||
| McNaught G | Clara, by Sally Beamish, Sandra Porter (mezzo soprano) and Graeme McNaught (piano) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Roxburgh E | Clarinet Concerto | 1996 | Royal College of Music | Composition | |
| Ellerby M | Clarinet Concerto | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Heaton R | Clarinet Quintet by Harrison Birtwistle | 1999 | Bath Spa University College | ||
| Merrick L | Clarinet Quintet: Wilfred Josephs | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Merrick L |
| McNaught G | Clarinet Trios Robert Irvine (cello), Lawrence Gill (clarinet), Graeme McNaught (piano), Paul Coletti (viola) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Irvine R | Clarinet Trios Robert Irvine (cello), Lawrence Gill (clarinet), Graeme McNaught (piano), Paul Coletti (viola) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Gill L | Clarinet Trios, Lawrence Gill (clarinet), Robert Irvine (cello), Graeme McNaught (piano), Paul Coletti (viola) | 1998 | Royal Scottish Academy of Music and Drama | ||
| BROWN C | Classical and Romantic Performing Practice | 1999 | Bretton Hall | ||
| HALFYARD J | Classical vs. Film Revisited | 1998 | Bretton Hall | ||
| Heyde N | Claude Debussy - Nocturne et Scherzo (for cello and piano) | 1995 | Royal Academy of Music | ||
| Morehen J | Claudio Merulo, 'Ricercari d'intavolatura d'organo' | 2000 | University of Nottingham | ||
| ROBARTS J.Z. | Clinical and theoretical perspectives on poietic processes in music therapy | 1999 | City University | ||
| Gill L | Cloudscapes, by Paul Keenan, with Lawrence Gill (clarinet) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Sweeney W | Coilltean Ratharsair / The Woods of Raasay, for soprano, bass and orchestra | 1995 | Royal Scottish Academy of Music and Drama | ||
| Fischman Steremberg R A | Cold Fire: composition for string quartet and tape | 1996 | Keele University | ||
| Fitch FJ | Colinet de Lannoys: Mass and Songs | 1999 | University of Durham | ||
| Hayden S T | Collateral Damage | 1999 | University of Leeds | ||
| Doyle G A | Collected String Editions: Richard Deering 'Pavane'; Alfonso Ferrabosco II 'Fantasia' on the Hexachord; Matthew Locke 'Fantasia in g' and John Blow 'Chacone in G' | 1999 | St Martin's College | ||
| Vaughan M P | Collective Memories: composition for ensemble and live electronics | 1994 | Keele University | ||
| Miller J | Come gies a sang | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | S. Douglas |
| Douglas S | Come gies a sang | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | J. Miller |
| Dewhurst R | Coming Home | 1999 | University of Salford | ||
| Brooks WF | Common Ground | 2000 | University of York | ||
| Cole B | Community Music and Higher Education: a marriage of convenience | 2000 | University of York | ||
| Kitchen J | Complete Organ Works of Johann Ludwig Krebs | 2000 | University of Edinburgh | ||
| Thomas PJ | Composed music for Pantene Conditioner TV Commercial | 1999 | University of Southampton | ||
| Parry D M | Composers of the 1990s - a recital by Alison Wells (soprano) and Martyn Parry (piano) | 1999 | University of Hertfordshire | ||
| Smith G | Composing after Cage: permission granted | 1998 | Bath Spa University College | ||
| Clarke J M | Composing at the Intersection of Time and Frequency | 1996 | University of Huddersfield | ||
| Odam G | Composing in the Classroom: The Creative Dream | 2000 | Bath Spa University College | Paterson, A. | |
| Fell S | Composition No.57 'Kaleidozyklen' | 2000 | Anglia Polytechnic University | Composition | |
| Thomas WH | Composition, Performance, Reception - Studies in the Creative Process in Music | 1998 | University of Bristol | ||
| Dobbins F | Compositional Techniques in the French Chansons of Lassus. | 1994 | Goldsmiths College | ||
| McGregor R E | Compositional processes in some works of the 1980s and Max the symphonist | 2000 | St Martin's College | ||
| Boynton NA | Compositional technique 1923 | 1997 | Lancaster University | ||
| Sansom M J | Compositions: 1999-2000 | 2000 | University of Newcastle | ||
| Duffy C | Computer-mediated communication as a learning resource | 1997 | Royal Scottish Academy of Music and Drama | E.McAteer A.Tolmie J.Corbett |
|
| Marsden AA | Computers and the Concept of Tonality | 1999 | Lancaster University | ||
| Ross G.W | ConCussion: a synthesis of new and old technologies | 1999 | Liverpool John Moores University | Higgins L | |
| Dearden I | Concert Hall Acoustics | 2000 | University of Hertfordshire | ||
| Parry D M | Concert at the Michael Tippett Music Centre, Bath | 2000 | University of Hertfordshire | ||
| Skidmore J | Concert: Charpentier, Bouzignac, de Lalande | 1999 | University of Central England in Birmingham | Early Music | Ex Cathedra Choir and Orchestra Micaela Comberti, leader |
| Skempton H | Concertante for Violin and Strings (3 movements) | 1999 | De Montfort University | ||
| Sturrock K | Concerto for 10 instruments by Alan Rawsthorne | 1999 | Kingston University | ||
| Webb J | Concerto for Accordion, Strings and Clarinet | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Gorb A | Concerto for Clarinet and Orchestra | 2000 | Royal Northern College of Music | ||
| Allen B | Concerto for Cornet and Band, by Torstein Aagaard-Nilsen, conducted by Bryan Allen | 1998 | Royal Scottish Academy of Music and Drama | ||
| Wilby P | Concerto for Euphonium | 1997 | University of Leeds | ||
| Thorne P | Concerto for Guitar and Strings, by Thomas Wilson, Phillip Thorne (guitar) and the Paragon Ensemble conducted by David Davies | 1996 | Royal Scottish Academy of Music and Drama | ||
| Downes A | Concerto for Guitar, Electric Bass Guitar and String Orchestra | 2000 | University of Central England in Birmingham | Contemporary Music | |
| Osborne N. | Concerto for Oboe + Chamber Orchestra. | 1998 | University of Edinburgh | ||
| Skempton H | Concerto for Oboe, Accordion and Strings | 1998 | De Montfort University | ||
| Humphreys K | Concerto for Violin and Orchestra, by Samuel Barber, Kyra Humphreys (violin), with the Northern Sinfonia conducted by David Haslam | 2000 | Royal Scottish Academy of Music and Drama | ||
| Boyle R | Concerto for piano and orchestra | 1998 | Royal Scottish Academy of Music and Drama | ||
| Seivewright P | Concerto for piano and orchestra, by Rory Boyle, Peter Seivewright (piano) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Wilson M | Concerto in Three Movements for Six String Electric Violin and Brass Band | 1998 | University of Salford | ||
| Corbett H | Concierto Candela, for percussion and orchestra, by Gabriela Ortiz, Heather Corbett (multi percussion) with the BBC Scottish Symphony Orchestra conducted by Odaline de la Martinez | 1995 | Royal Scottish Academy of Music and Drama | ||
| Williamson JG | Conjuration scenes in Pfitzner's 'Das Herz' and Busoni's 'Doktor Faust' | 1997 | University of Liverpool | ||
| Norris DO | Constant Lambert: Piano Concerto | 2000 | University of Southampton | ||
| Mackey J | Construction of the instruments of a complete late-baroque string orchestra (violins, violas, cello and bass) | 2000 | London Guildhall University | ||
| Bowyer K | Contemporary Music for Organ | 1999 | Royal Northern College of Music | ||
| Wilson M | Contemporary Works for Oboe and Piano | 2000 | University of Central England in Birmingham | Contemporary Music | George Caird |
| RUMSEY F J | Controlled subjective assessments of 2-to-5 channel surround sound processing algorithms | 1999 | University of Surrey | ||
| Potter KS | Cornelius Cardew: Some (Post-Modern?) Reflections on Experimental Music and Political Music | 1995 | Goldsmiths College | ||
| Thurlow J. | Correspondances: Dutilleux, Baudelaire and Proust | 1997 | University of Cambridge | ||
| Leach EE | Counterpoint as an interpretative tool: the case of Guillaume de Machaut's De toutes flours (B31) | 2000 | University of Bristol | ||
| Brooks LJ | Courtly Song in Late Sixteenth-Century France | 2000 | University of Southampton | ||
| Keeley R.I. | Crabbed Characters and Flourishing Tropes | 1997 | King's College London | ||
| Ritterman J | Craft for art's sake: variations on a traditional theme | 1995 | Royal College of Music | ||
| Walker N | Cramer - Concerto da Camera | 2000 | Royal Academy of Music | ||
| Modler P | Creating, Discovering, Practice: Learning to Use Interactive Gestural Interfaces for Computer Music Instruments, 17. | 2000 | University of York | Music Technology | |
| Nelson P | Creativity and Embodied Rationalisation | 1999 | University of Edinburgh | ||
| WHITE B | Critical edition of Anton Eberl: Die Koenigin der schwarzen Inseln (1801) Phase 1 | 2000 | Bretton Hall | ||
| Castelvecchi S. | Critical edition of Gioachino Rossini, Cantata per l'Imperatore Francesco I d'Austria | 1999 | University of Cambridge | ||
| Castelvecchi S. | Critical edition of Giuseppe Verdi, Alzira | 1994 | University of Cambridge | Jonathan Cheskin | |
| Poole GR | Crossing Ohashi Bridge for string ensemble 1995 (18') | 1995 | University of Manchester | ||
| Boddice N | Crossover, The Royal Norweigan Navy Band, conducted by Nigel Boddice | 1998 | Royal Scottish Academy of Music and Drama | ||
| Olleson PJ | Crotch, Moore, and the 1808 Birmingham Festival | 1996 | University of Nottingham | ||
| Hartwell RF | Cruciform Trio | 1999 | Liverpool Hope | ||
| Teruggi D | Crystal Mirages | 1997 | University of Hertfordshire | ||
| Torrente A | Cuestiones en torno a la circulaci | 1997 | Royal Holloway, University of London | ||
| Davis R.F. | Cultural policy and the Tunisian Ma'luf: Redefining a Tradition | 1997 | University of Cambridge | ||
| Gould C | D.C.Heath - Concerto for Violin and Chamber Orchestra | 1997 | Royal Academy of Music | ||
| Holt S K | Daedelus Remembers | 1995 | Royal Holloway, University of London | ||
| Hancox G | Dalwyn Henshall, Dover Beach (composed for Grenville Hancox). 1st performance, Grenville Hancox, clarinet; Katherine Lewis, mezzo soprano; David Pickup, piano. | 1995 | Canterbury Christ Church University College | ||
| HAIR GB | Dances and Devilment and Sunlit Airs | 2000 | University of Glasgow | Composition | |
| Mawer DH | Darius Milhaud: Modality and Structure in Music of the 1920s | 1997 | Lancaster University | ||
| Cashian P | Dark Inventions | 2000 | Bath Spa University College | ||
| Ker D | Darkness and Light | 1998 | University of Reading | ||
| Sawers I | Darknesse Visible by Thomas Ades for solo piano. | 1999 | Napier University | ||
| Cowie E | Dartmoor Etudes for oboe, clarinet and harp | 1999 | Dartington College of Arts | ||
| Firsova E | Das Erste ist vergangen (Former Things are passed away), op.93 | 2000 | Royal Northern College of Music | ||
| Biddle I D | Das Ich, das Begehren und die Wiedergeburt des Komponisten: Neuere Werke von Roger Redgate | 1999 | University of Newcastle | ||
| Herford H | Das Lied im Imbruch | 1998 | Royal Northern College of Music | ||
| TOMITA Y | Das Wohltemperierte Clavier in England. Abschriften aus dem Besitz von Charles Burney und Friedrich Wilhelm Marpurg | 1999 | The Queen's University of Belfast | ||
| Windsor W L | Data Processing in Music Performance Research: Using Structural Information to Improve Score-Performance Matching | 2000 | University of Leeds | Heijink, H. Desain, P. |
|
| Adlington RC | David Epstein, 'Shaping Time: Music, the Brain, and Performance' | 1997 | University of Nottingham | ||
| Ball A | David Lumsdaine: Mandala 3Andrew Ball (piano) | 2000 | Royal College of Music | Performance | Capricorn Ensemble |
| Vassallo E | Davidovsky: Synchronisms No.5 for Solo Cello and Tape | 1997 | Royal Northern College of Music | ||
| Fuller S | Dead White Men in Wigs: Women and Classical Music Today | 1995 | University of Reading | ||
| Cross E G N | Death in War: Britten and the War Requiem | 1994 | University of Newcastle | ||
| Howat R | Debussy piano music, Vol. 1. Images (1905 + 1907); Etudes; Etude retrouv | 1997 | Royal College of Music | Performance | |
| Ayrey CL | Debussy's significant connection: metaphor and metonymy in analytical method | 1994 | Goldsmiths College | ||
| Smith RL | Debussy: 'Rodrigue et Chim | 1995 | University of Exeter | ||
| Wright PA | Decline or Renewal in Late Tippett? The Fifth String Quartet in Perspective | 1999 | University of Nottingham | ||
| BUJIC B | Delicate Metaphors | 1997 | University of Oxford | ||
| FAUSER A. | Der Orchestergesang in Frankreich zwischen 1870 und 1920 | 1994 | City University | ||
| Grange PR | Des fins sont des commencements for chamber ensemble (6') | 1994 | University of Manchester | ||
| Dempster K | Descriptio for orchestra | 2000 | Napier University | ||
| Orton R | Design Strategies for Algorithmic Composition | 1996 | University of York | ||
| Dobson R | Designing Legato Instruments | 2000 | Bath Spa University College | ||
| McBurney G | Desire (speaker, womens' voices and ensemble) | 1997 | Royal Academy of Music | ||
| McPherson G | Detours, for large ensemble | 1998 | Royal Scottish Academy of Music and Drama | ||
| Hunter DM | Developing Peer-Learning Programmes in Music: Group Presentations and Peer Assessment | 1999 | University of Ulster | ||
| Pitts SE | Developing effective practice strategies: case studies of three young instrumentalists | 2000 | University of Sheffield | Jane Davidson Gary McPherson |
|
| Dobson R | Developments in Audio File Formats | 2000 | Bath Spa University College | ||
| Landy L | Devising Dance and Music: Id | 2000 | De Montfort University | E Jamieson | |
| Howard P | Did Burney blunder? | 1998 | Open University | ||
| BLACKBURN B | Did Ockeghem Listen to Tinctoris? | 1998 | University of Oxford | ||
| Freeman-Attwood J | Dido and her recorded legacy | 1995 | Royal Academy of Music | ||
| Heaton R | Die Darmst | 1996 | Bath Spa University College | ||
| BROWN C | Die Neubewertung der Quellen von Beethovens Fuenfte Symphonie/A New Appraisal of the Sources of Beethoven's Fifth Symphony | 1996 | Bretton Hall | ||
| ZIELINSKI S K | Digital waveguide modeling of the organ flue pipe | 1996 | University of Surrey | ||
| Millward F | Dining with Alice | 1999 | Kingston University | ||
| Barker P | Dirty Tricks | 1997 | University of Hertfordshire | ||
| Baily JS | Discours sur la musique | 1998 | Goldsmiths College | ||
| Truax B | Discovering Inner Complexity: Time-Shifting and Transportation with a Real-time GranulationTechnique | 1994 | De Montfort University | ||
| SKINNER D | Discovering the provenance and history of the Caius and Lambeth choirbooks | 1997 | University of Glasgow | Early Music | |
| Williamson JG | Dissonance and middleground prolongations in Mahler's later music | 1997 | University of Liverpool | ||
| Casken J | Distant Variations for saxophone quartet and wind orchestra (16') | 1997 | University of Manchester | ||
| Ap Sion P.E. | Divertimento | 1994 | University of Wales, Bangor | ||
| STANDFORD P | Divertimento for Violin and Piano | 1996 | Bretton Hall | ||
| HELLAWELL PRHD | Do Not Disturb, Symphony Orchestra and Children's Choir | 1997 | The Queen's University of Belfast | ||
| Newsome R | Doctor Denis. The Life and Times of Dr Denis Wright. | 1995 | University of Salford | ||
| Bryars G | Doctor Ox's Experiment | 1998 | University of Hertfordshire | ||
| Roscoe M | Dohnanyi - Violin Sonata | 1997 | Royal Academy of Music | ||
| Finnissy MP | Domestic and Salon Pastimes, for various ensembles (60 minutes) | 2000 | University of Southampton | ||
| Bowman P | Donald Bousted, A Journey Among Travellers (composed for Peter Bowman and Kathryn Bennetts). Peter Bowman and Kathryn Bennetts, Recorders, supported by the National Lottery through the Arts Council of England | 1998 | Canterbury Christ Church University College | ||
| Bradbury C | Donato Lovreglio: Fantasia sull' Opera Un Ballo in Maschera, op. 46 | 1997 | Royal College of Music | Editing: Theory and Practice | |
| Fretwell P | Doors Close | 1998 | University of Hertfordshire | ||
| Fuller S | Dora Bright, Variations on an Original Theme, for two pianos, introduced and edited | 1999 | University of Reading | ||
| Mordkovitch L | Doreen Carwithen - Sonata for Violin and Piano | 1998 | Royal Academy of Music | ||
| Wardman V | Doreen Carwithen: String Quartets Nos 1 and 2 | 1997 | Royal Northern College of Music | ||
| Wilby P | Dove Descending for Brass Band | 1999 | University of Leeds | ||
| Holman P K | Dowland: Lachrimae (1604) | 1999 | University of Leeds | ||
| Zwaanenburg J | Drag on ... claustrophobia | 1999 | Oxford Brookes University | ||
| PALMER FP | Dragonetti in England (1794-1846): the Career of a Double Bass Virtuoso | 1997 | The Queen's University of Belfast | ||
| Salter TJ | Dragonflies draw flame for piano | 1999 | Royal College of Music | ||
| KEEFE SP | Dramatic Dialogue in Mozart's Viennese Piano Concertos: A Study of Competition and Cooperation in Three First Movements | 1999 | The Queen's University of Belfast | ||
| STROHM R | Dramma per Musica: Italian Opera Seria of the Eighteenth Century | 1997 | University of Oxford | ||
| GOSS S M | Dreamchild, for soprano soloist and large ensemble | 1994 | University of Surrey | ||
| Macdonald A | Dreel, for tape alone | 1996 | Royal Scottish Academy of Music and Drama | ||
| Waters SJ | Drift (Variant) | 1999 | University of East Anglia | ||
| HELLAWELL PRHD | Drum of the N | 1997 | The Queen's University of Belfast | ||
| Allen L.V. | Drumbeats, Pennywhistles and All That Jazz: The Relationship Between Urban South African Musical Styles and Musical Meaning | 1996 | University of Cambridge | ||
| Bray RW | Dryden and Draghi in Harmony in the 1687 Song for St Cecilia's Day | 1997 | Lancaster University | ||
| Burrell D | Dunkelhvide Manestraler | 1996 | University of Hertfordshire | ||
| LeFanu N | Duo Concertante | 1999 | University of York | ||
| SMACZNY JA | Dvorak's Cello Concerto | 1999 | The Queen's University of Belfast | ||
| Zivoni Y | Dvorak: Piano Quintet, Op.81 and Piano Quartet, Op.87 | 1997 | Royal Northern College of Music | ||
| Steprans J | ERA 40 by Bugge Wesseltoft | 2000 | University of Exeter | ||
| MARK C M | Early Benjamin Britten: a study of stylistic and technical evolution | 1995 | University of Surrey | ||
| Anstee I | Earth and Moon | 2000 | Royal Northern College of Music | ||
| Wiegold P J | Earth, receive an honoured guest | 1998 | Royal Holloway, University of London | ||
| Hughes DW | East Asia | 2000 | School of Oriental and African Studies | S Jones | |
| Spicer P | Easter Oratorio | 2000 | Royal College of Music | Composition | |
| Sorrell NFI | Eastern Gas | 1999 | University of York | ||
| Trendell D.R. | Eating his cake: a survey of the late, ripe and contradictory fruit of Alonso Lobo's sacred music | 1996 | King's College London | ||
| Webb J | Ebb and Floe | 1999 | University of Central England in Birmingham | Contemporary Music | |
| Titterington D | Eben/Rogg organ works | 1996 | Royal Academy of Music | ||
| Holt S K | Eco-Pavan | 1998 | Royal Holloway, University of London | ||
| Bray RW | Editing and Performing Musica Speculativa | 1995 | Lancaster University | ||
| Chilingirian L | Eduard Grieg: String Quartet in F major | 1999 | Royal College of Music | Editing: Theory and Practice | |
| Vassallo E | Eduardo Diazmunoz: Zonante | 1999 | Royal Northern College of Music | ||
| McTier D | Edvard Tubin - Double Bass Concerto | 1995 | Royal Academy of Music | ||
| Fingerhut M | Edward Elgar: Piano Concerto 'Slow Movement' | 2000 | Royal Northern College of Music | ||
| Norris DO | Edward Elgar: Piano Improvisations | 1999 | University of Southampton | ||
| Frith B | Edward Elgar: Rediscovered Works for Violin and Piano | 1999 | Royal Northern College of Music | ||
| Presland C | Edward Elgar: Three Pieces, Op.4 | 1996 | Royal Northern College of Music | ||
| Herford H | Edward Gregson: Missa Brevis Pacem | 1995 | Royal College of Music | Performance | Manchester Boys' Choir RNCM Symphonic Wind Band and Brass Band Edward Gregson, conductor |
| Eastop P | Edward Williams - Imitation Games | 1999 | Royal Academy of Music | ||
| RICHARDSON J.G. | Egypt in Boston: Notes on a recent production of Philip Glass's Akhnaten by the Boston Lyric Opera and its programming alongside Mozart's Die Zauberfl | 2000 | City University | ||
| Bainbridge S | Eicha (for mezzo soprano, chorus and double wind quintet) | 1997 | Royal Academy of Music | ||
| Prior M | Eight-course lute (a reconstruction of a late sixteenth-century English consort lute, of which no examples have survived) | 1998 | London Guildhall University | ||
| RYCROFT ME | Eingriffe des Verlegers in Haydns Bearbeitungen schottischer Lieder | 2000 | University of Glasgow | Scottish Music and Musicians | |
| Summerly J | Ekimovsky/Smirnov - Music for brass and choir | 1999 | Royal Academy of Music | ||
| Bosanquet C | El | 1996 | Anglia Polytechnic University | Composition | |
| Crilly D R | Elastic Form and Concrete Structure: the analysis of improvised music | 2000 | Anglia Polytechnic University | Musicology | K Flanagan |
| Flanagan K | Elastic Form and Concrete Structure: the analysis of improvised music. | 2000 | Anglia Polytechnic University | Musicology | D. Crilly |
| Macdonald A | Electra, tape, music and sound design for theatre | 1999 | Royal Scottish Academy of Music and Drama | ||
| FISHER D M | Electrical safety | 1997 | University of Surrey | ||
| Gorb A | Elements: Concerto for Percussion + Wind Orchestra | 1998 | Royal Northern College of Music | ||
| Dibley P | Elevation | 1996 | Oxford Brookes University | ||
| Allis M | Elgar and the Art of Retrospective Narrative | 2000 | Royal Academy of Music | ||
| Rushton J G | Elgar: | 1999 | University of Leeds | ||
| Bisengaliev M | Elgar: Early Works for Violin | 1999 | University of Central England in Birmingham | Performance Studies | Benjamin Frith |
| Cahill T | Elisabeth Lutyens:'O saisons, o chateaux' op.13 | 1996 | Royal Northern College of Music | ||
| Francis S | Elizabeth Machonchy: Oboe Quintet | 1996 | Royal College of Music | Medici Quartet | |
| Parker R. | Elizabeth's Last Act | 2000 | University of Cambridge | ||
| Bryan J H | Elizabethan Songs and Consort Music | 1999 | University of Huddersfield | ||
| de Saram R | Elliott Carter: Cello Sonata | 1998 | University of Central England in Birmingham | Contemporary Music | Ursula Oppens |
| Cowie E | Elysium I-III for solo clarinet, flute and Chamber Orchestra (0/2/0/2: 2/2/0/0:1 percussion and strings) | 1997 | Dartington College of Arts | ||
| Field A | Empty Spaces | 1998 | University of York | Music Technology | |
| Berry S | Energy | 2000 | Royal Northern College of Music | ||
| Lawson CJ | English Clarinet Concertos. | 1997 | Goldsmiths College | ||
| CALDWELL JA | English Liturgical Organ Music: Some Old and Some New Issues | 1996 | University of Oxford | ||
| WOODFIELD ID | English Musicians in the Age of Exploration | 1995 | The Queen's University of Belfast | ||
| Ball A | English Recoder Music: the Dolmetsch LegacyGordon Jacob - VariationsCyril Scott - AubadeEdmund Rubbra - Sonatina Op. 128Antony Hopkins - SuiteEdmund Rubbra - Passacaglia Sopra 'Plusieurs Regrets' Op.113John Gardner - Little Suite in C Op.60E | 2000 | Royal College of Music | Performance | Ross Winters, recorder |
| Russell I G | English Village Carols | 1999 | University of Aberdeen | ||
| DARLINGTON SM | English and Latin Church Music, John Sheppard. Christ Church Choir, directed by Stephen Darlington | 1996 | University of Oxford | ||
| Morley R | Ensemble 3 by G. Boardman | 1997 | Napier University | ||
| Osmond-Smith D | Entries on Berio, Clementi, Manzoni, Sciarrino | 2000 | University of Sussex | ||
| Osmond-Smith D | Entries on Bussotti, Donatoni, Pennisi, Togni | 2000 | University of Sussex | ||
| Williams A | Entropy Games | 1999 | University of Salford | ||
| Anstee I | Episodes | 2000 | Royal Northern College of Music | ||
| Ball A | Erich Wolfgang Korngold: Sonata for Violin and Piano, op. 6; Suite: Much Ado About Nothing, op. 11; Caprice Fantastique (Wichtelm | 2000 | Royal College of Music | Performance | Detlef Hahn, violin |
| DOWNES S C | Eros in the metropolis: Bart | 2000 | University of Surrey | ||
| Walker N | Esa-Pekka Salonen - Yta 2 (for solo piano) | 1996 | Royal Academy of Music | ||
| King D | Essays for Brass, Vol 1 | 1996 | University of Salford | ||
| King D | Essays for Brass, Vol 2 | 1997 | University of Salford | ||
| King D | Essays for Brass, Vol 3. | 2000 | University of Salford | ||
| Newark C. | Essential opera: Halevy's ''La Juive' | 2000 | University of Cambridge | ||
| SMALLEY D.A. | Etablissement de cadres relationnels pour l'analyse de la musique postschaefferienne | 1999 | City University | ||
| Langdon S | Ethel Smyth - Concerto for Violin, Horn and Orchestra | 1996 | Royal Academy of Music | Richard Watkins | |
| Moore AJ | Ethereality | 2000 | University of Sheffield | ||
| Garnett L | Ethics and Aesthetics: The Social Theory of Barbershop Harmony | 1999 | University of Central England in Birmingham | Critical Musicology | |
| Clayton M R L | Ethnographic wax cylinders at the British Library Sound Archive | 1996 | Open University | ||
| Harper E | Etude for Orchestra | 1999 | University of Edinburgh | ||
| Lane P | Eugen d'Albert - Piano Concertos Nos 1 + 2 | 1995 | Royal Academy of Music | ||
| Lane P | Eugen d'Albert - Solo Piano Music | 1996 | Royal Academy of Music | ||
| Porter J W | Europe | 2000 | University of Aberdeen | Timothy Rice Chris Goertzen |
|
| Porter J W | Europe: Traditional Music | 2000 | University of Aberdeen | ||
| Wathey A B | European Politics and Musical Culture at the Court of Cyprus | 1995 | Royal Holloway, University of London | ||
| Modler P | Evaluation of Architectures of Sound Generation Systems with Respect to Interactive Gestural Control and Realtime Performance | 1999 | University of York | Music Technology | Kirk, R |
| Chew G A | Evasive Realism: Narrative Construction in Dostoyevsky's and Janacek's From the House of the Dead | 1999 | Royal Holloway, University of London | Robert Vilain | |
| Ellerby M | Evocations | 2000 | Thames Valley University | Centre for Research in Contemporary Music Practice | Ellerby M |
| Fulwell P | Evolution 2.0 | 1998 | Liverpool John Moores University | Fallows, C Wardle, M |
|
| Davies O | Exhibition: Grove's World | 2000 | Royal College of Music | Historical Musicology | Peter Horton Celia Clarke Paul Collen |
| Birtwistle H | Exody | 1997 | King's College London | ||
| Jackson P | Exordium | 1997 | Anglia Polytechnic University | Composition | |
| Betzwieser TL | Exoticism and Politics: Beaumarchais and Salieri's Le Couronnement de Tarare (1790) | 1994 | University of Southampton | ||
| HENSON K | Exotisme et nationalite: | 2000 | University of Oxford | ||
| Field A | Expanse Hotel | 1999 | University of York | Music Technology | |
| Landy L | Experimental Music Notebooks | 1994 | De Montfort University | ||
| Le Cocq J P | Experimental Notation and Entrepreneurship in the Seventeenth Century - the Air de Cour for Voice and Lute, 1608-1643 | 1999 | University College Northampton | ||
| Cooper D G | Expressive MIDI | 1997 | University of Leeds | Ng, K.C. Boyle, R.D. |
|
| Windsor W L | Expressive Timing and Dynamics in Real and Artificial Musical Performances: Using an Algorithm as an Analytical Tool | 1997 | University of Leeds | Clarke, E.F. | |
| Garnett L | Extended Review: Joseph N. Straus: The Music of Ruth Crawford Seeger (CUP, 1995) | 1997 | University of Central England in Birmingham | Critical Musicology | |
| Clarke J M | Extending Contacts: The Concept of Unity in Computer Music | 2000 | University of Huddersfield | ||
| Biddle I D | F.W.J. Schelling's Philosophie der Kunst: an Emergent Semiology of Music | 1996 | University of Newcastle | ||
| Presencer G | Facing Reality | 2000 | Royal Academy of Music | ||
| STANDFORD P | Fantasy Quintet for clarinet and strings | 1999 | Bretton Hall | ||
| Harry M | Fantasy Unbuttoned, for nineteen players | 1998 | University of Durham | ||
| Jackson P | Fantasy for flute and piano | 1998 | Anglia Polytechnic University | Composition | |
| BENT M | Fauvel and Marigny: which came first? | 1998 | University of Oxford | ||
| Morley R | Feasibility Studies by the Scottish Flute Trio | 2000 | Napier University | ||
| Ellis K | Female Pianists and their Male Critics in Nineteenth-Century Paris | 1997 | Royal Holloway, University of London | ||
| Knighton T.W. | Ferdinand of Aragon's entry into Valladolid in 1513: the triumph of a Christian King | 1999 | University of Cambridge | Carmen Morte Garcia | |
| Heyde N | Ferneyhough - Time and Motion Study II | 1998 | Royal Academy of Music | ||
| LINGAS A | Festal Cathedral Vespers in Late Byzantium | 1997 | University of Oxford | ||
| MacDonald A | Fhuair mi P | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Smith G | Fifteen Wild Decembers | 1995 | Bath Spa University College | ||
| Butler MC | Fin de Siecle | 1997 | University of Sussex | ||
| Macdonald A | Final Times, for tape alone | 1998 | Royal Scottish Academy of Music and Drama | ||
| Denyer F | Finding Refuge in the Remains (composer portrait CD) | 1999 | Dartington College of Arts | ||
| Zwaanenburg J | Finding refuge in the remains | 1998 | Oxford Brookes University | ||
| Glauert A | Finding the compositional voice in Beethoven's songs | 2000 | Royal Academy of Music | ||
| Heyde N | Finnissy - Works for String Quartet | 1998 | Royal Academy of Music | ||
| Poole GR | Firefinch - for oboe and piano. | 1999 | University of Bristol | ||
| Scott A | First + Foremost | 1994 | Royal Northern College of Music | ||
| Buckland R | First + Foremost | 1994 | Royal Northern College of Music | ||
| Bryars G | First Book of Madrigals - (1998-2000) | 1998 | University of Hertfordshire | ||
| Kerstens T | Five Bagatelles by William Walton | 2000 | Bath Spa University College | ||
| Edlin P | Five Fantastic Islands for flute, clarinet, viola, cello, percussion and piano (12'). 1st performance, Psappha; dir. Christopher Gayford. | 1994 | Canterbury Christ Church University College | ||
| Kerstens T | Five Preludes by Howard Skempton | 1999 | Bath Spa University College | ||
| Rhys PQ | Five Preludes for Piano | 1999 | University of Reading | ||
| Bamford A | Five Songs for an Open Mind | 1997 | University of Reading | ||
| SWEENEY WJ | Flight | 1998 | University of Glasgow | Composition | |
| MacKillop R | Flowers of the Forest, Rob MacKillop (lute, mandour, cittern, guittar) | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Nicholson GTF | Flute concerto | 1994 | University of Sheffield | ||
| Jones S | Folk Music of China: Living instrumental traditions | 1995 | School of Oriental and African Studies | ||
| Hunter A | Folk Songs of North East Scotland - Songs from the Grieg-Duncan Collection, various artists including Andrew Hunter (voice) | 1995 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Finnissy M | Folklore (solo piano) | 1996 | Royal Academy of Music | ||
| Bassano P | For His Majestys Sagbutts and Cornetts: English Music from Henry VIII to Charles IIHenry VIII: Bassedance En pray amoure a 4 / a 6; Bassedance Taunder nacken a 3; Anonymous (c1540): The Trowmpettus; Pierre Alamire: Bassedance T'Andernacken a 5; A | 1997 | Royal College of Music | ||
| BLACKBURN B | For Whom do the Singers Sing? | 1997 | University of Oxford | ||
| Jones K | For peace is in the threem of a pair | 1995 | Kingston University | ||
| Kenny J | Forest ~ River ~ Ocean | 1997 | Royal Scottish Academy of Music and Drama | ||
| BUJIC B | Form and Forming: From Victorian Aesthetics to Mid-twentieth-century Avant-garde | 1998 | University of Oxford | ||
| Boynton NA | Formal Combination in Webern | 1995 | Lancaster University | ||
| Field CDS | Formality and Rhetoric in English Fantasia-Suites | 1998 | University of Edinburgh | ||
| Leach EE | Fortune's Demesne: the Interrelation of Text and Music in Machaut's Il mest avis (B22), De Fortune (B23) and Two Related Anonymous Balades | 2000 | University of Bristol | ||
| Potter KS | Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. | 2000 | Goldsmiths College | ||
| Brubeck D | Four Score in Seven | 2000 | University of Nottingham | ||
| Pratt SP | Four minitudes and 33 seconds | 1998 | Liverpool Hope | ||
| Weller PH | Frames and Images: Locating Music in Cultural Histories of the Middle Ages | 1997 | University of Nottingham | ||
| Doyle G A | Francesco Brusa: 'Missa Pro Defunctis' 1767 | 2000 | St Martin's College | ||
| Lindberg JJ | Francesco Corbetta: Selected Guitar Music | 1997 | Royal College of Music | ||
| Russill P | Francis Grier - Te Deum (for solo organ) | 1997 | Royal Academy of Music | ||
| Dimitrova L | Francis Routh, Scenes for Piano No 3, Op 68, Bretagne (composed for Lora Dimitrova). | 1999 | Canterbury Christ Church University College | ||
| Outram M | Frank Bridge - Works for String Quartet | 1995 | Royal Academy of Music | ||
| O'Donnell J | Frank Martin/Ildebrando Pizzetti - Mass/Passacaille/Messa di Requiem/De Profundis | 1998 | Royal Academy of Music | ||
| Bond T | Franz Schmidt: Das Buch mit sieben SiegelnTimothy Bond (organ) | 2000 | Royal College of Music | Performance | BBC Chorus and Orchestra Franz Welser-Most, conductor |
| Norris DO | Franz Schubert: The Kosegarten Liederspiel | 2000 | University of Southampton | ||
| Wintle C.S. | Franz Shubert Ihr Bild (1828): a response to Schenker's essay in Der Tonwille, Volume 1 | 2000 | King's College London | ||
| Dimitrova L | Frederick van Rossum, Al di la della sguro (composed for Lora Dimitrova). | 1996 | Canterbury Christ Church University College | ||
| Clayton M R L | Free rhythm: ethnomusicology and the study of music without metre | 1996 | Open University | ||
| Howell TB | Freedom of Choice: Project-based learning | 2000 | University of York | ||
| McVeigh SW | Freemasonry and Musical Life in London in the late Eighteenth Century | 2000 | Goldsmiths College | ||
| Wood C | French Baroque Opera: A Reader | 2000 | University of Hull | Graham Sadler | |
| Everist ME | French Motets in the Thirteenth Century: Music, Poetry and Genre, Cambridge Studies in Medieval and Renaissance Music | 1994 | University of Southampton | ||
| Charlton D P | French Opera 1730-1830: Meaning and Media | 2000 | Royal Holloway, University of London | ||
| Reynish T | French Wind Band Classics: Berlioz, Milhaud, Saint-Saens, Schmitt, Bozza | 2000 | Royal Northern College of Music | ||
| Neave A | Friends in Strange Places by Gordon McPherson | 1999 | Napier University | ||
| Neave A | Friends in Strange Places, by Gordon McPherson, Allan Neave (guitars) and Tim Williams (percussion) | 1999 | Royal Scottish Academy of Music and Drama | ||
| MARSTON NJ | From A to B: The History of an Idea in the 'Hammerklavier Sonata' | 1997 | University of Oxford | ||
| Horn RDW | From Catfish Row to Granby Street: contesting meaning in Porgy and Bess | 1994 | University of Liverpool | ||
| Bennett M | From Kennedy Fraser to the Jimmy Shandrix Experience in Five Generations | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Rankin S.K. | From Liturgical Ceremony to Public Ritual: Quem queritis at St Mark's, Venice | 1997 | University of Cambridge | ||
| Castelvecchi S. | From Nina to Nina: Psychodrama, Absorption and Sentiment in the 1780s | 1996 | University of Cambridge | ||
| Pople AJ | From Pastiche to Free Composition: R. O. Morris, Tippett, and the Development of Pitch-Resources in the Fantasia Concertante on a Theme of Corelli | 1999 | University of Nottingham | ||
| Myatt A | From Surround Sound to True 3D | 1999 | University of York | Music Technology | Lennox,P Vaughan, J |
| Uduman M S | From a Still Moment: composition for amplified ensemble and live electronics. | 1994 | Keele University | ||
| Duffy C | From modes to MIDI: methodologies for multimedia music courseware | 1996 | Royal Scottish Academy of Music and Drama | S Arnold | |
| Fern A | Fuego | 1996 | University of Newcastle | ||
| Teruggi D | Fugitives Voix | 1997 | University of Hertfordshire | ||
| Bosanquet C | Fun with cello harmonics. | 2000 | Anglia Polytechnic University | Musicology | |
| Russ M | Functions, Scales, Abstract Systems and Contextual Hierarchies in the Music of Bartok | 1994 | University of Ulster | ||
| Wood B. | Funeral Music For Queen Mary (1695) | 1996 | University of Wales, Bangor | ||
| Levi E W | Futurist Influences Upon Early Twentieth-Century Music | 2000 | Royal Holloway, University of London | ||
| Sawers I | Fuzzy Bird Sonata by Takashi Yoshimatsu for alto saxophone and piano. | 1999 | Napier University | ||
| Thomas AT | G | 1997 | Cardiff University | Central European and Slavonic Music | |
| Howat R | Gabriel Faur | 1998 | Royal College of Music | Editing: Theory and Practice | |
| Stott K | Gabriel Faure: The Complete Music for Piano | 1995 | Royal Northern College of Music | ||
| Parker R. | Gaetano Donizetti, Poliuto | 2000 | University of Cambridge | William Ashbrook | |
| Irvine R | Gala Water, for solo cello by Sally Beamish, Robert Irvine (cello) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Roxburgh E | Galileo, for large orchestra, baritone solo, chorus, ripieno children's choir, electronics | 2000 | Royal College of Music | Composition | |
| Atkinson N | Galleries | 1995 | Bath Spa University College | Fearns, R. | |
| Burnand D G | Gallivant | 1996 | Royal College of Music | Composition | |
| Brubeck D | Gathering Forces III | 1997 | University of Nottingham | Deepak Ram Chris Merz Concord Nkabinde |
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| Herford H | Gazzaniga: 'Don Giovanni Tenorio' | 1997 | Royal Northern College of Music | ||
| Taylor-Jay C | Gender Studies and Music | 1996 | University of Surrey Roehampton | ||
| Ireland R | Geoffrey Poole: String Quartet No.3 | 1997 | University of Manchester | ||
| Cropper PJ | Geoffrey Poole: String Quartet No.3 | 1997 | University of Manchester | ||
| Elcombe DK | George Nicholson: Letters to the World (settings of poems by Emily Dickinson), for soprano, recorder, cello, harpsichord. (30'). | 2000 | University of Manchester | ||
| Turner C | Georgian Christmas Music | 1996 | Anglia Polytechnic University | Musicology | |
| Gifford G | Georgian Delights: a treasury of harpsichord and organ music from the Library of Arnold DolmetschHandel: Overture to Ottone; Air for a Musical ClockAnon.: Lesson with Variations by Mr Handel; Stamford a+ Lord Exeter's Minuets; Lesson II in F major; Fu | 2000 | Royal College of Music | ||
| Clarke A | Gerald Barry: The Triumph of Beauty and Deceit | 1995 | University of Central England in Birmingham | Contemporary Music | The Composers Ensemble, dir.Diego Masson |
| Banfield SD | Gerald Finzi: An English Composer. | 1997 | University of Birmingham | ||
| Sheppard Skaerved P | Gerhard - Complete String Quartets | 1999 | Royal Academy of Music | ||
| Barber G D | German Organ Music after 1800 | 1999 | University of Leeds | ||
| Reynish T | German Wind Band Cassics: Hindemith, Schoenberg, Toch, Blacher | 1999 | Royal Northern College of Music | ||
| Wathey A B | Gerves du Bus, The Roman de Fauvel and the Politics of the Later Capetian Court | 1998 | Royal Holloway, University of London | ||
| Fenlon I.A. | Giaches de Wert, Letters and Documents | 1999 | University of Cambridge | ||
| Mival W | Gift of Life for soprano and string orchestra, settings of poems by Pushkin, translated by Anthony Briggs | 1999 | Royal College of Music | Composition | |
| Holloway R.G. | Gilded Goldbergs, Op. 86 | 1999 | University of Cambridge | ||
| West J | Giovanni Gabrieli: Sacrae Symphoniae, 1597His Majestys Sagbutts and Cornetts, Jeremy West (cornetto and artistic director) | 1997 | Royal College of Music | Performance | |
| Berry S | Glad Day | 1999 | Royal Northern College of Music | ||
| Patterson P | Gloria (solo soprano, solo tenor, SATB chorus, orchestra) | 1999 | Royal Academy of Music | ||
| Howard P | Gluck: An Eighteenth-Century Portrait in Letters and Documents | 1995 | Open University | ||
| Langdon S | Goldmark - String Quartet/String Quintet | 1999 | Royal Academy of Music | ||
| CALDWELL JA | Good Friday | 1998 | University of Oxford | ||
| Campbell D | Graham Fitkin, Agnostic, for Clarinet, Strings and Percussion (composed for David Campbell). David Campbell, Clarinet, BBC National Orchestra of Wales, Grant Llewellyn, conductor. | 1997 | Canterbury Christ Church University College | ||
| Buckland R | Graham Fitkin: 'Gameshow' (Saxophone Concerto) | 1997 | Royal Northern College of Music | ||
| Zivoni Y | Graham Whettam:'Hymnos' Quartet | 1997 | Royal Northern College of Music | ||
| Milne H | Grainger - Works for Chamber Ensemble | 1999 | Royal Academy of Music | ||
| Bassano P | Grand Tour Music from Sixteenth- and Seventeenth-Century Italy, Spain and Germany.Buonamente: Sonata a 6; Canzona a 6. Marini: Sinfonia grave: La Zorzi. Sonata a quattro. Sonata a 6. Merula: Chiacona. Macque: Seconde Stravaganze. Bassano: Vestiva | 1996 | Royal College of Music | Performance | |
| Gordon MZ | Gravity and Grace 1-4, for chamber ensemble (45 minutes) | 1996 | University of Southampton | ||
| MacKillop R | Graysteil - Music from the middle ages and renaissance in Scotland, Rob MacKillop (lutes) and William Taylor (clarsachs) | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Hunter A | Graysteil, music from the middle ages and renaissance in Scotland for lute, clarsach and voices, various artists including Andrew Hunter (voice) | 1997 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Kitchen J | Great European Organs No.49 | 1997 | University of Edinburgh | ||
| BURDEN M | Great minds against themselves conspire; Purcell's Dido as a conspiracy theorist | 1998 | University of Oxford | ||
| Ivashkin A | Gretchaninov Cello Concerto. | 1997 | Goldsmiths College | ||
| Chilingirian L | Grieg String Quartets - No. 1 in G minor, op. 27; No. 2 in F major CW146 | 1999 | Royal College of Music | Performance | Chilingirian String Quartet |
| Sutcliffe W.D. | Grieg's Fifth - The Linguistic Battleground of Klokkeklang | 1996 | University of Cambridge | ||
| Thompson K | Group Music Teaching | 1994 | Dartington College of Arts | ||
| Thomas AT | Gry weneckie: metody robocze na poczatku dojrzalego okresu tw | 2000 | Cardiff University | Central European and Slavonic Music | |
| Howard P | Guadagni in the Dock | 1999 | Open University | ||
| Bamford A | Guernica | 1998 | University of Reading | ||
| O'Donnell J | Guerrero - Missa de la Batalla Escoutez (and other works) | 1999 | Royal Academy of Music | ||
| Brooks LJ | Guillaume Boni: Motets (1573) | 2000 | University of Southampton | ||
| Leech-Wilkinson D | Guillaume de Machaut: Le Livre dou Voir Dit | 1998 | King's College London | R. Barton Palmer (translator) | |
| Bainbridge S | Guitar Concerto (for solo guitar and large chamber ensemble) | 1998 | Royal Academy of Music | ||
| Geddes J M | Guitar Concerto, for guitar, strings and vibraphone | 1998 | Royal Scottish Academy of Music and Drama | ||
| Campbell K | Guth a Shn | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Ap Sion P.E. | Gwales | 1995 | University of Wales, Bangor | ||
| Steinitz R J | Gy | 1996 | University of Huddersfield | ||
| Beckles Willson R | Gy | 2000 | University of Bristol | ||
| Ireland R | Gyorgy Orban: String Quartet No 3 | 1998 | University of Manchester | ||
| Cropper PJ | Gyorgy Orban: String Quartet No 3 | 1998 | University of Manchester | ||
| Wilson M | Hamelin! | 2000 | University of Salford | ||
| Hunter A | Hamish Henderson: The Odyssey of a Wandering King | 1994 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Truax B | Handbook for Acoustic Ecology, 2nd edition, CD-ROM | 1999 | De Montfort University | ||
| Burrows D J | Handel (Master Musicians Series) | 1995 | Open University | ||
| Standage S | Handel - At the Opera | 2000 | Royal Academy of Music | ||
| Woolley R | Handel Trio Sonatas | 1998 | Royal College of Music | Performance | Catherine Bott Purcell Quartet |
| JOHNSTONE HD | Handel's London - British Musicians and Concert Life | 1997 | University of Oxford | ||
| McCLEAVE SY | Handel's Unpublished Dance Music: A Perspective on his Approach to Composition | 1996 | The Queen's University of Belfast | ||
| Kimbell DRB | Handel, Rinaldo (1731) | 1996 | University of Edinburgh | ||
| Burrows D J | Handel, Suite a deux clavecins | 1998 | Open University | ||
| Best T | Handel: Radamisto (I. Fassung), Hallische Handel-Ausgabe | 1999 | Open University | ||
| Best T | Handel: Tamerlano, Hallische Handel-Ausgabe | 1996 | Open University | ||
| Best T | Handels word-setting in La Resurrezione | 1998 | Open University | ||
| Davies D | Handguns, by Gordon McPherson, the Paragon Ensemble conducted by David Davies | 1996 | Royal Scottish Academy of Music and Drama | ||
| McPherson G | Handguns: A Suite | 1995 | Royal Scottish Academy of Music and Drama | ||
| Blake DL | Hanns Eisler-A Miscellany | 1995 | University of York | ||
| Wintle C.S. | Hans Keller, Essays on Music | 1994 | King's College London | ||
| Gourlay J | Hans Werner Henze: 'Apollo trionfante' | 1998 | Royal Northern College of Music | ||
| Hamilton J | Hans Werner Henze: Pollicino | 1999 | Royal Northern College of Music | ||
| Dickinson S | Hans Werner Henze: Trio in 3 Movements | 2000 | Royal Northern College of Music | ||
| Norman K | Hard Cash (and Small Dreams of Change). | 1998 | Goldsmiths College | ||
| Sawers I | Hard Fairy by Graham Fitkin for piano duo and soprano saxophone. | 1997 | Napier University | ||
| Butterworth A | Harmony in Practice | 1999 | Napier University | ||
| Watkins P | Harrison Birtwistle - The Woman and the Hare | 1999 | Royal Academy of Music | ||
| Cross JGE | Harrison Birtwistle: Man, Mind, Music | 2000 | University of Bristol | ||
| Birtwistle H | Harrison's Clocks | 1997 | King's College London | ||
| Graham P | Harrison's Dream | 2000 | University of Salford | ||
| Gilmore B | Harry Partch: a biography | 1998 | Dartington College of Arts | ||
| Chua D.K. | Haydn as Romantic | 1998 | King's College London | ||
| Gregor-Smith B | Haydn cycle: Op.20 No.5, Op.33 No.2, Op.54 No.2, Op.76 No.1 | 1998 | University of Manchester | ||
| Birks RM | Haydn cycle: Op.20 No.5, Op.33 No.2, Op.54 No.2, Op.76 No.1 | 1998 | University of Manchester | ||
| RYCROFT ME | Haydn settings of Original Scottish Airs for George Thomson | 2000 | University of Glasgow | Scottish Music and Musicians | |
| Chew G A | Haydn's Pastorellas: Genre, Dating and Transmission in the Early Church Works | 1996 | Royal Holloway, University of London | ||
| Kirshbaum R | Haydn: Cello Concerto in D major; Symphony Concertante in B flat | 1994 | Royal Northern College of Music | ||
| Hall R | Heading north, compositions and arrangements by Rob Hall, Rob Hall (leader and soprano saxophone/clarinet) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Marsh RM | Heathcote's Inferno | 1996 | University of York | ||
| Grant R | Hedge Riddles | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Fenlon I.A. | Heinrich Glarean's Books | 1994 | University of Cambridge | ||
| WILLIAMSON C | Hello Mummy, Goodbye Dolly | 1997 | University of Surrey | Weir, J | |
| Patterson P | Hells Angels (solo soprano, SATB chorus, percussion and amplified string quartet) | 1998 | Royal Academy of Music | ||
| Titterington D | Helmut Bornefeld - Florilegium | 1997 | Royal Academy of Music | ||
| Potter C | Henri Dutilleux, his life and works | 1997 | Kingston University | ||
| Gregor-Smith B | Henri Dutilleux: Ainsi la Nuit | 1994 | University of Manchester | ||
| Birks RM | Henri Dutilleux: Ainsi la Nuit | 1994 | University of Manchester | ||
| Potter C L | Henri Dutilleux: His Life + Works | 1997 | University of Surrey Roehampton | Music | |
| Spink I W A | Henry Lawes: Cavalier Songwriter | 2000 | Royal Holloway, University of London | ||
| Dreyfus L | Henry Purcell. The Complete Fantasias for Viols (L. Dreyfus, Director) | 1996 | King's College London | ||
| Bell S | Henryk Gorecki - Good Night (for alto flute, soprano, percussion, piano) | 1995 | Royal Academy of Music | ||
| Sheppard Skaerved P | Henze (+ other composers) - Works for solo violin | 2000 | Royal Academy of Music | ||
| Shorr A | Henze - Piano Sonata + 5 Nocturnes | 2000 | Royal Academy of Music | ||
| Titterington D | Henze - Symphony No. 9 | 2000 | Royal Academy of Music | ||
| Spicer P | Herbert Howells | 1998 | Royal College of Music | ||
| Spicer P | Herbert Howells: Choral MusicBehold, O God our Defender, Three Carol Anthems, Te Deum 'For the church of St. Mary Redcliffe, Bristol', The Scribe,Thee will I love, Blessed are the Dead, Even such is Time, Inherhitance, Haec dies, God is gone up | 1996 | Royal College of Music | Performance | Finzi Singers Andrew Lumsden, organ |
| Horton P | Herbert Howells: Five Songs for Low Voice | 1999 | Royal College of Music | Editing: Theory and Practice | |
| Osmond-Smith D | Here Comes Nobody: la dramaturgia sperimentale di Outis | 2000 | University of Sussex | ||
| LINGAS A | Hesychasm and Psalmody | 1996 | University of Oxford | ||
| Pike L J | Hexachords in Late-Renaissance Music | 1998 | Royal Holloway, University of London | ||
| Gribbin D | Hey Persephone! | 1998 | Bath Spa University College | ||
| Gribbin D | Hey Persephone! | 1998 | University of Newcastle | ||
| Malham DG | Higher order Ambisonic systems for the spatialisation of Sound | 1999 | University of York | Music Technology | |
| King D | Highlights from European Brass Band Championships 2000 | 2000 | University of Salford | ||
| McBurney G | Hildegard Quartet (string quartet) | 1996 | Royal Academy of Music | ||
| Stringer JC | Hinterland | 1999 | University of York | ||
| Gifford G | His Lordship's Delight: Georgian music for harpsichord and organHandel: Overture to Deidamia; Minuet from Samson; March from the Occasional OratorioR. Jones: Suite in A minorDussek: A Voluntary for Organ by Handel, with VariationsHaydn: Sonata in | 1998 | Royal College of Music | ||
| Myers A | Historic Musical Instruments in the Edinburgh University Collection: The Catalogue of the Collection | 1994 | University of Edinburgh | ||
| Kelly B L | History and Homage | 2000 | Keele University | ||
| Milne H | Holbrooke/Haydn Wood - Piano Concertos | 1999 | Royal Academy of Music | ||
| Paynter J | Holding On | 1999 | University of York | ||
| Lockett M | Hollowed Ground | 1998 | University of Central England in Birmingham | World/Folk Music | |
| Fearn R | Homer-Dante-Joyce-Dallapiccola: Four Artists in Search of Ulysses | 1996 | Keele University | ||
| Malham DG | Homogenous and nonhomogenous surround sound systems | 1999 | University of York | Music Technology | |
| Cashian P J | Horn Trio | 1998 | Royal Holloway, University of London | ||
| Cashian P | Horn Trio | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Jones ML | How can I go forward when I don't know which way I'm facing? The condition of popular music education | 2000 | University of Liverpool | ||
| Jones ML | How pop songs become records: the significance of the methods and priorities of record companies in pop music making | 1998 | University of Liverpool | ||
| Russill P | Howells - Blessed are the dead | 1995 | Royal Academy of Music | ||
| Fuller A | Hubert Parry: Cello Sonata in A | 1999 | University of Central England in Birmingham | Performance Studies | Michael Dussek |
| Steinitz R J | Huddersfield Contemporary Music Festival Programme Book | 2000 | University of Huddersfield | ||
| HINNELLS D | Hugh Foss: Vaughan Williams's Jaeger? | 1996 | University of Oxford | ||
| Glauert A | Hugo Wolf and the Wagnerian Inheritance | 1999 | Royal Academy of Music | ||
| Stock JPJ | Huju and Musical Change: The Rise of a Local Operatic Form in East China, to 1920 | 1997 | University of Sheffield | ||
| Harlow M | Hummel: Die Eselshaut, arr.Wenzel Sedlak | 2000 | University of Central England in Birmingham | Early Music | |
| Comberti M | Hummel: Quintet in E flat and Piano Trio in Eflat. | 2000 | University of Central England in Birmingham | Early Music | The Music Collection |
| Dussek M | Hurlstone/Parry/Harty - works for cello and piano | 2000 | Royal Academy of Music | ||
| FORBES E S | Hymn to St Etheldreda | 1995 | University of Surrey | ||
| Hakim N | Hymne de l'Univers (Orchestra) | 1997 | Royal Academy of Music | ||
| Heaton R | Hymnos | 1997 | Bath Spa University College | ||
| McGregor R E | I Am The Rose Of Sharon | 1998 | St Martin's College | ||
| COLLINS RICE H | I Fiori, string quartet | 1996 | University of Oxford | ||
| Blake DL | I Skies tis Agapis (The Shades of Love) | 2000 | University of York | ||
| Irvine R | Iasg, for cello and piano, by Sally Beamish, Robert Irvine (cello) and Graeme McNaught (piano) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Cohen S | Identity, place and the 'Liverpool sound' | 1994 | University of Liverpool | ||
| Redgate R | Igloo. | 1999 | Goldsmiths College | ||
| Roscoe M | Ignaz Brull: Piano Concertos 1 and 2, and 'Andante and Allegro' | 1998 | Royal Northern College of Music | ||
| Steinitz R J | Ikons: The Music of John Tavener | 1994 | University of Huddersfield | ||
| Coccioli L | Il Racconto delle nuvole ('The tale of the clouds') | 1995 | University of Central England in Birmingham | Contemporary Music | |
| Stones A C | Im...pulssi. | 1999 | University of Surrey Roehampton | Music | |
| Young J | Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music | 1996 | De Montfort University | ||
| Archbold P | Impacts and Fractures for String Quartet | 1999 | University of Durham | ||
| Graham D | Improvisation on Salve Regina | 1999 | Royal College of Music | Performance | |
| Graham D | Improvisation on Veni Creator | 1999 | Royal College of Music | Performance | |
| Graham D | Improvisation on Victimae Paschali Laudes | 1999 | Royal College of Music | ||
| Potter J | In Darkness Let me Dwell (Dowland) | 1999 | University of York | ||
| Byrchmore R | In Manus Tuas/Manum Suam (a cappella choir) | 1996 | Royal Academy of Music | ||
| Mateer D G | In Nomine Jesu: Robert Fayrfax and the Guild of the Holy Name in St Pauls Cathedral | 2000 | Open University | Elizabeth New | |
| LeFanu N | In Parallel/Gathering Paths | 1998 | University of York | ||
| Trendell D.R. | In Praise of God | 1999 | King's College London | ||
| Brubeck D | In Their Own Sweet Way | 1996 | University of Nottingham | Dave Brubeck Chris Brubeck Dan Brubeck |
|
| Uduman M S | In accord, in motion: composition for ensemble | 1997 | Keele University | ||
| Munro G | In convertendo by Patrick Douglas (fl. C. 1533-c.1597) | 1998 | Royal Scottish Academy of Music and Drama | ||
| Vaughan M P | In memoriam ... (layer 1): composition for tenor recoder and live electronics, 13'00 | 1999 | Keele University | ||
| COLLINS RICE H | In the Grave, Whither thou Goest, for soprano and ensemble | 1995 | University of Oxford | ||
| HENSON K | In the House of Disillusion: Augusta Holmes and | 1997 | University of Oxford | ||
| PERES DA COSTA N | In the Name of Bach (music by Georg Christoph, Johann Ernst, Wilhelm Friedemann, Johann Christian and Johann Bernard Bach) performed by Florilegium, Neal Peres Da Costa co-director, organ, harpsichord and fortepiano with Catherine Bott (soprano) | 1996 | Bretton Hall | ||
| Widdess DR | India, III: Theory and practice of classical music | 2000 | School of Oriental and African Studies | HS Powers | |
| FARRELL G.J. | Indian Music and the West | 1997 | City University | ||
| ALCORN MP | Inflame, 2-channel tape | 1999 | The Queen's University of Belfast | ||
| Mayer J | Inja: IndoJazz Fusions | 1996 | University of Central England in Birmingham | World/Folk Music | Indo Jazz Fusions |
| Davidson JW | Innate talents: Reality or myth? | 1998 | University of Sheffield | M J A Howe J A Sloboda |
|
| Young J | Inner | 1995 | De Montfort University | ||
| Harrison SE | Inscapes: Contemporary music for violin and piano. | 2000 | Goldsmiths College | ||
| Truax B | Inside | 1996 | De Montfort University | ||
| HELLAWELL PRHD | Inside Story, solo violin, solo viola and symphony orchestra | 1999 | The Queen's University of Belfast | ||
| Thurlow J. | Inspiration and annihilation: setting words to music. | 1998 | University of Cambridge | ||
| O Regan N | Institutional Patronage in Post-Tridentine Rome: Music at Santissima Trinit | 1995 | University of Edinburgh | ||
| Samson TJ | Instrumental Music II | 1995 | University of Bristol | ||
| CLARK S | Integral para Piano solo de Franz Schubert (1817-1828) | 1994 | University of Oxford | ||
| Williams T N | Interference for tape | 1999 | University College Northampton | ||
| Rowland Jones S | Interpreting Bach | 1999 | Royal College of Music | Performance practice | |
| Tyrrell J | Intimate Letters: Leo | 1994 | Cardiff University | Central European and Slavonic Music | |
| Adlington RC | Into the Sensuous World: The Music of Rebecca Saunders | 1999 | University of Nottingham | ||
| Grant R | Intonarumori | 2000 | University of Central England in Birmingham | Contemporary Music | |
| Johnson P | Intonation and Interpretation in String Quartet Performance: The case of the flat leading-note. | 2000 | University of Central England in Birmingham | Performance Studies | |
| Hayden S T | Intransigence | 2000 | University of Leeds | ||
| Burnett M A | Introducing Caribbean Music | 1999 | University of Surrey Roehampton | Music | |
| Humphreys K | Introduction et rondo capriccioso, for violin and orchestra, op.28, by Saint-Saens, Kyra Humphreys (violin) with the Northern Sinfonia conducted by Jean-Bernard Pommier | 1999 | Royal Scottish Academy of Music and Drama | ||
| Ayrey CL | Introduction: Different trains | 1996 | Goldsmiths College | ||
| Brown C | Invocation (choir and organ) | 1999 | Royal Academy of Music | ||
| Widdess DR | Involving the performer in transcription and analysis | 1994 | School of Oriental and African Studies | ||
| Sheinberg E | Irony, Satire, Parody and The Grotesque in The Music of Shostakovich | 2000 | University of Edinburgh | ||
| Cross I.R.M. | Is music the most important thing we ever did? Music, development and evolution. | 1999 | University of Cambridge | ||
| Hugill A | Island Symphony (electroacoustic/orchestral) | 1995 | De Montfort University | ||
| Odam G | Issues in the Teaching of Composing in the Classroom arising from The Creative Dream Research Project 1997-1999 | 2000 | Bath Spa University College | ||
| Impett JF | It's Asony (ensemble of interactive computer instruments) | 1996 | University of East Anglia | ||
| Zwaanenburg J | Itaca | 2000 | Oxford Brookes University | ||
| Smith D J | Italian Influence on the Music of Peter Philips (c. 1561-1628): Musical Taste and Patronage in the Spanish Netherlands at the end of the Sixteenth Century | 1999 | University of Aberdeen | ||
| Fearn R | Italian Opera Since 1945 | 1997 | Keele University | ||
| Bucciarelli M | Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies | 2000 | Oxford Brookes University | ||
| Torrente A | Italianate sections in the villancicos of the Royal Chapel, 1700-1740 | 1998 | Royal Holloway, University of London | ||
| Eastop P | Ivan Fedele - Duo en Resonance (concerto for two horns and orchestra) | 1998 | Royal Academy of Music | ||
| TOMITA Y | J S Bach's 'Das Wohltemperierte Clavier II' - A Critical Commentary. Volume II: All the Extant manuscripts | 1995 | The Queen's University of Belfast | ||
| Kirshbaum R | J S Bach: The Six Cello Suites | 1994 | Royal Northern College of Music | ||
| Presland C | J S Bach: Violin Sonatas, BWV 1021 and 1023 | 2000 | Royal Northern College of Music | ||
| Harris M | J.C. Bach: Concerted Symphony in E flat major | 1997 | University of Central England in Birmingham | Early Music | The Parley of Instruments dir.Peter Holman |
| PERES DA COSTA N | J.S. Bach, A Musical Offering (Complete Trio Sonatas including Trio Sonata and Ricercar from A Musical Offering) performed by Florilegium, Neal Peres Da Costa harpsichord | 2000 | Bretton Hall | ||
| Rowland Jones S | J.S. Bach: Cello Suites, transcribed and edited for viola | 1998 | Royal College of Music | Editing: Theory and Practice | |
| Carolan L | J.S. Bach: Clavier | 1999 | University of Central England in Birmingham | Early Music | |
| Carolan L | J.S. and C.P.E.Bach: Fantasias | 2000 | University of Central England in Birmingham | Early Music | |
| Carr C | J.S.Bach - Six Suites for solo cello | 1998 | Royal Academy of Music | ||
| Wibberley R | J.S.Bach's Prelude and Fugue in E flat (BWV 552,1/2): An Inspiration of the Heart? | 1998 | Goldsmiths College | ||
| Solomon A | J.S.Bach: Flute Sonatas, vol. 1Sonatas BWV 1030; 1033-1035Partita in A minor BWV 1013Ashley Solomon (flute) | 2000 | Royal College of Music | Performance | Terence Charlston, harpsichord |
| Atkinson N | Jacob's Ladders | 1994 | Bath Spa University College | Fearns, R. | |
| Lindberg JJ | Jacopo Peri: Euridice | 1997 | Royal College of Music | Editing: Theory and Practice | |
| de Saram R | James Dillon: Parjanya-Vata for unaccompanied cello | 1997 | University of Central England in Birmingham | Contemporary Music | |
| Wallace J | James MacMillan - Epiclesis (concerto for trumpet and orchestra) | 2000 | Royal Academy of Music | ||
| McNaught G | James MacMillan - Orchestra Music Vol. 5, The Scottish Chamber Orchestra conducted by James MacMillan, with Graeme McNaught (piano) | 2000 | Royal Scottish Academy of Music and Drama | ||
| Kanga S | James MacMillan - Raising Sparks (song-cycle for mezzo and mixed ensemble) | 1997 | Royal Academy of Music | ||
| Crouch R | James MacMillan Orchestra Music, The Scottish Chamber Orchestra, leader Ruth Crouch, conducted by Joseph Swensen | 1999 | Royal Scottish Academy of Music and Drama | ||
| Lawton J | James MacMillan: Ines de Castro [Role of Pedro] | 1996 | Royal Northern College of Music | ||
| Kirshbaum R | James MacMillan: Piano Trio | 1997 | Royal Northern College of Music | ||
| Brooks WF | James Pritchett, The Music of John Cage and David Revell, The Roaring Silence | 1997 | University of York | ||
| Tyrrell J | Jan | 1997 | Cardiff University | Central European and Slavonic Music | Nigel Simeone Alena Nemcov |
| Titterington D | Jan Sandstrom/Holst - works for organ and trombone | 1998 | Royal Academy of Music | ||
| Simeone N. | Janacek's Works: A Catalogue of the Music and Writings of Leos Janacek | 1997 | University of Wales, Bangor | John Tyrrell Alena Nemcova |
|
| Janski S | Janacek: Jenufa | 1999 | Royal Northern College of Music | ||
| Lawton J | Janacek: Jenufa [Role of Laca] | 1996 | Royal Northern College of Music | ||
| Steprans J | Janis Steprans: 'Signature' for Big Band | 1998 | University of Exeter | ||
| Hughes DW | Japan: 1 - IX | 2000 | School of Oriental and African Studies | D. Berger, W. Malm, F. Koizumi et al |
|
| Cooke MJ | Jazz | 1998 | University of Nottingham | ||
| Steprans J | Jazzbeat | 2000 | University of Exeter | ||
| Hall R | Jazzsick, with Rob Hall (soprano saxophone) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Miller J | Jean Francois Bellon: Brass Quintets 1,2,3,12 | 1999 | Royal Northern College of Music | ||
| Trendell D.R. | Jean Lh | 2000 | King's College London | ||
| Sadler AG | Jean-Philippe Rameau, Plat | 1996 | University of Hull | ||
| Sadler AG | Jean-Philippe Rameau, Zoroastre (1749 version) in Jean-Philippe Rameau: Opera Omnia | 1999 | University of Hull | ||
| Field CDS | Jenkins and the Cosmography of Harmony | 1996 | University of Edinburgh | ||
| Spring M | Jenkins' Lute Music | 1996 | Bath Spa University College | ||
| Tyrrell J | Jenufa, jej | 1996 | Cardiff University | Central European and Slavonic Music | |
| Knapp A | Jewish Life and Music in Britain Towards the End of the 20th Century | 1997 | School of Oriental and African Studies | ||
| Jones S | Jizhong, Jing, Jin diqu minjian 'Yinyue hui' pucha shilu (Fieldnotes on folk Music Associations in the regions of central Hebei, Beijing and Tianjin) | 1994 | School of Oriental and African Studies | Qiao Jianzhong Xue Yibing Zhang Zhentao |
|
| Pascall R.J. | Johannes Brahms: Symphonie Nr.1 c-Moll, opus.68 | 1996 | University of Wales, Bangor | ||
| Fitch FJ | Johannes Ockeghem: Masses and Models | 1997 | University of Durham | ||
| Woodley R | Johannes Tinctoris: Complete Theoretical Works | 2000 | Lancaster University | ||
| Wright PA | Johannes Wiser's Paper and the Copying of His Manuscripts | 1996 | University of Nottingham | ||
| Bell S | John Adams - Chamber Symphony | 1994 | Royal Academy of Music | ||
| Holland J | John Adams: Two Fanfares: Short Ride on a Fast machine; Tromba Lontana | 1994 | University of Central England in Birmingham | Contemporary Music | CBSO, cond.Simon Rattle |
| Morehen J | John Amner, 'Sacred Hymnes (1615)' | 2000 | University of Nottingham | ||
| WOODFIELD ID | John Bland: London Retailer of the Music of Haydn and Mozart | 2000 | The Queen's University of Belfast | ||
| Cooper BAR | John Blow, Complete Organ Music | 1996 | University of Manchester | ||
| Birks RM | John Casken: String Quartet No. 2 | 1994 | University of Manchester | ||
| Gregor-Smith B | John Casken: String Quartet No.2 | 1994 | University of Manchester | ||
| Field CDS | John Donaldson and the Teaching of Acoustics at the University of Edinburgh in the mid-Nineteenth Century | 1997 | University of Edinburgh | ||
| Lindberg JJ | John Dowland - the complete solo lute music | 1995 | Royal College of Music | Performance | |
| Greer DC | John Dowland: Ayres for Four Voices | 2000 | University of Durham | ||
| Bashford CM | John Ella and the making of the Musical Union | 2000 | Oxford Brookes University | ||
| Frith B | John Field: Nocturnes, nos 1-9; Piano Sonatas, op.1, nos 1 + 2 | 1999 | Royal Northern College of Music | ||
| Frith B | John Field: Piano Concertos 2 and 4 | 1999 | Royal Northern College of Music | ||
| McTier D | John Hawkins - Worlds Apart (double bass and piano) | 1997 | Royal Academy of Music | ||
| Herford H | John Joubert: The Instant Moment, op. 110 | 1997 | Royal College of Music | Performance | English String Orchestra William Boughton, conductor |
| Bond T | John Lambert Concert:Echo Toccata, for organ (1993); Kyrie and Sanctus from the Organ, (1964-8); Slide, for trumpet (1989); Meditations for ensemble (1991)Veni Creator Spiritus for two voices and organ (1967); Toccata for guitar, (1984); For a while f | 1994 | Royal College of Music | Performance | Andrew Kennedy, tenor Mark Chaundy, baritone |
| Mayer J | John Mayer's Indo-Jazz Fusions: Asian Airs | 1996 | University of Central England in Birmingham | World/Folk Music | |
| Wardman V | John Pickard: 4th String Quartet | 1998 | Royal Northern College of Music | ||
| Dickinson S | John Reeman: Suite for Flute, Viola and Harp | 2000 | Royal Northern College of Music | ||
| Trendell D.R. | John Taverner - Missa Corona spinea; William Byrd - Motets | 2000 | King's College London | ||
| Sandon NJ | John Taverner: Missa Mater Christi and Mater Christi Sanctissima | 1997 | University of Exeter | ||
| Caird G | John Webb: Sextet for Piano and Wind | 1998 | University of Central England in Birmingham | Performance Studies | Albion Ensemble Martin Roscoe |
| Blezzard JH | John Wood: S | 1996 | University of Liverpool | ||
| Lyons W | Johnny, Cock thy Beaver: popular music from seventeenth-century England | 1996 | University of Central England in Birmingham | Early Music | The Dufay Collective |
| HENSON K | Jonathan Bellman (ed.) | 1999 | University of Oxford | ||
| Mead P | Jonathan Harvey | 1999 | Thames Valley University | Centre for Research in Contemporary Music Practice | Mead P |
| Downes M | Jonathan Harvey, Music and Inspiration (ed. Michael Downes). | 1999 | Canterbury Christ Church University College | ||
| Wibberley R | Josquin's Ave Maria: Musica Ficta versus Mode. | 1996 | Goldsmiths College | ||
| Gourlay J | Judith Bingham: 'Prague' | 1996 | Royal Northern College of Music | ||
| Kanga S | Julian Anderson - Poetry Nearing Silence (for harp septet) | 1997 | Royal Academy of Music | ||
| Maxwell M | Julian Butcher - Oboe Concerto | 1996 | Royal Academy of Music | ||
| Wiegold P J | Kalachakra | 2000 | Royal Holloway, University of London | ||
| McPherson G | Kamperduin, for Orchestra | 1997 | Royal Scottish Academy of Music and Drama | ||
| Johnson JM | Karl Kraus and the Schoenberg School | 2000 | University of Sussex | ||
| Burnett M A | Kassav | 2000 | University of Surrey Roehampton | Music | |
| Burnett M A | Keeping Time | 2000 | University of Surrey Roehampton | Music | |
| FELLS NA | Kendhang | 1996 | University of Glasgow | Composition | |
| Elcombe DK | Kenneth Leighton: Animal Heaven; Edward Harper: Lights Out, for soprano, recorder, cello and harpsichord | 2000 | University of Manchester | ||
| Fingerhut M | Kenneth Leighton: Works for Piano Solo | 2000 | Royal Northern College of Music | ||
| Elcombe DK | Keyboard Music | 1995 | University of Manchester | ||
| DOWNES S C | Kierkegaard, a kiss, and Schumann's Fantasie | 1999 | University of Surrey | ||
| Blezzard JH | King Henry VIII: performer, connoisseur and composer of music | 2000 | University of Liverpool | Palmer, F | |
| Jones L | King of the Low Seas (CD recording by David Thomas and Anthony Rooley): edition of songs by Giovanni Domenico Puliaschi and Giulio Caccini, and accompanying essay, 'King of the Low Seas', on songs for the bass voice in early seventeenth-century Italy. | 1995 | London Guildhall University | ||
| Kisby F | Kingship and the Royal Itinerary: a Study of the Peripatetic Households of the Early-Tudor Kings 1485-1547 | 1999 | Royal Holloway, University of London | ||
| Mills J | Knowing the subject versus knowing the child: striking the right balance for children aged 7-11 years | 1997 | Royal College of Music | ||
| KEEFE SP | Koch's Commentary on the Late Eighteenth-Century Concerto: Dialogue, Drama and Solo/Orchestra Relations | 1998 | The Queen's University of Belfast | ||
| Sackman N | Koi, for flute quartet | 1999 | University of Nottingham | ||
| Howard KD | Korean Shamanism Today [and] Preserving the spirits? Rituals, State Sponsorship and Performance | 1998 | School of Oriental and African Studies | ||
| Howard KD | Korean tradition in Isang Yun's compositional style, | 1999 | School of Oriental and African Studies | ||
| Lane P | Kullak/Dreyschock - Piano Concertos | 1999 | Royal Academy of Music | ||
| Beckles Willson R | Kurt | 1998 | University of Bristol | ||
| Janski S | Kurt Weill: 'The Rise and Fall of the City of Mahagonny' | 2000 | Royal Northern College of Music | ||
| Partridge I | Kverno - St Matthew Passion (for soloists and double choir) | 1996 | Royal Academy of Music | ||
| Allen L.V. | Kwela: the Structure and Sound of South African Pennywhistle Music | 1999 | University of Cambridge | ||
| Landy L | L | 1996 | De Montfort University | ||
| Iwamoto Y | L'Esprit du Crepuscule | 1999 | University of Durham | ||
| Iwamoto Y | L'Esprit du Vent | 1996 | University of Durham | ||
| ONeill MJL | L'art m | 1995 | University of Birmingham | ||
| Summerly J | L'homme arme masses (Josquin, Dufay and Ockeghem) | 1998 | Royal Academy of Music | ||
| Myatt A | L'infinita | 1999 | University of York | Music Technology | |
| FAUSER A. | La Guerre en dentelles: Women and the Prix de Rome in French Cultural Politics | 1998 | City University | ||
| Stott K | La Habanera: The Piano Music of Ernesto Lecuona | 1999 | Royal Northern College of Music | ||
| Hunter A | La musique ecossaise | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Dingle CP | La statue reste sur son pi | 2000 | University of Sheffield | ||
| Salter TJ | Lacrimae rerum for cello, organ and chorus | 1997 | Royal College of Music | ||
| Borthwick AB | Lacuna Lullaby | 1997 | University of Hull | ||
| HAIR GB | Lament for Santa Sophia | 2000 | University of Glasgow | Composition | |
| Grange PR | Lament of the Bow for chamber ensemble (16') | 2000 | University of Manchester | ||
| Boyle R | Lament, for violin and piano | 2000 | Royal Scottish Academy of Music and Drama | ||
| Clarke D I | Language Games: Is Music like Language? What Makes a Musical Discourse? (and) Speaking for Itself: How Does Music Become Autonomous? (2 part article) | 1996 | University of Newcastle | ||
| Weller PH | Lasso, Man of the Theatre | 1995 | University of Nottingham | ||
| Skidmore J | Lassus: Sacred Choral Music | 1996 | University of Central England in Birmingham | Early Music | Ex Cathedra Chamber Choir and Baroque Orchestra Micaela Comberti, leader |
| Vassallo E | Latin American Masterworks for Cello and Piano. | 1999 | Royal Northern College of Music | ||
| Vassallo E | Latin American Music for Flute and Cello by Piazzolla, Herrerias, Dinenstein, and Villa-Lobos | 1998 | Royal Northern College of Music | ||
| EDWARDS WA | Latin motets II (from manuscript sources) | 2000 | University of Glasgow | Early Music | |
| Robinson P | Le Sang D'un Po | 2000 | University of Salford | ||
| Clayton M R L | Le metre et le tal dans la musique de lIndie du Nord | 1997 | Open University | ||
| Brummer L | Le temps s'ouvre | 1999 | Kingston University | ||
| Bashford CM | Learning to listen: audiences for chamber music in early-Victorian London | 1999 | Oxford Brookes University | ||
| Comberti M | Leclair: Chamber Works | 1997 | University of Central England in Birmingham | Early Music | Collegium Musicum 90, dir.Simon Standage |
| Fallows DN | Leonardo Giustinian and Quattrocento polyphonic song | 1995 | University of Manchester | ||
| Norman K | Leonardo's Lists. | 1999 | Goldsmiths College | ||
| Parker R. | Leonora's Last Act: Essays in Verdian Discourse | 1997 | University of Cambridge | ||
| Dobbins F | Les premi | 1997 | Goldsmiths College | ||
| Young MW | Less is More | 2000 | Oxford Brookes University | ||
| McBurney G | Letter to Paradise (bass-baritone and orchestra) | 1998 | Royal Academy of Music | ||
| Nicholson GTF | Letters to the World | 2000 | University of Sheffield | ||
| Walker N | Liapunov - Piano Sonata in F minor Op.27 | 2000 | Royal Academy of Music | ||
| Sweeney-Turner S | Liebestod:Sex, Death and Wagnerian Androgyny | 2000 | University of Leeds | ||
| Gill L | Life Studies 1-3, for clarinet and piano, by William Sweeney, Lawrence Gill (clarinet) and Graeme McNaught (piano) | 1995 | Royal Scottish Academy of Music and Drama | ||
| Gardiner I.R | Lift Music | 1996 | Liverpool John Moores University | ||
| Eisentraut J.E. | Light of Uncertainty | 1997 | University of Wales, Bangor | ||
| Watkins R | Light's Horizon for orchestra (14'). 1st performance, Hopkins Symphony Orchestra; conductor Jed Gaylin. | 1996 | Canterbury Christ Church University College | ||
| Lee C P | Like a Bullet of Light - The Films of Bob Dylan | 2000 | University of Salford | ||
| Lee C P | Like the Night: Bob Dylan and the Road to the Manchester Free Trade Hall | 1998 | University of Salford | ||
| FAUSER A. | Lili Boulanger's La Princesse Maleine: A Composer and Her Heroine as Literary Icons | 1997 | City University | ||
| Young J | Liquid Sky | 1998 | De Montfort University | ||
| REES OL | Lisbon, Biblioteca Nacional, CIC Ms 60: the Repertories and their Context | 1997 | University of Oxford | ||
| Oldfield A | Listening, the First Step Towards Communicating Through Music | 1999 | Anglia Polytechnic University | Music Therapy | |
| Hamilton KL | Liszt : Sonata in B minor. | 1996 | University of Birmingham | ||
| Hamilton KL | Liszt Symphonies and Symphonic Poems. | 1997 | University of Birmingham | ||
| Rehding A. | Liszt und die Suche nach dem Tristan-Akkord | 2000 | University of Cambridge | ||
| Chadd DF | Liturgical Books: Catalogues, Editions and Inventories | 2000 | University of East Anglia | ||
| Paton R | Living Music | 2000 | University College Chichester | Music | |
| Brummer L | Lizard Point | 1997 | Kingston University | ||
| Stobart H F | Lo Recto y lo torcido: La musica andina y la espiral de descendencia | 1998 | Royal Holloway, University of London | ||
| Harper E | Lochinvar: A children's opera | 2000 | University of Edinburgh | ||
| Borthwick AB | Logic, cognition, and the art of the arbitrary | 1999 | University of Hull | ||
| Thomas PJ | London Radio Services: Signature theme and music beds for 8 programmes | 1997 | University of Southampton | ||
| GOSS S M | Looking Glass Ties | 2000 | University of Surrey | ||
| STROHM R | Looking back at ourselves: the problem with the musical work-concept | 2000 | University of Oxford | ||
| Wishart JRE | Looking over the edge | 1996 | University of Liverpool | ||
| MacGregor J | Lou Harrison - Piano Concerto | 2000 | Royal Academy of Music | ||
| Losseff N | Lou Harrison's 'Concerto for Piano and Javanese Gamelan' | 1997 | University of York | ||
| Rundell C | Louis Andriessen: 'Tao' | 1998 | Royal Northern College of Music | ||
| Langdon S | Louise Farrenc - Nonet Op.38 | 1996 | Royal Academy of Music | ||
| Smith D J | Lute Intabulations of Works by Peter Philips | 1998 | University of Aberdeen | John Robinson | |
| Milstein S.R. | M | 1995 | King's College London | ||
| Charlton D P | M | 1997 | Royal Holloway, University of London | ||
| ALCORN MP | Macha's Curse, symphony orchestra | 1997 | The Queen's University of Belfast | ||
| Summerly J | Machaut - Messe de Nostre Dame + items from Le Voir Dit | 1997 | Royal Academy of Music | ||
| Thomas PJ | Mad, Bad and Jazzy | 1997 | University of Southampton | ||
| DOWNES S C | Madness in music: Szymanowski's Op. 42 | 2000 | University of Surrey | ||
| Bowyer K | Magic Flutes: Organ Music by Alan Gibbs | 1998 | Royal Northern College of Music | ||
| Coccioli L | Magma | 1998 | University of Central England in Birmingham | Contemporary Music | |
| Williamson JG | Mahler and Pfitzner: a parallel development | 1995 | University of Liverpool | ||
| Douglas S | Maidenheids and Moudiewarks: Scotland and the Bawdy Song Tradition | 1999 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Fulwell P | Making Music Work: Intervention Strategies and the Development of Regional Music Economies | 1998 | Liverpool John Moores University | ||
| Paynter J | Making progress with composing | 2000 | University of York | ||
| Adkins M | Mapping | 1995 | University of Huddersfield | ||
| FARRELL G.J. | Mapping South Asian Music in Britain: Preliminary Observations | 1998 | City University | ||
| Wathey A B | Mapping the Soundscape: Church Music in English Towns, 1450-1550 | 2000 | Royal Holloway, University of London | C. Burgess | |
| Stott K | Marc Yeats: Piano Concerto - The Round and Square Art of Memory | 2000 | Royal Northern College of Music | ||
| Stras LA | MarcAntonio Ingegneri: New Biographical Information | 1994 | University of Southampton | ||
| McCLEAVE SY | Marie Sall | 1999 | The Queen's University of Belfast | ||
| McCLEAVE SY | Marie Sall | 1998 | The Queen's University of Belfast | ||
| Rundell C | Mark Anthony Turnage: Greek | 2000 | Royal Northern College of Music | ||
| Hamilton J | Mark Anthony Turnage: Greek | 2000 | Royal Northern College of Music | ||
| Bowman P | Mark Bromwich Tricorder for two quarter-tone recorders and live MSP. Peter Bowman and Kathryn Bennetts, Recorders. | 2000 | Canterbury Christ Church University College | ||
| Watkins P | Mark-Anthony Turnage - An Invention on Solitude | 1998 | Royal Academy of Music | ||
| Harris M | Mark-Anthony Turnage: Lament for a Hanging Man and Release | 1995 | University of Central England in Birmingham | Contemporary Music | The Nash Ensemble cond.Oliver Knussen Fiona Kimm, soprano |
| Jones ML | Marketing British pop: the promotion of British pop acts and British pop records in Japan | 1999 | University of Liverpool | ||
| Davismoon S | Marking Time | 1999 | Napier University | ||
| Davismoon S | Marking Time in Luigi Nono: the suspended song | 1999 | Royal Scottish Academy of Music and Drama | ||
| Campbell D | Martin Butler, Clarinet Quintet (composed for David Campbell). David Campbell, Clarinet with Smith Quartet. | 1995 | Canterbury Christ Church University College | ||
| Elcombe DK | Martin Butler: Back to Ground | 1996 | University of Manchester | ||
| Speake M | Martin Speake Group | 1999 | Royal Academy of Music | ||
| Speake M | Martin Speake International Quartet | 2000 | Royal Academy of Music | ||
| Speake M | Martin Speake's Fever Pitch | 1997 | Royal Academy of Music | ||
| Chew G A | Martinu's Three Wishes and their Fulfilment: Links between Paris and Prague in the Music of the 1920s | 2000 | Royal Holloway, University of London | ||
| Miller J | Mary Macqueen | 1998 | Royal Scottish Academy of Music and Drama | Traditional and historical Scottish music | |
| Richards J | Mask (B-format) | 1997 | De Montfort University | ||
| Hamilton J | Massenet: Werther | 1997 | Royal Northern College of Music | ||
| Bryan J H | Master of Musicians: Songs and Instrumental Music by Josquin des Pres, his pupils and contemporaries | 2000 | University of Huddersfield | ||
| Sadler AG | Masterpieces of the French Baroque: Nine Motets from the Century of Louis XIV | 2000 | University of Hull | ||
| Kelly B L | Maurice Ravel | 2000 | Keele University | ||
| Watkins R | Maxwell Davies - Horn Concerto | 2000 | Royal Academy of Music | ||
| Outram M | Maxwell Davies - Strathclyde Concerto No. 5 | 1995 | Royal Academy of Music | ||
| SENICI E | Mayr e il Metastasio: un contesto per Demetrio | 1997 | University of Oxford | ||
| Crouch R | Mbira, for violin and piano, by Nigel Osborne, Ruth Crouch (violin) and Graeme McNaught (piano) | 1994 | Royal Scottish Academy of Music and Drama | ||
| Milne H | Medtner - Piano Music volume 5 | 1999 | Royal Academy of Music | ||
| Milne H | Medtner - Piano Music volume 6 | 1999 | Royal Academy of Music | ||
| Thomas W. | Meistres 'Graianfryn' a Cherddoriaeth frodorol yng Nghymru | 1999 | University of Wales, Bangor | ||
| Sackman N | Meld, concerto for piano, brass and percussion | 2000 | University of Nottingham | ||
| Sorrell NFI | Melodic Paradoxes in the Music of the Thai pi-phat and Javanese gamelan | 2000 | University of York | Sumrongthong B | |
| Vaughan M P | Melodie: composition for tape | 1994 | Keele University | ||
| Adkins M | Melt | 1995 | University of Huddersfield | ||
| Powers AJ | Memorials of Sleep | 1998 | Cardiff University | Composition | |
| Macdonald A | Memory and other props, electroacoustic music for dance | 1998 | Royal Scottish Academy of Music and Drama | ||
| Cohen S | Men making a scene: popular music and the production of gender | 1997 | University of Liverpool | ||
| Bisengaliev M | Mendelssohn: Concerto for Violin and Piano, and Violin Concerto in D minor | 1998 | University of Central England in Birmingham | Performance Studies | Northern Sinfonia, cond.Andrew Penny Benjamin Frith |
| Frith B | Mendelssohn: Piano Works, Vol.5 | 1999 | Royal Northern College of Music | ||
| Norris DO | Mendelssohn: Piano concerto no. 2 in D minor, Op.40, with the Orchestra of the Age of Enlightenment, cond. Arnold Oestman | 1995 | University of Southampton | ||
| MacGregor J | Messiaen - Vingt regards sur l'enfant Jesus (for solo piano) | 1996 | Royal Academy of Music | ||
| Bond T | Messiaen: L'AscensionTimothy Bond (organ) | 1996 | Royal College of Music | Performance | |
| Pople AJ | Messiaen: Quatuor pour la fin du temps | 1998 | University of Nottingham | ||
| Lockett M | Metal Works: Parrot Soup | 1994 | University of Central England in Birmingham | World/Folk Music | |
| Saunders J E | Metan | 1995 | University of Huddersfield | ||
| Fend M | Metaphern in der Musiktheorie des 16. Jahrhunderts | 1998 | King's College London | ||
| Alvarez J | Metro Nativitas | 1999 | University of Hertfordshire | ||
| Everist ME | Meyerbeer | 1996 | University of Southampton | ||
| Silverthorne P | Michael Berkeley - Viola Concerto | 1996 | Royal Academy of Music | ||
| Bucciarelli M | Michelangelo Rossi: Erminia sul Giordano (1633) | 1994 | Oxford Brookes University | ||
| Wright O | Middle Eastern song-text collections | 1996 | School of Oriental and African Studies | ||
| Hugill A | Midivisualiser | 1997 | De Montfort University | ||
| Atkinson N | Midwinter | 1998 | Bath Spa University College | ||
| Silverthorne P | Miklos Rozsa - Viola Concerto | 1996 | Royal Academy of Music | ||
| Kelly B L | Milhaud's Alissa Manuscripts (1913 and 1931) | 1996 | Keele University | ||
| REES OL | Mille regretz as Model: Possible Allusions to | 1995 | University of Oxford | ||
| Hughes DW | Min'y | 1999 | School of Oriental and African Studies | ||
| Smith R | Minim | 1999 | Bath Spa University College | Foster, C. | |
| Woodley R | Minor Coloration Revisited: Okeghem's Ma bouche rit and Beyond | 2000 | Lancaster University | ||
| Dawe K N | Minotaurs or musonauts? Cretan music and world music | 1999 | Open University | ||
| Howard KD | Minyo in Korea: Songs of the people and songs for the people | 1999 | School of Oriental and African Studies | ||
| Lyons W | Miracles: Thirteenth Century Spanish Songs in praise of the Virgin Mary | 1997 | University of Central England in Birmingham | Early Music | The Dufay Collective Vivien Ellis, voice |
| Lyons W | Miri it is: Songs and Instrumental Music from Mediaeval England | 1995 | University of Central England in Birmingham | Early Music | The Dufay Collective, dir.John Potter |
| Pople AJ | Misleading Voices: Contrasts and Continuities in Stravinsky Studies | 1996 | University of Nottingham | ||
| Hakim N | Missa Redemptionis (choir) | 1996 | Royal Academy of Music | ||
| Burrell H | Missa brevis for SATB and Organ | 1998 | University of Hertfordshire | ||
| Caird G | Mississippi Five: Twentieth-Century Quintets | 1996 | University of Central England in Birmingham | Performance Studies | The Albion Ensemble |
| Polfreman R | Modalyser + Modalyser - ER |